davidaulloa/AmericanStories huggingface dataset:
Alma record. (Alma, Mich.) 1878-1928, 1920-08-12
STALEYS LOST
SUNDAY GAME
McGinnity's Men Unable to
Stop Hagerman, Who Was
Hurting Fine Ball.
REPUBLICS LOST SATURDAY
Errors in Early Innings Costly "a
Alma Aggregation Which Should
Have Won.

BY having runs thrust upon them
in the opening game of the two
game series Saturday, the Staleys of
Decatur, Illinois, who also received
considerable aid from Umpire Jacob
son, also of Decatur, were able to
wiring out ten runs while the Repub-
lies were collecting six, and as a re-
suit got an even break in the two
trays, as the Trucks won the second
battle 3 to 2.
The Staleys started their scoring
IN the first game with two men down
in the first inning. Halas got a
base on balls. Ray Demmitt doub-
led. McGlade smashed one for two
sacks, and both counted.
I'm the second inning Paulman
singled, but was caught at second
on Veach's fielder's choice. Rush
grounded out, sending Veach to sec
ond, from which place he scored,
when Loney threw wild to first on
Meinert's knock to third.
The Republics forged into the lead
In the second through the efforts of
Main. With one down Dunckle was
passed Loney beat out a hit to sec
ond. McElligott was safe on Paul (
mans error. Meidell, with the sacks
loaded, struckout. Main picked
nice one, and smashed it for three
bases, scoring Dunckle, Loney and
McElligott. Main scored when Wood 4
worth missed Oakes roller.
The Staleys jumped into the lead
in the third with seven more runs.
taking lead that could not be pulled
down. Halas grounded out. Demmit
singled. McGlade was safe on Mains
error Lotshaw doubled, scoring
Demmitt. Paulman got a base on
balls. Veach was safe on Mains err
ror and McGlade counted. Rush
;truckout but Meinert came through
With single to center, scoring Lot
shaw. With Paulman at third Mein-
,rt went to second, and both scored
IN Woodworth's hit. Woodwork went
o third on bad pitch. Halas was
ut. He attempted TO steal and Mel ,
lell threw to center field, letting
Noodworth score. Demmitt struck
ut.
From this time on the Staley crew
vas not dangerous Main holding
hem safe the rest Of the way. and it
vas just battle on the part of the
'rucks to pull down the lead of six
uns.
In the fourth two nits and two
ases on balls counted one run. A
oner by Chouinard hurt the Repub- =
C chances in this inning. In the I
eventh the jumps pulled a bad one. =
ooley and Hunter singled. With :
1ree balls on him Chouinard waited .
Or the fourth, which was clearly a :
all Jacobson behind the plate 9
allied it strike. At this stage g
houinard should have been on first.
tting the bases with none down. q
is best, after the decision of Jacob 9
IN was left long fly to center \
lat allowed the runners to advance =,
the sacks. Dunckle, with a sacri- :,
&c fly, scored Tooley. Loney $,
rounded out, ending the scoring o,
lances.
100 AEe 200 ID III II
Alma record. (Alma, Mich.) 1878-1928, 1920-08-12

Have your hin filled with Canaan
coal. Brown-ward Co., phone 27.-
6Otf.
Alma record. (Alma, Mich.) 1878-1928, 1920-08-12

Best Candies-DeLuxe-77-tf-c
Alma record. (Alma, Mich.) 1878-1928, 1920-08-12

DeLuxe Candies are best.-77-tf-c.
New-York tribune., 1920-01-18
Calrnnar for the Current Wefk

