davidaulloa/AmericanStories huggingface dataset:
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01
Quaint and Graceful.

right sort of accompaniment for
spring street frocks. Crepe de chine
and heavier crepes and silks are pro.
noted for long afternoon and evening
wraps, and reveal the cape In many
notifications. These ere usually lincd
WITH "rnnc 1c oh'"r I'm n contrns st;nu
'"iG li Hiaet ray or blue lining.
ph'N Wo"1 dc chine is spon-
'of"a ~ |i'lt u&a in capcs and
hph "it in mcr afternoons
&ilis ih me 'S Of '22 have near
. fearheH thc end Of the long jour
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01

IVA DEBUTANTE III the world of
5A fashion has had it's picture made
sRnd is herewith presented. 1t is
Esomething very new and simple, In Il
SGape for summer wear, and makes its
gentry in the company Of other pretty
Fclothes for outdooring-witl every
schancS to become favorite 1t has
6takenI lp with the whim for yarn
strinls lgs and looks MS If it were knit
lied Estead of woven. There are points
lat Will count in its favor, for
ASH IN has her eyes glued upon
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01
NAME "BAYER" Is ON
GENUINE ASPIRIN
Take Tablets Without Fear If You
See the Safety "Bayer
Cross"

If YOU want the true, world-famous
Aspirin, as prescribed by physicians for
over twcnty-one years, you must ask
for "Bayer Tablets Of Aspirin
The "Bayer Cross is STAMPED on
each tablet and appears on each pack
age for your protection against imita-
onS.-Advcrtiscmcnt.
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01
Good Fish in the
Sea
By ROSE MEREDITH
ca91oa,ooooa3 s:,s
b A9zs by Mcclure Newspaper Syndicate.

| AfS. MerlOn llNGu her hard bright
eyes on Rutlls pale fuce. Don't pine
after Arthur Bent, Kuthie--he isn't
worth one single tear from any girl :"
Il am not shedding tears, Mrs. Mer-
ton,' said the girl proudly. "rhc en-
gagcmcnt is brokcnL;nl lie has gone
back east"
Il heard there was another girl out
there
Il heard 50 too" rc,ortrd Ruth, "and
II YOU do not mind, Mrs. Merton, sup
pose we talk about something else"
Glad enough, my dear, for he WAS
us mean us all gct-out TO steal your
hrart away and then go OF but re-
member, there's us good fish in the
seas as ever were caught :"
II suppose So" said Ruth listlcSsly,
as she picked up her Knitting; Il am
afraid | am not much Of Il fisher
| WOni;n."
Ruth's mother came back to the
room and glanced ut the wcllmeuning
ncighDor She suspected that the
trend OF conversation had been toward
the light-Ecar,rd Arthur Bent. She sat
down and briskly threaded IL needle
"Rivcr's rising, they say she began.
Il want t know. heard Little
Greek was way over the banks, but |
Didn't know it had broken loose-if
the river keeps on rising. and the dam
brcaks-thcn pood-by to Blue River
and all our homes"
The women looked out at The swiftly
running Blue River and talked about
how the small streams were full to
ov"riiowing ana that the spring
frcSlcts were duo,
i've always lccn afraid of Blue
River. even ii I've lived on its banks
! Tor twenty years remarked Mrs. Mer-
| ton as she went
/ IL am more worried about those
/ poor folks in the Little Village region
along Little River" declared Mrs. llol-
ton. She stood awhile in The doorway,
enjoying the fragrance Of apple bios
SONS and the fresh, curlhy smell from
| the newly powcd fields Then her
gaze turned to her pretty daughter
and the anxiety in her eyes dccpened
as she noted the swiftly flying fingers.
| What are YOU knitting, Ruth?' she
asked at last.
| The girl smiled. Don't laugh at
! me, mother dear, but l am knitting a
scart-lt started out to be a muifler
ior Arthur-ano SINCE he mas gone
away nave kept right on knitting
AWAY "S,hS up an the stray pltS oi
'nrI III t''e house-scc the craZy-quilt
.''.'' .' H"'.'e ""H' Wnen l nave "seo
~ " """i' :. VII NC t"ii'-
r., y. 90. ny i'o"', "''i "e NM
,,,,. 10 s'A '"i"e i'i's
AZ. <,
o., ~" '''i'" ~"
.,, ""
Ign ~ leel mat l am
li.".IhS ~. ehu am curing less
.,,,, ,,,
r. =; So '"'' VIII 'c
;n ernN r'n ~ A"'' W. tr""nies
w ,.,,n l I'm. 'i'"'' n"'i'ie.
49,, ~ 80 i'siis -s.e'
| trno. "o," r''os'
r,od v.o 40 o ,,;,,, , "''
vour M saws hn hnliorns in hri,,,i,,
| his houso on I'M"
! p,,, no,
| 1nr nv, ~ ~
,i, ~ 80, a,,,, s
thn 1;s,ont soo y
or ,.,,
! III, 49,, ..', '''>'' '''"'''ei'
hnv.
fna,;,,t. .,'. ,n; '., -. n">' "
ar,nm w." oe o''lerei'
| .1,o o,,;,,
ho,,,ian eo' ~, ''' WIN "'
,l,a na,l W. '''"''''''i
,i,,,> -, ,,. ~ '''i ",
"s i''' l''"ine W '"e river.
hii'"-l am nor wishing l"r that
| i "'h''' ''''' 'nc "IluS'S VIII
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01

