davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
Vast South African Trac'
Is Changing Into Desert

Rainfall over the whole Of the cer-
trail portion Of the Union Of South
Africa IS steadily decreasing year
by year. and i this goes on at the
present rate. the time viii come when
vas areas now supporting & farming
and grazing population viii he given
over 10 the wild beasts of the desert.
This process can. however. he checked.
It's causes are known and. being
known. can he remedied.'
Put in a nutshell the reason for
this gradual decrease in rainfall IS
the drying uD Of the big tract known
as the Kalahari. 40R miles from the
Orange River in the south 10 Lake
NJ gami in the north.
Up to comparatively recently this
area was traversed by a whole sys-
! TEN Of rivers dotted with several
/ lakes. This water system connected
[ Lake M'gami with the Orange River
But the lake which acted as feeding
reservoir for this system IS drying
up owing to the sitting up Of the
streams that fed il from the North
What water it still gets and holds
has been diverted by some mysterious
play of nature and now. instead ~
1 flowing toward the south directly
flows eastward into the Zamhesi and
westward into the kunene and
Okarango Rivers.
To remedy this state of affairs
three schemes have been proposed
and the time is fast approaching
| when the Union government will
have TO make its choice between
them.
The first IS a vast system Of irri-
cation OF the Kalahari, feeding the
canals out of arteSian wells. This
would, however, require the presence
in the area Of a considerable popu-
lation of settlers of which there Is
so far no sign. The initial expense
would, moreover. be prohibitive.
The second scheme consists In the
building of dams across the Okla
range River and one of the tribu-
taries of the Zambest the Chobe
River This would retain masses Of
water in the M'gami Lake and
while blocking its present ways of
outflow. force the surplus water into
the old. dried-uD channels passing
through the kalahari. There is little
likelihood of this project being
| adopted on the score Of expense
| which would be enormous
There remains the third scheme
which, in default of the more ambiti-
Gus ones. stands the best chance OF
being adopted. 1t provides for the
! construction of a dam across the
| Kunene River. which, 1t is calcu-
| lated. would restore a great part of
| the old scheme of nature for the
irrigation of the kalahari.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

equal struggle with the machine and
the skyscraper would be OF little avail.
Art must either be content to re-
main in the museum, withdrawn from
the highways of our active life, or 1t
must be insinuated somehow into the
new scheme OF things. The artists.
for our need, must therefore find ele-
ments of beauty in the New World,
elements other than the underlying
drama of industry and the inspiration
which radiates from all centers OF
energy These elements of beauty
our age supplies with calligraphy
made to the artists hand, a pattern
OF straight lines and accentuated an
giles, of advancing and reced1ng
planes, new world Of power func-
tioning In an organization Of parts
to the end that rhythm OF the whole
may be established. Looking out of
high windows at the great towers Of
our Industrial age, our young pictorial
designers have thot ght of the grand
monuments of Egypt and the ancient
instinct for conventionaliZing form.
How can they also simplify and in
terpret our era In all OF it's impersonal
omnipotence? Drilled In the CALLS
themes of cubism, which grew out of
archaic building and carving, the
modernists have acquired a training
Of the eye to see forms existing su
perbly In space and a training Of the
hand to cause lines and colors to
function. separately or together, in
constructing forms. Now they are
equipped with a new instrument Of
expression. With a sequence OF
shapes and a stressing of accents they
establish pattern made vital with
rhythm. the life principle. the sine
qua non of modern as Of ancient art.
the alembic for the fusion OF warning
elements, Of scientific and esthetic
observations. What we receive in
consequence of this arbitrary order
imposed upon nature is that pleasure
mingled with pride which is ours
when we can recognize how a new
and a difficult thing has been done
with an inevitable rishtness."
Obviously the old order changeth."
and things are not as they were, but
happily beauty has not left the world.
Those things which God created are
the same yesterday and today and
forever-the everlasting hills. the sky,
the trees and the flowers. Nature Is
unchanging and ever beautiful.
Nor do we find in all the works of
man an absence of this element OF
beauty. Joseph Pennell, Colin Camp
bell Cooper and others have taught US
to see real beauty, not fantastic ugli-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

