davidaulloa/AmericanStories huggingface dataset:
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
NDnstusta mprSfpa=
lueelle
Ameritau sDbbysualtain funin tat
Seu ploittOa observation-disclosures tGr
IiluiG fObtaan.

8iiu1r miifon feStiluiitfono nit
oesId luultiosiu roiluOnneen DlrnIu-
urnrstun foubeiiiin otteiliin jolltit'
neita leutujn on tiircesti olettu aHI'
oestoon rafentomoun ett1 toolttO'
milf ioltuneet titbonnet ibmllet lol-
Itipat Iuojoa ia bohuaa. &1dtarelta,
poppeiu, iuiraanboitalio ia bottalaf'
toria, rotemnllsmiebiG ia monla
nllita ammottilaiiio iirnret lolttot
On duustllStoimiSio nDrStpn ottet-
Tim ioutitneello Ielloullo. Sulrla
i,,mmio robomuustuSta gInpnrl
monto on tullut pulltteeleen iontll-
neitteu omuStomiiefii. tolmilnn oil
taaIen tul(ut nGtpmitn tddllG olu.
man fonlun at9ralltlupuiluuS Dntonn
ioutaneitten bpmdfii
Tprstpn ilmoitetaan inrmnnneen
toitfioan S27 ia louttoontllneltten
htfu on 2,SSS. g8aItioittoin iatonn'
t,stpot l,uput leuraauaSti; Sllinot'
Sisio: tuolIut 677 Ioitftanntunnt
1882; S5noianosiu: tltoll. So, lol'tt'
515; &enneSieeSid: fitoll. "a, lortt.
so; NiSicuriSia: flloIl. 10, loutt'
S1O; Remtucfpsio fuoll. Is, loutf'
131.
WaprsfD oil tuboiiin mitd tieOe'
fSGm fosfaan soHeen tGalId nlnasla.
Sen tpointo oil min birpe1, ettu le /
fobotti ilmuan ilutria 10 rastntta
foilIu. ia ntllito rufennutiiu, tul1et'
Ii niitG pittdt muttot ia iitte pnts'
foii mou6on. MprStpn 6tripeoSta
tpoinlostu untou tooist,tIen ie bon
mdstpttGipG tieto, ettG mprstpn mai
fl,tus tltntui 8eSt 6runSfortiSIo,
Su. oIepoun biiIifniDotieen otnn
500 iolan ippppteen.
Mprstp miutontisio tapnutltslo
u5oitti onitltiIio otffuia. sc mntutos
misSo tupalttiiSin pirStoii tai mei
mitfanaou toiieen poiffoon buonecn
ia toiIen buonecn uiuon fen miereS
fG iGtti tosfcnuttn
TDrSfplatOun amuStnnliSto on
ipaifcuttunut meiitumot, iotfd iell-
rofisuot mprSfpG. @3po8fin OH ilmoi
tettu loiuantaiitio iImeStpnccn mDrs
fpolNeellu
SreIiocntti Coolidge on urtunltt
t6sfpn BunuieLle RiStilIe panemaan
foitfi moiniunia liifteeIle ntDr5tp.
ierloun orDustomiiefii.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
Tinccnoo 5tclIoo, joto ON

Tinccn5o StelIoo, joto nm-
phi 6ronf glniomio t5aroniSia
ieiticm6n fcrtao, oiotcn 9(niomiin
neIiG fertoo, nrutto CT bengenluou.
roIIiicsti tulInon fi,uIuStelemaan
0urleDn tltnmolIiSoifeuoesio ii. 81
y. Stella OIL wapoano $4,000 ia.
tolltielIo, ionfn ban Donffi eniimdi-
ie8id funlluSteIusIo, oifeubeu m6G-
rGte8iG tafmlsiummnn.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26

