davidaulloa/AmericanStories huggingface dataset:
Evening star., 1933-02-28
SUMMERS EXPLAINS
PHASES OF REPEAL.
Holds Rejection by State
Convention Would Prevent
Later Ratification.

(EpToR's NorE-In DieD OF tDide-
spread confusion tollo1Dtng the sub
mission to the States OF proposal
to repeal the eighteenth amend
nent, the Associated Press has asked
Hatton W. Summers OF Terds, chair
man of the Judiciary Committee OF
the House of Representatives and
recognized authority on constttu-
tiondl lap, to explain the legal
phases inpolped.)
Evening star., 1933-02-28

VO1NeO. T " = III
stance, an opinion
of the Supreme
Court m y some
day have to be
written, because in
the fifth section of
the Constitution
the amendatory
Section-t h e two
lettered word ''in"
is used, whereas. in
the seventh sec
tion-the one hav-
ing to do with the
original ratification
another two-let-
tered word, "of," is
used in q similar
connection.
Evening star., 1933-02-28
BY HATTON w. SUMMERS,

CHAIRMAN Judlclary COmm1ttee, HOUSE OF
Representatives.
It is easy to understand the public
confusion following the recent submis-
sion to conventions Of the proposition
to amend the Constitution.
There are all sorts Of questions in
Evening star., 1933-02-28

Vienna, Austria, is preparing to hold
3 technical fair in March.
Evening star., 1933-03-19

known and felt about things encountered m
real world Of real people and actual doings.
American art is growing more realistic and
less Photographic Benton declares. Artists are
going deeper into their subjects rather than
relying on q surface acquaintance.
A cotton picker in Georgia field, COW
hand on q Texas ranch, a hurdy- y-gurdy player
on q Manhattan street-you must know them
II you are going to paint them he aftrms.
Benton is a recognized authority as a lee
turer and teacher of art. He taught the his
tory Of art and similar subjects at the Art
Students League for seven years. For one
Winter he was member Of the teaching STAN
at Bryn Mawr, and two years q lecturer at
Dartmouth. He also taught at the New School
for Social Research.
It Is his belief that the character and en-
vironment Of any period usually suggest the
artists treatment Of his subject. The person.
alities in the sacred Renaissance paintings va
ried according to the nationality Of the painter.
he asserts. He mentions the point he adds,
mainly for those who have notions about the
traditional dignity Of mural art"
Evening star., 1933-03-19
But Critics Disagree
Over Thomas Benton's
TOO Realistic" Treat
ment Of M O dern
American Life.

p you want to see life in action all you
have to do is look at the Benton nurals.
1t IS all there. People drinking, dancing.
singing playing craps, pitching horse
shoes driving mules, forging furnaces.
getting religion, making love-
Name your ticket and Thomas Benton win
paint you a picture.
For Benton. who has been acclaimed as
one Of the worlds greatest painters Of mu-
rails, has come so close to realism that people
began to ask where he had learned SO much
when his latest series, The Arts Of Life in
America" was unveiled not so long ago at
the Whitney Museum of American Art in New
York.
It isn't accidental at all that Benton In
dulges in pictures of people doing things as
the spirit moves them. He got the urge to
do It when he was a barefoot youngster out
In Missouri. His father decided that It would
be much wiser if his son studied law. The
father was an attorney. So were most Of the
men in the family.
Benton thought the matter over while he
was growing up in Neosho. He had no desire
to paint pictures OF round red apples and wild
Evening star., 1933-03-19
What Is 1t?