tracery OF trunks and branches and
frame-in the beautiful ascent crowned
by that matChIess dome. 1t is one of
the best etChirGs Of the Capitol--in
fact. one of the best pictures OF the
Capitol-that have been made.
But Mr.. Hutty's etcher friends seem
TO like even better than his architec-
tural subjects his etchings Of trees
Three times has he been awarded
prizes by his confreres for etchings
OF this type "Birches" a lovely
plate. was awarded in 1924 the Frank
O.. Logan prize and medal at the in
ternational exhibition of the Chica go
Art Institute; "WindSwept" was given
the Samuel T. Shaw prize at the Sal
magundi Club in the same year. and
"SycamOres" won the Frank Scott
Clark prize at the Detroit Institute Of
Arts, likewise in 1924 II is the Gus
tom of the Print Makers Society of
California to select n print each year
for distribution among its members,
and In that extraordinary prize-win-
ming year Mr.. Hutty's etching.
Pines" was selected for this purpose
OF Mr.. Hutty's ability Birge Harri-
son once said. "It Is not overstating
the case when we assert that we have
rarely in America produced an artist
so sensitive TO all the possibilities of
line and SO gifted in It's use"
S a MEXICAN and English Furniture
Contrasted' will be the subject
or the lecture which will be given by
Herbert Cescinskv in the auditorium
of Central High School next Wednes-
day evening, January 20, under aus
pices of the Washington Society of
the Fine Arts Mr.. Cescinskv comes
from London. and is world authority
on old English furniture. He ha
made special study in the United
States of American furniture. After
lecturing at the Metropolitan and
other art museums in this country
last year, he returned this October
for more extended lecture tour. His
lecture Will be deliberately illustrated
with stereopttcon slides
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
BOOKS RECEIVED

THE STORY OF DURHAM, CITY OF
THE NEW SOUTH. BY William
Kenneth Boyd. Professor of His
tory in Duke University. Durham:
Duke University Press.
ESSAYS IN ECONOMICS. BY Ed
win r. A. Seligman, McNickar
Professor Of Political Economy in
Columbia University. New York:
The Macmillan Co.
WAR WEATHER vIGNETTES. By
Alexander McAdie, A. Lawrence
Rotch Professor Of Meteorology,
Harvard University, etc. New
York: The Macmillan Co.
AMERICAN SILHOUETTES. BY Ar
thur Crew Inman, author of Red
Autumn" etc. New York: f. P.
Dutton & Co.
THE METHODS OF MODERN NAV
IGATION. BY Edward J. Willis.
Member A. s. NJ. E., Fellow A. l.
E. E, with Introduction by G.. w.
Littlehales. photographic Engi-
neer, U. S. photographic Office.
Illustrated. New York: d. Van
Nostrand Co.
PUTTING IT OVER; BY Means and
Methods Of Exploitation. BY Ed
ward Bonns and c. L. Carrier.
New York: Seibel Publishing Cor
poration.
JOUR HERMITAGE OF FAITH. BY
Paul Revere rockingham. Boston:
American Unitarian Association.
CHRISTOPHER AND CRESSIDA. By
Montgomery Carmichael, author Of
I'm Tuscany" etc. New York: The
Macmillan Co.
THE TRUTH ABOUT FLORIDA. BY
Charles Donald Fox. introduce
ton by Merryle Stanley Rukey-
ser, Financial Editor, New York
Evening Journal" author of THE
Common Sense of Money and In
vestment." New York: Simon &
Schuster.
THE BOOKMAN, December, 1925.
New York: George H. Doran Co.
CRAIG'S WIFE; A Drama. BY George
Kelly. Boston: Little. Brown &
AN AMERICAN TRAGEDY. BY
Theodore Dresser. New York: Boni
& Liveright.
THE ALBERT SHAW LECTURES
ON DIPLOMATIC HISTORY, 1921
LATIN AMERICA AND THE
WAR. BY Percy Alvin Martin, PHI
D., Professor Of History, Stanford
University, Baltimore: Johns Hop
kins Press.
JOHN SLIDELL. BY Louis Martin
Sears, Professor Of History in Pur-
due University. Durham: Duke
University Press.
THE FRONTIER SERIES - A
TROOPER WITH CUSTER; And
Other Historic Incidents Of the Bat
tie Of the Little Big Horn. BY f
A. Brininstool. author Of Trail
Dust of Maverick" etc. Column
bus: The Hunter Trader Trapper
Co.
WONDER THOUGHTS OF CHILD
HOOD. BY Faith Van Valken-
burgh Villas. New York: Hogan
Paulus Corporation.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
NOTES OF ART AND ARTISTS
Self Portrait of Cecilia Beau Now View the Corcora
Gallery of Art-Exhibiton at the Phillips Memorial
Gallery-Unusua Etchines.

