davidaulloa/AmericanStories huggingface dataset:
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12
Concentrates a una afr
maci6n Y a una replica
Continuation de la pag. 81

Prensa Periodical referente caren-
cia brazos esta comarca.
"Condiciones exige ese Departa-
mento impossible aceptar, pues nj
Mejico pudo concederlas hermanos
nuestros emigrados.
mil hombres encontrarian ocu-
pacion esta comarca igualdad con-
diciones los demas.
Claro es. que 81 ell senor Honore.
nc pudo arrancarle al Gobierno de
Mejico esas condolences para aque-f
Hos emigrados- por zanzibar
dc amo sin comprender que es-
clavos seran bajo todos los cielos
sobre todos los climas preten-
den ahora que el Gobierno de
Puerto Rico los repatrie,-menos
puede ofrec6rselas el colono explo-
tado por la Central que le impide
brindarle una 'cabana palacial"
sr peonada.
Pero donde el senior Honore
ofrece cierta originalidad es Guam
do dice que "acepta gustosa Y hon
radamente toda responsabilidad
qrc tl.aiga consigo la implanta-
ci6n de nuevas industrias en- Puer-
to Rico que den oportunidad los
trabajadores laboriosos para salir
de la esclavitud que le tienen So
mctidos natronos inhumanos abu-
sando del exceso de brazos Y de
falta de competidores. No sera
facil pagar ochenta centavos por
s, 8 v 10 horas de labor diaria,
81 podemos lograr nuestro obieto
dc instalar un grupo de nuevas
industrias en- csda municipio. :.
Por 10 visto ei senor Honore Sc
propone ''libertar" a los trabaja-
dores de patronos inhumanos,
con la installation de nuevas in
dustrias...
Seria verdad rsu generoso pro
p6sito 81 como prueba. no tuviera-
mos los treinta cuarenta mil
cbreros Y obreras, gozando de la
libertad de un jornal de 20 Y 80
centavos en- Ia irdustria de blu
sas;, 10 mismo puede decirse. de
las, fabricas de perlas, de dulces
V de calzado, trafdas por el senior
Honore,
No, amigo; no es con la emf
graci6n nj. con la installation de
auevas industrfas americanas pa
ra explotar inmisericorde nuestra
indigencia, como Sc resualve ell
problema.
Probada nuestra incapacidad. 10
correcto .seria en- vez de impoTtar
industriasl amefleanas, IfirlpdfSRr
profesores, de ciencias sociales, no
de los Estados Unidos que tan
caros y tan naaIos nos han salido,
Y en- donde dentro de POGO trope-
zaran cog 'las mismAs5 Sliaeultades
| Y en donde estas huevas 'ciefcias
coiiiienzan a ser conocidas y estan
haciendose trabajos de taiteos CO.
, mo los que realizan en- materia
! gobierno municipab como en- ma
p; terra de Hygiene y padagog1a So
cial; sino trayendo a ese Depar-
tamento hombres doctos del Viejo
Mundo, de los pueblos padres de
civilizaciones, como hace Chile,
/ Argentina, Brasil, y los misnaos
Estados Unidos con sus tecnicos
europeos, con sus ingenieros bel
gas. con sus expertos alemanes en-
pedagogfa, en- quimica, y en- cien-
cia militar; con sus profesores en-
cicncia agronomica suizos, en- ictio-
logia, noruegos e ingleses.
(Continuara)
LUIS DALTA.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12
sENrIMnENro DE BrENEsrAR

Ese sentimiento de cansancio y
disgusto causaao pot ei tnal funcio-
namicIto del higado y las digestio-
mes dificiles. puede hacerse desapa-
receY de un rnodo sorprendentemente
rapido usando Herhine. Desds las
pramlras d6sis Sc sienten ssls benefi-
cos efectos que purifican y regula-
riz n el sistema, Litnpia el est6mago.
nace desaparecer las Bills u esparce
por Ell cherpo eye setStinifetto de
bteaestar y algeria que es sIehipre
eorlparero de la buena saIud. De
Fallts en- Las fsrmaciss droRuerias
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12
Una dCuSaCi6n...
tContinuacion de la pAs. 1,


