Every evening, Wilmington daily commercial. (Wilmington, Del.) 1878-1928, 1923-01-13
SAYS WOMEN'S STYLES
MUST KEEP CHANGING
Paris Modists Declares Dress
ing 10 an Art and is Ever
Shifting.

nv Associated Press To Every Evening.
ps,,s. Jan. Woman's dress will
never approach the unit rm type oi
mans dress, declared Madame Jeanne
rsuun. founder and chief owner OF one
oi The Oldest IT the PARIS houses, who
has ii-t Rounded ont her SID year IA
fashion leader and maker OF dresses Tor
those who would appear beautiful
"Ih. STYLES 1T today range back TO
those worn 10y the Egyptians. such ms
oncr sAw ON the mumm,cs ot the now
nnkcn island ci rhlac, said Madame
raumn. "a
"it We aimi, that dressing beautiful
woman i an art, then /, follows that this
AZ, changes n other arts. One cause
Of such changes lies m social conditions.
The SEASON 20 season changes come
from the tact that fashion creators wish
a. continur tn create Tor instance, as
aoon A. I have completed a creation,
wish to pass to something different.
cant help A. II j. the creative instinct
! obey
cher, can Tor this reason mover bc n
act uniform stvlc for women, so long
A. women wish to he beautiful and men
wish 10 have them 20. -,
The feminist movement, means death
a. wntnan beauty. and Tor tins reason
" can never succeed IN france. 'ur
women wish to appear beautiful, our
mon apprnNc ui this dcs,rc. and, within
their ,ncans. are wiling to pay the bill.
When ~ Was pointed cut 90 Madame
Tsau,n that her own sicce.a IN business
va u-od a- an Argument Tor the iemi-
Nam
grtcally
"Whaicyrr sncccss I have had was due
~ larpr part to my husband. MY
mother insisted that ar a rlti should
learn trade to have as n weapon m hic
7 studded mllhnrtv and when was mar
r,rd M ~. ~, husband and I decided to
taxi up that huC lic knew little about n
h,ii hc had good business heat With
oui that should never have succeeded
Momsn are ton careful They need
soushod, to push ,hcm 10 execution.
Roldncss o. largely responsible TOR
American success ..
The rfcat tragedy VI wctnan's HE,
shc continued often u that she ~ not
o,s,l L,nkIns I have known Vt many oi
these tragcdics
'Nrhind the smiirg exterior at the
nch or The h,phlv rlaced woman, the
tear oi erpuhg old of not looking Vel
has hundreds NJ times brought then
to me in tear
"No. ~ loug ne woman is woman
shr will wish ~ be- beautiful. and lus'
,n long viii thew 10 changes m styles
- 1hcrc 81 n strange contrast oi pcopl'
pa thr.e elaborate dance rooms, where ;
cupoi tea costs "a dollar and cakciseNita
Ir.-hah a. spukcn almost ~ much a
iwn,h. with Russian iar thrd. Mucl
~ the French has a Sovereign accent io
thee a. a queer prucc-sion oi NaHu,
Mathematics constantly drifting throusl
thr pleasure circlcs ol paus. There M
mnn, of these wcll-dresscd mon an'
women with hard faces. who talk little a
thcn,scl,cs. and Who seem to have ~
uccupation Then there isa cOnslferahl
elcmcri IT tho fruihier part ot upp
sorict, bat the real audience o. COMPOSE
ni the ho,lv ut TOURISTS from abroad AM
thc Ircnch proNlucvs Who have com
tn 700 how PARIS smuscs itself.
panc,rg seems To- he the least concer'
AT tho dancing Nevertheless II gOc
on constantly ON che small crowded hoo'
frraucrt, hnoleum covered. faster O.
tho walt, than Amencan like and sloNe
m che other dances
nanciug n pau~ often has hccn san
~ d. d,irg out but 50 far there has hce
~ te,mction lu tho number oi thes
placc- with queer uames ike VI
SISTER Garden and be - Different
Real dancirg meantime IA the mg. old
time bathrooms OF the bal Buule
Moulin de la Galette and other plac'
linked with the history of she art
quarter. goes On a. ALWAYS, Wnsluilo
4, The aiicr-wsr oddities of the "hc'
places