SUNDAY-Carnge Hail.
Aeoan Hail. recital by
concert by the Orchestral Society;
poned concert OF the Society Of the Friends
House, by Pkofef pianist Eddy
Brown. voinist Metropolitan operat
concerts City College, free recital Baldwin
Washington Irving High School, nus
Park Thea 8:16 English
MONDAYAeoian Hail. Fremsad s:b D. m
concert by the Shumann Club; Metropolitan m
French and Italian 1 "Cavaa Rusticana"
Wadorf-Asoia, II a. Mr. Baebys Morning.
TUESDAY-Carnee Hail. S:15
Aeolan Hall, panoore BIB
concert by the Flonzaley Quartet
WEDNEsDAYCanegie Hail. by Carlo, VAL
S:16 Aeoln
recital by Phoebe Crosby; House M
French LA Juv" m FREQ organ recital bv
A.. ~ ' ~
ACKNOWLEDGEMENTS p m Italian opera "zaza.
Aeoan Hail. violin recital MaCuiean s1n m
violin recital by Helen TaschnrTas; m concert
by the Philharmonic Soety Auditorium Columbia lint
vesy S:1S by soprano and Salvatore
dc Stefano,
Hail. $3.50 by Society;
$40 p mr. concert by the Peoples Liberty Hall n u
song recital by Mme Jencie
ny harriet Shode Metropolitan m Italian on.re
Loracoo" and "Pagacci"; Btmore m morning muc.,
washington Irving High School, bv tn. St. Cecilia
~ > - " ~ y" Ss'"S
Hail. pnoforte Gabrowitsh s:15
p m violin recital by Gabriel n panofo
lec oy Moisewih Metropolitan m Italian opera
"So'sso"s p m French
1encn hospiss metropolitan Museum D. M
oschestral Brooklyn Music m concert hv tho
New York Symphony Socoty ' -
New-York tribune., 1920-01-18

"Kyrie," was given to Count Walsegg's
messenger when next he called. Count
Walsegg in turn copied the score with
his own hand, wrote on the title page
REQUIEM; composite del Conte Wal
segg," and after a space had the ma IS
performed as his own at Neustadt.
me original he locked up in his library
and 1t was sold with the rest of his
music after his death. 1t was discov-
ered ered IN 1888, after it had passed
through the hands Of several owners.
and purchased for the Imperial Library
at Vienna, where it now is.
The rest Of the history Of the score
is too long to tell. Mme. Mozart
feeling secure in the belief that the
unknown person who had commissioned
the work would not dare interfere with
her plans, arranged performances in
Vienna and Leipsic, sold q COPY Of the
score to the King of Prussia for 200
frledrichs dor, attempted to persuade
Breitkopf & Hartel to publish it, but
ran up against scruples which were
overcome by letter from Sussmayer,
VINO now, however, laid claim to q
greater part of the first four numbers
OF OF the work, the conclusion of the
0,LIacrymfosa" ,I, and all Of the "Sanctus,"
"benedidtus,"' and "Agnus Del" TO
had repeated the fugue Of the "Kyrie"
to the "Cum Sanctus." Breitkopf &
Hartel published the Requiem" in
1900, according to the score belonging
to the widow furnished to them for
the purpose" They said nothing about
the doubtful authenticity of the work
but published Sussmayer's letter in
their journal and in a comment ouea-
toned his ability to do what he had
claimed. twenty-five years later the
genulneness of the composition was at
lacked by Godfried Weber, and there
followed q controversy, in which MANY
OF the greatest musicians alive tool
part, among them Beethoven. We have
seen the original Of his letter. in which
ne rldlcules the pretensions of Weber to
Dc able to pass on the authenticity Of
work by Mozart. When last we
neard of 1t this lctter was in the hands
OF concert manager to whom we ex-
plane its meaning and value. Il was
once, we believe, the property Of the
late Max Heinrich. ''0
Confession being> good for tho sou,
we oes're to make one--not only to
promote our own sanctity, but to re-
iieve honorable gentlemen of an un-
just. imputation. We, read . memo
randum hastily week ago. and in
cluded the Philharmonic Society. Mr
Stransky and Mr.. Humiston in the Nst
OF those implicated in tho Hofmann-
pvorsky hoax. "Tho Haunted Castle"
was played here by the Philadelphia
Orchestra, not by tho Philharmonic So
New-York tribune., 1920-01-18

