davidaulloa/AmericanStories huggingface dataset:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
BOWD0IN'S Aerial ATTACK wins
OVER COLBY, 1885, MAINE and
Bates STRUGGLE T07-7 Tie GAME
BOWDOIN 1s, COLBY 6

Brunswick, Me, Oct. 22.-The supe-
riority Of the overhead game t.
straight football was demonstrated by
Bowdoin In the contest with Colby
this afternoon, Bowdoin winning IS TO
6. This was Bowdoin's first game in
the State championship series. while
Colby had previously played to :
tie with Bates.
Both teams played hard football in
the frst period. but neither goal was
seriously threatened.
In the second period Miller began
to let loose his string of forward
passes and time and again I'uwdo;n
threatened Colby. only to lose the ball
With only two minutes to play Bow
doin forced Young to punt from thH
15-yard line. The ball went high and
Eamcs fell on it on the 2s-yard line.
On the next play a triple pass. Wood
bury to H. Hildreth to Miller. was fol-
lowed BY a forward pass from Miller
to Gibbons, and this combination net
ted &c yards for Bowdoin. From the
two-yard line Joe s1aith went ever for
a touchdown.
Colby scored on hard line bucking
in the third period. during which Bow
doin played largely on the defense.
At the opening of the fourth period a
forward pass from Miller to Gibbons
gained IA yards. On the 30-yard sline
Colby held and Joe Smith fell back
for drop kick. WHICH, in spite Of a
strong cross wind, went directly be-
tween the posts.
Colby started to rush BowdcIn hard
but was forced to punt Miller return
ed the kick. which Young fumbied.
and Tootell, catching The ball on the
bound, rushed so yards to- a touch.
down. Smith kicked the goal. During
the game Miller threw 10 forward
passes, the first nine of which were
successful. Owing to injuries Capt.
Al Morrell OF Bowdoin only played
during the third period. The sum-
mary:
BONDO1N COLBY
II. Hildreth, lie .......... le Callahan
Ioteli. IL ............... 1t. Lowery
Neatherill, lg ........-... lg. Brown
McCurdE, c ............. C, Enholm
r1df''s, Ts '.......- fg. Cook
Wotton. TT ............ TT, Nonahan
Hiopohs. re ........... re, polhcarc
Woodbury., Oh ............ oh, Young
Dahlgren, lib ............ lib. Rcval
smith, rhD ............... RIB, Vale
Miiier. ~ ............... fb. Sullivan
boWdoln ...+.........o 0 12-iS
CODY ........ % O. 6
, OBSERVATION-DISCLOSURES. Tobteu. Mil
lett. Goals from touchdowfi--Miller.
Goa! from Goldsmith. safety-Sullf-
van. Substitutes-Bo wdoin: Parsons
for McCurdy, Morrell for Miller. Phil
lips for Woodbury., Neal for Wealth
GRILL. Woodbury. for Phillips. E;dridra
for Neal. Philbrick for Wotton. Put
nam for Eamrs, Jones for II. II.ldrelh
&c. Hildreth for Gibbons. Eurgess for
Smith. Jacobs for Woodbury., McCur-
dy for Parsons.
Colby: McGary for Callahan. More
land for Brown, Soule for polbearo.
Millett for Royal. Berry for NIonahar,
Hendricks for Sullivan. Sullivan for
Hendricks. Dolbeare for Soulo. Hulin
Tor Doibeare, Verne for YOUNG.
Refcree-Burke, Worcester Poly
umpire-Dorman. Columbia. Head
linesman--Howe. Portland A. c. Tin.
10 min. periods.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Goal from touchdown. Small. Bates
Scoring touchdown. Davis. Goal from
touchdown. Quincy. Substitutes Will
son for Kelly; Luce for Price: Seifert
for Johnson: Mckenna for Canty:
Canty for Seifert; kempton for Will
son: Fellows for Davis: Rounds for
Fellows, Dagnino for kempton:
Strout for Mulvancy. Referee. ingalls,.
Brown. Umpire, Tower, Williams.
Head lincsman. Green, u. Of Pcnna.
| Time of periods, four 1873.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
PORTLAND LOSES TO
MANCHESTER HIGH, 1910

