davidaulloa/AmericanStories huggingface dataset:
Putnam patriot., 1925-04-10
WOODSTOCK

was SStsssary ss sssssssr3 ass s ~srsA.
 seaa EaE s4.ssa as xsl.sns ssil
 -z-sasr ssAaxs s Assr< ex sss sarsss essa..sass.
 h-S Ssary Esrussaw ssss2s& --ssss~ Hassss st @1zsasn kse A ss@ Ases ssss ~e.f.k
 Ms Sssssa 1ssn.~ss sS <nasszr ss s.ssasx . xsssSssp s1 Ase hssnss as sskrasss.
 sss<S< tns <zsaEzr S<savs& a-~ ~'sr<ss sf esarfesee sse sas sSsasasS ss-se esrs. gexzsA = Se<a<<z s AeaS x9 ~sss sa 8s-ssk sx as&sssss CD tas ases< Sat ssf,salssssr
 N ana M-s. ssseSes Nss sssrs ai,s ase.tkzszss @s.a e,s sz.s2s ef >f.41a Ntaeaas1es
 StA Sa4@ s sssg ssssssss and srasasss as Sad Sss's a.Sksss sas Es ss s4sa
 M ars Nss. Na & N ss<ss Wsae assk x1s reass s Nzss &sesss kAs 8zs ssm
 E and sSs~ Ssazss Nsas han aud asas ssassaka ~sHs sass s s ees sass Sss4ss-
 Hs Exss. Was Aas sssa M esssss @1asks. ss ss sss4 ss Asg bad ass. ef sae sR
 see7sx and Eaxs1as kAs sz> sessg ss.esx Asszsz sssssas# astA R@s N ssaz sxssG.zS
 Nzarase See3S kAsaxAs N Aas aes AFesz4 4ssaN>sss ezss sN aassl- sssS sss s&Ss sasek-<ss4
 kss@zx~ se@S AsA stsN esssr- es sss rAazs Tsssess< ss >esass ss.ssS ax 4as 2s4 ssa Mlss NeszAa Rs sS
 FNs gaasr SsTss@4ee NaAsss.sr A.sls s7ef seaessY wsessesx se S.8a- sss exsesss ti s&s ts,S ~ Aeeas.A FsNvs
 rex rrsser r,sssaax aass Teassasy sxvszs< ~zs s1 sNs Asrs ef M xaA Ms Es0aFss &4aS 0sss sAFss ss- tsnssS
 NrS t wnas ss szs Asus p SgasA W sssssssS Ger ssx psssent l.asex ses ~ ze ss &esk fSassA fss gAs sa.asass
 NJ sas Mrs Nasm Nx&ss Asss heen seteS7ek 6 xsSss tsszs Ess 3aasAssrs. Masy Ss8 EgssAs. Assa ss wh1m are asss esag seAeeA sR sAes state
 Mss N'eassaese k'ftsx &s3 Msss Chsssan ot aae As#sss2 fssasg ase saeasssac sss asssss esessssa st thels respective E
 TAe teH sse w hss mees8aE in 5ht ess essss ea N e.s neszlay eet#Hf s sNsessga shas Gearee ManHssn a sss ar ass- srAte3 wseelesae sa& saHstes ei falleN
 NJ sna WHs Nassss etSsk ssse moved into shsr asW ~ ssssat. s.=-A sA-- az.aszs-.sa A-ss..s s-==- owned hy Gseres SNsaasne KAeA N.ne slgsSs s.faasstst Wth sAt house
 Tho ian4ar aensTkaseHs ef she East Noaasgeck Sunday sehst, plans te have sanner ard seeiai en ffszaN evening nF tfkr. Mes. Carl Merse and Mrs rsal y GsHeg3 arg ths sesa- mitter in eaarSe
 Palm Saa.iay was observed as church Sunday nefntssg NasA ap &1' propYiase seHHaa ay eur naSseF Ns Hatch ard a sctr hv Mss iseasse Lswtan. fhs rpssFatn was pgxssaiN decorated Wssh ae4es@ Aaa pSims
 Nrs Cyrus resser entertained Mss
Putnam patriot., 1925-04-10
WEST GIOCESTEH

