davidaulloa/AmericanStories huggingface dataset:
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-03-27
1UILFOYLE STARTS
ORGANIZATION FOR
IRISH FUND DRIVE
Names Committee 10 Solicit
Relief Funds in East Sec
ton of City.

Martin Roach. James Mccartney.
and Prof vincent O'Connor Of Notre
Dame. have been appointed to take
charge Of the organization work in
connection with the Irish Relief
Fune drive on the east side ~ the
river. David 7. GuHfoyle. district
chairman. announced Saturday
These men viii appoint sub-commit-
to,s and divide the east side into
sections with "a chairman for each
division. Several community meet
ings viii be held in S. Joseph han
within the next two weeks. in con-
nccton with tho drive.
Alr. GuHfoyle Saturday received a
copy of the first report OF the
Friends (Quakers) Relief Unit
now ia Ireland. which describes the
appalling conditions iu Icrland at
the present time. The report was
made by the relief unit following an
investigation Of conditions In several
Irish cities including Dublin, Bel
fast. Lisburu and Cork and I'm coun-
ties. Iangford. Foscommon. Sligo.
and Leitrim and 10 Isl estimated that
$4,000 n week IS needed for emerg-
ency relief alone.
The report OF the committee IS as
follows.
''Lisburn we found i'm greater COM
parative distress than possibly any
other Irish city except Cork. a
British officer who served in Bel
Stun told us ne had never seen any
thinE like it.
"In August go families were com
peiled 20 leave their homes. owing TO
burnings. wreckinEs or intimida-
tions and 100 families have not yet
dared 20 return. Several hundred
women and children scantily clothed,
fed from their homes on the night
Of the general burnincs and made
their way during the night 20 Bel
fast. over u miles Of hillside roads
y Mothers carrying children this dis
tance arrived at Belfast the follow
ing noon with bare feet bleeding
from the journey and were shelter
ed by the local committee headed 10y
Bishop MacRory
A
burned out Of their homes at Lis
burn. One OF them was Thomas
Caldwell. formerly Huguenot St.
New Rochelle. who enlisted June
1917. in Company "a. 321st Ma
chine Gun Battalion. SD division
and fought at St. Mihiel. Argonne
forest and Verdun front He told ms
5000 people were in the mob that
burned his place. In all 119 trades
people. both Catholic and Protestant
suffered losses.
"In Cork at present the Cork dis
tress fund headed by Deputy Lord
Mayor local business men. has been
distributing from $500 TO $4,000
weekly among 500 heads OF families
aEEregdtinE four thousand men, wo-
men and children who were render
ed destitute by the burning Of the
city. but only 10000 now remains
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-03-27
By Emily HAwLEY SHERMAN

10y EMILIA HANLE1 SHElkN1AN.
The opening Of the Citizens Art
Loan exhibit in the High school art
rooms Saturday. which Is under the
sponsorship Of the South Bend wo-
mans club art department. was a
great success The interest OF the
public toward the exhibit was very
marked. Viewed from a local stand
point, the exhibit IS most compre-
hcnsive.
Pictures shown were from St.
Marys and Notre Dame and from
many private collections. The Stude-
baker pictures numbered 10. and
were loaned by Mrs. George NJ.
Studebaker. The last mentioned
group received particular notice. and
includes. Boy and Grandfather, a
colorful little Florentine by Prof.
Buhr Crprid
Two small pastoral scenes done on
porcelain were shown. Girl and
Chickens" by the English artist.
George Kost; and Interior Of an
old Cellar by G. KALI a German
artist "Blindm4n's Buff. by G..
Constantine from the Haseltine gal
leries Is a delightful picture Of which
one never tires. A picture OF in
tense atmosphere and vivid coloring
was THE Courtship". by X. Rotts.
sheep, by Eugene NeTecscke-
oven Is an old and very valuable
painting, which has been in the
Studebaker family for many years.
The Kotz collection is "A pleasing
ere, and the M1kielsH collection at
tracted many admirers. 4 group
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-03-27

