davidaulloa/AmericanStories huggingface dataset:
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
Y ~ GO TO Trial for
Hammer attack Monday

LAPORTE. Feb. IS Charles
Coleman. charged with attempting
the Hfa OF G.. o. CLIFFORD wealthy
manager OF the Chatterton Elevator
at La Crosse. Ind, viii go 20 trial
next Monday Coleman Is alleged 20
have beaten Clifford on the head
with a hammer. as the result OF
wags dispute Clifford Is slowly re-
covering from the beating admins
tered Dec. =. last year.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
Moran, Heavyweight Title
Seeker, Held dS BOOtIegger

TROY. y. Y. Feb. 2s-Frank
Moran OF New York, who admitted
according 70 United States Commls-
sioner Clark Cipperly tn he was
the z ,rmer heavyweight pugilist who
was a contender for the world s
championship was released under
$1,000 bail here Tuesday for a hear
ing Mar. s. He was charged with
Illegally posse ssing and Transporting
intoxicating liquor.
Edward Zuppe, who also gave New
Pork as his residence. was placed
under similar bail.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
TEXTILE STRIKERS
REJECT MEDIATION

PROVIDENCE. r. l.. Feb 2s.-
Representative or the manufsctur-
ers and OF both unions involved in
the strike in cotton mills IN Rhode
Island late Tuesday rejected the
proposition o. tho state board Of
mediation and Cancellation that the
wage controversy be submitted 20
Judge J. J. Hahn, chairman OF the
board. as sole arbitration.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01

cncoura E.uE. they suffered one mis-
fortune iu the report Of the death
two DAYS ago from pneumonia or
Earl Tiffany former chauffeur 10
Taylor. and declared 90 have been
OF the utmost importance as
source Of information concerning
Edward r. sands missing former
bgtler-secretary 20 the film direc-
tor
The felony charge pending aesinst
SANDS was said 90 have been the re-
suit OF Information provided by Tif-
fany who was employed by Taylor
while sands also served the director.
Six Caught in Raid
Tho six men FIN custody were
caught ir a raid az Mrs Rupp
home They gave their names and
ages az William East SO; Walter
kirby. %. John Herkey. 25; Ray
Lynch. 2s, George Calvert. 25. and
Harry Amorhalm. 81 Police were
holding them incommunicado to-
night
According to the police AIRS. Rupp
directly charged two or the men
with the murder Of Taylor.
The officers quoted her as de~lar-
ing Kirby and Calvert had made
threats against TAYLOR iu her pres
ence. asserting that the director had
injured their business" She dc
Glazed they showed nervousness the
night If Feb. ! when Taylor was
murdered. were away from her
house for a time early that night
and. return ne stayed up All night"
The police stated Kirby and cal
vert were no strangers To- them
Mrs Rupp was said 20 nave stated
shat the sN came here from Chi
osgo several months ago and had
been engaged in peddHng contra
hand drugs and liquors
Mrs. Bupp, who is so formerly
resided I'm Canada but has made
los Angeles her home "for some
time the police said she told them
The police stated East sand nc
was e laboror, Kirby property
man 81 motion picture studio.
dferkoy a sheet metal worker; Lynch
end Calvert gas filters and Amor
helm "a chauffeur. Each declared
hc was prepared 20 offer an alibi.
Mrs. Rupp Guarded
Mr. Rupp. who is said 10 he ill
and On bed. is guarded by the police
at her home. The detectives said
they had previous Acquaintance, with
her. Sergeant BaldriGge declaring
she was "au eccentric" and had
once attempted suicide after a quar-
rel with n sweetheart. The omcers
said that in investigating her story
they were also taking into account
the possibility she might be actu-
ated By a motive OF Jealousy.
Shortly before Taylor was slain.
according 20 the police reinstatement
OF Mrs Rupp's story. two OF the six
men returned 90 her home and told
her.
"He double-crossed us. wouldn't
pay for the booze We brought him.
10 kill him
The name Of the director was not
spoken, however. 10 was stated.
Accuses Men.
Mrs Rupp said she dismissed the
threat from her mind until the day
after the murder. Then she said.
while she and the two men were at
dinner. she suddenly cried out 20
one Of them;
you are tho man who killed
Taylor"
HE turned perfectly white and
sagged IN his chair Mrs Rupp was
quoted. Then he said. Good God,
Don't say that again, Don't ever
mention that again t'
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
STATISTICS
MOVING PERMITS.

