davidaulloa/AmericanStories huggingface dataset:
The New York herald., 1921-02-27

our art schools which teach only techni-
cal methods and principles (each teacher
usually insisting on his own particular
brand) while neslecting almost entirely
the aesthetics or philosophy Of the atti-
control workmanship IL a work of art
is to be produced?
What are you going to do about It?
personally. the writer OF this letter
has no axe to grind-he has no per-
sonal acquaintance with or knowledge of
more than n half dozen of the artists
mentioned he has never starved either
before or since he came West; he has
never even attempted to exhibit any
pictures here. He believes that, IL he
cared TO play the game as 1t Is now
played in Chicago. he could very soon
be locally successful His only rea-
son for not doing so-and his only rea-
son for writing this letter-is that he
wishes the standard were raised to such
an extent here that the winners Of hon
ors. or even of admission to an exhibi-
ton would mean to him and TO other
marily as artists and not merely as
clerer or popular painters. Then and
not untI then, Chicago would produce
(and retain) some real artists.
"The writer is also, In all sincerity, a
modest person. and his purpose does not
include in the slightest degree a desire
for notoriety for himself (but does per-
haps include some for the present state
of local artistic conscience), wherefore
he signs himself only JUST ONE"
The New York herald., 1921-02-27

nothing more. nothing could be done
perhaps but to deplore the fact But
and here is my whole point-these criti-
cisms also prove that inSincerity, trivial
ity and comm merCidliSm are getting by
in Chicago (ouer hdD the painters on
lists l. and ID and are serving as
examples OF artistic success to our
rising generation of artists who. unless
the tendency Is checked, will probably
adopt the same standard. (It may be
charged here that the writer is an ar.
for arts sake fanatic. He is not. OF
course, he realizes that an artist must
live by the sale of his pictures But have
pot-boiling artists ever thought Of the
fact that the only pictures which ever
increase in value are works OF drtO.
"Now, II you agree that my estimate
is correct let me ask you, for the fourth
largest city in the world isn't this, to
say the least, a deplorable state of af-
fairs? Chicago has acquired consider
able distinction in the arts of music. lit
erature and poetry. and that justly. Is
Chicago satisfied TO be known in paint
ing as almost hopelessly ignorant un-
appreciative, unproductive and uninter-
ested? Why is it that whenever n Chi
cago painter shows signs OF becoming a
real artist or realizes within himself that
he cannot be satisfied with career OF
producing mediocre sure sellers he in
variably leaves the city, very often to
later reflect national or international
lustre on some other place which was able
to recognize and encourage him as an ar
tist? Who is to blame? Is 1t the fault of
The New York herald., 1921-02-27
PORTRAITS BY MILE. DUFAU.

Mile. Helene Dufau, who comes to
America with the enviable reputation of
being the best portrait painter in
France, exhibits group of her recent
works in the Knoedler Galleries. They
are most impressive performances. which
will be looked at with profound respect
by the artists of the city and will incite
degree of curiosity to see what Mile.
Dufau accomplishes with her American
sitters for she has come here to DO
Misses Anne Morgan, Evelyn Herbert
and Madeleine Prentice and others.
Mile. Dufau is quite unembarrassed
by technique and knows precisely what
she wishes to do and goes straight for 1t
IN the direct French fashion Robes,
hats. chiffons have no terrors for hei,
and so she is left free to seek animated
or characteristic poses. In the portraits
she shows her sitters have been ami
mated indeed Will she animate her new
American friends? IT is devoutly to be
wished 1t is. in fact. some time since
any of our feminine candidates for inn
mortality have flung themselves with
much abandon into a chaise-longue or
have arisen with much Drecipitancy from
piano stool Our portrait painters
have rather frowned upon precipttancy
of all sorts.
But with Mile. Dufau all such things
come in again. Her color conforms to
the modern requirements and is far
livelier than that of her masters. who
were Bouguereau. TonyRobert and
Fleury. Mile Dufau was born in the
Bordeaux region. and went to Paris at
an early age to study in the Academic
Julien. Her first picture "Ricochets,"
won her the Bashkirtseff prize. and after
that her career has been a series Of
works purchased by the Government and
has been given public commissions.
She has had especial success with the
portraits Of women. Among her well
known sitters have been Nine. Pol Ne
veux. the Baroness Frachon. Nine. Ver-
neuil. Nine. Alcorta, the Countess de
Noailles and the Duchess de Clermont-
Tonnerre.
Mile. Dufau's preoccupation with de-
sign Is so evident in each work that II
Is not surprising to learn that at home
she has achieved a number of important
murals. Edmond Rostand entrusted
This artist with part OF the decoration
for his famous villa. "Anagra." Among
others she signed the "Black Swans
of the library, and the Parrots, Pea
cocks. Flamingoes" Of the stairway. A
Frenchman said of this last:
Three women, nude. are bending among
the fruits, the flowers and the birds.
In order to appreciate the decorative
genius of Mile. Dufau these medallions
must be seen in the white stone where
they are placed and of which they actu-
ally appear to be the colorful Towering.
One cannot imagine a more perfect har-
mony between stone and pigment be-
tween her colors and the peculiar light
railing from an opening In the ceiling"
The New York herald., 1921-02-27
CHICAGO AS AN ART CENTRE.

