davidaulloa/AmericanStories huggingface dataset:
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
Holmes Film
at Met

''The Triumph Of Sherlock
Holmes" with Arthur Wontner
again playing the redoubtable
Sleuth, comes to the screen at
Warner Bros. Metropolitan Thea.
ter on Friday, July 10, for a weeks
engagement.
Based on the late Sir Arthur
Conan Doyle's novel, 1.-THE Valley
Of Fear" this new production
shows the worlds most celebrated
detective emerging from retire
ment to counterfeit the deadly
schemes Of that infamous inter
national crook, Professor Moriarty.
It is duel to the death between
the pair, and for thrills, color and
suspense, no film in which Sher-
lock Holmes has appeared has
carried the same melodramatic
appeal.
Directed by Leslie S. Hiscott,
''The Triumph of Sherlock
Holmes" is said to be the finest
of the Sherlock Holmes pictures.
The cast supporting Arthur Won't
ner, the distinguished English
actor, includes Ian Fleming, as
DR.. Watson; Lyn Harding, as Pro-
fessor Moriarty and Leslie Perrins
Jane Carr, Charles Mortimer and
many others.
Bernice Claire in new musical
reel, Love Department." and IS
minutes of news events complete
the program.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
Music Battle
Due on River

The greatest battle Of music
that Washington has ever seen
will take place on the Wilson
Line steamer City of Washington
at midnight next Saturday night
when Ina Ray Hutton and Her
Melodiers and jolly Coburn and
His Rainbow Room Orchestra
will furnish dance music for the
first annual Variety Club show
boat cruise.
Announcement Of the engage,
ment Of Miss Hutton and her
band was made by Carter Bar
ron, general chairman Of the
cruise, and Guy Wonders Of the
Warner Brothers Earle.
General Chairman Barron, with
several Of his committeeman,
have already made one trip down
the river on the Showboat in order
to make arrangements for a larger
bandstand-and for decorations.
According to schedule, the boat
will sail promptly at midnight
next Saturday, returning around
3 a. m. the following morning.
In addition to dancing there will
be entertainment galore and other
features.
Tickets for this special cruise
may be purchased only from mem
bers Of the Variety Club, which is
composed Of men affiliated with
the motion picture and legitimate
stage business.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
= HOLLYWOOD GOSSIP
ICOVer HOuy WOOd

He, but definitely, be-
longs on the screen. .Franchot
Tone has been taking singing les
sons for six months now because
he actually expects to land in
grand opera as soon as his larynx
becomes acclimated. my English
Matt Hari tells me that John
Monk Saunders Gay Wray's ball
and chain is rushing from Eng.
land to the Continent and back,
taking shots for his air epic Con.
quest of the Air"
BY way Of eccentric fan mail,
Hugh Herbert tops the list at the
moment. He received a letter
from a lady in Tacoma, Wash,
to wit: You remind me Of my
third husband, Henry, who is now
in a sanitarium for mental cases.
He now insists on monograming
ping pong balls. I am As and my
milkman says I have the bluest
eyes he ever saw. So please send
me a picture" Methinking she
should be with her husband. 81
Joe Morrison, Paramount's yod.
eler and elegant, has new trailer
gadget built like a yacht and
painted blue and silver. It con-
tains a stove, an ice box, hot and
cold water, a radio, and a sales
special. In it he will tour the
CALIFORNIA;,
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
MOVIE
4'ACLOCK

FOX-Fred MacMurray, Madge
Evans in Men Without
Names" 10:45 a. M, 1880,
4:20, 7:15, 1000 p. m. Stage
1925, 3:15, $40, 900 p. m.
EARLE-Grace Moore in Love
Me Forever" II a. m, 1880
4:20, 7:05, $50. Stage
12:40, 1925, 6:15, 8 p. m.
METROPOLITAN - Richard
Dix, Margot Graham e in
1.-THE Arizonian" 1920 a. M,
1:25, $3.50, 5:35, 7:35, $40
p. Ii.
COLUMBIA-Joan Crawford,
Robert Montgomery in "No
More Ladies" 1850 a. m,
1850. $3.50, $3.50, ESQ, $3.50
p. m.
RKO-KELTH'S Karloff, Bella
Lugosi in 1.-THE Raven" 1925
a. M, 1912, 1853. 4:46, 6:33,
$40, 10:07 p. m.
PALACE-William Powell, LuiSe
Rairer in "EScapade" 11:O5
o. m, 1:10, 3:15, 5:25, 1880,
$40 p. m.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16

