davidaulloa/AmericanStories huggingface dataset:
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
CARIBE

SituadO en- ell corazon de la ciudad.
erfectamente acOndiciOnadO con to-
Os los adelantOs modernOs. AscensOr.
'elefonos. Magnificas habitaciOnes con
,afiO priyadO y efectOs sanitariOs. Es-
ecial comfort para familias y pasa-
eros. Precios moderadOs.
Telefonos 484 : 1.OO9. p. o. Box 800.
Gale de San Francisco No. "a, San
uan. p. r.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
ELVESUBIO

Particip0 a mi numerOsa clientela
1ue nuevamente me encuentrO al fren.
te de este acreditadO Restaurant, dom
de- encontrarAn nn esmeradO serviciO
la carta. Sc admiten abOnados Y
aunca faltan los sabrOsOs "Spaguetti.
Vicente Rinaldi. Alien 20. San Juan.
'el3fOnC S98.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
CENTRAL

Edificio cOnstruido expresamente
Jara Hotel, mOdernamente equipadO
,On ascensOr, habitaciOnes con banjo
.el&fOnn. timbre cnantO requiere
4 modernO "cOnfOrt". Plan EurOpeO.
Restaurant la carta. TelefOnOs
l81-l144. Box 1852. San Jose, Plaza
Principal, San Juan p. r.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
Ell L1BRo AL pIA.-Obras de

Ell LIBRO AL DIA.-Obras de Espi.
ritismo, Hipnotismo, Magia, TRANSMIT
sion del Pensamiento, Botanica, Fasci-
nacion, Clarividencia, El Libro Infer
nal, FL Diccionario Internal, Ell Libro
de San Cipriano, Obras de Flamarion,
Automovilismo, Electricidad, Agricul-
tura, Carpinteria, Evanisteria, Mecani-
ca, etc, las acaba de recibir la Libre.
ria CAMPOS. Allen % v Brau 35, San
Juan, P R. 60
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
AUMENTANDO LA CORTE

Ingresaron en- la Corte de Honor de
.Lourles" las distinguidas Srtas. Ma
ria Adela Nido, Maria Csrazo. Car
men Garcia Tete Amadeo. recibieron
Iazos de CelGdoras las Srtas. Carmen
TiradO, Maria NOgueras, Maria Luisa
Fabregas Y Ia Banda de Instructors
In Srta. Josefina Fdbregas.
Hay Otras numerosas solicitudes pa
Ia ingreso en- In simpdtica asocia-
ci6h.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

DE INTERES.-Dos jovenes decentes
desean tomar comidas en- casa de fa-
milia ordenada. Es indispensable que
no haya mas abonados. Como no son
millonarios no pagan lujos. Lo que Sc
desea es comidas regularmente buena,
limpieza y pan fresco discretion. Di-
rijase estipulando precios a +. NJ,
Apartido 1103, San Juan. %
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
HOTEL MALLORCA

Este Hotel ha sido cOmpletamente
irefOrmadO para la cOmOdidad de su
buena clientela, situadO en- ell sitiO
mejor y mas fresco de la ciudad y
proximO al cOrreO, bancOs, y Oficinas
de negOcios.
Sc admiten abOnados a preciOs mo-
dicOs.
HabitaciOnes frescas ventiladas.
ServiciO esmeradO.
Gale Tetuan No. 8, Tel. No. 1874.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
soLAREs DE oCAs1oN.-Tengo Gin

SoLARES DE oCASION.-Tengo Gin
co solares que miden $50 600 metros,
e MIA carretera del Seboruco, con fren-
te dicha carretera, esquina otras
GALES y vista al Parque del "Colegio
del Sagrado Corazon de JESUS, que es-
toy dispuesto a vender a prceios
muy, convenientes. Informese seguido.
HENRY w. DOOLEY, Tanca 2, Te-
lefono $50, San Juan. Ina
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
CIR A N
Reduction de PreciOs
EN- Ell HOTEL
COndadO- Vanderbilt
PARA LA TEMPORADA DE
VERAN0

