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Plentywood herald. [volume] (Plentywood, Mont.) 1908-current, 1933-02-16
EVENTS LEADING UP 70 HI NsTAILMENT

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Plentywood herald. [volume] (Plentywood, Mont.) 1908-current, 1933-02-16

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Plentywood herald. [volume] (Plentywood, Mont.) 1908-current, 1933-02-16
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Evening star., 1933-05-06

turned sheik. The Valentino role has
been neglected of late. Strange as 1t
may seem, neither Clark Gable nor
Georgia Raft have worn desert boots
and whipped white ladies off camels
and hurried them to their sandy igloos
Novarro, disguised beneath an amazing
array of African headgear. adopts these
tactics. Further than that. he sings
to them. While he is frank in his love-
making and is neither bashful nor timid
In his embraces, when he seems to be
losing ground he opens his mouth and
sings Moon on the Nile song that
reduces all women to pulp
In this case. it is the tall and lovely
Myrna 10y. Miss 10y has only to hear
Novarro's soft voice, but she becomes
transfiXed into stupor and does his
bidding more than she had any idea
that she ever would. While she pre-
tends that she still loves her fiance and
even goes so far as to get herself into
a wedding dress in his honor. she does
a complete turn-about at sight of her
sheik, and when he chants the theme
song and whispers gentle words Of
what-nots In her ear. she becomes jelly
again and allows herself to be carted
away as his bride in the final fadeout.
The film is the sort of thing that will
appeal greatly to romantic ladies. They
will dream a thousand dreams about
themselves as Miss 10y. They will want
to whip Novarro the way Miss 10y does
and then be beaten by Novarro the way
Miss 10y is. But in the end they will
succumb to the lure of the desert and
fancy themselves as being whisked to
far-of tents and becoming the bride
of a real, honest-to-goodness Holly
wood sheik.
Mr.. Novarro looks as young as ever
and sings the way he is probably sing
ing on his European concert 5ur right
now. And Miss 10y should mean more
Evening star., 1933-05-06
WASHINGTON AMATEURS
IN ORIGINAL DANCES
Phil Hayden's Revue at Wardman
Park Theater Last
Night.

Washington theater-goers witnessed
one of the seasons best and most
original dance reviews last night with
the presentation Of Phil Hayden's revue
lntime. Dancing the Blues Away" at
the Wardman Park Hotel Theater.
A cast, composed entirely of Phil
Hayden's studio pupils, showed sur
prising cleverness throughout the per-
formance and the originality in the
composition of the dance numbers
brought forth talent rarely produced
by Washington amateurs.
Lets Waltz" dance interpreted by
Mr.. Hayden, who a'so wrote the accom-
panying music, and a sophisticated in
terpretive number, Dope" proved out
standing in the evenings selections.
Happy smiles were seen upon the
faces of many proud mothers as their
sons eni daughters performed. Little
Thelma Fierce in her 'valse mlgnon
did exceedingly we'll, as did 5-year-old
Shirley Altman in her tap dancing
routine.
Betty Johnston, Kathryn Dengler and
Mary Eller proved to be three OF the
most outstanding dancers Of the adult
group. with a professional naturalness
in their dancing.
Billy Woodward, little man himself
INTERPRETED nicely his role as big
Business Man." one of the five songs
created by Mr.. Hayden for the review:
Not to be forgotten either is Pearl
Hauer, the director of music, and Miss
Hayden (sister of Phil for her efforts
in directing.
All in all, a display of real talent on
the part of both children and adult
dancers was shown. P. N. j.
Evening star., 1933-05-06
Sheiks and the Desert
In a Revival at the Fox
"The Barbarian" With Ramon Novarro Takes
Cinema Back to Other Days-Joan Crawford
and Garry Cooper in To-day We Live"
By E. de S. Melcher.

