davidaulloa/AmericanStories huggingface dataset:
Shoshone journal. [volume] (Shoshone, Idaho) 1884-1931, 1922-11-17
ALIAS SUMMONS
In the District Court of the Fou. III
Judicial District, of the State of
Idaho, in and for the County
of Lincoln.
chas. Albers.
Plaintiff.

VS..
Peter Andrew and Mar
garet Andrew,
Defendants.
The State Of Idaho sends greetings
to Peter Andrew and Margaret An
drew, the above named defendants.
You are hereby notified that Com
plant has been filed against you In
the District Court of the Fourth Ju-
dicial District. of the State Of Idaho,
in and for the County of Lincoln, by
the above named plaintiff. and you
are hereby directed TO appear and
answer the said Complaint within
twenty days of the service of this
summons, If served within said Judi
eial District, and within forty days, if
served elsewhere; and you are fur
there notified that unless you so APP
pear and answer said Complaint with
in the time herein specified the plain
tiff, win take judgment against you
as prayed in said Complaint
This action is brought on a promis-
sorry note given by you to the plain
tiff in the sum of $4,000. dated: April
9Th, 1914. on which there is now due
and owing by you to the plaintiff, the
sum of $4,000, with interest thereon
at 1917 per annum from October list,
1920. together with $4,000, attorneys
fees for plaintiffs attorneys and the
costs of said action. For further par
ticulars, you are referred to the Com
plant on file.
Witness my hand and the seal Of
said District Court. this Gath day of
October. 1922.
(SEAL)
e. A. BOWLER. Clerk
BEULAH GUYMON. Deputy Clerk.
Attorneys for plaintiff Paul s.
and Ross B. Haddock resi-
dence and postoffice address, Sho-
shone, Idaho.
u -27- N -3-10-17-24-n 1
Shoshone journal. [volume] (Shoshone, Idaho) 1884-1931, 1922-11-17

Fred w Gooding, e. G..
Gooding and d. Sidney
Smith. co-partners. doing
business under the firm
name and style of Fred w.
Gooding & Sons
Plaintiffs.
c. T. Carter and r.. T.
Fleming. co-partners doingl
business under the firm
name and style of Carter
& Fleming.
Defendants.
STATE OF IDAHO.
COUNTY OF LINCOLN
Notice is hereby given That on the
asfh day OF October. A. D.. 1929, at
tachment issued in the above entitled
action against the property OF the
aforesaid defendants Carter & Fleming
for the sum OF Six Thousand. Two
Hundred and Fifty (ss.25oo0) dollars.
with interest thereon at the rate OF
Seven (7eb) per cent per annum from
July nth. 1922, together with the
costs OF this action.
Witness my hand ard the seal OF
said District Court. affixed this 2Sth
day OF October A. D.. 1922.
tSEALl y. A, BOWLER.
clorh Of District Court.
BEULAH GuYMON,
Deputy
hlsael a BRO. attorneys for piain-
iffs residence ana postoffioe address.
"oodins Idaho N-8.lQ-il
Shoshone journal. [volume] (Shoshone, Idaho) 1884-1931, 1922-11-17

METHODIST CHURCH NOTES
sunday school ....---.--..-.....--- 10 a. m
Services II a. m
Subject: 1.-THE Divine Foundation.
(by the Pastor)
Epworth League --.---.---------..-. $3.50 p. m.
Preaching by Pastor 1880 p. m.
illustrated Sermon)
The sermon Sunday evening will be
illustrated by pictures. This will be
Shoshone journal. [volume] (Shoshone, Idaho) 1884-1931, 1922-11-17

Peter Andrew and Mar
garet Andrew,
New-York tribune., 1922-09-17
The Modern Rollo

