davidaulloa/AmericanStories huggingface dataset:
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
BITES OFF END OF NOSE

NEW ALBANY. Ind, Sept 7.-Olive
Barkheim. 4-year-old daughter of Ben
Barkheim, a farmer near Dogwood,
Harrison county, while playing about
the yard at her home, ventured too
near a vicious horse. The animal bit
off the end of her nose.
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
Annex Department Bargains

Quaker Lace Curtains, 21a
yards long and As inches
wide, value $5.75; Friday and
s Saturday at the $3.50
72xS0 large Cotton Blanket,
value $3.50, Friday CD 90
and Saturday -. eDAeOC
66x80 Wool Blankets, values
$3.50, Friday and CT 40
Saturday ......... pe sfO
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
John Aud, of New Paris
Resigns MUshaPs Office

NEW PARIS, Ohio, Sept. AFTER
having filled the office of village mar
shall for a number of years, John Aud
has resigned and the resignation has
been accepted by the village council
Aud has agreed to serve as marshal
until such time as 4 successor can
be found and appointed
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07

Csc quality Unbleached
Crash to go at 5 yards
for ............ $1.o0
s1.00 quality 72-inch Ia
BILE Damask, Friday and
Saturday, yard zee
s1.25 quality 72-inch Ia
bic Damask. Friday and
Saturday, yard :. $500
$3.50 quality Pure Lin
en- Table Damask to go
at, yard ........ .$2.o2
1Sx3S-inch Bath Towel,
the best value ever
shown for the money;
Friday and Saturday,
Gavin y
22x42-inch Bath Towel,
wonderful quality, to go
at, each .42Lac
2-yards-square Damask
Table Cloth, splendid
value, worth $3.50; Fri
day and Saturday each,
only ........... $3.50
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07

27-inch Wool and Fibre Star
Carpet, very heavy quality,
value $1.25; Friday O0o
and Saturday, yard. =. ON
New shipment of 36-inch dou-
ble-faced Terry Cloth, S1.20
value; Friday and Sat OQo
urday, yard ...... OCC
4-yard-wide Burlap and Cork
Linoleum, S1.25 value; Fri
day and Saturday, per 0Eo
square yard ....... OCO
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
Domestic Specials

Printed Cotton Voiles,
checks, narrow stripes,
dots and small figures,
So to 40 inches wide,
SO to sc values; Fri
day and Saturday, per
yard .............. 25c
A lot of remnants of
Cotton Dress Goods at
greatly reduced prices.
Three dozen Girls and
Misses Velvet and Cor
duroy Tams; Friday
and Saturday closing
out price, each Csc
Envelope Chemise in
white nainsook and in
pink check dimity and
tinted voile, camisole
top and built-up shout.
der; Friday and Satur,
day special, s1.25 val
ues, each .......$1.oo
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
5Oth Ohio Volunteers Plan
Reunion At New Paris Oct S

NEW PARIS. Ohio, Sept. MEM
bers OF the fiftieth regiment, o. v. l.,
will gather here Oct. and for
their thirty-fifth annual reunion
Probabilities are it is the last reunion
that will be held, owing to the feeble.
ness of the few remaining comrades.
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
BABY FOUND DROWNED IN
WATER TANK OF MILK HOUSE

KENOSHA, Wis. Sept Mrs. Will
liam Walker missed her 20 mon.bs old
baby son from the yard at the home
stead, ten miles west of Kenosha She
started a search and found the child s
body floating in the water tank in the
milk house.
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
Real Saving on READY-TO-WEAR-

NEW FALL DRESSES of Poiret
sizes Is to A; Friday and GO OK
Saturday only .......e DCeOO
$50 and S35 Navy Blue Tricotine and
Twill Cord Suits, tailored and fancy
models Friday and Sat- S27 50
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07

French Ginghams and
Scotch Zephyrs, lis
sues, Woven Flaxons,
and Embroidered Tis-
sues in checks, stripes
and plaids. all desirable
colors and patterns, 81
and So inches wide; 75c
and S1.00 values, Fri
day and Saturday, per
yard ............. 39c
Special BARGAINS in
BINGHAM S CLIO OIL
DRESSES, both light
and dark colors, long
and short sleeves, sizes
from 6 to IA years, spe-
cial. .$1.e5 and $2.43
Ladies Slipover Gowns,
both white and flesh
color, in regular and ex-
ira sizes; Friday and
Saturday special, $1.25
values, each ..... .$1.oo
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07

