davidaulloa/AmericanStories huggingface dataset:
The Bowbells tribune. [volume] (Bowbells, Ward Co., N.D.) 1899-1969, 1922-07-07

sHOft Ilme DoIore lie 4iluuAO
went to press yesterday:
with Frazier Poindexter, Ols-
ness. Harding. Milhollan and Me-
donnell, six Of the IL men endorsed
by the League certain winners, and
still chance Of Ave others winning
out, the supporters OF the League
and Labor ticket have every reason
to feel jubilant over the result, not
to mention the important victory
scored in Wrestling the control of
the lower house Of the state legisla-
ture from l. v. A. control and re-
tanning control OF the state senate. !"
The returns in the county have
not changed any since our last is
sue except to increase the lead of
the league candidates over their OPP
ponents. ALI league candidates en-
dorsed for county Offices were nom
mated with the exception Of one,
that Of county commissioner in the
FIRST District, where Mitchell lost by
some over hundred votes. How
ever, it is believed that this lead
can be overcome in the fall. Fol-
lowing are the complete unofficial
returns for the county. with the
exception Of part OF the Democratic
vote. This had not been completed
at the time The Tribune went to
press so we are only giving the total
Democratic votes cast for U. s. SEN
ator and governor.
REPUBLICAN
United States Senator
Lynn J.. Frazier, 1863.
McCumber, 115s.
Congressman
]. H. Sinclair, 1645.
Mcclellan, SOL.
Governor
Bert r. Baker, 1866.
n. a. Nestoss 1asz.
Harvey y. stegner, SO.
Lieutenant Governor
Erick IA. Bowman, l42S.
Frank HI Hyland 100.
Secretary OF State
III. H. Aaker 1859.
Thos. Hall 1247.
j. A. Hooker "a.
State Auditor
D. C. Poindexter 1853.
Henry C. Johnson 1101.
State Treasurer
Obert Olson, 1402.
John Steen 1884.
Attorney General
Peter B. Garberg 1923.
Geo. f. Shafer 1896.
=. j. Wehe so.
Commissioner OF Insurance
s. A. 0lsness 14S1.
Harry G. Carpenter 1887.
Com. Of Agriculture and Labor
wv. j.. Church 1872.
Joseph A. Kitchen 1131.
Siver Serumgard ~.
Railroad Commissioners
r. n. Granvald 800.
Fay Harding 1424.
G. b.. Knox s94.
G. w. Mcdonald 1861.
Q. b. McEkinnon 1906.
Is Frank .Milhollan 134s.
state Senator .
Ralph Ingerson 1414.
II. q. Holtz 124S.
The Bowbells tribune. [volume] (Bowbells, Ward Co., N.D.) 1899-1969, 1922-07-07
HARMONIOUS

tFrom stan Correspondent)
Miss Frances Dahl left Monday
morning for points Ia Montana
where she will spend the remainder
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

| The JktNjRAM
| symphony in A major, No. nBeethoven
concerto NO. a. for plano and orcNSstra
| Saint. Saens
Alfred Cortot
! Toro Poem. Don Juan" Strauss
Alfred Cortot was the soloist ut the
holiday concert of the Philadelphia Or
rhestra at the Academy yesterday after
noon, and the great French pianist
achieved another triumph in his rcndi-
ti0n OF the & minor concerto Of Saint
Saens. While the concerto IS not the
most musical Of tho FIVE Of the com
poser, still it is admirably adapted to
| show the special style of Mr.. COrtot,
with the crispness of touch which il de-
mands and which IS one Of his leading
| characteristics rs pianist, its grnat
! technical requirements and the variety
Of tone with which he invested II.
The concerto departs markedly from
concerto form. the opening being very
| like theme and free variations for
piano and orchestra. Throughout the
whole work Mr.. CortOt showed that he
is one Of the best pianiSts on the con-
cert platform today. the finale being
taken at terrific tempo and played
with great eXactness and clcarncss. 1t
does not give much opportunity for in.
tcrpr"tative ability. but 1t is typically
French in form and musical content and
Mr.. COrtots performance showed the
work TO the best possib" advantage.
The schcrzo-likc movement was cspr-
Cially well performed.
The concert opened with the beautiful
a major symphony of Beethoven No. I.
with its lovely alcgrcttO, one of the
| finest orchestral movements in the
symphonic roportOtrc, and IN It tn" or
rhestra did some of the finest playing in
tone quality and shading that it has
done this season. The work Of the
strings was especially good. In the trio
Of the schcrz". Mr.. Stokowski tried tn"
somewhat doubtful experiment of
doubling the trumpet parts, with the
result that III" Sustained tone Of the
four Instruments Ov"rhHlanCcd the
mclodir parts. Il carried ont in
NrtisSimo the sustained note "f III"
violins at the beginning Of the trIo,
hut did 50 with unusual vrh"m"ucc.
The whole s"h"rzU was played with
great life and vigor.
Tho closing number was Strauss
"Don Juan" which Philadelphia srcm-
destined to become well acquainted
with this season, as Mr.. Past"rnark
has played il with III" Philharmonic
and the New York Symphony Society
has announced it for its next concert
1t is the most m"lOdous Of the Strauss
tone poems, and was given Splrnhid
reading by Mr.. StOkowski. Tonight's
concert will be the last condurtcd by
Mr.. StokOwski until til" first concert IN
February as h" j. going abroad 10
conduct in Paris and Rome. At lcS-
terdays concert he asked for n cordial
reception Of tn" guest conductors.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
WaIdron Made Debut Here

