davidaulloa/AmericanStories huggingface dataset:
Amerikai Magyar hirlap = American Magyar journal. [volume] (Youngstown, Ohio) 1911-1942, 1923-11-15
ban az elobbiek $14,35-t, az tu6b-
biak $1S.S0-t keresnek.


| Az el6munkasnok minden mas
csoportnal tobbet kapnak. Chica-
goban kozepes heti keresetiik
$26.20, st. Louisban $20.30. Az ez-
utan k0vetkezo legjoban fizetett
munka a martogatas, melyert az
atlagos fizetes st. Louisban $12-
S5, Chicagoban pedig $17.45. A
csomagol6k ugy Chicagoban, mint
| st. Louisban a legrosszabbul fize-
tett mnnkasn6k. Chicagoban at
lagosan heti $13.75-t keresnek, st.
Louisban pedig az atlagos hetr fl
zetes mem t0bb, mint $11.10. Ezek
a szamok ANIMAL figyelemremeltob-
bak, inert a cukorka-i riparian dolgo
70 n6k legnagyobb resze ezt a
munkat vegzi. Ha $S0000-t We
STINK mertekiil, mint evi j0vedel-
met. amely hozzavetoleg $15.50-os
4 heti keresetet jelent es amely igen
sok helyen meltanyos j0vdelmi al
lagnak tartanak, akkor ait latjuK,
hogy a st. louisi meg ennel is alabb
esik, a chicagoi pedig altalaban
feliilemelkedik. st. Louisban te-
hat a munkasn0k legnagyobb re-
SIZE mem kappa meg AIT az atlagot
sem, amelyet megelhetesi bernek
tartanak.
Bar a cukorka-iparban alkalma-
zott n6k legnagyobb resze fatal
leany. tekintelyes szammal vannak
ozvegyek ts elhagyott felesegek,
s6t ferries asszonyok is, akiknek
legt0bbje egeszben vagy reszben
csaladfentarto. A st. louisi iize-
mekben dolgozok k0zel egynegyed
r6sze es a chicagoiak tobb, mint
egyharmada, k0telezettsegekkel
bir6 n6k. Mem ritkan az ozvegy
anya, vagy leany heti fizeteset fe-
liilmuljak az elelmiszerre, rhuazat-
ra vagy mas sziiksegleti cikkekro
nelkiil0zhetetlon kiadasok. Rem
desen olyan kicsi a sukorka-ipar~
ban dolgoz0 n0k bere, 'akar ferje-
zettek, akar farjezetlenek, akar
tamogatnak valakit vagy mem,
hogy legiigyesebb manipulaci6k-
ra van sziikseg ahoz, hogy fog
lalkozasuk termeszeteben rejlo vi
szontagtsagokat kibirjak.
A viszonyok, melyek k0zott a
megvizsgalt 5 iizemben alkalma
zott n0k dolgoznak, nagyon kiilon-
b0z0k. A Chicagoban megvizsgait
10 iizem k0zul 10-ben, ST. Louis
ban pedig 80 koziil usyancsak 10
ben a munkatermek altalanos al
lapota mem kielegito. Piszkos
! munkatermek, kendszeres tiszto-
gatas hianya, rossz szellozes, a
munkasok kenyelmerol val6 sze-
genyes gondoskodas a szembetiinf
| hibak. Ugy Chicagoban, mint ST
Louisban 10 iizemet talaltak pisZ-
| kosnak. A megfelel0 szelloztetes.
es fiitest megneheziti az k0rii!-
meny, hogy a csokolade- -matogatt
helyeken allandoan egy bizonyos
foku h0mersekletnek kell lenni
Az iilohelyekr6l valo gondoskodaS
altalaban szegenyes, % uzember
mem allott kell6 mennyisegii szek
a. n0i munkasok rendelkezesere
80 iizemben pedig olyan szekek e
padok voltak, melyeken nincsenel
tamlak, s helyen pedig holmi Ia
dak es kannak szolgaltak tiles gya
nant. A cukorka-ip -iparban munka
ruhak hordasa sziiksegesnek lat
SILK egeszsegiigyi szempontb6l es ;
rendes ruhazat megvedesere. Leg
t0bb helyen azonban a moi mum
kasoknak maguknak kell vasarol
niok k0tenyeket es fejved6ket
, dacara annak, hogy fizetesiikbo
ilyen kiadasokra mem futja. Tobl
helyen utcai ruhaikban dolgoznal
a n6k.
Amerikai Magyar hirlap = American Magyar journal. [volume] (Youngstown, Ohio) 1911-1942, 1923-11-15
N0K A CUKORKA KESZIT0
IPARBAN

