The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1921-05-05

they do not overlap In any instance
but each has its distinct part.
Small Amount Of Trimming.
As rule. nowadays. there Is not
great deal of trimming on any one
gown, but for that very reason each
bit Of Il assumes an enhanced value.
The embroidery that one sees Is not
so lavishly applied; It Is distributed
In more or less isolated spots. The
tendency Is more toward the distribd-
ton Of large motifs. with big spaces
left between them rnther than TO
lump them together In amy one place.
But just for an exception. In the col
lection of PatOu there are 10 be found
number of embroidered trimmings
very finely done and applied in closely
set rows. Another embroidered trim
ming has pearls superinposed on a
loosely woven red wooden material.
which is, In It's turn, applied as the
trimming OF a frock Of blue serge.
Many OF the designers are using
printed materials. silks and even cot
tons, out Of which they pick certain
pattern and proceed TO embrolder IL
again with threads or with beads.
Martial ct Armand have done this with
a piece of foulard printed in Persian
pattern, TO which they have added GER
tain groupings Of tiny beads and out
Innings OF soutnche braid.
There Is an original sort OF trin'-
ming made of medalllons of enamel In
Irldescent shades Of blue and black.
They look very lovely when used for
trimming dress Of some dark mate
rial. In fact, enamel rrranged In var
ious sorts OF ornaments is very much
used by the French creators this sea
son. Poiret uses enamel TO make a
set OF cuffs for one Of his costumes.
Poiret has another trimming made
OF little rings of wooden material
which, when they are grouped togeth-
err, give something the effect OF edg'
ings OF ostrich feathers.
Strings OF Wooden BeadI.
Most OF the couturiers are showing
this season strings OF wooden beads Ia
strongly contrasting colors as red and
black, for instance. They are using
too, collars OF sheer organdie trimmed
with lace, edged with tucks or handled
In some way to enhance the effect oil
its transparent texture.
Pendants and drops and acorns and
bead frlnges are used now again
though they cannot In any way b.
said TO dominate the trimmings mode
Madeleine ct Madeleine use acorns 4
fringe the hem Of the thlnnest of chlf
fon frocks. They give qulverlng lool
TO the thing, which is what the Frencl
love to call amusing" The clicking
sound OF these wooden beads knock
ing against each other is not the leas
OF their charming ways. for the
| quancy.
Again In the collection of Madeleln
ct Madeleine one sees n gown Of thi
muslin In gray. with turtle dove plume
laid on fiat for trimming. They hav
j street frock. the collar of which
clasped by wooden rose standing on
In bold relief, and two more Of thes
belt. On the belt OF another gov
r there IL I'm enormous cocnrde maze Q
Is black cire satin. with n red center.
Is For trimming the designers love
a use rows OF little fat flowers place
ID along the edges wherever II Is poss
rs bic to use them. Sometimes they an
flowers, and again they are fruits, an
n they are always most dellcate'y an
re lntricately put together.
y, Molyneux uses a collection OF floV
rs ers and fruits lacquered over for
SO finish, and these he winds into a ga
* land TO be used for trimming ON
# gown wherever they feel most at HON
OF Lelong likes to use great flowers mad
Up OF soft pieces OF leather. though /
ig is apt to substitute rOsette Of silv'
r; ribbon.