davidaulloa/AmericanStories huggingface dataset:
Decorah-posten og ved arnen., 1921-01-11
6iemmelabet, men bar life lin
2igc for Suite.
Sci III IN Semitic. torNntns al pirfe'
lis p%adiibefts Sote.0ieotein. Set
tilberebt 81 fSarer pmtrent 81.



ooi5 &c bar en- oIporlia Soite eaer grDi.'
~foriiseIie Ieofuaet at saarbco. Sulsiilorcn,
Ncsbeo, eIer oct ct parIfeIigt at aanSc, eIler
his Scre5 0arn oauener ON 9Iatten meo Str,I'
bthoiit % Sc snffer buriie Si9lp. icrisa bette
HacltoeIiec, adniIe. bicinnteIdceoc So'temieScl.
He,I,enfonibeIi. eloo.ncfer fur faiie Gem PA
uuie Riner. SGIo Den paa en- Piris SLATE Cd
MO 6lnifcn meo aInliuselie 9rdruIcret cutler
'rur. Gder Re fnn brnee rsIfet @'oloe'cS,
Honntro eucr Corn cir,p ~iiteoetfor' Snfier'
iy'o. bois BET snifcs, 9i bcnnc Spffri't 'nne9
Ell Rint oiricIi9 ~rrrrirRrotet Scitenteocl. Get
'nta9cr eoei. % tiliroo5 ior bets IGoe Vris fan
mon itoIe pau. Of bet bill sio burtig % paris
%StnOrine.
Se fan islc oct lager lot pad ell So'te pdn
Ell @iouor. ionr bctrScr "9uiiucfs". Oct Iesrcr
% brineer op SIin,ct. itanicr 0aIsiiIoren %
mlloncr % b~elbreber DC irritereoe S!irrbinoer.
'ont iIreer SaIfcn % acknowledgements.
rl'o en- FABIAN Suriiebeo, Setheo % Stfferbeo.
al oct cirfelia or iorbnuicnoe.
Sirer er Ell ipecicI % beilis fonccntrcret
communicating al Geie @orfudn Rtre Grtrnet
'aNs farOinnIiebis oct bebii fieretc @'iSccI for
al 'Delbreoe a~Iporliae SoiietiIiGlbCr, Gals %
Srr't'S oriislefer.
Ter er mango rRroils'e eiterlianitser az
ecrre Dliriur. 6or at unoeaa SfuiieIie mora
eicr "ola LIME Yirer" H,cS iulse InpiSningcr
% TOO life MOB noact unbet. Sdrarteret al
e'oe dbiolii SiIircSsItilcIie. euers pronpte
Shoaeebctniins al Fensene. Sbc Iirer Go,
~. Bapne. Sno.
Decorah-posten og ved arnen., 1921-01-11
"Uaraos ntaerc &jpr|'.

