davidaulloa/AmericanStories huggingface dataset:
Arizona republican., 1922-04-16
JEWETT SAYS
M|nOIE T WEST
OVER SLUMP

In keeping with the evident policy
adopted by the manufacturers of mo-
tor cars to come into personal touch
with their dealers and distributors,
Harry NJ. Jewett. president of the
Paige Detroit Motor Car Company
and also chief executive of the new
Jswett company has just arrived on
the coast visiting the dealers in that
section before starting his tour of
The west and middle west.
MIR. Jewett declares himself an opti-
mist-but he goes much farther than
the average optimist in proving his
beliefs to be founded upon solid facts,
and he quotes figures which back his
statements up in every particular.
eThe farmers of the Middle West
have considered themselves the hard
Arizona republican., 1922-04-16

concentrate on quantity and quail
ity production, he standardizes his
machinery, using all OF one make and
type for a particular piece of work, ,
said Mr.. McAhren. The same idea
will solve the traffic solution and
when only motorized vehicles are on
the streets travel will be easier and
freer. The successful farmer uses
one make of tractor; the contractor
specializes on certain truck for his
hauling, and each is the gamer for so
doing.
The public VIII gain when util-
ities, or transportation companies,
use motorized vehicles exclusively.
Arizona republican., 1922-04-16

year of 1921. and we could ship over
so per cent more cars than we have
to ship. We are far ahead of our
schedule and hopelessly oyersold.
In the Jewett we have a motor
that has been in actual service for
five years, and there are no bugs in
it. 1t has been tested out thorough
ly. The car is built to stand the gaff,
and the company is depending upon
the cars durability for its success"
Grady Watson OF Watson Brothers
local Paige and Jewett distributors is
endeavoring to have Mr.. Jewett visit
Phoenix on his trip and give the To-
cal dealers the advantage of his
knowledge of general business con-
ditions and particularly motor car
production and distribution.
Arizona republican., 1922-04-16
EVERY BLOWOUT
HAS ITS RE- JASON
SAYS FRED NOLL

Every motorist considers a blow
out more or less as a matter of
course, something that may happen
in any days travel but when that
blow out happens to a spare tire it
is generally considered nothing less
than calamity, 1t is often perpleX
ing because the driver cannot under
stand how it could possibly have hap
pened.
When asked the cause for a spare
BLOW out, Fred Noll, local distributor
for Savage Tires answered that it
really was not a surprising occur
ance at all when anyone considers
the treatment commonly accorded a
spare tire "A blow-out never happens
without q real good reason" he said.
1T may be that the spare is an old
tire that has been patched up with
the idea that the few more miles it
may be good for will sometimes come
in handy when an emergency finds
the car nearer its destination than a
service station. But as luck will have
ii the emergency never comes. ex~
posure to sun and rain and weather
saps the little remaining vitality OF
the casing, and one day when it's
unusually warm it just naturally
goes flooie and gives up the ghost.
There are two good reasons for
this situation. First. never carry a
badly worn tire. as a spare. Either
throw it away altogether. or. il it is
worth it have it renewed. And the
next thing to remember is, keep the
spare protected by a cover at all
times as well as properly inflated.
This cover protection is to shield it
from the deteriorating effects of sun
light, water and oil. the same enemies
that confront the casing in steady
use on the wheel
THE good spare tire may be con-
sidered in the light of insurance. But
a rotten tire is no insurance at ALL
Just a botheration. 1t certainly pays
the motorist to keep a new casing in
the spare rack for emergency. And
two new ones are still better. :
Arizona republican., 1922-04-16

how a tattered and bearded old
stranger came to the little village of
Falling Waters and the reception
accorded him; how rascal was
overthorwn and how Dame Wrinkles
happiness was restored. all these
things combine to make a living.
breathing things of the perturbation
of the great story 1t is picture
that no man, woman or child can
afford to miss.
A special matinee for children will
be arranged for the Saturday after
noon screening. the Columbia man
agement announces.
Arizona republican., 1922-04-16
TRAFFIC WILL Be
SIMPLER WHEN
ALL MOTORIZED

Less difficulty will be experienced
by the motorist in travelling through
crowded cities when all transporta-
tion has been motorized. even though
there are many more trucks and
cars in operation. than in the case
with the fewer cars now operated
through a mixed vehicle traffic.
After studying the problem for
some years, Manager McAhren. of
the White Truck Company. distribu
tors OF the White truck line. holds
that complete motorization is the
solution OF the traffic problem.
when a manufacturer desires to
Arizona republican., 1922-04-16
EIJRNITURE

