Evening star. [volume] (Washington, D.C.) 1854-1972, 1928-01-21
M u 5 | e.
MILDRED SCHuLzE PROGRAM.

The members OF the Friday Morning
Music Club enjoyed an unusual pro-
gram in their weekly meeting yesterday
at the Cosmos Club II was a program
composed principally not only OF mod
ern works. but, to marked degree.
works by young Washington COM
poser. Mildred Kolb Schul2e. The pro-
gram was presented by three young
SoloiS;s. all members Of the club. inter-
cstcd in Keeping up with the newest
! movements in musical production the
Orpleus Club. and majority Of the
members of the club were In the au-
dieuce The soloiSts were Carolina
~ n0all younc violinist. who halls
originally from Kansas City, but who Is
making her home at present in the
Capital Mrs. Srhul2e. III the triple CO.
naCitv of composer "a cCompaniSt-pi anist,
native WaShingtcnian. with all her
musical education in this city. ano
Richard McCafcncy. also native
Washmctonian. who possesses beauti-
al BART ono voice.
For some unknown reason two com.
pcsers Of older vintage crcpt into this
program which was arranged by Ka'n-
crime Riggs another member Of tho
Orphnus Club Lalo supplied his Sym
phonie FsDagnole" which was we'll
played but could not compare in the
lie and color in INTERPRETATION With the
vim injected III reading Albert Stocs-
S"l'S Sonata in G." as played by Mrs.
, Randall and Mrs. Schultz II the hat
ter the lifting ri1vthms of the second
theme With modified Jazz color provid-
ed the dominant feature Of the violin
numbers Mrs Schul7o'S frs segment, CALI
cd appropriately "A Thought" was the
encore
The other antiquarian of the pro-
gram was NJ Frederic Chopin of tn"
, early nineteenth century, Like NJ
Talo he showed himself TO be- a COM
poser of noble proportions. However
Mrs SchnlZe. who has been i'll recently
Gio not play the nocturne or the pole
naiSe nearly as wcll as she has been
heard 10 p'ay NJ Chopin's works on
previous occa sionS She was much more
effective in her own 'Prcludes" more
simple III some technical effects. but
much more intrlratelv Patterned in the
constant change of rhythms. In fact
SHe called these three very brief comp,-
>itions rhythm figures" practically
each measure being different from the
one preceding il in tempo.
The FIRST "Monotone Suspension. ="
vas not nearly as difficult To listen to
as the name would imply The sec
ono was based on Griec like chord
PROFESSIONS. The third. Irregular
RhvthmS with Cvinbal Accountant
r'ent. was the most programmatic
and, 10 some ears at least. unarcus-
toned tn the others. more satisfying
Tho unaSU3'ness Of h~r works left her
audience apoarertlv hit uncertain
how n accept them These prrludes
ere ihh sort Of thirc that il would
eAern nrac'ical 10 p'a~ over two or
fNree times al first presentation for
~" audience n got anv kind Of def
nit" impression of what tho composer
is Srivinc at
Mr. MacCartenev sang groun Of
MODERN German eonsS h. Richard
TrIrf and two of Mrs. Schn'Te's songs
or the German. the very last In the
~roun. "Sommc~fp6n n." was norhars
h" love'iest end thu most clearly in
'eroretrd h" IT. singer. In tho first
two soncs Ny Na~Cartcnev pitched his
'o'>"s TN low a>d his nrunrie i'm toa
eft IN re~rv the lenrth ~ the hall,
* result thnv vrrc total '~es 10 .
'arre nart If tho pudi~.>~~ "w,,,ech"
vas more ci"r-lv e''nr J., hot'or r,i,nes
Cerrn9H and. with ''Sornm erfo ion"
-E~~n6 fhic composer - have ORIGINAL
T>,''-'~al phiiif- Mr. c~i,,'~n's SETTING
~ FS~a 81 Vincent NFi''avS "Ce,Tie-
~'ou" i ~-~'i i-~or-n iocolIv ss loue',
-on~ "1a 1"ttro' now ~o-~ c.v~n
''e S~h'.' -~e'~rIa-- IL rer>tir nvn,,
h~t'~r c~.1~~ei'inn end r'-~-,.,'ro
nv y r~a1l~ was We c>ia.ize'S
morning and most eiccessfui 80