davidaulloa/AmericanStories huggingface dataset:
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08
TALES JURY DRAWN FOR FIRST
WEEK, JULY TERM, 1926.

- s.
: fIS .o D N 80. o ~. IN"
). II. Palmer
NJ. W. Garbutt.
j. X. NICHOLS.
T.. L. stead.
Martin Gottiieb.
j. Z. Strange.
M. M. stephens.
Scout W. walker
W. X. "atkihS.
u. T. Fetty'
1ohn cooper
j. H. burke.
wright Iomoeriin.
" u Dan
ueo. hra'zer'
d. W. V"ehs'
D. norton iay'or'
o. n WATSON
D b. lon'oeri'h
D. " poney'
"A. d. y. Dorihiiy'
W. l. omith'
H. e. nouSm'
.. y. y. Dell
L. L. urnier.
+ .. I1auuoc@'
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08

An expedition is to retrace the
journey taken by Theodore Roose4
welt through the Brazilian jungle and
down the River of Doubt, in order to
complete film record of the for
mer presidents travels.
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08
MISTAKE SOMEWHERE

Manager: 81 thought you said you
gave the man in room BIT his bill"
Clerk: 81 did SIR"
Manager: "That's funny, he's still
singing"
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08

Mr.. and Mrs j. F. WOtring of
Oberlin, Ohio, are expected here
about July 18th to make their home
in the city.
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08
TALES JURY DRAWN FOR 2nd

TALES JURY DRAWN FOR 2nd
WEEK, JULY TERM. 1929.
VIM. Williams.
S. S. Young. ST.
J. A. G. Ragsdale.
G. E. McCook.
j. N. Ralston.
: C. H. Walters.
S. P. Murray.
o. j. Williamson.
w. H. Robitzsch.
w. E. Hale.
A. j. Hart.
s. B. Williamson.
Wright McCullars.
J. r. F. Young.
T. L. Lester.
y Jas. H. Stone.
IS T. w. Dill.
). F. Ivemeyer. a
w. C. Spell.
James B. Young.
F. r. Barrentine.
/ J. D. Mink.
| Nv. T. Hogan.
G. w. Wilson.
B. /. Wise.
w. L. Watson.
]. A. Bond.
B. A. Maddox.
G. M. Young.
G. w. Luke.
J. T. Livingston.
F. J. Hunter.
, J. H. King.
Fl. o. Benton.
(: A. H. Hitchcock.
r. e. Hale.
G. w. Connelley.
J. F. MCGOWAN.
Paul Reppard
Sam L. Livingston.
A. Swanson.
Arthur Troupe
6. A. Stead.
w. R. McLendon.
j. w. Vaughn. :.
Geo. F. Gray.
J. P. Minshew, Jr.
I. A. White.
w. A. Bowling.
G. W. Williams.
M. D. Stokes.
Fred Astin.
]. M. Williams.
r. r. Wilcox.
Fitzgerald leader enterprise and press. (Fitzgerald, Ben Hill County, Ga.) 1921-1964, 1926-07-08

According to new ruling in Mex
leo all telegraph and cable tolls must
be paid for in Mexican currency.
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20

Ione who could do a whole job. She
was always a slave to her husband
with whom she worked in the fac
tory and at home. Her meager earn
ings even did not belong to her. They
belonged to the man whose private
property she was.
Fifty years ago when the rapid de-
lvelopment of industry began to &C
quire more working hands, the wom-
en- became competitors of men. No
body, not even the immigrants, nor
the Negro, were willing to work
for the starvation wages for which
the women at that time were willing
to work. Her situation was indeed a
very bad one.
From one side the man considered
her as a competitor and treated her
as such. From the other side the
capitalist tried to press out as much
profit from her as the unskilled work
Ter, keeping her at long hours Of
work and giving her starvation wages
and inhuman working conditions. The
state had to see into 1t to make laws
that would give her shorter hours,
sanitary conditions, and a living
wage.
1t is true that the working condi-
tions at the beginning were not such
good ones, but at least forty-five
states passed laws concerning wom-
ems work where hours, and wages
we're regulated. Ten and nine hours
a day and in some states even eight
hours day became a law.
Now the bourgeois women are
coming to the front-those women
who never took part in social produc-
ton and who can only boast of hav-
ing helped spend all the profits that
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20

