The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1921-01-13

really know how to do. The material
is an art all In itself and the bits of
fur used with II, along with beaded
embroidery at the sides and bias bands
Of the material, all help to pull the
whole together in a most effective
manner. The fur turban shows a
dropping bunch Of flowers, so much in
demand for turbans and most OF the
closely-fitting hats.
Drecoll has done the happiest sort
Of French frock in her model Of black
and white. This Is a combination of
effectiveness of which the Partisan
never seems to tire; each time a de-
signer INDUCES in the idea the result
seems TO be more beautiful than II
ever was before. The dress IL made
of n soft white velours. and a great
deal Of the art lies in the dellcacy
Of the cut. But the irresistible touch
comes when the little blocks OF en-.
broidery appear, for they are done I'm
threads OF white and black thick wool,
TO make them all the more effective
on their white background. An in
teresting point Is made In the lacing
OF the sleeves, for this is done with
white silk braid tipped on the ends by
bobbing black halls. And the collar
Is another bit Of art. for II need not
be high. II can open and lay back
over the shoulder line with the same
ease and grace that II uses In folding
snugly about the throat Again. the
waist line says eloquent words for the
survival Of that long. moyen-age treat
ment. This time II is done In a clev-
erly different way by means of the
panel at front which becomes a wide,
soft belt further down.
The hat on this figure is one of the
later ones created In Paris. II is made
OF black satin and has, by way of
touch OF trimming, fringe OF fur all
about the edge OF the upturned brim.
The manner OF that brim's turn IL n
note Of newness; the black satin hat
has already reached these parts as a
leader In the seasons headgear.
Cling to one-PIeee Froek.
The French are still clinging to the
little one-plece frock which they pull
and push and tuck In until II becomes
a gown marvelously suitable to the In
dividual concerned. Several women
may be gathered together in Paris
each wearing practically the same
model, but 30 great is the French aptl-
tude for suitlng the gown to the indl-
vldual that no one would suspect their
frocks of being cut over the same pat
tern. They have a way of blouslng
the thing or letting It hang straight to
follow the demands OF the individual
figure, and In this way they manage to
achieve really beautiful effects with
practically nothing Cor we would call
II nothlng) 70 work with.
There Is n feeling that the skirts for
spring win be longer. due to the fact
that some of the best designers in
Paris are showing gowns with skirts
made along quite full lines. The sill
houette is kept straight through all
changes, but the full skirt Is becom-
Ing daily more sure OF Its right In the
scheme OF modern styles.
The cire trimmings are In great de-
mand abroad. and these are developed
IN all bright colors as well as In black.
which has had 10 great vogue for
some time past. The blue serge frocks
show any number and variety Of clre
bands and ribbons and trimmings OF
all sorts, and II must be acknowledged
that bright red Is the favorlte color for
combining with frocks OF navy serge.
The dresses OF duyetyn In all sorts
of shades and tones are the ones that
are most favored by New York women
who indulge In the wearing OF imported
gowns. Just about now there are so
many OF them TO be seen that the ef-
feet Is rather bewilderlng. but there
Is one Characteristic which they all
have In common--that they are quite
| 4lnnla I'm all their llnea and detalls