davidaulloa/AmericanStories huggingface dataset:
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
CONSTRUCTING UN DEsIERTO
PARA FILMAR UNA PELICULA

No Sc pudo llevar la compaffa al
Sahara y por este tuvo que adaptarse
|un desierto un POGO mas cerca, un de.
sierto no a muchas millas de Holly
wood, pero ST 10 suficientemente ais
lado para crear la atm6sfera de tai
|lugar. Este desierto artificial 10 hizo
George Melford, una efectista Y mara
|%vilIOsa imitaci0n de la gran lTanura
africana que sirvi0 para tomar las
~escenas de la pelfcula titulada "The
Sheik'' adaptation hecha por Monte
Katterjohn de la novela del mismo
nombre, escrita por e. NJ. Hull, en- la
que aparecen como principales inter-
pretes Agnes Ayres y Rudolph valen.
tino.
va tuvO que TRAFALGAR ell director de
la localidad para ''establecer'' un de-
|sierto Appropriate. Por fin, ell desierto
"sali6" gracias a las ventajas que ofre
zee ell SUI de California como centric
~lpeliculable en- que Sc puede encontrar
cast TODD 10 que Sc necesitaBa en- un
radio relativamente peque1o.
Ell desierto escogidO fu6 ideal....
pero carecfa. de oasis, y ell verdadero
l"jeque", para ser fe1iz, claro csta
que necesita un oasisA No es como ell
camello; no puede estA una semana
lsin beber nj conner; ell "Jcse" es un
hombre de carne Y hueso, bien> gae,
por SUI temple exceptional, sea resis.
tente a TODD linaje de contrariedades,
! En- tai desierto no habfa una sola
palma indicadora de un refrescante
! oasis, pero Ell director t6cnico, que co.
labora con Mr.. Melford,-Rudolph By
lex, ayudado por MI. Meighan, un ex.
perto constituencies encarg6 de lie.
vantar un ciento dc palmeras de per-
fecto aspecto natural. Como que en- la
Pantalla lutheran engafado al ojo
mas descOntentadiz0 y a los mismos ca
mellos nativos del desierto. De este
modo, con palmeras Y tiendas, qued6
"plasmado' ell oasis, y a partir de en-
tonces Sc comenz6 a filmar la p~elfcula.
Todos los actores que desempeharOn
papeles principales, asf como las par
ties 'secundarias, Sc trasladaron al de-
sierto IN grandes omnibus. .Todo Dofre-
tcfa un aspecto de arte y de eficiencia
notables; habfa ALI grandes tiendas
de tcampa1a que servirfan de comedor,
de %cocina, de guardarropa, de dormito-
rios y de, cuartitos tocadores. I'm buen
nimero de c~abalgadores, arabes arri-
baron tambien a este Sahara eran
cowboys barbados, en- estilo de cara.
wanna, jineteando sObre briosOs corce-
les y en- verdadero caracter. No fall
taron muchachas de tOdos los tipos y
edades para representa- como acompa-
hamiento de la banda de musulmanes
n6madas. fai 2,
Dato curioso: Algunas de las esce.
mas que sc filmarOn %abarcaban tai 'ex-
tension de terreno, que el director Mr..
Melford tenfa que galopar de un lado
para otro' para dar sus i~nstrucciones.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
MAY MCAVOY CAST MAESTRO DE
ESCUELA

