davidaulloa/AmericanStories huggingface dataset:
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27
WKBF (140O) Indianapolis

indianapolis Rroadcasting. Ine.)
THURSDAY
P. NJ.
400-Tea time duo.
4:45-NewS flashes.
5:i5-Town topics.
p 7:00-EarpS orchestra.
7:l5-Erbers program.
7:30-The public service men.
8:30-Peek's Jubilee Ministries
9:30-Crystal-Pep dance orchestra.
i0:0O-Boxing bouts. Tomlinson hall
1i:00-Marathon orchestra.
li:S0-Jack Tilson's Athletic Club orcheS-
ira.
l2:00-Sigu of.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27
Distant High Spots

THURSDAY
PM
6:So-NBC CwEAFl-"The Nations Capt.
tai" Senator David l. Walsh.
7:0o-NBC (WEAF) -F1eischman hour. Ma
tional Cavaliers. guests.
WIW, Cfncinnatl-Girls debate. U.
of Gin VS.. Mich. State college.
T:i5-Columb ia-F1ederick VIM. VILE from
London.
7:3o-NBC IwJZl-Champion Sparkers.
sport drama Indianapolis Speed
way Race"
s:oo-NBC IWEAFD -Seiberling singers.
Columbia Detectives Mysteries
The Riddle of Annswan."
5:0o-NBC (WJZl-Maxwell melodies.
e:oo-NBC (WJZl-Atwater Kent program.
NBC WEAF)-Victor hour. Lucrezia
Boria, soprano.
Columbia-The Voice Of Columbia.
io:oo-NBC (WEAF) Grand opera Ma
toms"
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27
WLW (7OO) Cincinnati

THURSDAY
PM
4:0O-The Hawaiians.
4:30-Live stock reports.
4:40-Musicale.
5:00-Orchestra.
5:30-Benrus time announcement.
5:30-Dinner concert.
5:45-Literary Digest program (EBCl.
s:59--Hy Grade weather forecast.
6:00-Hotel Gibson orchestra.
6:lS-Tonys scrap book.
6:30-CrosleY singers.
6:45-Re dio Dog Club: DR.. Glenn Adams.
7.00-SeLh Parkers Old Fashioned singing
school.
7:30-Champion sparkers.
S:00-Billikin Troupers.
6:30-MaXwell hour (NBC)s
e:00-Hollingsworth hall.
9:30-Henrv Fillmore'S band.
l0:00-Benrus time announcements.
Estate weather man.
Continental Oil program (NBCl.
i0:30--Los Amigos. a program for Latin
America.
i1:o0-Castle farm orchestra
IL :39-Mansfield and Lee.
A. NJ
l2:00-Thirteanth hour tnSomniscs-
l:00-BenruS time snpouncement--Sign
off
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27

The big hits from old and new
musical comedies provide the hour
of dance music to be heard when
the Atwater Kent program Is
broadcast over WGN and NBC
network Thursday at 8 p. m.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27
Radio Dial Twisters

Strauss and Romberg frame the
Maxwell house melodies program,
which goes on the air over WLW
and NBC network Thursday night
at $3.50.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27

Lucrezia Bori, soprano of the Met
ropolitan Opera Company, will be
the guest artist during the RCA
Victor hour to be broadcast from
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-03-27

Selections from the operettas Of
The Washington times., 1930-10-13
1890 Novelties
Is Gayety Show

Novelties of 1930' is the Gay
ety's attraction for this week, and
has in it's cast one of Washing
tons favorites, Jean Bodine.
The collegiate influence is prom
inent in the first two scenes
utilizing quite a bit Of the music
of Good News" The production,
while not. exactly an outstanding
one, has some clever performers
and scenes.
Among the best bits are the
whirlwind dances of Millard and
Anita, acrobatic work Of Helen
Carson, and the dancing Of the
Kayton Sisters
The comedians, Artie Lloyd,
Harry Myers and Harry Clexx
are capable, and other featured
players are Peggy O'Neil, George
Reynolds, and Andy White.
Backing these is a young, good
looking chorus. Manager Lake
promises a great show for next
week with Frank x. Silk and
Hinda NASSAU.
The Washington times., 1930-10-13
SNGTON REACTION TO NATIONAL INFLUENCE
FINAL WEEK0l
SWANSON
FEATURE

