davidaulloa/AmericanStories huggingface dataset:
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14
Evans Explains
Why Ruth Won
Technically Judge Landis COPIED the Decision. but
Home Run King Got Worldwide Publicity for His
Principle; Series Cost Bambno Plenty of Coin
BY BILLY EVANS

BE RUTH does not confine his home-run
hitting to mere baseball. The Sultan OF
Swat packs punch in other activities.
l have In mind Ruth's recent skirmish
with His Honor" Judge Lands. doing
the pitching, Technically. Babe" lost the
decision to the judge. However. he scored
moral victory for principle. that is sure
TO work to the advantage of the ball
player.
AT the close of the world series. Judge
Lands, doing the hurting for the mag
mates, served the following assortment OF
mixed English for the "Babes' considera-
ton:
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14
Pinelli Holds
Record for Old
Diamond Trick

DABB PrNELLr. who had .
- chance With Detroit and was
sent back to ths>coast league for
further seasoning. In said to Be
ready for another crack At the big
show. Pineiii made one record As
a major Lacquer that viii stand
for a long time. In one season
he worked the hidden bali trick
four times. pulling II Mt the ex.
pcnsc OF such wide-awakc fellows
an Sam Rice. John McInnis and
others
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

Yucca, . species Of my, grows only
In dry regions.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

Approximately 100000 persons
win pay income tax-s In 1924.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14
WILLARD USES
GOOD JUDGMENT

New York dispatches indicate that
one Jess Willard. who was 30 anxious
10 battle lawn Harrison Dempsey a
few months ago. has sort Of cooled
down. now that Tex Rckard has Of.
fered him a contract and pointed out
q dotted Line as the bottom Of the
document
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

Dance Get Acquainted Night"
Tues.. at Bright's. 1904 lth.-tAdvJ
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14
|AS9sD
|GnfR&13

The F1ftsburH Pirstes viii r. -
Springs. - usual. for their spring
trimming work.
One Of the latest runners floating
around Eastern baseball circles 10 that
the Ptftsburx Pirates are willing 70 trade
waltsr Maranvilis and Mar Carey IN
deal with the c1ncy Reds for Hsinis
Groh-
wafiy Hood. former sah Lake out
ffclder, now with Brooklyn. has returned
to California with q tale OF woe. Hood
broke his arm In u1id-season while
cranking his Ford. Wnbert Robinson.
Brooklyn pilot. suspended him without
pay. telling him that players. depending
upon their arms, should not take such
chancss
The longest game In 1891 IN the
maJov Leagues went 10 innings. with
~. Louis beating Washington TO
en- August .. Dixie Davis was the
winning pitcher.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

BAri<ing b said 70 b - unnsturnl
trait of the dog.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14
Guessing Bett@rg


the November IL
for
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

The 6tax Gues
California Il. Washington :.
Cornell 30. Springfield o.
o. A c. II. w. s. c. 7.
Yale ~. Princeton J.
Georgia Tech z, Georgetown ..
Harvard II, Brown o.
Chicago 81. Illinois ..
Iowa 20. Indiana Z.
Notre Dame Is. Haskell Indians g.
Penn State 7. Navy Z.
Washington q Jefferson II. Pitts
burg Z.
Wisconsin q. Michigan O.
Ohio State 70. Purdue Q.
Dartmouth ~. Penn 4
Syracuse II. Colgate 4
Stanford IS. Nevada ..
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

Tea laborcrs In Ccyion receive
nom to 20 cents . day.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1921-11-14

1 effect next Sunday In The Star
Soccer league: .
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

raiment of the slender woman who
thinks she can risk any mode that
comes along.
The larger woman should first of all
consider her particular largeness
carefully. When once a figure de-
parts from the normal or classic
measurements. it takes on all kinds
of stoutness. The large woman may
have a heavy torso and slender taper
ing limbs-whiGh means that she can
achieve a becoming low-waistline
without difficulty-or she may carry
most of her weight in hips and legs
with a chunky, high-waisted figure
above the belt line. She may have
most of her curves at the back or she
may have quite nice fat back with
the full development of bust and
diaphragm that make youthful blouse
styles impossible. Usually she has
short. plump throat and the padding
Of flesh over her shoulders makes her
neck look really shorter than it is.
And usually she has a surprisingly
pretty foot and ankle for her size.
There is not much superf1uous flesh
on the scalp or temples yet the stout
woman's head appears TO be larger
than the thin woman's head because
of the rounded contours of cheek and
chin and the heavier column of the
neck. All these things have To be con-
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27
Frocks Made Entirely OF Ribbon

