Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-08-24
CHAPTER III
A NEW man in the studio is likely to

A NEW man in the studio Is likely to
be anything from somebody who's
lust bought the company to forei En
potentate or a publicity man, so Isabel,
and hadn't the slightest idea. who
Phil Craney was when we were intro
duced to him.
He looked at us carefully, and then
he and the cameraman, who had worked
with both Isabel and me, talked about
us just as IL we Hadn't been there at
all. People do that in the movies, you
know-and you hear your own appear.
ance discussed so, much that you feel
as impersonal about what beauty you
may have-or think you have-as II 1t
were n pair Of rubbers.
"Diana's face screens unusually
we'll; give her back light and she
looks like n blonde, and of course her
gray eyes," the man said. But the
stranger turned to Isabel.
81 think Miss Heath will be better
for what / want to do" he said, with
an apologize little smile for me. "Will
you come over here and let me see what
you can do. please?'
I couldn't help feeling disappointed,
of course; whatever 1t was that was
going on, wanted to be in on it.N- But
just then the director I was working
for called Ready on the set!" and l
had to hurry across the studio, And as
soon as got to work / forgot all
about 1t.
1t wasn't till late that afternoon that
had an opportunity to see what Isabel
was doing. Then one of the girls
grabbed me by the arm and whispered:
Come on! That new director Is
teaching Is to be a siren-.it's great"
Snc II iuse an,,.onas anu ,s ,,,o
wast"t .au,n5 NJ H. cot n,horo ISohoi r,os
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n;ot,,wn nna m''es '""' "e '"'sn' "'' Ava '""'
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t,u asuuei n tho s,roon S' T. "u usod ~ he
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anu Iaetl sne s,, nho, uiaSm niar;n .;tb ,ntJ 'nr
Eyes ol Tue i'ai I eu,. pi ;ui e ~; ~ NV ''n, ~
INTO yours anu uni's sS.;I S,li ni 'nc tfu uuul,
ehce goes nome anu pr"c''ces IT, p'iore
'hT ,, mirror, ,, .,o. .,;o .h.. 90.
Meli' siIH MI, irnrneu T ,nat nht slil,.e .m"t ais
crho2H. IniL = 80, .ausnt LII nei ~ wv
III III ne uaS ',.I he' uiai,s o, f es'nsS, sS;on ao
an sor.s it;t, VI i ',.NS a., o., uh ',nott,
Ihat are lrrgS.s'ipe ILL; Al sii IL un ptG.oS .;o
as Sne II. iiea n,S's ncoh s,n'I I '"", o, i'u''
Fr9ycS noM sovu &c tho ,.o,,mo m W." IooI;,o
JIG used one OF '9G young ieao'hs
inen as an accessory. ne u say Ill.,:
Now 80 W Moathea 10 n'"l J iTpM h;m =" a. lon l
tnis way hisS iivatn-'es mn :" l'In wv
at YOU: No, don poutIdon : ever 40
that; it spolls your mouth; lhy your
hand on ms SnouiaerIno ,I % tnis ,, wa! M
you curve IL lke th"' It the cloow you
make an ugly line Here-lke ms.
And ned take the young man place
and snow hcr now TO 40 II.
He was perfectly matter OF tact
about 1t, OF course 'here was no Tea-