davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

"skidigite," both strong works, Hart
House has also generously lent Lake
Simcoe." by Tom Greene.
prank Hennessey's Twilight in the
Hills" is an engaging work, with its de-
lirhtf,Il contrasts of light and shade. It's
remarkable effect Of descending dark
ness. ,,.,
Bess Housser's two contributions,
est aurentian Village" and I'm the
Rockv Mountains" are very different in
manner and style, the former reticent
and gracious, the latter bold and out
Snoken. both full of meaning.
A delightful trio comes from Arthur
Lisner, associate of the Royal Canadian
Academy, one time principal OF the
Nova Scotia College of Art, vice pr1n-
cipal of the Ontario College Of Art, To-
ronto: now educational supervisor, ART
Gallery of Toronto and lecturer In the
University of Toronto: member OF
the Group of Seven. To his Isles OF
Spruce, Algoma," lent by Hart House,
University of Toronto, one OF the posi-
tons Of honor In this exnloltion na is
been given. No less pleasing are his
"MacGreRor Bay" and Happy Isles,
Georgian Bay" both individualistic IN
stvle. Mr.. Lismer paints with full
brush. his color is rich and luscious, and
he uses simplification to the advantage
of effect, but without loss of significance
Attractive Small Canvas.
Mabel Lockerbys I'm Montreal is an
attractive small canvas, primarily dec
orative in effect, as is also Sarah M
Robertson's 1.-THE Blue Sleigh.
James E. H. Macdonald's painting
entitled Mist Fantasy" lent by the Art
Gallery of Toronto, showing two req
canoes on the mirrorlike surface OF a
river or lake in open and rather rough
much, of pattern, which could best be
interpreted through the medium OF
needlework or tapestry, but lends pleas
ing variety in style. His OCTOBER
Shower Clean" has more OF the painter
Colorful and distinctly entertaining,
out of the ordinary is Yvonne NC
Kague's Cobalt, Ontario" little town
of colorful small houses bumped on q
hill, ugly in the matter of contours and
architectural detail, but deiigntIul IN
composition and effect.
"Sunday Morning, Berthier en- Haut, -
by Kathleen Muir Morris, Is charming
work showing a group of sle1ghS In front
of a gray church door, a beautiful piece
of color composition admirably rendered.
Florence H McGillivray's Winter at
Rosebank, Lake Ontario" is interesting
as is also H. Mabel Mays "Snowhakes. !"
And what could be more attractive OF
it's sort than George D. Peppers "A
Street in Hull" with its pleasing effects
of sunlight on snow, or his bold repre-
sentation of THE Skeena River Coun-
try?"
A portrait study entitled Joan Flem-
ing Maclean," by Pegi Nicol Of Ottawa,
is fine piece Of Characterization, but
not especially pleasing in color.
And finally tribute should be paid to
Anne Douglas Savages painting of .
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

madam scene, Horse Racing" by Clar-
ence Gagnon, lent by the Art Gallery
of Toronto, as is also, by the same art
ist, "Laurentian Homestead" Horse
Racing" shows a group of bright-colored
sleighS- and people in Wilmer toys
watching race of one-horse sleighs on
the smooth surface of the frozen river
Beyond are the snow-covered hills, the
subtle outlines of which against the sky
are broken by the roofs Of farm houses
and q church steeple. A gay and ad-
mirably rendered work.
Haines' Canvases Vigorous.
More traditional, but at the same time
equally fresh and vigorous in style, are
the two paintings by Frederick S
Haines, THE Birch Tree" and Pop
lars" both admirably interpreting the
effects of leafy foliage, the latter when
in Autumn dress. Mr. Haines is the
curator Of the art gallery Of Toronto, a
native Of Ontario, a member of the So
ciety Of Graphic Arts and of the So
well as an associate of the Royal Ca
madam Academy.
Associated in our minds as one OF
the innovations of modernism is the
unusual viewpoint, that of looking down
on a subject, which in recent years art
lists have from time to time skillfully
set forth. Never, perhaps was it bet
ter done than in Alfred j. Casson's
painting entitled Mill Houses" in this
exhibition. a typographical study from
height so precipitous that observation
tends to dizziness. Mr.. CaSSon is also
represented by painting entitled "Oc-
tober."
OF the figure painters in this exhibit
ton four especially stand out because
of the notable merit Of their works. Ed
win H. Holgate of Montreal, a pupil OF
Lucien Simon and Rene Menard, ir
Paris, is represented by portrait studies
Of THE Lumber jack" lent by the
Womens Art Association of Sarnia, On.
tario, and of THE Fire Ranger" lent
by Hart House of the University of To.
ronto. both strong and vital interpre.
tations Of interesting personalities
types.
Prudence Howard of Montreal, whose
study of art has been pursued entirel
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

