davidaulloa/AmericanStories huggingface dataset:
The Lubbock avalanche. (Lubbock, Tex.) 1909-1922, 1922-01-17

Tie graduating class Of the Oak
land, California, high school recen' y
voted 81 to In favor Of Japan3se
girl honor student, ss class vsledic-
torian.
The Lubbock avalanche. (Lubbock, Tex.) 1909-1922, 1922-01-17

Do-ghnuts made daily at Martins
Bakery. S3-tf
The Lubbock avalanche. (Lubbock, Tex.) 1909-1922, 1922-01-17
Both the Large and Small Investors

ordinary and exceptional The man with small capital cam
does not have the opportunity. Twenty years ago this inv
The tremendous wealth represented by the wholesale houses OF
country not we'll understood as they might be- 1t
known in general way that wholesale houses are immense
money makers that they pay each enormous sums oil
vdends that the stockholders receive large returns on their IN
vesmen but actual facts and figures which show what these
earnings are made public Once familiar with these
facts you could readily understand why wholesale houses are the
backbone of conservative investment why stock in whole
cigar houses considered among the safest most pefa
nent and profitable investments to be had.
Every stock issued will be taken of and looked al
ter in the same way that the at distance who owns
share of stock will be looked after and taken care OF IN
the the President of the company himself
There other way tit the only that can be
donethe only will be done Every man shares alike ac
The Lubbock avalanche. (Lubbock, Tex.) 1909-1922, 1922-01-17

corng the of stock he holds Every stakeholder
ceves exactly the treatment When dividends
they all dividends For this the stockholders company
owned and controlled by the stockholders The officers
rounding themselves with practical and experienced statesmen
and others who expert in their lines to whom delegated
the practical part of the work Every officer every member Of
the board devotng their time and their ability this
pany believing that when the plans developed their efforts
will be amply rewarded by the increased value of stock and by
the good dividends.
Their untng efforts and devotion to duty protects their stock
and protects share Of stock that will be issued
only goes show that this company being managed the
interest Of the small stakeholder well the large stakeholder
that the small stakeholder will have his in the
and management Of the company in which he is partner
The Lubbock avalanche. (Lubbock, Tex.) 1909-1922, 1922-01-17

CROPS In q =
ability 10 w.
current bi
from thei
form ~
strikes. 4d der
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
MACY'S ESSAYS
A Volume of Talk About Men
of Letters That Has Some
thing to Say

Although there is much writing about
books in America genuine literary criti-
cism is commodity much scarcer than
the demand for it, even though that de-
mand is not acute.
John Macy. author of "Thc Spirit Of
American Literaturc,' has Just gath
cred nbout two score of his discussions
Of men of letters and their books in II
volume which he calls The Critical
Came (Roni K Liverisht), after the
first essay. In this essay he sets forth
his theory, which is a sound one. chat
criticism Is merely one form Of writing
and that It's chief function is TO be
readable and that the essential merit
OF any good critical essay lies in the
skill with which the game is played.
The reader will Immediately begin to
ask himself whether Mr.. Macy has play
ed the game with skill In the sue
ceeding essays. The conclusion is
forced upon one that not only does Mr..
MarY know how to make what he writes
interesting, but also that he has broad
Fn@WlcdGr "f literature. excellent taste
and sound judgment. In other words
he is one of the few who are writing
genuine literary criticism. To illus
trate he was one of the first Americans
to perceive the greatness of Joseph Con-
rad and he wrote so well about him that
his article on the great Pole was print
ed in the Atlantic Monthly in 1906.
Again he finds Tagore n weakly senti-
mental idcaliSt without great gifts. who
reminds him of Owen Seaman's parody
Of Edwin Arnold:
The bulbul lumncth like book
pom the nooh-pooh tree.
ANI and the takes n look
At yOu and me.
at and you
Kuchi. Kuchoo.
Mr.. Macy writes of Dante. Niet2sche,
Tolstoy. Mactcrlinck. William James,
Poe. Whitman. Masctield, Wells. James
Joyce. Rcmy de Gourmont. Thomas
Hardy and lot of others and in each
instance he has something to say which
has not been snid before, for the reason
that he expresses his own opinions in
stead Of echoing or diluting the opinions
of others.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
GRANV!LLE-BARKER ON
THE EXEMPLARY THEATRE