THERE Is . creature in the world which AaS
no nose, eyes, ears or feet It digs tunnels
although it has no paws or z1out. It can crawl
backward as well as forward It breathes
through its skin Can you guess what 1t ~
Right you are. It's an earthworm. Do you
know why the early bird catches the wosmf
It IS because earthworms come out at night
to feed and sleep during the day. Although
they have no eyes, they dislike the daytime
because their skin Is sensitive to light, 20
when the sun gets up the worm goes to bed.
That's why the bird which sleeps late is likely
to have to go without any breakfast.
Although the earthworm seems to possess
no tools with which to dig, it Is wonderful
tunneler You may have wondered how so soft
q creature could dig its way into the hard
ground. It eats its way. It works for all the
world like . ditch-digger on a small scale; It
swallows the dirt and passes it entirely through
its body.
The earthwoFm is smarter than it looks. III
body can feel the slightest jarring Of the earth,
and you will have to tiptoe very carefully to
come upon IT before it crawls into its burrov.
It knows enough to conceal its home. Yod
may have noticed small punches of leaves
standing up in holes In the ground. and won-
dered how they got there. They were the earth.
worms way Of hiding the doorway to it,
house. It draGs the leaves into the top Of the
tunnel, small end FIRST and pulls in enough
to plug the opening
When the weather Is warm the earthworm
lives close to the surface; when it becomes
cold it sinks its tunnel deeper and deeper untn
II u safe from the frost. In Winter, worms
have larger caves doored with tiny seeds @
pebbles upon which they rest. Sometimes sew
esal Vorms zou up IN balls and sleep in tha
sane den.
]arthwqgps - xery good friends Of men.
They SxeS .1lkners blowing the ground
all .SMnuag 106eS ma they help plants to grow
HSstfalH stdS dG 1t the roots
Evening star., 1933-03-19

of pictures dramatic, vital, story -tellingi The
New York Public Library had asked for murals
which would present New York history. There
were to be % pictures In the series.
But when the artist finished the last one he
was told that they weren't wanted. He didn't
say anything. He took them home and hung
them up in his studio where they still decorate
the high walls
But he gritted his teeth even while his eyes
laughed.
Some place, some time, somehow, somebody
would hang his mlrals showing the progression
of American life!
Until then
So he kept right on getting up at O'Clock
every morning and working until 10 every night.
He wasn't always sketching. There was much
research to be DONE
Every Summer he took his sketch book and
knapsack and started across the country, just
as any student artist might have gone bum
ming. When he saw character typical Of .
phase Of life he sketched him.
First he got acquainted. It is necessary to
know your subject II you are going to find out
just why he is pitching horseshoes or fishing
or singing spiritual, he says. Otherwise the
painting may be nice-but it won't be picture!
NA/AY back in 1919 Benton had formed the
w habit Of sketching the people he saw On
the sidewalks Of New York. His pilgrimages
through America were in line with this mood.
Evening star., 1933-03-19

man paying his dime for . dance . girl ~
RANGING . coll1ure, or something about prohi-
btion low, comic strips or business, he Is going
to depict It his way.
urHE axts Of Ne are the popular arts and
are undisciplined," he maintains. They
run into pure mrenective play.
saThe real subject Of this group Of murak
at the whitney Museum-the group which
has caused SO much comments really a con-
glomerate Of things experienced tn America;
the subject is . pair Of pants, hand, face.
a gesture, some physical revelation Of intention.
q sound, even q song.
''The real subject is whet an individual has
Evening star., 1933-03-19

He went into Arkansas when he wanted to
sketch people who would fit into the pictures
Of the days Of Andrew Jackson. He knew
that he would find Americans there In certain
rural sections who hadn't changed very much.
So it went. Sketching sketching sketching!
Some day
Three years ago another chance came This
time it materialized.
But he wouldn't have been discouraged II 1t
hadn't. He was going to have an opportunity
to tell the story of American history in his own
way some day, he had always said. II this
didn't 60 through, there would be some other
way.
But it did go through, this time, and he
promptly made the most of it.
Evening star., 1933-03-19

uaF,ors. Making out briefs In . law once
would be better than that, he thought
N\ IIEN was 16 joined q surveying gang
w in Missouri" he reminisces. II grew
tired Of it, though When was II applied
for q lob on little Missouri paper. wanted
to be cartoOniSt
'~The editor took me to a window and asked
me to look at a town character who was loafing
next door.
"'See what you can do about drawing him,
and if 1t suits me I'll give you job he said
Evidently it suited for he took me on and
their occupations"
The cartooning, which served as . basic prep
aration for the reproductions from life that
Benton does today, didn't please his family.
They persuaded their son to put aside his
sketches and go to . military school near 81.
Louis He stayed four months. By that tune
his father decided that his chances At the presi-
dency were slender anyway. and maybe It
would be better to let the boy be an artist.
DENTON attended the Artists School in Chi
u cago and then studied in France for four
years. In 1912 he returned TO the United states.
He was only a. He did portraits snd designs
for the movies.
Then the war came along.
"I was given q post in the Intelligence De-
partment at Norfolk, where was TO make
drawings of the manipulations taking place at
that center" he says. 1T was good break.
I had been merely painting pictures before.
Now I saw blimpS, aiplanes, machinery IN
operation, and had TO catch It's spirit"
He caught the spirit 50 well he was asked to
give exhibition.
From then on my interest IN American
scenes began" the tale goes. "In 1919 began
to construct history of the United States, lay
ing stress on the change Of characters and en-
virunment. It cost too much had to aban-
don it."
But he didn't give up his idea. He knew
exactly what he wanted to do. He wanted to
show the progression Of historical and cultural
development in the United States through his
gay pictures. He wanted to use colors rhythm
jazz, noise, solitude, loneliness that
WIS needed.
pure mredective play" he calls it,
his chance came. Now he could do . series
Evening star., 1933-03-19
WhyNot?