check from Berrien Springs donors
for Sc
Mrs. Sarah Boone has returned
from Washington, G.. where she
spent the winter with her daughter.
Mrs. II. Lands.
The Social Hour met Friday aft
ernoon with Mrs. W. II. Heintzel-
man.
w. F. Stemm of South Bend was
a business visitor here Wednesday.
Clyde Boyle is the owner of a new
light six Studebaker sedan.
The village schools will close next
Tuesday for the Easter vacation.
Glasses will open again Monday.
April 4.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-03-27
CHURCH PROGRAMS.

The church, Of Jesus Christ Of
The Latter Day Saints will hold thei'
regular weekly services tonight in
Woodmens hall, 321 s. MichiCan
St. at 1870 o'clock. The subject
Resurrection and AtOnement, 8"
will be delivered by Elders G. NJ.
Peterson and NJ. y. Warwick re-
spectively.
The Rev. II. w r. Myrick. Cen
tryville. Mo, will be the principal
speaker at the afternoon services
conducted in the missionary head
quarters at 12O Z. jefferson st. this
afternoon at $3.50 o'clock. Every
body in the city is invited to at
tend.
South Bend news-times. (South Bend, Ind.) 1913-1938, 1921-03-27
SCENES SHOWN OF
IRISH SITUATION
Newman Closes Interesting Sc
ries With Discussion of
Ireland.

SIr Newman's illustrated Travel
talk Friday night in the oliver she
alter was about Ireland. a subject
OF vital interest at present; also q
ticklish subject for lecturer, as
there are hot heads on each side
Of any political question. but Mr..
Newman showed tact and impair
TALLY. In this Traveltalk Mr.. New
man is more concerned with show
ing the scenes in Irish cities. the
beauties Of the country. the life OF
the farmers and raisers Of horses.
the makers Of briar pipes, the nat
ural wonders such as the Giants
Causeway. The audience was taken
through the air from the aviation
grounds in Paris 20 London. then
across the irish sea in a storm 10
Dublin. where the thoroughfarcs
and the precincts OF Dublin Castle
were shown. As was inevitable, as
was no doubt expected by the audi
crce. there were scenes Of raids and
strikers, armed. troops in Cork.
views OF Tipperary. burning Of bar
racks Limerick was visited. The
Mono railway was taken. After the
peaceful scenes Of cutting and
stacking peat. there were views ot
sandbags. barricades and rioting-
Londonderry and Belfast.
This Traveltalk brought an end
TO a singUlarly entertaining and in
structive series. The pictures have
/ been unusually interesting even for
Mr.. Newman. Many Of them were
beautiful and the lecturer has. with
out any display OF redantry, been
an educative force throughout
Evening star., 1921-01-23
Love of Dancing.

TO be sixteen, a recognized artist
and assured of fame as surely as
one can be in the uncertain world of
the theater is the pleasant lot of Ula
Sharon, the new dancer.
"In my travels about the world
with my father" said Miss Sharon, 81
found that the love of dancing is uni
versal. In the little villages Of the
Philippines, where I first gave re-
citals, 1 found that the natives re-
sponded to the poetry of motion. In
Australia also 1 found the people
wonderfully appreciative. They have
a pretty way of giving presents to
PLAYERS whom they like. You will find
all sorts of ifts in your dressing
room, and often they come from per-
sons you never meet at all. And the
going away time always brings a
shower of remembrances.
II am only sixteen. / have always
naturally 1 think much as they do.
And the time 1 had to wait before ]
could dance in America seemed. oh,
such a long time. But it was worth
waiting for. and 1 was SO happy when
l found that my own people under
stood and appreciated my dancing"
Miss Sharon devises all her own
dances. Thrown on her own resources
for a long time, she developed to a
keeps up her. studies constantly, and.
besides, is now a pupil of a famous
teacher. in New York, for the dancer,
like the singer. Or any other artist,
always can find something new to
learn.
Evening star., 1921-01-23
Watch Your Make-Up.

