davidaulloa/AmericanStories huggingface dataset:
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
NEUTRALITY-SUSPICIOUS.

~ nOunrcMrnt of the composer. It is
apparent that these themes exhibit all
the qualities Of true folk song and that
his muairak mind is in entire harmony
with the nAtiOna|iStic trend Of thought
Of hi> people.
The music Of SibrliuS Is not easy to
understand nor Is ii quite rOmprHhcn-
Sihlc without sOm" knOwlcdgc Of tho
racial characteristics of tn" Finn9 and
even mGrr Of the enormous influence
which their mythology has cXcrtci upon
III" national character. In his music.
Sihclius rarely gets entirely out of touch
with the "KalrIula." the great collcc-
tion of folk lore made nearly CEN
rurv ago. which sets forth the mythical
history Of the Firms very much as the
Nihelun2cniird does for tho Tcutonic
peoples.
ono Of III" chief characteristics 90,
Finnish fox .,ung il the prevalence Of
five four rhythm and the repetition Of
one note or short phrase many times.
SibrIiuS makes II great deal of use Of
both these devices. especially the latter
one. and the mysticism of his compost
tions Is derived partly from the racial
makeup, which IS Il mixture of tho blood
of Mong0lian and that of Western
Europe, and partly from the national
legends oi Finland. in which death
aud the neither regions form large
uNr'. Thus it add to the romprchon-
sion or the h"arcr to know that in
"n'hr Swan Of Tuonrlu, the music
represents the song of the mythical blru
which sWim> constantly on the black
rivcr which in Finnish folk lore is
supposed to flow between this world and
the next.
In spite of this Characteristic, Sbe-
lius seldom writes to a program and
for this reason his music i the more
difficult to understand. \ program of
his works conducted Ivy the composer
would form one of the most interesting
,Uurrrl, .! tn" season
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

! THE whimsical Barrie always man
l. dgcs 10 start controversy with
everything he writes. Perhaps IT
might be nearer the strict truth TO say
| that il is the public which starts the
| controversy. Anyhow. we have got
into the habit Of trying to find IN
hidden, spiritual mcnning-whiCh. II
may be. he didn't intend 10 put there
at oil.
Rose simply for the sake of thr story.
Seek Spiritual But no sooner did it
! Message in appear than Barrie.
Rorrie PInu fans. who know more
about Barrie than Barrie does himself.
''discoyergd'' that II concealed II
prcachment about the life hereafter
mud the return of the spirit" Of thc
dead and all that sort of thing. They
declare that the true Harricitr Wlll
sense message to All who lost their
Young loved ones in the great war. !
hope they don {.
There is haunting musical bnCE-
ground running through Murh OF thlS
nlny. 1t was composed by Young
RritIshor. Norman O'Ncill. but Barrie
himself wrote the instructions on
which the score was based. These ~
gtructions themselves are tNpicaIIE
BarrleSQuc. l1're lh'H NV J" ~
words: ,,,,.
MARY Rose is sitting dcmurely, but
yoylv. on the trcc stump. holding nct
tongue. like q child. Something clSc
Is hoppening. The island has begun
to cali Mary Rose.
The sound is like tho wash OF waves
some untrCddcn shore. with wlnd
wbist,ing through it and strange
moanng-got best. perhaps. vain
great nine organ. IT iS mysterious anu
threatening and is at first aS Soit a.
n whisncr. but it rapidly increases III
volume until it is horribly LOUD. IL -
furtivc. fearsomc, seductive. Out "
ncath il there is lovclv music ana cailS
Of Mary Rose. ~ if there were some
thing very beautiful about thc eau
which is trying to assert itSclt. out -
largely drowned in other more eerie
sounds ,,, aud
sunny as before. But we h"ar ~, ,I
caN and Mar Rose hears 1t. put
Simon and Cameron continue as ,hry
were. herring nothing. At hrSt Mary
Rose continues sitting. only conscious
of sound. but soon size Is ike one
mcsmcri2Cd. She has risen now. oh"
arm gocs out to Simon for hclp 1T
thereafter she Is ObliviOus OF hlr eN 81.
cncC. She is not frightened. 6ut 6ut
neither is there joy in her face S'ie
has rapt face. When the storm IL
at its loudest she passes through 'he
brushwood ont Of sight. her arm "u'
stretched. Then the call d,"' away
and there is silcnce-the lS'"nd mas
got her.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

