davidaulloa/AmericanStories huggingface dataset:
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23
ELIZABETH JANE WEAVER.

Funeral services for Elizabeth
Jane Weaver Will be held from the
residence. 1913 w. Washington av..
this afternoon at $3.50 o'clock. HaT-
vey Book. Christian Science reader.
viii officiate and burial Will be in
City cemetery.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23
HOLD ANNUAL MEET.

Nv AssoCiated Preest
INDIANAPOLIS. Feb. 22-Charles
Kleiderer OF Evansville was elected
president OF the Indiana Association
OF Cleaners and Dyers at the closing
session OF the thirteenth annual
convention here Tuesday.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

The twentieth annual dinner OF
the Young Womens Missionary So
ciety Of the First Methodist church
was held Tuesday evening in the
church rooms between the hours OF
$50 and S o'clock Fully 500 people
attended the annual coumernoration
OF Americas drst president The
tables and room we're periodically
decorated with red. white. and blue
cineraria flowers and the country's
fla Musical enter ainment was
furu shed bv memb rs Of the Queen
Esther circle.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

A change OF q engines is needed
10 pull the fastest present day pas
senger express train between New
York and san Francisco.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

Miss Marguerite B-ehmer. S04 n.
Sotre Dame av was hostess TO
members ~ the Twelve Bellies club
az heT home Tuesday evening The
time was spent sec ally with con-
tests the main diversion The favor
was won By Miss NtIEe Coddington.
a dainty luncheon carrying out a
c. or scheme approp -.are 20 the day
was served March the cluA viii
meet with Mss Coddington, III s.
Tenth ST. River Park
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

Mayor John F. Hylan OF New
York city. crossed Brooklyn bridge
2I years ago with a 81 bin as his
only possession.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

The fare from London 10 Paris by
airplane is now $3.50. The rate Of
a year ago was SIS.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23

rrv NFWS-TIWFS Wout i'd
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23
Clara HamOn in
Fair PLayPIea
To Z. S. PEOPLE
Girl Who is Held Pending
Probe of HamOn Murder
Tells Story.

lcoNTINUED FROM PAGE ONE)
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-02-23
Lnkcd WIN HnmOn.

first weeks wages. I had gone into
q SfnrA at I.aufnn q q nnlLI,nnnnr
The New York herald., 1921-02-13
PhoogaphyEm Fuchs Supurfs

the nineteenth century; one devoted to
contemporary living painters and one
devoted to sculptors. The retrospective
exhibition will include group Of paint
ings by Boecklin. the most noted Swiss
artist OF the middle period OF the nine
teenth century, among which will be his
famous Island OF Death" from the
Museum OF Bale; also a group of pic
tures by the recently deceased Holder.
well known as the great national artist
of Switzerland Holders pictures, for
instance, have been used as design for
the bank notes Of Switzerland. There
are also notable works by Segantini.
the most famous painter of Swiss noun
tain scenery.
Several OF the retrospective exhibits
will be loans by American owners
Other artists represented In the retro
spective class are Max Buri, Frank
Buckser, Gabriel Menn and Baud-Bovy.
The latter two were intimate associates
of Corot and other Barblzon painters.
The representation of living artists en-
braces all of national prominence and Is.
therefore, destined to be characteristic
illustration of the national art as found
in present day Switzerland, which is, so
far, quite unknown in this country.
Among the names represented may be
mentioned those OF Amiet Barraud,
Giacometti, Vautier, Welti. Baumberger.
Blanchet, Platner, Righini, and Boet-
lisberger.
The New York herald., 1921-02-13
NEW AIMONE GALLERIES.

The new Aimone Galleries. in East
Forty-ninth street are devoted to fine
furniture and art objects, both native
and foreign. and the installation Of them
is 80 modern and attractive that the
institution is sure to attract much at
tention. At present the galleries con-
tain many rare and beautiful antiques
brought here from Europe. and on DIFF
ferent floors are to be found admirable
reproductions OF old pieces. both Ameri-
can and European. as well as the prod
ucts OF modern American invention.
The Mariner in which tho contemporary
cabinet worker compares with the fa-
nous antiques indicates great strides IN
our native craftsmanship within the
recent years.
Among the notable antiques is Chip
pendalo sofa OF lovely proportions. up
holstered In fine old rose rDu Barry
needle point. A remarkable Louis XIV.
drawing room suite. with gray
frames and attractive Aubusson tapestry
cushions, Is In fourteen pieces. II is ac-
companied by door hangings In Aubus-
son that harmonlxe with the chairs. A
pair OF old william and Mary chairs are
IN walnut, upholstered In artistic needle
point.
Among the other fne antiques are
some Adam desks In satlnwood. one OF
them having n quaint drawer on top
fronted by false row of books. There
Is an old Adam table Of satinwood with
painted decoration: an old inlaid
Italian cassone OF commodious length.
and many small gate leg and other
tables. The notable reproductions In
clude Adam commodes with carved and
painted decorations. and italian re-
fectory tables OF interesting design.
The New York herald., 1921-02-13
THE BRIDGE
z o. ~ cAH1ERoN. ON EXHIBITION M. kN0EDLE2 Go