Upon the stag" Of III" Grand Opera
IIous" her" ON Christmas Day, l>9G.
Charles Waldron mad" his first appear
ancc as n professional player; the star
upon this occasion was David Higgins.
und the play was "kiduupp"d. He
created the leading part in "Daddy
Long Legs" in New York. London ana
Australia and played in that comedy
for nearly five years. His p"ri"rln-
uncc in "Th" WNrrons of virginia. "
under the BriAsro banner. WAS another
Of his early sucrc>s"s. Sine" then h"
has appeared with Elsie I"rgu,pu. and
in many Of the leading metropolitan
successes. his last appearance" her" was
in support "f Allan l"llork in "A Bill
If Divorrcmcnt. His return with
Pauline Frederick in "lh" Guilty Onr''
at the Ad"pM Theatre signalizrs the
twcuty-SiXth anniversary "i hi, stage
debut.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
Mae Desmond in Farce

Ma" Desmond has selected the farce
Erwin H"dN' with which - welcome
in III" New Year and It will he pre-
>"ntcd at the Desmond Theatre next
week beginning with special matirer
Monday afternoon. this being in addi =
tion 10 tn" three regular mntinr">---
Tuesday. Thnrsday and Saturday. This
play IS by Margaret Mayo aud Salisbury
Field, The leading man will be Frani:
Fielder. and the east contains Louise
Sanford, Sumner Nichols. Dcrorrcst
Dawlcy, Betty Gnrd", Rcrnirc Calla-
han, John W. Lott, George CARLYLE
Rita Davis. sam &. Miller and the
other mcmhcrs Of the company IN con-
genial roles. In addition to these
Miss Nirgnia Fairfax. who played the
part Of Sign"ra M"uti, in Ill" original
producri"u for four years. has been
engaged 10 fill that role here.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

,nc whole play. "a fact not improbablcl
| but TINS would he TO confess, offhand
| mat INC Guilty One was intended
FOR hybrid and would make the talkl-
ness of IN" first act. in which there was
evidence of an attempt to present n
domestic problem, all the more culpa
bic. '''p"
In some ways, "rhc Guilty One" IS
~, 'idd"d example of the lengths TO
, Whi'h some playwrights of today will
go III order to fool the audiences. For.
alt"r all, and despite the splcndid net
| ,iE on tn" part Of Pauline Frederick.
oiirIeS .iEi l'nlton and Charles Wahron,
1, '"Ii| ,'he' is merely mclo-
"i''n, 'o,'in,. ana whatever suggestions Of
i"'f uraiiia, problem play or chnrnc-
Ter TtidN there may bc-tbcy remain
merely suggestions.
THE 'c"akncsses Of this pIoy oye nh
= N" morc unfortunate in rjcy nj 1,ios
frCdcri"h = lost chances. Thcrc nrn 90
m"hv roles rhich she coud piou M
gc,a.Nht"Hp Mat it seems shon,o to to
Wt"' hrr ba"k from the films to create
ms h'ghV SCnSiH:cd Londou ocutjc.
MoM'r. Uow mUch better she r0uid IL
Wf" hc roic Hdt Nrs. Fiskc ,r1s ,romt
10 PtaoV IN Langdon UMhcWs "TLo
Nc" ork fdca' Or some of me crcn.
..H .D"S ~ "hdt hare been spoken Of as
horSV "oncH which Pincro intro
""cea INTO MS earlier piuys!'
A tTER remarking that there is pre.
"A cious little difference in rcvucs
nowadays, it may he added thot botl
George Whites Scandals" and '.'rhe
Passing Show Of 1872" are cut after a
familiar pattern. Personally. we much
preferred h" former. which marked n
MlStiLrt advance over the others in
Whites series.
Ihcr" are none Of the cumbersome
IN" uhattractlv" settings. such as the
unh'nlt 'nnal scene of last years
Scaihals.' The ''Patcnt Leather For.
rest" tho Seas" and tho Nrrcn,iuc i
dance hall nre all unusually ortisticnI.
~ stagcd. and the ghostly appearance
OF girls in the coup Of Tea" number ia
neat handled. The "Cindorlatiye"
number. introducing hcroines from re-
cent musical comedies using that theme
was also good. Only tho comedy il still
lack ing. with W. c. Fields still using
much old material (albcit often FUNNY
and WinLic Lightner rather explosive
IN her laugh getting methods.
lho sooner rcvues discard those al
l"gorirnl and biblical prologurs which
seek to suggest n plot of some kind
witness III" Adam and Eve scene in
the Scandals" this year, the better
it will be. Revucs are revues and moth
ing morc-connccting links are mere
fifth wheels.
'Fhe Passing Show" has more humor
but far less good taste. The lIownrds
are funny in their habitual manner and
onc's enjoyment of the play must ynry
as ones fondncSS for these two come.
dianS. An original and amusing note
IS introduced by Fred Allen. who gives
all his monologucs before the curtain
and never minglcs with the other char. |
artrrs. The so-callcd ballet Les Com
QIcrant5' with its Oriental setting.
is both ovordonr and suggestive. The
Passing Show il fundmcntaly n |
dancing show" with the remarkable
Lokfords, who, even with familiar mate |
rial. are n source of delight, and the !
acrobat" Macliw"yS.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
Trocadero's New Show