When a man of so much substance
and authority ny Harley GRANVILLE
Barker speaks on the subject Of the
| theatre. his words are pretty certain to
he worthy of careful attention and con-
| sideration. His latest volume. THE
Exemplary Theatre" (Llttle. Brown &
| Coz. IS. then, something to examine
thoroughly and digest at leisure.
In 1t Granville Barker hits almost
entirely on the theoretical note and,
not only that. but on the fundamentals Is
and basic phases of the relation Of the
drama and the stage to human life.
The table of contents gives an excel
lent iden as to the character of the vol
time, containing, as 1t does. such top
irs ns 9TH" Authors Prciudices and
Others" The Educational Basis"
'"The Plan of the Theatre ms School. y
"The Theatre as II PLAYHOUSE 'The
Production of Play" and "Some Cur
rent Dificulties.'
In the very second paragraph of "The
Exemplary Theatre tn" author makes
this statement: "This book is Il plea
Co. the recognition of the theatre as an
educational force.
1t is on this basis that the entire
volume is written: jurgon or technique
Of the stage. or even more literary an
Hlysis of the drama from close range.
are omitted. and the chapters are writ
'"n in detached. almost impcrsonal,
,tyle. remarkable in view of the au-
rhor's own close connection with the
writing of modern plays.
The first CHAPTER Is written in dia-
'ogue form between two suppositive
characters. the Minister of Education
and the Man of the Theatre. who dis
cusS with great deal of cleverneSs
such elements Of the question as "mob
appeal" drama aS fine art" and
the difficulty of using drama in edu-
caticn.'
Later in the volume. Mr.. Granville
Barker becomes hit less didactic and
Drim in his writing and gives the I'm
presson Of letting himself out more,
with the result that his comments on
such subjects ns THE Ibscn Chal-
lcnge," "Thc Exemplary Theatre"
"Thc Critics. 1.-The Artistic Svnthe.
%ia" and all thoS" parts devoted to the
staging of play and the relation Of
actors to audience and theatre, will be
Of far more interest to those interested
IN the drama than the aloof and eau
,ious attitude which the author takes
in his Introduction to the subject
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
FARNOL SCORES AGAIN
"Peregrine's Progress" Will
Please Those Who Liked
Its Predecessors

Jeffery Farnol sticks to his good old
formula and continues to write romances
that make the render forget all else
while he has the book in hand. 'Pere-
grimes Progress OLittle, Brown 4
Coz Is fashioned Of the ingredients
with which Mr.. Farnol likes to deal.
There is registering blade. retired
prize fighter, villain who betrnys
women and when he fights n duel fires
before the signal is given, beautiful
girl and n romantic young man who
falls in love with her.
They are the same kind of ingredients
from which 1.-THE Broad Highway" and
''The Amateur Gentlemen were
brewed. In the latter novel the hero.
the son of II retired prize fighter, falls
in love and marries the daughter of n
nobleman. In "Peregrine's Progress
the son of gentleman falls in love
with gypsy maid after he has un-
Willingly bought her. He is nineteen
wears old and she Is seventeen, but
neither is of the romantic or senti-
mental type, and romance comes with
the shock of surprise.
The youth is the Percgrlne after
whom the book is named. His progress
Is from n namby- -pamby boy who thinks
he can write poetry and paint pictures
toward more vigorous and wholesome
manhood. 1t starts when his uncles
express their disgust with him and with
the training his aunt has given to him.
He had been left nn orphan by the
saying of his father in duel and the
death Of his mother from grief. The
very night that he discovered the con-
tempt with which his unclos regarded
him he left home to see if he could not
make man Of himself Mr.. Farnol
sees to 1t that his adventures begin very
soon and continue to the end of the
look. When it closes he has progressed
long way from the feminizcd young
stcr which his doting aunt had made
of him. No one can write this kind of
2 romance more satisfyingly than Mr..
Farnol.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
LITERATURE AS IT'S WRITTEN
SMART BOOK ON ART
Give Bell Writes Entertaininsly
on the Moderns and tho
Modernistic Note

