davidaulloa/AmericanStories huggingface dataset:
The daily Alaskan., 1922-03-28

Eversharp leads for Eversharp lead pencils In hard, soft and indel- Hole at Kellers. 25E 8 box.
The daily Alaskan., 1922-03-28
CLARA CARSON, City Clerk.

Every voter should see to it that he is registered. If
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26
RlNEI1ART'S NEW BOOK
The Breaking Point" a Story
Of Human Stress and
Strain

Wary R"l"r,. ltiu"hart j. c,~ntiaIl}
50 story teller with gir' for ,iNidly
'n'' 'n"inc narration. T" this ,hc add:
"'r.hUl"s h"th - thr hum"risr aud ih"
n"' "il,'. 1ho pisi stories. tho Eal
'"'r-. 'D" fo"'' of 'S"lcu in.i%' al.
''""'"d lee" 'N,lmmrud 90 ""u"I' -
,~}'rg f"Iru.. IL. "Dnngcrn},
I'"'. and "'h"r "f hor ator horls
Nu"" ne" tuurti"uin. ~ jhr novcH,, .
t - =. Developing thrmr aud WORKING
".' Ill" d"Ntini">' uf mon through tho
"""'"" and ria>S OF character. In all
o. 'h"s". ~ il h"r earlier books Of the
ILt~Trv yarn cast. til" story has had
definite" place in vari"us proportions of
1"'i"n""ran"c. But it has novor bcon
Io.' <tght "f even whrn Mrs. lHrcbar'
Va At h"r most nov'liAtir.
Al novcliste nro not story teIiers. rs
on" "hp reads much tiction soon bc.
o"ncs 3Wal". Eut Mrs. Rinehnrt "a
primarily on" oud ecr"nda,-y the fr.
'""i0t " Psychology aud character.
"T = Er"HhiuC l"im" i',cors" II
l"r@u '"ulHH} d. h"r newest book au,
'."'a'il' ON" ut hr' lu"s' grpvu. 'ir-
'.".~. "'> story igh'f"rW ardil .
r-,.''dl and with logi"al inc, liability
!. +, rj'"c than y story for IT," story =
g. 40. ha,"d ~ - - "u d"liurI motif
n ~ '"uS ihCnuGN IA" rj"' HIH' e.,
=" ."d J.: many penetrating character
~'Tr'"@ Of American personalities.
Mrs. RjU"ha.' make, this book !.
>''.'' /" N" T. lrN"l"gr "t t"ar tho
.Ac "i >"n"'hi'. irIuin"nt .oolnir 4.
",;' rt Il dead ro,' The horn M, lo.'
'''. .'a"' "'1' "f III, tovru"r IItr 81 r,r'. .
Io',"".s and "N'rt1"=a'l"". Ito Is 'ah"n
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26
BURROUGHS AND BUSINESS OF LITERA TLIRE !

in hand by genial old doctor and his
mothering sister and himself becomes n
physician in small town. Then sud
lenly others connected with his fcvercd
past. in which murder Is supposed to
figure. become aware Of his existence
in his quiet retreat. Among these is an
actress whose husband had been the
man slain just prior 70 the disappear.
ancc of the hero. Believed to have
pcrishrt ia blizzard. From then on
the several ycorl" Involved move yital'y
in story of Quick action, till thu
wholly satisfying dcnoucmcnt. which
has n rnmuuti" Nnlur too. in the love
Of the Young man for Il charming girl
The thcmcS Of lcEi identity. of the
persistence of good in character over
old evil. Of typical cytravagnnce in tho
American family. and of small town
lfc arc all woven into most readable
story which readers ot Mrs. Rinchnrt
win surely raj" as her hest achieve
m"nt 10 date,
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26
Ford Gets Richer From One Idea
Than Burroughs From Many

10 she'll ON thc b"nrh while i" p"nd'r'
higher thing Tie had otlrcr business
with t&r god. o jan wood, tGau tlJns
ia ir,rui"rl ct thou wares.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26

TO prin' NrG hccau,' the, d"n'.
T. the rg,...H 80 - ,Grr lnH viii
adore
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26
MRS. KINEiI.tHT