Sra alexandria / sGgpptcn meb-
oeleS at man bar giort Ell Spongelle
ion or al lilcgct itor @etponin9.
Man bar nenllig iltnbet % tpoet en-
Sci eainlc Nicroglpicr, ipnl inochul-
Der en- biltoriif 9erctnins ON &c inn
Iispcrtoor, iom Soief iori,oiagoe /
NnIconing al 6nroos Grpnl. @iotil
bar man life hapt npgcn tropGr0ig
geretning ON Wfispcrtaorene % ocn
itore &rngcrsneo llocn bnao gibe.
len bar at bercttc ocrom. Wan baO-
DC ful0et Sepnin9er al Wagaitncr
pnl bpiS SilbliDelie man intet pioltc,
oct por alt. vi DC Snb'frifter lom
TrofeSior 9rugicb MI bar tpoct,
ircmgoar fart of ben bibelItc geret-
ming er Ell flllot tropGroig Neoe1iD-
rclie for oct iom bPnote. &icroglp.
iernc onltaler, at Nilen ltn0cr lpu
paa bperanore islgcnoe Nar life off
opcr fine BREEDER, iaa at Soften Hog
iIloitGnbi9 fcil % oct blcp tor @lnl-
ger % Noo ppcr belle SanOct. Do
ioa gibclens 3ibsberegning l%tentnner
mco 9e~retniugen / &iero0IpIerne.
Wtan bar bibtil antagct at De lpu
Iispcrtaar % SungcrSaar bar til
enoe omfring Iar 1900 for arl'tll3,
men ocnne Mening er oiie blet moo
tagct nleb itert Sbil man9e Steocr.
9tll ioar man imiolertib en- @cfrPl
tclic oerpua / DC ~9gnbtilfc Sno'frit-
ter. Otter 8ibelen ifuloc Solef bare
fonunet til 9ggppten omfring aor
1929 fer ariihls. Intagelig bar
set t715 for ariitlt8 at Soici blcp
tilfalot % tpoeoe 6arapa Grom,
bporpao be1ne gap banl Ell Gatter al
Wiccfansleren peo llnioer'ltetct |
ScIiop6lis til Suitru. 90 Iao loo
ban ll1oer De ipp f~elacnoc frngtbare
Mar opfpre Wagaiillcr / hpiIte ban
iamlcoe alt SperifuS al Soften. %
loa font oe ipp Wtispertoar. Get cr
oen pgpptiite gcretning berom, 'orl
Y~rofesior grllNicb bar opoaaet. 81
ter oen bibclife 9eretnin0 llittteoc DC
ipp ~irilgtbarc Nar 170S fpr ariltlS,
oa Nlorct ocrpaa, 1907 0rog SafobS
Ssnncr til sGgppten Tor at fipbe
Gorn. 1906 iloo belle Sutoba 6ar1ls
lie iia nco / @oien % Iorit Iar 100
isr &~riitllS par oct int paa Nltn0cr2
leoell. Gen bibelifc @crctnlng eg DC
papptiifc Snlfriptipner Itclnner oper
Decorah-posten og ved arnen., 1921-01-11
Norifc Nrpucr.

Sc. ion1 nlaatte trnte paa al an
trii,oc Ycugc / norite Banter meosn3
&urieu pun arouer er iud forocla8tiB'
ber henpcnoc iio til p5 Tor at fad Sore
tlarino paa Bette intcres'anie Stl
frloe. Nalrien pna aroner ct rut | ia
bia Cpaan9. Sen Niorite Imeritnltn'
les Nftier tan M fiebcs billg pdn'
orunb al aroncturIcn. @au bcr Irt@
te iio ino eeuue Situntiou ps CplDs7
uinocr Ienoes frit ar Burger SSlnnb X
60. 115 Sputh Dearborn 81, Gbt@
caop. 81.
Decorah-posten og ved arnen., 1921-01-11

Sp.: Spor fan man faa fiebt Den
Sadfpebc, frembrast peb Sorisesitdtipncn
/ Sttatpa. ium ii9es OF mooitaa 8uit?
Su.: vi fienbcr life n9rmere til bet.
tn Spprseren Dor / North 1afota, nil
han ianbipnlispiS fuune faa nrrmere gcs
feb peb Senpenoelie til Statc IsrieuI-
tural College, Sarge, ". Suf.
Decorah-posten og ved arnen., 1921-01-11
.olaben K~orrelponoance.

~; b,'par.r spsresuaai; lao soSt ,, ion, msp %
PIoet. ,r,hiY guipar fpr. al Srorene I ale I'LL
~, mVs.s ,binIut fprr.it "a ipIosftQisrsnee.
'ss, r,,osmaaI ira gsriontr. Tom lite opa'r fns 1aem
I'll Nsoaa,r,Ib. ,s.s afiatt. fine spsrssmaal / ct GREET %
ine,Iia Sprpg.
Decorah-posten og ved arnen., 1921-01-11

sIeatuingcr 90 9crncr bictnme i 9sprae eler
Sarrrnrf rI fRiie flor 4ri5 pnu al moeidae
"Seccrabsp pitsn 90 Seo slruen". aun $3.50
slaret.
Decorah-posten og ved arnen., 1921-01-11
Gemmatisme i iemten Mar.