Algunas escuelas y colegios llegan a
tener fama international por los hOm-
bres que han sidO educadOs y gra-
duados en- sus aulas, cOnquistandO ia
ma mundial para ST propios y, de re-
fleio, para los planteles donde Sc edu-
caron. La Universidad de Harvard al
canz0 SUI fama porque en- ella sc edu-
CO Roosevelt; la de Yale, porque allf
fue graduadO Taft, y la de Princeton
por haber %estudiado y haber sido gra-
dutado en- ella Woodrow Wilson. Y aho-
ra la Escuela Normal de New York
obtendra tambien fama por contar en-
tire sus estudiantes a dos celebridades
femeninas, las cuales balancean la
cuenta masculine del Mayor.
La Escuela Normal neoyOrquina,
sea dicho de paso, fu6 ell ''alma- mater"
de dos mujeres de la ~cinelandia, dos
artistas verdaderamente populares y
de gran talento: Elsie Ferguson, de
la Paramount y May Nc Avoy, de la
Ts STINT
Realart.
Hace solamente tres amos, Miss Nc
Avoy inteptaba, como cumbre de sus
aspiraciones, llegar a ser p~rofesOra en-
una escuela elemental.
"Poniendo a contribution todos mis-
esfuerzos, Ilegue a ensefar-dice Miss
NFaA vow n eng opoi0oc VI nooo q nooo
me fuf dando cuenta de que no ihabfa
sido hecha para catedratica, decidien-
dome. durante mas yacaciones, a me-
terme en- eI mundo de la Cinematogra-
fla"
"Al primer director con ell cual me
p~resente, no lie guste NADIA. Sin expe-
riencia ma ' no IN gran tipo-me
contest6 cluscamente-. Pero 70 no
ceje !; seguf solicitando y por fin pude
tomar parte en- la Interpretation de
una pelfcula anunciadora de una muy
conocids marca de azdcar, donde hu.
be de aparecer como principal par.
tie. Mi papel representaba a una mini
ia con Ell pelo suelto por la espalda.'
"a partir de ~entonces me novieron
papeles. Rrimero era la hermana de
alguns@durante una larga serie de pc
lfculas; despu6s ia otra esposa" q
mujers o Ago asf, y iuego enfermera,
Conste que he aparecido ~sirviendoles
de ,enfermera a cast todos los actores
mas guapes de America
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
NoCHE DE REYES

Tiende la noche SUI manto;
duermese ell niho, afanoso
de que llegue presuroso
eli vecino amanecer.
Ha llovido, y en- las GALES
hay salivazos de plata;
la luna su luz desata
que ha empezado a fulgecer...
! En- la bruma Sc perfilan
tres siluetas fantasmales:
son tres majestades reales
de un RENO que nunca fue;
: va avanzan lentos. y graves
sobre sus cabalgaduras,.
sin que huellas de herraduras
puedan notarse despues...
Filtranse por las paroles
los tres reyes, y, al momento,
va estan en- ell aposento
donde ell nino duerme en- paz;
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
LA SORPRENDENTE .ACTIvIDAD
DENALICE BRADY

Miss Alice Brady, la estrella de la
|Realart, IS una de las artistas mas
trabajadoras del mundo. BESIDE hace
bastantes afos ha podido simultanear,
siempre con exito creciente, sus dos
parallels escenicas: la del Teatro y
la del Cine, Y muchfsimas veces, dis
poniendo solamente de una semana de
vacaciones entire pelfcula y pelfcula,
Sc ~presentaba de nOche a trafalgar en-
eel teatro.
De continue es so~licitada, dentro Y
fuera de New York, paIa aparecer en-
beneficios, recitales, fiestas de carload
" muchos otros a0pntecimientos tea
.trales.
Hace POGO, duranre una semana, rea-
liz6 ell siguiente record: Mientras fl
maba la pelfcula titulada '.The Land
of Hope, aprendi6 Y representa- Ell
papel dramatico que Sc lie encomen-
dara IN una tragedia en- un acto pues.
ia en- una function especial dedicada
a una Sociedad Caritativa de Mule
res. Ademas, fu6 miembro del Comit9
Organizador que di6 un gran banque-
tie y una animada reception en- uno
de los prineipales hoteles, y, por fin,
asisti6 a una junta de productores y
distribuidoresi de pelfculas en- ell Ca
nada.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07

Besanle la casta frente,
y, aunque Ell nino esta dormido,
Insin1anle al dido:
use bueno y feliz seras".
Luego reparten ufanos
ell tesoro de juguetes
que los nocturnos jinetes
traen de no Sc que region;
Y, asf, van de casa en- casa
viendo, va faces risuenas,
en- los ninos, va las senas
de alguna tribulaci6n.
Alborea la mahana;
rielan los dormidos lagos
y Sc van los reyes magos
al paso de la Illusion.
Despierta ell ave en- su nido
cantando trovas de gozo
y con placido alborozo
~iuega la infantil legi6n...
E. Perez Rios.
Catano, P. R., enero 4, 1922.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
PENsAMIENTo

