davidaulloa/AmericanStories huggingface dataset:
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28
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that this accessory of the costume
coming so conspicuously between your
visage and the eye of the observer
shall be perfection. Many veil looks
well from a front view but is distress
ing from rear view. The ends have
not been lifted evenly over the hair
to the hat and one side Of the veil Is
higher than the other; or the veil is
made into an ugly bunch in the wrong
place on the hat. Study your veil ar
rangement en- silhouette and from a
direct back view-with the aid OF a
hand mirror of course-for a good
many more people see your side and
back presentment than they do the
part OF you that faces the world and
your mirror. It is curious how many
women seem TO forget this fact-as
testified by the carelessly arranged
sashbows. rents al the rear of silk
stockings run over heels, tag ends OF
wells and wisps Of hair unpinned up
at the back Of the neck one sees every
day.
Though the neat, trig face ven is
the favorite of Paris just now, and Is,
par excellence. the veil for street wear
with tailored suit in town, plenty OF
floating, huttery wells are worn at the
out-of-town functions; at tennis meets.
at country clubs and yacht clubs, and
at the fashionable horse shows that
occur about this season. These grace
ful wells are noted also at the restau-
rants in town. with smart one-piece
frocks, and the neat little cragat Of
fur which gives the finishing autumn
touch. In these larger wells few new
meshes are observed; the designers
seem to be concentrating on new pat
terms and are letting well enough
alone as far as meshes are concerned
After all. in a large veil the mesh IL
unimportant; it is mostly over the hat
where 1t does not show particularly
and the design on the futtering edge
is the conspicuous thing. Borders
with large, dlled-up flower patterns
are wen liked and sometimes the pat
tern is in high relief in brilliant vege-
table silk. outlined with a loose chain
stitch that gives a shadow effect.
Grape patterns are especially smart
and one Of these wells has grapes in
shades of mauve and purple on
background OF taupe mesh. Chrysan-
themums appear. very appropriately
for fall. and many Of the French wells
have a bold heur de lys pattern. All
over lace designs are liked also and
there are beautiful wells with chenille
dots on a fine mesh. the border IN
hand run floral design. Chantiily
wells are as fashionable as ever and
the favorite style is a long. broad
scarf: one end thrown over the hat
and the other twisted about the
throat Stunning new motor wells of
open black mesh are embroidered
with scarlet silk and edged with scar
let cire braid.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

- HE minute autumn breezes be-
~ gin to blow. face wells come into
III their own. She who steps off the
49, homecoming train with a ffutter
of embroidered mesh about her
shoulders, appears next day on the
street trigly arrayed in the tailored
suit and hat of town, with a neat face
veil drawn smoothly back and flut-
tering ends out of sight. September
usually brings the end of floating veil
styles-in town, though the graceful
made-veils have a longer day in out
of-town communities where summer
raiment is worn clear through the
month.
Paris is concentrating just now on
face wells and all the new French pat
terms are in this type of veil. Stripes
are the latest thing and the stripes
are made with alternating mesh; a fine
or in graduated stripes that achieve
fanciful effects. These stripes run
vertically when the veil is arranged
over the face. but there are also wells
with a single stripe of fine mesh
placed to come exactly across the
eyes. the rest of the veil in contrast
ing, eoarser mesh. These striped
wells. just launched, are rather freak
ish in effect and they are not yet es-
tablished in fashion; the average won-
an selects a neat, smart veil of more
conventional design for first fall wear
and two new patterns of pleasing type
are presented in todays illustrations.
One is veil of very open mesh with
a thread pattern in small, grouped
blocks: the other is a chenille dotted
veil with the dots arranged in lines
that form squares.
Both Of the pictured wells are black
and they are shown with the two fav-
ored types of autumn millinery: A
turban with high crown and mount
ing feather trimming. and a low, round
hat with a rolling brtn. In each case
the veil covers part of the hat as well
as the9face and its lower edge Just
turns under the chin. The veil stop
ping short jast bel6w the eyes or just
above the mouth has gone out of fash
ion: autumn wells viii cover the face
to the chin.
One-tone yelling effects are pro-
ferred by Paris. though black and
white wells are well represented in the
new styles. Women will not give up
the becoming white veil dotted with
black which has such softening eff
feet on the complexion and which al
most always makes it. wearer look
younger than she is The genuine
complexion is NOT pure white but
in a tone verging delicate1y on flesh
tint. The veil looks white y hen on.
and the faint flesh tone gives the face
a fresher. younger look than chalk
white yelling would The best OF these
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28
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NEUTRALITY-SUSPICIOUS.

