davidaulloa/AmericanStories huggingface dataset:
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08

x
POR CUANTO, la union organiza-
ci6n de todos los agricultores Sc hace
necesaria fin de alcanzar mejor v con
mas rapidez su mejoramiento scono-
mico.
POR TANTO, nosotros los infrsscri-
tos, agricultores de buena fe, represen-
tando los pueblos que expresamos al
pie de nuestros nombres, reunidos en-
asamblea en- Ia Biblioteca Carnegie. en-
Ia ciudad de San Juan, P. r.,
RESOLvEMos apelar. y por la pre-
serte apelamos, todos los agricultores
de la isla, reclamando de ellos ell que
So asocien v organicen a la mayor bra-
vedad possible en- sus respectivos NUM-
cipios constituyendo y organizando en-
los mismos nus Liga Agricola en- cada
Eno de ellos donde no Sc haya al pre-
sente, de acuerdo con los modelos v con
sejos del Departamento de Agriculture
y Trabajo.
San Juan, P. r., 4 de agosto de 1922.
(Firmados): Jose E. Gaztambide,
Afiasco; F. Rexach, Juncos, M. Davies,
Tomas Landr6n, Vega Baja; j. M6ndez
Cardona, Antonio sagardia, Jose M. Ca
ballero, San Sebastian; F. M. Banu-
chi, Isabella; P. Morales Cabrera. Toa
Alta; Antonio Colon, Jose j. Escribano,
comerio; Felix Rodriguez. Jose L. Pes
guerra, Bayam6n; Julio Mangual, San
Lorenzo; Jose v. Bosch, Adjuntas; San
tiago Purcell. Peiuelas; Manuel valen-
cia, Rufno Gomez, Bautista Miranda,
Crist6bal Martinez y Manuel Bravo,
Arecibo; Oscar Guerrero, Barros. Joa
Quin Rivera. Manuel ". Rivera, Naran
jitc; Manuel r. Fortier, Pedro B. Ca
ban, Juana Daaz; Jose L. Berries. va
hucoa, Tomas Vera Ayala, Manuel Ca
rrasco, Moca; Nicolas Morell, Lares; 81
mon Moret, Ponce; P. Rivera Lopez
Las Marias; Fernando Font zayas, All
tonito; Placido J. Feliu, Lajas; Arturo
Umpierre, Barranquitas; Camilo Ia.
boas, Corozal; M. Lopez Canals, San,
turce; J. G. sola. Caguas; Antonio CO
6n Perez, Utuado.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08
FGrti|idad mas perrnanentG

