davidaulloa/AmericanStories huggingface dataset:
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1922-05-26
Today's Games.


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no." was me ,,'',., o.. ,',1,, 70 win,
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1922-05-26
Yesterdays Games.

,.-iayAno-t. .. Shady She. :.
Cn,hrNraL. T.indoiN N0s.ioNCN
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1922-05-26
.RIGGEST CAVE Of SEASON At
PUBLIC SCHOOL FIELD TO-DAY
IF WHEELING WINS TO-DAY GULL
WILL BE TIED WITH FERF1
FOR FIRST PLACE.

Rossmen In Good Condition ana Will
Be Ready 70 Give Sest-StNI
ut Three.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1922-05-26
MoundsYtlle-Linsly.

Noun1sv;Iie and Ljn~lr VIII a'So amy
1, ovt this Afternoon "a ~ I~'..:."'
heir clash b,.nr for th:rd Nl,sr". Tn"
,,vo ,eamS ar, ted now. ard Bridc" park
also PROMISES to 10 a popular spot.
New-York tribune., 1922-10-01
:g Georggs: =. ChappeeIl

George" he said, 'I am in New York, but
not of it. How can I get acquainted with some
snappy ones?"
Haven't you some family connections?"
asked.
He lodged.
Spare me that! My introductions from
home would keep me busy all the time If
should present them. would be living in
petriied forest. / want to know some live
ones"
Zone moment" I Interrupted. "I can see
at glance that your restaurant education
has been hopelessly neglected. Why, the mere
way you say sthe Montmartre' is enough to
brand you as an outsider. You mustn't use the
prefix the with 'Montmartre,' and, secondly, in
pronouncing leave off the final RE- entirely.
That will be near enough and better than your
hideous attempt to sound Partisan. But tell
me, if you really want to meet this crowd why
don't you 60 to these places and do it?"
Chats just tho trouble. don't know
then," he complained.
"Know them?"
'Yes. Couldn't you go with me some night
and introduce me?"
laughed. "My dear boy, you are hopelessly
green. You don't have to meet these people.
just go to these restaurants and the rest will
happen"
Eve tried that he said weakly, 'but it
doesn't seem to work. They won't meet me-"
"Who, the people?'
sNo, the restaurants"
| pondered darkly as began to see glim-
mering of my friends situation. l am ten
years older than Walter and my mind went
back to an earlier era when the night life of
New York had for me that lure which it now
held for hina. recalled the rebuffs had suf-
fered, the dsappointments I had undergone,
the vain attempts had made to pry my way
into the Domino Room, Delmonico's and the
popular dancing clubs of that vanished day.
Out Of the depths of my experience / asked,
Walter, what do you do when you GO to one
of these fascinating establishments"
New-York tribune., 1922-10-01

say, "Oh amt you the greatest" and the
doorman will hear the commotion and say
to himself, "Here comes some young blood
who knows the ropes
"This is very important for the doorman is
often a serious obstacle. AS you approach the
door look him steadily in the eye and say, not
without hint of sternness, my table?' Ten
to one he will unlock the rope and say Ger
+sinlv. M'sieu --?' 'Underhill,' you add, at
the same time slipping a dollar bin into his
hands Emile he will call, 'une table pour
NJ. Underhill.' Do not fear, ne will not forget
you again.
emile is the head waiter. He comes next
to the doorman in Importance. Now that you
are in YOUR can afford to relax little If
YOU have working knowledge of restaurant
French it is well to say 'Beaucoup de monde
ce soir,' or Pas beaucoup,' ETC., as the case
NAV be. This is a subject which touches
head waters heart. II there are many peo-
ple he gets lots Of tips; If few, less. Thawing
out. he will give you good table. Be sure
to order your supper from him and let him
transmit it to The waiter. This gives you an
opportunity to tip him while you coilaborate.
If YOU want drink and haven't anything with
YOU ask for it bodily. Say Bring me some
Scotch or cocktail as if you really meant
II. Emile will say to himself, Here is
gentleman of the world. I've got it, and he
knows I've got it It will be Forthcoming
under napkin.
"The waiter should be ignored as much as
pcsahe. It will give you certain standing
to return some part Of the menu as. unsatis-
factory, but this SHOULD not be done too often.
'.You are now safely ensconced in promi-
nent position. You have attracted the attcn-
ton Of part Of the room by your entrance.
It only remains to focus all eyes upon you
for moment. To do this say to the waiter,
Tell the orchestra leader / wish to speak to
him. When this worthy stands before you
request him to play Rodolfo's song from
sBoheme This has a fine part for the first
New-York tribune., 1922-10-01

