davidaulloa/AmericanStories huggingface dataset:
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1921-07-13

TRP1TE-LI NERVOSOU
neb rheumatismem, jste-li vi
bee nejak nemocni, nav8tivte
mne. Zarucuji Vam ulevu a
vylecenf, bude-li to lidske
moci.
HELENA SMITH-SIKORSKA
II. patro, pokoj c. 2, V budove
"Vcely"
BROADWAY 4 PORTAGE.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
lTyea GChs DaiyMovie Magazine Es@
CLOSE-UPS of the MOVIE GAME
The Poppy Little Grand Old Man Of the Movies
by HENRY NJ. NEELY

SIX old and the
Roberts SD and is tSc other half William Ferguson ''''''
% @ ssS ss; $
sss ss than G his ,sDS You could .na ~ p.ppy old
s sr At lis "s ] % sH' II he @ sG and fs s and S % lick Ss %
paying attention to- their work because Of us that shouting
the simply filled eOHed until couldn't
his BREATH T %sS Gs" % p" had % ds a S a The sosn:; % from % which % %
voice @ S"%s % %1 M sat @GT to w% " " the % "o I s ~
twecthree the old party
FROM the be
% ,"S %
tive the 'S%s so none "S ossS "% S "s % E"
- Of the early rooacTys Trolley comedies lies little
ounces even@ aft Thanksgiving dinner
York and the Fox they
"' Dad s mimi in % h S the @ %oR Iis
like IKE miniature edition Of TIN %s & so with With white hair and I % long white 3
Sn He ie n so a as
him fighting treated like old and talked though he
Not % Charles reD had started special production e"
] M % % %s ""Ss @ & for % %5"nn comedy % country He
The could and 'rabin call
was police The station
Uh m the S "s Ss Tns % s ssh,n the s ps SG % Ss" amount
"rishtins' What for?'
oh conductor I o of
And That afternoon
Let tin horn anything on him.
UT sometimes he the despair of dcrtors /" this
- in uhich to
hm his
sfudio
Dad and cver heardo
country cho ras toneddoc
TN "FOOTFALLS do in of
Several other also danced cobb.
the blind outa
Of the
Every of them stopped short when
'1et i'm let i'm come, he yelled the
back II
frghen and he stopped until the
Another Dad
picture in which fams
, entirely not natl
"Get in Stanton
DAD turned and Surveyed
II dgho lr Stanton
Whv don't rOunt
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
Special Cast Engaged
for MOrOsco Picture

MYTH the addition of the name of
w Edwin Stevens to the list Of prin-
cipals 1t is announced that the cast for
Oliver Morosco's second picture,
"Slippy McGee," is complete. Stevens
is cast in the role of the heavy" in
the Marie Conway Oemler story.
Colleen Moore, who has become one
OF the most sought after leading women
in the country. has arrived in Los An
geles from New York, where she Just
finished "The Lotus Eater" with John
Barrymore. Miss Moore, who has been
borrowed from Marshall Neilan for this
story. will appear in the leading fem
inine role.
Wheeler Oakman will appear in the
title role. Pat O'Malley Is cast In the
juvenile role of the fighting young
lawyer.
John Elliott, who appeared as the
priest in the stage production here OF
"Slippy McGee." will again wear the
robes in the perturbation and Charles
Evans, the before prohibition major in
the stage play, has been recast In his
old part.
Morosco, who went borrowing to get
the exact cast he wanted, obtained Edith
Yorke from the Ince Studio. The other
names in this hand picked cast are Tom
Guise. Alfred Allen. Lloyd Whitlock
and Nellie Peck Saunders.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21

