davidaulloa/AmericanStories huggingface dataset:
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
w H 7 :? :

A NJ shB,E a. Umnrim w1nci IiiIEss
ne hHErv Tuuq II s-GrTh .sTgCiF
az 1napt me rns E'-lsr's,s and
veins vi1ct sIggGr ne s1rs VII riHs
rise EU -l,s -Hurrifn NllUf we Cal
41nusniiuc The tmurini. uc cnI-sss-
uasr De ms az ne rLrafgF winch
r1,nses lls haI-rT ~ hsIt 1Esusr 1ilui
nsuill LErlfmHIr. embarrassment
a. anger VIII "a Rss ms, N1his ts,Ir.
w1hra -fcirtf rlt Hrrim Ht M l,si r.
VIII ca Use lhf UuBs't ssfec-. 1r-r
eudtnc a pi.if valls lsBE
E,srilsss -i,t siBcs ~ tmnrim MUS
ass ms 90 Nanth We Erf BE nrrus-
rruais,G sgmt gs~sus lhnsh 1nr mU-s
ranhiF -lluu Bnsirs a l,e-sln. 1rr
ssEEugaH Nnu % ur IN The miiil Ec
lisusainlr a. rtrri-n language Nsl
nausa -Hm embarrassment when 1it
A,s,frs n -it f-sC sew rmHs Aul d lhs
ssigsrasHre ls tgnlnusg he VIII he
rlsmt 'anrdHuef" ant inss ne HiEii-E
20 Aausa---Nihfn n ne rsEsn liul
Anusinsr b riuis,iis-t,d 40 is nns a.
tl,s Hrrr1U1hs Er iImsrsnrH
f1usv-lsina
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

'rIiinie,'riuu Ra1h IAt tailored xus, ga,
4 .ringfitres 1hs saEsaBsle.
livery Wsil 1Es,sdalea usrs-SN.
shnuit 1nclD0s rEr5sus ue-ss0es =,
inrs Witrh Dsr rutu,s.es o- rssseeS p
''ssis'cnnis. q Is wen to hDor sac,
t'ssiAist lhns 6s Aclin IN favor. ), -
used IN rHnianntiHn WIN ral.,Drss-r..
Hr t,fs lncs and nsl Fer rs $50.
1i"tsI'sss- -sasr 20 The resiee iIl,,s.-,r.s
hsrEV'rh
2riisih e-'sc.hsr hire Is urn lirss r,r,,,
"a 1'tsliss-r-F- 80 Is flsr SoA, Saw.
r1E1nls y Ers.sr-'sd. ul.d men, epps ,,,,,
lnnssa nsa y nsst IN rmrnerriDp MIA.
AT inrt Imr siilser snirniaerr
Ter filsa-S Hrs +nsiinninr m. INN,
nest sir1 az rElliur und cuffs arr n,
s'r'is1E r 4nne rrmspn-enf n-ru,s,,
tiiiirhatn-E, msdAlIinns ann ,,,,,,,
rEssIrr ntr.
Aiz''''t Nii1h urrisrry NJ designing ,,n.
ii1I llrssinrs exquisite results
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
EJE Do Y0U SAL TT,
- =. " --H.E
[-umulur E--u-f n Euria.I nrt
Eiuv n EvuIt -ll=u