| tainly promise to be kind to ample
figures. AS a matter of fact, all fash
ions are now modified and adapted so
that stout people may wear them
without looking grotssque. Experts
and artists have been put on the job
and they devote their entire time to
the larger woman's problems in dress.
With an appraising eye they scan each
new mode launched by Paris. Is it
could it be adapted to ample meas
urements? Can it-so TO speak-be
expressed in heroic proportions?
OF course. all striking styles must
be modified for the large weareT.
Modification is what the expert in
larger woman's fashions holds always
in mind, and the. larger woman's
clothes must therefore be more or less
conventional and conservative in type.
All extreme modes have to be avoid
ed. all vivid colors. all rakish effects.
But the conventional and conservative
clothes make up in grace and charm;
and q well dressed larger woman is
usually the best dressed woman in her
set. Good lines, graceful fabrics, har-
monious colors and well thought-out
accessories of dress lend distinction to
her. costumes and because sheer her
dressma ker-puts extra consid Grafton
into the planning-fewer mistakes in
style and color are made than in tha
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

sidered in devising graceful costumes
for the larger woman.
Most women of ample measure
nowadays by buying frocks, suits and
evening gowns ready-made than by
having costumes made for them-un-
less they can afford to patfonize the
very best tailors or dressmakers. Such
experts are artists in their lines, but
the mediocre tailor and the dressmak-
er-by-the-day concentrate usually on
''ht"; and fit and lines are two very,
very different thingsi
And there are shops which cater
entirely to the informal dinners, res
taurant and theatre wear, or very for
NAL late afternoon affairs like recep-
assisting to receive. Both is a master
piece in it's way. Each is pleasing and
graceful in line, and conveys no I'M
pleasant suggestion of clumsy weight
in its wearer; yet all the new style
features are expressed--the short
sleeve. the turned under Oriental
skirt, the sash, the gathered tunic,
horizontal skirt trimming and spark
ling mbroidery-styles that the stout
woman once thought she could never
affect.
The secret Is: Simple lines, excel
lent fabrics, we'll thought-out color
harmonies. And right proportions!
Not one of these dresses has what the
second-rate dressmaker terms "a per-
feet fit''-which usually means bod
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

Georgette which shows in a fiat vestee
in the open bodice front. The other
frock in this picture is simplicity it
self, so far as lines go. The skirt is
quite full but the material is SO soft
that it falls in straight lines; and the
weight Of the embroidery makes the
lines all the straigkter.
1t is a black crepe de chine model
embroidered with jet beads and white
beads and the sash is lined with white
crepe de chine. The set-in sleeve, low
waistline and irregular skirt edge are
all new features.
The taffeta and satin models pic
tured together have the new full tunic
over a narrow underskirt. They have
also the dropped waistline, even
though the taffeta frock pretends to
have a dart-ftte bodice. It is dark
blue frock with embroidery in shades
of lighter blue and red-very gay and
effective; and if you study the en-
broidery you will note what an elab-
crate effect has been achieved with
very little work. The edge of the full
tunic Is run with rows and rows Of cords
and cords are used in the darts of the
bodice. Cording for taffeta, you know,
this spring! The other frock in this
picture is of maroon satin with
straight lines of bead embroidery in
maroon and garnet. Here is the
dropped waistline again, and the full
tunic over a narrow underskirt, and
the tunic is slashed all the way up
the center front to show the under
skirt.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

at the side, fastens at the back. To
this childish bodice the full skirt is
gathered--no belt, no sash. no panels
even no sleeves. But what cap
tivating little frock it is! The strips
of MORE ribbon are Joined under
chenille braid; black MORE ribbon,
saffron colored chenille, and clusters
of primroses at the waistline and on
the skirt
Cording runs riot you perceive in an
orange taffeta frock which has an odd
rectangular effect of bodice, contrived
with piped sections under the arm in
both bodice and sleeve. All the pip
ing is done with black velvet and the
front section of the bodice is fitted
neatly at the waistline with closely set
pintucks. The orange taffeta frock
with its black piping is accompanied
by a black hat with a stunning ostrich
feather in orange. and by black stock
ings and slippers.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

