The weekly times-record. (Valley City, N.D.) 1912-1922, 1922-03-09
KATCRA.K00
PLEASES CROWD
The Greatest Entertainment OF The
Season., Say Those In Attend
ance Last Night.

Ska2tcu IO"dIu VIC oIAuAeoiAN''A >"AAJ
in the evening and kept coming un-
Ill TIC large auditorium was packed.
When the curtain rose silence fell
over the large crowd as they settled
down for real evening of enter
tzinment-and entertainment it was.
The first scene was the Mahara-
5ah's private temple Of Buddha in
Raputin, India. Standing before the
Maharajah's temple was notorious
Fakir of Hunga by the name of Kat
sha-Koo. He could do incredible
stunts-like all East India Fakirs-
and Katcha-Koo's speciality was stand
ing for weeks perfectly immovable
without taking food. He always Sc
aected some inappropriate and objec-
tionable spot so as to annoy and ir-
ritate his victim This time he had
chosen the Maharajah of Hunga as
Ais victim and placed himself directly
in front of the Great Buddha image.
Bryan Clark, playing the role OF
Katcl1a -Koo did very we'll in stand
ing perfectly still with his arms fold
ed IN front of him for a long period.
There he stood, even the powerful
Maharajah himself dared not lay his
hands on him, although he offered
great reward for anyone who would
remove him. About this time two
iugenius Americans happened along.
They were in reality-"Happy"
Wright and "Pat" Holland. When
they entered the temple they also
were puzzled by seeing that men
aciug Katcha-Koo standing in front
If the temple Like all Americans IN
"a foreign land they became inqulsl-
tive and started to pull the Faklr's
sIothes and talk to him. About this
time. SoleJah, widow of the wizard;
but in reality, Trudy Olsby-entered
and informed the two Americans that
tbey were doomed for disturbing the
great Katcha-Koo. They have but
one way to escape and that is to re-
move the Fakir from in front OF the
sempIe. Thought the widow OF
wizard they secure magical suit OF
clothes, the last of it's kind. Each
separate garment retains the charac-
serist;cs of the original owner. The
trousers, Frenchman's, full OF po-
likeness and desire to dance; the shirt
a vsgabond's, making one carefree
and happy; the vest-an ltailans-
full Of love and arias, and the coat an
Americans of life and "pep'.
They succeeded in getting this ma
sical composite garment on katcha-
Koo whose career then begins. HIS
subsequent actions are dominated by
l,2 ....ou:crs of the Frenchman, the
st,;~t Of the vagabond, the vest OF
the Italian and the coat of the Amer
gan.
With this new suit on he begins to |
move and from then on he started to |
make love to the three wives OF the
Maharaiah. H. S. Pickett of the Jno.
&. Rogers Producing Co., who plays
das YoIe of Maharajah, becomes very
angry at the two Americans and
blamed them for making Katcha-koo
what he is. Everytime the Mahara-
jah would get nicely started IN
with his wives that ta-
kir. Katcha-Koo would come along |
and bump him off, taking his wives
INTO the garden for tea and leaving
hin, alone to think about 1t. Inc
however, was not the
.75v, ore to suffer at the hands OF
the Fakir. Two beautiful American
Urls and their mother had come to
India on a trip and incidentally had
stamped over to visit the MaharaJah.
The two American boys fell in love
with them and were getting along
verv nicely when katcha-Koo came
s5ouc and, broke in on them. with
his magic clothes he had the power
50 win the women and win them ne
did
Their mother, Mrs. Chattie-Gaddln
i'm reality Miss Frances Chatburn-
was everlastingly telling of her dear
husband who had been lost at sea. IN
i shert time she fell in love with
the Maharajah. But then came Kat
and won her away from the
great Maharajah. This proved too
asucf for the master of the temple
and he threatened the two Amerl-
szns wisfr death unless they changed
Katcha-Koo back to what he origin
div was. I'm order to do this they
would have to get those magic
r5otl1es off Of him. Try as they
would he would not stand still long
enough for them to even get good
look at him. At last one of them got
,c 5dea- They put a red hot stove I'M