davidaulloa/AmericanStories huggingface dataset:
El Imparcial. (San Juan, P.R.) 1918-197?, 1921-09-20
PETICION DE LA CRUZ ROJA AME.
RlCANA, PARA LAS VICTIMAS DEL.
TEMPORAL DEL 10 Y IL DE SEPT
EN- LA PARTE OESTE DE La ISLA

La Cruz Roja Americana recibe dia-
rlamente peticiones de la Isla, en- rela-
ci6n con los dailos ocasionados Dor el
viento Ia luyia, durante el tempo
ral ocurrido ell la pasada semana. En-
tire ellos hemos recibido este telegra-
ma del Comite Local de la Cruz Roia
Americana, de Rinc6n, que sc trans
cribe:
"Grandes danoS cauSados agricultu-
I'd situaci0n actual tiene paralizado
trabajo, donde braceros CANADIAN sub
sistencia. Tengo noticias de cuarenta
casas, bohfos destrufdos V otros des.
techados, estimando da1os dos mil do
lares. Familias carecen hogar, ropa V
alimentOs. Situaci0n crftica este Co.
mite V Aunicipio carecen recursos pa
IA aliviar miseria. Cosecha frutos me-
nores perdida, 10 que agrava situaci6n
pobreZa. Urge socorrer necesitados.'
Rinc0n eS un diStrito de ocho mil
almas. Aunque ell COmitG local hace
todo 10 possible por resolver la situa
, ciOn. 10 ciertO es que suS recursOs son
tan limitadOs, que es neccsario acudir
en- su ayuda.
Igual situaci6n existe ell Lajas,
| Aguada Y AnascO. V Sc calcula que la
suma de CINCO MIL DOLARES es
necesaria para haccr frente los da-
nos cauSadoS.
| Hcmos telegrafiado los Counties To-
Gales de Arecibo, Mayagiiez, Guayama
Y Humacao, en- petici5n de ayuda, Y
los habitantes de San Juan de los
otros puebloS de la Isla. sin duda al
guna, ayudardn a socOrrer los nece
| sitados, como 10 han hecho en- otraS
| ocasiones.
Las suscripciones pueden ser envia
daS al Honorable Jose E. Benedicto,
TeSorero de Puerto Rico Y lie la Cruz
Roja Americana.
JUAN B. HUYkE.
Presdente, Cruz Roja Americana,
Capftulo de Puerto Rico
Francisco IiscdTTOHdO,
El Imparcial. (San Juan, P.R.) 1918-197?, 1921-09-20
CERTAMEN DE BELLEZA DEL
CINE STRAND"
ESCRUTINIO DEL II DEL CO
fS RRIENTE

Srta. Gilda Gambia, 1O,O54 votos,
Srta. .Zarfn Gomez, G134; Srta. Lydia
Marin, 1896; Srta. Pepita Rousset,
SS14; Srta. Aurorita Marin, 2945; Y
Srta. Adelita Arce, 1890.
El Imparcial. (San Juan, P.R.) 1918-197?, 1921-09-20

La creadOra de esta nueva vestimenta
femcnina. asegura que esta basadO Ell
un cstilO puramente espanol. TeHdra
algun refiejo, pucs exile el us0 de una
peineta a estiio de las que llevan con
tantO donaire las madrileTas para dar
le mas csbeltez la mantilLa; pero lie
falta la gracia que solo es patrimonio
de las hijas de Ia TERRA dc Maria San
tisima. Hacc POGO este modelo fue
exhibido, con la aprobacion general, en-
la Retails MilHners' As;CciatiGl
Show, New York.
El Imparcial. (San Juan, P.R.) 1918-197?, 1921-09-20
JUAN B. HUYk

JUAN B. HUYhE.
PreSidente, Cruz Roja Americana,
Capftulo de Puerto Rico
Francisco TiscdITUHdO,
Prcsidente, Cruz Roja Juvenil.
The New York herald., 1921-05-01
Colun1bia's Summer
Course in Architecture