do that again! The naughty landlord will
think this is studio and raise mamas and
papa's remit"
Before that day arrives when the north
light shall cast a baleful CLEAN on the wall
motto "God Bless Our Home" let something
be done for our studio-reft artists What
would be done if our residential sections sud-
denly were rendered untenantable? The nhabi-
tants would be housed in the financial sections,
of course. Those great areas, virtually unoc-
cupied except for eight or ten hours out of the
twenty-four, would afford ideal refugees. Why
cannot they now be made available for evicted
artists? In the lobbies, in the storerooms and
the lofts and in the great deserted street
canyons they could bvouac nights; as dawn
broke, folding their tents like the Arabs and
silently stealing eway, to return again when
New-York tribune., 1922-10-01
u,;s. pjeI"r@@ I,y William II<<SarIIa III.

"Why, just walk in and ask for table,"
he replied.
"And then what happens?"
"Well, often they tell me all the tables are
taken and wait behind a velvet rope Per-
haps later they stick me off in corner be-
hind column or next to the serving pantry,
where walters bump me with their trays"
Just SO" / continued. "Let me tell what I
have learned. There is nothing so important
for the beginner in New Yorll's nocturnal ac-
tlvitles as a knowledge Of how to cultivate
the personal touch, to really meet and know
the restaurants he wishes to frequent You
must know the personnel from the ground
floor up. Your acquaintance must begin with
the carriage starter and end with the man.
ager himself. Nobody may be left out.
New-York tribune., 1922-10-01

Grass commerce had ceased its clatter.
By day-tis daring thought-the artists
might even be permitted the use Of the studios
in which they had been supplanted by better
renting propositions. Why not, if only they
were out by reasonable hour in the evening
in plenty of time Tor their "prodigal inita-
tors" as the league calls them, to give "riotous
parties? The artists then would have the
convenience Of the studios and the light Of day,
while the other would have the atmosphere
and the cloak of night. Artists and more
financial persons would shuttle back and forth
most merrily.
If that scheme should not prove efficient be-
cause Of transportation difficulties, for in
stance, there is an alternative Who is it that
comes forward in all transportation crises
here in New York? Mayor Hylan, of course
New-York tribune., 1922-10-01
"Louise, you are divine!"

HERE is a mistaken notion in the
minds Of many people that the way
4 to get into the Right Set is to first
al. meet some of the society headliners
'a u, then to entertain them
!, ns was the impression of young friend
sl.a,' al,he' Walter Underhill, ore of the most
sr;s.. ss.oe OF the recent importations from the
,.ss .ss'sSipm Valley. Walters folks are hot
m s'ua IN st. Louis and have the wooden-ware
ssaaness by the throat. Since the business has
sa.s u'e one OF those mammoth and lucrative
s',s 81. snat runs practically by its own momen-
~, ae mas gradually prolonged his semi-an-
;nsa s'slts to New York until they have met
a,s..' sas middle. Having taken smart bachelor
tr.sss't t'sient on Park Avenue and had his name
as,sfred from the nonresident to the resi-
has.aa .ass at the Racquet Club, he feels that he
gnt ~ nls foot the first rung of the ladder.
Il su;s ,lae ne realizes it is only the first rung
s'1uenced by his visits to ME.
New-York tribune., 1922-10-01

state of affairs. In the galleries would hang
the same old things we always have seen. Here
and there a furtive sculptor might be dis
covered satisfying the imperative call Of his
art by hiring out to tombstonemaker The
girls on the magazine covers would look even
more alike than they do now, for they would
be the same ones run over and over again
Art medals and prizes would have to be
awarded to those owning the studios in which
artists would be most likely to paint the most
beautiful carvases if they lived there. The
parents of the little boys and girls, age six,
who used to execute those precocious drawings
will sternly suppress any manifestations of
the divine urge. Snatching their offspring
away from the pencil and paper or pencil and
wall, as the case may be, they would whisper
in terrified tones: "Take care children! Never
New-York tribune., 1922-10-01