In "Since Cezanne' (Harcourt,
Brace 4 Coz Give Bell, the English
critic, has written smart book on
art. But besides smartness, the book
has brilliancy and often soundne OF
viewpoint. It is an informed book.
too, as Mr.. Bell knows his game and
several other games as well. Those
who revere the. classics may disagree a
lot with the Bell conclusions, but the
book will give them the policy and pro-
gram Of the modernlsts-what they
meant, and what they mean to their
cult-better than any other work be-
fore the public. And for those who
are modernistic in their art outlook the
book will serve ms n summation OF
the new principles and informally as
body Of definitions and canons.
II is pointed out that Cezanne's in
fluence Is strongly exerted on nll forms
of contemporary art. and that his in
dividuality expressed 20 complete re-
volt against the ideas of his day, with
their routined ways and their conven-
tions. that he became the master of the
new generation of artists.
Mr.. Bells divcrting book traces the
bearing of CeZanne on individual paint
crs, analyses the effect of jazz and
Negro sculpture on modernism in nrt
and sets forth such matters as tradi
lions. order and authority in art stand.
ards and art criticism. He does 1t all
good nnturcdly. but occasionally his
irony is barbed. Among the artists
considered are Cezanne. Renoir. Bon
nnrd. Othon Friesz. Marquet, Matisse,
Picasso and Duncan Grant.
People who inquire when they ac- a
modcrnistic picture "Why Do They
Paint That Wny?" will receive IN
authoritative response in Mr.. Bell s
book. which is stimulating as we'll AZ
merely clever.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
HISTORY OF PILGRIMS
IN VIVID NARRATIVES

"A Basis for Americanzation" is
be basic purI' Sc a. well as the sub .
'itlc for "a History of the Pilgrims
and PUritnns, Their Ancestors anG
pesrendants" Century History Com
"any).
In three portly and handsome
'"lumeS, with multitude of illus
ra,ion|. many drawn from rare con.
rmporary sources, this book presents
4 ruriouSiy interesting chronicle his :.
tory Of the Puritana.
The author. Joseph Dllawny Sawyer,
ii, made the collection of materials for
he book a life work and has been vcri-
nbly cnryc; ;opedic in his gatherings.
'h"re is hardy any phase of the sub.
oct, historical or biographical. which
lc has skipped. The style is not at all
hat Of the modern philosophc history
nut Is rather topical and narrative
without analytic phases.
DIR. William Eliot Gritfis. an au-
hority on the period and the people
aas furnished editorial collaboration
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24