8m Mden entiien WtooeI.
foupon omistoion tpororiffooiio oil
eIiIG 8esiemerisid tliomori &. e.
2oonepn eoeSIG tiistoino. Suomori
nimitti s. $. 0iSbneurtn SSron-
moo6isio fparariffopeiGn boIbooiof.
Fl. @nIi flmn 7 p:G n6GrGttiin
W1Gen titttintopGiipGtii ioIIoin oIio
tulee ellie Srontpoo6in foipnnein
oifeus6uonersIo IemorioI rofen-
nufiesIa. 60. Se6Iun6, Ser6inonb
Stub ia Sront SoIasfu nimitettiin
oripioimoon toiporoporostoo.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
yron Goitntin ruttiiiu:

yron Gour1tin iuttiiiu:
gspt on aifo oIIo iiGnGt uiift fitn
on pirfoiIijoitten ipoIintn eniifluin
Z b. ebfa IiIIoin tpoIitiemme mutt
6en mufano nciti Itargurct 8.
Sor6ic'n fountin IitperintenOentifii.
San on forrnorin tptdr ia t1ioutd.
riff uoTitIemme berru Sores g.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
NnStTisIn faSuatetaan pnnastn lan'
litaa.

5toctbolmS -SiOningeniIle iImoi-
Sefnon N1osfolpasto, ettG fommlinis'
tiIen internotionuoIen toimeenpane-
man fomiteon nime8iG on faiffien
Sfonoinutpion maiden fommuni8ti-
ptioIueitu feboitettu loaientomoan
propogonootoimintoonin moriion
IA eritoten losten festuliteen. Soi-
meenponepn fomiten toteoo mieIibp
min, ionotonn firjeIm6siG eoelleen,
etta ioapuneitten raporttien nlifoon
on ytuotiisiu 5000 punuista icort-
tio, georiasin 5000 ia Sansfosia
1000. ge1nG nitmerot t6DtDD flti'
4enfin foooo iintremmitii ia inuriin
aeoIIiIuusfesfiifiiin on perustettntuo
Eommtnistiiio pDbGtouIitia ioiioItS'
min Iipun iuoiisiu.
StocfbOIms.Sioninee on pIIdoIe-
mon uiitiIen iobOostu fddntpnpi
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26

partiopGGIliffo 2ieberatbin puoIeen,
iofo fertoi, ettG &uotiisia ei ole tie.
0ettD mitGGn mintGGnloiien punai-
ieniGrieston olemoSinolostn portio-
IoiSten festuu0esio. Ote tie0Gmme
tpoIIon bptpin, ionoi mailri &iebe-
ROTH, eta 8enGiGlIG on oIemosio
icntupoinen iGriest0, iofa fd1ttGd
ninieG "gtuoret Bionieerit", miitto
Jfuotiisio ei ole foSfonn olIlit ieI-
loisto. On fDlld topobtlnitt, eli.
merfifii @ngIonnisiofin, ettG pilnoi-
iet opat foettoneet tlinfeiituo por-
tioIiitfeen riruei6in. S6IIoiiet Dritnt
iet opnt fuitenfin alma epGonnistli-
meet ia mitd 9fuotiiin titlee on fdii-
tps foiitta fofo linion ieIIainen ei.
ia ipoimet pritpfiet tuIepot iieIIGfir
tdboelIiiesti epGonnistumoon
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
S1f1I1iIpsi0
netuon terlpeefii,

- SGfGlGiiesI1 englnuninfieli-
ieSIG metooiStifirfo8io OH piifon a.
jan piOettD berGtpSfofoufiin. glpun.
feIista Golegrobe on olIltt pubuio'
ma. @iimeincn fofou8 of mime
Iunnuntoino. &errotaon nGisid 70.
foufiisiu fGbneen runioosti nIeiI61
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
snlipuIO ruilpunnnt sOfiusIa.

@iime niifoIIn roitpoii ti,boiia
tuIipoIo Sofiosia, Soponisio. Seoin
1000 uIitin- ia liiferofennusto bd-
pitti titIipolo.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26
NmrSfpulnc nGBttGG iumulGuiieltu
fitin iutn.alnc 1918.

Cairo, SSn. - "%l1ue nGptt6G
iulri iontolIoiieIto f,tin ioto-oIueet
Gon5faSIu ia 8eI9in8io toisteIpien
jalfcen muonno 1918, min ettd iitG
Ell moi fpIGin IDnfGtIi tltlpoiIIo."
S1ten fertoi moiuri 8. s.. Nooo
tG8tG fouplingistn, ldbettGen iGbf0-
iannmon @ltrpbssborostu iosio
ban oil tartostomosia tlbon iGIfiG
SGn mninitii iGbfoionomosin eta
p1GoiinIIiiinmin torpitoon emf a.
tplttii teIttoio, BuopopeitteitG, fan
fpiG ia muito mnflutfpootteitn ietd
bomootteito.
9un t6nG i6bf0ionomo inopri
GGbetettiin tGGltG faboen titnnin FIT
(ueSio $50 tclttoIGnfpG Narrpbps.
boroon.
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26