and more to the public at large, after
her fine work in this film. Louise
Closer Hale Is also very, very funny
especially perched on and thrown of
a camel.
The George Jessel-Norma Talniadge
stage show, which, when viewed yes
terday, amounted only to a dress re-
hearsal, will be reported on Monday
in fairness to all concerned. The lights
yesterday just wouldn't 60 of and the
acts wouldn't ccme on. So, when all
is in order, We'll try again.
To-day We Live"-and presumably
tomorrow we die"-is the William
Faulkner saga now playing at Loew's
Palace, in which Joan Crawford and
Gary Cooper are starred. Although the
advertisements said recently: Imagine
glamorous Joan swooning in the arms
OF gallant Gary" the pair actually
have rather platonic love affair, anc
Miss Crawford has considerable fight
getting much footage in the film at all
1t is. really, a mans film. Mis-
Crawford somehow just doesn't belong
Although she plays her role we'll enough
throughout, as local drama Scribe
said, "she needs powder" And SHE
does. She has long sequences in which
her beauty is not photographed to ad'
vantage. She is, nevertheless. sincere
in all her actions, and attractive wher
she wants to be. AS result, how
ever, of a series Of unfortunate dresses
and bad makeup, We cannot imagine
that she will benefit much by thi!
picture.
Much better are the men concerned
although Cooper slides back a notcf
from his excellercy in "A Farewell tt
Arms" He is helped, however, by Rob-
ert Young and Franchot Tone, two
actors OF the younger school, who play
their parts for all they are worth. Mr.
Tone, particularly, makes you believe
that he is a human being-a young
boy caught in the midst of making the
best out CT what seems to be somewhat
OF a mess.
In the story, Miss Crawford loves
first Mr.. Young and then Mr.. Cooper
CTone) who loves them all. as Mr.
Coward would say, very much" This
quartet of misplaced souls misplaced
rather gallantly in the war; fight their
emotional battles together in a series
Ct monosyllabic Faulkner sentences, and
then run cut in the open and do their
flying and their motor-boat torpedoing
with nonchalance and abandon
The latter scenes are better than the
emotional battles. The air pictures are
fine, and the motor boating is fast and
furious 1t seems rather shame, how
ever, to waste Mr.. Tone and Mr.. Young
by running them to their death while
Miss Crawford walks off in the end
with gallant, but spiritually dull Gary
Cooper You somehow don't feel par
ticularly excited over how they feel
about each other At least you never
see "glamorous Joan swconing in the
arms of gallant Garry"
Evening star., 1933-05-06

Sybil. he was thinking, Sybi1, my wife,
for whom 1 have lived, who was the
whole meaning Of my life in the rose
covered house over there on the otner
side Of the ocean.
He held her with his hands. he saw
her with his eyes-but just because he
held her and because he saw her, ne
knew that he had lost her forever. Not
to Shortwell, not to her superfciallty-
he had lost her to the new life Whlch
he could no longer resist and in which
there was no place for her. Even with
Sybil he could no longer return to the
charming doctors villa. into the easy
existence he had inherited from has
father. Not even if he could have for
gotten SYPHILIS faithlessneSs. At this
moment it seemed to him that Sybll
betrayal was quite unimportant. some
thing he could forget without too much
trouble.
What he could never forget was the
glance he had had into the turmoil OF
the larger world, its manifoldness, Its
ups and downs. its possibilities anc
problems For the sake OF this sweet
face he. an ordinary, rather timld man
had begun to highland now 1t was
the battle he wanted, the battle he
could not give up, even for the sake Of
his face
What do you want of me?' she
whispered once more, softly, Gained by
his quiet attitude.
Wait a moment-I want" He
let 90 of her. Sybil looked at him with
helpless eyes and he went into the
flower shop. He had her passport. She
could not leave the ship without him.
and woe unto her If she aroused his
anger again.
Was this the Thomas who for five
years had been infinitely considerate
toward her. always giving in to her. and
whom she had considered weakllng?
For her sake he had journeyed to the
other end of the world; in spite OF all
difficulties he had overtaken her and
got her back into his power. For the
first time in her life she understood his
love. and Shortwell's brutal masculine
power which had overwhelmed her and
under whose protection she felt her
self so safe and secure-perhapS one
day it might turn against her.
Helpless and confused, swaying be-
tween fear and penitence, Sybil saw
Thomas coming toward her. In his
right hand he held a huge bouquet of
red roses. in his left hand her passport:
He handed both of them to her, kissed
her hand and turned to leave.
"But-what do you want of me?'
she repeated. You didn't board this
ship just to''-she looked helplessly
at the roses in her hand-"just to give
me some flowers?"
Thomas. who was already two PAGES
away, turned round and saw Sybil with
the roses in her arms, creature Ike
those made for heeting admiration ana
short-lived joy.
"That's exactly what I did" he said
with a smile. you see, I didn't want
to let you 60 without saying good-by.
THE END.
Evening star., 1933-05-06
Out Where the Movies Begin
"The Warriors Husband" Story of the
Amazon Kingdom, Will Provide Test
of audience Sophisticaton.
By Mollie Merrick.