Manchester. N. H., Oct. 2z.-Man.
chester high defeated Portland high At
Textile Field here today 10 to 0.
The local eleven played straixh.
football throughout the game. o'Mal-
leg. Murphy. Legacy and Anthony
smashed their way through the visit
ing line for gains Of from to IS
yards. Anthony taking the ball over
for both touchdowns.
Flavjn, Flynn, Kiley' and KINDA II
put up great exhibition for Portland
but were unable 10 get by the strong
Manchester forwards. Portland los.
chance to score in the first period
when she fumbled on Manchester's 10
yard line. The summary:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
t Charles Holden

Charles Holden, a we'll known res
ident of this town. passed awsy
Thursday at his home a few miles
! from this village. Mr. Holden was A
native Of Weld and was SIS years, /
months at II days old.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

J 11e SCOrlnR. IOUchdOWnS. oeCK :
ct, O'Hearn Substitute for Beckett.
Goals from touchdown. Aldrich 2.
Army scoring: Touchdown, john
son Substitute for Wilhide). Goal
from touchdown. Mu1ligan.
Referee W. G. Crowell. SwartInore.
Umpire, L. o. Kerberger, w. and j.
Field Judge. Y. A. Schwartz. Brown.
Head Linesman. Thorpe. de Ia Sale.
Time Of periods, II minutes each.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

touchdown. with Chaplin carrying.
before Penn State could marshal its
strength. The Harvard team, losing
way in three Penn State rushing
campaigns for touchdowns, fighting
back, but without avail. Then with
out f1ukc or error by the other fell
low to aid. the Crimson sought to
wipe out the disadvantage.
The backfield at this time was
composed of Coburn. recently of the
second team. Johnson, ordinarily
caller of signals. rushing from full
back position. and Churchill, who
came in as substitute. Buell. was
at quarterback. He sent Coburn for
stabs and johnson for drives against
the Penn State line. small gain on
Small gain, with Churchill adding
from time to time, until the 12-yard
line was reached. Then the Crimson
spread out. Buell. threw the BAH 80
yards obliquely. Churchill caught it
on the run and carried two Penn
Staters on his back for seven yards
and to touchdown. Buell.. like
Lightner kicked his third goal from
touchdown.
Buell.. however, usually reliable In
kicking goals from field, failed twice
at his speciality today. Fumbles were
frequent in the early periods. hamp-
ering Penn most, but costing Har-
ward advantage also at several
stages. AS the play became more
tense in the closing periods the play
ers frightened and there was no slip
after the early minutes of the third
quarter.
Lineup and summary:
HARVARD ely PENN STATE (2D
Macomber, le .%..... le, McCollom
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
BIDDEFORD AND
MORSE HIGH. 90

Biddeford, Oct. 22-Biddeford High
school fought Morse High school to a
scoreless tie ina featureless battle at
Prospect Park here this afternoon.
Eon and Belanger were the star
operators for the home team, while
Mcfarland did fine work for the
Brunswick eleven. The summary:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Owen. Chaplin, Churchill (substitute
for Chaplin. Goals from touchdown:
Eucll. 3.
Penn State scoring: Touchdowns,
Lightner. 2; killinger. Goals from
touchdowns. Lightncr, ;.
Referee. O'Brien. Tufts. Umpire
Thorpe. Columbia. Field judge,
Butterfield, Boston. Head linesman,
McCarty. Georgetown. Time of
periods, Is minutes each.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