were first introduced, and he i'm
mediately became one of the most
sought after performers.
Many people who have seen
GARLIC in "Viva Villa" I'm Cali
ente" or any of his other produc-
lions are surprised to discover
that he can speak perfect English
and that he is just putting on"
when he assumes so perfectly the
accent of the Latin, the Chinese
or the italian. These lingos were
picked up by the actor long before
he became famous, in fact, many
of them date back to his news
paper reporter days on the West
Coast.
Columbia Pictures, who made
Love Me Forever" were so i'm
pressed with Carrillo's perfor.
nance as Steve Corelli, the music
loving Italian who sponsors Miss
Moore's operate career in the
story, that they Immediately
signed him to a contract for fu.
ture pictures. He comes here,
then, on vacation from Hollywood.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
RaW|ins0nOnCe
Maestro Here

Herbert Rawlinson, who plays
an important role in Men With
out Names" now at Loew's Fox,
back in 1929 was a master Of
ceremonies at Loew's Palace, from
May II to August 16, when that
Theater was presenting stage
shows.
Now train journeys, even air
plane flights, to Hollywood hold
no thrill for Rawlinson, stage and
screen star who is making a come
back in Men Without Names"
When he signed for this role,
he also signed on as a crew men,
Der of a cargo vessel which was
leaving New York for Hollywood.
Rawlinson arrived in Hollywood
as bronzed and wiry as an old
salt. He had spent some of his
time on the voyage chipping rust
and performing other physical Ia
Dor to get into tip-top condition.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
By VICTOR SCHERTZINGER


(Mr. Schertsinger, once q
concert vioIinist and the com.
poser of many popular songs,
including "MGrchetG," directed
zone Night of Love" as tDeH as
Grace Moore's new picture for
Columbia, "LoUe Me Forever"
now shouting at the EGrleD
Studiomade operas have many
advantages over the stage YER
sions just as screen plays have ad-
vantages over flesh and blood per-
formanceS.
To the singer, the screen gives
the choice of his or her best per
Torrance from among a number
for incorporation in the finished
picture. For instance, in photo
graphing and recording the op-
cratic sequences in Columbia S
Love Me Forever, six weeks
were required to secure perfect
sound and camera work. The
"Tiny Hands" duet from the first
act of LA Boheme" alone was
sung and played 20 times till one
rendition qualified as free from
flaws in tone and acting.
Danger Of Accidents
In the opera house, no matter
how great the singers, they are at
the mercy Of the accidents that
may befall their voices at each
performance. They are worse off
than an actor who may be a little
hoarse without detracting from
any display of emotion. But who
would be moved by a vocalist with
a slight cold or by music sung
off-key? And the vocal cords
are very delicate; sometimes sing.
ers are in excellent voice and
then, for no earthly reason, they
are not so good. But in the opera
house, each performance is final.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
Garlic Here
Augusta

When Leo Carrillo comes to the
stage at Warner Bros. Earle The
alter on August 2, it will be the
noted screen players third Wash
ington appearance in person in
the last three years.
Last July, GARLIC played a
highly successful week at the
Earle. The year before, he came
to Washington with the famed
"42d Street Special" This year,
he will return at the peak Of his
screen career, for critics and audi
ences everywhere are lauding his
performance opposite Grace Moore
in Love Me Forever" her new
picture and the attraction at the
Earle this Friday.
Leo Carrillo is a true son of
California, an immediate descend
ant of the famous Bandini family
as well as of the pioneer CarrilloS.
He was we'll known on the legiti-
mate stage when talking pictures
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16

Barbara Stanwyck is out to get
herself a contract with her hus'
band, Frank Fay, as her super
visor, elsen it's no go on the
deal. Just why such a comical
and talented gentleman should be
relegated to a supervisor is a
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
Studio-Made Operas Held Best
By Famous Picture Director