"THE stage today" says Mildred
Richardson. "is very different
from that of other days. especially
with regard to making up the face.
when gaslights and even lamps
were used for illumination and the
CHASTITY calcium lamps threw their
sallow rays over the beauty of a the
atrical company 1T was necessary to
alter the tones of the facial mask to
make it look natural
But now electricity has changed
all that. Makeup is used more gen
orally in this country now than ever
before, because the sex realizes thai
a little of it can go a long way, when
judiciously applied, in enhancing nat
ural charms. But the mistake manv
girls make is in putting it on 40
heavy that they really look like
daubed dolls instead Of attractive
human beings.
Every girl who contemplates q
stage career should learn as a first
lesson that heavy makeup is not re-
quired on the stage any more than
it is on the street. A little placed
with care to enhance ones good
points does help-yes, I know it helms
even the radiant beauties. But make.
up to be really helpful must be AN
piled with delicate care, SO that it
cannot be distinguished from the nat
ural colors."
Evening star., 1921-01-23
DR.. Williams to Lecture.

DR.. Maurice c. Williams. arctic tray
eler and dweller for years among tne
nomadic tribes of Alaska. Siberia ana
the far north, will inaugurate series
of lecture matinees at the Shubert-Gar-
rick. beginning Saturday morning. jan
uary 29. at 1890 o'clock.
Dr.. williams brings with him col
lection of moving pictures. proDapiy tne
the far north. Other pictures show the
Russian exiles in Siberia: reindeer and and
many other interesting features. The
descriptive talk will touch on travels to
the seventy-fourth degree north: c,tles
Of Nome and Juneau, up the Yukon,
Ch;sana and White rivers, as well as
points along the Kolyma river. where
Eskimo. Tartars and Russian exiles
are met. An interesting feature OF the
doctors entertainment Is ms lnvita.lon ml
to the audience to remain after the talk
and ask questions pertaining to the
countries visited.
Evening star., 1921-01-23
WHAT is AN OPERETTA?
AN AMUSING RHAPSODY

Note.-When NJ. Messengers operetta,
"Neronique"-brie e1y known in Ameri-
ca dozen years ago-was revived in
Parls recently. the quality of the
piece stirred NJ. de Flers to an anus
ing rhapsody about operetta in gem
eral. which applies equally to Mon
sleur Beaucaire." his latest compost
.ion. founded on Booth .Tarkington's
famous story. 1t runs:
WHAT. then. is an operetta? Oh, it
is simple thing. and yet a
complex one, light and yet sometimes
profound. thing which confines
itself to no domain, which detests all
rules, which rebels against all servi-
tude and which intends to go wither
1t pleaSeS, to sing what it likes. to
travel sometimes by the highways
and sometimes by the byways.
Operetta is perhaps the bohemian of
the dramatic art. She has in her veins
the. l know not what. of vivacity and
irrepressibility. She is not always IN
a humor for making grand toilet.
Why should she be? 4 nothing adorns
her. flower of the field. ray of
sun. a feather. a collar of pink pearl.
She looks al herself in the spring and
disguises herself with the wings of
butterfly. She feels that she is
loved and loved enough to be par
doned of all her whims. She does not
appear in the aristocratic world: she
carries herself badly enough. to tell
the truth. sometimes. BY dessert time
she has been known to be slightly in
toxicated and to put a bare foot on
the table. She is a droll little person.
When she is demanded in marriage,
she laughs out of countenance the i'm
pertinent individual who has dared
make her such a proposition. She does
not marry. She prefers affairs" pro-
vided they are not too dangerous Be
tween the heart and the hand she
never hesitateS. That is why she pre-
serves the charm of irregularity and
the SAVIOR of the unknown. why she
remains always the symbol of the
turned-up nose. of the irresistible, of
the adorable adventure.
However. do not believethat this
strange little woman is incapable of
meditation. of reflection and of sim
cerity. You would be deceiving your
self greatly if you did.
Operetta can give us all that COM
edy can express-with something less
of reality. Tears are permissible.
Evening star., 1921-01-23
More About Passion

