davidaulloa/AmericanStories huggingface dataset:
Evening star., 1925-10-02
INITIAL DIVIDEND VOTED.

NEW YORK, October @-An
initial dividend Of 10 cents a share on
the common stock of julius Kdyser
Co. has been declared payable No
vember 2 to holders of record Oc-
tober 20.
Evening star., 1925-10-02
TIRE PRICES ADVANCED.

NEW YORK. October , LR.-The
Swinehart Tire and Rubber Co. has
raised auto tire prices 10 per cent. eff
fective Immediately. According to Of
ficials Of the company. the increase is
due to high prices of the crude prod
Of
Evening star., 1925-10-02
LIVE POULTY PRICES.

CHICAGO, October 2 R.-Poultry,
alive. firm; receipts, 10 cars: fowls, II
a24h; Springs, %; roostars, 1Sk;
turkeys, 20;.'ducks, 22a24; geese, II.
Evening star., 1925-10-02

D0SSp ~ u Ss HOfs
Bedding Bros(3).
Bethlehem Stl.
Beth Stl pf (S)..
Booth Fisheries.
Briggs Mfg (1R)
Bkl Edison 3D..
Bkl-Man Tran.
Bk-Man T pf(6).
Bkl Union GO.
Brown Shoe 90.
BrunSwtck-Balk.
Burns Bro (l0)..
Burns Br B (2).
Bur Add Ma 80.
Bush Terminal.
Bush Ter de 90.
Butte Cop (50c).
Butte&Super(2).
Buttertck.
Cal Packing (6).
Calf Pelnt (2)..
Callahan Zinc. ..
Calumet & Ar (4)
Calumet & H %
"Canada Sou 90.
Can Pacific (10).
Cent Leather.
Cent Leather pf.
Century Rib (2).
Ccrro d Pasco(D
Certain-Teed(4).
Chandler (3)....
Chees&Ohio 90.
Chi & Alton. 80.
Chi & Alton pf.
Chi Great West.
Chi Or West pf.
Chi Mil & StP. >.
Chi Mil s. StP pf.
Chi & Nwn o..
Chi & NV pf 90.
Chi Pneu T (5)..
Chi r I & Pac. :.
c r 1 & P pf f6}.
Chi st P M & o.
Childs (t2.40)...
Chile Cop (2h).
Chrysler Corpn.
Chrysler pf A(8)
Coca-Cola o..
Col Fuel & Iron.
Colo Southern. :.
Col G & E (2.60).
Col Carbon o..
Coml Cred q n }.
Com Inv (2.50)..
Consoleum t2)..
Conley (sta)...
Consol Sigar....
Gen Cigar pf CD.
Consol DistribUt
Consol Gas (6)..
Consol Textile.
Cont Can (4)....
Cont Can pf 90.
Cont Mot t80c)..
Corn Prod CO..
Coty. Inc (3.s0)..
Crucible Stl go.
Crucible pf CO..
Cuban Cane Su.
Cub Cane Su pf.
Cuban-Am s (2).
Cudahy Pkg (7.
Cushman's (3)..
Cuyamel FIR 90.
Daniel Boone. %.
Dawson Chem.
Del Il Hud (9)..
Dol L & Wn (f7)
D r G w st pf. ..
Detroit Ed (S).
Detroit Ed rts. :.
Devoe 1st 60.
Dodge Rros CT A
Dodge pf (7)....
Doug Pectin ID.
Dull S S G. Allan.
Dupont (f9).....
Dupont deb (6),
Eastman 3d..
Eaton Axle (2)..
Elec Powr & Lit.
Ell P & l. pf CO..
e Pol pf 40 20 pd
Elec Str Bat 60.
Emmerson Brnt.
Emmerson b pf.
End John o..
Erie r r .......
Erie 1st pf.
Erie I'd pf.
Fa!rbks (2.60)..
Famous Pl 3d..
Federal 1t :1.40.
federal Mines.
Fed Min pf CO..
Fisher Body (6).
Fisk Rubber.
Fisk r 1st pf "a
Fleischmann(t5)
Foundation 90.
Fox Film A o..
Freeport-Texas.
Gabriel A (2M).
Gardner Motor.
Gen Am Ink go.
Gen ATC pf 90.
Gen Asphalt.
Gen Asph pf (5).
Gen Baktng(s).
Gen Bakg pf (S).
Sen Cigar o..
Gen Electric (S).
Gen Ell spec 500
Gen. MotGrs (f7)
Gen Mot pf CO..
Gen Outdr Adv. .
Gen Outdr 40.
Gen Petrm (3)..
Gen Ry Sig II H..
Evening star., 1925-10-02
ON new YORK BONDS STOCK EXCHANGE


