The Bismarck tribune. [volume] (Bismarck, N.D.) 1916-current, 1923-03-27
On with these Dance
Recorda

Again the signs grow more unmis.
taxable that the waltz 10 staging =
comeback. There are five of them Oh
the latest Victor releases, FIVE waltzes
to eleven fox-trots.
The first of the waltz numbers 10 by
the Troubadours, after Every Porty,.
a fine smooth waltz with plenty Of
strings, introducing 2 few bars OF
Goodnight Ladies'" The Great White
Way Orchestra divides honors on this
record with a good standard fox-trot.
Don't Be Too Sure" somewhat light
and swinging.
makes a couple of geographical fox.
trots which have the grace of tying Up
tunefully to the suggestion in their
name. "Down in Maryland" actually
does include phrase or so reminiscent
"done a Homer" from 20 Tannsn-
baum" "Georgia Cabin Door" on the
reverse can't help but lug in something
from "Mayching Through Georgia,
railroad bell. and strain from "O'd
Black Joe." ;.
For some real pure JAZZ. jag; If s. H.:
81 s,a ,Pf i. s ssoei,ai Of al A es..: So
and introduces "I've Got to Cool My
Doggies No,r" "He May Be Your
Mam is contra-indicated for hen
pecked husbands.
The story is told Of Liszt % we'll
as Rubinstein: Playing at a pri-
waite concert in the presence OF the
reigning monarch. he was asked
why he suddenly ceased. He sent
message to the effect that it
Majesty was talking.
Two waltzes by the Whitemans will
delight those who have felt their lack,
and two on one record is almost too
good to hope for. "MeIIo1V Moon" is in
popular style. with some unusual effects
achieved by free and dcft use Of wood
wind instruments. 'JVonderfd One''
has the true waltz swing and the
"catch" OH the third beat of the bar
which lifts you on your toes.
Here's "sh;mmy one-step." .
novelty on another record by Paul
Whiteman and his Orchestra. IT.:
fox',Fot brs gsy and p M WIKI Hpe .ue
gestions of patriotic melodies. There
are interesting shifts of rhyt:.m.
"Clineimg Pine" which the Great
White Way Orchestra plays on the
reverse, is medley fox-trot, with =
bold lively series of melodies.
Tie Virginians pull some weird stuff
on another record of their own.
"Aggroratin Papa" is "tutti" number
where everything goes at once. Aunt
H0gdr's Children Blues" is wild one,
the first bars revealing the sound of a
childish voice, followed by saxophone,
clarinet land flute effects. after some
beautiful statements of rhythm by the
piano. All is violent contrast in this
record.
The Pate" motive from Beethoven's
Fifth Symphony is borrowed for q
new fox-trot Of the same name by the
Whitemans. They are decent about ii
and violate no feelings. On the other
side, the same organization plays The
h iy ct me Eyen'ng from !. Trying Der.
example of soft, elaborate dance OF.
| chestrs scoring.
first "Honeymoon Chimes" fuil-har.
monied slow waltz with big chimes in
it. International Novelty Orchestrs
plays it. "jVaItsing the BImes" 10 4
tricky piece. introducing Victor Arden
and Phil Gilman, masters of rSetiIne
each with his own piano, with an or
chestra in the back ground. 1t nigh,
be ''fnawly- in the waltz, and Il
YOU give ear closely you'll hear Love.
Old Szcset Song"
| I
Though Gounod based some Of
his earlier works, notably his
operas, on the most worldly Of
themes. his later life turned to-
wards works Of religious char
actcr At the time of his "Joam Of
Arc" Mass he declared his inten-
ton of composing in the cathedral
of Rheims. on his knees on the
stone where Joan herself kuelt g
] the coronation Of CHARLES VII.