davidaulloa/AmericanStories huggingface dataset:
Decorah-posten og ved arnen., 1922-09-22
Smaanotiier.
GeDeumfoitninaerne / SpIfIanb.

VI IUIl SluO pplpler, al 10 Yrpz
cent al Sfoleberlelte / Nrbcioerfpar.
tererne / Berlin CT unoerernGret, %
at minoit 20 Erocent al bisie igier
Ipil bore Werfer oeraf for 2ipet. gr.
beioslsnnen er ielnfelgelig iteget,
men ingenting / Communicating
meb ACKNOWLEDGEMENTS, bpilfct alt.
laa Blot betp6er, at Mrbeibslpnlen er
reouceret i GGroi. Oct oplpies, at
gl~rbeioerneS @ienneminitslen fer
Grigen bar omfring 80 @ulbmarf
ON ltgen. Wten M bar Sen giennenn.
initli9e llgelen en-. aiebeepne, iom
ioarer til otto 8lllomarf. Selgen er,
at Ell Soripr9er life or iitano til at
ifaffe lin 6amilie set npopenoigite
til Siuets gebop, og oct blep Huber
ernGring, iom mcrfeS l~terfeit poo
9ernene.
&iosfonIIer @irt6S Slaaor0:
"Serit 9reh % &lGber for set tpife
6olf, iiben Gritatnilger", bar funoet
@ienflang / belle Spiflanb. Sette
Slagoro lpoer uomerfet, i%friper ct
Irbeioerblab, men set or bel ct
SpprSmaal, ON 6ranfrig % 9elgien
ipnes oct iamme.
Sr. S%ubCnSollcrn ifal giftcs.
Sr. @ilbelm S%uben5olern, iom
cItoQllo bar Suiflar0S Seller, on ionl
bar pGrct Gnfemano ct gars Sio, er
M blct fie0 al Gnfeitanben og bar
paanp udlgt Jig Ell Siitrli. Sans
@alg er falbt paa Spritinoe Sermine
bon Scboenaicbs Garolatb. Sum or
"a Iar og itraalenbe paffer og gnfe
meo fem Barn, og bpis belle benr|
Slot aaar meo paa aisbet, iaa pN
oct bli mintert / Ooorn, bpor set MI
lGnge bar pGret title og ituSliat.
grpluppet ifal itonoe / Nopember,
beoer oct.
Set paaitaacS, at gr.aeiierens
mango Barn bar iorbitret oper llos
iigten til at faa en- Steomor, men oa
Sanmeln bar iiroffclig, bolbt alle
bans Sgnner - me0 llnotaaelie al
ban Sriebricb, iom life fan fomme
p9f ira @ieringen / Soaanb - ct
tort 5amilieraao i Gotsbam % be.
illtteoe enitemmig at "gipe lit 9i,
ial6 til Sorbinoelien".
Sgiaa blanbt DC gamle tpIfe Hop.
aliiter bar allnoeisrelien fra Soorn
paft Sfliielie. Spritinoens BLOB er
10 temmelig blaat men life aanife
blaat NOT, og bette piloe maaife for.
ringe Gbanicrne for of iaa praftiie.
ret Sr. @ilbelm tilbage til ben tpife
Krone, bar DC reanet no.
Smaafriscu i Srlanb.
apniliften i SrIano gaar fin
Gang. NGiten bier Gag mcloes Ger
ON Sammeriteb melem Hcbeler OF
SriItatstropper Der % Der runbt ON
S0n0pt Z QarAoos SonSf fooIoSos
Decorah-posten og ved arnen., 1922-09-22

ENTERED AS SECOND CLASS MATTER JUNE 18TH 1908 AT
THE Posi- osTIcE AT DEBORAH, Iowa, UNDER THE ACT
OF CONGRESS OF MARcHS 8, 1897.
Decorah-posten og ved arnen., 1922-09-22
Smaafriscn / Srlanb.

aoniliften / Srlanb saar fin
Gang. NGlten bier Gag melbes Der
ON Sammeriteb melem Tebeler og
Sriltatstropper her % Der runbt ON
! Sanoet. 5 2srbaes fanbt iaaleoeS
Decorah-posten og ved arnen., 1922-09-22

efrio otter Frbneeremplarer al "ssturob.
Soften us geb @rueu"! Mteit uobreote morn,
gIao | Gmerifd.
New-York tribune., 1922-03-26
Every Man i'm His Own Humor

