Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1924-11-18

And guiding. developing. bringing
70 its best, through 1t all could be
seen the work of the master-teacher
when the Maine pupils of Isadore
Braggl0tti gave n recital, Monday
evening at city Hal, before large
number of the friends and relatives
It was a distinctive gathering OF
singers. because each ono is n Maine
person and .hcir successes of Mon
day evening but reflected glory upon
their teacher, Blaggiotti.
1t was m evening rep,ete with
musical good things. and II victory
wthal, for the teacher. The ma
'erial. much or little. nodded by the
instructor. gave, in its entirety, an
insight of the work which he Is try
ing TO and which he is accomplish
ing among Maine singers.
1t would be unscemly to select
ron the number of singers one or
TWO or more and hail them rs the
hlghlights Of tho evening. because
interested friends and interested
relatives were there. coming from
Oil over the state and elsewhere, to
near their friend or their relatives
sing Opinions would differ, consider
Ing oil points,
simple in harmony to the most
clHlcult operatic selection embraced
Tue program. And as the forenote
On the leaflets explained, the pupils
presented that evening had been
SGeeted from BragEiottis Maine
.'aSs Tor one or more reasons, in
some cases all. OF the following:
seniority. diligence or unusual native
eauly OF voice. One or two be-
sinners appeared that those interest
VI might observe the voice devlop-
ment at succeeding recitals. The
ltliod OF study represented by the
inherent voices. varied from two
months to three years. this longer
Nfiod being interrupted by Brag-
s,o'tls unavoidable absences in
Europe.
Two voices, of perfect blending
seFe those of Ethelyn Burleigh
Maoos, soprano and Eleanor Nc
Nsus'and Fleming. contralto. They
Sas laio. duet Gle Roi d Ys.D
Except for the deeper timber of the
sVaIFaito. their voices were like n
WHY two toned instrument with
NNery surencSs and ease OF range
Swell.
GEAR, distinct and expressive was
40 s.ola Rice. soprano. as she sang
me Night Wind" and "ro Hill
w Her second number was
snush'ly. with lights and shadows.
na youth, coupled with charm and
sMsetnesS. made her appearance de-
WIN years to temper It's quality
W. W. NE to deepen its expression. the
AVE- e OF Earl Welci,. baritone. will be
Va. a more pleasant to the ear than 1t
NJ. Monoay night when he pleased
n. s~Saience with Dreaming Alone In
1. e s,xnight and Love Sends q Lit
%HNt OF Roses"
rsss Manter, mezzo-soprano. sang
eAgss tMassanet) with violencello
eNgsso oy Sue Winchell Burnett. The
M deep and materially rendered.
@n. almost significant of the voice to
asas, Even though tie voice con-
so,a On from the end of the stringed
a. ~ was sweeter, fuller. it was
a n, anu 1t gained volume as it pick
te,cssuy favorite with Augusta au-
,acs - ana others as we'll. the appear
ta, va, Roger A. Nye,. tenor. of Fair
tSr,, vas greeted with applause. I'm
lsst sa,y Mir. Nye was not in his
Al
"a Ia a sp he pleased his audience
eaald ~, displayed true artistry that
Int anUs oe denied. His numbers at
fAe nssarance We're: (a) Massanet
see an am cManonD; (b) OF the
sanoli,as You (Kerm; (c) Carme-
ksnSsr - different was q religious
: sought the Lord" (Freder-