davidaulloa/AmericanStories huggingface dataset:
The Washington times., 1922-07-16

that the religious ideals were In
culcated.
A nations art is all that II
leaves behind. the only mark by
which posterity can recognize it's
position and power. AZ yet.
America has produced little con-
tribution 70 the great art motives
Of the world. Yet we have had
many artists. and most Of them
have studied in Europe and else-
where. They have often become
alienated from their own land by
the charm of the foster country
where they studied art under such
delightful conditions.
Had we reversed. the process.
invited the foreign artists to
America, made them welcome
here. given all an opportunity to
profit by their paintings and
sculpture. and by their IDEAS upon
art. which often they express FAR
better themselves than any critic
could possibly report for them.
had we made this an American
policy, we should not now be q
nation without an art of its own.
True. America Is young. and art
will come in time. But all have
behind them an equally long
ancestry, so that in fact that is
not an adequate excuse.
Foreign artists have not been
made welcome in America. Last
year in New York two distin-
guished French artists, who had
received highest hpnors abroad,
languished a whole year with
hardly a commission because
they did not get the publicity
they deserved, and they objected
to paid advertising.
Another group Of less-known
French painters who had sent
over their charming landscapes
with the president and secretary
Of their organization would have
passed entirely unnoticed and
gone home to bitter discourage
ment and misunderstanding Of
America had they not been dis
covered by a press representa-
tive. who started the ball rolling,
and they became quite the rage
of New York. with their exhibit
transferred TO one Of the most
fashionable Fifth avenue CALLER
les. And SO it goes.
Shall We let Gustave Guelich
return to his lovely Switzerland.
there to paint Lake Lugano and
its thousands of visitors. with an
occasional trip to Holland and
elsewhere in Europe, or shall we
claim him as our Swiss-American
artist and insist upon his return I
to Washington?
THE BENEFIT MUTUAL.
The benefit will be mutual. and
his coming. with a republican vel
come. since II cannot be either
royal or even democratic at pres
ent, will be the herald for q long
line OF artist visitors. each Of whom
will have a different story to tell
in his painting, sculptures or han
dicrafts. For the artist Is the one
member Of society who goes his in.
dependent way. following his indi-
vidual taste! and constantly ex-
pressing for US things we would
like to have said had we the power.
And art 10 an international Ian
guage and II is the strongest fac
tor possible for binding together
the nations in q friendly union.
The Washington times., 1922-07-16
TAVE GUELICF, NOTED SWISS-AMERICAN ARTIST RETURNS
. TO VISIT WASHINGTON AFTER AN ABSENCE OF 20 YEAR

the Swedish-American sculptor. and
=. Hodgson Smart. the famous
British painter, who has made a
new Interpretation In his portrait
OF President Harding. II Gustaye
Guelich comes to stay in Washing
ton for the season his presence win
doubtless draw others. and we shall
have an even more distinguished
coterie next season.
New plans at the Art Center,
not yet announced. include a splen-
did international exhibition to be
held about January, with native
arts and crafts from the various
countries Of Europe and Asia.
Polish art, 1t is expected, will be
especially featured in much that is
unique, besides the Serbian. Greek
and Oriental handicrafts. An i'm
portant and well,known organiza-
ton in Washington will make its
headquarters at the Art Center
and cooperate in the work. This
will insure q stronger foundation
han has bsen possible before and
make the Art Cepter possibly our
leading activity Of the kind.
I PICTURES ARE REALISTIC.
What. on the other hand. can
America offer to Gustave' Guelich
in return? Much, II he cares to
study our country and make him
self truly in sympathyIwith Ameri-
can effort and progress. A COM
mercial nation we have been called,
but the striving after an ideal is
also an American characteristic.
and in this quality Mr.. Guelich will
find "A sympathetic response to his
own idealism. For, though his
pictures are often homely and
realistic. there is always a perfect
sympathy with the subject and an
absolutely sincere rendering.
There is never the slightest af-
fectation.
Guelich has lived practically all
his life abroad. in an atmosphere
alien to America. If now he will
reclaim his American citizenship.
he will have the pleasure OF dis
covering a new and untrsveled
country. which to him should offer
the rare enjoyment Of a fresh in
spiration in his art
When he has the time to explore
our land more thoroughly. to see.
the great West. with its desert and
Grand Canyon. its Rocky noun
tains. and Yellowstone and Glacier
parks, he may feel that life has
reserved it's best until now for him.
and that his beloved Switzerland
and Holland do not offer the only
inspiration to his genius.
II our European friends come TO
have this feeling OF what America
offers them. we shall have a new
migration Of artists here. with the
same happy results which produced
in Italy the brilliant Renaissance
as a result, OF the fall OF Con.
stantinople, when the Greek artists
were driven 70 Italy.
Our work viii not then be
modelled on European ideas. as has
been too often the case when our
young artists have studied
abroad. but instead our men and
women will be stimulated to a
new art OF their own, more truly
characteristic of America than we
have yet known, and a deeper in
ternational understanding and re-
spect will become mutual, for art
is the handmade Of religion. and it
was by the art of the Renaissance
The Washington times., 1922-07-16