- SnlpeIiieruun fotoutieSio fir
fon iaIiSiu tor8tnino 10 y. oil MI.
teiieStG torioilusto tiIoio $3.50.
Sbo. fiitofIet
Auttaja. [volume] (Ironwood, Mich.) 1906-19??, 1925-03-26

San 5ronciscosin oItoi mnonunr
toino 0orot6D @lIineionin, GitiniG
ontpujon tittfinto.
&uten i1uistetoon, WtisS @Ilirq.
ION, jofa moSto on 16 muo0en L
f1inen fpiime tonmifiutsio nnpui
GitiniG fun tGnG esteIi tpttod BUR.
ioSto eIGnlGstG. Santa tiitfitoon to-
noIliIesIo rifolIisten oifeuocsio.
2ofinliebeniG foettofpot nGpttd6 TO.
teen eta ban tefi ritofien dtfindi-
iesiG mieIenbGiriOsid.
Evening star., 1925-03-23
Earle-Vaudeville.

A good program throughout 1a pre-
sented at the Earle Theater this
week You Gotta Dance" a novel
song and dance revue, with the Sally
Sisters William Hutchison and Bob
and Bobbette in the cast, possibly
takes the lead. Unique dance num-
bers are presented. George n. Brown,
billed as Worlds Champion Walker"
has new number in "Pedestrianism. ="
in which he demonstrates his walk
ing ability. The audience failed to
warm up to this number, however.
until the demonstration of walking,
in competition with a woman, claim
ed to be the champion female walker
of California. was brought on through
the use of a tresdmill device.
The Bison City Four presents a
singing number that is pleasing. In
termingled with the songs are COM
edy sketches that win rounds OF ap-
pfause.
The vaudeville opens with the
Kelly La Tell company, tight-wire
walkers, and difficult stunts are per-
formed on the wire by these four
performers; Eckert and Francis, in
Another Smessage," have a number
full of comedy. and Roxy La Rooca,
Wizard of the Harp" lives up to his
billing If the verdict OF the audience
Is worth anything.
THE Air Mail" a moving picture,
in the production of which the Air
Mail Service of the United States Post
Office Department is said to have
assisted, is well worth seeing The
flights of the planes through snow
and rain storms are thrilling Aerial
battles between mailmen and robbers
lend thrill TO the spectacular part OF
the picture. A comedy and news pic
lures also are shown. and Arthur
Evening star., 1925-03-23
Keith s-Albertina Rasch
1irls

Two headliners are billed at Keith s
this week, the Albertina Rasch girls.
called "vaudeville's best dancing act"
and the Avon comedy four. A third,
Herschel Henlere. the nirthful music
master. easily qualities for top honors.
NJ. Henlere, back in the Capital a fter
a thu ee-year junket around the world,
made an instantaneous hit with his
foolery last night, aided and abetted
by Fred Clark and the gang in the
pit, and when the comedian with the
trick French accent finally got around
to the business of performing on the
piano he did everything but juggle
that venerable instrument. At the
end Of 20 minutes he even had the
audience working with him, whistling
an accompanimentt to a group of Her
bert melodies, and for a musical me-
lange, he terms a cross melody"
adapted from the crossword puzzle,
he presents a score of numbers by
groups. in each of which the motif is
the same. Henlere finally left the
stage over the protest of his public"
The Rasch dancers have an act
striking in its coStuming, effects and
skill. Agnes Roy easily gets away
with the solo-dancing honors, but not
far behind are five otherS-Mollie
Peck, Helen Ellfeldt, Nathalie Hara
Ter. The ensemble dancing of eight
comely young women is particularly
entertaining, the octet moving as one
through a maze of intricate steps.
The Avon comedy four skit went
over in great style, as usual with
Charles Dale and Joe Smith intro
ducing their riotous scene in a doc
tors Office and in the kitchen of a
quick and greasy" evoking close
harmony with the aid of Eddie Miller
and Frank J. Corbett. A parody on
Goodbye was a fitting finale.
The secondary features suffer moth
ing by comparison.
Jane Dilson, in "Glimpses of Life"
was well received in her portrayal of
masculine types, her oldest Citizen
of Posey County" being especially
meritorious. An unnamed aide and a
hard-working Airdale rounded out
the act. The Mccarthy Sisters, in
comedy -syncopated songs, were fore
ed to take a couple of bows, and
George Whiting and Sadie Burt, in
Evening star., 1925-03-23
Flagel furnishes a~treat with good
numbers on the organ. -z-. y
Strand-"S See America
First"