And what does he always suggest as the in
fallible solution? A municipal bus line, of
course. Such line for the artists would
run under some such slogan as every bus an
art colony" Their occupants busted in art
and household tasks EN- route, the busscs would
wind through the city like gypsy caravans,
never hating long in one locality, so as to
avoid influencing the rents.
Like the stroling minstrels Of the days of
yore, the artists would knock at our doors and
walk in with CHEEKY Noel greeting. Warm
ing their hands at the hearth and accepting
some of the Christmas repast, they would
then gratefully set up an easel or draw lump
Of clay from their packs and irnmortalize baby.
Then, with seasonabe farewell, they would
step out into tlfe night and roll away in
their bus.
New-York tribune., 1922-10-01
Emile is the head tDaster

violin and all leaders love to play it. More
over, ali the ladies in the room can sing it.
1t is about love and it makes them feel that
you are romantic. There is no bond SO sure as
the maudlin sentiment of carly morning.
When the musician bows before you to receive
his fee at the end Of the piece your task is
done
"And the people?" asked Waiter.
"My boy, you will find them at your table
and yourself at theirs before you know it.
Some one IN the crowd will know you, or think
she knows you. What matters? If You are
very conventional Emile viii introduce you,
but it's not necessary"
My friend rose hastily. Thanks million
times, old beau" And he was off.
For the first time in many years recently
broke the rule of my clustered life and went
to a late, very late, supper party, the life Of
which was Mr.. Walter Underhill.
fcopyrtoht. isss, New York Triouas lnel 4
New-York tribune., 1922-10-01

"Tel me more" cried Walter, who was
making rapid notes.
81 will run over the whole list said,
land give you few BRIEF ideas Of each. First,
the carriage starter. You will know him, of
course, by his uniform. He is most gorgeous.
During the war he was frequently taken in
to dinners under the suppostion that he was
foreign general. His manner is superbly i'm
portant. You must be equally SO. Be naughty.
Say Good evening" as you get out of lyour
taxi, but say it as if you threw the words
in his teeth. / have seen young lads greet
him with an effusive cordiality that froze hin,
in an instant. Remember there is an electric
connection, thought transference, between all
these people. Ii you make the wrong impress
sion on one it is instantly communicated to all.
New-York tribune., 1922-10-01

Next comes Cne re-
stiaire, or hatgirl. If
she happens to be a boy
you need pay no par
ticular attention to her
Or him. But if, as is
usual in the sort of
places you mention,
she is a charming girl
in a smart maids cos
tune, your demeanor
must change at once.
In place Of hauteur
must come high-spirit-
ed raillery and a dash
of romance. "Louise!" !"
you should cry, or any
ether name which suits
your fancy, "Louise,
You are divine. What
are you doing in this
dark pocket? You
should be on the BALI
room floor! Come,
dance with me and
later I will make you
my wife," Louise will
blush furiously and
New-York tribune., 1922-10-01

70 FAIRFAX DoWNEY

81 THE melodrama Of the none too dis
liant future the villain will be seen to
execute rapid change, eloaking ms dress
.uit and top hat with the tam and snock
*. rse,,de-artist. Then he will seize the
Jerome by her yellow hair ana oesih 70
exit, left.
lady will ask
aro nv s.s-s-studio." the villain will hiss.
,,..a,non the heroine will shrink anc
.s.ek aNo. Not there!p
The audience, in the bciief OF members Oh
a,s League Of American ARTISTS VIII know
an wolf that the villain is getting rough and
-, Il ia high time for the nero 70 do some
.es.,,;no For it is caution, they say, the
- rvho are renting the studios nowadays.
rsau tnow no more about art than pig does
.bout side pockets. The only kiha OF paint
49,, ,,so Is red They are Interested not in
"a, 1;ebts but in bright lights. And while
-. ,.,oy he concerned with young lady
.sya,s thew are not with model young ladies'.
r,st as home is where the heart is it origi-
liz, was the idea that studio is where the
~ is Now studio is where the people who
can pay high rent are, says the league, and
.bey. 1t goes without saying, are seldom
ar;sfs. The gay bohemian life associated
,tb artists and their haunts is the lure. No
sooaar does genius start starving in garret
nav than along comes afluence and picks it
ant rs a splendid place to get thirsty--and do
srnething about it.
OF course, there is the fact that not few
If tho rooms and buildings made over into
studios by artists were once home sweet home
10 deserving horses. Those patient animals
we're ousted by the artists, as they in turn are
Icing ousted by the millionaires. But that is
not true example Of the relentless march of
progress Machinery decreed that the day for
the horse was done. But there still are people
who maintain that artists and the pictures
they paint have place in the scheme of
things, no matter how many movies are pro-
duced
But the artists have been harried from
studio to studio, from colony to colony. It
seems that whenever the word gets around that
two or three artists have settled in a block.
somebody with the wherewithal hires a haunt
in the vicinity to hold high revel. Then it isn't
long, says the league, before rents are raised
as high as said revel, and the little group of
cmbatted artists move to Brooklyn or some
place.
Raisable rents and his reputation Of being
bohemian follow an artist even into the
country. He is not safe there. The moving
van is at the door along with the wolf.
Strange that archaologists have not really
understood why the prehistoric artists who
drew the pictures in the caves of France and
Spain were a migratory people.
II you ask them at the league what the
artists are going to do about it they answer
in this wise: Already, they say, we have CO.
operative store where can be bought brushes
and easels and frames and chisels and every-
thing that one commits art with. The next
step they plan is cooperative apartments, the
stock in which will be sewed up so neatly that
1t can be disposed of to artists alone and by
them disposed of only to others Of their craft
Brotherhood
If something is not done imagine the dire
New-York tribune., 1922-10-01