1"ucHdoWns: Manter 3, stevens.
Butler 2. Stinneford. Pierce 4. Goals
from touchdowns: Bragg. Fowles 2.
substitutes: Cowan for Rutter;
Stevens for Smith; Manter for Stew
ems. Referee, Porter Of Colby. I'm
pire, Brown of Harvard. Head lines
man. Lessard. Time. two twelve,
two ten minute.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Anthony 2 Goal from touchdown
Murphy. Refcree-Hapgood, Brown.
ompire-OBrien. Lewiston. Linesm,n
-colburn, Norwich. Time--10m. BE-
RODS.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Score. Abbott School 7. Touch
down, Carpenter Goal from couch
down. Roland. Referee, Sayer. Um-
pire. Brown, Idnesman. Mccullough.
Time, IL and 10m periods.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
Wilton s; Thornton o

Saco, Me. Oct. 22.-Wilton academy
grabbed game from Thornton acad-
envy this afternoon at Athletic Field
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

| Portland. Me. Oct. 22.-Only speedr
work In defense enabled Deering high
Ito prevent Portsmouth high from
scoring in this afternoons contest at
| Bayside won by the home eleven 10
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

score-Deering II. S. -. Touch
downs-Hooper. Prince. Goals from
touchdown-Prince. Referee-oCon-
nell. Umpire-T. Donahue. Lines
man-W. Cobb. Time-11m. periods.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24
Abbott School Wins 7 to o

Hebron, Me-. Oct. 22-The Abbott
school Of Pennington defeated the
Hebron second team here this after
noon, to 0. The summary:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Lester Nye. William Pye, Sam
LoWeard and Ellery yose have re
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

8 to 0. The teams we're evenly match
ed. but t he visitors managed to slip
the bali across the goal line once IN
spite Of all the locals could do. The
snrnnaAry
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1921-10-24

Score. Cony IS, edward little :.
Touchdowns. Harrington ., Gray I.
Austin .. Goals. Stafford 3. Tried
goal. Harrington, Shannahan. Stib-
situations, Conv. Boyd for Roderick.
Newman for s. Austin. Randall for
Hewitt, Holway for Roderick. Fol-
som for l.. Austin. Edward Little
Parmalee for Bennett. Alger OR
Stronach. Minehan for Goss. Referee,
McDonoush OF Maine. Umpire, Car
roll OF Bates. Head linesman. F.
Eolsom Of Cony. Lintsmen. 3. FOL
1pm. Cony: and Ruttenberg, Edward
Little. Timer. SpraRue. :.
The New York herald., 1921-02-20
Dock Scenes by Mr.. Harry j.
Vincent Show Great I'M
prUvement in His Work.
by HENRY M'BRIDE.

r y default of a fresh subject for
conversation, il seems likely that
the causeurs who love to cduser
about the piquant aspects of contem-
porary art will be obliged to continue
enlarging this week upon the photo
graphic work of Alfred Stieslitz, now
at Anderson's. since no new topic has
emerged from the happenings at the
galleries. True. two new one man
shows have taken place-portraits by
Mr.. Gordon Stevenson at the kirgore
Galleries and dock scenes by Mr. Harry
A. Vincent AT the Lincoln Gallery
that are easily commendable, although
neither are of the riot provoking or
der The quietude, in fact, is almost
ominous at present. 1t may be the
lull. however. before the storm, as the
annual exhibition of the Independents
is imminent and liable to burst upon
us at any moment.
Mr.. Stevenson Is a young enough
artist to have had his career inter
rupted by active service in the late
war. He is a pupil of John Singer
Sargent's, and this fact win be appa-
rent to the most careless of observers
He even signs his name to the por-
traits with the same familiar slant.
The New York herald., 1921-02-20