NEW FALL SPORT COATS of Polar
in the dark tan shades, sizes 10 to A;
Friday and Saturday only, co OK
special OOsOO
ATWOOD SLIPOVER SWEATERS
in variety of fancy stitches in popu-
lar Fall shades; Friday and CD 40
Saturday only ...... OOefC
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07

Citizens of the village plan to assist
the veterans in making the coming
reunion a memorable one.
The Richmond palladium and sun-telegram. [volume] (Richmond, Ind.) 1907-1939, 1922-09-07
ART DEPARTMENT

Unbleached Muslin Lunch Cloth with four
napkins, regular price 75c; Friday and
3-piece Buffet Sets, stamped on White In
dian Head and hemstitched for crochet
ing, regular 75c value; Friday and Satur-
day only NEUTRALITY-SUSPICIOUS.. sec
Pillow Slips values from $3.50 to $1.S5;
Friday and Saturday, pair. ......... 1920
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
MARY coMERF0RD RECITAL
Young Philadelphia cetnraIto Ap.
pears In Fine Program

Miss Mary Comerford. assisted BY
Jules Falk, violinist, gave an excellent
concert in the Ritz ballroom last eve.
ming before good sized audience, which
received both artists well.
Miss Comerford has a fine contralto
voice Of excellent range and power,
with especially good quality in the lower
register, and she uses 1t to splendid
advantage. She began her program with
two old Italian song. Of Scarlatti and
Caldara; and followed these with the
Maiden" Of Rimsky :Korsakoff and an
almost equally beautiful song by Rach.
maninoff. She showed her command Of
Amour yiens Alder" from Samson
ct Della" and gave a number of songs
by various composers, closing with
Nicholas Douty's charming Song Of
JOY" Miss Comerford is one Of the
best Of the city's younger contraltoa
and with proper development Of voice
and style the future should carry her
far on the concert stage.
Mr.. Falk played the Handel e major
sonata and group Of shorter numbers
besides his chief number Of the evening.
leigh, op. 43. lie played with excellent
tone and much breadth Of style. besides
the facile technique which Is expected
Of all concert performers in these days.
The concerto is an interesting work.
being based on Indian themes, although
the exact melodies Of the American In.
dians are not used: they are melodies
original with the composer, but based
on his research in the field OF Indian
music.
Frank Oglesby and Clarence Fuhr.
man were at the piano. and Elizabeth
eastman. harpist. played some Of the
accompaniments for Miss Comerford.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
BRAHMS AND BEETHOVEN
ON ORCHESTRA PROGRAM
Hubsrman olvss Good Reading Of
Great Violin Concerto

eymphony IN . minor. Brahms
Conssrto for violin and ,2rchsstre .6sssnoven
Hunsar,an khSpscdy No. .Lisst
The fourth symphony (E minor) Of
Hrahms and the treat violin concerto
Of Beethoven were the features Of yes.
terday afternoon concert Of the Phil.
The eymphony opened the concert and 1t
was Siven a f,ne readins by Mr.. Sto.
kowsEi, It is the most involved Of the
composers four symphonies, but II IL
a question whether in some respects 1t
IN mot the greatest OF them all, although
Admittedly the most austere in style
and the most difficult to understand.
n ths Ar.t ,nov.n.rt Mr.. Stokow.
ali ssvs the moiodious second theme
.",S.h s.ao& hroedth ,naL;rs IL .ound nj I.
,,n.t iiSe m anSsnts in double time.
.nI bs foliouoi tbo some course with
The triniet S1mre. M rsminiscent IN It's
Ssveionmcnt ~ the onenins of the d Cat
ss-;r. nwor,ot IN AZ ~ the ssn,u
connossr Ths .iow movement was
sivsn with ereot bc"utv of tone, the
Hrst measure jfor third and fourth
HON, aioneI be;n9 nls vsd with abvolute
nerfectior ~ mitch nv Wessrs. Henne.
berg and Riese. But the best playing
m.nt. tke much .d;scusaei nassacaelia.
wsich wns r;ven with great tOnai
snnoritv' even tbouoh the hrnsses were
c.iisd wnon for Mi the tone thew could
mwster NJ t,mes
NJ Hnhermsn osv. m tbe whole. a
a,s rsoSin. NJ the nesthnven violin
nnnc.rto, wb,ch Will. r. mstes M OF :.
orhstant Semonds mnon m"dern tech.
n;ow"' oxcent for a Tow ninces IN Tho
iast r,ovo,nan+ s+;ii .terdp nmitc alone
n's T., .,ni;n cnnne,,". II J'a;cv,tv ~ inter.
n..totinn Ifa uio waS tha siow ,nove.
% mont and tho ronJo % hetter than tho first
nnovem.nt, in which no fren,,entlv do.
nreseod the +omno ereat,v md then
hrouvbt T. hock to tho original sneed
,r;thin n measnre ~ two nrndmcinr nm
sffect of nervo,,sness and unrest not al.
tnsstbor comnotihis uith The rns ;estv NJ
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
Of all, the audience wants to know what
the song Ia about.