he would have his friends sing 1t Will.
no played the pianoforte accompani.
ment. A feverish anxiety to finish the
work and know how 1t sounded tool
possession Of him. On the day of his
death he took part In the singing, car.
rying the alto part. Shack, who tells
the story, sang soprano; Hofer, Mo-
zart's brother-in-law, tenor, and Gerle
bass. They had got as far as the first
measures of the "Lacrymosa" when Mo-
zart began to weep, and laid the music
aside. This was December 4, at z
O'Clock In the afternoon. "In the course
Of the afternoon" writes Pole; "his
wl1e,s sister found Sussmayer Ca pupil)
at Mozart's bedside in eager conversa-
ton with him about the Requiem.
man.. as with fearful eyes he turned
on the score, that l was writing the
Requiem" for myself :" He soon became
worse, but even in his last moments
the Requiem seemed to occupy his
thoughts. He puffed out his cheeks and
tried to initiate the effects Of the drums
soon afterward he raised himself up
put his eyes were glazed; he leaned his
head against the wall and seemed to
siumber, and an hour after midnight
his spirit passed peaceably away"
How Fraud was Perpetrated
The continuation Of the story is not
altogether creditable to Mozart's widow
The composer had received all the
money he had demanded for the work
from the messenger, but she evidently
nad an eager eye on the promised
bonus and feared that It would not be
forthcoming unless she could deliver
completed scoto. She employed a
man named Eybler, Of the Court Or
chestra, to finish tho composition, but
ne became dissatisfied and quit the
work. other muaicians were asked and
declined. Finally Sussmayer undertook
tne Task, Tor which he was particularly
qualified because Of his knowledge Of
Mozarts style and wishes and also be-
cause ne mad no scruples on the sub
5ect OF the deception which Nine.
Mozart wished to practice. He left
tne Requiom Aeternam" and "Kyrie"
IN Mozart's handwriting, copied what
mozart nAd written Of tho other num-
oers, tiiled IN tho Instrumentation as
ne had been directed by tho dying COM
poser, composed the lacking move
ments, repeated the fugue of the first
number in the last and handed to the
widow complete score 30 remarkably
IKE the handwriting Of Mozart that
wnen the genuine and spurious sheets
were joined together It was almost i'm
possible to detect the deception. The
entire score was then copied for tho
wiaow ana tne original manuscript,
which included Mozart's autograph of
the two numbers, Requiem" and
New-York tribune., 1920-01-18
Programs of the Week

Manhattan Opera House, 2 D. m.
Concert by Eddy Brown. Serge Proko-
fieH and Vladimir Resnikoff:
LarRhetto ............ Handel
naanuet m:nu ..................: Haydn
Pasn Tanohar,p as proRnet 9h;.,. schumann
Eddy Brown, violini:t. Nre'''ef
'!nree Country Dances. Beethoven
Bsllet des poussin: dams leurs coaues ser0dn
Moussorgsky
PRELUDE IN q minor. Rachmaninoff
Wettar;n Heauiem ..'......'....... Homer
Eastern Romance $685.. Rimsky-Korssaalks s,t
Christ Is Risen. n............ .RachmaninofP
Vladimir Resnikofs. barytone ''''''A
neloole ....''............. Tschafk0wsky
La Ronde des Lutins 'amelnlown Bsz2;ni
Eddy Brown.
First Sonata, F minor. .,..:...... .ProkofieH
Serge Prokof1eff.
Mid the Foe. Observation-Disclosures. ,Tanevev
The IDIOTS Love Song. ........ .Moussorgsky
Mai-ko-mashma.lon Sinding
(Talmudic students monolo9ue. Yiddish
folk theme.)
Buckwheat Cakes (folksong) .Ukrainian
Vo'sa Boat Son Song efolksong} Russian
Carnegie Hall, 3 p. m. Concert by
the Philharmonic Society:
Symphony in minor. Unfinished"
Concerto in E minor. op. o.. for violin
and orchestra .............. Mendelssohn
Sascha jacobsen. o'''-
Scharoo, The Sorcerer's Apprentice. .Dukas
Symphonic Dances .................. Grier
Capriccio Espagnol. ...... Rimsky-Korsakoif
Aeolian Hall, 3 p. m. Song recital
by George Hamlin:
Per In Gloria d'Adoraru. ,..... .Bononcini
The Praise of Islay: teezie Lindsay
(Scotch ballads, arranged by Fritz Kreis-
ler and Reinhold Warlich).
Turn Ye to Me. Me...............O Old Scotch
Border Ballad, words by Walter Scott. .Cowen
New-York tribune., 1920-01-18
MONDAY

