davidaulloa/AmericanStories huggingface dataset:
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1922-05-06
LEGIONARI MLUVi K NARODU.

statecne.
81 rychle a vecne stanove-
nj stupne invalidity min. social
nj pece, tax ably zakon mohl
byti bez prutahu skutecne pro-
veden nasim invalidum vypla-
ceny podpory. Neni nam zna-
mo, zda zakon stanovi vyplace
nj podpor Sc zpetnou platnostl,
vzhledem k 'tomu, re V S. S. ne
byly csl. legionarum-invali
vyplaceny zadne radne podpo-
ny od dolby jejich navratu q
CSR. 4
A. Zadame vyslovne, ably u
stanovenl vsech legionafskych
zakonu byla i zde csl. urady re-
spektovana a skutecne provade-
ma.
Apelujeme ma celou radu re-
,volucnich pracovniku anheric-
kych, dlicich nyni CSR. Vola-
me je vSechny k moralni zodpo
vednosti IA zadape, aby Wade,
Mar. Shromazdeni j vsem povo-
lanym cinitelum podali nalezi-
ia vysvetleni 0 vsech otazkach
souvisejicich legionarstvim
americkych Cechoslovaku. Po-
tfeba toho je uplne prokazana
timto projevem.
Moralni podporu spravedli.
vych nasieh pozadavku oceka.
vame take Cd bratrske legionai
ske verejnosti a tisku, zvlastt
pax od "Csl. Obce Legionar.
ske. Necht' bratri dosud jsou
jistl, re jsme pfi tom 81 pine VI
doml, take t6zkeho postaven
jich samotnych. Nase ohrazen
sc proti sblrkam a dardm cd.
sud le protestem proti cynickt
mu kapitalisoVanl obetavost
csl. Ameriky a bldy hgionar
ske, zde i Y CSR., lidml nam
neclticlmi anebO dokOnce ne
prateIskymi."
ObsirnejSi zminkou o Memo
randu Pomocne agendy Svazl
Ceskoslovenskych Legionarl
vykonali jsme pouhou novinaf
skou povinnost. Projev muzu
: kteri sli bojoVat ia svuj narod
kdyz Sc jednalo 0 jeho zivot ne
: bo smrt, Sc nehazeji do kose
treba re. patrne stalo Sc tax |
, nekterych teskoamerickych ca
soplsu. aVuci proievu takoveml
kazdy casopis, ienz vubec $
.imena toho zasluhuje. musi Ia
uiati urcite stanovisko - bud
pro, nebo "proti".
Ny nevahame rici, re zkuse
/ nosti, iez zaziti bylo zdejsin
! Ceskoslovenskym legionarum
: pine je opravnily k vydaAi ono
: ho Memoranda. Tim neni fece
: no, ze snad bychom souhlasil
kazdou jeho vetou a S kazdyn
: argumetem mem obsazenym
Ma piiklad, i kdyz pripusti
: me, re ceskoslovenske vysla
: nectvi We Washingtone jedna
MIN svym zavdalo pIicinu k
krltlce, pfece jenom zodpovee
: most, ze leste We ctvrtem roc
: t1Tanl republiky zdejsi leglona
RI invalide museji, Sc dovolava1
Z poph6 spravedlnosti. nesnociv
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1922-05-06


