davidaulloa/AmericanStories huggingface dataset:
New-York tribune., 1921-02-13
Eugene O'NeilI's Credo and
His Reasons for His Faith

Jung) to decide. 1t is life, neverthe~
less. stick out for that-life that
swallows all formulas Some critics
have said that Emma would not do this
thing, would undoubtedly do that other
BY Emma they must mean "a woman"
But Emma is Emma. She is whaling
captains daughter in a small New Eng
land seacoast town-surely no feminist
She is universal only in the sense that
she reacts definitely to a definite sex
The form her reaction takes is abso-
lutely governed by her environment
and her own character. Let the cap
tious be sure they know their Emmas
as we'll as I do before they tell me
how. she would act.
There are objections to my end but
given Caleb and Emma the end to me
IS clearly inevitable. The youthful
Emma refuses TO accept the compro-
mise OF human being for her dream
Caleb. AS the years go by she lives
lone with her dream lover, the real
Caleb fading into friend. But sud
denly she realizes youth is gone and
the possibility of her dream lover for
evermore. She snatches after him in
4 panic-and gets Benny. She must
re-create her god in this lump of mud.
When it finally is brought home to her
that mud is mud, she cries after the
real Caleb, seeing him now for the
first time. But he is gone. There is
nothing for her to do but follow him.
AS for Caleb, he dies because it is not
m him to compromise. He belongs to
New-York tribune., 1921-02-13
New Offerings in
New York Theaters

MOSDAY-At the Eltinge Theater
the Players Fellowship, in coujune-
tion with A. Fl. Woods, present for .
series of matinees on Monday, Tues
day and Friday "The White Villa
dramatic version by Edith Ellis, Of
Karen Michaehs's 1.-THE Dangerous
Age" The cast: Edward Ellis, La
cile Watson, Edward Reese, Kenneth
Hill, Dothes Fisher. Olive oliYsr.
Frank Morgan, Doris kenyon, Anita
Rothe, John Clements.
At the Cort Theater Laurette Tsy.
Tor viii be presented By Al. L. Err
langer in Peg o. Ny Heart" by ].
Hartley Manners. In Her support
arc a. L. Matthews, Percy Anes,
Greta Kimble Cooper, George Riddei.
Maud Milton, Thomas A. Braidcn,
George Sydenham and Mildred Post.
THURSuAY-At the Asoilo The.
ater Arthur Hopkins will present
Lionel Barrymore and Julia Arthur
in Macbeth" Mr. Hopkins with
holds the nanes of the supporting
cast.
New-York tribune., 1921-02-13
CONTINUED on page six)
AT the Hippodrome

February, with its two holidays, is
a gala period on the Hippodrome cal
endar, and new features are added this
week which include novelties in "Toy-
land, with Happy" Lambert, the Four
Roses and new dance of the Clown
dolls. The aquatic specialties intro
duced last week have been made per-
manent attractions, and the real horse
race continues to be one of the out
standing pleasures of the big show.
New-York tribune., 1921-02-13
John Drinkwater
His Philosophy and Ideal of the Dram
atist's Function

life, which may be uneventful enough.
Quite conceivably in a synthesis. he
builds up from bits of experiences, IT'LL
he has profound welter, out of which
he can bring order. That was the
method of Ibsen. Probably it is the
common method. But other artists,
among whom is Drinkwater, quite evil
IDENTIFY find their interest drawn ir-
resistibly toward moments they find
in history, and more especially those
moments when the phenomenon of
human leadership is observable. The
great leader, the outstanding figure
who influences the course Of history, is
sharp focus of experience, and to
explain him, to find his secret, to re-
duce to order the welter of which he
is the center, is a problem that the
artist finds rouses his keenest powers.
Hence, of four plays written or pro
jected, we find Driukwater concerned
IN three of them with men who wers
leaders of men-Liucoln, Cromvell
and Lee. Mary Stuart was not
leader-she was what he has called
tragic failure. But she went through
"a dazing mass of experience, none the
less, and Drinkwater is only the last
Of many artists who have sought II
explain it and through understanding
of Mary to reach better understand
ing of all women.
Although Drinkwater's dramas are
IN prose, he himself is a poet ay ir
stinct and practice. There might b.
an essay for some curious investigator
in the apparent fact that when poets
have turned dramatists they have far
more often than their prose fellors
taken historical events for their
themes. Their imaginations sppear TO
work more on the Interpretation of Ne
corded experience than on syntaeties,.
ly invented experience. Consider how
large part of Shakespesre's work [,
historical. 1t certainly was not be-
cause he lacked inventiyeness. and
probably not very much because he
had any desire to educate" the Briti,r
masses. Goethe, Schiller, Racine, b.
ron. Tennyson, Swinburue, Stephen
Phillips, the list .could be long ex
tended. 1t amounts, after all. 10 :
statement that John Drinkwater. in
writing historical dramas, is but ear
rying on the torch of poetic tradition.
New-York tribune., 1921-02-13

