Capital journal. (Salem, Or.) 1919-1980, 1922-02-22
CtarHgh1 7
By the Noted Author
IDAH E'GLOSE GIBSON
Kitty's Guidance

a
Kitty mumbled over the next
few scenes which were mostly be-
tween Theodore Stratton and
Maud Samson or Theodore Strsl-
ton and somebody else and con-
cerned Maud Ssnson's trying TO
make him Jealous and 50 bri1 g
him back to her. Then she hur-
riedly glanced over some seen e
Of mine with the juvenile which
were supposed TO make Stratton
think that l was just baby ranlp
This was TO be brought about By
| Maud Sanson's stories 70 Theo-
dore Strstton.
Who IS the juvenile?" asked
Kitty iaterestedly.
4 don't know. ! didn't meet
hin, ! answered, not realizing
how important that might be.
Well. you've apt TO be careful
OF that young man will hog the
camera. He certainly would do
so. Virginia. if it were anybody
but you.
Why, Kitty. yOu speak 50
Graphically"
For heavens sake, Yirgie,
don't get high-brow. I'm speaking
sansibly. That juvenile has got
fat part in those scenes ana Oh
ly the interest of Theodore STRAIT
ton and his commands TO his di-
rector will keep you facing the
camera.
You see the story that Maud
Samson tells has to do with what
you say TO him, and he will be al
ways edging around so his face
viii be toward the camera. Don
let him DO it under any circun
stances.
Goodness. There ara a lot Of
things TO learn
You said something, kid, you
said something" murmured Kit
~, thumbing the pages quickly.
Again she stopped and looked
at ne in surprise. And do yol
mean to tell me that you think
that your part in this is small
one' Why, you run away With
every scene.
Do you know how TO swim ?"
No"
Then you had better learn i'm
mediately."
Why"
Well, you will have to get
overheard in that evening dress
Of yours" e
1t doesn't say 50 in the
script"
= know il. But no director
in the world would let g chance
like this 60 by
Why, Tirgie, if Maud Samson
stands for all this she is as tired
Of Theodore Stratton as he is Of
her.
And though the script says
nothing about your going over
board while Stratton Is carrying
Maud Samson ashore in his man
ly arms from off that wrecked
yacht. there is no director in the
business who would net have ron
floating IN the water in your
cli1giag white dress. your hair
trailing cut On the waves back
Of you. while you have one hare
arm thrown mp beseechingly 10
the heavens, and the ether clasp
81 about g spar that is being tos--
Sed upon the raging sea
-Sure-fire hoakum. my dear
Sure-tire hozkum. Can't you SEE.
elose-ups Of Theodore Stratton
brsssJing the waves with MAID
Sznsou's unconscious. white-fzced
form in his srnss And then a
eut-baek 70 Sou floating slons
and desolate upon the sngry
waters
This will be Theodore Strat-
tons best seller And really Il
believe he IS in love with yeu.
You really have q wonderful part
Almost any girl in the business
would give-at least her reDu:1
tion II Rot her soul for IL"
I don't ka0E exactly what i
all means Kitty. but If you szy
II is = good part. all right II
didn't think Il was 50 very good
myself
Cone OF. child. / an hungry. 1
By the way. when do you start
Day after tonorrow-znd. Kit
y. I have got TO have some rev
clothes
OF course How much do you
vantf-
That Is Just what I expected
ron you. Kitty Bat. Oh. hate
70 borrow from yoL