alto umelecka prace bude uloze-
trany, We Washingtone.
kazdy vzpomene ma ty prazdne
'pekarske kramy, ma trupelna-
ty aprovisacni chlebicek, ma
popelavou mouku a pax Sc roz-
hledne pc tech stozfch housek,
rohlick1 kolaca "a yyklady.
Nebo S masem! Co byvalo rva-
eek 0 ten kousek flakoty, scho-
vavane pod pultem! To uz mu-
sci nit jeden velkou protekci,
ably jednou "a tyden dostal pul
kila jeste V mem moh' nechat
zuby ;. Dneska je reznik ma
fezniku, jejich kramy jsou pre-
plnehy, je tn hovezi, vepfove,
telecl, skopove ;. co kdo chce.
A kdyby chtel ctvrtku vola, do
stane j taky =.
! Vsak jsem 81 dobre vsiml, CO
jehnatek a kuzlatek visi ma
kramech j.. Jestli pax take
my? 49,.
Uz jsem Sc chtel jit pozeptat
budeme-li nit kGzle Sc spena-
tenn, nebo smazenou ryby, ale
V cas- jsem 81 pfipomnel, re -
mleko je ma plotne -. Co de-
la?
4 Nedelalo jeste mic, porad by
10 hodne! Zdalo Sc, re trosku Sc
ma povrchu vrasci, jake kdyz Sc
zacina varit, ale to jeste dlou-
,~hosnept5de.~ nahoru Nacpal
jsem 81 tedy spokojene druhou
dymku venoval Sc dale svyn
myslenkam.
Ano, pratele drazi, bud'me
spravedlivi a nelzeme 81 saml
do oci. Rozdil mezi dneskem a
: sitUaci pred peti nebo tfemi ro-
: ky je ukrutny a jen cloyek, kite
| ny uz to ma povaze. re musl
: "a kazdou cenu byt Sc vsim ne
spokojen a musl Sc zloblt Jen
| proto, ably Sc zlobil, muze nevi-
j d6t, re co Sc te obsluhy zalud-
. ku tyce, jsme ma tom tlslckrat
7 lepe, nez kdyz Sc 0 nj staralo
: extra ministerstvo pro vyzlvu
lidu. Dnes kazda hokyne ma vi
) ce Zbozi, nez mely vsecky ty
i povestne aprovisace. A musi-
!! me 81 take doznat, re co sc
/ tech cen tyce, jsme ma tom uz
daleko lip. CT jsme zapomneli
i co Sc platilo "a maslo, ia sadlo
: "a maso, Ia vejce, "a zelenl.
: nu? Nebo re jsme -jezdili jake
i paseraci potaji moukou, pla
: cenou az "a. dvacet korun?
0 "Co della mleko? Mic tam ne
: tece?" ozvalo Sc vedle poko
7 je "a vselikeho klepanl bou
q chani =.
: "Vsecko V poradku - tt
a Wis, re hlidam jako Argus
E znela ma odpoved' -.
: Pro jistotu jsem Sc podiva
ii ma platnu je-li to pravda =
: nu a byla Mic nebublalo, nj
7 Sc nevarilo - idealni pomery
e zde!
! Jen jeste aby ia janovsk;
l. konference nejak rozumne do
padla. Zda Sc mi, re tech kol
81 ferenci cd konce valky bylo Ii.
l. trochu mnoho. ale z kazde by
: 10 moe peny a malo piva, jak s.
e prostonarodne rika. A AMI k te
{ to janovske neni valne duvery
(, Vzdyt' uz nejaka prostorek'
l. huha utrusuJe nj vtip, Jak,
l. pry je rozdil mezi kleci a jano'
skou konferenci?> >Klec pry j
s-fsa
y pro kanara a janovska konfe
e. renee pro kocku. A take t
d vystoupeni pana Cicerina hne
Ii IA zacatku neukazuje ma nj
a dobreho :. Pravda, udelal re S
D. be cylindren a frakem Salonc.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1922-05-06

