The Sauk Centre herald. (Sauk Centre, Stearns County, Minn.) 1886-current, 1924-03-06

sect out of here or I'll kill you,"
shouted the infatuated pants presser.
His employer, Abe Potash, did not
wait for a second command. He
backed out hurriedly-right into a
dressing room used by his models.
Abe became aware of kaleidoscope
of feminine lingerie before he fed.
A minute later he found himself in
another dressing room, where three
pretty young models were in various
stages of undress. In trying to get
out he stumbled against a chaise
lounge and sat down abruptly. Then
the trouble started.
Gus situations in potash and Perl
mutter," a First National picture pro-
duced by Samuel Goldwyn, which is
coming to the Caughren Sunday and
Monday, March 9-10. Clarence Badg-
err directed it, Barney Bernard ap-
pearing as Abe Potash, Alex Carr as
Morris Perlmutter and Vera Gordon
as Rosie Potash.
Keeping up appearances. This
bane of the modern matron's exist
ence, is seen to excellent advantage
in Jack Hollis Paramount picture,
ga Gentleman of LEISURE" which
will be the feature at the Caughren
Theatre March IL. Mr.. Holt is ably
supported by Sigrid Holmquist, Cas-
son Ferguson, Alec Francis, Adele
Harrington and others.
1t developes that Sir John and
Lady Blount scheme to marry their
nephew, Sir Spencer Deever, to Mol
ly Creedon, a wealthy American girl.
When Molly decides to return to New
York, the Blount's accompany her.
To obtain money for the passage, Sir
John, unknown to his wife's pawns
the Blount diamonds, which jewels
are an important factor in the story.
Sir Spencer's counting is anything
but success, and the hopes of Lord
and Lady Blount are shattered when
Mr.. Holt, as the hero, steps in and
captures Molly. Sigrid Holmquist
plays opposite the star.
If ever May McAvoy plans suicide
it will not be from the roof of a
building. The star is very emphatic
on that score.
During the filming of "Her Reputa-
tion," the big Thomas H. Ince play
which will show at the Caughren
theatre Wednesday and Thursday,
March 1918, there was a scene on a
cafe roof where the little dancer plans
to end her life by jumping into the
alley below. The script casually
stated that the director would have
to determine just how far the action
should be carried.
John Griffith Wray, the director,
being a staunch believer in realism,
arranged to shoot the scene from a
tall roof. James Corrigan was to
grab Miss McAvoy just at the critical
moment. The Critical" moment ar
rived, but Corrigan did not; May
toppled over the edge. Eyes, there
was a net below, but that did not
make the trip any easier.)
After being hoisted out and re-
covering her speaking paraphernalia,
Miss McAvoy said the sensation was
just like the thrill she got going down
in an elevator when she was young
ster, only hundred times worse!
-
Three of the most noted and sue
cessful writer's for the New York
stage-James H. Montgomery, Otto
A. Haurbach and Louis A. Hirsch-
are responsible for the story of GO
ing Up" Douglas MacLean's first in
dependent production for Associated
Exhibitors, which will be presented
at the Caughren Theatre, Friday and
Saturday March 14-15.
Aside from these celebrated names,
"Going Up" is identified with an
astounding number of Americas
most famous and also most successful
stage Aluminaries. Where shall we
look for greater name than George
M. Conan, who selected and produced
I"Going Up?" Had there been no