naendar esos rerrenos bajo una base de
fertilidad permanente, pero tenemos
entendido como hemos dicho antes, que
hay tambien grandes depositos de qua
no en- islas adyacentes, tai vez pueae
que haya algunas otras cuevas en- la
Isla que no han sido exploradas aun,
y de esta procedencia podriamos obte-
ner la cantidad restante.
Por analisis hechos en- la Estacion
;e Mayagiiez sobre muestras proceden
tes de esas cuevas sabemos que dicho
guano contiene en- promedio alreaor de
catorce por ciento de acido fosforico.
Tomando este dato por base, 10 reco-
mendable seria aplicar guano a razon
de una una y media tonelada por
cuerda, repitiendo dicha aplicaci6n ca
da tres cuatro amos hasta conseguir
que ell contenido total de acido fosf6
rico en- esas tferras fuera por 10 menos
de 1000 libras por cuerda, 10 cual re-
Guerirfa una aplicsci6n total de diez to
neladas de guano por cuerda.
Podria argiirse en- el sentido que Ell
acido fosforico en- ell guano esta en- una
folma POGO asimilable, pero la Esta-
ci6n Experimental de Mayagiiez nos ha
iluminado bastante sobre este punto.
Seg1n los resultados obtenidos en- sus
estudios, que aparecen' en- SUI boletin
No. 25, el guano aplicado al terreno en-
suiciente cantidad es un fertilizante
tan efciente como cualquier otro de
los fosfatos comerciales. Ellos recomien
dan su aplicaci6n en- terrenos acidos;
en- terrenos arcillosos que no sean ca
lizos. en- los suelos arenosos que ten
gan una 1eaccion neutra, este eS, que
no sean acidos nj alcalinos. especial
mente cuando estos terrenos Sc han
de dedicar a Ia siembra de plantas que
dan sus cosschas anualmente, como son
el COCO, Ia cafia, las frutas citrosas, y
en- pifias cuando Ell guano no contenga
mucho carbonate calcico.
Gran parte de estos terrenos que he
mos encontrado Deficiencies en- acido fos
f6rico son arcillosos Y de reacci6n aci-
da, propios para aplicar Ell ellos guano
como fertilizante fosfatico. Y en- aque
los terrenos que no tuvieren esta pro
piedad podria usarse abono verde en-
grandes cantidades que seguramente al
descomr producirian sufciente
acidez para transformer los fosfatos en-
Ell guano. de manera que las plantas
pue5an utilizarlos en- su alimentacion.
Els de importancia recordar que en-
todos aquellos terrenos donde Sc usa
guano, roca fosfatica, harina de hue
so como fertilizante fosfatico, deben
aplicarse estos con bastante anteriori
dad la siembra en- cantidades suficisn
tes que va hhmos explicado. Y aiemas
usar abonos verdes en- abundancia.
Tenemos pues, que corregida la ca
rencia de acido fosforico en- los terae-
nos va mencionados en- la forma que
henos indicado resultaria:
MAS economic en- cuanto al pre-
clio de los fertilizantes;
2.-Mas economic en- cuanto a apli-
caci6n.
3.-Se estaria resolviendo ell proble-
ma bajo una base mas permanente.
Mo lestarIamos afiadiendo otras
substancias extraias de POGO valor al
terreno
5.-Mas economic en- cuanto que las
perdidas serian menos por ser este ma
terial menos soluble.
Ell GRAN ESTRENO
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08
Los dientes manchados

Los dientes cubiertos por la pelfcuIa son dientes
manchados. Por ESQ que muchos dientes acepil-
lados diario Sc manchan y destruyen. Los males
de la dentadura han lido constantemente en- aunento
y Ia pelfcJla es la causa de la mayoria de ellos.
Por este motivo la ciencia dental ha buscado
mstodos para destruir la pelicula. Sc han encon-
trado va dos nuevos metodos.
Los mas connotados especialistas han compro-
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08
AsAMBLEA DE EsPIRITIsTAs

Ell dfa IL, 12 y 13 del corriente Sc
llevara a efecto en- Ell teatro municipal
tres veladas lirico-literarias, organiza-
das por la Federation de los Espiritis-
tas de Puerto Rico.
Estos actos prometen resultar brillan
tisimos.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08

Esta oferta Sc hace ahora casi en- todo ell mundo
Sc publca en- muchos idiomas. Millones de per-
sonas de nuchas razas han encontrado asf el medic
de destruir Ia pelfcula de la dentadura.
Todo Ell mundo tene la obligation de hacer esta
pruebatodos aquellos que deseen tener los dientes
mas blancos, mas sanos, mas limpios
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08

FL Decano en- ell negocio EL
RRUJO Oieda.- Maquinas. -
Tel. 355.-Advt.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08
Gratis Para Iodas Las Razas
Una prueba del metodo para ebeecer la denadura

