davidaulloa/AmericanStories huggingface dataset:
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15
de ieTi, .
prieionH de All al
gen. Avefescu.
: CUM SB EOIiOSESC MEDI-
OCRITAT1LE DIN NoUILE
PROVINCII.

Va cOnflrnarc "a afll-matle!
ca partidelc politce din vechini
Regat,. care eral puse in opozitie
de yointa unanima a tarii, sunt
coalizate intre, ele, este felul, cum
all intimpinat' noul guvern.
'Partidul liberal promis, ca va
da tot concursul noului guvern,
adeca d-lui general Averescu, pc
care timp de. un an, la arafat "a
pc un tradator de tara 81 ca pe
Tin ON, care propaga anarchie Ia
safe. Omul anarchiei de ieri, es.
tie salvatorul de astazi al sirii
Ri yad in gencralul Averr>'a a
TN instrument util sd stricc soil.
faritatea bloculni 81 sa discretiz4
pc .fruntasii politici Naida, MANU-
Iorga 81 pc ceialalti.
Partidul conservator, care Z
dus aceiasi llfpta contra ,lnei ac
tiuni anarchice la safe a genera.
lului Averescu, ast;izi, nrin a:a.
rul san ,,Steagul" scrie:
,,Guvernul in sens;ll dcc!ar i
pnei, ne care a facnt-o, demnul
general Averescu, poate fl sigur
de concursul nostru".
Din anarchist 81 tnrburat II 2
ordinei inferno, d-nul general Z.
ste facut intro ri in mod slbit
aparatorul ordinci sociale.
Nam yrut sa dam crezalaInt
afirmatiei ca generalnl Avercscu
ar fl pntut ii tradition d. tara
sap cd ar putea fl turbnrator al
ordinei socialc. Din partea. al 81.
lenilor s'a respins orr ce cal0mnie
de felul acesta. Oar avem drep
tul ca moi, earl am ignorat cam
pania dusa contra d-sale, sd III
credem nici in nlisiunea proyi
deutiala pe care 10 attribute cels
doua partide.
GenerAlal Arerescu este pur .
sinlplu nh instrument III NINA oil
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15

@ telegrama din Constantine
] pol anunta ed Camera depntati-
lor fost disolvata din ordinul
Sllltanului. Turceste. Oar Oh
,s|r ,sss|re cea din Rominia ma fost di-
sssolyata din ordinul Regelnii De-
seret sau ordin, cind are acelasi
sEafeet y conseciiate, nli-i tot u,l
stiracf
.1logpinia \ i1avins Ungaria, 6
I eall ass NJ p,ine ia xiarist s,lgu-
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15
|NFORNAIN)N|

Germani Sc ret1'ag din Ruhr.
- Berlin. = Retragerea tuturor
trlpelor de care nlumai lipsa
in districtul Ruhr a inceput deja.
Aceasta stire mi-Oficiala a fost
data:
Guvernul german a instiintat
euvernul francez, dupa cum spu-
ne comunicatul Official al guver-
nului, dat astazi, ca a primit ra-
poarte ca trupele franceze inain-
teaza spre Aschaffcnburg, 81 ca
trupele germane, a caror lipsa nu
So mai slmte in districtul in re-
volta. Sc retrag din zona neutra-
la.
Huerta dictatorul statului So
nora. Nogalcs, Sonora - De
pesele tclegrafice din Hermosillo,
capitala statului Sonora, spun ca
congresul acclui stat ales pc
Guvernorln de Huerta IA fl su-
prema puterc a repnblicei So
nora" ~
Generalul Gales dat O procla
matte la Hcrmasillo prin care
cheama sub steag pe toti soldatir,
fie federali ori al statnlui, ca Sc
lupte in contra unei possible inva
Iii trupelor lui Carranza, care
probabil voI incerca Sc patrunda
in acel stat. Sonora este in intre-
gime in miinile trlpelor Sonorei.
spun depesele.
Presedintele 9 sanatos. Wa
shington. De prima data in
timp de dnua saptamini prasedin.
tcle Wilson parasit Casa Alba
ca Sc faca mica preumblare Gu
automobilul.
Era insotit de dina Wilson. 81
de 0aanenii 8,olitiei secrete.
Faptul ca prcsedintelc in de.
curSul acestor dOua saptamini a
incetat de a mai face obicinuita
preu1nblare, dat loc la rapoar-
| te ca boala veche s'a reintors 81
presedintele Sc afla pc pat.
Speculator aregtat, III curma
i1o1a. ~ New York. - j. Nicht-
hauser, propr. unei pravalii de
PIMA 81 camasi, dovedit de a.
gentii departamentului justitiei
j ca E un specnlator, dupa &c .
fest arestat ii liherat pc cautiune
|s'a sinaciA Sc spupe ca aceasta
.,casualitate' prima de cinl
gnvernul . inccput razboial con,
Ira spesnlatsfilor.
=
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15
Germaniei Z seama a se desar.