DO something in a way that has never
oeeh done before. 1t affords ample
opportunity, undoubtedly, for discus
sion and argument.
FOR the most part the pictures are
of buildings Stefan Hirsch is repre-
scented by paintings Of Farm Yard"
somewhat resembling A Noah's ark
assemblage; Mill Town" which is
certainly as hideouS as such a town
could possibly be. with manacingly
dark blue river running through It's
midst, and of New York" an aggre-
cation OF cubes and rectangular shapes
with a black river and toy boats o
original design between the heaped
up mass and the observer. Fiske
Boyd shows "A Charleston Water
'front.'" painted with an appearance
OF childishness, but real sophistication,
and colorful Interpretation Of Low
Tide-Martha' Vineyard" which
shows how interesting color mere col
or. can be when skillfully smeared
William Zorach shows a picture of
New York Harbor," so-called, and
one. Entering a Port in Moonlight. ="
the latter very confused composition
from which, through strenuous effort
and close attention. one may pluck
the deck Of a boat Vincent Canade
pictures Town by River, and
in the dull shadow of nearby hills
against the clear color of the sky
does introduce an element of beauty.
Preston Dickinson shows three works.
Along the Harlem River" with a
little landscape suggestion: "A Street
in Quebec" dreary affair. and
"Decanter and Bottles''--very mussy
From Maurice Sterne there is a
Girl With Pink kerchief,' boldly
drawn and somewhat archaic, a thing
we'll begun but shortly ended. Charles
Sheeier OF all. perhaps. presents the
most wildly impressive and clever in
depreciation in the new m de. long.
narrow panel showing The backs of
Skyscrapers with their mauy-windowed
eyes looking out menacinSly through
forced light to the down-looking OBJ
server.
Mr.. Pennen has insisted for some
years that prohibition was bound to
have a detrimental effect upon art
1t was difficult to understand just
how, but certainly this collection Of
paintings now on view creates in the
average observers mind what must
have been the horrible sensation of
intoxication-a world awry, an in
articulate expression: stumbling: II
not of foot at least of hand, and of
thickness of speech. Mr.. Phillips ex-
plains 1t thus: when civilization be-
comes complicated the minds of men
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
New Books at the Public Library

