davidaulloa/AmericanStories huggingface dataset:
The daily star-mirror. (Moscow, Idaho) 1911-1939, 1921-10-10
Fumes From Home Brew
Made Neighbors Drunk

Home brewing has become
such a passion with Thomas Tig-
gins of Brooklyn, N. Y, that his
neighbors informed Magistrate
Liota they were becoming drunk
from the fumes ascending from
his kitchen. His wife complains
that Higgins himself became in
toxicated. Before Magistrate
Liota let Higgins go, he made
him promise not to brew for a
year or to taste another's prod
uct.
The daily star-mirror. (Moscow, Idaho) 1911-1939, 1921-10-10
Cotton Had Been in
Mans Ears 70 Years

When William Whetzel, seven
ty-five years old, Of Hartford
City, Ind, went to a doctor, suf-
fering with earache, it was
found that cotton which had
been placed in his ears when he
was a child was the cause of
the trouble. The cotton had
been in his ears for 70 years, he
said.
The daily star-mirror. (Moscow, Idaho) 1911-1939, 1921-10-10

A marriage license was issued Mon
day afternoon to Emery Burden and
Miss Mary Knox, both of Potlatch
E. E. Bechtol, Kendrick business
man, was here Monday
The daily star-mirror. (Moscow, Idaho) 1911-1939, 1921-10-10

"a, 1912, of The Daily Star Mirror, published
daily except Sunday at Moscow Idaho for
October l. 1921
New-York tribune., 1921-06-26
Brooklyn I'heaters

BUSHWICK-Harry Watson jr. heads
the bill. Frank Van Hoven, Val and
Ernie Stanton, Will j. Ward, Tames
Rajiyama, McAvoy and Wilson, Frank
johnson and Siegel and Irving are
others on the bill.
ORPHEUM-Ted Lewis is topliner.
with Joe Cook, Frank Wilcox, Harry
Deli, Wright and Dietrich, Alexander
+ Brothers and Evelyn, "Pop" Anson
and Jack Hanley to complete the bill.
LoEW's METRoPoLITAN-"such q
Little Queen" with Constance Bin
ney, is the picture; the Maxwell
Quintet in "A Night at the Club"
the stage feature for the first of the
week. Viola Dana in "Ho1ne Stuff
and the Six Royal Hussars are the
attractions for the last half.
NEW BR1GHTON--Bel Baker re-
turns after two years to share stellar
honors with Johnny Dooley. Charles
De Haven and Freddie Nice, Leo
Beers and William Demarest and
Estelle Collette are other favorites
on the bill.
STRAND-Anita Stewart In "Sowing
the Wind" is the, feature, with
Johnny Hines in "'Torchy's knight
hood" and Tony Sarg's Almanac for
the comedy relief.
New-York tribune., 1921-06-26
A Announcement Of Coldwyn
Productions for Next Half Year
Couverneur Morris, Albert Payson Terhune, Rita
Weiman and Anzia Yexierska Among
Authors Whose Work Is Filmed

Hopper, with Helene Chadwick and
Richard Dix
"She Got What She Wanted" by
Alice Duer Miller, directed by E. Mason
Hopper, with an all-star cast.
Doubling for Romeo" starring
picture for Will Rogers, fashioned by
Elmer l.. Rice and directed by Clar-
ence Badger
"The Christian" from Hall Caine's
novel, with an all-star cast.
Betty Compson, in even as Eve"
written by Perley Poore Sheehan and
directed by Arthur Rosson.
Tom Moore, in "The Man With Two
Mothers" an original screen story writ
ten by Alice Duer Miller, directed by
Paul Bern.
Tom Moore, in Beating the Came"
an original Charles Kenyon story, di-
rected by Victor schertzinger.
",1he Poverty Of Riches," Reginald
Barker's production of Leroy Scott's
drama, with Richard Dix and Leatrice
Joy.
Tom Moore, In "From the Ground
Up" an original story by Rupert
Hughes, directed by E. Mason Hopper.
"The Man From Lost River" a ro-
nance of the trails by Katherine New
lin Burt, directed by Frank Lloyd, with
House Peters and FRITZ Brunette.
Will Rogers, in "a Poor Relation, =
from Edward E. Kidder's comedy, d.
rected by Clarence Badger, with Molly
Malone and Sylvia Dreamer.
"The Wall Flower" written and d.
rected by Rupert Hughes.
"The Ship" perturbation Of Ga
briele d'Annunzio's novel "La Nave"
directed by the poets son, with Ida
Rubenstein in the chief role.
"Theodora," by Victorien Sardou,
paganinsm's attempt to oust Christian
ity from Constantinople, with Rita
Jolivet in the role of Theodore.
"The Sin Flood" Henning Berger's
"Syndafoden," directed by Wallace
Worsley.
Beatrice" Herbert Brenon's produc-
ton of Rider Haggard's story, with
Marie Doro
New-York tribune., 1921-06-26
Vandenbergh to Go Abroad