RoLLo IN SOCIETY BY George 8.
Chappell. G. p. Putnarn's sons.
II TITLE ROLLO to-day has not
n quite the advantageous back
1-@ ground that he possessed
when "Rollo at Cambridge"
carlcatured him so amusingly some
decades ago. He has moved further
away from the background OF serious
acceptance which pointed contrasts so
keenly. Yet Mr.. George Chappel1 con-
trives to have some gently flowing fun
with the ineffable youth by stacking
him up against the modernities of the
Ritz. (Why not the Algonquin? one
wonders.) The goody-goody phrases
Of the original are admirably handled
ty Mr.. Chappell, and Mr.. Benchley, Mr..
Bishop, Mr.. Stewart and Mr.. Weaver
are introduced quite unobtrusively.
Indeed, the McGuffey's Reader style of
writing, the primer print and the ex-
cellent woodcut illustrations furnish a
stage setting that makes one sure that
something excruciatingly funny is GO
ing to arrive in moment. If it. does
not quite come off-why, that is what
one would expect of the priceless lit
tie bean for whom the stage is set This
latest Rollo book is therefore quite in
line with truth and character What
more can be asked of any artist?
New-York tribune., 1922-09-17
A Good Sea Y arm

Walden is the important figure; Wal
don, romantic idealist, robbed of his
beloved and sent innocently to the
penitentiary by his rival in love and
at that time-unrecognized enemy
Black Yankee Swope, captain of the
bloodiest blood ship afoat.
The cargo of the tale is Waldon's
revenge; Walden, by shipping on the
Golden Bough under an assumed name
manages by design and sheer luck to
regain the girl and to sail away in an
open boat to such freedom as the
Pacific islands permit.
The author combines an ability tn
feel his subject keenly and to portray
it with the fine impersonality of an
artist In addition he has created a
character in Captain John Shreve that
as surely represents one sea type as the
immortal Lord jim represents another
These three contributions--a convinc-
ing and spirited appearance of truth
an unprejudiced account OF shanehaied
crews and hell-ship life of forty Years
ago, and character that exhibits the
elemental idealism of a seaman with
out ever making maudin appeal to
sentimental emotion-do much to al
leviate a. not too new plot that is
handled in not too new manner.
New-York tribune., 1922-09-17
Old Age

FACING OLD AGE. BY Abraham Epstein.
Alfred A, Knopr
A CCIDENT, sickness. unemploy
"a ment and old age are four
IA besetting evils in the life of
America is still far behind
several European countries in legisla-
tion designed to meet these contin-
gencles. Workmen's compensation
laws have been pretty generally enacted
by the various states. But health
insurance has not advanced beyonc
the stage of academic debate; no effec-
tive scheme for tidng the workers
over the periodic crises of unemplov.
ment has been devised; and the mar
whose working days are over is left tt
uncertain private charity or degrading
institutional care
Mr. Epstein, formerly director of tn.
Pennsylvania Old Age Commission. de
scrlbes the systems of old age relic
Whlch nave been put into operation il
other countries and outlines the prog
fesS Whlch the movement for social ac
tlon IN TINS direction has made in tn,
United States. He is inclined to favo1
system of state pensions, varying il
amount in accordance with the need,
Of the recipient.
The author is opposed to the schem,
CT compulsory old age insurance which
prevailed in Germany before the war
on the ground that the wage-earner.
who are most in need of relief are un
able to meet the required payments
He contends that society owes deb
to the men and women who have worr
out their lives in its service; and h,
very effectively demolishes the shallow
and selfish argument that the habi
OF thrift would be impaired by payinl
something less than a minimum wag,
to the aged who have no other sourc,
of income. Mr.. Epstein's material i
adequate and we'll arranged; and hi,
book deserves a place in the librar,
of every student of sociology.
W. Fl. C.
New-York tribune., 1922-09-17
By Kenneth Fuessle

BY Kenneth Fuessle
TIE BLOOD SHIP. BY Norman Springer.
w, j. Watt & Co.
W T APPEARS the classic manner to
q open a sea story in tavern, On
the terrace of a club to slip
easily into a yarn with a few
questions or with snatch of dialogue
to justify the raconteurs reminscing
SO one rather expects, and is not dis
appointed, when "The Blood Ship"
starts inauspiciously on the bridge
deck of a freighter awaiting the
Stream in San Francisco Bay, that the
first sentences will be but antennae to
feel out the mood--or to establish the
mood-of the reader.
In this case a coal hulk is towed to
anchorage nearby. The captain, until
now listening to the unendng chatter
of guest for the voyage, a writer who
wishes sea-color for novel dealing
with King" Walden, island adven-
turer, suddenly elicits interest. "Do
you recognize her." he asks his mate,
designating the hulk; the mate does.
The captain starts. In other days the
hulk was the Golden Bough, Finest
ship that ever broke d record with an
American flag at her gaff"
Ii to this point, however, the story
runs all too true to commonplace form,
it shortly breaks away and surges un-
der full rig into voyage that com
mands interest. Even its complicated
plot excepted, that interest remains,
for Mr. Springer has accomplished
with rare success the feat of develop
ing a character through that charac-
ter's own words. His method is neither
strained nor apologetic, for he has
simply permitted his main character to
view himself with tolerant and com
pretending and critical eyes after a
lapse of perhaps forty years.
But one wonders if Captain Shreve
was intended as the main character,
In the real story within the story RoV
New-York tribune., 1922-09-17
The Vital Thing Is Poetry
By John arrar