inside walls. No top. Tho lioh,
usually hung over In back of voS so wss M
couldn't see In the mirror. aIwss.a svu
carried my three new suits. n s,ays
light, my own soap and nice mir..u
with me. Naturally l was considerod
riot down there. '''e'eu
And, too, about that time, being, o.,
l was, leading man, l thought I
to Lubin. w 'p'Ae
"What?' he exclaimed. thunder.
struck. AN actor with an automo.
bile !" '''''
At any rate / told him I could o.,
one for $500 and he told me to 20 absssS sei
and make arrangements, so | bomobt
second hand car that had BELONGED
to brewer, who thought It was foo
fast. 1t was forty horsepower. wv
When I got the car told Limit, 7
couldn't afford to pay the $500 On AK
week, so he raised me to hundr.i
and l was the first leading man in nic' "
lures to have an automobile and sucb :.
fabulous salary. SUN =
IF AN actor leaves pictures Il 4.
L almost as difficult nowadays for him
to get back in them as it was for hin
originally to make the grade. For in.
stance, after ! left Lubin I went n
Universal and made n long series Of
comedies as the co-star of Rosemarr
Theby. When that contract expired /
took out vaudeville skit. When We
finally closed ! thought l wanted 70
70 back on the screen, so l moved nv
effects to Los Angeles.
But l found I weighed 20s. Eye,v
time ID go out saying I was a leading
man the studio officials would look ai
my avoirdupois and say I was a char.
acter man. l made test for Bessie
Bl'arriscale to play a middle.aged
"heavy."
"He is only a young fellow made
up said the director-but they gave
me the job.
When I went over to the Charles
Ray studio for part in Forty five
Minutes From Broadway" they told
me to take off my hat and asked me
If ! had any hair on my head. have
and when they saw 1t some one re.
marked:
He Is fine for the fight scene; his
hair'll go all over his face"
When an agent told me to 20 after
the Connecticut Yankee" part, the
Fox people thought I was too fat. I
went into training and lost ten pounds,
and went back. Then they thought I
looked too sophisticated. l made about
a dozen tests and finally three or four
days later Emmett Flynn, the director,
called me on the phone. 1t was twenty
minutes to II.
Can you be over at the studio at II
o'clock?" he inquired.
'You tell the world!" I said. And
Mt ii l was over there, had had BATH
was all dressed up.
After that test I went down town
and bought $500 worth of wardrobe for
the part and-I didn't know I had the
job yet!
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21

"THINK Bit" she urged. Alma
L Audrey" She repeated the name
slowly.
Then remembered 1t all came
back TO nc in flash. 1t was the
day ] had come over to see Roland
! from Beaver Face. and had disturbed
and interrupted his scene. And this
woman. this Miss Audrey. staring nt
ne now rescntfully. had been acting
with him. And, even then, her eyes
had darted hatred,
Yes" said a little sharply, Il
do remember you. What Is it?'
"Oh. ho." she laughed-cxactly as
mc.odrama 10 you and Roland
1T that's why you came here"
broke in. ''you may just as well 60"
May |: Not so quickly: He be:
| longs to me-. He's mine. You see,
Just got hack from California this morn.
| ing: but thc whole studio is talking
about it. The nerve of you, buttins in
! like this 80
The panther in me rose. remem
bcr my arms Stiffcning out, NY bands
clrnching. my feet rising almost on
,iptOe. | hate to think what | might
have done!
"Sce here. now" she burst out.
"Ho you know what kind Of II man
he Is. anyhow
"Will you rleaSc leave this ROOM
! asked. with forced Calmn"ss.
She rose slowly. She even came Il
step nearer. .
"Will you please read this letter.
She echoed my tone of voice pre-
cisely. Her outstretched hand held Il
letter.
Tint saved her, doubtless. A letter
had n moment of weakness. mn eX'
ccllcnt moment let re hope. ! Coulr
not forbear the opportunity ard ms shC
continued to hold out her hand stifl'N
I took the document from her.
Slowly I unfoldrd the poper Never
did 7 see words more clearly. Nev"l
did words mean less to me. But every
word was braided Oh my mind; eyer!
word Of love: every betrayal OF owner
ship in one another.
! folded M the letter carefully AM
handed it bnck to her.
This - Her laugh was hard an
cold "Ie belongs to me. and | al
: going 10 keep him. Keep out Of this
: II you know what's good for you :"
Leave this ROOM" I said, takin
step toward her.
She grew pale; faltered, fumbled
turned and moved away.
Leave this room" ] repeated.
With frightened lurch she opene
the door, went out, and slammed
shut.
T followed her to the door and turne
the key in the lock.
Then | sank to the floor in vii
abandon of terrible grief, shame an
humiliation. But I saw the trut
clearly. And memories flooded m
mind the way Roland had met me whe
I first came 10 New York his excuse
for not taking me on at that time.
saw now, and I understood 1t wa
because Doll Face was in the way An
then his sending me to man lik
Beaver Face. And then, the day f
: was so pitiably confused because Mis-
, Audrey stood behind him!
At one blow my fnith in life,
, love and in myself was destroyed, A
was lost. The wreck was complete.
pulled some paper toward me;
! took pencil and ] wrote short not
to Roland Welles.
That night / found myself withol
job again. And what future -now1 M
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
NOW Go On With the Story

