The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1921-01-06
Coat With Cape
80 Over the Back

successes. II Is much favored by
both the Parlsienne and the Ameri-
can. A most Interesting cape from
Premat Is gray veiours de laine. and
the lining, which is satin, exactly
matches the cloth In color. This coat
has practically two capes, as the large
collar forms a short shoulder cape at
the back. The large cape extends In
point at the back. II falls to with
In six or eight inches from the bot
tom OF the coat
Another model shows the short cape
which Jenny hangs from the top OF
high mufEiing collars Of fur attached
to suit jackets. In this instance the
cape Is Of blue serge, while the collar Is
OF seal. This cape covers the back
only. Il does not extend over the
shoulders. as many do.
A coat from Lanvln features the
long cnpe back which Is almost the
entire length OF the coat. A soft shade
OF grny duvetyn was chosen for this
model. There are trimming bands
OF green applique embroidery down
both sides OF the front, also deep
bands OF the embroidery on the full
sleeve.
Cape Back Effects Feature Suit.
The plated cape back. almost In
the form OF n panel, Is novel but not
likely to fnd the favor that the plain
cape backs have Some Of the best
French makers feature the cape back
OF fur, not only on long coats but on
short box coats. making these cape
backs the same length as tine coat L.
self.
The cape back effect on suits ~
also a noted feature. One very ut
trnctive model Of blue serge has o
high moleskIn collar. from the back
OF which hangs a cape reaching TO
Just below the walstline, while the
actual jacket, Of box cut. falls struight
to the hlpllne and is embroidered
around the hem with gold and royal
blue threads. TIE coat fastens with
two buttons Just below the high fur
collar. and again with two buttons at
the bottom.
Another interesting model Is OF 10.
bacco brown duvetyn. with the cape
back cut IN one with the sleeves. This
cape Is edged with two-lnch band
OF applique embroidery. the en-
broIdcry again appearing down the
sides Of the coat itself.
Heritage Of the Middle Ages
A second type OF topcoat Is that IN
which the moyen-age effect Is carried
out. These are OF long, straight cut
sometimes with a bodice part hanging
straight to Just above the knees.
This very long-walsted effect, viii
the upper part OF the garment hang
ing straight. appears TO be one OF the
essential features OF this winter''
clothes. II has not been carried out
however, In such a marked way II
coats, as the means OF embodying I
In coat presented considerable ain
Guilty. Il was thought ut hrst thai
what was suitable for a dress wal
not always adaptable In coat. Now
that coats have become so close akll
20 frocks, the characteristics OF On'
belong quite as much to the Other,
One French coat shows full flo,Ine'
gathered to the upper portion at thii
point. thus forming the lower part o.
the coat The fiounce Is cut at inter
walls In nshbone shape to show velve
underneath, the coat Itself being o.
cloth.
The long coats shown by Jenny arr
OF straight cut and In most Instance
have the belt, or semblance OF belt
placed at n low waistllne.
This model Is developed In navy blu'
velours de lalne trimmed with band
OF royal velvet down the right sldI
10 the edge OF the coat, forming th'
belt, deep cuffs and high mufillng col
lar. The ornament and tassel. use,
on one side OF the coat only, are o
/ III