davidaulloa/AmericanStories huggingface dataset:
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21
Mugtritt aus 8ptjdaiterrat.

a IF II; IT, San. = 2mat
Ml9ahe I'M 5tnatsamt erhielt 8ptidaf=
ter @allaec i'll Yaris, Der aunerifaniz
i6c @crtrcter im alliierten Mat. sic
Mnlpeiiung,. Sen 8idtritt ser Ser.
5taten aus benz State au5utIn1tgen.
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Son Ben amerifaniiden Ste1'er11
fins polle 90 Yrosent auf 9>ednilr9
bes Grieses gil idreiben. nao babel
lit bos nod lo1ge nidt Sic p%crbdn9r's@
Douite Grbidoft, bic CT binerlalle'H
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Weun mir b%cut;utase pon et11e'n
u@rcussu9" b0ren, iiber{allt u'1s &C.
/. m3bnli6 Gin selinoer Sda11er. aen1'
fait,. imner. banoclt itdIs 0abet n''l
>Ginariiic IN sic 6rcibcit!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21
oea &allen
Der 9egislatltr
shaHlttte einer @toats= Budget
fDmmiHipn.- nimmt Sarz
merS So zuperatinnorlaac cinz
itimmig ali.

mer5 OD=Oqcratt00Drld9c CUE
fimmig an.
lnter 9tufbebnae Der @eiddftS=
reeeln nabm baS Nbgeorenctenbalts
Mtontaa sic 8orlaec fir sic S6ailuna
ether 9taatss8 Experimentation ein=
thinning at. Die 8orlage perlanst,
bab allc &oitennldlage fir bic
StaatScepartementS u1o Snltttnte
idon eirisc Monate por G%r6fInun9 ser
Qc9islatur, mclde iiber bteiel6en 81
pcr!i9eu bat, Ser &ommillion 5lr
Yrifu1e, Nenterung, Be{6netonng,
Grb0bung ODER maS iunmcr ser &omz
mtllton gutoiinfen m69e, nnterbrcitct
ipcrcen. GS beibt, cine ioldc Yroz
Seorr fDnntc SEM Staate Diel @elo
iparen. 53und6it freilid miiroe iie Die
Soften beSielben tpe11i9i tens gum Be=
TRACE tes @cbaltS cinc5 ScfrctarS ser
&ommillion, iomie crb0btcr 9rlld=
TO ten rne 0iIten perinebren. vMbcr"
la9en Sic Sci ebina6er, %rprobieren 9ebt
uber ltubicren," uno lontt lon Etc
Strobe gemadt mercen, 1uer11 eer &C.
nat uno scr @orpernellr cS gltbetben.
Ginitimmige Nnnabme.
Sn lciuer regnlaren gihuats nabn
baB Nbscorrnetenbo1lS Ser Minnc=
lota gtaatSlcsi5latur sic TarmerS~
COOPERATIVE Gorlagc an. Ste Nn=
nabmc erfolote nut 1877 geycn 0
|Etimmcn. 0as betrciie1l6e @eies
lit allo }omeit lpeni9eiten5 balb anaez
nomIncn, tcu1 INN feblt nod Der
geQcn teS 5euatS Mno bte Inter
Idriit bcS G'ouoernenrS.
Goh lit je,t wcni9ltcnS ar1 Gem
@e{ek0cbun9sitro ca8 Sis 9ebro=
den uuS tann man bofieu, oob oic
mcitcre @ntwitlun3 ser 1ingc 9(att
oor iid 9cbcn miro.
Tic Eorlagc apilrte Sen Torinern
Go%zopcratiucn Nerfa1f ibrer Yroouftt
erlauben. 53u fe,n s3wcde lollen
MarftzS rgantlationen t%n'orportert
,perSen unfer Wej etbel %tim:nullacn abnz
lid E%cnieni9e,l, utter renen jett on
oerc Gorporationcn oeS StaateS til
@eid}aft lino,
&pridfas eiaer Gr5iteuer.
Sn BET gitung beS 9teuerz &omi=
tees te8 5taatsz Ng Observation-Disclosures
