Evening star., 1928-11-14
MOVIES AND MOVIE PEOPLE
By MOLLIE MERRICK.

HOLLYWOOD, Calf, November IA
The first Hollywood studio will open its
own private museum, exhibiting souve-
Mrs of the pictures it has made, cos
tunes Of famous actors and actresses
and props that have become cinema
history.
1t will be rival to the one other
show place of Hollywood-Harry Crock
er's museum, on Sunset boulevard. Both
reveal hitherto carefully guarded Sc
crets of the profession.
Plaster of paris miniatures, glass
slides, all the short cuts of the camera
that are of unfailing interest to the un-
initiate. But just what is to be done
with the museum has not been told.
Tourists, not allowed within the sa-
cred precincts of the studio buildings
may glimpse this secondhand great
ness for consideration. Which COM
pletes somewhat the movie circle. The
old studios in early days of movie
making had a wire screen at one side
of the dining room, where directors
and artists might be seen upon pay
ment of Is cents. It gave the effect OF
zoo, and, sometimes, seized by humor
the observed would loar like lions, to
the horror of the ladies and gentlemen
peering from the runway.
Perhaps the old-fashioned movie is
making this gesture In surrender to the
talkie.
Blue-gray eyes are in favor among
cinemaites. Milton SillS, Jack Null
hall, Thelma Todd, Alice White, Doris
Dawson, Loretta Young and Maria
Corda are a few of this light-eyed
breed. Ken Maynard and Jack Holt
might be added from the great out-of-
door places.
rinne Griffith and Dorothy Mackaill
reveals that their eyes are hazel. Sally
O'Neill has hazel eye with a note of
green in it that is peculiarly provoking
Colleen Moore has brown eyes. Sue
Carols are wire brown-warm, with a
touch of life in them that sparkles
like good vintage. She still wears her
hats on the back of her head In a cute
and foolishlv characteristic manner.
Any one else would look the complete
nitwit, but Sue Carols dewy beauty
transcends her indiscretions in the MI :
linery line.
When it comes to black eyes, Richard
Barthelmess, Don Alvarado. Holly
" LAY aIlO AupS NCAcD AAOAu ILIcA OWns
who is that girl?" muttered Holly
wood when a very smart blond came
into popular cafe for luncheon today.
Then, with a gasp, it realized 1t was
Lilyan Tashman-the TaShman-il
another Winter costume.
The Tashman wears her clothes with
such a dash and has such excellent
taste and feeling for smartness she is
seldom taken for movie" in her pub
lie appearances; is generally included
among visiting New Yorkers.
Occasionally the tourist runs into a
three-ring circus when the IL to 2
period comes to the boulevard During
slumpS at the studios the stars become
socially active and sartoriall-' elegant,
which in Movieland means a fine burst
of color and some good, tight fits.
Sally O'Neill infused life into the
luncheon hour yesterday in a scarlet
costume. Her little princesse dress was
literally Skin-tight. She is as slim as
her sister, Molly O'Day, is buxom.
And she allowed no detail of her Slen-
dernesS to go unnoted A red hat of
the poke variety was pulled down over
her ears. Suede shoes of the same
shade made her look like little ami
mated firecracker. And when she rose
to go she pulled about the above-men-
toned slinlneSS a scarlet velvet topcoa.
heavil-- trimmed with chinchilla.
Sally stepped into a parrot-grecn
town car with long silver nose Tn
negro chauffeur was meticulouSy don
in a uniform of darkest green. Sally
locked like hollyberry in a holid1-'