Attention is called during National
Thrift Week, January 1928, to the
library's collection Of books on thrift.
investments, the household budget, in
surance and home planning. The lists
are posted in the Hobbies OF the cen
trail building and branches along with
posters and material on thrift, saving
and budgets.
The weekly list of recent accessions
at the Public Library Is as follows:
Combative and Preservative Arts.
Bond, P. S., and Carey. e. B. Wars
of the American Nation. US3
B64w.
Calender. G. A. r. The Naval Side
of British History. UN45-C133n
Carter. r. G. The Art and Science of
War Versus the Art Of Fighting.
1922 UCA-C24.
Colby, Elbridge. The Profession OF
Arms. U-C672.
District of Columbia Fire Department.
Rules and Regulations Governing
the officers and Members. 1920.
+UY-D63Sr.
Dumas, Samuel, and vedel-Petersen.
X o. Losses Of Life Caused by
war. D-DoS
Enock, A. c. The Problem of Arma-
ments UC-En66p.
Canoe, w A History Of the U. S.
Army. US3G15.
Harris, A. NJ. Pirate Tales from the
Law. UN97s-H24
Holt. w. s. Office Of the ChieA of
Engineers Of the Army. UCA-H74
Lefebure. Victor. The Riddle of the
Rhine. UCAL523r.
Masters, David. The Wonders OF
Salvage UW-Ms9.
| Mccartney, e. Warfare by Land
and Sea. CCA-M124w.
Mitchell. William. Winged Defense
UCA-M69Sw.
National Industrial Conference Board
The Soldiers Bonus. UMR-N216s
Soule, c. C. Naval Terms. Un-5SoS
Thomas. N. M. The Conscientious OBJ
jector in America UMQT36.
United States Infantry Association
Reserve Officers Examiner. l v.
UE-Un46.
United States. Laws, Statutes, etc.
Military Laws of the United States.
1921. Ref. UE-Un30b.
United States Naval Academy, An
napolis. Department of Modern
Languages. A Spanish Nautical
Phrase Book and Reader. UN
5Un30s.
United States Navigation Bureau
Navy Department.. Record of
Medals of Honor. Ref. URA-Un3
United States Office Of Naval Intelli-
gence Information Concerning
the United States Navy and Other
Navies. UPS3-Un3.
United States Pension Bureau. Sy-
nopsis Of Pension Laws. 1923.
UMR- Un36s.
| United States Provost Marshal Gen.
erals Bureau. Final Report on the
Operations Of the Selective Service
System to July Is, 1919. 1920.
UMQ-Un3S.
| United States Provost Marshal Cen
erals Bureau. Rules and Regula-
tons approved May IS, 1917. 1917.
UMQ-UnSSr.
United States War Department. Sc
lective Service Regulations. 1918.
UMQ-Un39s,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

running pony farm among the hills
OF Vermont. A beautiful story made
OF what is called homespun.
THE STORY OF THE WALDORF
ASTORIA. BY Edward Hunger
ford. Illustrated. New York: g
p. Putnam's Sons.
THE famous old inns Of England
outweigh in general interest even
the cathedrals Of England The la
ter give deep satisfaction 10 the rela.
lively few. The former make warm
appeal to all. These old inns arc per
sonalities, each compact Of assocta
tons with the great and the near
great, all interesting TO US In their
fame, or their infamy. And this
blend Of old associations takes on
warm and welcoming essence, rem
ntscent and enjoyable and real 1t i
so in our own country. Here fl
Washington, for instance, the oil
hostelries that housed and homed Wei
ster and Clay and jackson and hosts
OF others have a charm that a new
hotel cannot yet hope 70 possess. The
Waldorf-AstOria IS relatively new-no.
yet stepped in the fayors OF a centur,
from now Yet. Mr. Hungerford has
in a measure bridged this period b.
personality blend. which constitutes
the thran OF the old inns of Ame-ict
and England. He has turned thai
which in fact Is current history int
the mold Of d date sufficiently remote
10 Yield faVOrs which belong TO q pas,
and never to the present. An inter
esting story he has made Of a great
hotel, giving to IL a tradition as III"
host of thousands Of celebrities frCr
every part OF the world.
i
BOTH ONE BY Sidney Hersche
Small. author Of '.Fourscore. !" ct.
Indianapolis: The Bobbs-MerriI
Company.
4 y engaging, well built story on th>
trials and triumphs II true love.
II is the romance Of 4 Jew and Ger
tile. That IS. this Is the foundation Of
the matter whose background Is B.
very live portrayal Of San Francisco
II might have been any other city, !,l
so far as the basis of the development
IS concerned Not IN easy story u.
tell. Not simple thing 10 halanc
the love of two. 50 separated nv Cer
turtles Of racial differences. The Al
thor achieves il. however. OF course
that's the authors husiness-tO squar
the circle Still-the story sets one
10 thinking. on the one hand Their
is the ephemeraI quality of the erno
ton whose name is love ON the oti.
er there is the endurance Of race traits
through uncounted ages on well.
why Cavil at perfectly We'll near
ing romancer2 Instead. why not admit
freely that a very pretty story can be
reckoned TO the account 0f the authO~
Of THE Lord Of Thundercate2" Nov
there was real adventure-ore that
nobody could III reason throw doubt
against.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
Games and Sports.