An open letter touching upon the art
status OF the city OF Chicago has been
circulating in that city and ought, logi-
cally. by this time. TO be arouslng feel
ings." for Chicago at one time had. and
presumably still has. considerable pride.
The writer Of the letter finds the art
situation deplorable In Chicago, and
after stating a few sound principles OF
art decides that none OF the Chicago
artists lives up TO them. He appends
list. calling each artist by name. and
summing him or her up with a few
caustic appraisals or the merit Of these
judgments II is difficult for us in the
East TO dispute. but there can be no
doubt whatever that the writer OF the
letter Is exceptionally intelligent and
painstakingly truthful. Truth IL mighty
and the truth will prevail OF course but
our Don Marquis only the other day
came TO the conclusion that truth was
not for everyday use. This anonymous
enfant terrible OF Chicago however. has
distinctly blurted it out. and now there
Is nothing for us 20 do but TO make the
best OF II. IT'S an III wind. even I'm the
Windy City. that will not do somebody
good. The letter IS long Part Of il
runs as follows
DEAR SIR or MADAM:
what do you. personally. think Of the
present artistic standard Of Chicago az
exemplified by the exhibition now being
shown at the Art 1nstituts7
Have you, personally. bolisf or con-
The New York herald., 1921-02-27

1909, and in its train have come a large
number of paintings, principally of at
tractive women. which p. omise TO
arouse interest in New York as they
have abroad.
Among tha portraits which are about
to be viewed are those OF Countess
Blanca Marenzi, Albert Halstead. Amer
lean Commissioner to Vienna Mrs.
Julian Gerard. sister-in-law Of one time
Ambassador Gerard Mrs. Marcus DAILY
and Mrs William Harrison Day. "The
Portrait Gof Angeli." Lady With Fur
Coat" "The Russian Mendcant" and
many others Of this artists best works
will be shown.
Schattenstein was born on the wild
Potocki estates Of Russia in 1876. where
he lived for II years. His father, a
chief forester, then moved TO a small
Russian garrison town. where the boys
talent was observed and he was sent to
wilma for three years. Subsequently,
Schattenstein continued his studies in
Vienna. At the international contests
he twice gained the Michael Beer prize.
which allowed him to make two Italian
toursA He was many years In Rome
and won prominent prizes in various in
ternational exhibitions. Later he had
a studio in Paris and for several sea-
sons made his studies in Brittany and
Belgium.
The most recent OF Mr. Schattenstein's
portraits are extremely interesting spe-
cimens of styllstic treatment and as
such represent the most modern Euro
pean school Severe drawing and de-
cided line work are combined with great
charm OF color and virility. the subjects
being OF considerably more than ordi-
nary interest Both as a conservative
and radical this artist provides that
which will probably receive lasting
recognition.
During the past few years there has
been n tendency toward more artistic
standards in printing and especially in
advertising. There has been growth
OF sounder ideals OF craftsmanship, of
greater dignity OF presentation and Of
greater originality OF decorative design.
An attempt has been made to really
make advertising an art. One OF the
leaders In this movement has been Mr..
W. ID. league. an exhibition Of whose
work is now being held at Il. weyhe's
Gallery. Designs for poster ADVERTISE
ments for various firms are shown.
Specially noteworthy are the marginal
decorations and decorative initials for
books for the Metropolitan Museum OF
Art and others. The exhibition will
continue through to March 1.
The New York herald., 1921-02-27
EXHIBITIONS OF THE WEEK.

