davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11

At Is Sorey won the Grand Prix, the
youngest person ever to receive that
honor. Then he went to Paris and
studied with Andolh, pupil of Sar-
safe, and made his debut at the Sale
Gavo, playing Mozart's Fourth Con-
certo."
While shot and shell showered Eu-
rope during the World War, Signor
Sorey remained in Italy and played
more than $50 concerts. He also had
the distinction of playing with the
Philharmonic in Turin during Presi-
dent wilson's visit there after the
armistice. Later he went to Buenos
Aires.
Signor Sorey's most recent work has
to do with the collecting of Spanish
and Mexican folk songs, many of which
he presents on his programs over
WMAL and associated Columbia sta
tons.
+ \ X
THE Columbia Broadcasting System
l. will take a microphone into the
busy Bureau of Engraving and
Printing Friday afternoon and broad
cast talk by Alvin w. Hall, director,
on how currency Is made. Step by
step, Mr.. Hall will describe the process
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
NAVY ENDS FINAL TESTS
OF RADIO EQUIPMENT
Material Will Be Installed on All
Patrol Planes by Middle
of This Year.

Successful completion Of final tests of
radio material, to be installed on all
naval patrol planes by the middle OF
the year, was officially announced to-
day at the Navy Department
A patrol plane from the Naval Air
Station at Anacostia, made flight OF
several hours over the National Capital
recently, during the tests, the depart
ment said, and signals were received
from the craft aboard the U. S. s.
Texas, which was anchored in Guanta-
namo Bay, Cuba.
The department asserted that the
Texas radio officer reported: 1T may
be said that the signals from the plane
had appreciably greater intensity than
signals from radio Washington Naval
Radio Station, Arlington, Va) at this
range and at this time of the year on
corresponding frequency bands"
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
Major Radio Features

SPEECHES.
"Backstage in a National Magazine" by
Sumner N. Blossom, WNAL, 600;
Round the World Columbia Night"
by DR.. Nicholas Murray Butler and
James w. Gerard, WMAL, TOO;
Back of the News in Washington"
by William Hard, WRC, 7:45; 1.-THE
Power Trust" by Martin j. insult,
WRC, 900.
VARIETY.
Smith Brothers, WMAL, 1880; Bobby
Jones' Golf Chat, WRC, 500; How
ard Marsh, the Choristers and Ma
thaniel Shilkret'S Orchestra, WRC,
$50; Fast Freight, WMAL, 900;
Olive Palmer, Paul Oliver, quartet
and Gustave Haenschen's Orchestra,
WRC, $50; the Columbians, WNdAL,
$50; Grantland Rice interviews,
James E. West, Boy Scout executive,
WRC, 1880.
CLASSICAL.
Nine. Frances Aida and Frank La Forge
WRC, 1870; United States Marine
Band, WMAL, 500; Columbia con-
cert with Eugene Ormandy's Or
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
Today on the Radio
IAN time p.m.. unless otherwise tndicGtedJ