Dl0CIld IellC OSUSIONd, SOC
reliefu Susan B. Anthony-ove,
vala Narodni zenske strane. I
ma narodnim hlavnim stanu S
bllem kvetu. Ba dokonce, Jest
Ii Sc nejakym jinym rokem
nemylim, bylo dubnu lonske-
no roku takove horko, re kluci
Sc V rece koupali :.
Div jsem pri te myslence ra-
dosti neposkocil a uz jsem byl
v duchu ma zofinske plovarne.
Stavi Sc, stavi, jak jsem ondy-
no $ mostu videl, a pnjde-li to
dobre, "a meslc ode dneska il
otvirame 4. Vsechna libeznost
a rozkos koupani, plovani, ska
kani S prkna a sluneni me OBJ
klopila. Bude-li takove zname-
mite leto jake loni, inu tax - -
Hrome :. co pax della nile
ko?
! Nedelalo, bohudiky, mic. By
10 jeste zcela tax klidne, jako
kdyz byIo ma plotnu postave-
no -.
4 Vratil jsem Sc tedy Ease k O.
knu a k. svym myslenkam. 4
plovarny preskocil jsem do le-
sa, v tn chyili jsem Sc toulal
pod vonnymi sosnami kdesi da
leko V horach, pc nadhernem
koberci mechu a hledal hrib-
ky. Loni malo rostly mrsky, ale
nebylo divu; takova sucha! A
kan Sc letos vlastne vrtnu?
Jednou mys,im ma Sazavu, pc
druhe ma Jizeru, po tfeti ma
: Luznici, ale Zda Sc mi, re pr
te me ukrutne nerozhodnostl
: kouka 2 toho Ease Vltava, tax
, asi Cd mostu Palackeho k mo-
: stu Legll.
Cd t6chto myslenek do bu-
; doucna odvratil me vsak ma
jednou pohled do pritomna 9
feknu bez muceni, pohled vel
mi lakavy. Pekarsky ucen nes
primo pod okny ma prkne do zla
ta vypeeene mazance, tuto ne.
krasnejsi velikonocni pohadku
Nevim sice jak kdo, ale ia vzdA
: cky dostavam takovou povzne.
4 senou a svatecnl naladu, kdys
s zvetrim podle libezne vine, IL
! Sc uz pecou. Zadne fialky All
: hyacinty mne tax nenadchnou
: Jestli pax letos ma ne pro tel
generalni uklid nezapomenou
Odskocil jsem Sc pro jistotl
: zeptat vedle do pokoie a dosta
y 10 Sc mi odpoyedi, abych nemy
slel na mazance, a daval radej
: pozor ma mleko. A re .pry VII
: bee jenom myslim Ma to, c.
: kde dobreho snist =. Nepopi
+; ram, ze to je pravda! Kazd.
d clovek Gasem dostane rozum
: pride ziyotu ma chut' tn pc
) zna, re neien cd slova bozlho
: idealu, ale daleko vice od dobr
: kuchyne ie xiv. Ostatne, rekne
+ me 81 to docela uprimne: coz s
o konecne 30 tolika hubenych lie
/ tech ia valky a jeste n6jak
rok po III nezaslouzime nit S
} lip? Netrapili jsme ten uboh
J. zaludek a telo dost dlouho pu
:, stem?
Il Pratele a. pfltelkyne = at 5
IS fika kdo chce co chce, at 81 hu
&c buje ma pom6ry a drahotu :
It to Sc prece zaprit media, re j
J. tn ukrutny rozdil mezi temi II
kolika lety a. re jenom clovel
} ktery rychle zapomlna, jak b
D. dine "a valky zivofil, muze bl
RI blat byt nespokojen.
le jen sc podlvejme, treba ma t
e mazance. Kdyby je byl ten pt
k kafsky u6en nesl jeste tax pre-
q dvena roxy po ulici, sesypa
5. by Sc lide i straznici na neho
e. mistra by zavfeli. Neni to ,
Evening star., 1922-02-19
Burton Holmes Study Films.

is? A whole lesson In geography and
geology can be woven around this reel.
which takes the student not only to the
canyon, but down it's mile and an
eighth of depth.
laundering on a gigantic scale can
be shown in the lesson woven around
the film FEELING Big Trees in the
Giant Forests OF California which
shows every process from the time the
giant tree is cut down until it is trans
formed into lumber and shoots the
chutes TO the railroad many miles
away. The orange industry can be
studied in Summer Days Near San
Diego,' in which the vast orange
groves near Riverside are shown. The
swine industry. most important one,
in 1.-THE Boys Pig Club
The national parks and forests be-
long to the children and grown-ups
Of the nation. Tho child who "Goes
to the Sun In Glacier Park with Bur-
ton Holmes will learn that this par
ticulaf park was created q national
playground in 1910; that camping
places are provided; that the streams
are stocked with fish, roads and trails
built, all for his use and enjoyment.
Fire Fighting Forest Rangers" is a
spectacular Aim showing a real forest
fire, and also what the United States
government does through the forest
service to protect the national forests.
The civic classes will also find worth
while reels "A Day With the West
Point Cadets" and Our Middies at An
napolis."
And other equally important lessons
can be taught by films Of this series.
Evening star., 1922-02-19
Gypsy Passion. ,

"CYPsY PASSION" an unusual
~ French motion picture produce
tion, declared by one of the critics Of
New York to belong among the lead
ers'' of the big film productions of
1921, has been acquired by Vitagraph
and will be released by that company
in March.
This is an adaptation Of Jean Richie
pins story Of gypsy life. with its pas
sionate loves and hates. Known as
':Miarka, the Child of the. Bear" One
Of the big scenes Of the picture is a
realistic bear fight.
Jean Richspin himself made the
adaptation from his novel, published
originally under the French title,
Miarka-Ia File a rourse." The pic
ture was produced by the Societe des
Films Me0canton, under the personal
direction of Louis Mercanton. known
as the Griffith of France. The cast
is extraordinary. Nine. ReJane: the
foremost French tragedienne, with the
exception of Sarah Bernhardt, has the
leading role of Romany Kate. This II
the only picture Nine. Rejane made
for the screen.
Miarka, the beautiful young gypsy
around whom the story revolves. Is
played by Desmonda MaZza. Jean
R;chepin, the author. plays leading
part. and others of Importance are
Jvor Novello. Nine. Montbazon. Marcel
Numa and Charles Vanei. The bear.
which plays a vital part, is "Pouzlzii,
a trained Balkan bear.
The production is said to be unusual
in that there are no studio sets. Every
picture thown on the screen, whether
interior pr exterior was made on ac-
tual location. Mercanton has what is
practically mobile studio, which con-
sists of ten five-ton motor lOrrieS and
two trailers. that carry all the neces-
sary lighting apparatus. costumes and
properties. Night scenes were made
at night. and provide unusual effects
Much of the action of Gypsy Pas
sion" takes place at the Chateau de
la Rogue, the nearby mountains and
Evening star., 1922-02-19