Dr' Leonard ]. yandenbergh, who
headed the Vandenbergh- Paramount ex-
pedation to British East Africa and
Uganda and obtained the motion pic
sufes OF the native tribes which have
SINCE oeen shown under the general
Title Wild Men of Africa yesterday
received official appointment as dele
gate to the world congress Of the m
ternational Law Association at The
hague, to serve az representative of
the University of California, from
which he holds the degree Of doctor
OF Jurisprudence. He leaves on the
Aquitania July 26.
New-York tribune., 1921-06-26
AT the Columbia

"Peek-a-Boo" will continue it's
laughing way at the Columbia Theater
this week, which will be the seventh Of
its successful engagement at that
house. From all indications this snappy
burlesque, with it's host Of clever en-
tertainers, has settled down for run
that will extend throug gh the entire
summer. Next week will have the usual
changes in comedy, songs and dances,
giving the performance fresh twist
that strengthens it's hold upon it's
patrons. The organization, headed by
Clark and Mccullough, continues in
tact, which means an entertainment
that is wholly enjoyable from begin
ming to end.
New-York tribune., 1921-06-26
Pauline Starke i'm
Film Version of
ssSalvation NelI''

Pauline Starke, who plays the lead
in the First Nationals production of
"Salvation Neil,n which is being shown
at the Strand this week, confesses to
a girlhood ambition. She dreamed
dreams and made plans fog great
career as concert singer when she
was 8 youngster taking music lessons.
"Of course, might have developed
into the village music teacher" Miss
Starke comedies now, "but my castle in
the air was built for famous concert
singer. 1t was beautiful castle, too,
but one not to be occupied. Why,
get more pleasure out of crying real
tears before the motion picture
camera man than I could ever have
hoped to enjoy singing on the grand
opera stage"
The home town Of Miss Starke, to
which she refers so nonchalantly as
village, is Joplin, Mo. There she was
graduated from conservatory of
music at sixteen and received the as
surance Of the Joplin music professor
that she should go on the concert stage.
Here I am," said Miss Starke one
day while she was working on the "Sal-
walton Nell" piece. "Do / look like a
concert singer?" And truth to tell
she did not. She was dressed in the
shabby clothes of a forlorn little East
Side girl employed in the establish
ment of Hash House Sal. Continuing
the biography she said:
when was graduated from the con-
scrvatory / decided to go to New York
to do some more music studying. But
chum of mine who was playing in
pictures induced me to try for a Job
along her line. Triangle gave me nv
first chancs and featured me in num-
Der of productions, including The
Shoes That Danced and Innocent's
Progress.' Then started to free
lance, doing independent pictures.
These included Whom the Gods Would
Destroy the Maurice Fournier pro-
duction; The Broken Butterfly The
Life Line and Soldiers of Fortune
with Allan Dwan. Then I worked with
Clara Kimball Young in Eyes of Youth,
Albert Parker directing.
And now Pm glad-oh, SO glad"
she said very earnestly, "that those
plans for musical career never were
carried out"
New-York tribune., 1921-06-26
Rupert Hugghes's
New Photoplay
On Family Life

