New-York tribune., 1922-12-11
philharmonic
Paws Honor to
Cesar Franck
c...ooser's d Minor Sym.
'''J nsouy Opens Concert on
Centenary of His Birth;
Hubernnan Again SolOist
u,ny Recitals Mark Day
r.rIschsiOviIu Makes Pow in
W New y York; City Orchestra
So Show. Cain in Cohesion

r,.rck vas nofA o" DoeeN
"',' $50 and therefore il was only
y s,is,. y i's'' ,hs. On December 10. 1922.
z 'l.'S,. S,.,..ty should open the Philhsr-
Z. &C." sn,S,v afternoon consert a.
''as ,. van With his D minor SYM
.ITn'''. . 30 s's si.. cit il very fair, while
.'D', ]. '.-,.s, p,riormAnes. Il was one
= ~ =. 'pIAilhsrmouie'' better days when %
Z y. .'.'.,,.es ar, nor, sOnOf0u'' the
,T,oI'a1l'so s.',1sl ssleriSs richer, the contrast
'''1s,s ,.ss, ana sA,ds more seeentusted'
p si,tiretly he case IN the
a's - - s,,,u., uusber Death and
.'''-s lisa snd generally in the
~, - vhse Mr. Stansky adopted
-, ..,s appropriate in the hrst
2 - -, nerement, bu. less 50 in the
.,es,S. ser iiIegrettO approached al
.-, ri,A the result OF occasional
rgsdntss
BfonylaW HubermGn. reappc2ring a.
..iolr was IN excellent form, dashing
y ne lreWorks (and these we're
r,ny) With remarkable dexterity in
1, Isshsikovsky violin concerto. His
- except where IL suffered by the
.rsrry Of his bowing, as in some Of
srid passages, was good, clear and
as,by strong, especially in higher
10 and harmonios, while the or
lss,1l accompaniment was vigorous
3. na Obtrusive.
Fishberg Is Soloist
sn-by, at the third popular concert
~ City Symphony, another violin
4 Jsscha Fishbcrg. the orchestra's
r,ssrmaster. was heard as soloist IN
=, Nendelssohn Il minor Concerto, in
A be showed agility Of technique
"a Usually smooth but not partieu
ssy fall tone. His volume Of sound
.,..,d limited. especially whore The
t.lsiesl complications lay thickest.
Z, vas, on the whole. we'll supported
re orchestra, which, especially in
X ssTing choir, seems 20 be gaining
s-ooshness and cohesion; but rather
vsgh, unduiy strfdent notes were still
.sfd from the brass instruments. Mr..
g,.kt other numbers we're Of the same
rp. As before; Nicolai's MERRY Wives
Il Wlndsof' overture, the "Tales Of
Hofnsnn" bsrcarolle. ballet music
ron Faust" and "Espana," with an
,sdisnu Of somewhat larger dimen-
sonA
Nisshs Elman Again Heard
Il vas IN active day for violinists.
BeslAa Ae two soloists Miseha FL
maa, gtngoBs giver Of recitals this
fe..sa yasytd in the evening In
vtA fnA hippodromc, while Carl
s.hsloyiz nsds his first New York ap-
Waunu a 7oTn Hall with Tartinfs
G nisa Ns6ta and Yieuxtemps's
illrl ennFio in ID minor as his
rqg r=ubsrs. From a standpoint Of
irlttl de1tority he eeemed we'll
aulftd; fireworks held no terrors for
il b.. Bio tone was rather uneven,
vhle qhe strong, clear at times, but
aDontd .. others. with a tendency to-
U'd e'cuding and thickness in pas
agts and double stops. lie had c
got-sitsd, enthusiastic following. while
ts vas comparatively rare case Of
s'lt recital beginning at or about
';ii Wtlock.
Aas or fragments Of acts from
'iHgui Ycras wero heard at the usual
ld''ppliten Sunday evening concert;
his ufious theaters had their re-
onh Al the Princess Theater Mar
rtnn Nsmara sang modern numbers
IA srehestral accompaniment. two
a.sons d'enfsnt," by Gabriel
rulsf, and eighteenth century num-
- % her own accompaniment on
ffe reinforced, however, by the
rtlsstral, with late eighteenth
'aiuns 20 match. Her voice was
sislly clear and pleasing, except
Fisa louder notes brought in a
faiit quality. John Barclay. barry
'.as, Who sang ia ci darcm,' from
Don Giovanni" and other duets with
me Nanara, besides a solo number.
Ad very agreeable voice, though not.
seemed, one Of large dimensions.
l.e accompanying small orchestra,
.'asr Armand Vecsey, had several
l.noei' Of It's own for a limited but
'llreeiasive audience.