davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10


WASHINGTON. Aug. army orders
issued to-day follow:
Infantry
Van Fleet Mai. j. A., to Brookings
Wynn, Capt w. e.. to Nogales.
Following to Fort Sheridan: White. Mai.
J.; Buck, Maj. G. s.; Cowey, Maj. a. d ;
Smith, Maj. G. L.; shutan, Maj. w. II. !;
Sumner Maj L.; Young. Maj. L. w
Following to Fort Crook; Nef, 1t. COL
= j., n i, STRAIT II t, CO... J. n; cendenin. 1t
Maj. j. e.
Following to Fort Howard Jewett, Mai.
J.. F. Field, Lit. Col. j. NJ: Tierney. Mai.
Following to Fort Sam Houston: Arm
strong, Maj. Z. NJ; MeGrsth:, Maj; ]. A, :
Col e' P. IA Buck coi Vi b. b. na' . L. Lee
Following to Fort Mcpherson: Boon. MAJ
J. NJ. Nichol. Mai. I. J.; scgarra, Maj.
r A. Kemp. Maj j.; Dashiell, Col.
Following to Fort benjamin Harrison
n Rays CO.; c; H; L yssr.a Coi / ";
Niece; Maj: F. p = Upton Maj. A. c.
Following TO San Francisco: Maghee. Mai.
r. b: Manley, Mai. T. W; Peake. Mai.
4 S; Mearns, Col r. w. Petty, 1t.
Adler, Maj. c; j., to Goyernor,s Island.
WISER. Capt. r. E. ir, to West Raleigh.
Galloway, Capt, e: E. to Arcadia.
Richardson. Maj r, to Walter Reed Hos
Honorably ischarged-schumache 1t.
G. y.
Cunningham, Maj. r H., to Fort Howard.
Walker Walker It. IT. S, p jr, to Fort Bliss
Taylor. 1t. Col w. r., to Fort Howard
0'Donnell: Maj. J. A. to New York.
S S,psss MA Ma F. s. to Ne% York. no,..o
Following 10 Fort Sam Houston-Trumbo,
T. col'G a. r; Kuznik. Maj, j.. b. !;
NJ; Huston, 1t Col. j., Niece Lit Col.
Followjng to Fort ,Grook-Dugan. Col. 7.
b; willard Col II. %.
Coast Artillery
cherrington, Mai w. T.. to Fort Benjamin
I,nperatori, Capt. r. J.. TO Manila
G,aam,pbeli. Maj. A. G. to san Francisco.
Herzer Capt G. j., to Fort Monroe
flanigen, Capt. u. L.. TO Fort Winfield
Johnson. capt. f. s. to l' Honolulu.
FISHER capt. G. j. b. to Honolulu.
l patpna It. Cox G. O., to Camp Eustis.
Pendieton. CAPT < NJ, to Fort Monroe
P Tnn. Il: J. r., to Fort winaea scott
long ~. 'OI i. =. to Manila.
lsrbaugh. 1t J. l.. jr. to Manila
Dawson MAY. c. A. w. TO San Francisco.
;;tndruSs' Maj. NJ. j., to San Francisco
hihs, MAJ. II. L.. TO Fort Mcpherson.
Quartermastcr Corps
Stetekluh. 1t. g., to philadelphia.
pConnen, 1t. J. d. to Philadelphia
King Capt. r. w. to Washington
Field Artillery
White. Mai A. a.. TO Honolulu
Adds. Capt. H. s.. to Fort sin
Medical Corps
Anderson. Capt j. T., TO Panama.
Marrow, It. Col. G. L, 10 Hot Springs
Honorabiy discharged -lsaronidos IT, r.
l., Cummings. 1t. c. A.
miscellaneous
Nicholas 1t Col G.. Vet. C.. to Camp
Bcnnirg
c' Rifsy. Big. Gen. M" T. S. A. to Fort
Krupp, Mai O.. Ord. Dept. to Rock Island.
Londahl Chap. II. NJ, L. S. n. to Fort
winfield Scott
Smith, Col {. $ Eng to Fort Mcpherson.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
Soldiers JOhs Protected