only friend Roland, was mine no
longer. Where else could | get work
In the city? And what dId I care? l
did not care whether lived or died.
Yet. sccretly-oh, the shame Of il =
| waited the next day for Roland To
come to me. | waited all that day. I
waited all the next day. And the
next And the only hope left was that
finally he would come!
July Is.
/ am writing these lines among the
rocks on the coast of Maine. Under
me the blue sea is rising and breaking
cutting the high, clover fragrant grass
all about me, and streaming through
my long hair. The sun is brilliant to-
day and the horizon clear. | ought to
be very happy. but ] am not. My feel
ing of bereavement Is such that | can
only write. write.
Our company is up here taking some
sea pictures. Il has been wonder
fully kind and attentive TO me; like a
sensitive and watchfu father. His re-
serve is astounding. ! can see how
much he loves me, But he il wise
enough to see how ! am struggling with
this civil war within mo. Dear. dear
| H. II you cannot make me happy
who can?
Today. in this hard, clear. blue
weather, think of the autumn on tho
cliffs opposite New York, and the placic
pool, and the leaning maple, and Ro.
| land. and the kiss But my mind goel
on and on, re-living the dark struggl,
that followed after ? left the x
Studio.
There is a sickness called "broker
heart" Just what 1t has to do will
that throbbing bird caught in the breas
do not know. Broken heart, is IT.
I should sny broken life. ! should sa.
broken faith, broken ambition. broker
Joy 1t is sort Of living death, II
which all has died except ycarning, ant
memory, and pain. had that sick
ness.
It's first effect was 10 numb me.
did not care what happened to me.
was listless and silent. Mechanically
Just to keep myself alive, went aroun,
to the different studios and tried to ge
. work. Often | would wait by the hour
But nothing came Of it. My name wa
! still virtually unknown Besides, | wa
too careless to make any appeal.
Beyond keeping myself neat, / ha,
no interest In how looked. n
! longer asked myself which Of my dresse
was most becoming. / could not rOus
myself to add any of those little co
quettish touches to my toilet whicl
come natural to any woman who wishc
to please. There was only one persol
And Il thS Se@! world whom ! wished to please
!, tn Ba C,outiuusd Tomorrou
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
WOULD YOU Whip
YOUR HUSBAND IF
HE WERE 4 BRUTE?