Ira Strange, 4OS z. Ohio St. to SIS
Paris ST.
Alex Salmos. 1929 ". Indiana sv-
TO 1910 s. Kemble av.
John Zrinyi, 11SS Prairie av.. 20
1929 ". Indiana av.
Nathan Medew. 1903 Chaplin ST,
to 31o :. St Louis blvd.
J. T. Krenzberger. 216 ". Jeffer-
sor blvd. to 301-303 Dean bldg
Mrs. John Foster, III IL W.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01

Wood boring insects are said TO
communicate with enc another by
means OF taps
Feature OF most Japanese we'd
dings Is a bonfire OF the brides
toys.
German chemist has produced i'm
iation coal which he says is as
good as the real thing.
You'll never hurry yourself with
YOUR own hands.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
Princess Is Married
In Abbey, Last Used
In 1863 For Wedding

LONDON. Feb 2s.-Princess
Mary is tie first child OF a reign
Ing monarch in England 20 be
married IN Westminster Abbey
since 1853. when the second son
OF King Henry III was married
10 Aveline. Of Lancaster. The
abbey Itself Is one Of the real
historic buildings or the whole
world. It's construction was be-
gun IN 1880
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
NOTICE OF ADMINISTRATIONS.

Notice is hereby given that the under
signed has been appointed by the Judge
Of the Circuit Court 81 81. Joseph County.
State o. Indiana. A 'ministrator OF the
Estate OF Eli q. Flacs.. late OF ST. Joseph
County, deceased
Said Estate is supposed % be solvent
ALBERT FLACK
Administrator
February 81 1922
Charles Weidler & Miller Guy.
Attorneys for Administrator
Feb IS Mar. IA
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01

av 10 11i y. Elm st
MRS. George Reid. ia Ia y.
av.. % 13f g Hili ~
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01

Harry Beagles, 627 y. Keasey St.
Thursday filed his intentions as
candidate for sheriff in tho primary
election in May. Mr.. Keasey is a
democrat. seeking the nomination on
that ticket lie enters the campaign
at the request OF many friends, he
said
Mr.. Beagles has resided in South
Bend tho greater part Of the last 20
years. during II of which he has
followed his employment as "A car
pe2ter At present he is employed
Us S. ~ Robinson and Son.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
and
$500

On such easy terms that any
one can afford to have one.
These are full size cabinet ma
chimes and must not be confused
with the small ones that have
been offered at a low figure.
Every machine is equipped
with standard high grade motor
and tone arm. and guaranteed
by the
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01

tOotcgger from whom the six men
were reported 20 have obtained the
liquor they were charged with hav-
Ing sold. The officers we're said 20
bc searching for this man.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1922-03-01
MARY'S WEDDING
IS NATIONAL JOY
TO ALL ENGLAND

Continued from page one)
New-York tribune., 1922-08-20

schools based on popular idloms OF
melody and rhythm have gone by the
board. Yet the result is not unity,
but multiplicity and chaos"
That was my contention In a nut
shell. Mr.. Ernest Newman, observe,
seems to have come to a somewhat
similar conclusion. He renews, In a
recent essay, the old observation that
composers no longer invent melodies
or themes, but make motifs" the re-
iteration Of which is supposed to suf-
fee us in place of development. Now
IN the masters, who are still supreme,
development disclosed itself in the
symmetrical, logical and beautiful ex-
pansion or exfoliation of the germs
contained In the melodic theme, and
IN this we find much greater inventive
ness (Which is also the capacity to
create) than in arbitrary repetition of
cumpages of tones, uninteresting, in
themselves. In such repetition orches-
trail color is little helpful and the de-
VICES employed arc already becoming
steraotypcd and monotoRous. We new
er hear rumbling in the deep basses
and the tremulous booming of song
but we know that in moment smo-
tif" will wriggle upward, like 9 pri-
mary organism, out Of protoplasmic,
New-York tribune., 1922-08-20
Example Of English Musicians
Abiuration of His Nationalism
The General Tendencies of the Revoutionaries;
RaciaIism in Modern Composition;
Scottish Melody Disguised