9~ RENCH women adore the fiacon-
81 cite which is a dainty little crystal
y container for perfume. the tiny,
perfectly fiat bottle fitting into an
equally fiat metal case, softly lined
with pulled silk. The haconette takes
up no room at all in a travelling bag
and is so pretty that it is a decoration
in itself for the dresser. The stopper
has device which allows the perfume
to escape a drop at time. so you get
just enough and never too much on
your handkerchief, or wherever you
want to put the delicate perfume. A
faconette of agreeable perfume makes
a charming weekend gift for your
hostess. or a very desirable bridge
prize.
The least Whit of dainty perfume is
used by the well-groomed woman. Any
heavy and oppressive odor is avoided.
especially in summer time when fresh
daintiness is the ideal A drop OF
French perfume on the palm of the
hand, or on the neck, is better than
perfume on any part OF the garments.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28
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all edges bound in plain green satin
ribbon. The trousers come half way
between knee and ankle and are
looped up at the outer side so that
they do not make straight line across
the leg-always an ungainly effect
and the tunic is cut on loose lines SO
that it may be wrapped around the
figure.
Drecoll has created perfectly stun
ming pantaloon model; a negligee Of
black satin. called a lounging costume.
1t is dashing affair to be sure! The
trousers are straight and loose, with
deep turned up cuffs at the bottom.
and the tunic is a loose, double breast
ed coat White pleated frills OF net
at neck and wrists make a remarkable
contrast in their dainty femininity
with the black, rather masculine cos
tune.
A typical pantaloon negligee OF the
moment is pictured and in this case
sleeves have been eliminated. The
draped tunic is of rich black satin
brocade with a lining Of gold colored
satin that shows in facings at the edge
of the garment The trouserette, or
pantaloon. is of gold satin with deep.
draped cuffs of black satin that are
Topped up at the outside in the way
before described and adorned with
long chenille tassels. The gold under
garment shows at the hip where the
tunic is deeply slashed.
If you object to the daring panta1oon
style and prefer the old style sweetIy
feminine boudoir gown. have one ike
the little peignoir OF flesh pink taneta
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

NOT dellcaLe ana Appearing. HicA
- colors, gold braid, long. swinging
tassels that weight down soft fabrics
and even trains that sweep the floor
are the thing now: not delicate lacy
effects and pale, dainty tints. IL you
fancy a flesh pink or baby blue peig-
noir you must select one with some
dashing and unusual sort of trimming,
or some special individuality OF cut.
Anything, to be gorgeous and startling
In boudoir array
Even the once sternly practical and
rather clumsy bathrobe has yielded to
the urge of the sumptuous, and has
acquired the graceful lines of an eve-
ming wrap, and the superb coloring
too. Twenty years ago outing flannel
bathrobes were worn in the best of
families. but nowadays a garment of
such monstrous ugliness would not be
tolerated even for most intimate wear.
Bathrobes are gorgeous affairs Of
American Beauty or turquoise velvet
or of brocaded corduroy with soft
silken Innings and a touch of fur to
add extra elegance. A coy bathrobe
is Pictured model of cerise cordu-
roy in a self-tone brocaded pattern,
and this gorgeous garment is lined
throughout with cerise chiffon. The
cut is simplicity itself, but lines of
perfect grace have been achieved and
the robe falls free and clings in exact
ly the right places. tapering toward
the feet and outlining the shoulder
yet giving the voluminous flowing eff
feet of wrap in it's sleeves. The
lower part OF the sleeves are circular.
ripping like fiounces and showing the
soft chiffon lining. The bathrobe fas-
tens with a button and loop at the
waistiine and strip of taupe fox
trims the collar.
Another stunning bathrobe is of
white corduroy with lining of thin
white silk. and white fox is used on
the collar and along the edge OF the
flowing sleeves. A big ornament of
white siik cord covers the fastening.
Peacock svelvet makes still another
luxurious gown OF this sort and the
neck is embroidered with gold thread
in a design that extends down in a
long point below the hips. A gold
cord and tassel ornament swings from
the front fastening and black lynx
edges a narrow collar
Negligees Trail On The Floor
Long, trailing boudoir robes have
come back to fashion; and one must
admit they are more stately and beau
tiful than the very abbreviated models
that have tried TO initiate frocks. the
past season or two. These trailing
negligees cling about the ankles and
wind about the limbs and the train
drags gracefully as its wearer moves
about the room. A new model of the
sort is pictured. 1t Is in the popular
slipon style and goes over the head.
train and all, falling in straight. classic
lines from shoulder to door. But the
train weighted by deep facing. drags
At the soft fabric OF the negligee and
makes the latter wind and cling most
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

