davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

around the armholes Of their doublets
and tho maiden queen herself spon-
sored.
II tho new collar, followed the
structure Of the oriental roll and was
padded as 1t is, the head would find a
comfortable pillow on which to sleep
while one stood. Can one do this7
Among the arresting headdresses
Is a garland Of pink roses. another
one Of silver peoples which goes
across the forehead. twists into ro-
settles over the ears-in imitation Of
the ear pads OF hair, probably-and
runs under the chin like the strap Of
an English bellhop's cap. One
streamer Of roses falls over the shoul-
der and makes q decoration for the
frock. An innovation in combs IL to
have them made Of tiny vivid feath-
ers.
A really curious method Of decorat-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08
Chestnuts and Oysters.

Make a thick batter vita the yolks of
two eggs, two tablespoons Of cream, a
spoonful Of spinach Juice and a little
grated nutmeg. Add half a lemon pulp
minced, a little parsley and a little
-four. Dip the oysters into this one at
a time. then cover with bread crumbs
and fry quickly until light brown and
set where they will keep hot. Have
ready as many blanched chestnuts as
oysters, butter a hot saucepan and
dredge with flour. put a blade Of mace
in the liquor drained from the oysters,
add the chestnuts and let boil until
tender. Thicker with the yolks Of two
eggs beaten with four spoonfuls Of
milk. When it boils up thick pour it
over the oysters and serve.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08
No BObbed Hair,

the deeply ridged artificial waves
were like r,eughed burrows. there
were Spanish combs at ridiculous
angles over faces that should not
have liberties taken with them, there
were bunohes and knots and French
twists like the SCARED surface of
battleflelds.'
"And why were you shocked or sur
prisedT' was the query, Don't the
French have such coiffuresf"
mo, no." she said. 1.-The hair Is
well brushed, 1t shines. 1t has small
fluctuations like natural waves, there
are no hair nets to keep the lines
hard over the forehead, the forehead
shows, the contour is unbroken. Here
and there an ultra smart woman
wears small soft curls over the ears
or at the nape Of the neck. Maybe
they are artificial, but they look nat
ural.
IS A ND the bobbed hair7 Surely you
don't accept that Montmartre
style in smart society? But you do.
For I SEQ it everywhere on women
who have lons since forgotten their
school days. And those punches Of
matted hair over the ears. Where
aid that style originate and when
ala Il come into fashion, Are those
punches Of thick hair padded with
orinoline or fslss hair7 Is It SAINT
taryf IL the brush forgotten over
hersf"
.And the permanent wsve7" she
was asked. Surely that IL done In
France7"
II do not know . smart woman
who has q permanent wave in her
hair. Any couture who put sharply
defined marcel wave in the hair
could lose business. Nothing must
Interfere with the glossy sweep Of
he hair backward from the forehead.
No bulge. knot or puffs break the
sweep. Tho natural contour Of the
head must show. There Is slight
ridge permitted where the long hair
meets at tho crown of tho head and
10 tucked into place with q long
comb: there are small curls in front
Of the ears, and sometimes tho daring
youngsters curl the ends of their hair
and wear 1t pulled forward after the
fashion Of the directoire. But 1t is
all SO softly arranged. without hair
net. with such gloss and suppleness
as If it had q hundred strokes Of the
brush every day. And plenty of
brilliantine. The hair over here looks
as though it had never been let down.
that the women put it up into the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08
EFFICIENT HOUSEKEEPING
By LAURA KIRKMAN.

then decrease again. continue until
you have but groups.
Next row: s C into each st, repeat
.. for 16 inches.
Next row: oh SITS. 2 d into first
st. into next st, skip 1 st, C.
repeat :, twice, CHI SITS. turn, repeat
for the next rows.
Next row: c over CHI, CHI SITS, 4
d over same CHI, / into next d C.
8 CHI SITS. 4 d C, s over next CHI, CHI
SITS, d C over, first C of next group.
over next CHI, 3 CHI SITS, d C all
over same oh. CHI SITS, turn, this has
added one group. continue for the
next 3 rows, then add another group.
continue until you have groups.
make the short end 9 inches long.
This ends the tie.
Here is another tie: I spool shaded
brown. Start with % chain stitches:
First row: into the 4th st, l
C, CHI st, c, all into the same st.
skip SITS. d C. oh st, c. all
into the next st, form / fan. repeat :,
times, d into last st, oh SITS,
| turn.
Second row: fan over center st of
fan of previous row, repeat :, I times.
d c into last st, 8 Oh SITS, turn. re-
peat until your tie measures Is inches.
Next row: To decrease, make 1 fans
and 2 d G over next fan, 3 Oh SITS, turn.
repeat for the next row, making the
half fan at the opposite side, decrease
in this way until you have only fans
! to the row.
Next row: IL d C, repeat, for l6
| inches.
Next row: fans. then increase as
you decreased until you have fans to
the row. continue making the short
| end 10 inches long.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