yTlRRY LlIDER-itS impossible
IL IN usc the "Sn'" mat King george
Gorc him-toW q Hitlc in",d'"t 10
some friCndg IL N"w YORK. ms "'rf
trLich seems 10 NJ" 10 SHm mp bcd"h-
taiiy mat sense NJ "lo&c pCr&'"",
jricndxhip hat mc HH tCCl to~"rd
him. 'Thc' fr-r.r%t time ! co""
N'York," said hc. zane . mD
friCyds Srid L me, 'HdIrH. mhN nr'
ur gnc- iu' Glru 0mURG a W'm
SiralUrra.r dnd ! cOHId rd ten i".
I ,ooai cam an whc" ! rent back to
Sr0tIand I Iad 10 in. 'Nircr a." !
meet It stronger IN a america
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
MUSIC NOTES

At the concerts by. the PHI hlndeIphta Or
evening next, Alfredo Cascla, composer ana
pianist and the moving spirit OF the young
Italian musical movement. will make his
american debut, Mr.. tnEellu will Dlny tho
Mozart Concerto in d minor, Ills owl. com
uostion 70" tn" orchestra. "Pngln, d.
Philodrlpha hearing: The 1--we scrn's miI
tlra, p porunNcd tax" pacc IN HeIgIUm
InasrlrC uf the heavy German urliltCr,G
IN "r9ur' lIoforr ',r rUDuS ~ Rhc'mq &,
,H'i,'N, !" RrSs,a "a charge Z G0qsf. ok
CHNulr. D. ~ A'f'0,H ta Ci,ss IN la, ,,rndSi
hpd vu lul hu.i-ir utAin' iruucll,.s rruis
ipsl, The symphony T. the seventh. OF Bee
nation OF Faust" by BorlioE. close the prn-
gram.
Pauf KoohAnsld, vioitnfst. win bs t1s
Solo1SL At he first concert Of ths NaW York
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
BEFORE THE CURTAIN GOES UP
There's Busy eek ahead for the Thearcgoer Who Tries to
See EUer,thing-Fre New Bills in The "Lert" Houses
By HENRY VI. NEELY

THERE'S week with
in of tho Kph
nj
Cost omcck spectacle. 'MrC the
Marry widow the Gila
fin the the
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Thcr" wcr" 1l71 sopranos. 1O3 con
iraItos :5G tcnors. lJ9 baritoncs and
:" ba,So", These figures. by tho way.
arc not thc ones Jeff dc Angeles talks
about 50 much on the stage.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

UT Sibclius occupies different
- position from both Strauss and
tln6y. lie j the flower Of thc Finnish
hool. one Of til" most recent of the ma :
innnl music "ilS of Europr. lie j.
not the "foInGcr" of Finnish national
nln ic. bat it may bC (airly claimed ior
!lm that he has thuS far put the crown
W'on the efforts Of WcgnliuH. PnciuS.
muSi" in this country is totally um-
known. but who made their life work
To" expression Of the national spirit
through the medium of tones.
Sibrl,uS. whose fifth symphony the
Philadelphia Orchestra il playing at this
week > ""ncrrlS. is the first Finn whose
compositions have received wide rcCOG
milton out,Id" of that country. liC is
generally known through his popular
"Na)>r TrisIr" for small orchestra.
IT," "SwHm Of T@onHla" and III" tone
"o"m "Finlaud,a' for full orchestra 8,
nIth""gh Mr. St0kowSki has given the
tlI%l ~ ninurI symphony and the tone
i"rm 'En Saga" and Mr.. Ricn has in
lr"dureo ~" violin concerto. while th"
;'">trn Orchestra has PLAYED the Fourth
y minor) symphony here.
Whi," the thrmatir material IN Sihc-
Has music is rs Slcrnll national as
that Of amy composer. he himself d"ui"&
ihul h" uses Finnish folk mcIudics A.
they stand and on the score Of Elm
ianhia. in some respects the mo't
easily Understandable and best of his
orchestral works. he has written that
th" "tuHc&" employed therein are origi-
nal and not folk s0ngS
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
TIIESE soma

