davidaulloa/AmericanStories huggingface dataset:
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
PdntageS

lFviBEB Imperial AudEe,F, an or
gunlzatton Of e. Of the smallest folks
in the world. viii headline tho ucw
vaudeville bill opening AZ the Pam
tagca with Mondays matinee. Ths
show arranged by Manager }. Lloyd
Dearth promises 10 DO a most elab.
crate vaudeville bin
An unusual pbDl0plHy has been
secured for exclusive showing Ia the
Northwest entitled 'Kiyaupa of tho
icclsud7" II II au amazing story ~
primitive NE ln the Arctic ana nj
most unbelievable hardshipa In pho
tpEr1phiHE romance and ilfe of the
Eaklmpa Tho picture was taken by
Earl HosHmau. noted bis game hunter
and explorer who endured two years
~ hardshlpa and even starvation TO
photograph this great film
lrwuEa Ailhsrl7 are an talented
artists and have wl1h them this year.
an entirely ue,g production They
made tremendous SUCCESS several
YEARS ago when they played Tor the
first time on tho continent over tho
Pantngca circuit They have nm ox-
crptloual program Of musical com
edy. AefobatieH. boxing. Wrestling.
singing, dancing and circus stunts 10.
terspcrscd with many unique novel
ties. Since playing the pBn,agea
circuit, they have made an extensive
tour OF London. Paris and Berlin.
An unusually strong blu Is in sup
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

farce genuinely interesting and a
great purycyor or comedy.
"stIli Smiling" b III fowry'a
slogan. and those who see him are
bound 10 smile with him Lowry O.
am unique comedian and aa YER
N,,ic chap az vaudeville fans
have seen in many day
Ensign Al Moore and his Jack
Targ Il another hiE number on tho
new b,ll. Mr.. Moore is hand.
master. and The tars. ii IN number
constitute II hand Mr.. Moore was
al tho head Of tho musical orgnnl.
cation that made fumr at tbc
Charleston navy yard some years
ago. and Il wgls Moore's orchestra
that furnished the music OF the
steamship George Washington that
carried the late President Wilson 10
France.
Jack King and George Beatty Of.
fer comedy classic. Artistic Ap.
plesaucc," which comprises a rou.
tine Of comedy. songs. characterize.
tons and eccentric dancing.
Tho Kelly LatCll company, with
Walter Powell. are Americas pre-
mlcr wire artists.
Next week % Charleston week
at the Ogpheum. In conjunction
with Tho star. tho orpheum viii
conduct a contest TO find scRitie's
best Charleston dancers There
win be prcliminarlcs Monday. Tues.
day. Wednesday and Thursday
nights and tho finals win DC held
on Friday night The star will
give cup 10 tho winner
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
Orpheun1

Next weeks new bin Of vaudeville
at the orpheum finds four attrac.
tons mentioned as headlInern and
they are all OF a widely different
variety.
Miss CRETE Ardiuc. who has
formed an association with John
Tyrcil and Dave Kaye. win offer
dancing story The French Model"
Miss Ardine Is an exceptionally
clever dancer. who has scored i'm.
mcuso hits with Zlcgfcld and Din.
ingham shows
Mr.. and Mrs Jimmie Barry, who
have been before tho public Tor
20 years. arc bringing Scandals OF
Heusfoot Corners" The Corners"
being "a rural community where the
train stops on signal only and
whore the population 81 about that
broadmiudcd. Mr. ana Mrs Barry
find little difficulty Ia milking this
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
Wild Horse Stars
in Colonial Film

HDLACK CYCLONE" 10 10
- shown at the Colonial sunday
and Monday. ia tho story Or Rex, q
Wild bore-a flashing black Of
great power aa ebony streak IN
tho sunlight fe was born In tho
wild Lands, seltraisod ANA self
taught. for a ruttIssnake blto had
deprived him or his mother while
10 VIVA rtll Of tender ago Hs
sought protection IN q herd. bat its
leader. tho fcrocioua Killer. drove
him out lie had no place "a hia
herd Tor an outr8ft a weaklius
baby stallion But there camo n
day whom l. uutnmed weakiluE
waB d magnificent powerful crca.
lura who defeated tho Killer who
had never before known anything
but victory
Rex. who made hia film debut %
1894 in "The King of VIA iioucs"
is an even more magnetic magnifl
cent creature in BLACK Cyclone"
story which shows hH woolng of
Lady beautiful dgpplei grey
mare. and hiB great love FOR and
protection of her and or hl7 friend
lhlp for man who saved hH life
from tho treaeheroua qulckmnds,
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
.....s.ss..s..ssssssss's
/ THEATRES
Metropolitan
OBSERVATION-DISCLOSURES