try. This bureau had also to formu-
late ways and means Of improving
the condition Of the working women
and to give her better conditions and
higher wages.
Altho the bureau in Washington
thinks that it does a lot for work
ing women, nevertheless. in the ma
tional conference there were very few
working women represented. There
were also at the conference all kinds
of representatives of industries, doc
tors, industrial engineers, etc., but
working women, whose fate was to be
decided at the conferences, were mis-
sing.
1t is true that great deal of weight
cannot be given to this conference.
The most that it can achieve is to
exchange information, express opin,
ions and make recommendations The
solution of this problem cannot be
expected in such conferences, in spite
of all the strenuous work that the
government puts in to solve the prob
lem between labor and capital.
For centuries woman has had to
suffer at her work more than man.
The first time after the industrial re-
volution, about 200 years ago, when
the woman started to take a place
in the industry without any knowl-
edge of machinery and any possibility
of learning a trade, her life was still
more miserable than at present. For
generations she labored twelve and
fourteen hours day. But her work
was taken very little into considera-
ton by the boss and even by her
husband himself. She was always
considered an apprentice but not as
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20
The Right of (Other) Women to be Slaves

their husbands got out of the work
ing women. These are the parasites
who ask for equal rights for men and
women are electors and are political
equal with men they must not have
any special rights and they are
against working laws for women that
are not acceptable for men. This
means, according to their views, Fin
dustrial equality" 1t is understood
that it is an entirely different equali-
ty that the working women want.
For instance, there Is law in New
York that women work nine hours a
day. In order that the law should be
equal, the 'ladies" ask that the other
forty-seven states adopt the same law.
Once women worked ten hours
day, now they are only working nine.
Men being better fighters gained thru
strikes in some industries an eight
hour day but for-the sake of "equali-
ty" they called back these laws and
the men and women must go back
to a ten-hour day.
The important thing is that such
situation is very favorable for the
capitalist who is looking for women's
work and who was always against any
kind of preventive laws for women
workers. Now he does not need to
fight, he can leave this work to the
ladies OF the Women's Party. They
will directly or indirectly, while con-
tending for equal rights for women,
fight for the capitalists enabling them
to exploit the working women.
Working women ask no favors OF
the "Women's Party" They can stop
lighting"
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20
BY Rachel HaIhman.

N industrial conference that took
A place recently at Washington
showed clearly two forces fighting
each other. One was supposed to
represent organized labor and the
other force was of the class of bour-
geois women who fill the National
Women's Party. On Sunday, Janu-
airy II, the fight had already begun
at the protest meeting held in the Be
lasco Theater In Washington.
About three o'clock the women
gathered for a protest meeting and
sent delegation with banners on
which was written:
awe demand equal working hours
with menI"
1--WE are as strong as men to
work."
This delegation went to the presi-
dent, not as a delegation of working
women, but nevertheless as a dele
cation asking to solve problems for
the working women. They were the
bourgeois suffragettes, and they could
not see that there are any other prob
lens for working women than what
they conceive to be the problems of
women in general.
In the time OF war you could very
clearly notice that there are different
problems of working women from
those of the rest of them. Even the
government saw this and decided to
urge congress to organize a wom-
ems bureau in the United States de-
partment Of labor. Their aim was to
study and to report about everything
that has TO do with women in indus
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20
Art and Marian TaIIey, Product of Capitalism


that America has can, with time, do
what reason should. No doubt they
win to great extent pacify the pres
ent and see that fanatic" critics do
not stand in their way of the period
of art and luxury that every master
class must look forward to.
Marion Talley is but a flash across
the space in this drama of art devel-
opment in this stage of Imperialism.
1t is a rehearsal for the fast. changing
art conditions that is taking place be-
tween bourgeois nations in the shift
of economic power.
Ambitions and fulfllments are two
different things. Americas ambition
in art is increasing with the success
that imperialism is having in eco
nomic and political fields. They still
have much to overcome economically,
but they have greater obstacles in art.
For the transfer of economic control,
the redistribution of the earth within
a social system has less difficulties
than the fulfllment of the art ambi-
tions. And although the desired may
not be accomplished, largely due to
the growing and threatening power
of the proletariat, nevertheless the
activity along this line will effect and
alter much that is dear to our Euro
pean bourgeois cousins.
Relatively speaking, the economic
change resulting in a shift in the art
field is doomed to a short life. The
preaching change that the capitalists
fear is the change from this order to
another which will readjust the arts
to the new social system.
The bourgeois art in America has
been reused from it's infant slumber
by the Marion Talley debut.
In art, as in economics. the bour-
geois struggle for the dominating po-
sition. On the other hand, an art
struggle between the bourgeoisie and
the proletariat, who at present mant
fest their expression in semi-prole-
tariat form, is going on.
The art of the proletariat, like that
of the bourgeois in this stage, is
doomed to a relative short life, for the
art Of the future cannot correctly be
termed the art of the proletariat.
With the disappearance of classes.
when the state withers away, the
bourgeoisie and the proletariat will
be no more.
And the art that is budding in the
Soviet Union will at that period flower
into its own and will be the beginning
of the art of Communist society.
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20