Gloria Swanson as q gisgliri
widow warrants another weeEN
the Columbia, according to as
ical Washington audience. "a
Gloria just does not seem sin.
cere as a hilarious widow. It's
true, indeed, that she can charm
the flock, Of men that she sue
ceeds in doing ins' what a. Widow
but to giggle at each remark, how.
ever trivial, and to jump, ON beds
In a tantrum hardly BELTS the
tragedienne of The Trespaser."
And who can wear clothes like
Swanson does? .Pajamas to creep
out of bed with, a morning robe,
an afternoon gown and evening
dresses that clihg-Gloria does it
inimitably.
AS drunk she is surpassed by
Lew Cody, who, appears on each
occasion in an 1nebriated condi-
ton. And Owen Moore puts it
over big as a sensible lawyer who
feels the pangs Of love creep into
his professional duties.
Hal Roach's Boy Friend comedy,
Doctors Orders" and a Hearst
Metrotone News that gives Hoover
an opportunity to address his peo-
pie supplement the program.
-JsA Il.
The Washington times., 1930-10-13
ABRAHAM LINCOLN AS
FILMED BY GRIFFITH

of record, however, that Lincoln
reiterated portions of his Gettys-
burg address from box in Ford's
Theater.
Through the art of makeup
and similar physique Walter Hus-
ton is able to visualize with un-
canny exactness the accepted
likeness of Lincoln and it is a
double triumph that the lines he
has been given to speak strength
en- the power of the characterize
ton. Robert, E. Lee as played by
Hobart Bosworth seemed a trifle
too old for the Confederate hero
and Director GriffithS gesture to
the Southern box office is evi-
dent in the way he has handled
Dixie's eminent figure. A long
cast of supporting players served
the director faithfully.
The Griffith -Benet- Huston pic
ture of Abraham Lincoln" is a
worthy celluloid memorial.
The Washington times., 1930-10-13

WALTER HUSTON may view it on
| the screen twice daily at the
National Theater, becomes a film
of distinction because its cen
trail character has been endowed
with all the superb skill and
sympathetic understanding a
great actor can give to a role.
The Lincoln of Walter Huston
is a shadow portrait whose values
are striking and positive.
You can thank the actor that
Abraham Lincoln" carefully
avoids saccharinity and a maud
lin sentiment for there are mo-
ments in the Stephen Vincent
Benet script where overemphasis
on the tender-hearted traits of
the rail splitter as. recorded in
the favorite Lincoln stories, might
have verged on the. glucose. The
Huston touch. invests them with
the proper dignity and charm
and the sturdy figure of history's
pages survives.
Like the earlier Lincoln, ex.
hibits which have found their way
to stage and screen, the D. w.
Griffith treatment is episode
From a mass of Lincolnia, Stephen
Vincent Benet has chosen to, Gull
such incidents as accentuate the
human side Of his hero, and these
have been in the main effectively
pictured.
I should, nominate as the most
striking and effective sequences
of the screen narrative those
scenes of poetic beauty wherein
Benet makes it plain that the one
great Lincoln love was the over
powering affection he lavished on
lovely Ann Rutledge. These
scenes have been tenderly ap-
preached, and Actor Huston has
the magnificent assistance Of the
wistful Una Merkel, who lends a
spiritual appeal and rural whole.
someness as Abe's youthful sweet.
heart.
Picking UP the biographical
chapters which concern Lincoln's
public career, Director Griffith
camera sketches the historic de
bate with Douglas, the struggles
with an unruly Cabinet, the Civil
War problems which lined his face
the selection of Grant to head the
Union armies, brief flashes of the
red-Soaked battlefieldS. his com
passion for the rebel leaders, his
grim but positive sense of humor
as a story-teller, and as a climax
the snuffing out of a brilliant
President at the hands Of an as
SasSi1.
The detours from the path OF
historical accuracy are minor anc
relatively untTportant. It Is NOT
The Washington times., 1930-10-13

