New Britain herald., 1930-05-29

New York, May 30.-When all is
 sad and done, June IS the Id s4l
 month for weddings
 And satin in dts varying tones is the ideal material for the bridal
 gown, despite occasional modish
 departures from its traditional u5- age. Perhaps the fact that it has
 been handed down the years by
 many generations is the very req con that whit satin and real lace are woven into the warp and wool Of tho nuptial dreams Of the aver age girl. If she is able to realize
 a formal wedding which includ"s
 Il bridal gown Of shimmcring sa.i1
 and rose point lace the pageant 0f
 her bridal day will be elamor- ous memory all the rest Of her
 life.
 The mode Of the hour invites the traditional wedding gown be- cause the long slim lines of the present silhouette are in harmony with the long train O. the conven- rional bridal outfit. The late ah- brevlated skirts are certainly not lamented by the bride, for skirts 10 the knees with sweeping trains were one Of the outstanding incon- gruitics Of the recent short-skir.- eG mode The long flowing linas O. the current fashion obviate this distress and the June bride of 1880 may be as syelt as a fairy princess.
 Shades Are Varied
 One hears m occasional protest i against white satin because 1t 5 trying" 10 the bride, but this oo- jection has been long since renor- ed by the introduction Of shades of satin which make 1t possible for every girl to find a becoming one. The lovely material is obtainable i. shades ot ivory. rice, cream, parchment. and "egg-shade" whicn has pinkish tone.
 If there are inherited laces in the family the bride will delight ia wearing them on her wedding
 day. They need not match. Tn fact they naver do because rara and antique faces are always in short lengths. Neither need they be Of the same kind, for it is per fcctly permissible to combine all sorts Of antique and rare lac-s i Whenever I am in Europe I collect them I pick them up in all parts os the world. and when I have d wedding gown to design 1 combipe them in is creation.
 The sketch admirably illus tratcz the above polnt. It i7 a . Princess gown Of ny own creation il ivory satin and antique lace.
 rhe dominating lace is rose poin. although alencon and others join | ia m many places. Almost all the front Of the gown IS antique lace beginning at the square neck in . narrow point and widening gradu- ally to the bottom of the long skirt. In the back the lace be- gins narrowly at either shoulder, dividing 10 form q tan-shapel train. The veil and train are edge1 | with rose point lace. The veil IS Of LanNin silk net and follows the l shape Of inc long fan-shaped train 1 O. the gown The head-dress IS part of the veil and is bound at the back Of the head by a semi | circle of orange blossoms.
 Second only 10 the bride in i'm portance is the maid -of-honor.
 For her June wedding frock all 1 sorts Of deliciously crisp materials | are availa ble - with organdie lead | ng the procession. She may wear mousseline de soie in all the pas tel shades, or marquisette, or geor-
 gette, Or chiffon. And with any O. them she wears one of the large | hoppy picture" hats of natural
 leghorn or neora straw.
 Chic in Pale Yellow
 Chanel is responsible for the ! fl ock in the sketch worn by the | rlaid-of- honor. It is of pale vel | low orsandie made over a lace slip The leaf design is made nf | the same material and is appliqued | onto The skirt. The hat worn | with 1t is pale yellow neora straw | trimmed under the brim with Pom padour ribbon in many lovely pas
 tel shades. i
 One Of the great charms Of June | for weddings is found in the pie | turesque hats made possible by | summer for bridal attendants. An other of my own creations for the | June bridesmaid is sketched. II l is Of an exquisite quality of leg 1 horn banded around the brim with | q deep band Of Pompadour ribbon. | A deep bandeau circles the head, | ending in q huge bow under the | brim on the left side. With the | bride in satin and old lace, and 1 the wedding attendants perfect |