STREET COAT OF BEIGE KASH-
DUvETINE, TRIMMED WITH
BROWN SILK BRAID. A NARROW
STRIP OF BROWN FUR EDGES
THE SLEEVES.
front with link buttons Of brown fur.
This model is also trimmed with
gray, and . newer fashion substitutes
black ponyskin. The furriers offered
this smooth peltry early In tho sea.
son and it has not become q force in
fashion, but IL has q strong place.
II is especially pleasing to those who
do not like 1ong-haired fur. The lat
ter is not always attractive. There
are certain types of women who need
hat surfaces on their figures, espe-
ciaIly near their chinA It Is these
women to whom ponyskin and
gaxelle make q strong appeal
No ono should miss the contour Of
tho coat which II shown In the sketch,
for It represents an idea which gains
IN force and which causes an entire
reversal Of our coats as they have
been worn.
: Even France has accepted the tight.
narrow jacket which outlines the fig
IRE, although 1t passes over the waist
In a straight line, but both America
and France are throwing that type
of coat aside In favor Of the big,
square garment, such ~ this sketch
presents
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

moro than gowns during the last two
decades.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

then frizzed, looks her worst with gar
lands Of green and gold metallic leaves.
trailing vines Of roses, high points Of
Russian tiaras. sweeping fues Of
feathers haring out from band Of
tissue or a bandeau Of fine Jewels.
She must be simple or she 10 lost. Only
those with sufficient hair on their
heads to give a genuine couture can
afford to accept these conspicuous
fantasies for the hair. Every one
tries to be original and, therefore,
many curious and ugly things are
done, but there are enough good fash
ions to suit all types. although the
bandeau Of lotus flowers once worn
by Cleopatra is for the rare type.
The Spanish comb Is sold and worn
moro in America than in Paris, where
even the Spanish shawl has given
place to a short ermine cape fringod
with chenille or edged with a deep
lace founce. These wraps for the
dinner table, the theater box. the res
taurant supper. even for dancing,
were offered last August by Poiret
and vionnet, the former making them
of unlocked ermine and black thread
lace, the latter Of black lace threaded
with gold mounted on black fur; after
these. others appeared of chinchilla
and lace.
Tho Frenohwomsn like wrap
about the shoulders for decorative
purposes and because their rooms are
not always we'll heated, Tho Amer
icaa IL not 80 tolerant Of them, but
she finds something Of the kind use.
full, especially when It is light and
easily carried, Instead of fur scarf
which she usually needs for the Shout
ders in draughty places, she adopts
this cape of fur edged with lace or
fringe.
1t is curious that chenille fringe
has been reinstated In the fashions.
We have associated it with portieres
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

quick. "AIl the difference lies in tho
head" she said. IT caught my breath
when 1 first saw my .countrywomen
in mass at fashionable parties. at the
opera, at tho theater. What Is tho
matter with their hair asked. It
was curled or frizzed. 1t was punched
out over the ears like the hair Of
Japanese woman, II was dry as straw
in appearance. the hair nets were
showing everywhere tho light struck.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

hard coiffures Of the Japanese and
slept on wooden pillows in order not
to disturb it."
"But the ears do not show in Paris, -
said a woman who was listening.
mo, that Is true" was the answer,
but there are no matted and padded
punches Of hair standing out like
mastoid dressings. The ears are COW
cred by curling tendrils of hair flat
tened against tho temples and often
extending to the cheekbones. after the
masculine fashion Of 1870. and there
is a forward sweep Of all the hair in
order to hide tho ears. but II is also
nat. Nothing stands out on/the head.
and every particle Of it shines like
the well groomed coat Of a horse.
Only tho daring youngsters hide the
forehead"
"what II a woman has a high fore
head?" was the next question. but be-
fore she could answer another wom-
an said: There are no high foreheads
in France"
IT imagine that Is true" said the
6IaQCO.AIu6TlCdu. Inc Va
southern Europe have low foreheads
and the problem of covering the high
bare expanse Of forehead with which
northern women in Europe and Amer
lea have to contend is not acute, but
I know they would cover 1t softly in
Paris. They would use art to make 1t
appear that the hair grew low, and
then pun It back. They would prefer to
use . perfect Transformation rather
than frizs the hair or give it a heavy
look across the eyes,"
HpY the way" Interrupted man
in the opera box where this ami
mated discussion was proceeding,
"this is really performance Of Tos-
ca not a hairdressing parlor, and
Jeritsa happens to be singing"
"oh DEAR" sighed all the women
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