Roast Leviathan" proclaim loudly that
they are Jews and proud of it, Good
1or them; but the heavy Orientalism of
their sentiment would brook no con-
cealment. In the highly sexed "The
Flaming Circle" Nh. Untermeyer is at
his best-as always at his best in the
love lyric.
Alfred kreymbotg | do not under
stand. Sara Teasdale seems scarcely
to have risen here above her felicitous
and pleasant line. In John Gould
Fletcher there is sound technique and
some beauty. In Jean Starr Unter-
meyer somewhat more placid egotism
than is her won't
1t is not until we find "H. D." thai
we are again moved to a strong pride
Tor American poetry. Her five love
poems are as finely wrought as deli
cate Toledo blade and as deeply rooted
IN passion and experience as are the
dramas of Eschylus. " | like best,
but V is more quotable.
1T was not chastity that made me
cold nor fear, only | knew that YOU.
like myself, were sick of the puny
race that crawls and quibbes and
hsps of love and love and lovers and
loves deceit
'It was not chastity that made me
wild, but fear that my weapon, tenn
pered in different heat, was over
matched by yours, and your hand.
skilled to yield death blows, might
break with the slightest turn-no
ill-will meant-my own lesser, yet
still somewhat fine-wrought fiery
tempered, delicate, over passionate
steel"
Conrad Aikens "Seven Twilights," /"
except for the occasional display of a
firmer intellectualization, might have
been written by Alfred Tennyson. In
"Tetelestai," however, he redeems him
self The sonorous line remains, but
it is vivified by great strength and
sturdy beauty.
The high point of the collection
comes at its close; for, after all, the
other poets have all written better
poems than they give US here; but
Edna ST. Vincent Millay has never
risen to such heights as she does in
her Eight Sonnets." Revealing, pas
sionate, tender, quietly bitter, they
become part of the soul as one reads:
"What lips my lips have kissed, and
where, and why,
/ have forgotten, and what arms have
Under my head till morning; but the
rain
Is full of ghosts tonight, that tap
and sigh
Upon the glass and listen for reply;
And in my heart there stirs quiet
pain,
For unremembered lads that not
again
Will turn to me at midnight with a
cry.
"Thus in the winter stands the
lonely tree
Nor know what birds have vanished
one by one,
Yet knows its boughs more silent
than before:
! cannot sayawhat loves have come
and gone;
| only know that summer sany to me
A little while, that in me sings no
more"
This is collection worth owning
and worth studying, in spite of the
apparent prejudices of its retiring and
somewhat ghost-like editor, or shall
we say promoter2
New-York tribune., 1922-09-17

