davidaulloa/AmericanStories huggingface dataset:
Evening star., 1923-02-25

chance. You spend so much time en-
vying some one else, blaming some
one else. copying some one else, fear
ing some one else, that you never get
around to pushing your own ability
and attending to your own business.
You don't stop quietly and say, II
have this talent and this hunch. I
am going to develop 1t and the whole
universe can't stop me. This thing
Is me. don't care what other peo-
pie may call It I don't care whether
they decide It's silly or reckless or
extravagant truly believe It Is
sensible and profitable, and I'm go
ing to give myself chance, because
know myself better than any one
else in the world can possibly know
me-"
Instead Of that we At once begin
to think what "they" will say,
whether "they" will laugh or sneer-
waiting for a little dog to bark, like
the old woman who peddled the eggs
I don't care who you are or what
you are. You're different from any
one else In the world. You have a
different strength, different scheme
Of Life, a different message to deliver
to the world Then why don't you set
asou. doing It! Why do you waste
your time in trying to be like every
one else ana frstting because you
can't be7 why fuss because you
can't have things like the folks next
door? why not forget the folks next
Evening star., 1923-02-25

OF others as tools, not as goals for
your ambition.
K x X \
IF you'll start in tomorrow with
i Just this new faith in your own
great possibilities, there's no power
on earth that can keep you from sue.
cess. The things you were afraid or
before, the people you envied and
toadied to, will begin to look like o
bunch OF nine pins
going to continue 70 wonder what
other people will say and what other
people will like, and to whine be-
cause you aren't like other people
why. you'li never be worth 10 cents
at even q bargain sale OF remnants.
That's the right dope, pals. Hon
estIy It is. I know because I have
tried. Now I've come to realize thai
rye got to live with Just one person
steadily all the rest OF my days-and
that person is myself There's only
one person whose business and gooel
will continually concerns ne--that
person is myself And take it from
me, old world. I'm going to believe
In myself and work for myself and
be myself. That was tho Job that
was given TO me to do, and I'm 60.
ing TO see It goes big. How soou'
ycns
. (Copyr.Slt, 19as.j
Evening star., 1923-02-25

are in full swing at Palm Beach and
will be worn in summer with light
frocks and blouses. Their appearance
in wedding costumery. contrived in
costly ribbons instead OF zephyr, is
something the amateur may like to
know. We search wildly for new belts
and earrings these days.
OF course, these frocks were sleeve
less. II is not easy to persuade young
woman TO put on arm coverings. They
gazed with interest upon the de-
signers attempt to reinstate long
medieval sleeves, but after a few
months OF tolerance they revived
the bare arm. II Is again an estab-
lished fashion. There may be no more
attempts by the clothes-makers to
persuade women to do otherwise.
Why worryf
There are some sleeves. Women
have not discarded them entirely.
But medieval.sn In this particular
section Of dress is not rampant as 1t
was last autumn. It's the influence
OF Josephine, not Juliet, that now
governs arm coverings. Tho small
Evening star., 1923-02-25

Ioor and begin to develop the mira
cIes that lie within your own four
walls?
Will you make mistakes IL you for
sake the beaten trails and strike out
for yourself with no little dog to
bark directions to you? Sure you
will! But you'll also make mistakes
II you don't. And the mistakes you
make on those new trails will be
much more profitable, much moro
honorable than the old ones.
why not give Il q trial, pal? Why
not sit down today and get acquaint-
ed with yourself7 See what you'd
really like to do and be. Don't fol-
low some impossible dream you go.
out Of a book. Don't copy some high
flown program that looks aliuring
, in the other men at the ONCE or the
other wives on the street or the other
boys and girls at school. Make your
own program-build your own dreams
--be yourself.
This doesn't mean that you should
not ask and take the advice Of others.
It doesn't mean that you shouldn't
observe the conventions which make
life kinder and safer for all OF US
together. It doesn't mean that you
should think you have corner on
God and intelligence and good man
ners. Play the game. play in with
the rang. But don't stand whimper-
| ing around till the gang puts its OK.
on your personality. Cse :he advice
Evening star., 1923-02-25