"what Price Glory that high
explosive war comedy viii have
It's urs, presentation In Seattle
AZ tho Metropolitan Sunday eyo-
ming, Louis O Maeloon Is sending
the original Pacific Coast company
headed by Emmett Carrigsn aud
SO others, direct from a most sue
cossiul engagement az the Curran
theatcr. san Francisco
What rricc Glory opened az the
Plymouth thcatpr on Broadway
New York. ON a hot summer night
moro than a year ago. No one cX-
pected the war play would be a
mt. but by morning u had the
whole town talking and Tor weeks
d; kept the news wires hot with
the discussion which It's realism
provoked.
In what Price Glory war. for
the first time. is pictured on the
stage. not as sentiment would have
H. but as q really IS II stag
gcred tho nrst-nisht audience, but
the said audience had recovered It's
breath sufficiently BY the final cur
tain 20 jump up and cheer wildly.
which was u tribute 20 the authors
Maxwell Anderson and Laurence
Stallings and 60 tho producer.
Arthur Hopkins
What Price Glory" Is war wagcd
by tho U, S, Marines staltngs
Was captain IN tho mn Marines
He lost a leg az Beleau Wood GO
ng over In the first wave. and
was decorated So il may DO grant
I'd that he and his colaboyators
know whereof they speak. And they
have had the courage 10 portray
The Marines not only as they fight
but as they speak. Tho result Is
greater freedom OF speech than
has ever been heard on the stage
In modern times
The story OF tho play Is laid In
France. all OF II in the zone OF ad-
vance and ono act In the midst OF
action. The second act Is In a
cellar OF a town which was fought
over by the Marines and Germans
In casting the first Pacific Coast
company. Mir Macloon has selected
many ex-service men for tho soldier
roles and thus has given the last
touch OF reality 10 tho play
Emmett CarrigRn plays Captsln
Flag: the hard boiled top sergeant
is portrayed by Tom Chat,erton.
and the typical French .selle
Is beautifully acted by ingcbord dc
la Cognac. There viii be tho
usual Wednesday and Saturday
matinecs.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

Edwin Carewe, who has Just com.
pleted Joanna" for First National.
is in the East cutting the film.
sylyano Balbonl, new First Ma.
tional director. and Edward T.
Schulter art director, are work.
ing on sets for THE Far Cry"
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
Palace Hip

Welcome Stranger" Aaron Hotf
mans great Broadway success. is the
offering this week Of WIN KinE and
his company al tho Palace Hip.
The show il By fr The best that
King has Sc, offered his patrons and
Is one OF the funniest comedies that
was ever written
Tho performance h foplcte with
features, 10 begin with, Don Smith,
tho popular tenor who va. formerly
with the kinE company. has returned
TO Seattle and opens with the com-
pany Ia the new play
Smith was an original member ot
Tho star Trio and one Of tho most
popular singers ever appearing in
Kings company
Claire starr and Clara La Verne,
two af the girls who hayr been In
California for the past fcw weeks
arc back again. clara is featured
thia week Ia IA comedy number , IN
Wild About wild Non
Another novel thing Rbout ''wel-
come Stranger" IN that WIN King In
seen "out In thb open" for tho frat
timo since he has been playing IN
Seattle He plays without hiH usual
beard.
Hcimlc Kings hand has It's usual
musical treat as a prologue 10 tie
show. featuring popular and classical
numbers
Clara In vellc has her weekly
chance for run IN two numbsrs--'i
Want TO BE a Cave Mans Kind and
I'M Have Piece Of Boiled Beer
BeNs lin sings "Flamin Mamie" and
Jean Singers number In "Tie Me to
Your Aprong s,rinFs"
VIII Aubrey this weeks sings
sleepy Time Gal" while Jimmie
Fllard IL featured in Money"
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

port Of these Mldgcrs and this grea,
pho,oplay. Baron Emerson and
Count Baldwin. widely known as the
Nobility of Vaudeville" offer pro-
gram of laughs entitled what Fools
These MoriaIs BE- The four Eng.
iish Madecapa have a singing md
dancing. ballet and ncrubntie com
cdy number which Is said TO be most
unusual
Frank Braidwood, the cowboy en-.
tcrtaincr. has likeable program Of
stories. songs and music.
And That's Not All" In tho billing
Of Harry aud Dolly keliior who open
tho bill with laughing trRvesty on
aldcahow life, Miss Laura Van
Wrinkle viii again be featured in an
elaborate songoloF
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
President

