The broad ax. [volume] (Salt Lake City, Utah) 1895-19??, 1926-07-10

crown softly draped, the fullness
swung toward the back, is Of green
straw. 1t entirely covers the couture.
brow and ears, and has two bands
Of grosgrain ribbon an inch and half
wide drawn around the crown, the
first close to the edge and each fin
ished with a tailored bow overlapping
at one side.
The straw In the hat is one of the
many new materials of this season
delicate as lace, supple and yet wiry.
In many Of the new shapes these
straws are used with grosgrain rib
bon to build the hat itself, without
vestige Of trimming, as In a rather
extreme model from Agnes in which
black and green are put together.
This hat Is Of the delicate green straw
with black grosgrain silk used at the
back, over the crown and along the
narrow roll brim at either side. An
other brimless model omits the straw
and is made together Of wide gros-
grain ribbon, again in that very fash
ionable partnership Of beige and
brown.
Uses Velvet 6eret.
Departing from a self-established
mode, Reboux makes a velvet beret
that Is draped low at a rakish angle
over one ear, and another hat Of op-
posite type In two-toned satin and
grosgrain ribbon, repeating the beige
and brown scheme. Countless other
styles In the small hat are shown from
prominent houses at Paris that have
been well received and widely copied
ON this side.
Camille Roger makes chic little
hat Of black felt and tricot, having a
square crown with the materials. con-
trasted In sections, so to speak, the
very narrow brim rolled upward back
and front, and a wee cravat bow to
mark the middle Of the back. Jane
Blanchot makes a small hat all of
grosgrain with a modified crown
draped with the ribbon, a narrow
brim to shade the eyes, and an orna-
ment Of fancy feathers in front.
A pretty millinery ensemble from
this clever designer has the hat Of
black, straw, the brim bent down at
one side, rolling away from the Golf
fure on the other side Grosgrain rib
bon In black and four shades Of pink
are drawn around the crown, with a
strap end at the back, and this de-
liahtful and very modish combination
Of color is repeated in a scarf that
winds once about the throat.
The charm OF color monotone Is
illustrated by Lemonnier In close
hat of draped straw Of fine quality
called silk alpaca, all in one shade Of
gray-green.
For the soft silk hat Of ribbon or
taffeta or even the new summer felts
there Is a short, stubby hatpin. The
crystal and colored glass tops Of these
pins contribute just the right amount
Of color and trimming required on
such hats.
Marcasfte work Is combined with
sterling silver In earrings In loops,
ovals and pendant designs. Onyx,
pearls and colored stones are also
frequently combined.
Charming sunshades of an elaborate
kind are made Of fine stuffs These
include taffeta. grosgrain, which Is
particularly smart this year, chiffon
ribbon and lace. Very handsome para
soils In the canopy lines brought ont
last season are covered with taffeta,
shirred- finely plated or ruffled Many
rows Of grosgrain. molre or taffeta
ribbon are used for some, often Illus
trating delightful schemes In color.
ChantilIy lace, both black and white,
over the same or another color, makes
q bit Of elegance in q parasol.