ma. Berlin. Gu toate. cd,
momentan, gnvernul a rsdrobit,
pc rosil din ttistrictnl Ruhr, poli-
ticeste Germania att Gle comipii-
cata an cit char una alt. cabinet
ca multi mai puternic de cit a lui
Hermann Mueller, Gu greu poate
a le desnoda. Judeclnd dupa via
rele din districtul Ruhr, numai
9 chestia cind va sosi bolscyismul
in Germania. I'll e acolo, 81 s'a
manifestat timp de trei sapta-
mini.
Politica franceza fata de Ger
mania, cu toate ca nu tinde al
intari pc acestia, de fapt servestc
planul lor. Guvernul cere ca gar
da locala de volunari sc fie L.
zarmata imediat Aceste corpuri,
in multe lecuri formeaza singura
protectie contra bolscvismllni 81
faradelegilor.
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15
Naticnalistiia turci nu vor Sc
negocieze Gu a6atii. - CONSTANT.

Naticnalistiia turci nu vor Sc
negocieze Gu aKatii. - CONSTANT,
nopol. - Nationalistii turci al
refuzat ca Sc negocieze cu engle-
Iii att timp cit fortele aliate 81
afla pc pamint urcesc. Colonelul
Rawlinson din armata engleza,
care acum de curindpN a mers la
Erzerum ca sc alba O intrevedere
ell Kiazim PaSa. fruntasul natio-
nalistilor tulci. Col. Rawlinson a
suggerat ca ell doreste a fl inter-
mediarul in conversatiile intre a.
liati 81 turci cn scopul Gle a adu-
ce intelegere intre guvernul
din Constantinopol 81 ,partidul lni
Kemal Pasa. Sinsa i-s'a raspuns !:
..Cind Adna,,' smirna 81 Con-
stantinopolul, care acum sunt ps
nedrept ocupate de aliati, vor Fl
parasite, natioiia vor intra in
in relatii oficia1e cu englezii."
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15

- varsovia. y Dnpa cum spune
un comunicat official bolsesistii
an inceput nh greu bombarda-
ment de artilerie, All dat atac Gu
infantcria 81 cavaleria, Gu scopul
de a sill pc polonezi ca Sc privea
sea mai faverabil la termenii de
pace pc care sovietele ii ofera
Poloniei. 1nsa aceste atacuri au
fost respinse cu mari perderi PEN
tru dusman.
Documcntele caipturate arata
ca comisarii rosii an explicat sol
datilor ca necesar de da alta
curi peste tot locul, ga Sc forteze
pc polonezi pune pace Ell eli.
America. [volume] (Cleveland, Ohio) 1905-current, 1920-04-15
Paderewski Sc refntoarce la