Rupert Hughes considers "The Old
Nest" which opens at the Astor Thea
ter Tuesday evening, his greatest
photoplay achievement. The author, 1t
seems, is not alone in this estimate.
Samuel Goldwyn has come to look for
great deal from Hughes, but "The
Old Nest" surpassed even his expecta-
tions.
"The Old Nest" is story without q
plot-to the extent that life itself is
without a plot. For it is said to be
picture of life, presented with such
fidelity that any plot contrivance would
have savored of artihciality.
1t pictures family-a big, likable
family-and their ups and downs, sue
cesses and appointments. We see
the children grow from babyhood to
manhood and womanhood, the father
and mother from youth to old age.
Mary Alden, as the mother, is said
to give one of the finest performances
of her career. The cast as whole is
notable and-for the reason that the
children are seen at various ages
large one. Besides Miss Alden there
are Dwight Crittenden, Helen Chad
wick, John Bowers, Cullen Lands,
Louise Lovely, Nick Cogley, Richard
Tucker, Johnny Jones, Lucille Ricksen,
Buddy Messenger, Billie Cotton, Fanny
Stockbridge, Laura Lavarnie, Marshall
Ricksen, Robert Devilbiss, ]. Park
Jones. Theodore Won Eltz, Molly Malone,
M. B. (Lefty) Flynn and Roland Rush
ton
New-York tribune., 1921-06-26
Dbat's Wbat tit neu Dork Tbeaters

Observation-Disclosures" Bng! Bangin
BELMoNT-"John Ferguson" ST. Ervine drama
BooTH-"The Green Goddess" IN nmeod
Inc las' waltz Musical comedy
SoIiAN-'Iwo Little Girls in Blue" A comedy
hLIiNGE-'Ladles Night" Turkish farce
FoRfY-EiGHTH STREET-"The Comedv M.x,..
FULTON-'Liom." Theater production ~
GAlETY-"Lightnn" in
@ AhRlehnMr @ PIN Passes BY" A A. Milne comedy.
GLOBE-"Zegd Foles of
SAM H. HARRS-"Sun Kis" sical
mI sncne Larrimore in Rachel comedy
LlIILE-"The First Frank
MoaosCo-"The @ Bat" Thrilling mystery play
NEW WANisIERDAM-"Say" comedy nrod,;,,
sELWfN-Snapsho of 1921" Honner
sIAlf-IHiRD sTREET-"ShuMe Along" melange
sHuBERT-"Just Married" farcec
IHiRTY-NNTH
Times sQuARE"The Broadway Whirl" Richard
Blanche - ~
WINTER GARnENThe Wh version of Th Bell
of New - - - 49,
New-York tribune., 1921-06-26
SsOh, for fhe Life
Of a Sailor Bold''
Johnnie Dooley

Johnny Dooley, musical comedy and
vaudeville actor, who comes to the New
Brighton Theater this week, says his
life has been crammed with adventure.
He is next to the oldest of the Dooley
family. Johnny was born in Glasgow,
Scotland, but when he was three years
old his parents brought MIN to this
country, and itswas in Philadelphia tha:
he was reared.
His father being sailor for twenty
years, the sea had an inherent appeal
for the youngster, who found work in
local shipyard, where, he tells with
pride, he helped build the Finland, the
Kroonland and the new battleship
Maine. Again and again Johnny plead
ed with his father to take him to sea
with him, but his father constantly re-
frsing, the boy slowed himself away on
the vessel on which the elder Dcoley
was the chief steward, and great was
the fracas when Johnny was discovered.
For three years, however, he sailed the
sea, raising himself during that time
from mess boy to chief steward and
rurser.
During Johnny's absence brother
William had gone on the stage as an
acrobat, for Dooley sr. had been with
Hengler's Circus in Scotland for
number of years and had trained the
children from their earliest days. Will
liam's career appealed to his brother
more than the sea. So with Vincenf
Tydeman he went into vaudeville, and
played anywhere to keep working. That
was in the winter, but when summer
came Tydeman went back to baseball
and Dooley became an Office boy for
Bart McHugh, Philadelphia vaude-
vile agent.
One night, at party, he was IN
troduced to Harry Francis, a vaude-
vile actor who was seeking a new
ceammate. He suggested that Johnny
become his comedy partner, and so 1t
was that Johnny Dooley, after seven
years of aerobatic work, became
talking comedian. After the frst show
Francis broke the news that Johnny
was SO bad that the manager was
closing the act then and there. So
back to his office Job went John, but
not at all convinced of defeat. One
afternoon McHugh announced that he
had nothing for "next TO closing" in
Reading, and Johnny volunteered 20
go on to fill the bill.
New-York tribune., 1921-06-26
Burlesque
CoLuMBIA-Jean Bedini's "Peek-a-
Boo" begins the seventh week of its
all-summer run.