Crowns are never won BY bearing
home made crosses.
The Pickens sentinel. (Pickens, S.C.) 1911-2016, 1922-06-01
Quick to Go.

Doctor-lou are as sound as
dollar.
lntient-I hope to last longer than
onc.-BoSton TRANSCRIPT.
Evening star., 1922-02-12
BY ELENoRE DE WITT EBY.

ELABORATE and bizarre costumes
II in amazing profusion appeared on
the stages of local theaters last week.
for the Ziegfeld "Frolic" was pre-
sented at the National. the Passing
Show" at Polls and the "Hackett-
Delmar Revue" at Keith's.
Even a painter. with the aid Of all
the colors on his palette. could not re-
produce the dazzling creations of these
productions for they were incrusted
with jewels and sparkled with every
color. in the rainbow, SO the writer
will attempt merely a brief word
sketch and leave the visualization to
the readers imagination.
In the "Frclic" the first spectacular
tableau disclosed seven girls gowned
In sequins to represent precious
stones. and the first letters of the
Jewels combined to spell the word
dearest" Later, the same models
were costumed as various lights, such
as Sunlight" Moonlight: and Can
die Light" while the last girl who en-
tered was a picture of opalescent brill
lance in her rhinestone and seQutn
Earb, representing 'Lovelight."
The "Rivers Of the World" were per-
sonified in another song number. with
an Egyptian dancer as the Nile" a
Spanish senorita as the "Rio Grande''
Evening star., 1922-02-12
NATIONAL-Irish Players.

"The White headed Boy" Lennox
Robinson's famous comedy. with the
Irish Players from the Abbey Theater.
Dublin, will be presented by Charles
Dillingham; at the National Tfeater.
Sunday, February 10. In a sense 1t Is
a comic version of 'The Clancy Name"
made familiar to Washingtonians some
years ago in book form.
Denis Geoghegan has thrice failed to
pass his examinations as medical
student The blunt elder brother who
been reached. The white headed boy
of the family shall have no more. He
MAY go to Canada. il he likes. and his
passage will be paid. but that is all.
To save the name Of Geoghegan the
story is invented and spread broadcast
that he goes to fill fine position. But
John Duffy. father of the girl he was
to marry, will not agree to Denis run
ming away like this. He threatens
breach-tf-promise suit and collects
variously from the dismayed Geoghegans
in restitution.
However. Denis turns the tables by
marrying the girl, stepping into the
lucrative place intended for another
brother and. upon threat of working as
a street iaborer to support his bride,
by falling heir to the money and checks
which had passed to hush up the belli-
gerent Duffy who is suddenly confront
ed with the necessity of saving his own
name.
1t is a comedy of manners up to the
best traditions Of the Abbey. ski!lfu,
in narration, shrewd in it's implied
commentary on human nature and
vivid with local color, character and
speech.
Evening star., 1922-02-12
GARRICK- -"The Skin Game" "