~ EIli.E is t'vrEf a E--ulr TAI
dsucs tmu,. V-- H-F Tr FlsIUsg-f
90 lmEt He-1 agree lr lunli.i-
u-f rfs nWm -iiI h nsI-tsu 1r -l,s
vs-1 sr T,n,i-u Boz the sfurfsIfr. fr
example, nuIE TsHrsn8 uEt suri Htsn-
Ee1rtz "a -is +blHvnr 'ErsfrF Ints
o. tltt.st isr-t-f vgirs siEBst ilE me-
velhur rs,onc1.szngc lie crinmH1i-i.
s---fr nrn,usG
THE un -''- nmiuu-,-t ~ ne EssI--
-ts1lfs b. ur '3frrs-s iur 'ua mBd-
fJ4.f lT ''.s4rF' Nmf b n -hf su-uh-
uumrr ma -.uu -'sE ri,ss-sfu-t.. 4
Ef-tiHr rs-1 'lsr-frF' iF IN -its NJ
isH-rs -EEt rrrrH-uf't is -hf l-,Huss-
-,m 'ur THu riuuvc Mr 'Iue-'r
tuH were sl-ir'E uut -it usH &C -tis
,nl-fHF 80 iH is,-ls-t' dIsf nui
fannscs -i,f C-IumI-irI ruit n-ur.url
-'sr-sffI-' iuweut r MT'ur 'E1utry-
HnH u -ii.-.f lir-Fs-s were siEIa.t ~
1u. sr 'Tua-r uis ~ ti,stt lss--ss-s
v-uf Bc1ist ilr me
Er f4uI-sa -lH sms rue IJuhHs n
'srff I,u nrr $40 E-srf r -i,ess
ls-s-f r-f umf SIC 'En,I u -iiss'S
8sJ-H-s % uiIH
tluU-iE.il-a
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

one 81 The S-orses Todd 70 illnstr
the co1sasea diGlOrA1lie situation
cSAral Rars,e is 4SsrSAC;ed 10 Pri
NUrsie1buus. HE vas appointed a
diplomatic reQress0caSive q tiie
Austrian cOOcrnnsAi 10 the Ukrai
which then Was ruled by He'll
SSerrNassy. Describing his dll
nsSSse status - frseDas n hiey'
prince said; Il ara the represel
tive ~ geeraaraeG, lh4i has cea'
to exist aud accr~ds,ec % one
never existed. Tase nasi exIraol
nary part ~ !; Is thar ! an paid
pegforgnsns the Gaiies ~ this p0slp
hat ] 40 MT hold"
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
SAYS WORD is MISPLACE
Writer crf'ieizss ths Tos-Freoue@
Enpioyoerf o. Phrase, The
Psychological Non.nts

A coFTssDlr5e1t % the Iondo.
Times eissriy soOsds all who arc :,
sispshO1 in their speech Gs to emn,oo
that ms; useful of phrsses. .tbe nsr
etOiOgIrsI n,Oroeoi.- says the Liy,r,
Age. Asserting that By 20 posslh,s
distortion II The Enzilsh language con
Il isgifmstsiy b~ fegoed into its cu.'
rent meaning n ~tbe proper. or a,
ting. oODsp;.- he proceeds 10 CIV,
hlstOry n TIE phrase which is yas,l
~ more Interesting than hlJ dlatriba
against lfs rserA
The Dsyeta5Oziezl rrnrpent- Is a.
English trsnslsfISn o, the French h
moment psyebOiSxiq7e. which IL +,
ia turn. = rnis;rsFsslsiiOn q the Ger
man css psyeholOzische rDoman,
whlch vas gse5 In the Seue Preussj
issehe ZeifuDz In Deoernber. 1s7oI
when The bozntzrirseni Of Paris voI
about % h.ezin- Tie German wrltal
gsid: The psyeholOgiesl m0rnentun,
fdss peyellOlozis.che E1omsnu must nd
allowed % pay q ur0nlnent mart
for without its cooperation there 4.
little 70 BE- hOIed from TIE work a
the artillery Co.frEinE the neute,
German word dzs moment (whicll
means -nnolDentDza-- ard e. here used
q dynamic psrr u tie human mind
urging Il % aeti1nl. With the mascul
line der r30-oenf fEhich means moI
nneni in lts ordinary Engiish senseI
the French Translated il Ie momen,
psych0isZiq1e. and with deris!ye gtf'
ETY. Incorporated Il into the slang 4
tie hour.
The Freneh writer Frsncisque Sa,
cey. In lis -Dlzry q the Siege "A
Paris tells bCx tbs teleaguered "a;
risians pl1ekily made game Of the
enerny's phrase:
~YOu knOE hgz ne Is1Eh over tina
Psychological Do-ent' The wor
hzs become ali tie rage. Ed
srybo.dy says. Tn hungry. The psy
Geological uozzsn1 fo- sitting dow
70 dinner has arrived WhetI
the first bsl tel In TIE streets q
Paris. everybody cried lsughlnglya
-Tiens. They r1s- think the psycho'
logical moment has arrived -
The facts are vO1cb=d for by thS
new English olctiooSrE. buI for all tht
photographers nay say. the psyi
Geological nOoeaI- = too firmly fixed
N the usage 70 BE WITHDRAWN readily
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

