davidaulloa/AmericanStories huggingface dataset:
Rassvet = The dawn., 1927-08-17

HHa ga IaBHI0D ppaHH0-QIIIbcRyp
nOIHrHEy BpaTHaHy IL Hapa, envy
IlOIGllHaBnieTOca....
IlOI 6yyapecTcElIii (ByXapecr i
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10 6OIee ~ MILL. MaIbap II re-
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III. BecqHcleHHMe B0ccTaHHa He
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paX0BEy OF MecTH co cTOpOHH Bon
rapHU H ABcTpHH, HOTepaBmHX B
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"MaH0a AHTaHTM" (WrOcIaBHa, lie
%xOcIOBaEHa, %PyMHHHa), c%o8IaHHoH,
EOHeqHO, 6BBmHMH c|oW3HHEaMu, Ho
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yrpO3M UaMBaM H Tx 1py3BaM.
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9paHupIef, TenepB HoIyqHla no1-
HHfi HpOcrop. rIaBHHe EpeIHTM Ma
l0i AHTaHTH - TeRIH OF lapItR-
erik 0aHEOB: BoeHHHe nHcTpyBT0pa
= dpaHUyaH; 4unaOMaTHqecRHe co
BeTH II %HOIIepERa = n3 ppaHTHII.
lPyMHHHa, B qacTHOcTH, cfaIa HaR
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IHnIOMaTHT. Hog ee BIHaHEeM Py-
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HnMaTb Beccapa6HD. Bee, Ea3aIocb
OBI, mIO TIaIEO 30 BHemHHX IeIaX
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10 dpaHDy3cROro HM1epHalH3Ma.
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peqH C eTO COnepHnRaMH. Tar OHIO
Ii cayqMIocb. BIHHHHH B0cT0R Bee
RIA OBI a6IoHoM pa3Iopa. Ha 9T0T
pa3 o6paTM BHHMaHHe Ha pacTy-
myD cHly HTaIIH, Ha BOHHcTBeH-
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H1y9cROTO MALTA Ha HoBHfl, Bonpe
Ri / BHeH HOIHTHRe BpaTHaHy.
9Tor MaaR = MyccoIHHH. MyccOIH
Hi cIeIaI paI marOB, 6IaToHpHaT
HBx PyMHHHH, II BepOaTHo, MHoTO
aBaHeOB Tpy11e ABepecRy.
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nlaHnii, II HonffnEa PyMHHnu none
pHy1acb cHHHOH 4 6paHIInH II IN
ION Il HTaIO = aHr,IHiicEoi ToM6iHa
HIN. IeIO B TOM, qTO MyccOIHHH
homer he oIHH, a c AHrIHeh!
TaEHM O0pa3OM, cOHepHHqecTBo
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3a.1ocB, b qacTHOcTH H BOEpyT PyMH
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0IHaRO, He3aI0ITO 40 cMepTH,
Iapb bepIHHaHI HporHaI ABepec-
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BparHaHy, IpyTy RpaHHyacEoh 4ep
&aBB H ee KaTHTaI HOB. TeHepb, co
cMepTbO EOpOIa, BpaTHaHy - Dali
THqecRHi IHRTaTOp PyMHHHH. Ca
Mo cO6Oli pa3yMeeTca, qTo B MHpo-
BOi HoIIITIIe Ha3peI H0BbIII HapBIB.
B .loHgoHe BIpyr 3a6HlH TpeBoTy.
qacTB B%lHaTeIBHOh HpeccH cTaIa
Tpe6oBarb HepecMoTpa TpHaHoHcEo
TO 4orOBOpa (cM. o. HEN. BBIH1e),
Rassvet = The dawn., 1927-08-17
K a. s s v e
1922 w. Chicago Aye.
KATAaCKNA XAOG