AMERICAN POETRY, 1877. Published by
Harcourt Brace & Co.
rAHE second volume in this
series of non-edited miscella-
nies, avowedly initiating the
III Georgian collections in Eng
land, contains some of the
finest poetry ever written by Ameri-
cans But why initiate the "Georgians," J."
seme of whose output has been as weak
as the lemon in wo-for-a nickel lemon
ade? The gentleman advised and as
sisted imagine by two ladies) who de-
vised this scheme, and he is never good
at obscuring himself, does not call the
nook THE Wilsonians," "The Har-
!ians," but american Poetry" and, in
act, ne is somewhat dishonest, for his
collection screeches with omissions.
however, this was partsof his policy for
gaining attention, and l refuse to quar-
rel with any editorial project so clever
as to bring together fine poetry and at
the same time present a scheme pro-
Foeatve enough to stir an apathetic
public to an even momentary interest
IN such dificult-t market ware as
verse.
Says "A Foreword": "The poets who
appear here have come together by
mutual accord and, although they may
invite others to join them in sub
sequent volumes as circum stance die
tates, each one stands Gas all new
eomers must stand) as the exponent of
3resh and strikingly diverse qualities
IN cur native poetry. The new
Geofners, II. D., Alfred Kreymborg and
Edna st. Vincent Millay, have taken
tnelf places with the same absence of
Juoge or jury that marks any society
independents.' There is no hanging
committee; no organizer of position
Two years ago the alphabet determined
the arrangement; this time seniority
pas peen the sole arbiter of precedence.
rarthermore-and this cannot be too
olten epeated-there has been no
taltpr. To be painstakingly precise,
saeh contributor has been his own
eaitor' AS such, he has chosen his
own selections and determined the or
yer In which they are to be printed,
sut ne has had no authority over either
sas cnolce or grouping of his fellow
eAalbitors contributions.
Robert Frost does not contribute
passion to this collection. His is an
sven group, balanced, careful telling
Z actual episodes, and not his best
any means. "The Witch of Coos"
snort story in his particular type of
s.ahE verse, is effective, in its high
aeyed supernaturalism, but at times
" all Carl Sandburg's recent poems,
ars arzhd So To-day" with the exception of
1T ane Windy City" is the best. In
;ials panorama of the whole war march
sss ssss Gown Pennsylvania Avenue toward
as Unknown Soldiers Grave, he shows
eaee again, that mighty intuition which
saapies him at the same time to under
sssnd the emotional significance of
;.s az ana the bitterness of the mawk-
,,s sachel Lindsay is here at his abso-
.sss sI', best He always reminds me of
MN footed elf-now soaring in al
vsS,. ySt Celtic daintiness of line, now
se.as sessaiowing in sea of meaningless tom
ssieTy. sssaa "In Praise OF Johnny Apple
issn iu ls a poem so thoroughly Amer
thss' 80 much the new type of ballad,
KS u cannot fail to live, while "I
c." c" All This When Gipsy Fiddles
mas moments of great beauty.
1sn;an Oppenheim in Hebrews" and
eM.s pnterneyer in his Heine loquitur
'og From a Mattress" and his
New-York tribune., 1922-09-17
London News Letter


play makes me long 10 try my prens
tee hand at draughtsmanship Bus
now that Mr. Raymond has given mo
the secret of how best sellers are writ
ten | am decidedly less Sgivious Of
those who write them.
To the accepted rule that prize novels
are unreadable there have been at least
two recent exceptions Catharine Cars
wells Open the Door" and Miss Isabel
Besumont's Secret Drama" Secret
Drama" is not an easy book to tackle.
but it is well worth the preliminary cf-
fort it costs TO get interested in It. lt
is closely observed study of house
hold Of more or less unpleasant gonen
who get progressively on each others
land on the Teader'sl nerves The
"Secret Drama" lies in the relations be-
tween a tiresome mother and her
equally tiresome daughter. Both these
characters are admirably realized and
they appear before one with vividness
that Is at times positively painful. The
men in the story are few and shadowy.
Miss Beaumont has shown clearly in
her first novel that she can draw WON
en-. II in her second book she proves ~
be able TO draw men with equal fidelity
she may become a novelist Of the hrss
rank.
As far as can judge, literary peopis
seem almost equally divided between
those who have a tremendous cnthusi-
ssm for MIR. Logan Pearsall Smiths
Trivia" and those who have an equally
fervent dislike of them. Mr. Smith has
certainly invented a new genre. genre
Of which his new volume more Trivia S
shows nD the weak points. More Tri-
VIA with its recurrent shudders Of
horror at vulgar persons with imper-
feet taste, leaves one with strong ism
preston that it is possible to be too re-
fired. OF course dreadful people,
people who like George II don't like
boetry and don't like bainting"--s
not, from the aesthetic standpoint. an
improvement TO the landscape. Nobody
supposed they were. allowing for
the law of reactions--if there were no
bourgeois, where should we look TO for
our great artists? From the litersrv
point of view, Mr.. Smiths trivial per-
/ fections provide an excellent savorv
but scarcely a square meal. After all
it is to the offspring of the dreadful
people" that we usually have to look
) for that
New-York tribune., 1922-09-17
The Rituals of Mr.. Mackenzie
BY Frances Newman