''Laurentian Village" and to three ex-
cellent works by Albert Henry Robinson
Of Montreal, two of which, Return from
Easter Mass" and st lite des Caps, .
are lent by the Art Gallery of Toronto.
Included with these works by modern
Canadian painters are two paintings by
Horatio Walker, who is claimed almost
equally by the United States and Cam
ada, maintaining residences in both
countries, dividing his year between
Canada and the United States. Mr..
Walker is essentially of the old school,
following traditions, the great traditions
of the past, and more closely the tradi-
tons set up by the Barbizon painters.
He has been for many years regarded as
the Millet of Canada, representing al
most entirely in his paintings scenes of
Canadian peasant life. He is represent
ed here, possibly by way of foil and con-
trast, possibly as special tribute to his
achievement, by a typical picture of "a
Wood Cutter" and "a Summer Pas
toral." but better still in the Corcoran
Gallery's permanent collection by a
painting entitled Ave Maria" work
which. regardless of changing styles, will
always be accorded distinction.
This exhibition, which will be open to
the public from today until the end of
March, is sponsored by the American
Federation of Arts, and will be sent on
six-month circuit Of the leading mu-
seums in this country.
The pictures were selected from the
art galleries of Canada and the artists
studios by Eugene Savage. at one time
fellowship holder at the American
Academy in Rome, a member of the Ma
tional Academy of Design and professor
Of painting at Yale University.
TTha ovhi1AitfAxa vxyoc Y1aoAo VNnceih1a
through the generous cooperation Of
the Carnegie Corporation of New York,
the National Gallery of Canada, the
Art Gallery Of Toronto, Hart House and
the contributing artists.
LEILA MECHLIN.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

drowning in 1917. He was born near
owen Sound, Ontario, and was largely
self taught. His love of the north
country found expression in long canoe
trips, and he was reputed to be one of
the best guides and fishermen In the
district. A friend. DR.. James MacCal-
lum, who has lent one of the pictures
by which Thomson is represented in
this exhibition, First Snow" discover
ing his talent for sketching, made 1t
possible for him to devote all of his
time to art. 1t has been truly said that
Mr.. Thomson's work sis characterized by
its purity Of color, its truthfulnesS to
nature and its compelling sincerity"
Emily Carr of Victoria, British Co.
lumbia, shows, as result Of her many
expeditions among the Indian tribes of
the Canadian West Coast, q painting of
"xitwancool Totems." lent by Hart
House, University Of Toronto, and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

z. Pluribus Unum Chapter gave a
tea to Mrs. Harry Calfax Grove, candi-
date for State vice regent. on March /
at the home Of one of the members,
Mrs. Frank E. Mack, l705 Lamont
street northwest.
In the receiving line were Mrs Frank
e. Mack, hostess; Mrs. Harry Calfax
Grove, Mrs. David Caldwell, State
regent, and Mrs. Friend, regent of the
chapter Among those serving at the
tea table were the officers of the chap
ter, Mrs. Slyvanus johnson, founder of
the chapter; Mrs. H. L. Hodgkins and
Mrs. Beavers, who are honorary mem
bers.
Continental Danes Chapter met at
the Ontario Apartments Tuesday after
noon with Mrs. H. r. Seidemann as
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

Binocular glasses. two gold watches
ana many rewards have been received
by the British Board Of Trade from the
President Of the German Reich for the
omcers and crew Of the ship Rudyard
K1pling, which rescued the crew Of the
German fishing vessel Jemhs Thcde, on
North Russia.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

engine speed. That means less wear and tear
and consequently longer life-for every part Of
the motor.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09
ReO's Beauty too, is Lasting. ).