|AECCH curiosity has been expressed
Ivx regarding the identities OF the
excellent actors who assume the lead
ing roles in. Passion"
Pola Negri, in the role Of Jeanne
Marie Vaubernier, later the Comtesse
Du Barry, has leaped into fame by
the extraordinary Versatility, delicacy
and authority of her impersonation
of the woman who was the virtual
sovereign of the French during the
closing years Of the reign OF Louis AV.
Negri is a Polish actress. according
The identity of the players who
portray the characters of Choiseul.
the minister of state. and Armand de
Folk. two pivotal figures in the de-
still is not disclosed. It has been
definitely established. however, dur
ing the past week that Ernst
Lubitsch, who directed the picture.
and the accomplished actor who as
sumes the role of Louis XIV are one
and the same. Seldom in the history
Of silent drama has a director sue
ceeded in supervising the activities
Of SO mammoth an ensemble and at
the same time playing so essential a
role in the development Of the mar
rative as that to which Mr.. Lubitsch
lends such grace, such suavity and
such royal bearing. His death scene,
wherein he reviles the clergy and
SCOTS at their prayers. is one of the
most striking bits of acting ever
flashed upon the screen.
A citizen of the world. who viewed
passion" in Madrid. Spain. last Sep
tember, where it was shown under
the title "Du Barry" is authority for
the statement that It was advertised
there as the foremost German super
production ever imported into that
country. The palace scenes were de-
IClared to have been made in the
kaiser's palace in Potsdam and it's
surrounding gardens. These state
nents were accepted as facts in the
Spanish capital
Evening star., 1921-01-23

Manager William Harris. jr.. who is
winning fame and fortune with his
presentation of the John Drinkwtter
drama. abraham Lincoln will pro-
duce at least three more plays by this
re remarkable young playwright within
the year. The first will be seen in
New York in a few weeks. 1t is en-
titled Mary. Queen of Scots. The
other plays include Robert f. Lee
and "Oliver Cromwell" Both are near
ly ready and both or either may be
done on this side of the Atlantic this
season.
Bert Williams, who comes here
with George lie Mares broadway
Brevities," the latest Winter Garden
and it is said his comedy scenes are
the best he has had in years. This
will probably be his last appearance
in an entertainment of the musicai
revue order, as he plans to enter a
different field next season.
3. y. levin. who will be seen IN
Arthur Richman's comedy. Not SO
Long Ago" began his stage career
with Sir Herbert Tree in London, with
whom he was associated for three
years Mr. Levin was. for three sea-
sons, with Mrs. Fske and PLAYED the
lead with her on the coast tour last
season in Miss Nelly o N'Orleans.
AL Jolson. with his company of $50
people, will be seen in Isl Sinbad' again
at the Shubert-Beiasco Theater at an
early date.
The distinction of being the only
burlesque organization to play in a
so-called Legitimate" theater in New
York is claimed by Jean Bedini's
Peek taboo" company. which play
ed an engagement of three consecu-
tive months at Shubert's Century
Theater during last summer.
Evening star., 1921-01-23
Boston Symphony February l.

The soloist at next to the last bos-
ton symphony concert of the present
seaso1. at the New National Theater
Tuesday afternoon, February ], Will
be Nine. Hulda Lashanska, a lyric So
prano of the rising generation. NINE.
Lashanska's training has taken place
entirely in Nav York and Nine. sem
brich was her most noted teacher
She made her professional DEBUT at
Carnegie Hall five years ago.
Pierre Monteux will conduct in
Schubert's Overture in the Italian
style, in C major. The symphony Will
be that of Haydn, known as the MILL
tary," by virtue of the unusual num-
Der of percussion instruments used IN
it. The final number will be the "Sdite
Franchise" by the French composer:
Roger Ducasse-Overture, Bourree'
"Recitative and Air" and "Minuet
Evening star., 1921-01-23
Kitten Sleeps on Time.