The little girl was reading laboriously. -5ee
Mary and the lamb" she read slowly. docs
Mary love the lamb. button -hook?"
why do you say button-hook?" asked the
teacher.
picture of q button-hook here" replied the
child, pointing triumphantly to the question
mark.
Evening star., 1933-03-19

The New School for Social Research asked
for murals showing the jazz age" he explains
II did the series. had 50 much material left
over that was prepared when was asked to
do tho series Of murals on the arts OF life for
the Whitney Museum
All his life had been a preparation. It had
started that day he looked through the drug
store window and sketched the village charac-
ter for the little Missouri paper. Today his
nuurals are world-famous. and he Is the talk
Of the art world
"Too vital, too realistic" some say.
But It's healthy and strong and robust"
they an agree.
h low his whole dream Is coming true. He
~ always wanted to show the complete pro-
gresgin Of American history IN q series Of
murals. It can be done by depicting just one
State he says. Indiana is giving him his
chance to do just what he has wanted to do.
He has been commissioned by the Indiana
World Fair Commission to do the murals that
are to compose the whole Indiana exhibit at
tho World Fair. This Is the first time that
. State has ever given such commission to
an artist, who it could be sure would be utterly
unconventional. he asserts.
II must have 1eeway when I work." he M
Glst& 4 can't be restricted"
II its q blues singer making love to .
Broadway playboy, q lustful butter -and-egg
The Daily Alaska empire., 1933-09-05
HAROLD LLOYD
 CONTINUES AS CAPITOL BILL
Movie Crazy Will Be Shown for Last Two
 Times Tonight

Harold Lloyd, showing in "Mov- ie. Crazy" for the last times to- night at the Capitol Theatre, up- holds his best records for enter tainment. Tn true Lloyd style, the film combines the best of humor with a touch here and there of pathos. M
 In following the antics of the star as he tries to crash the gates of filmdom, the spectator cannot help but feel a bit of sympathy for his awkwardness, but in the end he overconnes all obstacles in his way to happiness.
 Constance Cummings ably sup ports the star, and lends the TO- mantle touch to the story.
 One word of warning also is due to the theatre-going public of Jul neau. If you have cracked lip or broken rib, don't see 'Mov- ie Crazy" It might cause com plications.
The Daily Alaska empire., 1933-09-05
AFRICAN WILD ANIMAL MOVIE
 FOR COLISEUM ]
Thrilling Sequences Are Presented on Screen
 m Feature Bill

Big game hunters thrill over the first lion they bring down with a rifle bullet. With some of the men the thrill seems to last a life time and they return many times to Africa to indulge in hon-shoot- ing.
 Few of these big game hunters would care to undertake the cap- ture of a full grown lion alive. Yet that is exactly what Wynant D. Hubbard did in "Untamed Africa the thrilling vitagraph Inc. feature picture, which is now showing at the Coliseum theatre.
 On his two-year filming expedi- tion into Rhodesia and Portuguese East Africa to obtain these sen- sational wild animal pictures, MT. Hubbard, who has captured and tanned more animals that probably any other man alive. decided to capture full grown lion, and record the process of capturing the king of the veldt on film.
 When two lions broke into the corral where the native cattle were kept, MT. Hubbard ordered the rla- tives to bring out the nets pre- pared for such an en1ergency-nets made of woven flax ropes 100 feet long and twelve feet wide, used in three thicknesses to keep the lion from breaking through the net once he was snared.
 This episode forms one Of the most thrilling sequences ever seen in any African wild animal film and is a highlight of the picture. The lion was captured and carried on the shoulders of. natives to the compound.
The Daily Alaska empire., 1933-09-05
By coBB1N cooNs