@szswa HE announcement Of the produc-
IN tion of John Drinkwater's Sec
VII ond long play, Mary Queen OF
Scots" early in March, together
with the announcement that he has
completed third play about Cromwell
and plans a fourth about Robert E.
Lee, has caused many people. to wonder
why ne seems bent upon writing his
torical drama so exclusively. The
enormous success of "Abraham Lin
coln," of course, might account for it
in the case Of an artist less sincere,
only such an artist could hardly have
written the Lincoln" If Drinkwater
continues to write historical dramas,
and that, too, without any promptings
from actors who wish TO inpersonate
certain historical characters, there is
some other reason than the success of
the Lincoln"
Looking over such interviews as he
has given in America which bear at all
On this point and reading, also, GER
tain Of his brief articles and the re-
ports of the lecture which he is nov
delivering in various parts of the coun-
Try, it is possible 10 come to g fairly
definite conclusion Behind his histor-
ical dramas lies a philosophy and an
ideal Of the dramatist's function and
personal bent OF mind.
I But the philosophy is most certain
" not that the dramatist should be q
historian. He has said more than once
that the artist dealing with history
should be at liberty to choose what
facts he likes, or even to invent en-
tirely. new facts. 1t is Mr.. Drink
waters philosophy that the mind Of
every man is engaged eli his life in
gathering volumes of experiences from
life and nature, but that this mass OF
experience is too often what William
James would call "the blooming well
ter" II is formless, chaotic. To re-
duce this blooming welter to order, to
understand its own experience, is "tbe
profoundest hunger of the human
heart"
The artist, Drinkwater. says, is
simply a man with more than the COM
mon hunger for understanding, for
completion, whose imagination works
or the. chaotic mass of his experience
with such vigor that he does reduce
it to what seems to him, at least, as
order and reason. In so far as this
reduction OF human experience seems
reasonable to other men, explains their
experiences to them, his work is hailed
as true and effective art.
In the specific form Of the drama
tiss artist who is not concerned with
the Interpretation Of experience but
simply with "the exploitation of char
acters without any growth Of those
characters, with the we'll known spec
tacle of action without rest is in
reality, according TO Dr;nkwater. not
practicing an art but fnoriey-making
trade--often, TO be sure. highly lucra-
tive one. On the other. hand, the
dramatist who has felt the common be-
wilderment OF the welter of experience,
and who is primarily interested only
in explaining the solution he has
found, is the true Imaginative artist.
Imagination is rather coordination
than invention, SO far as the drama is
concerned.
Granting all this, it follows that
those moments which have compressed
or focused the greatest wealth and
variety of human experience viii
naturally be Of prime interest to the
artist Where are such moments to
be fcundf Seldom, In sAs artists ,own
New-York tribune., 1921-02-13
Al the Columbia

The bill for this week is Harry Has
tings and his big show, with Dan Cole
man, the comedian. as the chief draw
ing card. Good specialties, many
novelties and well trained chorus
are among the many attractions prom
issd for upholding the high standard
set for burlesque houses blythe mana
ger of the Columbia.
New-York tribune., 1921-02-13

Laurette Taylor, who returns to the
Cort Fheater tomorrow night in Peg
o My Heart climbed to fame through
her performances of the warm hearted
Irish American heroine of this play.
Since she opened the Cort Theater in
1912 she has played the part more
than LOO times.
New-York tribune., 1921-02-13
Rem plaps
~ S BETWEEN John Marrymore's
- "Richard lII' and Lionel Barry