s./N58zSTAAS cHuDs=s iEur unus 4
u Fss--' i'u % mE n M IL n
mfr AS finishing 1lrv &C ssn 1fsi-
nnrs-I -7EsiI- ssssHsIn 1H rsr-ins rE-s
-sueF cBuiss f-sumtt Essr. d IL rirI,s
70 firu-s urr 1HE VIM We vLD r-rs
IN Hur 1,s.i--s-sr I1f ds:I-ri.sz- yi,uf a-1anas
rIin-a . -iisss PRESENTS Irs 70 ~
ninhs lF fIl1if E1it 1,m i,uur-f- u ne
lEsg uInInt r Il fl.1 -Im. I'M brrEIl
vru-S q -HmmE1rsE
s's,-lif7ss ms c-'BITT 'ut T-s--E -fiiu-E
mn r4n is uuns a. hume VII s-ars
N n,HGi1-I-iI1. !uz auH-iIiH -lis
1,sEIl--II fiH-lt-isIsEsr vhs.rs va Is
vrIm1H--5IiiT L--lsic rI.ndits11-Es c-n,-
mr. IL rsnrs- Et mas d.sU-ssr 1-,iss-itl .
dining zIii6z C.Huit HIr - i4 1Irs-
IiH-z Or 1.-1IIls -fit suncvd-a --IF
IJpssIif ~ f'si1Ir mT4 Trn--irIl
A. UTT IN. c-Hlss aI1ss- ---fgs vE--E'
Es n -ilief n BBsr 1Isrir.I INK
s.ssEu Is IlI Eliiit NJ s-7.sni=s "a NM
mum 1ii4 -s.sui- n mEriuuu.
CT cBu-s.. 2 nss inns nzrHs- --is.t ne
vrn-E z q isssu n is=rI IN snns stu.-
fAh- - ALi- le--Lflflltet LLlt--
lI--IitiaiaIE 1iEim-Il1. DESIGNS muF Ia
hr1nsr=t IA ysr iIiuE--Izimis.
Fr q bIssssr NJ z-u.t ,1iiuss-4s-. r
tneilsx hlcf uIf a nHndiH nts.i,l.s
iiis,i. mT1E'iuls H-s nt.rsssssIIrr ~ .ts-
3Bvf= TNB iIIIrii-F Tls 1s-ui,;t t,-ss,,s
1Il'sr -Ius - wires 5n- 5uuuuI-im-
rvB Ez--u imIr wires 1w ne hUudis
HIiH sG,Ri ruuH-sd v.i-s +n hnidns
v-,-es -Hrs1iHi- BiRr frE--nl- Eua 1Fht
c-sg,f 1igsHr - uHntn -IEs fu- E-nE-
nIs vl-s.E. me 1Itiss rlB4- uI,s -uis
,llfrH
u - LisD ns,sassJ-T ~ nUuH q
wire cu-tr Hnt 1all- Hr g,ni1-Ht pliers
Sii,s.lur u s.sstnr-iul +r ia finishing
-uurh
TIE fl-E E-Eg " ,T v-Tyv Hurt Ef ne
Z. wires v'r1t 4 s--iT u g-fJss 1IIl,Er
Car r 4 fBtiffHs vidH nr ne Hna us
ne =al ut c-sVa 3Hl;,sr -D=uur1 -l,E
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
s.s~-ass d. s..Ry Transparent