with Green Peppers, a wonderful
model. with solemn features and
impressive eyes, garbed in q purple
robe with white tunfc. and bearing
salver Of bright green peppers. .
wonderful color study. Some of
these types he found in Morocco
and others from the Arabs.
The journal praises most hiehly
the artists success with his sub.
jects. In color, elimination OF de.
tail. and brilliance of expression
without pedsntry. While in Wash.
ington Mr.. Guelich saw many types
here which he wished to paint.
His experience in obtaining the
modols he fancies was detailed TO
Victor Flambeau by the senior Mr..
Guelich. my son one day IN Con.
stanunople saw a bishop passing
US and exclaimed TO ma, I must
paint that man!
Il asked. How will you find
him again7'
He said. oh. I'll find him. and
after several days search we axsin
met the bishop, when my son
approached him and said, I must
paint YOU
THE matter was arranged. and
the portrait was considered one Of
the best"
Old Masters With Modern
Colors," that 10 what Gustave Gue-
ich's pictures have been called.
But while his work may be COM
pared to this artist or that, he Is
really entirely Individual.
STUDIED AT wEIMAR.
This distinctivensss may bs IN.
result Of not studying too long In
one school. Mr.. Gueiich's art stud.
les began at Weimar, from which
he went to Stuttgart and Munich
later to Rome and Paris. At stutt.
sart he had a very noted teacher
IN Herr Herterich. Then he spent
many years in Holland. He has
Travelled widely. He 10 personally
q highly aesthetic character, yet his
subjects are often Of those peasant
types that Rembrandt loved 90
well.
One OF these is Of q Dutch WON.
an Knitting. baa table with a HIGHT.
cd lamp. In a mirror the reflection.
the whole forming an interior Of
exceptional interest. Another .of
an aged Holland woman seated
knitting is second Guelich mas.
terpiece, rarely equaled in expres-
sion.
Guelch's self-portrait is OF .
thoushtful face. with ques tioninr
eyes, mustache and Vandvke
beard. . strong nose, kindly fea,
lures. but behind all the capacity
for mental reservation and q very
complex temperament. The artist',
portrait Of his father suggests some
slight family resemblance, but is.
on the whole. q quite different type.
yet with aesthetic qualities which
the successful business man, a.
he has proved himself to be, IL not
supposed to possess.
The ouslichs travel widely and
have host Of interesting aoouaint.
snces. They told Victor Flamb.au
that on . letter received by them
not long aso IN Lusano. switssr.
land. from an artist friend In Moe.
COW. postage had been paid 70 the
amount OF 10000 rubies. Before
the war, 20 II. q, Gusiich statsd,
the rubis was worth normally
about 81 cents, but the SCAMP
covered latter proved IL 70 be ali
The Washington times., 1922-07-16
BY VICTOR FLAMBEAU.

noRN in Europe yet American citizen because of
his fathers citizenship Gustave Guelich noted Swiss
artist, has returned to America for a short visit.
Mr. Guech spent several weeks in Washington arranging
for exhibition Of his work here in the fall be held
either at the Corcoran Gallery the Center 1106
Connecticut avenue.
1t is twenty nine years since Mr.. Guelich and his
father last in the United States attending Worlds
Columbian Exposition, at Chicago.
''Do notice many changesi' asked Victor Fambeau
''No, very few, except for the automobile" " they
swered.
The artist and the senior Mr. Guech have visited New
York and Washington and they claim be much charmed
with Capital 1T is beautiful city, the father re-
peated several times. The beautiful in world
They have from Lugano Switzerland where Gustave
Guech recently held exhibition and work for
the benefit of the Boy Scout organization there The Italian
lake district is supremey beautiful Guechs proba
bly, will return there for the early fall later coming here
again with the exhibition
The artist is Of distinguished appearance travelled
and studied much Holland of favorte countriss
The Washington times., 1922-07-16