"Th" Cay Masqu"radcrs" will be the
attraction at th" midnight SHOW, which
starts promptly nt L. :O2 tomorrow
might at the Troradcro Theatre and will
remain all week.
Little ,Incki" Fitds will BE- the big
dane" feature with "Thc Gay Mas
qurrulcrs.
chic fuuntnin. late Of musical COM
"dy and vaudeville, is Erima donna of
the coiupaul. while Sam Bnrhcm and
Al Turpi" are the comedians. COO
chic Ihrtin i til" "straight" man with
Babe Griffin aS ng"nuc and Anna Grant
rs SDrciuIlN SOIlhrCttc.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
ShCUs That Are Coming
to Philddekphia Soon

January S-"The Torch Bnarers"
George Kelly comedy, Garrick.
The Perfect Fool" with Ed
Wynn, Forrest.
sherlock Holiness" with William
Gillette, Broad.
january 15-"Springtime Of Youth"
with George MacFarlane, Shu-
bert
January 20-"The Dover Road"
with Charles Cherry, Walnut,
he Cat and the Canary"
Adclphi.
February 5-"Shorc Leave" with
Frances Starr, Broad.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
BEFORE THE CURTAIN GOES ZIP
Vas the banquet Made for To The LADIES' or Vice Versa?
Plight Of "1he Gully Ones' Autl,ors-Tyo Repues

more will
N footghs TO Philadelphia theatre week when ."rI
The other local houses viii continue with they had this week
follows; LADIES'
and bnnguctns; Ts Guilty One conma with Pauline Frecpik
Adeph blossom Time at the Lyric;
at the Broad; h Passing Show at the Sbu"rt md
Scandal the Forrest w WV '''''''' """
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
MOVZEGRAMS OF THE WEEK Z
Thomas eghan in Ade Story StanleyRed T,oo Thea
res-Tuelre Best Films of Year Listed-Oiher Necs

MFGIIAN Of
in
Home md Ike Adc story
at
the Paris"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
THE CRITIC TALKS
TO MUSIC LOVERS
By SAMUEL l.. LACIAR

TllE appearance next week of Georges
L Enesco, potentially and rerhap,
actually one of the worlds greatest
violinists, as guest conductor Of the
Philadelphia Orchestra, brings up the
subject of great instrumcntalists who
have also been great conductors. There
are relatively few Of them who have
achieved distinction in both fields. just
as there are few composers of high rank
who have been either great instru-
mcntalists or great conductors.
In cach of these great fields OF the
musical art the chosen branch appears
to be a jealous mistress and the person
who would succeed in any one must
give his whole time and attention to It.
There have been exceptions, of course :;
Bach was the greatest organist of his
time and one of the greatest in musical
history, and Mozart was the best plan
ist Of his day and could have been the
host yioliuist as we'll had he cared to
d,yotc the time to 1t. McndelssOhn was
n fine pianist, as was Chopin. and
Wagner was equally great as composer
and conductor.
But this pretty nearly eXhausts the
list of the great talents who divided
their abilities, and even Of these Mem
drlssohn and Chopin were far better
Lnnwn for their compositions than for
their intcrpretativc talents. LISTS rep,
ntotion as the greatest pianist Of all
lime still ovcrshadows his fame as Il
romnosrr, as does Rubinstcin. although
rho compositions of List are holding
their own fairly we'll, while Rubin<tein
IS losing each year in he field in which
Io most desired TO excel.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
WAGNER was probably the greatest

