The Washington times., 1921-03-20
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of Sculpture and
sks splendid epsrs hsnss 4 Depnos xir~; wsinmans
ID her for ststne q ss11n n /. vaAA eseets tha
ii1nees that gather at IA seses Asnss u Nsieo CITY,
Washington sAA staaaa aasp ef the eitys greatest
ei, and in London - Amh guard over fountain h
Eof the par,sx at Kanshagtna.
But Hlda supporasa tnally Of sisters and Mother,
ihsE earnings hars Win dleiculN This heavy burden.
len she wiiAsue vsEk ~ always dsapondsnt.
sswas feeling very dsprssd VIXEN. one morning, she
pcked at tina studo assr q KsrAe the great American
ptor. She gave In he1 name and asksd II he would
fesnythns for her to - Kssel wsa net tAm IN need
model and courteonaly ~ Ar =. Tears sams into
.eyes- She had mt psseA fse wssk, and II seemed
no artist was t then doing anything ter which she
i'd be used. 3r
Korbsl young but with the kindness and quiak sym
ies that most often with long experiences, saw
tears lie had known models in Paris Who despondent
iack Of work. had thrown themselves into the Seine
asked her to enter while he thought his plans to
if after ALL there might not be something for her to do
ore long He told her to come the next day and he
aid give her few hours perhaps keep her posing for
eral days Then what happened can tell just as both
erwards told it to me.
When she had gone ne telePAsned al the artists he
wv, asking them If they cs~ld uss Miss Byer. None
Id He decided then he wuuid begin something with
the very next day-she should have employment to
d those tears away.
Hilda never posed for any other artist after that The
lptor planned group naiden nedged m Dy mol
ted with Miss Byer posing FOR the maiden he became
usiastic about it and put everything else aside. After
,months a, one evening. after she bad dressed pre-
atory to going home stopped 10 examine the progress
that day. The sculptor stood back silently watching
@"Do yom really think it viii amount to anythingf"
asked her suddenly. She wheeled around, shocked
OF think it will amount to anythngf she exclaimed
roaehfuy Why i seems to me you have put love IT.
into every bit OF iti''
w Sculptor KssSs2
clared His Love % His Model
'IhaVe tried to" he replied, without moving from
rehe stood and itsut taking his eyes off hers; and
love have wanted to pst into it Is my love for you,
e began grow the first day you came TO the studio.
Hilda was speechles Mr. Korbel turned away to take
his SMOKES calm as at the end Of any other days
h. While he hung up his smock he said almost casual
If YOU decide to come back tomorrow will finish
statue for It will then be worth while if you do not,
kvl let it remain rs it is'doomed never to be I'm
d." With that ne went into his private room, closing
door behind him
tIiIda- went home her pulse running fast When she
pared at the studio door the next morning at her usual
l. strange light cleaned in the sculptors eyes She
ont her hand and he took 1t in HIS They both do.
I'D there was never another word OF the love that was
kcen them until the statue fnishedand then they
married
Love- in the shape Of pretty model also knocked Ct
studio door Of Henry Hutt, whose American Girl"
Ntings always are popular among the galleries. The
Ell was cighteenyear-old Edna Garfield dc Ia Terre
Tutt, famous as an expert judge OF every phase OF
nine alurcment, took her in almost joyousy Before
first pose was finished he declared enthusiastically
she was more beautiful in every feature than tho
s de Milo He assured his friends, At studio gather
that evening that he had found an inspiration to
ally perfect American beauty Soon the face Of Edna
4 Terre laughed ont from many magazine covers. and
forn was revealed in whole series Of paintings which
acted wide attention.
The '.Henry Hutt Girl became the ruler Of the
,rious HUT studio to which she had come a. model
as Mrs Hutt she remains the inspiration for her tai
d husband
twas not very long ago that Howard Chandler Chris
one Of the most popular Of illustrators ntroduced