Galsworthy's fine ironic play, The
Skin Came" with an all-English cast
of distinguished players. will come to
the Shubert- Garrick Theatsr next
week. starting Monday. William A.
Brady, in association with Eeandean.
Ltd London. is said to have dupli-
Gated the London production In every
detail. The play is one which has
achieved great popularity in both
london, New York and Philadelphia.
and Is now being sent on tour.
After much delay Manager Taylor
announces that this latest success of
it's noted author will positively ap-
pear on the date arranged. Origi-
caiiy booked to play Washington the
week of January 80. the engagement
was Cancelled owing to the unusual
interest in the play in Philadelphia,
the demand for seats forcing the run
beyond all original expectations.
In 1.-THE Skin Game" the dramatfst
has taken two English families and
thrown them at each others heads
The one represents centuries OF cul-
ture and influence, the other is a
product of today.
The noted English cast will include:
lane Grey, Reginald Dance. Alice
Wyse. Audrey Cameron. Matthew
Roulton, Russell Sedgwick, Francis
Roberts. Arthur c. Crosby, Lister
Williams. Walter Jackman, Frank
Smell Nora Nicholson. Lindon Lang
and Uric CollineS.
Evening star., 1922-02-12
Willard Robertson s Career:

ssI WAS born in 4 'duGout' or storm
house in southwest. Tex" says
willard Robertson, lawyer. actor and
author.
But in order that I might have
an eastern schooling my mother took
me to washington, D. c. had man
aged in some way to reach the high
school, when I made the Acquaintance
Of Mr.. Ambrose Bierce. the author.
I had been trying to write and his
announcement 80 inspired me that
I directed my efforts. entirely to au-
thorship.s No school could tolerate
the failure which followed.
IT then went on the stage with
stock company. At my hrst appear
ance spoke two Of the three lines
with which had been intrusted. This
success was fatal and discontinued
with the company. / have since
nlayed longer, but not SO important
parts with stock companies IN Wasn
inEton, Cleveland, Columbus anu
1i'Iu y have appeared in Rip Van
r,iiders.' by Marion Fafrfax; Mr.. Be.
iasoo;s production Of The Warre9s o.
virrinis.' "A Fool There Was Polly
~ the Circus The Brute by Fred
eric Arnold Hummer. and three ser,
sons rs Dave Tolliver. in The tran
Of the Lonesome Pine.
~At this point I left the stage 70
study for the bar. ] had been fead'
inr law for several years and prop
ahiv hold the record for having STUD
led IN more states and listened 70
Evening star., 1922-02-12

spond with the frock. while its curl
ing ostrich plume matched the
dainty rosebuds. Long mitts gave
final touch Of quaintness to the en-
semble.
Miss Stella Mayhem. appearing at
keith's. wore the gown Of apricot
crepe satin showered with crystal
beads which is illustrated. The sleeve
less bodice was cut to include wide
shoulder straps and q slightly round
ed neck, and the skirt was quite plain
and rather short. However. three tiers
.of bead strings completely veiled the
foundation and brought the length to
the ankles. Trellises of black velvet
flowers and grapes hung gracefully
at one side OF :he gown. and were
effective as a contrasted trimming on
the light crepe material. while an
ornament Of black Paradise plumage
in the coi1ure added a correspond
ing color touch.
Tho Misses Sewell dancers, who also
appeared at Keith's. were gowned
alike in gray georgette when they
entered. Each frock had a plain bodice
with wide mandarin sleeves circled
with marabou and a square collar
less neck. The skirts flared at the
lower edges" and were trimmed with
several rows OF the fluffy marabou
banding. Old rose and peacock blue
ribbons formed the girdles. and gave
a bit Of color to the Quaker-like sim
plicity Of the gray. Close fitting tur-
bans Of gray satin, trimmed with
ornamental blue pins. were worn with
the frocks
Evening star., 1922-02-12