The song and Dance Man"
George ~ Cohan's masterpiece. will
b. the third offering Of the Henry
Duffy Players, at tho President,
starting Sunday night
His name was Happy Farrell. Of
Farrell and Carroll. Songs. Dances
and Funny Sayings" Al least, that
is the way his professional card
read. Happy was small time"
entertainer. "a song and dance
man." as the votaries OF vaudeville
call him.
Happy got a little money together
and struck out for New York. Like
every other player in the world, he
yearned 10 see his name In electric
lights, to be featured at perhaps tho
Palace or In big musical com.
edy.
Blu, Farrell found Broadway a lot
different from what he thought.
There was no reception to meet him
at the station. and he was not del.
ugcd with kilograms from the man.
ayers, offering him engagements.
And then. in the cheap boarding
house, he discovered that the little
girl who had befriended him out
West was going TO be thrown out
into the street for non. payment Of
her board.
Farrell only had a few dollars
left, but they were enough 10 satisfy
tho rapacious landlady. with alt
his money gone. the song and
dance man. redoubled his energies.
trying 10 get an engagement, but
none was forthcoming.
After the pangs Of hunger got
the upper hand. Farrell discovered
a fake pistol in his trunk. Going
out on the side streets. he used this
theatrical property to stage a hold.
up. but was so weak from hunger
that his supposed victim easily
turned the tables and took him into
custody.
Happy's sincerity 80 impressed
tho intended victim that the small
timer was given his chance 10 prove
ne was on the level. How he did
this, how he got his golden opportu.
nifty. how he lost II. how no lost
the girl and regained her, form n
most interesting story.
The cast includes Dulcie Cooper
Howard Miller. Helen Audlffred,
Tholma White, Eddy Waller. Arthur
Pierson, Thomas Brewer. Don Aus.
tin. Marie Dunkle and others.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

DoLA EEGRIs latest picture,
L Flower Of night" which is the
feature at the Strand. starting Sat
urday. was written for tho screen
hy wfns Goldbcck from an original
screen story by Joseph Hergce
hcimer. author Of "Torable David"
and THE Bright shawl
The story is laid in the most ro-
mantle and thrillnlled period this
country has ever known California
a. the zenith Of the gold rush.
Pola portruys the role Of the lovely
daughter Of Spanish don.
Tho combination OF one or the
screens finest dramatic actresses
With the foremost writer Of best
sellers is a production directed by
Paul Bern. who made The Ores
maker From Parts" has resulted in
"A picture well up and beyond any.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
LAURA LEARNS TO
LISTEN WITH EYES
at listen with your eyeF"

81 listen with your eyes.
IL There H. something new FOR
tho modern girl 30 try. Dlmitti
Huchowctzkl. motion picture director
IL rtsponslb'e Tor f, and d Be- prob.
ably ono ~ the most unique Of the
many unique phrases coined by d.
r'cturH.
BuchOweizkl sprung lt the other
day while directing Laura Ia Plants
thru a particularly important scene
10 THE Midnight sun" Universal
suprrJewel now IN course OF pro-
duclion Miss Ia riantc NJ the tele-
phone, was supposed TO be listening
90 q message telling her that her
sweetheart had been saved from
death, The smile Of giadness that
played across her face would have
satisfied most people. but not Bucho.
wrizla
Listen with your eyes" no said
calmly and quietly, And Miss IA
plante dii. Her eyes told the story
Of the mcuaFc that WIS coming 20
her across tho wir~a-n0t too much
sparkle. but "A deeper and moro re-
strained CLEAN ~ con,entment. Blu
chowetzkl was satisfied,
George Fawectt made his first
trip IN seven years to New Iorl.
10 assume an important rolo In the
big special starring Milton stlls,
Men ~ steel"
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

BESSIE LOVE encounters
the strangest adventures ever
screened as the heroine of
THE Lost World" to be
shown at the Capitol Sunday
and Monday.
DRoBABLY the most unusual
L love drama ever put on tho
screen Is The Lost World" which
comes to the Capitol Saturday.
The picture Is an adaptation OF
Sir Arthur Conan Doyle's novel Of
the same title. Doyle admits now
that when he wrote tho story he
hadn't the slightest conception Of
It's film possibilities. He painted a
vivid word picture Of lost world
in the vast, unexplored regions
OF the upper Amazon river which
time had forgot.
Bessie Love, Lewis Stone. wal.
lace Berry and Lloyd Hughes head
the human cast, sharing honorB
with the prehistoric monsters.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28

thing Miss Negri has ever done be-
fore.
Warner GLAND. last seen in an
important role with Douglas Faln
banks IN Don @" heads the cast
playing In support Of the star.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1925-11-28
FootHght
Attractions

oRrHEUM Vaudeville. four head.
iIHrra
METROPOLITAN what Price
Gt6ry." starting sunday,
rBEsIDESr DUFFY Players Ia THE
SONG ard Dance Man"
PALACE iItr wiu KirEr musical
comedy company tn "Wslr1ms
Stranger
rANTAGES VsuaB,illa and film
feature.
STATE Vaudeville and film feature
The Washington times., 1925-06-11
DIR. FRANK CRANES
DAILY EDITORIAL
~ DR.. FRANK CRANE.
Art of Lifting