Habitaci6n con banjo privadO para
dos personals, $500 pOr dia.
Habitaci6n con banjo privadO para
una persona, preciOs especiales.
NuestrO plan ha sidO cambiadO.
Nuestros huespedes pOdran tomar ha-
bitaciOnes sin verse Obligados a TO-
mar las cOmidas en- ell hotel.
VisitenOs una vez antes de mar
charse Sc cOnvencera de la cOmOdi-
dad. tratO delicadO, y ell serviciO es-
meradO de nuestrO hotel.
LA ADMINISTRATION.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
eRMorTl z CAMPA Err CAMPAAA

va 10 anurciaron, no podrA haber
banQuete ri fiesta SIN que usted recu
rra a Campa y Rsmotti.
pavos. palomas, gallinas, lechones.
langostas pescados y huevos. los tie
nen Remotti y Campo.
Bodas. pasa-dias. Dautizos. banque'
tes. Vean Remo!N y Campo. Tel
1862, 87S.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

Sc VENDE una casa por 5000 en- la
calle de La Planta', parada 16, casa
No. 9. Infor1nes en- la misma o Tele-
fono 1921, San Juan 848 negro, San
turce. IA
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
-=ArNUNClOs Y RECLAMOs ECONOMICS ::

Sc ALQUILA.-Un hermoso almac6n
acabado de fabricar en- el mejor sitio
del Malecon, es todo de concrete, CON
puertas y ventanas de hero, mide 700
metros cuadrados. Sc arrienda todo
IN parties. Informara
Gonzalez Padin Company Inc,
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

;DzNERO!-Lo ganara usted a mon
tones explotando los magnifcos nego-
clos que ensena nuestro libro "Valiosos
Secretos Industriales". Pidanos inme-
'diatamente 'un ejemplar GRATIS.
Apattado 1872, Cayey. go
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

PARA vENDER-Hay varios carros
de bueyes, yugos, cadenas y una Gale
sa, en- buen estado todo, Y quien los
interese puede verse con D. Miguel
Campoamor en- Hato-Rey, altre del CO.
rreo, con Lopez G. Moran en- la Gale
Tnfanta Luisa Nuns. 4.-y 6, Marina
1J-n-a
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

SENSATIONAL! CRUZ DE MA
YO" exito de Carmen Flores y "MT
HoMBRE" cantados en- Espaiiol.
Ambas canciones en- ell mismo disco
por rs centavos.--"ISBA," Allen 80,
frente al Teatro Municipal.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

LA DEcIMA REMEsA de LOS Tres
Mosqueteros" y ell "93" acaba de recibir
Ia Liberia Campos, Allen % y Brau
35. San Juan. p. R. 60
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

AVISO.-Para conocimiento del publi-
co en- general, hago saber por Ell pre-.
sente que no reconocere cuenta nj do
cumento algunc que no sea autorizado
por mi personalmente. Marcos T. Ca,
neja. 9-13
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

soMBRERoS DE PAJILLA.-Hemos
rebajado nuestros precios. Procure en-
terarse antes de comprar otra casa.
c. Fsrsz Alvarez. S. en- @. San Juan.
n
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

cUIDEsE SU CATARRo, y controle
la tos que 1e moleste. Ell HYOTOLE
es Ell mejor preparado que Sc ha ideado
para combatirlo. 9-2l
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
PRENSA GRAFICA
ESPAEOF4A

ABC, eel Sol" LA Esfera," "Espa
ma" "Cosm6polis," "Nusvo Mundo,'
"Mundo Grafcc," "Hoias Selectas,@
"Blanco y Negro" "Asturias Graa.
Co." "ReYista Cervantes," "AlIeds
dor del Mundo," la Mods Elogans
Ilustraaa."
81 le iHteressn Vd. eEtaa revistas
Q algunas otras y dessa susoribvss
eomprar ndmeros hueltos, pida infop
mes al Telefono 10. e9S.
EIBRERIA NUEVA
Salvador Brau, bajos del Or.
Alvarez .caldes.
San JuanS Puerto Eico.
NOTA: = Los rsaidentes en- la Isla
pueden pedir ilformes Q ndmera
sueltos por C. o. D. al P. Q. Box 96l
FELIPE CAMPOS
7 Ae9;ag1M :. g
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
1Nv1ERTA sU D1NERo EN- soLA.

