The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1921-01-20

draperles, that on one side being Of
black lace and that on the other Of
white lace. The bodice, peasantlike In
Its simplicity, Is Of white satin, with
medium round neck and very short
kimono sleeves, the only lace being
frills OF black lace which extend the
sleeve length to the elbow.
A tiny bit of color Is given by an
embroidery Of turquoise blue beads
which edges the short sleeves, outlines
the oval opening In the white satin
blouse just at the girdle line and
droops again to follow a pointed yoke
on the front OF the white satin founda-
ton skirt. Here the turquoise en-
broidery CLEANS family through the
drapery of lace.
WrInkIed Bodice, Low WaIstlIne.
One OF the most sought models is
black crepe de chine, made with
panel-plaited skirt falling in loops.
The simply wrinkled bodice, showing
low waistlIne, buttons at the side
front, and is finished with a broad
plated collar Of white crepe de chine
IN decided one-slde effect.
The plated panels Of the skirt fall
over close-ftting foundation skirt
of black satin.
Nothing can be more simple and ye.
there Is something fascinatingly new
about them. The brilliant peasant en-
broideries In red. black and white and
cut-out work form shallow yoke
trimming and the fairly wide girdle
and also edge the sleeves. Below the
very short black crepe de chine sleeves
Is an underpuff Of white muslin, which
comes TO the elbow. Here. again, is
another quaint old-fashIoned idea
white muslin undersleeves coming out
from black crepe de chine dress.
Rolande has very successfully
launched among the younger set
dress called Arlequln, which is de-
veloped In black satin and black crepe
georgctte. This is a curious though
simple dress, and owes its name to
the taggy volantes or little v-shaped
fiounces which edge the sharply cut
triangular panels that pop out all over
the skirt, bodice and shoulders OF this
novel little frock. A bit of color is In
troduced In n narrow glrdle OF twisted
velvet, usually bright yellow. Smart
young women, who frequent the popu-
lar dancing places, are wearing this
dress. Like everything else In Paris,
a fashion which is n success Is fright
fully overdone. But for all that, the
Parlslenne takes great personal pride
In the success Of the moment, no mat
ter how many times II Is repeated.
Afternoon costumes In black and
white are topped by the large black
hats Of the type beloved by English
painters OF the old school. These hats
are Just the lovellest things that ever
were. but they must be reserved for
the woman who has leisure to attend
formal afternoon functions. They can
not find place In the busy life Of the
average modern woman who more
and more, is going In for business or
politics.
The flowing veil Of black chantllly
finds a logical resting place ON such
n hat and adds greatly to the picture
A very large hat OF black tulle may
have tracing veil OF chantllly lace
falling well below the waistllne In the
front as well as In the back.
Even children have not escaped the
vogue for black and white. Although
the more conservative OF us may not
care for black or black and white
froek on a little tot, preferring TO see
such combinations reserved for their
mothers. there is no gainsaying the
smartness Of these little dresses,
brought out by some of our greatest
droEsmakers.
There are many women who never
wear large hats no ritter how strong
ly they may he emphasized by fashion.
These win welcome joyfully the close
fitting turbans OF black satin that al
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