serious one. However, one of the
girls confided in her where a big
baked potato and bread and butter
could be had for a slight charge.
For time Miss Eastman lived on one
meal a day, and that was the baked
potato.
Since the baked potato days Miss
Eastman has advanced in her pro-
fession., She was with Montgomery
and Stone in THE Lady of the Slip
per-" and took the place Of Elsie
Janis when Miss Janis left the cast
She was with Grass Widows" and
then gave her time to entertaining
the soldiers. Then came two seasons
in vaudeville as a headiiner, and now
ton Of the Greenwich Village Fol-
lies in a dance creation called "The
Last Waltz"
Evening star., 1922-02-19

the Church of the Saintes Maries de
Ia Mer. where, on May 25 of each
year, gypsies from all over the world
make a pilgrimage to honor their
patron saint The scenes in the
church are declared especially inter
esting and beautiful, and IT is here
that Nine. Rejane has her big scene
Gypsy Passion" is a gypsy romance
set in French surroundings. II was
written by Jean Richepin as a move
more than twenty years ago and was
immensely successful. Later IL was
presented as grand opera, with music
by Alexandra Georges. As q picture
il met with instant success in France.
Nine. Sarah Bernhard. an ardent
admirer and friend of Nine. Rejane
it is said, was so impressed with the
picture that she requested Lady Tree
to arrange private showing in Lon
don, i'll health preventing the femous
ments in person. Prominent critics
and stagefolk attended this showing
at the Empire Theater. This was
followed by private showing as
Marlborough House. arranged by
Queen Alexandra, who had the Queen
OF Norway. The Princess Royal and
other members Of the reigning house
hold as her guests. In its subsequent
performances in England, 'Gyps!
Passion" duplicated the success IL en-
joyed in France.
Although Gypsy Passion" has not
been shown in public in this country.
is was shown privately late last year
at Town Hall. New York city. under
the auspices OF the Commonwealth
Center.
Evening star., 1922-02-19

NON-THEATRIcAL MO-
IN TON PICTURES. INC, announces
the release this week, for school use. the
entire United States series of Burton
Holmes. films 1t numbers twenty-six
reels on history, geography, civic and
Industries of the United States. By
means of such films the child not only
"sees America first" but learns some
thing about the industries of this coun-
try, the national forests and parks and
how people in other sections live and
work and play.
Tho first reel in the history and
Eeography series, 1.-THE Cliff Dwellers
Of America" shows the home Of the
early Indians, those first Americans"
who lived in the cliffs-forerunners OF
the modern apartment house-long be-
fore Columbus discovered there was
such a country as America.s These clin
dwellings and puebloS, found IN New
Mexico and Arizona, the centers OF
tourist and romantic interest. have
been studied by Psychologists and
books written On the subject. one of
the most interesting being The De-
light Makers" by the well known
archeologist, Bandelier, which gives
fascinating picture of these aboriginal
Inhabitants.
What child that sees with his own
eyes the Grand Canyon Of Arizona,
ono of the wonders of the modern
world, will ever forget what a canyon
Evening star., 1922-02-19
Good Advice Always.