Too small hat topping fat face and
fat shoulders can make its wearer
grotesque;- too big haiti the large
woman is not tall and has a very short
mexican be even more grotesque.
Hat lines are quite as important as
lines Of frock or taiileur and the larger
woman should always try on her hats
standing before a full length mirror
never sitting down at a table-mirror.
1t is the silhouette of the whole figure
she must study-the graceful sweep OF
line; not merely the becomingness OF
a feather or trailing flower in con-
nection with her face.
Two frocks for larger women IL
Illustrated are an afternoon frock of
formal type, and handsome semi
evening gown suitable for formal af-
fairs.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27
BUTTERFLIES ON BABY
BELONGINGS

- ABLY pillows for the perambulator
n have butterflies by way OF orna-
NJ ment now, and there are carriage
coverlets to match, with butterflies
made of fiIet, or embroidered on the
coverlet. Ready for first spring days
are immaculate coverlets and pillow
slips of spic-span white linen with in
set butterflies of flet. the edges OF
coverlet and FELLOWSHIP scalloped and
embroidered by hand.
Butterflies also adorn cushions for
the bedroom rest-couch. A pretty set
is of pale tan linen with diamond
shaped motif of pink linen hem
stitched to the center and two Gre
tonne butterflies in gay colors appli-
oued to the cover, half on and half
off the pink center section. The but
terhies are outlined in black.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

I wells for complete smartness. Hats are
not elaborate but wells grow more and
more gay and ornamental. To be truly
smart you must wear with your small
spring turbSn two wells: a face veil
drawn smoothly over your visage and
a bordered veil floating over your
chapeaux.
Ruffly blouses for spring; soft,
pretty affairs of batiste and handker-
chief lawn with gathered or pleated
rufHes edging the collar and making
graceful jaboJs down the front Most
of these blouses are white or cream,
the flesh pink blouse is fading from
fashions horizon.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

ice strained across the back, sheath
like at the waistline and nodded over
a corset too tight and too high In the
bust. The fit of the pictured costumes
may be defined as easy Nowhere
is there sign Of fabrics pulled relent-
lessly into place; lines everywhere are
graceful and pleasing. The afternoon
frock is Of crepe de chine and
Georgette. two OF the softest, most
beautiful fabrics The frock IS in
brown shades: brown fabrics and the
beading in tans. copper and brown
The evening gown is of embroidered
chiffon, with gray silk embroidery on
black. The skirt drapery is especially
graceful. bringing the embroidered
border in oblique effect rather than
straight across. and the straight, mar
row vestee of ail-biack. dividing the
embroidered sections of the bodice IS a
becoming style for a large figure
The question OF hats is very i'm
portant question for the large woman
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

self tone or black, and others have
strappings and bindings of black braid
Rows of tiny metal buttons are added
sometimes to the braided models in
gay military effect.
The favored material for suits is a
new twill cord-like fine gabardine.
Dressy suits-and sport suits too-will
be of silk Canton crepe which is going
to be the rage this season. Suits for
warmer days promise to be OF linen
and these linen suits have the short,
loose box coats--which you know are
not so hard TO manufacture in the
home sewing room!
Simple spring turbans depend on
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27
FASHION NOTES FOR SPRING

A." INNING little short jackets
loose as nantes and trimmed
~ with embroidery. braid and taz-
~ sells. Some have raglan sleeves;
some have kimono sleeves; some have
set-in sleeves. And the edge OF the
Jacket may be straight. curved or cut
In points. But almost invariably the
short Jacket reveals a graceful sash
that falls down one side of the skirt
front.
Navy blue as usual is the spring
tailored suit color. About nine women
out OF ten want navy blue suits when
spring comes around and nothing can
dis!odge the shade from favor. Some
OF the blue suits are embroidered in
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

Yards of Cording On Taft
tetaDresses Georqette
and Crepe Chiffon Satisfy
Desire for Graceful Fab
RIGS 1880 Frocks With
Velvet Ribbon for Trim
ming Have aLongWaist
Or Achieve One II You'd
BE Fashionable.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