:S0-Haenschen' Orchestra, with
Olive Palmer and Paul Oliver,
soloists.
1o:30-Grantland Rice interviews
James r. West, chief executive
Of the Boy Scouts Of America.
1l:00-Weather forecast.
11:O1-Vincent Lopez Orchestra.
11:30-Organ recital.
l2:O1a-Florence Richardson's Orches-
ira.
1890 to 1:O0a-Palais dor Orchestra.
Early Program Tomorrow.
6:45a-Tower health exercises.
S:0Oa-Gene and Glen.
8:15a--Morning devotions.
S:30a-Cheerio.
9:00a-ParnaSSuS Trio.
9:15a-Campbell Orchestra.
9:45a--"Our Daily Food"
10:00a-Dr. Royal s. Copeland.
10:15a-"Timely Garden Suggestion"
by w. r. Beattie and w. r.
Ballard.
Broadcast from the Vatican
City; talks by Pope Plus and
Marquis Marconi.
IL :30a-Sweet and Low Down.
IL 45a-Organ melodies.
12:00m-Farm flashes.
12:15-Vocal varieties.
12:30-National farm and home hour.
1:30-Annual celebration of Lincoln's
birthday; addresses by Vice
President Curtis, Secretary Of
Labor Doak, Secretary of In
terror Wilbur, Gen. Frank T.
Hines and others; music by
Army Band.
2:30--Edna Wallace Hopper.
2:45--Melody Three.
s:OO-"Designing the Home" by Ray
3:l5-Talk by Louis Rothschild, direc-
tor Better Business Bureau.
3:30-La orge-Berumen musicale.
4:00-"The Magic of Speech" by Vida
Sutton.
WTCU 2O5.4 Meters.
JON 1850 KiIocycles.
2:00-Afternoon Musicale.
3:30-Whoopee Party.
4:30-Children program.
Subsistence and History.
5:l5-Along Route so.
5:45-Congress Today.
6:00-NewS flashes.
6:15-Classified program.
7:0O-MuSical novelette,.
7:29-Time signal.
7:31-Julian Monk.
S:0O-AddresS.
8:3O-Radio and television program.
6:45-Insurance program.
9:0O-ParadiSe Serenaders.
9:30-Harmony Songsters.
10:00-Don Whitman, crooner.
1O:15-Rhythm Three.
10:30-Amery Dougherty's Orchestra.
11:3O-Weather report.
Early Program Tomorrow.
10 :OOa-Down South in Dixie.
10 Neighborhood Club.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11

chestra and NiIkolai Orion, pianist,
wNTAL, 1880.
DRAMA.
Uncle Abe and David, wRC, Gas;
Amos m Andy, WRC, TOO; Daddy
and Rollo," WMAL, 7:45; Medicine
Show" WMAI,, 1000.
DANCE MUSIC.
Vincent Lopez Orchestra, WRC, 1900;
Swarlee Syncopators, WMAI,, 11:00;
Florence Richardson's Orchestra,
WRC, 1900; Howard Lanin's Or
chestra, WMAI, 1901; Palais dor
Orchestra, WRC, 1880.
HIGH LIGHTS ELSEWHERE.
6:45-Topics in Brief, by Lowell
Thomas-WJZ, VIDAL, WBZ,
WLW, WRVA and KDKA.
7:00-Rodeheaver Sing-WEAF, WSA7,
WIFI, WCAE, VOC and WOW.
8:00-The Pipe Club-WRVA.
8:00-The Foamers; Lee Sims, pianist,
and orchestra, under direction
Of Harry Kogen-WJz, WBz,
KDKA and KYW.
9:00-WaySide Inn; Choristers Male
Octet - WIZ, WBZ, KDKA,
WHAM and VICAR.
o:30-Pleasure hour; Boswell Sisters,
Charles Magnate, accordionist;
Mary Mccoy, Reinald Werren-
rath, Billy Hughes, orchestra
and male chorus Of II voices
WIZ, WBz, KDKA, WLW and
NYW.
IO:so-Clara, Lu and EN-; humorous
sketch-WJZ, WHAM, WJR.
WREN and VICAR.
IL :00-Slpmber music; string ensemble,
under direction Of Ludwig Lau-
rier-WJz, KDKA and WREN.
l1:00-Amos n Andy, second broad
cast-WMAQ, KWK, WREN,
WDAF, WHAS and WSM.
Flashes from The EUening Star,
a resume OF tDorld netDS, is broad
cast daily by WMAL at 5:45 o'clock.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11

for some reason OF
other specialized
In the study Of the
mandolin.
Almost as soon
as little Vincent
was able to walk
he was taught, in
ductively, fact s
about music, and
as soon as he
could hold the
mandolin In his
h an DIS he was
learning to play 1t.
Next he studied
theory and then
became a student
at tn 9 italian
Royal Conserva-
f0rv ot Turin
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
Folks Behind
the Microphone

T@HAT humble instrument, the
mandolin, was responsible for
Vincent Sorey's musical career.
4 This young Italian musician,
who directs the Columbia Salon
Orchestra, the Columbia Review and
the Columbia Melody Parade, was the
son Of q muSic-loving mother, who had
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11

l0:20a--The Town Crier.
10:30a-Weatner forecast and Grand
fathers Clock.
10:35a-Hints to Housewives.
10:45-Food talk.
IL :O0a-Gospel song service.
IL :30a--Gospel Crusaders.
12:00m-Correct time.
12:05-David Martin and Ann Meeks.
12:30-Farm chat by David Martin.
l2:45 to I:O0-Radio Revival.
2:O0-Afternoon Musicale.
S:O0-Readings by Virginia Dye.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
WMAL s sss x Meters:

~, OOV AAAuCyCACbs
2:30-American School of the Air.
3:00-Columbia Salon Orchestra.
3:30-Syncopated Silhouettes.
4:00-Musical Album.
5:00-Primer for Town Farmers.
5:10-Asbury Park Orchestra.
5:15-Burrus Williams, pianist.
5:30-The International Singers.
5:45-Flashes from The Evening Star.
6:O0-Correct time.
6:O1-Bill Schudt's Going to Press
"Backstage in a National Maya
zine" by Summer N. Blossom,
editor of the American Maya
zine.
6:I5-Talk on the Employment situa-
ton.
6:20-Program resume.
6:22-Winegar's Barn Orchestra.
6:45-Piano duets by Gertrude Trtlm-
bly, and Frank w. Young.
7:00-Speeches by Nicholas Murray
Butler and James w. Gerard,
former Ambassador to Germany.
7:30-The Smith Brothers.
7:45-Daddy and Rollo.
8:00-United States Marine Band.
8:30-Musical Cocktail from Cali
fornia, featuring Wallace Berry.
9:00-The Fast Freight.
9:30-The Columbians male quartet
and Freddie Ricl1's Orchestra.
1o:00-One-act drama, IN edicin e
Show"
10:3O-Co Columbia Concert, featuring Eu-
gene Ormandy's Symphony Or
chestra and Nikolai Orlod, pian-
ist.
11:00-Swanee Syncopators.
12:00-Weather forecast.
I2:Ola-Howard Lanin's Orchestra.
1890 to 1:00a-Ann Leaf at the organ.
Early Program Tomorrow.
8:0Oa-Tony's Scrap Book.
8:15a-Melody MuSeteers.
8:30a-Morning devotions.
8:45a-Morning Ministries.
9:00a-Something for Every One.
9:3Oa-Rorty Fathom Trawlers.
9:45a-Morning Moods.
10:0Oa-"Good Manners" Ida Bailey
Allen.
10:15nS-Teio Parade.
30a@-BroadcaSt from the Vatican
City; talks by Pope Plus and
Marquis Marconi.
11:S0a-The Biscuit Bakers.
1l:45a-Fashion Forecasts.
12:00m - Rebroadcast from London;
talk on Lincoln by John Drink
water.
12:l5-Paul Tremaine's Orchestra.
12:30-Columbia Revue.
1:0o-Musical Aviators.
.1:30-AmbaSSado Orchestra.
E00-Columbia Artists Recital.
2:30-American School of the Air,
Russia"
3:0O-Rhythm Ramblers.
$3.50 to 4:00-Columbia Salon OrcheS-
ira.
WRC 1855 Meters.
Az $50 KiIOcycIes.
2:30-"Merchandising," by Arthur
Freeman.
2:45-The Melody Three.
3:00-"The Drama of the Long Horn, {"
by William Mcleod Rains.
3:15-Talk by John Poole, president Of
the Federal-American National
Bank.
3:30-Radio Play Bill.
4:00-Eastman Symphony Orchestra.
4:30-Mabel Wayne hour.
5:00-The Lady Next Door.
5:30-"FamouS Paintings in Many
Lands" by Alice Hutchins Drake.
5:45-The Tea Timers.
5:59-Correct time.
6:00-News flashes.
6:1O-"The Boy Scout Of Today"
6:l1-Black and Gold Orchestra.
6:15-Songs of the Old South.
6:45-Uncle Abe and David.
7:00-Amos m Andy.
7:15-Male quartet.
7:30-Mme. Frances Aida and Frank
La Forge.
T:45-"Back of the News in Washing
ton," by william Hard. q
8s00-Bobby Jones Golf Chat.
8:15-Varieties, with Bugs Baer.
8:30-Shilkret Orchestra, Howard
Marsh and ChoriSters Male
chorus.
9:00-Investment talk by Martin j.
insult, and music.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
LITTLE BENNY
BY LEE PAPE.