Of green gauxe with silver figures 1t
is a child's fan. something to play
with, to mako believe that ono is
grown up.
To see two women sitting side by
side in the evening. one using huge
outspread fan of vulture feathers. the
other one of these miniatures. is to be
able to laugh.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08
By ANNE RITTENHOUSE.

An American woman who married
a Frenchman and lived in Paris for
several years. who went about with
the set that governs fashion, arrived
in New York for the holidays. She
was asked what was her opinion of
the American woman's appearance
and II there was any marked differ
ence In fashion between her and the
French woman. Her answer was
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

and turned petulantly to the stage.
Whether or not Americans will re-
lease their hair from captivity and
cease from padding the sides of their
heads in grotesQue manner, they are
apt to accept the various amusing and
amazing things offered to put on the
hair. The girl who has her hair bobbed,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08

moro than gowns during the last two
decades.
IT 10 also curious that new evening
wraps have discarded fur collars
In favor of huge ruffs at the neck. the
kind that belonged to the Louis NJ
period. Possibly this is a prophecy Of
spring. when taffeta and mousseline
will take the place Of velvet and pei
try. These exaggerated collars de-
mand goodly piece Of fabric. and
the lining is conspicuous in coloring.
They are in keeping with the great
rolls of material, latticed with seed
pearls or snail shells, which are
swung around the skirt in lieu OF
belt the kind Of thing Haroun al
Raschid was supposed to have worn
when he went staggering through
the streets OF Bagdad at night. which
the gallants of Elizabeth's court wore
Evening star. [volume] (Washington, D.C.) 1854-1972, 1922-01-08
HAIR Sleek Coiffures and Alurng Headdresses in Paris

CLASSIC Cous Are Band by French Women and All Adopts New
- Ways Of Arranging the Couture Again FshionGar-
and Wreaths Of Me-
talc Of Older Bands
Beads
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27
~aEA = - 7s36Sasl'
N(o94ERn N(4ea Dr. D. NlRAclh,] r s )
The Magic of Chemistry Which Makes Compoun
Of Value for One Purpose in War
and Another in Peace
No. VII
(Toid In Eight Sketches)
BY JOHN RAYMOND
WAR AND PEACE

The art of warfare is as old as the
race itself. Warfare at first consisted
of throwing stones at the enemy or
hitting him with a club.
The art slowly progressed. The
catapult was used for hurting good
sized rocks and the bow and arrow
served its purpose in stand-off COM
bats. Thus it went for many CEN
turies. Warfare consisted of ninety
per cent hand to hand work and per-
haps ten per cent of shooting from a
distance.
Along about l345 an old monk found
that gunpowder when properly ignited,
gave vent to pretty good sized noise.
England and France were at war and
the new invention was tried out at
the battle of Crecy with the result that
the horses became frightened at the
noise like thunder Losses were heavy
and gunpowder was voted a success.
Warfare didn't advance greatly for
centuries. To be sure many improve
ments in guns and explosives were
made but the basic principle remained
the only way to put an enemy out
OF commission was to hit him with a
projectile -
On the morning of April %, 1915,
warfare was revolutionized when a
cloud Of Chlorine gas was sent over
the Allied trenches wiping out whole
regiments. This experiment proved
so successful that the war, opening as
it did, 100 per cent explosive, ended
SIS per cent chemical.
These war gases are of particular in
terest to the student of chemistry
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27
OPEN SHOP
Continued from page one)

