The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1921-10-06

Thus these beautiful new evening
dresses have come under the eyes OF
oil the world, so to speak, for smart
women Of all countries have worn
them, FIRST I'm Paris, and ut the open
Ing Of the fall and winter season they
will unquestionably be seen In multi
fold duplicate wherever women OF
prominence appear.
Modern and Classic Notes Combined.
In addition TO their beautiful co!ors
the strikIngly new note is the length
OF the evening dress. Practically
every model that Is smart and new Is
long. One might say very long. touch
ing the heels. though never so COM
pletely long but that the wearer's
ankles are revealed through openings
or transparencies.
The modern and the classic join In
these dresses-Greek. Egyptian and
etriklng up-to-date Partisan Ideas are
combined. Every coQuetry and fat.
terlng effect is Incorporated In the
present-day evcnlng gowns. The Pari0
dressinaker knows that to be success
full she must give her fair clients
something more than a dress. She
must give added charm and grace
added personality. as II we're.
Callot, who awalys finds her great
est success In evening dresses, has
fairly shone with brilllancy In her
latest productions. Keeping. az she
always does. more or less TO ancient
Egyptian feeling. she has evolved
marvellous new things.
An exquisite model designed es-
pecially for q straw-colored blonde
is developed In water green and gold
brocade and gold lace, the latter
swathing the figure from low waist
line to ankles In mummy-llke form.
over this falls the brocade In green
and gold. which forms twin trains
sides OF the bodice. leaving nothing
to the imagination except to wonder
how the wearer keeps II on.
A house such as Callot, that has
always reveled In richness Of fabric,
will surely find much that ls inspir-
Ing In the new French brocaded ma
terlnls. wonderful In their richness
Of color and design. Patterns In gold
and silk are brocaded on foundations
OF satin finish. Large motifs are
chosen. and the design appears to
stand away from the fabric In a gor-
geously glowing effect.
Flower motifs often are selected.
with preference given 70 the large
flowers, such as the fleur de lis and
the tulip. All leaves. too. are used In
conventional way. When smaller
flowers are used the design Is in
branches, and the effect Of such pat
terms Is daring and beautiful.
Gold and silver brocades are seen
on crepe satin foundations or even
on backgrounds OF dull crepe--a way
OF enlivening these dull fabrics, which
have been almost too much In evil
dence during the last few months.
introducing the Bias DecoIletaoe.
Madeleine ct Madeleine have had
remarkable success With their yellow
and silver dresses. They have chosen
vivid canary shades, heavily trimmed
with silver lace. Often they use tho
one-side shoulder strap. leaving the
other shoulder bare or with n strap
OF opposing color. Thus one shoulder
may be draped In yellow and the
other with slender band Of silver.
Their newest dresses appear to be
mnde OF one piece Of goods cut on
the bias and wrapped around the Zig
ure with the loose end caught up on
one side to form a cascade drapery
The girdle or trimming is always ad
justed at low waist line. Such q
dress is particularly pronounced IN
this style when the wearer assumes
the sleek couture OF a Spanish beauty
Of classic days and TO this adds .
jet comb and long Jet earrings.