eTCA " he %nphHhmdeI Cho"ohV ~"
6y4b Onpe4eAeHHbIx @OpM' MaaT :
HpK ~RaqaeTCa TO 8 OIHy, TO B ApY-
TWO c1OpoAy. Cero4Ha W%aHe obpT
ceBepaH, a 3aB1pa CesepaHe TO ma
a n%pecae4yp1 pIaH. B wore IKE
MApHaa " 4eAOBaa %AaRb cTPaHbl
ne NEUTRALITY-SUSPICIOUS., a paScTpaHsaeT-
ca.
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nv BOEHbI. TaRaa BOhHa HAqeM He on
D~aBablBaeTcA " He ~NCRynaeTca. no.
H%eceHHBe nOTepN OCTaWTca lOTepa-
NM HaBcer8a, HnqeM HeBOsHarpa% :
aeHBbIMN. K~NTaACRaa ne Me%4Oyco-
6Nua aBAaelca nMeHHO no4OoHoFO
cop1a BoiHOi. HeT H~aMeqeHHbIx LIE
AeE, He1 onpe9eAeHHbIx npOrpaMm.
4epyTca npOcTO AAa TorO, qTOobl
Apa1bca. reHepaAaM oxOTa NrpaTbF
coA4a1NRH-BO1 N NrpapT.
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B. %OTBOeBaHHblx %npOBnHLhax nOaBh-
Rocb ~HecRoAbRo npaBNTeAbCTB, ap =
Mna ~pas6MAaGb Ha %HeCRoAbRO qac-
Ten N B pesyHbTaTe = BMecTo noxo4a
Ha HeRNH : 6ercTBo OF HeRNal.
ueHTpOM BHnMaHNa B aTOh Hph
HaBmeR %xpoHHqecRHH xapaKTep CRAO
re B noCAegHee BpeMa aBAaeTca no
6e4a ceBepaH " YxO4 RaR-lneKa.
0CO6Oe 3HaqeHHe B n~OAhTHqecRhx
Bpyrax npn4apT yxO4y RaR-MeKa.
6blBluNd rAaBHoKOMaH4yOWHH BCeMh
pxHbIMR apMNaMN hrpaA BecbMa
BawHyp poAb B HaUNOHaAbHOM 4Bh-
xeHNN ", RaR HeKOTOpbIe noAarapT,
aBAaeT. B|HHOBHHMR0 paCROAa Cpe4n
%KaHIOHueB. Fro "N3MeHa" ROMKHTep
ny v He%Ho4qHHeHNe MOcRBe saCTaBH
inv 60AbmeBHROB OTRpbITO B%blcTYnhTb
npoTHB Hero.
C sToR TOXIN speHHa Yxo1 RaR-
uleRa MoXHO 6bNO Obi pa3cMaTpH-
BAH KaK no6e4y 6OHbneBRRoB B XIV
TaacKoM HaIHoHaHbHOm GBn%eHMM.
Ho sTO 4aAeRo He TAX. Ms "o6paWe
Hha 4 Hap0Gy' RaE-LIleRa Mbl Bn-
lAM, ITO OH pemNA OGTaBHTb CB0M
1OcT Anmb TOr4a, ROr4a yexaA VS.
KHIaa B M0CRBy "no-HH vs. MorhRaH'
M. BopO4AH " Ror4a OH, RaE-lHeK,
Y6e4NAca, ITO 60%AblneBhRR nOTepa-
nv BCaK0e BAHaHNe B H~aHRNHCROM
npaBHTeABcTBe. B 4pyroM %HpaBHTeHb
CTBe (TaR Ha3blBaeMOM yxaHbCROM)
Ohm ywe GaBHO HoTepaAH BcaKOe BIN
aHHe ", KaR rAaCaT COO6weHHa VS.
MoCRBbI, YUM O1Ty4a "%4o6poBOAb-
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reHepaA 3eHr HoBepHyaCa 4 HMM
CHHH0p.
TaRnM O6pasom, O4HOBpeMeHHbIH
yxO4 RaH-lHeKa " OT'es4 bOpO4HHa
cNeAyeT pa3cMaTpHBaTb KaK HecAe4
HDIo HOnbtTRy HauhoHaNNcToB CrAa-
GNTb RpaNHOcTA " CAnTb HaIHOHaAb
hoe ABNxeHHe BO-eANHo. HaccRoAS-
no aTN nOnblTHn y%BeHqaDTCa ycHe-
x%Cn-nOHaweT 6y4ymee. Ho eCAN Han
%EEHrCROMy " XaHBROBCKoMy (yxaHt
cEOMy) HpaBHTeAbc1BaM 4eECTBnTe-
AbHo y4acTca %coe4HhTbCa " BbIcTa-
BN1b e4NHnbIH @pOHT npOTNs ceBe
pan Ge3 yqaCTha 6eAbnesNROB, TO
9TO M9ReT nepeTaCOBaTb Bee RapTbI
u 3HaqHTeAbHO BHgOH3&eHHTb BeCb
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1e4HNe 1O6e4bI CeBepaH baRTHqeC-
XIV aBAaNTCa nO6egaMA anOHHH. HH
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Rassvet = The dawn., 1927-08-17