pioyment In the case of the latter
lack OF discipline, if not worse--led
10 strike against economic condi-
tions rather than employers. There is
small room for doubt the powers that
be IN the American Steamship Own
ers' Association wished a strike.
10 lesser extent the clothing man.
ufacturers of New York succeeded in
their struggle with the Amalgamated
| Ciothing Workers Union, which wax
ed fat and powerful making army
uniforms, and, in the postwar boom
ciVliian clothing. To great extent
the open shop prevails in the mems
clothing factories of the city. with
indications of another REORGANIZATION
OF those employed
On the other hand, save in BOSTON
San Francisco and PHILADELPHIA.
where the building trades have been
on strike, attempts to set up the open
shop have not been very successful
Here and there print shop fighting
the shorter work week, has been sue
cessful, temporarily.
Because of this anti-unionists are
now directing their energies toward
the setting up Of company unions"
under various names and plans. all of
winch emphasize Independence of the
labor unions and all of which are pro-
Jected and financed by the EMPLOYERS.
A notable example is afforded in pack
ing plants in Chicago whose employees
are now on strike against the efforts
OF the company union imposed upon
them.
The packing houses are favored by
the fact that the organization there
is "war baby" by the unemployment
situation, the strong financial position
OF the companies and the large amount
Of fresh meats in storage.
In the months Immediately ahead
it is probable the open shop cry will
be raised most vigorously when, as
now seems likely, the expiration of
wage scales in hard and soft soal
fields on March 81 is followed by
strikes. For that matter the issue is
now being raised by the operators in
some coal fields but only as window
dressing" preliminary to the discus
sion Of wages.
In Boston, where the open shop was
put into effect last spring in the
building trades, after a most expen-
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27

eye, and healthy-sixed goose egg on
the other side Of his face.
"Jedge, String Beans, the little
runt! Got smaht down at our dance
hall. An / ketches he to put he out.
An he ups an busts me in de face,
like dis an dis" he mumbled as he
pointed out his bruises.
"String Beans, stand up!' called the
Judge. "What is your right name Z"
the judge continued as the diminutive
little darkey stood facing him.
String Beans, sub! It's de onliest
name rs got, suh."
Bunch Beans would fit you better"
parried the Judge. "Now, just tell
us how you busted big Dan Clay in
the face, like he says you did,"
"Well, judge, yeh honeh, jest like
foh somebody. to splain to me how
little mite like is could bust up on
big Dan, like he say done done?"
you'll have to ask some one that
knows more about boxing than ! do.
You're too small to be hanging around
dance halls. You might get stepped
on. Don't get in trouble down there
again, for I'll have to fine you, if you
do. You can 60"
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27
pa "a IA
"CHANClNC VIEW
POINTS"
By Samuel B. Hedges, Jr,

BY Samuel b. Hedges, Jr.
Isaac Simons, in teaching his son
Ikey to count, little key stumbled
along to nineteen, then stalled; falter
he did, study as he might, and guess
as often as he could, the elusive
twenty failed to be recalled by little
ky.
"Iky. If you got nineteen dollars,
and / pay you one dollar, how many
dollars you got?"
"Twenty dollars, fader!
Correct, son! Now you start at one
again, and see how high you can
count"
ky stumbled along fairly well until
he reached nineteen. BY that time
the elusive twenty had slipped so fan
back in little Iky's memory, that he
could not recall it. Try as hard as
he could, ky had again reached his
limit. Then Isaac again tried his last
resort for recalling numbers
ky, II you got nineteen dollars
and | pay you one dollar, how many
dollars you got? Numbers comes
the same always"
"Fader, is it the same dollar yo,
already pay me, or another dollar?'
"Well, big Dan Clay, what's your
trouble ?" asked the municipal judge
as he sat viewing the battered face Of
big Dan For big Dan had one blacl
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27

used in the manufacture OF optical
glass from traces Of iron.
Benzyl Benzoate was required ior
weather -proofing and freprootng aero
plane wings in the war 1t now tlnds
an interesting use in making synthetic
perfumes and synthetic drugs.
Dinitrophenol was supplied TO the
French High Commission as an ex
plosive. In peace time we find it used
in making dyes, including the Ameri-
can new sulphur black. This dye is
interesting because it finds wide ap
plcation, in dyeing such articles as
hosiery and was one of the dyes thai
Germany was confident America
could not make 1t is gratifying TO
learn from textile manufacturers that
American sulphur black is at least
twenty per cent better than any Ger
man sulphur black they have ever
used
Chlorine was the first toxic gas
used by the Germans. In peace time
il is used III the publication of water.
the bleaching of paper and cloths and
in the manufacture OF great many
dyes, perfumes and antiseptics.
Napthalene was used in making our
war time daylight signal rockets. Now
it is used in making such beautiful
dyes as indigo and orange.
From these few examples it will be
readily seen Why it is SO simple a
matter to convert dye plant into a
wartime production plant and why SO
many other industries are directly de-
pendent upon dyes.
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27
SPECIAL MEETING