~ S BETWEEN John Marrymore's
~ Richard IT. and Lionel Barry
more's Macbeth" the excited
interest in theatrical circles and among
playgoers approaches the general fever
of worlds baseball series with this
difference, that whereas there are
trumpets and pursuivants of the pen
nant, Mr.. Arthur Hopkins, manager Of
Lionel Barrymore, sounds. never
cornet, sackbut, psaltery, nor any
manner of music concerning the forth
coming Macbeth" Mr. Hopkins, re-
sisting all importuning, makes only
this announcement:
Arthur Hopkins announces the nrst
performance Of Lionel Barrymore and
Julia Arthur in production of Mae
beth, designed by Robert Edmond Jones
with music by Robert Russell Bennett
at the Apollo Theater Thursday evening
February H.
John Barrymores performance of
Richard III" set the high mark of the
'ast season. 1t is the expectation
that his brothers. Macbeth" will be
the pinnacle of the present season.
Lionel Barrymore has not been seen
on the stage since his appearance last
in "The Letter of the Law Julia
Arthur has been in, retirement several
seasons. In 1916 she was playing in
The Eternal Magdalene" and the fol
lowing year in "Seremonda"
As to the new "Macbeth," Mr.. Hop
kins recently said that his production
aims to project the immortal value of
the play rather than the temporal
details of period and place. The mu-
sical setting likewise seeks to avoid
all attempt at exact or conventional
comment
Laurette Taylor, who returns to the
Cort Theater tomorrow night in "Peg
o My Heart climbed to fame through
her performances of the warm hearted
Irish American heroine of this play.
Since she opened the Cort Theater in
1912 she has played the part more
than LOO times.
Gay MacLareu will give another Of
her individualistic recitals at the Bel
mont Theater, on Tuesday afternoon,
February l5. The chief feature of the
program will be Miss MacLaren's pre-
sentiment of Friendly Enemies" Louis
Mann and Sam Bernard, as guests of
honor, are to be given the chance to
see themselves as others see them.
In "The New House. By Louis X.
Anspacher, which opened in Baltimore
last Tuesday night. Richard Bennett,
Who plays the leading role, has an en-
tirely different kind of part from any
which he has before undertaken. AS
an old Scotch shoemaker whose thrift
and industry have builded q fortune,
which is dissipated by an only SON in
whom all his paternal love is centered,
and through whose folly, selfighness
and extravaganza he is compelled to
return to the cobbler's bench, Mr.. Ben
nett has exceptional opportunities for
both comedy and emotional scenes. The
lesson unfolded by the tale is that the
TOO indulgent parental love which
shields and relieves the child from
work and responsibility enslaves it as
much, if in different way, as does
the selfish affection which demands
self-abnegation. Mr.. Benefits sup
porting company includes Reginald
Barlow, Louis Hector, Victor Gilbert,
David Glassford, Edward Martyr, Lewis
Sealey. Dorothy Cumming. Betty Bel
lars, Agnes Doran and Louise Emery
New-York tribune., 1921-02-13

the play over span of years.
We feel that by this time we have
devoted q fair share OF discussion to
Eugene O'Neill and, right or wrong, we
are not capable of making any clearer
our belief that promising artist is
now In danger of translating all life
in terms of rather pat and easy
formula. In order to keep the record
straight, however, we are printing q
letter from a. reader who disagrees
with our point of view. We are not
prepared to answer it, because the ar
gument rests largely on assumptions
that we have constantly met men and
women who established previous sex
purity az fundamental condition of
marriage. As a matter of fact, we
haven't. But here is the letter from
Louis Kantor:
when in your piece about Eugene
0'Neill's 'Dif'rent' this morning
you write that Emma refused Caleb
because he fell short of her IDEAL and
that no other man could have at
tracted her unless he in some way
re-created that ideal, and the young
ster upon whom she fastens her affec-
tiona in the last act is frankly .
scamp aren't you rather positive?
Don't you mean rather that you think
no other man could have attracted
Emma? Can't you see she is desper-
ate? And when you say 'O'Neill seems
i'll informed of the moro searching
theories of sex psychology, don't you
realize that you are making an unfair
and somewhat vague generalization?
For unless I'm ill informed and that's
not impossible. scientific observation
is in agreement with O'Neill.
"Now what are the facts? ONeill
shows us Emma, a young girl with
what you call distinctly anti-sexual
nature When she learns that Caleb
had sex relations with another woman
she refuses TO marry him. Now Pm not
a woman, yet I think | can understand
that a woman would not be distinctly
anti-sexuaP in refusing man who was
not as chsste physically IS she. Pm
certain you've come into contact with
or known Of women who would not
marry a man who wasn't pure And
dent you realize that O'Neill could have
projected similar theme with q man
as the principal of his play--with an
~ har
heard many men say they would not
marry woman who wasn't 'pure'?"
"Your next point that O,Neill does
not understand that repressed instincts
without some adequate explanation the
sudden impulse of the heroine to trans
late into actuality the desire which
she has long suppressed, or perhaps
sublimated, is not convincing intended
as statement of fact is actually an
opinion and quite open to argument.
There are people you know who don't
explain their acts or talk about them.
srme that Emma did suppress her de-
sires. II you are willing to agree that
this Illustration would inevitably re-
suit in an outbreak any kind, I mean
why not s sex outbreak Isn't it
more than likely that Emma suddenly
realized that she would die without
having lived wholly and clutched at
the young scamp as her last opportu-
If,onAsmus.d nss msxt nmE4l
New-York tribune., 1921-02-13
BY Walter Prichard Eaton