ssQSss NssSes . ~Vxsss sx<a.
 sssess <s4&,sss b <ssS ~sA ssA4
 Nx~ Asssa@a A aka ee >s ssssa sss.la N~ &a.i Ns~. ssessss >a4ssez -es~ Al >ss<A <seS~ses=eessssss ss.s ~sse&
 Ns &a2sx4 so2 N. >Nesmsss ss sSssssssssssss Com ss aes Aa M
Putnam patriot., 1925-04-10
kasa4s s a.@~

a-ssl,sN s.t eSssssia<eSS
 s~ se4 N~S Sss& <os~si9R &a sesseesslsfsss AssNs <slAs>& "a NsN cd NsS ts&ssk SzSsszs >cslsgass.
 sNs &szsss ksS ss-sa ~sSa NxN fsusx sssnsssx N ws.sasss~s.ss A sAN@&S~ eQ as<ss& sesst. s>sx hS,A4sss ~ss<s,4x ~ ss.l=sss ss.4Ssss. ssssR sad ss@-s~t<&eA ssss sex eess~A >sass ssesssSs sasA M. sssss *sasA
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
BILLY FOSTER A
FAVORITE IN
BURLESQUE

Billy Foster. Dutch dialect
comedian, heading the white half
of the opening attraction at the
Gayety Theater, ''Rarin' To Co..
is one of Columbia Burlesque's
most popular comics. This truly
droll comedian has been doing
a Dutch role for goodness knows
how long and his following has
increased yearly. Foster is d
philosopher. Unlike many COM
edians who yearn to be TRACE
dams, he is content to assume a
putty-nose, a misfit suit of colthes
and emit funny, lines in a shatter-
ed dialect.
Years ago Foster began his
Dutch comedying. And in all
the seasons that have rolled on,
never once has he changed his
character. No second season
finds the same quip in his fund
of humor. and in that. probably,
lies his continued success. Audi:
ences know that Foster will
break every known rule of rhet'
oric but never will hold over a
joke for a second year. He is a
college man and off stage one
OF the best.read performers in
.-ss1Wland. "a zst .g ttt.,st1A.ss. t.tst.5fA
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22

A history of the motion pic
ture industry might have been
written by the members of the
cast of Siege" which is the
feature picture at the Rialto, be-
ginning tomorrow.
Virginia VaIN started her film
career when very young. She
haunted the casting offices of
studios in Chicago for months
and was informed by casting d.
recters who have since depart
ed-that she was impossible for
pictures. She did her first work
for the old Essanay Company,
which is now but q memory.
Eugene O'Brien, for years a
star on Broadway, was introduced
to the screen in the early days
of the Selznick Pictures Corpora
ton. with whom he was starred
in his own productions. He has
since been in pictures for eight
years.
Marc MacDermott is a. former
stage actor and one Of the screens
first big stars. He might we'll
prepare a history of the films,
for he has been in them since
the days Of Lubin, Essanay,
Tannhauser and other big pro-
ducing companies of the past.
Mary Alden, prominent screen
character actress, was introduced
to the screen by D. w. Griffith
about the time he was making
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
MIR. D ORSEY COMMITS
"a VOX POP

sively yours, fifty-two weeks per
annum. / might hand you a line
about Mae Busch not liking short
skirts, but I've already given
that to Lee Somers and besides,
you'd say 1t was all a lot or
applesaucer and that she wears
EN- up to her knees all around
Los Onglaze.
Well. kid, this narrows down
the field some. must admit.
could write you another piece
about how Mae Busch gave up
opera to fulfill her destiny on
the silversheet, but you'd say
that was so much la-de-dah. so
think I better pass that up.
Maybe you'd fall for a story
on how Tod Browning, who pro
duced this new Metro-Goldwyn
picture, THE Unholy Three"
featuring Lon Clancy and open
ing a weeks engagement tomor-
row afternoon at IoeW's Palace
theater, continuous ) to IL p. M,
prices never change, believed in
the screen back in the early days
when the whole world was sneer-
ing at 1t but il did you'd prob
ably say that was just a. cheap
trick to slip over on your col
unns, a little publicity for that
extra film we're going to run
at the, Palace tomorrow and all
next week called Thirty Years
Ago and including excerpts lis
that right from the Oldest film
in existence. 1.-The Kiss" made by
other super-productions dated re-
spectively 1898 and 1908 and. en-
titled. respectively. "Old Maid in
a Drawing Room" and The
Great Train Robbery"
Wen, kid. ] guess I'll pass you
up entirely this week with a
special. The press book on this
show is nothing to write to Mar
jorie about and besides. it's one
of them crook dramas full of
thrills and tingles and what have
you got? III you want my ad-
vice, I'd say just let it go at this,
only don't forget to say that it's
called "1'he Unholy Three" fea-
turing Lon CLANCY, and starting
q weeks run this afternoon at
Loew's Palace Theater, F. street
at Thirteenth. Please remember
me to all inquiring friends and I
beg to remain,
Respectfully yours,
Earle Dorsey.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22