strains of this backroom chant
recur again and again through the
picture. "He was her man., but
he done her wrong. The rele-
vance Of this is dimly apparent in
the unfolding Of the picture, but
merely in an incidental way. AS
suredly, the theme of Frankie
and Johnny" is not that OF Tier
Man."
It.is a story of Havana dance
hall, unoriginally titled the
.."Thalia." A nice, clean boy from
ship falls in love with a baby
faced little entertainer, whose
heavy speciality is picking the
pockets of the gin buyers. Her
name, for no good reason, is
frankie, and the piano player, to
whom she gives her nightly earn
ings, is inevitably named Johnny.
Why this nomenclature, why this
obtrusion of the beer ballad, is
probably one of Hollywood's dark
and portentous mysteries.
The sailor boy shows frankie
the way to a better life. To be
sure, Johnny resents this. Then
comes the big fight, and the
sailor boy leads frankie out of
the Thalia.
Phillips Holmes is the sailor
boy. His performance outstands.
Ricardo Cortez does Johnny-a
cheap sport. a dirty fighter, a
mean hand with the knife-in
the best Cortez manner. Helen
Twelvetrees is frankie, pretty
and immature, almost too much
so for this role. Marjorie Ram
beau gives distinction to her
part of a bedraggled and age
worn lady of the dance hall.
The comedy, a very real asset
to the picture, is in the thor
oughly capable hands of Jimmy
Gleason, Slim Summerville, STAN
ley Fields and a chubby Nordic
whose name unfortunately is ur1-
known to the writer.
There is plenty of action in
this picture, for Garnett has
used dialogue only when it suited
his purpose. IL Will be noCed
that practically all of the comedy
is in pantomime, and the ac-
compartment of the fight-and
what a fights the crash of
splintering chairs, gasps, groans,
inprecations and the thud of
fists and feet.
And, by the way, in one brief
episode. Johnny follows the call
of a stately Spanish siren named
Nellie-but if the last names BLY,
somebody's fooling us.
An analysis of football plays,
with Knute Rockne speaking, is
swell. Then there's an illumi-
mating visit to Bangkok. and an
amusing program Of Human
ettes," plus the news reel.
j, I, M.
The Washington times., 1930-10-13
Ruth ROLdnd's First
TaLkinq Film, Reno

Hundreds Of thousands have
heard Ruth Roland's voice over
the radio. Countless others have
heard her sing from the vaude-
vile stage. Now, at last. Miss
Roland is going to be heard talk
ing and singing from the screen.
Her first production under the
Sono-Art banner is Reno" from
the stirring novel by Cornelius
Vanderbilt, jr., is at Warner Bros.
Metropolitan Theater as the sec
ond attraction presented during
october harvest month, celebrat-
ing a carnival of entertainment
in all Warner Bros. theaters.
The Washington times., 1930-10-13
When The Feature Is
T. Shown on The Screen

FOX-Charles Farrell in "Lil,
iom," 40 11:15 a. m, 1874. 1888
5:26, 7:45 and 1904 p. m. Stage
shows at 12:49. 3:08. Z and 9:1S
p. m. ..
EARLE-Ann Harding in Girl
of the Golden West" at 11:35
a. M, 1855, 4:05. 7:45 and 9:55
p. m. Stage shows at 1:10, 1920,
6:55 and 9.10 D. m.
PALACE-Nancy Carroll in
Follow Thru" at 11:49 a. m,
2:O6, 4:29, 7:17 and $40 p. m.
Stage shows at 1:29, 1852, $40
and 9:03 p. IN.
R-K-O-KEITH'S-Helen Twelve.
trees in Her Man" at 1880
a. M, 1875, 3:35, 5:35, TAO and
$40 p. m.
METROPOLITAN-Ruth Roland
in Reno" at II a. M, 12:46.
1892, Alb, sos. 1853 and $50
p. m.
COLUMBIA-Gloria Swanson in
What a Widow" at 11:15 a. M,
1:15. 800, $40, 7:25 and $50
p. m.
The Washington times., 1930-10-13
Hughes On Drama

Chief Justice and Mrs. Charles
vans Hughes, with their daugh-
er, Miss Elizabeth, encouraged
ne drama by their attendance
.jaturday night upon the perform
nee of "Everybody's Secret" the
Professional Players production at
he Belasco Theater.
This play. by the way, deserved
much better patronage than Wash.
ngton accorded it. Miriam Hop
lins will go into the lead role this
week and General Manager Jo-
seph M. Gates of the Shuberts
>eels the new drama has the ele-
'nents of a hit. Miss Hopkins was
originally intended for the lead
out an attack of illness after COM
oleting a starring role for Para
mount in The Best People" de-
'ayed her appearance. Jane Bran
ley deputized capably.
When the play resumes next
week at Philadelphia it will prob
ably be under the title His Ma
;esty's Car" or another snappier
title under consideration is. His
Majesty's Mistress" although il
is really not a risque drama.
The Washington times., 1930-10-13