gyassv He announcement Of the produc-
tion of John Drinkwater's Sec
G$ ond long play, Mary Queen Of
New-York tribune., 1921-02-13
BY Haywood Brour,

- Ew WORKERS who find the
Ia one way traffic regulations
h during the theater hour an
@w moving would do we'll To re-
New-York tribune., 1921-02-13

IS ~ IFFRENT," as l see it, is
49, merely a tale of the eternal,
romantic ideaIist who is in
New-York tribune., 1921-02-13
Stage Gossip
,x%w AMuRA,n Japanese Mob

I'D play, will be given tonight al
%aS@ the Neighborhood Playhouse
and will be repeated on February 1s
19, 90 and %. Irene Lewisohn, who
founded this playhouse, and the Jap
anese actor, Michio Itow, will portray
the characters of the play, assisted by
chorus, which will appear in masks
from the collection of Howard Mans
field. A pantomime ballet, "La
Boutique Fanta sque," also will be
given,
Yvette Guilbert will give another
performance of "Guibour" at the Thir-
tyninth Street Theater on Thursday
afternoon, February II. The cast of
thirty-fve s composed entirely of stu
cents from Nine. Guilbert's School of
Expression, and the presentation of
this Miracle Play Of Our Lady," a
drama of the thirteenth century, with
its true medieval setting, proved or
it's first showing to be one of the de
lightful achievements of the present
season.
William Faversham, with aThe
Prince and the Pauper," will make an
other move this week. He will oper to-
morrow night at the Selwyn Theater.
where he will continue his run in the
Mark Twain play.
A performance of Twelfth Night"
will be given by the Verdi Club at the
Garrick Thcster tomorrow afternoon,
the proceeds Of which will be devoted
to the Italian Red Cross Society. The
cast is an unusual one, including Fran
ces Carson, Pedro de Cordoba, Harry
Gribble, Charles Harbury, Robert
Lowe, Roland Blackstone, Gerald
Hamer, Ulysses Graham, Morgan Far
ley, Mary Holton, Fred Bickel, Will
lam Goodridge, Sylvia Little, Robert
Roland and ST. Clair Bayfield, who will
play Malvolio. The play will be pre-
sented without front curtain, scenery
or pauses, with the orchestra on the
stage, and the properties set by mem
bers of the company in view of the
audience.
George NJ Cohan Is now engaging
the actors for mis- forthcoming pro-
cuction of new play by Augustus
Thomas, which, after much discus
sion, has finally been given the title
Of Nemesis" Emmett Corrigan will
Rave the leading role. The play is
scheduled for an early spring presen-
tation.
The Costume Ball, to be given at the
Pennsylvania Hotel tomorrow night
for the benefit of frankie Bailey,
known twenty years ago as one of the
beauties of the music hall stage, prom
ises to be gay and interesting dance
carnival. Prominent theatrical people
Lave been devotiug their time and at
tention TO the working out of plans
to make it the big success all Miss
Bailey's friends want it TO be. Stars
Of the stage and the screen will be
present in masquerade costume. Dane
ing will begin at 10 o'clock and supper
will be served at midnight. Mrs. H.
Willis MeFadden is chairman of the
committee, which includes David Be-
lasco, Daniel Erohman, Harrison Grey
Fiske, GeorgG Tyler, Holbrook Blinn
and Marc KlssA
New-York tribune., 1921-02-13