\ silhouette Of the successful
weaver of plots whose latest tale.
'Thc breaking Point" is attract
ing attention
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-09-26
The W helps
of the Wolf
~ George Ma,sh

Astkst 81 'lo,ru 81 .ss i'sI," re.
There are MANY thrll, ne scyen-
tures amid the silent forests and
s,,i,szsrds o. the Nud,on's Bay Conn'
try. where Jean Marre and mis-
great cog FIeur night nature for a
rner. existence And there 10 8 ro-
nance dairtily Interwoven that will
hold thr reader sntrral|ed
Price sI7s si all booLsssrss
yue pISN rusliSH'NG COMPAkY
psvs ssiyh's
New-York tribune., 1922-06-11
New Motion Picture Firm
To Produce in New York

A new motion picture Arm has Just
come TO light. II is the Lustre Photo
plays, Inc. Of which J. W. Foster is
the president and Robert Carson
director general.
Tho plans Of the new corporation
call for three producing units, which
will stage twenty two-reel semi-west-
ern pictures; twelve fye'reelers and
.ifty.two one.reel comedies in which
Charlie Fang, 4 Chinese comedisn, VIII
be the chief luminary. The hrst pro-
ducing unit which will stage the two
reel subjects will begin work next
Monday at Plsttsburgh, n. Y, where .
studio has just been completed for
the use OF Iustre Photoplsys. judith
Jordan will be starred in these short
subjscts.
New-York tribune., 1922-06-11
''The Shaughraun''
Comes to Strand as
"My Wild Irish Rose"

Dion Boueieault's "The Shsushraun'
now lives on the screen under the titlo
Of "My Wild Irish Rose" treating Of
Irish life This photoplay comes 20
the Strand Thester to-day for the
week.
Few plays have enjoyed such poru-
lsrity as The Shaughraun.' Il has
played all over the English speaking
world and has always been a fayorite
production. The playwright. Dion
Boueicault. who invariably acted the
leading male role in all Of his pieces
is celebrated for his whimsical. kindly
and human dramas OF Irish country
life. Colleen Bswn" and Jennie
Deans" are among his well-known plays
Of this type. The shsughran," how
ever, is generally recognized as his
masterpiece.
Dion Boueicault is Celtic to the core.
It was he who played the original role
Of "the shaughraun," an Irish ex-
preston for a ne'er-do.well. In the
Drury Lane production, the Dublin
production and at the New York pre-
miere at the famous old Wallsck's
Theater in the early seventies II was
Boucicault who. as Conn o'Kelly, was
the lovsbls shaughraun. "the soul OF
every fair. the life Of every funeral,
the first fiddle at all weddings"
Pauline Starke and Pat o'Mslley
head the all-star east in the screen
version Of "The Shsughraun." my
wild Irish Rose" oMalley was for
three years in chauneey oleotts stage
company and possesses certain mas
euline eomeliness whieh especially Ats
him for the principal role.
New-York tribune., 1922-06-11
George Ade Is Glad
He Wrote Film Story
For Friend Meighan

Thonss Meighan feels proud these
dsys-George Ade has written film
story for him, "Our Leading Citizen"
Meighan plays the role Of a lazy,
country town lawyer turned dynamic
through the influence Of politics and
8 pretty girl
1T was a labor Of love with me"
Ade explained. u was glad 70 do II
Aor my old friend Tom Meighsn. l
hope he will continue 20 ike me after
the picture is shown
Meighsn played in Ade's The COL
lege Widow on the stage for two
years. Also he was leading Juvenile
With William II Crane in AIDES play
Father and the Boys"
The new picture will be presented b.
Hugo Riesenteld At the Rivoli Thester
to-day. Waldemar Young eollsborated
with Ade on the scenario and Alfred
Green directed the production. In ad.
dition 70 writing the story and work
ing on the scenario Ade suggested cer-
tain players-Lo!s Wilson and Theo-
dore Roberts in leading roles opposite
Meighan. and a supporting cast inelud-
ing william P. Carleton. Guy Oliver,
Laurence Wheat. James Neill.
New-York tribune., 1922-06-11
Every Man in
His Own HumOr
CcOntinu,d from preceding p's''

(continusd from preceding PAGE
able ss 70 It's being purely sa''l"
o. mentality.
When youngster sttendH ?
London a performance - J. L w. "
at ths, time Enslsnd's most p''.'
and beloved comedian. Hs appears
an opening farce greeted tAross'"
with rosrs OF Laughter and ioi''s
this with Caleb PlummU 10
Cricket on the Hearth giyins =
an appealing and touching rsnei- ..
that all about me were moved 70 "s
Here was a high degree os menu
in the appreciation o. the dIss''.
in the acting, quite apart fr'n
talent Of the actor, While e0a'"
his power TO the full.
A few nights ago ! attended ~
formanee Of "The Bat" 20 no"
evening ruined BY the low ns'-
Of the audience in its constant 81" 4,
throughout the entire acton
play over the antics and eano0n's,. y,
the serving.maid in the piece -
ally. in the last act. when the "" -
action was most intense 'as ~
was suspended In the gales o. ~
drowning the other actors ~O 3
the repeated clOwning Of .Ai' @ m' -
It is tru. this internal sissIla., .
brought about BY what ,r'n'p''..
the stage. but what Of the s.,,r n.r
that recognized only the 0s' -
and passed over all the hn' 40
leading up to the great ~0"'''
plsyl - =, uaf
pe,pi.. IN. clever acting o.
all concerned there was h'u' ,,,s
applause at the fall Of the l''' 80 "a o
the mentality OF the sudisn''
A,u...d Itself over the elownlas
X. EDwARps'fl'A
New York. May ST. isss'
New-York tribune., 1922-06-11
Here's How to
Keep Happy,
Tho Married
Mcintyre Says Marital
And Business Partners
Should Make Allowances


Mcintyre and Heath. who have been
associated together as artists for for
ty-eight years. and nov az the end OF
that period are appearing In Red rep
per-" have continued on an intimate
personal and business association to-
gether for q period longer thsn most
modern couples stay married. How ala
they do ~
III people will be sensible and make
allowances for one another" says Nc
Intyre. there will be no occasion for
trouble. II seems n me that there are
two troubles which speedily develop
between the married man and his wife
or two persons associated together In
any way. A wife and her husband
earnestly desire each 20 have the other
perfect. The wife is not nagging when
she calls attention 70 some trihing
fault in her husband; she is simply
ondesvoring 20 point out something 20
him which he might eliminate IN the
striving for perfection. He misunder'
stands this and calls IL nagging. She
misunderstands him, and sooner or
later they quarrel and may or may
not settle II.
so Il is with two partners. They
become very frank and each points out
the faults Of the other, With resulting
friction.
Another trouble and cause Of sep-
aration is tina. the two parties 10 the
association have no real continued in
terest. and the man and his vife do
not study any subject together, and
partners possibly do no. take sueieient
interest in their work 70 continue 70
develop H.
Early in our association ar. Heath
and ! made a cast iron rule never 20
discuss one srother's fsults. We also
decided 70 study the American negro
always and 10 delineste him as thor
oughly a. We could. While not dis
eussing our faults mutually we re-
moved entirely one source Of trouble.
while our interest in our work and IN
the study Of the darky proved a great
interest and drew US together
when We began our association 70
gether in 1874 the American negro
was radically different from the negro
Of to-day. As young men we tray-
el,d throughout the South and stud
led the negro in his own locale. We
learned 20 diferentiate the Georgia
negro from the New Orleans one and
the South Carolina frem either Liv-
ing conditions changed for the negro
as we'll as for every one else, and ve
continued our study. The result IS
that we have always had IN our sketch
or comedy little humorous delin'ations
Of the negro true 70 life. We have
been Just as interested IS !. was hu-
manly possible 10 be in the discussion
OF new agencies In the negro's devel-
opment and have had equal in,eEes, IN
presenting these traits upon the stage.
Hence we always had a strong common
and mutual interest which led US to-
ward growth and development ard away
from all friction"
New-York tribune., 1922-06-11

Another thing which has made US
more enthusiastic than any one has
right 70 be in this weather is new
color process which jules z. Brulatour
demonstrated last week. II Is called
the Eastman color process, and is the
most beautiful thing yet shown on the
screen.
The samples which Mr.. Brulatour
showed are a part Of Hope Hanpton's
picture. The Ligh, IN the Dark which
has not yet been released Part Of this
picture is done In color and the story
is Of the Holy Grail. Sir Gslahsd and
the Maid Beautiful Miss Hampton Is
seen IN IN last character.
The colors are 60 beautiful that It
surely will not be long before whole
features will be made By this process.
Nr. Brulstour said that at present
&. vss rather expensive. but that the
priee was not prohibitive and what
ever II costs II is worth H. The pic
flIes are l4Iit4 III I4Ahs anu -'0 ~---
yellovs and grays-all soft and
shsdowy-snd TIE photography is that
misty sort that was probably invented
b. Mr GriHth.
The Eastman color process seems
10 ss quite lacking IN any Of the
%sslts which always have marrsd col
-ed pictures There are no deep
shadows, there are no fringes and no
sashes of red and green. The pic
4ures 30 not tire the eyes and some
thing about the way in which they are
photographed makes the hgures stend
cot as IN s,ereopticon views.
No secret Is made Of the process,
although We DO not understand IN the
iess. how Il Is done. When "The
Light in the Dark Is released Il Is
probable that every one who sees the
ricture will marvel at the beauty Of
these new colored films. II is i'm
possible 20 form any idea Of how
lovely they are until you do see them.
They are like the rainbow.
New-York tribune., 1922-06-11
The Springs of
Acted Emotion
What Are They?

So much has been written about
glycerine tears in the movies" that any
one might be psrdoned for believing
that smiles are slapped on 20 stars
faces With q paint brush.
Perhaps your idea Of leading woman
weeping is raw onion in her handler
chief and vacuum behind her face
wondering how much longer the fool
director IL going 70 keep her from
date with the bairdressor or with her
new one-piece bathing suit.
As q matter Of fact. one leading
woman within the last couple Of months
lost a leading role in big production
because she couldn't weep real salt
tears before the camera. After she
lost the Job there was no difficulty
about the tears.
Another we'll known leading woman
there's no necessity Of mentioning these
unfortunates by name-hsd 10 give up
a fat part because she worried 80 about
her ability 10 portray emotion that she
lost seven pounds in the first week.
During her recent visit TO New York
the first in two years-Helen Chad
wick. leading woman for Goldwyn. wss
chatting with friends during an after
theater supper. The conversation ram
bled around until II included the name
Of famous man IN the motion picture
industry. Quite casually. Miss Chad
wick said:
81 had the worst possible luck With
him Both times I met him had Just
been playing SD scenes and was too
depressed for words had the motion
picture blues. Nothing could make me
seem cheerful know he thinks there's
nothing vivscious about ne"
That impressed one member Of the
party as interesting. and in response
to questions Miss Chadwick added;
"My experience has been that most
II not all-sctresses and actors before
the camera feel their emotional parts
very strongly and are depressed after
them. think It is much more difficult
IN pictures than on the stage 70 live
only in the character. Rehesrsals and
thorough knowledge RI the entire piece
and Of the particular part on the stage
make II possible for the actor or
actress 20 become = different person
for the brief period required. They
simply throw on the role like a wrap.
But in pictures IL is different II Is
harder 20 get into your part. When
you must feel sad you are more likely.
7 think. 20 feel sad as yourself than
as the character you are delineating.
! know that acting emotional scenes
always takes q great deal out Of me.
And ! have had friends say the same"
Miss Chadwick, who had just COM
pleted her work In Brothers Under
Their Skins" before she left Culver
City for New York, pointed out that
pictures are taken in scenes whose
continuity does not in any manner fol-
low the development Of the plot. The
different pieces sfterward are fitted
together in the proper order.
80, a perfectly cheerful srsne might
precede a weeping one" she explained.
And that makes il just o different
episode rather than the climax TO
sad prelude. Weeping scenes are the
hardest thing we do
Whereat Miss Chadwick smiled and
resumed her chicken Ia king. Which
is one Of the many easy things that
those who can weep successfully IN
the movies are able 10 do.
New-York tribune., 1922-06-11

King Yidor has been selected 10
direct Lhuretts Taylor in peg O. Ny
Heart the play by J. Hartley Man
rers. This announcement was made a.
the New York oaiees OF Metro pro-
dueers Of the picture. |, was also
learned tha, Miss Taylor will leave for
the Metro studios in Hollywood in
about two weeks and will immediately
begin work
New-York tribune., 1922-06-11
Interesting Chat and Stage Gossip for Playgoers
Shot Rabbits
Where NowHe
Plays a Part
Veteran Actor Recalls IT,.
When Site Of the Asa.
Was a Wooded r;.n

On the site Of N. As,of Tsr,
Broadway and For,y.hi,h s,r..,. I,..
H. Lewis. the Oldest actor A.
American stage, "hs Is pIsr,, ..
part Of Reb Kalmon IN "BD.,
press once hunted ntsb
squirrels when n, itsnds /,
lobby Of the Astor Thsa,sr ,.l -
out into Broadway In 1917 k.a
:sll the year 1852, when N. ur. :.
was a field oyergrovn vita re-. =.
shrubbery ard he vas a. sr,sr,,,,.
lad with an old.tashions. NJ. 49,,
confidently for game.
IT seems simost prbsl..v,t. ,...
! look around ne to.say.' uu v,
Lewis, who Is row s.gh.y.f, y,,, :
age. 80 many changes hsv, ,,..
place since then that FEEL la D.
Van Wink.e after ~ had svls,,,
from, his long sl.zsbsr.'
Nr. Lewis VAS born IN Esv ",
City in 1887 and kal been al-se ,,.
tinuously on the stage sire, 1. .,s
his debu, before ~, 'ootligta /, AZ
at the old Sationli Taestsr IL E,c,
A. early a. 1853 as Va, plir,f =.
part Of Tslso With Edwin ForU
The Bondman of Kent ard hsts
supported Forrest IN "Nsn-s.l
Macbeth and ~Riehe'isg"
He has appeared 10 support aR
win Booth, Lawrence Barrett. I,s
Mccullough, Joseph JsSsrson. z .
Davenport. Charlotte cgihnir. ~
Anderson and, 90 fac' q ill 4, /.
portsnt stars Of tire Amsriean sc
since Forrest. ard hss lee,gr,l p
Shakespeare ,hrogghogt 'As ees,'-
Mr. Lewis fgures sl. "a, 3. ~
played between 800 and 1850 ;sa
during Ma stage career ard las ir
appeared IN many motion fi,tsfa
Mr Lewis knew both I,ssns
Davis. Presieer, - ~, sos,ks;- c',.
federacy. and Abrshsm L.-.o.s. g.
he knew them vel Hs se,s. :, -
company Of John Wilkes Beo,s s.,s
ward th. assassin - L.nsslz. E' ~
met Lincoln IN 1885 sat iasJ s,si-'
warm friends IN 1851 ~ LEl ~
q member Of n, stock company q =
old Montgomery Iaes'fr IN N's'gs
cry. Ala. John Wilkes 5oo'a ~ ~
leading man q, the ,.me iaa as ~
very popular nith thes'eFgssr
Jefferson Davis sss .assgsFs.. .
Montgomery on February :; 49, Hr
Mr.. Lewis, ard ATTENDED (" g
auguratlon ceremonies Mr DVgT
personal friend O. soo.a i.!wi
frsauen. vlfitor 20 re ,hsiisf "
. know him very Vsl. srt Ts ssso
quite good friends.
When John Wilkes Doota iEs4
In Montgomery there was ysssg *
who was very mueh 10 .oys VIZ -
This old swce,heir, 81 E5oiat g.
alive ard ihe is nov .'y.ng 70 l',ii.
sonvillc. Ia Two years ago ',si
was playing in Tiger Ross' n }" y.
leans. ne, her and we ia.kes "r -
times and recalled tae days 70
Booth and ! we've members q n' ~
company" q,
Despite bis advanced ysi'i =
Lewis IS still hale and active q, -. 7
Tremendously interested q lh' .
advice % actors who wss, q I'VE 90.
and stay younc is % keep i,'''''N' 7.
things and be wi,h young reoP' "
much as possible. 49,
Don't talk about The COCO 0'c S-''
he says. but talk about ,hs COCO y'-.
days. !. is the prsssn, that e'.'.
and not the PAST. The modern sag
shows a big improvement over &c =
methods. both in s,sgserai' ard '''i'l
Joseph jefferson ana ] we're 81
friends, and he once advised ne n'''
te retire from the stage. but TO o.
harness. That is my smbi.loE-se 5"
an a.tirn ns long a. | live
New-York tribune., 1922-06-11
Watch for "Yar"
And Watch for
~The Rainbow"
These Two Things Have
Helped to Make the Last
Week Fairly Bearable
Bv Harriette Underhill