was no unusual thing for one person to
adopt" ten or twenty little French
orphans. Some adopted" with one
yearly check a hundred or more. II
was one Of the great, noble. singularly
appealing charities of the war.
So. with all this known, there was lit
tie difficulty In getting favorable
answers in the work of building up such
a collection. The great ones oc the world
were only too glad to contribute. Lloyd
George. Woodrow Wilson Theodore
Roosevelt. Queen Marie Of Rumania,
Poincare. ". II. Yeats. Maurice Hewlett,
a hundred others never thought OF say
ing no. And then a very curious thing
happened. As the literary. statecraft
and artistic contributions commenced
to pour in II was found that some Of the
choicest treasures Of all did not come
back inscribed on the velum sheet but
We're gifts Of other sizes. not 50 they
could be bound in the proposed book at
all. Artist after artist picked out from
his portfolio rare material that he could
have sold for many a penny and sent
II free. with JOY. in memory of the
babies of France. There was so much
of this that when this winter came and
a sale and exhibition with all its at
tendant ceremonies wa, planned the idea
Of a book had To be discarded In favor
Of TAR better plan 10 dispose OF all
these pieces of memorabilia. history OF
the best type, because unique and rare,
piece by piece. That is what Is being
done.
Mrs. cofer's special committee OF re-
ception for the opening afternoon
Wednesday, will comprise besides her
self Mrs Charles B Alexander Mrs.
Francis McNiel Bacon Mrs August Bel
mont. Mrs. George Blumenthal, Miss
Chauncey, Miss Mary Redmond Cross,
Miss Elisabeth s. Crafts. Mrs. Ira
Davenport. Mrs. Arthur Murray Dodge,
Mrs Newbold Lc Roy Edgar IIrs.
Walter b. James. Mrs David Johnson
Mrs Gustavus II. Kirby. Mrs. Gustav
Edward Kissel. Mrs. William Fellowes
Morgan. Mrs. \. J. Oakley Rhinelander
Mrs. Douglas Robinson. Mrs. Monroe j.
Robinson. Mrs. George Emlen Roosevelt,
Airs Arthur Scrbner. Princess Michael
Cantacuzene-Speran ana Mrs. Will
ard -. Straight. There also will be
many diplomatists present.
The New York herald., 1921-02-20
A POW WOW AT THE ANoNYME.

4 symposium upon the subject of
Archipenkos art was conducted by the
Socioto Nnonyme. Inc, on Wednesday
evening last IN it. rooms. and nothine
tntoward occurred. There Was not even
fire this time. though Il Is true Tho
temperature rose TO a startling dogrca.
TAu Weather Bureau reported nest day
that only once before had the mercury
reached higher point iu February and
that was on February 5. 1890 What
caused tho high temperature OF Feb
ruary 8, 1890. Is ono Of those things
that has become lost in the fogs Of his
tory. but there was no doubt IN the
minds or the Misses Stettheimer. Mr..
Carl Zgosser. MIR. Ferdinand Howaid
The New York herald., 1921-02-20

But just the same the pupilace Is not
slavish. the aptitude for portraiture is
clearly marked. and the chances for
an emergence into q clear cut person
ality are good
A number OF unfinished works are in
The New York herald., 1921-02-20
THE ADVANCE OF MR.. VINCENT.

At last Mr. Harry A. Vincent. IN the
Lincoln Galleries. enters into his own
His little exhibition there ought to make
him generally known az q painter with
4 charming style. lie has good color at
his command n nervous but always ue-
pendable touch. and enough magic to
pull poetry from the clouds in his sea
views
lie is AT his best In 40. to. "At a
Gloucester Wharf" and IN No. 3. Grand
Bankers Foggy Morning" In the first
the shadows upon the old New England
docks are admirably transparent. and
the smailsh boats that lead into the
foreground. nave been touched II o,,u
crisp and genuinely painter-ike strokes
ii has tile s3me Kind " drawing that
50 often appears ID the Whistler etch-
lngs or similar subjects. That Is 20 say.
there IS nothing perfunctory il H. Tie
Grand Bankers" have some lovely and
transparent shadows. too. There. are
very Few Americans who have ever
painted a better sly than Mr. Vincent
has given 20 this picture.
Works by this artist have appeared
here from time e. time always in mod
est groups Of nearly successful pictures
ana Mr.. Nincent'a contributions have
been among the most modest In size. lie
was enga ged. Il Is said. Ia scenic work
for the theatres. ana painted pictures
only IN his hours OF ease lie Las. how
ever. always met with encouragement
and appreciation from hs fellows in the
SalmpEundl club. and now ~ last tcn-
lures into larger sizes and more ambi-
tious projects. That hc rs completely
successful In all Of his canvaees Y too
much TO say. lie Is nervous. az has been
said and occasionally his colors become
more brittle under his brushes than. pos
sihiy. he intends; but I've never drifts
into dulness. Thanks TO his color alone
his canvases always make agreeable
notes upon the wall
His Improvement, IN short, t. 50
marked that much will be expected from
him In the future
The New York herald., 1921-02-20