am 9ienstoo murScn Sic Gelet'por=
laoen fit Sic Groebuu9 ether Broouf<
ttonslteuer fir giierlsr; %ein9ebello be-
sateu. Dos Go.nttee iu6t lih gu
nadlt oariber flar gu mereen, mas
man untcr ctner useredtcn urs a11z
uebntbareu" Gteuer fit @ilener5 perz
jtebeu lol, Gouperueur YreuS ulo
anSere Gauoioateu baben bcta1lntltd,
Dor oct @obl periproden, oab lie ei1s
Scrariioc Gtcucr eripirfen mollen.
Nb0eoronster Srnoirtn, Oct Sic
S%allptpor(ose einreidtc, iinoet ein,
Steuer BON adt Brosent oeS Heillgez
minus fiir Den Stoot, mas etrc 0ez
lorntjum,ue po11Netipa S4,O00,000 oo8
lSabr er0eben miroe, {. b. etloo 49,
0O0, goo mcbr ol5 sic @ru6enbeltter
iett sem Gtoate bcsablen, fitr gercht.
@ruennunaen.
@o1ipcrneur YreuS bat Trau Sanlcs
56oonlnafcr aus ct. Saul sur g}od=
fplQerin BON Nrl. Gli;u g. Gpon5 aus
D%tiumapolis SUN Wttt0lieo oct
v5tuatsbcb0Bbe fit Nsini.NallcDn"
crnarnt.
@toatsbiGliot6efer &liaS S. Siem
mub icu1c @telle oil Charles s. @bel
aus Iaribault abtretel.
W. q. Mbittbeder aus 81. Toltl
w1roe ,pieoer 5t.1 StaatSz9otelin=
lpeftor uuo Gbris. !6een aus Slafis
micoer gum Staots Mioltcret lt'1o Sez
bcnsniittel SNlpeftor ernN,1nlt.
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Mutmu1anicn5 gcriider1,ng, es oerte
uid)t Sara11, seacn Mublano Gil rli1ttll,
lit Elm ldtperer s6la9 ftir 6ranfre'd''
Gin {60ueS Gartenbdus >oao1lrb III
Gtitde gcgangcn!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Sin grobibitionSblett {raat lp0tz
tiid>. mos sic 9rintcr moGl tbrn1 merz
sen, ,pe1l11 set porbaroelle Wb1stcN
oetruufen lit. 3ann t%rt1lfe1 tic BON
sem, ser i1;wiiheu %oebronnt 'poroc''
1T
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Sin Y%robibitions <Neent lit in Ybi.
labclpbia tvcgcn 9runtcnbeit 81 tln1
,gaecn Soft perurteilt moroen: yer
Manr lit. ein Spier ieineS Sernfes
QcporDeu.
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Sir rup,ansebro6t" bdlt eas An'e%
rifarildc Motc @reu; @ilieleiitl'11Se1'
fit sic our6 britiide 8rans;lttIt1lllSel'
IN giot oeratcnen Srldnoer. W1salt
TIT lit Scr @eiIt bcr Grilnoer!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Die unperfrorenbeit, NIT Scr Urantz
reid erf(art, sig Ser. @taate1t m1lBte1l
linn aus leiner BiuaMStlsmme bellens
lit t5itli6. Nber trotsoem %trtbbeltS
einem in ben GtnQern!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Mlber oem @onsrebmonn Britten
po1, 9ninois. bat nun au6 nod Nez
praIentat @inclair bon Ncro 9ototo
cine fiir belize 9drier otS &ongrelles
selte,1oe Gntldltebun9 eln9eretd)t,
S,lrh. Sic Ser Frdiioe11t out9e1oroert
,pirb, ae9e,, Sic >peitere 4n,pelenbeit
BON forbige1f fr%ans6iiiden Iruppen
III .bem .bcutl6cn BelehunsSgebiet 81
proteitieren.
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21
MiHucrHGubui3.

