The Lambertville record. [volume] (Lambertville, N.J.) 1872-1968, 1920-10-22
Composing Music

Il give q few helpful hints and sugges-
tons To the Young composer who IS
struggling 10 give expression 70 his
ideas. II Won have d soul thai is bub-
bling over with sweet strains OF melody
II Signif1cS thar Won should give cN-
1 preston to It. y OF are q composer. Per
/ hapS. Nou have not been aware OF Il he
4 lore because Won have never attempted
( to compose melody Il Is time tor
4 YOU to find out II you have this gif'
( vou must make use Of IT, j was gwen
I to Won Tor q purpose as well As every
/ thing else. Everything in this world
was created Tor definite purpose. This
( fact proves that music has lis place II
CIR daily lives and Is necessity to ON
i health, happiness and prosperity as t7S
lood we eat to nourlSh orr bodies
Without the ability 81 = composer tc
/ write down the musical strains which hi
f hears and fesls through his whole or
I ganiSm we would not have been blessed
with such a wonderful power Is that
which hes IN fnGSic.
4 The one great channel through whict
one receives melodies ) inspiration
! There are various phases to TINS won
+ derful thing. There are as many WAYS
I IN which we can he inspired as there
are IN crossing the continent Wink
( ene may ne inspired from one source
another may be from another. Ihs
/ sight Of water 70 thirsty man Is ar
] inspiration fa drink The swee'
/ warhle Of a bird inspires man To Imi-
7 tatS i, and the melody which would bs
+ faralgn u MS own understanding Is per
( fset to fhc little creature. Yet or
mans Journey Of life he stops ana
listens when he hears the warale OF thS
I birds. That IS one phase OF Ipspir2-
I ton Another SCourcS o. Inspiration
may be what We mas term = ne trans
mission d infinite mind to the flnifs
nlInG The vibrating sounds ct nature
n tils universe abound around and
4 through every atom q substance witt
which We coae III contact There
uuslc n The an and II the morta
/ beng who Is susceptible Is influence
( VII receive the inspiration 10 PM II into
physical expression. Man must he en-
d0weG with rms susceptibility before
/ he can ever expect Il he . composer
/ Dies ne mas access II all o. the out
( Composers are horn and not made.
IL INK WORK a1 writing original relc-
( side forces They war6 II and through
4 airn bv uacura laws HIS inspired mind
IS IT harmony with natural vlnrato-y
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