ENowED a man be tn name
S<U " Clancy wanst, Jawn. He
was FIRM tn county Mayo.
but a good man f'r all that;
an whin he'd crowned to be a Dig
sthrappin' fellow he wint on IN hre
Gepartm!nt.
"rhey'se an Irishman r two on IN
fire departmint an In tn Army, TOO,
lawn, though ed think be hearn
some talk they was all running pri-
,a.ries an thryin' to be cinthral COM
t.ymen. So ye wud. Ye niver hear iv
thin on'y whin they die; an thin.
ynurrther, what funerals they have!
"well, this Clancy wint on tn firs
aepartmint. an they give him place
on thruck twinty-three. All tn rroad
was proud iv him, an faith he was
n,oud II himsiIf. He ERODE free on
IN. sthreet cars an was tn champeen
sand ball player f'r miles around.
,sye shud see him goin' down tn
,threet, with his blue shirt an mis-
blue coat with tn buttons on it. an
his cap on his ear!
.But ne'er q cap or coatd ne wear
.sh,n they was a fire. He might DC
.n,v.r,n' be TIL stove IN tn ingine
thouse with q buffalo robe over his
head: but whin tn gong sthruck twas
nf, with coat an cap an buffalo robe
an out come me brave Clancy, bare
1eaded on bare hand, spillin' IN
shruok on is side at ivry corner. DID
anny wan iver SEQ fireman with MS
coat on or q polisman with his ONT
.why, wanst. whin Clancy was
s&andin' up r. Grogan's eighth. his
son como runnin' in to tell him they
suas a IRE in vogel's paekin' house.
&c dnropped tn kid at Father Kel-
rs feet an. whipped OF HE long coat
~. vint tear1n' r. th' dure. kickin'
svsr ~ poorbox an outtin' old Mis-
rrNsili tha'd come in to say her
erAyesk
..rwas lucky twas wan iv tn Gro
raaa. They're a fne family rr falls.
Eawn 0rogan was wurrukin' on tn
snn ~ Metsri an o'Connelrs facthry
Sanst with q man be tn name ~
kooseey, He slipped an fell wan hun.
khsed feet.
f, sWlin they come 60 see II he was
.sseA he got UP, an says he; Lave me
C. Sin; - 8API says they. He's
Evening star., 1923-02-25
N I. r,ves a sumptuous effect.

tom. It gives sumptuous effect.
The headdress worn with this spe-
cial bridal gown was a pearl bandeau
with long tassels falling over the
ears. The veil was arranged into a
cap above the bandeau from which II
fell half way down the court train
Of fragile silver cloth, its edges franz
ed with white tulle. The train spread
several yards on the floor, forming
decorative background for the
pearl lace frock. II held
the lace veil in position; otherwise
It would have fallen into the frock,
losing itself.
r Z X
THE bride who wishes to depart
i from satin. who does not care
for velvet, can take this lace frock as
an example Of what she might like
to wear. II the elaborate pearl en-
broidery Is too costly. too complicat-
ed, It can be sketchily suggested on
the bodice. Chiffon should line the
lace, not satin. doubled to give
weight and character to the fragile
fabric It supports.
Evening star., 1923-02-25
MIR. Dooley On the Popularity of Firemen