The reaecriaz q the s-zlisht on D
snowflake crystals 5s wAAt gives thf
tie appearance e h.eazs white. Sn'
Is SIMPLY water tzIDe3 tnto cryst'
hy the loW Temperature The Az
itself IS transparent As IS water, =
because q srs c-TsrAl formation
Snowflake Is Oaly partially transpl
eas. the facets 81 the crTStal rehe
ins the light and giving tie w
1ake While SQgearA2ce
II the Light rehecsc3 II the snI
crystal IS RED o. green the Snowiil
Wsn take On the same AQpearan'
When Dill3a1s - szloH1zkes are 60
aioed in oG,e zs2ss CO TIE ground thl
ability 10 re1ccg Tire licAi = increaa
and in this Vsy a saoE hank appel
even Eaore WA,te than wo1ld one
hated SaoNAAke'-C1epelxnd Nel
Leader.
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
ES EEEaY PtTH
- wI-u= 4 =ogvsoN
sT'TE rF-TE-E EBsd i,s.sih.
III ms rr's

III ms rras
Al iiuulasu fHrHf MT
uruu"
Tie IlitlpvI Eu-tnf ~ -iis.ss
lines M1-Bhurss rin--B,rsr
fnDvI ~ ssE'sr-THIit and rsI,s-ul,r
1Hu-G II Eus-T eumImmlrF
-iia-s uliT bs EHIIlE -iiH uc-.f MN.
VIM lie lHIgE. smiling Fare
Ihis Viu-at Inns nm siipvs-s.d a
c-sf1 luinuIr az vsEi-t IrpaI
INN 5A hus rins 1ir-uu-r
r-nulns Eat siHf-IissE E5s garns
u'u lis vrEI rflss isrs-s ne
huunAs nwaIliIss amt 1,s Smiles
amt Enu-F n tIiK uuEIr zIfiidm
Whenever me 3sIissses ne rira
Nmr VIM E-s mrs-H 1H--u-
Iu1t -iuI he 1s.si nisg-. l,i,s.ssr-sIl
viiel -isy -eTssiE's ms E-s.s-lur-
Vnisg Inda-s-tnE -iII1 lss ANS
rune - tie evening az ms tztt
N,lrhRu1 gilmr NJ riches and
N11insur winning vudt hHunr.
Th,sr NrH in-1iiIiE increasingly
ID VIII ba-h nhtsy -nInHr find
ME rrnss fr 1l,t g,HH,-s-u iti,f
an ils mt mEus -nrt U'hsF
cIHDm 1mlrmf IngVinfs i,ssilae
1H1FE N ans Declining rsu-s
vanBu- accomplishing mum
NM -hsT aim "a gan
u nH EsEssd ms tnniIlu-
cin--ncsr ~ ssrJiiHir rifs ruuss
.r has flru-fun rursur he
Ir-nEiey rnuld ma rsnrar xulh
NE request The -sssHn Is 81
sinulse 1in1 even he Ones nr
-s.rucIIisH r.
Et hHs nrvur'-t NlfHr ntf-1iHr
mmisy lsir hmm cIn lEUF- Es
ists Isust al linnssr Irts nnt
ll.I,ix NE H'r.if sguIrti,F m me
tnr@ Cluuii-issK JarEgnE E-s ms
r-uu-Tn friauas l.Rcklsg muri
-iur n-ias-f 3,Rssess. he nssusr-la~
hess has a risir conscience HnI
ans uanc n a. resi- The SMILES
he -era'ues --Hn mt png,nhrs
i-s M blessings Wihtf nf Bvr
Tpsni-lissErrst @-.isndhuess llRs
iH-Eus.tn litm an 1rmr sunshine
ln,R AIS 1sV -=nlaums aEyx az
EeErK
The v'Ir1t ntss-cS 40 rH1tf ne
slllrr al ms Eindr Bd sHuI
Gr1t Il a'sr iDtis,ssI., -e=rriii.Es gs
ms hrcumuin-im az raaf ar ans
3sBpsr-U- = iR Ejrrahti,ss NE
emf rt ne pan R'irhnIr SINCERE
t-.ieuaS.
f-my-iEfEa
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