M g. M. that all his hunt for a farm
was valueless since when he found the
right physical setting with the correct
trees, etc, the farm was impossible.
They told him to 60 out and get his
geographical location and they would
built the farm to suit.
The newest development in movies Is
tendency to turn back the clock on
the principals-and that is precisely the
title OF the piece which Ben Hecht and
Edgar Selwyn are preparing. 1t is the
story Of man who seeks to live life
over again, profiting by the experiences
Of his present life
The Power and Glory" which Pres
ton Sturges wrote and which Jesse
Lasky is producing with Colleen Moore
and Spencer Tracy, is just such a tale.
1t opens with the funeral of the chief
character and weaves out the story of
his life, as told by long friend who
becomes narrators voice-skipping
from early incidents to later develop
ments in shifting panorama of times
and emotions. It's a radical departure
In production technique and the out
come will be most interesting.
Mae West contributes this recipe for
her famous coffee souffie-the oniv wav
you can fully appreciate it is to try it:
One and one-half cupfuls of strong
cof1ee-half cup Of milk-two-thirds of
cup OF sugar. tablespoonful Of gram
ulated gelatin-one-fourth of a tea
spoon of salt-3 eggs and one-half a
teaspoon vanilla. Mix the coffee milk
and one-half of the sugar and gelatin
and heat in double boiler. Add re-
naming sugar, salt and the yolks of
eggs, slightly beaten until stiff, and
then the vanilla Place in a mold and
chill in the refrigerator. Serve with
whipped cream.
And If you get to look like Mae, you're
iucky-she's the rage Of the moment,
curves and all.
'Copyright. 1893. by the North American
Newspaper Alliance, Inc)
Evening star., 1933-05-06
GEORGE ARLISS.
AND BLONDELL
ACT, At EARLE
Feminine SCree1,
Star appears
on Stage.

WITH George Arliss appearing In one
w of the most human roles that he
has ever presented, and with Joan
Blondell on the stage in person, the
Earle Theater has the kind of a show
that appeals especially to those who ap-
preciate the development Of stage and
screen personalities.
Evident intention to give full play
to the unusual professional talents Of
Mr. Arliss has led to several variations
in the kinds Of selections made for him
in recent months. In THE Working
Man." the real Arliss is disclosed, and
he gives a brilliant performance In
drama which places him high among
those stars who are able to create on
the screen the understanding OF leader
of men, whose efficiency is matched by
the ability to make a strong impression
among associates, and to create an at
mosphere of robust sentiment. In the
strength of the plot much depends also
upon the aid that is given by Bette
Davis, an actress who not only has the
ability to create the. outward impress
sion OF vigor and interest in life, but
also reveals the capacity for sincerity
in the midst of intrigue.
Mr. Arliss undertakes the unusual
task of running two rival factories by
the adoption Of an assumed name and
obtaining appointment as trustee Of the
estate of a man who has died. Not
/ withstanding the rivalry, he regrets the
squandering Of the estate of his old
competitor, and nips the familiar
scheme of permitting a business con-
Germ to deteriorate in order that 1t may
be acquired by a holding company.
Much strategy is employed in the plans
of Mr.. Arliss and it is explained that
his interest is due to the fact that the
mother of the two young persons who
| inherited the shoe factory was a youth
/ full object of his earlier affections
Mr. ArliSs is the man Of action
throughout, the man who carries with
him at every point the sympathy OF
his audience. and the play may be set
down on his roster of successful pro-
| ductions. A capable cast includes, in
! addition to Miss Davis, the names of a
large number Of known actors, some of
! the best of whom are Theodore Newton.
Hardie Albright. Gordon Westcott and
J. Farrell Macdonald.
Miss Blondell was received with
marked enthusiasm in the stage por-
tion of the program at the Earle, and
was aided by Bert Walton, who also
had an odd contribution. in which he
was assisted by the orchestra and a
male singer. Miss Blondell dispensed
some light entertainment. whose chief
| purpose was to introduce her to friends
in Washington, and concluded with an
| amusing dance.
Others on the program were the De
Toregos, in an elaborate group of cos
tune dances and other displays of skill.
and Harry Breuer, on the xylophone
D. c. c.
Evening star., 1933-05-06
Where and When
Current Theater Attractions
and Time of Showing

