The Indianapolis times. [volume] (Indianapolis [Ind.]) 1922-1965, 1926-02-27

composed of Wolfe VIOLIN
| sohn, first violin; Edwin Ide
Ter, second violin; Herbert Borod-
kin, viola, and Emmeran Stoeber,
cellist, will appear at the Masonic
Temple at o'clock under auspices
of the Matinee Musicale on Friday,
March IL.
The quartet has made a surpris-
| ing record in a comparatively short
time, due to its extraordinary sue
cess at its debut, three years ago,
and its very distinguished personnel,
which embraces four splendid ar
fists with remarkable records as
players of ensemble.
During the past season the Lenox
String Quartet played a series of re-
citals in Aeolian Hall, New York
| City, which were highly successful
They have also had many appear
ances in and about New York under
very important auspices and in the
most exclusive circles. Among these
have. been Yale, Princeton, Harvard
and Columbia Universities; the Uni
l'versity Club Of New York. Farming
ton, Conn; Stamford, Conn, where
they were re-engaged for the fourth
consecutive season; New Brunswick,
n. j.; Dayton, Ohio, and many points
farther West.
The players finished out their sea-
son in the East in May and d.
vided their summer time between
European holiday and their usual
work at Lenox, Mass. Their tours
will continue under the manage
ment of Evelyn Hopper.
i :
I-1 HE Indiana College of Music
and Fine Arts will present
- the following pupils in a re-
cital in the college auditorium on
Saturday afternono, 2:30, March 6:
Judith Preston, Frederick Johnson,
Mflicent Coleman, Helen Thomas,
Sam Symns. William Wise. Stella
Miller, Betty Thomas, Jean Foley,
Barney Christensen, Margaret Lou
Use Wilson, Irma Flutro, John Den
mis-. Evelyn Barnholdt. Wilhelm1na
McElroy, Martha D. Lesher. Irma
May Steele, Carline Smith, Maxine
Wright, Daisy Schulz, Lavance
Chaplain and Mary Pauline Smith.
The above are students of Irene
Hoffman, May Gorsuch, Clarence
Weesner. Frances Johnson. Ruth
Todd, Eleanora Beauchamp, Flora
Lyons, Evan Georgieff and Pauline
Roes. Mr.. Weesner is in charge of
the program, which is open to the
public.
Mr.. Clarence Weesner of the dra-
matte art department of the Indiana
College Of Music and Fine Arts, will
give a program Of readings and
piano at the open meeting OF the
Ben Hur court on next Monday eve
ming, March /.
!.
mi HE career of Wanda Ian
! | dowska who viii be heard in
- indianapolis for the first time
next Thursday afternoon in the ball
room of the Columbia Club present
ing the third Of the series of Ona B.
Talbot Intime concerts is a chronicle
Of devotion. Although her repertoire
Is practically unlimited and although
she has composed much striking
piano music, Nine. Landowska has
made ''musique Ancienne" her life
work. and today she is not only the
leading authority but the leading per
former of this delightful music. AS
soloist with the Philharmonic Phila-
delphia, Chicago, Boston and New
York Symphony Orchestras and in
recitals in many cites, she drew
large audiences-and her audiences
were by no means confined to
students of old music. It is the sheer
pleasure which I.andowska's playing
gives that attracts the crowds when
she Is announced to appear.
Wanda Landowska is undoubtedly
a unique parsonage in the music Of
our day. And her unqualifiedly en-
thusiastic reception by the American
public and reviewers is only another
tribute In a career which has been
marked with highest honors through
out the musical world
The following is the complete pro-
N~AA 80 NAAS AAioAehAAo POAAo ACSANtAA
next Thursday afternoon.
Air With Varia tisg. ,-so,.e G. F. Hsendel
(Harmontous Blacksmith)
Harpsichord.
Il
Sonata in A m1 9'ffTTba.17a1Y w. A. Mozart
Andante Grezioso con Varianioni.
Mepuetto,
Rondo ALA Turqa.
Capriccio ION the Departure of HIS Be,
" ' (1ssb.i750j ''''' o. D'''"
(a). Artoso: His friends persuade him
not to undertake this voyage
(b) Moderate: They picture to him the
various adventures that may be-
fall him abroad.
(c) Adeglssimo; General lamentation
Of hts friends.
(d) Recttativo; His friends. seeing
their pains useless. take leave OF
(e) The Positions Tune
|. ~ Fugue In Imitation Of the Posthorn.
Harpsichord.
VI
Dances Auemandes. ....... Joseph Haydn
G732- 1900
TRANSCRIBED by Wanda Landowska)
Invitation to the Dance, .i..+..,i
lin the Originally
Piano -.tss