Of all, the audience wants to know what
the song is about.
Anot'r- thing is that 1t does not make
any perceptible difference whether the
song is being sung In English or not,
the hundreds follow the words care.
fully. Naturally, the better way Ia to
read the words before the song is sung
when this Is possible, and 1t is sur.
prising how much more clear the
enunciation Of the singer will appenf to
BE- when the auditor has even this
slight clue to the words.
The success of recital depends
first Of all upon the rela ions Of the
recitalist and the audience. II ne can
do anything so easy as to give the audi
cnce the information It desires, md
to which 1t Is rightfully entitled, as to
the songs to be sung or the instru.
mental compositions to be played, the
sOloist has taken an important step
toward success.
TINE advancing Of the time Of the
L concerts of the Orchestra on Fri.
day afternoon has not altogether served
the purpose Of doing away with the
late conner, as It was hoped 1t might.
Yesterdays was rather long concert,
both the symphony and the concerto
being beyond the average time, 10
that there were actually persons arriv.
ing for the second and third move.
ments of the concerto, while others
were departing.
This evil Of coming lato to concerts
and making a regular thing Of it seems
to be growing, despite the salutary
lesson administered ut tho Bach Choir
concert. when all those who were not
on time were not admitted at all. 1t
Is doubtful whether this did anything
ladies into Il towering rage, q part Of
which was vented upon the gentle.
manly keepers OF the outer portals Of
the Academy.
OF course, the time will never prob.
ably arrive when all those who are
going to attend musical affair will
be there on time, but there certainly
can be some improvement over present
conditions. Jaroslav Kocian did not
begin his concert on time on Thurs.
day evening; In fact, It was consider.
ably after the announced hour when he
played his first number, but after the
first movement had been played. almost
rs many persons entered the hall rs
0N THE other hand, the performers
~ are often to blame in this respect
as we'll as the audience. There have
been more concerts late In beginning
this season than In any other for some
years past, and thero is probably less
reason for this than for the patrons
arriving late. The affair OF the con.
cert is more that Of the performer than
Of the auditor.
But. after all. It Is a matter Of
carelessness US a general thing. OF
course, there are occasional unayold =
able Incidents which prevent PROMPT
arrival, but in most cases the cause
Of the lateness could have been avoided
II the persons had really cared enough.
The experiences Of certain we'll
known organization In sttenpti. to
overcome this tendency in its men. ,ers
will BE- watched with keen inte st
this season.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
A---
NORA BANES.
Chestnut Strapf
oper's Houso

