Indiana daily times. [volume] (Indianapolis [Ind.]) 1914-1922, 1922-03-25

felt through the lighting arranged by Mr..
Somnes, 1t Is said. For instance, IN the
scene of Good Fellowship" the light
goes to a tense red as Fellowship ex-
presses willingness to participate in
every worldly pleasure, even murder, but
refuses to go a step toward the grave
with his boon companion. In the Goodies"
scene, the stage is lit by a hard brittle
yellow or gold light, while the figure
Of Goodies is played upon by a series of
cOlors, typifying the reflection of light
on the facets of multi-colored jewels-and
so in the last scene a calm blue of
spiritual equanimity foods the scene
while upon the tomb and the descending
figure Of Everyman the soft white light Of
hope and promise of divine forgiveness
gently falls.
The incidental music arranged for the
performance of "Everyman." which will
be presented by the Orloff Trio, is from
manuscripts of the thirteenth century,
and with one exception is unpublished.
The following is the complete program:
Sonata In c NEUTRALITY-SUSPICIOUS.. CorelIi
Air on G String ......... Bach
Pastorale Observation-Disclosures. Scarlattl
Andante and Melodie Nrom COR
pheus and Eurydice') go. Gluck
The cast for "Everyman' is as fol-
ows:
80 80 l IIs '''-'''''''.., george SoInnes
Good Deeds .......... Mrs. Eugene Fife
knowledge ........ Mrs, r. H. Sherwood
Goodies .....,...... Herman L. Earnest
The Bed Angel ......... Jack Harding
hlndred ............ Mary Jane Walters
Cosyn ...,.......... Ralph +. Thompson
CONCESSION '..-.......... Larry Fletcher
Dethe Observation-Disclosures. Romney Wilson
elIoWshlp .............. Norman Green
Other members of the cast will be
Areleigh waltz, Stuart Walker, p. Hard
ing Weer, Marjorie Chiles, Jane Jillson,
/ Marjorie Cakes, and Helen Bedell.
| Because of the character of the play
| no one viii be seated during the numbers
Of the prelude or after the play be-
gins. The prelude in the evening per-
formance will start at and the per
Torrance at $50.
! Miss Dorothy Haines of indianapolis,
was member of the graduating class
/ Of the American Academy Of Dramatic
Art in New York City. The graduation
I exercises were held last Monday at
Carnegie Hall Miss Doris Keane and
George Gaul were guests Of honor.
Mr.. GauIs remarks covered personal
! "reminiscences OF MS experience on the
stage after leaving the school In
cidentally he took occasion to voice a
criticism Of one phase Of the new move
ment in stage settings.
1T seems to me that scenic artists are
entering upon the day when the actor
viii be eliminated he said.
1T may be that one hundred years from
now there viii be nothing in the theater
except beautiful lights and beautiful
scenery the actors may all be In the
Salvation Army-they will be standing
on the street corners singing songs and
preaching religion. But II that day does
come venture to prophesy that the
salvation Army will be a more popular
institution than the theater.
Now, want to say the thing I have
earnestly come here eto say. and that
is that hope from the bot
tom Of my heart that you will
never let anybody convince you that you
have either made mistake or wasted
your time by coming TO this school. You
will hear the old-time cry that the only
way to learn to act is to act. but how
are you going to do it if you don't know
what 10 do.
They will tell you you should have
gone into a stock company and played
small parts; that may have been true in
the old days. but in the modern stock
company I have seen young amateurs go
from one dressing room TO another try
ing to find out how to make up, and
have seen them turned down more than