On the screen, however, they may
be always at their best.
From the point of view Of the
audience, screened opera is super
ior in that it can be seen in COM
fort, at low cost, and frome every
angle. From a seat in the opera
house, the patron sees and hears
the performance from only one
point. In the motion picture thea
ter, he is a privileged observer.
Because of the mobility of the
camera and the microphone, every
spectator can see and hear not
only equally we'll but he can see
and hear just as well and just as
much as if he stood on the very
stage from which the artists are
delivering their songs.
Audience Benefits
The audience also gets the
benefit of the greater amount Of
money and length Of time eX-
pended on a motion picture pro-
duction. Lilica, who wrote the
scenario for Puccini'S LA Bohene"
indicated the setting for the first
act thus:
"a garnet, empty. A fireplace
(Ieft) and window right, a
cupboard, a bed, an easel, q
picture on the WALL"
In stage productiones Of la
Boheme" the garnet is usually I'M
convincing. 1t covers the entire
stage of the theater. To build it
smaller would require much con-
struction-too much to make it
possible for the stage hands to
remove the setting during the
brief operate intermission. In
picture work, weeks can be spent
building a convincing set; it does
not have to be STRUCK" immed-
lately to make way for the follow
ing act.
In the garnet setting in Love
Me Forever" the window, instead
Of being small, as is usual in the
stage presentations, is large-large
enough so that the snow-covered
roofs of the adjoining buildings of
that section of Paris can be seen.
The producers took advantage of
the window to stage an impressive
scene before it during the rendi-
ton of the duet, turning what
would have been commonplace, on
the stage, into an impressive and
beautiful sequence. Through the
camera the audience gets a close
up view of this scene, an impoSsi-
bility in flesh-and-blood perform
ance.
Realistic Background
In the Musette sequences Of the
second act of the opera, Illica
merely indicated French street,
with cafe at left stage. Musette
made her entrance from the wings,
forcing her way through the
crowd, and seated herself at the
sidewalk table before the music Of
her song began.
On the screen, in Love Me For
ever" the street setting is trans
formed into a realistic background
for the action. The camera can
follow Musette as she walks, keep
ing her in sight of every person in
the audience all the while.
Her progress to the table is
marked by natural bits of "busi-
ness" which would have been i'm
possible had she entered from the
wings. BY the time she starts her
song the audience has had a full
view of her in her new finery, and
their appreciation of the singing
is not marred by the diversion Of
interest to her costume.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16

successes was young Woodley."
Later she left the stage to study
for grand opera, and for two sea-
sons sang leading soprano roles
in the opera houses Of the CONT.
nent.
Returning to the stage to star
in the late David Belasco's ITO
night or Never" she married Mel.
vyn Douglas, her leading man in
the play and well known both in
the theater and the films.
Tennessee Night
Tonight will be Tennessee
Night" at the Earle Theater, when
members of the Tennessee con-
gressional delegation will see Grace
Moore in Love Me Forever" her
new picture, as the guests Of John
j. Payette, general circuit director.
In the group will be Speaker j.
w. Byrns, Senator Kenneth Nc
Keller, Senator Nathan Bachman,
Representative B. Carroll Reece,
Representative Sam D. Mercy
nolds, Representative Walter D.
Chandler and Justice Clark Nc.
Reynolds.
A mid-July opening which was
of more than passing interest,
occurred at the Adelphia Theater,
| New York. when the Mikado was
revived for a run. Washington's
interest in the revival is that the
majority in the company have
frequently appeared in Washing
ton.
Included in the cast are such
sterling troupers as Frank Mou-
Ian, William Danforth, Vera Ross,
Howard Marsh, Vivian Hart, Der.
tram Peacock, and Herbert Wa.
tiers. Before Polls was RACED
this same company gave a series
of Gilbert and Sullivan.
Critic Writes Play
A new play has just come from
the pen of a newspaper man.
Ashton Stevens, Chicago dramatic
critic and national dean of his
profession in the point of years
of continuous service, has written
a play called Prospect Avenue"
It is to be done at the North
Shore drama festival in Glencoe,
ILL.,, August 10, with Katherine
Krug (Mrs. Stevens), and Tom
Powers in the cast. It is Mr.. Stev-
ems second effort as a playwright,
Twenty years ago he and Charles
Nicholson wrote a comedy called
''Mary'S Way Out"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
CAPITAL SHOW FOLK GATHER
Variety Club Holds Its Final
Spring Luncheon, Stars
Give Bio Program

The last spring luncheon Of the Variety Club Manager Harry
Sommervies Monday boarders held in the small
ballroom the Willard hoery yesterday much larger than
usual gathering of the Mccoy in Washington show folk
turned and made this final luncheon of the best that
tent II has produced to date.
After Labor Day, the midday jamborees will be resumed
but this the club will gather in its second floor club
for smokers such other spots different events
Wi leadth
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
Road sid ers
In M'eIo'