Whenever you get disinterested,
neutral feeling about the home, try
changing the furniture around, A
change in the setting often renews
vigor and interest in the household.
Arizona republican., 1922-04-16

of vehicular traffic will become all
most as instructive as pedestrian
traffic on the side walks of well or
dered cities"
Arizona republican., 1922-04-16
EIoWERs

Cut flowers will keep much longer
if you change the water in which
they are kept every morning.
New-York tribune., 1922-03-26
Calendar for the Current Week

StNDAN-Acoian Hall by the New York Symphony
Society; Carnegie Hall
Orchestral Town Hall 1880 of
by Mary Fabian, Edward
MONDNAcolan Hall Ill. recital
S:15 by the Now York To Hail.
Chamber Society;
House. r. Russian "Sncgourochka";
tNanon.'
TuESDAYAoan Hall by
Town Hall, p. Carnegie Hail.
House. y m. York
Wanamakcrs Auditorium, 2:30 p.
Carnegie Hal, p. by tho Schoa
College m recital Samuel A.
Opera House SIS p Italian "Lorcley.'
TiURSDAiAcoian Hail. recital
85 recital by William uber; Hall p.
by York Philharmonic Metropolitan
House. Italian "Tosca" m,
Louis
FRIDAYteoian Hall S5 violin recital
Hall, m M
Orchestra Metropolitan
Forza
SATURDA(arng Hall S5 m, recital
Metropolitan
Cos Lucia.
New-York tribune., 1922-03-26

deathbed, speaks of him as 'thc stately
nonagenarian, whose white locks so
richly ornamented his graceful and
elegant person. Mr.. Tuckerman, who
seems also to have been acquainted
with Da Ponte. in the article published
years ago in 'Putnam's Magazine,' de-
scribes him thus: AT the age Of ninety
Lorenzo Da Ponte was still fine look
ing man: he had the head of Roman;
his countenance beamed with intelli-
gence and vivacity; his hair was abun-
dant and fell luxuriantly round his
neck and his manners combined dig
nifty and nobility to a rare degree
"Tn connection with these descrip-
tions it is interesting to read what
Michael Kelly (the Irish singer who
sang at the first performance of lie
Nozze di Figaro in Prague and who
caricatured Da Ponte in one of his own
operas in Vienna) says in his Rem
iniscences': MY friend, the poet. had
a remarkably awkward gait, habit
Of throwing himself Gas he thought)
into graceful attitude by putting his
stick behind his back and leaning on
it; he had also very peculiar dandy
ish way of dressing, for, in sooth, the
abbe stood mighty we'll with himself
and had the character of a consum-
mate coxcomb; he had also strong
lisp and broad Venetian dialect
New-York tribune., 1922-03-26
MaIilpiero's Work
Feature of Concert
BY SclloIa Carnio1'u,ln

G. Francesca Mahpiero's "San Fran.
cesco d'Assisi," a work for chorus,
barytone and orchestra, will have its
FIRST presentation anywhere at the
Schola Cantorum concert of Italian
music, under Kurt Schjndler'5 d.rcc.
ton, next Wednesday, evening, nj Cav
negie lIall The work is called a
"mistcro,' and is intended for concert
or for scenic performance in the man
ner of the Giotto frescoes. According.
to the composers ideas, only the most
important events in the life Of the
saint are presented, not in the way Of
historical description, but TO give the,
quintessence of the life Of the saint
in a few condensed moments which
only music can iittingly express. With
the help of the chorus, one soloist and
tho orchestra, he eyokos the scenes
which in the imagination aye most con-
nected with the picture of the saint
The gathering Of the disciples. the
sermon to the birds, the friendship
between San Francisco and Santa Clara,
and finally >thc last gathering Of the
Disciples around their dying leader.
upon whose bidding they intone his
canticle to the sun; these arc the four
tableaus which Malipero has framed
in his short cantata and which are in
terspersed by orchestral interludes and
prefaced in the manner of Il prologue
by voice which proclaials the sem
tence from the evangel upon which St.
Francis founded his teachings
The program will contain two other
novelties: A Te Deuln, by Verdi, for
double chorus and orchestra, written
N 1898, which, according to the Italian
publishers, will have it's first perform
ance in New York at this concert, and
the "Threnody for Hippolytos,' by
Ildebrando Pizzetti, from his opera
"Fedra," written to the text Of Dan
nunzio's drama. The opera has been
performed only in Italy and Buenos
Ayres. The "Threnody fer Hippelytos"
is a prologue to one of the acts, writ
ten for double chorus and solo voice,
and is one of the many musical essays
of Pizzetti in recreating the musical
idiom Of the Greeks in modern form.
New-York tribune., 1922-03-26

