The Waterbury Democrat., 1932-11-09

BY nosnxTE HARuRovE WUh NervIce writer

MIA ELLYIIo WkAlDf
 raria.-It is un easy matter to detect a dronB of the very latest ParIsian vintage by q swift glance nf ftn necfiine and sleeves. This is especially true of evening drenBoo.
 While waigtlines submit to the fantasy of each individual creator, they nil Be5m t0 have submitted to the aamo influence which has caused the shoulders and upper arms to affect some sort of eleeve Tor drapery, co that only the very formal gown to-day is content with | c strap finish or any other of the form of decolieto usually asso- ciated with this category of drese. Many couturiers favor the short straight sleeve hemmed with rare | fur such ag sable and silver fox. Moiyneaux has . particularly at- tractive evening dress wherein q | heavy skirt, which is fitted to we'll below the hips and finished off at the hem with . fringe Of the same fabric and c ruby red vel- vet for the bodice, moderately dc. coliete and showing wide bands Of white fox on the shert sleeves.
 x,elong Offers Velvet Model Lucien I.elong is showing an equally attractive model in black showing a deep bertha of velvet loops through which the arms and back appear when the wearer moves. A huge bunch of velvet flowers worn high on the shoulder makes this m gown of unquesti0n- ably recent creation.
 Another model, cut on equally tailored lines, features a knee length ttinic in pale pink and silver brocaded peau d'ange worn over a very full skirt Of black silk net,
 The originality of this combiiia. ton is enhanced by tho black but tons fastening the tunic, the tail- ored belt and tho tailored collar which offers q moderate decollete but covers the shoulders.
 Chantal has novel sleeve treat meft on an evening gown of pale pink crepe cabassol composed of q double flounce encircIing the arfn- hole and following the strap top of the bodice.
 Cape Is Innovation
 worth's velvet ruffles are high in the back and also cover the shoulders. fastening at the front | with twin diamond clips.
 | Another expression of this arm covering 50 prevalent in the mode is carried out by this popular cou- turier in the form of Q cape to c pale beige crepe evening dress.
 The nude back is party yelled by a narrow, sablesedged cape worn off one shoulder and almost reaching to the elbow on the other side. The bodice fs draped soft ly across the front in . square de-
 colIete and the cape attached to the ''halter" neck. The skirt has the usual form-fitted hip effect and falls in natural godets.
 Jeanne Lanvin's paillette capes
 Chanels bertha effects dipping al
 the back and Mainbocher's epau-
 lette sleeves all show that shout:
 der treatments must not be re-
 giected to be in the mode.
 Gowns for Double Use
 T Another feature Of this fashios
 detail Is that many of these top
 are removable, leaving q greatei expansc of neck and arms visible auu Ammeui4telyf CVhAeEEiM& " sAAs { dress the look of formality necos' sary for certain occasions.
 A number of couturiers, keep' ing an eye on the reduced allow.
 ances of a great many 0f theii ciientes, have devoted lot Of at, I tention to theso "depression" oi I two-time dresses, and combined 'l them in such a way that the sub. terfug0 cannot bo detected.
 1 This, after all. is proof of theii genius, as 1t is only this season | that an informal evening dresi
 could be brought into service f0I 1e moro formal affair. ,l So women with restricted bud.
 gets need have no hesitation about I acquiring one of these attractive models, especially when the idea Il
 originated by one of the recogniz. cd masters of the Haute Couture.