bado su ehcacia. Abora, los dentstas mas proni.
nentes de todo el mundo aconsejan su uso diario
Los metodos Sc condensan ahora en- la pasta dem
tai ACKNOWLEDGEMENTS. Y ahora rnillones de per-
sonas disfrutan de sus benehcios.
Produce cinco efectos
Pepsodent hace algo mas que destrur la pelfcula.
Iambien destruye los depositos anilaceos los
acidos de la boca.
Aumenta la secretion salivar. Aurncnta el dires-
tlvo del alnidon en- la saliva, para digerr los de-
positos anilaceos que Sc adhieren que de otra
manera formarfan acidos. Aurnenta la alcalinidad
de Ia saliva, neutraizar los acidos que produ-
cen la carries.
Cada aplicacion produce cnco efectos que los
especalistas mcdernos consideran ahora como in
dispensables. Ha dado origen una nueva era
dental
Una semana basta
= Una senana bastard para convencerIe I'd dc
la alta ehcacia de este dentffrco 1noderno Ud
cambiara sus ideas relativas al de la dentadura
Envie el cupon rec;bira un tubito para 10 dlas
Note cue lmplos Sc s;enten los dentes despues dc
usarlo Observe la ausencia de la pelicula visccsa
Yea como emblanquece la dentadura medida Que
desaparece Ia pelfcula.
Guiese por los resultados. Recorte el cup6n hoy
nisrno.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08

Para trabaios bien hechos el
BRUJO OJEDA. Tel. 355. -
Advt.
El Mundo. [volume] (San Juan, P.R.) 1919-1990, 1922-08-08

RESOLUTION ADOPTADA FOR LA
ASAMBLEA De REPREsENTEs DE
LIGAs AGRICOLAS Y AGRICULTC-
RES DE PUERTO RICO EN- sU Sc
SION DE 4 DE AGosTo DE 1922
The New York herald., 1922-04-09

able mention was given to Ellen Enmet
Rand for her portrait. -Afarguerite." No.
lis, and a second mention to Claude
Racquet Hirst for her picture. Lionel
and Clarissa, a Comic ODera," No. So.
Among artists from distance whose
works appear are Lee Lufxin Kaula.
Marion Boyd Allen, Ruth Anderson of
Boston. Katherine Cherry If st. Louis.
1rma Kohn OF Chicago. Gertrude Barnes
of Minneapolis, Camelia Whitehurst OF
Baltimore and Fern I. Coppedge, Kath-
crime Patton and Juliet White Gross of
Philadelphia.
Characteristic canvases among the
figure and portrait studies will be found
in those of Theresa Bernstein. Henrietta
Shore. Lucy Taggert. Jane Peterson,
Hilda Belcher, Edith Mr. Magonigle, lisa,
bel Branson Cartwright. Susan Kicker
Knox. Alice Beach Winter, Christina
Morton and Hester Miller. The land
scapes are varied and canvases by Flo,-
ence Frances Smell, Bertha Member Pew
ton. Helen X. MoCarty. Harriet Lord,
Nary Nicolena MacCord. Ann Crane,
Anita Smith and Mabel Welch will be
found representative. A large group of
still life and flower arrangements in
ciudes work by Matilda Browne. Mauds
Berneker, Maud Mason. Cora Brooks,
Constance Curtis and Lucille Howard. A
sense Of the decorative will be found In
canvases by Lucy Hurry. Alice Beard.
NJ. Elizabeth Price. Eleanor Abrams ana
Nancy Ferguson and Mary Tannahill.
The New York herald., 1922-04-09

found in the Wildenstain Galleries,
where there Is collection Of his sculp-
lures and drawings. The clghty-eight
bronze busts of generals that he exc
cuted amazingly amid the smoke ana
fumes of battle will OF course be extraor-
binary historic documents later on. but
for present artistic sustenance most OF
US will say, Give US this Wellington
Koo, this II. p. Dawson and this Muriel
Draper for ours
l get this jargon from the sequential
epigrams that 10 Davidson wishes all
to read before looking at his carvings.
He says:
1t is a fallacy to set out with the as
sumption that there Is a scale OF values
in art, bad" to good.
All artists work expresses them and
those OF us who like their art
My sculpture Is neither good nor
bad" 1t is mine: 1t may be yours.
il is mine because I did II, | did so
because | could not do otherwise: IL
expressed something in me.
II 1t expresses something In you you
will like it, and then-in an art sense
it is yours.
1t is yours and mine.
And IL it is ours. let us say so.
Don't call 1t good and don't let
anyone else call ii bad"
Art Is beyond good and evil.
Let US say. For better or for worse"
this art expresses us.
Although willing to call this Muriel
Draper ours also wish to call II
good. 1t Is good. though terrifying. 1t
Is Egyptian and sphinSlike. out the ter
rible part is not that she won't tell
but that she will. for you know she
knows. One feels much safer with JOS
Wellington Koo. There's reliable.
gentleman sphinx for you, and excel
lently will modelled. The modelling In
ell these portraits is carried farther
than the sculptor had been accustomed
to- and in one that Of Mrs. Davidson. 10
surprisingly subtle.
The Fl. p. Dawson Is another OF the
successes. In way II Is one Of the
most impressive. The sitter Is revealed
in his hours of ease. not In a time of
stress, but the portrait might easily
pass In the years to come as genuine
proof that captains OF industry of this
period were not creatures of accident.
The bust radiates capability. Other ex-
cellent portraits are those of Anatolc
France, Mrs. Robert Goelet. Mrs. Max
Epstein and Lincoln Steffens.
The New York herald., 1922-04-09

