Evening star., 1925-06-15
KEITH,S-Clark and McCuIIoush.

II
It's the same old Bobby Clark
heading the bill at keith's this week,
and the same old rip-roaring laugh
ter that has always followed his COM
ical but original efforts. Bobby first
tickled the risibilities of the Gayety
patrons years back; then drifted into
vaudeville where he caught the eye
of New York producer and helped
materially to make the Music Box
Revue" a success. Now, while rest
ing up, he is back in the two-a day
for a little flyer. Bobby has part.
ner named Mccullough, but he is
only a good foil for the comedian.
The first scene, The Senator'S.
gives Bob and his partner chance
at the old sidewalk conversation
stuff in an interview with a woman
reporter. The genius of Bobby is
shown in new jokes and patter that
carry a laugh every time. The
scene then shifts to The Bath Be-
tween" The act is old, but II went
over last night with as great punch
as ever. a half dozen curtain calls
followed its close.
Another act not far removed from
headline quality is that of the Bob
and Gale Sherwood entertainers, an
organization of 10 people who can
do almost anything in the entertain
ing line. and do il we'll They make
up a jazz orchestra that will stand
comparison with the best. The diff
ferent men sing and dance well, and
the women, especially Miss Sher-
wood help out with special songs,
making big success. The act was
just ahead of the "Intermission," or
the show would have been stopped by
the persistent applause accorded by
a very much pleased audience.
Baby Henderson, the child wonder,
dances gracefully on her toes and
concludes with an acrobatic turn
that shows she is a contortionist of
real skill. Mack and Brantley open
the show with a roller skating act
that is good. Lauretta Rhodes and
Ruth Watson sing in a melodious
manner. their soprano and contralto
voices blending beautifully. Wanzer
and Palmer present their old act.
One Saturday Night" and it went
over as well as ever. Leo Beers. at
the piano with pleasing songs, also
was good, and the LIE Roy Brothers
presented acrobatic stunts with an
ease that astoniShed the audience
The usual house attractions COM
plete the excellent program.
EARLE-"The Little Cottage"
The Little Cottage" a musical
comedy tabloid that sparkles with
dancing and catchy songs, Is the
brilliant spot on the current bill at
the Earle Theater A clever plot
threads its way interestingly through
the piece that depends chiefly for it's
success on the talented legs and voice
of the attractive Mildred Keats.
Frank Sinclair is the co-star and he
Is effervescent with personality.
Others are Ched Freeborn. Marian
Hamilton and Lucille Arden, the
latter two dancers of ability.
The Jean Jackson Troupe of cyclists
close the bill with remarkable riding
and acrobatics. Besides Jackson. the
troupe consists of Betty Leese, Babe
Jackson, Grace Hooper and Fred
Yelle.
Dance creations in their various
ramif1cations are executed by Sylvia
and Amelia Di Gaetano, assisted by
George Di Gaetano, including a
Spanish dance and the rough apache.
Lillian Herlein, with a background of
lavish settings, presents a song revue
that was accorded a mild reception
Joe Morris and Winn Shaw tried
vainly to be comical in The Mosquito
Trust" and Joe Donahue and Ruth
Morgan, in a specially that features
dancing, gives Donahue's 6 feet s of