For seventeen minutes every
night and twice on matinee days,
Leneta Lane. assumes cataleptic
pose on the stage Of the National
Theater and she designates this
chore as one OF the stiffest She
has ever undergone. Part of that
time she is stretched across the
arms Of a chair. with her feet
held rigidly in the air with no
support.
Just as important as memoriz-
ing the long lines of her role. as
Kiki. was the preliminary train
ing necessary to maintain thfs
pose of catalepsy.
AS XIII the little Partisan
canine, she wins lover every
night and at all matinees simulat-
ing by the cataleptic condition
so marvelously that even her as
sociates have wondered at the
phenomenon of her performance.
And. of course, being a very
intelligent young woman with a
lot Of ideas under that mop of
hair-Miss Lane has generated a
few ideas on the subject of women :
who get their own way by pre-
tending to be sick.
But before any 1ovelorn lady
decides to initiate her. and to win
a lover by Stimulating the wax
like inflexibility of the cataleptic,
it should be pointed out that one
of the drawbacks is that she must
keep her mouth shut!
THE man of 'tKiki's" choice. as
he moves her rigid body around
the stage from one place to an
other, remarks that it's very
soothing to be able to talk. to a
little lady who can't answer back!
Moreover. the cataleptic imita-
ton requires muscular training,
and Miss Lane has put in a lot
of time making her muscles
realize that they are the organs
of her will.
Now her arms and legs will
maintain any position they are
placed in by others during the
seventeen minutes that she is as
passive as a wax statue.
So altogether a cataleptic fit
cannot be recommended as an
easy stunt for the average
woman.
But there are a lot of other
pretenses that woman of GER
tain type have always specialized
in" says she.
1.-THE cave woman probably pre-
tended to- be stranglingg in her
tangle of hair when her mate
wanted to do something against
her will. He had to stay home to
disentangle her
50. The Victorian idea was to
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22

My Dear Mr. Phillips:
Seeing as how you're back from
Carolina, and seeing as how it's
very fashionable these days for
press agents to write letters to
dramatic eds, thought I'd drop
you a couple of hundred lines to
tell You my. troubles, as the say
ing goes.
I'm supposed to write you a
nice, clever, snappy. brilliant and
informative piece of copy on Lon
CLANCY in 1.-THE Unholy Three"
that opens at. Loew's Palace to-
morrow afternoon for a weeks
engagement don't forget to leave
in the name Of the theater) and
got so much stuff to write about
l don't know just where to take
holt, Mr.. Phillips.
For instance, might write you
a piece about how Lon CLANCY
is off the makeup for life Tor
until, maybe, his next picture),
but I've already .peddled that
around and I'm always exclu-
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
PATSY PREDICTS
A RADICAL
CHA NGE

Patsy Ruth Miller predicts =
bankruptcies screen actress. S.
4 1.-THE necessity of naturalism
lin motion picture acting Is being
drilled into us forcibiy. says
Miss Miller, whose latest appear
ance is in The Breath Of Scan
dial. 2 coming all next week to the
Strand tl1eater. II shouldn't be
surprised liz in the near futuer
directors viii ask us to leave our
makeup boxes home. and bring
only our acting ability :.
Until it is tried and other
wise proven, the idea seems to.
have merit. The art Of makeup
can sometimes reach the point OF
gross affectation. and sometimes
it does.
At any rate, the experiment
viii be worth trying In past
years we expeEiInep with the
elimination OF sub itless and while
we have not vet achieved the
state of perfection where we
can dispense with them in all
pictures, we have at least sue
ceeded in dropping some 81 the
excess baggage.
without makeup 1t would be
necessary to, devise a new lighting
system, and perhaps q profitable
discovery lies in that direction.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
Talk about action!

