Perth Amboy evening news., 1921-01-29
THEATRES
BurIesque For Majestic

Word comes that Max Spiegel's
Abe Reynolds Revue, opening at
the Majestic theatre for one day.
starting with matinee Monday. is
one of the top notch attractions on
the Columbia circuit; that the CON
ventional carload of scenery is but
a drop in the bucket when compar-
ed with the tons OF paraphernalia
carried and used by Abe and his
crew. 1t is the first time in the his
tory of local ~burlesque hat a trav-
cling stage crew came into town
twenty-four hours in advance OF the
attraction to prepare the stage for
a production of which a Booth or
Mansfield might well feel proud.
Edward Hurdy is credited both the
conception and execution Of the said
10 be more than wonderful settings.
A Douglas Leavitt arranged the
lines, some times called book, while
Ben. Bergman jotted down the
notes and fixed up the tunes, and
with Abe Reynolds himself, what
more can a mere spectator ask for.
True there Is help galore. help of
a very worthy kind. including such
well known ~favorites as Monica
Redmond. Dot Leighton. Art. May
OF. Lloyd Peddrick. Bert Spencer,
Geo. Rose and the overwhelming
COttIlC VI oPAE6ti DNdhAAIo al az
chorus, for which all Reynolds
Revues are famous. all of which
will help TO satisfy the most exact
ing and hard to please.
Monday at N Strand
Across the English channel. Gae-
nor Iisle who had left Blighty to
avoid the army of reporters who fol-
lowed her every footstep-was re-
turning to London on a boat that
had embarked from La Havre.
In France h had felt ecu
The past with its poignant memo
ries had been left hundreds of miles
behind. Gaenor had married, and
on her honeymoon to Paris, where
she should have tasted the full cup
of happiness, the old haunting past
doomed up, shattering TO bits any
hope for happiness.
Her husband had asked for an
explanation, but how could h ex-
plain anything. Hadn't he read the
papers? Didn't he remember Gae-
nor Lisle? How could h ever hope
to refute the evidence the court had
linked with her name. How could
would inevitably cling to her.
Rather than attempt an explanation
Gaenor had left him. Soon she
NouftsbeNn London.
The mist of the channel fog had
left the stairs of the companionway
slippery and uncertain, and in going
below 1.-The Notorious Miss Isle"
slipped and fell to the lower deck
unconscious. The u~nraveling Of h
threads that bound the girl to the
unpleasing sobriquette, entangles
81 the most unusual and unex-
pected incidents in this latets First
National attraction, The Notorious
Miss Lisle'' which will be shown at
the Strand theatre for three days,
Monday.
Monday at the Crescent
Henri Bernstein's greatest drama,
THE Thief" which translated into
many languages has been interpret
by the worlds most celebrated
is to be seen as a motion
picture at the Crescent theater, be-
ginning Monday, with Pearl White
the star. 1t is said TO be the best
thing Miss White has done since she
left serial work and began TO make
feature-length pictures for William
Fox.
There Is no doubt that Miss White
has made good as a feature star. She
has kept the enormous following she
made in serials, and las won
4 large new circle of admirers. Her
very first dramatic feature, Frank
o. Packard's THE White Mol" re-
her talent as an emotional
Her long experience in serials has
been TO her what stock experience
Is TO stage players. II not only has
given her a wide public. but has
made her a versatile and finished
artist.
In ''The Thief'' she has the role OF
Mary (Marie-Louise in the original
version), whose fondness for
s-ass ~1d Iowa for her lead