That crime does not pay-in
Montgomery county at leaSt-was
exemplified with telling effect by
the Roadside Theater Players last
night, as villainy of the deepest
dye was routed by the triumph Of
simple virtue in that most thrill
ing of melodramaS, author I'm.
known and probably a fugitive,
ITO Die At Dawn" presented
as that ambitious organizations
third offering of the current sea-
son.
Confirmed partisans Of the
Roadsiders for the past two sum.
mers will find few familiar names
in the cast, for the policy Of al
ternating the work of the melo-
dramatic and serious groups ap-
pears to have been at least tenn.
porarily abandoned. There are
no KressinS and no Coons whose
names have been indeliby affixed
to previous offerings of this ilk
if we may be permitted to say
elk" as we've wanted for a long
time-but instead there are most
worthy substitutes provided who
carry on in the accepted tradi.
lions of this noteworthy group.
Laid in the hills of Old Ken
lucky, ITO Die At Dawn" intro
duceS a band Of daring counter.
feiters, the leader of which, in no
wise content to ply his nefarious
trade as a single and whole
souled endeavor, must invade the
peaceful cottage of the heroine
and drag her in his tolls. Cir.
cumvented by the noble hero, he
makes him a fugitive and failing
in his attempt to crush her on a
m1llWheel, confines her in the Sc
cret recesses of Mammoth Cave.
But she is rescued from its wind.
ing corridors by a Oman Of an
earlier day and with the help of
the ubiquitous hero, himself saved
from ignominious death on the
galloWs by a matter of minutes,
virtue and morality triumph as
they always door should!
This reviewer is going to re-
verse the usual order of things
and accord first honors to Harold
Stepler, the william who invariably
has the most difficult role. We've
always been opposed to heroes to
whom the authors seem to give
the break in the lines, and this
IS in no wise to be considered a
reflection on the able work of
John Edwards. There is a Sec
ondary here, too, in the person
OF the Government detective, as
portrayed by Ralph Fowler, but
the low comedy of William Phil
lips, as suffering son of the
hills, is played with such admirable
restraint as to deserve special men,
ton. Then there's Thomas Cahill
who carries through his unbroken
record of merit in straight roles
in these melodramas by assuming
two characters to excellent effect.
Charles Bell, Kenn Romney and
John Hasler complete the male
contingent.
The harassed heroine as played
by Gail Dennis is admirable and
as in character she appeals to
Deity for surcease from the
Vaccinations of her prosecutors,
one just knows that things must
come out all right in the end.
Lavinia Merrick is pleasing as
the misguided girl who seeing the
error Of her own ways, helps to
save her, just as Einor Cox
KarSten impresses as the girls
unnatural mother.
A distinct novelty is provided
in the form of an entr'acte in pan.
tomime by William Phillips.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16

Real Mccoy in Local Theater
Circles Meet at Festive Board
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1935-07-16
PLAYERS Are Signed

Paramount has set Pat O'Mal-
ley for a part in the current
w. c. Fields picture, and Dickie
Moore, child actor, for a role in
the King Vidor production, $50
Red the Rose" with Margaret
Sullivan and Randolph Scott.
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15
GIBSON OPENS
BUTTE OFFICE

E. J. Gibson OF e. J. Gibson &
Co, Spokane. specialists in mining
securities, has opened an office at
104 p. Broadway, Hotel Finlen
building, Butte. under the name Of
E. J. Gibson, Inc. This office has
direct and private wires to the
principal markets of the United
States and Canada. Mr. Gibson is
a member OF the Spokane Standard
Stock Exchange, Seattle Mining Ex-
change. Vancouver, B. c., Stock Elk
change and the Salt Lake Stock
Exchange
The Butte office is under the
management OF F. c. Greene. Jr..
formerly one of the managers OF
Winthrop Mitchell Co.. members Of
the New York Stock Exchange;
Thomas Nelson, formerly with e.
]. Gibson & Co. at Spokane, and
o. j. Malcolm of Great Falls.
Mr.. Gibson has operated in Spo-
kane as a broker for the past 25
years with branch offices in Sc
attic, Couer d'Alene, Vancouver, B.
c.. and Butte The organization as
a whole is we'll equipped and quail
fled to give service to investors in
mining securities as well as to keep
them posted as to changing condi-
tions in any community.
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15
FHCHGRADE
from
Virginia City

Virginia City Gold Mining Co.
Is operating its mil at the Proc
pector mine.
Virginia City Mining Co. Dc work
ing both its quartz lead and placer.
81 u u .
The Billy mine has been taken
over BY the Montana Coal a Iron
Co.. and q large crew viii be at
work in q short time.
q q q o
The Moonlight & Roses claims
have been taken over by a Mime
apolis concern which is building a
n q q d
The Fresbees are working their
placer and are employing several
men in the construction OF more
flume.
The Blue Grouse and the Rose
bud were taken over and viii be
under the management of Mr.. Hakes
from Big Timber.
Q o q .
The Boaz mine is working shift
ana SINKING 1VU IS2E. In6y re-
Gently cut through four feet of high
grade ore.
q q q q
The Comstock mine is working
three shifts and sinking. They un-
covered a large body OF ore and are
placing new machinery on the pro
perty.
q q q q
The old Galena mine is being
opened up by a Wyoming corpora
ton and the crew is busy unwater-
ing and retimbering the workings.
Several engineers have made re-
ports on thds property and all agree
that it Will be a big producer again.
u ~ Il u
The old Revenue flat, with it's
famous Revenue mine, is looking
like a beehive. with the prospectors
digging at their workings.
n ~ * u
Ordinarily the prospectors wait
until well into the summer before
they start into the hills. This
spring they went right in after the
frost left the ground.
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15
Are The Days of 1868 Coming
Back Or Are They Already Here?
BY A. DOORNBOS
President, Josephine GoId MihIng G