uMeinc godter lGuft au 96eaterz
ltiiifeu, la9' ih Sbnenl Sept ipil lte
lid oor II stiif bon Stri"bber9 a'z
1cbcn j
u@ielciht v&ameraocn?"
,@ctuiB fam n1er rotten! Sic rldt
lid bIoB niht hanahl"
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21
Sttt Gpm5ert.

nGnt5dll1bisen Sic. iple b'eg oe I
moI,er, sen .cbcu Die @opclle lpiclte?"
80 tpie bu!"
,Wpber 1pillcn Gle, lpic ib beibe,
unh tnie fommen Gle ha5u, MIDI 81
bu3cn?"-
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Sum lit euolid aud Qcnin einnal
totaeiaat ,porben. Der bette BcipetS,
bab CT fatla6tid I'll ben Meltbertib1nt@
beiteu 5Gblt!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

gos sic oriedtide' Siien{iOc aesen
sic tiirlilden y}ationolil ten Snla1n=
n1cu9cbroden 1T, oilrite ben Nllter.
ten sor ni6t 10 unlieb iein. Sd)on
aus sGdabenfreube!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Nronfreid min onaeblid ieinen
Smperial;sm1l a%ufscbcn. 0aS ut
SET einsige NuSncs ,um cS Dor elner
perui6telocn Nteoerlagc 81 betpabren'
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

gelbtperitdnblid aus fran30liider
Que1e itan,mt Bic Nadridt bon penn
Beporteben eines rulliiden @n9rit1sz
frieaes. gllS Elm 8orlpano fit bic
cigenen Guitun9cN!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Sn erldredenoer @eiie' nimmt lett
eini9er 3cit set 9anoel init Naul1=
,.9iften gu. guf gang mtiirltde urz
1a1en suriid3ufiibrcM!
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

j3um @egentano idledter Mite
mirb i'm &onsreb baS 8ollteaoz@clcf
eemn6t. 5tiftet babel taSlt6 1'el'eS
l1ubetl ant
New Ulm Post. [volume] (New-Ulm, Brown County, Minn.) 1864-1933, 1921-01-21

Mb5uaeieA eHf bieie 3eitmng.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19

To be continued tomorrow
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
William p. Burt viii Soon
Be Making Short Subjects

That two-ree pictures are becoming
more and more popular no one can deny.
The latest announcement along these
lines comes from William +. (BilD Burt.
for several years associated with George
p. Seitz in the production Of his serials
He is now producing series Of two
reel dramas for the Putnam Popular
Productions. Three are already made
end ready for the market. The pictures
are adapted from the stories by Cap
tain Ross Whytock, of the New York
World, one of Americas journalists
who served in the Army Intelligence Bu-
rcau during the war. Tales of the
Tenements' is the general title of the
Burt productions now being made in the
Hal Benedict studio at College Point,
L. I. Announcements of marketing
methods will be made later. All the
printable experiences of Mr.. Whytock $
career as n newspaper reporter will
be used as film fodder for these new
cOmers in the two reel field.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
STARS OF FICTION.
DRAMA AND SCREEN
IN NEHAN FILM

Tn THE production of his newest and
L most ambitious film. "The Lo,r,
Eater Marshall Ncilan has enlisted
the services of famous stars of fiction
drama and screen. The result IA /,
notable aggregation of authors, drama.
lists and players.
John Barrymore returns to the screen
in the title role Of the picture. Another
product Of the stage whose work IL
presented in this picture is Marion Fair.
fax, dramatist and author of dozen
plays, who wrote the scenario.
From the literary field. Mr.. Nci,su
has drawn Albert Payson Terhune, WIN
created the story. and George AIDE, who
wrote the titles in his usual cpigram.
Matte style.
-Four individual stars of the screen
appear in support of Barrymore. Thsy
are Anna Q. Nilsson, Wesley Barry,
Colleen Moore and Lucy Fox, Paths
star, loaned to Ncian for this picture,
The film has just been finished and
will probably be released in the carly
fall.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
COOLEY RECALLS
GOOD OLD DAYS"
ON VEST COAST
BY NICK COOLEY