NANCY CARROLL delightful bit
OF tuneful romancing called Fol
low Thru, now current at Loew'S
Palace and bound to find a re-
sponSive chord no matter how
dour the mood.
It's all about little girl whose
dad is golf pro and who decides
that his daughter is to be the
woman champion of the world; :;
she isn't a bad golfer but in pre-
pairing to take the championship
she has been made to live a
strenuous life, a life which is
hard for a youngster who wants
to know about things other than
golf! Because her heart is not
entirely in the game, she loses
and then finds that there is a
rather good looking someone who
is waiting to brush her UP on her
putting. She tries again and wins
both the championship and the
boy.
Mild story, but plenty of in.
teresting golf, loads of humor.
thanks to Eugene Palette. Zelna
ONeal and Jack Haley, and there's
young romance and some lively
music. The cast is excellent. and
we find our friend, Kathryn Civ
ney, prominently placed. The en-
tire filming is done in natural col
ors: a splendid bit of work.
The stage is less amusing than
the film. though Ted Claire does
his utmost to persuade the crowd
to catch hold; but that bunch of
regulars at the Palace won't be
fooled, and while the features in.
clude Max and his Gang (animal
act Gold and Hayes, tap dancers:
Lafayette and Laverne. Apache
dancers cat least they call it dane
ing nowadays, and the. Chester
Hale Girls, the unit which is called
Bye Bye Blues" lacks the fresh
ness it needs to put it over.
There is an up-to-the-minute
Hearst Metrotone News and music
by Mr.. Borjes, and the boys down
front to complete the program.
K. Y.
The Washington times., 1930-10-13
He Saw Lincoln Shot

Among those who watched the
screen drama of Abraham Lin
coin" at the National Theater yes
terday afternoon was Charles s.
Willis, of Willis Courts, one OF
the few surviving eye witnesses
of the Fords Theater tragedy
which marked the final chapter
for the martyred President.
The filming of this incident I'M
pressed me as one weak sequence
in the Griffith picture. AS pic
tured John Wilkes Booth sinks
slowly towards the unguarded box
of the President in view OF the
audience, fires his pistol, leaps to
the stage and disappears without
any effort to apprehend him: For
what seems like a full minute no
body comes to the aid of Lincoln
until his wife's hySterical cries at
tract help.
It would be interesting to know
whether this scene approxlmaGeS
what Mr.. Willis witnessed on the
night of April IA, 1865. Somehow
it seemed to me Director Griffin
failed in catching the tenseness
and excitement OF what must
have been a memorable scene.
The Washington times., 1930-10-13
Fox Act Moves Up

Just as soon as he has
launched the new Marilyn Miller
Astaires musical comedy, Smiles, .
Producer Florenz ziegfeld will get
10 work at once with q new
.Follies.
The latest edition of the super
musical will, it is whispered, re.
unite some of the great stars Of
earlier Follies, and Mr.. ziegfeld
hopes to have it ready for a first
night around the Christmas holi-
Jays.
Among those already awarded
contracts for the Ziegfeld show
are the Three Slate Brothers, the
dancing act which is earning en-
cores at the Fox Theater this
week. They expect to close their
:7anchon and Marco entertaining
cor the first ziegfeld rehearsal
within a fortnight. The Slate
teppers may be recalled for their
screen work in the Fox musical,
Happy Days"
The Washington times., 1930-10-13
WARNER BROS.
WATCHING
EARLE
BY ANDREW r. KELLEY

Upon the enthusiasm which
Yashington accords the new
olicy at the Earle Theater will
apend much the future of vaude-
lie in the Warner Brothers
heaters. In brief, if good stage
lows re-awaken interest at the
OK office on Thirteenth Street,
lie w. B. theaters throughout
lie country are ready to make
,ore work for the performer in
lie flesh.
It can be truthfully recorded
nat the Saturday and Sunday
lsiness at the Earle was Of
umper size and handling over
ows was the big problems of
-anager Eilebacher. The stage
low is worth your attention as
ou may note elsewhere on these
ages.
May I make one constructive
lggestion. Please announce all
lie acts, either by the loud
oeaker system, printed on cards
r annunciators. Another down
own theater is notably remiss in
his respect. Give both the acts
nd the audience a break.
The Washington times., 1930-10-13