a Iin principle fundamental, de que
las democracias no pueden vivir nj
funcionar separadas de sus orgahi-
zaciones politicas.
Ahora, como una treta, para alte-
rar la intervention y procedimiento
en- la significaci6n de las personals
que deben integrar las Comisiones
del gobierno, Sc apela hacer del
Gobernador un dictador del NOM
Eralniento de las personas que de-
ben integrar tales comisiones.
La idea es otra, sin embargo, al
fondo de la question. La mayoria
considera que sacando tales. pala-
bras de las leyes, pueden por 81 So
los, hacer las propuestas y obtener
Ell Iombramiento de sus hombres,
hacienda uso del poder que Sc in
viste por la Carta Organica en- Ell
Senado de Puerto Rico. Y esa es la
posici6n ilogica y arbitraria, que
constituye un abuse de poder y an-
toridad, al pretender que una sola
VOC liable en- tales conisiones "
un solo ORGANISING tenga ell poder
de constituirlas.
Pero, suponiendo que ell Gober-
nador actue hbremente en- la Sc
lecci6n, atendiendo llnicamente la
competencia, Ell Senado de Puerto
Rico no podria impugnar tales can
didatos a base de que no pertene-
cen a la rnayoria, o que no Sc aten-
di6 por Ell Executive la propuesta
del ORGANISING directive del Parti-
do de la nnayoria
Y Sc pretende mantener la ficci6n
de nlantener con vida y valor re-
preventative a un partido que al
aliarse perdi6 en- las urnas electora-
les su signifcado de partido princl-
pal. Z contra ese procedimiento
protesta Ell Partido Socialista. Y
no renunciaremos al derecho que
tenemos de someter candidates para
todas las comisiones y requerir del
Executive que nuestras propuestas
sean atendidas.
81 la mayoria quiere renunciar
voiuntariamente a ese derecho CO.
locarlo en- manos del Gobernador,
Ell Partido Socialista, hoy el segun-H
do partido de la isIa, no Sc privara
por 81 de hacer sus propuestas y
reQuerir del Executive que sean
atendidas J
En- Puerto Rico priva la democra
cia ~ nok Pa sdictadura. Para los
fefectos leg$les solo existen dos par
ftidOs: Union he Puerto Rico v So
,gcialista. stasA demAs agrupaciones
politieas estan 4epresentadas, vir-
tud de la$ coaIiciones celebradas en-
las dltinas eiecciones, por ambas
agrnpacioaies politicas, que son los
partidos principales de Puerto Ri
co.
70 que Sc gano por leyes funda-
mentsles no puede violarse por le-
yes adjetivas. FL derecho del Par
lido Sociahsta tener su debida y
propia representation en- todas las
comisiones del gobierno, no puede
alterarse privarsele, bajo la treta
de suprimir las propuetas de los
organismos directivos de los parti-
dos principales de someter propues-
tas al Executive de Puerto Rico.
|, Y ese derecho, puede estar Sc
gura la mayoria, que no dejaremos
de ejerceflo en- todos los 1nomentos 2
termino diciendonos Ell representan-
te obrero.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12

Estos efectos combinados seran
una revelation para I'd.
Envfe el cupon y recibira un
tubito para diez dfas. Observe que
linpios Sc sienten los dientes, des-
pues de usarlo. Note Ia desapari-
ci6n de la pelicula viscosa. Ffjese
como ernblanquecen los dientes, a
medida que desaparece la pelicula.
Compare el nuevo metodo con
los antiques y decida por ST rnismo
cual es rnejor. Recorte ahora el
cupon. ~
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12
Proteja Ell Esnalte

Pepsodent desintegra la peli-
cula y la elimina por medic de
ur1 polvo r11cho mas blando
que el esmalte. Nunca use un
.destructor de la pelfcula que
contenga substancias asperas
raspantes.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12

Las investigaciones modernas
an descubierto dos destruetores
icaces de la pelicula. Uno la
esintegra,, en- tcdos los estados de
j desarrdllo. El otro la elimina
n necesidad dc friccion periudi-
al. Es HbE
Pruebas han demostrado que
stos metodos trajeron una era
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1925-08-12

Ell MERCEDES 2 DE AGOSTO EN- TRJJLLO Al
ISNTO PUEBLO: EN- LA FlNcA DEL S ESoo-
q .....
diaos GARANTZAMOS DOCUMEN
tuan las
CONdPRADORES 10
brevedad
gra
Evening star., 1925-03-22
Keith 's-Albertina Rasch
Girls.