During tie month OF March the Art
Directors Club viii hold It's first annual
exhibition of American advertising art.
NJ this exhibition viii bc shown 30 -
the hrert original paintings and draw
ings used ID American advertising dur.
ing the mast two ycnrs America - the
worlds greatest producer of advertis-
ing. heth III quality and quantity. III .s
therefore logical 20 anticipate that this
exhibition Wi'l show the most remark.
able collection y advertising drawings
ani paintings that have ever been ex-
hibited
The exhibition viii be classified IN
groups such as paintings in coior.
paintings Va black and white line draw
inEs. posters. woodcuts, ctchings pho
tugraphs. Sc Awards viii bc made in
eueh class medals VIII be awarded 10
the advertiser who used the prize win.
niug picture and to the artist who proc
duced tho picture.
The purpose of the exhibition T. to
demonstrate that good art ana good
advertising arc consistent. 10 give ad-
Vettisers ana advertising executives tho
oppOrtunty 81 reviewing from year to
Ncar tue tendencies of ADVERTISING illus
trati0u that thcy may better utilize the
work of artists. 70 encourage the en-
trance into the field ~ advertising illus
tration of artists who still feel that
commercial work is unworthy OF their
interest. 10 encourage and educate
students and inexperienced artists. to
emphasize the Importance Of illustra-
ton and It's intelligent handling in ad-
vertiEing
The New York herald., 1921-02-20

Dewitt Parshall, n. A.. who also Is
exposing in the Kingore Galleries. loves
large subjects. lie loves the Arizona
Canyon and paints 1t frequently. The
Arizona Canyon Is 4 hard thing to paint.
II Il really worse than Niagara Falls
and most Eastern artists have quit fool
ing with Niagara Falls The reason Is
that Nature in these instances doesn't
give tho painter a fair chance. Nature
does too much herself. On tho other
hand. should the artist assert himself
the public would be up in arms. What,
take liberties with the Arizona Canyon |!
You call that daub Niagara Falls! Fie
upon you, Sc. &c.
Mr.. Parshall falls somewhere between
tho two courses. In one little picture
that shows but d snowbank and only
one or two cliffs he almost pleascs me.
1t is an abstract affair that suggests
something In nature and is not labor-
ously composed. on the other hand. the
artists clientele. If he rejoices In q
clientele. viii fall upon him and rend
him limb from limb when they sec IT.
claiming him TO be a cubist The big
Canyon pictures. those the clientele
likes. leave mo speechless. / cannot en-
ter into the mind Of one who would
paint such things. / would Just as lief
paint a coup d'oeil in the central places
OF Macy's or Wanamaker's. attempting
to put everything in. Mr.. Parshall
doesn't put everything in--who could -
but he puts m far too much. If an artist
really insists upon painting the Grand
Canyon the best equipment he could
have would be large supply of
naivete. Some or the best pictures
have seen Of Niagara Falls and similar
grandiose subjects have been chromos.
The New York herald., 1921-02-20
PEGASUS RECENT BAs RELIEF BY BoURDELLE

