davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-04-20
Across.

Across.
4. Goddess of the chase.
z. Otherwise.
8. Stone-cutter.
8. Era.
10. Mark of a wound
Is. Kind of terrier.
IS. Spanish definite article.
II. Employs.
10. Trade.
%. Prickly shrubs.
%. Possessive pronoun.
25. Senior (abbr.).
26. Girls name
90. High, broad lakeland.
81. Lines from center to cricumfer-
ence.
3d. !, Musical instrument.
SO. To roam.
"a. To wander.
35. To put in position again.
Down.
/. Ladies.
2. Literary composition.
3. LARS.
4. Solid-horned ruminant.
5. Bitter cathartic.
6. One Of the three Musketeers.
IL. Shades of red.
IL. Places of sacrifice.
IA. Bird.
Is. Diminishes.
II. She-bear FUSED in names of con-
stellations).
Is. Divisible by two without re-
mainder.
20. French unit of square measure.
81. Comparative suffix.
%. Employs.
"a. One being carried.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-04-20

81. Approaches.
%. Around.
20. Swampy.
80. One who initiates.
Prices realized on Swift & Company
sales of carcass beef in Washington, D. G.,
on shipments sold out. ranged from ii 80
cents TO 1900 cents per pound and averaged
1859 cents per pound,-Adyertisemen
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-04-20
Mrs. Jimmy's Call.

Be neighborIy That's what I say.
Mrs. Skunk.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-04-20

DINNER
Baked Pork Chops
Parsley Potatoes
Dreamed Onions
Sliced Cucumbers
Bavarian Cream
Coffee .
Evening star. [volume] (Washington, D.C.) 1854-1972, 1925-04-20

Copyright. 1925.)
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
.O'VEHL'S PLAY,
DESIRE, : DUE
HERE

Desire Under the Elms." the
Eugene O'Neill tragedy that in
the past year has excited inter-
national discussion, comes to the
Belasco on Sunday night, octo-
Der IS. &.
The story is the story Of mans
age.old struggle with his environ
ment. In this gaunt and granite
tragedy we see old man Cabot
in his fierce and heroic struggle
with the rocky soil, and his re-
lentless clashes with life and
love.
The O'Neill play comes to Wash
ington direct from its run of
.forty-niT1e weeks in New York, a
run without parallel in this coun-
try for a play Of tragic theme.
It's cast is headed by Frank Nc
Glynn, of Abraham Lincoln
fame, in the role of Ephraim
Cabot; Nelen Freeman, as Aobie
Putnam, the sensuous wife, and
Howard Merling, as Eben Cabot,
the passionate and revengeful
son.
Desire, Under the Elms" has
been staged and directed by Rob
ert Edmond Jones, and the set
tings--a complete house on the
stage, from which sections of the
wall are removed from time to
time as the action moves from one
room to another-are all from
his expert hand. The play is pre-
sented by Kenneth Macgowan,
Robert Edmond Jones and Eugene
O'Neill, under the management
Of A. l.. Jones and Morris Green.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

comes with real sincerity on the
stage.
Crossword puzzling, e ading g.,
golf, dogs. sleeping and eating
sum up the favorite pastimes of
:. this popular young actor and Jas
to ambition-he only wants to
be the author of successful
play and act part where he is
killed in the first act.
HARRY Tyler comes from a long
line of famous stage folk-hts
grandfather was Tony Pastors
partner in the circus which be-
came famous over the world and
preceded the theaters which were
conducted by that famous impress
sario of the older generation.
From the time when, as Hap"
Hurley, he announces to the
world and his kid brother that
he is plotting a lightweight that
.'hits 'em so hard they have to
be sawed OUT of the floors" to
the final drop Of the curtain
Harry Tyler has the knack of
putting over his wonderful per.
sonality because he has learned
to live his part and when wait
ing for cues or in his dress
ing room he never steps out of
the character.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
TITLED HUBBY
In OFFING
FOR NITA

