The New York herald., 1922-11-26
eer Of dresses one over the other in

Der pr dresses one over the other In
different colors.
Millinery. as noted at Longchamps for
the last few weeks. has been particularly
smart. The hats attracting the most
attention have invariably been the cloche
shape, despite the fact that modistes
have made q desperate effort to get
away from It, The felt or suede cloche.
with tiny brim, usually In black but
frequently in brown, with an enormous
bow or bunch of aigrettes or feathers
over one ear, Is seen everywhere, and
those which have not this particular
trimming have silk scarves OF bright
colors around the crown.
Tne more dressy hats in black panne
are too frequently the cloche also. but
they are usually Of tho picturesque type
with broad brims which give ample op-
portunity to vary the trimming to make
them different. A hat of this type seen
at the races Is one of Lucie Hamar's
newest models in black panne. with no
trimming whatever the shape itself
being so perfectly proportional that its
graceful lines alone make 1t attractive.
The broad, dropping hrim Is faced with
brown tulle pleated in the shape Of lit
tie cylinders, and a straight piece Of
tulle. which serves as a scarf around
the throat, Is attached to the brim over
one ear.
Another popular hat at tho races is
also new Lucie Hamar model of the
last week, which makes an attempt at
breaking the cloche rule with It's saucy.
upturned brim. 1t Is made Of pinkish
beige taffetas. with a soft, sheered brim
and a band of kolinsky covering the line
of sheering both at the edge and at the
half brim. With the exception of a few
velvet cloches. Lucie Hamar is making
all kinds Of turbans. and one of her
most recent models is a tam In violet
velvet which would be pretty for Monte
Carlo. Violet is favorite color. An
other attractive model is Jockey shape
In violet taffetas with three flowers,
each of different shade of the violet.
across the front Of the crown.
Wells are being, extensively worn
again. A hat from IMcie Hamar for
evening wear Is made of gold cloth with
brown tulle veil draped across the
front and the two lace ends Of the veil
left to wind around the throat, and she
shows many day hats draped with lace
wells embroidered in metal threads
Metal laces are frequently used as a
band Of wool lace interviewer with gold
threads fiat around the crown and the
cloche brim is edged with the same lace.
Agnes. modiste who has recently
opened new establishment in the Rue
st. Florentin. is using metal laces as
trimming on felt hats. She favors the
felt cloche and makes It new by cover
ing 1t with silver lace drawn tight over
both the brim and crown, making 1t ap-
pear as II the silver threads We're en-
broidered on the felt. Agnes frequently
turns her cloche brim, which Is not more
than an inch and half In width. up on
giving n N
much the same effect as the old short
brimmed walking hat and derby.
A nat which attracted interested at
tention at the races was a Lewis
model. a small hat with a brim In
several folds of white felt, with stiff
little bow of the white felt over one ear
and black panne crown. Mile. Sorel
wore the same model when she left for
America. Another Sorel hat, which was
seen at the races, a Lewis model. was
of light castor panne. cloche with a
tiny brim and door knob feather POM
pom. with g. single ribbon hanging over
one ear.