commemorating Con. Sir George White.
Princess Henry OF Battenberg Winston
S. Churchill, John S. Churchill. Lord
Roberts, Lord Charles Beresford, Sir
Ernest Cassel, Gen. Sir Arthur Ellis Ind
Nine. Ephrussl
The New York herald., 1921-02-13
EMIL FUCHS SCULPTURES
IN NOTABLE DISPLAY
Brought to America and Ex-
hibitcd by Carriers.

In fetching the sculptural work Of
Emil Fuchs to America the Messrs car
tier have done one of those commenda-
bic things, at once generous and enter
prislng, that are so highly characteristic
ofsgreat French business houses. To
transfer sculpture across the seas is in
itself at this epoch a formidable un-
dertaloing. this being the first consider
able group of marbles and bronzes to
arrive since the stoppage brought about
by the war. They have Installed It in
the luxurious galleries on the second
floor CT their building hitherto used by
them as private museum, and as Mr..
Fuchs's art has inherent qualities OF
luxuriousness the sumptuous back
ground is eminently fitting
Mr.. Fuchs Is chiefly known in this
country as a portrait painter. On previ-
Gus visits he painted portraits OF Mr..
George j. Gould. Mr.. Lindley NJ. Garri-
son. Mrs. Marshall Field Sd, Mrs. Court
landt Nicoll. Mr.. Kingdom Gould. Mrs
Henry Clews, Jr., Dr. Howard NJ. Beal.
Mr.. Martin Birnbaum, Mr.. Melville e
Stone and others, all of which have met
with much appreciation here.
a group OF paintings and drawings in
charcoal are included in the present dis
play, but the bulk of the collection con-
sists Of sculpture, and It Is the sculp-
ture that now will arouse most comment.
Though new here the idea of Mr.. Fuchs
as a sculptor is not new to Europe.
His long years of residence in italy.
France and England and his many COM
missions for governments and societies
have made him a truly International
figure.
or these countries Italy has left the
greatest impress upon his work. At
least there is much of the Italian feel
ing IN his groups and figures, and there
is Willingness to venture into emo
The New York herald., 1921-02-13
SWISS ART IN BROOKLYN.

An exhibition of works by Swiss art
lists will be opened at the Brooklyn Mu-
scum with a private view and reception
70 invited guests on Monday. February
81. and will be opened to the public on
the day following. Tuesday, February 22
(Washington's Birthday. The exhibl-
tion was organized and sent to this
country by the Swiss Government
through it's officially appointed represen-
tatives and will be the first comprehen-
sive exhibition OF Swiss paintings seen in
this country, as II IL. according to Swiss
expert opinion. superior to any of those
previously sent to tho various worlds
fairs. The director of the Brooklyn Mu-
scum, William Henry Fox, was also a
-,embcr of the Jury which net at zurics
- September last to determine on thu
choice OF the exhibits.
A number of the distinguished citizens
of New York and Brooklyn have con-
sented to act as an honorary committee
and their chairman viii be tho Minister
of Switzerland to the United States. The
Swiss Minister and Nine. Peter will be
present at tho private view, when the
exhibition will be formally opened by
TIE Minister. The Swiss Consul-G General
Louis n. Jounod, has also taken an
active interest in the exhibition and
VIII DC present NJ tne private view.
The exhibits include 10 numbers
These are described BY an illustrated
catalogue which has been printed IN
Switzerland. with an Introduction by
the famous authority. Professor Paul
CAM. recently Director OF the Museum
OF Bale. Professor CAM Is special
authority on ioibein. who lived and
worked for many years in the early
sixteenth century at Bale, and he Ia the
author Of a recent sumptuous publication
relating to the painter
The Print Galleries will show as a
pendant to the main exhibition a large
and representative group OF remarkable
facsmiles In color made by the most
recent color process for this publication.
and representing all OF the known works
of ITolbcin. The main exhibition will
have three divisions: one retrospective.
devoted 70 deceased Swiss artlsts. Of
The New York herald., 1921-02-13
TAMARA"
bx EMIL EUcHS o7 CARTIER GALLES>

