davidaulloa/AmericanStories huggingface dataset:
The daily times., 1921-11-25

may be, will not be too much.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
|AMONC MUSICIANS
hoy SCOUT BAND.


Here's great record for the Boy
Scout Band!
A special concert will be given by
the Boy Scout Band at Wardman
Park Hotel on Tuesday evening. May
II, as mark OF appreciation to its
friends who assisted In equipping II
with the new Instruments purchased
in February. James Leonard Kidwell.
director, and the members OF the
band have sent out invitations for
this event which will be given
through the courtesy of the manage
ment OF Wardman Park Hotel.
The big annual event OF the Boy
Scout Band will be a trip to Hamp-
ton Roads Naval Base when a selected
humber OF the musicians will be
chosen for a two-week stay az guests
of the United States Navy. This Is
not to be considered. warns The
loot" the Boy Scout Band monthly
Bulletin, as a frolic, Or a camp, or
an outing. or a vacation. 1t is an en-
gagement to entertain the officers and
men of the Naval Training station,
at Hampton Roads.
The list OF the bands recent activ-
tiles is long. II gave a sacred con-
cert at St. Paul's Church. 18th and
II streets: played for the Walter Reed
boys on May Day: for the boys de-,
partment OF the Y. NJ. c. A. and for
many smaller events. The band will
(Continued on Page Z, Column ~
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
ton Tines Page Of Music for Music Lovers of the capital

than the wonderfully harmonious
rich tones and really expressive
phrases a good instrument can give
forth. Mechanical. ,senseiess practice
can only develop mechanical. sense
less playing. Yet, what a fascination
IL 10 to be able TO render a compost
ticn without strain or stiffness.
REALLY BEARING THE MUSIC.
Even In the loudest. most powerful
passages the ear should always b
fiattered and not ratified.
cit js. indeed. a wonderful thing to
know how to practice 80 as TO gain to
its fullest extent that entire freedom
OF technique which makes the hard
est passages relatively easy to play;
trat relaxation which produces beau
tifuf tones and makes IL possible to
bring out the exquisite phrasing one
admires so much, when ~ exists. In
the Interpretation of artists"
Mr.. Garziglia, Felian Garcia. finds
that playing ceases to be work when
one yearns TO let music flow from
your finger tips, free from painful
labor. He gives d truism that is .
guide to all artistic music when he
says: 1.-THE ear should be flattered
and not ratified"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12

Cuosc AOcCaHini anu MS IanOub
La Scala Orchestra of Milan to play
my overture. It was a scenic compo-
sition that gave tone-pictures of life
on the quay of the port OF Fama-
gusta, that picturesque city on the
coast of Cyprus with it's mosque tow
ers rising above the irregular roof
tops.
1t is the Incidental music. called LA
Pfsanelle." for q D'Annunzio play.
and composed by Pizetti
The orchestra brought to life one
ranean water front, awaking visions
Of an active populace amid brilliant
color.
All that vague thing we call at
mosphere" In music was there in the
tones of the modern orchestra And
one felt the touch of the Maestro's
hand--for that is what Toscanini Is
endearingly called. There Is the
lightness of his touch In the quick
Oriental staccato. so fleet II is with
that Elusive quality of temperament
that belongs individually to the great
Italian conductor.
S IMPAssIONED VIOLIN SONG.
Then, from sudden hush In the
music come the strains of solo
violin singing an impassioned love
song, as distinctly a part of the
scene as that solo melody that haunts
the Rimsky-Korsakow "Sheherazade"
balist-drama- And again the haste %
the crowd surges into the scene, with
that unacceptable tonality of the
modern orchestra. While over IL al
there again rises that melody, only
this time 1t is given with wind in
struments.
From those mystic mosques, in the
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
MUSIC OF WEEK
wAsHINGroNLANs IN SWEET
HEARTS,