crepe de chine frock. In the other
l'picture full-tunic models Of taffeta
and satin are presented.
The Low waistline For Spring
All these frocks have loose bodices
giving fiat youthful lines to the figure,
and the waistline is dropped as low as
4 possible-which can only be done with
1 a loose bodice effect. The average
\ woman wears her waistline much too
high. Only very young girl looks
/ well in a short-waisted costume and
even on her the effect is quaint-or
cunning-rather than graceful. Al
most anybody can achieve a low waist
4 line, even if nature has not been kind
in that respect. All that is necessary
Is to have the skirtband very loose
and also the inside belt of the bodice.
When the skirt belt is attached to
this loose inside belt of the bodice,
the weight of the skirt pulls the loose
bodice down and gives a longer waist
ed effect. The corset has really very
little to do with it; the clever cut OF
the bodice and the looseness of the
belts are what count. Ready-made
dresses are usually too short-waisted
for average wearers, and ready made
blouses always are. unless one selects
model on straight tunic lines and
puts the belt wherever it looks best.
Soft Fabrics Preferred
Georgette, crepe chiffon. crepe de
chine and canton crepe are to have
special vogue this season because
Fashion insists upon soft, graceful
lines, even when flaring skirts are be-
ing introduced. The new taffetas are
mostly chiffon taffetas, and satins are
of the supple kind-satin meteor be-
ing favorite. Later, printed
Georgettes are going to have a great
vogue, one prophesies - for warm
weather frocks.
The Georgette frock In one of the
two-and-two pictures is in brown
tones. Tobacco brown Georgette is
embroidered with bronze beads and
little gold lace is used at the girdle.
a sash of brown ribbon running under
the lace. The loops of the sashbow
at one side are yelled with gold lace.
And, of course, the sashbow is tied
at the side! Front and back sash
bows have been abandoned by fashion
and the side arrangement is now fav-
ored. The brown Georgette frock is
dropped over a lining of bisque
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

III wiz be a woman very hard to
please who VIII not be satisfied
Wlth one Of the spring frock styles
pictured today. For most of the
ADDE'S that Paris IS launching are IL
luSIratcd. Some of these modes are
teniatlvc--as for instance the short
Secvcd, fun skirted models with fitted
bodices-hu; all Of the styles are au-
lhoritative, All are good. And all
VIII be worn this coming season.
Some are less conservative than 9TH
crs. &c be sure. You could wear the
orange taneia with dart-atted bodice
IN a New York restaurant and though
~ would attract some attention on ac-
count OF its bright color and its con-
spicuously new style 1t would not cre-
ate any particular sensation. Half the
women would eye it appraisingly and
think. u wonder If could wear that
style The other half, with a pass
Ing glance, would decides: "Awfully
cunning style-but not for me-" The
four frocks illustrated two-and-two in
other pictures, however. could be worn
anywhere and be received enthusiast
tieally They are frocks Of the con-
sertatlye type, yet they are all new
frocks and express the new style fea-
lures Of the season. SO you can pick
and choose from todays page. for all
these costumes are going to be worn
Comes The Fun Skirt
Everybody has been on the qui vive
about skirts. Long weeks ago the
whisper went out that they were to
be fuller-much fuller. But fashion
always has something up her sleeve
whore new styles are concerned, and
you see. though skirts are undoubted-
~ full, the fullness Is in a short tunic
and The narrow, clinging skirt is re-
tanned underneath. This, if you want
your skirt both fuller and longer. The
fulncss is accorded to you in the tunic
AND the length Is supplied by a skirt
that silhouettes the ankles. If you
want 70 wear a full skirt without any
narrow skirt underneath, you must
have the fun skirt very short. Don't
attempt 10 wear skirt both long and
full or you will be hopelessly wrong
IN your spring Silhouettel
Since most women will be interested
chiefly in the conservative frock styles
presented let us take them up first.
And II you banker after the gay little
frockS with short full skirts and no
sleeves at all, you can skip the more
staid models and get on to the end.
one OF the two-and-two pictures shows
q Georgette frock and an embroidered
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27
Coo2 ZzI2ee1 IN ito
L<ZI2GZE Z/Z<2EZL

Fla o one rejoices more than the
"a a larger woman-as she is now
N Fagreeably designated-that spring
. * fashions promise long lines. low
belts and graceful skirts. She looks
bit askance at the cute little box jack
cts over sIim-as-a-match skirts; but
then one does not have to wear the
box jacket even in a season of alb
breviated jackets-there are always
other styles.
Fashions in general this season GER
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27
Quaint Styles Revived

A new old-fashioned model is the
slashed and braid-trimmed frock. The
long wasted effect is accentuated, the
sash being dropped quite to the hips.
Braided slashes run up in the bodice
to continue the braided lines of the
skirt trimming: and the overlapping,
fringe-bordered side panels of the skirt
are a very good style for spring. This
frock has the irregular skirt edge.
also. It is made of gray Georgette
with blue braiding and fringe.
Frocks Made Entirely OF Ribbon
Black MORE ribbon in strips and
strips, makes the piquant little frock
for a young and very slender made
moiselle-scarcely anybody else would
dare affect the costume. But for
debutante this is an adorable frock.
is it not? It has no sleeves at all
and the fat bodice, fitted with darts
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-02-27

crepe de chine frock. In the other
picture full-tunic models Of taffeta
and satin are presented.
The evening herald. [volume] (Albuquerque, New Mexico) 1914-1922, 1921-09-11
'1HE roLIctNAN AM liiE