Az Egyesilt Allamok keyeS
ipara mutat olyan gyors fejlodesi
folyamatot, mint cukorka-ter-
melo ipar. 1914-ben $50 millio,
mig 19lS-bam mar | 400 millio font
cnkorkat fogyasztottak ell. Ebb6l
lathato, hogy OF ev alatt a cukorka
ipar 155 szazalekkal megnoveke-
dett, 1920-ban a koz0nseg atlag
81 centet fizetett egy font sukor-
kaert, szemben az atlagos 80 cent
tel, melyet 1914-ben fizettek a Gu
korka fontjaert.
Az Egyesiilt Allamok munka-
iigyi miniszteriumanak moi oszta-
Iva vizsgalatot folytatott a cukor-
ka-iparban, mely erdekes vilagot
vet az iparban dolgozo moi mum
kasok altalanos helyzetere. A WIS
galat helyeil Chlcakot es st.
Louist valasztottak, inert ez a ket
amerikai varos tekintheto a cukor-
ka-ipar k0zpontjanak. A meg
vizsgalt iizemek KOHL 32 cicagoi
Is 19 pedig st. louisi volt, nagysa-
rukra neZye az ct mnnkast alkal-
mazo miihelyt0l a $50 munkassal
'dolgoz6 gyarig valtakoztak. Feb
ruar egyik hetet valasztottak a
vizsgalat idejeiil, inert a cuk orka-
iparban a husvetot mPgel6z6 hat
het - eltekintve a karacsony elGt-
ii elfoglaltsagt0l = a legforgalma-
sabb.
A megvizsgalt iizemekben a n6i
munkasok szama 2,702, vagyis az
alkalmazottak 56.4 szazaleka, s al
talaban megallapitottak, hogy a
rka-iparban a munkasoknak
t0bb, mint fele no. A cukorka-ka-
szites kiil0nb0z0 munkalatai k0-
ziil, mint el6munkassag, f0zes,> ke-
szites, matogatas, csomagolas es a
gepek kezelese, a tenyleges keszi-
test mnnkalatoknal a ferfiaknak
vezeto szerepiik van, t. /. az anya-
gok kevereseben f0zeseben. Mem
talaltak not azokon a munkakon,
melyek avatottsagot es sok testi
er6t igenyelnek. A csomagolasnal
azonban j6val feliilmultak q moi
munkasok a ferfi munkasok sz&-
mat. Eek a munkak mem annyi-
ra itel6kepesseget es szakavatoti-
sagot, mint inkabb gyorsasagot
igenyelnek. A nok egy resZet
"sample girls cimen alkalmaz-
Yak, mely elnevezes alatt azokat
a n6i munkasokat ertik, akik n
csomagolashoz cukorkat valogat-
max.
Munkaid6, fizetes 6s munkavi-
szonyok szempontjabol Chicago
ban. altalaban kedvezobb a hely-
yet, mint st. Louisban. Dacara
annak, hogy az Illinois allami tor
venyek heti 70 ora munkaid6t en-
gedelyeznek, mint maximalis mum
kaid6t az iprban, egyetlen chica-
goi gyarban sem volt hosszabb
munkaid0, mint SO ora es a meg
vizsgalt 81 iizem KOHL 22-nek he
ii munkaideje 4S vagy kevesebb
6raban volt megallapitva. Az a
teny azonban, hogy St. Louis
ban megvizsgalt Hzemek moi mum
kasainak t0bb, mint fele heti "a
0rat dolgozott, vilagosan mutat-
ia, hogy a. viszonyok javitasara
elkeriilhetetleniil ! sziikseg van.
Chicagoban altalaban a berek is
magasabbak es ICY a r0videbb mum
kaid6 mem jelent felytetlen kisebb
keresetet. Rendszerint az fell
fogas uralkodik, hogy darab-
szam-munkasok, vagyis, akiket az
elkeszitett munka mennyisege sze
rint fizetnek, t0bbet keresnek
mint azok, akiket egy meghataro-
zott ora, napi- vagy hetiberrel
fizetnek. Azonban a darabszamo-
Evening star., 1923-08-26
CENTRAL-Guy Bates Post in
Omar the Tentmaker."