rTIIESE SonatGs. toGrthrr with ;hr
l. u'ano uuurtcj in { m'no@. Il lut.r-
known Lmt rN,rrdin%ly b'Iuti'ul work.
are thoroughly Representative" OF in
early Strau,". when hr vas writing Tor
musical Beauty alone Nnd not lnf III"
sensational orchestral effects wEl"h later
fOlmrd the bu,k Of hi, works. effects s."
startling n t" head to til" suspicion
that the runuo%"r i trying more Il"
nstOn;sh than to express musical ideas
in Tie most beautiful iorn.
The mu~iral Gc,rlopmont % Strauss
shows SOM" intrrGl.n& IrAiurS. ne
very .irs; works. such IL thr Htr'nG
ururtr. IN \. op. =. !" frankly Mozart
ian in modci aud lni> : "Sprr,n!lI true
y, the themes ut the last movement.
vairh IN ght almost have been written
by Mozart himself. There iS little hin,
rl the ia,cr Straits ia lh""r works.
except an urraStonAl iuutns''c vein IN
fl" Development of tie themrs which
ind Gates that the rom 'o""r had leaning
not altogether dictated 10y the grrat
WOlfgHng. la; it i strange that a
composer whose mature works were TO
Lavc been Il. IN removed IL pOSSib'"
from the .illuid bra'rv "l Mozart should
lave chosen this master as his carly
ideal.
Strauss has upprar"d n Philadelphia
before. rs u guest conductor "I IN"
hiHdrlph'u OrchrStrr. This was ~
1904. whru i" appeared At one pai'
TT concerts. condUcting "fOd una
Nwklaruu2" on Friday AFTERNOON and
"TilI Euhrspcgrl" on Saturday eve
ming. ThDsr who remember those con
rcrs w,ll not i"rG"' the ncruliar beauty
"f tone which he evoked from the brass
inStrumruts at the close OF ''Iod und
Nerklauu%, II tone immense III volume
and sorority. bat without th" slightest
suggestion Of forcing. At these con
rorts DR.. Strauss also appeared n a"-
,ompanist to MddGmr DE Alma Strauss,
who sang a group OF his ~1ngN.
TTIlE management Of ia" Philadelphia
i Orchestra has announced the ap-
pCuruucr Of Ninccm d'lndy aS guest
rOndVcl0". and Of course he will conduct
enc ar moe Of his own compositions.
Philadelphia is peculiarly associated
with d'Indy. for the first American
ncriormuurr &C his Il fla; symphony
vs. g,ycH hu,' in lHOl 10y Che phia-
de.Phtu Or"lrtlrL then undr.' Mr.. Srhcrl,
"nd tate, ~, romuo>rr niIn.rl 'OH-
'HIrd ;hr ,aUrr work, ul1,cd IN his
Nl3 b. the iir,lm Drcr",Uu.
rs comp0srr Il Indy "r"upi," II mo-
rti0n uuiqUr 1moh! the composers, of
lhS country. Most unusual for Il Fr"n"h-
man Of such decided indil iduulity, he
cam" carly under the nnucnc" of the
great German classic nnd romantic mas
'"rT. Especially Beethoven. This was
lAobnbIY d." to. lhr intlu"nr" ul hi,
HNNdnolhCr, who directed his entire
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Then we started 10 rciigurr the cubic
ipcheI and everything and when we did
move, "" got the production into thirt
cen cars. Now we get into twelve.
"'ro do rhis. We have built 1S2 pack
ing cases and ScvCnty-SiN smaller boxes
and each j" numbered. In addition.
they are painted various cOlOrS 10 in
dicat' TO what department their con
tenta belong. That's how we are able
10 locate any article We want--iirst by
color and then by number aud com.
part"on with our inventories.
"A big production ike this has TO
have it, route definitely laid ont the
first thing in a season so az 10 prOvid"
for as short jumps as possible. Mecca
comes lcrc from Brooklyn and goes from
here 10 Baltimore and then to Wash
ington. But even with this care. the
average weekly expense Tor railroad
fares Hnd transfers alone is around
$4,000 a week.
AT the close Of the Century engage
ment in New York Last season, we had
TO jump to Chirago. We required two
special trains and the railroad cost
alone was S12,OO0.
'How much does it cost" asked
him. ITO transport the costumes Of the
girls in the show?'
"Oh.' he replied. 'wc just put them
in an envelope and send them ahead for
two cent stamp.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

~" Ipm"Lal irus,rui n,u.'ram ui 80. .,'n,,.,.
ernonn at O'Clock will Ircuda Saint S,er.
HHH"d itnnds; SchuLert's "OmnipotrIce,
MI hm Evening Service" b5' IL NrN,'I 81
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