lust how far is the primitive cave
- woman instinct. latent in every
woman, justified in asserting itself:
Should q wife over beat her husband
provided she Is clever enough to
Overpower and render him helpless?
Women are writing from everywhere
to Pauline Frederick about her picture
The Sting of the Lash. In this
film. Miss Frederick plays the part of
Il woman who horscwnips n worthless
husband when she has finally reached
tho limit OF endurance.
The beating is a very real affair. too.
When it was over Miss Frederick was
exhausted and Clyde Fillmore, who
plays tho worthless husband, had great
rcd wets on his back
Miss Frederick has been very deeply
touched by some of the letters received
They reveal 20 pOignantly the vas,
number of patient. ploddng womcr
who, year after yenr, have hidden Their
heartacheS and the crushing of theil
fondeSt ideals under a smiling face.
THE following letter is a typical on,
1 received from woman in Arizona
"Whilc The Sting of the Lash va
being shown ! crcpt in. III never for
get 1t. You are going right to tn
| heart Of 50 many women who have gon
through the same thing. lived viii
| my husband six years. Whisky was hi
god. On the sixth anniversary of ou
wedding day he came home as Joe
Cant did. didn't thrash him. al
though / wish now I had had tn
strength to do so, as 1t would hav
! taught him the lesson he needed. A
/ II was, just took my baby girl an
walked out.
This happened seven years ago
I've had a pretty hard struggle, but il
been worth ii. Miss Frederick, I use
to pray that my husband would see
picture like yours, hoping it would tur
! him.
IF only one man sees the error q
/ his ways through your wonderful ear
ncstness it's worth all your suffering
isn't 1t? 4 good cry helps me and
certainly got that watching yOu-y0
| poor thing. When you bathed hil
after thrashing him just couldn't wal
TO see the end.
Good luck, God bless you and lon
and happy life to you. Mrs. NJ"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
This Is How the Story Begins:

NELLA MORELAND, most famous
~ Of screen stars, hears that
young girl, Annette Wilkinson, has
fallen in lore rith Roland WcIles, an
idol of the screen. Miss MorelGnd,
10 SaUe Annette, rriteS the story Of
hcr o,om tragic lore affair With
WeheS, intending TO send it to
Annette so she may kmoW the kind
Of man he is.
She tells h0iU, tohiIe pianist in
a morio theatre u a Western Penn
syirdnia tOWn, she met WelleS When
nc made 'persondl appcdrdnce"
there, how he inpited her to come to
NeC York and said he coud place
her in the morieS, h0p she cdme and
the chilly reception Which he gapc her
IN the studio. Then, becoming inter
eshed in her, he gets her u job in a
small fOpn stock company for the
experience, promising to see her
often.
Kitty, member of the company,
proues her best friend, but the man
dger, whom she nickndmeS Bearer
Face becomes obnoxious pith his
Gtten SonS. She threatens him ,Cith
a rerOluer, leaves the company and
goes to Nep York to find loork.
NO,U Go On With the Story
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
FIRST DIRECTOR TO
USE 4 BALLOON
IN MOVIE WORK
MARSHALL NEILAN alias

N ~ 4 II = y
MI AhNiiALh ~ aiiaS
Az mickey - proves that lioratio
Alger S works were not all hctlon.
Ten years ago Mickey was earning
$40 per week hlling in az atmosphere
in San Francisco stock company.
Today he is at the head OF company
which turns out product crossing
S2,OOO,O0O year.
For the information of the income
tax collector. and all his cousins. we
wish to explain that this, OF course, does
not mean that Mickey, is getting this
amount every year to buy yachts, fast
automobiles and country estates with.
Rather. it represents the total earn
ings on his pictures, in which his dis
tributors share on the prohts.
NIEILAN is one of the few. directors
IN IN the business credited os be,np
consistent produccr :" Tn other
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21

Doris Kenyon has been engaged by
Selznick for the role of Dorothy JOr-
dan in the Conway TParlc picture.
"Shadows of the Sea-" that has just
gone. into work.
Miss Kenyon has been starred in
practically every picture in which she
has previously appeared.
She was leading woman in The
Travelling Salesman" in "On Trial
and in ''The Hidden Hand" The
Whartons presented her as star Of
THE Great White Trail" and then
she was starred by Deluxe Pictures
In "The Street OF Seven Stars" and
Twilight. Her latest presentations
have been the Deitrick Beck produce
Harvest Moon"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21