his misfortunes, entitled "Frottola per
far Ridere," published in 1885. Con-
corning his personal appearance, we
quote the following from "Music and
Manners in the Classical PERIOD" by
H. Z. Krchbiel, published in 1898:
81 have seen two portraits COT Da
Ponte) one an oil painting in the
library of Columbia College, the other
a steel engraving put as a frontispiece
in the 'Frottola per far Ridere,' of
which mention has been made. In the
painting Da Ponte sits at writing
table with a pen in his right hand and
the left clasping the top of large
book which rests on his knee. The
brow is noble one, but the face runs
down to rather pointed chin. AS a
whole the cast of his countenance is
decidedly more Hebraic than the other
portrait, which, OF course, was sane
toned by the original or it would not
have appeared in one of his books. The
latter, which was copied in The New
York Mirror to illustrate an article
on Da Ponies death written by Sam
uel Ward, is, however, in better accord
with tho descriptions TO be found in
local literature. In old New York
published in 1858, DR.. John w. Fran
els. who attended the old poet on his
New-York tribune., 1922-03-26
Mime. lJeritza's Last
Appearance OF Year
Set for 'H'h1arsd q ay

"Snegourotchka" a"-"The Snow Maid
en"-as q special performance will
open the twentieth week of the Metro
politan Opera season tomorrow after
noon with Mcssrs. Diaz, Meador, Chal-
mcrs and Rothier, Mr., Bodanzky con
Quoting.
"Manon' will be sung tomorrow
evening by Nine. Tarrar and Mcssrs.
Chamlee, Scotti and Whitehill, MIR.
Hasselmans conducting.
Other operas of the week will be:
"Lorelcy' on Wednesday evening,
with Mines. Muzio and sundelius and
Mcssrs. Gigli, Danise and Mardones,
Mr. Moran4oni conducting.
"Tosca' as a matinee on Thursday,
with Nine. Jeritza Cher last appear
anco this season. and Messrs. Cham
Ice and Scott, MI Moranzoni conduct
ing.
Louise" on Thursday evening, with
Mines. Farrar and Berat and Nessrs.
i1dliolu, hotnler ana DlaZ, MI DaSSCl-
mans conducting.
"Forza del Destino' on Friday even
ing. with Mines. Ponselle, Gordon and
Egener and Messrs. Martinelli, Danisc,
Mardoncs and Chalmers, Mr.. Popi con-
ducting.
"Cosi fan lutte viii have its second
performance at the Saturday matinee
with Mines, Easton, Peralta and Bori
and Messrs. Meader, De Luca and Di-
dur, Mr. Bodanzky conducting
Lucia" will be the popular price
Saturday night opera. with Nine. OF
toin and Messrs. Gigli, Picco, Bada,
Martino and Audisio, Mr.. papi CON
ductng.
New-York tribune., 1922-03-26
- ln the World OF Music and Musicians =
Programs Of the Week