Talk about action!
And then talk some more about
action, for the subject Is worth it,
An ocean liner actually blown
to atoms, live leopard escaping
from his cage aboard the ship
and driving panic-Stricken passen.
gers from the lifeboats, a. fight
between Lloyd Hughes and the
leopafd-these are some of the
spectacular thrills that will be
shown on the screen at Crandali's
Metropolitan and Ambassador
Theaters when First Nationals
feature picture, 1.-THE Half Way
Girl" is shown there beginning
tomorrow.
Doris Kenyon and Lloyd
Hughes are featured in this pic
ture with a supporting cast that
includes Hobart Bosworth, Tully
Marshall, Sam Hardy and others.
Earl Hudson, who produced
t'The Lost World" supervised the
making of 1.-THE Half Way Girl. 81
and he has attempted. to produce
the greatest picture OF its kind in
history Of filndom.
ITO make a picture greater and
more realistic than any other
Hudson bought 4.000-ton steamer
which was built during the war
by the United States Shipping
Board at a cost of 100000. On
this ship fire scenes that will
make motion picture fans rise
from their chairs are laid.
Hughes, Mss Kenyon and Hardy
fight their way through flames
that threaten every moment to
engulf them. In fact. one of the
assistant directors was badly
burned saving Miss Kenyon from
the fire i'll the making of one
scene.
Scores of men and women are
seen jumping overheard, forty.
two feet into the ocean, when the
flames and an. escaped leopard
drive them almost mad with
flight. On the burning boat
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
LIOyd'S Wife To
Do a Comeback

Mildred Davis is coming
back to the screen. Plans
are completed for her to
come out Of retirement, which
started three years ago with
her marriage to Harold Lloyd.
Announcement. that she will
renew, under the banner of
the Paramount organization,
her highly successful picture
career was made by Jesse L.
Lasky, first vice president of
the Famous Players-Lasky
Corporation, following the
conclusion of negotiations con-
Quoted with William r. Fra
ser, general manager of the
Harold Lloyd Corporation.
Having made her decision
to return to the screen, Miss
Davis will lose no time in
getting back before the klieg
lights. The picture that will
mark the end of her long re-
tirement, is '"The Spells Of.
War;" in which production
she will play the featured
feminine lead.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
WHEN OLD NEW YORK
s WAS YOUNG

When Meade Minnegerode re.
Gently published his rather fasci-
. mating researches into New York
ard American morals and man
ncrs in 1.-The fabulous fortiesn and
described in detail the various
classes Of New York society that
turned out to ernbarrass Charles
Dickens at the great Boz Ball. he
! probably had no suspicion that his
& researches would epreye of the
greatest value to a motion-picrure
research department in construct
ing for the screen gliInpses Of
Manhattan in that far-off day.
Nevertheless. Mr.. Minnegerode'
sketches proved of the greatest
possible value to Sidney Olcott.
the director, and the Famous
Players-Lasky research department
when they started to build sets
for the picturized version Of mot
So Long Ago. the latest screen
starring production for Betty
Bronson, star of Peter Pam"
which comes to Loew's Columbia
tomorrow afternoon for a weeks
engagement.
Director Olcott, as a prelimi-
nary to filming this story, read
Mr.. Minnegerode's sketches very
carefully and thus it happens
that the screen version OF this
Arthur Richman, romantic comedy
becomes infinitely more atmos-
pheric study than it was on the
stage. and a picture that shows
us New York in the days when
New York, with a mere 100000
people. considered itself real
metropolis and turned out TO see
the Fencibles parade with all
their plated ware carried on a
pole at the head or the line OF
march.
Them were the days, to para
phrase the song, when a lady was
very much of a lady or no lady
at all, and when gent was a
perfect gent or not allowed to
hang around Castle Garden when
the gentry took the air. Niblo's
and the Cafe des Mile COLONIES
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22