BHHa &H3HH HepeI qeIOBeEOM He
B TOM, TITO HeT B Hell HCTHHHOTO Qua
"a "a B TOM, ITO 6.AaTO 9TO He 4aeT
noaHaBHIeMy ero.
RHY1 raMcYH.
Rassvet = The dawn., 1927-08-17
MNPOBOR PEKOP4
MaAeHbRnE COB. 4eabe1OH

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Hi paEeToB, Hi 1HT, HH BeIOcHHe-
LOB Y HHX He OHIO. BnIH = de
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"MaaE": "Yepea PHaEylBTypy Il
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H%eaIopoBHfi xapaKTep. IIoqTH KAN
zoe BOcEpeceHbe y peHH, 3a 6oilHa
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TTITT II 4
Rassvet = The dawn., 1927-08-17
PA3HbIE PA3HOCTN

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py;Eba, 2 peBoIbBepa, ) ca
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pa8peHleHHe Ha apecT cBO-
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no3a6BBmH bee, ITO cBaT0,
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Bpa1a Oh apecToBalu
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BOii neTyXoB
B .IaEaBaHHe a%pecT0BaHbI
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TlonaHea rHynO, RaR 4ypaR =
04RH nOqTeHHBtR nOARIeEcRRR.
IA! HocpaadeH 4sallaTblF SEX
ifloc1ynRoM aTAM &apNceAcRnM
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HpoBeA Oh pHOCTb, RaK " Nib,
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Rassvet = The dawn., 1927-08-17
vPlCCVET"
THE DAWN-RASSVIET

A kSs.iAs Daily Fa~spAPsr. PHbhShSd
yvSry day, except Sunday. b. the Di
rsetoriAtS Of Russian Trades u=Ass >!
- UAitsd States Of AaaTIcA AAS
CauaAn.
Rassvet = The dawn., 1927-08-17

Hopes 4Ba4laTb ceMb rOAhH
nAa1N1 AxoH 4oaEM pewnTeabHO,
qTo ga qecTHbIR rocnO4NH!
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8 Be3 BHHM |BHHOBaTbIn.
90epT HyIb, npory.1nBaacb
ga ropoIoM, BoaBpanta1ca
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6HIa II HyIa 3a6pa1H B
yqacTOE. HaHpacHO HOcIeI-
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OH 8 yqacTEe OqyThaca
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Rassvet = The dawn., 1927-08-17
ynlaTu.I qepe8 q let

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Rassvet = The dawn., 1927-08-17

CTaHOBn1eGb no4HHcqNRamM
rASETbl ,,PACCBET"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

II is such the dark teater Technology
good dependable tragedy comedy
but sharp and rounded outline Of fes
happiness and unhappnes This outline skeched the
familiar land therefore curiousiy Interestingly Of
oser of that rigid of al ORDERS the enclosed Domncans
The piece Hits along with the cadence of weead poem laugh
ter in this line, in that and for the imaginative
two in the final But matter what billing Grade
Song" "Crade Song" and is superb qualities it
different labels.
Here recital in acts Of the boundaries and
of life. One poes the uness existence
always Mays another the anthesis of that The first
into this coster founding in basket eighteen
she cherished by the sisters and then love the
garden wall and she goes: pa the already
Of this barred shelter and sefen crushing
utter despair the who had mothsped her.
There that deep your consciousness;
the first wherein Sister JOANNA left guard the abandoned
infant when choir the chants the responses
diminishing memory, contemplation the exquisite
joy fe grown girl
takes leave Of this kindly fold.
Josephine Hutchinson brings beauty and vvacy to the role
of the sheltered daughter Eva LeGaennes Sister
exquisitey intelligent repressed and natural How sy
staged this piece reflected graphically her farewell
with Teresa-a handcasp stroke Of the
away. would easy temptingsy easy 10
sentmentalize.
Leona Roberts the TesmeSt thoroughly ia clover
Alma Krugers restrained gentle Through
out the cast lack Aaw
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