The delegates of the Cooperative
Trades and Labor Council will meet
in special session next Tuesday night
in the labor temple, South Second
street. All union men are also in
vited to attend this meeting.
A proposition of great Importance
to the labor organizations will be dis
cussed.
Signed,
SAM HILTPOLSTEINER,
TED SMITH,
ED SIMS.
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27

because of the va
riety of uses TO
which they are put
in times of peace.
Phosgene. one OF
the most important
of the. war gases,
has found a wider
use in peace time
than any of the
others. 1t finds its
most direct applica
ton in the manu-
facture Of a large
line of dyes, includ-
ing. blue, pink, yio-
. - "a
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27
ROSTER OF ORGANIZATIONS
HAMILTON LABOR UNIONS


1...........-... Tim Farley, 607 Hanover ST.
............. Thos. Brennan, 3O3 S. Third St
No. Ernest R. Legg, 326 So. 7th st.
C. Hall.-...Wm. Kiey, Secretary, 635 Minor Ave
An,iot, 708 S. 8th ST.
or Temple. Robert Mick 500 So Front St
G. ohm Smith, sos So. 9Th st.
pie ..........Grant King, 800 S. 5th st.
4 Geo. M. Diegmann, los N. Kahn Ave
,mple ........Frank Venable, 431 NJ Second st.
Monument VIM. Biddinger, Secy., Post Office
Homer Jones, Secy., 215 Chestnut; Phone 1222-R
Hall........ Edgar Smith, Secy.. 63s Chestnut St.
Walter L. Furry, 9OS North D st.
Harry Conrad, 423 So. 11th st.
....-....... Arthur McGuffin, 2460 Benninghofen
nent .........J Edward Lehmkuhl, $40 No 3rd St
Branded, 1888 Mt Pleasant Pike
mple. John F. Durwin, 51s S. 7th Phone SO14-X
II Delbert Lenhoff 1sO Progress Ave.
smple ......Lester L. Long, sec., 1929 Heaton Ave
,or Temple. Robert A. Fallert, 52l Prytania Ave
................C Carl Restes. 1882 Hensley Ave.
P. Kuenzel, r. R. No 8.
gh St.......... Chas Butts, r. r. No. g.
all, p. William J. Welsh, care Nose Home
.................John E. Janser, 1924 Campbell Ave
Secy., P. 0. Box 31S; Phone 73s-R.
....-............C Carl Windsor, R. r. g.
pie .........~Etta Streipick, Secy., 726 East Ave-
w Vogel, SAG Forest ave.
UNIONS
Hall ..........Clyde A. Reagle Ill Charles St
G. g.............R. c. Fitzgerald
Emmons, 108 e. Third ST.
VIM. Bunnell, 709 Vanderveer ST.
o. Otterbein, 210 So Harrison Ave
Murray Johnson, West Middletown
O. Ton Pay.J. A. Price, 2O5 So. Harrison Ave
Frank Jacobs, 1902 So. Main ST.
R. Price, Post Office
................. Philip Fay, 631 Garfield ST.
c. Oglesby, care News-Signal
Arthur E. Lytle, Oil Hill ST., Middletown, Ohio
.................C. A. Reagle, Ill Charles st.
................T. A. Scully, 3O6 Castell Bldg
................. Frank Smith, 301 E. First ST.
yer, 326 Market Street, Hamilton, Ohio.
George Rempe, 1902 Yankee Rd.
E. Long, 727 Grant st
...... ...........Jos. G. Howells, Franklin, Ohio
Frank Boice, 726 Clarendon st
.....,...........R Richard E. Gross. 92O Yankee Rd
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27

sive strike, negotiations looking to-
ward the old closed shop are already
under way. In the more skilled trades
some Of the unions are enforcing the
closed shop rule.
The Butler County press. [volume] (Hamilton, Ohio) 1900-1946, 1922-01-27

let, yell o W and
green. 1t is used
in the manufacture
of Coumarin, one of
the essentials in
making synthetic
vanilla and perfume
toilet soaps. 1t is
also used in killing
rodents, thus aid
ing in preventing
the spread of bu-
bonic plague. Pho
gene finds another
application in free
ing certain sands