Recent paintings by Augustus Vincent
Tack are now on view in tho Kraus-
haar Galleries. Mr.. Tack Is. IL possi-
bic. more OF romanticlst than ever.
He uses the most sclntillating pigments
that defy electric lights and shine forth
like Jewels under all circumstances
Cne of the most obviously romantic OF
the pictures is called "The Court OF
Romance" tho court being n large. open.
bare Italian terrace that is rather too
large for the small people who fit
across II. Rather more generally accept
able romanticispl Is that of the land
scapes Hidden Waters" and Mountain
Slopes" which have an ingrntiating
decorative quality.
The Danish Hand Craft exhibition AZ
the Royal Copenhagen Porcelain rooms
The New York herald., 1921-02-27
CEzANNE, VAN GOGHS, OTHERS.

In the De Zayas Galleries there Is a
handsome old Moorish doorway that
separates the main gallery from store
room and Office i'm the rear, and Mr. De
Zayas complained recently that there
must be something psychic about the
Moorish doorway for nine out OF ten
visitors to the galleries pushed their way
through II and examined the contents OF
the storeroom. Possibly the door for
merly protected" a harem and had thus
always melted the curiosity OF the con-
stitutionally rebellious, but however that
may be. thanks to It's continued lure for
susceptible New Workers. most of those
who have already visited the Dc Zayas
Galleries have had either n peep or full
view of the Cezannes, Van Goghs, Gau-
gums and Toulouse-Lautrecs that are now
being openly shown In the main rooms
There is nothing haremlike about these
works Of the modern masters, and IL
must be allowed that all of them gain
immensely by the light of the open day
which is now theirs.
Two OF the Cezannes are large land
scapes in oil. with the now familiar in
tensity and subtlety. Both have pools
OF water in the foreground. with land
scapes reflected In them. Both are
amazingly powerful without any visible
effort upon the part OF the artist TO be
so. Both are heartbreaking to the stu
dents who would appropriate the Ce-
cezne secret. Cezanne had no secret
other than incurable honesty and an in
tense desire to put down some of the
wonders Of the world on canvas.
The Van Gogh landscape is one OF the
finest of his that has reached America,
vigorous. colorful and alive. The two
Gauguins glow with rich color and one
OF them contains one of the now
fashionable Tahltians. The Toulouse
Lautrec Is an entertaining study OF n
woman seated In a garden with "a
peculiarly Lautrecian little dog in her
lap Tho exhibition. as may be seen
by this list. is one not to be missed.
The New York herald., 1921-02-27
Problem for Critics

proved especially interesting. There
were many emarkable peasant caps,
much homespun linen-work. Hebedo en-
broidery, Amager shawls and is mat
ter of swift brushwork but the light
from the breaking clouds has been pre-
served luminously.
The thirtieth annual exhibition of the
National Association of Women Paint
ers and Sculptors. now open in the An
derson Galleries, contains $50 pictures,
twenty-four pieces OF sculpture and
eighteen miniatures Harriet w. Fries
muth won the National Arts Club prize
with small bronze called "Extase."
Honor winning paintings are the Get
ting Ready" by Amelia Whitehurst and
the Builder" by Elsie Dodge Pattee.
a Fountain Sketch" by Edith Bar
retto. also won mention.
Tonder lace.-The old caps of the
peasant women with their embroidery in
gold and silver thread are in the highest
degree artistic and are easily adapted
to other uses-though it does seem sac
rilege to destroy their present form
These laces. linen drawn-work, etc. VIII
be shown this week at the fashion show
at the Hotel Pennsylvania.
Paintings by Louise Upton Brumback
are vewable in the upper galleries at
Knoedlers. Miss Brumback paints with
the utmost vigor and with bold pig
ments. One of her best Is Afternoon
Clouds" in which some purplish islands
springing from the sea have been
handled with considerable breadth
A small painting by Alexander II.
Wyant carries off the honors in show
In the Folsom Galleries that also In
cludes works by ]. Francis Murphy.
Bruce Crane. Chauncey +. Ryder,
Charles II. Davis, Theodore Robinson
and j. Adler Weir
Washington Journal., 1921-04-08