Eenmatisme teniten War. SCtte
er, bpao Sr. Soieph gollcbe ira Hep
Sheiiielo, Ya., maatte noholbc. San
itriper: Otter at bope liot al Heii.
motisme / cper femten s(ur fom ieg
til oen Sperbepisning, of nit 2iliel-
DC bar ilbelbreoeligt. Gn 3aa l9ite
lea / nit 9lab ON ct SilfTloe al
MeumatiSn1e. Der par blepet flireret
nleo Or. Teters aurifo. Seq aap
bette @iobel CT, Yrspe % Oct bar bel,
breoet MIG iuloitGnoi9t." Sette CANT
mcloagie ltrtemib6el er aQe reun,a.
tiife Snerters ubarmbiertiee Sien-
DC, ioroi bet %rerler 8looet oe anipo.
rer 9eperen % Hprerne til at eicns
optage oeres normale Si,nftioner,
letter Dem iitanb til at fierne urin.
ipren o. De andre I%arlager, Iom er
Sfplo / &c mibboloeliee Smerter.
9urifo er life noacn Ipotcfs Wcoi.
cin; Sen bliper lcperet birefte til fsolf
al Or. Yeter Sabrncp & Cons So,
25O1 @aibinaton 9lpb., Chicago,
ST.
Decorah-posten og ved arnen., 1921-01-11

Soittb
preooa
Gor
I on
| 1t. Sc
Eoiil,tp
10 pao,
1tercltS
|ibite0e
|,r for
pc Iur
| Tor at
Etotcl,
Pgiitcr.
be for.
!rt CIT
bS lllc0
PiI fsl
|alllilt
CT poa
pr hur
| 8oi,f.
III noe.
Inc 9}c.
b, lllclt
IT,. paa
|l ,Sor.
kll CT
tltBrclt
(c Sor-
| at atpc
|be FOR.
tonblc,
Ter oQc
lar life
p giant
. ic Ell
Decorah-posten og ved arnen., 1921-01-11

y HilN
/. paa
Sor.
III CT
rllsrel1
c Sor-
at aiuc
sc for.
bonblc,
er aQc
or life
Il gam.
ic cit
Fs2oac
/ al DC
| / Mr-
iia til
Dc $50
ltltbers
Roebl,
II Gag
,ebilBct
9rub,
II t7hc
Cru
Gl,oG
let oiil,
fife ut,-
nitaltc-
q 8u.
:, og at
oal,iet
Eert So.
en1e,,tct
c Hao-
In. 0r
tiuer,bc
DC bar
ill ct
Snaus
ftcrpda
i11inore
nS.
rerclls
mel %
faa ia.
let Der.
bel On.
Smitb,
ge Mar
ielteltoc
forlfiel
legncl1s
n bans
finelige
isetc
liblallb
F%ilitanct
iannti-
lie pibc
% isrit
Il Sful'
Wtall0
oerpnu
Familic.
aipc''
lsslobc
Ser cr
DC itrar
J.. 2ul,b
Den be
/ ga
/, fsritc
/ SG-
Gcllcr
CT, iior
&uno,
IAN hai
aat line
$4,000,
pebfpnl
", font
} Wfan.
Wfuitb
Trbcioc,
eleb liz
Isslaotc
III / CT.
&uitrlt
at bun
Icot %
tanhclta
ihpnlt
ri, los.
Mrbcibe =.
Der lin
III blcu
q ODER
Fam bar
|, Grcnl'
Giicli1.
at me-
luncnbc
Vcrnt
Tonacr
Vtanb.
,pc Mar
I bapc
niger %
r niegct
tie ga.
.Sobe e.
edpplts,
Ter, fpr
Decorah-posten og ved arnen., 1921-01-11

