The Jasper weekly courier. [volume] (Jasper, Ind.) 1858-1922, 1921-03-04

UcCkllDp ftIeTTpu 10 dDoNe are uStu.
Ii has the apron tunic which, while
not new this season. is receiving con-
siderable attention. Ii is being ham
died i'm much more interesting way
than il was last summer. Frequently
IL is Of lace or. if of the material from
which the dress is made. il carries in
,tereSting embroidery, which sometimes
Is Of wool with deep wool fringe
edging the runic
Apron TuniC of Satin.
one of the most popular models
showing the apron tunc is of black
satin. The sleeveless bodice is long
and straight, reaching To the hipline
AT this point an apron tunic of JET
pailletteS is attached. Ii falls straight
TO the edge of the skirt. As so many
of the black frocks this year must
have touch of white. just as those
of white are accumulated with black,
G ladder-like pattern of rhineStOnes
is placed on the bodice just above the
point where the apron tunic joins IT,
The rhineStones appear again i'm mar
row band placed about two inches
from the bottom of the tunic.
On an evening fr0ck of silver gray
chiffon velvet with full silver lace
lines the high neckline of the lace
overdress in the front and. crossing
the shoulders, follows the line OF the
decOlletage in the hack. There Is also
band OF chlnchiIla on the narrow
foundation skirt about six inches from
the bottom. The girdle il of turquoise
-lue and emerald green brOcade.
A pronounced feature in evening
gowns is the draped princess move
nent. Dresses of this character usu-
ally are cut in>One straight piece from
shoulder TO hem. The drapery appears
across the front of the figure at me-
dunn low waiStline, and rs the folds
are rather tightly drawn into the side
seams this gives Il pronounced stOm-
ach line. Long trains falling from the
low walls line. at the back or one sid
are likewise features of these draped
princess dresses. The deCOlle.age j.
medium low and of square cut.
Handsome metal brOcadeS. dark
browns and black, brOcaded In gold OF
silver. are the materials used.
Vide Sash at Low WaistIine.
Again the same draped effect is Ob
tanned by means of a wide sash of the
material tied at a low waistlne. the
e',ds falling straight at the left side
This season sashes are not tied in
large, perky bows, but instead of the
long ends are tied only once and al
lowed 10 fall straight, thus accentu-
ating the long. slim figure line. Broad
girdleS of metal brOcade often finish
at the left side with a large DISLIKE
ornament OF gold or silver. All sashes
and girdles, regardless of their mode
Of fastening, are placed at low waist
Inc and are tightly drawn across the
stomach.
Street dresses and the more elabO-
rate afternoon frocks frequently have
the low waistline effect achieved
through the cut of the long straight
bodice, which in many instances is cir
cular across the front and back. the
sides being a little shorter. From
these circular cut ends hang wide.
straight panels. and from the sides
fall open fan-shaped panels of con-
trasting material, usually lace, en-
broidered net, embroidered gold cloth
or an applique embroidery of the ma
terial This latter may be OF serge
or broadcloth. two materials much
used for street wear. in black and navy
blue.
Some OF the exclusive dressmaklng
houses are showing considerable full
ness in skirts. This width frequent
ly Is achieved by means OF plated
fan-shaped panels that are let iTz at
the sides ut al low waistline fhe
skirst may he cut either with front, and
back panels,vlike those mentioned, or