4 Quadrille, ye Aorse-stealin, ham,
sthrinsin' Mayo man. he says. But
he didn't.
CLANCY wine over to see his wife.
oh, Mike says she, twas fine,' she
says But why dye take tn riskf'
she says. Did ye SEQ tn captainr he
says with q scowl. He wanted to go.
Did ye think I'd follow q Kerry man
with all tn ward lukkin' on?' he says.
e r y +
ssVTyEIL, 50 he wint dhrivin' tn
w thruck on its side. an 1unp!n'
whin he heerd a man so much az hit
a glass to make 1t ring. All tn peo-
pie looked up to him, an tn kids fol-
lowed him down tn sthreet; an twas
tn gr.reatest privilege fr amy wan
fr to play dominos with him near
tn Joker.
"But about q year ago he come in
to see me, an says he, Well, I'm goin'
to quit Why says I, 'ye're young
man YET says.
Faith he says, look at me hair.
he says-'young heart, OF head. rye
been at 1t these twinty year. an TIL
good woman's wantin' to see more iv
mo thin blowin' into q saucer iv cof-
fee,' he says.
Tin goin' 70 quit he says. 'on'y
I want to see wan more good fire,' he
says. "A rale good o. hot wan.' he
says, with tn win blowin' f'r 1t an a
good dhraft in tn ilivator-shaft, an
about two stories, with pitcher
frames an gasoline an excelsior. m
insurance, an to hear tn chief yellin'
'Play way. sivinteen. What tn he'll
an datnnation are 70 standin' aroun
with that pipe r. In this . flrs'r a
dam movin' pitcher7 I'll break livery
man iv eighteen, four. six. an cham
cal ave to-morrah mornin' osfure
breakfast"
"oh. he says. brngin' his fis'
down, wan more, an TIL guilt
"An' he did, Jawn. Th' day tn
|Carpenter Brothers box factory burnt
Twas wan iv them big, hne-lookln
buildings that pious men built out iv
cel,uloid an plasther " Paris. An
Clancy was wan iv tn mon undheI
when tn wall fell. I seen thin bring
In him home; an tn little woman
met him at tn dure. rumplin' heI
apron IN her hands
tCopyright. 1871
Evening star., 1923-02-25

deliryous.' they says. AT Dorsey
says Grogan. He thr!pped me-
$50 It didn't hurt Grogan's eighth
to fall four'r five feet.
ssyrYEll, Clancy wint to firss an
w fires. Whin tn big organ fac-
thry burnt he carr1'd tn hose up to
tn. fourth story an was squirtin'
whin tn walls fell. They dug him
out with pick an shovel. an he come
up firm tn brick an boards an sa-
luted tn chief.
Clancy says tn chief, 'ye oetther
70 an get dhrink.' He did SO.
lawn. heerd It. An Clancy was
that proud! Thin were tn days!
'rwhin tn Hogan fats on Holsted
sthreet took fire they got all tn peo-
pie out but wan. an she was woman
asleep on tn fourth flure. Who'll go
up~ says Bill aIusaan. Sure. sir.
says Clancy. I'll go; an up he wint-
Evening star., 1923-02-25
It is no. a novelty for those who as

It is not a novelty for those who as
sist the bride to copy her VEIL But It
Is a novelty to make II OF georgette
crepe IN orchid coloring, falling from
the back of a directoire bonnet and
finished with silver lace. This was
done by the bridesmaids at this we'd
ding.
Both their frocks and wells were
Of this nauve crepe through which
glinted an undertone Of pink. The
bonnet was an indefinite poke OF
crepe with a brirn of silver lace.
The frocks skirt was slashed in
panels divided into two tiers which
fell over changeable silk. The girdle
was arranged in the new fashion
which calls for the assembling OF
many ribbons which come to an end
in q large medallion. Their colors
were blue, silver. mauve.
This belt, by the way, is one Of
the newest. It began IN sport cos
tumery where the strands were Of
worsted zephyr In varied colors, the
medallion Of knitted zephyr with long
ends falling from center. Such girdles 8
Evening star., 1923-02-25

His captain was a man be the name
iv O'Connell firm tn County Kerry.
an he had his fut on tn ladder whin
Clancy started.
We'll, tn good man wint into tn
smoke, with his wife faintin' down
below 'II'll be kilt says his brother.
rye don't know him. says Bill Mush-
am.
"An' sure enough whin ivry wand
give him up. out comes me brave
Clancy, as black as q Turk, with tn
girl In his arms. TIL others wint UP
like monkeys. but he shtud wavin'
thin off, an come down the ladder
face forward.
where'd ye larn that's? says Bill
Musham. 4 seen a man do It at tn
Lyceum whin was q kid says
Clancy. Was II all riehtr
"r'll have ye UP befor tn Oh man.
says Bill Mushana. tn teach ye TO
come down a laddher as ii ye was ia
Evening star., 1923-02-25
Listen, World! 94 ZEy;!E yG:;: ESz!s:sr 8