Omar the Tcntmaker.' Richard
Walton Tully's screen version of his
famous play. with Guy Bates Post in
the title role, will be shown for the
first time in Washington the first
three days Of this week, beginning
this afternoon. at Crandall's Central
Thcater. 1t is described as q gorgeous
and elaborately staged spectacular
drama, based on the romantic life
story of Omar khayyam. Persian
philosopher, poet and bibbler, in
eight reels. and unfolding a tale
of love and sacrifice that abounds in
poetic imagery. thrilling climaXes.
mighty pageantry and fine character
delincation Mr.. Post is pictured as
Omar and the cast includes Virginia
Browne Faire. Noah Beery, Patsy
Ruth Miller. Edward NJ. kimball.
Walter Long, Nigel de Bruliere, Doug
las GERHARD and Maurice Il. Flynn.
1t Is claimed Washington has never
before seen Il picture OF such m"rtt
at lucent and 2J-ccnt prices. Cliff
BoweS in "RetWecn Showers. the
kinograms and Thompson's pipe or
gan music Will be added attractions
Wednesday and Thursday. film
version of Gene Stratton PorteIs <
Michael O'Ha!loran." story of city
street waits. and Lige Conley, in
"Three strikes" will be shown, and
on Friday and Saturday. Hoot Glib
son, in Out of Luck" with Harry
Pollard. in THE Green Cat the kino-
grams and pipe organ music will COM
DriSp the bill.
Evening star., 1923-08-26
Tricks of Tempo.

CCREEN tempo is one of the most
- serious problems with which
many of our most distinguished
actors have had to cope in attempting
to transfer their talents. from the
stage to the screen.
The motion picture camera, just as
it plays peculiar tricks on the con-
tours and heights of certain players.
frequently magnif1es mannerisms that
are unnoticed on the stage to point
where they become positively painful
in silent drama.
Conspicuous examples might be
cited Of stage favorites of more than
a generation who have never been
able to adapt themselves to the new
form of expression. George Cohan,
Caruso, Fred Stone, William Faver-
sham, E. II. Sothern and many more
never have even approximated the fin
ish of their stage art before the camera.
Yet the action of dogs, horses, cats,
birds, wild beasts and reptiles do not
seem out Of time with proper screen
action. Stronsheart. Rin-Tin-Ti
Queenie, Brownie, Teddy, Cameo and
all the other intelligent dogs, appear
in the films week after week, work
at their normal rates and look pre-
cisely as they should.
why is il, then, that the slightest
acceleration of action on the part of
a noted actor is able to throw him
completely "out of the picture?" Here
is something for the scientific sharks
to ponder over.
There are. of course, many instances
in which actors of experience have
adapted themselves to the needs of
the camera after having viewed their
Evening star., 1923-08-26
An Aristocratic Hercules

RRETTBART. the aristocratic young
II Hercules, who has been lionized
by Europe for many months, sailed
from Bremen last Wednesday on the
steamer Albert Ballin. With him he
brings his famous snow-white limous-
Inc. his four-in- hand white Arabian
horses and a carload of wardrobe
trunks which won him the reputa-
tion of the best-dressed man in Eu-
rope.
Breitbart's feats of strength are
different from those of the strong
men" of the past. He appears in
evening dress. snaps bars of steel
land wrought iron with twist of the
fingers and wrist, attempts none of
the stunts of carrying people on his
shoulders and yet, without any shock
ing display of brute force, astounds
the spectators as we'll as the scien
fists with the incredible power of his
muscles and the seeming invulner-
ability of his flesh to metal points
and edges.
Breitbart will have his American
premiere at b. +. Keith's Theater,
Washington, September 8.
Evening star., 1923-08-26
An Important Step.