ANN HARDING obtained by
series Of nonsensical antics
in which he has the assistance
Of a company which keeps
completely in the mood Of
absurdity.
We had Mr.. Healy mimicking
to good effect the Al JolSon
voice manneriSms and serving
as comical overseer for his
"stooges." who included Shemp
and Harry and Howard and
Larry Fine. All Of this hilarity
had an impromptu flavor which
helped hit the target.
The Earle Band. moved on the
stage for greater prominence,
served as the background for
harmonizing by the Mississippi
Misses and hot stepping by
Pearl Adelaide.
The vaudeville is opened by
Falls, Reading and Boyce, ar
acrobatic dancing team worthy o1
being announced to the audience
Bobby Folsom injects in the
Healy act her song impressions
which are still a delight, although
they are familiar to most two-a
day patrons and movie audiences
On the screen is Ann Harding
in Girl of the Golden West,
which offers a striking exhibit ol
Hollywood miscasting.
1t always seemed to me thai
Ann Harding was excessively
doomed for an average perform
ance in Holiday" and in this
attempt to transfer David Be
lasco's venerable stage success tt
the screen she is completely thu
atrical and unconvincing..
For some strange reason Miss
Harding elected to trim thu
Golden West girl with Dixie &C
cent not unlike that projected BY
Helen Hayes in "Coquette." The
result, regret to report, is thai
we have a mistress Of the Polka
Saloon played in the high schoo
ingenue manner, lacking virility
and the rugged veneer of lady
accustomed to serving straight
whiskies and spinning the rou
lette wheel for uncouth gam
blers.
AS a matter of fact Girl Of
the Golden West" is a refined
relic of the 10, 20 and 80 era
in the theater and little skill
was expended in polishing the
screen adoption. The story is
told jerkily and Director Johr
Francis Dillon harks to the
archaic technique which mas the
rough-anoready miners acting
in unison.
James Rennie-a good actor
is too much the dudish ard mod
ern Romeo for the CALIFORNIA;
of '49, and Harry Bannister
played Sheriff Jake Rance with
the broad strokes of the original
Belasco version.
There are some strikingly beau,
tiful scenes of Western beauty
but the studio snowstorrns and
other devices for illusion make 1t
appear that Girl of the Golden
West" was a quick job, and not,
as you may have suspected, a
very good one.
ANDREW r. KELLEY.
The Washington times., 1930-10-13
About Lees Beard

Also I have been told by those
who know their Robert e. Lee
history that the Confederacy's
battlefield hero did not grow a
beard until long after the fight
ing was all over. The Lincoln
plays and pictures generally pic.
ture General Lee with a crop OF
white whiSkers. If l am wrong
on this I expect to hear by re-
turn mail from the city of AL
exandria and environs.
James Lundy will man the pub
licity machine guns for the Loew
Washington theaters, vice Sam
Rubin, resigned. Mr.. Lundy's
typewriter has been busy of late
exploiting the Loew theater i'll
Toronto, Canada. and various
Metro Goldwyn 0ctures.
The Washington times., 1930-10-13
| Daniel Reed, Author,
Was Once Boy Actor

Daniel Reed, who dramatized
Julia Peterkin's Scarlet Sister
Mary" which Ethel Barrymore
acts in at the Shubert-Belasco
Theater. was a boy actor in Nat
Goodwin's company. Goodwin's
intense desire to become TRACE
dian, which reached its climax
in his appearance as Shylock,
inspired Reed to write a play
dealing with a comedians am
bition to escape his natural gift
and turn to serious drama.
This drama, Poor Yorrick," |"
never has been produced, but
Reed lived for an entire year off
the advance royalties paid to
him by various producers in op-
tionS for it's production.
The Washington times., 1930-10-13
After Gold Medal

Having twice won the Photo
play Gold Medal, once with "Hu-
moresque" and again with "Sev-
enth Heaven" which were ac-
claimed the best pictures Of their
respective years, Frank Borzage,
Fox director, now makes a third
bid for the coveted honor in
"Liliom," the attraction at the
Fox Theater.
The Washington times., 1930-10-13
NatiUe Music Used
In Barrymore Play