(Nr. Cogiev, peH-knoWn character
ector, famous for his Interpretation of
Negro roles, and nOD q mem bcr Of the
0otdovn stock company, iCdS one Of
tHe frsf players TO leave the stage for
tie screen. He tells some interesting
stories OF early doys in fimdom.)
THE motion picture industry is one
= OF the biggest in the world today,
] can remember when there was only
ono company on the Pacific Coast, and
they called 1t a "polyscope company -
In those days all fellow needed was a
pair of corduroys. a slouch hat, an old
coat and bandanna and he was
dressed for any role. All the pictures
were Westerns or mining stories, you
see.
Well, those were the good old days.
sure enough, when every one was taking
a gambling chance on the future of the
movies, and motion picture actors were
looked upon as hoboes By regular folks
About fourteen years ago the Selig
Polyscope Co. was the only picture con
cern In the West. They had Il little
place on Olive street, Los Angeles. that
looked more like a Chinese junk house
than anything else.
lhe stuulo was DUCK IOI, HIleu Win
tin cans-to this day the open space re-
served for outside sets is called the
''back lot" had drfted out from the
East, where was a stock actor, and de-
cided to throw my luck with the pic
lures.
Selig had regular stock company,
all but the character man, and | came
along right in the nick of time, which
makes me rank with Santschi as one "t
the oldest screen actors on the coast,
There was SantSchi, Barbara Worth,
Jean Ward, Frank Montgomery, Dick
Vivian and Frank Richardson.
E1RST they asked me:
i "Can you swim
couldn't.
Can YOU ride?'
i couldn't.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
PIIOTOPI.ANS

No OlN MATINEE DAILY
ZEENA KEEFE and SPECIAL CAST In
PROXIES"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19

Can you climb hills?"
| couldn't. / was. and am. too fat.
| began to think / had no qualifica :
tions whatever-when suddenly a bright
IDEA came to me.
make no claim TO be an aero
bat. | announced impressively as the
director fired another question at me,
but, gentlemen. | can act.
They gave me a job
or course | was handicapped, no,
being a mountain climber, but they got
around that difficulty by lowering Inc
down and easing me up with q piano
wire, You see, once | started rolling,
being so fat. | naturally rolled to King
dom Come. Climbing hills was a regu :
lar part Of making pictures in thos.
days. We climbed all over the country
Yosemite, Tahoe, even as far north
as Oregon.
The first year we hit Yosemite we
had to get permission of the major
to stay, and were compelled to check
all of our guns and ammunition with
the military. A Western picture not
being much good without lot of shoot
ing in it, we had 60 pull wires TO get
the guns out again. but we wcrcn I
allowed any ammunition The picture
was The Wild Man." and from the
way the summer visitors looked at us
We might have come straight from the
jungle.
THE first time Tom Santschi wore his
L make up the whole camp was scared
to death. Jean Ward was to come run
ming out of the brush. screaming bloody
murder, with the wild man after her.
About 200 people were watching us,
not knowing what was coming When
Jean came tearing down the hill
shrieking like mad. with Tom roaring
after hNr--you should have seen those
folks take 10 their heels I'll bet some
of tQom are running yet
That night Tom got an official order
from the COmmandant, saying he was
not to appear on the trails. or where
any one could see him, in that sort OF q
get up. | can soc Tom yet, sitting uI
in the rocks. where he was ordered tr
make up, and CuSSing his head off over
the Inconvenience of It.
Well, things went along like that for
several wears In the meantime Bio.
graph and Nitagraph and others haC
started up and Selig had put up the first
buildings of what Is now known rs III,
Seig Zoo.
The same old bunch hung together
until our director was killed out thcr,
one day. ! came pretty near to bcing
murdered myself,
We were all in the office. Boggs. Sells
and some others. when a crazy jar
janitor burst in and commenced shoot.
ing up the place. He got BOggs anc
shot Selg in the arm before Ton
jumped in and disarmed him.
DICTURES had begun to get down tc
l. science by that time, and NOR,
and more of the speaking stage actor,
Joined the ranks. | gave up all thought
Of going back to the legitimate, anC
when GOldwyn offered me contract
Syid to my wife;
Mother. III just sign up and wei
have II place somewhere near the studio
where the kids can go to school anc
there won't be any more Of this ps
ins around the country. Wen have
regular home of our own"-and W,
have.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
of the MOVIE GAME
Some En,ote Violently and Some Don't
BY HENRY NJ. NEELY

