The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-09-11
WITH ALAN DALE AT
NEW YORK THEATERS
(Continued from Fourth Page.)

r 49, CONTINUED from Fourth Page)
think and that amusement depends largely upon that little
The hat rack simply WON'T hold hat You
Each dposes his hat readily and yours won't
20 you place carefully the floor and during the next act
the at the back of kicks It down the aisle
The drops things First her opera glasses
then then comb from her hair
and then glove picking her proper
ties She thanks you very sweey the fact that she is
such and then-she drops something else
into your face He iscned loudly and have
everybody looking and listening TO the one
ntenty really charm Tor you At All
The woman in front you mountainous You
well her her hair down. you' And YET your
view is hOpeesy impeded as though she mac w0f I
market She fddes with her HAIR
taking out comb and ffng and punching and you MAKE up y0
and imagine the rest fon might - wen 10
sitting there with Alp in front OF you . !.
The vaanty his cough and cant You
hear him umng omnousy and doing his level best not oreak @
gets horribly When came to the theatre you
feel imped to cough loudly
I and frequently and exceedingly unhappy ~
CosMo HAMILTON many citous things about notices in
play "The Silver Fox at Maxine Elos
ter being popular CLEANS his vital interest In them
often sit IN till the chilly M waiting the playwright and
the that good notices. very often mean
complete office failure and bad ones signify success
would banker Tor bad
sake roast the as hard as you No. Knowing
they well do that good notices really damage play
heir contenon furious they don't get them They yearn
for ths quite they will inu their property can't
ALL bad noces Why they cut YOU they
thew claim that those finest testimony the
success their play. Isn't it funny and illogical?
Mr. all the nth degree As far as
know warmly applauded deserved to be- for
undoubtedly have had in
blue Nobody given such volume of perfectly
written literary pungen and dstractngy
clever. 49,,
felt all the time that crime to that THE Silver
seemed sinful Poor Mr. Hamilton might regard
criticism and that good hard roasting
pity that couldn't obhge him OF course
be box office failures and
unworthy have scored tremendous hits that
these absolutely but and DO
believe and I'm quite willing that they should have their own way
thing reminds the actor who never
He a very general meet him
although he has played leading role in
production he hasn't the idea what critic about
pose every good bad Indifferent and
pasted with which he will bore his ntaes
him the slightest opportunity He always watching for
opportunity and-everything him who waits
really delicate attention his part You have written
something detrimental friend Of have done to
put he lies with pardonabe that is
But always think that though
notices. them from without
MISS FRANCES STARR has appeared plays she
"The For instance she the lead"
Becky The Secret" marie Ode" "The Little
Lady "ger Tger" and "one' But she scored
emphacay did the Eugene Walter play which when
Today nobody would hair The Easiest Way The
movies taken the topic reduced to But
duced today the first time nobody could pretend regard
Technique 1t model play Aspiring should study
this theme but the ado direct dramatic
method Of its construction 1t is quite ,-.