1NV1ERTA So DINER EN- SULA'
RES.-Vendo SOLARES muy atracti-
vos, diferentes tamaios, de contado o
a plazos muy convenientes. Informe-
Sc: Henry W. Dooley. Telefono $50,
San Juan, Tanca No. 2. Mencione Ell
IMPARCIAL. n-a
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29

KIOSKO "HIPICo".-Se venden re-
frescos, dulces, cigarrillos y periodicos
de todas clases. Situado en- la Plaza
de Hostos de Bayamon.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-08-29
ARECIBO, Puerto Rico.

~ Snbscribase a ''El Imparcial.'
New-York tribune., 1922-05-28
The Royal Academy
Conservative Show. With
Some Liberal Episodes
q, \TT, . WILL.
BY Ware 3. els

LONDON, May 5.-Thero are, an
English critic observes, many ways in
which you can write about the Royal
Academy, whose annual exhibition
opened at Burlington House this week.
You can treat it as Joke, for in
stance; but that has been a little over
done. Or you can praise it as the
great nursing mother of British art;
but that stamps you at once as a Phil
istine. Or you can abuse it as an or
ganized conspiracy for the discourage
ment Of original talent; but that again
has become a little ordinary. Or,
again, you can take it as YOU find it,
1t is, perhaps, by such a process Of
elimination that this years exhibition
has been gently treated by the critics
If there arc very few remarkable or
unconventi tional pictures hung, the gen
cral opinion is that this is not due to
the traditional prejudces or artistic
timidities of the Academy itself. but to
the fact that no great or adventurous
New-York tribune., 1922-05-28

delight in form creeps into his art.
tie may be naive, but he is aware Of
charm. He is aware of it in the visible
world, and. consciously or unconscious,
~, ne gets it into his picture. The
Flemish Primitive keeps his eve on the
object with passionate fidelity to
just the observed fact. Though the
Christ Appearing to His Mother" bv
Roger Van der Weyden is not without
spiritual elevation, its essential merits
are nothing If not tangible, the beau
ties Of craftsmanship rather than those
OF creative design. But the vividest
light thrown upon this subject bv the
Drelcer pictures is thrown by the por-
tralts, the Man With an Arrow" hv
Mem!lng, or the "Portrait of Monk
oy Roger Van der Weydcn With SUI
pero concentration these paintings re-
produce the niceties of structure. the
bony fabric underneath the skin. the
form OF an ear, the modelling in q
brow. TO pursue the matter compare
either Of them with the lovely profile.
The Infant st. John" by Piero di
Coslmo. In going from the north to
me south You are entering a new
world. In his drawing of the face and
halr Piero di Cosimo is urged unmis-
takahly by tradition. the Florentine
tradition Of beauty. Memling and Van
der Weyden are enamored utterly of
the fact. 1t is not subject that makes
the difference; it is the spirit of the
painter.
1T is an austerc spirit. not the spirit
OF the desert, not the spirit of religious
asceticism, but the spirit Of an art
resting with Northern matter of-fact-
ness upon what it could see and touch
and handle. And what of beauty The
beauty here is the beauty that comes
out IN magnificent workmanship, the
beauty OF the true "rectitude of art"
There is great deal that might be prof
ltably particularized in survey Of the
Dreicer collection. We are sorelv
tempted to 60 over its treasures one
by one, to talk about the beguilinr
sweetness Of Dome enico Morone's mir
ace Of st, Dominic or the kindred
quality In the two martyrdoms by
Simon Marmion, or the romantic glow
of Ell Greco's "Noly Family"-strave we'd
oddly into this company Of infinitely
more self-containcd and polished types.
Then there are the Gothic sculptures,
the Renaissance bronzes, and in a
place by itself, the glorious early six
toenth century tapestry. The room is
very rich. But the best clew to it's all
embracing magic is that at which we
have glanced in touching upon the SIM
PIE integrity Of the northern primi-
tlves.
1t includes. in the hrst place, sim
certy and truth. It implies firm
hold upon the facts of life. Then it
develops honest construction. honest
m modeling and craftsmanship. pure
color--in a word, the very life and
breath of good technique. A supcc-
New-York tribune., 1922-05-28