TO the Dramatic Editor Of The Trib-
uhe-Sir: Having been in Paris when
Montmartre" was produced and having
Witnessed this performance three times
IN company with noted French journal
is's, was naturally attracted and con-
slderably amused by the letter of S. H.
a. In The Sunday Tribune. saw
Montmartre" when it was done at the
belmont Theater with Galina Kopernak
ana the Players Assembly, and my judg
meht was that it was remarkably we'll
aohe' quite as we'll done as it had been
:" rarls. You can imagine then my
amusement when your correspondent
refers to "a Russian Marie Claire" He
'eems to think that this was an egreg-
'0us srror. Perhaps he might think the
'Amo Of Edwin Booths Shakespearian
Fe'iormance, as Mr.. Booth was neither
wig french Louis, the Danish Hamlet
'. 'ne English Henry. The Marie Claire
'he New York production has misled
oie than one person by her foreign
''s'onality, and perhaps the mistake Of
assuming her to be French when she
@s Russian wes, after all, moro or less
'ustihable.
1ns Players' Assembly has not yet
'h given It's proper need Of praise
>, New York. In Northumberland
r"'~ "d-i-ai,v -r'+t A-~ S---' ,-- -
New-York tribune., 1922-03-26
The Theaters
BY Percy Hammond

RNoLD DALYs representation loud convocation
~ Of the ttler things in the
taking playing chess voltaire eating
soue untdy Voltaire ambuating
the voltaire ambuang gyrang talking
sy through his 1t is they
known by their smaller habits thrifty
Eat and Grow Thn
Caue Mendes removing shoe scratching
his foot told him about that many
50 IN Mr. Daly picture of Voae enabled the heart
his subject via the somewhat perp medium
Observing his vocaizaton barque say
~ npe1ng snife Whispers and boundngs about wonder
why as figure in the theaer Voare
play Plymouth the product of two modern sweet
girl surprising prudent
acny thing containing through
hae mn OF It's youthful authors the hero shvd all his
nagn and he noble though daboca
None of betrayed Adrnne Pimpete
Emile and the other ladies who were loved by him sincerely tenn
orariy heard the entertainment Mile Caron
Cmedie Franca who is said
ness present but only IN wholesome Any else writing
Vtaire" would have made his Marqu
Chets nfdey with the big soldier other trident
his life But the Misses Leila Purcell
exhibit him. Daily upright phases
datrbes cynicism
ally mournfu and unnesng from the guione
hearsy AS implement for the disclosure
play proficient AS biography history DIVERSION
longing
Though they are IN. stars Of their respective ~
re and The Hindu Mr. DAILY and Mr. Walker Whtesde perhaps
the worst Of the in their Both which
ddains illusion please Neither more
than remotely resembles Tdon
call the homo Mr. DAILY fantastic way
in another Mr. Whtesides Of role, plays
with monoony mistaken perhaps for an
@sec reticenc Mr. Day Votaire
player "The Hindu" is less ifek than
Vota Mr. DAILY his unparalleled
In THE Hindu there exhibition the
AN indian in the first mysterousy Giving
OF the Princes palace sinks the
and cabinets Eventually he takes from
oox He walks with
and after silence, back
can the significance of this
the prince endeavoring to entertain
e pretty English shows her his
Of these in the which
called 1t explains extracted from widow
who about be ncineraed husbands pyre
New-York tribune., 1922-03-26

edge that the greatest French players,
writer's and artists as well as CONNER
cial leaders now in New York have
agreed with me-the New York per-
formance is in every sense equal to
that of the French. They have done a
really fine piece Of work and they
should be commended for it. Instead,
there appears to be a more or less
determined effort to minimize their
achievements. l am interested only to
this extent: I was in France during the
recent exciting period and I saw this
play, and when I learned that group
Of American players intended making
their own production l was curious to
see what they would do with it. l was
happily surprised. They did it with
what might have been expected from
a group Of players such as is repre-
sented in this band - such "minor"
players, for instance, as Helen Ware,
Helen Lowell, little Miss Kopernak,
Brandon Hurst, Frank Doane, Arthur
Hohl and others Then when l saw
their efforts challenged I went again
to Soc the play, and l have frequently
discussed this and other French plays
with those most competent to Judge.
The consensus Of opinion is unmistak-
ably favorable to this native band, and
for one they have my encouragement.
Now York, March 90, 1929.
New-York tribune., 1922-03-26