~
tired bartender. ''No sooner d.
they get the place axed up like they want il;
wit hand-painted tearooms runnin' fourteen
to the block an the nuts erowdin' out the
rubber plants than mob that they say ain't
artists at all como In an start doin' the same
thing.
"These birds amt got no more art than
ticket chopper on the elevated, SO they say:
but they got the jack! That pretty near prove
they amt real artists. aever knew real
artist IT. : ever had any ready money. All
them that ever run up against bunmed all
their drinks.
"They was one, though, used to work out
some Of his drinks. He was the fella that
made the pictures in soap on the mirror back
of the bar. In season he'd come in reg'lar,
take a look at the mirror an say it was about
time it done over. Then he'd hop up on o
stepladder an get to work.
"I1e had the goods, too. He was one of
the best artists / ever seen. When he wa
sober he could make pretty good Statue OF
Liberty. Anybody would know to look at II
that it was the Statue Of Liberty.
"But he done his best work when he was
drunk When he was sober it seemed like
he couldn't think O. nothin' to draw but the
Statue Of Liberty. But when he was drurl,
he would draw things on that mirror TIM,
you hadn't hardly even heard Of let alone
ever cxpectin' to see drawed out in soap.
"When he was only half drunk he could
draw Henry Hudson discoverin' the Hudson
River SO plain that anybody could see the
Wcehawken fcrryboats. When he was good
an drunk there couldn't nobody tell what he
might draw.
''One time when he was lit up good he
most drawed himself out Of Job. He done
a picture which he called Sir c. an U. Lisses
an the boss liked it so much he wouldn't
let him rub it out when he come around
again, but stalled him of wit coupla drinks
Only that Tony Griffin threw n bottle through
the mirror, Sir C. an U. Lisses would be or
that mirror yet, I guess.
This bird Lisses, it seems, was Greek.
an went an called on Sir C. without a bid
just at dinner time, which made Sir C. 80
sore lie ordered all the pigs brought in an
had 'cm scttin' at the table when Lisses
come in.
Sir c. an U. Lsses was drawed pretty
good, especially Lisses. Sir c. you couldn't
hardly tell but what he was a woman, but
that was because all them birds used to dress
funny them days. But it was the pigs caught
the boss's eye. They reminded him of his
brother, he sad an he wanted 'em left there
in hope his brother would come in some dey
to pick a fight wit him, an then he'd show
him the pigs an tell him why he was savin'
'em.
'Ihc boss was sentimental that way, bat
his brother never come in, they not bein' on
speakin' terms.
"But that just goes to show that people
is always putin things over on artists just
because they're kinda nutty. Now, you take
q fela like that, drawin' thei0 things just in
soap, like he done, he couda made good money
probly if he'd got job at the Metropolitan
Museum or some place like that, but he'd
hang around ginmills instead, where all he
got was credit fer drinks"
New-York tribune., 1922-10-01

"You have the only
two essential requi-
sites, complete solven-
cy and a well-fitting
dinner coat. Remember
two things. Always
dress; never leave your
pocketbook at home"
Continue" said
Walter.
"Write this down."
I said. "There are six
individuals with whom
you will come in con-
TACT ana upon Wnom
your supper success de-
pends. They are the
starter, the hatgirl, the
doorman, the head
waiter, the waiter and
the orchestra leader.
With each you must
cultivate a distinctly
different manner. It is
upon such little shades
of difference as this
that your success or
failure will depend"
New-York tribune., 1922-10-01
BY ROBERT B. PECK.