THE public hereafter is going to de-
eide what kind or pictures are to
be shown in motion picture theaters.
This is the Interpretation placed
upon an announcement made by the
Famous Players-Lasky Corporation,
which is expected to bring about
revolutionary change in the selling
of pictures to picture theaters.
In it's statement the Famous Play
erS-LaSky Corporation declares that.
beginning November /. all Paramount
pictures are to be shown to the pub
lie in number of key centers
throughout the country before they
are sold to exhibitors, In this way
the public itself by registering it's
approval or disapproval will deter
mine the price the theater manager
will have to pay for Paramount pic
lures and also will determine the
type of Paramount pictures to be
made in the future.
We believe" says the statement,
that in adopting this policy of sell
ing pictures on their demonstrated
merit only we are going to make it
more possible for good pictures to
succeed and less possible for bad
pictures to he made
The announcement, in part. is as
follows:
The time has gone by in this in
duStrE when there can be any com
promise between the good picture and
the bad. The time has gone by when
exhibitors can Dc asked to or should
Evening star., 1923-08-26
FASHION CREATIONS
- OF THE STAGE

black uncurled ostrich and an ankIei
or sparkling rhinestones added the fine
ishing touches to the costume.
Ina Frederick in Shopping" frst
appeared in an afternoon gown Of
Lanvin green crepe. The fitted basquk
bodice was laid in successive piH
tucks. but the diminutive sleeves wers
quite plain. with corded edges ana
gathered skirt was veiled by a deep
fiounce of heavy-mesh white filet laca
attached just below the hips and exs
tending to the hem. A girdle OF
added the final touch. Miss Frederick
wore with the gown a large picture
hat, also of green crepe, with the
brim faced in shadowy white lace
Later she displayed a wedding
gown of heavy white satin encrusteS
with pearls. The basque bodice was
cut with a slightly rounded bateaa
neck, and wide armholes which ens
closed no sleeves. The skirt was
fluffy white ostrich fronds dotted
around the ripping hem. Snowy
curled ostrich feathers also appeared
at the edge of the wedding ven,
which was held to the coiffure by q
coronet of pear embroidered satin.
Eleanore Jackson. who took part
in the sketch, Blind Youth" wore .
stunning creation of black satin crep@
1t was fashioned in one straight
piece, with bateau neck and no waist
line and a slightly fiarng hem scals
loped at the edge because OF the
applique trimming of successive discs
of crystal beads. Four narrow strips
| of crystal beading extended from
| shoulders to hips. two in the front
and two at the back, and terminated
| in small medalions of crystals. &
! narrow circular panel OF crepe hung
from each of these, extending below
| the elaborately beaded hem, and con;
tinuing the long striped effect of the
crystal bands on the bodice. The
sleeves were squares of crepe. caught
to the shoulders so that they partial.
ly veiled the arms above the elbows
| with graceful, spiral points Miss
Jackson's chapeau was of black vel-
vet with a feather dropping to the
shoulder at one side, and her wrap
was Of black crepe, fringed at the
lower edge.
Evening star., 1923-08-26

buy on plan that no longer fits the
needs of today.
However. by the same reasoning,
every fair minded exhibitor should be
interested in protecting product that
has demonstrated it's real value to the
box office. and it should be the ex-
hibitor's interest, as well as the pro-
duCer'S, to see that such product re-
ccives not less than il is worth. Good
pictures must bring their just reward
If good pictures are still to be made.
Exhibitors throughout the country
are in a great state of worry over the
quotations received this year for
motion pictures which have not yet
demonstrated their value to the pub
lie. Under the circumstances the
prices quoted do present a real prob
lem to the buyer. However. in an
effort to protect himself against over
paying for bad pictures the exhibitor
is unconsciously working a hardship
on the production of real box office
merit.
The present-day demand for better
pictures has resulted in a better
grade of productions at a higher cost.
But whether pictures are truly better
can only be proved through the box
office. And for those pictures that
are so proved there is unquestionably
a higher boX-office value
We throw to the four winds every
other policy than that of standing on
our quality 100 per cent and rising
or falling unqualifiedly on the results
of. our pictures at the box office as
evidenced by their appeal to the
public
Evening star., 1923-08-26