berfoIgt. Gnoere 1o6riGten aus
NnotoIien eebeu on, ooB es ben tiir.
fii6en NotionoIiiten gelungen lit,
cine griediide 9ibiiion eeFougen Su
nebmer.
6anatiter g~efrensigt.
Albuquerque, 81. 90. r. g. s.
NorofeIot uuo @ititnb 8aumon1,
3tpei &iinltIer aus Sonta Sc, q. 80,
er3dblen, oaB ON bergongenen Char.
freitag in benz 9orf Der 9enitentos
in gbiqui i'm n0r6Iiden Nerifo our
Geier oes Siterfeites opei aberdeen
getreu5igt Doroen fino. @orofeIot
uno @oumnmn iino bier ongefom.
men. sic faben init 3tpei Guseno
anoerer Souriiten Der @eibelung
uno Der 4reu3iguug gu. Die bei6en
2eute tpnren iiber cine babe Stunoe
init Seilen an &reu5en beIeItigt.
Sic botten lid fat perbIutet, aIs Iie
berabeenommet puroer, uno iuore1
10 eridopft, 0oB ibr 8ieoerouftom.
men be5peifelt fpiro.
Die Gefte Der Yonitentos beItebt
aus einem inbioniiHen MiI6boIf.
Sn entIegenen @ebirgsoorfern 10.
ben oieielben 5obIrei9e Inbdneer;
bod ionen oieielben i'm MusIterben
iein. Nur iebr ieIteu gelingt es
SremOen, Oteiem @ft oes r%eIigi0ien
Sauattsmus 3u5uieben. Oie fona-
tiiden @ebrdude iolen aus StoIien
1tammen un6 iiber Spanien nod
Merito gefommeu iein. Gs gilt als
eine bobe @bre inter ben 9eniten.
tos, our Rreu5igung ~auserIeben 5l
fem. Die beioen freitpinigen @Gr.
tbrer puroen in einem Iangen Bug
our6 oos 9orf 9efiibrt. Die 3eiI.
nebmer an Der 8ro3eiiion geiBeIten
iid felber nit oornigen Striden.
Washington Journal., 1921-04-08
Hraue @eier's G6bme So
Qeidtnbefatter
1113 Giebemte Strafe, q. ".
EeIepbon Nortb 500.

STATEMENT OF THE OWNERSHIP
MANAGEMENT. CIRCULATION, ETC,
REQUIRED BY THE ACT OF CON-
GRESS OF AUGUST "a, 1912,
of Washington Journal, published weekly at
Washington, d.. C., for April l. 1921.
State of Washington, S..
County of District of Columbia,
Before me, a Notary Public in and for the
State and county aforesaid, personally, appeared
Hermann G. Winkler, who, having been duly
sworn according to law, Opposes and says tnat
he is the owner of the Washington journal
and that the following is, to the best OF ms
knowledge and belief, a true statement OF the
ownership, management Cand il a daily paper
the circulation), etc, of the aforesaid puplica-
zion for the date shown in the above caption
reauired by the Act of August "a, 1912, EN-
bodied in section 443, Postal Laws and kegu-
lations, printed on the reverse of this torm'
to wit: ,,h
Usher, editor, managing editor and business
manager is: Hermann G. Winkler, no 9th
Street, N. w. ~
Q. That the owner is: Herman G. Winkler,
710 9th Street, N. W..
2. The the known bondholder, mortgage,
and other security holder owning or holding, l
ner cent or more of total amount OF bonds,
mortgages, or other securities is; None
HERMANN G. WINKLER,
Publisher.
Sworn to and subscribed before me this slst
day Of March 1921 :
fss,lN Notary Public.
Washington Journal., 1921-04-08
Jnlann.
De- ariebeusidInf mit osnKdlanb.