sense that that implies. Indeed. 1t Is
certain he is, for he couldn't paint as
he does il he were not comparatively
free from nonsense. SO in all likelihood
he would have progressed quietly and
lived happily in his Auvergne and
achieved a solid career.
But young Mr.. Dudensing saw his
work and saw something In 1t and de-
cded TO make 1t known. The artist
mellows under appreciation and 1t does
not require too lively a stretch OF the
imagination to attribute the increased
glow that has crept into NJ. Charreton's
work to sense that a following had
developed across the seas. a fortifying
support that gives the artist the sense
of having arrived.
The Charreton color has mellowed. and
in certain landscapes. notably In the
"Lllacs and Spring Trees" there is a
greater vivacity of brushwork. The
poise remains the same and also the un-
willingness to get into rut. M. Char
reton's pictures embrace many moods,
but all OF them are founded upon sin
cere response to those OF nature.
In the Montross exhibition of con-
temporary art there Is a particularly
The New York herald., 1922-04-09
American Pictures
In Pittsburgh Show

The Jury for the twenty-nrst Inter
national Exhibition OF Contemporary
Paintings at Carnegie Institute, Pitts
burgh, held It's final meeting April 8
and selected the last group OF Amer
ican pictures for the exhibition which
will open there April %.
The jury has been active since early
In the year. meeting In London Janu-
ary 24-25. IN Paris January 27-2s and
New York March 81. At the meetings
abroad 130 representative European
paintings were selected for the exhibit
ton, and all or them preceded the
Jury to Pittsburgh. They are now wait
ing 10 be hung on the walls OF the
spacious galleries at Carnegie, which
virtually are reserved throughout the
wear for the International.
out OF some 500 American paintings
submitted the jury has chosen $50 TO
uphold the standard OF this country In
art competition with the works Of Euro
pean artists. Heretofore artists we're
permitted to show more than one pic
ture This year exhibits are confined
to single works, thus allowing much
broader representation.
European members of the Jury were
Mrs. Laura Knight OF London and I,u-
eion Simon Of Paris. Tho American
members wsr- Gher'e> W. woodbury.
The New York herald., 1922-04-09
Portrait of George Moore
By Guy Pene du Bois

Guy Pene du Bois. in his exhibition In
the Kraushaur Gallery. appears to pro-
gress. In fact, good marks may be
faithfully distributed at most OF the ex-
hibitions up and down the Avenue this
week, since most OF the artists register
improvement; a thing always to be
noted.
Mr.. du Bois is a caricaturist but
heretofore he has too frequently been ac-
cused OF indefiniteness, OF having a
caricaturist manner without caricatu-
rist message. In the case OF great
satirist such as Forain. for instance, 1t
Is not necessary to know the legend
printed beneath the design In order to
appreciate the greatness OF his style or
even his wit. In Mr.. du Bois's past
work there was often the sense that his
utterance was choked off In the middle
OF the phrase. or else had originated in q
private witticism that scarcely had
breadth enough for public purpose.
In the present exhibition there In
The New York herald., 1922-04-09