primordiai, primeval slime and pro-
claim itself in grunts and squeals,
clankings and tinklings, ligneous
thunnpings, whistling harmonics in al
Conceivable pitches, separately or si-
simultaneously. from every instrument
In the band.
Mr.. Newman thinks chat the limits
of what the revolutionaries OF to-day
are pleased to cali harmony (meaning
the simultaneous sounding OF any or as
many tones as the author chooses to
employ have been reached; that not
much is to be looked forward to in the
form Of rhythms, and joyously pro-
claims the notion {not without twin
kle in his eye and suspicious pro-
trusion of his check we suspect} that
the next resort Of the composer who
would reflect the spirit Of tho age
must be to speed; and he recalls the
exhilarating effect of some Of Ros-
sini's music. It Is a pretty thought
for an idle moment, but no one knows
better than Mr.. Newman Of how little
expansion the element Of speed allows,
and how essential to its efficacy is
union with melodic idea and symmet-
rical structure. This. however, is not
to our purpose.
Nationalism Cor rather racialism,
which is the more correct expressions)
finds its expression in melodies which
are primarily its voice and harmonies
which help to reflect the moods Of peo-
pies. Some of tho British composers
who have pressed forward most eager
ly for recognition have reverted to the
New-York tribune., 1922-08-20

methods by which England became
musically great in the Elizabethan
period, in one respect, bat negatived
their efforts by ignoring the fact that
the harmonies which profusely accom-
pany folk melodies Cor any melody
worthy Of the nancy are latent in the
melodies themselves. II would appear
to be foolishness to the revolutionary
of to-day, but 1t Is not long since it
was sound science and unimpeachable
aesthetics to say thst melody is har-
mony analyzed, harmony melody syn
thetized. Sound or not, J entered the
words in a book nearly thirty years
ago, and the ancient reviewers found
no fault with them. OF course, they
would excite the derision of the har-
monasts of to-day who maintain that
any imaginable grouping Of tones
sounded simultaneously liz chord if
they say that they conceive it to be
one
1t Is this attitude Of composers and
the belief, to which the naturally un-
musical are most willing to subscribe,
that the expressive power Of music
has been extended into provinces with
which it has nothing to do Cor as little
as painting has with mathemat.cs)
which has made the discussion Of mu-
sical aesthetics with composers diff
}cult. The critic has no polite answer
| for the composer who makes ugly
sounds and says that they are beauti.
full because they are trus to ths feel.
| ings which he says they express. He
Is moro helpless than the critic o.
lpainting in the presence Of the I'm.
pressionist who tells him that the
4 image which he has painted with blue
pigments is that Of red house because
| that is the way it presents itself to his
eye. fancy or emotion.
All this is but prologue designed
to introduce eight measures Of music
which came to me recently from d
New-York tribune., 1922-08-20