0NCAVWSAl % AVAAsOGAVN AN
roFtica. Geneva. - 1gnacr
Jan Paderewski, fostul premier
al Poloniei, isl va reincepc servi-
cill ca membru al dictei polone,
re. la cerinta speciala a polonczi-
lor. Aceasta a fost spusa de Pa
derewski corespondentului Pre-
sci Associate.
/ Data reintoarcerei lui Pade-
rewski in Polonia nu a fost def
nitiv annntata, insa probabil va
fl la 1nceputul lunei Maiu. Pade-
rewski avut de gdnd a sc re-
trage-din viata pnblica 81 a-si de-
yota timpul exclnsiv muzicei, III.
ga la insistenta poporului polo
NED, STA schimbat decNiunea.
Fosta imparateasa . Germani-
ei bolnava. Berlin. Ziarll
,.Deutsche Tagesxeitung" rapor-
teaza ca fosta iInpArAteasa Ger
maniei foarte series 'belnava.
vorbeste sase l,ssb1 ins4 poate
va fl deportat. New York -
Gu toate ca paAte vorbi sase
limbi, George Afsfnis, care estl
detinut Ia Ellis IAland din 20 Fe-
brnarie, poate w ii deportat
pentru ca nn poete ceti ceie pa.
truzeci de cuvintk care Sc Ger de
legea contra ilitxSatilor.
D-na. Arsehis, caee . cn sotasl
ei, Ia fel site mai 1hnlte limbi, pe
linga ca poate cei II serie.. E4-si
da toate silintele oA sa-gi inyete
!sotul cele patruxei de cnvinte,
|eare-i va deschids irnmnl.
-
Il M eorppl M ,t
mic. New foEl ! n
r6jsnaas, care 4 1 It r. n
mia ii subitctele ~ 4, a 4 =
mai bine de sar X 15lj; II
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04

Having received 90 many requests
for an interview with Eugene O'Brier
has set W to thinking. And when fans
write and say why don't you inter.
view Eugene O'Brienf" you can't
write back and say why don't ycu r
from Keoska, Iowa, and from Calves
ton, Texas.
Now, it happens that We know Mr.
O'Brien better than almost any one
else. That is why we never thought
of interviewing him. When you know
everything about person it Is difficult
to set It down on paper, and not al
ways discreet.
But aftcr opening our mail this
week we felt that we could no longer
deny an importunate public. so we
are going TO do an interview with
"Fine! Go right aheadi"
But" we answered, I'VE haven't in
terviewed you yet"
you know?"
"No, this has to be different. You
must give me your opinion az to the
future Of the motion picture and some
thing about the great American drama.
Mr.. O'Brien laughed loudly, as
sAVuku my OptuIOu m8tCoTSQ!
"There!" We retorted, that Is lust
what you mustn't say. You've got to
think that your opinion matters or no.
body else will think that 1t does, either.
You must be conoeited and naughty,
What you ara now Is very pleasant,
but not impressive.
by jovei" came over the wire. "you
know you're right about that. Il has
been on my mind for some time. win
you have luncheon with me and talk il
overt"
Arriving fifteen minutes late It the
Algonquin, when we met "the perfect
lover we said. Excuse it please. You
don't mind, Of course. You're always
so traotable."
Eyes," he answered, with unwonted
bitterness. IL am; mean was! I
want to tell you my sad story, cit
down."
Something we don't knows
Something that even you do not
know. The first part may seem irrele-
want, but it's all leading up to some-
thing. was born in Boulder"
THAT Is q sad storyl"
Thirty miles from Denver. But I
never went there until heard the call
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04
Hear the Sad Story.
OF Eugene O'Brien,
The Perfect Lover

/, and went on the stage. I was then
seventeen, and my parents fondly
hoped would be lawyer"
"No doubt many q perfect lover has
been nipped In the bud by aspiring par
cnts."
There was = girl in our town." con-
stage. She ran away to Denver and
Joined stock company, and after that
no one would speak Of her, and when
che visited her parents they hid her in
the china closet If they had callers.
She fascinated me, and once whom she
came to town interviewed her, and
when she went back to Denver ! nc
companied her. left q note for nv
mother saying Have gone to be an
actor You see, In those days ! was
optimistic"
"And did they take you" We asked.
"They did at So week and lived
on it and played bits for. ! season.
Then some one told me that II I would
go to New York could get $40 q
week. ! started for the metropolis
but I got stranded and finally landed
companies. When, finally, I did reach
New York I was nineteen and had &C.
CURED nothing but ! little experience"
And an English accent7' We
.This isn't an English accent" no
said. defending his speech, which
should be free, even II 1t isn't, dts
irish. Ny parents were Irish and they
never spoke as the rest Of the people
IN the town did~'The bearYrs chased
the gurrrls-~thoush, Of course, az soon
90 went on the stage in Dsnver /
Immediately tried to copy the dress.
the accent and everything about these
exalted angelic beings-the leading
man and the juvenile. They got a.
much as $40 or $50 week.
when arrived In New York I found
that the managers thought was worth
only $12 week, and l worked for this.
singing IN quartet for few months
but the trouble was we couldn't ret
booking more than half the time"
But you lived, Eugene, and yAu
finally did succeed, and all that chas-
tening was good for you. It has made
yes, and I'm coming to that. Il
mas; but doubt it II is good for me-
certainly not financially.
when ] was struggling along on
$12 week ! was appalled, at the lack
OF consideration which and others re-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04