ReO's Beauty, too, is Lasting.
REQ is not only car you'll enjoy driving for .
long. long time-but it's Car you'll be proud to
drive for long, long time, too. For. like other
fine cars, REQ is beautiful without being ex-
treme-sm with no trace of thickness. REQ
doesn't believe in-or need-sweeping yearly
changes. The REQ you buy today will still be
distinguished looking Car two, three, four years
from now.
What more could you ask-long life, perform
ance, comfort beauty. And remember this! Reo's
remarkably long Life makes it one of the most
economical cars you could buy! Convince your.
self of this-visit your REQ showroom.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09
Carnlchael's Work Is Strong.

SatNAACnAE1S WOtA 40 OHoAB'
Another strong painter In this exhi-
bition is Franklin Carmichael, whose
Evening Lake Superior; Lake Waba-
gishik" and North Shore, Lake Supe-
rior," are in somewhat similar vein.
More modernistic, perhaps, in accord
ance with formula, and possibly trifle
less nationalistic in suggestion, are
Bertram Brokers Lone Tree" and
Wood Interior" and Lionel Lemoine
Fitzgeralds "Fop,sfs" and William
sons Garage" the last Winter picture
owned and lent by the National Gallery
of Canada.
In sharp and interesting contrast to
the coldness of many Of the works in
ciuded In this exhibition is a painting
an upright panel, entitled Prairie
TOAD" by Charles F. Comfort, born in
edinburgh, Scotland, in 1900, who was
brought to Canada by his parents II
years later and reared in Winnipeg.
studying at the Winnipeg School of Art
This is a picture of Midsummer on the
prairie, and every particle of air seems
charged with heat. radiance. The sky
is mauve, the distant hills heliotrope
the earth itself hot in color under the
suns fiery rays. The horizon is low.
the land fiat, there is nothing to break
the monotony but the telegraph poles
dwindling in ? prolonged perspective.
A place of honor has been given to a,
srIH. IRE which sets forth typical Ca
Evening star. [volume] (Washington, D.C.) 1854-1972, 1930-03-09

Peggy Ann Alez-
Gnder and Tim
s cGnlon of
American Sound
Pictures. Their
beautiful hair
shotDs The effects
Of proper care
and training.
The Washington times., 1930-04-09
OFFICIAL
SPEEDS WORK
BY PLANE

INDIANAPOLIS, Ind, April g..
From Indianapolis to Los Angeles,
San Francisco salt Lake City and
Chicago, and back to the factory
again in less than 8 days is the
record flying for a business trip
established by Col. E. s. Gorrell,
president of the stutz Motor Car
Company of America, who re
turned to indianapolis today by
airplane. It is estimated that the
trip by rail would have required
from 2 to 8 weeks.
Called to Los Angeles for an
important distributor conference
Colonel Gorrell discovered that
all air accommodations had been
booked. T. A. T. officials at st
Louis arranged for special plane
from indianapolis to Waynoka,
Oklahoma and the Stutz executive
reached Southern California in
record time. He attended the
Stutz conference and found time
to call on several Stutz dealers
before leaving via T. A. T.-Mad.
dux Lines for San. Francisco.
Here he conferred with distribu
tors and dealers and departed via
United Aircraft Boegin System fol
Chicago, making the trip on
mail plane over the Sierra Neva-
das and the Rockies in the dead
of night. At Salt Lake City, he
was met at the airport by local
distributors and dealers and con.
siderable business was transacted
before "the flying colonel" took
off on the leg to Chicago.
Colonel Gorrell who was chief
of staff of the Army Air Service,
A. E. F., began his flying career
In 1914.
The Washington times., 1930-04-09
LIGHTS
On CAR TEST

The proposed string Of lights
outlining the speed course at Day
tona Beach. Fla, would more than
likely result In a fatal accident and
in any event defeat its purpose,
that of aiding the drivers vision,
according to DR.. Edwin H. Silver,
of washington, D. c., chairman of
the motor vision commission Of the
American Optometric Association.
DR.. Silver, who Is a recognized
authority on motor vision, says
that the only safe measure for this
type Of speed test would be to
use a contrasting color line on the
beach which the driver could fol-
low by means of sight mounted
on the cowl of the car. And in
addition to this DR.. Silver pro.
poses that the driver wear goggles,
a sort of binders, that would per.
nit him to see only what was di.
rectly ahead of him and so reduce
all chance for fatigue that comes
from oVer-emphasis Of sideward
vision.
Re further states that a person
with barrel vision. one who can
only see objects directly in front
of him, would make the ideal speed
tester, from a visual standpoint.
The Washington times., 1930-04-09
Gas SOLD.
IN WINTER

