The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1921-10-31
A Year OF Delight

Year OF Delight
"Tn. Y,,r & ir"liXN'.' ~ Mariar"t
W:a,i"nl-r. ?';h.isa"i ly H." Macmillan
r;u,l;. l. x a.wurs Interesting :"
...,cr-!,l;. wa; ,"" No"! Il" r F""
.ad ON. go. wear - IN" .'r' w"''"" 80
r.. - ... a.. - i.n>sth'". .Nn'rar'i VIE
a..rn"y NaS ,hosru tEs tHu.'!ai F"'h
or arn-ia! Wr:,h "a ,rH'"r ""' .''"H
r,.ua;i," Delight l.an!"" - 'n ct ''Ah
~ '.,, has l."n hr"VEht NJ ~ -" M"iH
Iy.,.,.. I',.,!nvrd S,',nul !rr 'hv I'u!Eh-
,.rS o: C."-tN uI"l.. Sh" = An 'h"t''''
49,. >n, ,!:tlr gir' Wac ,:JNrs ""n''
aar:"r>'ir m"r" h'i:HIu 'H"n max "''
~f... nr,,ls auorH he "'hri :nu."i~s ~
iii, Mar, Iaro, School Wnrn IN "!-
der, ...... SIN adopts her IN" Is ,:".!Fl'"'l.
,,,.,,IS.uS tvnt she has y h"mc !" '1"N
,.o,, /, turns out h"W"T'i ;'At ih'
cousin Wants i N"rtr,LLN rather ih"" =
,,uurh,rr, and pr'!Eh:'s dreams a." ~
,hr rrureSs Of hrinH shattered N"'n "':
rairnursS rhlirinElN sue UmrS :"
hear, a'f,. L. leaving Delight h"r sol"
h.lr,sg pvl'rht's rI"nsu!" Ia H"Ihs Il"
, hr!rrsS is Somewhat tr"Ii'i N> ne "'.-
tors decision that SIS" has l"'n'>Io"S
nun,,u!n aHd Will probably not us" l."
en- .n, 49, wealth mo-" ina" irat' "''
; ,,rr,,:s Ms Girlum and tN'n sets aN'"'
rntr,luE 'r" year. Her i'''a ~ eH)'\-
meat - L. surround i'"rs"ii with 'h'
k..! - Iro;,.r sh" has always "ah'e"
- know. La the midst Of her rirIaur".
. rovr,rr. she docs no. forget ~ ter
omar ,,,,na, m,tcs Shr creates an Ell
,luwnlrul fund for students W" Al"
WORKING their way through un''"rS'5'' g.
'l'iic money - to Ue used tur nothing 'Ni
. frivolous purposes II Is t. .uans" then.
. % Join frateCnItiPs. ana ," rIiN'i'", .
In social p,"RSures wht'H 'h"N '"i'
not have nthrrw .S". AMI an" I"hnH man
= caught arniN.nS !; - -" i'''c' 81
star, INK mother - Stra!Eht"hN 3" ~
.,r,,.k,r from, the HSt 81 hcE't"l1rl"s
Havius contributed her SHARE !" "'""'
! ,enrr,'s gnu! times pciirht goes hA'H
. 20 her own with clear conscience IN"
; reorle w"om she e4rlcrtaius as guests
arc all very charming With ;hc "S'ep-
: ,yon Of one sirI woo Nlls he role or
villain very acCeptuh.N Tn"r" ~ ais" :
youns man who makes an "N'"!'"n'
zero. and the gay little II"' moves "n :"
n deroumrnr which could never Il" "N-
, nsc,rt hu, Is nevertheless entirely S"'-
. isrnC;0rv Marrarc; Nldd"mrr.S 80
mances eriovR Widespread and We ~"
/ served ropulHrIty. The most ""m'""n'
place theme becomes interesting when
touched 10y Re" Imagination.
Now voices.
View v1!cos." published by the Mac
milan company. Is collection Of con
,cnnornrv poetry. with an introdu'Non
nv Nargurri,r Wilkinson Miss W'k'n'
SON sees the lutrrrs; whi"h - manifest
in noe,rv IN America to-day. ~ the ;'i"'
runner Of poetic ndiSSAn'c she
nuotcs John Masrilrld. "AmcrlrR ~ nnk'
Ing ready Cor a great poet. In En%'an"
y, rho DAYS before Chhu"er. many Ir"T''
were reading and writing verse ThcA
NJ came The same interest was SHOWN
again iu., before the coming or Snakes
mare and now In mis- country YOU are
all writing poems or enjoying them. You
Yre making ready FOR master.
Tho edition has been enlarged and
rho collection enlarged: 1t Is T"rrcS"n'
tative The author has grouped me
pocms rck; book fashion {" illustrate
certain PRINCIPLES OF craftsmanship. HoI
subject matter is dactic. ~ volume
might he used az '"Nl book II WI"
also interest tho more advanced student
o, English letters. because II gives q
..sn analyss, OF various tendencies
prsEent In modern poetry.
Tho content Of a book ~ this Kind Is
naturally limited one cannot !nClu!t
everybody hu, Mss Wilkinson allow
tho radical ard vers "hris,s very Sna'
renresentation in her collection. The al;
fsrepco between the radical and con
serva;ive roet Is 10 her. manly one 81
craftsmanship. That tho radical ro"
Frequently has radical IDEAS on socin
2roblems Is 20 her uninportan' Sh'
, ..haracterizes Amy Lowell az The arch
radical Tho Others WHO Ar" no
ImagIs,s she classes as humanitarian
radicals who have taken :" poetry a.
tho street corner agi'at"r takes 10 hi
soar box The would oNcrwh"!m II
with torrents Of emotion. They Ust
language tia, III" crowd understands
They are eloquent ~ good DrUlI'a
Speakers BUr they ara seldom d"siEn
rrs. makers II ,nc'r work IS I" live. i
must he Nr virtue II IN" truth N II. hN
vir,us Of the va'u" Of tho 'h"uEh'S nn'
emotions EXPRESSED. not 10y Nirrw" "i
pattern or melody.
Democracy III Modern Poetry.
The radical r""'S are represented ~
siI poems a1rnuh"i To thn ln'rN'lvri DRY