Ser honrado, ser amable-ganar po-
co y gastar menos; hacer, en- suma,
una familia mas feliz para su presen-
cha; ~renunciar, cuando es ~necesario,
y no amargarse; retener algunos ami
gos, pero en- las mismas cehudas con-
rdiciones-he aqui una tarea para Ell
.hombre de resolution y delicadeza.-
Stevenson.
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07

Naci0 en- padua, ell "a de febrero de
1912.
Ha sido poeta, soldado, ~novelista,
editor, libretista, composition de mf-
sica para teatro.
Su padre fue un pintor, nacido en
Italia. Su madre vic la primera luz
en- Polonia.
BESIDE 1858 hasta 1862 sigui6 estu-
diando en- ell Conservatorio de Milan,
de donde lie despidieron por conside-
rarlo inepto. s
De 1S6O-a 1862 compuso dos canta-
tas en- collaboration con .Facio: I'll 4
di Giugno' Y lie Sorelle d. Italia.
A c~onsecuencia del triunfo obtenidO
con tales trabajos, ell gobierno lie ia
Icilit6 recursos para que Sc dedicase "a
estudiar, durante dos amos, en- Paris
y Alemania.
Boito, a indication de su hermano
Camilo, que era arquitectO de nota,
pens6 mucho an.as que Gounol en-
trasplantar a la escena lfrica ell "Faus
to-, de Goethe.
En- Alemania comenz6 Boito a sen.
tir n admiration profunda por Bee.
thoven, a quien Sc teufa en- POGO apre-
clio en- Italia. !
\AAxrigo Boito Sc consagro al perio'
llonia, donde bosquej6 ell texto y la
Imtisica de "Mefist6feles". Dicha 6pe
ra Sc estren6 en- la Scala, de Milan
en- 1858, despu6s de %cincuenta y dos en-
lsayos. No estaba bien terminada, J
este, undo a que Ell publico milanes
hallabase adn bajO la impression ha.
lagiiena que ell "Fausto" de ,Gcunod
lie habfa %producido, origin6 Ell fraca'
so de "Mefist6feles'.. La obra, silbada
lestrepitosamente, di6 motive a tumul
tos y duelos, raz6n por la cual ell go
El Imparcial. (San Juan, P.R.) 1918-197?, 1922-01-07
CANCION DE ORC

Els fuerza que olvidemos por un solo momento
Ell obscure ~proposito de- este vulgar y lento
Vivir de cada dia... MAS vale no pensar!...
iEsta la azul mafana buena para sonar!
He baiado al jardin. En- mitad de la fuente
Agita sus melenas ell surtidor sonoro
Con ell Juror de up bello satire adolescence.
Ell sol canta en- las hojas una cancion de oro...
-
La brisa de los campos, cariciosa e inquieta,
Juego con mi moderna chalina de poeta.
Sobre la rosaleda, su Garcia amorosa
Sc desmayas y deshoja un beso en- cada rosa;
Cercano trina ell Pajaro Azul de la quimera;
Y, CON sus ninfas graciles, la egregia Primavera
De Botticelli pasa a traves del CRYSTAL
De mi ensueno, que es orc y rocio matinal.
ALA, sobre las Tomas, pacen tranquilamente
Las reses, i~mpasibIes a la! fresca y sonriente
Claridad de los cielos Y poesia de la bora.
Y AGA, en- la hierba humilde e~mpapada de aurora,
Mueve ell lagarto verde sus diminutos ojos
Y hay mariposas blancas y escarabajos rojos
Entire las campanillas. Rencoroso y BRAVO,
Ell moscardan Sc bana de, sol y de rocio
Y la fragante brisa, allegro y cariciosa,
Vuela, susurra y prende un beso en- cada rosa.
Por ell camino, lleva una moza aldeana
Todas las peregrnas gr&cias de la manana
En- sus ojos foridos Y en- sus labios de grana.
Sus senos me parecen, con su temblor paganos
Racimos pasionales que Sc hanan a la mano,
Y, viendola cruzar ell canine, palpita
Todo 10 que hay en- mi de macho sibarita.
RE la azul manana de ORC y de CRYSTAL
: Y ell alma, en- una analoga claridad matinal,
Sc LENA de armonias.. En- mitad de la fuente
Agita sus melenas ell surtidor sonoro
Con ell Juror de un belo satire Adolescence.
Y ell sol canta en- las hojas una canci6n, de oro...
J. 1. DE DIEGO-P
Every evening, Wilmington daily commercial., 1922-12-14