PRESIDENT Josephine God Winning @.
Are the days of '63 due for the Madison county again.?
AS the writer took trip Norris last week he
wondering whether the above statement would true
has been prophesied by far sighted for the last four
years. When to the of Norris marveed at the
lively pace the cars, the highway and the buildings
that had been erected such short time and then Pony
and Ennis and Virginia City There is sign Of depres
sion these The buildings that stood abandoned for
years have been painted and occupied the last few months
New buildings are going up
stood thinking: What the of all of this: these
tOztys come to life over nght? Then said u" coming
true: the gold rush is here. The days zUen mer
and gold is king the Madison county the country of
gold untold 1Oeah YegIvng IKE fOOer the spring
and the smiles the faces of the old and young looks like the
beauty of spring morning
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15
LONDON PACIFIC
FINANCING TESTS
AROUND WINIFRED

The Canadian group which rs fin
ancing. together with the Kalispell-
Kelvin group OF Kalispeli. the de-
velopment of the Winifred district,
is known as London Pacific Explora-
ton company. This company is fin
anced in Vancouver, b. c., and has
in addition to its Montana holdings
a 7O-acre offset to the Columbia
Oils test on Sage Greek structure.
north Of Glacier Park in south
eastern British Columbia Columbia
Oils test is drilling with diamond
drill at a depth of around 1880 #.
London Pacific has ITS acres in
Winifred district It's geological ad-
visor is DR.. Axel A. OLSON, geo.
logfst, Of Gloversville, NJ z.
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15

The Kahok has a l5O-fOOi
shaft with drifts at two levels,
one OF which is stopped out to the
grassroots. The Mighty-Monarch has
a e5-foot shaft and a 2OO-foot tun-
mel. The Mighty-Monarch has re-
cord of some very rich ore. One
Acton carload is reported to have
averaged $40 per ton-old price
and much Of its ore carried "
ounces Of gold. A grab sample from
the old ore bin taken by Mr.. Platt
at the time OF the examination OF
the mine, ran $94 dollars per ton.
The properties have been taken
over by a new organization known
as the Kahoka Syndicate, financed
in Detroit There are five claims IN
the Kahoka. purchased from Ben
sitton, and four claims in the
Mighty-Monarch, purchased from
MIS-. Katie Windslow. These mines
were operated in the days OF hand
mining methods and team hauling,
when it cost S12 per ton to de-
liver It to the railroad. Using mod
ern air compressors and drill and
Transporting the ore with large
trucks at a very small cost per ton,
these mines will make money Tor
the owners if the ore yields only
as much today as it used to cost the
old timers 10 deliver the ore az los
tin, the nearest railroad point.
The narrow stringer Of high grade
which was worked at the surface
was from 8 to % inches wide at
the bottom OF the Kahoka shaft.
Platt previously had started up
the Hardcash and Black Friday
mines, which are now employing
90 men. other operations in the
district include the Heating, the
Ohio Heating. the Surprise and sew
eral others. At the Surprise a mill
is being built, employing seven men.
A new milling process Is being
tried out with single unit. II II
makes satisfactory recovery, Dem
yer capital Is said to be ready to
build a large mill of the same type.
Montana oil and mining journal. [volume] (Great Falls, Mont.) 1931-1953, 1935-06-15
FIVE WELLS
Continued from Page Onel

only a show at 1899. It was car
ried to 1880 In the gray lime, get
ting no water. After it failed to
respond to acid it was abandoned.
New Era-Fuel-Lorenson No. Z,
NWA NEA 27-35-2W, is a 10-bar-
rel we'll before acid treatment. It
had show Of oil in the Sunburst
at 1870 and got its pay from 1903
to 1903. The black lime was at
1897.
Pfalbe & Engleking are treating
with acid their SeabroOk No. l.,
Sc SWA SEA 19-35-2W, com
pleted last week. Its oil came from
1535-1548. ~
Imperial-Craig No 5. NEA NE Il
19-35-1W, is sidetracking lost tools
at ITO.