UCCESS-wondrou Gus word which
sheds It's incandesoence over
all our dreams! How we
- would like to achieve 1t!
Then why don't we? Do you know.
Pal I've an idea that most OF our
failure could be prevented by one
simple fornula-by being ourselves
Every timo think Of being myself
am reminded Of the old Mother Goose
rh,me Of the ''oid woman who went to
market her eggs for to SELF and feH
asleep on the kings highway. And while
she slept a pedlar came by and "cut on
her petticoats up to her knees" Re-
member her plight
When this Nttie woman first did wake,
She BEGAN to SILVER and she began to shake.
She began to wonder and she began 10 cry;
''oh, deary, deary me. this Is mono Of To-
.But II It BE- I, - I hops It Be,
I've little Dog at home and he'll know me:
II It be I. he'll waS his little tail,
And II Il Be not I. he'll loudly bark and waN.'
Home went the little woman. all In the dark.
Cp rot the little dog and Be besan to bark;
He began to bark. so she began to cry,
"on, deary, deary me. this 10 none Of IT,
y +
Y VERY silly poem. isn't it? I'm quot
Y ing that poem because that old
woman Is you and me. We. too, 60 to
market our eggs Tor to sell-we. too.
start out on the kings highway OF life
And then things begin to happen to US.
All sorts OF pedlars cut short our shirts,
or our wages, or our dreams, or our
loves. And at once we begin to wonder
how we'll manage. Have We done Just
right, Is what We are about to do the
proper thing? And instantly we decide
that the little dog at horne-or tho
woman next door--or the big chap down
at the office-or the doctor OF the min
lister will tell us what to do-wiu tell
US what and who we really are, and
how we should behave.
Whereas the truth IL thie-there's
only one person In all the whole world
who can tell you who you are, and what
you like, and what you're capable OF
doing, and how you should do its-and
that person Is yourself.
Do you think you don't need any little
dogs Of outside opinion to bark direc-
tions to you? You're sure you know
your own mind? But do you? Why do
you believe that which you do believe?
why do you like the things you like
and hate the things you hate and do the
Z :ngs you dor Nine chances out OF ten
it's because your father or your mother
or your church circle or your political
party or your labor union or your wife
or husband likes or dislikes, or does
or doesn't do them.
Yet deep in your own soul, Mary Ann.
you feel that you have as good brain
as the woman next door-if you'd only
use It. And you. John Henry. are sure
that you've as much ability as the big
chap at your ONCE II ''you only had
your chance"
y
-v>HE reason you don't have q chance
/ is that you won't give yourself a
Evening star., 1923-02-25
FINESSE
CONTINUED from Second Page.)