union, who snaD be the perfection OF
beauty.
The play gave the illusion Of q Bar
rie, rather than a Pinero, first night.
1t is typical Barrie theme, treated,
however, without Barr1e's fantasy.
Supernatural machinery" is always
touch and go thing in the theatsr.
and suggestion is generally more potent
than naturalization. Why Pinero in
trcduced what one critic calls the "bai-
-pantomimes" Of the second act; with
its dream weddings and fairies and
hobgoblins, nobody can quite make out.
Certainly the effect does not get oyer,
and it is suggested, that the play be
more effective If ell this supernatural
business were cut right out Pinero.
1t may be remarked, has often made
later alterations in other plays.
Aside from this, there is no sign Of
any failing in his clever craftsmanship
as a playwright. The dialogue Is often
delight in its nimbleness Of wit, and
the tiresome relatives are typical
Ptnero humorous characters. II the m ain
characters smack rather Of the stage
than Of real life, still they move very
eleverly when Pinero pull. ihe stringA
The conception Of the young athlete
turning IN horror. from his mutilassd
self and hating all the jazzing postwar
world IS finely suggepted, and Owen
Mares acted it finely. Good looks have
been a sorry plague to this actor, con-
demning him to work often upon trivs-
alities. In "The Enchanted Cottage" he
had a chance TO act, and be took IT,
Laura Cowie gave tender, moving
picture of the young wife under whose
! homeliness lies a spiritual beauty. Jean
Cadell, In the part of the housekeeper,
part similar to that she had In Mary
Rose" with almost the same mase-up,
heightened the illusion that ir was q
Barrie, not s. Pnero. production. Tho
simple pathos OF the story and the
players. skill made one. only more i'm
patient of it's irrelevant supernatural
interludes.
New-York tribune., 1922-03-26

that had been requested by the photog-
rapher."
"How zat?" Miss Cohan made her
eyes bulge just a trihe more than
those Of Cohan, pere.
Great. Hold it,"
The camera clicked. Then Mr.. G.
M. Cohan swept his daughter off her
feet very much as he probably did
when she was three, OR six or twelve,
instead Of twenty, as she now Is. He
whispered something In her ear, too.
The Trbune's eavesdropper, by that
time, incidentally, qualifying as an
eye-dropper, heard what he whispered
"Your getting to be sketch dame,
yet what he meant.
Putting his child back on her feet
and receiving an affcctionate shove in
payment, MIR. Cohan returned to the
interview.
"This isn't the first time this sort Of
thing has been done. | play opposite
my daughter in this show. When | was
sixteen or seventeen l played my
mothers father. That was twenty
seven or twenty eight years ago. Then
in Andy Blake play by Dion Bouci-
cault, l was my mothers sweetheart.
81 can think of another case, too.
Lionel Barrymore played with his father
in sketch. That wss n vaudeville
a I'd I was on the same bill. 1t happens
lots of times with theatrical families,
and that's the kind George belongs TO-"
Georgette by thit time had wheeled
away from the photographer and was
amusing herself and the rest of the
company with a neat little double
shuttle to her own whistled aceompani-
ment.
George watched her--in his eyes
something Of the expression to be seen
in an old dogs eyes as he watchs7 q
New-York tribune., 1922-03-26
To Ruth Draper

How can you merge so many souls Ia
And free them in a single evenings
fight
Until In swift kaleidoscope they run
Their separate ways before our marvel
ing sight?
How can you be gum-chewfng factory
girl,
Garrulous native of a ea-girr Maine,
Bewildered peasant from an older
world,
And Eglish hostess of right high do
main,
Without an. aid in your illusioning
Beyond the readjustmen. Of a shawl!
Yet when l question why emotions
spring
So >keenly from US, at your beck and
call
l have forgotten quite the world thas
:. lies
Within the changing glory of your
Ruth Lambert Jones'
New-York tribune., 1922-03-26
Here We Have the COhan
A-Iraining of Its Young