personality has expressed itself in new
or striking points of view.
There was undoubtedly within recent
times distinct danger that the Royal
Academy would degenerate into close
corporation for the benefit of "popu-
lar" painters, or those who conformed
rigidly to The accepted art canons of
an exclusive hierarchy. 1t thus ran
the risk Of losing the right to be re-
garded as a national institution or to
represent and reveal the natural
growth Of art in this country. That
Immediate danger is now past, thanks
to the infusion Of new blood and
more liberal spirit among the Acade-
nicians. There will be few-though
there certainly will still be some-to
dissent from the declaration of the
president at the Academy dinner Sat-
urday that it is now "endeavorirg to
encourage sincere effort in whatever
school it may be expressing itself, and
to embrace in our membership all who
have something to say that is worth
saying"
1t is a sign Of the new spirit In the
Academy that In Gallery XII, there are
collected together number Of more
"advanced" works. This is more than
recognition of tho fact that a new
New-York tribune., 1922-05-28
By Royal Cortissoz

na,etivities OF the art season have
.,.~,S down, but ,he Metropolitan
ys,sa, fortunately, maintains the in
,,..,sef the subject at concert pitch.
w,.. iprodigious cosmos It isl Some
.,;., always happening there. The
~, iay it was announced that Mr..
,.-s. +. Ballard, Of St. Louis, had
,us ,utright the priceless rugs which
,.r faced on exhibition last Octo-
"a, he Dreicer bequest, made a year
80 ss just been put permanently
:. rm. Among the Italian pictures
.,rs tow hangs a beautiful Carpaccio
,.shMr Kahn has loaned. In every
srrxent there is every month a new
u, Of gift or purchase to be re-
,,.aeI. As we have remarked before
Ii. suseum's Bulletin" must make
r.sl Eine reading for European cura-
.s.. They note our acquisition of a
ts-as piece Of medieval glass, or q
ss. iothic statue, or q French six
s,ati century cabinet, or a sheaf Of
nr ,rints. They see the tide fiowjne-
r..aii the Metropolitan's doors as II
ssrdiy ever flows within their own
|, is 10 wonder that they grow rest
l..s or that meetings are held in Eng
.l.i With view to bringing this tide
tt a pause. We have heard dealer
+, Masterpieces say that, personally.
!. would be glad to see the treasures
-. old historic houses retained in
i.ei: original homes. 1t is a natural
.s.ias, one with which everv disir+er-
a:sd lover os art must sympathize
Yst there Is something to be said for
:ae hypothesis that works Of art arc
tie true ambassadors Of culture. best
fulfilling their destiny in passing from
hand 10 hand, from country to country
sn''hins mems minds as they 90.
The thought comes homo to us with
particular force in looking at the
paintings and other objects collected
'y the late Michael Dreicer. They
,ave peculiar value as contributinr
70 the establishment OF sound ideas Of
sr- The arts they illustrate have al-
ready been we'll represented in the
museum but in their isolation thev
-ske q specially potent appeal.
New-York tribune., 1922-05-28
| he DreiCer Primitives

unobtrusively and hard. and their
work was frst of all good and next
beautiful, That, at any rate, was
the intention which the PAINTERS
guilds had in view-to secure good
and honest work on the one hand
and to secure just and prompt pev-
ment for it on the other. The guild,
therefore, intervened in the educn-
ton Of the youthful artist. The
lad had 10 be bound apprentice for a
series Of years to recognized mas
ter Of the craft, who from that day
forward stood to him very much in
the relation of parent to child. The
master was responsible for the ap-
prentice's education, moral and tech
nlcal. The boy lived under his roof,
served him at table, and about the
house. and had to fulfill his bidding
IN ell respects. The master. on the
other hand, was bound to give him
instruction in all matters connected
New-York tribune., 1922-05-28

fetal conception Of the Dreicer bequest
would define it as one Of ".nuseum
pieces" historical in interest 1t is
all Of that, but it is also much more.
It drives straight at some of the prob
!ems CT the present day. 1t exalts the
fundamental laws of art Let the
reader reflect for a moment upon the
influence Of that guild system on
which we have cited Sir Martin Con-
way. 1t involved a terrific discipline
ard it produced some Of the noblest
masters in the history of European
painting. Do not the pictures that
comm EN- crate it rebuke the egotism and
incompetence which modernism would
foist upon American art7 Do they not
recall US to ar ideal which is not, after
all, peculiar to the Low Countries Of
the Middle Ages, but which exhales
from the masterpieces Of all the great
sch ools7 The Dreicer Primitivcs are
10 be enjoyed for their own sake, simply
as so many examples Of beautiful paint
ing. Also they arc serviceable to US
as a corrective, tonic.
New-York tribune., 1922-05-28