At r. r. Keith's Theater this week
there is double headliner, composed
of the AIbertina Rasch Girls, 2t
beautifully trained ballet artists, Of
fering a new and different dance ar
rangement assisted by the Eupropean
comedians, Zozo and kiki, and the
Avon Comedy Four.
Joe Smith and Charles Dale in the
latter act, together with Eddie Miller
and Frank J. Corbett, offer "A Hun
garian Rhapsody" an act full OF
laughs and musical numbers.
Others are George Whiting and
Sadie Burt, with a new act called
Several Songs; Herschel Henlere
"Mirthful Music Master" who re-
turns after a three-year tour of the
world, and who interprets the lighter
moods in music: Jane Dillon, dramatic
actress, in a series of character
studies called "Glimpses of Life" ar.
ranged by j. A. Murphy; the Nc
Carthy Sisters, Margaret and Dorothy
in a selected program of comedy and
syncopated songs; the five Dubskys
foreign athletes, in Ten Feet. OF
Feats," and Mankin. the Frog Man
sensational contortionist.
The big bill will be completed with
the screen specials. Aesop's Fables
Topics of the Day and the Patht
News pictorial.
Evening star., 1925-03-22
Earle-Ceorse N. Brown.

The bill at the Earle Theater this
week is headed by George n. Brown
the champion walker of the world
who has an invention of his own, re-
sembling a treadmill, that he uses
on the stage to demonstrate his walk
ing ability.
Sharing headline honors is the act
called You Gotta to Dance" around
which theme" is built a clever revue
presented with a quintet of youthful
dancers. -
Another SMessage" features Eek
ert and Francis, two entertainers who
amuse with song and story, and
others are the Bison City four, a
quartet of men with remarkably good
voices, Including Messrs. Vic Milo
Frank Gerard, George Hughes and Ed
Roscoe; THE Wizard of the Harp"
Roxy La Rocca, a musician, who In
terprets music in many moods and
the Kelly La Teel company, a trio OF
wire walkers.
The film feature will be Para
mount picture, THE Air Mail"
Evening star., 1925-03-22
Poll s-BalieH's Chauve-
Souris.

Balieff's Chauve-Souris. the great
Russian company, returns to Polls
Theater this week, opening tomorrow
evening.
This year, realizing that Americans
are quick to welcome novelty, but
ruthless and exacting in their de-
mand for ever better and more in
creasing entertainment, Balieff is said
to have spent a fortune and many
weeks of an imagin alton keyed to the
highest pitch in devising a wholly
new program, which he is disclos ing
to Washington. That program won
acclaim in Paris through October and
November, in London in December
and in New York ever since.
Among the outstanding numbers are
Love in the Banks a DANGEROUS
competitor for THE Wooden Sol
diers"; 'Stenka Rain" an intense mo-
ment In the life of Russia's Jesse
James; The Zaporozhtsi," a dramatic
recreation from Repin's Cossack pic
ture, and The Arrival at Bethlehem"
which Paris and New York hailed,
but which London was not permitted
to see, through the action of the Brit
ish censor
Evening star., 1925-03-22
National-Ziegfeld Follies.