Il = 4 rlmt 1iEI - iHrs - muta
10 l'lssliit Ir zi,s Ir-aglE-i-in 1r
Hu- 5ensu nfE nHt he ntE hH1r-=
s,umt -ilu.s E-s ls'-tr nImt iliisht m
-Ims 1ir szlugns- g-IIiis.--T ltiIer ant
s-uiiu.- ne -I-EEr a -u-Esr v.ni,i
lf sIuf - -itt dIF isFn-s e b -IaisUs.t
- ~ mum 1ss-s- fIvur "a he sens
smiiIlr has a raIEnrs ~ wr-f n1n lie
-rVL IEin.t Enr gIuuuR-n Jiiss Efg
ia mhd. sI-.E 81 -nI1 IN Thinks
Srmr hIr miE -is 1ssE Inuar-.i-IE
-iiIl-E LIE iss-- "a isH dnB.
Csasry mtF i,s vHsiss.G. v--i,ggsst N
L taD1 unt lEi6 n 4 cBH llur4 Nu-E
nlIE iss c-uci4I EElt mIIE Ir-is -nmrs
v1lct -IEs -iuis cII i.s I-aunst N
IA. uiF isfp-E
A sblht y1nr1 VII i.s sslju.r.t tg
ts'a-EruDs NM i,s al --nty "a Ess-us
TIE itr-urt washed h-nmst mt
3lne.d IN L raB- H--ilin Jdurs IA
is.fV t-isl4
Tr lie DRESSING -Eh1 rwu -iias-
f1,pHI-Iiis uf ebUUHc r-s-f1 lsgns-
uIis -I1nt-sumncu fr tIurr,st -sf l.sJ.-
l,t- ults Tablespoonful a. mmfs-E 1u--s-
iey me snul silmlnH1 muHu shUg.sG
4 1HEEgwuL.m Er pnwhH-sl slrI- a
tablespoonful nc nl-- Bli4--uul- &C
4 rIuru or vinegar amt -il-s-s--guIl--
1H~f u1 q rug-IL ". rbH.t M'us al TO
Iu- Evs.r H't.-s-i.iiif pl uuE be- uE..L
iur VIII ur il-s -its halriBus fn
b. q 1ur uussm IA. 4 ilLE-iuu- a.
nlH---I-ls. -i,sI 1iiH. n a rBH 1hu-E
unsf u-sHHiI,c vii EsaT or -vrb vr..sss.s.
and b rlliist Sie--r's d-s-sHua- Tins
10 tsgHtcElE rlsft v-r-f rHnuar hsnl isi1-
-u-t u, LhirIssssf cI0nu.r.
When uli-ms -is 1muuR.n Jns 1usg
ant 4 Sew u~irH NJ i.mm s---lfsr N-I-i
-ns rIIrt- u's.t n EiIsHIuE il.f ne
-i-t lie Improvement h filrn.
l-Lll.s--r @-IuUs - a nHh-nnF VIZ
az sfrTliir rhlu isr-T s--in ne
t.fauHt l'e,--iHs. uRnl. -vu clpruA A
rIu5u a. EliGu- Imt a linr fr N'lnsr
rvU unasBBm-uH rc lamiu luIrs 70
scr ne rnm-. and e-t-..,s ns nsutl
u ne i'H--ief AZ r3ri red ne
1-ilus VII i.s 4 iusriHuf vI1ts-uisam
lurE. s,H-vs IL al einHsas vdzt M.
-II-kav
= mg iIEf ct-i,ff-Ht 1iis fi-u green
tuui1iss i's6u-s ciis srbsu ans liup=.t
-nHn ant v-iIr'ss snrn n 4 suui-s %
1iigsf- 7hucnIs -iHu m usry rf,s
rsliu- liiey vii i,s ril.s fnia fl-m "a
use 1ur q sLlnf 4nr a rnnliii-s,r. yiIi.
uIF sTUras-
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
LYRICS OFLFE
~ ooU-IS ML-loc-
--E REs-Ez GtEETcs