encc wants to know. and there Is no rel.
son why 1t should not know. II
any one desires further proof let him
listen to the outbreak Of applause at
the Introductory notes Of the accom-.
panimcnt at one Of John McCor.
mick's concerts when the audience
recognizes what he IL going to sing.
What percentage Of this applause 10
sell. .congratulatOry because the audi
ence knows what Ia going to be sung
and what percentage Is anticipatory OF
enjoyment would be Interesting to
know.
At her recital Mrs. Hagar went a
step beyond the mere announcing Of the
encore songs and spoke a few words
about some Of the songs on the regular
program, which she sang In foreign
languages and Of which the titles were
not sell. explanatory. This Is another
valuable thing to an audience and aids
immensely In the understanding of the
numbers. It was not that recital audi.
ences are not of more than average
intelligence. for they are; but they can
not possibly know all the details of q
highly specialized art.
THAT the need for something Of the
L kind has been recognized in the last
few years Is shown BY the fact that it
Is now the custom In many of the better
recitals to print the words Of each song
Tor translation Of those sung in other
languages than English) in the pro.
gram. That the audience appreciates
this assistance 10 demonstrated BY the
number Of persons who read the words
Of the songs, often as they ore being
sung. This may or may not distract
attention from the Interpretation Of the
music, but It certainly shows that, first
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
NOTES OF WHAT'S HAPPENING IN THE WORLD OF MUSIC

spssth at the piano Contributions for tho
Ss: ~ sias;:': a sS p D!: sent '. 10
Aanss .Clune 0uin,sn wit, rive . lecture.
ming. '"''"~S e's-
poiStm1i.Sm1 Eiil1i.m Ls'sy Eraim anpounnesS tn. sp-
is:s. & "tS'sy IF 4; AZ: s:''sSs'ss S.S *.
The P!Ays and Players will sivs their
Sess ScT,su sunSS:y sS.y fi,srnoSS tea at theft club
ancient s.i; %a:is snS SSni nsSu%sn,. ss.n:n Wi, g
:s:%' III sgf q: s:.,Sn SSn's
sss. :!!!;:s ss.S:s.sx e e sx;'$S
s$.!S' ~ Ss:s: .;::S:. s:s s.s
!, Th: e.'.s,:n:pt Music School .nneune..
Sunday !. 'SSss SSH''fs +. q suss' I: Iai,.s
!:s w!! :'S tie !hsS .nS q Il. oJsss. pTss
maker Ssors' TS::d.y :S.aias. NeSsss,sSs.. Ss sS.9: ss
q 73srisss' A. c.n.s, q; s;;ss sss,.Pp Pp.S :.
sseoSs.ni.S g SsS:i Ni:: sy S b ;SnS sssl!
under the direction oi Hsnry r~pan..
sanlse and choirmsste1 Of the church. W.
IN. wfs:s,'' G.:Rs GIsRs Y!!! b sues. eonaue.er Of
snes Of "MhEthS" Z Thyr.SSys mssinsS
terny" In the second week OF the CusSSs.
AGnee heitsnydsr. contrslto. win b. IN.
soloiSt with the 6orosis Club OF LsushornS
on Friday evening next.
The ,hfty-seysnth public service ~ 81.
Psnnsylventa Chapter Of the America n ,uiId
Church. Twentisih and Cherry strest"s ~
Wednesday evsninl, The service viii SNn ~
sEHs tin Sy "a fSmp.ned nS sho'rs Of Mar.
Quoted BY 4, Qcrdoe Gitohsl!s. and HsnrSso
bX trumpets. trombons.. tympsni and of"an
ssr Ths pTYaIas Sil y admitted wthSu. card:
The anthem Of gtainsr. ~ Saw the Lam ..
written Tor double chorus. will ~ thc ~.
l:h &c SSSnSs::!, % s. ISy:N sSeSsx, sv.sia: Gi
SSsz y;SSW Nessssis Nsssis v1i = ~ S(ss ~ q
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18