NationaI-"Grounds for Divorce" at
2:30 and $50 pm.
Gayety-Stock company burlesque, at
2:l5 and BIS pm.
PaIace-"Today We Live" at 10:45
am, 1885, sos, Sis, 7:25 and 9:35
pm.
Rialto-"Out All Night" at 11:52
am, 1852. 1852, $50, 1852 and 9:52 IN.
Loew's Fox-"The Barbarian at $50
am, 1905, 2:40. $40, 7:45 and 1915
pm Stage shows at lilo am, 1:50,
4:20, $50 and 9:25 pm.
Columbia-"Bondage, at 11:30 am,
Ills, 3, 4:45, $50, $40 and 9:55 pm.
Metropolitan-"Pictu Snatcher," at
II am. 12:45, 2:30, 4:20, sos, 7:50 and
$40 pm.
R-K-O -"Diplomaniacs," al
- - 2:14, Ala, 6:14, 8:14 and 1914
Dm.
Earle-"The Working Man." at IL
an, 1929, 2:58. 5:25, 1855 and 1925
pm. Stage shows at 1l:25 am. l:55
425, 6:55 and 9:25 pm.
Tivoli-"Cohens and Kellys in Trou-
ble," at 2, 4:05, 6:10, 7:55 and 9:40 pm
Soldiers of Fortune" from
IL am. to IL pm.
Ambassador-"PickU Up" at 2:15, AIS
e:lo. 7:55 and 9:45 pm.
Evening star., 1933-05-06
COMEDY SHOWN
WITH WHEELER
AND WOOLSEY
'sDiplOmaniacs'' a
Keith's Reveals
Ne,u Features.

RERT WHEELER and Robert Woolsey,
- in their most satirical frame of
mind. tear sentiment and popular en-
thusiasm into shreds with their new
film. "Diplomaniacs," which is offered
at R-K-O Keith's A little more
smoothness has been put into their
irresponsible and boisterous journey
along the pathway of humor, and more
spontaneous chatter gives the present
production an increase of sparkle. One
thing that contributes to the value Of
the entertainment is the fact that the
public expects them to be the same
team on every new occasion, and be-
cause of their own type of stagecraft.
a subject that lends itself easily to dis
torticn and touches popular thought
gives play. which easily bears their
accepted trade mark.
Multiplicity Of types in the eddying
crowds of people, who are more notable
for energy than for common under
standing, Is the Wheeler and Woolsey
ideal, and in the present instance the!
have drawn upon the American Indian
in primitive mood, and the delegates to
peace conference in their war-like
moments for the contrasts that set off
! the fireworks of these highly developed
exponents of the incongruous. That
the authors of their strange medley of
events have provided some acceptable
material is good fortune for the team.
and they travel through their scenes
| with good amount of entertainment.
Stage antics which put good humor into
gathering of world peace workers and
burlesque Of feminine diplomacy are
effective incidents in glorifying the
Wheeler and Woolsey brand of pictorial
wisdom. When they finally believe they
have created world peace, they have
participated in some very striking cata-
clysms with the innocent use Of ex-
! plosives.
"Diplomaniacs" is seni-musical
show and has a good chorus, which
gives zest to the songs Of the principals.
The scenes have a certain degree OF
technical perfection. Marjorie White is
an effective diplomatic charmer, and
Phyllis Barry also contributes to the
farcical developments There is large
cast in addition to the chorus. One
of those shouting incidents of the play
is the exhibition of the stars in the
task of solving jigsaw puzzles. A peace
song in blackface. brought about by an
explosion, is an excellent musical fea-
ture A tribal dance by the Indians is
a bit Of the picturesque. The Gilbert
and Sullivan type of conversations in
the form of lyrics is an interesting turn.
The Keith program also includes
James Gleason in comedy, Tom How
ard in an amusing sketch OF the new
proprietor Of drug store, screen snap
shot sand the news reel. D. c. c.
Evening star., 1933-05-06
JOINT RECITAL.