Tcriticism of the European continent,
which is powerful weapon against
the desires of the capitalists of Amer
lea.
To have prima donnas we should
have capable" art critics who can
convince the world that they are
right. But in order to have this grade
Of critics we should have an art basis
that can be used as a leaning post for
the capitalist art puppets.
Research work by psychologists in
the Maya ruins Of Central America
are followed by our forsighted art
list as crows follow new turned field
of an exploited farmer. They expect
to find basis in the Indian civiliza-
ton of the past. One way or the
other the ruling class of this nation
must find the way to take its place in
art as it has in economics.
The necessity of such is felt at this
early stage. The attitude of Europe
toward "our" Marion is manifesto
ton. They do not speak in the same
tone that the city which gave her to
the world speaks in. A group of "be-
nevolent'' Kansas City business men
made the career of this talented
singer possible by providing the eco
nomic end that is lacking in the plan
ming of the millions of wage slaves
children.
London papers and the continent do
not view this debut of Marion Talley
with what could be termed support.
Instinctively they realize the effect
that this will have. They seem to see
it as move toward art domination
that follows economic conquest.
The London Evening Standard says,
regarding Marion Talley's operate
debut that, "some super-organization
has been at work with only one hitch
in the proceedings-that compare
lively cool tone of musical criticism.
In this case the shouting seems to
have been done too SOON"
However, we can say the hitch is
not in the "super-organization," as the
Evening Standard thinks. We must
remember that Marion Talley is but
an individual and the forces that
moves this "super-organization" are
those that brush aside opposition, not
even caring for such persons as Ma
rion Talley if the unexpected happens
and others must be pushed forward.
Such criticism as London gives us
is detrimental to the aspirations Of
the American capitalists who intend
to spread their influence in the field
Of art. A parasitic class with the gold
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20

talent of Europe has for years been
imported by this country, but now the
valuable art possessions of European
nations are being purchased by our
master class in ever-increasing num-
.bers. rH
This grasping. acquiring success of
the Americans has been met with
alarm by the Europeans, for they find
that their art galleries are being
stripped of their valuahles. The Amer
leans can afford to pay any price for
the desired art objects and collec-
tons. Nations of the continent facing
financial postwar difficulties succumb
to the wealth of America in art as
well as in the political field.
The ego of the United States CAPT
talist soon tires of this. Tires Of buy
ing the art of the conquered and the
subjected. New powers demand new
art or at least that which they can
call their own. They must have their
own art and we have launched a
campaign to fulfill these desires. This
does not mean the discard of what
has been acquired. The capitalists of
the United States do, however, desire
to stamp their personality upon the
future art of the world.
Opera is an excellent field for such
purposes, as it enables the imbeciles
of the better class" to mask their
ignorance and at the same time it
INDUCES this class thirst for fine
arts.
Of all the branches of art none so
much as opera can rouse the art con-
seriousness of the national bourgeoisie,
and at the same time draw upon the
working class for it's support. For
example, take the graphic arts Cart of
drawing, painting, etc.,. The results
that can be accomplished nationally
with Marion HALEY as a singer in
grand opera could not be accom-
plished with the art of drawing. In
1t the public does not come in contact
with the personality, with the emo
tional, that is needed to rouse a world
ruling class to consciousness in the
field of art. In the art of drawing
the emotional factor is lost to a great
extent in the studio, but in opera the
contact with the people by the indi-
yidual artist is concrete factor. This
Marion Talley incident is not the first
nor will it be the last in this world
drama.
If distinct American basis of art
can be found in one branch, the field
as whole gains rapidly. AS long as
America must borrow" her art from
Europe we will be subject to the art
The daily worker. [volume] (Chicago, Ill.) 1924-1958, 1926-03-20
BY E. Hugo oehIer.