Vertientes SuE Is.
Warner Sug Is '39.
Warner Sug Is NJ.
West Elec IS.
Westn Union 81 8.
Westinghouse -. .
Willys-Ov 6h 8 '33.
Wilson & Co LIST 6s
Winchester A 7hs
Youngstn 8 4 T 60.
Evening star., 1925-10-02

Divfdent rates as Kiven in the above tabl.
are the annual ,a. cash @ i, payments based on the
iJnless otherwise noted. extra or special divi
6ends are not included.
. Paid this year. no regular rate b or
optional in stock. sPartly stock tPartly
Sxtr9. iPayable IN preierrsd stock. fPius
IL n stock PAYABLE / quarterly. SPiuS
Evening star., 1925-10-02
DIVIDENDS.
TREASURY CERTIFICATES.

tations furnished BY Redmond & co.,
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
ARLISS BREAKS
RECORDS IN
PHHLY

What is believed to be the
highest gross receipts ever
reached by a dramatic star in a
four-week engagement in Rhila-
delphia was received by George
Arliss in Winthrop Ames' produc-
ton Of John Galsworthy's "Old
English" at the Walnut Street
Theater ending last Saturday
night when Arliss played to
$79,82325. The record at the
Walnut. the oldest theater in
America, was broken both for
attendance and receipts on the
opening night as well as for the
run of the. drama.
Beginning his Baltimore week
at the Auditorium on last Mon
day night, Arliss crossed $2,7OS.5O.
With barely $50 seats yet to be
sold for Friday and Saturday
nights, Arliss will play to well
over $4,000 this week in Balti-
more, which undoubtedly is the
largest weeks business a dra-
matte star has received in that
city. The mail order sale for
his visit to the Shubert-Belasco
in Washington next week reached
$4,738, before the seat sale opened
on Thursday morning.
George Arliss will make his
only appearance in New York
City this season at the Shubert-
Rivera Theater for one week,
beginning Monday night, Novem-
Der 8, when he plays, Of course.
"Old English" "
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
FOR CRYIN' OUT
LOUD, SAID
THIS PART

Arthur Hopkins and David
BeIasco are two of the few
theatrical producers in New York
who consistently cast and direct
all of their productions from the
first rehearsal to the ultimate
performance. These two are
pretty much 1.-The midship's mite,
the bos'un tight and the crew
of the Nancy brig" in the staging
of their plays.
Hopkins began casting I'm a
Garden" the Philip Barry comedy
which comes to Polls November
8, the day he read it, This
was last May. In his opinion the
leading role cried aloud for
Laurette Taylor.
At first Miss Taylor told him
she had her plans laid for this
season. but Mr.. Hopkins has a
compelling way and she took the
manuscript home with her. Her
other plans evaporated on reading
the play. 1t is comedy Of
modern New York and the in
itiated may be able to recon-
struct some Of the actual incidents
on which Mr. Barry built his
story.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

The next GalSWorthy drama,
Justice" at the Sam H. Harris
Theater In New York in 1911,
brought the first serious atten-
ton to the acting Of John Barry
more. John D. Williams made
the production. The company
listed o. P. Heggie and Cathlean
Nesbitt as Mr.. Barrymore's chief
support. #,.
The following year Winthrop
Ames inaugurated his new Little
Theater in New York with 1.-The
Pigeon" with Frank Reicher,
Russ Whythal and Pamela Gay
throne THE Fugitive" with
Emily Stevens and Conway
Tearle featured, was seen at the
Thirty-ninth Street Theater in
New York in March, 1917, under
the management of Oliver Mo-
rosco. On July 2 of the same
year, Henry Miller produced "A
Bit o Love" at the Columbia The
alter in San Francisco with o. p.
Heggie in the leading character.
This play was not seen in New,
York until May, 1925, when it
was given at special matinees
by the Actors Theater.
Heggie again was the next ac-
tor to take up a Galsworthy
role, for in February, 1919. he
appeared in 1.-THE Little Man" at
Maxine Elliott's.
The American premiere of
1.-THE Mob" was made by the Henry
Jewett Players at the Copley in
Boston in October, 1920, and in
the same season was done at The
Neighborhood Playhouse in New
York with Ian MacLaren i, tn"
cast. In the fall Of 1920~William
n Brady presented Josephine Vic.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