Sp.: Seq bill bebe Sem 81 mig ct soot
8aao 0. !. b. %(dn9aacnSe 9aar, Iorts
gage o. a.
Su.: Get or life mulis for us nt raabe
3em | be umifrepne gnlissenber. Saa
9e life ielp benpcnbe Sem til Ell Sag.
fsrcr, CT bet bebft, at Ee iaar en- anbcn
til at gipre bet for Fem.
Decorah-posten og ved arnen., 1921-01-11

- Spbn Nrpbel, Wiaoooef, u. SUI,
enifer Ell Iifriit al Sangcn San bt
aIemn,e garrIe Norsc"; Iiselebes al Sans
gen "S(ar 1900 ieg III uil b~eitriue pm
ariscn. iprn roist / Iiritas 8igc".
On Tbonnent oil piDc, hpilttc Ior3s
tai 6eores Nirfc / ~SronShiems Stift biep
bnpGct.
Ill q. &, Duluth: %i ticuSer life
nosct iii be noriIe ainoulatograiier os
unpcr bpilfcn offcrtIia aontrol DC brines.
Sornlppentlie or Der life ilu9et iucien for
at to mcb iig ell 0ialtine. men Oct fan
Sc iaa nrrn,ere rcbe paa ueo at i~iIitripc
beu rorife ImcrifaItnie.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
MIR. PIN Discusses
The Alternating
Current of Memory

Erskine Sanford wishes to go on
record as one who knows that it is
much more difficult for sn actor to
hesitate in his lines than to speak them
1Lently and correctly. This fact he
has learned since he has been playing
the part Of absent-mindcd. laundering
Mr.. PIN in "Mr. PIN Passes By" at
the Garrick Theater
Mr.. PIN is a kindly. charming old
gentleman. but be isn't always sure
of what ne is saying. He has habit
Of intcrrupting himself and saying the
most inconsequcntial things, and, be-
:ause Of this habit, he causes all sorts
of complications i'll the lives of some
casual acquaintance of his. II may
seem very easy to get up on the stage
and ramble on, but listen to what Mr..
Sanford has 20 say
zone of the first things an actor
has to learn" according to Mr.. San
ford, "is to be able to pick up his
cues quickly and correctly. But that
means only knowing when the actor,
who speaks just before you has an
ifhed, and knowing what you say next.
But in 'Mr. PIN Passes By I have TO
give myself a lot of cues And that
is no easy matter. have a lot to
say, and most OF it while it is being
said seems to have no point or pr
pose. But it does-all the foolish
things and mistakes have something to
do with the working out of the plot,
and If I should make a mistake in anv
Of them the story Of the play would
suffer.
Then I'm always saying reAectively,
yes, yes or poor fellow, poor fellow
OF 'ah, all or something of the kind
and, then, having to know just which
of the seemingly futile but very i'm +
portant lines follow those senscle ss
words. What the other characters say
is easy for me to follow-they talk in
a straightaway fashion and sensbly.
But 1t ak in just the other way.
''In fact, I have learned from PLAYING
Mr.. PIN that if there is one kind OF
part in which one must have all his
wits about him. it is one of an absent
minded person."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
New Prima Donna
Takes Lessons From
Birds i'm the Park