PAINTS IN on.
His painting. which 10 always
In oil, 10 very extraordinary and
lacks entirely that American pref
tiness to which we have accus-
toned ourselves, but which Ii
certainly not the true basis of
art. 1t 10 the more extraordinary
that Gustave Guelich's pictures
show such depth and character.
since he 10 Q rich mans son.
and has never had to worry
about selling his work.
Sometimes the bread-and-butter
struggle makes q splendid artist,
At other times It makes him COM
promise with his art, and he
paints only 10 please the public
and sell his pictures. This has
not been the case with Mr.. Cue
hch, who has never known want
and never been forced to seek
purchasers for his pictures, yet
they have been widely bought In
Europe. and some very noted
ones are owned In The Hague.
Frans Halls. the great Dutch
artist, IL considered by many to
be Guelich's prototype. but this
II not 80. for Halls faces have
always q mirthful expression. and
Guelch's are always sad. Yet in
the breadth Of treatment, the
gaining OF grand results by sim
pie means, and the disnifyins OF
peasant types Guelich and Halls
may have something in common.
Il did not want my son to be
IN artist" confessed H. @. Cue
Heb, the father, to Victor F1am-
beau. But when I saw that he
was bent upon It, I did not OPP
pose him, and now I am very
glad indeed that he followed the
career he wished. We travel
everywhere together, and I enjoy
h very much"
The elder Mr.. Guelich is of
Danish parentage. and on their
way back to Switzerland this time
they will go by q Danish boat,
In order to visit Copenhagen.
When the father was a small boy,
his parents came to America. and
settled In the Middle West, where
he grew up and remained until
he was twenty-four. Then he re-
turned to Europe on a business
matter, which proved so success
full that he remained there, mar.
ried, and his son, Gustave, was
born.
BORN AN AMERICAN.
Thus the painter was born an
American citizen, by virtue of his
fathers citizenship. like John
Singer Sargent. who is considered
our most noted American artist,
yet he has lived practically all his
life In Florence or London. Again
like Sargent. Gueiich is an excep-
tionally successful portrait painter,
and he always makes his portraits
interesting. He centers the expires.
sion in the eyes. which are almost
baunting At times.
Color 10. with him. as with sa-.
gent. a most important medium Of
expression. His work, however,
reproduces well in sepis, or black
and white. and . large portfolio Of
his pictures has been published.
These include portraits. landscapes.
marine views. architecture. stiil life
and flowers.
A Lusano journal recently repro
duced one Of his most striking pio-
tures. ''Negre svec Poiues." Negro
The Washington times., 1922-07-16

Peppers" a po Of
next t ia pmtat chn masterpiece
dMogh hF d the rtt ADukhm eiMad MMcmnp
The Washington times., 1922-07-16
WILL EXHIBIT WORK
HERE I'm THE FALL,
HE TELLS FLAMBEAU

HiS Painting, Which is Always In OIL, is.
Termed Extraordinary and Lacks Entirely
That American PrettineSS to Which We
Have Accustomed Ourselves, but Which
Writer Holds is Certainly Not the True Basis
OF Art. VIZ
The Washington times., 1922-07-16

but worthless ..vw.
An international artist, Gustavs
Guelich may be called. so cosmo.
politan Is he. All his portraits he
makes interesting, and that IL his
great secret OF success. Asked as
to his impressions Of America. he
said that the Metropolitan Gallery
in New York had impressed him,
especially In the remarkable Dutch
collection there.
ADMIREs Carl MELCHERs.
Carl Melchers he mentioned NJ
an American artist whose painting
interested him much, though he
had not met Meichers. and he sx.
pressed regret that the Freor
Gallery 10 not vet open, that he
might see the rare collection there.
and also the Meichers pietures,
one Of which IL an important DOR.
trait of Colonel Roosevelt In hunt.
ing costume.
oustave Gueiieh 10 q cousin AZ
Miss Liiisb dusiich, sf 1873 Nir.-
tssath street AsFthwsst. whose
The Washington times., 1922-07-16

noRN in Europe, yet an American citizen
n his fathers citizenship, Gustave Guelich, n
- artist has retnrned To America for q
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
-
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
Phone Your Wants
TO Randolph 1
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
LIVE STOCK
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
ARE YOU MAKING
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
MERCHANDISE
business Euuip,ucpt

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
EMPLOYMENT
Statesmen and Agents

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
HIGH GRADE.
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02

CONFECTIONERY and iuncheonet;c: yood
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Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1922-04-02
FINANCIAL
Money to Loan
LOANS. !2a TO 1900

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