HEARTH
An elaborate production of Victor
Herbert's pretentious and charming
comic opera ''sweethearts." viii
open at the shubert-Garrick Theater
next Monday evening for a weeks
engagement. Under the direction OF
Rollin Bond. "Sweethearts" will in
troduce the Neutrality-suspicious. In the
biggest work they have undertaken
since this organization was formed
two years ago. and during which
time a. number OF most successful
comic opera productions have been
recorded by this company Claiming
the Finest comic opera singing en-
femble in the world" and with
scenic and costume equipment un-
Surpassed. the production will also
serve to Introduce four comedians
and a Coincidence ow in the ranks
Of the Washingtonlans.
The cast OF principals number
seventeen. Stephen Fegan will APP
pear in the leading comedy role of
"Mikel," with Robert Dalgleish. jr.
John Pennybaker and Joe N. Bourne
as supporting comedians In the roles
respectively, Of slingsby the Eng
lishman; Canniche, the Frenchman.
anu van ifOihps tuc DutCHiian.
Norma Eaton. the, comedienne. wife
OF Lieutenant Eaton. of the United
States Navy. will be seen in the role
Of Mother Goose. Mrs Eaton was
for several seasons the ingenue with
Johnny and Emma Ray in the Hot
Old Town" and several other plays
of the Rays theatrical hits. Estelle
Murray will appear in the piquant.
roguish and exacting role OF the
French Milliner. Lame and Ruth
Peter will sing the role OF Mother
Goose's adopted gosling. Sylvia.
Raymond Moore has the delightful
baritone role OF the romantic Prince
Fran, and Edward Hines will sing
the tenor role OF the Lieutenant
Karl. The six goslings Of the Moth
err Goose household will be sung by
Myra Johnson. Gladys Hunt, Gene
We've Bond. Bryce Bayless. Bernice
Stevens and Marguerite Wickersham.
Wesley Peckham and J. T. Pardee
will play the parts OF Captain Laur-
lent and the First Footman. The
Jenny Lind chorus. the soldiers and
all the characters OF the nursery
rhymes dear to the hearts Of young
and old. will complete the ensemble,
which is described as of kaleideo-
scopic effect.
NJ. Harry Stevens Is the stage
director and Rollin Bond will con.
duct The settings are Belgian and
the picturesque costumes. with wood
en- shoes and other striking touches
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12

poetic spirit OF D'Annunzio, there
comes an interlude OF pastoral quiet
with church bells Ginning, with tho
piper's tune and rich-toned organ
bringing solemnity into the drama.
FROM CYPRUS TO MADRID.
So what more natural than to sum
mon q human voice in vital song
of Spain? with the castanets intro
ducing "In Old Madrid" out of the
orchestra comes the rich voice Of
Emilio De Gogorza singing the old
refrain. His gripping accents give II
an added rhythm, and his tender use
of words put a world of feeling into
that one word Glove" It's q bolero.
this serenade of old Madrid. and this
virile lover has q rare delicacy in
the Hitting refrain Come, My Love"
in his use of subtle tone and words.
To the opera "Tosca" Of Puccini the
modern Italian Of opera. is a short
step. 1t serves to introduce the new
tenor of the Metropolitan, who has
been given many of the roles of our
beloved Caruso and who has made
good.
GIGLI AS CAvARAD0sI.
Beniamino Gigli (you pronounce the
first G. soft, the second one hard
sings the "Recondita Ammonia" from
"Tosca," comparing the features or
the Madonna he IL painting to the
face of his beloved Floria Tosca In
caressing tenderness of voice and yot
with forceful ardour
Gigli makes the Puccini strains al
Turing. His voice is that of q finished
artist--open. round, filled with emo
ton that holds tears in II, but with
no strain of effect. He makes his
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12