BOSTON, Aug. Employers who
discharge national guardsmen because
the men have left their positions to
attend the annual camp will be prose
cuted, Assistant Adjutant General
George W. Langdon said to-day.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

the cheek and the right shoulder, is
still in st. Luke's Hospital, but viii
recover.
Some mystery attended the shooting.
Mrs Kruer declared that she had not
seen the man in more than a year,
and that she had never known him
we'll, Or done anything to encourag &c
his attentions.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
Mrs. kruer's Assailant Dies

Thomas Mccarthy, of 238 West
127th Street, city labor foreman, who
on Sunday morning shot Mrs. Joseph
inc kruer, of 1lOth Street and River
side Drive, in front of her home, and
then turned the gun upon himself
died last night in the KnickerboAe r
Hospital without having regained con-
sclousness.
Mrs Kruer, who was shot through
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
Shot at launch
By Navy Plane
Called Stupid /
Carelessness of Aviators
Who Wounded Woman Is
Sharply Criticized by
Commander. of the Fleet
Board of Inquiry Called
Lieutenant Garvey, Of New
York City, Was Pilot Of
Craft; Has Good Record

NEWPORT, K. l., Aug. g. - Rear
Admiral A. II. Robinson, commander
of the destroyer fleet here, tonight
characterized rs plain stupidity" the
action of the crew Of the navy sea-
plane %, which, while flying over
Narragansett Bay Yesterday riddled a
launch with machine gun bullets, Sc
ve1ely wounding Miss Grace Buxton,
OF Oakland Beach. lie refused to make
any further comment.
A naval board of inquiry picked from
the officers of the L. S. S. Shawmut,
mother ship to the seaplanes, went to
Oakland Beach late today to investi-
gate the affairfl. 1t will forward res
port Immediately to the Navy Departs
ment
The machine gun on the plane had
not been working we'll and efforts were
being made to adjust it, according to
statements made by naval authorities
who withheld the names Of the crew.
From The Tribunc's WASHINGTON Bureau
WASHINGTON. Aug. o.-Junior Lieu
tenant Edward 7. Garvcy. Of "A West
lG3d Street, New York City, of the
Naval Reserve Flying Corps, was act
my DIS pIlOJ OIL IHc dlTDO0L Oh NnlCN Juc
machine was mounted, the Navy De
partment announced.
Garvey is a member Of the fight
squadron attached to the Atlantic de-
stroyer force. of which Rear Admiral a.
II Robertson is in command. The fight
lieutenant was member Of the squad
ron which took part in bombing and
sinking the U-117 off the Virginia
Capes recently.
1t was said at the Navy Department
that Lieutenant Garvey bears the repu-
tation of being an expert fier and
skilled in the operation of a machine
gun. Naval officers said it is customary
on the part of the army and navy
f1iers to try out the machine guns at
tached to their planes by directing a
few shots in the air before actually
engaging in target practice Accord
ing to the stories detailing the acct
dent, Lieutenant Garvey did not see the
motor launch in the harbor below him,
despite frantic signaling.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
The Stage Door

The Selwyns will present "Honors Are
Even" by Koi Cooper Mebruc. al the
Times Square Theater tonight.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

The completed score Of his Good Morn
ing Dcarie musical comedy written
~ collaboration with AnH" Caldwell Which,
Iiarlts Dillingham; viii produce earl. LIZ
iali ih- cat VIII Include Louise GYoodp
Ada LIS. Qsear sAsw william Kent
Ku'ton. Bob Nelson. Marie Callahan R,,S
White snd Maurice and I.eonosl HGghcs'
The Circle" Somerset Naugham's com
ed;. VIII b. prcse ntc4 at the Seiwyn TIL
ater, September -.
carlos anl lnea. Euroncan classical
dancers wiz make their first appca-ancS
..IoaaWay in Ne4 Wa. burns Tow,
Gossip
Charles G strakosch has been engaged
by Constoc.S and G"st as MANAGE -
Delysia's tour in "Afgar' '''
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