TIE ALTAR STEPS, by Compton Mac
N.an InrAn.
New-York tribune., 1922-09-17

M M unpleasantly overdue find
w V myself pondering over the
problem of the "best- sell
err" Now, the average "best. seIJer 4, as
iar as the actual writing goes. is no
better than the average worst seller
It's plot is usually ridiculous and i,s
Characterization absurd. What then.
Is the secret? How do our A & M
Hutchinsons and our Ernes, Ravmords
DO 1t? What is the magic sometb;nv
which makes one Indifferent noveI solI
IN tens and another one in tens of
thousands? Here is a question which
has bafiled publishers and insoIvent
authors for years past, but now at last
| believe | have found satisfactorv
answer. 1t is all a question of point
of view, of how you attack .he task of
writing. | have been given this hint
by Mr.. Ernest Raymond. the author of
Tell England" whose new novel
"Rossenal" gives us the life story n
famous author. David Rossenai wants
to become big noise in the writing
line, and this is the way he gets 70
work at it: "He listened 10 the grand
swell of orchestral music. He studied
famous pictures, and won from them q
sense of disposition of subject or Of
broad brush painting He analyzed
strong plays as he watched them. and
decided that the two great elements of
plot interest were strife and an adver-
sary. From all noble buildings he
brought away ideas of unity and pro-
portion for the structure of his nara
tive" That's the way it's done. accord
ing to Mr.. Raymond-who ought to
know. 1t is no use coming away from
luncheon at the Savoy and Just wae
ging your narrative like a little dog.
You must have your ideas of unity and
/ proportion ready to hand. And when
you go to strong play" you must
analyze it till the perspiration drops
from you. If you don't feel quite up
to doing this you must at least-as an
alternative-go and listen to the
grand swell of orchestral music" Ye
gods, what life! Incidentally, | should
dearly like to see it illustrated. The
vision Of one of our great ones sitting
in the stalls and analyzing a "strong
The mirror., 1922-02-16
Washington News Center

The capitol is the greatest center for
dissemination of news in the world, ac-
cording to recent investigations, which in
dicate that not less than 100000 words
are sent out daily by wire, radio and mail
from the offices of Washington correspon-
dents The amount of publicity material
sent out by the various associations hav-
ing headquarters here has not been esti-
mated, but it is nothing short of stupen-
dous
What 100000 words daily means may
be visualized, perhaps, by reducing that
figure to newspaper pages. Roughly, there
are about 1000 words in the average
newspaper column, when allowance is
made for head, and 500 newspaper
columns-in these days of eight-column
newspapers-would mean total of 62H
pages about the size of the Sunday edi-
ton of typical metropolitan newspaper.
lust how the 100000 words are divided
each day among the news services, cores
pondents and leased wires is of interest.
The Washington correspondents total is
roughly about $4,000 words day by
wire; the press associations send another
$4,000, for there are FIVE of these organi-
cations, carrying 5000 to $4,000 words
EACH The so leased wire services un-
doubtedly send more than 100000 words
daily, making a total of 100000 words
telegraphed from Washington daily.
Mail service is probably equally heavy,
and writers for magazines and other per-
iodicals who do not deal in live news
probably carry some 100000 words daily.
FIX
The mirror., 1922-02-16

George Washington was the John D.
Rockefeller of his day-so far as wealth
goes. John D. once said he would rather
lose a thousand dollars than be cheated
out of nickel. Well, George evidently
felt the same way; at least his letters so
indicate. Yet he accepted no pay as
soldier, and spent $4,000 (at least) of his
own money. He was generous as he was
keen to get what was his. He delighted
in a good bargain. AS for efficiency. it
was his middle name. There never was
better farmer and business man, and
Mount Vernon was model plantation.
George Washington proved himself
regular fellow in these ways, among
others:
He played cards, and ordered a dozen
packs at a time; one of his accounts con-
tains the item "Lost at cards, eight
shillings"
He drank wine, beer, rum and brandy
always in moderation.
He loved horses, and imported fne
stock.
He was fond of fox hunting his pack
of fox hounds was famous; he wore the
latest and best in hunting clothes.
He loved to fish, to shoot ducks and to
hunt deer.
He wore good Clothes and insisted upon
having them to his liking in every detail.
In short, the real George Washington
was not the mythical Washington who has
been foisted on the American school boy
of past generations. The marvel is that
so human an American was ever so num-
mifed in a land like America. They
couldn't do it to George when he was
alive. And it will never happen again.