,ws S"s s,s e" s.sis essrnS
s. s.. 'ss os.is M':orS:n osiiss ss1
Xsils; A%n.rs Stella D'Mssse; st.;ro RnGnIi RnisIssi
Manuel ki"S .a:. ss.'ss ssiv, Hs%d snndae,or Ps.ch
sRs ws ;Si Ss Ssrrs %''f koss ssf
Win F.iS Xs: s:lsi., psn.:'' wi's sHs
Sseyt ana SST;S! eoHaas,sHs sssms ""s: at..y G:
S!r :;H aS;s ss%s S!"s,a .s
.nS T''b ssra?"s %S3
$$:::s ;s ;f. iSs iNs.s:n S': s;sSs is
fsy Ssyepoii ss!fs ,,;I.! ;Es
s...sI KnSy' 'on.s: sa:ss,: iS,4rans SH and ears
sssSs ss s:"ifss S:ss%: s?ss: y:
Es:ss :y"SsSs: Y 49,; s X;
S:: R:S:s. RssS.oss s'lHSsss%: assss and the
Mchs EMsn wnS s!v;s .ven,ns sscsi A M pns ins
the Partits In 2 minor OF nacnr,a ra S,cnss' y n,s
a. SI sy%IpnSnf b p!s..r HsSas.sss nS%ps9s Em.n vii
Sso." .s"r.i.,sd Sy Miss Lisa Eman In the rem.
dition OF the Franck sonata.
p.d.rewski will be heard on tho after.
noon OF Dct snbsr ! At the Academy "f
Music.
rh. .sysnth season OF Monday Morning
MuTcalso will be begun on Monday morn'
M in the ballroom OF the Asllsvys-Etrat-
ns rSr6 6a,nSM %N" Who & viii bs h.ari Eore tor ih.
Ist Tine thi' s:s.s0n; S%s sna ssps. sSss:
nads' az his own composition are FEATURES
| Of his program.
Joscha Hsifsts will Eive his only Phila.
/ dclphia recital IN the evening OF december
| IA al tho Academy OF MUSIC
On wednesday evening". November 20.
| ,hs rcorgunised Musical Club % the Vnt.
wefsity of P~nnsylvania vii! give lte hrst
oncort in tho. Aeadsmy Of Music: followSd
Foyer OF the .Acadsmy.. The CONCERT VIII
] is under the direction Of Pr, II. ALEXANDER
nuM{.rs MMySTw and Richard L. Waavsr. whe, viii
"aa the Symphony Orchestra. May Ebrey
| Hotz Will bc tho solotst
7ss Hsnsspsaen y'iis. ce:sssz 0.Se ~:
sSssssS Ssasssw sftssrseA sssssa ~ =
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18

.nd Airsa isrnsrss. % 'S cello. TSs tr,o. ~.
ana M ASssicey rlsHT .na H. 'NI I.nSas.s Viii
p'ay solo numbers.
will be s!v:n next week on Tuesday TOY ne
esS sS. ". saa,s and ,ers Pes.s sess. s!s.s Msse
AMI e. sss:,. ,ss SKI
smess:. tenor. ssI 'a 'eoan,Sns,'en aa viz !Ss
ssSssa 3 ss'co' A;:s H.Se. i''a': soa '' con-
..S G,ssorss noyls. pianist: viii HSS ~ :
"s sws su;' II II. Art own css boyle wi"
ne in!uriss no su:tained IN an aoGdsnt
Il. sYPm,nss Pnn md n.In ha: opened his studio
Israel vtchnin. tho PhiIadeIphia pianist.
wn ~cadsG,ys G,ys rectal IN the Foyer o. 1I !hs
P!ay Ia. scSumsnn F.n.ss!s.. on. II.
SnGpG sna dna
of IL. PSiIsSsphia "s Mu.,c y TeaSh:r: NiitSne: Nii
was the practical music clinic dsmonstr stion
sas MSs sShso Tns mex, msssus ss;ss Viii
SS r. h:|a Sn Noys%Ss, as A. :, ioso 4 n. e.
S,.. fSs' nv. IL. us "S'' q :.r,ss q ak.
on Modern Music."
Annette Keyser. SOPRANO. will give Q re-
ottal In withsrspoon Hal next Wednesday
evening. assisted BY Jacob S!Mkin. violiniat.
AND nSnlamin 0usstkoH. both Of tho Phila-
A recital bx the blind plano yirtuoso. Sir
Edward Baxter Perry, will be given In the
ballroom OF the Aldine Hotel Friday eve
Ming, November ~, for tho benefit OF tho
chspih Memorial Home for tho AGED Blind
wolf.Fsrrsri. srii viii i be siSsn BY tie Pays
ia IL fhssss: y" Nina Ps.ttymSa.liowsii viii viii
wa:s' :' e'%.'ii sss iis|ismS:!sa eiu$ ssSsacc:. :.
ss,: y: S sa % s.nS9 ssSs s:nn
and Raymond 6lmoads. tenor,
The NTH concert Of the sixth season Of
free sunday afternoon connerts "a tho
Academy OF the Fine Arts Will b. given ON
III " x!i1.sS No. :SD,sssi wiiiis@ u
~ ~ w; w.. sssiliSil sssssslisl.s - estsS 6sssls
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
PHILA. ORCHESTRA WILL
ASSIST CHURCH FEAST
Special Musical Program 10 A..
ranged for et. Clement's