music speak eloquently. then scars
to a big, broad hold. while the orches-
ira with it's harp and its big wind
choir gives the beautiful score de-
lightfully.
RACHMANINOFFA AND WALTZ.
Great art and great artists in
dance rhythms always offer some
thing unusual. The Chopin Z fiat
major waltz. played for piano by
Rachmaninoff. is full of a real human
within In the ebb and flow OF his
rhythm How delicately he takes the
top notes. how he gives gradations in
tone to his changes In time. Clear
melody. double hotes are both made
personally his own as he dwells
caressingly on a tone, or dashes again
impetuously into the type of this
classic dance.
That sufYused tone shows his use
of the pedal all through. The final
swiftness of his tempo speaks the
Russian in temperament. the artist
in his varied use Of the piano.
Kreisler, from his deep-toned violin.
can be played He gives, with or
chestral accompaniment, Jacobs ION
Miami Shore" filing II with a rich,
dreamy righteousness and a vital
quite Viennese accent that sets the
pulses beating. Listen how he takes
that ascending strain, the little sub
tleties OF bow pressure.
And simple songs there are, songs
of ballad type by two artists who
value the poem equally with the
melody In song. Werrenrath. the
baritone, gives a waltz refrain with
charming unaffected simplicity In
he 80 hv a.
Mack, that is repeated by the or
chestra plucking on the stringed In
struments-
Frances Aida sings 'T Passed BY
Your window" with all the simplicity
and tenderness OF a Scotch ballad
1t is tender. yet bright. 1t gives Q
touch of folk music In type, a touch
Of the artist in the creating OF mood
A SATISFYING FINALE.
Mood, The whole experiment was
| to be, In part. an expression Of per-
sonal taste. And so in reflectina
over the music-drama that had pass
ed before the minds eye, some spe
cial thing was needed to complete
the program.
Back ran the Imagination to tina,
first vivid scene from the shore,
around Famagusta. What would
found out mtsic fea<t begun IN
such wealth Of color and of toner
There remained yet unplayed a
Heifetz record Heifetz and the
"Canzonetta" of Tschaikowsky. II
is the slow movement hom the violin
concerto, opus 35. with that vocal
Russian plant SO like elaboration OF
the speaking voice. Here the
eloquent voice of the violin speaks
with an exquisite art unusually fine
In It's sensitive nature.
The violin speaks plaintively. Their
gentle trill brings the lovely
cadence to a beautiful close Ur
again he scars, to the topmost range
of exquisite tone, descending to q
soft repetition Of the first melody In
which the orchestral wind instru-
ments make a rare contrast
There are other things, for Other
tastes. But what / wanted most tc
take home were the first and the last
Red Seal records. that fancy had sc
arranged on my concert-program
Like Ludwig, the mad" King Of
Bavaria, 1 had had my little concert
hour in solitary state. I had learned
some things about what really salts
| fed me in music.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
BUDDING P|AN|STS
|. TOLD THEIR FAULTS
Mechanical Practice Real Cause
Of Stage Fright Says
Noted Artist.

The pianist's problems. from a
working point of view. are put forth
most Interestingly by Felix Caring
liza, pianist, who has chosen the name
of Felian Garzia for his professions
name In New York this past winter.
Practice makes perfect" Mr.. Gar
zjglia quotes. adding Yes, bat only
perfect practice.
How many piano students can 90
sure that they are practicing In a
way which will bring out the best
there II in them? Hours are spent
at the plano on endless repetitions Of
difficult passages, and yet so ofte i
the result Is that when the student
is called upon to play In public. he
is seized with a panicky feeling and
terrible fear of how IL will go.
"The pieces which went so easily
at home amongst familiar surround
ings seem bristIing with difficuities.
Nervousness makes him lose contrN ~
Of his fingers. Some one must have
put soap on the keys" Mr.. Garzig-
liza goes on to enumerate the player
difficulties that every pianist has
encountered.
The fear of forgetting makes
one rely upon finger memory. The
fingers left to themselves increase
the speed at every bar. A frantic
appeal Is made to the brain to chetk
that breathless. racing pace. but the
brain is powerless. 1t does not seem
to know that piece any more.
well. the truth is the brain nevei
did know IT, for where was the brain
while the fingers were repeating ami
repeating mocha nically those diffi.
cult passages? Was II not thinking
of thousand and one different
things?
BRAIN PRACTICE, TOO.
III one will recall honestly ones
practice hours, one will be obliged to
admit that while the fingers were
"wiggling" over the keyboard for an
hour. the brain did not spend more
than five minutes in real study.
Result: While the fingers may
have practiced that piece for a whole
month, the total brain study spent on
II amounted to three or four days at
the most. or course, under such con-
ditions one has TO trust ones fingers
and never dare say to ones self,
while playing In public: L wonder
what comes nextT for IL the brain
fails us we are only inviting catas-
trophe.
1.-The brain should be the real
leader of ones playing and have per-
feet control over the fingers as an or
chestra leader has perfect control
over his musicians. Then and then
only can one begin to play the way
one wishes and not the way ones
fingers feel.
mo instrument Is more sensitive
to the different moods OF a person
than a good piano. Unfortunately the
way II is usually practiced brings out
OF IL more of an insipid, lifeless noise
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
Photograph Aids Typists.