At Bronx Park almost any day one
can observe how the lions, apes
and hippopotami train their young,
but rarely is an opportunity presented
to watch a theatrical father train his
daughter on the stage. For the dura
tion of the run of "Madeleine and the
Movies" at the Gaiety Theater the
chance is there, six nights week plus
two matinees.
Miss Georgette Cohan might resent
this, with good reason, on the ground
that she already knows how to act; but
there are more things to be learned
from George Michael Cohan than mere
acting. For example, as producer
he can tell this slim young daughter of
his the best devices for getting a fat
figure written into her contract (non-
Equity, Of course), and as dancer he
can give her the ultimate in low down
on ways Of keeping her own figure lean.
AS writer-but hear George himself ::
"The kids got everything. She can
act, sing, dance, write and is an ac-
complished musician. How far she
Nes depends on just how much atten-
t,>n she gives it. She walked on in
London and played Peter Pan, they tell
me, like veteran. They also tell me !
missed lot in not seeing her in Mr..
PIN. Excuse me"---
The male parent os Miss Georgctte
in long strides took the center of the
stage in the darkened Gaiety. The
audience had gone and the house was
a black cavern except for several un-
believably brilliant arc lights that
nowadays take the place of fash
powder for photography in dim sur
roundings. The members of the
madeleine and the Movies" company
were having their pictures taken.
"Not that way, Georgel (That's what
he calls her). Here, look" Papa
Cohan made his eyes bulge, by way
New-York tribune., 1922-03-26

Bertram Harrison is directing the
rehearsals for "The Schenkem Six" the
newest Potash and Perlmutter comedy,
in which Barney Bernard and Alex
ander Carr are again to appear in the
characters they created for thu stage.
Lee Kohlmar, the Marks Pasinsky Of
the Potash and Perlmutter plays, will
be in the cast, besides Beatrice Allen,
Jane Spottswood, Edward Mordant,
Mrs. Jennie Moscowitz and Frank
Allworth. A. H Woods has
purchased "On Parole" drama in
three acts, by Alfred Kennedy. {.
Paul Geraldy, author of THE Nest"
will soon come to America to see the
American version Of his play at tho
Forty-cighth Street Theater and confer
with William A. Brady regarding the
production Of "Aimer," his latest play.
Helen Eagles, sister of Jeanne
Eagles, is playing in 1.-The Demi-Vir-
GIN" Neither the Chautauqua
nor motion pictures will draw Ed
Wynn away from "The Perfect Fool"
the comedian says. Nearly 100
plays have been submitted to the
Players Assembly for next season.
"Montmartre, now at the Belmon Is
the organizations first production.
.. The Annual Public Revel of the
Green Room Club will be given at the
evening, April 16. Frank Bacon, presi-
dent Of the club, has appointed Bernard
Randall master Of the revel. {.
Sidney Blackmer, who has the leading
role and some songs in "The Mountain
Man" has received several offers to
appear in musical comedy, but has
turned them down, avowing that he
intends to do musical plays only.
Eugene Walter, recently recov-
cred from serious illness, is working
on play which he promised Mr.. Woods
last winter. Because Of the
success of 1.-THE Hairy Ape" the Prov
incetown Players have postponed the
production of their sixth and final bill
of the season until the latter part Of
April, when a long play by Susan
Glaspell will be offered. "The
Bat" starts its eighty sixth week at the
Morosco tomorrow night and will
reach it's Tooth performance during the
week. On Easter Monday, April II,
Frank Craven's "The First Year" at
658th time. =. Charles George is
music of GO Easy, Mabel" in which
Ethel Levey is to appear at the Apollo
Theater, Atlantic City, during Easter
week before coming to Broadway.
Margaret Anglin will close her
engagement in "The Woman of
Bronze" in five or six weeks and will
then rest at her country home. Later
on she will travel and then will go
abroad. She has several plays in view
for next season, but has not made a
choice yet. =. Tom Wise is writ
ing a book of "reminiscences of the
theater. =. Godfrey Tearle is
coming over to appear in a new play
You may recall his last appearance
here in Carnival" which failed after
few performances. Johnny
Get Your Gun" has just been produced ID
in Australia. 1t ID recorded high hit
Louis Benson is playing his old part
- the leading part-in the presentation
"Out to VIM" the new play in
which Dillingham; will star William,
Faversham, is said to be in the mode
% Bulldog Drummond"-th impera-
tive, "get him dead or alive"
"The Willow Tree" is to be adapted
for musical comedy. Benrimo and
Hazleton, who did "Yellow Jacket; ;;
Guy Bolton and Armand Vecsey are
sonssptns soseDr.s'g F. M.rjolans sns nsy wl 'G ;:
New-York tribune., 1922-03-26