w OF all tnN" NHo poth '''i"' ''' 81
grca, deal and who composed music
! Of the first rank. But 1t might be OBJ
served that Wagner can scarcely be
called an instrumcntaltst, as he played
no INSTRUMENT we'll enough ever to ap-
pear as soloist.
HAYDN and Schubert We're also in
different performers. in 30 far as public
onneoralces are concerned and Srhu-
mann had to rclinQuish his dream of
bcinr n uiano virtuOso after hc injured
his hand an injury which worked great
good for the music Of the world. Ree-
ihovcn was fine pianist, but gave
littIr attention TO prrtOrmnn"" in ms
zrol for composition, and Berllo%. lin"
conductor, never played any Instrument
except the guitar.
Thus the history OF the art shows
that conductors do not have 10 be
urrformers on any instrument. although
they must understand the possibilities
Of all instruments of the orchestra al
most AS well as must the composer. Nh"
conductor must hnOw the character Ot
tome Of every instrument all over Its
rrrisicr or he will not know whether the
performer is producing the best effect
possiblc with the music.
DTT the qualities which 60 to make n
- great conductor are NOR" far
reaching than even the mnStrrN Of an
instrument; or perhaps ii might be
more accurate TO SAY that il demands
n different kind Of talent. The power
of grnspmg the real meaning If Il fine
composition and that underlined abiI-
iIy to give life to music belongs 10 all
great conductors and interpreters alike.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

/ THIS IL the sccond time that George
l. Adc has written directly for the
screen. The lIoosicr humorist's first
effort was "Our Loadih' titI2cn,
which appeared during tho summer and
attracted favorable comment.
J "Bnck Home and Broke" tolls Of q
chap in small town who is saddl"d
with his late fathers debts and, be-
cause Of them, is ynubbcd by all his for
mor friends. lie quits his job in III"
local factory. goes West and makes his
fortune. but when ne returns. in pur-
suanrc of Il carefully laid plan of re-
vcngc, b." prctouds to Be "back HON"
and brOkc,' except TO the one little
girl who had remained faithful 10 him.
Supporting M"ighnn IN "Rark Home
and BrUkc' are Frederick Burton. stag"
and screen character man; Florcnc"
Dixon, Lila f.o" Cwho appears in more
pictures than probably any other lead
ing lady of the scr""n). Cyril King 'r"-
Gently socn I'm several Charlotte Green
wood succrSScsD, Gertrude Quinlan
lulao stage lightl. Charles Abb" CwhO
appeared with M"ighan in "Cappy
Rirks'D, Richard Carlyle (an. old
matinee idolD aud Lawrence Wheat
,Who I'm his several appearances with
M"ighan, ha~ marked himself as a
screen personality Of real forcol.
If there has been any film star who
has mad" more appearances during the
last year than Mcighau "" cannot place
him, In addition 10 "a Prime" There
Wa,' 'la~t holiday time. there W"r"
"Thr Bachelor Daddy, =" "Our Leading
Citiz"n.' If Ynn believe It, It's So.
Tomorrow and the present vehicle.
WE WERE saying last week that tn"
w screen seldom permits of middle
aged stars ar oven those approaching
maturity. Next weeks f"atur" AT the
Karlton has an exception in tn" person
Of Lewis Stone. who has continued
steadily and porSist"ntly t" present
carefully thought out and often brilliant
performances. In -"The Dangerous
Age he is seen as a man married long
enough to have passed both tin and
crystal anniversaries and perhaps the
china on", but not long enough {" have
settled down with Comp."t" content.
"mm">hrd in an "affa!r' which comes
cInS" 70 having SrrouS results.
Ruth Clifford, Edith Roberts, Cl""
Madison. Helen I.ynrh and Myrtle
St"adlvau represent the fcUiiin" con-
tug"nt in "Thr Dangerous Age" and
amonS the men in Ia" east ar" KichNrd
TUrk"r. Lincoln St"uLmau. James Nor
rson ,an old Nitagrnph star whCEic-
S"rv"s I" be- starred right along aud
Edward Burns.
r. YHERE is any STIR trho has Gp-
1 rcqrR m0rc oifCn than N,iqhau.
\ ItI
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