TOEL GANT'S wife (Pauline
= Frederick was high spirited, sue
cessful, independent woman before she
married Joel (Clyde Fillmore.
But his dissolute ways, his disregard
for the laws Of service and reward, his
evil tendencies, dragged them down the
scale until Mrs. Cant was forced to
become a public laundress-a servant to
those women who had before occupied
lower place In the social scale than
she, until
Her spirit rebelled and she turned
upon him with the fury Of tigress de-
Tending its young.
Then she mcted out to him primitive
punishmcnt-he felt the sting of the
lash across his shoulders as she had
felt the degradation and shame and
humiliation he had forced upon her.
Was she justified? Is q wife ever
justified in such a course?
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
seena Owen Returns to Screen

Seena Owen, who played the leading
role Of "The Woman God Changed"
has been engaged to play a leading role
in Find the Woman" from the story
by Arthur Somers Roche. Miss Owen
has just recovered from inflammation Of
the eyes caused by long work In front
of powerful lights In connection with
Back Pay" in which she takes the
leading role.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
eerashty's Work Mapped Out

The last man to leave the Famous
Players Eastern studios, which close
tomorrow, will be Tom Geraghty,
supervising director. Before going to
Los Angeles he will complete the cut
ting and titling of several produc-
tions completed recently Among
these are "Footlights," "Cappy Kicks"
and Peter lbbetson." This will keep
Gerashty in the East until early fall.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
All the Plckfords WorkIno

The entire Pickford family is en-.
rolled in film making. Mary work
ing in "Little Lord Fauntleroy," Jack
Is starting "a Tailor Made Man" and
Lottie has film called "She Must Pay
coming on the market via Pathe re-
lease.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
Westerns to Be Made In East

Through George l., Clarke, Marie
Edith Wells and William Jones have
been cast to appear in series OF
two reel Westerns which will be made
Il the East.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
Monroe Salisbury Heads Company

After a long term of inactivity. Mon
roe Salisbury will star himself in n
new picture to b. produced by his own
company. The play will have Spanish
setting, and Salisbury's representative
10 now In Mexico gathering data.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
Author spends Time In Studio

Rupert Hughes spent eight out of the
laFt twelve months at tho Goldwyn stu
sllos In Culver City, studying every de-
tuil of m9kion picture production. ~
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
PHOTOFLAYS

hcTNp FRANKLIN 4 GlRARp AVA
HO YIN MATINEE DAILY
MARSHALL NEiLAN'S PRODUCTInN
"Bob Hampton Of Placer"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21
The
LOVE STORY
of a
MOVIE STAR
CHAPTER XVII

CHAPTER NNNH
"TNHISk a bit" she urged Alma
L Audrey" She repeated the name
slowly.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-07-21

Broad susauehanns
DE MILES =.
"What Every Woman Knows"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-02-09
TODAY'S MYSTERY STORY
BY PHILIP FRANCIS NowIlAN

case 70 jog his or her memory. Plain
case OF suicide"
But Reagan looked up In surprise az
the criminologist srunted doubtfully.
II wouldn't be 40 sure about the
suicide part of IL, Reagan" Hunt said.
There is, for instance. that mark on
the chest, where the locket les"
oh, that| said Reagan. why
that's just discoloration from the lockct
itself. That's what told me she was in
The habit Of wearing the locket under. I.
sou see. and there isn't a mark of
Violence anywhere on the body"
Well" Hunt drawled gen!ally. Go
ahead and make an ass out of yourself
II you want to, old man. 1t isn't my
case. you knos, and who am l to butt
into the affairs Of the police?"
Reagan turned sharply on him.
'Now just what do you mean by
that" he asked. What is It you see
in this thing that has escaped me?
Come clean ndw. Hunt. Ont with It. +"
And the picture of the child" con
tinucd the crim!nologist. still smiling,
will prove to be false trail IL YOU
ever find any one who recognizes tt.
which IS very, very doubtful. On the
whole, Reagan. I'm inclined to think
that the woman die wear lockct Of
some sort, but not this silver one. II
she wore locket there vas probably a
mans picture In H. And the woman
was poisoned See, this silver locket Is
harmless enough. Just an innocent
trinket. ! rathas imagine, too. that
the murderer is n. chemist, II that helps
you any in your search.
Yes. yes" saii Reagan impstient!y.
But what the devil are you driving
at? How do you guess all these things :
Can you teH hoc Hdrcey Hun.
guessed thenf
The onsoer tu.D appear tomoryoto.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-02-09
Yesterdays Mystery Solution
"uAVB you some instrument with
n hlnnL ..ninANN nnLnd Hnrrnr