an and an" hs,Sy sSs ss
hsory i runs %E to ncaSIy feq 800 srs. Srsi passi
"na Is Rrofusely and appropriately, Illus
1rmf'd 1n,h The scope Of The book enable, tbs
value of ovents.and the DO * explains causes
and traces effects.
DANTE AND HIs INFI.uENcE. BY Thom..
Sn Scrifner's Sons. ''" i'FH' char'e'
The lmpo,t of the great poets life. works
lor to Italy. '>'''''S'"
HUMAN NATURE IN THE BIBLE. BY
York: Charles scrbncr's sons '''N
y,"y ,W"tNhnwn n",n rTorEfTst ,Tt @ ana lecturer who
on the Bible, delivered under auspices Of "'S. tn.
phl.ateIphia Forum, has brought within
SnySf 20 Sss,s c p'fRSr Iiot% wri 2na illuminating set {"
SSER'vATI"&>s, SGI'yA TONS, BY Gsorse Ads' N New @
rn N %@h!Ss Hasf f,Sm H" discus
amps Indiana, Mark Twain pu,;,ng nv
front musical comedy. vacations. babe
ana Tn rIh 8'm'nTg dtysrse topics An the sketches
""aht VIII OF satire and irony as we'll
Fiction
ROPE, E;o,, hy y, H"worthy Hall. New York:
-, d"I'eh,Iul novel. brlsklv told. O, a "ouno
legacy lie is enabled 70 'Sin'y win ,Hronsh 1G tbs
help Of the dearest Gin In the world Mid4"' '"e
TALES or THE JAZZ AGE. By scot, Eu,z.
gsera d. New York: Charles Scribner' =
Nor" brisk and breezy and son,o,,res
h%r % s,D er@sh "a s,ories by the
gerald again holds the mirr"r IN +, rhs
'T4nkeG G'rn"rali?n OF nappers, loursc ia.
''Nl DIIDr iUUgH2lhe pI,hlirutiDD hp, RI
worth rcocrusaI. wv "'
MdlHlSTEEN di;hSI EoM or yGI G\rE by Massars, W.T..
A whimsical old clersynnH is Ita'' iha csStrHi oi
nsHre t,FW or this P!on9ant novel which deals
he tango they get into Until the "ar1". ,. t"v'
nbe 9'd man shows his sturdy understand.
xs or human pr0bl"mg and the n"m sense
'ies and vaEuen"sses '''' ''''"''"''
rHE, .TRAMPING METHODIST ny sbc,Io
K@%e' smith New York: L. i. button
~, An %mrly novel by this DISTINGUISHED prit.
rIm ~r,tr IL slyes stark picture OF early
OVERWHELMINGLY. BY C. +. Montague
c,N'T fork The Brentano Company
,,on, at' a aD me mrst book that tells the truth
matured observation, experlcnccd crt,!cism lr
n1i w%nher Of style, Ii is hein. TALKED OF Of
nu'nI"r, an EngIisl.mnn, saw active sorvlcs
IN France, and after 1917 came consider,
anE into contact with Americans.
Doubleday. Page 4 Co wv" '0'"'
- = nSw y, no'ei BY the author OF "Casuals
.ati,n amid the salt seas rn,lrouWent AMI
atmosphere. to patriotism
CLAIR nE LINE, by Anthony Pryde. New
York; Dodd. Mead 4 Go,
Flur"uco Is the scene OF this sixtear,b
century 10y" romance which shows that hu.
man emotions had their sway then as now
Wen t".u with much deiCaCy OF C1lur and
n excellent restoration OF atmosphere.
JOSlIIt GREER AND HIS DAUGHirER.
tE 'irnIy kitchell Webster, Iuiianapo.
m US liobbh Merrill Compan..
~" story # "A pirate with >. ship, a
'aVcman without u cave, and his daughter
= &;'p ~ the Old hluCk In many respects
roo "lih the dash and brilIiarcy that char.
Acter1ze the fiction OF the author.
FooL'S HILL; BY Leona Dalrymple. New
York Robert NJ, MoBride g. Co.
"A story OF love. told with romantic In
sight and plenty OF action.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
1.-THE Green Overcoat"

Hilairc Bclloc's burlesque detective
story. "rhc Green OvercOat," has Just
been brought out in n new edition by
Robert Mcbride Il Co. Tn" story
concerns the advcl. Of Prof. Hig-
elnaon. n psychologist. Who in 4 mo-
mcnt of stress. borrowed another man s
ovcrcoat from the cloAkroom of his club
The garment was green and appeared
most Innocent. but it had sinister asso-
Citations which th" professor was TO dis
cover. Additional interest il lent 20
The volum" by the illustrations wi irh
IRE froin the Pen "f no less a person
than G.. X. Chestcrton.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
NEW BOOKS
JUVENILE