q large scale. He will produce G mu-
sical comedy with plot similar to the
story of Aladdin, obviously a chance
for the wonderful lamp. The trans
formations used in the production are
to be more complex than those which
were employed by the Greenwich
Village Follies," by Pavlowa or by the
Criterion Theater.
Coursing up and down Broadway is
the story that Pauline Frederick is to
return to the speaking stage next sea-
son under the management of A. H.
Woods. Her last appearance behind
the footlights was In wnnocent," in
1914, also under the direction of Mr..
Woods, and when she was lured away
by the motion pictures she is said to
have promised the producer that she
would come back to his stage, if to
any. The gossips have it that Miss
Frederick is to play in East of Suez,"
the new Vaughan play which Mr.
Woods recently purchased,
New-York tribune., 1922-03-26
Are You Backing Bes.,
Or DO YOn Prefer SamY

A handball match has been errangt%
between B. S. Moss and S. l.. Rothafel.
both we'll known in picture circles.
Joseph johnson, ex-chairman Of the
New York State Boxing Commission,
will be referee. Mortimer Norden will
holds the handball championship Of
hold the stakes. Mr.. Rothasel already
the Capitol Theater, and Mr.. Moss has
defeated all the best players on ths
Keith circuit. So step up and make
--~,,- kets - pr
New-York tribune., 1922-03-26
On London Boards
By Ware B. Wells

ONDON, March "a play by big
event for London 1t nearly four play
his has been produced the
table, he called it, "The Enchanted Cottage eagerly
By his
later write play When
first entrances stricken exsoers ugly
other blinded there seemed promise Of perhaps
But
the dmatss proved to be much less though
the play well received undoubtedly dsap-
New-York tribune., 1922-03-26

available for the musical comedy stage
$50 Long Lefty" and "Linger Longer
Lefty" are the other members of the
Lefty group.
New-York tribune., 1922-03-26

Charlotte Greenwood, who is appear
Ing in Lefty Pepper" at the Walnut
Street Theater, Philadelphia, will very
probably come to the Vanderbilt The
ater on Monday evening, April 10. Her
present vehicle Is the latest of her
Lefty series of musical comedies. "Letty
Pepper" is a musical version of Charles
Klein's Maggie Pepper" and Oliver
Morosco and George V. Hobart made it
New-York tribune., 1922-03-26
Theater Lags With Advent Of Spring

A MONG the sad vicissitudes Of the
N theater season .his weeks stands
out as an interesting novelty
There are no new attractions on the
boards, neither are there any with
! drawals. 1t is the first period this
year that has been without its fuctua-
tions. Gamma Christie" which was to
have closed last night at the Wander
bilt, is held over for another week
When it does go out it will be Joined
by "The Law Breaker" now at the
Times Square Theater. Marjorie
Rambeau in Jenny Jones'" which was
opened last week in Baltimore by the
Shuberts and A. H. Woods, is scheduled
to arrive at Maxine Eliiott's Theater
on April 8.
The outlook for spring production Is
joyless. Managers are holding back
announcements for next season and
few out Of town tryouts are scheduled.
One important development in the in
terest of playgoers is the appearance
Of tickets Of most Of the Broadway
shows in the cut rate agencies, where
both orchestra and balcony seats are
to be had at som mething like half price.
"The Music Box Review" "Sally,"
"Tangerine" and Good Morning,
Dearie" continue the most popular
music shows. Among the dramatic
plays "Kiki," Captain Applejack" and
| ~ fo
leadership. with "To the Ladies'" NOV
ing up.
Plans are to be announced soon for
Ina Claire and DeWolf Hooper, both
IN music shows under different man
agcment. Miss Claire is to appear in
comic opera under Charles Dilling-
ham. Hopper will be the star in a
new music revue.
Frederick Stanhope will make new
production soon. Stanhope produced
1.-The Tenth Man." by Vaughan, in At
lantic City last spring, but that was
it's nearest approach to Broadway. He
also staged the Shu6ert production of
"The Night Watch"
"Back to Methuseleh" will probably
be held over at the Garrick, at least
for few more weeks. When the pres
ent cycle ends the Theater Guild, be-
ginning on April 10, will introduce a
plan whereby the three sections Of the
play will be given in the course of
each week Here is the schedule
which will be maintained: First sec
ton, Monday and Tuesday nights and
Tuesday matinee; section section
Wednesday and Thursday nights and
Thursday matinee; third section, Fri
day and Saturday nights and Satur-
cay matinee.
Tomorrow night Back to Methu-
selah" enters upon the second week of
its second cycle. "The Thing Happens
aad the "Tragedy of an Elderly Gen
tleman" will be presented this week
with the curtain rising at 7:30.
Nicholas Y. De Lipski, the Russian
artist who created the ode Lipeki Trans
formations" stage settings which
change completely with the changing
New-York tribune., 1922-03-26