HOLLYWOOD, Cal, Sept. 5.-- Somethink akin to poetic justice turks behind the screen reunion of John Gilbert and Greta Garbo, famous romantic team on the sill lent pictures.
 Gilbert in the silent days was the screens acknowledged great lover" with a fan following that persisted and grew with each re- lease. It was as his partner in screen romance that Greta Garbo achieved her greatest fame in the days before talkies.
 Greta survived the ta1kie revo- lution as a star in her own right, but Gilbert became just another actor" The poetic justice comes in here, in the chance that oppo- site the Swedish star whose career,
The Daily Alaska empire., 1933-09-05
c . . c c C. Q . . . .
 AT THE HOTELS . ess se
Gastineau

UdStIIlcdu
 George Doran, Juneau; P. Powell, Juneau; Loren Sisson, Juneau; Frank Williams, Juneau; David A. Hoffman, Seattle; R. E. Haven strite, Los Angeles, Cal; Carl Beal, Los Angeles; Carl Beal, Jr., Los Angeles; Robert McKennon, Han over, New Hampshire; z. J. Lous-. sac, Anchorage; Mrs. Dave Mutch- Ter, Fairbanks; Betty Brands, Ia coma; s. E. Robbins, Fairbanks; Al Monsen, Fairbanks; H. L. Blunt, Anchorage; Fred Moller, Fairbanks; R. G. Holmes, Seattle; Marjorie Tilotsen, Juneau; Helen Gray, Ju- neau; A. B. Trites, Vancouver, B, O.; Henry Townsend, Seattle; D. J. Mac Crea, Vancouver; Marietta Shaw. Juneau; Mabel M. Monson, Juneau; Eln1a Olson, Juneau; Iva Tilden. Juneau; Pauline Riaehart, Juneau; Margaret Pimperton, Hick- vil,.; Lucille Pepoon, Hickville; Lee Thoma, Hickville; Ann Eaton, Ju- neau; N. A. McEachran, Seattle; Ann Hughes, Fort Yukon; Mrs. J.. Behrends and sons Frank and Hen ry, Jarcau; M-. and Mrs. E. Brand meier, Seattle; Samuel Asp, Seat tie; Ii. E. -Enipps, Aberdeen, Wash; Charles s. Hall, Seattle; Mary Rid ley. Ketchikan; Katherine Long, Seattle; Etta Schwam, Seattle; Margaret Smith, Ketchikan; Kath- crime N. Osborn, Wrangell; Harold E. Rege,es, Juneau; H. R. Werisz, Cclville, Wash; Anna Rowher, Ju- nelu; Delma Hansen, Juneau; c. L. Irvine, Tenakee; George Jones, Hoonah; James Smith, Juneau; MT. and Mrs. Fred Henning, Juneau; E. A. Rasmuson, Skagway; Sgt. H. A. Williams, Chilkoot Barracks; Pvts. Bellercaps and I. Holland, Chi!koot Barracks; Alma Gribble, Petersburg; Eleanor Stoll, Peters burg; E. D. McRae, Vancouver; Ira B. Joraleman, San Francisco.
 Zynda
 F. A. Davidson, Seattle; MT. and Mrs. c. N. Crone, Thane; J. B. Larson, Fairbanks; V. Bourgette. Seattle; Helen Starr, Osage, Iowa; J. E. Boyle, Seattle; c. A. Shon- acl,cr. Seattle; E. K. Erickson, Ju- neau; James Pelley, Juneau; liar cd W. Shell, Chicago; George l.. Nesland, Mt. Verman, Wash; E. l.. Brandeu, Minneapolis, Minn.; Ethel Frederick. Juneau; c. A. Steadman, Seattle; Katherine Hooker, Juneau; William P. Schwatel, Haines; Mrs. G w. Mcisch and daughter, Haines; Mrs. w. w. Dewitt, Haines; Mir. ana Mrs. A. P. Wolf, Hood Bay; MT. and Mrs. Olson, Juneau.
 AIasx=n
 E. J. Hughes, Seattle; R. G. Ma yarre, Seattle; Miss Peggy Hayes, Seattle; Mrs. Agnes Ditis, Hyda- burg; David Morgan. Petersburg; Fred Morgan, Petersburg; R. Allen, Tasu; J. Tob;n, Taku; Carl Nelson, Taku; Joseph Benson, Taku; c. Wood, Juneau; Louis Moroi, Ju- neau; J. Daimager, Juneau; H.. Filna, Chilkoot Barracks; John J. Walsh, Chlkooo Barracks; Melvin Nelson, Chilkoot Barracks: Ray mond Jacobsen, Hood Bay; c. E. Gordon, Juneau.
The Daily Alaska empire., 1933-09-05
BOOSTER FOR
 '0 INT. HIGHWAY
Congressman from Rhode Island Promises to
 Give Aid