signs is the winter Sum-" which puts
molten glow upon some marsh grasses.
A wall fountain by Janet Scudder Is
admirably installed In the Montross
Galleries with ferns, water and real
goldfish. The composition, which in
wolves a woman, a child and an upturned
vase, is a characteristic example OF the
artists late style. an authoritative and
reposeful fountain that is sure to be
much admired.
The exhibition of the Brooklyn So
ciety Of Etchers in the Brown Robert
son Galleries is an artistic success. The
prints are attractively shown and the
display as a whole reaches a commend
able plane of excellence. Then, too. 1t
Is particularly gratifying when exhibit
tions of this character permit one to
make desirable new acauaintances
For instance. the Log Bridge" by
John Taylor Arms, who Is only slightly
known here. ought TO raise his fame
among connoisseurs appreciably. Mr..
Armss aquatints. "On Lake Como and
Dawn" are also notable. John w.
Winkler's "Small Mission Street Wharf ;
Curt Szekessys Street in Antibes
France; Frederic Garrison Halls "Old
House at Vlcenza" and also his will
lows; Morris Greenbergs "Shanties
and Agnes Fernbach's Riverside
Roosts" can be heartily praised. Per-
haps OF this list Mr. Halls "Old House
at Vicenza" should be double starred.
Older etchers also register some sue
cesses Mr.. Orr's "Odeon" Is brilliant,
Mr. Hlgginss Dark Haunts" is dra-
matte. and est. Lucia" by Mr.. Plowrnan.
and the Hunters" by Mr.. Benson, are
especially good.
Charles E. Flower is showing a col
lection Of water colors in the new Braus
Art Galleries. HIS subjects for the most
part have been found in England, and
Mr. Flower uses his water color some
what in the English manner. He is fond
OF rose gardens, terrace steps and
matched cottages and draws these things
with enthusiasm and bright color. He
has painted scenes at Dorchester. War
borough. Wlttenham and in Berkshire
and BuclSinghamshire. Among the
architectural subjects are studies Of the
Hotel de vile, Dixmude, Malines Cathe-
dral. Cloth Hall, Ypres, and others that
were in the war zone.
Miss Marion Gray Traver's monotypes
IN the Schwartz Galleries indicate an ad-
vance over her work OF last year. She
has a fine feeling for nature. an agree
able sense of cofor and distinct apti-
tude for monotyping. AS before. she
appears 20 be more interested In winter
than in summer effects. and many OF
her prints are snow scenes. One OF her
most successful prints Is called THE
Days Grow Short" picture OF brook
In woodland in winter. II achieves a
remarkable painterlike effect
The New York herald., 1921-02-13
Work by Great Photographer
Viewed at the Anderson
Galleries.
by HENRY MCBRIDE.

T HERE is such thing as loyalty
In America, Alfred Stieglitz is
now thinking, or ought to be
thinking, for all Of his old friends and
disciples and many new ones turned
out on Sunday and Monday afternoons
to see his life work in photography, on
view in the Anderson Galleries, and to
shake the master photographers hand
and tell him how much they had
missed him.
For StieglitZ had been in state of
eclipse ever since he closed the little
gallery at "291" Fifth avenue-a gal
lery that occupied a share of the pub
lie regard wholly incommensurate with
Its size-and although even In the
palmy days of that institution there
had always been suspicious in the
bosoms of it's adherents that there was
an injustice in allowing Stieglitz to
sacrifice his career as a photographer
to his service there in behalf of mod
arm art, nevertheless the actual part
Ing had been something Of wrench,
wrench that time had accented>rather
than healed. since it had become only
too evident that no one had appeared
to replace him. Where Stieglitz had
been there was distinct void
So the meeting again with him was
something of a fete. All the photo
graphs were there that he had been
doing. and about which there had been
so much private conjecture. but greater
than the photographs was Alfred. and
greater than Alfred was his talk-as
copious continuous and revolutionary as
overland no sooner was this recognized
than the well remembered look-a look
compounded OF comfort and exaltation---
began to appear upon the faces Of John
Marin. George or. Marius De Zayas.
Marsden Hartley, Oscar Bluemmer. Walt
Kuhn and Abram walkowitz. for to
them 1t seemed that 1921" was operating
been a dream. There was a slight change
of background, considerable red plush in
stead OF the inconsiderable gray paint,
but the main thing, Alfred, was there
and they were happy.
Alfred had fortified himself in advance
for the meeting with a statement 1t
runs as follows:
This exhibition is the sharp focusing
Of an idea The 145 prints constituting
1t represent my Photographic develop
ment covering nearly forty years. They
are the quintessence of that development.
One hundred and twenty-eight of the
prints have never before been seen in
public. OF these seventy-eight are the
work since July, 1913. Some important
prints of this period are not being shown
as feel that the general public is not
The New York herald., 1921-02-13
NOTES OF THE ART WORLD.