The experiment in training students
sf architecture with three dimensional
models has proved so successful in the
regular work of the Columbia School
OF Architecture that courses in tech
nioue Of model making will be given
under the summer session, which be-
gins on July and continues for elk
weeks. and FOR which an attendance of
more than twelve thousand students is
expected.
The classes in the technique OF model
making will be given in the evenings 80
that students who are occupied IN WORK
during the day viii be able TO attend
Harold v Walsh, instructor in arcnl-
lecture at Columbia. will give the
course. which is one of large number
OF summer courses in architecture.
Courses in shades and shadows, per-
spective pencil drawing, advanced de-
sign water color drawing. charcoal
drawing. elementary design. elements OF
design. including the application OF or
ders, domestic architecture, antique ana
life drawing, and a course in the funda-
mental technique of architectural draft
ing as practised in the average office
are among those offered for the summer
semester Credit toward the degree In
architecture for students who have sat
isfied the entrance requirements VIII be
given ALI students completing the archi-
tectural courses. The courses are also
open to an qualified students without
examination.
The New York herald., 1921-05-01

Lynn, Mass. and studied at Massachu-
setts Institute Of Technology in Boston
and Julian Academy, Paris, under Bou-
LANCER and Lefebre. lie Is president OF
the Boston Water Color Club and
member Of the Copley Society Of Boston,
the American Water Color Club, Ma
tionai Academy OF Design and the New
York Water Color Club.
Leonard Ochtman, Cos Cob. Conn,
born at Zonnemaire. Holland. ana rs
member OF the American Water Color
Society National Academy or Design,
National Institute Of Arts and Letters,
New York Water color Club. Society Of
Landscape Painters. New YORK city ana
the Brooklyn Art Club.
Charles w Hawthorne, New York
city. born in Maine and was student az
the National Academy OF Art Students
League, New York. and a pupil or the
late William NJ. Chase. He is MEM
her of the National Arts Club, National
Academy of Design. New York. and
associate member Of the Soc1ete Nation
afe des Beaux- Arts. Paris.
Daniel CARRIER, Philadelphia, born al
North Manchester, Ind, and studied a.
the Cincinnati Art Academy and Penn
sylvania Academy Of Fine Arts. lie y
a member of the National academy Or
Design. National Arts Club of New YORK
and fhe Art Club OF Philadelphia.
George Bellows. New York city, born
al Columbus, Ohio, and was a pupil Of
law Hambridge and Robert Henri. lie
Is a member of the National Academy
oe Design, National Arts Club, National
Institute OF Arts and Letters, Painter
Gravers of America. Society OF AmeTl-
can Painters. Sculptors and Gravers ana
the Boston Art Club.
The New York herald., 1921-05-01
British Autographs
At BrOWn-RObertSOn S

British artists In black and white
have msde an honorable name for them
selves in modern history. and so an
exhibition OF original lithogra phs by the
British men will draw collectors TO the
Brown Robertson Galleries with CON
siderable degree OF hope.
It IS only necessary TO say that the
men represented include Augustus John,
Paul Nash Spencer Pryse. William
Rothenstein, Charles Shannon. Ethel
Gabain. Frank Brangwyn and 9. II. w.
Ncvinson, and IL win be clear that a
high level OF efficiency may De expected.
A q matter OF fact, the work through
out is able. though perhaps the highest
levels have not been reached bv any one.
Tho Spencer Pryse productions have
the facility that is now associated with
his name, though there is the dangerous
tendency to outrival Brangwyn in using
excessively large sizes. VIII Rothen-
stein is one at least who firmly with
stands this temptation and draws his
portraits OF celebrities with his usual
skin. Portraits by q. g Moorpark, Of
IL u Wells and Bernard Shaw are
more pretentious but less sure. The ad-
mirers OF Mr.. Shannon will rejoice In
no less than six examples OF his IAN
tasy, expressed as usual in his early
Italian manner.
In conformity with an admirable
British custom the catalogue OF this ex-
hibltlon states the prices and IN con-
formlty with still another admirable
British custom the prices are low
American etchers and photographers
should take a tip from this. They would
run n much greater chance or starting
firmly upon q career II they would emu
late the modesty OF the British artists.
The New York herald., 1921-05-01
Pittsburghs Annual Display Contains 385 So-So
Works of Art, but Few That the Intelligent
Will Discuss at Length.
BY HENRY M'BRIDE.