tor, Marsh Allen and Herbert
Tomas in 1.-The Skin Game" at
the Bijou Theater.
The season of 1922-1923 wit
messed four Galsworthy first
nights. Charles Dillingham; at
the Gaiety in New York brought
an English company to act "Loy-N
alties" in September. Among. the
players were Charles Quarter
maine, Diana Bourbon, Deering
Wells, Henry Morrell and Mary
Stevens. After eight months IN
New York, "Loyalties" was played
on tour, James Dale appearing in
the cast. THE Sun" was produced
by the Triangle Theater in New
York. The Henry Jewett Players.
at the Copley in Boston, acted
1.-THE Eldest Son" and "A Family
Man" neither of which have been
seen elsewhere in America, unless
undertaken by amateur organiza-
tons.
One Of the few Galsworthy plays
that failed to find an audience in
this country is Windows" which
the Theater Guild undertook at
the Garrick in New York in Octo-
Der. 1928. The Lenox Hill Play
ers did 'The Foundations" in
1925.
"Old English" the latest Gals
worthy play from date of writing
to be seen in America, was first
acted at New Haven. Conn. II
was given in New York on De-
cember %, 1924. under the direc-
ton of Winthrop Ames. at the
Ritz Theater with = George Arliss
in the title role and a company in
Guiding Irby Marshal. Cecile Dix
on, Molly Johnson, Henrietta
Goodwin, Ethel Critics, Ivan F.
Simpson and Henry MorreQ.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

Creighton worked up lather,
applied ii and shaved it off three
times during rehearsals, then three
times on which the camera was
grinding for a long shot, three
times for a medium shot, and
then three more for /clos cup,
making "a grand sum total of one
dozen. After the twelfth time
not even flapper could have
found a hair on his face to COM
plain about.
Eleanor Boardman, Renee Adoree,
and Lew Cody, other members of
the cast, stood on the side lines
and cheered selfishly, hoping he
would cut his face so that hey
could all have a few days rest
while 1t was healing.
In Renee Adoree's case there
were some grounds Tor snch d
stand. nut as to Eleanor Bo""d-
man and Lew Cody, Creighton
Hale, for the life Of him. couldn't
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

& X X
Producer Joe Schenck's publicity
writer's are going a little crazy
over Roland Vests forthcoming
film, "The Bat" based on the
acknowledgement stage sensa-
ton.
The press agents may be well
within bounds when they en-
deavor to throw smoke screen
Of mystery around the production
of ''The Bat" but the statement
that the twelve leading actors
names will not be made public
until the picture is exhibited reads
a little foolish.
We are told that Julien Joseph
son, who made the adaptation,
pledged himself not to divulge
any of the details of the plot,
even to his family and close
friends"
Guards will be stationed
around the sets In the studio"
says the hand-out, land all Wis
itors, including officials of other
companies, are to be absolutely
barred"
What, as the pausing sun asked
Joshua, is the big idea?
X X +
Your little correspondent,
friends, has had Great Expert
ence, and some fans will surely
feel envious when they read this.
This writer was sitting in the
Griffith Stadium grandstand dur
ing the third game of the late
lamented series, when he became
aware of some one standing at his
shoulder. Now, I have a deep
rooted dislike for those who stand
at my shoulder, waiting to be
identified, so / turned angrily.
A young man, short, olive
skinned, with the blacklist hair
and droopiest- eyelids imaginable,
was standing there, looking up
ward at the crowded tiers. He
wore cap.
Here we arer' yelled a voice
from above.
ooh, there you are" he re-
piled, with singular brilliance, and
grinned broadly. He GRINNED,
and BROADLY, at that.
The young man was Buster
Keaton! Yes sir! Buster!
The critics of the country are
divided about 1.-THE Gold Rush."
They can't tell whether it's good
or not. They don't know whether
it's up to the Chaplin standard,
or below It's the same old trou-
BILE. They don't know what to
think.
They accuse Chaplfn-some do
of being self-conscious protector
of pathos, of failing in his comic
work, or producing a picture too
long for the good there's in it.
They forget that Chaplin's
comic situations in 1.-THE Gold
Rush" have no parallel. He him
self is the most accomplished
comic Npantomimist of the screen.
If they want to Judge Chaplin,
by what standard will they judge
him? He has dropped most of his
broader slapst'ck work. Some de-
plore. others weIe0me this altera-
ton in his method. Nv own guess
Il
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
AT THE CURTAIN
BOOKED. FOR
BELASCO