suspccting wife, for all the part Is
worth, and I'm going to take Claire
Foster with me II sb be'll go. And-you'rc
going To play up 10 me every second ot
the time until we're safe from spying
ewes. After that don't care what YOU
do. But you certainly owe me that
much"
Before | had finished speaking his
hand and body had relaxed their angry
tension, and he had slumpcd down into
his seat. But there was n long minute
of palpltant, potential silence before hc
spoke.
"Of course, you're right" he said AT
last, and there was no anger IN his
voice, only note of weary bitterness,
which, quecrly enough. sent n tiny APP
prehenSive thrill through me. "lou al
ways are. And I'm an abysmal brute, IA
Gadarcnc swine, and all the rest of It.
And Ill play up all right-both IN public
and private. You need not fear. any
further annoyance
Madge Is Appre hensivc.
let 20 his hand and sank back into
the seat with n pcrfunctory Thank
you.' To my surprise | found that
was trembling rs from chill though
| was warmly wrapped, and the night
was not especially cold. ! could have
uttered nothing else calmly If my life
had depended upon Il.
For though | was secretly clatcd at
my victory, there was that IN Dicky :
bitter, weary tones which vaguely
frightened me. | realized that | had
been bit intoxicated with the hcady
| draught which the words Of Mr.. Rlckett,
the reporter, had given me.
lie doesn't know whether she cares a
button for him." Mr.. Rickctt had said,
referring to Dicky, and he also had
praised what he called my marvellous
sclf-control. With the clarity which a
sudden Jolt sometimes gives. saw that
the fabric of my just resentment NJ
( Dicky had been heavily embroidered
with fanciful ideas OF living up to the
picture Mr. Rickett had drawn of me.
Had I ovcrdonc itP My mental eyes
were clearing. and | knew that while
my cold wrath against him was still
strong within me. vet | did not wish To
give him n wound which would not heal.
But there was no rCtraclng my steps
now. had committed myself to the
role | was playing and | must 90 on
with u. And there was no opportunity
for any change in my attitude, for IN
the next minute Or two. the taxi turned
into a driveway and drew up hcforc the
lighted door and windows of large
house, evidently our destination.
Go be continucd.)
Every evening, Wilmington daily commercial., 1922-12-14

did hc carry basket to put tho apples
IN. No. Mr.. Porcupinc had "a bot
tor WAY. and II MIR Fox had known
about his manner of carrying applc>
he would not have gone home with
AN empty basket again.
But he didn't and 80 when some
time later he arrived at the orchard
with a hig basket on his arm he nearly
fell of the wall where hc had lcapcd
10 Jump down into the orchard.
Gong through the orchard, Mr.. Fox
saw what looked like a pile OF apples
walking. Tie rubbed ms eyes. for he
thought he must have fallen asleep
and wa dreaming, hut he wasn't tor
the apples moved farther oft every
second and Mr.. loV gave himself "a
good pinch, for he knew he WAS wide
awake.
lie took ono moro look and then be-
lcapcd down on the other side and ran
homd aS fast aS he could
He almost fen into the house. but
..- viic gave hm no chance Co cN-
llain hiS fugh. thc was 80 angry about
.hc empty basket.
Il suppose Mr. Dog WAS watching
The apples a. we'll a. the poultry. she
~aid with flashing ewes. You lazy icl-
low Never did body have such 90
worthless creature for a husband a-
] have.
Here I have been waiting all this
time with my oven piping hot 60 por
those pics into and YOU come home
without AN apple.
/ Here Mrs. Fox stopped, for. LOOKING
out of the open door 10 was daylight
now. she saw the very sigh; that had
scared her husband
"Oh. Mr PorcuUinc. called Mr.
/ Fox ma her sweetest tones. what love
/ Is apples YOU have. Are they Tor sale.
/ | do want an apple for my break
fat and Mr. Fox could not tnd any.
/ Mr.. Fox stared. for there was Mr.
/ Porcupnc h.s back covered with ap-
pies which he had picked up with h.
spincs or Quills lie looked AS Mr.
Fox had thought IN the orchard -liA,
a walking pile OF apple
Why no, / wont sell them" NJ
Porcuplnc replied TO Mr. IoN', que
tion. Just help yourself. ] CUES
have more than ] shall use. but II %
Just a. easy 10 pick up a lot as a few
All ! have TO do Is 20 roll over an,
! the Quill> do the rest
Mrs. Fox helped herself and thankc,
him for ms kindness and off started
Mr. Porcupine 70, home, but Mr.. 70,
was over ms scare and his curio,i,r
got the best Of him. lie ran after Mr.
Purcuplnc.
Look here" he said, what ! wan
TO know is how YOU are going 10 GO
iho-c apples of You can't reach benin,
YOU
Come along and scc," snswcrcc,
Mr. Porcuplnc.
II Mr.. Fox had been surprised be
fore lac was still more so when Mr.
Porcupine reached his home, for h'
craNlcd under rail fence close 10 hi
house and of rolled the apples as h,
crcpt under
MIR Porcupine shook his quills witt
laughing as he picked up the apples
i guess now ! know why he had az
empty basket. lie must have seen mt
leaving the orchard and thought Ia,
goblins had got into the apples"
Every evening, Wilmington daily commercial., 1922-12-14
WHAT MADGE COMPELLED
DlCkH TO AGREE TO DO