sincerely hope that 1t VIII
travel from New York to San
Francisco and as far north and
south. It il picture no man,
woman or child should miss see.
ing" Similar advice came to co.
900, 600 newspaper readers Monday
morning in the widely published
news comment of VIII Rogers.
George M. Cohan wrote the
management: The King of
Kings is the most interesting and
impressive picture Eye ever seen.
1t ID dramatically superb. hope
to see 1t again. Another equally
notable tribute was from Thomas
Dixon. the author of THE Birth of
the Nation" who said:
Il believe this scenic master
piece will add at least $4,000, 900
new theatergoers to the amuss.
ment public of the United States.
1t will increase the capital value
of picture investments Is per cent.
Both of these ends will be accom-
plished by bringing into the
theater millions of persons who
love the story OF Jesus and who
have never heretofore found in the
theater any proper representation
Of their ideals and feelings .
Rabbi Alexander Lyons. Eighth
Avenue Temple. Brooklyn, says:
II regard The King OF Kings as
one of the most impressive pic
lures / ever witnessed. 1t is rev.
ere11t. instructive and inspiring. I
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
GAYETY BEGINS
A SPEEDY
WIND..UP

For the closing week of an un.
usually good season, Manager Ira
LaMotte, of the Gayety, has chosen
the speedy all-colored aggregation
known as "4.11.44." 1t was q wise
choice if the enthusiasm displayed
by last nights audience is any
criterion. Although this show was
seen here earlier in the season it
has lost none of the pep that
carried it along at lightning speed.
The brand of dancing introduced
by the principals and chorus has
seldom been excelled and drew I'M
stinted approval from the Gus.
toners.
Eddie Hunter is back again
with his unique brand of humor.
His 'Oh My, My, My" got a big
laugh everytime he sprang it.
Grayce Rector and Aurora Greeley
have the principal song numbers
and scored.
Leroy Broomfield has the art of
dancing down to a fine point. His
numbers with Aurora Greeley
were outstanding features. Others
in the big company deserving of
praise include Emma jackson,
Billy Mitchell, Andrew Tribble,
Anon Davis, Crawford jackson.
Norman Astwood, George Cooper
and Nat Cash. The six Dancing
Spades" and chorus OF ''vampin'
brown.skin Shebas'' came in for
considerable attention.
Tim Brymn and his jazz orches-
ira got a big hand. A midnight
performance will be given Friday
night.--E. w.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

Isn't life beautiful?" he MUIR
INJURED, out Of his happy daze.
Metro-G oldwyn-A Mayer have rung
the bell brilliantly with 1.-THE Fire
Brigade the first real story of
the heroes Of peace time. The
film has none of the dullness or
drabness that have marked early
fire pictures. It Is stabbing,
startling drama, pieced together
skilfully and cemented with bright
drabs Of comedy.
Charlie Ray makes his screen
comeback in 1.-THE Fire Brigade,
and he does we'll. But May Nc
Avoy and Holmes Herbert. as
daughter and father steal the
honors
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

ter, Is 3 singing, corr0d1ng
play which turns 3 whitening
spotlight upon our eminent
flag-wavers, our grandiloquent
patriots; it shows in frankest
terms Just how q war is To-.
mented by an American finan-
cier. Irony, drama, satire and
truth are admirably compounded
in this scathing arraignment Of
politics and patriotism.
Spread Eagle because OF its
provocative theme and its crack.
ling lines. will doubtless be the
most discussed play Of the year.
The New York dramatic critics
received it with unstinted praise
and commended its producer for
his courage to present a play
with such startling implications.
John Anderson in the New
York Evening Post wrote: cit is
a fine engrossing drama. wise,
acid and absorbing play on the
list of things that must be seen.
1t is told with enormous cunning
and dry, brittle humor. The pro-
duction has the unblemished pre-
cision of detail that lifts Broad
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
TODAY'S LESSON
in NATURAL
HISTORY

In the jungles Of northern Siam
tigers ar. believed to be the homes
of departed spirits. The spirits
travel about the jungles in tigers,
according to superstition. AS a re-
suit hundreds of natives are killed
because they are afraid to kill the
beasts. Often the animals attack
domestic animals in the edges OF
the village and lie in wait for un-
wary natives.
Merriam G. Cooper and Ernest p.
Schoedsack discovered this soon
after their arrival in the jungle
area for the purpose of produce
ing Chang" the jungle melo-
drama for Paramount. In their
film venture. encounters with the
widest animals were frequent and
at times It became necessary to
shoot tigers in self-protection.
Before shooting Mr.. Cooper
would make speech to his re-
tanners beginning: ION my Shout
ders be it," Even this essunnp-
ton Of responsibility did not en-.
tirely remove their fears.
After each killing the natives
dismembered the animals, care
fully removed their whiskers,
which they use as charms, and
boiled the bones for medicine. No
native family was considered safe
without a receptacle containing e.
sence Of tiger bones.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