Aeolian Hall, p. m. Song recital by
Olive Fremstad,
vado Ben Spesso. ......,.... .salvator Rosa
Old Italian {olksong AR. by G. Sgambati
Ma che vi Costa. .Tommaso Traetta
New-York tribune., 1920-01-18
A4zze c&3@, ssr<azzo. ~+*$z*: 's'

n Nisht IN Mayi ssrsnade; Love Song
Ihe Message English translations by
~ .,Mastuiath) s, ..................... Brahms
A1isu Supreme ................... Pierne
The Rails ~ phc,,,: :'''''''..'..'...1; hahn
n Garden Wild: Florence Turner.MaleS rsmass
"hen ne. ~, we Were ere Boy and Girl (arranged
The ny Lom cna15ss Baeksd M9Gd, Sor Irish
At the Postern Gate. \. .Gena Branscombe
Nobody Knows the Trouble I've Seen;
Hard Trials; Swing Low, Sweet Chariot;
l Want To Be Ready (negro spirituals
| arranged for solo voice by H. T. Bur-
vine. ,sssn2i Vine and Byzantine: A Marrias.
Morning (from ''The Widow" or THE
Song Of the Wren'J J............. Sullivan
City College, p. m. Samuel A..
Baldwin's free organ recitals
Prelude and Fusue In F minor. >. d. j. Handel
Scena Pastoraie .................. Bossi
tassacagna % IN minor; .;;....:.;., Bach
Dett
Dance Of the Reed Pipes. :. .Tschaikowsky
Dna.osae DnsN c x nonnee
Theme and Final: in fiat. hi .Thiele
Century Theater, 8 p. m. Concert
by the Orchestral Society:
Overture, "Euryanthe" ............. Weber
Fantasia, Romeo and Juliet" .Tschaikowsly
Violin Concerto in G minor. ..........B .Bruch
Jacques Thibaud.
Les IfGluQe6 .11SZC
Brooklyn Academy Of Music, 8 p.
m. Concert by Pablo Casals and Vic
toria Boshko:
Etudes Symphoniques. ues........... .Schumann
Victoria Boshko.
Sonata In g Major r............ .Sammartini
Pablo Casals.
Nocturne in d major: Prelude in B minor.
Chopin
Patetico NEUTRALITY-SUSPICIOUS.. Scriabine
Victoria Boshko.
Larghetto Lamentoso L. Godowsky
Danse Espagnole ....... Enrique Granados
Allegro Appassionata ........ .Eaint-Saens
Pablo Casals.
La Campanella ..........,. .PaRanini-L Liszt
Victoria Boshko.
10 hol Ntdrsi ..................M MAX Bruch
faplilOne .GAbrtel Caure
Ma1urka: Tarantella. ........ David Pepper
Pablo Casals.
New-York tribune., 1920-01-18
TUESDAY