M AhION 1ALLE1' . operate DEBUT
AVA has been heralded by the bour-
geois press of the country in the 100
per cent style. The bourgeois press
Of Kansas City, Missouri, her home
town, has outdone the rest in present
ing Marion Talley to the people from
an emotional standpoint, praising and
presenting her as press supporters
can.
This incident is we'll worth consid-
Grafton in getting focus on art in
its relation to the economic factors.
However, in considering this Marion
Talley incident we will not allow eff
fects to dominate causes. The United
States having emerged successfully
from long struggle for dominating
position in world economic affairs,
desires the same success in the field
of fine arts. Master classes of the
past were confronted with the same
task and the same desires. This coun-
try's economic system is of maturity,
but her development in the field of
art is in its infancy. The nation has
reached the point where energy in
greater quantities can be released and
spent in this field. All parasitic ruling
classes in their advanced stage of
power can encourage and finance the
arts.
Like nations Of the past, ruling
groups in economic supremacy idle
away their time in luxury and de-
bauchery, with art of a distant ma
tional character. The imperial United
States is fioundering into this period
when the parasite class ego cannot
be satisfied unless the arts can be
called their own. Marion Talley's ca
reer lines up with this awakening ma
tional ego of the master class.
A young ruling class within such a
social order as the United States first
uses its wealth to purchase the mas
terpieces, the art treasures of other
countries, and to import those works
of greatest talent. The United States,
like all other groups of the past,
passes through this stage first. Eco
nomicalfy the United States is in
creasing the number of nations that
fall under its imperialist policy, max
ing them subject nations. Following
these economic subjections, we find the
art treasures of the weaker countries
being imported in ever increasing
numbers by the United States. This,
of course, does not take place in the
colonial territory, but in the "civi-
hzed" countries of Europe that have
long been the dominating authorities
of art in Occidental civilization. The
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17
PRICE A3.q50A

srtc irht gosd eoadltt
Hslta6is fer I've fartite.f
~anvtnce yoarp~H that ~
Ehin aettsr bury Sity
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17
INVADE RS
SAIL FOR
= NOLAN .
Miss Collect and Miss
Browne Leave for Golf
and Tennis Journeys.
BY Henry l.. Farrell
United Press staff CORRESPONDENT

ONtCeU PTG6S oIuII COTTCSDOHuGHt
NEW YORK, April 1.-Two OF
Americas greatest women athletes
picked up the banner and sailed for
England early today as the advance
party of the big American force
which will invade Europe this sum.
mer.
Miss Glenna Collect, national golf
champion and Miss Mary *. Browne,
captain of the American tennis team
sailed shortly after midnight\so that
Miss Collect may finish training for
the British woman's golf champion.
ship starting May 10, in Wales.
Miss Browne, who is as great a
golfer as she is a tennis artist, will
not play in the golf championship
but will go to Wales with Miss Col
lett and play in one preliminary
tournament.
Miss Joyce Wethered is the
greatest woman golfer in the world,
and if l only make a respectable show.
ing-granting that I get far enough
through the tournament to meet
her-I will feel satisfied Miss Col
lett said.
Miss Browne, who has played sew.
eral times the past season with the
young champion, said she felt sure
that Miss Collett has a splendid
chance to win the British title.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17
BR EW {. RS
N : * ON
PROGRAM
Tribe at Milwaukee for Four
Game SerieS-Three
Straight From K. c.
BY Eddie Ash
nit,nnr Gnnrta EAiAnr