add
England and Italy
a international show just
Of the kind that
people oceu
Meeting Cleopatra and Antony
provincial
in that late
defray the of the undertaking. desired
I'M annual affairs
Pittsburgh exhibition It was
he he yielded to sly
in
eXulngy or
Founders Day ceremonies before
oared sympathy with him
Founder had regard the matter IS o
doubtless further than the beating OF New YORK
But is he thought he a good thing.
earthly from New YORK
This in particular feels that lie
all the waking hours on the
commendabe OF the new
had wonderful
them in new surroundings Inc
credit the productions
they absurdy international bids that Is pre-
poserou to "a collection international snow.
So something in the State of Denmark and
the pet
frustrated for frustrated it
method choosing the
method of choosing the foresn
painted England and IN france during e
would dream in Pittsburgh he
The New York herald., 1921-05-01

puts her people back in the atmos-
phere like Eugene Carrierie, but law
ishes sweet and timid color touches
upon them. Her work has a genuine
quality and there is something pull
sating in it.
CarnmiHo Innocenti. the Italian, is
beautifully named for the sort OF thing
he does. Semi-nudes with long stock
ings, giddy garters, slippers and some-
times even rope of pearls. That sort
of thing. But Mr.. Innocent doesn't I
see the harm, so, why should Pltts-
burgh? One of his pictures, l think
the title is Summer" lights up the
remote room where the Henri Matisse
portrait hangs. The young person IS
really very handsome, in a way,
though she has carmined her lips,
thing I don't approve of, and stares
at YOU as though she thought you had
An awful cheek to come in without
knocking. The committee was dread
fully alarmed over this picture, 1t IS
apparent. almost as much as over the
Henri Matisse, and placed it so that
only the most daring art lovers VIII
take the trouble to squeeze themselves
against the wall in order TO OBTAIN the
proper light upon summer.
George w. Lamberts "Haf BACK
is about the best of the English por-
traits, though IL / remember rightiy
il is placed in the remote room, cheek
by jowl with Mr.. 1nnocenus sum
mer." Mr.. Lambert's Half Back is
simply a nice, clean, wholesome col
lege youth. What is he doing in that
corner? Surely here is a question lot
moralists to ponder over.
Sir John Ldrery also landed In the
remote room. His "Backwater on the
Thames" is a fiippant, graceful bit OF
painting. An old gentleman In canoe
with a jaunty straw hit tipped over
one ear, lady with japanese sun
shade, a poodle dog one sees that
they are nice people. Everything
about the picture is dapper.
Abbott Fl. Thayer. Bryson Bur-
roughs and Fl. @. Tanner take re-
ligious themes. Mr.. Thayer in ms
vague way portrays an angel-an an
gel whose face has the insipid sweet
ness of the proverbial Christmas card.
This face is the face of a skull that
has been insecurely attached TO
torso. and the difficulties the artist
had in drawing the neck were only
excelled by the difficulties he had IN
drawing the arms and wings. These
wings are about the worst things Mr..
,rhayer ever has done. In truth. this
artist knows the trick of making lu-
minous lights-a trick he learned
years ago in painting roses-and this
luminous light, which he always gets
we'll enough, was his sole preoccupa-
tion in this work.
Mr. Burroughs's MARY Magdalen"
was reviewed here recently upon the
oecs sion of an exhibition in the Mont
The New York herald., 1921-05-01
Weddings and ENGAGEMENTS of Interest in Society