Members Of the Philadelphia Orchss.
ira will take part in q special pro-
gram to be given In connection with the
celebration next week Of the annual
patronal feast of st. Clements Church.
Vespers will be sung in the church
Wednesday evening. st. Clemenes
choir will be augmented BY the choir of
St. Martin g in the Fields. Chestnut
Hill, and with trumpets and trombcnes
from the orchestra. The American
the music. The Rev. William A. Glen.
then, Of Baltimore will preach.
Gounod's Mass Of st. Cecilia will be
sung at the festival service Thursdey
morning, st. Clements Day. at IL
o'clock, with accompaniments Of harp
and tympnni from the orchestra. The
Rev. William Harmon Van Allen, Bos.
ton, will preach.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
THE CRITIC TALKS TO MUSIC LOVERS

titles Of the encores, and It IA no ex.
aggcration to say that nine times out
Of ten they were unable to tell. And
they were In every case specialists In
tho line Of music being performed. II
is not likely nor to be expected that
violinist will know the name Of song
except BY chance and the same IL true
Of the singer with violin or cello mum.
Der. But in nine. tenths Of the caseg
they do not know the names Of the
shorter pieces in tho literature Of their
own speciality.
This IL not to be wondered at when
prominent forms Of musical interpre.
tation Is considered. It makes the writ.
ten literature by comparison look like
q small book; but then it should be
remembered that there are no linguis.
tic limitations In music as there are in
pERsONS unaccustomed to hearing
L much singing do not easily catch the
words. no matter how clear and pains.
taking the enunciation Of the artist
may be. For this reason also. the title
terpretative work Of the artist, which
Ia utterly lacking without this knowl.
edge. In the same manner. but not In 80
great a degree. because therc are no
words, the title Of On instrumental
number often gives valuable clue to
the listener who has no idea IT the
character Of the work. Thus Caesar
Cuts "Orientalc" for violin takes on q
much more definite character when the
title is known than 1t possibly could
without 1t.
As to the interest taken in the
names Of encore pieces, any one can
sec to what an extent this feeling per-
vades an audience by the whispered In.
quiries. "What was that he played?'
which invariably follow every encore.
There is no doubt about 1.-THE audi.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1922-11-18
hope, will hnd its way to Philadelphia
In the not too distant future.

hope, will and its way to Philadelphia
In the t.too. distant future.
Enacted BY an English company in q
manner that, with one exception, .defes
pontive criticism. this drama may be
sni,;,I.. said 70 possess q more pefectly, 60.
sustained interest than "The Skin
Came" seen here last year, although IL
heart.
It 10 the story Of q young Jew by
ent on breaking into Z hish social set,
quick to resent slurs. and. st heart,
generous and Just. Opposed to him In
the dramatic content of The play are
number Of English gentiernen, i'm.
pcccably correct, irritatinsly snobbisb
and yet definitely sympsthetic In their
loyalty to their ''kind."
A theft Of money from Do Lewis at
returned and TIE snesrs ~ that it insi.tencs &C.
produces opened the play, it n \ deli /.
sately played and impressive thins. With
De Lewis unable 70 understand the con.
tempt with which his request for police
Investigation 10 treated.
The thief 10 one Of the select "sst"'
end Il IL the battle between him and his
frc1"nds on one side, and De Lewis on
IT, other that forms the play. L in n
case Of many loyalties-playine at cross
purposes. There is De Lewis. LOYAL 20
his race and creed: the guilty mans
wife loyal. even when be Is found out.
to her husband his friends loyal to their
kind the old lawyer loyal to bis pro.
fsssion, and unwilling to push the case
when he accidentally learns bis CLIENT y
guilt.
The truth brings De Lewis hot foot
to say he will not prosecute or press the
case but for Captain Dancy, The thief.
1t brings suicide-his only way out, de-.
spite the loyalty Of his brother army
officers. bis wife and friends.