The photograph Is being utilized
In the public schools OF Omaha as an
inspiration TO students learning type
writing. The pupils are taught the
use of the typewriter to the tunes
OF dance-music. and II. has been DEM
onstratcd by actual work that they
are helped by the this rhythmical accom-
paniment
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12

Club viii play "Beauteous Isle" a
barcarolle by Bickford. and a Ha-
waiian melody. The Banjo Club
will give AN Evening Revere"
(Grimshaw) and Patrol comique"
as played by Vess Ossman.
Mrs. Gawler will sing soprano
solo of Gilberte. T.. Raymond Acton
Will play Hawaiian guitar solos; Mr..
Holt will give the Witches Dance"
by SiegeL as . mandolin solo. with
guitar accompaniment by Miss Hill:
and the Musurgia Quartette Will
sing "Amarella." OF Whine. and ION
the Road to Mandalay" (Speaks-
Howard).
These clubs number about ITS
players
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
NoppIcA CLUBS. CONCERT.

On Thursday and Friday evenings
OF this week, May 10 and 20 tne
twenty second annual concert VIII
be given by the Nordica Mandolin
and Guitar Orchestra, the Nordica
Hawaiian Guitar and Ukulele Cluo'
and the Nordica Banjo Club. under
the direction of Walter I. Hoi.'
They will be assisted by the Mu-
surgia Quartette, Mrs. Ethel Holtz-
claw Gawier. Mrs. william t. Reed
James X. Young. and Edwin Cailow'
with Harry Wheaton Howard, d.
rector accompanist- -,
This unique string orchestra VIII
play the Won Suppe overture. Morn
ing, Noon, and Night in vienna
Ballet Egyptien," of Luigint. ar
ranged by DeLoss; Prelude,
sharp, minor (Rachmaninonl; Lie
besfreud" (Kreisler); "A Day In
Venice" (Nevin); American Patrol
(Meachum).
The Hawaiian Guitar and Ukulele
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
Ancient Music Unearthed.

The Carnegie Trust in England is
about to prepare for the publication
of a large quantity OF Tudor music
recently unearthed by British scoi-
airs. The music dates back from the
time of King Henry the Seventh,
when music in England was very
flourishing.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
Rarest Of Singers in
Choicest of Programs
q Available in Records
By JESSIE MscBRIDE.

Have you ever chosen complete concert program
from new catalogue of Victor records, in the Victor
Library of Musicf
It's fascinating study in program making, and it
may reveal things about your taste that you not
aware of before.
On of those dspirng rainy afternoon, last week,
the writer made such experiment with the Victor
records for May 1t drove away the clouds and brought
delightful into being and personalities
that it is privilege to be associated with
Getting into receptive mood is part of the game.
And then
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
/ YNwOOD FARNUM. orga.

mist of the Church of the
Holy Communion, New York
city, who will give the last re-
cital presented by the ID. c.
Chapter of the American Guild
Of Organists ON Tuesday eve
ming At, $3.50, at Epiphany Epis-
c0pal Church.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12

