The Morning Tulsa daily world. [volume] (Tulsa, Okla.) 1919-1927, 1922-05-21
JAZZ GOING OUT,
PAVLOWA ASSERTS
coNrINurD rRoM rA0n ONE,

!
partners shoulder. while looking
too spiritual TO think of anything
as earthly az good. PaViowa claims
To be very fond OF all kinds.
you know we Russians love 10
eat" she flashed out when aske a
about her adolescent figure. But
! weigh myself every day. Just now
| weigh more than | should. One
hundred and sixteen pounds is 1ust
right. II | am careless | will weigh
l20. That is too much"
Pavlowa laughingly says that
when she arrives IN Italy she will
bay moro shoes. Her mania for
shoes seems to be well known, fer,
In addition TO the pink satin sandals
which occupied lounge, chairs and
dresser, there are said to be several
trunks fun which the dancer carries
about with her.
"But shoes are not what they
were before the war" she reiterated
again and again. as she tried on
pair after pair, poised herself on
her toes and glidcd round the room.
They are more expensive and not
so well made,
"After buying shocs I'm Italy, I
shall go to Paris TO look after my
Is children" she announced
This startling announcement WAS
followed 10y the explanation that the
10 children are little Russian refu-
gees whom she Is caring for and
educating. II Is not Nine. Pavlowa =
intention TO make them dancers, al
though she SAYS she shall allow
them to choose their own futut g
work. After visiting with her chill
dren, she and her husband, NJ,
d'Andrea, will go to their London
residence.
Hard Work as Wonder Worker.
For the life of the dancer, this
artist has but one hard
work" She claims that she is never
| 80 happy as when she Is rehea rsiu 3
and working out a new dance That
/ the finished production is not nearly
| the fun, because it does not keep
/ her stralning after something which
| during rehearsals IN usually elusive
| Working on new steps, improVisiag
new dances, studying musical ad-
| aptations for original hallets keeps
| tho danseuse busy most of her time
Those calm brown eyes are looking
| for truth. And after watching the
| perfection OF this distinguishe d
woman's performances, 10 is safe to
| say that she has gotten pretty close
| to H. Her fJstidiOus working out
| OF details, as well as the things she
| does not do, make for the perfect
whole. As she said of her muscles
when asked why she did not have
tho ugly ones Of most professional
dancers;
Perfect control and relexatlon.
l have gone TO many of your ply
| steal training schools through
America, and Il IL always the same.
They develop too much the muscles.
| They do not properly teach relaNa-
tion and perfect control of the BODY.
That IL important, You see, / have
muscle" doubling up her thin white
arm and thrustlng IL forward. bat
II Is because | know how to control
1t and relax that Is why 1t is not
ugly"
But the art which Is Pavlowa =
inspirational. AZ she says, It comes
20 her In sad moments. as well as
in gay ones To her all experiences
give her something which she care
fully molds into her work, Sitting
there, alone In the small, bare dress
ing room, she had been planning
and thinking about future dances
| nondering how she could make more
| perfect the new dances she 10 pro-
| posing to give her public Fol
America, with Its mixed peoples, she
sees the dancers OF tomorrow
talented, serious, Intelligent work.
ers, not straining automatons with
out education or purpose. As Rua
sia rShas developed her school o!