Divinltiea ia styx t"AIoeste') ... Jiuea
lss muse was wunderbares sein r. fefa
Auf FluEein des Gesangss. s......-,.
T.. Mendelssobn- Eartholdf
Nepe Liehe .,.. 4. Mendelssohp- Barfh"'dt
etlanisch ..-........... ...... Ed Benin
II1eig : png ...-.,..... Richard Strauss
Ia S1rene .............. Reynaldo Hahn
- kossignoi des Tfias. Rimsky- x orsakonr
- fiteF .......-..... Q. Koechlfn
la Pc. .............. Modest Moussorgsls
70 He'en n......,.. Charles Martin Loefflav
At the Rivers Edge iMss)
Florence Grandiand
Town Hall, 3 p. m Piano recital BY
Frederic Dixon:
Andante in F............-. r Beethoven
Sonata. Opus - (Celtic) ........ MscDoweu
Nocturne. Opus AZ. No ! Etudc. Opus
25 No. & Scherzo, opus 81 80. Chopsss
Prelude, Opus %. No ..... RschrnaninoT
A"nees de Felerinase suisse ...... Ltszt
metropolitan O0"ra House, $3.50 p. m.
Concert by the New York Philh arm onic
Orchestra:
Suite No. 2. IN r minor ........... Bach
concerto for NiolonceiIo. Opus 20 d Albert
Cornelius Van Vliet
SYmphony No. fPatheticD tn y minor
opus 4....-.--.....-..... .TschaikovSky
Wanamaker's Auditorium, 2:30 p. n.
Organ recital by Charles NJ. Courtois
Piece Herioque e......-..,...........F Franc
Largo from New World Symphony Dvora -
Ioccata IN F............. .'... - Parf
Pastorale from Second Symphony .widsr
Shepherds $ Hey.-................ d.raings,.
iinale from First Sym pilcny ana. Vierrs
New-York tribune., 1922-03-26
Concerning the New York
Career of Lorenzo Da Po,,te
uozarts L'brettist Made Home Here as Teacber
Lecturer, Book Dealer and Opera
Manager

man approaching eighty ''"'o"
trrnos,, SENDS from his don,inlons
None,ul harp with message wsirLtv
~, axe axe taou lines, spite thy deiectior
l" return for her confection"
N'aa my heart thus to be ainri,r
" the blessing to IL given
Ti,soes .ose message came winging
~. hNnerward from out thy heaven
I nou, from first to latest hour
Al my grove the sweetest flow
speak. my heart. and be recorded,
speak, thou hopelessly art drifting,
itt,os s"1 aeeiings hast thou boarded.
G. cLler them with no more shifting,
Sne VII surely grant thee pardon
AoNe''es1 jasmine IN my garden,
MAY the gentle rain from heaven
~ freshsn three. my precious flower
10 thee happiness be given.
Grace and love in all their nov.r
NJ" NJ" Years sun the sky sutyuses
"nHe this oHring brings the muses
New-York tribune., 1922-03-26
SATURDAY.
Wanamakor.s Auditorlum. go p. r

Wanamakcr's Auditorium, 2:3o p. m.
Organ recital By Charles NJ Courtoin;
Sonata 30. ., in c minor, song With
out Words. IN 6 r1aior, Spinning
SouE ..---... .... Nendelssobr
f7rcluqe and fGsue in - minor ..-... Bach
Down Strean from Adirondack
Sketches .-.....-. BastN GOD Ian
Tho Afternoon Of d Faun (by request,
uebuss r.
Coronation March from "ie Prophets
NIeyerbcc 70
New-York tribune., 1922-03-26
Wednesday

City College. 4 p. m. Organ recital
by Samuel A. Balchura:
Epic 0do...... rella.r.
AN itNhe taSfora 'c .........., .... Guiin1sn+
Teccata and Fu@ue in p minor r...... Barch
Concert study for Pedals s............Yoa
N"dl tation. 'Fhais' y. s............. Massenct
Sonata. Inc Nipety-fourth Psalm Reub'.@
Carnegie Hall, 8;15 p. m. Concert
by the Schola Cantorum, assisted BY
The New York Symphony Society and
Giuseppe de aLuca, barytone:
stabat Mater ...... .............v Verdi
tFor chorus and orchestrs)
Nor double chorus and orchestra,
Tnee yhrenody for H!ppolytos from
inc opera 'Fedra '....... .......-. Pizzettf
tFor una cconpanied double chorus)
ttrst performance in America>
san Fra ncesco d'Assisi ........... Maidstone
tFor herytoue. chorus and orchestra -
9irst performance auywhere)
New-York tribune., 1922-03-26
Tuesday