of peasant life in that country. add
charm TO the score plentifully sup
piled with Herbert's catchy melodies
This is the first time ''Sweethearts"
has been sung In Washington since IL
was given with the original company.
The presentation of this light opera
at popular prices is a commendable
thing on the part vi the Washington
ians and should insure them sue
cessfui season" OF several weeks.
LYNNwOoD FARNUM RECITAL.
The organ recital to be given by
Lynnwood Farnum at Epiphany Epis-
copaI Church on next Tuesday even
ing. at $40 o'clock. will present this
oreanist of the Church of the Holy
Communion, New York city In an at
tractiye program. II 10 the last of the
series OF free organ recitals given
under the auspices of the District OF
Columbia chapter OF the American
Guild OF Organists.
Mr.. Farnum will play: Allegro from
the Sixth Symphony (Widor): sun
rise" Vintage" Moon" Georges
JacobD Introduction" "Passaca-
glia," "Fugue" (Healey william !;
chorale prelude. "Now Rejoice Ye,
Christians" (Bach); Scherzo from Sec
ond Symphony Cvierne); "Toccata,
e minor GEORGES Kriegerl; "Sere-
made" in A (Grasse); Revere"
(Bonnet): "Minuetto antico Mu-
setta" (Pietro Yon): Toccata on ave
Maria Stella" (Marcel Dupre); and
two antlphon's the "Magnificat
marcel Dupre).
At the close OF the recital the
members will assemble in the VIII
lard room OF the Epiphany Church,
where a reception will be held for Mr..
Farnum, followed by light refresh
ments.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1921-05-12
MOTHER aoosEs six GosLINes" an attractive

W sextette in the coming production Of Victor Her
bert's opera "Sweethearts to be given by The Wash
ngtonians at the Shuber Garrck the week Of May is
Reading from left to right the "Goslings" are: Myra
johnson, Gladys Hunt Genevieve Bond, Bernice
Stevens, Bryce Bayles and Marguerite Wickersham.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22

Y nemeche ba5ni. kterou
Title Mosimanova napsala
kratce 20 pozaru collinwood-
ske Skoly +. 1908, pise autor-
ka, ably rodice z%ahynulych di-
tex nelkali, re smrt ohn6m by
la len kratkym utrpenim q
vlastn6 Vysvobozenim Cd ce-
kaiicich ie Gtrap ma sv6t6, ba-
sen konci vetou:
Neplatte, V den vzkfi8eni
spatrite op6t vase mrty6.
4 iednani driv6isiho j z w
t6chto dalo by Sc konoc-
ne dosti jist6 usuzovati, ze
mladsi zena byla pdvodkyni
pfiserneho planu. Nasvedcova-
la by tomu okolnost, re mrtvo-
IA jeji byla oden9 nocni H.
Dor, kdezto matka V ~obycein6
vychazkov6 Saty.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22
RUSAO VIOLA Q POMOC.

Pafiz, q. tervence. Appel
adresoVany vSem narodum sv6-
ia a zadajici, ably Sc sorganiso-
vail a poskytli bezodkladnou
ponce "millionum Rusu nyni
trpicim hladem nasledkem ne
drody Y Povolzf a Y iihozapad-
mich guberniich', byl vydan
vcera vecer vykonnym vybo-
rem rusk6ho 6stavniho shroma
zd6ni. Y appelu Sc pravi, re V
oblasti. iez jest v6tSi nez
Francie a Nemecko dohroma-
DIV, milliondm Rusu hrozi W.
hladov6ni a jejich vlada MENU
re Jim poskytnouti ponce ia
kehokoliv druhu.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22
VYSLECN D~0MNELEHO
ZHARE.

Detektivove Clarence Banks
= Max MetteI patrali vGera pc
mjnulosti muze. kter6ho zatkl
Kennedy pro pode-
7reni, re zaloail pozar. kter3m
%~nicena byla FARM 5kola Il 81.
"meriche ma 2apadni stran6.
popira vsak kazdou
vinu a vymlouva Sc. re okoli.
Y kter6m byl zatten, hledal ii
kamarada, parolovan6ho
"horan"e mansfieldsk6 robo-
Jinak bvl poznan iako
individuum zatizen6 chorob-
nou sHahou zakladati pozarv =
odsed6l 81 ! trest "a zaaehruti
""ovan|ch ohrad Y. 1912. Ured
"ici pozarnfho odd6leni So do
mnivaii. re mali dukazv, ze
2atcenN neni daleko od spa
chant dvaceti dvou pozarG "a
noslednich let, ieiicha puvod
dodnes nebyl yysetren.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22
PREJl 81 ALLIE.
NOVOU IA PRiSTiHO
P~RESIDENTA.