Pop was thinkin to himself serious.
and ma sed, My goodness Wilium
you're certeny berried in thwat, whats
matter?
I'm trying to think how I spent a S
doller note today, and I'm forced to the
conclusion that dident spend it at all
in other words must of lost it, and
If there's anything that makes me feel
like poor Goldfish, an uneducated mutt
and a driveeling sap, its losing money
in the streets like drunken sailor, pop
Sed.
Now Willum I don't see what sailers
half to do with it, and I don't see that
you have anything to worry about, ma
sed. It was your money and If you feel
like losing it its your own bizzness, ma
Sed.
:. But .ye gods ! don't feel like losing
It, that's where the plot comes in, pop
sed. That's what makes me such an
incompetent simp, he sed. But must
say you take quite sporting attitude
about 1t, and my poor broken hart Is
filled with gratitude. If the conditions
were reversed I don't think Id be such
a sport about it, he sed.
o, I'm sure you would, Willum, ma
sed. And in fact this is Just golden
opportunity to prive I'm rite, because I
took my pocketbook out Of my bag this
counter somewhere, and when you stop
and think that I was in and out of at
least 10 stores today, the complications
are very much opposed to my ever re-
covering it, she sed.
For peet sake how much was in It?
pop sed, and ma sed, Well, there wasent
enough axual money to worry about, in
fact there were ony or cents and
some postage stamps, and as for the
bare pocketbook itself, its more of a
good radiance than a loss because it
was as old as the ancient hills and
looked older, but the important thing
is, your perl shert studs were in it, be-
cause I was going to take them to the
joolers to be polished.
zee gods my ony joolry, and you've
got me in position where cant say
werd, pop sed. Its womans werld
and I'm going around to the bowling
alley, he sed.
Wich he did.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
A Sermon for Today
ny REV. JOHN n. uUNN.
let us BE Cheerful.

Let thy heart cheer thee. "-Ecc.,
xi19.
A word similar to this in Ecclesiastes
is found in the book of Eccleciasticus:
Whatever is brought upon thee. take
cheerfully." It is q word much Needed
in these days.
No matter what comes or goes, keep
a cheerful heart No matter what hap
pens, take 1t with good grace and cheer
fully. Be an optimist. Look on the
bright side of things. Look beyond the
clouds to the silver lining behind them.
Things may be going badly with you,
but they could go worse. They have
gone better, and likely will GO better
again. So think of the brighter day
ahead, and cheer up.
The man who wins In life's conflicts
is the man who, as Shakespeare says,
takes the Bullets and rewards OF for
tune with equal grace AS the familiar
lines run:
1T is easy enough to be cheerful
When life goes along like song,
But the man worth while is the man
who can smile
When everything goes dead wrong"
Your misfortune may be q serious
matter, and may require great deal of
oCllOuS d1lA oUUCI koub q CIlcCL~
full temper will help to get the cobwebs
out Of your brain, and thereby enable
you to think more clearly. Besides, while
you are thinking and working your way
out of your difficulties, it will help you
to bear the burden of your present pri-
vations and struggle the more bravely
and easily.
Bulwer-Lytton was right when he said,
IF there Is virtue in the world at
which we should always aim, it Is cheer
fulness." A genial disposition is the
bright weather Of the heart. It will sus-
tain the soul in the darkest and most
dreary places Of life. Along life's road
we may meet many things to complain
about and find fault with, If we have
the mind to do so. But with cheerful
spirit and a heart to praise God for His
mercies and blessings, we can travel on
the hardest and toughest road without
ever complaint or murmur and come
to the end Of our journey in peace
Therefore, let us be cheerful.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
Everyday Psychology
By DIR. Jesse W. sPRowLs.
Basis of Belief.

