Pueblo chieftain., 1921-09-25
LITTLE.


LOST YOUTH OF ME
Little lost youth OF me, whefe are you
roaming.
You who were part Of me only to-
day?
Why did you slip from me out in the
1ttt1e lost Youth of me, vanished
away.
Merry the sun in the morning was
streaming.
IIpve sat beside me, whose raiment
was cleaning,
And you. little youth of me, nes'ieo
close by.
Sorrow looked IN at my easement, ana
slowly
Laughter and sunshine grew silent
and gray,
Friendship drew closer, and love De-
But YOU, little youth of me. wandered
away.
Sorrow has passed, and the sun ie
Laughter and friendship and love are
Nov, when I seek you with intin''e
yearning,
Little lost youth of me, you are not
here.
Little lost youth of me, why did you
leave me?
You Of my life were so lovely part.
Long will the wrath of you haunt me
and grieve me,
Little lost youth OF me, slipped from
my heart
BY Eleanor Myers Jewett-
+ + =
Mtche31n1elo Not q RedlLst.
Realism and idealism. in so far as
these words apply to art, would seem
to contain much Of the paradox Thus
while one might reasonably suppose
that realism concerns itself parucular-
" with reality, 1t would be manffestiy
incorrect to designate Michelangelo AZ
a realist He was. we know, a thorough
student of anatomy and one, above all
others interested in reality of effect
with the scalpel he explored the mys-
clothe his figures with the aspect or
reality. yet in the last analysis his
seeming realism will be found TO be
ideAlism. 1t is indeed. a fair statement
OF his creed to say that nature was 20
him an indifferent craftsman whose
work. even at its best. was bound to
fall short OF perfection. His titanic
prophets and syb,ls of the Sistine CELL
ing and his impressive nudes of the
Medici tombs he knew never trod this
nesees of supernatural race with
which the artist peopled the world OF
his imagtnaton-forms which might
have existed had nature worked per-
fcctly. In 50 far as these giants are
properly constructed. to that extent
they are realistic: in their presentati ton
Of types that never existed. to that de-
gree they arc ideal
so. in spite of his profound knowl-
sdse Of fact and his most literal rep
sesentation OF the human body, Michel
angelo remains an idealist- Conversely
~ . simpliflcation of surface and color
which may be called an idealization OF
Natural phenomena, Manet aimed al
md succeeded in producing realistic
rffccts. Therein lies the seeming para
lnx- =
Yet tho explanation is at hand. II
idealism in art IS a cropping toward the
oppression OF an intellectual concep-
lion. II IL is an attempt TO realize visu-
ally something that. owing to nature =
negligence, never existed but might
axiat in a perfected world. then realism
described as that form Of artistic cx-
precision which concerns Itself with a
literal representation OF nature. or
Fact. and II matters little in either in
stance how tho result Is obtained.
with Manet. as with Giotto. realistic
effects were produced by idcalizins
facts-FNom The Field OF Art" in tho
October serione.s..
Tho Informal dancing party At tho
MinneGua Country club proved enjoy
able Wednesday evening and tho halmy
aid and n glorious moon lent a charm
10 promcnadcH on tho ycrandas and
lawn between tho dances. Those noted
were: Mr.. and Mrs. Frederick II. Bull