"Postavte Sc "a ufedniky
dokud isou Y cinnosti 4 nepro-
mrhayejte vase veSker6 snaze-
ui "a voleb." Radu tuto dala
soudkyn6 Florence E. Alleno-
ra ytera yecer ma banketu Ma
rodni Federace odborn6 "a
m6stnanIch zen V hotelu Stat
Ter. Pc reel jeji pod4n byl ma
vrh, ably Allenova 0 pristieh
Volbach Sc pokusila kandido-
yati ma p~residenta Spojenych
Stato. Navrh byl pritomnymi
tenant boufliv6 aklamovan.
Soudkyne Allenova zduraz-
noYala, ably moderni zena VI
ce prilnuIa k jejim idealum,
zeim6na nyni, kdy nabyla pl-
nych politickych pray, Navrho
vala, ably Sc ysimaly zeny vice
obchodu j jinych odboru, KITE
re Jim byly az dosud uzavfe-
ny. Pfeie 81, ably zeny Sc vice
duSevn6 probationary.
"Doba, kdy ku prikladu byl
jisty obchodnik Y Maine boy
eotovan, re V obchod6 zamest-
naval zenu, patri minulosti. Ze-
im6na dnesni dobou ceka anne
rickou zenu velky dkol, ably pc
nohla rozlustiti velk6 profile
my, ktere dnes zmitaji cel%m
2v6tem."
Reel svoji nadchla soudky-
ne posluchacky TAX, re slecna
Marie Wingova, g|eneraIni ia
iemnice clevelandskGho odbo-
ru Y. w. G. A. a pfedsedkyn4
'chuze poystaIa a otazala Sc
,hromazddni: "Pfaly byste 81
i zvoliti ia presjdentku?" ma
.el Sc rozpoutall houre, iakou
~ tlovek yubec zenam ami ne
ofpisoval. Ovsem, ze celia cpl
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22
KAREL MA PRY STALE
l.

Pariz. 81. cervence. Driv6i-
81 cisar Karel rakousko-uher-
sky zadal. aby mu bylo dovole-
no odeieti re SvIcarska do
Danska. die zprav obdrzen1ch
We zdeisich dfednich kruzich,
kdo zaroven vyiadreno pre-
ovddceni. ze "a timto hnutim
skrFva g plan 0 dalSi nokus o
2moon6ni So mad'arskeho trI-
M. Ota7ka tato stala Sc pred
matem vTmenv diplomatickyoh
not a Svycarsko Dude pravd6-
podobne pozadano, ably zabra
milo dfiv6jSlmu cisaf1 opustiti
zemi.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-22
DRZA ODVAHA AUTOMO
BILOVYCH LUPICU
VZRUSTA.

Ma cest6 z Pittsburgh do
Clevelandu byl blize Unity, O..
nrepaden Samuel Cohen, 3419
DeSoto Ave, Cleveland
Heights lupi6i, ktefi jei obraIi
. 1926 a wall mu j automobil.
Ably Sc snaze dostal Go CJ :
landu, dali mu velikomysln6
s. ma drahu. Okraden6ho Ko-
INA wal pozd6ii iiny auto
mobilista do Youngstownu, kde
NasedI tento do vlaku. Detekti-
vov6 w. Hughes a II. Schroe-
Ter Sli pc stop6 licentniho Gi-
sl9 automobile lupiGu a "a de.
set hodin po prepadu jednoho
podnikatelu loupeae jeho
'omoV6 zatkli a zatceny bvl
t@k6 okradenym urGit6 p|oznan.
Pratr podezreleho silnicniho
handity byI zatten tyz den ca
sn6ii z rama jako spoluvinnik
"a loupezi spachan6 Il New
York Shirtwaist Co., CSC Euclid
Ave, kde uIoupeno bylo $40.
600. Automobil, V n6mz Sc pre-
oadeni udalo, bvl nalezen H..
Y zadni t5sti domu zat-
.an6ho. ale ukradenG auto
'ohena nalezeno dosud neby-
10.