WINcHELL SMITH. co-author with
John E. Hassard OF "Turn to the
Right" the stage success that has
been adapted for the screen and pro-
duced by Rex Ingram for Metro. gives
the following views on the writing Of
plays:
THE modern type Of comedy. which
Is the only thing I know anything
about at all. should be written with a
great many other things in mind be-
sides the dialogue. The dialogue must
pc as carefully done as we can do 1t.
but just as important as that are the
panto1nime scenes, where there are
SPOKEN.
In comedy never let them see you
are trying to be funny. II you have to
have really funny situation don't
have any dialogue in it at all-it will
XIII 1t. Never have player try to
get laugh: let the audience discover
the fun: The kind Of laughs that come
with enort are never the kind of
laughs that bring people to the
theater."
Evening star., 1922-02-19
Policemen's 8 Note Books

ELINOR GLYN was deep in the prob
lens Of English architecture of
several centuries back, for Beyond
the Rocks" her story which IL now
being produced.
by the way, Nine. Glyn-" inter-
rupted Elizabeth McGaffey, head OF
the research department. do you
know what kind of notebooks the
English trafic policemen carry?"
The famous British authoress
emerged somewhat suddenly from her
of Norman interiors
and kindred subjects and looked up
with a rather startled gaze:
"Oh. policemen's notebooks" she
murmured; "of course they carry
them, but" she added naively and In
all seriousness, do you know. I've
never been arrested, 50 l can't say
what the notebooks are like"
Evening star., 1922-02-19
Luck of the Baked Potato.

ALL fairy stories begin with "Once
IA upon q time SO it is just as
well to say Not so long ago." as this
IS the true story of the adventures
of Gretchen Eastman and her quest
for place on the stage.
Miss Eastman arrived In New York
from Chicago without consulting her
family, but determined to go on the
stage. She selected one of the most
exclusive and most expensive hotels
in New York. When the young
1ady's bank roll was growing very
small, good fortune stepped in, and
She secured a position.
During the first rehearsal the
thoughtful stage director asked Miss
Eastman If she was comfortable in
her hotel. and Miss Eastman con-
filed to him the fact that, while COM
Portable. she was not content. Then
followed the story of the large ex-
nense and the shrinking bank ac-
count. and more moderate hosteIry
was suggested.
Unwilling to ask the theater man
kgement for AL advance. Miss Eas--
gran found the question of paying
Tor her room and also eating was n
Evening star., 1922-02-19
Slow.Motion Photography.

GLOW MOTION photography. it is
y claimed. was introduced for the
first time in the making OF screen
drama when Director Del Andrews OF
the Thomas H. Ince staff used this
means to ascertain which Of the 't gen
tlemen riders" were hesitating at the
hurdles in the sensational steepie-
chase scenes Of 1.-The Hottentot," an
adaptation Of the Willie Collier ia
nous comedy.
In order to speed the action at the
smashing climax Of the picture, in
which thirteen riders jump a score
Of dangerous hedges. fences and stone
walls. Director Andrews included the
slow motion camera among the bat
terry of cameras used. t~hen the
'rushes" showed that a rider was
holding his mount at the difficult
3umps another rider donned the col
ors on the following day. The re-
suit is that, the Aim is packed with
exciting action.
Production on "The Hottcntot."
which has Douglas MacLean, Ray
mond Hatton and Madge Bellamy in
the cast. has been completed. James
Horne co-directed the featur
Evening star., 1922-02-19
Nal de Mer and Earthquakes.

tel seemed to rock and waver. Oh,
there it goes again! Don't YOU feel
it?"
The producer broke into hearty
laugh.
well, if.it isn't an earthquake then
what in heavens name is it?" per-
sisted the actress when Melford had
stopped laughing long enough to lis
ten again.
IT'S not the building or the earth.
It's you," he explained. You've been
out on a rolling sea all day and you
haven't got your land-legs yet. You've
been accustomed to the constant rock
ing motion of the ship. It'll take a
little time for you to get steady
again."
"Oh. pshaw" was the only reply as
the receiver at the other end of the
wire was jammed back on the hook
Evening star., 1922-02-19
LightUlun,inutes the eStellnrlN1nd

NOT many months ago a recognized
Alm star would not consider for
moment appearing in a picture with
another star. Now it is not uncom-
mon to find many in the same pic
ture.
Cecil B. De Mile is credited with
starting the ball rolling when he
produced "The Affairs Of Anatol,"
with twelve in the cast.
The stars have changed their point
Of view. Wanda Hawley says that a
good role in a strong story. no mat
ter II other equally well known peo-
pie are in the cast. offers greater op.
portunities than stardom. Miss Haw-
ley has just been cast in an impor-
tant role In George Meiford's THE
Dorothy Dalton. with Milton Sills in
the leading male role.
Much as I enjoyed the personal
vanity Of seeing my name In star let
ters,'" said Miss Hawley, Il can say
sincerely that ! am pleased at being
featured production. The story is a
big thing in creating the success of
an individual star. And one poor
story can do q great deal Of damage
to any stars prestige, ] don't care
how big they are.
tured productions like The Affairs Of
AnRtol.' The Cat That Walked
Alone and The Four Horsemen Of
the Apocalypse These are big, vi
tai stories with several excellent
parts. You are given a good role,
you specialize on It. The other play.
ers have equal reputation for quality
with your own-and you know that
the whole will be well rounded.
There Is always a certain elem ent
of gamble in a single starring pro-
duction. No matter how hard you
try. there is always the possibility
that that particular Interpretation or
the work Of your support may not hit
the public taste. But there is no
such chance in featured production.
Evening star., 1922-02-19
Counted In His Sleep.
OBSERVATION-DISCLOSURES