MILWAUKEE,, Wis, April IT,
Ownie Bush's Indians, flushed by
three straight victories in the open
ing series at Kansas city. were In
Milwaukee today to start a round
of games with the 1926-make OF
Home Brews. Battles will be staged
here this afternoon, Sunday, Monday
and Tuesday. Louisville moved in
to Kansas City as the Hoosiers
checked out
Jack Lelivelt's Brewers got plas
tered three in row by the Colonies
and are figuring on getting started
at the expense of Indianapolis.
Owner Borchert is said to be on the
verge of baseball prostration and is
crying for the gore of the Bush
men.
Manager Bush was undecided
about his pitching selection for this
afternoon, but the choice was be
tween Ray and Burwel, with Flor
ence on the receiving end. II Bur
well felt right before the game he
was to receive the assignment.
The Indians were given a bad
scare in Kansas City Friday in the
Blues final time at bat. The Hoo.
siers won the game, 8 to Z, barely
escaping with the honors. Ned
Niles exploded in the ninth inning
and the Blues scored four runs. A
man was on second when Weaver
relieved Niles and retired the side.
Two men were out when Weaver
went in. Niles pitched good ball
until the final session, but weakened
under the strain. 1t appeared as
though Manager Bush left the slen.
der pitcher in too long Niles was
the victim of some bad breaks in
the first inning and the Blues scored
three runs.
Then he went until the ninth be-
fore cracking again He was
surprise at bat by getting two hits
and a walk in four times up. He
drove in two runs.
The big inning for Indianapolis
was the fourth, when five runs were
scored. Messenger was knocked out
of the box and F'eigert relieved him.
Later. the Blues removed Feigert
for a pinch hitter and Hargrove
finished
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17

t'"t ~. s-t'. - ssisr~~
L'~"-t U0Gg Take Car n" lS
Af~r
MI ttBAN()N. $s.OO0
Ns-sts 49,. Asus -. $500 -. 49,. -
: ~ -'s-I '------ ,-A ha'N tsf-~sa -
~ w. 81 Ehsskher. t~d s-,is isa@s
W w. FARNHLEY.
l.,t~. - ~ t-s...
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17

\ meeting has been called by the lndi-
annapolis Amateur Baseball Association
for umpires aud league presidents az ~
;. Delaware st. on Monday night. II Is
important that every one be present a.
the season opens April ~.
The Mapletons Will meet the Y; P. C;s
in a practice game Sunday at RIVERSIDE
diamond No. 6 at 3 o'clock. All players
report at o'clock.
The Fountain Square A. A will psy the
Kelley Ealges Sunday afternoon at Garheld
diamond No l at o'clock. All players
must be present.
The De Molsy baseball team VII prae-
tice at Riverside No sunday sitetnoo on
asked TO attend.
The Modern woodmen baseball team will
practice at Garfield Park diamond NO. AZ
] p. m. Sunday Members and those WISH
ing tryouts should be present.
The Indianapolis Cubs will play a prac-
tice game sunday afternoon With the MD Mo,
get A. G. at Riverside DIAMOND 10 p. eIne
Cubs will practice at Rhodius Park sun
day morning
Ingram Richardson. Manufacturing Com
pany has good club IN the held tnls
season and wants road games munge
mort and Lebanon take notice. Address
Lee Toney, 257 Blinn Ave.
The Indianapolis Keystones will prac-
tice Sunday with the Marion County Green
house Association club on ne later
Tune Tune i' Address W. J. schoch. 739 Lincoln
ST.. or cali Dre.Sel 539o-R.
"shorty" verhine's au-star Polar Ice
and Fuel Company team viii play the
Morocco Giants at Riverside No. 2 at 2
o'clock The following players and those
wishing tryouts be present: Verhine.
Stafford. r Fripp Bavne. Thompson. SUI.
Ivan. McClellen. W. Fripp. Schlossec and
Dawson.
The Holy Name Society of St GATHERINGS
Dooley Reserves has been changed to
- 80 All PLAYERS be az diamond No. .,
Garfield Park at IL noon; state e team tcams
.115S.
Western Union messengers' ball team
Will practice al ] 80 y. m. SUNDAY. Brook
side Park diamond No; 2 Al last year >
p. M. or diamond. Uniform cards will he
issued, Fast State or city teams wanting
glmes address L., Wilson. care Western
Union.
The s. p. A. C.s viii hold their first
practice ,r SUNDAY Jay af,ternoon at Br9okside
mark BY ] o'clock: Bob Cain, Bill Rqsie,
Gsrlach 'Hiegs' snodgrass. Du9an. smith.
Cant and Hale; One more pitcher Is
needed to round out a fast team.
The Marion Cardinals viii practice at
Garfield Park diamond No. 3 at 10 90
o'clock Sunday morning. The, Cardinals
would like to schedule a, road game with
a fast state team for that date Rush
% take Hocs A EGE0 Hara
NJ Cruise 1912 Woodlawn Ave, Indian
apolis. or call Drexel 6634W.
The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-04-17

Mr.. Tunney is known as the
Rose of Washington Square,"
and MIR. Dempsey, with his
artistic connections, "The cauli.
flower of Hollywood"