MOT of article
before the 1t told how several of fnvore stars simply slump to
nsss iFy With dR % 1 %ts to Of % % T o ? to- take Ana % % told % G TST ] s
& the rsepy ,Danssoos Curve Ahead"
upon @ p % sS @ 3 s @ %EnE S FS he 1Ts @ artistic na1 HSs
s enter S "g $ Of the ' 'es they they "s @s"S Ns % the" an"
S S S % m 'nFs ] ] GT"E @ % % S c % 5S1 %%T oR SR s SnS 5
Genes.
How ro.s liz. to tsyo.g. Of No.~eys
r s o Sna oy 5 g DT9 5 '%"y % the ' a % e" NO., "ST S % n % T
T' the SrScs 20" studio
TT DOESN'T often happen that Usually the actor
New SoFf %"S last at % brought sSs
Marion making big and had been watch
.., T" : TsS sa for ,s @ ] an cGso se % % ,s
sd Se"Ss & % 5 SoG s, % @ n r0 b" % be % Gg % the villain enters
t. T @ @ Scene n s,1 3 % % @ TS % @ 1 @
you = draws pistol and shoots De Cordoba
w y m d snS % an y I mad @ ] s rn'n sn Sr'" % a % moD n
70 GRIND % a1 @ the ] men on the set started their action w
the thrills running up and down spine with the realism of the death struggle
S I % great moment came IS G cried Stanley and his voice vOr"e
I ought vaudeville stuff
carry nc M h" through MSse moments of his chcers mental
s"s c"sS soI "re Of p"iSS ""p'
IN THE afternoon
Of
whom father will And telling
carfare when he dsowned her all ha Of
of
course The camera was shooting osou of the changing the
mr." her S0ss % "sSS @ ss Ss s d
of
crying 'No,
1t Dawp
certainly father
pab anguish
heart
Then the last feet
will NEVER him
GOOD Lord! Look raining! didn't
she
beauty and she act They told for
o. I'm ethng TrCnty
Id have had her
noud probably hare
her umbrella. Ia, rel-
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
The
LOVE STORY
of a
MOVIE STAR
CHAPTER XIV
WAS in the street. then Roli

!
! Was III the street, then Roland
l. helped me into one of the auto
| mobiles. and girl next 70 me loaned
| me ribbon. Soon we were off, scoot-
ing through the city.
I must confess right now that Roland
made an excellent director. He mt
. aside everything pprsonaI whom no was
directing a picture. and flung himself
body and soul into the work. We took
me scene in the park left the automo-
pile IN one Of the drives, made a pro-
! ceSSion on down lane TO a rustic
Erldge. and finally located among the
rocks and the little waterfall below this
briCge. crowd gathered at once. lin .
ing the bridge and the paths.
There were stepping stones along the
| edge of the waterfall. and II was IN this
rerilOus brink thnt wc wcro to act'
! began To be n littIe self-conscinus Thu,
crowd watching rho omen mir thc fonI .
ing of no stage backina mo IN tho
| tbought that had - n,La ,ood WITH
Roland directing ali III So UnorroI wO',
no PoIana ''e teoj ~ az M ~. I'M pnnr' teu
rao,b "I Ws " o'oUn ar' on .nt th iei. % uanA De.
TO nIa'I 80, us nc Spohe W 'he young h'an
VINO iou'eu oeS'ue me.
"All right, Jim. Get out on that
third stone there. Now, remember,
you re coming one way, she the othc,
She gets stuck half way across. Ur
/ you come and offer to help her YOU
take her hands YOU draw her near; she
| almost loses her balance. Then Won
/ kiss her And before she knows II Won
/ have her across. Put some love into it,
and some snnn, Go to it,'
anu '''''e ''"P' WV ~
! lc crossed over gihserE LOOK my
piare on the center stone Ana al al
once, ! realized what was happening
and ! knew that my love for Roland
was going to make me spoil the scene
How could l make love with some one
else, and right before his eyes Awk-
wardly, ] balanced myself on the stone,
expecting every moment to make mis-
step and topplc down over the rocks.
iim was a competent actor. but h,
evidently felt that he was dealing viii
n stick for when he came TO seize m,
hands he ppused; blank, gazing nt me-
honelessly Then he tried t. draw
me near he tried TO KISS me. and. in.
Voluntarily. | turned INV face the othr,
way, grew red and felt tragically
awkward, Roland lost his temper.
What's the matter with you?" he
snapped, Love, Nclla. Can't yor
love?"
We tried again. And now the tears
flooded nv eyes. To fail before him
To fail az this test Was all over al
ready?
Say. you two--Jim Act, man, act
You've lost your ginger
Say. Ro," muttercd jim, sorry
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
Children Barred From MoyIss

