The Jasper news., 1921-10-06

Thus these beautiful new evening
dresses have come under the eyes Of
all the world, so to speak, for smart
women Of all countries have worn
them, first in Paris, and at the open
ing Of the fall and winter season they
will unquestionably be seen In multi
fold duplicate wherever women OF
prominence appear.
Modern and Classic Notes Combined.
In addition to their beautiful colors
the strikingly new note Is the length
of the evening dress. Practically
! every model that is smart and new is
long. One might say very long, touch
1 ing the heels, though never so COM
| pletely long but that the wearer's
ankles are revealed through openings
or transparencies.
The modern and the classic join in
these dresses-Greek, Egyptian and
striking up-to-date Partisan ideas are
combined. Every coquetry and fiat
terlng effect is Incorporated In the
present-day evcaing gowns. The Paris
dressmaker knows that to be success
full she must give her fair clients
something more than dress. She
must give added charm and grace
added personality, as 1t were.
Callot, who awalys finds her great
est success In evening dresses, has
fairly shone with brlliancy In her
latest productions. Keeping, as she
always does, more or less to ancient
Egyptian feeling, she has evolved
marvellous new things.
An exquisite model designed es-
pecially for a straw-colOred blonde
is developed in water green and gold
brocnde and gold lace, the latter
swathing the figure from low waist
line to ankles in mummy-like form.
Over this falls the brocade in green
and gold. which forms twin trains
sides of the bodice, leaving nothing
to the Imagination except to wonder
how the wearer keeps 1t on.
A house such as Callot, that has
always reveled in richness Of fabric,
will surely find much that is inspir-
ing in the new French brocaded ma
terials, wonderful In their richness
of color and design. Patterns in gold
and silk are brocaded on foundations
of satin finish. Large motifs are
chosen, and the design appears to
stand away from the fabric in a gor-
geously glowing effect.
Flower motifs often are selected,
with preference given to the large
flowers, such as the fleur de lis and
the tulip. All leaves, too. are used in
a conventional way. When smaller
flowers are used the design Is in
branches, and the effect of such pat
terms is daring and beautiful.
Gold and silver brocades are seen
on crepe satin foundations or even
on backgrounds of dull crepe-a way
Of enlivening these dull fabrics, which
have been almost too much In evil
: dence during the last few months.
introducing the Bias DeeolIetaae.
! Madeleine ct Madeleine have had
I remarkable success with their yellow
, and silver dresses. They have chosen
3 vivid canary shades, heavily trimmed
} with silver lace. Often they use tho
: one-side shoulder strap, leaving the
( other shoulder bare or with strap
: of opposing color. Thus one shoulder
, may be draped in yellow and the
: other with slender band of silver.
Their newest dresses appear to be
made of one piece of goods cut on
the bias and wrapped around the fig
) ure with the loose end caught up on
q one side to form a cascade drapery
The girdlo or trimming is always ad
: justed at a low waist line. Such g
. dress is particularly pronounced IL
q this style when the wearer assumes
3 the sleek coiffure of a Spanish beauty
: of classic days and to this adds Q
+ Jet comb and long jet earrings.