rumored new wizardry OF EdlSo
At the end of the usual pro-
gram the house was darkened to
absolute blackness. A mighty
grinding and whirring arose from
somewhere in the balcony and a
pencil of light shot down against
a white curtain above the stage.
Then out on the screen flashed
the figure. of Annabelle Moore,
then a famous seFpentine dancer,
sllimmering ins endless yards OF
silk. It surely was Annabelle.
more than Hfesize. The audience
stood up and shouted.
There were bits Of scenery
fash OF the last act of Hoyt's "A
Milk White Flag then playing;
a dance by Mae Lucas from Ed
wards ''Gaiety Girl" and last
and greatest Of all. picture
which actually showed breaking
waves on the shore.
When the first wave broke, the
occupants of the two front rows
stanapeded to keep from getting
wet. Each little picture was
about forty feet long, lasting only
= few seconds. The pictures had
Maria studio at Orange. Most
peep-show parlors.
At that time the destiny Of the
screen was III the hands Of Nor
man c. Raft, OF Canton, Ohio,
who was senior partner Of Raft
and Cannon, agents or the Ed
ison kaleidoscope, first of motion
picture film devices. There was
a difference of opinion between
Raft and Edison about the inn
mediate commercial future of the
motion picture. Edison, guided by
his experience with the phono.
graph, held that the films should
be restricted to showings in kline
toscOpe peep-show machines in
the arcades for a while. Raft
and Cannon wanted to put the
pictures on the screen after the
manner OF stereopticon slides.
While Edison, reluctant, delayed
the perfection of his projecting
machine, Raft came upon the
projection device invented by
Thomas ArInat in Washington.
It was this machine, called the
vitascope, which was mlanufac-
tured in the Edison plant and
brought to Broadway for the pre-
miere.
The scope Of the movies future
was not understood even by men
who recognized it as an amazing
invention. Charles Frohman, a
member OF the first night audi. !.
ence, with other theatrical lead
ers regarded it as an adjunct to
the spoken drama. rather. than an
independent rival.
His comment, made to . news
paper, was:
s.The vitascope means the end
Of stage scenery. Some day the
scenery viii be thrown on the
stage with this device and the
actors will appear In front Of il,
The dead things Of the stage
must go.
Edwin s. Porter. young cleo
trician employed by Raft & Gam
mon, later caused a revolution
In the motion picture world by
making screen drama, then
called a STORY picture" This
first. screen drama was 1.-THE
Great Train Robbery and it was
nearly a whole reel long.
The Palace Theater screen viii
show this. picture Tor the new
week beginning tomorrow.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
THE PLAY CALENDAR

MUTUAL-MutuaI Burlesque, Naughty
Mites
other. features.
METROPOLITAN Doris Kenyon in
1.-The Half Way Girl"
COLUMBIA-Betty Bronson in mot
So Long Ago"
PAGACE--Lon Clancy in THE Unholy
TIVOII-Milton sills in "The Making
of O'Malley.'
ENTHUSIASTICALLY Half Way Girl"
CEN r r L-"Steele of the Royal
EARLE ROoF-Films and dancing
COming-August 80
NATIONAL-National Players in why
- Men Leave Home"
EARLE-VaudeVille and films.
STRAND-Vaudeville and films.
: GAYErY-Wiltons Girl Club bur
Mutual - Evelyn Cunningham and
METROPOI.TTAN-C Instance Tai
fnadge in Her Sister From Paris"
PALACE-Norma Shearer in "A Slave
of Fashion
OBSERVATION-DISCLOSURES Swanson in The
Coast of Folly
TIVOLI - Corinne Griffith in The
Marriage WhirL"
EARLE ROOF-Films and dancing.
AMBASSADOR - Tier Sister From
:, r Il,s,ss !, =
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
Where To View
The Air Artists

taking the Air" with the
Crandall Saturday Nighters,
the motion picture produced
by Harry NJ. Crandall to show
the process of broadcasting a
radio program, has booked
through all of the, Crandall
neighborhood theaters for the
coming week with the excep-
ton Of Crandall's York. The
playing dates will be as fol-
lows:
Sunday and Monday, at
Crandall's Tivoli; Tuesday,
Crandall's Home; Wednesday
and Thursday, Ambassador;
Friday, Avenue Grand, and
Saturday, at .Crandall's Apol-
10. Nat CHASER, manager of
Crandall's York Theater, re-
fuses to ran it on the grounds
that his presence in one scene
blastssits every hope of popu-
lar appeal, so patrons of the
York are advised, if they
wish to view this bit Of en-
side stuff" on the radio, to
attend either the Tivoli or
the Ambassador.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
THROCKMORTON
DESIGNS NEW
COMEDY