Tho members OF tho Art Alliance OF
America are holding an exhibition OF
hand decorated fabrics In tho rooms of
the Art Alliance at 10 Fast Forty
seventh street The varied and pictur-
esque qualities of these flImsy silks and
gauoziike fabrics indicate the modern
trend in our arts and handicrafts The
use Of batik and tie dyeing serves to
emphasize the well defined tendency Of
the time to apply artistic skill and color
handlcrafts as applied 20 the everyday
needs OF hfe
The dSsgners Of smoclts and blouses.
like Mrs. Leo Ornstein. are moro closely
In touch v1sh me Ax1snk naSAs a our
The New York herald., 1921-02-13

tlcnal forms of expression that Is in
marked contrast to the restrained groups
turned out by the local men That this
is so is Illustrated by the quick re-
sponse Of Queen Margherita OF italy to
one OF Mr.. Fuchs's most ambitious CON-
ceptions. This was the group Mothers
Love-" which portrays a woman bound
to a cross in agony. yet succoring her
infant child. which she clasps franticaily
to her bosom.
OF this work, which was awarded a
gold medal at the exhibition in Munich,
the artist recounts:
when I finished In marble this big
group In 1896 in Rome the expenses
for packing and freight (the group
weighed almost eight tons) were 80
high that my means would not allow me
TO do anything further with II. At
that time Il 30 happened that the COM
mitee OF the annual art exhibition at
he Christal Palace In Munich happened
TO hear about the work and invited mo
to send It TO their exhibition. Offering to
nay the freight TO Munich, all expenses
in connection with putting Il up, as well
as the freight from Munich 10 the next
exhibition, which offer was gladly ac-
cepted.
"Queen Margherita. known for her
great interest In everything relating to
art, expressed q desire to see the
group before Il left the studio. She
came and Inspected the work most thor
oughly, also the sculptures I had on
hand at that time. Before leaving she
said:
II appreciate the manner you speak
with your marble when l SEQ the an
swers you receive
The most successful pieces in the
present New York exhibition. are the
terra Gotta figure "The Call from Be-
yond" and the marble head called
"Tamara." "The Call from Beyond" is
the figure of young girl just emerging
from childhood. expressing the samesidea
that Charpentior worked out to such a
tragic conclusion IN Louise" Mr.
Fuchs. however. bathes his fgure IN an
atmosphere Of tendernats, 70 perhaps he
has no tragedy In mind for her. All
the feminine heads In the ccilso<1ons
The New York herald., 1921-02-13

whether bronze or marble, are treated
with this same tenderness, but in the
"Tamara" the sensitiveness Is heightened
by the quality of the marble from which
1t Is cut. This is the pink marble of the
Italians, so rare that for the present
head a huge block had to be destroyed
In order to secure enough for this head.
It has been cleverly cut, so that the flesh
tones count for their full realistic value.
The success of Mr.. Fuchs at the Eng
lish court is matter OF record. so a
special interest attaches to a long series
of medals and medallions. now shown,
that were designed for the late King
Edward, the Dowager Queen Alexandra,
King George, Queen Mary and for va
rious societies and events. In this
division of the exhibition an interesting
feature is the replica Of Mr.. Fuchs's
drawing of the head of King Edward
VII, made for the English postage
stamps. Among the medals are those
The New York herald., 1921-02-13