Wagenhals and Kemper, always
having faith in Washington. are
bringing their new play, 'At
the Curtains" described az "a
romance comedy with q mys,
terry background" to the Be-
lasco Theater for the week start
ing Monday. November 9. This
is the play that had its pre-
miere last spring at a fashion
able estate on the Hudson, caus-
ing, at the time. somewhat Of
a stir before a throng of no.
tables whose names are ire
quently seen in the papers.
Arthur Goodrich and w. r.
Payson are the authors. Mr..
Goodrich wrote $50 This IL
London a popular success OF
two seasons ago. In the cast
listing some sixteen names is
found Ralph Morgan at the
head, the same Mr.. Morgan
who won favor in I'm Love
with Love, and later in Cobra /" :
Others are Marjorie Wood.
Hope Brown, George Paunce-
fort, Anita Harrington, Sydney
Booth. Louise Waller and Jay
Fassett.
Description I, the play is not
at hand, excepting an announce
ment that the story is not de-
pendent upon naughtiness for the
"hig moment. 1t is mentioned,
however, that the surprises are
swift and plentiful, much on
the order of "The Bat" pro-
duced by this same firm four
years ago.
"At the Curtains is not q
tryout, by any means. 1t VIII
have playde several cities before
appearing at the Belaseo and is
definitely slated for Broadway
theater directly after the local
engagement.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31


1t will be seen that the No
vember mood is along conven-
tionally tailored lines. Ours
will be well-dressed boule-
ward, but not too gaudy. No
spats or yellow cravats. Per-
haps an Oxford bag, or two,
to indent what looks like a
very even landscape.
For no more reason than
most epitaphs are written, a
lady posts this department with
the sequence of her preference
for various features in The
Times.
Comrade Ralph Benton will
be agitated no end to learn that
the first page for this particu-
lar subscriber is the page on
which "Skippy" capers daily.
Her browsings in this vicinity
also { include Mr.. Goldberg.
Thence to Jean Eliot's granary>
of gossip on society; on to that
bargain counter in fad and
fancy known as the Woman's
Page; then feet foremost into
Louis Dougher's Looking EN-
Over" Feasting-if we may
call it such-herself on these
departments, she eventually pc
ruses the main news sections
and then scans the classified ads
to see if anyone she knows has
lost anything.
The Gatepost is ; pretty
good" she says in a postscript.
This being Halloween and the
spirit of peace on earth, good
will to men abroad in the land,
! retire in silent but profane
confusion.
On the other hand, there is
something about "Skippy" that
depresses a mere designer of
words. Twain and Harrington
have made enduring dispositions
for the small boy in print. To
the first person who adduces
evidence that Messrs. Clare
Briggs and P. L. Crosby haven't
the larger following, this de-
partment will present a wheel
chair and Palsy cloak.
Not having the talents of the
cartoonist, / can think in terms
of one, and it is nobody's Sc
cret that to the cartoonist
everything is personal-govern-
ments and creeds included.
1t is my thought, then, that
Washington should rise, lean
over the back fence and shout
at Baltimore:
"Ya, va, va; my old man can
lick yours; that vehement
judgment on parental abilities
being based on information
which we believe to be correct,
to wit:
"The Love Song" about which
we have all been concerned, did
exactly twice the business in
Washington it did in Baltimore,
fixing the score as the whistle
blows tonight:
Baltimore. .......z.. $IZ,UOU
Washington. 1890. $23,500
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
President Reopening