Lovely Lady" the Jesse
Lynch Williams comedy. ,spon-
sored by Wagenhals and KEN
per and scheduled at Polls for
the week of September IA. is To
have the newest furbelows in
artistic stage settings. Cleon
Throckmorton, a former Wash
ington artist, here during the war
with the Washington Opera Com
pany and later identified with
the instruction of negro players
at Howard University in the
building of scenery, is designing
the mountings for this new play
Mr.. Throckmorton is popular
in New York for his unusual
creations for Theater Guild pro- {.
auctions. He is of the modern
school which allows him free
range in setting the stage for
Lovely Lady" a thoroughly
present.day comedy.
This is the first Wagenhals 4
and Kemper offering in two.
wears and marks the return of az
firm that has given the theatef
many IAN suspicious evening.
Two other plays are,9tO follow
Lovely Lady.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
Gayety Staff

Manager Ira j. LaMottee of
the Gayety announces his staff
for the 1925-26 season: Mrs. Peter
L. Barlow, treasurer; Miss Flor
ence L. Barlow, assistant treas
urer: Albin Strauss, musical di-
rector; John Becker, main dooc;
Hiram Ritchie, stage manager:
Al Horseman. electrician; Harry
Watts, property man: Harry Sci
lers and E. VanTassel. advertis-
ing: Mrs. Nanny Wall, chief
usher; John Madigan, house Off,
eer;e A. Moller, balcony 1oor;
John sAckers, stage door; Charles
HUMPHREYS, night Waterman; Al
III. Clark. superintendent Of build.
ing. and Peter Norris. house fire
man.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
MEIGHAN GIVEN
OVATION
ABROAD

o'Connell street in Dublin was
the scene Of a mob few days
ago when $4,000 persons miiled
about Traffic was stopped COM
pletely and police were powerless
to COPE with the situation.
Sounds serious. Ell? But 1t
isn't. Not a shot was fired. The
only sound, other than the shut
fling of the feet of the mob, was
the gentle purring Of motion
picture cameras as Thomas
Meighan. enacted scenes in 1.-THE
Shamrock" the story he is max
ing for Paramount from the Sat
urday Post story THE Imperfect
Imposter.''
The crowd was so dense that
Director Victor Herman was un-
able to proceed with the picture,
and all the scenes had to be re-
shot the next day.
Meighan's appearance in ire
land has been the signal for one
long ovation.
It started on the S. S. Levia-
than on the way over. A special
edition of the Ocean Times was
devoted largely to the star. When
he reached Erin, and landed az
a point seven miles from Dublin,
he found thousands lined up
waiting for a glimpse of him. The
drive TO. Dublin was "a triumph.
literally. with the country folk
lining the roads and cheering,
such is the popularity of the
star in Ireland
President CosgrsYe welcomed
him officially when he received
him at the Executive Mansion.
and he expressed the hope and
the confidence that the picture
would truly reflect Ireland's glory.
Lois Wilson has joined Mr..
Meighan. She is to have an i'm
portant role in the film.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1925-08-22
KNACK OF THROWING
ONE FIT "A DAY

faint. Da1nsels tainted before
marriage as parlor trick.
Nov the health idea is too
popular for iuvalidism to- make
any appeal during courtship. The
average youth admires a girl who
is, physically fit.
but after marriage there are
a lot of women who try to get
their own way by pretending TO
be sick. After time it becomes
a habit and they do its tlncon
sciously. This sort of wife can
always really get headache II
her husband doesn't do exactly
what she wants just when she
wants 1T. - - = 49,
what should a husband do TO
such a wife? -
"The invalid wife whose In:
validisri1 is genuine-she, Of
course, claims affectionate con.
Germ Of, the husband who really
loves her.
"But the wife who dominates
her husband by shamming illness
until she really believes in it her.
self--well, she needs q stern /
lesson"