Lee Kugers first production. The Six
Irifty" by Kate Mci.aurin. Will so into
rchearsal late this month.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

The opening Of Back Pay" at the Ell
inge Theater has been postponed to Tues
lay, August so.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

Sam Harris has set forward the cate for
the opening Of six Cylinder Love" and
announces that it will be presented at the
sam H. Harris Theater on August 70.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

William Faversham will open his season
With THE Silver Fox" by Cosmo Hamilton
md Karl Hertzog, at Maxine Eliott's The
lter on September 5.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

Jerome Kern returned on tho Olympic
yesterday from London, bringing with him
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
ADVERTISEMENT
FOR TIRED, ACHElVG
FEE7-QUyCK RELIEF
New method keeps feet in
perfect condition

Just plunge those tender, pain
ing feet into bow! OF warm water.
Work up thick lathcr with Blue
jay Foot Soap. How soothingl
1t brings instant relief to jangling
nerves. 1t prevents swelling, en-
cessive perspration and itching.
Then massage the aching muscles
with cooling, soothing Bluc-jay
Foot Relief, a penetrating balm.
Then apply that delightful anti
septic dcodorant, Bluc-jay Foot
Powder. Your feet will feel fine.
Write for free booklet = "The
Proper Care OF the Fcet'-to Bauer
& Black, Chicago.
Your druggist has
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

(Fcstrth OF Series Of Eight Sketches Pre-
rioas articles WI tie MC'ied on Request.
The Futh VA Appear in the Tribune Neat
Weekl.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
ADV ENLISTMENT
GIVING A THOUGHT
TO
FIRE INSURANCE

Public Regulation by Forty
eight States-Liabilities to Pro-
tect Not Yet Earned Premiums
denominations by National
Convention of insurance Com
gnissioners.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
Army Orders

From, The Tribune's Washington Bureau
WASHINGTON. Aug. army orders
issued to-day follow:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

What with the proper handling Of
this particular account--And it is one
Of the heavy expenses of our business
so it can be checked readily by ex-
aiming commissioners TO see that it
satisfieS the rigid requirements of law
what with keeping oar funds invested
50 az 70 observe the laws Of all the
States and what with all the other re-
ou.rements II law we are called upon 70
meet. while u could not be held that we
arc supervised too muca, it IL fair to
say ne are fppervised amply for your
protection and our own good
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

NEW Works. LEADING THEATRE
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10

Many years ago, when laws were
first introduced to establish liabilities
for not yet earned premiums, some com
panies were handling their business on
the merchant | described to YOU who
wa not taking an inventory and were
headed for inevitable failure. Today.
for your safety, the law Is rigidly an,
plied 70 all stock fire insurance com
panies and failures are negligible.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
80 CLOSELY are stock insurance |

1t is my nope that nave beer able
to explain this rather intricate sub
ject of the earned and the not yet
earned I've call them "unearned")
premiums that have been so much dis
cussed OF late.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1921-08-10
JOHN r. MORTON

10 wiLLlAM sTrEEY. NEW YORK
New-York tribune., 1921-04-17
By Royal Cortissoz

There is subject for comment in the
uars bulk of the work at present to be
.ean In the galleries of New York. We
,.call nothing quite like it in years
rberc is veritable deluge of exhibi-
tons, beginning with the huge affair
organized by the Architectural League
IN the new south wing of the Metro
roIitan Museum. The interesting thing,
TOO. is that practically all of this great
mass of material is of American origin.
Here and there the foreign type is to be
encountered. There are, in fact, three
distinctly foreign exhibitions. But our
avn school fills the foreground and
leaves an impression of extraordinary
.et;yity. We wonder a little at it's eco
manic implications. Where do all these
nictures and statues go to? Is the pub
lie keeping pace with the artists? The
latter have come to form a positive pop
ulation by themselves. They must re-
eeiye certain support. If the general
air Of busy production is to be taken as
evidence, then the United States is
spending money on art as never before
IN our history.
New-York tribune., 1921-04-17