Miss Margaret Wycherly has added
to her laurels by her generally excel
lent performance in the Icelandic
tragedy "Eyvind Of the Hills" She has
been singularly successful in indicat-
ing the development of character in
the heroine whose life is followed in
the play over a span of years.
New-York tribune., 1921-02-13
As We We're Sayiing 9 g

be preferred to those which are new
and bad as we'll.
New-York tribune., 1921-10-11
ELECTION NOTICE

ave. " l3eth - Convent ave, W. 13lst
ard ! amsterdam ave
2eth e p-W.. lS3d st. Amsterdam
ave. a diagonal line from the corner OF
Amsterdam ave. and W 1a1st St TO the
corner OF ". l@2d NJ. and Old Broadusy
and Old Broadway.
ave w 1854 st and Broadway.
4lst T. DIV. 136th St. a agonai une
from the corner Of ". l3sth st and
Riverside dr. to the corner OF VI. l35th
st and Broadway. Broadway. W. 1851 st.
ana Hudson River.
42d T. DIV. i26th st. diagonal line
from tho corner OF ". 13sth st. and Am
sterdam ave 70 the corner OF ". I35th at.
and broadway, and thence diagonal
line frotA tho corner OF broadway and W
l35tn 81 70 the corhcr or Riverside drive
Ana ". iastA s..
New-York tribune., 1921-10-11
ELECTION NOTICE

iV4th st and 9Th ave
lOsth St. sDd n l"'tn Ivy e. PARK ave. E.
,oi 5th 2. d losth st. PARK ave. E
-V,sS 7ss s. s. a Snd Madison ave
corner Of e. leeth st. and Madison ave
n Sabs0n sfb = ~. y, E 1oTth st and 5th 40,
ie9tn s.. diagonal Inc from the corner
~ =. i09th s.. and Madison ave 10 the
e95hsr cS 4 loSth 81 and 5th ave, ana
80, 9th e De: l12th s.. PARK avs, E.
i'9sh 9oss s.. 2 and BM &adis9n IGN a.s.
llIth n st aqd Madison avs. '''
,,s.s IN z De ll7th 81. Park ava, 4.
LTD islh \ n aId BIZ 4aaisgn i,s9e ave. y.,
l15th st ara 5th ave. . L.
lath e. D.-W. Ilsth st. 9TH ave. and =
a,l4 alago4al u! iine from the corner OF 9Th ave.
ave, ana " lIsth st. 1'''-e' - --ei'oS
ool4sa l7th r. p--A ,- diagonal !las frorn tho
m ne eerner Of 5th ave. ana W. II7th -
l5lh .. D.-~w. ISL a., fgs Lenoz sx. w
ls5h B. d B.-w "a il-.b 1y >. o,., -.
ron ne corner Of W. han at ana T,enor
svs az - 81, 5ne corner Of ". ll6th St. ana IN
~ol5.l In p -.2 p diagonal uao from the
corner corner Ct 81 '{h ave and W li5th st to the
1ee t5e1c, oi a,sel,1 isenoS aye and " li7th st:
-enoN ave. ana W. liza St 10 .he - ..
OF 95o.1 9th ave. and W IIslb st.. ana eyf'1s' 35
lsth q. D.-w. nth St. 5tb .v. .na
grsson@l ana !,ee from The corner Of 5th sys
ana svI VA w. llsth ~ 81 20 the corner OF Ltnox
1872 E De. ii7th ct. Madison sy~
H. lleth 81 and 5th avs ~'c-'
:, -9th E. De Iisth St, Madison ~.
21st L. D.-A diasonsi lin. from
aeE oI W llith st. Ana Lenox ave n ~
~. v.'Sl q ". 10th st. and 9TH ave. 5tb
New-York tribune., 1921-10-11
ELECTION NOTICE