STORIES FROM THE OLD TESTAMENT.
BY Caroline ke,lOSs. lnditnapUIIs
l3obOs s.er Ill Company
Ret ID for Ch. drcn IN r"vercnt fashion
! '.,h many appropriate !ustratlons
BILLY BUNNY AND HIS FRIENDS. ~
DAVID cory. New York: George X.
Doran Company.
oid Mpth"r M4gr!e tho ortols family:
Who vii! delight children ..ppear IN these
! 3sges.
\ LITTLE MAID OF OLD VIRGINIA. by
\ &c. Farmer Curtis, lhs.adelphIa; Penn
Another OF tn" writer's interest ng stories
oIs days ,h for srs vs ss
T'r&'S"n SSvS in III % When tninss irS ws"o sF rr"s
or tho Revol4yionary Army tina, won on'
freedom from Britain.
THE RADIO DETECTIVES SOUTHWARK
ROUND. hy \. Hyatt VerrilI, New
:hoIity on popular science has taken his
%LtnS h;roGH !ntE tie WSElt Inac; ""G,s ,ra
'rited $ atcs Government.
RDUTABAGA STORIES by Carl sandhurg.
New Y, rk li"rrourt, Brace Co;
one St 5nS .sy k%w Of ' ss m%9"F2st rGn
| the prai"Icg and the bis West and told them
- a fashion to de!iEht children. The book
~ dua!ntlv frustrated
HE INCA EMERALD, Ry Samuel Scoyille.
New York. century Company.
\ Wr.;"r Of noted STREE for 10Y scHnts hN,,
'riends > ratt!ins good @iv"nture fiction
r;sly. i rompares f1vorabIy wi'h his ex'
Illug "lSue I'earl"
COMRADES EVER Ivy Eqcott Lynn. Phil
alc!phia: J. Ii, L'ppIncott Company.
An Ensish successor 10 G. \. IientS
rites u story OF Nyussa Land and tho
.'".l.sh cunquo4, uf German East Africa:
Vlr hook is published by Chambers. OF
London and Ednhurgh ard Imported i"r
.,i4yricln Toys by LppncOtts.
iII,R. HS ur THE RUlNS. ny, Francis RoIt
Whec.nr. New York q. II, Doran
tunuGny
This i5 another yolum" ot TIC popular !nu.
thor'4 Round the Wnrll with IN" Roy
Journalists" and ma!ut1ins the entertain.
'r+ standard OF the earlier volumes or thd
ynr!'s.
:yY%ti \ $3.50 OF SLEEPY HEAD. BY ],
W. Foley N"w YORK.; l!uI'on 4 GO.
Pleasing rhym"g whicN chi dren VIII love
hear road Or tn m"moriL" for themsclves
There Is MISC Il D!ay for ch!'rrh ana grown
ups TO act
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-10-24
General

TATLl%CS. Ry svdn'y Tremayne New
York: J.. i. nut.n & co.
Npi%rnms WIN draWIng BY Fish.
III. AGRICUITlRAL lH.uN by Arthur
rapp"y, New rki llaTcourt' Hracs
An cNo1<i'irn of its plans and principles
~ is header.
ROOM p Jack Larric. New York; Lie
IN" lrat '''" T";umc IN ''Tho ,rItu" Play.
holsr" rcr"s rirtcd ~ rr rr" Lowing, we'll
tant1sy in me @1t ?uI, Is n.nyyohlg by a
,mnll cast IL, srrIr' II intend II to pro
,idc fr.sh matrrial t." lU!r theatres civic
theatre guilds etc. and ~ III" hastS ot th'+ :
nrst Issue scrins i, stincd to Ill useful
purrus',
AGAINST THE GRAIN, BY J. X. iIuys.
mans New York, Iicher Lewis.
a trNn.!atI"n Of N" "A R"boprs,", by one
e The r"sl m tn rurarIs,s--a d""aa"nt and
no !rru.s' aul mystic IN literature and NE.
,YYtiru!pr'y in style. 1t was much admired
W O."Ir wilde. Jim liuncAer and Percival
Pollard.
OUR RIGPUBIIC by s. u. Forman. New
York: Century Company.
brief history OF s.1 the nsrSaI ~ %sl, %oS psopls
textbooks, This. howYer' is not school
New-York tribune., 1922-11-19

blood gravy that should follow the
kpife as the meat is sliced. A stand
ing rib roast Is perhaps the most
popular, although the bones may
be removed and what is known as
a rolled roast substituted. The lat
ter is, Of course, the easiest to
carve.
In roasting or baking meat too
much stress cannot be laid upon
the great Importance of quickly
soaring the outside over in the hot
test kind of an oven. This forms a
brown crust that keeps in both
favor and juices, even if the beef
has the misfortune to be overdone.
English Roast Beef
Wipe off the meat with a damp
cloth and place on a rack in the
dripping pan. Dust with salt and
paprika, dredge the beef with -four
and allow about three tablespoons
of the -four to fall on the bottom of
the pan. Set in q very hot oven
until the -four is we'll Drowned and
pour in cup of beef stock if you
have it, or failing that add hot
water. Reduce the heat of the oven
and bake until cooked, basting
every ten or fifteen minutes. To
roast beef rare, allow from eight to
ten minutes to the pound, and if
New-York tribune., 1922-11-19