after he forsook painting to devote HIS
entire tine to sculpture
The artist himself, who for the last
six months has been living in Rome
for the purpose os Attending to ths
casting Of some statues, canddly ad-
mitted that it was tho greatest disap-
pointment to him that Chopin's statue.
which is ready to bc cast. is still
stored away in his studio at Cracow.
The war has changed many things for
many people, but for sculptors who
Won competitions just before the great
event it has been disastrous. have
put oars Of work into ny Chopin
statue, which consider my dearest
possession, and by the change OF con-
d'tions the committee cannot yet ar
range for its casting"
The statue represents Chopin sitting
on bench listening TO the soughing
of tho wind through the willow tree
which stands to one side of the seat.
The willow is considered the typical
tree in Poland and according to Szy-
menowsti, the music Of Chopin is like
the music Of the wind through the
willo~. Chopin's music, he thinks. was
conceived when he first heard the whis-
pcrings Of tire trees. The plan Of the
original committee was to erect the
monument in the park at Warsaw, with
= huge fountain base underneath and
circle of willow trees as q back
ground. Ultimately there IS no doubt
that this scheme uill be worked out,
but It looks as if considerable tina
would elapse tirst.
New-York tribune., 1922-05-28

The City Club this time shifts to
etchings. Which perhaps Is an indica-
tion of the waning season. II is never
theless quite as interesting and well
arranged as the preceding exhibitions
in oils Several of the best known men
each has a little group Of character
istic subject. The largest Is the series
OF six shipyard plates by Frederick X.
Detwiller Made during the period OF
war stress they show the fervid activ-
ity incident to the construction of the
feet Of wooden ocean carriers. All are
quite monotonous in their gray ground.
Though broken by strong, formfull
technique they lack, however, some
thing subtle and binding. Mahonri
Young's mesa prints are distinguished
By their comprehensive observations.
THE Approaching Storm" more accel-
Grated than the Juniper Tree brings
out poetical qualities in the Indian
herd girl. The environment is richly
enunciatcd in broad landscape, low
ering sky and moving focks of goats.
Troy Kinney also is here with a group
in complete character. His dancers
always are spirited fragments. Such
is his prince Igor Another Special
list" is Frank ". Benson. His flying
geese and similar sporting subjects
have familiar and alluring appeal
even to tho uninitiated. There is life in
them and suspense. Other contributors
are Theodore Blum, who has Holland
series. Sears Gallagher and John r.
Barclay
New-York tribune., 1922-05-28
Great Inspiration
Out Of the North

ana the beginning Of the ffteenth CEN
Jury King Charles Y Of France.
r'o's' Duke Of Anjou; Philip the
nardy' Duke of Burgundy, and John.
luxe OF Berry These men erected
buildings caused tapestries to be
woven' ordered the illumination Of
manuscripts. commanded the carving
OF statues and the painting of pic
lures Court as well as church must
oe constantly reckoned with in the
New-York tribune., 1922-05-28
Chopin
A Monument to Him Modelled
for Warsaw
ROME. Mn 10.

Although it is ten years since
Waclaw Szymanowski, the Polish
sculptor, won the competition for
a commemorative statue to Chopin
to be erected in Warsaw, the comploted
work has never teen cast and it is
still in the sculptor's studio in Cracov
awaiting the decision of the Chopin
committee This competition WIS held
in 1912, just two years before the
great war started and sixty prominent
Polish sculptors entered their models.
The committee was an international
one, including Barto!cme and Ferrari.
The prize was awarded to Szymanow-
ski, then living in Paris. He had
studied in France and, as young
artist Of twenty-five, had won the gold
medal at the Paris exhibition. Soon
New-York tribune., 1922-05-28

Royal Academy is English conserva-
tism so clearly and convincingly dis
played. Now, as ever, it is the por-
trait Of we'll known face, the picture
which tells a simple story, that most
attracts attention. Painters who at
tempt to escape from tradition or who
insist on their own individuality be
fore anything else are suspect, BY the
public if not so much now by the Acad
emy itself
New-York tribune., 1922-05-28