Nita Naldi has become Nita the
mysterious.
Miss Naldi boarded the steamer
Paris which sailed from New
York last Saturday night leaving
her friends specializing on the
reason for the trip. Rumor con-
meets her with a marriage with a
foreign count who is said to be
waiting on the other side.
The temperamental Miss Naldi
in a statement prior to sailing
said she was headed for Some
where in EurOpe"-just where
she did not know and would not
be able to decide until she got
there The trip was a hasty va
cation after completing her role
in Clothes Make the Pirate" the
Sam f. Rork-First National come
dy, in which Leon Enrol and
Dorothy Gish are starred.
Mia is due back in Hollywood
in six weeks TO take one of the
leading roles in THE Desert Heal.
err" Marion Fairfaxs adaptat' on
of the best seller by f. NJ. Hull,
will be Miss Fairfax's first ven
ture as an independent producer.
On the Paris when Miss Naldi
sailed was Gloria Swanson and
her marquis husband VIII CHI gave
impetus to the conjecture that
Niss Naldi would have a titled
spouse in tow on her return to
these shores.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

his antics. Another thing, TOO
he has a very good gag man,
one who knows how to develop
really funny incidents.
Pola Negri and Gloria Swan.
son. you know, are pictured as
being at awful odds about which
of the two is the Toast Of Hol-
lywood.
Pola developed the striking
argument that she was count
.ess, and, one didn't have to so
much further to be a queen.
And Gloria went to France and
got titled husband, and came
back with just as much right.
as Pola TO wear coronet and
call kings by their nicknanes.
But was Mr.. Gloria really titled?
Now, that's a pretty question.
NJ. Bertelli, the noted French,
correspondent of Universal Ser
vice.. preached this question and
almost answered mo" in many
American papers a few days ago.
We haven't any word from
Hollywood, but it is understood
that Gloria's favorite pose con-
sists of tapping her foot on
the floor, folding her arms aMd
glaring steadily at Monsieur
Oh. what of it?
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
PICT'URING NEW YORK
OF THE SEVEN TIES

phisticated-a Broadway when
the great. names Of the theater
were those of p. T.. Barnun,
Tony Pastor, Lester Wallack, and
Edwin Booth, and when Thomas
A. Edison was starting upon his
amazing career with his electric
light invention, which the people
at that time called 'Edison's
folly.
In, Lights of old. Broadway
Miss Davies plays the most i'm
portant role of her brilliant ca
reer-aarole in which she not only
portrays young girl of the New
York aristocracy, but also a prod
uct of "Shantytown" to the
North, who makes name for
herself as a dancer at Tony Pas
tors.
The photoplay is adapted by
Carey Wilson from Laurence
Eyre's Broadway success Merry
Wives of Gotham, Monta Bell
directed the production, and the
brilliant supporting cast includes
Conrad Nagel.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
NIGHT BE TAKEN FOR
PLAYS AUTHOR

Harry Francis Tyler, the sock
peddIer's pilot in us Eat So?"
at the Belasco is not alone
cousin of James Gleason, CO.
author Of the play. but looks
SO much like him that they have
been continually taken for one
another, so it was nothing strange
for Harry Tyler to go on the
stage OF the Chanin Theater in
New York and play the part of
Hap" Hurley without even the
attaches of the theater knowing
the difference.
Harry Tyler was born on the
East Side of New York and is
proud of it--he has lived amid
surroundings during his early boy
hood which makes the role Of
the hard-boiled fight manager nat
ural to him-and when he is
banning" the life out of his
luckless init singer" the slang
which he uses seems to have a
Veritable kick" in it.
When Harry Tyler says: IF
1 hit him I'll kill him an if
+ miss him I'll lose my right
arm" he seems to mean it, and
the audience gets the thrill that
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
MADGE DOESN'T LIKE
RATTLESNAKES

step, was a huge snake coiled
ind ready to spring and waving
its head back and forth.
Miss Bellamy screamed with
terror and Leslie Fenton, who
was standing near turned quickly,
seized a long plank and hit the
reptile on the head.
Everything was over so quick.
ly, / really didn't have time to
be SO very frightened" Miss Bel
lamy. told her associate players.
The snake, when stretched to
its full length. measured four
feet, eight inches. 1t was said
by the natives to be one OF
the largest seen in Santa Cruz
in recent years-ard, although
Miss Bellany refused to have
anything to do with the nine
rattles which were cut from it's
tail, Mr.. Schertzinger took them
to the studio to back up" the.
snake story when related to
skeptics around the lot.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
Ia ROGUE HAS. FLING
AT CABBYING

