The Keota news., 1920-06-04
Hsndnp Epn,n Designers Spare
No Effpft 10 Have the 1rpus-
reau Exquisite.
nlnIE4H Wis Hun
Paris NasiustAl 0suo~N3sUno Describes
as ARp+s Etanorx,e rt,as eSe.
&asp%e; Yivio 1onoc oruanos
4p~ Arsaoomas6iA.

1'iiik years tirite mry In nt inu'
v,duui IL ci,e .:i,uice M iss.Y 'ciu,istt u'
st,s I,ies,s4s unc x-ili fuiicw the iuis's
uic,u,ss IT fuxiiiuI. fM nesss,sss.'
themselves, observes J,runiiIseir tnHi'
i'm correspondent hsve cisOsss.n ~ "
Individual IL tise JrvJMsuriuh N ri'tsi
inutssis perxmiil inwie crvs:riss fnsi'
iuns tutiI! n,ts.e .iurn s.rs.s i'..su'&. iih'
IL rhe i,i,i0s ~ rise Huusst.s tfst.assss'
wun,i,n lies LIE .,r;e II every style
The s:rpv1,ti,e rssunl'h sf -ise --1sus
Hs.uu - cise wedding 0-s.ssA. unc fis'
3'Irik os.slElssss N;Iu.e* np s.hsrr 10 lue'
stiie exquisite II is Interesting Il
lu;. uInrt.sd sv.,.scil ~ Iisv use II
r.s,l iS.~ IL rise ir',oai ioiisst. o r-G
tiiciun which Wak riI.xssits,ssc w,f-h 81
fHsS.ns.iI' trsrm nsssos.f1 Uur1i;&. 1lN
iss.v s.sr i,rid.sl iUiss;x Hre typical a
etss ss.iIGismanx u the incs enc ris'
ruiie Industry IL Trunex and Belgium
3.Hcis.ar; wu,i,ssn wsmk&Hr tn this 4seiil
issse s,euio taken ny nsating rlse ossii
sssis ane incricHi< r,s.ssissss ci,srsea<.sis
nc a 1pe i,%sedne paint
Unfortunately. rist.sY numbers hssS
tssssD 0s3sitsied b. rise ~'ss- