The broad ax. [volume] (Salt Lake City, Utah) 1895-19??, 1922-08-19

The hand Il used to he the cellar -
gether and these three ties serve 20
form a pattern that draws the whole
design Of the garment into one.
The hat Is white. as one might az
Dect, and Il Is faced with q layer OF
black. while the roll that forms the
trimming about the crOwn Is made Of
white velvet twisted until Il forms
sort OF rope.
capeliks Sleeves.
The sleeves VI this gown are tun
enough to run Into q sort Of dropping
effect AZ the back which. when the
arms are loosely hung at the side, form
q capelike look across the back In
spite Of the fact that they are YER
table sleeves when the arms are posed
At other angles.
This Is one Of the happy parts Of
the modern sleeve. Besides being a
sleeve, IL Il usually something else.
They. together, form a cape, a scarf, =
collar or what nOtl They are. only
to begin with, sleeves, but they usu-
ally have some other function to per
form In the design OF the gown Con-
sidered as q whole. There are sleeves
which reach into side draperies for
the skirt And this they do most eff
fectiyely.
For instance. there u q dress OF
brOcaded silk In gray. II u straight
enough and plain enough BY Itself. But
then there are the sleeves. They are
folded and draped ana nung over the
arms and when the chiffon has I'm
ished making sleeves to be worshiped
for their very beauty then Il takes IT.
self into the skirt where Il Is draped
and folded to such an extent that II
makes the real interest Of that skirt.
u course the drapery congregates at
the sides and at the hem II falls In
points over the hemline. But the
sleeves are the things which start the
Idea and from them the folds Of the
skirt take their way In unallOyed en-
Joyment. To finish the gown there IL
q wide band OF silver lace to make the
girdle and then there Il Q chou OF viO-
let flowers made OF chiffon posed az
one side to finish on the girdle. On
the whole Il il q notable gown, In per
feet harmony with the style Of the
present mode, but after all, Its sleeves
are the central points Of interest.
From them the draperies that make
the gown distinctive emerge, and In
them are the lines that establish the
continuity Of the shaping Of the gown
Itself
For Afternoon Dreasea
For afternoon dresses the sleeves
are Of Just as much Importance as
they are for any other sort OF frOck.
In fact they are more so. II the truth
were faced Afternoon frOcks must.
Of necessity, be graceful and, Just now,
without flowing sleeves there is no
chance Of achieving a graceful frock
without that side addition that makes
4 sort Of sleeve drapery.
There Is another frOck. Il Is COM
posed OF gray geOrgette, combined with
wide applications Of silver lace. And
II Is a gown that is notable so far as
its sleeves are concerned. The sleeves
and the upper section Of the bodice
make 4 pattern with the groups OF
tucks that are so arranged that they
string along the sleeves and then
across the neck. Other than that there
are only layers Of the silver lace which
stretch over the foundation Of the
same chiffon. But who can say that
the sleeves are not the interest Of the
design Of the gova? The lace Is the
trimming. Oh, yes, to be sure. But
the foundation frock is accentuated by
the rows Of tucks thar stretch across
the front and the back Of the bodice
and then down the sleeves and across