The Ziegfeld Follies, opening at
the National tonight, is heralded as
alert with the spirit of honest laugh
ter and extravagant in picturesque
adornment. The Folles has grown
into national institution, with the
glorification of the American girl
as its slogan. One edition treads
upon another's heels; none is ever du-
plicated; none ever blazes a fixed
star. But as an institution it main
tains a high standard, recognized as
distinctive and apart from other re-
vues .s..,
The eighteenth Of the series, now
onered in Washington, ran all last
season at the New Amsterdam The
ater in New York. 1t has broken
Follies records, in the cities visited.
1t Is acclaimed as gorgeous, beauti-
warked with wholesome, up-to-the-
minute comedy skits, travesties and
satires. 1t glorifies a new galaxy of
young American. girls.
Paul Gerard Smith has provided the
words, Gene Buck the. lyrics, Dave
Stamper and the late Victor Her
bert the music, Joseph Urban the
scenic investiture, and 1t was staged
by Ned Wayburn.
The company of III members in
cludes Hazel Dawn, Johnny Dooley,
Edna Leedon, Charles King, Lima
Basquette, premiere danseuse; the
Mosconi family of sensational aero
batic dancers; Bert and Betty Wheel
er. Hilda Ferguson, Dorothy Van
Alst. Lon Hascall. Quinault and Rowe,
novelty dancers from Paris; Horace
kuve, RUBY Stevens. Amy Revere.
Evening star., 1925-03-22
Belasco-" -"Seduction.

Entering on it's third and last week
this evening at the Shubert- Bella SEQ
Theater, De Witt Newing's romance
of the desert is being greeted with
larger crowds at each succeeding per-
formance. Great detail is shown in
its various scenes of the life of the
Orient. The interior of the houses,
the robes of the sheiks, the costumes
of the dancers, all are more or less
interesting, while the atmosphere of
the desert is apparent, much sand be-
ing in evidence.
The dancing OF the girls is a big
feature of the play. The premiere dam
seuse, who is said to be one of the
most excellent exponents of the Rus
sian school Of dancing. has herself
trained the ballet appearing with her.
Seduction" in three acts of color
and action, is story OF revenge,
with the wits of the Occident matched
against those of the Orient.
The cast, headed by Frank Wilcox,
Allyn King and Henry Herbert. in
cludes Charles Denniston, Dorothy
Holmes, William Podmore. Adrian
Morgan, Matte Edwards, Edward
Davidson, Erin O'Brien Moore, Hamid
Y. Goshall and v. L. Granville.
Evening star., 1925-03-22

droll martyr to the desire of her
kind to reflect in daily discourse all
the periphra stical elegances of bellies
lettres. So to this day, when The
Rivals" is scheduled, curiosity is
centered on how two favored play
ers will enact these roles.
X x X 4
James t. Powers was a Bob Acres
of the irrepressible kind, who made
his audience laugh so heartily that
it became difficult to grasp the
serious side of the situation IS the
country boy involved in quarrel to
the death must himself have viewed
it. There was not a particle OF
sympathy for this Bob Acres. He
was making everybody have too
good time to permit the suspicion
that he himself was not getting a
shade of enjoyment out OF the occa-
sion, despite his protestations. The
work, nevertheless, was strictly legit-
mate, resembling that of Stuart
Robson as Tony Lumpkin. All eyes
were turned on Mrs. Fiske, who,
it was no surprise to find, gave
the Malaprop character meaning
independent OF the comedy quality,
which she was. still scrupulous to
observe. She evidently accepts the
line referring to the she dragon"
as An important point of suggestion
and tinges the unconscious fun of
the part with an acidulouS earnest
ness. Tom Wise stormed effectually
enough, but was really at his best
in the genial JUNCTION that has dis
tinguished his various roles, espe-
cially the one most delight fully. rem
dered, though perhaps least appre-
ciated, Sir John Falstaff.. Never
were sentimental sweetheart and
dashing lover more agreeably por-
trayed than by Miss Fisher and Mr..
Thompson. while Miss Robb as
Julia caught the rare art of wear
ing an archaic costume in way
that made it. comprehensive as an
Interpretation of irresistible beauty
century or so ago. George Tawde
gave more genuine acting than it
usually received. and less clowning,
to the part OF David, while Faulk-
land, Fag and Lucy did all there was
before them and did it we'll.
X
/
The chroniclers refer to the. first
production OF the play as narrow
| escape from failure because of the
unsatisfactory performance of Sir
Lucius O'Trigger A Mr. Clinch is
immortalized in the theater because
as soon: as the player generously
left to oblivion was replaced by him
the comedy was 3 an instantaneous
| success. 1t is most responsible
role, one which enlisted the talents
of w. ]. Florence so congenially
that our jaunty Irish balladist,
| Chauncey Olcott, had his compari-
sons to face when he essayed it.
Players are not always modest
! in sclf-estimate, but for this por-
traiture it would be the indis-
putable privilege of Mr.. Olcott,
should he care to exercise it, to dis
pense with the services of press
agent or critic and write his own
adjectives AS reflection of the
Irish gentleman he evidently knew
precisely the effect he was after and
played with the easy confidence of
| the artist who knows exactly what
he is about, to the last subdivision
OF second and the faintest flicker
J Of an eyelash.
Evening star., 1925-03-22
President-"Rai
:, (Fourth Week..