Mr.. Abraham Naikowitz and other cele-
brities who attended the symposium.
As to what caused the warmth Of last
Wednesday,
The calorification started with the
first address. which was by DR.. Phyllis
Ackerman and mounted with cumulative
force during the learned, wise or witty
remarks by the other speakers. who
we're. Ia order. Christian Brinton. kath-
crime Dreier. Me, sden Hartley and Man
Ray. BY the tine the last word had
bcen spoken the atmosphere was tropical
and the audience was mentally pros
trate. All that is, save one. a lady
arose and said that from the point Of
view Of a psychoanalysist she desired
to know why the modern artists rejected
and destroyed the art Of the past. and
ny from the same point of view. there
was such marked falling off in cubistic
art this winter In Paris
Miss Dreier, who attempted to answer.
said that she thought the interrogation
had been misinformed upon both points.
as she had never heard Of q modernist
who wished TO destroy the past, most Of
them being concerned with the present
and future. and also. from all the data
obtainable in New York there appeared
70 be more cubism IN Paris this year
than ever. The lady who asked the
question thereupon left the room with
an unconvnced air
Mr.. Hartley was the only one or the
speakers whose words bore directly upon
the art of Archipenko He said that
the art Of ArchipenSo was beautiful, but
that he was sick OF the word art and
no longer cared for the beautiful =
Archipenko's conception Of a woman as
cXemplihed in the works Of art upon
the walls of the Societe Anonyme had
all the Incompatible beauty Of modern
plumbing except, OF course that "beauty'
wasn't the word Although not a
plumber, Mr.. Hartley said he loved
plumbing. Plumbing was the one in
contestibe contribution that modern life
had given 10 humanity.
The New York herald., 1921-02-20
le World dofArt---M Gordon Stevenson, Pupil

pie watercolor Of winter view from
an AmGhan house II X il direct and
aamira0r example Of the correct use
Of the medium
Eric Christian Alounsbeck exhibits
portraits ~ the adjoining gallery at
Ainsiie's Tho pronounced feature OF
his technique l. his Use Of color. which
Il as nridescent as antique glass Mr.
Mounsbeck's best portrait is that OF his
mother.
The New York herald., 1921-02-20

cluded in the show and they will prob
ably puzzle our public. since. alas. as q
nation we are still far from being up on
technique and arc quito incapable or
guessing At an artists intentions. The
finished portraits. however, indicate that
this artist can take i prominent place. if
he chooses. The likenesses Of Homer St
Caudcns, Edward Litchfict5. Cornelius
Rybner and Ycatman Griffith contain
excellent. straightforward work. There
is 4 portrait Of a gentleman in fur
coat that is extremely facile and will be
much praised, although the manner OF
the painting indicates the particular
danger that confronts the artist. The
brush has been allowed to gallop so at
its own sweet will that the gentlemans
face I forget his name) has become
somewhat CLASSY. This is the pit into
which the late and clever William NJ.
Chase was always falling.
Mr.. Stevenson probably gets enough
advice from his master without yearning
for any from outsiders. but an exhibition
invites advice and the following feeling,
In regard 10 all those who would seize
the Sargent mantle. viii not be sup
pressed. II Is this--not 70 bother with
namby- panby sittcrs any more than Is
absolutely necessary. Sargent mauaeed
70 nab all the conspicuous and PFC
turesque personages in 4 period when
tho picking was better than II Is at pres
ent. Now one has to go energetically
forth to seek them. There Is nothing
that IS such help to a portrait painter
as having important people TO do. Then.
too, Sargent always saw in the diverse
individuals who mounted upon his studio
dais something more important than
their mere lineaments, and that was
clear. sharply cut. portrait scheme. But
Sargent Is always telling you that. Mr..
Stevenson, himself. | dare say. However,
there is nothing so deadly as posing each
newcomer up against the wall in the
same studio chair or sofa, and il Is
astonishing how quickly mechanical
habits descend upon one if one Yields to
such a procedure.
The New York herald., 1921-02-20

New York Herald Art Page closes
at noon Fridays for advertisements
The New York herald., 1921-02-20
Ses!e.MAA STUDY Ear RoSTeR hy FAv2E N sENEE1T
EXHIBITION ona SALE 9Z AMERICAN ART ASSOCIATION
f0~ FNTHERLE55 CHILDREN 9T FRANCE.

ana composition Her wort. shoult. be
OF interest to artists as well as int, i.or
decorators.
Mrs. Harry Payne Whitney makes
possible these exhibitions in Fourth
street. where liberalism and lack Of
prejudice and commercialism gives the
younger artists an opportunity