The feline side of me, hidden some
where IN almost every woman-and
IN many men, FOR that mattcr-was
punlsh,ng Dicky Tor the humiliation he
had put upon me that II had dulicd my
generally lively realization OF my hus-
bands hair-trlgrcr temper.
hut my perceptions were suddenly
sharpcnod when, at my langud request
,o spare me the details oi his explana-
t,on, he muitcrcd savage cXccratlon
and thrust his white, tense face close to
mine. hls ewes blazing with anger.
go. that's the way you're going TO
perform, j. it," he snarlcd. We'll, two
can play M that yamc' I've tried TO he
decent about u. but I'm through. III
get out here and walk back 20 the near
cst railroad station. and YOU and Claire
Foster and every other woman IN the
world can 60 to the devil
lie leaned forward and raised his
hand to tap on the glass separating us
from the taxi driver, hut with an agile
movement aud "A strength which | did
not know possessed graspcd ms
hand Taking advantage ot his sur
prisc and ms crampcd position, forced
nrky hack into ms scat, and leaned
over him m such manner that he
would have been compelled 10 push me
Violently away IN order 10 reach the
glass again. Then spoke. slowly, lcily
with some genuine anger and much
more that was assumed IN my voice.
or Course. You're Right"
y ou'vc tried to he decent about. II y
I repeated You've tired To Ec de-
ccntl Mud you're through? No, you're
not You r. gong to listen to me for =
minute ar two didn't get YOU into
this scrapc. and | don't care a button
about u ono way or the other except fol
enc thing For our boys sake. and your
mothers and my own. ] do not want any
monc publicity about 1t than We have
had You sent for me, and came, not
because YOU sent for me. hut because
saw that m no other way Coul l StoI
this fool thing being aIrcd all over thi'
scction. The reporters were already ~
the iob when left, and are on the roaC
90 the resort now.
And lei me tell YOU now ! went or
~ swiftly he had no chance to inter
rupt. you're not going rs Spoll my
plans with anger. because | don't play
the patient Gri>clda and listen 20 YOU
explanations 3 uiay that role IN pub
nc. hut not m .'". than X YOU. IN
going 10 dcpc; ,rc loving. guileless; un
Every evening, Wilmington daily commercial., 1922-12-14
Little Benny's
Notebook
ny Lee Pape