"out OF the Dust" a motion picture
play by John p. Mccarthy. which was
shown for the first time under the aus
piccs OF the ST. Lawrence County Society
az It's dinner February In the Belve-
dere OF the Hotel Astor. promises some-
thing entirely new IN the world OF art
This production. which is Remington's
West reborn and visualized In film.
marks the first effort 20 ally motion pic
lures with the 6ne arts. because II
weaves in films a living conception OF a
painters work. Col Theodore Roose-
welt. who was present az ono OF the
speakers and saw the pictures. said
that tho director had interpreted per-
fectly the Remington conception and he
hoped to see the day when the works OF
the great artists would be 30 treated. be-
cause the motion picture would thus be
playing trcmend GUS part in promoting q
a wider appreciation OF works OF art.
The New York herald., 1921-02-13
RITA "

quite ready to receive them. The fifty
other prints never shown before were
produced between the years 1908-1919
OF the earlier work / show but a few
significant examples. With more the ex-
hibition would become needlessly large.
''The exhibition Is Photographic
throughout. My teachers have been life
--work-continuous experiment. Incl
dentally great deal OF hard thinking.
Any one can build on this experience
with means available to all.
MANY of my prints exist in one ex-
ample only. Negatives Of the early work
have nearly all been lost or destroyed.
There are but few OF my early
prints still in existence. Every print
make, even from one negative, Is a new
experience. new problem. For. unless
/ am able to vary-add--I am not in
terested. There is no decentralization.
but always photography.
my ideal is to achieve the ability to
produce numberless prints from each
The New York herald., 1921-02-13

HERE is such a thing as loyalty
In America, Alfred Stieglitz is
now thinking, or ought to be
The New York herald., 1921-02-13

| signs is the winter SUM-" which puts
a molten glow upon some marsh grasses.
The New York herald., 1921-02-13
EXHIBITIONS OF THE WEEK.

An exhibition in the Durand-Rucl
Galleries OF small paintings by Jong-
kind and Boudin viii afford much
pleasure 70 the discerning. Jongkind IL
not SO well known here as he ought to
be, for his art Is most distinguished.
He was one OF those who knew how to
take a large View OF nature even when
restricted to a small canvas, and In the
series now shown the painting Is always
ricn. Jonskind had n happy touch also
In water color. and group of his water
colors IN the Luxembourg Museum has
long been acclaimed Some examples
of this phase Of his talent are included
In the present exhibition They are
slight, as his water colors usually were.
but the style is broad and sure. Boudin
hangs well with Jongkind and the two
groups OF paintings reinforce each other.
Among the works by Boudin are two
cattle pieces that are not well known
and will astonieh the admirers or his
marines.
Olaf Olesen IL showing paintings in
the gallery Of the whitney studio Club.
and his exhibition is strengthened by
the addition OF group OF prints by
John Sloan and Randall Davey. Mr..
Olesen has rich but not strictly per-
sonal palette and a sure sense or de-
sign. His landscapes are really small
murals. Tho painting In them Is sonle-
times heavily accomplished and there is
often cause for complaint In the draw
ing OF slender tree forms notably In the
ono called Spring" whore the paint has
sticky aspect. There Is. however,
much undeniabIe nature IN his compost
tions, and those who yearn for strict
realism must often puzzle why Il is
that decorators like Mr.. Oiesen get 30
mxpGh a n 0na AZ p1sseukn ha0t a.
The Challis messenger. (Challis, Idaho) 1912-current, 1921-06-29

bines. A hundred yards and they were
at the gallop, a blue torrent, at the
heels of their leader; tearing through
weeds and undcrbrush, squirting reck-
lcssly into and over the creek, dhsl'ing
up the other bank to the very foot oi
the bluff beyond. 1t was then the ma
jot saW the uselessness of IT. lie
whirled with uplifted saber.
Eight on foot. Horse-holders to the
rear. Come on, lads!" he shouted, his
voice pealing above even the thud OIL
hoofs. "Get up there some way, you
terriers, and give those red devils
h-l!"
They came forward at run, yelling
as they came, ana leaped in among the
rocks, their carbines beginning to spit
as they clambered upward. Overhead
were slurrying figures, and spurts OF
black smoke, as the Indian rifles made
answer.
The Challis messenger. (Challis, Idaho) 1912-current, 1921-06-29

Then he turned suddenly, the spirit
OF the soldier in the ascendancy.
Deploy your men, Captain Giles"
ne commanded, his voice hard and
stern. Swing them into line. Leave
squad here under sergeant. Live
~, boys; that Is one of our old lads
hghtfng those devils over yonder.
Now were going to strike in, and d-n
me- II care If you never take pris-
ohef. Good! give me my horse. All
ready! Bugler, sound the charged"
They swept forward on a walk,
then n trot, spreading out onto long,
double line, as they swung into the
more open valley, riding knee to knee,
the men bending forward in their stir
rups, with left hand grasping the
reins the right gripping the short car