Some Of your beliefs are based on
logic. For example, If % a is b, and
CD C Is b. then CD is C, a logical
conclusion.
= You will have hard time drawing
any other conclusion. You have q
logical foundation for a belief, so long
as and maintain their equality to b.
But there's a big difference between
logical beliefs and psychological beliefs.
That's because there is a big difference
between facts and wishes.
Logical beliefs are based on facts.
Psychological beliefs are based on
wishes, hopes, fears and a lot of other
emotions.
Sometimes these emotions or senti-
Even then they may influence your be-
lefs. To put it rather rudely, you be-
heve what you want to believe: If some
one tries to tell you that, you regard his
efforts as some sort of an affront to
are called upon to defend your beliefs.
In reality you are merely trying to de-
fend your sense of self-importance. You
may even become dogmatic, then stub
born, and finally angry. Some have
been known to go so far as to declare
that they just will not be convinced.
Feelings rule the world. Logic gets a
chance only now and then. Facts have
a way of upsetting many of the things
we like to regard as settled. When you
logically change a psychological belief,
you have suffered the pangs of men,
tai jibe.
Copyright. 1919
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
OUR CHILDREN
BIZ ANGELO PATH.
Changing Schools

One of the chief causes Of retarda-
ton in the CIV schools is the number
of schools child attends in a brief
time. There are unfortunate children
who have been in as many as eight
schools in year. OF course, that
means no work of any worth in any
school. From there the number of diff
ferent schools runs down to one each
term.
of entering name on the rolls and
having a child in a bench. School Is
not merely matter of lessons, rou-
tine and habit. It is environment and
great educational power. The child
must adjust himself to many conditions
and to many people in this environ
ment, and that Is severe strain upon
him.
It takes time for child to take root
In new school. Everything is strange
teachers faces, teachers voices,
teachers mannerisms.|D Do you know
that it is difficult for child to hear a
new voice? Sometimes a child is in a
class for week or more before his ea4
can catch the words and meaning of
the teacher. 1t is not that the teacher
is not speaking his language nor that
she Is not talking distinctly. 1t is that
the ears of the child must adjust them
selves to the new voice.
Multiply that one difficulty by the
number OF new teachers who speak to
| child, and you will have one reason
for his being marked deficient the first
few weeks he is in the new school.
Then he moves along to another school,
and again he must adjust himself, and
| again he must have time, and again he
gets poor rating. BY this time ne has
settled down to certain hopelessness.
He can't get good mark. He can't
have any fun in school, He is an out
slider and failure.
Those who stay little longer in each
school get a start. They have sunk the
| first threadlike roots down mot their
environment and are proceeding to grow
| bit. The teacher says: yes, I am
happy to say he is improving. He is
getting better marks in everything this
month" And then the family moves
and the feeble roots with their result
tant growths are broken. There must
be fresh start in the new school
This frequent uprooting checks the
| growth of the child, and he will be
handicapped all his school life by it.
| There are times when the family has
to move. If the school which the child
has been attending Is within reaching
| distance and the conditions permit,
keep the child In the school he started
in and keep his growth continuous. II
is not always possible, but people ought
to consider this matter very gravely
for it involves serious handicaps for the
children.
If child Is not doing well in school,
II he makes no progress and the teach
ers speak no good of him. nor he OF
them, it Is time to look about for an
other school. Have the child tested and
examined and follow the experts adj
vice in treating him and send him to
new school to make a fresh start. We
want to break his growth and start q
new one. For him this is a necessity.
But for the usual child. no.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11

but either they have taken jobs at
small pay that needed no training or
they have found an unusual way out
that is, they thought the thing care
fully through and found an original way
of making a living.
Some have gone into the real estate
business; some have sold insurance.
Both of these are very difficult, but
women have done them well.
In cities that have a good many
tourists know girls who make a living
as guides.
In larger cities sometimes unframed
girls become shoppers. There Is one
woman who goes about and touches up
paint on old furniture. There is one
who makes a business of opening up
houses for people who have been away
for the Summer. She gets them cleaned
up and all ready so that the owners
can move right in. I know at least three
girls who arrange children's parties.
Then there is one woman know who
can work part time only. She has a
list of people to each of whom she
goes to do mending, pressing and clean
ing. When she gets a customer she
simply goes through her wardrobe with
out anything being said, mends every
thing in sight, takes out spots and
presses out wrinkles. 1t is a great
convenience to well-to-do women, and
doesn't pay So badly.
AS you can see, this kind Of work
is more difficult than any regular thing
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
Eyelet Embroidery for Spring
BY MARY MARSHALL.