-. AsrAT, thoncht that living important every
l. bodv must be studying it. But he said ne was sur.
nrised to find that people knew the laws Of
geometry than knew the laws OF lie; ....
Living is art and one that Is 70 pe ieaiusA - P'
and executed by skill ,
Orr real happiness is not matter OF cnance Dus q aw
today depends what did yesterday And
whether any is happy or not y consequences % ms
total former actions. 80 y. -.
mathematics. !, -. 81 ln.lr
In the real life Of there is no such thing az luck
Perhaps luck has great deal to do with our e
fcency with place in the world and with our Lame
Int has nothing to do with real con4entmen ANYBODY
can be content that wants to BE-
Our condition depends largely our Thoughts = tine
result Of what takes place in US and not Wnat occurs y 70
from the outside.
Those who deliberately turn their attention away from
disagreeabe things from failures and misery ana Wretcneo
ness and that which bright and beau ano
sunny find the effect Of gradually growing upon lne
The sum total of ones life and one efficiency depenSs
also upon discipline The undscpned as rule are the Us
happy TIE man does not have himself we'll under conIrol
he liable to become to the most unruy
The principal difference between the wise man ana tne
fool Is that the wise controls himself he knows just
how far to give way his DESIRES while the TOOL Is helpless
before them
The former is like steering boat and the other
IL like q boat drifting helplessly before the wind.
If YOU want your life get anywhere there must be plan
and purpose and aim and steady persistence
It is an amazing thing that in schools every sort OIL
subject studied except the art of living AS consequence
we have many experts in medicine in all sorts OF sciences
and In literature but few experts In life.
What all need to- know, however, is how to i've not
how to get unless getting administers TO the rcn
ness and value Of life it is not worth while.
Many has found his goal attained, yet his mouth
The realization of his dreams does not Drng
him happiness because he has not learned how to live
The Washington times., 1925-06-11
1sre ROBINSON 81


for him in the evenings. Natur-
ally we grew pretty well ac-
ouainted during the process and
the three of US have been friendly
ever SINCE. So there was nothing
unusual in the fact that Jim
asked me to eat with him during
our mutual lunch hour. But what
WAS funny was the tone In
which he asked it.
lever see q Fighting Face?
One OF those maps that are al
ways looking for a chance to
start q row fairly smelling
around for an insult, as it were?
Well, that was Jim-only 1t
wasn't his FACET was his
VOICE. If ever voice packed
a mean wallop it was Jim's. The
words themselves seemed cordial
enough, but there was a nasty
sheer and suspicion behind every
one of them-as il he were roll
ing up his sleeves and splitting
on his hands while he said them.
I couldn't hardly believe my ears
Good .natured old Jim talking like
THAT. However, decided that
he probably had a crouch against
his boss or q hangover or some
thing. So I accepted and met
Jim promptly at the appointed
hour where the fried onion
twineth.
Queerly enough, Jim's express
sion at our meeting matched the
voice. Polite enough, but sorta
circling for a clinch, you know.
For a minute hesitated about
going in with him. Generally I'm
keen for excitement, but when
I'm tired like my meals with
out murder. But I certainly
craved that steak, and in we
went. Maybe he'll be better
when he's fed his face" says I
to myself. Sure enough, he was.
Sirloin hath charms to soothe the
savagest beast and by the time
we reached the apple pie Jim was
telling me all about it.
1t seemed he'd had a bunch /
wouldn't go with him. Probably
I'd feel / was too tony to go out
with an automobile mechanic.
That's the way most of the White
Collar snobs felt about the boys
in overalls.
What snobs, for instance"
says 1. who ever turned you
down, Jim?"
The Washington times., 1925-06-11