"Rain," w. Somerset Maugham' s
South Sea drama, which has been win
ming it's way at the President The
ater with Katharine Hayden in the
principal role, will open in it's fourth
and positively final weeks engage
ment at the President tonight at 500
o'clock. There will be the usual mat
inees on Thursday and Saturday at
2:20 o'clock, and attention Is being
directed to the fact that the popular
price scale, inaugurated last week,
ranging from so cents to $3.50 at
night, and with correspondingly low
er matinee prices. will be continued
throughout the engagement.
Rain" was presented at tho Ma
tionaI Theater for a week early in
February by another company, headed
by Jeanne Eagles. and achieved a
sensational box7office record. 1t is
the dramatization by John Cotton and
ClemenGe Randolph Of the now IA
Evening star., 1925-03-22

nous magazine story" Miss Thompson, -
by w. Somerset Vaughan, tense.
gripping character study. located at
the port of Pago-Pago. in the South
Pacific island of Tutuila, and 1t re-
veels the outcome OF a dramatic con-
fict between a harsh, arbitrary re-
ligious Zealot with political tendsn-
cies and woman of obviously doubt
full character whom he is attempting
to oust from the island.
Katharine Hayden appears in the
featured role of Sadie Thompson. sup
ported by a Broadway cast that in
cludes Frederick Smith. Edward
Keane, Josephine Morse. Jack Neitch.
Grace AIDE. Harry Burkhardt, Joseph
Robson, William McFadden, Albert
Barr and May Anderson.
Evening star., 1925-03-22

Johnny Stanley, Helen Paine, Caro-
lyn Nolte. the versatile Empire Girls
from London, seen here for the first
time, kelso and De Monde. Dave
Stamper, prolific Follies composer;
William Roselle and Alexander Va
kovleff, the Russian whirlwind. Ben
Ali Haggin has created a new living
art spectacle, and a very funny nov
city will be presented in the Shad-
owgraph, an optical illusion that is
said to afford startled surprise, nerve
thrills and an uproar of laughter.
Attention is called to the rise of the
curtain promptly at Sis, as the en-
tertainment is a long one.
Evening star., 1925-03-22