pictures are soundly constructed af-
fairs, the pictures Of we'll trained
workman. When they are of the sea
they have a charm which triumphs S
over conventionality Of color and of
style. The surf that gently breaks
upon Mr.. Harrison's shores is painted
with admirable skill. 1t is painted,
too, with a marked appreciation of
linear pattern. These compositions are
invariably piquantly developed. But
the artist pays the penalty of his long
subjection to an alien tradition. He
misses the racy quality which belongs
to the American school in it's dealings
with earth and sea. Birge Harrison
ratifies the point. He, too, has had
a French training and shows it in his
work, but he shows also the invigorat-
ing effect Of the American environment
in which he has painted his subjects
Exhibited with the pictures there is
marble Of Robins, belonging to Alex
ander Harrison, which is also to be
sold. "Le Baiser" is a characteristic
piece of the French sculptor's model
ing one Of Swinburne's "hosannas of
the fesh," executed with mastery
technical adroitness. 1t is, of course,
rich in sensuous grace. 1t is modest
in scSale, point which will doubtless
count in the competition for it.
New-York tribune., 1921-04-17

nature casually rather than with an in
sistence upon freshness and strength
in composition, he saw it at all events
with the eye of an initiate and with an
almost unfailing instinct for beauty.
His disposition to return to we'll tried
themes never lessened his ardor in at
tack. Observation of his art leads in
evitably to the expression of reserva-
tions. He is mixed type, compounded
of both strength and weakness. The
explanation lies probably in the fact,
which was pointed out in these col
umns shortly after his death, of his
possession of something less than
genius. The present exhibition only
confirms that judgment. There is no
phenomenon in art like the warrant of
supreme inspiration. Consider the
case of man like the late A. P. Ryder.
His technique is often to seek. But
then his technique does not matter!
With Ryder's amazing gift Murphy
might have done anything. Without it
he did as much as man could, paint
ing pictures that may not have great
ness, but that are beautiful. There is,
after all, enough in that record.
New-York tribune., 1921-04-17

is beyond peradventure wet. Charreton
is strong in textures and in atmosphere.
French landscape as he represents it is
an individualized form Of realism. He
has no relation to the subjectivity to
which we have been alluding. The Same
remark is to be made apropos of the
Society of French Landscape Painters
which, at the Anderson Galleries, makes
its bow to the American public. The
members of this body are often dex-
trous painters. Among them all there
Is little trace of imagination.
1t IS interesting to note that the So
cety has no clear alliance with impress
sionism as it is represented by Monet
Just once, in the Bank Of River" by
Pierre Montezin, there appears a pas
sage of what one recognizes as impress
sionistic painting. The trees on the
right are touched with sunshine. The
effect is almost if not quite that of en-
velopment in light and air. But M.
Montezin is exceptional. The landscapes
here are chiefly of very different order,
painted in high keys ye. with a sugges-
ton of the studio about them, of "plein
air" motives sifted through a north
light. The average of workma nship is
hardly more than fair. One or two men
give it certain lift. M. Edmond Petit
jean has lightly precise touch. The
Birch Trees" of M. Lucien Lantier are
cleverly drawn. Both these painters
have a commendable knack of pic
turesqueness, they portray old architec-
ture we'll, and there is kindred merit in
the work Of NJ. A. Poncin and M. G.
Boucart. NJ. CASTOR Balande has q
pleasant method, Neat drawing and toll
cradle composition are apparent in many
of the ninety exhibits. The general ef-
feet is one of rather hollow artifice. The
specifically attractive picture is not un-
common. Depth of feeling is undeclared.
Even Henri Montassier's mountain
studies, excursions into grandeur, have
no glamour at all. One is bound to ac-
cept the group, as a group, with cour-
tesy but it wakes no enthusiasm what
ever.
New-York tribune., 1921-04-17
Murphy, Metcalf and
Some Figures From Paris