New York taxi drivers may be.
a dark and sinister mystery to.
the average person. but to Rod
La ROGUE they are an open
book. Rods knowledge of the
flivver chaperones comes from an
.intensive study Of their lives and
problems made in the interest Of
his two latest film appearances.
Both in Allan Dwan's Might Life
In New York" and In wild.
Wild Susan with Bebe Daniels
In the star part, La ROGUE has
played the role Of taxi driver.
But the job Of a taxi pilot is
not without. it's compensations.
For instance, in wild, Wild SUI
san," Rod sees Bebe Daniels from
his drivers seat in the cab and
decides on the spot that she is
the one and only girl. Rod Is not
really a.. chauffeur, but the son
OF a rich man, with lively imagi-
nation and desire for literary
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10


The world premiere OF Marion
Davies in Lights of Old Broad
way" will take place October 81
at the Loew State Theater in Los
Angeles. This production repre-
sents Miss Davies first starring
vehicle for Metro-Goldwyn-Mayer.
The picture was recently complet-
ed at the Metro-Goldwyn-Ma Mayer
Studios at Culver City, California.
AS background for the photo
play, Miss Davies has selected
New York City of the Seventies
a period rich in historical value
and marking the Introduction or
many great inventions that made
possible the great metropolis OF
New York of today.
The picture, which has been
called the successor to Little Old
New York, is said to capture
the spirit of old Broadway and
it's great traditions-a. Broadway
that was picturesque. rather than
dazzling, naive rather than So
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
IS IN VS. REAT
TO SUI CESS i

even i there are no chi dren, -
In my case. Some mot hers have
I had notable careers, but they are
the exception and not the rule. IN
my own case, it IS only the con
sideratfon OF my husband that
has made it possible for me to
Continue before tho camera, Tor
I am determined to be a. success,
full wife, even at the risk OF CIV
ing up my. camera career.
Nevertheless, despite our own
success, / believe that marriage
does nightly interfere with q
won1anss career, and have
known many happy homes to be
broken up through q woman's
determination to become profess
sionalIy successful or to stay so,
at the expense OF her home life.
Al successful married career is
SO much more to be desired that
I would not hesitate to sacrifice
my own professional interests il
I thought /. was becoming an In
efficient wife. -
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

Madge Bellamy, who plays the
little circus girl in Thunder
Mountain" which is the feature
photoplay at the RiaIto starting
tomorrow, narrowly escaped being
bitten by a rattlesnake while on
location up in the mountains
near Santa Cruz, Calf.
Miss Bellamy was sitting in
her car waiting to be called on
the scene and amusing herself by
reading the paper. Suddenly she
heard whir which, to use her
iown words sounded like some
one rafting a newspaper" She
paid no attention to it, however,
but went on with her reading.
q About that time, Victor Schert-
Finger, who was. directing the
production, called Miss Bellamy,
She opended the door and was
about to step to the ground when
she happened to look down to
the road.
There, directly in front of the
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
N. MARGINS new
PLAY HERE ON
OCT. rs

At the. Belasco, on October 26,
II. B. Warner, under the direc-
ton of Crosby Gaige. will begin
an engagement of one week, IN
Mas MARGINS latest and most
successful melodrama, "Silence."
Mr.. Warner appeared In the play
all last season at the National
Theater, New York, during
which period he vastly increased
his already wide popularity as
an impersonator Of lovable law
breakers. His first notable
achievement in that province, as
the hero of Alias Jimmie Valen-
tine" is well remembered by
playgoers. Since that time he
has appeared in several admir-
able plays Of different char
acter, but the memory of the
figure Iof Jimmie Valentine has
not been effaced. In the new
melodrama, ''SileRce," he has
role that is a worthy successor
to, the character that especially
endeared him to the public. heart.
Every. role, in Silence" de-
mands unusual and peculiar
abilities for it's proper portrayal,
and Mr.. Gaige has been at great
pains. for that reason, to sur
round MIR. Warner with COM
pany of most carefully selected
players. The organization in
cludes in it's membership Fred
erick Perry, Flora Sheffield, Hal.
lett Thompson, Jack Bennett, w.
c. Hodges, Charles Richie,
Frank c. Bond, Alton Goodrich,
John Lyons, Noel Connors.
Charles Gibney, Granville Bates,
Joseph North, William Grant and
Lillian Kamhla -
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