"HAvB you sorne instrument with
IL a blunt pointV' asked Harvey
Hunt, preparing to show the president
Of the accident insurance company how
the swindlers worked IN the case Of
1.-THE Duplicate Seal Yes, that
paper cutter will do nicely. Now per.
haps one of your clerks cHn supply us
with moist sponge. That's fine
Then as the president berr over TO
watch. Hunt carefully moirtencd the
sticker of the seal on the policy before
hin, until finally he was abN TO pull
II of. leaving merely the iuprGssion Of
the seal on the whit" paper OF the
ssDiicy.
:. Then he took another sticker Of, a DIFF
feFent color and moistenpd it carefully
on both sides. attiyins It lightly. over
the impression. Re rnxt turned the
policy face down or'; S"veTal thick.
nesscs Of moistenrd blottiGg paper. and
on this soft foundation began tracing
the lines Of thc seal through the paper,
onto the stieker, with the blunt pointed
paper cutter.
When he finished snd turned the
policy over, a very good impression was
found raised on the st.Tier. which dif
fered only from that made by the seal
in that it was not quite ss clear and
sharp.
Now" he said all the policy.
raiser has to do Is to dry Il carefully.
There is no duplicate seal. Mr.. Lang.
man. III hunt the criminals il you
wish. but inasmuch as you don't care
for publicity anyhow, I would suggest
the simplest thing ior you ~ do is to
use on your policies one OF those de-
vices you doubtless Use to protect your
checks, one that crushes the paper and
so lets the Ink get right into the ibers.
There is no known way of raising fig
ures 40 stamped into papPT.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-02-09
INXIN'
Cdn you Solre the arpSter
In the Locket
'ECHAT ought TO identify her,

'SCHAT ought to identify her said
l. Detective Sergeant Reagan.
He pointed to the silver loCket. He
and Harvey Hunt we're standing in
front Of the body OF a woman which
The freboat had fished out OF the river
a few hours before.
The clothing was neat and Of good
quality, but IL bore no marks by which
an identification could be hoped for.
The body had not been in the river
long. apparently, but with the sweep Of
the tide up and down there was no esti
mating at what point it had been
thrown. or had fallen into the water.
No marks Of violence either" com
n"ntrd Reagan. Same old sordid
story. guess Tired OF the struggle
agnin>' N'e-oCohab,y Il man in the
case---so sAe jumps overheard to end
Il all Well. gurss we'll send out a
description Of the locket. and a repro
dGrt.on ot the picture in It. and pee
what Z brings forth. Even though she
nd var a" locket underneath her
"'o;hinG there must have been some
Dron,o Who knew she wore IT, and some
Nudy ,lrHly Will recogni&n the picture OF
tie child. with the circumstances OF the
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1921-02-09
GLoRlFlES SCRAPPLE
Association Would Give pelicsey
National Fame

Philadelphia srrapple should be q ma
tional institution-1ust as much 30 as
Boston baked beans, or a certain brand
Of pickles. Scrapple is suggested for
the city food slogan.
The American Berkshire Associate ion
will hold congress in the First
Regiment Armpry on February 1G, II
and IS to emphasize this idea.
Berkshires and tho products Of Berk-
shires-in which list are included scrap
pie. sausage. hams, pork chops and
spare rihs-wiN be on exhibit at the
congress.