IN a 20 Su"dmv ,ovennE mu,i,.l s.ry!.o.
rrst ~ t"% ',ET Hrc"nd preShyt"rnn Church rw"7,y-
"oh' No'!nist,. and Nrn,"Lt Fnr.iU Jr
IiiPS', O"th Of tn" Philnh"lLl,ja ., 'i,,I,..,
Hnn nmh ,uI""Hnou ~" s"usu,i. Tu, IT,
49,. ,nH"n,nI n tr.oS, Yio,in. lnrr and ,r,ln i
,n" EAo."I NUM- eTs hv Tho rhulll. 'TnI III
n' siNth OrtWtcn T:3O ana : T. n A.
nor. A"'"'S,s and lnsrrr!m"rr,,Si. w. "a
tSS.St IN the service whlrh L.,,,r, o,
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
Sho,Us That Are Coming
TO PhiIadelphia Soon

Ociobor si-"The Night watch -
walnut.
Sovembr- -- Dear Ne" -- Broad
"FOlli"s Forrest. "IittlC Old
New GarriCk.
November 2i-"Thc Last Waltz
Shubcrt
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

W LEROY RAIN announces q scr!rs of fr
iHtl hClureS nn III" r.dTUruts Of ,nu,I. a
niS studios. lIlG Ch"sI"lt street "
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Mss Agnes Clune QuInlan wiu open hey
h,im.o ~ the Art Alliance on Mondny, Oc
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Martn Idsan. pianist, Will give recila
al Nlther'pCon Han on November III
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
Biz Smashing OF
Theatre Prizes
already Begun

mnnoprrs thuI I'M pGhlfC hN> tWrnrd
,I"mn,L, L,,,n nu i.lo.rd tj.urc~. Three
.T"ws ,.l".cI in Sew York this week
orJ "J" rbry tell mo quietly that Ole Show
,'I "hir5 i Lrrr now won', go anywhere
rrsr T" Anywhorr, ,Aar :. except The ice
h,y \mI ONE did th, SANE Httlc stunt
%.,, last wrr; One Of ,hc high price /
m,'yir", SHOWS IN Chlrlgo sod oNarlI}
inur,rrn ] rirkcI. tac other night.
TLratriraI urodurrr, are rvnIl, facing
,nr nf lLp most drli,utr situations of
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

., the manufacturers CIuh WIN sivc tho
-, Al $50. Toe artists are fIcr,n ruChanIi,
Line, soprano; iTHrHt!o Conr"lr. baritnn";
n.d%afd >. Lane pianist: Ellis Clark Ham
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

NGEt Wednesday, nsh' Louis Kn2la
pianist viii arpear At WitrnrSpuon ian
Iht feature of Tn" program win h. In,
IC"th"I"n 'AppS sNlona'a'' soratI
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
TWO of the shows which come +" uH

TrWO Of the SHOWS which como n WH
L next week give "videncr that !hc
da,S Of wartime theatre prices are over
"NIccca will play here TO S2.'o top
price. II wnS S".1O ana - ~ N'W
York. Gitda Nar"St comes I" tn" l.!r'"
~ from Gfty cents to 50 except Sat
urduy.
can YOU remember how long II has
brrn since YOU saw II rca! star at a So
ton price: That's getting back I" the
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Theodore celia. "ar?!s' ot rh!s city. hp.
fh'lhnrmunic OrCnc7tra. Or Nrw York; ,thInh
!'il T." conducted thia season Ey WUIi,rt,
StranShy.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
GREAT NORTHERN Rr:sa . sat / / E;,. m

N''- "a, ma i4radge .u sign on the Door
80 "Lrn". I'nI Il ia THE Idle Cu.s'
,t" ~ Ml '"lhl'IEe N Sign on the Door"
u. '>.,"Iu" y, 'hnNl in The idle C'ass"
W E>"'"N dIInhd@" IN Sign on the Door"
y Norma Talmadgs in ''SIgn nn tho noo,,
mt ,r", .HoG" IN sign on tho Door"
~ -'"'H'h IdInadSa in "Slgn on thp DOOr''
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

have more appeal to the intellect than
10 the emotions, dcSpit" the fact that
there arc often portions of intense
cmotionaltsm in it. For tiliS reason. his
Forthcoming visit TO Phi'udclphia aS
r"ndUciOr will be of unusual interest.
Tor most conductors get only thc So
verify out Of d'Indv compositions.
hut additional musical qualities, if
my. the composer will 0r ahir to pro-
'ir"r remains to hc snrn.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