Under the new dispensation which is
associated with the prime Of George
lnness, we turned from Typographical
description to emotional Interpretation.
Landscape became a vehicle for the ex-
preston both of sentiment and of indi.
viduality. Technique broadened, and
with this improvement natural magic"
entered upon a new lease of life. Muir
ply was one of those who enforced its
charm.
There is delicate loveliness in his
work, the loveliness of suavely har-
monized color, of trees and LEAKAGE,
which, if not precisely poetized in the
romantic sense, are nevertheless lifted
above the level of prose; of skies which
have an opalescent sweetness and
purity. The note characteristic CT him
is that of fine and sensitive tempera-
ment, never fully energized into the
most authoritative action. He offers
not so much richly synthesized con-
ception of scene as an alluring ap-
proach to it. Matthew Arnold, writing
of Gray, made much Of the comment
of the Master of Pembroke Hall on the
poet, "He never spoke out" Murphy,
as an artist, was similarly circum-
stanced. Hence the rather thin, sparse
effect of paintings of his like the "No-
vember Morning" (No. p or the cup
land Farm" (No. 1S) and several of
their companions. Hence, perhaps, his
deviation into a somewhat hammered
mode of painting. There was no dis
tinction about his earlier work, but it
had occasionally a robustness which
might we'll have been carried into the
paintings of his maturity. We regret
especially that he did not achieve
greater felicity of design, more of the
creative force which turns an impress
sion into an invention.
What he did achieve was a tender
veracty, an Interpretation of nature
that took no account of the difference
in the treatment of light that i'm
pressonism had ushered into modern
art, but that won warm sympathy for
his own peculiar mood. If he saw
New-York tribune., 1921-04-17

years ago huge canvas Of his-"In
Arcady," we think it was called--in
which his art disclosed sudden and
strong infusion of impre ssionism. But
even then it was the impressionism
of Roll, we should say, rather than the
impressionism Of Monet, that was per-
ceptible in the work. In word, it was
still of the Salon.
The phrase connotes, Of course,
something very different from land
scape art as it was established here
by such men as Inness, Wyant and
Homer Martin. Subjective elements
are not apparent. Landscape sentiment
is interpreted with an academic rather
than a personal touch. But the Salon
hypothesis has never excluded the play
of talent and Alexander Harrison has
always possessed that. 1t comes out
in two sharply defined merits, in good
composition and in good drawing. His
New-York tribune., 1921-04-17

of an unstudied episode on the New
England coast, but in which the COM
position is almost formal in the per-
fection of it's balance.
Along with its purely pictorial
quality there goes in this show a de-
lightfully vitalized Interpretation of
sunshine and air, of birches that are
truly as blithe as the June in which
they were painted, of clear and misty
weather, of old houses saturated in the
feeling of their rustic environment, of
American landscape, in short, stated in
the mode of penetrating realism. The
romantic motive, we repeat, is ignored.
Save in one instance. "Benedction"
is the title given to one of the most
I important pictures exhibited, the pic
ture of an old white meeting house
painted at night. There are a few
stars in the sky. They look down upon
a scene Of shadowy stiffness. Again
New-York tribune., 1921-04-17
Metcalf
An Accomplished Painter of the
Visible World