II SAN IT Er't-ur c-Ht-
Wrlptr 4 sst- u- re
The s-lif- p-Hr,t uIr.ici1H
Tl,s umsusr ~ .iH AZ
Wr-1 EuduHI fGassc is mumTst il.-.t
% t1uuts r-ff -r trus--
E1,s snFT srIr uf -it HiF.
Ahm- t1if uIu1-IdG
Ant riiHr he -rr4H -H-u-ruiE nrvI
Wf-ihu NJ rism Etf.
AiuuH -hl fitld ri,rrt ne 1uvI
AiuHt ne sst IcIrn
WI mnIr q hong inf r--uf,.s, u Fvt-ss,
Eas ci-f'iaf Iis,i1r ana 1Ir
a lu1rT saiiJ t1wr he atsp
zaus lisI utnis IlE- E-Ir
Tsr -itsf-s v'H-s rn.sr vaH dit nUc ss-t
-fa v-uudH- IN ne inus
Ir- ipfR tUuu fiu 1mcuidF
- mu-1IiF u=ar af--
~ Ausu vI-t -iitsr mus nIuhf riiirl-s
T1trr IHfitis- Erv nn- heard
r,s musir Tf 1lf 1.fi-ui- WINGS
T'is issuu-r ~ -is lU~E
CIur-H1EH
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

Mr.. faaiherly weighs over two
ered POUNDS ana Is sensitive aoo'
Ee VRs eating on a fraeQd the
evening when she sai6, nairely
Mr.. Fa1thes9y, would yon susi as
SIT In this eass chsir as In
rnclzerg"
Tugrnnls," replied Festherly,
changed from ore chair 70 the 4
''0h, thanks" she murfhered
Hre very KIND. I have a bo.,G ~
lern loavos under slSe cushion OF
ansy chair, and you"
''GooHnlealt" sala Featherly'
ny, ns he walked away. never .
1urn-
The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
Something TO
Think b0Hf

SoT ON BREAD ALONE

WI w DREAD -ALAAN L
EEE ix vl-il1 AT Ec ~ II
f'Es- s--r'v-IiIr I,r-c1s N1iitf
s,-tuHs Erl,ss1n-in Iluu-isiIus.slr
.B- -is sar-
A Humgrusns -I1ht fiatrsst p.r-l
gatlf-IAhH oslirnrisx 1Llls u--s-r n
z-is1F -ihs fmlr.r
WEh al HU ci-iInl r.lIrzul-r We
int nu-ssEsas a. rs--nir vs-1n1s a,
Bu- szis1sasrs Esa-1lHr sr sgn--uil
fssE
W=rf-i and 1uEu-T lHIrs aHr II
flIu-Hssz 1susr-T amt sIr-rV na-
-s=af Int hI-oa1 ur hears -iss
V'B-'it - a tlrsi1-1 faIilns 1fuz ssiutiss
u ant l..1rsz rs n rHrnsEI,s.sx
We mIr tst -Ilts.sI-s.-s. IiH-s mt
1lisusz. lIr n Bu- s-s--iuus m1ms1I-s
-iisirs t'suss IgsH Is Al FE'frv1,si M
nls imlrusg sc sru-s-idIlr -iuz VII
I-E.si,S- uIr fJpss-r.. lss-siit.s .css,Ht
uiIHis
We vlsf 1Ir- -tss susr snnrlfrs n
N'fh-f T-Irt ant NH-r f-t lBa10s.t
ma Bu- ssuis may lsy sIzH1s.L- amt
uu- ss'1H- rs,Bis.L u 1H1 -hBrsilnf
1aiervIins sH-ns e 10 svTraht BG1 iss
tHr rs fIG We -tass I.cl.insz urrfln-
uIc b.
T1iHurf We mIF a4 s-i-r-nr Hnf
v'HIE "a -hs VuHz us sI1I1'f We -
7usa a. HE-
n rIr ui=H-T mt v-st--IIis.ss We
f.-l1'a ne ssusrii.sr-lIlr Tins. Ic Ntl-u-s
n tul IL AZ Ev-as1 -tgass.. usr II
ss--ilIIns. 1.ss-.s-ssasIiess We ii-ir a. fs.sg
TvLh4
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The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12