COLONIAL. ''3 A. o"S ,i"H"P . p Ni'' W
NC-T"malGo 10 "%hr Sign on ,h- Door
W.-Tai'nadsn N The Sirn or the Door"
T.-Thom.s y lGhon Gho IN .."IConnN EILck::."
< - Thomas Nirghan IN "CqpDy Kicks"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Victor Herbert VIII npr".r ns Cucs con
d.CtOr at the StauIe'' Thra:,, ,luriIg tn.
Wcci Of NJ. emEcr ~
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22
ORCHESTRA GIVES TWO
INTERESTING NOVELTIES
S'oe''us' Fifth Symphony and Two
Short Pieces Of Satie the Features

SH"pmshSaI overture .''......,.......D Dvoral,
GymnOpcdles .., '''.'' 'SIp''iu@
,, lOIChCslrntad by D. buy>.I '''
Francesca da Rlminl ,h, ,l.-,,.,
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

The RCh-kirdIcr-I IIn nman Trio will an
pear NJ Wi;herspOOn Hall On Thursdav C,,.
ming. November >, the first public appear
nnCc Of the organization
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Anna PavlOwa. the Russian dancer and
hrr ConIpie'" company appoar at the
Academy Of Music for two n ehts aud on
matinee November - COd 10
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

=, Marce Duprn, orEan,si Of the Nolrc Dame
Cathedral n Paris. and Charles NJ. COur
viii Givc Il numb,r OF rcc,taIs durnr the
s, Hson on the organ IN the Wauamakcr
store
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

The Philadclphia Opora Company an
nounrS3 Sn S. ,hlGoiGtt9 es 4" Grst Offering Of
OF Music. Among the cast are Arnnha Som.
I%o contraitc, and E!Ytra Lgott lyric
soprano.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-10-22

Music THURSDAY evening. October q. waiter
e Win w,"E ,'G
| are the Beethoven Andante con variagion
:, and RachhsanInoir's SYMPHONY 10 . n i; +
minor.
The season OF the Matinee Musical club
rIal luncheon IN The ballroom OF the i'c li-
naC;;s,rn.iord we; u at $50 9'cIocH Many cmal,
present Tho club orchestra win open the
luncheon ana III be followed by vocal und
instrumental program.
The phladcpAln Opora Company an.
| nounccs 'RiGoIctto'' cs tta FIRST Offering Of
9e 1ss CGson Sm 9otSSer too 81 ha AS"gGnE
yo. contraito, and E!Ytra LigottI. Iyriu
soprano
Cathedral N Parts. and Charles NJ. Cour-
n9in' two OF the greatest Frulh .orEanists.
s.ason on the organ IN the Wanamaler
pea, n, Wi;herspoon ltaii tn ThGrsda31 cSs.
ninS' nDnS To,yrSm6Cr B. lhr first public appear
Anna Pavlowa. the Russian dancer. and
NcadoSn' H% 1%l'rls'H &c Gi@mpan% lnr npn"nr at the
matinee NoyemTcr Is crd iG. ''''~ ''''' ''''
Victor IIvrbrr. VIII nnp",r ns Suesr con
dGCtor At the StauIe" Thca;,, during tn.
week Of NJ. emEcr ~.
Thoodors celia. "ar?!sr ot rh.s city has
IIrn R'l"cl'd ~ frs; harp Of Ia" raorsaniI q!
ihihnrmon'C Orchestra. % New York which
,'il T." conducted this season hy william
Stran@ky.
u,"t musical" or til" season Mcndnv. oct lhrr
- n @:3o. Tnr nrl!sts are fIc'cn I1ucharai,
, i,tr"". soprano: ITGra 70 CrnunII hgri,or,'.
nd%ard !. Lane; pianist: Ellis Clark Ham,
New Britain herald., 1921-05-23
@ hs @ M a4 s
MY FIGHTING LIFE GEORGES CARPENTER
Ring History in Europe As Ccntercd About Challenger Of Dempsey.