wells have very simple chenille
dotted pattern, not a fanciful ar
rangement of dots. and a genuine
complexion-ven is always rather ex-
pensive.
There are two-color combinations
for those who like them and in these
wells the dots-ln blue. old red. or
copper, are usually set against neu-
trail ground. Taupe is the favored
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

background color. There are string
colored wells and gray wells with col
ored dots but they are trying 70 all
but perfect compilations.
Some of the face wells of hexagonal
mesh have chi1an borders in contrast
ing color and the border is drawn
around the throaJ under the chin, CIV
ing a very neat. smart effect But
one must start out and come home.
all pinned up IN ones veil-no chance
to take an ice cream soda or even to
use ones hanky unless the beautifully
arranged veil is unpinned and then
readjusted. One looks extremely
smart-but there are discomforts.
With these face wells descending low
on the face. veiI-pins may come in
again. but the general method of adj
justing a face veil now is TO pin it
invisibly al the back of the hat. and
fine wire hairpins are used to catch
back any loose part Of the mesh.
Never put on face yell hurrfedly a
cIumsily adjusted veil is worse than
no veil az all and it is most important
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

trim collar and sleeve but the really
compelling touch of trimming is in
the tasse1s of flesh pink ostrich which
tip the ends of the girdle. This dainty
and very comfortable breakfast gown
may be had also in turquoise blue and
in pure white, with ostrich tassels to
match.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28
FOR ICE CREAM DAY

TwMONG the practical gifts in a
"a linen shower for bride-to-be last
y week was an ice cream set: a
stout linen bag and small wooden
mallet for smashing up ice to so in
the little freezer that newlyweds
would be supposed to- use. The bag
was made or heavy linen crash with
wool cross-stitch on the deep hem. and
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

shoulders; the circular sleeve being
set at the edge or short kimona
sleeve-part of the garment. The
fronts turn back at the neck and are
attached to a straight, narrow collar
and the negligee buttons all the way
down with tiny covered buttons and
silk loops. Loops of the same sort
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

pictured on today's page. This is an
absolutely new model, evidently de-
signed for the woman who insists on
dainty colors and feminine lines in
negligees. The loose gown is very
graceful because of the dropped
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

3 aSCAAAAy GbOuL Tue acct. LIS sum
ming garment Is of jade tinted satin
brocade with silver gray cord outlin-
ing neck and deep armholes and form
ing loose girdle which is knotted at
the back. The wing sleeves of jade
chiffon also trail to the floor when the
arms are dropped and the chiffon is
weighted with a trimming of crystal
beads.
Ample Sleeves On Paris Negligees
Long, graceful wing sleeves of chif-
fon are a feature or the new French
boudoir gowns and most of these
sleeves are heavily weighted with tas-
sells of enormous size. negligee OF
emerald green crepe de chine is in
slipon style with a rounded neckline
and irregular hem to the ankle. The
| sleeves are of emerald green chiffon
and have extensions that trail on the
floor, massive tassels of gilded wooden
beads holding the fabric down, which
ever way the arms are held. In front
part of the sleeves are slashed almost
to the shoulder and the chiffon is car
ried across the front of the negligee
surplice fashion, going around the fig
ure to the back of the hips where
there is a loosely tied sash.
Another French negligee of pale
gray crepe has a long wasted effect at
the back achieved with bands of en-
bossed gold braid. The braid runs
down at either side, near the armhole
and across at the hip, giving the effect
of long panel. The sleeves are of
gray chiffon. their points weighted
with gold tassels trailing on the floor.
The ~ ell
sented in one Cf the pictured negli-
gees. In this model the sleeves do
not fall in points but are cut straight
across and the arm goes through
slash in the chiffon. This negligee is
most beautiful in color; the straight
underslip is OF lavender crepe de chine
and the chiffon sleeves are batik print
ed in most delicate blend of tints:
Palest lavender to violet in ombre
effect. Two clusters of English violets
with lavender satin streamers are at
tached to the negligee; one cluster at
the left hip and the other just back of
the right knee where the garment is
draped up to give a clinging line. A
specially pretty boudoir cap made. in
the new fashion. like little hat with
wired brim, accompanies the charm
over violet silk: tiny chenille violets
are embroidered along the rolled up
brim. and the trimming band OF pale
lavendar ends under fiat white gar
denia.
PantaIoon Negligees Very Popular
So far, "a good deal has been said
about sleeves, but nothing at all about
trousers Trouser negligees Cor pan
taloon negligees as they are called in
Paris) are very much the thing and a
great many of the new models are in
this style. Callot has brought out a
pantaloon negligee. which is bound to
set new fashion in boudoir wear. 1t
combines long. loose tunic with very
/ full Turkish trousers and it is made
OF green and white striped satin with
ice" was worked in cross-stitch let
tiers on one side. ring was sewed
to the bottom of the bag so that it
could be hung up to dry after use
The mallet was small bur stout and
heavy and was painted to match the
cross-stitch embroidery on the bag. A
very dainty set of belongings for the
brides dainty kitchen, and maliet and
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