a young public accountant who lives
your daughter, and who never saw a ,
brace game until gave him instruc-
tions and sent him on the Blue Ridge
TO let you think you were making a
boob out of him. Isn't II funny how
things turn out?
This makes US even for that little
faro party. Congratulations!
Hoping to see you at the wedding.
and thanking you for making up 20
your family all that you failed TO DO
in the past, and again congratulating
you on starting the happy pair out
upon the seas Of life In such rnagnih-
cent style, beg to remain, yours very
truly. JAMES r. PERRY (Sweetie
Papa).'"
Then he leaned back IN his chair
again. "aow's that sound. charlie?'
Fine" came with chuckle from
the stateroom. That ought TO make
him writhe all right"
But with the statement, Sveecie
Papa's eyes grew thoughtful.
es'T<HATS what it WILL" came At
i last. Maybe I'd better not
send it--he's liable to come busting
into Chicago and steal the wedding
cake or something. wouldn't put st
past him. Besides-what was that
word he used this morning ?-finesse
It wouldn't be finesse! Kidv' he called.
and the stenographer reached for his
notebook. Take letter: 'Mr. Black
bird Jordan, President, First Ma
tional Bank. Blue Ridge. Ohio"
This for your signature, Mr..
Perry?'
mo. Charles ready. All right
Dear Sir: Under separate cover, ! an
returning one suit of gamblers cloth.
ing, as never wear this sort Of raj
ment in my regular business. In
closed in this letter, you will find
your check for SEE 900, made payable
| to Mr.. James Perry and Endorsed 20
| me. As the matter OF this afternoon
was only lark with me, 1 have made
| full restitution TO Mr.. Perry, who
took the entire amount and gave me
your check for your half. This
am returning to you. thus making
| everything square all the way around.
| Thanking you for a very good time.
and assuring you that I shall looh
| forward to meeting you again when
you are in as amiable a mood. beg
] to remain yours very truly"
| After a time, Sweetie Papa reached
| for the envelope which Kid Lewis
\ had Just addressed, and Janned the
letter within.
Better not sign II at ALL" he called
| to the occupant of the stateroom. "it'd
be more-nore finesse TO just let him
J guess"
Copyright All Rights Reserved.)
Evening star., 1923-02-25

worn in the evening. Bandeaux,
crowns, tiaras, Russian and Dutch
lace cap effects are chosen. A jewel
ed Russian tiara sounds conspicuous
and elittering for modest bridal
costumery. but II Is accepted. II is
made Of fine wire with rhinestones
and pearls strung on II. Again II is
Of precious lace held by invisible
wires and embroidered with pearls.
Spain also influences the placement
OF the veil The mantilla comb casual
" worn by Spanish women Is arrang-
Evening star., 1923-02-25
nabe Young Bride Sets New Pace in Wedding Cosunery

puff sleeve of the first empire 10
looked upon with affection. It ap-
pears in gowns for afternoon and
evening. At this wedding It was
placed in a taffeta frock. the color OF
fresh French almonds, which Is the
present delight of dressmakers and
manufacturers. It Is called Lanvin
green IN this country because we
must have foreign names OF our
fashions. Incidentally, Mme. Lanvin
invented it for the French races last
spring. She should have the credit.
The taffeta frock with the puff
sleeve has a full skirt. n slim bodice.
q Victorian double ruffle at hem. The
embroidery is done with the material
itself. Quite a new idea, that. One
worthy of acceptance. The sleeves arc
small puffs put into tight afmholes.
four inches deep without ornamental
ton. Their rivals are finished with
small double ruffies OF silver lace. OF
tinsel, Of threaded white lace, OF box
pleated silver ribbon. In print frocks,
these empire sleeves have a turn
over cuff OF embroidered muslin.
Nothing costly. Just to Show that
cotton clothes follow new fashions.
EIRST empire fashions are tenta-
i lively accepted for spring we'd
ding gowns The material is chiffon
or georgette crepe draped over tafseta
or thin silk.
The skirts are not full. Josephine
and her group were not sponsors OF
voluminous material. They originated
the policy of the irreducible minimum
in clothes. We follow II now. much
get that our ancestral colonists took
their fashions from Paris and wick
edly dressed like the lovely West In
dian who married Napoleon.
The colonists. initiating Josephine.
used Indian muslin for these frocks,
dipping them in. water SO they would
cling closely to the figure. We OF
our day substitute the newer weaves
Of crepe and chiffon. The waist is
high, the bodice short. the neck line
round and the sleeves are puffs. Not
pronounced purs. Negligible ones,
soft and attractive.
A certain bridal gown on these
lines is OF double chiffon over a layer
OF georgette crepe with foundation
of China silk. The high waist Is out
lined with five strands Of orange bios
In front, from which streamers Of
orange buds drop in irregular lengths.
Below the pulled sleeves other strands
drop over bare arms. held to the
sleeve at one side by a medallion
with long streamers. This Is quite an
effective arm decoration. It is new,
therefore compelling. for 1t adds the
quality Of grace to novelty.
The veil Of white tulle is arranged
Josephine wore, one above the eye
brows, one slightly above the growth
OF hair.
There Is a liberal choice Of fabrics
for bridal gowns. Once brides were
! strictly limited Ivory white satin
was the correct material throughout
decades. silver cloth was worn now
and then by q bride who wished TO
| be sumptuous and initiate Catherine
| de Medic!.
Following satin came chiffon, pearl
and silver embroidered crepe de chine.
satin, brocade, plain crepe de chine.
georgette crepe. white brocade; now
white lace. pearl embroidered or run
through with fine silver thread.
4 y X
~IOvES have been discarded with
" face wells. But the headdress
has become moro important. II has
kent pace with the sumptuous ones
Evening star., 1923-02-25