1.-THE Gray Brother" is the title
selected by Edward A. MacManus for
pleted at life within prison walls. The
story Is by Thomas Mott Osborne. It
reveals such romance as may find q
harborage behind prison bars and out.
lines the brutalities of the old system
Of prison management. For the first
tina the hunger, thirst and lung
starvation of the cells is disclosed, and
the straitjacket and stringing up are
visualized by men who endured them.
1t is the first screen production eyer
made Of actual life within prison walls,
with the convicts themselves reanact-
ing the lives they were compelled to
lead at one time. They are also seen
In phases Of present-day prison life to
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04
Continued from preceding pcge

laugh? If you poison us, do we not
diet And if you wrong US, shall we not
revenge? If we are like you in the rest,
we will resemble you in that. II Jew
wrong Christian, what is his humility :?
Revenge. If Christian wrong a Jew,
what should his suRerance be by Chris
tian, example7 Why, revenge. The vii
lainy you teach me, I will execute, and
It shall 90 hard but will better the in
struction.'"
Brander Matthews, writing on Shake
speare as q playwright, points out that
the Elizabethan attitude toward Jews
has to be taken into account in esti.
mating the character Of shylock. Usury
was an sbhorrent trade, denounced by
law and strongly condemned by public
opinion in Shakespeare's time.
ITO the men Of the sixteenth century
Shylock may have been only q comic
villain; to W In the twentieth Gentry
he Is supremely pathetic figure, with
whom we have even q certain SYM
pathy," says Professor Matthews. can
] tonic has treated Shylock shamefully;
We perceive this now. although Shake
speare's contemporaries probably ap-
proved Of the merchants inexcusable
brutality. Az . result Of his
insight, Shakespeare, apparently mean
Ing to set before us . villain akin To
Marlows's Harabbas, has left M q gen.
uane human being, not . threatening
silhouette Of black evil. but . rounded
character which we can approach from,
various angles. Because Of this In
herent III unintsnded) humanity, Shy
lock has now usurpsd the central placs
In the play"
Writing Of that delightful English
villain, FAlstafs, Sidney Lao, In his life
Of Shakespeare. sayss ut is not the
historical traditions which are connect
cd with FalstaR that give him his per.
epnial attraction. II 10 the personality
that owes nothing to history with
wAlch Shakespeare imaginative powe,
4 clothed him. The knights unfettered
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04
1920 Shakespeare

indulgence in sensual pleasures, his
exuberant mendacity and his love of
his own ease are purged of ofrense by
his colossal wit and jollity, while the
contrast between his old age and HIS
unreverend way of life supply that
tinge of melancholy which is insepara-
Bile from the highest manifestations of
humor. Shakespeare's purely comic
power eliminated in Falstatf; he may
be claimed as the most humorous fig
ure in literature"
And to turn to the dramatic opinions
and essays Of Bernard Shaw, who has
bean just as abusive and just as COM
mandatory of Shakespeare as any other
writer, we find him saying: at was in
AS You Like It. that the sententious
William first began to openly exploit
the fondness of the British public Tor
sham moralizing and stage 'philos-
ophy"
Here is something for the English to
pass q resolution over!
And again Shaw says in sweeping
fashion: with the single exception
Of Homer, there is no eminent writer.
not even Sir Walter Scot, whom can
despise so entirely as Gespise Shake
speare when measure my mind against
his. To read 'Cymbeline' and
to think of Goethe, of Wagner, of Ibsen,
is, for me. to imperil the habit of
studied moderation Of statement which
years Of public responsibility as a
journalist have made almost second
nature In me-"
As an afterthought Shaw Says,
"But am bound to say that pity
the man who cannot ENJOY Shakespeare.
He has outlasted thousands of ADLER
thinkers, and will outast a thousand
more. When l was twenty knew
everybody In Shakespeare. from Hamlet
to Abhorson, much more intimately
than l knew my living contemporaries.
and to this day. if the name of Pistol
or Polonius catches my eye in news
paper. tum to the passage with more
curiosity tian If the name were that
of-but pelhaps l had better not men
ton any ole in particular"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04