way to the top OF the cIass.'
Percy Hammond wrote this glow.
ing report: "A great show-front.
page stuff, brightly written, cum
ningly put together and acted to
the hilt. Those interested in the
fortunes Of Jed Harris. who pro.
duced Broadway. will be pleased
to know that Spread Eagle
shows symptoms Of duplicating
the prosperity OF that entertain
ment." Alexandria Woollcott in
the World hailed 1t as "A hot,
scorching, singing melodrama--
rapturously received" and added,
You can hardly afford to miss
it." j. Brooks Atkinson praised
it in this fashion: AN absorbing
melodramatic entertainment. AS
in Broadway the casting in
excellent and the direction is inn
aginative." AS for Robert Bench
ley. the critic of Life" his
ecstatic opinion is epitomised in
this statement: I'VE hope that
Spread Eagle runs for SO years
and that every man, woman and
child in the United States sees
1t at least once a year.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
Author. Too

Hugo BALM, Gloria swanson's
art director IN ''The Love Of
sunya," now playing Loew's Co
lumbia. arranged for publication Of
two Of his latest novels while In
New York, working on the settings
for the stars picture.
They are Heritage" and 1'MeaI
Tickets ana AppIesauce." In add
tion to his work as novelist and
art director. Mr.. BALM also directs
pictures and In an artist. He made
a portrait % Mise Swanson during
the filming q The Love o.
ounEA"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

The most thrilling fire scenes
ever made are in this picture.
Frank Silver. composer Of yes,
We Have No Bananas. il on the
stage with an excellent orchestra.
He carries with him Sid Gary,
who does popular songs In
couple of voices. and drummer
with genius for comedy.
The international NeWsreel con.
tains some great shots OF the Mis-.
sissippi flood. A cinematic pro-
logue, with effects loaned by the
local fire department, runs on be-
fore the feature film. II ever 4
film was worth seeing, this Is It.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
Warmers Busy

The filming Of three new Warn
er pictures was finished this week
on the coast. May McAvoy com
pleted work ON her second star
ring vehicle Irish Hearts from
q story by Melville Crosman which
Byron Haslxins directed. Camera
work also ended on "A Million
Bid starring Dolores Costello
with Michael Curtiz as director.
The last scenes were likewise con.
cluded for Monte Blues next pic.
ture. The Black Diamond Elk
press" The megapAone for this
production was handled by How
ard Bretherton and the story was
the work Of Daryl Francis Fan
Cck,
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
THIS ONE SIMPLY MUST
BE looked OVER
Nv JIM RING

Staggering Loews Theater shaky from the
thrills Of "The Fire Brigade" little dizzy fublos-
soed beauty May McAvoy Average Spectator leaned
friendly world 90
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

Each year we notice there are
fewer old ladies' than the year
before. We were quite surprised
at the white.haired women who
bobbed their locks at one time.
The grandmothers in short skirts
were revelation. and while some
OF them were ridiculous in their
get-ups, still we cannot help ad.
miring their desire to keep in the
race.
THE 'galloping grandmas' have.
readjusted themselves to q prac-
tical bob their garments are
reaching compromising length
between extreme youth and ex-
IRENE age, and this is great
indication of mental and physical
advancement Of the feminine seq.
The women Of the world are
growing younger"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

vel known to an lovers Of the
fheater. II first brought Mrs.
Leslie Carter into prominence as
a national footllght favorite. Mrs.
Carter. who is now on the coast.
Is intensely interested in the film.
ing Of the story and In the selec.
ton of Dolores Costello as its
star.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

commend it for Jew as well as for
Christian. 1t should make the Jew
more nobly and proudly Jewish,
the Christian more emulous of the
character of Jesus. / forecast a
great success. spiritually and mate
rally, for the enterprise"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03
An OId.tirnar

The celebrated BeIasco play,
The Heart Of Maryland. viii be
Dolores eostelIo's next starring
picture for Warner Brothers. Pro-
uuction Will start ii three weeks
time.
The Heart Of Maryland Is
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1927-05-03

INSISTS the delivery Of
youR TIMES or Herald avery
day. lf you do NOT get your
Herald By 7 Z. m.s The TimesS
By s p. m.s er the Sunday
Herald By 3 .. M, eall Main
S2e0. Delivery q guaFantssd
and your copy will bs sent
you immediatalv from The
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