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The Beaver herald. [volume] (Beaver, O.T. [Okla.]) 1895-1923, 1922-01-12
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rsa---' Ism "a mA- n M fs n
Ifr as mhslil1lr airv e n ffa-
New-York tribune., 1922-01-22

Rod of $50 years. 1t cndeayors to
make clear now the process has figured
a an adjunct to the etching-'a silent
partner, tying together the lines and
the spaces between them into tones.
dark or light, losing its identity in the
general process Of etching" It makes
use OF several score OF examples. and
many Of the leading print dca 'ers have
lent their finest fox the object IN s.ew.
Eowlandson and his colleague, Pollard.
make illustration Of tho fine use 70
which the aquatint was adapted by The
English. Their "Vauxhail" is brill
liant print. The other subjects dear
to the hearts Of that pcople-coaching
hunting and shipping are veil repre-
sentcd. Turner, too, who made an
photographic art Of process which has
been known mainly as reproductive
art" experiments in the vein. These.
mainly in colors. are set off by groups
in the black and white to which Goya
makes powerful contribution. Among
the modern men are srch exponents "a
James O. Smillie, Joseph Pennell, Mary
Cassatt. Arms, Shope and Frederick
Reynolds. Acknowledgements are made
to Kennedy & Co.. Ackermann & Sons.
Frederick Keppel & Co., H. T. Peters
and E. 7. Hurley for prints loaned.
New-York tribune., 1922-01-22
More Drawings
Tho French School and a Va
sari Portfolio

Sar1 fDr1fOIIO
valuable contribution to the cult
OF the drawing is made at the Fearon
gallery, where some twenty-five or
thirty examples Of the eighteenth CEN
tury French school have heen hung.
They are especially interesting in the
Fragonard group. He is a far more
diversified master than is generally
known. His more familiar fragments
are Of peculiarly light order, pecul-
iarly expressive Of the gayety of his
period. No one could surpass Frago
in garden pastoral But he was also
capable of some of the most serious
themes developed in the French Acad-
emy and it is delightful to study him
in this aspect, on the present occasion,
In "Hagar and Ishmael," in an "Al-
legory of Painting, Architecture and
Geometry" and in a study Of "Shep-
herds Discovering the Advent of Christ. :"
They bring out traits cf his that might
easily be overlooked, his great pic
toral skill and his faculty for taking
the academic hypothesis of his era and
giving it elevation. To keep us in mind
ut the same time Of his sheer light
ness and grace, the collection includes
"The Old Mill Stream" a perfect ex-
ample of the suave naturalism lying
within his scope. One group Of four
portraits has an arresting historical
significance. 1t Is formed Of "calli-
graphic" studies of Marie Antoinettc
and other notabilitics by Joseph Ber-
nard. They have no interest for the
student of French draughtsmanship.
For that subject we turn gladly to the
brilliant little Cupid" by Boucher, to
the deft landscapes drawn in red chalk
by Baudoin, to the imposing compost
ton by Moreau le Jeune and to the
specimens Of Huet, Poussin and Claude.
On an easel, in q sheaf Of unframed
drawings, there are some fine souvenirs
of Hubert Robert and Pannini. They
round out a small, choice and alto
gether happy exhibition.
We may fittingly mention here that
the Vasari Society, the English organ
ization founded for the reproduction
of drawings, has just issued new
New-York tribune., 1922-01-22