THE Rooster and the EagIe''
Owing to the great interest due to
the approaching international bout
between Jack Dempsey and Georges
Carpenter. Pathe has scheduled "The
Rooster and tho Eagle" of the ami
mated cartoon series, "Esops Fables
Modernized," for release July 8, the
day following the big fight. The Of
fering, produced by Fables Pictures,
has a boxing bout, cleverly conceived
by cartoonist Paul Terry, and settles
the fistic championship in the animal
kingdom. "The Rooster" is the Georges
Carpenter of the picture, showing
Frances national bird, Chanticleer, in
action in the squared circle of the
barnyard. Jack Dempsey, Americas s
champion, is represented by "The
Eagle" and enters the fray with tri-
umphant results.
New-York tribune., 1921-06-26

According to it's policy, Goldwyn has
announced more than score of pro-
ductions which are promised for re-
lease the coming year. All of the
pictures contained in the following list
have been completed. They are:
s'The Old Nest" Rupert Hughes's
story of the home, with Mary Alden,
Dwight Crittenden, Helene Chadwick,
Cullen Lands and fifteen other prin-
cipals.
'The Invisible Power" Frank Lloyd's
production of Charles Kenyon's origi-
nal drama, with House Peters,
Irene Rich and Sydney Ainsworth.
"Ace of Hearts," the story of "the
man who lived too long" by Gouver-
neur Morris, directed by Wallace Wors-
ley; with Lon CLANCY, Leatrice Joy and
John Bowers.
Grand Larceny" drama of mar
riage and disillusion, by Albert Payson
Terhune, directed by Wallace Worsley.
Hungry Hearts," drama Of the
melting pot by Anzia Yezierska, direct
ed by E. Mason Hopper, with an all
star cast.
Betty Compson in "For Those We
Love-" the cast including Lon CLANCY
and Frank Campeau.
"All's Fair in Love-" Thompson Bu-
chanan's comedy of manners, from
"The Bridal PATH" directed by E.
Mason Hopper; with Richard Dix, May
Collins and Raymond Hatton.
'The Grim Comedian" by Rita Wei
man, Frank Lloyd production, a tale
of the irony of fate; with Jack Holt,
Phoebe Hunt and Gloria Hope.
"The Night Rose" Leroy scott's
story of the underworld, directed by
Wallace Worsley; with Lon CLANCY
and Leatrice Joy.
"The Glorious Fool" Mary Roberts
Rinehart picture, directed by E. Mason
Hopper, with Helene Chadwick and
Richard Dix.
Dangerous Curve Ahead" Rupert
Hughes picture, directed by E. Mason
New-York tribune., 1921-06-26
I'm Picture Theaters

AsTOR-"The Old Nest" a Goldwyn
production. begins limited engage
ment tomorrow.
CAPITOL-"Carniva Harley Knoles
picture, from the play of the same
name, featuring Matheson Lang and
Hilda Bailey, who created the two
chief roles in the stage version also,
Is the attraction. The music pro-
gram has selections from "ThaIs"
and introduces Mile. Fanny Rezia,
soprano, formerly with the Paris
Opera Comique. The prologue is
elaborate and Is planned to carry out
the idea of the title of the picture.
CENTRAL-"A Connecticut Yankee in
King Arthur's Court" continues.
CRITERION-"The Golem," Paul Veg
ener's creation, begins It's second
week. A scenic, "Old Prague" adds
to the atmosphere of the picture A
Buster Keaton comedy, Hard Luck" "
and the third edition of Tony Sarg's
Almanac, "Why They Love Cave
men," provide comedy relief. The
music to go with the feature has
been effectively arranged by Josiah
EURO and includes cell, Eli" the
lament Of the Jewish race, sung by
Emanuel List. There are three Benda
mask dances by May Kitchen Cory.
HIPPODROME - ''The Twice Born
Woman" Malcolm Strauss photo
drama, enters its second week.
LYRIC-"Ths Queen of sheba," Will
lam Fox feature, continues.
PARK--"Over the Hill, feature,
continues.
RIALTO-Ethel Clayton In wealth" q
Paramount production from story
by Cosmo Hamilton, is the feature.
A comedy and scenic are also on
the program. The music includes
the overture from "Phedre," an aria
from "La Juive" and selections from
"The Merry Widow" The Benda
mask dance, with Desha Vera Myers
and Paul Oscard, is given. Grieg's
"Huldigungsmarsch" is the organ
solo.
RIvOLI-''rhe Bronze Bell" story by
Louis Joseph Vance, directed and
cast under the direction of Thomas
II. Ince, In which Courtenay Foote
and Doris may have the leading
roles, is the special feature. George
Richardson, barytone, sings "The
Temple Bells Are Ringing" as an in
PRODUCTION to the picture. The ballet
music from Goldmark's Queen of
Sheba" is the overture and HandePs
Largo" the organ solo.
STRAND-"salvation Nen," screen
version of Edward Sheldon's drama,
is the feature. Pauline Starke has
the title role, which Mrs. Fiske Gre
ated on the stage. "The Shippers
Narrow Escape" "Toonervilie Troll
ley" cartoon, is the comedy. Selections
from robin Hood" compose the over
ture, and in the prologue the Strand
Ladies' Quartet sings Salvation Army
songs, with trombone solo by
Ralph Corey. Festival March" is
the organ solo.
New-York tribune., 1921-06-26
Vanadeville