An offering Of songs and dances,
See America First" in six pretentious
scenes. is a feature of an exceptional
ly good bill at the Strand Theater
this week. A Southern plantation, a
hotel bar out West, a snow scene
"up North" Broadway and other
clever settings are shown. Bill Adams,
with a quintet of pretty girls, sup
plies this entertainment A blues
singer. on New York stage, with
melodies, love-making and clever
dancing, spices the act to the delight
of the audience, which was large
one last night
Wayne Beeman and Alma Grace
present "You'n Be Surprised, an act
of variety. Alma gives hula hula
and Spanish dance, and Wayne plays
on the harmonica and mandolin
simultaneously. Both do fancy and
clever roller skating.
The added attraction" Agnes Fin
lay and Charles Hill, in Vaudeville
a la Mode" offers burlesque singing
and piano playing, and keeps the au-
dience laughing. A supposed amateur,
who comes on the stage with appar-
ent stage fright. and sings II Wonder
What Became of Sally scored quite
hit last night.
Harry Bussey and Donia Case bring
Bright Moments of Versatility" with
clever steps, vocal and instrumental
pieces. melodies and Juggling; Ponzi-
mis- Monkeyland opens the bill and
furnishes laughter aplenty, with a
monkey jazz orchestra and acrobats
that use the aerial trapeze.
The photoplay, THE Mine With the
Iron Door," has thrill, mystery and
romance, located in Canada del Orc,
Arizona. A cast with Pat O'Malley
in the role of hero, and Dorothy Mac
kaill in the leading feminine role, in
cludes Robert Nv. Frazer. Charles
Murray. Bert Woodruff, Mary Carr.
Creighton Hale, Mitchell Lewis, Ray
mond Hatton, William Collier. jr.;
Clarence Burton and Lillian Leighton.
Columbia 'Sackcloth and
Scarlet"
Alice Terry shines like the poets
famous 'snowy-breasted pearl In
Evening star., 1925-03-23
National-Ziegfeld Follics.


Although girl glorifieation is the
most widely heralded feature of the
eighteenth edition of the Ziegfeld
Follies, which opened at the National
Theater last night, this element is by
no means a monopoly of the show.
In fact, glorifled girls. almost too
nice to devour, constitute only one
Item on neatly eoncocted menu of
swift and pleasing theatrical refresh
ment.
Six other entrees stand out prom
inently on the bill. which is served
In two courses, with Il dishes to the
first course and II to the second.
These outstanding half-dozen in
clude: Dancing skin. with Russian
sauce; humor, a la Dooley, Dawn and
Leedom: triple-decked burlesnue.
spiced with gingery satire; generous
portions OF novelty salad, with adfoft
dressing: artistry on tableau, and wit
apierents, interspersing each; appetiz-
ers are drawn direct from the brain
cellars of Paul Gerard Smith, the author
of the words" ...
During the first course, dancing
skill, an importation from London
comes into popularity-the Empire
Dancing Girls. to whom enthusiastic
press agents might justifiably apply
the characterizations "paragons of
precision; pulchritudfnous rivals OF
West Pointers in their effortless
rhythm and graceful unison of mo-
ton" The sauce with this dish is
personified by Alexander Yakovleff,
a whirlwind on two feet, who dances
distinctively. Next comes Johnny
Dooley, carrying in his favorite as
sortment of humor in variegated
forms, as a goof, as a Scotch bill col
lector and as an amateur acrobat.
In the third, Eugene O'Neill, Avery
Hopwood and George Cohan are
kicked on their respective funny
bones, in three short satires on their
wares-"The Hairy Ape" negligee
comedy and Americanized. bannerized
heroics in everyday life.
A dish as tasty and snappy as any
novelty ever sampled at the National
is found in the Ziegfeld Shadow
graph, in which, through eyeglasses,
provided with the program, one pro-
ceeds to watch spiders and snakes
walk off the stage right into ones
face; a lady preparing for the swim
ming pool throwing her shoes and
stockings right into ones eyes, and
other similar things.
Under the item listed Artistry en-
Tableau," are three prominent fea-
lures: Maid of Gold, in which the
glorified girls are exhibited in their
greatest attainment of glorifica tion;
Harlequin's Doll, which approaches a
classic in posing, and a whirlwinid
Evening star., 1925-03-23
: a NJ u Sc M E. N T S