cial orange blossom pekoe, or lily
bud tea. Brew it perfectly, and
when its amber niceness is handed
to your guests, follow the cup with
tiny tray on which repose such
flavorings as cloves, thin slices of
lemon and orange, maraschino cher
ries and mint leaves. Tin the old
days a very small decanter of some
thing from Jamaica hovered near
the steaming cup.)
Eats end Atmosphere
Cookies, large and small, and gem
erous trays of sandwiches should be
within reach of the guests. Be sure
the sandwiches are thin triangles or
oblongs and filed with such irresist-
lbles as fig, cheese and nut COM
bination; or orange marmalade. ca
War, anchovy paste, sliced tongue,
smoked salmon or minced chicken
salad.
Don't forget the candied orange
and grapefruit strips and an abun-
dance of cigarettes for later. This
should be very special occasion
from start to finish lit is your
miniature Thanksgiving celebra-
tion). Candlelight, flowers, extra
gay china and your incest tea nap-
kins supply holiday atmosphere.
The spirit of the turkey, the groan-
ing country board and wind-tossea
autumn leaves will pervade il you,
as hostess make it so. r. r.. b.
New-York tribune., 1922-11-19

BY pan broiling is meant to cook
the steak in a heavy skillet that has
been heated smoking hot without
any extra fat save that around the
steak. This will give enough to
prevent the meat from sticking.
Turn the meat as soon as it is
scared on one side, as you would in
broiling, and then at minute or
two intervals until 1t is done. When
broiling steak always rub over
the broiler with vegetable oil be-
fore laying in the meat.
Like roast beef the steak must
be scared quickly on both sides to
retain the juices. For a steak one
and half inches thick allow eight
minutes to have it rare and about
thirteen if we'll done.
Lamb With Vegetable Stuffing
Either mutton or lamb may be
used for this delicious roast, and
the leg may be substituted for the
less expensive breast. If the leg is
New-York tribune., 1922-11-19
A Successful Steak or Roast Depends Upon Both {

well done, from eighteen to twenty
minutes to the pound. X desired,
tablespoon of Worcestershire
sauce may be added to the basting
liquor.
If double roaster is used no
basting will, Of course, be required,
Serve the Yorkshire pudding, cut III
squares, as border for the roast,
and pour over each portion a table
spoon of the blood gravy as it drips
from the beef. This is typical
English roast beef dinner.
When roasting mutton it should
be slightly rare near the bone, but
with veal, pork and lamb there
should not be even suspicion of
pinkness. All of these roasts are
cooked in the same way as beef.
If the Englishman is loyal to his
roast Of beef, nearly every red
bIooded American "stanus by" a
beefsteak dinner, and whether Il Is
planked, broiled as a fi1iet, or pors
terhouse, or even stuffed and
roasted, he is quite contented, pro-
New-York tribune., 1922-11-19

athe fat I'm the pan and than pour til
pudding batter under the meat. Ii
cook until the meat is done, alloRia
the rich beef juices 70 permeate Il
pudding as they drip upon it, TEh
also gives a delicious, crisp ksE
crust the taste of which is naHt tF.
gotten and which renders ths assh.i-
can imitation but a poor subsatua
These meat trivets may nov b
purchased at most Of the hsrdgsss
shops, and il you are fond Il an
genuine Yorkshire padding yn
should purchase one. Exact dirg
tions for cooking a roast Of hses vii
be found in the menu suggestions
and remember that your oven nua
be very hot at first to scar over Tie
surface, and when brown redues Tie
heat somewhat and finish cooking. I
Gouble roaster Is used no bastig
VIII be required, but if an uncovered
pan is utilized baste frequently
Personally I prefer The latts
method, as to me the meat has 4
richer flavor, although h may loss
a little by shrinkage.
Meat Market and Grocery
In making up the budgets fort
coming week the butchers bilIrg
seem somewhat excessive. TsM
been done TO show q varisv q
roasts and steaks which perhass ~
average family could curtaiL
Market prices for four psisufa
should run at the following dgurss
Butchers Hill .,,s ss.es
Fish bill ......s..sss.ss. y
Dairy supplies ....ss.ss.m -,
fruit -...... ..,e .szss .asss 0@s
Vegetables ....s...sr....s a.ss
Groceries ......E1s.s...... s'e
.e<-----.
ro.a, s2sm