"ON-TWO-THREE-FOUR-''
VIII Rogers, the famous screen
comedian, ate dinner to the accompani-
ment Of series Of couptg and his fam
lily stared At him In astonishment. When
he retired he startled tne household by
counting In his sleep. Called upon for
an explanation, the comedian said that
of his work in "One Glorious Day"
In doable exposure work-of which
there il large amount In the picture
1t was necessary for the actors to count
so as to properly synchronize their
movements with tAe camera and the
part Of the action to be photographed
later. So Mr.. Rogers spent a lot of his
time repeating-"sixty-one sixty-two,
sixty-three'' and so on.
Il got so began to think in numbers
he grinned. Il would walk along the
street counting to myself and whenever
went to sleep was counting. No won
der people thought was getting foolish
in my old age"
Evening star., 1922-02-19

You and the rest Of the well known.
players in the cast are picked because
of your very special fitness for the,
particular role. The story Is strong,
the parts are strong. You just can't
go wrong!
"Stardom is delightful-but even
star can appreciate the obvious ad-
vantage of association with equally
competent people in a featured pro-
duction."
Evening star., 1922-02-19

THE telephone bell In George Mel
I ford's San Francisco hotel suite
3ingled noisily.
"HeIlo!r answered the producer,
who had lust entered the room after
r. busy day aboard q sailing ship di-
necting scenes for Moran of the
Lady Lefty"
At the other end Of the wire was
Dorothy Dalton. who is playing the
featured role in the picture, and had
also been at sea all day. She
seemed somewhat disturbed.
"Oh, Uncle George" said her agi-
tated voice. Did you feel an earth
quake"
"Why, no." replied Melford. don't
got excited. There was no earth
quake"
Yes, but I felt one-the whole ho-
Evening star., 1922-02-19
A Sure Method.

From the Louisville Courier Journal
How did a small town like Punk
vile get this distinguished foreigner
20 agree to visit it?''
"Got our fresh water college to
offer him degree explained Uncle
Hi Lowe. "The best of 'em dassent
turn down a degree"
Evening star., 1922-02-19

THE Heart Dealer" is the intrgu-
ing title Of Katherine MacDonald's
latest production for Associated First
National. The story is by Charles
Logue. who also provided The In
ndel" for Miss MacDonald's earlier
use. Chet Withey directed The Heart
Dealer" with Joseph. Brotherton at
the camera. The cast includes Nigel
Barrie, Charles Gerard. Charles
Clary. Mona kingsley, Ethel Kay and
ofb
Evening star., 1922-02-19
Savoy.

Today and tomorrow. Wallace Reid,
in Rent Free and Buster Keaton, in
1.-THE Roat"; Tuesday. Jack Holt. in
"The Call of the North" and Johnny
day, Charles Ray, in "R. 8. v. P" and
Harry Pollard, in Call the Witness;
Thursday. Anita Stewart, in The In
visible Fear" and "A Slick Detsc.
tive; Friday. "The Ten-Dollar Raise"
the Farm" and Saturday, Hope
Hampton, in "Star Dust" and Harry
Pollard, in stage Struck"
Evening star., 1922-02-19
York.

Today and tomorrow. Mary Pickford.
in Little Lord Fauntleroy"; Tuesday.
Thomas Meighan, In "A Prince There
Was" and Harry Pollard. in stage
Struck"; wednesday. Wallace Reid. In
"Rent Free" and jimmay Aubrey, In
"The Appiicant"; Thursday, Anita
Stewart, in 'Playthings of Destiny"
and Joe Roche. In "Ths Fast Male";
Friday, Constance ginney. in "First
Love-" and Buster Keaton, in THE
Boat: Saturday, 1.-THE Mysterious
Rider" and Harry Pollard. in Call
the Witness"