friend In England who, though hs has
been long enough and active and use-
ful enough to have been made
Knight, is fresh in the admiring
memories of the American concert
goers OF thirty years ago: Sir George
Henschel. If Sir George had not writ
ten to me in vigorous denunciation of
sons Of the things which British COM
posers are doing in the name of nation-
alism, we should nevertheless have
known his attitude from the fact that
his most recent published composition
is church service piece for eight
voices or a capelIa which, no doubt
sounds as beautiful and uplifting, as it
looks on the printed page. have not
been told who wrote the eight meas
ures; it might be Goosscns, or 1t might
be Cyril Scott.
Tho point is that though the COM
poser processes to be providing an
accompaniment to melody song, he
is in fact obscuring 1t. The tune is
that Of the old Scottish folk-song,
Behave Yourself; the harmony looked
to Boston composer, to whom Sir
George first sent the specimen, "as If
1T had come out Of an asylum for the
feeble-minded''; but he frankly added
"the trouble is that these fellows are
30 Internally clever" Clever they are.
90 doubt, but too often they seem eager
to sacrifice beauty, coherency and every
other artistic virtue to their cleyerness
IN this case ! doubt IL the composer
looked at the melody at all. He seems
only to have been experimenting with
an erratic descending scale in the
upper voice. So far as the chords and
the time Of Behave Yourselfn ars
concerned it may be said, as one Of
Shakespear's merry wives SAYS to the
other concerning the protestations Of
Jack Falstaff, "They do no moro ad-
here and keep place together than the
Hundredth Psalm to the time Of Green
Sleeves"
New-York tribune., 1922-08-20
Van Ouwater's Madonna
Interesting Early Dutch Work
Purchased nv MuaeIlrn

The little Madonna and Child"
painting by Van ouwater, the early
Dutch artist, which the Metropolitan
Museum has Just placed on its walls,
Is an example OF certain trait In the
painter which was generally typical of
Dutch painters of the period. This
was the matter-of-fact determination
to draw types from contemporary life
rather than from foreign pictures or
from preconceived ideals of beauty or
expression, says the August bulletin,
which contains treatise on this newly
acquired work.
1t is not thing Of beauty as re-
CARDS the personal characteristics Of
the mother and child. Apparently the
artist had no ambition to idealize in
it. Rather, he seems TO have chosen
to interpret quite literally the feat
ures of models which he possibly
found in the life about him. The eyes
of the mother are heavy and rather
predominant, while the child, drolI-
faced little creature, is amusingly hu-
man.
Two other well known examples Of
Van Ouwater, called to mind in con-
nection with this picture, are the
"Raising of Lazarus" which came to
light only in recent years In the pos
session Of Genoese family and since
has been acquired by the Kaiser
Friedrich Museum in Berlin. 1t had
been stolen from HARLEM In 1873 by
the Spaniards. An altarpiece, which
has now disappeared, formerly repre-
sented this painter in the great church
in HARLEM. It was called the Roman
altarpiece because it had been erected
by pilgrims on their return from
Rome.
The present Madonna has been
ascribed to Van ouwater on the basis
Of it's similarity to the Lazarus in the
Berlin museum by Sir Martin Com
way, though the others colors are
somewhat cold and dry, while In this
they are rich crimsons and golden
browns.
New-York tribune., 1922-08-20
BY II. (. Krehbiel

fs was with great interest. not an.
mixed with surprise, that read a
fortnight ago in The Tribune an ex-
csrpt from ain article written by an
English musical critic, In which It was
eontended that cosmopolitanism was
disappearing from music under the
vigorous assaults of nationalisrn. Be
fore reading the articfe I had written
one (which appeared on August O., In
which / maintained chat one of the
results of the war, IL it was that and
net merely the continuation of ten
dency which had set in some time
before, was the merging Of styles,
which had now become so confused
chat the names Of schools had lost
their meaning. This confusion, in
dicated, had nothing to do with the
more or less intense devotion showed
by the English, French, Italian, Ger
man and American peoples to the crea
tions Of their own composers. The
universal tendency was to be, perhaps,
individual, assuvedIy different. that
was all. ! could find nothing in the
music of national groups which /
was willing to cali national. Every
where among the would-be progress
Ever there Is manifest a desire to be
different from the old-fashioned COM
poser, who in each of the elements
which enter into music--melody, har-
riony, rhythm and form-sought TO
present orderliness, symmetry and re-
posefulness to the mind and pleasur-
able sensations to the ear and emo
tions. Essentially they are all alike;
New-York tribune., 1922-08-20

