The Kenna record. (Kenna, Roosevelt County, N.M.) 190?-1924, 1921-01-14

really know how to do. The material
Is an art all In itself and the bits Of
fur used with 1t, along with beaded
embroidery at the sides and bias bands
Of the material, all help to pull the
whole together in a most effective
manner. The fur turban shows a
dropping bunch of flowers. 50 much In
demand for turbans and most OF the
closely-fitting hats.
Drecoll has done the happiest sort
Of French froek In her model Of black
and white. This is a combination Of
effectiveness Of which the Partisan
never seems to tire; each time de-
signer INDUCES in the idea the result
seems to be more beautiful than II
ever was before. The dress Is made
Of a soft white velours, and a great
deal Of the art lies In the deiicacv
Of the cut. But the irresistible touch
comes when the little blocks of en-
broidery appear, for they are done in
threads Of white and black thick wool
to make them all the more effective
on their white background. An in
teresting point is made in the lacine
of the sleeves, for this is done with
white silk braid tipped on the ends by
bobbing black Nalls. And the collar
Is another bit of art, for It need not
be high. 1t can open and lay back
over the shoulder line with the same
ease and grace that it uses In folding
snugly about the throat Again, the
waist line says eloquent words for the
survival Of that long, moyen-age treat
ment. This time it is done In a clev-
erly different way by means Of the
panel at front which becomes a wide.
soft belt further down.
The hat on this figure is one of the
later ones created in Paris. 1t is made
OF black satin and has, by way Of
touch Of trimming. fringe of fur all
about the edge Of the upturned brim.
The manner of that brim's turn Is a
note Of newness; the black satin hat
mas already reached these parts as a
leader In the seasons headgear.
Cling to one-Plece Frock.
The French are stin clinging to the
little one-piece frock which they pull |
and push and tuck in until 1t becomes
a gown marvelOusIy suitable to the In
diVidual concerned. Several women
may be gathered together in Paris
each wearing practically the same
model, but so great is the French apti-
tude for suiting the gown to the indl-
Vidual that no one would suspect their
frocks Of being cut over the same pat
tern. They have way Of blousing
the thing or letting 1t hang straight to
follow the demands Of the individual
figure, and in this way they manage to
achieve really beautiful effects with
nothing Cor we would call
It nothing) to work with.
There is a feeling that the skirts for
spring win be longer, due to the fact
that some Of the best designers in
Paris are showing gowns with skirts
made along quite full lines. The sill
louette is kept straight through all
changes, but the full skirt is becom-
ng daily more sure of it's right in the
scheme Of modern styles.
The cire trimmings are in great de-
nand abroad, and these are developed
n all bright cOlors as well as In black,
which has had 50 great a vogue for
'ome time past. The blue serge frocks
how any number and variety of cire
lands and ribbons and trimmings of
III sorts, and 1t must be acknowledged
hat bright red is the favorite color for
with frOcks of navy serge
The dresses of duvetyn In all sorts .
# shades and tones are the ones that
IRE most favored by New York women
Who indulge In the wearing Of imported
towns. Just about now there are so
many of them to be seen that the eff
ect is rather bewildering, but there
8 one characteristic which they all
AVE in common-that they are quite
imple in all their lines and details