TUESDAY
Aeolian Hall, 8 D. m. Plano recital
by Alfred Cortot:
Prelude. Choral ct Fuxue. ... Cesar Franck
II Etudes, OPP. 10 and op. 25..... Chopin
First Book Of Preludes. .Debussy
Etudes Symphoniques ........... .Schumann
At S.15 p. m. Concert by the Flon-
zaley Quartet:
eus5tst ser;gt, on Negro Themes. o. 10 lm.1u. %.o,
Quartet N major (Kochel's Catalogue
No. 9oo) mozart
Carnegie Hail, 1913 p. m. Piano re-
cital by Mischa Levitzki.
Organ Prelude and Fueue. A minor.
Bach-Lisxt
nonoo ..................... Mozart
Etudes symphonioues. op. is. schumann
Prelude. D fiat; Prelude. b fat minor
Etude, F major: Etude, C major Ma
zurka, fiat; Scherzo, sharp minor
Chopin
Etude. 9 sharp minor: Etude. D sharp
~ 4A.,no1 .................. ScriapIne
Can"a.A ......... Tschaikowsky
concert Arabesques on Themes Of the Blue
danube Waltz by Strauss. Schulz-Evler
New-York tribune., 1920-01-18
WEDNESDAY

Carnegie Hall, 2:3O p. m. Piano re-
cital Of Peruvian and Inca music by
Carlos Valderrama:
Primitive Age: Inca Prelude No. s.
Inca Rhapsodie No. g. Can Inca Legend,
Inca Nocturne No. Q. tFarewell--Loys
Song).
Cashua.. unca Royal Dance
Rhapsodie No. 4. Gnca SPANISH
1. Colonial Song 2. Mazurka.
left hand)
Voices In tho Fountains Of the Incas tPeru-
Wan Characteristic Waltz.
Aeolian Hall, p. m. Song recital
by Phoebe Crosby:
Attempt From Loves Sickness to Fly
Henry Purcell
my MY Lovely Celia George Munro
Fhiiiis has Such Charming Graces
Anthony Young
Shepherd, Thy Demeanor Vary.
Thomas Brown
canto d'Aprile: Dove scintillano simi-
iitudlne .................M. Nj. Enrico Boss,
81 Je Pouvais Mourir. 80. Alfredo Barbrolli
Au bord de IEau. ........ Gabrielle faure
LIE Chanson de rAlouette. -. Edouard Lalo
hymne au Soleil. Alexandra Georges
Streams Secret. Florence Newell Barbour
LuiaDy ............ Syrl oeoss
Her Rose .................Wh Whitney Coomos
Song Of the Open. ....... Frank La Forge
Do Not Go. My Love. .......... r. Hagemsn
As tho wen. ............... H. haSe"AA
New-York tribune., 1920-01-18

Dams Notre vilas. (Brunetfe IN, t. d du Martini IT
yug, o vove. Edward na"Gpsa Gpiea
Baekken Sverre Jordsn
SoVHen Syerre Jordan
Tcnerzo ...........-...... J. Backer-Lunds
n~i.ignt natS:I M3r Dream ........ viteslav Novak
Thou Art SO Like a Flower (sung in
Fate (sune in Russian) 49,. s RachmaninOi
The Silversmith (fokdance Of Murcia and and
Andalusia) .......... Arr. by K SCHNEIDER
| Dusk In June. ne..............F Fay F,ster
Now Like Lantern. 80. "A. Walter Kramer
Carnaval ................. Felix Fourdraip
Aeolian Hall, s:15 p. m. Concert By
the Schumann Club:
Romantic Songs:
Are e. They Tears, Beloved', op. 50,
Brides Song. op. Is. No. ii, rD'A'' '''FS
4, Robert schumsnn
The Niehtinsalo and the Rose "olAS.' op' :, ''@'
Que Fais-tu Bergere +. French 18Th Century
Medieval el:e Part Songs and Ballads 49,.
Concordi Lmtitia. Latin Hymn. about 1900
Jay Mil Regrets
Josquin des Pres, about 1873
ye Suis Trop Jeunette. French about 35o
La Belle Yolans. French, about 1850
Sumer Is Icumen In
John of Fornsete. about 1920
Six Italian songs in antique style, by Stefano
Donaudy:
Quand' II Tuo Diavol Necque. Canzonetta.
Sorge II Sol Maggiolata
Freschi Luoghi. Pratt Aulenti. Canzons
Amor Mi Fa Cantare, Canzonetta-
Ognun Ripiccha Nicchia, Frottola.
Madonna Renzuola, Villanella.
Modern Songs:
(a) Beau Soir ...... Claude Debussy
(b) LIE Colibri ..... Ernest Chausson
(c) From the Hills of Dream. Cecil Forsyth
(d) The Romaika ..... Edna Rosalind Park
New-York tribune., 1920-01-18
Death Of tho Compose,