Aeolian Hall, p. m. Song recital by
Augusta Kedya, mezzo-sopraao:
lnvocazione dl Orfeo CEurydleo'D
jacoYo Peri
Nermatds Song ........... Joseph Haydn
New-York tribune., 1922-03-26

memorial service at the grave Of the
poet who supplied Mozart with his
text. But to our surprise we discov-
cred that the location Of that grave
was as completely lost as is that of
Mozart. We found the cemetery with
out much difficulty-it is that in
Eleventh Street, between Avenue A and
First Avenue neither in the rec
ords of the old st. Patricks Cathedral
where the funeral services were held.
nor in those Of the sexton and under
takers could we find the slightest in
dication of where the grave had been
dug which received his body. Every
foot of the old burying ground was
traversed, every inscription still legiblc
on the old tombstones read; but all in
vain. The poet had been honorcd with
funeral of considerable pomp. Some
Of the foremost citizens of New York
had officiated as pallbearcrs, Italian
societies walked in procession behind
the hearse, but there was nothing left
half century later to tell in what
spot his BODY had returned to earth.
A singular fatality seemed associated
even with the records of his death and
burial. His death day is incorrectly
given in the vital statistics of the
city and probably incorrectly carved
upon the monument erected to his
memory in his native city, Ccncda, in
Italy. The date Of his funeral was
incorrectly announced in the news
paper which recorded his death Un-
til the facts were investigated and
given to the world in the columns of
The Tribune in 1887 the date Of his
arrival in America was erroneous in
every biographical notice which came
under our observation.
Clearing Up
His Early History
New-York tribune., 1922-03-26
The Poets Forgotten
Burial Place

The occasion of our Investigation
INTO the life of Lorenzo Da Ponte in
the summer Of 1887 was the sentim len
tai desire to do something to celebrate
his memory at time when the prin-
clpai opera houses of Europe were
celebrating the hundredth anniversary
OF the first performance of Don Clio
vannl.H The season of opera at the
metropolitan Opera House not having
oegun, we had planned a musical
New-York tribune., 1922-03-26

ing. When we wrote his local his
tory in 1887, though we stated on what
we considered good evidence that he
was by birth a Jew, who had been re
ceived into the Roman Catholic Church
as n lad, we had not discovered his
name of the Bishop Of Ccncda who had
brought about his conversion and who
gave him his own name as tribute to
his intellectual gifts. His real name
disclosed by Professor Marchesan
from the records of his birthplace, was
Emanuele Concgliano, and he was born
on March 10, 1749. The entire family
Of his father, dealer in leather, re
ceived Christian baptism in 1863. As
a young man of about twenty he went
to Vienna, and was thence, because of
an amorous escapade, compelled to fec
to Treviso. There he became professor
of rhetoric in the university, became
embroilcd in political disturbances and
was banished from the Venetian re-
public. He went to Dresden, then to
Vienna, where Salieri helped him to
the post Of poet to the theater through
appointment by the Emperor Joseph
II. Here ensucd the artistic associa-
tion with Mozart immortaized by &c
Nozze di Figaro "Don Giovanni" and
"Cosi fan lutte" Tho subject of the
first opera was of Mozart's choosing, the
second of Da Pontc, the third was COM
manded by the Emperor. After the
death Of Joseph II, Da Pontc incurred
the i'll will of his successor, Leopold.
Meanwhile he had married al English
woman in Trieste and for time pro
fessed Professionalism. but inasmuch as
he received Catholic burial he must
have returned to the Roman fold. His
son-in-law, Dr.. Anderson, became a con-
vert to Catholicism.
From Vienna he went to London,
where he became poet to the Italian
Opera, aided Taylor in the manage
ment, became financially involved, but,
unlike Taylor, kept out Of Fleet Prison
by escaping from the officers Of the
law and coming to America. lie landed
in Philadelphia from Nantucket ves-
sci on March 26 and reached New York
on June 4, 1906. Here for three months
he engaged in business, trafiicking in
liquors, tobacco and drugs. thence
was driven TO Elizabethtown, N. j., by
fear Of the yellow fever, failed 1inan-
cialy after year and returned to New
York, was teacher Of Italian for four
years and then became a distillcr in
Sunbury, Pa. There he remained seven
years, after which he came to New
York again and remained here, teach
ing, lecturing, dealing i'll books and
trying his hand at operate manage
ment until he died Of old age in his
nineticth year, on August II, 1888, at
his home, 81 Spring Street.
New-York tribune., 1922-03-26
~ Lucilla De Vcscoir:
EridaY
Aeolian Uall, Sis p. -. Violin re-
- h- Mnlen Ta.ch1n,. IL.