Overture, 'sBeautiful Gaiathea". Won suppe
Entract from Mile. Modiste".... Herbert
Oriental Dance from ''Wonderland"
Excerpts from '.The Mikado" sullivan
Excerpts from tBlossom Time. Rofnberg
EXCERPTS from Die Fledermaus'' Strauss
Waltz from The Merry Widow Lehar
FRIDAY--FRENcH Program -
March Sambre eft Meuse ........., Turlet
Overture. "Mignon" i......t...... Thomas
The Swan ..,...........,... Saint -SaeDs
Excerpts from ''Faust' .......... Gounod
Overture, "Masaniello" ........... .Auber
Meditation from "Thais". Maasenet
Excerpt from The Grand Duchess
Ofenbach
FIVE request programs will occupy
the last week, ending Friday, Septem-
Der 8. 1t is announced that, owing to
ths size of this seasons audiences, g
longer series Of concerts is being
planned for next summer.
New-York tribune., 1922-08-20
Philharmonic VIII
Open Opera House
Series Earlier

The Philharmonic Society will give
its series of twelve concerts at the
Metropolitan Opera House on eight
Tuesday evenings and four afternoons
next season, instead Of on ten Tues
days and two Sundays. The series is
to begin earlier than before, with the
first concert on Tuesday evening" No
yember Ia, .conducted by Mr.. Stransky.
who did not direct any or these Metro
politan concerts last season. Willcm
Mengelherg will direct the Philhar-
monic here during tho latter half OF
the season, as well as at Carnegie Hall
and the Brooklyn Academy of Music.
Soloists who will appear with the
Philharmonic Orchestra at the Metro
politan Opera House concerts during
the season are Arthur Rubinstein,
Toscha Seidel, Alexander Siloti, Jac-
ques Thibaud, Arthur Schnabel, Hans
Kinder and Josef Lhevinne. The Tues
day evening concerts will take place on
November ID and 2s, January 0, 16 and
30; February Is and ~, and March 27;
and the four Sunday afternoons will
fall on December IL and "a, March IS
and April 8.
Mr.. Stransky returns from Europe
early in October to begin rehearsals,
and will lead the first concert of the
season at Carnegie Hail, on Thursday
evening, October 26. New members of
the orchestra will include Henri VOL
sky, first violin; Samuel Kuskin, Jo-
seph Urdang, Emil Greinert and Charles
vinicky, second vlolins; Oswald MAJ
zucchi. Otto Van Koppenhagen and
Victor Lubalin, cellos, and Jacques
Klass, fourth trumpet.
Seats for all Philharmonic concerts
Tor the season may be procured at the
Philharmonic Offices, Suite 721, Fisk
Building, Fifty-seventh Street and
Broadway.
New-York tribune., 1922-08-20
High Standard i'm
Programs of Past
Stadium Season