did them White Collar fellows be-
lieye that? Not on your AIe'
thew didn't. They thought all the
fine things and the swell friends
and the classy houses were Tor
the birds that got their money
from some lousy will instead 81
working for it with their own
am giving you the words just
az Jim bit them off. They were
violent words. They were also
hurt words. Behind them one
glimpsed a cankered wound Wnicn
had tortured Jim all his lie. Inc
wound of class suspicion. Ever
since he was a little kid, Jim had
felt that "the capitalists" and the
guys with the fancy jobs were
against a fellow who worked with
his hands.
Had he ever met an unfriendly
capitalist or mean guy WIZ
No. he hadn't He'd taken
darned good care NOT to meet
Then how did he know how
they'd act If he'd never met
them?
Well, he KNEW. And that {
was all I could get out OF Jim.
He KNEW. So sure was he that
the White Collars were just itch
ing for a chance to insult him
that he suspected even me OF
similar longings. Hence the Fight
ing Voice and the Threatening
Look. And, 10. instead OF a
Deadly Foe / was still the same
old friend and fellow worker!
Jim isn't as afraid of the White
Collars any, more. He has broken
down his self-made barriers or
hostile suspicion-he has. almost
rid himself of his inferiority COM
plex-HE HAS STOPPED BE-
LIFTING HIMSELF AND TO
HIS SURPRISE AND JOY HE
FINDS THAT NO ONE ELSE
WANTS TO CARRY ON THE
JOB.
There's big thought there for
us all-White Collars are Blue.
We hate the other fellow, not be-
cause he has really harmed us,
but because we refuse to leave
our ambush of bitterness and sus-
picion and meet him in the open.
The Washington times., 1925-06-11
GARRETT P. SERVISS TELLS OF
SEEING ROUND THE MOON
Changes in Lunar Landscape Visible Because of
"Diurnal LIBERATION"

the same extent that before he
saw over the western edge.
This change in the inclination
of the observers line Of sight to
the moon of course produces a
corresponding alteration in the
appearance Of the lunar land
scapes, as they lie baking in the
unclouded sunlight. Careful in
spection would show changes in
the shadows, which are very
black and sharp on the airlesS
moon, to say nothing Of the shift
ing Of the line of visibility on
the moons surface, first nine
teen miles westward and then
the same distance eastward,
reckoning from the central line.
There would also be slight
changes in twelve hours arising
from the libration of the moon
in longitude, which l recently,
explained. In that space of time.
too the line between day and
night on the moon would per-
ceptibly shift. bringing new OBJ
iects into view on one side and
carrying others out of view on
the opposite side.
Those who have never studied
the moon with a small telescope.
say. three or four inches in aper-
ture, have no idea of the beau
tiful and often startling effects
produced by the shifting shadows
of It's mighty peaks and craters,
The Washington times., 1925-06-11

a result of paraI1ax. The earth
is sufficiently large in compari.
son with the distance between 1t
and the moon to cause the eff.
feet illustrated in the cut here
with.
You are supposed to be look
ing down upon the North Pole OF
the earth, which rotates on it's
axis in the direction shown by
the arrow from west to easD. A
straight line connects the earth's
center with the center of the
moon-the moon being beyond the
limit of the picture. The
diameter Of the earth, from A
to B, Is about 5000 miles; it's
radius, or semi-diameter, Is 1000
miles. The distance Of the moon
If about 100000 miles, or sixty
times the earth's radius.
Now, this ratio Is so large that
when an observer at A sees the
moon rising at the eastern hori.
is inclined nearly whole degree
to the line joining the centers OF
the earth and the moon. This
cHdOISS MIN I'd SEQ over, OF
around, the moons upper. or
western edge. One degree on
the moons surface is about nine
teen miles.
But when the earth's rotation
has carried the observer to B,
he sees the moon setting and
again his line of sight is inclined
about one degree to the line join
ing the lunar and terrestrial
centers, but the inclination Is now
in the other direction, so that
this time the observer sees over
the eastern edge Of the moon. to
The Washington times., 1925-06-11
SAP AND SALT
BY Bert Moses

Hez Heck says: age seems to
favor wine more than 1t does
eggs"
Education does not make any
one good. 1t only makes him
clever.
OF all things that go to the
head, money does the most dam
age.
Hash depends altogether upon
the conscience of the one who
makes 1t.
When man climbs high he
target for bricks.
Consider the pendulum. 1t is
constantly on the go, but never
goes anywhere.
Hez Heck says: "GIass houses
should never be built close to-
stone pile"
A "modiste" is a dressmaker
who has come to realize that the
big thing in life is gall.
If you want to get anything
YOU must go where it II. and
when you get there You must
know how to catch it.
Hez Heck says: "A sucker kin
be spotted by findin' out what
per cent he is tryin' to git on his
investments" -------- =