cital by Helen Teschncr Tas:
So'afa q major. op .-...-..... .Brahr7.
l.8 II oia ........ .Corei'}
lp'lH" .....-. ChHusson
Tnro" |rolVdes. .-.... Frederick >1aco A
Ia to tontaiuo 4 re-huse. .SzyInsnow7l
DANCE 'rioatale --....-..,. Boris LevonsouS \
first tirl---iedicated n Nine. Tes)
Srhera. Iaranteile .-..-.. Wienlew-ld
Carnegie Hall 2:30 p. ~. Concert
by the New York Philharmonic o.
chestra: Repctition Of Thursdays
New-York tribune., 1922-03-26
The Poets Activities
And Appearance

When Garcia brought the first ltal-
ian opera company to New York in 1925
Da Pontc was among the first to meet
and persuade the manager to put Don
Giovanni" in his repertory by raising
money from his pupils to pay for a
singer to take the part OF Don Ottavio.
Later he associated himself with Riva-
finoli in managing the second season
of Italian opera enjoyed by the people
Of New York, and it was largely
through his influence that the first
opera house Cat Church and Leonard
streets was built. All his operatic
ventures, like his essays in business,
were failures. His last bookshop was
at 336 Broadway, near the present Cor
recent, if not presently Catharine Lane.
Next door was a confectioner's store,
and in the last pages of his "Memoirs"
he says that while watching the most
beautiful women in the world step out
Of their carriages to buy candies and
cakes of his neighbor he sometimes
felt tempted TO put sign in his win
dow, Candies and cakes sold here"
If the trick should tempt any one to
enter his store, he says, "then will
bring forth Petrarch, or some other Of
our poets, and / will vouch that they
are the sweetest OF all candies for
those who have teeth to masticate
them
The portrait of Da Ponte reproduced
herewith is copied from the frontis-
piece Of pamphlet about himself and
New-York tribune., 1922-03-26
Clearing Up
His Early History

For many biographical inaccuracies
his own memoirs were largely to
blame, for the old poet was careless
writer and much inclined TO romano
New-York tribune., 1922-03-26
Thursday
Aeoian Hall, p. m. Piano rccits

Aeolian Hall, p. m. Piano recital
by Eraesto Berumen:
Nae7iaiions on a theme. and choral
from tae cantats, ''We.nen. Klagen
SorEar, Iager' -........-...f fa ach-Lirgt
Sioilisno -.....-... ..-.....-.-.. Bach
sonata op. = iin oae inovementl
Allesro Appasslonato ..-..- saint-saens
Etude de Concert. ...4...-. Noszkows'-i
Al 3:l5 p. m. Piano recital by VIII
liam Juliber:
Me}odic j minor. .......-. Giuck-Sgarabatf
ittap7ody. - minor. -..-.......-. Brahms
Symphonic EtUJes. .......... s. Schu:ranl,
Tn" I~ave Little Tailor. r.......... korngold
SaNade, opus .............. Chopin
fo!onaise \ fat rna5 Qr.-.--.-. -...... Chopin
Carnegie Hall, $50 D. N. Concert b.
the New York Philharmonic Orchestra:
Gothic Chaconne cGrst time in Anlerica)
Overture to the Tho Birds" Of Aristo-
phales (fIst time in Ainerics)
syaraonio Variations for Piano snd
Harold Bauer
Tone Poem, Don Juan .--..-..... Strauss
Town Hall, s:l5 p. m. Song recital
~ Lucilla De Ycscoir:
Sarafna a........... sgs,b,+;
tantaNa II ruscel}a .-..--. Marturcl
II eanto del. dubbio. .......... BoSsi
y isiore fnNcrna lc.... ... .Zardonai
irnta focce la nevc ............ .AlaIeona
baIia1ta. "Boccaccjo''. ....-...... .RespigM
Iast0ri. ......... - Ptzgett,
Di notte soltudini. Luizzi
E.nal7o IBaliata1 ....-....... .l.uaId5
In Fictoire, Le votle peint .... Tommasint
co. 't't - .C1seile.
New-York tribune., 1922-03-26

VIIy NoHege, d P. m. UTgan recital
by Samuel A. Baldwin:
HIsa'a Bridal Procession CLohcngrn.D
Hizabeth's Prayer C"Tannhaeuser') '' ''''
Prelude and Tsolde's Death s.ns
C'TlIstan and Isolde D,.....-...Aragl agler
lntroductior. Act III C'nia Melster-
sinEer'D .......... tVae,,rr.
Magic Fho Scene ("Dlo Walkuere") ''''
Wagner
Dreams ............... 1I-sg5ns,.
WaIhaua Scene C'Das Bh9ingold' y Wagner