The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1922-11-16
Paris Modes i'm
Formal Apparel

Paris promises n winter season of
lavish decoration. observes a fashion
writer In the New York Times. II ones
frock be somber. Il must be enlivened
with crisp flowers or a vivid girdle. II
your evening gown be stately, let II
slip or either one or both shoulders.
and hold II securely with straps Of
tiny flowers that glitter with silver or
gold. II ones suit seems the lenst bit
buslnesslike. II should be embroidered
with steel beads or strips of fur In n
verndcelli pattern. Above all things
one must avoid the obvious. and have
ones frock berufled where RIFLES
might least be expected. or beribboned
and gayly buttdned In unusual design.
AS an expression of the vivacIty OF
his costumes. Worth has chosen the
tassel. which may seem old-fashoned,
but which really has gone through
many stages OF REGENERATION. They are
used alone or In groups. Of large d.
menslons or Of small. OF silk, OF satin.
OF metal or beads, but In every case
they are the natural complement OF
the gown they adorn. Especially love
ly ones are made OF blades OF metal.
which are used on street frocks, and
one evening gown boasts three long
tassels Of tubed crystal.
Brandt hangs tnssels by slim cords
or finely wrought chains and tops them
with exquisite embroidery or braid Of
contrasting shade. And with the
prevailing vogue for superfcIalities OF
trimming, ribbons have gayly come
into their own. They offer width 10
slim skirt lines and width to abbrevi-
ated hens. Encrusfed with wee flow
ers. or varlously braided. they wind
their gala way between bObbed tresses
or crown more stately coiffures. BY
attaching countless narrow satin rib
bons to the shoulder and catching
them together NJ the waist and guild
ing them gracefully to the wrist. where
they are caught by a silver cloth
wristband. Martial ct Armand have
created an otherwise simple evening
frock for the jeune file. When silk
ribbon is padded and attached to either
side OF n silk skirt II lends the soft
folds sufficient weight to attempt
graceful flare.
Originality In cieeves.
The designers are finding the sleeves
a field for originality. Nothing that
could be done to sleeve has been left
undone, and II one should feel that all
that can be said OF sleeves has long
ago been suId he must hearken to the
words OF Jean Pntou. who decorates
one tightly fitting sleeve In a suit coat
with epaulets OF rich fur. Alice Ber.
nard fits her cuffs tightly TO the wrists
and permits them TO fare. funnelwise.
at the elbows. Jenny has varied this
theme By adding to the flnre cuff
nounce upon iounce Of the same con.
trasting material. In an unusual gown
OF cigar-brown velvet. which is one OF
the most favored NJ colors In Paris.
Jenny has terminated tight-fttIng
sleeves Just below the shoulder and
held them In place by marrow bands OF
the same material. which rndlates
from collar fitted closely about the
neck.
Ahhftu hhTco uer sleeves NJ the
wristband and weights them with silk
tassels. Sleeves are trimmed with
wide ruchlngs and full flowers. and
sometimes sleeves almost decline the
name, for they begin at the wrist and
refuse 10 reach farther than the elbow.
despite the bewilderlng cuaxlngs OF
crisp blossoms ard narrow strips of
fur, Occasionally one finds a gown
which, In place OF sleeve. has merely
a huge cum placed on the bare fore
arm. And lace mittens have returned
20 complete the quaint character Of
the sleeveless street frock II II be
made with n full skirt and tight bodice
as In the days Of poke bonnets and
ankle-lnced slippers.
Collara In the handa NJ the partsIuu