long g-CheriShed theory, but one hard
to defend in recent seasons, that
popular taste is ready and eager to
respond to good plays in good the
aterS. Meretricious demonstrations
have their places in more obscure
auditoriums, where they flourish in
comparative immunity at reduced
scales Of prices. 1t is the intrusion
of this type OF entertainment into
theaters of legitimate tradition that
is most resented-and where we
may judge from this resentment,
their influence on thought and Gus
tom is likely to be least. The un-
compromisingly coarse footlight dis
play is permitted to flourish uncen-
sured where it is. in all probability,
likely to do most harm.
x Z I =
Blossom Time" is another ex-
ample OF enthusiastic popular re-
sponse to straightforward genuine
excellence with classic Renaissance
in a setting OF idealistic romance.
Blossom Time" hourished in serene
luxuriance midway between Rain, >
at the President, and Mud at the
Shubert- Belasco.
x X x x
The Rivals with its superlative
fnesse of diction, arrived as an in
teresting coincidence with a revival
of attention to the fact that our
political life still has room for gilt
tering interchange of rhetorical skill.
1t was week OF renaissance in evi-
dence from the dome of the Capitol
to the pit Of the theater Sheridan
was himself no slight politician, so
far at least as earnest and graceful
expression was concerned, however
incompetent he may have been, as
the closing days OF failing fortune
attest, in matters of practical in
trigue.
Attentive admiration inevitably
centers on the roles of Mrs. Mala-
prop and Bob Acres In our realis-
tic mood we have dropped away
from the suggestion of character de-
scription in naming role such as
Acres, Malaprop, Absolute, O'Trig-
ger, Miss Languish and so on.
Charles Hoyt was the latest writer
of comedy to employ this method
with any great prominence.
x x j; x
There are two distinct lines of
satire in The Rivals" One of the
plays most admirable qualities is
the deft accuracy with which they
are woven together in compact mar
ratiye. Sir Lucius represents the in
fuence of the code OF the duello
carried to the most fantastic degree.
Miss Lydia Languish presents the
young lady whose mind has become
overwh elmed by the absurd senti-
mentalism of the novelties read by
herself and young ladies of her like
in hours of surreptitious ecstasy
Welded together the threads of mar
rative become a graceful, whimsical
and comparatively distant echo of
old Cervantes himself in protest
against the grotesque results of a
too devout reverence for the arti-
fetal heroics of chivalric tradition.
x x x
While these two figures appear as
the basic representation of extrava-
CANT sentiment for dueling and
clandestine courtship, attention soon
turned more strongly from their
subtleties to the more emphatic
revelations of the low comedy char
acterS; to Bob Acres. more laugh
able as a victim on the field OF
honor, and to Mrs. Malaprop. as 4
Evening star., 1925-03-22
PIaygoers Evidently Prefer
Schubert and Sheridan
By Phi1ander Johnson.

One OF the rewards OF merit which
serve as buoyant influences in the
hopes OF all good actors IS that OF
appearing some day in an all-star
revival of The Rivals" or The
School for Scandal" One OF the
gushing traits of George {.
Tyler is a desire to assist the ambi-
tions of actors and authors on legit-
mate lines, and it is to him that
the public naturally turns in expec-
tation OF some such delightful dem
onstration as the presentation of a
group of favorite players in Sheri-
dan comedy. 1t is not an ordeal
The play, which, after AL, is the
responsible point OF interest. is
time-tried and dependable. The ar
lists, too, step securely among foot
prints they have already left in the
sands where they have trod some
times at merry pace, sometimes
haltingly in fair or murky weather
among the varying breezes OF pop
ular approval or disfavor.
A good actor is not always good,
so far as the immediate public sees
him. He can be convincingly good
only with good play.
x x K
Tyler is one OF the most interest
ing figures in the theater, because
he may be ranked as the only critic
producer actively in evidence. With
remarkable practical sense he
combines a profound admiration of
the traditional excellence OF the
theater and keen recognition not
merely of novelties in plot and
climax, but OF genuine literary val
ueS. Not only has he restored au-
thors who had come to linger in the
shadows of obscurity to luminous
attention, but he has promoted
many novice to distinction which
even fondest ambition could scarce
ly have expected. However, Tyler
is, first OF all, a reputation wor-
shipper. He plays favorites with
sportsmanlike boldness and leaves
the unmistakable impression that
the zest of pursuit and attainment
mean more to him than the glow of
pecuniary comfort.
x < X
1t is pleasant to contemplate the
endeavors of a manager OF this type
at the present moment, when saCrI-
fee of standards in order to meet
monetary eXactions must. in view OF
previous services and future expec-
tations, be condoned
X x x K
Tyler has never wavered His
plays. good, bad or indifferent as
they might prove in the course of
rapid try-out. have always been
drama and never examples of
sheer catch-penny exhibition. When
Charles A. Dana conducted tfle New
York Sun it was described facetious-
ly as the only newspaper i'll the
world that appeared to be conducted
for the personal entertainment of
himself and members of his editorial
staff. The Sheridan revival leaves
the impression that its chief pur-
pose was to afford delight to its
promoter and to the players whose
distinguished attainments entitled
them to the serene pleasure of re-
viving the old mutual courtesies of
the stock company, each member
taking the center of the stage in
.unchallenged security whenever the
authors imagination SO placed the
role.
As for the public's part in the en-
terprise, it went far to vindicats a