- HE idea now is to be splendid
II and sumptuous in ones negligee.
not delicate and appealing. Rich
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1921-08-28

- HE minute autumn breezes be-
~ gin to blow, face wells come into
"a their own. She who steps off the
49, homecoming train with a fiutter
Atlanta tri-weekly journal. [volume] (Atlanta, Ga.) 1920-19??, 1921-05-26
CUSTER MASSACRE
To BE REPRODUCED

BILLINGS, Mont.-Preliminar to
unwilling the Custer monument, now
under construction in the city park
at Hardin, an exact reproduction of
the massacre on the little Big Horn
will be staged on the site of the his
tOric battle, it is announced by the
Custer Battle Anniversary aSSocia-
ton, of Hardin. Approximately 500
Grow and Cheyenne Indians, repre-
senting the Sioux. will take part in
the mimic battle against members of
the American Legion and troops of
cavalry. representing Clusters hand
full.
Permission has been obtained from
the federal government for use of
the nation cemetery for the specta-
Gle and General Hugh L. Scott, Of
the historic Seventh cavalary, has
announced he will attend, as prob
ably will Mrs Custer. The war de-
partment also has offel { to co-op-
crate in every way possible.
FOLLOWING, the battle" there will
be a basket dinner at Government
park, Grow agency, and afterward,
spectators, tr~. pS and Indians will
go to Hardin, where the: Custer mon
ument will be unveiled with proper
ceremonies.
Various addresses a band concert,
mems chorus, with the Indians ar
rayed on one side and the American
Legion men and cavalry troops on
the other, will include part of the
ceremonial. An Indian poWwow and
a street dance at night completes
the days program.
People from every part of the
state, as well as many without it's
borders, are expected to attend in
view Of the historic nature of the
celebration, marking the anniversary
of one of the most famous events
in the west
Atlanta tri-weekly journal. [volume] (Atlanta, Ga.) 1920-19??, 1921-05-26
Agent Uses Gopher
For His Demonstration

There's one animal that would be
mighty unpopular if he ever left
civilization and his free board and
keep and went back to his fellows.
That's the obliging little pocket
gopher that travels with Leo X.
Couch. Of the bureau of biological
survey, United States department of
agriculture, who is giving q series
of demonstrations out west on how
to trap and poison pocket gophers.
This little renegade, whether be-
cause he has no choice in the matter
or because he likes the government
fare of carrots, potatoes, and par
ships, divulges the actual working
methods of his kinsmen. When all
is set for the demonstration. he is
taken from his cage. He sets to
work, unabashed by the spectators,
and gives a first-hand exhibition of
row a gopher makes a tunnel. Then
he shows how the mound is made
and the entrance to it stopped up.
His keeper then digs him out, places
him back in the cage. and proceeds
to his explanation of how to set
traps and where to place bait to dc.
stroy his mascots unreformed
Atlanta tri-weekly journal. [volume] (Atlanta, Ga.) 1920-19??, 1921-05-26
Sill YER PENNY TIES
WONDER OF ENGRAVING ART