WASHINGTON, Aug. 26.-(Special Correspondence) =, After receiving the International Highway Com- mission report, Congressman John M O'Connell of Rhode Island wrote to Delegate Dimond:
 Nothing would please me more than to ride over your proposed highway, and hope to do so in a few years.
 Will do what I can to accom- plish your desired and much need ed highway"
The Daily Alaska empire., 1933-09-05

Congressman O'Connell is only one of scores which have been received by the Delegate regarding the Pacific Yukon Highway. The re- sponse has been splendid and all most without exception the writers have expressed themselves in favor of the project.
The Daily Alaska empire., 1933-09-05
Rains in Washington

Residents of Alaska's coastal sec, tions who are accustomed to rain would have found plenty of it in Washington this week. A storm beating up from the tropics struck this city Thursday and in the 24- hour period during which it lasted rainfall amounted to 5.88 inches. A high wind accompanied the rain and throughout this section much damage was done
The Daily Alaska empire., 1933-09-05
Await Miss Sather

At the Office of Indian Affairs the arrival of Miss Christie Sather from Juneau is being awaited. Miss Sather, secretary in the Alaska di- vision, is being transferred to Washington headquarters for sim liar duties. Miss Sather is Nome girl,
The Daily Alaska empire., 1933-09-05
A VOCAL BARRIER


 Perhaps no star suffered more from the talkies than did John Gilbert. When his first feature talkie appeared, His Glorious Night" the verdict was anything but glorious for John, his voice as reproduced, proving poor
 That since has been blamed on the crude recording of the time, and on the stiltedly romantic ve- hicle crosen for his talking de- but. His succeeding films were better, but as far as his old box office prestige was concerned, he was a fallen star.
 His final film was finished last December, and the reception given
The Daily Alaska empire., 1933-09-05
Alaskans in East

Among former Alaskans living in or near Washington is Mrs. Bennett Jones, formerly Miss Mar ian Summers of Juneau. Her par ents, MT. and Mrs M. B. Summers, are now visiting their daughter. MT. Summers, who was in the Weather Bureau office in Juneau, has retired from the Government service. MT. Jones has also been in Alaska as a member of the Coact and Geodetic Survey. He i5 in the Washington office Of the Survey ct this time. Mfr. and Mrs. Jo...es and their tilree-year-o son Wayne live in Mclean, Virginia, ten miles from Washington. Mrs. Jones will also he remembered in Cordova, where s..e taught school for one year.
The Daily Alaska empire., 1933-09-05
New Telegram Station

Sigurd Hopstad of Akiak has been granted authority to operate a point to point telegraph station at Akiak on frequency of 425 kilocycles and power of 10 watts to communicate with Bethel and other point to point telegraph sta- tions in the vicinity.
The Daily Alaska empire., 1933-09-05
Beck Visits East s

E. J. Beck, Superintendent or the Nome schools, spent couple of days in Washington this week and then left for the West enroute to the Seward Peninsula city. MT. Beck attended the National Edu- cational Assoc .ation convention in Chicago and then took advanced work at Columbia University in New York City. While in this city he called at the Office of Indian Affairs with Delegate Dimond and conferred with Commissioner John Collier.
The Daily Alaska empire., 1933-09-05