The immemorial cleavage between
objective and subjective art is brought
up when we turn from Murphy's land
scapes to those by Willard l.. Metcalf
which are shown at the Mich gallery.
II am man." said Gauter, "for whom
the visible world exists" Mr.. Metcalf
is dedicated to that world and is above
all things an accurate observer, defin-
ing the truth in terms of great tech
nical precision. Such method as his
carries it's own danger. The truth may
be given too scientifically impersonal
an impression. But if personality is
too strong to fall into the trap it
lends a positively exhilarating interest
to such impressions as are here gath
cred together. The determining fac
tor in Mr.. Metcalf's work is only to
be designated by the old phrase about
"the JOY of living" He unmistakably
delights in his subjects. There is
nothing pensive about him, he has no
reveries, no dreams. Nature as it
| COuCuCS ulIl is IIdIuIe elOQucHt only
Of its own charms, it's flashing colors,
it's keen airs, it's intensely character
istic forms. We have long felt in his
paintings the force of what an Eng
lish writer called "the spirit of place"
He paints portraits of landscape.
He has never made them more
varied than in this collection of ff-
teen pieces. At one moment, in a
picture like the "Road to Cape Por-
poise," or in another such as "The Viii
lage in Late Spring." the Americanism
which is peculiarly constant element
in his work is expressed in a very init
mate manner. Then in "The Valley in
Spring" he tackles what is, for him,
novel theme, big and even pano-
ramic composition. The source of his
diversity, we take it, is to be found
not simply in change of scenes but
in the artists concern for design. We
have alluded to his technique. 1t tells
most obviously in the handling Of tree
New-York tribune., 1921-04-17
The Harrisons

Some Pictures Painted by Two
Brothers
At the American Art Galleries, where
they are to be sold next Tuesday eve
ming, there are tfty-one pictures
painted by Alexander and Birge Har-
New-York tribune., 1921-04-17

add nothing to art that we find beauti-
full or even mildly interesting. They
CONTINUED on next page.)
New-York tribune., 1921-04-17

the painters craftsmanship stands
him in good stead. Building and trees
alike are beautifully drawn. But it is
the serene beauty of his subject that
he has most effectively expressed, not
romanticizing it in any adventurous
manner, but disclosing the romance
implicit in the church and it's sur
roundings. His work has ordinarily a
direct appeal. Here it takes on a GER
tain subtlety. The manual skill which
always belongs to him is lifted to a
higher power. He strikes in the 'Bene-
dicticn" the most serious note of his
inspiriting exhibition.
New-York tribune., 1921-04-17

At the gallery of the recently estab-
lished Societe Anonyme, which is given
to modernist ideas, there has just been
held an exhibition of "Dadaists," four
or five Teutonic experimentalists. They
New-York tribune., 1921-04-17
Random Impressions
In Current Exhibitions

Mrs. Ellen Emmet Rand has not for
several years had an exhibition of her
portraits. 1t is pleasant to hear that
one is now accessible, at the Durand-
Ruel gallery.
New-York tribune., 1921-04-17
Murphy
A Representative Collection of
His Landscapes

II is fitting tribute that is paid to
the late J. Francis Murphy at the Mac
beth gallery, where loan exhibition
Of thirty-three of his paintings has
been assembled. There is little, it is
true, to recall his earlier habit. The
.Noyember Grays" NO. 14) is the only
example which brings back something
Of its quality, and the actual date of
this canvas may be comparatively re-
cent. But it took Murphy some time
to get into his stride, and the show is
not unreasonably illustrative of his art
as he then developed it. 1t was a
gracious art, typical of the growth of
American landscape in the period fol-
lowing the spade work of the pioneers.
New-York tribune., 1921-04-17
LIGHT RAlN-WINTER
rom the painting by Victor Charron Dudensne a>

forms. No contemporary landscape
painter can beat him in craftsman
ship. But there, is a subtler and posi-
bly, more important virtue in his man
ner Of putting picture together, Civ
ing it unity without losing spontane-
ity. "The Old Willows and Brook" is
striking illustration. So is the "Road
to Cape Porpoise," just mentioned, in
which the luminous atmosphere is all
New-York tribune., 1921-04-17

rlson. They are of interest as illustrat-
ing certain clearly. marked develop
ments in our school These are the
developments promoted by foreign in
huence. Alexander Harrison, who has
the lions share of the room, is essen
TALLY a type of the Salon. A pupil of
Gerome, long settled in Paris, he has
consistently adhered to French ideals
OF Workmanship. We remember seeing