A WHITE kitten-lively and playful
but it must go to sleep exactly at
2:s5 o'clock in the afternoon.
One Of those queer conditions. that
confront a director of photoplays.
Much depended on 1.-THE spending of
many thousands of dollars-the sue
cess of days Of work for a big COM
pany.
Drugging or artificial means was
not even thought of. much less sug-
gested. Things were not done that
way in this particular instance.
1t is difficult to make a kitten full
Of enthusiasm suddenly browse just as
the minute hand reaches the signal
Yet it was done, without a moments
delay. The kitten. totally strange to
all around it, went to sleep like
trained actor.
A spring out Of a cool. darkened
room into the warm sunlight-that is
all that happened. but the kitten slept
1t was a vital accomplishment in
the production Of the photoplay. Way
Down East" but the genius Of D. W.
Griffith achieved it.
Evening star., 1921-01-23

H. v. Esmond's romantic play,
when We Were Twenty-One," which
was first produced in London in the
fall of 1901 with Nat Goodwin. Arnold
Daily, Maxine Elliott ahd Constance
Collier in important roles. has been
translated to the screen for H. B.
Warner. who will have the role Of
the guardian Of the Imp"
Comedies, pictures to make people
laugh" says Buster Keaton. ARE
filmed with the accompaniment of
sorrow. First, you lose a lot Of sleep
framing the plot: then you put in
then you select your cast-some job.
Production is started. and after a lot
Of worry and delays and more worry
and delays the thing is finally filmed.
Then you discover the plot is lost in
the cutting, and then-but what's the
use? It's enough to show. what 4
dolorous affair is comedy making.
Evening star., 1921-01-23

provided they are little tears. A
brief shower occasions much gayety.
Great griefs and large words are
avoided. Jeannot in place of saying
to Jeanette. Il love you for all Of
life and if you deceive me l shall
die" contents herself with murmuring
smilingly to her, Il love you for all
today. and if you laugh at me shall
mock you" Which of these two
formulae is the more sincere? Per
hapS it is the second. When PiQullfo
is about to hang himself for love of
an opportune turn will prevent it,
But we are moved none the less for
all that. What stirs us in the theater
is much less the truth of facts than
the truth of sentiments.
Operetta accommodates itself to the
simplest and the most general of sit
uations. 1t never accepts complicated
imbroglioS and avoids burlesque sit
uations. 1t prefers the strokes of the
heart to those of the theatre. The
operettas. What is needed is a true
and sincere situation. Truth can
transpose itself into fantasy Between
comedy and operetta there is the
same difference that distinguishes the
portrait and the caricature. and the
caricature is often the truer resem-
blance than the portrait.
The technique of operetta possesses
also. the charming advantage of spar
ing to the author and to the public
the slow and progressive transitions
and all the painfully ingenious de-
vices of the ordinary stage. For op-
eretta gives its audiences the quick
est of changes. Some measures on an
appropriate rhythm appropriate to
the sentiments of the characters are
sufficient to avoid all dangers. A
cabinet a table. some chairs. a Span
ish or an Italian sky. velvet or silken
costumes. three cousins of one sex
or the other. some brigands or con-
spirators. sharpshooters or the ma
tional army. a prince. a duenna.
buffoon or Il diplomat. ridiculous
general Love, who gambols. laughs
noisily abandons himself. and who
never feels the weight of the CULVER.
Love who hides himself in the wings
when he is about to weep and re-
turns quickly so soon as they are
dried-much folly, little tenderness,
a slap or kiss and. to end the
comedy. the fanfares Of the Aegean
dragons. the drums of Mile. Mont
Thabor. the quadrille of the guests
of King Louis PHILIPPE. or the double
flutes of the galley of Paris. And
this is operetta.
Evening star., 1921-01-23
EXPERIMENTS IN
THINKING.
nv DIR. FRANK CRANE.
(Copyright. 1911