Kathleen Cullen of Memphis, Tenn. Mr..
Wykes was appointed by the late Mayor
Mitchell as member OF the committee
to welcome the foreign mission in 1917.
He was a captain in the United states
Army and served in France. He was a
member for many years Of the executive
committee Of the Pilgrims.
In An Angels Church On Wednesday
evening. Miss Leonora Boswell. daush-
ter or Mrs Henry Harrison Boswell, be-
came the bride OF Mr.. Rene Mead Par
dee OF Irvington on Hudson. The cere-
rnonv was performed by the Rev. DIR.
Charles Laban Pardee. father OF the
bridegroom Tie BRIDE who entered the
church with her cousin, Mr.. Howard
Herrmans or Rochester. n ~, was at
tended by Mrs. robert Palmer Marshall,
As matron Of honor. and two flower
girls. Katherine Palmer Marshall, niece
OF the bridegroom, and Elizabeth Selden
Field. cousin Of the bride. Mr. Charles
l.. Pardee. Jr.. was the best man.
MIR. and Mrs Edwin Keith Bennett,
when they return from their wedding
trip. win live az 147 Sixth avenue,
Rrooaxlyn. Their wedding took place on
Wednesday IN Grace Church, the rector.
the Rev. Or. Charles Lewis Slattery. Of
ficiating. Mrs. Bennett was MISS Mary
Evelyn Ediclc, daughter Of Mr.. and Mrs.
Samuel Edick Of san Juan. Porto rico.
She and her mother made tho trip few
weeks ago from san Juan 10 New York
for the wedding. as did Mr.. Bennett. who
is a son Of Mr. and Mrs. William II.
Bennett, also Of Porto Rico The cere-
mony was followed by n reception at the
home OF the brides aunt, Mrs. William
J Newman, 420 Riverside Drive.
Mr.. and Mrs Robert r.. Hayward. Jr..
who were married on April % IN tpe
West End Presbyterian Church. are
spending their honeymoon motoring
throrsn the white Mountains. on their
return they will live in New York Mrs.
HcyWard was Miss Marie Frederlcka
Avery. daughter Of atr. and Mrs. Led
yard Aver, of 500 Riverside Drive. Mr..
Ticvward Is tho son OF Mr.. and Mrs.
Robert X Hayward of 32f West 1oSd
street
The New York herald., 1921-05-01

has exhibited In five International exhi-
bitions.
Robert yonnoh New York. born at
Hartford, and studied al Boston and
Paris. He is a member Of the Allied
Artists of America. Architectural League
of New York, National Academy Of De-
sign. National Arts Club National Asso-
citation Of Portrait Painters. New York.
and is corresponding member Of the Sc
cession Society Munich.
Edward w. Redneld. Centre Bridge.
Pa. born at Bridgeville. Del, studied
at Pennsylvania Academy OF Fine Arts
and was pupil of Bouguereau and
Robert FIeury in Paris. He is a MEM
her of the National Institute of Arts and
Letters, New York Society of American
Artists. New York Paris Society OF
American Painters and the Art Club OF
Philadelphia.
Emil Carlsen. New York city. born at
Copenhagen. Denmark. and is member
OF the National Academy OF Design and
the National Institute of Art and Let
ters. New York.
Charles II. Woodbury. Boston. born at
The New York herald., 1921-05-01

historical completeness in showing the
development OF style, nor II the pTa-
Porllonal importance Of the different
artists by the number of their works
sacwn. 1t was necessary to limit The
thcics or works to the capacity of ne
gallery and paintings less frequently
seen have been selected i'm preference %
those more familiar to the public. II
happens, consequently. that Cezanne is
represented by twenty-six works and
Claude Monet by only six. Single works
by Courbet. Puvis and several rarely
seen canvases by Manet are included.
They afford point of immediate com
parison with the art of their fellows
and successors and make evident the
logical development of the post-impreB
sionists, a fact that is frequently lost
sight of in contemporary debate. The
usual attitude of the disputants that
the artists manner is the result alto
gether of his divine virtues or his dia-
bolical perversity is not agreed TO by
the fashionable historians of the day,
such as Ellie Faure, who insist that the
manifestations of art are the absolute
outcome of what has gone before as
well as the cause of what follows.
Among the Manets shown is the
charming portrait of Berthe Morisot,
loaned by Mrs. George Vanderbilt.
There are nine canvases by Matisse of
great power and brilliancy. Among the
works by Degas is the seldom seen In
terror" splendid as a work of art, but
puzzling to moralists. Derain takes the
important place that he deserves. and
Van Gogh, Cezanne. Gauguin, Picasso.
Odilon Redon and Guillaumin are splen-
didly represented.
The summary of recent French art
t-s- ,,sT,- Iss
pared for the catalogue is the most in
tclligent and just estimate Of this vexing
period that has issued from any museum
I'm this country. 1t Is clear. lucid and
marked with common sense throughout.
Certain passages will afford great COM
fort to modernists, for though the values
given are those that authorities abroad
have conceded these years past ii had
seemed unlikely that they would ever be
spoken in circles where our reluctant Of
ficialdom could hear them.
Some of the main points are as fol-
lows:
The dominating force In to-day's de-
velopment is the great and mysterious
figure of Cezanne. His early tastes We're
romantic and baroque; he resembled
powerful relief and contrasts of lights
and heavy black shadows in the man
ner of the seventeenth century Italians
Caravaggio. Ribera and the Carracei.
Later he displayed a certain likeness to
Daumier and, like him, delighted in
The New York herald., 1921-05-01
BERTHE NOR SOT BY MANET
rfoDESN ART ct the
by MRS GEORGE VANDERBILT