F
8nibington, 8. 6. Senator
4nor miro unmitteIbor na1 3uiam.
mentritt oes 4ongrelies feline &eio.
Luton fir SrieoensidluB nit
Deutidlono einreiden. Die Rrilis
5uii6en 0eutiblnno uno Den ani.
ierten iiber Die @ntiddoigungsfrage
bat oaran ni6ts ge1noert. Sb ober
Der &ongreB, ODER Die aominiitra.
ton iid nidt ourd Die 8orgGnge in
europa meroen beeinfluien loIIen
in ibrer Soltung our Srieoensfroge,
lit nod ungewiB.
9as llebereinfommen 5miiden
Sraiioent Saroing uno Senator
&nor iiber ben SrieoensI6lub
itammt nod aus Der 3eit Dor Der
EMANCIPATION. Webrere Senotoren
iino Der Quiidt, Dab 0eutidIono in
ieiner Sppoiition gegen Die aaiier.
ten ourd ben 5rieoensidIuB beItGrft
peroen fonnte. 4nor rpiro ii1 ober
oaourd niGt obbolten IaIien, feline
abfi6t aus5ufibren.
9ie &elolution BON Rnor miro
einen 8arograp6en entboIten, ser
beiagt, bob Die 8ereinigten Gtaoten
in elmer europdiihen &rifts, Die benz
lebten 8eltfrieg 6bnIi6 lit, Die gIei.
DIE 8olitif berfoIgen miiroer, pie
i'm lesten RonfIift.
@nor ipri9t iid nifyt iiber Die
ausiidten ieiner 8eioIution ouf
Innabme aus, ionoern tpeiit oorauf
bin, bob iie bereits i'm Iesten Son.
greB angenomme1 tuuroe, als Ole
repubafaniide Mebrbeit i'm Ron-
greB nod cine oeridpinoeno tleine
mar un0 oaB lie tur an Dem geto
billions ideiterte. Ser 8aIius in
Der &eioIution, ooB bic 8ereinigten
Staaten dbermaIs einidreiten mir.
oen, uenn Der @eItFrieoen beorobt
lei, tunr6e in Der Iesten Seiiion bonn
Senat geitriden.
Senator 4nor nertritt bic Mn-
ii6t, 6aB i'm Sntrelie unieres San.
bells nod Dem Iuslano Der Srieoen
nit Deuti6lano ioglei6 a6geIdIoi.
len meroen muB, iobalo Der Son.
greB gu ieiner @rtraieiiion am II.
April o~ulammentritt.m
Grans6iider spesiaI6ebOamG6tis.
ter 6ei Sarbins.
Walbington. Ser normolige
Bremierminiiter bon 6rantreif, Der
als Observation-Disclosures ieiner
&egierung bier eingetroffen ift, nm
YrGlioent Saroing einen 8elu6 3u
MAIDEN, iiberreibte benz Gtaotslefre-
tor Sugbes iein 8eglaubigungs.
idreiben uno Duroe oana6 bon Br6.
iioent Saroing I'M @eiBen Sous
empfangen. gr mar bonn fran30ii.
i6en @eianoten Suiieron6 begleitet.
Sci @elegenbeit bon 8ipianis 8e.
iud ioq oas 8erb6Itnis 3tpii6en
Sranfrei6 uno Den 8ereinigten
Sfa0fen Delpro1en mer0en. YIN b.
@pril miro 8raiioent &aroing gu
@bren 8ioianis i'm @eiben Saus
Elm Diner geben.
Ser bortuiegenoe @uni6 6ranf.
reids tit, oaB Die 8ereinigten Stoa.
ten nidt ben GrieoensIdluB nit
9eutidlano erfldren, 90 oas bon
OeutiflanO 10 ausgelegt peroen
fonnte, als molten Die 8ereinigten
Staaten Den @uiierten ibre Inter.
itiibung bel @r5mingung Der Srie-
hensbeoingungen bon 8eriniGes emit
6ieben. Sranfreid befiirdtet, oaB
Die @ereinigten Stoaten lire Srup-
pen aus benz 8eietnngseebiet BEL
&oblen3 5uriid3ieben neroen.
Granfrei9 piini1t feinen bepaff.
neten 8eiitano Der 8ereinigten Staa.
ten gegen 9eutidlanb, iolnnge bos.
ielbe nidt obermals Granfrei9 ben
&rieg erfl1rt. Mber es tpiinIGt bic
moralii9e unterftiisrng bon Seiten
hey. @ereinisten Staaten Ano oas
MeA8s an
Washington Journal., 1921-04-08