.;.l -: >,
as reenons;b1o 80 S;a Sa' "tso leearueo
liCious education. That thie d,,tr
was seriously regarded is shown bv
Neri y; p;co c,.F rnt'S ~ III Ine mary OF
receiving an ornhan ss annron+;na
without premium: TO accomplish
.nIS cnarl'Y and for hlm this good.
intnntion .-'r oad ',,o dos spt' ltua! son WIN
virtuous and obodiont and +n +oani, ,,,
hlm TO live in the fear Of God
6o,.s '' ;,,al,,j' ',Ir+ii'p9 oi pa'hNhs IN those
The artist mad to know how to nre.
pare MS panel and what should be
We Ne ha5 '."'.ae . ana quality OF the wood.
on the coating OF fine nlastcr or
gesso, which formed the ground upon
aro mnicf 1"e coIors We're Land, The
f,rmncss With which i sdbnrod n,,~ '..e ~.
the wood We're important for the
qurao'hly OF the picture, Further.
~, i,e, Law, NV. ~ g nr'9N no" 20 MAKE every
for there were no artiet,s r,.+n,tai '.,1r
shops in those days"
An apprentice shin 1oc4o8 xo
five years, and even tho, tho ,.o.4L
emerged not as full artist h,,+
iourneyman To pass from, +be+ ,Ia.
to the rank Of n m9stor c~af+sro, :.
was necessary TO give tho or,o;n+od
officers of the guild abundant moot of
abilities, to take solemn oatbs of lo,
esty and to promise that tba oo
didate's work would be done ain w.
sight of God" And ever after A..
guild kept an eye upon it's member
no matter how brilliant he niob+ bo
His materials were watched over ond
when he made contrac. ba had ~
register it in the guilds books rbo,a
was no end to the laws and res+r;o
tions under which an artist f,,,c+;ox,l
in the Middle Ages. Sir Martin shoy,s
you the results in his analyses Of tho
Van Eycks. Roger Van dev Wovao,
Hans Memling. Gerard David and so
on through resplcndent LIST endinc
with Lucas Van Leydcn and pe.er
Breughel. His book js storod ,vitb
facts clarifying the records of +beea
masters Il contains noucb ;,,ror,,o.;o,,
and MANY snecestivc iuaomonts for tbo
specialist. But il we mention the uorL
here it is chiefly to commend il as an
Introduction 10 the oenjns oe eerlv
Flemish art TO its sniri+ as we'll as ~
it's documentarv annals
Tbore "a one rors ,.ssare ~ Cir
Martins hook which we NAV, c,+o :,
the Dreicor pr;n;t;ves
.Medieval art" he savs ",ika r,edi-
eval RELIGION. reflected every side of
life and tried to EXPRESS the MANY
moods and humors Of men. Just as
folk festivals and religious solennities
followed one another in the same
building, alike under SANITY and an
New-York tribune., 1922-05-28

duties The guild entered into and
influenced every relation OF the work
mans life, and it is impossible to
discuss any subject connected with
medieval industry without consider
ing the guilds.
"Painting, to the medieval mind,
vas a craft like any other. and was
therefore organized in the usual way.
A painter did not lcok upon himself
and was not regarded as person
teenth century painters lived like
other craftsmen, and were paid for
the work they did according to & fair
scale Of remuneration. They lived
for the most part simply, working
New-York tribune., 1922-05-28

At the Mich gallery the summer e1-
hibition is made up Of a diversity of
types. 1t ranges from George Bellows
in a strong portrait Of a child-to
George De Forest Brush, represented
on this occasion by one of his Indian
subjects, painted or an unusually
large scale The figure divides honors
with landscape Jonas Lie and Walter
Ufer, Gardner Symons and Ivan Olin-
sky, Willard Metcalf and Childe Has
sam, are among the twenty-five or thir
ty artists who exhibit. They leave al
together an animated and interesting
impression.
New-York tribune., 1922-05-28

more sympathetic writer on art
conway. He never puts himself
- MS subject. His purpose is
Sely to interest readers in the
&C. as Of art he loves. Incidentally he
!. yes Us with just the information
eAsoles US to visualize the old
Il. ss.efs and the conditions under
:, . 'hey exercised sheir remarkable
B. siArtin will tell you, for example,
- .ne outstanding patrons of art
'o~srd the end Of the fourteenth