THE announcement that producers,
stars and exhibitors of motion
pictures are going to unite through
out the month of March in a nation
wide celebration Of the tenth ami
versary of the feature motion picture
brings into high relief the changes
that have been wrought by the nckle-
ness of the movie fan.
Names that ten years ago lured tne
people to the tiny movie theaters to-
day are forgotten. III those ten years
stage luminar'"S have flashed across
the screen armament like meteors-
and like meteors have disappeared. "A
few are still popular. but only rev.
In fact. one could count those who
were popular fve years ago on the
fingers OF the hand-Wallace Reld.
Douglas Fairbanks, Thomas Meighan,
Mary Pickford and Charlie Chaplin
are about the only ones who seem
10 have held the admiration OF the
motion picture public for that length
of time.
1t was just ten years ago that the
first big five-reel feature flm was
shown. revealing Sarah Rernhardt In
her stage success Queen Elizabeth
Following Queen Elizabeth came
"The Prisoner of Zenda," starring
James X. Hackett. and Mrs. Fiske. in
Tess of the D'Urbervilles." Then
came series of pictures starring
Mary Pickford that brought her the
Evening star., 1922-02-12

trials in a greater number OF court
houses than any other practicing at
II attended the National University
Law School. at Washington, d. G..
where ! was honor man and winner
Of the freshman medal-completing
the four.year course in two years. l
became a confidential clerk in the
Interstate Commerce Commission and
was later attached to the Office of
the chief counsel. 1 was taken from
that position by the United States
railroad administration and appoint
ed assistant manager Of the prop
erty protection section, with officeS
in New York city. In this position
I acted as criminal counsel for the
rail and water lines entering New
York: secured the conviction OF 1O2
freight thieves, an dsuccessfully pre-
sented the leading federal cases of
United States agt. Bernsweig and
United States agt. Clark. ct al, thu
former involving $4,000 silk rob
berry and the latter an $4,000 theft
Of war supplies.
"While I was So engaged Mrs.
big Came OF which. I was Co
author. Under the name Of W. #.
Maxson I appeared as the trap thief
when the play was produced at the
Fulton Theater in January. 1920. Mrs.
Harris also produced out OF town
sThe Proper Spirit Of which ! again
appeared as q co-author. Last win
ter I appeared in Mr.. Brock Penn
berton's production of the prize play.
Miss Lulu Bett' and after that in
sThe Detour'"
Evening star., 1922-02-12
Hope Hampton in Person.

IoPE HAMPTON. star Of the pic
i i ture "Star Dust" suggested by
Fannie Hurst's famous novel, will ap-
pear In person the first four days Of
the week, beginning this afternoon.
crandairs Metropolitan Theater.
This gifted young actress has been
rather q phenomenon in her ability
to shatter tradition since her COM
paratively recent entrance into the
world of shadow drama. The winner
of a Texas beauty contest. Miss
to appear in pictures and, without
previous screen experience, was soon
Achieving success in feature roles.
She sprang into film prominence
virtually overnight.
Now Miss Hampton has declared
war on grease paint, an accessory OF
acting for the camera, which, hereto
fore has been deemed an absolute
necessity. When she first appeared
in silent drama this remarkable
young woman applied grease-paint
makeup because she was told that 1t
was the thing to do and she had no
knowledge to the contrary. The re.
suit was a caricature of her normal
face on the screen.
After much experimentation she
found that in her particular case at
least to secure natural photograph,
she needs must confine her use OF cos
metics to simple talcum powders.
This she has done with result that
has placed her in an incredibly short
time among the films famous beauties.
Miss Hampton is said to have a
clear, sweet voice, and her keen
sense of humor and, above all, her
gracious personality are irresistible.
Added interest will attach to the
orchestral contributions at. the
Metropolitan from the fact that
Daniel Breeskin, well, known musical
director, will direct the orchestra for
this single, week. bec&ase ct condt-
items stated elsewhere.
Evening star., 1922-02-12
Fire Realism.