The motor gasoline marketed
this winter was more volatile
than that sold a year ago, &C
cording to the United States
Bureau of Mines, Department Of
Commerce. which has completed
a survey in twelve cities.
AS in the past, distillation evil
dence a distinct difference be-
tween winter" and Summer"
g.soline, in that gasoline mar.
keted in the winter Is the more
volatile.
The closer fractionation Of
easolines sold ip recent years is
shown as a result Of the survey.
For example, in January, 1920,
the spread between th' average
90 per cent point and the average
end point was So degrees F.; in
January, 1925, the spread was
AZ degrees F.: and = in January
1890. it was 35 dgrees F. The
lowering of the average end point
and the average 80 per cent
point beginning with January.
1924, and the narrowing Of the
ga, between these figures is
especially significant in showing
the beneficial effect of the better
fractionating equipment now used
by American refinerS.
The Washington times., 1930-04-09

Though this very type would not
be granted an automobile license
to drive on a public highway, DR..
Silver points out that there would
The Washington times., 1930-04-09

be none better for driving on a
straight-away course where no
energy would be lost in visualizing
objects on either side,
The Washington times., 1930-04-09
TOTAL IN u S. BUICK End Car in US. 3rd Car U. S.
""~""s s -" ..e """" l465988 73o652 6395ll
TOTAL IN U. S.
LstO,s figures BY r. / Polk end Co.. showing
IeteI rssIssrosisss 81 these esrA

Men and women in all walks OF life seeking posi-
tive value. They demanding the most and best for
their doIors And todoy than ever the trend is
TO Buick.
Not only motorists driving 100000 more Bucks than
any other Of the IS mokes Of in its price cIoss-no
only they awarding Buick from IS to SO per cent OF
the combined sales Of these fifteen mokes-but they are
giving Buick greater proportion Of the tOto sales in its
field than al any previous period in Buick history.
See Buick with Body by Fisher-eompore h-eonsider
the tremendous buyer preference revealed the above
hgvres-ond you'll agree that Buick does provide greater
value in all elements Of motor appeal
BUIcK MOTOR coMPANY. FLINT. MICHIGAN
o snNu
Moorcan
Stanley H. HOrner Buick Motor Co.
1O15-17 14th ST.. 18th and
Bury Motor Co. Lodge Motor Co.
AnacOstia, D. C. PurcelIvile, Va.
BOwdOin Motor Co. Fred n Windridge
Alexandria, Va. ROsslyn, Va.
WHEN BETTER AUTOMOBILES ARE BUILT ..
The Washington times., 1930-04-09
SO Q 0 Held

the new. improved Mar
men-Reessvsli. IL NO0L 4
Inches overall I0Asah.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-05-20
SYNOPSIS
OUT OUR WAY

SYNOPSIS
MARY DELLA CHUBBAThe best look
Ing clocker in the clock shop. If not
in Waterbury. Lives with her parents
in Bank street bat.
MIRIAM ROBBIN-Limited in s. A.
but Mary Della's best girl friend; also a
clocker.
JOE sPEAKs-Mary Della's steady.
young man about town. good looking
and hard-boiled.
ROBERT HENLEY CALKMAN NJ
Yale senior and football star. one OF
the Calkmans of Detroit.
GEORGE McKRAY-He wanted to go
to Harvard but the cards were against
him: also a senior at Yale. Happy-go-
lucky is George.
MARJORIE MARABEE-Daughter o.
fashion. living on Cracker hill. Fiancee
of Robert.
TIMMY FITzMoAN-Pet IS his
speciality. In love with Mary Della.
OLGA svENsoN-Also a clocker and
not too popular with any one.
Mary Della and Robert are parked on
the old piece of Highway on the Ches-
hire road when woman is murdered by
their car. They leave the body and de-
eide to say nothing about it, to protect
themselves. But after three days Mary
Della writes an anonymous note to tho
police telling about the murder ana
where the body is. The American car
ries the story under glaring headlines the
next day; but says the police could not
find the body.
Brett Younger has written a musical
comedy called The Clock Shop Clock
in which Mary Della is to be the leading
ladv.
Mary Della discovers that she has lost
the letter written ler by Robert and
from which she tore a piece Of paper
TO write the police about the murder.
Leaving the first rehearsal of THE
Clock Shop Clockers." Mary Della sees
Roberts car parked in front Of The Ell
ton. She gets in and waits for develop
ments.
Robert and George MacKray come out
of The Elton and find Mary Della in
the car. George says he has an engage
ment. but viii meet Robert at the hotel
later. Robert takes Mary Della for
life isn't always fair to lovers.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-05-20