auber Der Steierbereune
idI1et Der susiduB Die aunabme
Der GaIoerporlage fir buubcsieitige
llebrruodune mo 0efieutIiffcit in
Der aobleninouitrie, ein ueiies San.
Observation-Disclosures, GarIeben
fir Saiisbuu our6 elm 9tnoesID.
item uno Die @rbobuug Der gegen.
udrtigen @reu5e fir iuoibioueIIe
@inIogcn in 9oitipurbunten Dor.
@erIpGtetes SrOituetter.
&auIos Stir, Niiiouri. = 9as
SroIhpetter bat i'm Sii0meiten idipe-
rem Shaoen aneeri6tet, mie 9erif.
te aus Miiiouri, 9anias, Arfanias,
Sfloboma uno Seras erfcuncn Ini.
len. Sriibe Sbiternten in Niiiouri
un0 aonias meroen ols oerloreu be.
trattet, bod baben Ole ipGteren
tpabrI6einIid nidt meientIid gelit.
ten.
Dor Dem 8roit berrifte wormeS
8etter, uro in Oielen 0rtcu Itonoen
oie Sbitb6ume IN 8liite.
Die 2an0mirtiboits q. 9ebor6e bon
OfIaboma ifdste beite oen an fri.
Sflobomo idGbte ben an fri.
$11 ,000,O 900 unO erfldrte 70 Gro.
3ent ser grnte oils perniftet.
philadelphia, ga. 0te Wit
telItaoten am Itlontilden S3eon
batten cine MinimoItemperatur
BON % @roo na6 elmer OreitGgigen
Sitmeue, peIte oos thermometer
mr. SO @roo hinGIfaetrieben bottle
Milf int lteberflnF.
@oIbington. Ole Ser. Stoaten
baben gum erItenmol ieit Dem Be
ainn BEG 8eltfrieges einen lteber.
SduB an Mil6 gu ner5eidnen, ipte
oas Observation-Disclosures beute be.
ridtete, in benz al erbobter 8ermen.
oung oIs menIhlihe Nbrrng nn6
in oen Observation-Disclosures 81 ibrer
@erfiitterung an @ieb ortngen6 ouf.
gcforoert miro. Die Gage lit baupt.
i16iii6, mie behauptet miro, Die Sol
qe elmer @bnnbme ser S~obrifotion
bon fonoenIierter uno on6erer Wilh'
~bro6ufte fir ben Grbort.
MnItirf Chamberlain Snm l%lniuni.
itenfibrer erluG5lt.
2onoon. Ser Shabaults.
fon5lpr guItin Chamberlain muroe
fiir8lid gum Siibrer Der uuionilten.
portei ertpGblt. Seine 8obI, Die
in elmer 8erlammlung Der unioniIti-
i9en Mitglieoer oes Sauics Der &C.
meinen i'm Garlton.3 lub erfoIate,
mar einltimmig. or lit Der Nad.
folger BON 8onar oaip, oelien 3u.
riidtreten aus Observation-Disclosures
norioe Mo6e gemeloet puroe.
InFlaHb appeGiert On SarSing.
2onoon. Die ruIliide
SoipietsGegierun9 bat an Den 8rd.
iioenten Saroing mo Die omerifoni.
Idle 3eeierung appelliert. Die Sau.
6elsbe5iebungen NIT NubIano ME.
Der nui5nnebmen, wie eine OrobtIoie
0epelde aus Wosfou meIoet.
Die Somiet.I egierung id)ldgt Dor,
cine Delegation nad oen 8~ereiuig.
ten Staaten 81 ien0en. I'M ii6er Ell.
llen Sanoelsuertrag 5u uutcrbau-
oeln.
Ter Appeu fomnlt bon Dem al.
ruiiilden Central @refutibausiduB
uno idId9t iofortigen 9eginn Der
8erbanolungen Dor. Gr 6etont.
ooB lett tangent Die Sofinung be.
%itanoen, freunolide g~e5iebuugen 5l
Der u@roBen Repu6lit oes Roroens"
an3utniipien, iprid)t BON ser nSeino.
ieIigfeit Der oemofratilhen Gerpal.
turg" uno gibt Ser 3uperiidt Nus.
Druid, bob Die segen1pdrtige Hegie.
rung Die groBen @orteile erfennt
Die beioen Gepublifen aus Der 8ie.
oeruufnobme Der. &anoelsbe3iebun.
gen erpc@s4"
Washington Journal., 1921-04-08
IDaskinsA @SsurnaL.


The only German Paper in Washing
ION, D. c., Southern and Western
Maryland and Northern Virginia.
Published every Friday Morning.
Office, No. 10 Sixth Street, N. W.
Telephone, Main 1889.
Hermann G. Winkler, Proprietor.
Make chicks for subscription payable
to Hermann G. Winkler, ITO Sixth
Street, NV, Washington, D.. C.
Entered as second-class matter August
7, 1915, at the post Office Washington,
d. c., under the Act of March 3. 1879.
Washington Journal., 1921-04-08
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71E UND WEBSTER STRASSE
PETWORTH

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