4 WONDERFULLY realistic illusion
n is said to have been obtained for
the screen in the burning OF the or
phanage sets in Peter Ibbetson," George
Fitzmaurice's picture. starring Elsie
Ferguson and Wallace Reid.
The sets were erected on q lot behind
the studio, and to provide more intense
efrects they were burned at night.
Because of their size the sets were
erected one at a time, and the company.
including many children who played IN
mates Of an orphanage, worked through
two entire nights.
In the interior scenes, in which the
Duchess of Towers' sucoumbs to the
flames, parts Of tho woodwork and fur-
niture were soaked with gasoline. The
Long Island nre authorities had been
notified in advance Of the prearranged
confiagrations, and had issued q permit,
but city flremen were at hand to pre-
vent the blaze from getting beyond con-
troll.
In the exterior scenes. the fire appa-
ratus of sixty years ago was drawn to
the burning building by firemen in the
queer costumes Of that day.
An additional corps Of watchnen was
obtained by the studio to keep sight
seers of the lot while these scenes were
made. Hundreds Of residents Of the
neighborhood watched the blaze.
Evening star., 1922-02-12
The Story In Photoplays.
"THE story Is the vital thing in tn.

"THE story IL the vital thing in the
photoplay," William de Mile
The picture must always be sub
ordinated to the drama. I believed
thus years ago when I directed my
first picture. The Ragamufnn.' Judged
by present-day standards that was
the basic qualities that demanded
then are just az much present in
bought and Paid For.' my present
1T is my belief that many photo
plays fail because because their producers
run away with the story. Drama is
sacrificed for picture. The picture
may be exQuisitely beautiful. But
after all the picture is but q medium.
The story-not the pretty picture
Is what the people go to the theater
to see.
"I have been censured occasionally
for sacrificing the pictorial side Of
the picture. Lovers of beautiful
photography argue that the same
amount of drama might be main
tanned with additional pictorial
beauty.
where it Is possible to combine
the two heartily'favor such COM
bination. But the moment the pic
torial begins to overshadow the story
when the attention wanders to the
beauty Of the scene and forgets the
suspense Of the story-that's the
moment to subordinate the picture.
81 weigh mentally each scene in q
picture, before photograph 1t. try
to decide how I can get the maximum
amount Of story into that particular
scene. After that Is settled-and not
until then-do l permit the pictorial
side Of the scene to enter into my
reckoning.
More attention to story and less to
the picture means better photoplays
And better photoplays are what the
public is constantly demandinS.
Evening star., 1922-02-12
Latest Pictures.

AMONG the new productions under
n. way now in Hollywood are over
the Border" with Betty Compson ana
Tom Moore in the leading roles. ana
"The Cat That Walked Alone.
George Melford production: featuring
Dorothy Dalton and including Wanoa
Hawley and Milton sills. Pictures to
be started during the month ,,1.!s efFs6su- "Msn-
siaurhter," :aThe Dictator" with Wal
lace Reid: Thomas Meishan. In Our
Leading citi.en;" story. by ,.s Ge9sse Gss,
Hoit and Bebe Daniels: Agnes Ayres
and Conrad Nagel, in ''The Ordeal:
'"The Gilded Cage" starring Gloria u
"Biood and Sand" with May McAvoy.
Pictures completed during the last
month include The Green Temptas,
the Rocks" ACROSS the Continent,
"The Proxy Daddy" Bought and Pa Paid
For" 1.-THE Heart Specialist. Tn .
Sleepwalker" and Through Glass
window"
Evening star., 1922-02-12
Coming Attraction
|P0LI's-Greenwich Village Follies