1t has come to be expected with the
opening Of every Greenwich Village
Follies production that New York
should see new prma donna. This
year "The Bohemians" will have in
Evelyn Darville not only new prima
donna bat one Of the youngest on tne
American stage.
Miss Darville comes to the Green
wich Follics from Paris, where she has
been coaching for grand opera. Before
leaving France she declined long en-
gagemcnt with Louis Verandi for the
Opera Comiquc.
Miss Darville is an American girl.
born in st. Louis. She studied for
grand opera under n. de Bernard in
Paris four years. She was also pupil
Of Giulio Setti. She had other teach
ers, but to the birds in the city parks.
which she has watched and studied,
Miss Darville says, she owes much in
splration for her profession.
"Some time ago." she says, 'T had &
gift of pet crow. We called him
Jimmy, and Jimmy could say few
words. He was also chief Of the mis-
chief makers. If my mother lost her
thimbie- we would be sure to find it
in some outlandish place where Jimmy
had hidden it, | remember once when
we had our chimneys cleaned, mum
Der Of things that had mystcriously dis
appeared came unexpectedly to light
became interested in birds by watch
ing Jimmy. They are wonderful teach
ers.
when I was in Paris ! used to go
to the parks early every morning. The
streets would be empty, but in the
parks melodious concerts were being
given by these songsters. listened
to their wonderful efforts most care
fully. and also noted how the birds
hold their heads when they sing, and
one morning ! met an old lady who
had been going to the parks for years
to feed the birds. She knew Just where
the various birds were to be found, and
with her as guide | made many &C
quaintances among birds I would
never otherwise have known. 1'ka birds
"s~-c all her friends and always sang,
it seemed to me, greeting as she came
up to feed them every day.
Since have returned to New York
go out in Central Park every morn.
ing and visit the birds there. I am
always sure to find the cardinals, AMI
have counted more than 100 different
species in the park. Perhaps there ar.
many more. but am sure Of my 100.
Besides learning from the birds,
get my exercise and get the fresh
morning air. so far as know, am
the only singer who takes daily vocal
lessons from the birds in thc park"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
John Cumberland
Renounces Beds, but
Clings 10 Goat Role

John Cumberland, who appears in
the leading role in Charles Dilling-
hams production Of "The Scarlet
Man. at Henry MilIer's Theater. prob
ably knows more about the under side
of stage beds, the reverse of stage
curtains and the inside Of stage bas-
kets than any actor in America. For
Cumberland, with his appearance in
"The Scarlet Man." was seen in q play
other than a so-called bedroom farce
for The first time in more than SIX
years.
Il was fed up on beds" said Cum
berland q felt had learned every
thing about bed there is to o. known.
so l got into something else. OF
course, do not moan to say that beds
do not have their good sde-p artic 4
larly their under side. When first
began crawling under them they were
entirely too low In Twin Beds TIE
first piece Of the Kind in which ap-
peared, it Was quite struggle. 1t was
hot and uncomfortable. But the beds
grew taller as the season passed 50 /
finally could Jump under them with no
trouble at all I had the floor nicely
padded. Once had hole cut in the
scenery, so | could thrust my head
of-stage and smoke cigarette while
waiting to be discovered In The
Girl in the Limousine had the
under side Of the bed equipped with
an electric fan. As to the truth o.
this last statement, an entire audience
will bear witness, because ore night
I caught the wire on my leg and
dragged the fan into sight.
Il had two professional d1buts as
an actor. The first was with road
company, which paid re two weeks
alary for twenty-five weeks worA
went home to Hackensack, following
that experience. Several months laser
| tried again, this time as the snter-
prefer OF small part with Richard
Mansfield remained with That eat
actor several seasons. took whirl az
melodrama and even stock. and finally
got into New York in a Sow called
Girls and have been playing prin-
cipally in New York ever since. Ny
first bic part was in Twin Beds Then
came Fair and Warmer 'Parlor. Bed
room and Bath Up in Msbels Room.
The Girl in the Limousine' and
Ladiea' Night, all farces played in
succession IN the same theatcr. !
think this Is record. and having
established the record. have crawled
under bed for the last time. I
wouldn't do it again even to look for
burglar or for a maiden aunt with
large fortune to bestow"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28