prosperity comes to him. Of cours.
where there IL q sense Of humor, thess
things just naturally adjust .then,s
selves. think humor the most
precious asset in life. Perhaps thar
because I'm Irish. But it is certainlv
needed in the workaday world. W.
spend lot of our time on the brides
between laughter and tears and it "a
surely better to emerge on the sunny
pool Of tears"
"Why will they not let me get away
from clothes?" she exclaimed when
questioned about the gowns she wears
in my Lady Friends" II like at
tractive things because one can mako
them expressive of ones self, just as
like good paintings, artistic furnish
ings and nice things around me. But
clothes in themselves are not enough
to make ono happy"
What is your estimate Of how
much it costs these days to be really
we'll dressed 7"
"That depends entirely on a vom-
ans brain power; how much mentality
she puts into tho business Of selecting
clothes. I think ready made shopping
is the most extravagant kind. It Il
better to think for ones self and have
some definite ideas about what one
wants. All OF my hats are more or
wears q ready-made one. because II
wouldn't have the individuality that I
strive for: The result Is that pay
for my things about one-third Of what
the average woman does"
There was time when I seemed
picked for adventures parts" said
Mrs. Conover. ~ am perfectly willing
to play them In the good old-fssAioued
melodramatic way where every one
sees what wretch you are and You
are thoroughly punished in the last act
But my conscience pricked me when
played the subtler part of an adven-
turess who was so attractive that the
audience went away liking her. That
again to be an attractive adventures.
personally ! am as sensitive about
the stage as if had never walked
across 1t. ! thrill and weep in a most
ingenious fashion, am afraid, and act
when one of the audience, as if had
never known what it was to put on
makeup. think my most delightful
experience before My Lady Friends'
was in Saturday to Monday l had 4
more serious role in 'Nobody's Daugh-
ter at the New Theater, but / think
am just naturally cut out for
comedy"
Mrs: Conover is passionately devoted
to Italy and the Italian people. She
had an unusual experience in 1917
when d'Annunzio gave a dinner for her
on the Island Of Murano, near Venice.
NO meal had ever been served in Just :
the same spot. The wine was made In
the vineyard. The Ash were caught in :
the water near by. Their lighting ef-
fects were obtained from candles smut.
tering in glass bottles. On the way
home there was frightfui storm that
rocked their gondoIas. EVERYTHING
about the party appeared to be dra-
matte. Her friends called it "a perfect
d'Annunzio evening"" said Mrs.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04
Crock, French Clown,
Stands in a Category
With No Competitors

