Evening star., 1934-07-22

IN frocks SUITS. hats and in simmer
fng accents on crepe or sheer WOOL.
Later in the son these colors. too
uiIl bs important. and the white satin
hat will doubtless carry over into
Fail
Interesting things are being done
vith satin which lends itself to sim
pie lines deft bias cuts and sophisti-
Gated styling Those who prefer only
= touch ~ its shiny surface viii find
delight In the new reversioles, using
the dull crepe side for mos, OF the
costume and confininR the lustrous to
woke sleeve sections, bows or other
small details There Is an extremely
effective type which displays
cleaning fat satin surface on one side
and a crinkly satin Of dull richness
on the other
A black satin frock with draped
revers capeIet shoulders and street.
length skirt. It's front closing effected
with rhinestone hooks and eyes. is an
excellent example Of a type advocated
Tor daylight dining. This was noted
al an exclusive restaurant IN one Of
our larger cities, worn with black
bcrct with soft draped fullness. and
black mesh stockings of cobWeb
sheerness. Also seen recently was a
lustrous black satin suit. with cowl-
nccked overblouse. Jacket lining and
collar of white satin.
Tucked neck yokes, with tiny cap
sleeves. TOP warm weather satin
frocks with jackets exploiting the
poplin sailor -collared theme, II not
net. a big mouSseline bow may dress
up the frock top
High necklines and capes, which
attach at the shoulders and SWlng
low in back are high lighted Fall
fashions available now in satin.
SHEATH silhouettes with all skirt full
ness concentrated at center-front
and back. and slim tunics are other
current promises OF an eHclung
Autumn.
4 TOWN topic Of interest all sea-
son. cottons and linens continue
to Justify their popularity. Now 1t is
the patterned weave linens which
draw the Summer spotlight, Suits of
herringbone linens and spongy
weaves achieved by nubbed yarns
which tailor to perfection and hold
their shape are favorites.
Printed linens with dark grounds,
the patterns in white or relief, are
appearing in little two-piece hand
kerchief weight frocks some with
classic shirt frock Stylings, others
with more feminine details, such as
square necklineS, draped cowls, di-
vided sleeves and fine pleated trim
mings. Blouses of these dark prints
are the natural accompaniment to
linen suits in oyster white and neu-
tral shades
Linen shantung uphoids the vogue
for texture interest, and is favored
in black, navy and deep browns in
suits worn with snowy white linen
blouses. The suits themselves fea-
ture b1-swing jackets in off-the-hip
length. and the ever-popular sWag-
ger types. Blouses and accessories OF
Indian madras are apother important
note.
Cottons that look like heavy linens
are distinguished In two-third top
coats in white or pastels over dark
cotton or linen frockS. Pastel cottons
in tweed versions are the basis for
many a chic Summer town suit, Fine
checks in black on biege, or red, blue,
brown and yellow on white develop
hot-weather themes. Contrasting
jackets are legion, as exemplif1ed by
a linen suit featuring a brown and
natural plaid jacket with brown side
pleated skirt, and worn with a nat
ural linen coolie hat.
Ginghams have come to town in
black and white versions. And one
must not forget the seersuckers, nor
the white silk seersuCker suits which
are boldly accented with color. as one
seen with golden yellow plaid taffeta
blouse and a hat of taffeta of the
same shade in plain color.
X x K =
\ LWAYS the first to launch new
season. hats are now boldly stress
ing Fall in new shapes, fabrics and
colors. Autumn style trends in head
gear are already firmly established.
Berets have rushed into prominence,
but berets that are wider, fuller and
more detailed. Some of them swing
up at one side and down in front in
the important new forward line
Others have draped backs which hug
the head in anticipation of big fur
collars Still others are sectiened or
gathered and caught at the center by
a bow or a bright quill. Stressed for
immediate wear are light and dark