Evening star., 1932-12-02

reappcarance. Yesterday was an
ether opportunity for them to enjoy
his playing. and that in the less in
innate atmosphere of a large hall
and with the strong background of
an orchestra accompaniment.
This is tn" first time in some years
that he has played the Tschaikow-
ski Concerto" and yesterday he
used the original Tschaikowski ar
rangement without the embellish-
nlents that Auer lated added. It
was a fitting choice for the display
of his peculiarly sweet tone and this
was shown to especially good advan-
tage in the "Canzonetta." In the
first and thiwi movements he was
inclined to be somewhat erratic in
his tempt, but his supple finger dex-
terity swept through to a fine CHI
max. He was recalled many times
with enthusiastic applause. Hans
Kinder guided the orchestra in a
fine accompaniment that was well
modulated and in sympathy with
the artists Interpretation.
The initial number of the Or
chestra was the NO. l Symphony
of Beethoven. Mr.. Kindler's read
ing of the symphony was interest
ing and distinguished by the
thoughtful understanding of phras-
ing and the exactitude OF execu-
ton he is able to achieve from the
orchestra. While the details held
ones attention for their outstanding
beauty of Interpretation. the general
outline had a certain MoZartian ef-
feet rather than the more serious
lightness of Beethoven. The An
dante Cantabile," with its unusual
opportunities for the drum to focus
attention in solo part and the
equally unusual tempt of the MENU
etto" were occasions for the audi
ence to interrupt the continuity
with appreciative applause.
In Debussy's whimsical Afternoon
of a Faun," Dominica Iascone, the
first fiutist of the orchestra, did
some very fine playing that stood
out in relief against the interchange
of wood-winds and horns that con-
veyed the woodland atmosphere and
the elusive character Debtlssy had
in mind. II is In this contrasting
variety, which took another form in
Liszt's tempestuous Second Hun
garian Rhapsody" that the orches-
ira is becoming more and more
proficient.
In the rhapsody the gamut of or
chestral effects was produced with
delicate sensitiveness of value and
the great climax was played with
fire and abandon. A. E.
Young Peoples Concert
To Be Given Tomorrow.
BECAUSE of the unusual interest
~ in the children's and young peo-
pies concerts of the National SYM
phony Orchestra. Manager c. G.
Cappel has arranged several fea-
lures to facilitate the handling Of
the crowd at Central High School.
A new system of seating has been
arranged, two doors instead of one
used heretofore will be used to speed
ticket taking, a wood wing set has
been installed instead of the cur
tanned back drop on the auditorium
stage in order to improve the
acoustics of the hall, and Conductor
Kinder will use a microphone and
amplification device while discussing
the music to be played.
At tomorrow's young peoples
concert, the first of the season, the
mechanics" of two music forms, the
overture and the suite, will be dis
cusSed.
The program follows:
"Oberon Overture" ........... Webe
Ballet Suite ..... ......... Gluck- Mott
,Suite from Carmen ....... =. GARNER
Everybody sing Three Blind Micc
lin canon forml.
''Nfeistersinger Vorspiel Wasne
Spirited Playing
At Institute Recital.
OPENING with a spirited and in
~ telligent playing of the Bach
prelude and Fugue in E Flat Major
for Piano by Dorothy Coggeshall
and closing with the Weber-Liszt