II Is futile for would-be comedian
70 ask II no cam learn TO be funny. HI
must have the gift Of fun-making In
II honestly believe It to be Divine
giIt; was born . clown. Nature in.
Tended me to make people laugh, al
though when I'm away from the foot.
nights I'm serious enough in all con-
science: II you were to ask me to do
something funny between my perform
ances would be at loss. But once
on the stage ! am inevitably the clown
never attempt any gag and I i'm
priovlse as ! 60 along. am continu-
any changing my act. for as soon as 1t
Ipegins to be copied by other clowns
l invent something new. lam fattered
by the reception given me hero. Of
course, ! know something Of the Amer
!can spirit, for l played for the Amer
lean soldiers at the Palace Theater.
London"
Crock made his first appearance in a
circus IN Switzerland as q contortionist
at the age OF seven. Nine boys were
learning the tricks Of the ring together.
IA, ne was one OF them, and in order to
keep ahead Of the others he was often
up at or O'Clock in the morninr
rehearsing. He would afterward Green n
back to bed and pretend when he was
called that he had been asleep ali
night. p az
When ] was twelve first covered
my face with white paint and then I
toured the world in cYrcuses, At that
time our fun used to consist chiefly
IN railing down in the sawdust, smack
ing things around and working a little
story into our act, with a musical finale.
1ra;o'ually 1T dawned on me that one
could be, "a eclown without the white
pant and claptrap of the circus; that
1aclaI expression unadorned could he
pings" M
Crock went on to explain that hi.
than Of the body; that his nhysi InI
contortions were simply the visible
expression Of the thoughts fittinr
through his mind; and that when he
wanted to convey something to his au-
diencc ne could do it more effectively
with flicker of the eyelid or q twist
OF the mouth than with torrent of
words. While he. does not say much
IN actual words, he is a Wonderfully
eloquent individual. 80
The tiny fiddle that Crock plays ia
two hundred years old. This is the
story he tells about It:
There was once Spanish clown who
was very hard up. He came to ma in
Paris and said: I have a beautifmi
little violin; do give me something for
IT, he took it out of his pocket and
asked 100 francs. l was almost as hard
up as he at that time, and / told him It
was Impossible for me to give him the
money. Besides, II didn't see that 7
could do anything with it. ] looked at
the LITTLE. tiddleSand trisdsit, and said |
would give him SO francs. Thirty
borrowed from a friend. and the other
thirty 1'got; by pawning, a ring. and
nat ls,how bought my little fiddle. For
SIX 81 months did nothing with it. Then
h bra;ns a 80 gay n when ! was racking my
fiddle lying by itself In great basket.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1920-01-04
Have Your Hats Built
On Your Head for
Style and Economy

Occasionally extravagancs 10 . vis
tue. For instance. when It's necessary
to keep ones husband broke to make
him happy. by all means do It'll
This Is the advice Of Theresa Max
we'll Conover. Any one who has seen
my Lady Friends" at the Comedy
Theatre will remember that she is the
sumptuously dressed, wildly extrava-
giant Lucille EARLY. who Offsets the par
simony Of John Smiths wife.
"Extravagance." said Mrs. Conover
In her apartment, us deadly quality
as rule. It Is wrecking great many
homes to-day, and especially In New
York. The average man who marries a
girl with extravagant ideas and no
sense OF values 10 taking awful chances.
1t he wants to make anything Of his
life, she won't let him because Of the
continual pull for money.
II think the unhappy conditions in
many homes to-day and the great num-
Der Of appeals for divorce may be d.
rectly traced to this very failing. And
the fault lies. not with the girls them
selves. but with their mothers. In
stead Of being taught thrift. young
girls are encouraged in their extrava-
gance by those who are older and
should know better. should hate to
play part that preached wanton, self
ism extravaganza. In fact. would
positively refuse 1t, because /. con-
slder the theater too great force for
good or evil to make evil seem at
But my extravaganza in My Lady
81 tlends' seems to me quite UNSUITABLE.
me PROOF OF this Is my husbands re-
thing, but you are DEAR Of the two
wives who are played against each
otner' the extravagant woman has more
OF an understanding of life and is more
ilkely to hold her husband than the
stingy type. Her motive is sincere
enough. At least she has vision and
IDEAS. 1t seems to me that one of the
tragedies OF married life is where the
husband becomes rich and we'll known
and his wife does not keep up with him.
AS ne goes forward the breach is bound
to widen. ''1A'o
II believe that a wife should adar+
herself to her husbands circum stances
and that if he makes money, she should
spend it in the way he wants her to.
even eve to the point Of being extravagant..
On the other hand, if he is not SO we'll
on, out wishes to 60 to the theater,
she SHOULD 60 with him, even if it is
more than they can afford. Then he
won't nave to make an excuse so as to
be able to go with another girl. If he
wants to drink or play pool, she should
ask him to come home and do it.
II most certainly do not advocate ex-
travagance in general But there are
many times when it is justifable. II
is one of mans Unborn instincts to
spend freely, and If he has shaved for a
fortune, he doesn't want his wife to
spend all her time in the kitchen when