Tho second Of the selig~ Rork two
reel dumna Ia The Policeman and
The Baby" u exhibits the ntnr story
worth. the same ciiminaticn 90 nom
essentials - is ~forerunncr. The
Northern Trailifs
4 policeman LONGS fof n cottage
INIT a frccn lawn ler his wife and
baby. tlso0snnd dollars T. offered
fnr the capture Of Wabash Dan !.
The policeman startn 70 the station
house with a. baby lett 80 a depart
ment store nursery, ON the way hts
path CROSSES that Of Wabash.
wabash escapes In az auto in
which the police nan has parked tho
baby. Tine auto smasits into a milk
wagon and catches FIRE.
Wltbanh decides upon rescue ~ the
baby In preference TO escape. lie
and Tho policeman feed the baby aud
nh three 10 10 the station house.
The policeman learns later the
baby was hts own He Insists ON
splitting the reward with Wabash.
condemned, snappy, thia picture
carries a punch in each scene OF rs
two reels. In eHtcrtainment Vniuc II
eauais any OF the LONGER features OF
similar nature.
William Desmond makes a pleasing
policeman and Eilnor Fair, a pretty
herrine; but Wallace licoiy carries
the acting honora. We take of Hur
hat to Rocry ~ the best heavy on
tho screen today
The evening herald. [volume] (Albuquerque, New Mexico) 1914-1922, 1921-09-11
TIIE MlNIE MAInH

ono OF the most unnatural fhinE7
filmed In rhotuplays Is the CONVEX
zttionai waltz. This does not refer
20 the new dance.
The director has man and woman
meet IN a dance 10 carry out part of
the plot subtitlcs tell YOU what they
ARE talking about.
The i~nharHuonlnuf touch ~ in the
N~crticie mnvemCht ni the dancers.
They boil an md down boz trout nt
The cnmrra Toe "a closeup. They
dance hut u doesn't got them any
where.
The nr.or look fai srori graceful
Even in the modern modincatious of
The waltz ons advances o. lttic dis
lance with each step
Dance Hceliea wou'd appear more
natural Boz the mn1ifs Do the director
would rave The c.ntIal figures wIits
close "a the cnfntrl Tor O. closeup
and then waltz a. they would in any
ball room.
Two piefureg which contain these
hobblnr u~p-an6-dotsf dances Tor
cl0se-uns ARE fWumcn Who Wnit'
and Life"
The new ''rOuNr rsatiunal walk
May enahiH directors io have their
characters dnnclng and taikiur nt tho
same lime IN an unrestrainrd man
ncr.
The evening herald. [volume] (Albuquerque, New Mexico) 1914-1922, 1921-09-11
Artists Brush
Replaces the Scene
Shifting Grew
ny JAMES W. DEAN

NEW YORK, Sept. i0.-A blue
light \ snow scene in the far reach
Is Of the north.
An orange light. Presto The
snow scene Is now tho Interior OF q
Turkish hnrem.
Thus works the magic of light and
a new process 81 scenic painting de-
vised hy NlkoiaH dc Iipsky.
This scenery Innovation ~ a reNo-
luton within the modern theatre. II
does away with changing the CYCLIC
ramns. OF back curtauns,
Three scenes TAI be painted on the
came canvas Only ONE win show
switch to flood the scene with an
other iight reveals " new scene and
the other IL invisible.
In a neutral iight the setting would
be uninteiliRibie
De Lipsky wSrkod on the process
five years He * q Young Russian.
Mine. Buutovskt. a Russian painter
living in Paris. has Nevrnpcd the
snmc tcchr
The first th%eatcrs In America TO
mako use Of the innovation will he
the Rivoll, Itialto and Criterion. New
York movie houses.
Hugo Hicssnfetd directs those the
Alters. He - responsible Tor the in
tsodnetion % rHnny novelties In seen
cry. proloeucs ana other features of
presentation.
". T. Benda's masks Tor dnnccrs
we're first shown IN the Criterion. In
~ current dance tho performer changes
MASKS to npponr im three characters.
Thus the movies point the way 90
the stngc In technical progress.