Moi'LkN conductors have ,uu,lr :,
Az study of ID" art of 'playng ON thc
"r'hcstrn, and this is Il dnv"Io,mnmt
Of III" last thrr"-quartrrs of n crItrrv
= !" me Inn. when the orchestra
o"iI,l"S,,.onS "t ii""'hoov"n. Mozart and
"ln"r classic masters began To i. n,ti.
mated At their true worth, n rorro,.t
performances WAS about all that wns
Hrmandcd or expected by an auIienrr
Now absolute correctness of rerforn,
anc" must be had before the real wnrk
OF orchestral rchcarsals starts. - "
WITH the ndveut of later mnstors
especially Wagner, Bcrl!oz nnj
hrannS, h'tI ,.'!1I ana stlll later. Strauss, De.
new idioms were placed brforo tr"
players and technical Difficult los b.fnrr
unheard Of appeared on every rac. thn
G"vrI"rmcnt OF both orchestra and com.
ductors Increased very rapidly.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30
TlUeLUe Best Films
of Passing Year

"Nll for n Woman"
Bond Boy"
&c .,i~,uCr.
Eternal Flame"
Enter Madame"
"lirandma's Boy"
Loves Of Pharaoh"
one Glorious Day"
Ituiing Passion"
"SherlOCk Holmes"
"Smilin' Through"
"TOl'ablo David"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

But there is some difference. also indc {.
Unable. by which it does not follow that
Il pianist who can do this thing with.
say, the TsChaikowsky concerto could
give an equally good reading OF on" Of
the symphonies of the same master.
Indeed the weight of the evidruc" of
tn" years is that he could not do it.
Therefore It do.s not matter much
what instrument Il conductor studied in
his earlier days, or, for that matter.
whether he studied any; this will not
have any effect upon his conducting.
If there have been more piuniSts thar
viUliniSts who became fine conductors il
was circumstanc" and not n reason
And. in this connection, it is worth
mentioning that perhaps the greatest
Magnerian conductor who ever lived,
Hans Richter. played the French horn
and was. with Franz Strauss, the father
of Richard StrauSS, the greatest player
OF that instrument of his time. OF
course Richter had the incstimublr adj
vantage Of being associated closely with
Wagner during tn" composition of some
Of his greatest works; bat. nrvcrthc-
less, he had the conductoriul talent TO
Il high degree.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

RCT, as has been said, the art Of
- conducting, while it has many of
the same requirements as that of in
t"rpretation. has some salient differ
"nccs, and It does not follow that be-
cause man can do one that he can
d" the other as we'll or even modcr-
atoIy well. The powers of intcrpreta-
ton of a conductor have Increased
tremendously in the last few decades.
largely because of the immensely in
creased virtuoSity of tho modern or
rh"Stra. which enables the players to
give exactly what the conductor de-
mands. but more because tn" art Of
conducting has been made the subject
of intensive study.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-12-30

0F TIE conductors Of our own roun-
" Try and time. DamroSrh. Gabrilo.
witsch and GaLz are pianists. although
the two latter are far better known MS
performers than rs conductors. Mr.
Damro>ch. while a pianist, was brought
up by his father as Il conductor with
the intention of succeeding the elder
DamroSch as leader Of the orchestra,
which plan was carried into effect
Mr., Stokowski, as Is we'll known. IS a
fine ors0niSt. an instrument from which
relatively few conductors except Sir
Horny Wood have graduated Of the
other conductors. Mr.. Mont"Iy is n
violinist and Mr.. Stock, of the Chicago
Orchestra. was viola player in that
organization under ThcodUr" Thomas
and assistant conductor un'll he sue
Cc"d"d to the baton himself ON the death
OF Mr.. Thomas.
Among other famous conductors who
are we'll known in this country, Won
BuI0w was tine pianist, one Of the
greatest Of his generation, and Gustuy
MUhl"r and Emil I'aur. both Of whom
conducted in this country. We're also
plHnlStS of NOR" than ordinary ability.
Saint Sa"ils, who also did much con-
durtlng OF his own works and those
OF other composers as well, was an
other splendid pianist and was almost
equally we'll known as an orgauist.
M"ngrbcrg is also II pianist.
bf earlier generations, Weber, Mem
dclssohu. Rubinst"in, LiSzt and Mpttl
are among the great conductors Who
were piuniSts. While among tine violin
players VIII" have became famous It's
conductors wrr" Spohr, lIclmrsbrrgrr,
NikiSch, Theodore Thomas aud Rich
ard Strauss, although the latter Is now.