of useless pictures, often of great tech
nical competence, produced each year in
Paris alone was appalling. Thousands
of these covered the walls of each ex-
hibition gallery; great size, sensational
subjects, astonishing virtuosity, any
thing was resorted to for the purpose of
attracting attention. Disguised people
turned away from it all and discovered
Cezanne. His pictures, moderate In
rize. of simplest motive and hesitating
workmanship, make no pretence. They
only record the sensations of a single
minded. very sensitive painter before
the sunlight on an ordinary house with
= bare hill back of it. or the tired COM
inonplace head of a woman against
nondescript wall. or some fruit on Il
dish His fresh, lovely color. his haunt
ing sincerity, his readily grasped ar
rangements were hailed as the mani
festations Of a regeneration OF art, and
the aesthetics found delicious stimulation
in his wayward distortions OF natural
form and in his choppy and abrupt
brush strokes
Cezanne's rough. heavy handed man
ner suits the time. The old ideal OF
high finish and careful workmanship
has now fallen into disfavor and an
unabored and sketchy appearance has
come to be characteristic of our paint
ing. The same change Of taste mas
shown itself in connoisseurship-the
critics have given their admiration to
arts further and further back In history,
searching ever for cruder forms. The
sculpture of savages now occupies the
place which Raphael frescoes held
In the aesthetics OF our grandfathers,
and the influence OF the totem pole and
the negro idol is found in the work OF
| the typical artists Of to-day.
/ Matfsse is the most conspicuous oil
| living painters. The synthetic tenden-
! cies OF the post mpressionis. period
( have developed In his work TO the broad
! est simplifcations and is distortions
4 have become more purposeful and start
] ling in his hands His drawing has the
4 audacty and spontaneity OF drawings by
I untaught children his colors are ap-
IDplied directly. with no overworking at
air His method demands the ciearest
! idea beforehand of what he Is going 10
express, and allows of no elaboration.
The freshness OF his first impression is
/ what he strives for and he leaves out
>uch that we have been accustomed 10
see. Character and light are his aims
! and his success in attaining tho latter
by the most summary means will be
appreciated on comparing his interior
1 IN this exhibition with similar works Of
the impressionists, relatively dras in the
contrast, though their glarins qualities
were D scandal in 1890.
The New York herald., 1921-05-01
Modern Art at the
METROPOLITAN Museum