kkrV HEM Greenwich Village artists ar
plyin' in hard luck, il seems like"
observed Marty Mcmahon, the re-
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1922-11-17

beg Druds, Ser auf ieoe er,,5cIne
9siete BON Der Maidine allsg.ilbt
pirb: Gle betrdgt 10000 &i1o.
grnnr1, 3. +. Ser 9rud lit u,1ssfd9r
ir i9tper, pie cine mooerne SAre4-
5nglofomottpe nit Genoer. limo
bieier gan6e Drud lit, pie auf Ser
gbb.. 5 ourb Die 3eidnung ausae'
bridt 1T, ouf einen ein5igen Gu1Itt,
nd1nli9 auf Ben neu al bilocnoen
Mietfopf. pereinigt.
Mit bnorauliider araft. off,et
man %ungebeure Mappenbriden un0
i9IieBt iie, a1s tpare es 9piel5eug.
dit bpbranliidem 9rud treibt man
gIebatoren unb &rd1te, Sic nit iol.
der @eidmin6igfeit gu arbeiten Der.
mogen, baB 40 bis so Giienbabn.
tpnggpns aoble in ether Stnnoe BON
ser Giienbabn in einen Dampfer ge.
Iabe1 1perben fDnnen. Mit @aiier.
orud lenft man toloIiale Drebbriit-
fen, at oere,1 Bemegung bie
@roft bon &nn6erten BON Men.
iden ni9t nusreibcn muroe. Mit
bporoulii9er 4raft treibt man
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1922-11-17

benen @egenoen ii6 trofen uno ibre
8aren umiebten. 2ange ipar Der
6anoel Eauibbanoel. @us Ole Me-
tale in @ebraub fan1en, fonnte man
nit tbnen Die cine 8are %be5ablen,
cine nnoere %faufen.
9erarttge &anoelsbe5iebul,geu
5mii9en peitentfernten uro nad)
Sprade uno Mrt chamber fremoen
@0lfern fino naturli6 ntdt bon beu'
tie auf morgen entitanoen, ion0ern
ite feben cine ni@t geringe 8eitperio,
oe oamdblider @ntmidelung poraus>
Denn Ser l1rmenib in ieiner mill
Sen l1riprunglidfeit iiebt in ieoem
Mrtgenoiien auBerbalb ieiner engeren
5tppe ieinen 6eino, Dem er ibeu
aus Sem @ege gebt, fails er i'm ais
ltGrfer erfennt, ben er font 1einer
&abe als miufommene 8eute betra6-
tet, fats er fi6 als idpader er-
meilt. Mber 1don 0as 8eoitrfnis,
NIT Dem Sremoen in gerfebr 3n tre-
ten, bebeutet Sen MnfanN ei1er boz
beren Stufe.
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1922-11-17
Nelteite Sorm bon &anbelsnieberlais
1ungen in ipilben 2dn0ern.

@ie SCI Sanoelspadffebr 5mii6en
ienen alten golfern iid %anbab'lte,
5eigt oos Beiipiel Der eriten Guro-
paier, Sic gu @anoels3meden na6
genegambien b%inabfubren. Wan
1tieg nit einem Sell Der @aren ans
2ato uno belt cine Strobe IN Die
@0be, mabreno Die bemaffneten
19mar5en @tngeborenen in angemei'
iener g%ntfernung itd abpartel1o per-
bielten. Garauf 5og man it4 5u.
rid, morouf Die S9mar5en ii@ Der
@are naberten, iie eingebeno beia-
BEN unb ibrerieits einen ODER meb.
rere @egenitan6e 6anebenlegten uno
it6 mieoer 5uriid5ogen. Scum ira.
ten oip meiB BEN &aufleute mieoer Dor
u11o nabmen, menn ibnen Ser San.
6el gefiel, sic Tauibmare Der
@6mar5en. In ibr 8oot. @ridien
!ie ibnen ie6o6 gu gering> 10 lieben
lie. beioes Iiegen uno 5ogen ii6 at.
rid Bis ii9 6ie 5dmar5en tpieoer
ndberten nn6 nod un6 na6 5u-
legten Bis man beioerieits CUR 81.
nigung gelangt NOR. Genau oas
glei9e 8erfabren, mie es BIER Oct
&oudnoer Dopper pom Sabre 1877
I@i1oert, beidreibt idon Serooot
aus Dem 8erfebr ser &artbager nit
Sen Megern @eitafrifas.
Ser &oprabanbel Ser @eiben nit
oen G9mar5en Ser 9Ioiee finoet
nod beute gelegentlib in abnlid}er
6orm ltatt. Mus ser 56ar ser be.
maffneten Yapuas treten einige nur