Maurice Mike, for several years
musical director for Ethel Barry
more, spent several weeks in
South Carolina collecting airs for
the music used In Scarlet Sister
Mary" which Miss Barrymore
acts in at the Shubert-B Belasco
Theater.
Nitke was born in Warsaw and
made his debut as a concert vio-
linist. He arranged the music for
"The Jest" in which John and
Lionel Barrymore appear. On
Mrs. Peterkin'S plantation in
South Carolina he discovered sew
eral negro songs unknown to
folk-music collectors, and these
he has employed in the musical
score used in the stage produc-
.tion of Scarlet Sister Mary"
The Washington times., 1930-10-13

p r e S t o ! y o U
have a musical
comedy which
may or may not
be a hit on
Broadway; but
take the same
recipe, give it a
H o / | Wv o d
treatment and
toss it over to
sweet N a n c y
G a r ro | a n q
Americas Boy.
Friend, Buddy
r o g erS, and
what have vol? ?
The Washington times., 1930-10-13

ture, Garnett
has staged one
Of the finest
fire. for all
scraps in all
motion picture
history. and GER
tainly the best
battle-royal the
speaking screen
has known.
The title de-
riveS from that
grand old bal
lad Of profane
love, FRANKIE
and Johnny"
The mournful
The Washington times., 1930-10-13

di r e C t / on q ]
genius of David
Wark Griffith
1as conceived a
Civil War Presi-
dent who ad-
heres closely to
historic legend
a n d to t h e
familiar gaunt
hero with cloak
and plug hat
who guided the
nation through
4 major crisis.
"A bra h a m
lincoln" as you
The Washington times., 1930-10-13
GREAT STAGE
SHOW FOR.
EARLE
Inaugurating a policy which
will utilize the so-called name
acts Of vaudeville, the Earle
Theater Saturday night was

packed Win
an overflow
a I'D e n C e
which put a
distinct o. K.
on the open
ing program.
For the bet
ter part Of
an hour the
stage was oc-
cupied by Ted
H e a ly, an
agreeable and
rowdy comic
whose laugh
objective is
hhfninnd hN
The Washington times., 1930-10-13
Ted Lewis Short

Ted Lewis, famous on the mu-
Sical comedy stage, soon will
make a short comedy at Para
mounts New York studio. The
sketch was written by Walton
Butterfield, short subject staff
writer.
The Washington times., 1930-10-13
TO
SINGSONGS OF
TORRENCE
BY HARRISON CARROLL
Copyright, 1880, Premier
syndicate, Inc.)

HOLLYWOOD, Oct. ia lit
tie known talent of Ernest Tor
renee comes to light with the
news that John Mccormack will
sing two of the actors songs on
the concert stage this year.
Terrence received a cablegram
from the Irish singer while on
location for Fighting Caravans" :"
1t requested copies Of the songs
"Machree" and God Gave Me
Flowers" They now are on their
way to Mccormack at Moore
Abbey, Monasterevan, ireland.
The cadaverouS actor, who Is
chiefly known for his portrayal
Of Western types, is an accom-
plished pianist and has composed
many songs. These chosen by
Mccormack were written within
the last two years.
The Washington times., 1930-10-13
FIGHT THEY'LL
TALK ABOUT
AT KEITH'S

Tay Garnett, rising young star
of Hollywood's directorial legioTls.
deserves much Of the credit Tor
the entertainment in Her Mar"
on view at Keith's. In this pic
The Washington times., 1930-10-13
Dramatic License

OEAn@kAC AAOChSG
'Is Fox breeding a race Of
super-men?"4 inquiries T. E. w.
In the Last of the Duanes,
George O'Brien ducked a bullet,
and, in The Big Trail John
Wayne threw a knife about 100
yards to kill a man. The victim
wore a heavy coat and there was
a binding snowstorm at the
time"
Why be such an old meanie?
Haven't you ever heard Of dra-
matte license?
Do You Know
That George O'Brien is a cap
tain of, the 115th observation
squadron. fortieth division.
The Washington times., 1930-10-13
CARROLL GIRL
TEAMS WITH
BUDDY

Take a little story, no matter
how small, dress it up in colors
and lights, dunk it in music and