The prospect of an exhibition of
modern art in the Metropolitan Museum
of Art has so long been a subject for
scepticism upon the part of those most
deeply concerned in the cause of modern
art. that probably these very sceptics
win be the most surprised among those
present at to-morrow's private view"
for the show Is an overwhelming success.
1t is larger and more truly representa-
tive than it had been thought possible
TO secure in this country at this time.
Furthermore II looks well. The ad-
vanced guard will be enraptured with
it. Whatever the philistines must think
in their hearts, even they must concede
that the room looks well.
The collection has been installed In
the large gallery that held the Chinese
porcelains OF Mr. Morgan for so many
years. This is n room of noble proper
tions, but somewhat sombre in effect. 1t
Is far from being an exaggeration to say
that never since the porcelains have
been removed has the gallery been so
full of agreeably lively color as it is ut
present A genuine pleasure can be
promised those who are to be the
museums guests tomorrow afternoon,
and the educative effects. when the
show has been finally opened to the gen
eral public on Tuesday, are sure to be
profound
A great deal Of work, II is obvious.
has been necessary in achieving this
result, for directors of exhibitions know
only too well that good pictures seldom
come together In quantities by chance.
There has doubtless been considerable
cooperation, but as Mr. Bryson Bur
roughs. the museums curator Of paint
ings. would have been the most avail
able fgure-head for censure in case the
experiment had miscarried. It Is only
fair TO offer him the praise for it's sue
cess. He and the museum emerge from
the affair with great credit. and this
is all the more matter for congratu-
lation since the Metropolitan's attitude
has great weight upon the lesser mu-
seums throughout the country. The
charge of Indifference 10 the life-and-
death struggles Of the geniuses of the
present era, a charge which has long
been secretly urged. is now hushed. A
page of museum history has been turned.
and there is every reason to hope that
the turning Of the next page will not be
so difficult. There is much in precedent.
A note to the catalogue states that
the exhibition was undertaken in re-
sponse TO request from the following
The New York herald., 1921-05-01

ross Galleries. Mr.. Tanners Christ
at the House of Lazarus" is an affiict-
ing performance. His attempt at in
PRODUCING the Sacred Parsonage into
modern environment succeeds only in
suggesting the hocus-pocus of par
ticularly cheap spiritualistic seance.
Ernest LaUSon, who wins a prize
with his vanishing Mists" every time
he shows it, is now generally acknowl-
edged to be our best landscapist. In
Pittsburgh as in New York he came
into rivalry with Mr.. Schohelds
Waterfall" but, happily for those
who take poetry with their landscape,
he won both times. The other prizes
at Pittsburgh were prizes of encour-
agement and are not worth discussion
The New York herald., 1921-05-01
International Jury
Al Pittsburgh h Show

The International Jury OF Selection
which awarded the prizes and setectcd
from a large number OF offerings the
canyases hung at the twentieth annual
International Exhibition, consisted OF
ten artists-two from England and
eight from the United states. The jury
made its selections at a three days seq
sion. April Z. and .. The names OF
the Jurors, together with n brier resume
or their Affiliations and attainments fol-
low:
George Clausen, London. England,
member OF the Royal Academy Of Arts,
London. Royal Society OF Painters in
Water Colors, London; Secession So
clety. Munich. and Secession Society
vienna. Mr.. Clausen IS 2 painter or
landscapes. particularly farm life, but
also does portrait work. lie has exhib-
ited IN four International exhibitions.
william Nicholson. London, member
International Society OF Sculptors.
Painters and Gravers London; National
Portrait Society. London, and Royal So
ciety Of Portrait Painters. London. Mr..
Nicholson paints still life groups and
portraits, using ;ne direct method" He
The New York herald., 1921-05-01

group OF art lovers: Mrs. Harry Payne
Bingham, Miss Lizzie p. Bliss. Arthur
b. Davies. Pauf Dougherty, Mrs. Eu-
gene Meyer. Jr., John Quinn and Mrs.
Harry Payne Whitney: who felt that
"The educational value of such an ex-
hibition would be greater If held in our
museum. where the modern works could
he easily compared with examples of
art of long recognized excellence shown
in nearby galleries"
Those who loaned paintings were
The New York herald., 1921-05-01

YOUNG WOMAN BY HOWARD CUES.
Of SECOND OF
CARNEGIE /NSTTUTE Ie2/

Tintoretto: his pictures or tile nude have
something OF the nervous statement of
the drawings Of the great Venetian,
while his spiritual analogy to Greco. that
other late manifestation OF a powerful
tradition tired of robust natural forms
and demanding new expression in their
distortion, has been frequently noted.
Tho age was heartily tired Of the out
put OF the schools Of art. The number