Arizona republican., 1922-02-23

the story--the translation from the
woman with no soul-to the woman
! cleansed by suffering, and then in the
| fullest measure paying for her folly
is triumph in emotional appeal.
1.-THE Last Payment is Para
mount picture. and is ablaze with
| brilliant settings and beautiful eff
fects. The atmosphere is at all times
modern, and this heightens the inter
est in the story to a most remarkable
degree. The supporting cast is par
ticularly strong, and each player
seems to have been chosen with the
greatest care not only as 10 ability
but as to the type he is called upon
to portray.
The great masque ball-the scene
wherein the story reaches it's climax
lis one of the most elaborate set
tings flashed across a screen for
many q day. II is the spirit incar-
nate of Partisan night life mad
abandon-folly to the ultimate-and
the figure Of Pola Negri, brought
close to life itself while the merry
makers ignorant of the suffering be-
ing endured by their fayorite, heed
lessly drive her on to her doom
stands out in bold relief among the
frivolous surroundings.
Inc COIIlSQS 10 L nc DuLiD DSAl
starring Harry Sweet.
Audrey Munson at Rialto
For the final screenings today, the
Rialto presents Audrey Munson, the
most beautiful. the most versatile and
the most famous American artist
model in her unusual production
Needless Moths"-the story of the
life of the star. Rich in ornate In
vestiture, artistic always in the treat
ment Robert Leonard has given the
production-it is likewise an amazing
story, chapter by chapter of one OF
the most unique personages in
American art circles. Audrey Mum
son has posed for more masterpieces
in both oil and marble than any wo-
man living today, and her association
with the studios-with artists-and
with her lies work has been made
the feature in a great many of the
biggest of newspapers. But Heed
less Moths" is the first time her life
has actually been lived for the
camera-and the fact that the lead
ing feminine role is essayed by Au-
drey Munson herself has made of the
production one of the most excep-
tional Of the current releases. Heed
less Moths is a photodrama of SUI
perb proportions and dimensions. it is
most elaborately staged. and nagnif-
icently photographed. Its message
is a powerful one, and it has been
produced with the greatest regard
for accuracy and beauty. The tense
dramatic expression is exceptionally
well done, while the insistent heart
appeal sweeps the story along with
remarka BILE vigor. A particularly
humorous comedy-"Sunless Sunday
and the International News COM
pletes the cinema end Of the pro-
gram
The vaudeville performance is
given in admirable style by the Queen
City Juvenile Concert orchestra. the
crack organization of youngsters who
have delighted capacity audiences so
far during the engagement. Their
repertoire is particularly attractive
one, embracing as it does singing,
dancing, music and featuring the
sunshine silver saxaphone quintette.
Tomorrow is announced as the
opening of the engagement of another
great double program of pictures
featuring Ethel Clayton in "Her own
Money" and Buster Keaton in
"Neighbors" with the vaudevillians
offering a complete change of pro-
gram, and the musical program in the
hands of George J. Hayes at the
Wurlitzer and Carol Reeds baby
syncopated symphony orchestra.