if he chose. We saw him doing it in
the early picture, "Thc Little Miiliner,"
in an exhibition we traversed not long
ago. He is on the verge of winning
the same triumph in "The White
Macaw," portrait he now shows, con-
taing some very promising grays and
blues In his collection of fifteen New
York water colors there are several
pieces in which the prosaic theme is
lifted above itself. made charming
through felicity In workmanship. But
mostly he will not weary himself re-
fning upon his first raw impression.
He uses pigment as though he had a
grudge against 1t. No one would dream
Of commencing to him Ryder's poetry
and idealism. But why shouldn't he
arrive at beauty by the other path !?
Why shouldn't he, as a painter pure
and simple. enrich and energize the
substance Of his art? With "The
Little Milliner' in mind we confess
this is one of the most puzzlng prob
lens we know in American art to-day.
New-York tribune., 1922-01-22

or gray. Technique, in the ordinary
acceptation Of the phrase, seems
scarcely to affirm itself 1t is as
though q dreamer's visions happened
on painted surface, without the in
tervention Of any Of those methods
which are taught in the schools.
Ryder creates his beauty-and the
pictures are full of it~-as though by
some lawless magic. He paints almost
artlessly pictures that are nothing if
not works Of art. The subject may be
drawn from Shakespeare, as in the
case Of the lovely "Ophelia," or he may
5reat nature pure and simple, as in the
Landscape With Sheep" or "The
table" Invariably the subject is
aturated in glamour.
One man may steal horse and the
next may not even look over the hedge.
Ryder puts all technical touchstones
scorn, and George Luks brings them
rresistibly to mind. Why is it.?
uks at the Kraushaar gallery is in
e
GIRLS and ragamufins, poor children
nd broken old women, so many "ac-
Qualities" observed in New York
streets. Bis portraits Of these forlorn
types are like bleeding fragments from
the city's drama. Look at such a cam
vas Of his as the Breaker Boy" and
note the case with which he gets the
natural pose and expression, observing
lso the quiet CLEAN of color that goes
With the grimy realism of the thing.
All through the exhibition there are
touching veracities like this, some
times blithe, as In the orange-hued
canvas called "Mike McTeague," but
generally in the rather drab key Of the
stratum of life in which he has dug for
his poignantly human motives. Why,
New-York tribune., 1922-01-22
Sargent's Tradition
Its fortunes in the Hands of
Philip de LaszEo

About the time that the old modes Of
portraiture typified in such men as
Ca5anel and Carolus-Duran were going
out two new ones werc coming In.
Whistler's, it Is true, had been for
somo years on the scene, but its influ-
ence did not make serious headway un-
I'll the Salonnier had had his fling
Moreover, just as It was making itself
felt in the studios another force be-
ean to assert itself, that embodied In
the art Of John Sargent. The younger
man forthwith swept the field 1t is
TO be inferred from "The Whistler
Journa" that his elder didn't like it.
We'll, you know" he is quoted as sax
ing about Sargent on one occasion,
people tell me 1t is 80 clever. Has
any one ever stopped in front Of
Titan or "a Tntoretto and called it
lever? What? That sort of clever
less is internal. l wouldn't for a
moment have any one think I was
saying anything about Sargent, who is
good fellow. but as for his work, it
is neither better nor worse than that
Of the usual Academician." We have