MANCHESTER.-R to an
Arab now visiting Cairo, who has
written 10 words from the Koran
on a grain of rice, The Manchester
of equal skill.
Peter Bales, as is learned from
Holinshed's Chronicle, put in the
compass of a silver penny more
things than would fill several ordl-
nary pages, and presented Queen
Elizabeth with the manuscript set
in gold ring and covered with
crystal, together with magnltylng
glass so powerful that the Queen
could easily decipher the manuscript,
(which she held on her .thumbnail
and commended the same to the
lords of the council and the ambas-
sailors"
Bales subsequently issued a chal-
lenge 'to all Englishmen and strang.
ers" to write, for pen of gold OF
500 value, in all kinds of hands,
best, straightest and fastest" and
most kinds of ways "a full, mean,
small, with line and without line,
in slow set hand, a mean faclle
hand and a fast running hand" and
further, to write "truest and speed
lest, most secretary and clerkllke,
from a mans mouth, reading, or pro,
bouncing, either English or Latin: =
Another writing master, Davld
Johnson, dCCeplcu lllc IHtbIiS &c e"AiN'
the contest opened on Michaelmas
Day, 1895, before five judges and a
hundred spectators. Bales was adj
judged the winner in all three sec
lions. though the competition IN
writing sundry, kinds of fair hands
He gained points for the beauty
and most authentic proportion" OF
his Roman hand" but Johnson scor-
ed more marks in court hand and in
bastard secretary" hand.
Bales, being then on his mettle'
ed of secretary and Roman hand
four ways varied" and offered to
forego all his previous advantages II
Johnson could better it. This proved
impossible, so Bales carried off the
gold pen and had it painted and set
I'm for is sign.
Atlanta tri-weekly journal. [volume] (Atlanta, Ga.) 1920-19??, 1921-05-26
Farmers Send Blankets
To Keep Harding Warm

WALPOLE, y. H.-The Cheshire
County Farm Bureau has issued
blanket insurance against a presl-
Dental chill by sending a pair of
fleecy bed coverings to the White
House. These were manufacturing
from wool sheared from sheep raised
on the hills of New Hampshire.
In letter accompanying the gift
State Senator Fred O. Smalley said:
you will be interested to know
that the farmers had practically their
entire 1920 wool crop converted into
blankets, about 500 pairs in al.
These blankets, by the way, are the
fashioned kind, such as our
grandmothers used to make. BY
securing a market in this way we
have been able to obtain a price of
about 40 cents a pound for the raw
wool. which was better than no mar
ket at all"
President Harding's reply said
Il have read with a great deal of
interest your letter, and am espe?
cially pleased to have the blankets
which you were good enough to pre-
sent to me on behalf of the Cheshire
County Farm Bureau. Please let me
assure you and your associates that
am very much gratified by this
evidence of YOUR good will"
Atlanta tri-weekly journal. [volume] (Atlanta, Ga.) 1920-19??, 1921-05-26
as that she made every good point

was that she made every good point
count.
For one thing her eyebrows had
been carefully plucked and the
smooth, silky line across her eyes
gave a piquant expression to her
face. Charlotte watched her having
her brows shaped one afternoon, and
was fascinated, although she drew
back in horror when Edith suggested
that having her own done would
make a great difference in her ap-
pearanCe.
ooh, 1 couldn't"
mot if you knew it would make
you LOOK hetter?"
81 don't think it would"
1t was the same when Edith sug-
gested that Charlotte have a per-
manent wave put in her hair.
"You don't know how it would
change your appearance" she coaxed.
It's SO artificial, besides yours
isn't curly"
I'D have it done in a minute. but
it wouldn't suit my type" Edith's
hair was dark and silky. When the
light shone on it it looked like satin.
Yours should be fluffy" she ex-
planned to Charlotte. And you
oughtn't to wear it combed high on
your head that way"
Charlotte consented to have it
waved with an iron, but she would
not consent to a permanent wave
in spite of Edith's coaxing, neither
would she learn to smoke, and her
expression of horror when Edith
offered her a cigarette one afternoon
made good story to tell over after
ward.
How are you and Charlotte get
ting on together" Mrs. Hartman
asked one afternoon when Edith had
run in to take Charlotte for a drive
in her little electric.
Edith smiled apologetically Does
she ever say anything about our
friendship? Poor little thing, /
shock her to death every time l see
her. She despises anything artificial,
and absolutely refuses to adopt any
petty vices"
She'll never be popular" Mrs
Hartman sighed.
Edith was silent.
"You know, dear" said the older
woman leaning forward to put her
slim, aristocratic hand over Edith's
own, Il had always hoped that some