Russian Hilday scene. in which Ya-
kovleff is featured.
A dance, in which Hilda Ferguson
presents a Broadway Indian princess,
has both the ancient and the modern
swing and shiver.
Paul Gerard Smith is stamped all
over. the production. There's no need
to mention his featurized portions.
All in all, it's rather easy to use an
entire column telling of the various
pnases Of these Follies and their
worth. Quite a bit of conjecture
could be raised as to the cause for
the slips of the orchestra. The music
is submerged bit under the stage,
and it's bit of a problem to figure
how to get the best results in A show
like the FolIies.
The show. however, is we'll worth
seeing. Everybody in it deserves
credit, including Edna Leedom, Hazel
Dawn, Bert Wheeler, Johnny Dooley
and Charles Mosconi and his family.
Evening star., 1925-03-23
Belasco-"S "Seduction. :

To one who may have seen that
polished piece of theatrical artistry
last week, The Rivals" the audi.
ence that greeted the first perform
ance of a third week of De Witt
Newing's Seduction" at the Belasco
Theater last night seemed appropri-
ately small There still seems to be
hope for the theater and instructive
right tastes in the much discussed
American public.
AS one movie to another, "Seduc-
ton seems a frank borrow from
The Sheik," with similar situations
and a basic effort to emphasize the
sensual.
The play has been here two weeks
already, and it's story should be we'll
known. Allyn King Is it's distinctly
Folliesque heroine and Lisa Paynova
marvelously graceful and beautiful
dancer. The east has heretofore been
outlined and given its fair measure
of praise.
Evening star., 1925-03-23
President-"Rain. "

Rain. the sensational play in
which Jeanne Eagels achieved re-
markable success. continues for its
fourth week at the President Theater,
with Katherine Hayden winning ad-
mirers in the role that Miss Eagels
made famous. A different cast, of
course, is seen in her support, but il
is composed of players familiar to
Broadway, who help to present the
hectic story with real effect.
1t isn't a pleasant story, and be-
cause it presents an overZealous
cleric in conflict with a girl from the
bad lands of Honolulu, much to his
disadvantage, it has been the cause OF
protest. A psychologist effect is in
Evening star., 1925-03-23

"Saokcloth and Scarlet" Henry Kings
production Of the George Gibbs novel
this week at Loew's Columbia.
AS character of rare nobility, pa
tience, fortitude and "motherliness,
Miss Terry is appealing. She appears
in the role of an elder sister. Joan,
who protects, loves and stands for
infinite punishment at the hands vi
her selfish, unregenerate fapper sis
ter. Polly. played with fine fire by
Dorothy Sebastian.
The story tells Of this firt sister
running away ostensibly to visit Aunt
Mary" but going instead to a West
ern resort, where she has an affair
of her own seeking with giant
Western guide, Steve, who plans to
marry her and settle down In the
desert. The girl runs back to her
sister Joan, however, and Joan. for
saking an honorable marriage al
home. takes the unfortunate fiapper
to Europe for hiding. They are dis
covered, however, the blame for the
unwanted baby falls upon Joan, while
the mother, Polly, runs away. Joan
comes back to Washington, where the
desert guide has now become a
member OF Congress, and they fall
in love. Broken on the rack of her
chosen life, Polly comes, a wreck, to
have Joan help her again. The Con-
gressman is told by Joan his way is
clear; he must marry Polly. After
Polly's death the picture ends with
Joan on the seashore with her adopt
ed son. Little Jack, and the desert
guide congressman looking at them
around a point of rock. Evidently
there is a happy ending out of sorry
mess. Orville Caldwell, who plays
the role of Steve. will bear watching
in the film world; he shows signs of
real promise.
Auxiliary features are excellent,
including an overture by the orches-
ira from Faust, news reels includ
ing pictures of the tornado and bring
ing the serum to Nome; a gorgeous
scenic by William Fox, and Van Bib
ber comedy, based on d story by
Richard Harding Davis.
Evening star., 1925-03-23