He would not abandon his task. h~v.
ever. He kept writing materials on his
ceounterpane and his pian0forto hysids
MS ped. Al fast as part was hnisked
New-York tribune., 1920-01-18

Continued on neat pagk
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02
Acid Stomach
Makes the Body Sour
Nine Out of Ten People
Suffer From It

1t sends its harmful acids and gases all
over the body, instead of health and
strength. Day and night this ceaseless dam
age goes on. No matter how strong, it,
victim cannot long withstand the health.
destroying effects of an acid stomach.
Good news for millions of sufferers.
Chemists have found sure remedy-one
that takes the acid up and carries it out
of the body; of course, when the cause il
removed, the sufferer gets well.
Bloating, Indigestion, sour, acid, gassy
stomach miseries all removed. This il
proven by over half million ailing folks
who have taken EATONIC with wonder.
full benefits. 1t can be obtained from any
druggist, who will cheerfully refund its
trihing cost if not entirety satisfactory.
Everyone should enjoy its benefits. Fro
quently the first tablet gives relief
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02
TIME MAKES LITTLE CHANGE
Booth Harrington Relates Anecdote to
Show How Characteristics Pre-
vail to the End.

Novelist Booth Harrington was talk
ing about the cowardly attack that a
gang Of Germans had made on soil
tary French officer In the restaurant
OF the Hotel Adlon In Berlin.
1.-THE Germans" he said, "were I'M
speakable in the beginning, and they
will be unspeakable to the end"
He shook his head thoughtfully.
people can't change" he said.
Henry Labouchere was born a
fearless wit, and a fearless wit he
died. A few hours before his
death, you know, Labouchere's
nephew upset tiny spirit lamp
that was burning by the bedside
The dying man awoke out Of fit
full doze and saw the miniature contia
grafton.
"'FlamesT he said. Not yet,
| think
"And he laughed quizzlcally and
dozed again."
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02

A s THE gorgeous peacock feathers
1 \ and the royal purple iris have
dainty sisters that are pure white, 80
the colorful hats Of early summer are
followed by replicas In white or In the
palest tints, when July and August
bring their burning skies. These with
other cool looking millinery do not re-
place their predecessors, but are added
to midsummer headwear to be used
when anything that Is cool, and looks
cool, Is a refreshing sight. There Is
nothing like white, and especially pure,
sheer white fabrics. for accomplishing
this purpose. Next to white, combina-
lions of white and navy blue, white
and black, white and beige, or tan,
are depended upon for these crisp hats
that defy the hottest day that comes.
Most of these simple fabric hats are
made Of organdie, Powered wolfe,
honey-comb batiste, taffeta and geor-
gette In combination with very pill
able and light straw bralds. They are
not beyond the ability of the average
needle woman who likes to undertake
hat making at home. as a glance at
the group of four hats pictured above
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02

