The evening herald. [volume] (Albuquerque, New Mexico) 1914-1922, 1922-05-14
ao oN WITH rmi. sronY


40 on WITH THr STORY
''oL. Tommy shannon! said
AIR. Lane cuuabiv-- rommy'a all
right. he knows what he's doing.
An you GO to do II let Tommy
shannon alone. and he'll rInE the
aong every shot
But N that's the cnse. why ala
Mr.. Laughln take 80 much trouble
to show him"
Well. you see, RS this way,
Mr.. Lane explained: Klhg = all
llrht. aud Tommy all right, out
~ Tommy don't sce a scene the way
King shows him. and King starts 10
hawl him out, why, Tommy u Just
walk OF the lot. And then where
are you? You cant finish your
cant youg And there's maybe q
hundred thousand dollars invested
In this proposition already, one
~ the first. THINGS a director got
10 learn IN this game u how 10
handle actors.
/ aee. said Lucinda Thought
fuily. The way 10 handle az
actor Is to bet him have his own
You got the idea" Mr. Lane
t~rnFrovcd without a nmile,
ID npptsc. \ perHisttd-
~. ,eailus man iusiatt
N on doing omcthing thnt docrn sui
| the part he's supposed 70 play
That's easy. what's your COM
tinulty writer f0r7
a don't know. Mr.. Lane. You
see. 1 don't even know what a
J continuity writer u,
III Why. he's the bird dopcs on,
III the continuity the director worha
III fro-you know. The scenes Ia a pie
| ture. the way they come out on IN.
| acr.sni scero One. Scene Two, aud
u ali IKE that We'll. You get YOU
continuity writer, 81 course, ana
have him make h enanf. -
YOU nean q change the -tofs
TO please the actorT
sure. IT'S the only Thing "a ~
when yort goa maybe y hnndrnt
. aud ffftg fr two huudscd tAous1no
~ dalihrs hung up IN q picture
Lut docsnt TINT ircHucn'l,
ruii the story
oh, whntH q story MI Ian.
argued reasonably. People don
"a a. zoe Il story whom they an.'
In an Aima Daley picture The,
ro hccauac they kuug they ~
tbelr mrueyfa worth wiicH they Ee,
lien Culr production That tttoi
from sune blg Broadway success
ana COSTS a hundred and my ui
maybe two hundred thousat'
dollars $50, principals, OF course
they 80 TO rel Alma Daley uecaus
4 she + the most popl lar ucifcss o.
tho screen. and makca more none,
than Mary Pickford.
There was n sudden deluglng q
the ,ct with waNef Of nrtificin
iieht of o weird violet tint, fairng
from great metal trougna overhea'
and beating in horizontally from
the metal stands or scFoenh ~hiei
were now seer to he banks 81 ~
landtst 7nt iuhes hurnirs win
Nor sas this al. shafts nnl
n9odf OF lIght q normal hue Wet
likewise trained upon h scene
frotn n duten different points. IN
al ahe blended rays lent nlmoA
Ifetike colerluE 10 The faces ~ IN
nctors. whose makeup had there
tofore seemed CHASTITY n un'
y natural to uBinitiated eyes
The command came from Kim
IaunHiln. Lucinda could jus
near a mufflsd clicking.
roachod W Mr.. taurhiin. vii
danced ~nefyonsly upon the sid'
lines. scene was enacted.
Now, Tommy. come VII lowl
hold The door-look around
hIs -, no door /, 4,
h"l" tar.,, wh.,s h
w ~" 10 rrt, s,,irndtd
lul s"a' - y, ,t,e y, t,e, dsss,N
noW -" w." ~. ,,,., 80,
ie.e" pn.n III,
aruwcr-eary nov, Hmembr
y'u ~ vst.. n.rs~shs n,
io"s n"nd rtrCt, NS c.i
c Dan fhex bei That's 4
MnstN n.r. o~oI'ste,a,
sn-s ,he ~. wcr-Nsnrt Z
Ninsa, ~. ~, ~. t,,,i Gam
pNN io". 80 V.n aon'
W NJ. ~, 1''a1, 80 TX ,ylnJs.
ra'sah~ieie Sc ysu siel.' Aim