Frohman. Inc, went with MIR. Dillinr-
ham in The Canary The next season
ne could not find a suitable vehicle for
me, so | joined with Raymond Hitch
cock and G. p. Huntley in tristan
edition of 'Iiitchy-Koo 1t was quite
amusing playing a soubrette sandwich
between two such drou comedians.
When late last spring Carrie Carlton
came to me with proposition to star
in new musical comedy under his
management | did what / never did be
fore--lnsisted on reading the book and
hearing tho score before We went any
further with the negotiations. Mr..
f'rohman had spoiled me by pick re my
pieces, just as mother used to select
my dresses both had unimpeachable
taste and knew what would become me
better than | did"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
Cinema Technique
Brings Pantomime
Art Back 10 Stage

Frank Reicher, who has been pro-
ducing pictures for Famous Players
for q number of years and has now
returned to the legitimate stage in the
capacity of producer for the Theater
Guild, has an interesting angle on the
well-worn theme of the stage and cine
ma technique Of acting. He believes
pictures ought to improve the tech
nique, providing the actor is really an
actor. Mr.. Reicher explained why this
is true in an interview at the theater
where he is rehearsing the forty or
more persons taking part in "Don
Juan" the vehicle in which Lou Tel
legen will appear Labor Day at the
Garrick Theater.
The actor who has been in pictures,
he says, and comes back to the stage
has acquired pose and repose if he
never had it before, and he has learned
70 express with the bat of an eyelash
what formerly he might have tried to
express with a run across the stage.
THAT, anyhow" he continued, "has al
ways been my creed as to what con-
stitutes the best acting rejecting
thought or a mood or the reaction on
mood through the simplest means
! that will reach the last man in the
gallery. Very often we find that act
ing is overdone in order to reach that
last man and the sensibilities and ear
drums of those sitting closer are hurt
Again, we very often find that the
lack OF power to project by smaller
means makes it impossible to reach
that gallery man, who is entitled to as
much consideration as any one else
Many defects Of this kind have been
eliminated by motion picture training,
because when the actor comes back to
the stage he replaces by his own
methods the aids the camera gave him
He can no longer register emotion in
"closeup" by moving the camera
toward him, but he himself must con
vey that same impression over the foot
lights and It brings him back to an
art which is very much neglected on
the stage -pantomimic expression.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28

that would be necessary would be to
bob your hair, have permanent wave
rut in it so that your head will be sure
to look like the Circassian girls in the
circrs, shave your eycbros's to hair
line, put on q knce-length skirt--snd
there you are!
Miss Fontanne agrees with US in all
things Of the stage. We dragged out all
Of cur pet antipathies and held them up
for her approval. She agreed with US
about the blonde actress who purses
her mouth and dlates her nostrils
when she IS looking coy, 1nd the one
who pouts her lips Whenever She turns
her profile to the audience. ard
the one with tho fat shoulders who
shakes them when she walks across
the stage, and the juvenile who stops
before each line and says (not out
loud, Of counsel, "Now, listen to this.
This ia going to be riot; and she
loves "Lilioui" and she hates--but, no,
that would not be the better part of
discretion. always say that 'hon.
ATTY is not the best policy il it hurts
some ones feelings"
Other things that Miss Fontanne
thinks are that George Kaufman is
handsome, that Haywood Broun is dit
to, and that F. r. A. Is handsome after
you talk to him for a few minutes.
And, anyway, he is \ sweet thing. 1t
other words, Handsome IL AZ hand
somc docs"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28