TTERE are two outfits for busy lit
i i tie persons who are three. going
on fOur-or more years-up to six
that will make an instant appeal to
mothers. They are everyday toys
little dress with boomers and attrac-
tive rompers, both made with sun bon
nets to match and fashioned of more
or less sturdy materials, according to
the kind OF wear demanded Of them.
The popular ginghams in very small
checks, plain chambrays, or any of
the medium or lighter weight cottons
used for children's play clothes-not
emitting unbleached domestic-might
be used for making them. AS shown
above, they are intended for the less
strenuous frolics of little ones, for the
clean sands of the beach, for the lawn
or veranda, but the models are good In
heavier and darker cottons.
The little frock as pictured is made
of white and blue rinted lawn. The
pretty. old-fashlon I'd dress hns n
straight yoke with body and skirt in
one gathered to 1t. the joining deco
rated with feather stitching. 1t has a
round neck md short sleeves all fin
jshed with plated frill of white
lawn. The dress has four rows of Shir-
rings at the back and front with
slashes nj each side. A sash of lawn
Sims under these slashes and this ar
rap cement takes care Of the waist line,
An aaoiahly quaint sun bonnet is
edged with crochet lace ana mas Ties
of the material. a little ribbon bow
Is added when thin goods are used. but
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02
A Boulevard Deputy Sheriff.

The other day we dropped into our
favorite garage for few minor re-
pairs, which the bus needed. The pro-
prletor was even a little ,,rouder than
usual, we thought
'What's happened to the boss" said
we to Fat.
Haven't you heard?" he asked.
mo. What is it?'
Hes deputy sheriff now. Hey,
boss, come on over here an show your
badge"
A garage proprietor and a deputy
sheriff all at once! If anybody can
beat that for arrogance and pomp and
lordly authority and supreme sense
of superiority outside Of Prussia, we'd
like to hear about 1t.
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02

Will show. Three Of them are made
on wire frames and one has light
straw braid foundation. The wire
frames are first covered with Organdie
or net or other thin. sheer fabric, but
to fit the brim and crown, and it may
not be necessary to cover the upper
brim with this foundation material.
Hemstitching Is used where the top
and side crown pieces IRE Joined and
edges have a picot finish or very mar
row silk or straw braids may be
stitched to them. Sashes OF narrow
ribbon or Of organdie or OF the same
fabric as the hat, provide the trim
ming. One Of the hats pictured Is
made of white taffeta and has a brim
facing of navy blue braid. There Is
a little outline embroidery on the
crown Of this hat, done with navy blue
embroidery silk. Two hats of honey
comb batiste, have soft edges extend
ing beyond the edges Of the frames,
one with a collar and bow Of satin rib
bon and one with a little silk en-
brodery on scarf end used for itl
decoration. They are all white.
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02
WHY DRUGGISTS RECOMMEND
SWAMP ROOT

For many years druggists have watched
with much interest the remarkable record
maintained by DR.. Kilmer's Swamp Root,
the great kidney, liver and bladder medi'
cine.
It h a physicians prescription.
6wamp-Root il a strengthening medi-
cine. II helps the kidneys, liver and blad-
der do the work nature intended they
should do.
Swamp-Root has stood the test OF years.
It il sold by al druggists on it, merit
and It should help you. No other kidney
medicine has 70 many friends.
Be sure to get Swamp Root and starr
treatment 1t once.
However, If you wish first to test thi'
great preparation send ten cents to Dr.
Kilmer / Co., Binghamton. n. T., for
sample bottle. When writing be sure and
msntisn this paper.-Adv.
The Oakley herald. [volume] (Oakley, Idaho) 1908-1961, 1920-07-02

will be left off heavier fabrics.
provided for these playtime dresses.
When checked ginghams and other SUBJ
stantial materials are chosen the
boomers match the frock.
Plain chambray gives a good account
Of itself in the rompers pictured. The
collar and cuffs have narrow frills Of
dotted swiss and this material is used
for the irresponsible but pretty bon
net and its ties. A band and bow Of
ribbon make 1t very dainty affair,
less practical than its rival.