Lavinia Darve, lyric soprano. and
Maria Yurieva and Wednesday Swoboda.
ballet masters. will appear in a joint
recital tomorrow at 4 o'clock at the
Carlton Hotel
Nine. Darve, who has sung at the
Opera -Comique in Paris as well as in
London, Milan and other music centers.
will render the following program
'Revenez. Amours, Revenez" from Lully's
opera These which will be first
rendition in the United States; "Pleurez,
mes yeux," from Massenet's lie Cid:
I'm Bel Di' from Puccini's Mime
Butterfly" and several numbers by
Debussy, Vidal and Cimara.
Maria Yurieva and Vecheslav have
been ballet masters with the Imperial
Opera at Moscow, the Grand Opera of
Paris and the Chicago Civic Opera Their
program will include Chopin's Moe
turne," Tschaikowsky's Fall" Walden
felts waltz" Archangelsky's Polka, T"
period 1840, and Russian folk song
The recital is under the auspices of
the International Art Forum, Nine.
Amelia CONT president. T. Arthur
Smith has tickets for the recital.
Evening star., 1933-05-06
CAGNEY'S NEW FILM
FAR BELOW AVERAGE
Headed Star Fails to Impress
in His Role Of Tabloid Re-
porter, at the Metropolitan.

None Of the men and women who
had a hand in the making of Picture
Snatcher." the current attraction at the
Metropolitan, knows anything about the
newspaper businesS-not even James
Cagney, the star Of the picture. who is
reputed to have served a brief term
as reporter on city daily before he
turned to the cinema as a means of
livelihood. The probability is, Of course,
that Cagney's journalistic experience
was presented to him. neatly wrapped
and carefully bound round with pretty
pink ribbon, by some highly imagina-
tive press agent. Certainly. there is
nothing in Cagney's portrayal of the
role of a hard-boiled tabloid reporter
to indicate he has ever been within
two blocks of an editorial room.
Reporters Of the type presented by
Cagney simply do not exist, not even
on the most unethical Of the yellow"
tabloids. And the only way in which
the city room depicted in Picture
Snatcher" rese mbles a real newspaper
Office is that it contains desks and type
writer's.
From the first closeup to the last
fade-out, Picture Snatcher" is drivel
poorly written, poorly directed and, for
the most part, poorly acted. Only
INdlpII DSAldIily hllCc "Illte sue
ceed in turning in really flrst-class per-
formances. All the other players, with
the exception of Cagney, appear down.
right amateurish.
AS for Cagney, his portrayal Is ex-
cellent in spots and pretty bad in 9TH
ers Starting out as an ex-bandit
anxious to turn over new leaf after
being released from prison. he lands a
job on sensational tabloid by stealing
picture that none Of the other news
papers are able to duplicate His rise
after that, is even more rapid than an
express elevators.
His big opportunity comes, however
when his paper, because of its unethical
methods, is refused permission to
cover" the electrocution of a mur-
deress. Cagney steals an Invitation"
to the execution. straps a miniature
camera to his ankle and beats the world
with an exclusive photograph of the
This SCOOP" incidentally, is one of
the few episodes in the film for which
there is any basis in fact, representa-
| tive of New York tabloid having per-
| formed a similar feat.
| The execution beat" lands Cagney
in considerable hot water. of course,
| but he manages to splash his way out
in true Cagney style. Between times,
he is kept rather busy repulsing the
! advances of beautiful girls Cincluding
Miss White), which is just another
/ thing that does not ring true Imagine
anybody giving Alice the cold shoulder
Picture Snatcher" falls far short of
the standard set by Cagney in his last
starring vehicle, Hard to Handle If
not regarded seriously, however, it
offers a form of light entertainment,
and Miss White is worth looking at, too.
A musical comedy in technicolor,
with Snub Pollard, old-time movie and
vaudeville favorite. in one of the lead
ing roles, and newsreel complete the
/ program. P. H. L.