The Washington times., 1921-06-13
Measures a Woman's Love
for a Man. Showing What
Sacrifices She Will Make
for Him.
BY ADA PATTERSON.

BY ADA PATTERSON.
You should see .'The Woman God
Changed Whatever else you fail to
see in this weeks amusement bin
don't fail to witness the drama of a
woman's soul at Loew's Columbia
Theater. II 10 Cosmopolitan pro-
duction.
You should see IT because II comes
close to the Threshold of our own
lives. IL shows what might have bsen
in many lives. Maybe In yours. Maybe
In mine. Who knows when some tor
nado of shame or grief or loss sweeps
up what wreckage may be left be-
hind?
You should sec II becaues IL carries
one out OF land OF SNUG civilization
into far-away Tahiti.
Because II shipwrecks a man aad
woman and casts them on q strange
inland in a far-on tropio sea
Because It brings them back to
SNUG civilization, shows civilization
what years OF living close to the
earth yet in communion with the
archinE sky dome and the serene stare
have done for the shipwrecked man
and woman.
But. most of all, since that fs the
deepest and highest interest of NAB
kind. you should SEQ II because
through It pulses great love. 1t is
the measure OF a womans love for q
man. IL shows you and me what sac
rifice. undreamed of by US, a woman
may make for a man she loves.
IL sounds a spiritual note. high
and hnc and sweet as an angels
song for 1t depicts, step by step,
struggle by struggle, how a woman
o ha had fn
the white state of her babyhood.
1t Is picture of big theme.
When is there hope for a woman?
How long may she fall and yet be
lifted to triumphant heights? These
questions are answered by the pho
topiay, "The Woman God Changed"
The heroine Is lovely young dane
err. She has begun a career that
should carry her TO the heights OF
fame and wealth. Comes love. the
interruption. Anna Jansen falls
deep In love with Alastair De Vries.
whose love for her is as shallow as
his own selfish nature. Deceived de-
serted. maddened by jealousy. she
kills the man who broke her heart.
She fed the scene and escaped to
Tahiti.
There, a dancer In a cabaret, she
Is disturbed by the gaze of man.
In that tropic refuge of hers, she
has become accustomed to the burn
ing. soaring gaze OF men. But this
one watches her in a different way.
He follows her graceful bends and
hexes, her bows and dips, her gliding
steps with a coldly analytical gaze.
One of her admirers brings the
stranger TO her side and presents him.
The stranger is as direct OF speech
a.,A ~
Jansen, j have come TO take you
back 10 be tried for the murder OF
DE vries." he says.
We see them next on a vessel in
the South Seas. the girl furious and
reviling. the detective. like the stars
and the tides. implacable. storm
wrecks the ship and casts them upon
an uninhabited island.
On that island, the man and woman,
the sea. the stars and passing ships
played a great drama of a soul. In
the courtroom In the city whence
Anna Jansen fled after the murder
of her lover the detective told the
story OF what happened on the island.
To a wondering judge and jury he
told the story OF the woman God
anged.
The pictures tell we'll the wonder
story DIR. Frank Crane, the famous
preacher-writer, has written the titles.
Which Is a guarantee that they are
brief and clear and of master
strength.
would rather have missed my
dinner for week, two weeks. q
month. than not to have seen this
unique photopiay. THE Woman God
Changed" The pictures directed by
Robert c. Vignols. Doty Hobart
n ~ l..
Dom Byrne. Seena owen and Il. X.
Lincoln played the leading roles.
Others In the cast are: Lillian Walker.
II. Cooper Cliffe, Henry Sejley. Paul
Nicholson. Joseph Smiley and Temp
lar SAKE. and many others.
The extra added screen and musical
attractions Of the program are mum
erous and varied. The overture for
the week by the Columbia Symphony
Orchestra is "The Force of Destiny"
(VerdD.