! Those passing on Pennsylvania
avenue northwest in the vicinity
OF Eleventh street, have probably
noticed the score of workmen
busily engaged in remodeling the
President Theater. Manager Ira
j. La Motto, of the Gayety,
states that extensive alterations
are now being made on this Penn
sylvania avenue playhouse pre-
paratory to it's opening the COM
ing month. Announcement of fu-
ture plans will be made shortly.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

is that he's trying to work out
Of comedy, and If he knows the
nature of audiences. he viii have
to do so carefully, pruning hers
and there until the public mind
can survive the shock of Chaplin
as light comedian or a dra-
matte star.
THE Phantom. Of the Opera
still jamming them In at the
Rialto, is the talk Of every f1apper
in Washington. Where formerly
the pretty F street beebees salaam-
ed before Valentines picture they
now go down to get a thrill of
horror by looking at Lon Chaney's
paste ugliness
Whittier, as the sardine said 60
the whale, are we drifting2
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
Sin Eg.ryBo4y. confid.ne...=.
-@@e@e@sIn EOeFybodys COnFidenesee@e@s@s@e@
THE GATE POST
By Harold Phillips

Gatepost handy manual what the November thear
will wear:
NATIONAL-Ina Claire in Ihe Last of Mrs Cheyney star
Scandal" Ziegfed Fole Queene Smith
in music and dancing show, Zip Toes Seventh Heaven
PoLPsJoe santley Ivy Sawyer in "Mayfowers Laurete
Eddie Buell. in Leave 1T to Pat
Willie Howard in "Sky High"
BELASCO-George "old EngIshY Ralph Morgan in
Lionel Atw play from the German
deep in the Woods; Dancing Mothers"
Thus at fell this department makes unnecessary
to during
thereby saved the loyal readers whose welfare and ever shall
be placed Brobdgnagian in the second
Laurel if can't that pick out some good
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
GAL SWORTHY AMERICAS
FAVORED BRITON

English" George Arliss week the
Shuber Beaco the sixteenth play by John Gasorthy to be
produced the professional stage in America.
he Silver Box presented at the Empire Theater New
city, 1907 with Ethel Barrymore Two later
November 1909 Strife staged under the direction of Win
A. Anson Albert Bruning
Louis Calvert That's Lawton and Beverley Stgreates
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
HOLL WOOD AND EFF
STREET
BY jim RIM

Now Reader old this bevy Of paragraphs above
the first line OF astersks whatever the printers using
this souff todayhese remarks say addressed
to newspaper exnewspaper who have
Bohemian, carefree life of
newspaper So that takes you in. s.t
Daily signing himself Danny, walls in recent issue Why
aren't being trained for studio
by the large producing companies - q
predicted Harry Carr,
Payers-I1asky studios.
average Gentle
often asked himself the question Those of the profession
who have the have brought to the
freshness Of viewpoint reourceuness and keen Of
all
Hollywood
technical experts who
there who would
field They be lured away $3.50
nobody has offered
a week I can't back hat
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
Keith's for Tuprnan

A double "Charleston" by Ruth
Bennett and Alice Tupman will
be one of the interesting spots
Of the headline act Of the Tup-
man Mayflower Gardens Orches-
ira which will be presented at
Keith's on the week of Novem-
Der 8. This act will feature both
the newest jazz dance selections
and fantastic modern music of
futuristic type. -
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

Colleen .Moore's popularity is
continually increasing, In va
rious contests held throughout
the country, Colleen's name is
dangerously near the top and in
some instances, achieves the peak.
Personality, ability and versa
tility are responsible for the First
National actress success.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31

see why they were so minded.
They were SPENDING all their days
on the set-in bed, anyhow. Appear
ing as husband ard wife, they oc-
cupied the twin beds of the Rath-
burn .(the:r screen names) suite
during the filming of practically
all the sequences in which they
appeared together. Renee Adoree,
on the either hand, was up and
about all the time.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-31
MORE THAN A RUSSIAN
DOES IN A YEAR

who get up 1880 morning to dash for the
think have what with shaving and
thing and another but at least sympatze with
Creighton had shave twelve times
all for in Hobart Heneys Godwyn- Mayer
Wives" which
ment afternoon at Loews Palace.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-12-19
TODAY'S ADJUSTMENTS.

