The Arvada enterprise., 1922-12-28

Front and Back ef the Skirt.
pondent In the New York Tribune, she
again demonstrates her genius In Oh.
tanning maximum effect from mini
mum decoration. l.a
Complicated cut with an ultimate
line Of great simplicity 10 still main.
tained. The flying panel. which she
uses 70 much now. ornaments the mid.
die Of the back or the front Of the
dress and no longer appears on the
aides. Sometimes II appears on both
the front and hack ~ In dinner dress.
II Is developed from white crepe de
chine. A cabOchOn made Of briiliants
and pearls ornaments both the front
and back Of the dress at the wnistiine.
Generally speaking. sleeves are mar.
row. some Of them being quite tight
htting; others are clOwe 1t the shOul.
derx and widen a little on the way
down to the wrist. Some arc cut very
wide 1t the arnhols and are NO shaped
~ to nugiy enclrcle the wrist.
A simple cloth dress from viOnnet
has large. loose kimOnO sleeves cut In
with the bodice. From the ar,nhOles
% tho waistline the sleeves are shaped
to a clOse-fitting line ut the wrist. The
skirt II cut In the forin Of two large
petals. one overlapping the other. A
heavy embroidery In floral pattern IL
incrusted on the inside Of the sleeves
and 4 big flower Of the cloth with Its
petals covered with embroidery In
tones Of green. blue and pink gives q
rather daring touch Of color.
Cape Collar In Jabet Fern.
The wide sslunre-cut handkerchief
sleeve In again seen. with y small
Inderslceve forming seini-narrOw
cuff usually In contrasting color. The
long. angel sleeve In modified form is
sls0 In evident.
ViOnnet has nHny little cape effects
and curious cape collars which are n
pOrt Of the sleeve or the bnck Of the
dresn. A typical model Of this sort
hns an interestingly cut Jacket In short
belied style and hns n waistline si,oui.
der capc which In part Of the tight.
hitting, full-length sleeve. II In accom-
panied by perfectly plain skirt. A
novel feature In u white er,nine cOilur
In jnb0t form. which Is In striking con.
trsst to the black velvet.
A distinctly new feature liz the jni,ot
cOlinr and friii. usually developed In
fur. One finds this On tailor. made
dresses. on fur coats ind On afternoon
dresses Of crepe dc chine and satin.
Sometimes the jnbot friii In NJ deep
M 10 appenr like shoulder cape when
turned down. but when up and drsped
around the neck II forms friily jsbot.
like collar.
A street dress Of this character In
In chemIsc form. developed In brick
red velours de- lsine inset with dis.
mond.shapcd pieces of duvetyn In the
same duh gray Of the cape. which In
Of grny Hstrakhan.
Dancing Freeks Feature psts.s6 Skin.
Another curious novelty is " shoul.
der extension IN the shape of an
enormous srarf. which, starting from
the point where the shoulder seams
might be. is n continuous cut from
the font Of the gown. These long
ends HING over the back Of the gar.
mrnt In swinging scarf ends shout
three-qunrers Of yard Wide and
reach 10 the hem NJ the skirt. SOme.
eimes these srsrf ends are crossed at
the back. In which case they form q
n'uff'lns collar and cape wrap.
vionnst ds,e~ not uss the exsgger.
sied length In skirts. Practically sii
her skirts sre we'll shove the nnkles.
snd. generally speaking. they ars nsr.
'ow. The large pstsled skirt II Q
sssrted festurs of her dancing frNks.
Not a few Of vIOnnet's dresses hsve
~ nlmO~t s1fsiGih skin. A nsw form