9hucS ana sports.
Barnes, J. NJ. A Guide TO Good
Golf. VKG-B26Sg.
Brimmer, F. f. Camps. Log Canine
Lodges and Clubhouses. VDB77sc
oul RG -. ~; Athletic Training
Camp, w. c. The Daily Dozen
Christy. Cuthbert. Big Game and
Pygmies VE-C4e4. A'i'e anu
Cleyenger. E. S. The sportnnan's
Guide. VE-C59Ss.
| Ferguson, Wynne. The 1925 Ru,es
ana Mnu-, Laws avs of Auction Bridge
GIL v a. I: Track and Field Athletics
Harris, Stanley. Baseball. How n
Play 1t: VKB-H24.
Haynes, w. B. Ducks and Duck
Shooting VE-H336.
Liederman, E. E. Secrets of Strength,
| VS-L623s
MacCuaig, Donald. and Clark. G. s
Games Worth Playing. V-M1SSg
MeIcalIe; a; r: Real Auction Bridge
FOWB-M567r.
Mitchell. f. d. Intramural Athletics
Owen. Ethel. A Book of Original
Parties. VM-Ow26.
Robinson. B. c. Muskellunge Fishing
! tF-R5b6m.
Rose. w. G; and Newcomb, c. NJ. Cut
| Down That Score. VKG-R72c.
Staley, S. c. Individual and Mass
| Athletics. VAT-St16i.
| T1lden. w. T. Better Tennis for the
Club Player. FkTT454b.
I1lden, w. T. The Expert. VKT
Tilden, w. 7. The Junior PLAYER
| NKT,T454j.
Bach, j. S. Forty-Eight Preludes and
Fugues. V. In 4. VZP-B 124pt.
A Dictionary of Modern Music and
/, Musicians. Ref. VV-5D56.
Gounod, c. F. Unfold, Ye Portals
Gray, Cecil. A Survey Of Contem
porary Music. VvI-G79s.
Haydn. F. ]. The Heavens Are Tell
ing. VYRO-H32Sh.
Haydn. F. j. The Marv'lous Work
| VYRO-H 32sm.
johnson, ]. w. ed. The Book OF
American Negro spirituals. Wv
Nevin, G. B. First Lessons on the
Organ. VXORA-N41.
! Odum, H. W., and Johnson, G. B. The
Negro and His Songs. VVS3- OdS6
Witherspoon, Herbert Singing
! VXV-W776s.
The Theater.
Batchelder. c. B. Anne Of Old Salem
| 1906. VUP-B312a.
Bernhard, Sarah. The Art of the
| Theater. VUL-B457E
Brighouse, Harold. Plays for the
Meadow. 1921. VUP.B764.
| Chalmers. Helena The Art of Make
Up. VUQ-C356.
Chatter, Lucy. Comus, Masoue
1913. VUP-C393c.
Fox. G. d. Famous Film Folk. Ref
! VUW-5FS3f
Mygatt, It. d. Grandmother Rocker
| 1922. VUP-M994g
| Richardson, Frank Bonnie Dundee
| 1910. VUP- R396b.
Schell, Stanley, Maid Of Plymouth,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17
Soviet Forgot Isle.

Bolshoi Diomid. an island in the
Arctic Ocean. just north of Boring
Strait, almost forgot that 1t belonged
to Russia and thought itself part of
the United States. No Russian ship
had called at the island for 10 years
until the man of war Vorvosky ar
rived there a few months ago Its
officers then learned that the IN
habitants knew nothing about the
Union of Soviet Socialist Republics or
of Soviet culture and believed that
Russia was still a monarchy This
impression Will be corrected.
The islands connection with the
outside world has been through an
American coastal schooner that made
regular trips from Alaska.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