The rising standard of the music
played at the Stadium concerts is
shown IN classified list of some Of
the principal works given during the
season just ended, prepared by Law
renee Gilman, who wrote the notes
for the various programs. AS a pref
ace to his record Mr.. Gilman remarks:
'The heightened artistic standard Of
the Stadium programs this season,
which have met with 80 remarkable q
response from the audiences, is indi-
Gated by the fact that Beethoven was
playen more often than Bizet, Debussy
more often than Delibes, Bach more
often than Boccherini, Richard Strauss
more often than Johann Strauss"
SYMPHONIES
No. {"Ero.ca"); No. s; No. 2. Beethoven
New IN; Woria'' Brahms
Rustic wedding tthree ,noyenisnts3 esas tfan'k
NO q No 9. No s"Pathess!sg.s"1,.
SYMPHONIC pomMs. ETC.
2 The sorcerer-s Apprentice. .Dukas
Afternoon OF Faun,;. Dsss sssussy ssy
Les Preiudes'; "Mazeppa"i aTasso" ''
"Finlandia"; 'rha Swan OF Tuonela@ =
'D9n Juan"l Death and Transnrasa- ssD'i'4
scene from "Feuersnot'i: serenade
for wind instruments.
Richard Strauss
"Francisca da Rimini''; SRomeo so'is ana ''''
'uiiet s......,.ts. .Tsoha aikowsky
ovIRTuREs, PRELUDEs. ETC.
Air from suite No. 9 tfor strings)--
Egmont" overture; "coriolanus,. over
ture;. "Leonore" No overture
Roman carnival'' overture, "ssnoe "RenWa-
nuto Cellini" overture Berlioz
..Garnival" &c overture e.............,... Dvorak
Sakpntala. sS,. ls \. overture ........ Goldmark
Calm Sea and Proaperoalss voyagsss asssnee
Srsam fSsEtaEs overtars t.asaR%sI Ray NsS.
turs; "Finssl's Cave overture.
..,,. ~ Mendelssohn
:, .nar.ersd ... Br,deS overture. snetana
o5sron';. Freischats" nursshshs rsshsisovshy
Weber
SUITES
q q. Arlesienne," Nos, and 2 s.... .Bizet
4...Illnpressions IN OF Italy. Chnrpentier
y. eef -taynt" No. 1,..............G Grteg
epebsan ssstshss beg. I,
(two movsments) u. Rimsky K orsaloff
CoNCERTos
G minor for violin. !. :. Br,cb
mir minor pr for plapn piano 4. LsSt
ID major for violin spschailroweiry
Concerto for horn. op. ii ....sR. stranss
Piano concerto Cone nlovement5 'Grieg
AMERICAN WORKS
Egyptian Sketches. Joseph c. Bretl
"Jubilee,, Il ,l.ne,,, George W. CHADWICK
oxsrture g, on negro themes lanes p1hSnl =. pann
Indian IN sket ches''. Henry T. Gilbert
light wood Pixfes,': saiome":
me meg; 4s /. ,.psnce |. s ef Desert Giris
..1.,.. Henry Hadley
''Northsrn Raapsoisa: dance 'sa Of liss0sr' she
Southern Fantasy .. W hgius H aun;sten mosmsr
Concert Waltz" I'm strauas's Time"
Allen L. Langley
concerto No. 2; "clsi. de Lune.'
'sBarchetta'; Country Dance.
SIN Old Virginia. Jnhn pcweIi ceyln
.sTwn !. s, Indian Dances. Charles Il. skiiton
.E tehinas's s,iea son Dssns Taylor
Among the Wagner numbers Mr..
Gilman CITES Tristan's Vision from
the Third Act OF Tristan und Isolden
and the Magic Garden Scene from Act
II OF AParsifal1 aa excerpt5 infre-
quently heerd outside tho opera house.
New-York tribune., 1922-08-20
n the Realms Of Music and Art
Current Observations
About Art and Artists

The purchase of Robert Win
throp Chanlcr's decorative painting,
HGiraffes,o by the Luxembourg Mu-
scum, Paris, which was announced a
few days ago, is Il valuable tribute not
only to Mr. Chanler's artistic ability
but to American art as well The
Luxembourg has acquired goodly
number Of American paintings in the
past FOR its gallery Of foreign painters,
and there are several outstanding
works that cannot but serve to impress
other peoples with the mature growth
of our native art Among these, of
course, are Whistler's Mother" and
Winslow Homer's picture Of the two
gjlls dancing on an open piazza with
the sea for d background, not to men
tion sargent's "garmencita" ard others
almost equally admired. Besides the
examples by Americans hanging in shis
gallery, there are perhaps dozen
which, though purchased for the gall
tery, have not yet been placed on its
walls. Whether such a strikingly col
orful and ingenious piece of decoration
as Mr.. Chanler's "Giraffes" will be adj
judged suitable for this room or
whether it will be placed elsewhere in
the museum in an atmosphere more
BETTING Its rich individuality, is, of
course, matter depending upon the
Judgment Of the French authorities.
The painting, which is sixteen by six
teen feet, pictures group Of giraffes
in forest of tall trees. 1t was painted
by Mr.. Chanler in Paris in 1905, was
shown here in the Armory show in
1910 and was re-exhibited in Europe
two years ago. 1t is rich example
of the artists feeling for naturalism
combined with fantasy.
Four exhibitions, which just now are
attracting special interest among mem
bers Of the Newport summer colony,
were opened during the last week at
the Cushing Memorial, under the di-