The Birmingham age-herald., 1923-03-20
Amusements
AT JEFrERsoN SATURDAY

AT JEFFERSON SATURDAY
 The original New York organiza- ton of Take It From Me-" musical comedy coming to tho Jefferson Sat urday for matinee and night per formances, will be seen and heard py Birmingham theatregoers, according to advance notices. Members of the company appearing here are Alice Hills, Marjorie Sweet, Robert Ca pron, Joseph M. Wilton, Myra Tros- ka, Beach Cooke, Frank Gardinar, Chic Burnham, Charles Welsh Homer, Henry W. Pemberton, Kathleen But Ter, jane Hazleton, Marjorie Field ing, Robert Hart, Bud Lorraine. Dor othy Dana, Earl Welding, Charles Heffron. accompanied by reported fascinating chorus.
 AT LoEW's BIjOU
 Loew's Bijou opened the first half of the week with show that could not be called either excellent or poor. just one of those mediocre bills that eeem to happen in the best of vaude- viile houses at times. There were no stars on the program unless 1t might be the last act which was juggling number that deserves men, llstless as the performers who pre- ceded him.
 Closing the bill with q rapid fire juggling act, Terrier proved to be juHgler that could balance anything he put his hands on. His antics kept the audience in good humor throughout, and he manipulated sew eral tricks that brought him good applause for his work. It Is seldom an act of this nature is a headline, but this man Is an artist in his line.
 Eunice Miller. with Ned Bolles and Ralph LeFree, have dancing num- Der that Is very good to people who like all classes of dancing from buck to toe specialties. This trio are well costumed and their settings are very pretty from the audiences stand point. Miss Miller is an exceptionally good dancer. The men have fair voices, but their feet put them over. Cook and Hamilton have a chatter act that put over some new lines ahd songs, but were not up to the stand ard of Loew's.
 Clinton and Cornell are two women entertainers that offered something new in vaudeville acts. Their jokes and songs were rair, but they did put a little pep in their few minutes that helped them. Weston Models De Luxe offer a posing speciality that received . share of ths applause. ys,., show from Loveman, Joseph & Loeb's juvenile department. About Is youngsters from to 12 graced the 1923 models in children's clothes. All were very graceful and showed their costumes well. Miss amy Fox closed the number with a song. All of the costumes are changed daily. The setting of the act was very appro- priate being a rabbit holding large Easter egg, from which the children entered.
 Viola Dana is starred in the photo- play, June Madness" This young artist was at her best in this com edy, as she is especially adapted to play. News reels and comedies com pletcd the bill.-R. B. w.
 AT THE LNRIG
 Style show n everything the bill opening at the Lyric Monday for the first half of the week is at least en- tertaininz. What matters it if silli- ness is the feature so long as the crowd is willing to encore. and the two silly acts of the program Mon day night received most of the ap- plause.
 The headliner introduced -Four Terrace Girls" varsatile maids who do little bit~of everything. Open ing with saxophones and song. they
  walking. piano solos, juggling and tumbling. Through the whole off fering one kept presentable shimmy in motion. It's true they neither sing nor play the saxophones well, but when it comes to tumbling and twisting themselves into queer shapes-shades of the homeless won Ger of sideshow days.
 What Is really the best act on the program is the one offered by Jack Fulton and Peggy Burt, and entitled ''1he Holdup Girl" The lines are clever. the idea quaint and the music not so bad. The personality of the boy and girl added to the possibilities of their vehicle make up a pleasant l5 minutes.
 Mccormick and Winehill. billed as 'The Two Jazz Boys From Dixie were better received than were any of their fellow performers. With Nc. Cormick as a straight character and Winehill as a nut. they get away with some good laughs. In fact. the offering is an Either Song From the Clinic
 Ed NJ. Gordon and Ida Day. closing the show with "Mirthful Nonsense.' succeeded in starting an uproar of laughter. Gordon's burlesques 7 on nature dances and his partners neither extremities keep one mirth- full and give him an eyeful.
 The vaudeville program is opened by John Regay. assisted by Vera De- Lorss in . series of modern dances Rsgay and his dancing partner are both good. as is Paul Humphreys al the piano, but something keeps the offering from going over as 1t should An analysis leads ono to think 1t must be Regay's personality He appears to be trifle conceit.d or Is he just honest? The act is Well staged and smoothly produced. all of which lends the impression that Regay is entitled to a little conceit
 Now for the style show, or as 1t Is styled .'Odum. Bowers & Whites Fashion Forecast" The costumes shown in some instances merit the adjective. marvellous. Moreover. the women models are extremely capable of showing off the costumes. But one question arises. and 1t applies to mon and women alike: Why do they walk that way?
 The picture Is. Tour Best Friend" with Vera Gordon. The orchestra's bit is, "Springtime% and Para mount"
 A summary Is hardly necessary The only thing left to add Is that it -is diversified bill. running tho ga nut from silly low comedy through 02nvAp dancing to subtle Wit.-