curiously appealing combination Of a
fluent, ornamental color. almost Pom
peitan in It's gayety. with a hard. lit
eral transcript of subjects more or less
stereotyped: in Niles Spencer a clear.
clean pattern of functional lines and
silvery tones, dark windows and chin
neys placed on the sides OF bare build
inss with n musicians knowledge of
interval and emphasis. IN Charles
Sheeler a Photographic sharpness OF
illumination reduced 10 the degree Of
intensity where the bare facts OF "A
steel bound structure and character
become fascinating; in Preston Dick
inson lin his estimation the most
masterful designer and draughtsman
among the younger men,. "A virile
pattern organized with crisp edges
and firm touches OF rich color. mat
in texture" And Mr.. Phillips Is one
who has compa MED with the best in
art and knows It's value.
We should not shrink from unpleas-
ant sights or that which is not alto
gether to our liking. 1t is indeed
well to know what Is being done and
who is doing II. II the world at large
wishes art of this sort II IL will be pro-
duced: II It does not II will pass. The
decision rests not with one. but many.
MO one should miss the charming
little exhibition of etchings by
Alfred Hutty now on view in Gordon
Dunthorne s gallery. 1905 Connecticut
avenue. These are landscapes as well
as figures and architectural subjects.
Many were done in Charleston and
give glimpses OF old gateways leading
into walled gardens. Mr.. Hutty
spends his Winters In Charleston and
none Is more conscious of it's charm
or capable of interpreting it.
But he also shows in this collection
an etching of the Capitol-our Gapi-
toi--a view taken from the vicinity Of
the Peace Monument, looking up the
| long flight of steps. Leafless trees on
either side (for 1t Is a Winter picture)
make decorative accents with their
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

ness, in the skyscrapers Of New York.
Robert Spencer has revealed for us
beauty in the homely mill village. the
beauty which has come through the
fundamentally of time. the weather
ing Of buildings, the magic touch Of
sun through mist. Life is always
beautiful; beauty is the reality; it is
ugliness that passes-the illusion.
Great art concerns itself not with the
passing illusion, but the everlasting
verities.
Yet, all may not be In agreement.
Mr.. Phillips finds in the work of Fiske
Boyd "a cool, refreshing light and a
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

are set to work on simplifying sys-
TENS. Our age. for its cOmplexity.
has created the machine which in
creases production while economizing
time and effort. In the name of eff
cheney the photographers sensitive
plate records the facts OF the visible
world quit undeniably. And for its
congestion. in great cities our age
has devised the tall building, which
scars upward since II can no longer
spread outward. Now, art cannot
survive in a state OF conflict with
that stage OF civilization Of which il
is, in spite Of itself, a part. Arts un-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1926-01-17

1902. VUP- Sch24m.
Shattuck, Mrs. II. r. Our Mutual
Friend. 1912. VUP- Sh27o.
Young, Stark. Glamour. VU-YSsg.
Textiles.
Hall. Book of Hand. Woven Coverlets.
WUT-H14.
Percival Chintz Book. WUT.P41c.
Webster. Quilts: Their Story and
How to Make Them. WUT-W39Sq.
Miscellaneous.
Burgess. Chats on Household Curios.
WW-B913.
Carrick. Collectors Luck. WW-C234.
Carrick. Next to Nothing House.
WSH-C234n.
Dyer Early American Craftsmen.
WSs3 DDS.
Dyer. Lure Of the Antique. WV
D9S3l.
The Washington times., 1926-10-06
HOW TO sTART 4 PARADE

Dear BIZ: Every time anybody
does anything out of the ordinary
Ground NeW York, they start
parade. Nou, If anyone around
Washington 1Gntskseo start pa
rode all they Iygsse to do is to get
Q package dboat5s1 q inches long
end about four inches N diameter
and haze It tCrdpped so that one
end comes dotCn to tdperin0
point. Then put the package an
der your arm and start dotCr the
street. That's all!
OIDONO.
The Washington times., 1926-10-06


MODERN MYTHOLOGY
Castor-An oil remover.
Ba"chus-A promoters plea.
Atlas-A spinster's vision.
Diara-PerOXide blonde.
PaTtiora-The dumb one.
PlutO-A water satyr.
Slsyp!Ius--A lounge lizard.
DEMONSTRATING trunks.
Did"-A jazz queen.
AmmOn--Seping a joke.
DamOcIes-l'Olite profanity.
Hectnr-An old pup.
NOx-COnfidential conversation.
S7I--.A lore friend.
Mep"Iaus - The Congressional
output.
ReIlOna-.An unknown cOmbina
ton.
OLD SOCKS.