Florence Moore returns to
vaudeville after long absence and
shares headline honors with John
Steel, tenor, who remains for sec
ond week. The Six Brown Brothers
are another star act. "Doc" Baker
Sc and Polly Walker, Stan Stanley,
Whipple and Houston, Muldoon,
Franklyn and Rose, Rolls and Royce
and the Garcinetti Brothers complete
the bill.
RIVERSIDE--Ethel Barrymore in "The
Twelve Pound Look" is the star of a
bill which includes also Solly Ward,
Patricola and Delroy, Signor Friscoe.
EIGHTY-FIRST STREET - Constance
Talmadge in Lessons in Love" will
be the feature picture. Pearl Regay,
dancer, is the chief attraction of the
vaudeville bill.
FORDHAM-Buzzel and Parker head
the vaudeville the first of the week,
with "If Women Only Knew" for the
picture. Beginning Thursday Bob
Hall will top the vaudeville and
Douglas MacLean in zone Minute"
will be the screen feature.
HAMILTON - Harry Hayden is top
liner for the first of the week. The
film is 'The Lure of Egypt" Begin
ming Thursday William and Joe Man
del will head the bill with can I'm
usual Occurrence"
JEFFERsON-William and Joe Mandel,
in can Unusual Occurrence" are
headliners for the first half of the
week. Others on the bill are Willie
Solar, Frazer and Bunce, Oklahoma
Four, Roy Harrah and A. and Leah
Belle. Beginning Thursday, Joseph
r. Watson and Will E. Cohen will
head the bill.
LOEW'S ADiERICAN-viola Dana ir
"Home Stuff" is the screen feature
The Six Royal Hussars are the vau.
deville stars for the first of the week
The latter half will have 81 Am
Guilty" with Louise Glaum, and the
Crescent Comedy Four as chief at.
fractions.
MOsS'S BROADWAY - The screer
feature will be Ben Turpin in Mack
Sennett comedy, "Home Talent" The
vaudeville bill is headed by Johnny
Coulon and includes the Creole Cock.
tail, Schichtl's Wonderettes, Chons
and Macy and others.
PRoCTOR'S FIFTH AyENUE-Harr,
Fox and Beatrice Curtis, in "Shadow
land" top the bill, with S. Mile,
Kent and That's Magrane, Guilty anc
Nelson, Lillian Fitzgerald and other,
for the first of the week. Beginning
Thursday "Annabelle" is the star at
traction, with Kane and Herman
Jackson and Crawford, Ford Hughc.
and others on the bill.
PROCTOR'S 23D sTREET--Al K. Hal
and company. in ''The Sap" is tn,
headliner. Cantrell and Walker
Smith and Burke, Huston Ray, Var
Cello and Neary and Frank Jerome
with Owen Moore in "A Divorce o.
Convenience" complete the bill. Be
ginning Thursday "The Wild Goose
will be the picture, with a vaudeville
bill of the usual caliber.
PRoCToR's 5STH STREET - Rober
Riley, Hughes and Merritt, Walter
Manthey, Gillihan and Murray, Clar.
Carroll, Lizette and Rooney, and the
| film, "a Divorce of Convenience. ,
form the bill for the first of the week
Beginning Thursday "The Wils
Goose" will be the picture, with tht
Amaranth Sisters heading the vaude
vile.
PR0CToR'S 125TH STREET-Reddine
! ton and Grant, Byron and Langdon
Foley and La Tour, Case and Odell
/ Jones and Nealey and Fleisher an,
coogan appear on the bill In th,
eaFiy part Of the week, with "a Di
| vorce of Convenience on the screen
New-York tribune., 1921-06-26

