New Britain herald., 1926-05-13

light music is more interesting to general listeners than the heavy mental appeal type of song.
 Starlight" by. Von Suppe-he Of
 Poet and Peasant" fame--opened the chorus singing. "The Two
 Clocks, by Rogers, was a neat noy-
 city. The New Moon at Christ
 mas" by Marsh, was a beautiful conception eXquisitely sung, with Anna Mae Sorenson injecting a so- prano solo while the chorus hummed. Music, When Soft Voices Die," by Dickinson was short and sweet. Then came "They Met on a Twig of a Chestnut Tree" by Rob- inson-a humorous conception that brought a good laugh at the close It was sung a capella. The h. dian Mountain Song," by Cadman, was unusually effective and was featured by an alto solo by Neville Kraus. 50 Sweete is Shee," an English air Of the 17th century, SNt4l4'd 41l4ICL NOAli4llD Dll P4GLts ilbClN- in Time" by Knox was q happy pickaninny affair. Songs My Mother Taught Me" by Dvorak, was one of the most touching pieces of the evening, as is usually the case with this immortal classic. "Disons le Chapelet," arranged by Deems Tay- Tor. had a religious tinse and son. berness. The Spring Chorus" from saint Saen's Samson and Delilah," :" was given with gIadsome lilt while the closing chorus. Glory 10 Isis" from Verdi's Aida" furnish cd it's usual martial atmosphere and was much enjoyed.
 Rubin Soeal violinist, turned out to be an accomplished soloist who upon translucent tone, careful phrasing and had un- usual interpretatiye skill. His tcCh- nique was entirely adequate in what he played, and most of his numbers required a plenttude Of this ingred- icnt His program was diversified and retained unhagging interest to the end. He has every right to be well satisfied with himself after his sterling performance of last night.
 Opening with the Ramoau Tam bourin" the Sarasate 'Malaqucna' - and Grainger's "Molly on the Shore" he had at his disposal three com positions Of radically different moods and artistic requirements, and came through the ordeal in triumph. His accompanist kept the piano far dis tant in the background, giving the soloist every opportunity to charm his audience. In his three other the Schubert Moment the Gardner From the and the Hubay "uojre Kau" he was equally at home, and had to contribute an added number, the Chaminadc, Spanish Dancc.'
 Members of the glee club chorus are as follows:
 Phyllis Birdsay, Mary Bober, Adele Carlson. Priscilla Darlington, Sara Confer Marie De Eiddor, Mabel Fisher, Elizabeth Finn, Florence Frcedell, Alice Forman, Gladys Gage, Helen Garrcn, Doris Gibncy, Viola Glaser, Evelyn Gruber, Evelyn Ruth Hall, Alice Hart ley. Janice Iartt Vivian Hines, Gladys Jordan, Neville Krans, Sylvia Levin. Myrtle Lewis, Mary Lyons, Eleanor Mahoney Mary McGee, sylvia Mycrson, Dorothy Miller Helen Murray. Loretta O'Donnoll, Peterson. Eleanor Renehan, Iuala Rommell, Vera Simmons, Bou- ah Smith, Gcorgianna S}attcry .Usie Sonnenberg, Anna Sorcnsen, frances Stotz Mary c, Tavlor igatha Thaynr, Marion Totzke, Catherine Travis.
 Officers Of the club -- President, Ruth Hall: president, Helen secretary and treasurer Neville Krans: librarians, Helen farren and Dorothy Peterson.
 Executive commjttoe-Gladys Jor- Ian and Mary Lyons