Nicholas Y. De Lipski, the Russian
artist who created the ODE Lipeki Trans
formations" stage settings which
change completely with the changing
Of the lights, has formed a corpora
New-York tribune., 1922-03-26

Ruth Draper will offer some new
material in her three programs at the
Selwyn Theater this week. "At the
Court of Philip ". of Spain" the most
recent addition to her reDertory, will
be one of her sketches tonight. Music
is employed in. this number and Miss
Draper dances a minuet. Her Tuesday
afternoon recital will include seven
sketches, among them the "New York
Factory Girl" and "In a Railway Sta
tion on the Western Plains" A hu-
morous program has been arranged for
Friday afternoon.
New-York tribune., 1922-03-26

Plans are to be announced soon for
Ina Claire and Dew off Hooper, both
agcment Miss Claire is to appear in
comic opera under Charles Dilling
ham. Hopper will be the star in
new music revue.
New-York tribune., 1922-03-26

Frederick Stanhope will make a new
production soon. Stanhope produced
"The Tenth Man." by Vaughan, in At
lantic City last spring, but that was
it's nearest approach to Broadway. He
also staged the Shuoert production of
"The Night Watch"
America. [volume] (Cleveland, Ohio) 1905-current, 1922-11-02
CONVOCARE

Societatea Romano de Ajutol
81 Cultura ''Biruinta 81 Desrobirca
Neamului Romanesc'' din Warren
Ohio, prin accasta convoaca pc
toti memorii sal de lua parte ia
Scdinta gcncrala lunara care sc va
tinea Dumineca in ) Nov. 1922 in
Hala Societatii III Walnut Str.
la oreie 80 p. IN. dlupa amiaz.
Avand mai multc punctc de re.
zolyat sunt rugati staruitor toti
membrii de participa la aceasta
sedinta.
Membrii inscrisi din nou sunt
ruga.l Gle a $ eprcsenta pentru a
dcpune juramantul, MI uitati d
indemna pc priettenii d-voastra
Gle sd inscrie 81 dansii ca mem
bril- in Societate mai Gu sama
acIlm pana &C taxa de inscriere G
numai un dollar.
(NB.) Toti eel care datoreaza
Soc. 'Biruinta 81 Des. Neamului
ROM" sunt Gu insistenta rugati
dc asi achita accle datorii yechi
pana ce nu prea tarziu 81 sd MI
astcpte mime din datoras pana &C
Soc. il va sill pc calea legii sd pla-
teasca, ceia ce Societatea nu ar
dori sd o faca.
Pentru Soc. 'Biruinta 81 Des
Neam. Romanesc' din Warren. @.
George Dragomir, prcsedinte.
Ilie Stirbetiu, prim secretar.
America. [volume] (Cleveland, Ohio) 1905-current, 1922-11-02
COAv0CARE|

Societatea Romano de Ajutor
81 cultura ~. S. DR.. G. Ange
lescu Romanul Arlelcanss din
Cleveland, Ohio, Convoaci pc toti
mclnbri eli lna parte la aduna-
rea lunara a Socictatii care Sc va
tinea Dumineca in 5 Nov. 1922 la
ora 9 p. m. in localul Societatii de
sub No. 6l3l st. Clair Ave.
Toti membrii stunt rugati lua
parte la sedinta. Acei lnembri care
sunteti in rcstanta Gu cotizatiunile
1lunare 81 alte conlpctinte fata de
Societate sunteti rngati a va
achita datoria pana la Sedinnta
ca sa nu finn siliti a va trimitc res
tat mai tefavorabila va II 81 a
tanti la Uniune. Aceia care nh
lucrati veniti Gu tatii. Aduccti 81
cate un membru nou Gu D-strc.
Scdinta Sc va inccpc la ora 2 p. NJ.
Isl nu va dura mai multi ca un ceas
81 dupa aceia vcti Fl libcri.
In numelc Soc. U. s. DR.. G. An.
gelescu Romanul Ardelcan's. am
s.
ramas salutandu-va.
{257--5S). Presidiul.