The broad ax. [volume] (Salt Lake City, Utah) 1895-19??, 1921-01-29
White Cloth Froek Having Matching
Mantle Lined With Vivid Green.

additional models added to the line
since the autumn collection. An i'm
portant feature Is the increased num-
Der OF lace dresses and lace founda-
tons, many of the Chantilles being
deliberately embroidered In metal.
This emphasis OF lace at the height Of
the Paris season is a significant one
from a standpoint OF lace consump-
ton. Everybody's attention is being
directed to the further possibilities OF
lace.
An interesting and impressive &C
eessory to the Molyneux collection is
the huge lace fan matching the dress
In the pattern Of the lace or its orna-
mentatiOn. Thus lace dresses which
have metal embroideries are shown
with huge fans Of lace embroidered in
the same pattern. Rare mountings are
used for these lace fans; sticks
OF shell, amber, carved ivory as well
as painted wood being used. These
fans are as large as the feather fans
which have been so much the vogue.
The chief Characteristic Of. success.
ful midwinter millinery, In Paris is the
utter simplicity, both In line and trim
ming. Panne velvet Is q leading note
for hand-covered shapes and silk
beaver pushes are much used for man.
ufactured forms.
Motor Hats Of Red Ribbon.
Ribbons continue to be greatly fea-
tured. A popular combination Is a
fsille ribbon trimmed on panne vel
vet shapes. Plated ribbon under
brims, In vivid colOrs, are used on hats
Of black velvet. New motor hats are
made entirely Of ribbon, usually in the
copper reds, and fanlIke ornaments
which form the trimming Of many Of
the hats are made Of plated faille or
molre ribbon Of rather a stiff quality.
These fanlike ornaments are attached
at the right side Of the hat, where the
brim Is slashed and, spreading out,
they sometimes extend nearly to the
shoulder.
A feather novelty Of the season Is
the breast plumage Of the heron dyed
In navy, dark brown and black. The
aIgrette Of the same bird continues
very much in vogue. but the high cost
as well as the dressy character Of the
aigrette make the breast feather nov
city most welcome for medium dressy
shapes.
The Paris millIner Is covering small,
round turbans and eoronets almost en-
tirely with these feathers, which form
a fringe not unlike monkey fur, but
softer and more refined looking. The
proper adjustment Of these delicate
breast feathers IS to have them prac-
tically cover the top and sides Of q
small turban and hang In fringelIke
ornaments over the ears. Maria Gro
yet Is using these feathers very sue
cessfully In dark blue on close-fitting
turbans Of dark blue velvet.
Covered With Feather Fringe.
The great vogue for lace is not con-
fined 10 dresses. It was lavishly used
on autumn hats, and is quite as promi-
nent on those for midwinter. Used
IN this way. the lace Is always black,
sometimes draped around the hat and
falling on In scarnike effect or form
ing large loops at the right side Of
small, close-htting turbans.
From a standpoint Of color every
thing remains dark with the excep-
ton Of the vivid green and red notes |
An Of the new reds are on the rust
shades and tone down into the love
lest coppery pinks. Entire hats are
made In these vivid hues. Again the
color may appear IN . splashy bow on
the side Of a black hat Sometimes
the brim facing Il In one Of these new
reds. Coppery red feathers or flowers
the latter In the new hand-painted hat