/ her from the grilling and possible
misunderstanding at the hands of
the law. On the one hand, she may
be saved the entire ordeal; on the
other, she may go through months
| of hell. Do you see"
"I think So" Robert nodded. He
sat back in his chair and considered
his finger-nails. Then he glanced
at George and saw that young man
wearing decidedly pugnaciouS
countenance.
tits no use, George" he said sud-
denly and laughed. "They got a
clear case, and it's decent of them
to come direct to me-"
Then he turned to the G. E. II
think you're trying to play square
with me-" he said, "and I'm willing
to meet you half way. The yellow
roadster was mines and I was with
this young lady on the Cheshire
road when murder was done. I'll
tell you all I know and trust you to
protect us both as far as you can,
but to protect the girl to the last
| ditch. There's only one reason why
I'll admit there was a girl out there;
she saw the murderer, and I didn't.
He damned near broke my head be-
fore I knew what it was all about"
"TNHE Clock Shop Clockers," to
= which Mary Della had looked
forward with only casual interest,
held more surprises for the pretty
little clocker than the most astute
of which, perhaps, was the review
that appeared in the Republican
next morning:
"a new and brilliant star rose
above the horizon of Waterbury
amateur theatricals last night. She
was Miss Mary Della Chubb, lead
ing lady of The Clock Shop
Checkers musical comedy presented
at Buckingham hall under the di-
rection of the author, Brett
Younger.
Miss Chubb had everything in
the book, a voice that raised goose
bumps on the crusty backs of
politicians in the back rows; face
that would make Marilyn Miller a
third rate chorus girl in COMPARE
son; contours and more contours;
agile feet, animated legs, educated
hips, and shoulders that spoke a
language all their own.
vim, vigor, vivacity and snap!
That was Mary Della from the
moment of her first entrance, and
the audience fairly shook the build
ing with its applause.
Miss Chubb's first song and
dance was The Clock Shop Clock,
both written especially for her by
Julie Anne Moore and Eugene T.
Oviatt, popular composer and mu-
sician of this city. Among others
she also sang Mary Della the new
popular waltz and theme song of the
show, written for her by Miss Moore
and Mr.. Ovfatt."
ut Is impossible, because of lin
tied space, to give the complete &C
count of the performance as pre-
sented in the Republican, but the
last paragraph is significant OF
Mary Della'S triumph)
"Mr. Jimmy Fitzmoan. the lead
ing man, did the best he could IN
der the handicap. Others in the
cast and chorus included, etc."
There it is in black and white.
Take it or leave it, Mary Della was
a knockout.
Ito Be Continued)
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-05-20

In response, a thousand hairy bulls leaped
screaming and barking into the village Of the
terrified blacks Warriors came out from every
hut. Mothers and children fed before the hor-
rid horde pouring into the village street. Kovudoo
marshaled his men about him. He leaped and
yelled to arouse their courage. but the blacks
we're struck with disnay at the very sight Of
this wEite-skinpeo youth heading the vanguard
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-05-20

For two days the party raced through the saw
age country. korak and the king baboon we're
in The lead Mid-afternoon they reached
Kovudoo's village sunk in the quiet of the great
equatorial sunheat. Utter silence reigned. Korak,
creeping stealthily, entered tree that overhung
the palisade. The pack were close upon his
heels. The time had comel Raising his face
toward The sky he gave voice to single cry.
It was the signal
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1930-05-20
Ito Be Continued)

Once enlisted in the adventure, the balloons
became cutie enthusiastic about it, They set OF
with Korak immedis tely. They travelled swiftly
but the ape-mar found no difficulty in keeping
up With them. They made tremendous racket
as they passed through the jungle, to let their
enemies think great herd was approaching.
For when the balloons 60 in large numbers there
IS no jungle creature who cares to molest them.