amused me with the funniest of anec- dotes as we sped toward Paris and kept himself and me in hilarious good humor.. Never once did he speak of the approaching fight. I can look back now oyer those young fighting day and realize to what great extent is my teacher responsible for my suc- cess, for he never failed to. keep my spirits at the very highest. no matter what was impending. z
 Paris was not all that we expected. In fact there were several disappoint- ments in store for us. Descamps imagined in his simple manner. that we would be received graciously by the promoters of the bout, but we had. difficulty in reaching the1 men with whom we had agreed to appear. And when we had finally reached the office we were merely told to be on hand for the bout. a.E
 Once in the ring I actually felt a tumult of emotions The sea of faces gazing at. me was disconcerung, so much that I scarcely knew it when the referee ordered the bout to start.
 I beat Young Warner, but even if I hadn't I would have lost nothing, for the referee gave me. the decision in the seventh round on a fopI. -.
 w lAIl IhlN lTdHCS III pCNhSkS Descam ps had not a. care in, the. world. He suggested. and I readily accepfed. that we spend the night in Paris. for on thc' following night Joe Jeanette and sam Mcvea were 10 light ip the same building where I had won. We believed. of course that Professor Descamps and his famous pupir' would be allowed to witness the bout without charge. for we had no money with which to buy our admis- sion.' f-o- '.-- ~, Another, disappointment d When we marched to the door my hand in the teachers and asked for admission a turmoil was raised. We were seized by coptemptuous hapds and uncere- moniously rushed to the street. We spent the early part of the, night with The crowd outside the building, listen ing to the shouts that camefrorn with Tn. ''4' ID '' ">
 That was humiliating in the extreme but my turn was to come, For it was only a few short years later that met Joe Jeanette Tar 'thfs' same promote and he paid mo sum that would equal s20,000 for the bout Hut that night I was sick over the treatment I had received. Even the cheery Des- camps for once, was down. hearted
New Britain herald., 1921-05-23
AMERICANS REACH FRANCE
 Chapter VII


 BY GEORGES cARPENTIER (Copyrisht 1920. by. United Feature
 Syndicate. All rights reserved.
 Reproduction prohibited.)
 It was here that American fighting methods came into my life.
 Willie Lewis. who taught me what you call he "one two" punch and much. about infiGhting. had come to France. along with sam MoVea and Joe Jeanette, the latter pair two of the most remarkable slIeavyweights tho world ever has seen, and two men who nearly approached worlds cham pionship ability. Lewis immediately rose on, a wave of popularity that carried him high. He was a welter- weight and one of the greatest, fight CTS, I believe. that ever stood within n ring. He Is now living in New York. where I-met him shortly after landing when I came to this country. lt was with the greatest surprise and the most profound joy that I heard one day from Descamps' ex- cited tongue that VIC were Paris "A, last my son." henshouted 'as entered the gymnasium. We 90 to Paris" and irfchc 5ussdst of an ire
New Britain herald., 1921-05-23

 pressible flow of joyous language he showed mo a letter he had received from Theodore Vienne and Victor Brcycr. both of whom are. we'll known in tho United States. They offered me a match with Young Warner, an Englishman. and it was to go fifteen rounds. The generous promoters. or so l thought them to be. offered me 25 francs for my appearance if lost and double that sum if I won. Tn ad- dition they would send us two third class roundtrip tickets to Paris.
 We made great preparations for that trip. From some unknown source Descamps found the money necessary to outfit me in a new ring costume. We had our best clothes prepared for the trip and then Dcscamps took me by the hand and led me to the rail- way station. where we embarked on what was to be one of tho greatest JoVrRexs of my life, Remember it was to be my first appearance before really large audience and that l was to meet man who should have inspired even cocksure me with some fear. To yard off any danger Of such a thing taking place Descamps
New Britain herald., 1921-05-23
GOLFERS ( HAVE DAY-QEFF;s
Americans and Other Contestal ffI tYs4- IF5 fI- >. Desert. HoylalNeF fsinks and Id
 Over Other Courses. \
By Briggs

Hoylake, Ehelaiid.A d.AMay es.-d le1g standing restrictiens1of the -c5 servative Royal Liverpool Golfm
 prohibiting Sunday play sonsft
 made a deserted spot yesterday what, during -tfe coming week vI be the scene of a live days battle 2 the British Amateur Golf champic Ship. 's '' 'f-3 @' B Nnfost of the 22s' players ente} spentnf the day gin 7 resting, thongh| number of them motored to nea4 courses for e.final practice. Of ! thirteen Americans entered eleS will go out today in the first rouI Ninety-five matches are seheduled the opening day end ssixtyrfoHr. ,Ty] day. n .1l
 The picturesque little city tof, Ha lake, nesting Lon the, edge ofs sH Irish Sea was cuts, of fEem thesoj side world so, far, as train r, sersd was concerned, due-to the. coal stEi1 reducing, consid erably the. influx
 visitors which began with yesterds| international match. ..-fr