80 - =. 20 LIZ corner OK o+l ave
41h E. D;-A, diagonal line from the
corner os W. i25d 81. and Lenox ave- Ia
ave. Mount Morris ave, ". Iet5b =.
lihe Fcro 50 Mount Morris Park from tne
eeFher OF W. l24tn ST and 5th sve. IL
las corner Of ". I20th St anc 5ta ave
IN ave. n diagonal lims from the corner
o. ". ll3th 81 and 81 ave 10 The corne-
o, w. l-VtA st. and Lcnox ave and Lcnox
sth Z p.-w. roth at. diagonal line
,roe, ,ro. ne corner OF Lenox ave. aud w
listh s., ". f19th ST. and 7th avs
ON F. p.-W. l19th 81, 5th ave. ".
llsth s.. and Lenox ave
'lh z D--A diagonal linz from the cor
iei ne on -. Nlcholas ave. and ". l1sth 81
70 10 0as c9rnsr n 1th ave. and ". 11eth St
!" I'm St, l.enox ave. and W. I1sth 81
onal line from the coruer Or X. ifstb =
ana .tA ave to the corner of ". I1sth St
"nd 40 : 81. NICHOLAS ave. ana ST. Nicholas ave-
I'm l. D--W. 12Oth St 81 Nicholas
ave- w i49th 81. and Manhattan avs.
496ee ooen -. H. D;-1~ l-lst 81 Sth ave. ".
lith p. D.--A diagonal lina f-o-, 49,
corner Of ". l22d St and Morningside Ave
nue has1 70 the corner Of W. i2Ist St and
y. a-anA tan ave Manhattan ave. y. I19th
St ana Moruiugside Avenue Fsast
1Gth e. D.-W. 124th ST.. Hancock pl
NJ ian ave, diagonal line from the
.oine9 or W a-ist 81. and Manhattaa ave.
TO tne corner Of W. l22d ST. and Morning
sd Avenue East, an4 Mornlngslde Avenue
isth T. D-w 1gsd st.. stn ays. "
II ST at. and Manhattan ave
corner ri IN ave. and Y. 122d a. to lie
coTner OF III ave and W. i21st 81. thence
u diagonal line from the corner ~ IN
aFe and W l21st 81. 70 the corner of s.
Nicholas ave. and W. l2oth 81. ". l.0th
st. and 9Th avo
18TH q D-A diagonal iine from M.
corner of -. Nicholas ave and ". l2Oth
81 TO tie corner OF 1th ave. and W l2Ist
New-York tribune., 1921-10-11
Thirteenth Asse.nbIr District.


diasonal i1o fro6; ,-'- st. Gisrep9nt ont syc a
= ,,,o-.f5 ~ ~. 4lFta s.. 10 the corner or
:, a,9 I4,s Ht ~. s1otn St. W. 116th
2d /, -
-, 49, s. 81. Aiastercain ave, W HAN at.
rom IN corner ot v. Il5th g and River
S.cs t,flVe ~ the corner of ". 1I9th st.
a4.i e-arsi'o y :, =. =. aye, and Clareusonl ave
w l165h ~ and =, side aye
$th p D--4 diagonal line trosa ths cor
,t. nsT q " l-o4n ST. ana Amsterdam ave to
&,.is ~, I've W. l1eth ST.. MorninesIae ave.
In aA4 As'as- s-dafn ave-.
s-l. e. ~ diagonal line froun tho cor
nef of " i2ist 81. and Austerdan ave.
or W l-ptA 81. ana Morning.
IS. nan st. dagon4i !lns s-os, s' ~, ne - ~.
.ef e5 W l!stn 81 ana Moruinesiaa Drive
dan ave. and Amsterdam ave ''719'
sth T. D-W 1924 81 Nto--,-,-..i.
Drive ". l2ist st.. Mo~ulngsi,.e a..s ~
I5etA St. diagonal linz ron the corre~
the corner OF " list ana so
aves.. ana Amsterdam ave. ''-'s s-7- d q ~
" il-xt St and Broadway -'
sth = D-V. 18th st. Nfornin~sfao
afe y. l-iar ST.. AForniagstde Dive ~
---H 81 and Amsterdam ave
w. r 30 c4ag5aid lae from the cor
"s " va s5 and Broadway 10 the
.,.s ,a..o,ii. 11a a. and Amsterdam
a1t-. = 'httci dam az. x. 12cd ST. and
-''otn 'ey
4Ftn r. D.--W. 12fth s. = diagonal line
sseIasH 49, 70 the corner OF Broao1Yay
,,. I'm d D.-Bo0ndea 6s ana Within
Park ana between 80 and rs Rivers.ds
~ 80; me running north 10 centre OF
fstrVisw Court through Fatrv.ew Court at
l-th Z. D.-La sale st. diagonal line
EF