still one or two pictures like the Live
Soldier" or the Portrait of George
Moore" that clamor for explanation, but
most of Mr.. du Bois's new things sail
into easy acceptance.
The portrait of Mr.. Moore, indeed. is
entertaining enough. once we are told 1t
is Mr.. Moore. Mr.. Moore appears to be
sitting upon the extremities of an el-
derby lady in pink, who is stretched upon
a sofa. quercllously drunk. That is, one
may imagine her to be drung or querel-
lous or both. There is no doubt what
ever that Mr.. Moore inconvenience her
foot, so anger on her part may safely
be assumed. But where conjecture Is 80
rife. and the why's and wherefores are
left so much to the behoder, nothing can
carry the thing off except a prodigious
amount of style.
In the Ballroom Balcony" the artist
approaches the solution or his problems.
In fact, solves the particular one posed
by the Ballroom Balcony" Here there
are few at the ball and those that are
there are not happy at all. but the mere
qualities Of the color. the distribution OF
the figures. and the manner OF painting.
stifie all the why's" OF the philistines
and turn II into highly desirable pic
ture.
The New York herald., 1922-04-09
Competition and Display of
Textile Designs Opens May 8
Sixth Avenue Event to Be Held at the Art Center and
Many Leading Firms Offer Prizes

The sixth annual competition and
exhibition OF textile designs under the
auspices of tho Art Alliance will open
on May $ at the Art Center. SIS East
Fif;y-vixth street. and the competing
designs will be received on April II to
April 90.
Very often excellent ideas expressed
In decorative designs offer almost in
surmountable difficulties to manufac-
turers when an effort is made to apply
such designs TO the standard processes
OF mechanical reproduction. The COM
mittee having charge Of the present
competition recommend to competing
artists the advantages Of thorough and
careful studies regarding the practical
requirements suggested by the different
prizes.
The J. A. Nigel prize. for instance.
n for a woven fabric so that the length
Of the repeat Is not rigidly limited. as
II Is in printed fabrics. The length of
the woven repeat IL determined by eco
nomic considerations In dressmaking or
house decoration. as the case may be.
Woven curtain materials sometimes
have repeat Of two yards or more In
length, but are ordinarily limited to
about the size of an ordinary chair
back. Designs for dress goods are,
however. usually much smaller
The J. a. Nigel Company. for In
stance, finds that the most popular re.
peats are anywhere from ten 10 eigh-
teen inches in length For the Nigel
prize the pattern should not measure
over eighteen inches In length. The
Width Of the design Is determined by
the width Of the fabric for which Il Is
lnt An1 nA h.~ al
for the Nigel prize is ten inches. The
distinction between weavcs should be
brought out by the use OF contrasting
colors. "All over" designs are usually.
though not always, more popular than
detached effects
With respect 10 the limitation Of size
In the pattern the modern Jacquard ma
chine offers almost endless artistic pos
sibilifias
The New York herald., 1922-04-09

The III. r. Mallinson prize IL for a
power printed silk, and the length Of the
repeat Is definitely limited by the roller
to hfteen inches. The sidewise repeat
In limited by the width of the fabric.
which IL forty riches. This means that
the sidewise repeat for the Mallinson
prize may he ten inches, twenty inches
or any other multiple of forty. The
prize. however. will be awarded for the
most attractive idea after due consid-
Grafton has been given to It's practica-
blity. The measurements giver on this
sheet are intended as aids to designers
and are not limitations placed on the
final judgment OF the jury.
Regarding the Graff1n & Dolsor, prize
for cretonnes. experience has demon
strated 10 this firm that the most useful
pattern Is Ia inches long by "a inches
wide or some multiple OF these measure
ments, such as sib by II.
Different prirters use rollers OF
slightly different sizes. and the most
useful repeat for the witcombe-Mc-
Geachin prize n f7ia inches long by
f7a inches wide.
The Orinol<o Mills prize Is essentially
for decorative ideas rather than for a
working drawing. The OrrolSo Mills.
however, weave upholstery materials
anu tut Wtutl ol tHtlf
patterns are some multiple OF so, usually
either 25 or 12la for the sidewise repeat.
The length or the pattern Is determined
by whether the design Is for an up
holstery fabric. wall covering or cur
tain materials.
In general. however, designs for dam
asks are most useful when 1915 inches
wide and about iS inches long. Tap
estry designs arc more popular when
they measure 25 inches wide by about
81 riches long. The sidcwse repeats
In damasks and power woven tapestry
should he absolutely exact while the
lengthwise repeat may vary. Power
woven tapestries are sometimes made
on jacquard machines with repeats
measuring so inches In width and ia
yards or even more ir length. The pop
ular size. howcvtr, II rs inches In width
by about ~ inches IN length.
The New York herald., 1922-04-09
Notable Display Of Contemporary French Works in the
Sculptors' Gallery and the Colony Club Houses
Pictures by Some of the Liveest Americans.
BY HENRY M'BRIDE.

