The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1935-08-27
Ayres Store
Shows Mode
for College
Morning-Evening Range
Of Fashions Worn
by Girl Models.

College girls saw themselves mir
rored in styles from early morning
before they go to the classroom un-
til evening when they dine and
dance in formal attire, at a style
show. held yesterday by L. S. Ayres
& Co. in the Collegienne shop.
They saw the college age models
dressed in practical simplicity with
f1attering colorS enhancing their
youthfulness ana materials prom
Using practicability.
The ski suit made its debut as a
potential favorite at football games,
snugly warm and unencumbering
for enthusiastic rallies to celebrate
victories. The navy blue suit had
a jacket with band Of green, blue
and white knit forming the belt
and the high turtle neck, fastened
by upper on the side. Striped
wOollen mittens matched the belt
and neck roll, and the red was
picked up by the stocking cap and
anklets showing beneath the trou-
ser legs, nipped in snugly around
the ankles.
The lounging garments were
youthful and comfortable. A robe
matched red, white and black silk
figured tailored pajamas of the
shirtwaist style, and a white ascot
was tied at the throat. Over a pair
of white shantung, two-piece pa
jamaS was a red silk robe, its belt
fringed in white and cording of
white edging the pockets of the
robe.
Sweater Favored
The college classic, the sweater,
was shown as the classroom favor
tie. A Bagdad blue cardigan but
toned down the back over a rust
skirt; brown and orange scarf tied
in front, and a brown beret and
brown suede upper oXfords COM
pleted the costume. A green cordu-
roy lumberjack buttoned snugly
over a rust and brown checked
pleated skirt It's pleats were
stitched in around the hips. A
scarf, of course, peeped out over the
lumberjack. Green wool anklets
were worn with brown suede oxfords.
A brown velveteen jacket, but
toned down the back and sleeveless,
fitted over brown, orange and yell
low plaid wool dress. A stitched
velvet tie, Topped into a fiat bow
marked the turn-down collar Of the
dress.
For afternoon parties the Buffalo
Bill model was a novelty. The rust |
crepe dress had suede fringed deep
collar and wide cuffs, and suede
lacing down the front of the blouse.
The Beau Brummel mode brought
gasps Of appreciation. Of black
crepe it had a white pleated vest,
with three fiat velvet bows across
it, and tiny white pleated cuffs edg-
ing the long sleeves. The r se-a-tete
gown aroused interest; il was Of
black velvet with white braid ar
ranged frog fashion down the
front.
A black crepe gown was threaded
with silver forming a plaid design,
and extra fullness was drawn up iii
the front of the skirt. The metal
Ic thread was twisted into a belt
buckle, and the sleeves slightly full,
T arroWed to tit the wrists snugly.
Dinner Gowns Shown
For dinner the college miss was
offered 9 gown with black skirt and
white bodice, finely tucked, with
full flares forming elbowlength
sleeves. A copper lace model had
long, full sleeves and straight lines;
rhinestone clasps at the neckline
and a rhinestone belt buckle pro-
viding the only trim.
Under a white, silver threaded, |
sleeveless jacket over a black crepe |
gown was a Bagdad blue ascot. The
jacket had corded breast pockets
For formal wear the copper slip
per satin gown, with full, sWishing |
skirt and nc trim was modelled. |
With a white hammered satin
gown, with red flowers marking the
neckline was worn a three-quarter |
length black velvet wrap with a
white fur Standup collar and a tiny |
white fur muff.
With all the formal models, some |
kind of ornament was Worn in the |
hair-tiny bows of ribbon, flowers or |
clips in whatever fashion became
the Wearer.