ter McNamara, and Is Thomas B.
Walsh's first independent production
for Walsh-Fielding Productions. The
scenario was prepared by Mary Murillo.
The famous play "Omar the Tent
maker" is to be screened with it's orig
inal star, Guy Bates Post, in the title
role. James Young will direct and the
author, Richard Walton Tully, will su-.
pervise production.
]. Gordon Edwards, director for Will
liam Fox, has announced by mail the
arrival in Rome of the party that Fox
sent to Europe to make big special
pictures Mr.. Edwards writes that his
company are delighted with Italy and
have selected some wonderful locations
for use in their first production, which
was to have been started in few days.
At the ttme Of writing Edwards was
awaiting the arrival Of his old friend,
William Farnum, who was touring
Europe on vacation.
Four directors are collaborating with
Frank Lawrence, film editor at Uni
versal City. in cutting recently COM
pleted stories for the screen. Harry
Burns is cutting Joe Martins latest
animal comedy; Jack Ford is cutting
"The Mascotte Of the Three STAR" in
which Hoot Gibson uvi11 ueYt ha sean.
Albert Russell is reducing "The White
Horseman" serial to the fastest possible
action in eighteen episodes, while Rolin
Sturgeon is cutting "The Harbor Road"
the first vehicle in which Mary Philbin
will be seen in the featured role.
New-York tribune., 1921-06-26
Scenario Writing Gathers the
Family Around Evening Lamp
Film Editors Tell Why Most of These Home
Products Have To Be Rejected and
Returned, If Possible

beg to be allowed to sign contract
with him for life.
New and good ideas are scarce, and
there are few such wonderful persons
who have store Of them. Yet most
Of the amateur scenarists think they
are blessed with unusual inspiration.
find in reading through the mass
mess rather-of scripts which come
in daily that too many of these novices
visit the same source for their inspira-
tion.
at is the person who hunts diligently
in unthought-of places, who bides his
time and does not rush at things in
haphazard manner, who gets the true
inspiration. AlMl when he does he is
we'll repaid for his efforts"
Tips to scenario writer's, compiled by
Lucien Hubbard, scenario editor at
Universal City, are:
"Univergal needs stories of life.
owe want stories about people who
are real to their authors and who can
seem real to US. Perhaps then we caa
make them seem real TO the people in the
theaters. We are not looking for a
strikingly original plot or a climax
absolutely unheard OF in screen liter
ature. Most things that have never
been heard of do not ever deserve
to be.
"That is not to say that we do not
want originality. We do, but within
the confines of plausibility. The in
geniously contrived will, the trick
marriage and all that sort of stuff ara
out with US. We want real stories
about real people, with climaxes based
on genuine emotions and surprise
twists, rather than on outlandisn
freaks Of Imagination. Specifically we
are buying the following types of
stories:
"For Priscilla Dean, big emotional
stories of action, rather than repres-
sion; for Harry Carey, big outdoor
Westerns, subjects with exploitation
values and preferably with established
names; for Frank Mayo, virile, out
door adventure stories with plenty of
romance and drama; for Hoot Gibson,
fast moving Western nelodramas, with
plenty of stunts and comedy; for Car
mel Myers, character ingenues of the
Latin or Jewish type; for Gladys Wal
ton, stories of youth, fapper or ingenue
type, with action and comedy; ingenue
stories for our other stars, literally
besprinkled with comedy, but leading
up to some genuine dramatic climax.
"The novice must not be discouraged
if his first efforts are rejected A
script may be suitable, yet not be ar
ranged in proper form for our purpose.
Because you are unfamiliar with mo-
rion picture technique or do not know
how scenario should be arranged
don't think we cannot use your story, or
even idea. l had TO 'revamp' virtually
all of Edwina Levin's False Colors' be-
fore we could film it as Reputation
The original story was excellent, the
characters we'll drawn, and the eli
makes approached with dynamic ere
scendo, yet 1 had to rearrange many
of the incidents in the plot to suit the
motion picture taste, which is vastly
different from that of the magazine
reader.
/ "At present we are eager to obtain
a fit vehicle for Miss Dean. When she
has completed Conflict she will be
without story on which to work. If
you have a script containing action and
emotion, for goodness sake let US
have i'll"