to hem OF skirt
There Is no innovation In bridal
veil materials except the choice OF
chiffon. This fashion was launched
In Europe and taken up by. Amer
leans to some extent. But 1t has
no marked popularity.
Another English fashion IS a veai
Of chiffon or tulie which hangs from
each side Of wide jeweled bandeau
dropping to hem OF skirt. This 10
medieval fashion. Women once
--"-- '~-" Waits Of hair and wells
from temples to ankles. The bandeap
which holds these wells sometimes
has a cap Of silver tissue to cover the
head in furtherance Of fourteenth
century fashion.
=. Copyright. 1922
Evening star., 1923-02-25

ed In lace, seed pearls and tuile. The
veil goes behind 1t, not over It.
The large Russian comb which has
become familiar to Americans
through much Russian stage work In
this country is .petaI-shaped, wired
to stand about the head like a halo.
It Is also Of lace, jeweled with brill
liants and pearls. Some brides wear
1t with a bandeau OF pearls about
the forehead which holds the huge
half-wheel in place. The veil is
gathered to It's base at back, falling
Evening star., 1923-02-25

OILY ONE pep5oN
CAN SET NOU
STRAIGHT ON THE
POnDtJAV TO fA1E,
FOR ALL YOUR FAILURE
AND WEAKNESS.
ONLV ore SOUL IS 70
BLAME.
OILY one NAN can
express THAT
MESSAGE UARH LIES
JU5T ~ YOU,
ONLY ore JUDGE
CAN DISCOVER
U4AT IS THE RIGHT
THING 10 DO.
Only ONE FRIEND
CAN ASSURE YOU
GOODNESS AND CLAD
he5S AND HEALTH,
BUT He IS CON-
STnNTLH UrH YOU.
FOR nc, nv PAL. IS
YOURSELF.
Evening star., 1923-02-25

T&HE reason you don't have a chance
/ is thai you won't give yourself a
Evening star., 1923-02-25

kNoWED a man. be tn name
s. iv Clancy wanst, Jawn. He
was firm tn county Mayo
i but a good man f'r all that;
Evening star., 1923-02-25

- UCCESS-wondrou word which
sheds It's incandesoence over
all our dreams! How we
- would like to achieve 1t!
, 1923-02-27
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which clearly lessen the real value of
he advertisement will be rectified
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terially affect the sense or purpose
OF the advertisement.
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CLOSING HOUR.
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Just be in The Casper Daily Tribune
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Counting the words and the rate per
word for the Casper Daily Tribune.
, 1923-02-27
PUSHERS' At
THE WYOMING AGAIN.

Reginald Denny. who Is scoring
such a conspicuous success In the
film version or II. c. wltwer's'
Leather Pushers" stories, recently
received an offer thai was out OF the
ordinary for an actor. Here's the
letter. the writer not being mentioned
for obvious reasons
Dear Mr.. Denny: I sees you fight
in The Leather Pushers' last mite and
Kid your all wet sticking to that
pitcher biEness. II you cum to me I
will CIV you n kontract and make
your n real fighting champ. Your
wastin' them punches in pitchers. We
can clean up together" Or
Mr.. Denny was forced to express
regret. But the realism that impress
sed that pug" manager explains the
success Of the Denny pictures. The
star is a boxer OF exceptional merit
and enjoys his work. THE Leather
Pushers" are bong shown by the
Wyoming theater today.