Nationalist, No Nanette," must
cal comedy. at $50 pm. Matinee at
2:20 pm.
Polfs-"Song of Flame" musical
play. at $40 pm. Matinee at 30
pm.
Thurston. the magician. at
$50 pm. Matinee at 2:20 pm.
Keith's-Avon Comedy Four, vaude-
Vile, at 2:15 and SIS pm
Earie-Vaudeville and pictures. TO
$50 pm.
Strand-VaudevilIe. continuous from
1870 to il pm.
Gayety-'Powder Pun Frolic." bur
lesque, at 2:l5 and s:15 pm.
Mutual-"Moon Maids" bur
lesque, at $50 and $40 pm.
Columbia The Vanishing Aneri-
can at 1850 am, 1850. 3, sos. 7:05
and 9:15 pm.
Metropolitan-"The beautiful City"
at 11;40 am. 1875. 3;35. 5:35, 7:45 and
$50 pm.
Rialto-'E East IL me" at Il:25 am.
1:2o, $50. $50. 100 and 9:35 pm.
Palace Woman of the World. q
at 1l:20 am, !. 2:4o 1:30, els, 7:5o
and $50 pm.
Tivoli-"Go West" at =, 40, obs,
sos and $50 pm.
Ambassador - California Straig nj
Ahead" at >. 4:N5. $40, S and $50 p m
Central-"The Freshman" at 1890
>. $3.50 5. $50. s and $40 pm.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-12-19

have In mind when they ask for a
hook-up for using three stages of
audio frequency amplitiCation.
If you want to get distant stations
and your set does not bring them in
with sufficient volume. the place TO
add amplification is before the de-
tector, not after it. Your inability
to get good volume on distance is
not the fault of your audio stages.
provided they give you good results
on local stations. out with your de-
tector or radio frequency stages.
For local reception 1 strongly favor
a set consisting of one stage of tuned
radio frequency amplifcation, q de-
tector and one stage of audio frequency
amplification, provided you can use an
aerial of about IS feet. If your facilities
for putting up an aerial are poor. and
all you can do is to put up an inside
aerial, then you should have a set
which uses two stages of tuned radio
frequency application, a detector
and one stage of audio frequency am
plication. Such set will give you
good results on poor aerial with
volume enough to be entertaining. If
YOU want greater volume that is loud
enough to dance to, two stages of
audio frequency amplification will be
sufficient.
A set consisting of two stages of
radio frequency amplification, a de-
tector and two stages of audio fire.
quency application can usually be
depended upon to give good results on
local stations without using any aerial
whatsoever. A ground connection
with the ground connected with the
aerial post Of the set is usually suf-
fit.ipQf.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-12-19
WCAP-tht rapeakc and Potoma
TeIephs Ne Go. 1859 Meters.
silent.
WRC-Radio Corporation of America
1855 MeterS).

p.m.-DauieI ChwaloH : Uotel
Hamilton Orchestra, broadcast from
the Hotel Hamilton.
p.m.-Lee House Trio. under the
direction OF Samuel Cdriu. broadcast
from the Lee House.
6:45 p.m.-"Our Winter Birds" by
Clarence T.. Shoemaker of the Ma
tional Museum. under the auspices OF
the Smithsonian institution.
p.m.-Concert by the United States
Navy Band, Lieut.. Charles Benter.
hand leader; broadcast with station
VIZ
$40 p.m.-"A Christmas Message"
by DIR. c. 8. Campbell. under the au-
spices of the Organized Bible Class
Association.
$50 p.m.-Concert by the New York
Philharmonic Society, William Neugel-
berg, CONDUCTOR; broadcast with sta
tons VIZ and WGY from Carnegie
Hall, in New York. Program follows:
Overture, "CorioIanus" Beethoven);
tone poem, "Lucifer" Wadley) icon
Quoted by the composcrl: "SChehera-
zade" 1}imsRy Korsakoff.i
1880 m.-'Crandalls SATURDAY.
Eiehters." including Earl Carbauh.
baritone; Bob Carbauh. xylophone
and ukulele; Hazel {. Arth. contralto;
Kate Smith, in popular songs; Royal
Laing. violinist; Everett HardeN,
tenor; Harlan Randall. baritone: Orro
L. Beck. Orsanist; a trio composed
Of Siatn-..d Ziebel. violinist; Sig New
man. s;..rphonist. and Emile Smith.
pianist, a'ld the Metropolitan Sym
phony orchestra, under the direction
OF Daniel Brcesllin.
- miduightl-The Spanish Village
Orchestra, under the direction of
Frank Tillman, broadcast from the
afe Nadrillon.