There is more intelligence IN an In
stinct than in a university.
An atom knows more than pro
fessor about mathematics. 1t is "oIn
ing problems OF matnema',e sof.ssor
minute that would take the prolessoi
Why do we call it noble to believe
against evidence, and cruei 70
lieye in accordance with evioenGe
No words are SO eloquent as snst
and the strongest expression we S
think Of for terror is that one seeN''
TO everything else there is a limit
but to stupidity there is no iimlt.
A man may know all tninss ca
cent what he will do next
The lawyers have a saving that Goo
foreknows everything but the oe-
cision of a petit jury. -,
More people have been crucined pE
convictions than by doubts:
Things that bore us are truer LIE"
things that are interesting.
There are "closes" in music; none
There is a steady tendency to mao,
ness in the human race an INC
saves us from universal INSANITY
work. .he
A man that has to get up when the
bell rings. and work eight hours d
day, has the best chance for nor
malcy." %
Experiment is the only road to
achievement.
AS a rule, the higher mans sa.ary
the nearer he comes to earning
We obey more strictly those we ,os
when they have gone away ina"
when they are with us.
Most people send their children 10
school not to train them to work. out
to have them taught how to live Win
out work, or by working as llttie a'
possible.
We are as unconscious at death as
at birth; not one in a thousand knows
when he dies. Iii.
The most interesting place to WISH
would be back of the looking glass.
There are more miracles than ever.
The smell of gasoline has dulled our
perception. Flying is really as amaI-
ing now as in Darius Green's day.
Belief is not founded on bottomiess
gullibility. Faith is simply perma
nent wonder. And no one wonders
intelligently unless his feet are plant
ed on science.
Arago. the great savant. said to the
wife of Daguerre. HE who. outside
Of pure mathematics, says a thing is
impossible speaks without reason.
Science has no morals, 1T hands the
pistol to the suicide. and throws a
rope to the drowning. with entire
indifference.
Evening star., 1921-01-23
Australia Likes Our Songs.

THE Australian people are greatly
interested in the American stage.
the songs produced in this country
and the musical plays that drift to
their land from the United States.
Florence barley, the New South
Wales comedienne in Jean Bedini's
"Peek-a-Boo" company, is authority
for this statement.
Miss barley played in musical
shows in Sydney and Brisbane three
years ago. 1t was the keen interest
manifested in American productions
by Australian people that inspired
her to come to this country. Here,
she says. she has found the Ameri-
can public takes to its own songs
after they have been sung and whis-
tied in foreign lands better. perhaps,
than when they are first introduced
here
Evening star., 1921-01-23
Pacific Air Fleet and "Dintv u

THE air division OF the Pacific feet.
l comprising the big seaplane now
making the thirty-day flight to Pan
anna and return from San Diego, plays
an important part in Marshall Nei-
lan's fllm success. 'Dinty"
Just before hopping off" at San
Diego for the 3.o00-mile flight. a big
ger trip than the recent flight over
the Atlantic, Lieut.. Commander c. p.
Mason. who co-operated with Mr..
Neilan in the production of "Dinty."
was visited by Wesley Barry and Col
leen Moore and presented with a print
Of this photopfay.
The film will be shown officially to
the officers and men now making the
record flight. upon their return to San
Diego the latter part of this month.
Evening star., 1921-01-23
A Fine Beauty Hint.

ELAINE HAMMERSTEIN ought to
be an expert on beauty. Her recipe
for those desiring a good complexion
is at least unique and sensible.
Here it is:
For giving the face a good color.
get one pot of rouge and one rabbits
foot. Bury them two miles from home
and walk out and back once a day and
see If they are still there"