The third annual production Of the
Greenwich Village Follies will be
presented for the first time here at
Polls Theater next week. beginning
Sunday The Thursday matinee will
be omitted. and there will be holi-
day matinee on Washington's birth
day. Wednesday. The Bohemians,
Inc, announce this production of the
Greenwich Village Follies one Of the
b1 illiant successes of the present
season.
The production was devised and
staged by John Murray Anderson.
New York and Philadelphia found that
not on any stage this sea son has there
been more beauty displayed in girls,
gowns and scenery.
In the cast are Ted Lewis and his
band. Irene Franklin, Joe E. Brown.
Ula Sharon, Gordon Dooley, Bird Mill
man, Robert Pitkin, Gretchen East
man, Donald Kerr. George Trabert,
Valodia Vestoff, Corone Paynter.
Nancy Larned. Polly Platt. Billye
Weston. Peggy Matthews Julia Park
er, Jean Arundel. Albert Deano. Basil
Smith and the thirty sprightly artist
models.
Evening star., 1922-02-12

and &C log dancer as the "Suwanee."
The final river was the Amazon" and
in this role Miss Lotta Miles was
cloth, with silver train which was
longer than the width Of the stage.
When all of the company assisted In
holding 1t up and giving 1t an undu-
lating motion like waves the effect
was truly remarkable.
The last spectacular song. "Beuatiful
Feathers Make Beautiful Birds" was
illustrated by a succession Of girls in
brilliant feathery raiment, which
sought to duplicate the plumage Of
rare tropical birds. and the artistic
triumph OF the group was the White
Peacock" posed by Miss Miles.
AS a contrast to these incidents Of
fantastic costume display. there were
a few scenes in which the company
was attired in simple frocks, as. for
instance. the opening one. whore each
girl was dressed in dainty white or
CANDY. with ribbon sashes and picture
hats Of white leghorn. Then, in the
finale. Miss Lotta Miles wore the
charming little period gown which Is
sketched.
It was of green satin fashioned into
a tight gathered basque with wide
pulled sleeves and a square neck, and
a voluminous crinoline skirt. Tiny
pink rosebuds served to fasten the
bodice front. in place of buttons. and
more flower clusters were sprinkled
around the skirt just below the ap-
plique festooning Of satin trimming.
The hat was Of green satin to corre-
Evening star., 1922-02-12
The Stars of Years Ago.:

World!' The first of these was I'm
the Bishops Carriage" and was fol-
lowed by Caprice" and Hearts
Adrift' and "a Good Little Devil" 1t
was in this latter production that the
good advantage.
Going further down the list We fnd
such old-time favorites as Lille
Langtry, Laura Sawyer. James ONeill,
Charlotte Nillson. Cyril Scott, John
Barrymore, House Peters. William
Deslys, Arnold Daily. Bruce McRae.
Hazel Dawn, Carlyle Blackwell. Paul
McAllister, William Courtleigh, Ce-
ella LOTUS. Edward Abeles, Edmund
Breese, Max Figman. Hobart Bos-
worth. Pauline Frederick and George
Beban.
OF these. only Dustin Farnum. VIII
liam Farnum. Hobart Bosworth and
Pauline Frederick probably remain in
the memory of present day movie
fans. John Barrymore, House Peters
and Hobart Bosworth now make only
Farnums and Pauline Frederick are
the only ones of the early lot who are
still active upon the screen. Carlyle
Blackwell. of whom nothing had been
heard of in some time. has announced
his intention of devoting his time ex-
clusively to vaudeville.
Names unfamiliar to the present
generation Of flm fans, but which
meant crowded theaters eight years
ago. include Henry Dixie, Charlotte
Ives. Jane Grey, Kathleen Emerson,
Edith Wynne Mathison, Alice Dovey
and Winifred Kingston.
Other names more familiar are H.
b. Warner, Henrietta> Crosman, Ber-
tina Kalisch. Sesste Hayakawa,
Macklyn Arbuckle, Charles Richman,
Gladys Hanson, Tyrone Power, Theo-
dore Roberts. Adele Harrington, Bes-
sic Barriscale, Marguerite Clark,
Marie Doro. Edith Taliaferro, Blanche
Sweet, Marshall Neilan, who now d.
rects: w. II. Crane and Elsie Janis.
Wallace Reid has risen to stardom
since the days when he was leading
man for CLEO Ridgely, Kathlyn- VIII
liams, Myrtle Stedman and Anita
King.