career which impels him to be
come q member of /. the hacking
fraternity in search Of adventure.
Trying to catch up with Bebe in
her rafnblings around New York
looking for thrills provides the
adventure with capital
During the filming Of exteriOts
for wild. Wild Susan, " La
ROGUE cruised about in q cab.
followed by another taxi In which
were concealed the motion picture
cameras. AS he drew up to the
hack stand near the Hotel Aston,
a would-be passenger approached
him. When he told the woman
his cab was not for hire, she be-
came abusive and went into q
long TRADE against him and all
his confreres.
wild, Wild Susan" coming TO
the Earle next week for It's first
showing in Washington, is an ad-
agitation b Tom Geraghty OF the
Liberty magazine story, The Wild.
Wild Child - by Steuart Emery.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

Mary Pickford, the queen Of
American pllotQplay actresses,
whose marriage to Douglas Fair
banks has long been regarded as
one Of the most ideal unions in
all movieland, and which has also
been, regarded as the perfect COM
binafiOn OF artist and wife at the
same time, is out with q state
mel1t that marriage does Inter
fere with a career.
Mary made this rather aston
fishing statement the other day in
connection with some comment
she was making on her new pro-
duction, Little Annie Rooney, 2
which comes to Loew's Palace to-
morrow afternoon for a weeks
engagement, and 1t was even
more astonishing in view Of the
fact that Little Annie Rooney
is being pretty generally rated as
one OF the best pictures that Mary
has ever turned out.
Marriage does interfere with
q career" said Mary, point blank,
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
New Strand Bill

Commencing October IS, the
Strand will offer a unique head.
liner on it's bin of vaudeville at
fractions. Alice in TOyland' is
the name of the feature attrac-
ton. Other numbers will include
Burns and Wilson, in skit, en-
titled The Unframed Nurse"
and Jack and Jessie Gibson, in q
highly hilarious comedy number,
entitled "a Cyclone of Smiles and
Thrills. The feature photoplay
ais Trio Productions, with This
Ring" featuring Alice Mills, Lou
Tellegen, Forest Stanley, Donald
kGith and others. e.. 0.*
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10

Annie Rooney starring mary
PicLford, at the Palace.
Well, we shall see, won't we,
IL Mary's magic still works. Her
groW-up pictures didn't go over.
The folks like her only as a kid
a curIy-headed, hoydenish, pout-
ing lovely little kid, and no sub
satutes accepted.
Mary is making a big bid,
they say, to gather her old adj
mirers together under the stand
ard of Annie Rooney" and by
next Thursday night, we ought to
know definitely just how success
ful her attempt viii be.
This certainly wouldn't be a
movie column il we failed to say
a few words about Monta Bell,
whose King on Main Street" is
due here shortly.
All the old Herald crowd-and
we had great days and nights in
that building on Eleventh street
were up at Union Station to watch.
Monty come in, Friday afternoon.
In came Monty, with yellow
overcoat and a cane, every inch
the successful producer. Well,
he was certainly good to see.
The gang went outside to get
its picture taken, and OF course
the neighborhood kids gathered
around. Everybody was calling
Monta by his first name-or,
rather 'Monty''-and the rumor
went around among the juveniles
that he was Monte Blue. A later
report he'd it that he was Mr..
Monte Cristo, and Jack Stowell
told one little questioner that the
great man was none other than
John d. Rockefeller, big crutch
manufacturer from Cripple Creek.
All, well, you know what they
nay about fame. or do you?
Lon CLANCY, who has more dis
guises than Sweden HAS safety
matches, reports, through his
publicity man, that the uglier he
makes himself, the more fan mail
he gets.
In THE Phantom of the Opera"
on its way to the Rialto, Lon
thinks he has surpassed himself
in the one-man qualification con-
test. Yet New York girls who
have seen the picture describe
Mr.. Chaney's makeup ''just too
cute for words
Ions latest idea, it is under
stood. is to makeup as an en-
bodied nightmare and thus cap
ture the Presidency Of 1928.
+ +
Oh, yes, and there's 1.-The
Pony Express" at the Columbia.
Jimmy Cruze made it. too. 1t
seems that. ever since his employ
ers made S5.S2 or perhaps a little
more than that on Cruces Gov
cred Wagon" he has been picked
On to direct American epics.
The producers have ploughed
through very near'y every pioneer
epic in stock just now, but still
remaining is the one alb ut the
winning of the L. S. Mails by
Sears. Roebuck and Co.
Hes a Prince" Raymond Grit
fith's last, was one of the fun
niest pictures / ever think Ill see.
But then 1 always think that OF
every one of Griffith's pictures
What the D. is there about the
little chap that makes him SO
blastingly comic?
His apologize air-his nervous
smile-the whimsical hands and
feet of him-all Of them contribute
Just az lite bit more to the
Measure derived from watching
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
Quartet at ''Met''