Rain
Wen clouds get too heavy and start
to lcck. the result ~ rain. II they lest
lcek little It's ony n sprinkle, but
good size sprlnkel - drIzzel and II
# starts 10 drlz2el harder than usual It's
prohcrlv rccl~ raining, and the next
harder thing than that IS wen II rains
like the hckins. Rain IS rccly nuthing
but waiter oil divided up.
lis fun Co wawk IN n sprInkel or a
small siEs drizyel without q umbrella
on account of having all the senss-
tons oi being out IN the rain eysept
the sensation of getting wet but prob
crly II Won ask your mother 10 lceve YOU
GO ont IN sprinkel she will think
thcrc's no scnts 10 II aud say no.
II YOU have eny doubt about weather
or not Its going to rain the ferst thing
90 do ~ look up at the sky and II there's
no clouds there nt oil n would even
sound foolish To mention 20 enybody
that you don't think its gong to rain,
and VI there's ony p few small size
clouds moving GROUND in dlHreu'
places It's still a nice day, but II its all
lark and iear~c looking and YOU get
Int in the eye bv drop OF water wen
YOU look up, It's time TO take your UNI
berclla
Enufi rain is r good thing. espeshillv
for flowers and farmers, wilc not cnufi
j. bad and makes dcSrets and too mutch
is still verse and makes leeks and
floods.
l,s sure 10 rain sooner or later Il
you ony wate long enuff, the ony trub-
Tile being that its libel 20 come down
wen you'd dra,her il would stay up and
wee virtue.
Every evening, Wilmington daily commercial., 1922-12-14
SULPHUR CLEARS.
ROUGH, RED SKIN
Face, Neck and Arms Easily
Made Smooth, Says
Specialist.

Any breaking out OF the skin. even
fiery, itching eczema. can be quickly
overcome by applying a Little Mentho-
sulphur. declares noted skin special
list. Because Of its germ destroying
properties, this sulphur preparation
begins at once TO soithe irritated skin
and heal eruptions such as rash. PIN
pies and ring worm.
IL seldom fails 10 remove the tor
ment and Disagreement. and you do
not have 10 wait for relief from en-
barrassment. Improvement quickly
shows. Sufferers from skin trouble
should obtain a small Jar Of Rowles
Mentho-Sulphur from any good drug
'-'S' "ud Use q like cold cream.
Every evening, Wilmington daily commercial., 1922-12-14
Efficient Housekeeping
BY Laura A. kirkman

crochet around top; on fourth row
make an edge of three chain and one
single crochet in each stitch. Make a
cord and run II in the second row OF
stitches. Finish cord with small balls
mnde as follows:
Simply wind the yarn around and
around . two-inch-square piece Of stiff
cardboard until n stands about as
thick as your little finger ON both
sides Of this card. Now slip the yarn
on the card and tic this thick ring Of
yarn exactly in the middle. tying n
with short double piece Of YARN
Then cut the loops at either end
which will make them fluff up over the
middle part which YOU tied.
The best thing about the bed socks
is that they can be made Of odds and
ends of leftover yarn, { one desires.
For. they are not worn whore all the
world may gaze upon them | know
of two women who make rainbow bed
socks" for themselves, by tying odd
bits Of yarn together and crochetlng
the socks as il they were using all one
color When the shades are delicate
Every evening, Wilmington daily commercial., 1922-12-14
CROCHETING A CHILD'S
BED SOCKS


There is no nicer Christmas present
10 give little Bobbie or Alice, than n
pair of warm bed stocks. Children
love them. On cold night, they APP
prcciatc having the socks 90 slip their
little feet into. A neighbor Of mine
the mother Of several little oncs-bns
gwen me the following directions TO
publish so that other mothers may
make bed socks for their children:
Directions for Crochcting Bed Socks
which measure five and onc-half inches
in length: One ball of old-blue Shet-
land Floss. A number five bone or
celluloid crochet hook. Chain nine
stitches, then put one half double
crochet In seven of these chain stitches
(making first stitch IN the second
chain stitch On the eighth chain
stitch. make two half double crochet
stitches, and work down other side Of
chain making seven half double crochet
Work round and round. working the
half double crochet in between the
half double crochet OF previous row
instead Of on top. putting two half
double crochet stitches between the
two half. double crochct stitches Of
last row for increase at top Of toe
l6 rows all together.
Seventeenth Row Work round, lcov-
ing four stitches on each side Of the
center increase, chain two, turn. Work
back and fourth on the remaining
stitches for five rows, claiming two for
turn. each tims
Twenty-second Row. Work six row
on the first nine Stitches. Join 60 other
side of the work At end Of tho five
rows. which ends the twenty-first row
with slip stitch down side and across
bottom of heel
TOP: Make three rows of half double