songs and patter, also registered, the
feminine member of the duo working
like a Trojan to- earn well-merited
curtain call.
Mankin, the frog man, opens
the program by tying himself in a
bundle of knots, and the Five Dub
skys close 1t with acrobatics that
kept even the confirmed early-leavers
in their seats. A Juvenile pair of
Dubskys who worked in the caves of
the house were particularly warmly
received.
The usual house features top of
a bill that should keep Roland Rob-
bins packing 'em in all week.
Evening star., 1925-03-23

voked in the unfolding of the story
by a device which causes incessant
rain throughout the several acts, in
creasing the gloom of the situation.
The Kev Dawson discovers among
the passengers of a ship delayed at
Pago Pago, in the South Seas. a. girl
whom he thinks is likely to corrupt
the natives. He persists in his efforts
to cause her to return to San Francisco,
where she is wanted by the police.
She claims she Is the victim of a
frame-up, and finally at bay she over
comes her prosecutor with her wiles
and drives him to suicide.
Evening star., 1925-03-23

mother goes back over her own ca
reer from girlhood to motherhood,
drops into the period covering the
spanish American war for love
story of the girl and boy of that day,
happy young couple who rush to
the girls mother with the startling
information that they are in love and
want to get married at once. The
Evening star., 1925-03-23

mother objects, claiming they are too
young, and that she is looking out
for their interests. The daughter
turns on her mother with the charge
that had her grandmother treated her
s. she was being treated a happy
marriage would not have resulted
Continued on Nineteenth Page)
Evening star., 1925-03-23
Palace The Denial. '

The Denial" at Loews Palace this
week, holds the interest throughout,
and carries a convincing lesson for
mothers and daughters. and espe-
cially the former. The old scheme. Of
resorting to- a dream, in which the
Evening star., 1925-03-23
AN OPEN LETTER
Name on Requea)

Mr.. HALEY FIskE, President
METROPOLITAN LIFE INSURANCE Co.
New YoRk CRY
My Dear Mr.. Esk<. l-.s-
Why don't you publish a Heart Stdftmtnf
along with the regular Financial Statement you
put out each Year,
Any company can publish impressive figures
of financial strength, financial growth, etc. But
figures don't stick. All | remember from your
last years Statement is that the Metropolitan has
several million policyholders and is the biggest
life insurance company in the world.
I've been following some Of your magazine
Evening star., 1925-03-23

w 7E are indebted to Mr.. S. for his suggestion.
\H/ 1t is an excellent We publish annual
w Business Statement of the Metropolitan not
because think that the figures be remembered but
because they offer conclusive evidence of unusual growth
and strength to its II 100000 pocyholders
And it is this extraordinary financial strength that
makes it possible for the Metropolitan to carry
nationwide campaign for better health and longer life.
People nou ive longer
Records kept by the Metropolitan show ereraor-
dinary decrease in the death among its policy
holders Compared with 1911, for example, there
nearly 900 fewer deaths in ga among its Industrial
Pocyholders than there would have been if the 1911
death rate had prevailed.
Evening star., 1925-03-23

advertisements lately that tel Of work you're .E.M
doing to help people live longer. 1t isn't entirely 4E::M
clear my mind just how you're doing why ;-as,.:.fI
you it, but doing Svt The
facts and fgns ~ that. Call Heart State a.. 80 g.
Welfare Statement, anything you i:s4..7fss
like, bu,--gve the facts. !: E@E
Perhaps other Metropolitan polcyhodes like ~SsasssS
myself would be interested in a Statement Of
that kind @~~ p
Very nuly yours,
c. n. s.
While the average life span in the United States is
5 years greater than years ago. the life span
of the Industrial Policyholders of the Metropolitan in
creased nearly 81 years-a bettermen of three years
over the general average-in the same interval.
These increases in longer life due in large part
the Metropoans Health and Welfare Work among
its policyhoders.
You are the gamer
You and all the other $4,000 900 pocyholders-
of every people the United States and Canada
reap the benefit through better health and decreased
cost Of Insurance.
The wealth of the Metropolitan belongs to you and
else. The Metropolitan has stock and