DY T1dIrlcttc OHlSihWf
Harry Houdini's next picture is go
ing 70 be called Var" or. TO be more
seeuTate, that is the name Of the story
which he is going 70 use for his next
picture. He didn't really tell US very
much about IL. because he was 50 in
terested In bis current picture, The
Man From Beyond" which he is going
TO release as a states right picture and
send out over the country with ma
eic!an 20 seeonpsny each copy.
AZ Last
A Waterloo
"will you show them how TO DO your
trleks?" We asked. and II Mf. Houdini
had said "Yes" ws should have offered
our services on the spot OF all the
men we have met. Harry Houdini ia the
most annoying, because he absolutely
bames you. We havo watched other
maclciaa's tricks - experiments. they
call thenl-and there always Is some
way In which they might have done the
thing. With Houdini THE Is not 50.
ANY man who con be locked IN United
states mail bag and escape In three
seconds. leaving the bag intact and the
lock still locked, isn't human. "You
can't DO g." we said TO him, unless
YOU disintegrste."
That Is g." be sequiesced. 'I do
aisintegrste.' And while he pretended
that he was Joking st sounds hike the
only explanation.
When We arrived 81 the Office Hou-
d!ci was in the projection room re-
eeiying foreign agents who had come
q buy his picture. There we're East
Indians. Japanese. Italians, Norwegians
and others, and Houd!ni talked with
o.. of them. They seemed 20 exchange
courtesies by alternating their forms
Of expression.
Tell US about tho new picture? :?
What does Var mean
"It is the name Of the hero IN the
story. In prehistoric days the names
lad only one syllable
"Hpg do you know that7" we asked
usp.iously. for we should not have
been surprised II Boudini had dis
closed 90 US that he had lived at that
tine and remembered IT, II you never
have seen Houdini you will believe that
these are mere rawlings induced by the
. hottest day Of the summer; but If you
: bave seen him you will feel exactly as
we Go about a. Surely there never has
been any one ike him in this world,
md II YOU forget it when you are talk
inc 20 him 1t is only because be IS so
rnsssumng
As Var in the new picture / an
roing 70 do lot Of things that no one
ever has seen me do before
viii they be dangerous
All Things
Are Possible
u don't know what dangerous means,
hecause do not know what fear mfans.
This scar on my arm was made by
.he hatchet Vhieh chopped ne out Of
tae cake Of Ice IN which was frozen
. n my last picture
"But that must have been terribly
ra.nful How could you GO on work
irr7'
why. YOU know, don't you, that It
is possible 20 defer pain until such
tine a. IL is convenient 70 have Il? /
never feel anything until hours after
- happens to me"
Now what are you going to do with
man like that?
New-York tribune., 1922-06-11

James A. Fitzpatrick, who Is in
England making q series Of Urban
Popular Classics on English authors
is a. work on the estate Of Lord Al
fred Tennyson. on the Isle Of Wight
New-York tribune., 1922-06-11
Shadows on the Screen

bsnks's next picture will be Douglas
Fairbanks in Robin Hood" This is
done to distinguish the Fairbanks pic
ture from numerous other productions
named merely Robin Hood"
New-York tribune., 1922-06-11

The George ". Cohan Thester will
open in July with an R-C picture, "In
the Name Of the Law"