son was about the same size as the
star, and because she was audacious-
!y ambitious for hard work, Mr.. Shu-
bert made her the understudy for the
role of Winsome Winnie. He could
not have made a better or more time
~ selection, for Miss Edwardes suf-
Tered severe illness, and Julia San
derson not only stepped into the title
role as if it had been written for
her, but played it the rest of the sea
son. SO, although she was not recog-
nlzed as such (managers were not quite
so prodigal of publicity and electricity
them, she practically achieved star
dom in her very first Broadway en-
gagement.
Launched az Star
BY Charles Frohman
Under the Shuberr management Miss
Sanderson played uccessivelv-and
srccessfully-in "a Chinese Honey
moon,' revival of wang" with De
Wolf Hopper "Thc Tourists" and Fan
tana.' She was featured, as the the
atrical phrase has it, being a sort Of
brevet for stardom. which doubtless
Miss Sanderson would have achieved
under the Shubert constellation had
Sam s. not met an untimely end in a
railway wreck.
Miss Sanderson Joined George Ed
wardess London company and played
in "The Honorable Phil" and "The
Darling Little Duke" These were not
to DE numbered among the great Gaiety
lheater successes. and Miss Sanderson
was getting n bit homesick when she
met Charles Frohman.
Then began eleven OF the most de-
llshtful years Of my life" says Miss
Sanderson. Charles Frohman was
guide, philosopher and friend to me and
all his other stars. There navar was
a contract or even scrap Of written
memorandum between US. He simplv
told NE in London hat if 7 would 90
back to America with The Dajrymajde'
he would make star OF me some day
and jumped at the chance. After
The Dairymaids' | played in The Ar
cadians,' where | was associated with
Vernon Castle. Then | had two sea-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
sons in The Siren as co-star with
Donald Brian.

sons in The Siren as co-star with
Donald Brian.
Mr.. Frohman fulfilled his promise by
launching ME as q star in The Sun
shine Girl in which | introduced the
tango to New York. My dancing part
ner was Alan Nude, who afterward
was killed In Flanders. was playing
in The Girl From Utah, which opened
It the Knickerbocker on August "a,
1914, when the war broke out 1t
seems frivolous memory, but in that
piece I introduced the pantaloon skirt
to New York, and shortly afterward
how many OF our women were wearing
puttees and trousers in the real work
of the war!
II stuck to the Frohman banner
through 'Sybil' and Rambler Rose and
after the readjustment Of Charles
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
Ube Gbolutlo11 of 4 5tar
3 ulta 5anDrrsoll

No stage astronomer would have
picked Julia Sanderson, the little New
England schoolgirl who came from
Springfield, Mass, some sixteen years
ago, as candidate for stellar honors
embroidered in electric lights over the
Moorish portals Of the Casino Theatcr
New Works. "homc Of comic opera"
She was fourteen, somewhat countri-
fed as to dress, but with the quietly
confident air of one who knows what
she wants and a winning smile that
would gct it.
Even then she was headed for the
Great White Way, for no sooner did
she land at the Grand Central Station
than she called a hanson to take her
to the Office OF Sam S. Shubert How
she passed the seneschals who kept
watch and ward at the managers door
Miss Sanderson does not remember
she was fourteen, somewhat rountr:
theatrical magnates to met all corners
even little country girls-ambtous
to 20 on the always overcrowdcd
stage. Probably her smile was open
sesame to the Lyric Thcater, as it has
been to the hearts Of audiences there
and elsewhere since very shortly after
she had audience with Mr.. Shubert.
Her Career With
Sam S. Shubert
Sam S. Shubert was one of the most
astute theatrical astrol ogers Of his day.
and he must have seen the aura Of
stardom around little Miss Sanderson's
auburn lead, although being an astute
manager, he did not tell her SO. On
the contrary, he offered her a position
in the chorus of "Wnsomc Winnie"
then rehearsng at the Casino. She
buckled down TO her job. She not
only did her own work we'll, but missed
no opportunity to learn something out
side Of her line. All this did not cs
cape Mr.. Shubcrt's watchful eve.
Paula Edwardes was playing the
title role, and playing it well, at that
Possibly with premonition, but most
probably because little Miss Sander
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-28
Elliott With Pearl White

Robert Elliott will again be seen as
Pearl Whites leading man in the now
picture which Kenneth Webb il direct
Ing.
The Caledonian-record. [volume] (St. Johnsbury, Vt.) 1920-current, 1921-06-25

HFNRY n BAgRY