Owing to strict police regulation Of
the new law debarring all children IN.
der the age of sixteen from cinema per.
formanccs. unless attending the spe.
cial matinccs for minors. the perform.
anccs of which first have to be approved
by censorship board. the Belgian mo.
ton picture industry is facing n crisis
Since the new law became effective Ii,
shows have been given to virtually
empty houses. The police are author.
lied to enter any theatre at any time
md in suspicious cases to demand the
culprit'S carte d'identitc."
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-19
CONTEST WINNERS
START THEIR WORK
IN MOVIE STUDIO

-
THE three girls who won our Movie
J. Beauty Contest started their actual
work toward movie stardom yesterday.
They are now regularly enrolled on the
payroll of the Betzwood Film Co. at
minimum salary Of $40 a week for the
period required to make the present
production.
Three minor parts have been writ
ten into this bonneville Trolley comedy
especially for them. They are first
being put through some work inside
the studio, 80 as to overcome their
camera -shyness and to determine their
special needs in makeup.
And, later in the week, they will 60
out on location with the company until
by Saturday, they will feel like veterans
and wonder what they have been worry
ing about all this time.
The girl who displays the most adapt
ability to the demands of the screen in
this comedy will be signed on as the
leading woman In the next one at Sloo
week. The name Of the fortunate
winner will probably be announced In
two weeks.
TT HAS been q long time since the
i conservative week enders and sum
merers at Cape May have had quite as
much excitement on their beach as they
had last Sunday.
lt was all caused by these three little
girls.
The excitement started on Saturday
night, when the girls made personal ap-
pcarances at the Liberty Theatre. AL.
most everybody In Cape May crowded
into the playhouse for either the first
or second show, and the reception they
gave the girls was so spontaneous and
cordial that it was really reward enough
for winning the contest, even without
the extra prize Of acting in the Tooner-
vile Trolley comedies.
DUT Sunday morning brought the
- climax to the public interest. 1t
was an ideal morning for bathing and
tho beach was crowded when the girls,
little dreaming that they would be so
widely recognized, strolled down the
sands to watch the fun.
Somebody must have sent out n gen =
eral wireless 80 s ~ message to every
one from one end of the resort to the
other.
Scarcely had the girls appeared than
little groups of people began to gather
near them and passed the word along
that the famous three were there. an.l
that everybody could examine them in
the full glare of daylight and see just
how pretty they were.
Then an enterprising newspaper
photographer went up to them and
asked them to pose for picture. He
had no sooner unlimbered his apparatus
than the ocean and the boardwalk were
deserted and people swarmed from every
where to watch the interesting process
of photographng the beauties.
1t was an embarrassing time for the
girls. None of them had ever been the
center of so much public interest before,
and for q moment it looked as though
they were going to be panic stricken
and make II break through the sur
rounding crowd and hide in their hotel
But they stood it until the snapshot
man had completed his job. Then they
elbowed their way rs best they could
through the circle that hemmpd them in
and sought refuge in less conspicuous
place.
The winners are Madelaine Starhill,
5S06 Cedar avenue; Eugenie Brew,
Hotel Normandie, and Marion Heist,
205 South Forty second street.