The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1922-05-22

nolss-look for the papers show mo
you can't find them. My Cod whore
can they BET That's n. Now you
hear a noise off-uteady. AimaD--
shut the drawer-start TO pick up
your hat--too iatel Come on Alma
come on You don't see him. you
look out ~ the window and Sigh
lets sec you sigh, Alma-beautifuii
beautiful Now. Tommy. you move
she sees yoti-sce him. Alma
siowiy-hold it--wondsrfuil Now
call 10 him. Alma gbcrtl Eghert''-
The iittis mans voice cracked
with tho hesrt.rendlrg pathoa he IN.
fused into that cry: he continued TO
dance and bark directions az star
and leading man tiii the door closed
behind Miss Daiey's frantic exit
Good Now veil shoot the eioso
upa.-
The camera was brought forward
and trained AZ short range on the
spot where Miss Daley had fallen.
several stands Of banked lights like.
wlss were advanced and adjusted.
~ HANNFN3 NNN w NNNEfh ff'R
with her face buried on her arms.
the eamera once more began 10 click
and Mfr. King f.aughfin. sduattinE By
IL sida. prepared 10 pun tho young
woman thru the scene by sheer
forco % bis inspired art
But now the passion which before
bad kept him hopping and scream
ing had passed into a subduod and
piAintlve phase: Mr. LAughlln wns
suffering for and with tho heroine
whose woes were 70 Be projected be-
fore the eycs and Into the hearts ~
half the world. lie did not actually
cry, but hia features were knotted
with the anguish that wrung his
heart. and his voice was thick with
sob-.
Nov. dear. you're coming ,o--you
Just iift your head and look up.
dared. You don't realize what's hap.
pened yet. you hardly know where
you are. Where arm I. my Cod
where arm u That's ft--beau,ifui
Now e begins 60 come 20 you. lie
has cast you off my Codi he has
deserted you. Fin>--couidnt be bet.
ser-you're great. dear. simply great.
Now 20 on--begin 20 cry. let the big
tears well up from your broken
heart and trickis down your cheeks
F-ine' Cry harder. dear-you must
cry harder. this scene viii 70 all
fiooey n yon can't cry any harder
than that. Think what he was 10
vou-and now he has left you--wiro
knows1- perhaps forever Your
heart T. breaking. dear. it's break.
ing. and nobody earea Can't you
cry hsuderf Listen h the music and
81. Good Cod how d'you expcc, any.
body to cry % music like thatg''
The last was 8 shrek of utter ex.
asperation. and bounding % hla feet.
the little man darted furiousiy at
the maSiciana. stopping IN front Of
The trio and beginning 10 beat time
With an imaginary baton.
Follow ne. please get this. the
way I feel H. so-siowiy-draW u
out--hold it-Eet a little heart-brcak
into it,
And Strangely enough he did man
are 10 infuss a little OF his fine fer.
Nor into the three.
Turnout. on the floor before the
camera. under that cruel glare Of
lights. Alma Daley strained her face
toward the lens and cried as IN her
heart must surely break. real tears
streaming down her face--but cried
with fine judgment. never forgetting
that woman must Be lovely even In
woe.
whneLucinda watched. a strange
voice Htluted her.
In lanes place sst q stout ufnn
Of midileaee with a sanEuine coun
tenance ~ Semitic type. shrcwd and
hard but good humored.
How d'you doY" he said rrniafly
This IL Mrs. Drucs. amt 1T Cups
my name. Ben CUP"
TX
or a sudden Miss Daley missed
her mentors voice. and IN the mid
die of = sob ceased 70 cry precisely
AZ she might have shut off a tap.
In a moment ~ uncertainty, sfin
confronting tho clicking camera, stiii
ha,hed IN that whitening hiaze. she
cast about hiankiy for her runaway
director. Then discovering that be
had. just like mani deserted her
In her time ~ trouble % follow q
band. Outraged womanhood asserted
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