who was a friend of Carmel Myers,
was invited to the studio during the
filming of The Heart of Humanity"
at Universal City, to see how movies
are made" 1t happened that one OF
the players in minor role failed to
appear and the director requested
Miss Myers friend to do the bit, JUST
as favor She did, but 50 trivial
was the action that the scene was
dropped out entirely in cutting and
assembling the finished product. Z
The director. however, had viewed
the total footage in the projectioA
room and had noted how the uh=
known had Registered" without prer
vious experience or training. He
made a note of It with the net result
that shortly thereafter Charlotts
Merriam was the featured principal
in twenty-eight single reel pictures.
From this initial engagement shs
moved up to the Christie comedies )
and finally made her way into a
prominent role in feature lengtH
pl oduction, The Nth Commandment :
directed fy Frank BorZage, maker OF
"Humoresque" and children of Dust. =
But the end was not yet. Miss Mers
riam's latest achievement is in the
leading feminine role in Maurice
Tcurneur's The Brass Bottle" !,
Charlotte Merriam still sings for
her own amusement, but grand opera
is slowly fading into a very distanE
and very nebulous background. :
Evening star., 1923-08-26
Breaking Into the Movies

ny the time a motion picture di-
rector has done such splendid pro-
tions as Robin Hood" and
'filimpseS of the Moon it would ap-
'~'"r that he is qualified to throw a
little light on the problems of screen
writing. AT least. such was the opin-
ion of officials of Columbia University,
in New York, who recently invited
Nersity class on photoplay construc-
tion.
Many Persons" said Mr.. Dwan.
seem to think that they can walk
into the front door Of motion pic
ture studio and be an expert in
photoplay building, but they are
wrong. 1t is long. hard struggle to
the top in motion picture directing
or writing just as ii is IA hard grind
to get at the top of any profession.
Right now the motion picture busi-
ness is harder to break into than ever
before. In these days when hundreds
of thousands of dollars are spent for
productions there is not the same
tendency to gamble as there was in
the old days when a feature picture
could be made for $4,000. Then
person who had no experience in pic
ture work could walk into the front
door and get a job. if he were a good
salesman, but times have changed.
You've got to know your job now"
~Th2 director prefers the published
story or the produced play because of
it's enhanced advertising value and
because such stories and plays are
usually worked out with more de-
Evening star., 1923-08-26
Schenck Starts Museum

TOSEPH NJ SCHENCk has started 4
- little museum at the United
studios. where his stars have left
some of the props" used in their
latest pictures.
In this museum have been placed
the French coach of the year 1870,
which was purchased abroad and was
used in Norma Talmadge's romance
Of France. Side by side with this
coach. the body of which is suspended
on huge leahter straps, is the sedan
which Constance Talmadge used in
the early scenes of King James III of
England. This sedan holds two peo-
pie and four men are required to
carry il about with its Human freight.
The third and perhaps the most in
teresting 6hibit is Buster keaton's
train OF cars" This exhibit consists
of narrowgauge railway on which
are three coaches on wheels. a wood
wagon and a water wagon, all drawn
by al 1880 Rocket" engine of the
type now seen only in the Smith
sonian Institution.
Evening star., 1923-08-26
Two Little Migrants

"TWO LITTLE VAGRANTS." a
screen adaptation of favorite
of the French stage, is to be Maurice
Tourneur's next picture.
World screen rights to the play
have been obtained for si0,600 francs,
according to a cablegram.
Anticipating successful conclusion
of negotiations for the play, which
Mr.. Tourneur has wished for several
years to film, an adapta ton has been
completed by Fred Myton, Tourneur
scenario chief. and practically all ar
rangements for work completed. Two
prominent child players are awaiting
contract from Mr.. Tourneur, and
as soon as the other principal charac-
ters have been east the camera will
begin to grind at the United studios
for First National release. Actual
work on the production is expected
to begin some time next week.
The play. which is to the French
public what Way Down East" has
been to the American public, is a
melodra ina of novel construction. and
the picture is to he thoroughly in ac-
cord with the Tourneur policy of
shorter and different"
Evening star., 1923-08-26
A New Type.

CAN you picture a handsome leading
- man who can't dance Il step and
has never taken a drink in his life?
Robert W. Frazer who is supporting
Anita Stewart in the Cosmopolitan pro-
duction, THE Love Piker,'' is said to
respond to this description.
While his Iife's ambition has been to
be an actor. Mr.. Frazer, it is said. does
rot feel the lure of many of the things
which appeal to others in the profes-
sion. His idea of a good time is to
spend his idle hours in his workshop.
for he is an expert mechanic and in
ventor.
His bedroom is equipped with lathes,
drill press, power saw, milling machine
and, in fact, everything necessary to
equip miniature Machine shop.
Among Mr.. FraZer's inventions are
auto theft locks. a gas gauge, new
type of compressed air engine and a
talking machine along a new principle,
which automatically plays twelve differ
eDt records
Evening star., 1923-08-26