know how to make eyelets because they
are useful as well as ornamental.
To make them you should have q
metal or bone stiletto. Mark the place
where you wish to have the eyelet ac-
curately and then, holding the material
firmly in the left hand, pierce through
with the stiletto, pushing it down to
make the perforation Of the desired size.
Thread your needle with buttonhole
twist or cotton of matching or con-
trasting color and take even, small
stitches around the edge of the eyelet
and then work an even row of btitton-
hole stitches round the hole, or If the
material is very sheer, simply work a
row of fine over-and-over stitches to
bind off the circle. Run the thread
under the stitches pm the under side
and cut it off.
Eyelets may be used for purely
ornamental purposes or you may work
them on cuffs, neck opening or front
closing of blouse as openings through
which to run ribbons or cords to be
used in place of buttons or other
fasteners. Sometimes the cuffs of
sleeves are finished with eyeletS made
in this way to be used with buttons
put together with shanks of thread
drawn through the eyelets. The shanks
are cut when the dress or blouse is
washed and the buttons are thus re-
moved.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
MILADY BEAUTIFUL.


proper menus than how to select snaong
number of well known brands Of cos
metics which are based on the same
formulas.
The daily diet should provide pro-
teins (found In meat, eggs, legumes,
etc., starches, sugars, fats, as Wen 40
roughage, mineral salts and vitaptn&.
Most girls with poor compilations are
in the habit of eating too much meat.
starchy and sweet foods and not enough
Of the fruits and vegetables that pro-
vide roughage and mineral elements.
Although this latter group is not 30
nouriShing as meat and potatoes. 1t Is
an essential part of a correct diet. BIZ
including a large serving of fruit or
vegetable salad in each days menus, in
addition to the usual cooked foods and
milk, one may be fairly certain that
one is getting enough Of these valuable
food elements.
Salads are miIady's stanci.est beauty
aids. They help keep her digestive tract
working properly and make her skin
clear. Almost any sort of fruit or vege-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1931-02-11
MOVIES AND MOVIE PEOPLE
BY MOLLTE MERRICK.
Special Dispatch to The star

Special Dispatch to The star.
HOLLYWOOD, Calf, February 10
(N.AN.A.). - The recent success Of
Richard Dix in "Cimarron" thrusts this
actor once more into the foreground
Of motion picture fame.
His career has been a spotty one.
Great roles and long slumps in which
he made-always for big salary-mere
pictures. Perhaps much of this was
due to the fact that the Dix PERSONAL
fly is too decided, drafted in too broad
planes for mere entertainment. Dix
has decided that his long knowledge
of the cinema entitled him to q break
as director; this arrangement was
about to 60 through when Yancey
Cravat made gelatin history early in
the year. So the actor is once more
o star Of big magnitude. and the be-
-the-cameTa work VIII have to go
% somebody else.
Lowell Sherman has stuck to his
original statement that a man may
direct and act in q picture and that
picture be good. When 1.-THE Royal
Bed" was completed, Lowell Sherman,
calm and cool and Self-assured, was
looking about for new material.
Others who had tried the same trick
Were less encouraged about its posi-
bilities. Louis Wolheim, condemned to
. period Of complete quiet, as the re-
suit Of combined f1u and nervousness,
thinks either one is a big enough job
for q man.
Wolhein, who exemplihed raw mas
cultnity on the screen, despite his cul-
ture-he was once college professor
lis looking very white and weak and
quite a shadow Of his former self II
Is merely a matter OF escaping the ter
rife drive of movies for while. In
the meantime Adolph Menjou viii play
the part Of the managing editor IN
Front Page" which was originally as
signed to Wolheim.
Both choices for the role were
strange. Wolheim was physically out
of the picture in that the originator
of the part Is slim, dapper, wiry little
man with eyes Like gimlet holes, and a
sharp staccato in his voice like the
splitting Of machine gun. Adolph
Menjou is a million miles from the
sheer Americanism of the original role