everything this winter there
- Of other
cheered
sequence lately particularly
discougng those
o
ambitious
Galleries
OF
considerable
exhibitions
impossible instant it will be
all
Of Brummers ofshoo
members contains of the
pictures the The
Their chief
born since high time that
artists should
perfected year
continue doubtle
The New York herald., 1922-04-09
italian Renaissance
Of Maurice Sterne

Maurice Sternc is resuming his career.
50 much may be gathered from the ex-
hIbition now on in the Bourgeois CAL
,eries. There had Deen a hiatus. Some
voars ago. during his long sojourn on
that South Sea Island fbefore the ex-
cursion boats began sailing thither-
~ard). he must have felt that he had
renetrated to the core OF life. that art
was as easy as breathing and as ncccs-
snry. lie painted tho brown savnEes
assiduously and faithfully entered into
ril their cnthusiasms. religious and
otherwise. lie brought the result OF his
The New York herald., 1922-04-09

OF Boston and Charles c. Cuiran OF
New York city. John w. Beatty. direc-
tor OF fine arts of Carnegie Institute,
presided at the New York and Pitts
burgh meetings. that to-day being the
twenty-first over which he has had
supervision in his experience of twenty
six years as director. Abroad the pre-
siding officer was Homer Saint-Gau-
dens, assistant director at Carnegie.
Before the jury met in London and
Paris Mr.. Saint-Gaudens spent three
months In Europe searching studios and
galleries for the best works of con-
temporary artists to submit to the jury.
The New York herald., 1922-04-09
Women's Exhibit Opens
At Anderson Galleries

The thirtyfirst annual exhibition Of
the National, Association Of Women
Painters and Sculptors opened with n
reception at the Anderson Galleries,
Fifty-ninth street and Park avenue. on
Tuesday. and will remain open to the
public through to April 16
The exhibit Includes '43 paintings. IS
miniatures and % pieces of sculpture.
and there Is one room of sketches In all
mediums which should interest the lover
of small works of art. The John G.
Agar prize. given by the National Arts
Club, has been awarded to Christine
Herter for her picture. "A Lady in Gray"
No. 81 in the exhibition. First honor
The New York herald., 1922-04-09
Notes and Activities
In the World of Art

New paintings by Victor Charreton in
the Dudensing Galleries illustrate the
newer graces of his manner and illustrate
also one of the advantages of art pa
tronage. Mr.. Charreton is doubtless a
bon bourgeois with all tie French good
The New York herald., 1922-04-09

greater freedom of draughtsmanship
that seems to bring with it more all
around freedom in expression. The
Nude" is searchingly studied and
Gretchen" a young woman with
sparkling eyes, is carried farther and
more safely than she would have been
two years ago. With this expansion in
technique. and probably because of it.
Mr.. du Bois's matter becomes more ef-
fective and self-supporting.s There are
The New York herald., 1922-04-09
Portrait Bust by
10 Davidson Shown

10 Davidson. sculptor. Is another of
those whd show signs OF recovering
from the war. The evidence Is all to be
The New York herald., 1922-04-09

In the Montross exhibition of con-
temporary art there Is a particularly