The New Wizard of o." Monte
gomery and Stones famous musical
comedy: Your Obedient Servant
the autobiograph of horse: "Rumn
pelstilskin," the story of the wicked
dwarf who prayed upon the millers
lovely daughter and stole her first
born child; "Cinderella." from tha
original French version of the storys
with its Prince Charming. the two
wicked sisters and the fairy gods
mother: Steering Beauty and th1
Boast" another fairy story: odd
Mother Hubbard" a one-reel cons
edy for little ones. and FAM
tasma." an allegorical fairy tale, pre- =
senting. in lavish manner, the con >
fict between good and evil, are
others of the series. =
In addition are five Gloria Joy att
fractions of FIVE reels each. a serisS
OF clean dramas, featuring a wonders
full child actress, pictures full oS
heart interest, head interest with alb 2
sorbing plots and tense situa tionS 6
Little Miss Grown-Up." Wanted. y
Brother: The Midnight Burglar'r '
THE Mischief Maker and the Lock
ed Heart; three miscellaneous pic7s
lures of one reel each. Paul Revere1s#
Ride" "A Perfect Day in Movielands
and Smith College Pageant Of 1921, =
and six out-of- door features 4
Evening star., 1923-08-26

The news is of local interest I'd
Washington inasmuch as Casanova.
will be the opening attraction of the
season at the New National Theaterss
the evening of Monday. SeptembeE
II.
The play is now in rehearsal ir
New York. and it is said that the
array of names already identified
with ii carries distinction that
alone would place it in the category
OF the unusual. In addition to NIrS
sherman, there are Katherine Corr
nell. Ernest Cossart, Mario Majeronf
and Judith Vosselli. with others. The
production seemingly is to be enor,
mously intricate in it's development.
The qualities of grace and verisi.
Multitude in dance and deportment
Will be looked after by Fokine. the
Russian master of ballet. Costume
plates have been designed after exs
haustive research into the Longuf
period by Georges Barber, and thu
settings have been richly patterned q
by Hermann Rosse. the Dutch artist $
Deems Taylor has created the in Z
cidental music which spins a threa Il
OF romantic melody through the ga y
and dramatic action of the play.
Evening star., 1923-08-26
CRANDALL'S-Seven Master
Pictures.

beginning this afternoon at 3
o'clock Crandalrs Theater will offer
Il daily change of bill. presenting
seven of the big pictures of the year,
a. new one each day. as follows: To-
day. Jackie Coogan and Il great cast.
in Daddy" with Mack Sennetts
"Bow Vow: tomorrow, Constance
Talmadge. in East Is West and
the Aeson Fable The Thorough
bred: Tuesday, Emory Johnson's
..The Third Alarm one of the great
est thrill pictures ever made; with
Buster Keatou. in THE Pale Face
Wednesday,, Harold Lloyd, in Grand
mas Boy" with Will Rogers. ir
Fruits of Faith; Thursday, RicharG
paul parrot in post No Bills; Fri
day, Norma Talmadge and Conway
Tearle, in Balzae's The hsn,a Eterral s!Tha
Flame" and the Aesop Faoie' me
rnyered Pushcart": Saturday. Doug
las Mclean, in The Hottentot, ana
Mack Sennett's MA and Pa"
Evening star., 1923-08-26
How 1t Happens.

THE motion picture has probably re-
nodded more careers than any
other artistic agency in the country.
Stars" of the cinema "haye been
made over night" by design, by acci-
dent and by luck. An extra" by
some chance act that caught the eye
of the director has found the way
opened to success and fortune. Vis-
itors to studios occasionally have re-
vealed some quality peculiarly fitted
to motion picture work and have been
prevailed upon to make camera test
with results that have read like
fantastic Arabian Nights tale.
Careers are done over" much as a
lap dissolve" fades out a hovel in
the slums and simultaneously fades in
a palatial Park avenue residence.
Three years ago young woman
left san Francisco after years of
arduous vocal ira ining. determined to
avail herself of the superior facilities
for advanced instruction afforded by
the city of Los Angeles, which. next
to New York, is probably better
equipped to train the aspiring prima
donna for concert and opera than any
other city in America The operatic
stage was her goal and it seemed but
Just around the corner.
Then the inevitable-in Los Angeles
only-happened. The young singer.