The Imeprial Male Quartet, one
of the most popular units par
ticipating in the radio programs
Of the "Crandall Saturday Night
ers' going into the air every
Saturday night from 1890 to
midnight through Station WRC,
will be heard next week in an
atmospheric prologue to frs t
Washington presentations of First
Nationals production of 1.-THE
Dark Angel" featuring Wilma
Banky, fascinating Hungarian
beauty, and Ronald Colman, ster-
ling leading man.
The personnel of the quartet
includes w. Arthur Mccoy. first
tenor; George e. Anderson, second
tenor; J. Benton Webb, baritone;
and Francis P, Heartsill, basso.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
CANNY MIR. RING GIVES
DATA ON FILMS
By JIM RING

the Public: There's idea spreading among millions
which ought be npped IN the
u and xtingushed. And that is ths 1.s#
Mr. Phillips Mr. Baer whoever writes the
head of given you that
kind an expert slightly cynical
about But such is not so!
of trying pictures all trying
all what pictures all about
and how friends the screen getting along
that's It. Now, this windy
and empty but explanation
pronounced "Ieed this column
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-10-10
DOug's New One

Douglas MacLean, the Wash
ington fayOrite, is announced as
the featured star at the Palace
for the week beginning October
IS, in his new production, Seven
Keys to Baldpate," based on
George NJ. cohan's dramatization
Of Earl Derr BiGgers' famous ro-
nance.
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- ooroHocHaaa . H%ocpeIHHHa Me%4y
IByMa 00pOHIHMHca EIaCCaMH TpyIa
Il FallIITala. fa .,.....
BcBope HQc,Ie HpOHIIOTO c'e8Ia
Am. de4epaHHH Tpy4a cpeIH pa6o-
qIIX pacHp0cTpaHaIHcb IeCaTb ga
HOBe4eIi. T.IaBapH TpyIa HOIpa%a-
lot BepX0B0IaM HepEBH. He O0Om-
IHcb 6e3 3aHOBeIeii - HpHRa3OB.
HHTepecHa Oc06eHHO BTOpaa ga
HOBeIb: He oTBepTaIi HpaBa Ha
Rassvet = Dawn., 1925-05-30
4EPkOEb N TPyA

B61H9H oTpOMHBX 9a6pHE, saBo-
HOB, maXT, MacTepcHHX 00BqHo TO
pqar HepEBn. BcaEHe UepRBH: no
cTeHbI. EHpEH cHHaT0rH, HpaBocHa-
BHBIe HepEBH.
lIepR0Bb II RaTHTaI - cecTpa
II 0paT, p0GIeHHbIe liz BIa4BqecT
Ba Ha4 NIPPON. llepEoBb Ha4
TO.I0BaMH II cepIHaMH, a HaHHTaI
= Han pyEaMH II HapMaHaMH.
t ha|HHTaIHCTM CB0HMH H0IaaHH-
aMH yIIpaBIaI0T II HOI4epTHBaIoT
HepBBH Il 1yXOBeHcTBO.
llepEBH CB0HMH ~M0,lHTBaMH u yCbIIl
IeHHaMH pa6ouHX Mo3rOB paTy0T