ALASKA MEAT co. ALASKA ELECTRIC LIGHT &s
 POWER co. ALASKAN HOTEL. ASSEMBLY co. BAILEY'S CAFE. B. M. BEHRENDS CO, Inc. B. M. BEHRENDS BANK. BROWNIES BARBER SHOP. BURFORD, J. B. & co. BLOEDHORN'S. BETTY MAC BEAUTY SHOPPE BURFORD'S CORNER. CAIRO, J. B. & co. CAPITOL PUBLISHING co. COLEMAN'S CALIFORNIA GROCERY. COLUMBIA LUMBER co. CONCRETE PRODUCTS co. CONNORS MOTOR co. CASH GROCERY. DISHAW, ALFRED. EMPIRE PRINTING co. FAMILY SHOE STORE. FIRST NATIONAL BANK. FLORENCE SHOP. FRYE-BRUHN co. GASTINEAU CAFE. GASTINEAU GROCERY. GASTINEAU HOTEL. GORDON'S. GARNICK'S. GOLDSTEIN, I. GEORGE BROTHERS. GEYE,R, A. M. GRIFFIN, EDWARD w. GRAVES, H. s. HARRIS HARDWARE co. HI-LINE SYSTEM. HAYES SHOP. HALVORSEN'S. HARRI MACHINE SHOP. KILLERS BARBER SHOP. JACKS TRANSFER co. JOHNSON, w. P. JUNEAU CASH GROCERY. JUNEAU BAKERY. JUNEAU-YOUNG HARDWARE
 co.
 JUNEAU FROCK SHOPPE. JUNEAU SAMPLE SHOP. JUNEAU EMPIRE THEATRES,
 Inc.
The Daily Alaska empire., 1933-09-05

Fast Workers" was fair but far from sensational. A previous pie ture, Downstairs Gilbert had written himself, and as his con- tract expired, early in January, his ambition to write and direct came to the fore.
The Daily Alaska empire., 1933-09-05
|Roll of%>iz 6o''or|

THESE FIRMS HAVE SIGNED EMPLOYERS AGREE MENTS WITH PRESIDENT ROOSEVELT PLEDGING COMPLIANCE WITH MIRA REQUIREMENTS AS TO
 WAGES AND WORKING HOURS Te
The Daily Alaska empire., 1933-09-05

 JUNEAU ICE CREAM PAR
 LORS. .as JUNEAU LUMBER MILLS, Inc. JUNEAU MOTORS, Inc. JUNEAU PAINT STORE. KANN'S. KAUFMANNS CAFE. KONNERUPS. KRAUsE, c. E. LEADER DEPARTMENT STORE. McCAUL MOTORS co. MANDARIN BALL ROOM. MENDENHALL DAIRY MODER, HELEN. NUGGET SHOP. NIFTY SHOPPE. NELSON, LUDWIG. NEW YORK EXCHANGE.
  NORTH TRANSFER CO. ORDWAY'S. PACIFIC COAST COAL co. PIONEER CAFE. PIGGLY WIGGLY ALASKA co. r,r1ror,T r,CC ID RELIABLE TRANSFER co. RICE AND AHLERS co. SANITARY MEAT Co.. SANITARY GROCERY. SAN FRANCISCO BAKERY. SABINS. SHEPARD, H. R. & SONS. SHATTUCK, ALLEN, Tho. SIMPK1NS, GEO M. SMITH ELECTRIC co. SNOW WHITE LAUNDRY. STAR BAKERY. STANWORTH, STEVE & co. STANDARD OIL co. SWANSON BROS. TERRITORIAL BOARD or ED-
 UCATION. THOMAS HARDWARE co. UNITED FOOD co. WARNER, CHA6. G. WINTER AND POND. VAN ATTA, J. D. VARIETY STORE. YURMAN, H. J.
The Daily Alaska empire., 1933-09-05

his pictures helped to build he again has an opportunity to build anew for himself.
The Daily Alaska empire., 1933-09-05
A FABLE-WITH PAY

A FABLE-WITH PAY
 That Gilbert contract with M G-M had become one of the fables of Hollywood. The studio had sign ed an iron-bound contract that was not subject to annual renew als. as are most Hollywood con- tracts. And shortly after Gilbert, had the document in his pocket, the talkies came, and M-G-M may have been sorry So Gilbert made pictures, and he collected, week after week, regardless of what the pictures brought in, but friends said he wasn't happy about it.
 Coming only few weeks after Gilbert had announced his retire ment from acting to devote him. self entirely to writing and direct ing, his former studios signing him for Queen Christina" was sur prise to Hollywood
 Under the new contract he will act, write and direct as well. Thus he gets opportunities not only to regain his one time glory, but to expand into his chosen new fields. .s
 A magnolia tree at Elkhart, Ind, bloomed twice this year.
The Daily Alaska empire., 1933-09-05

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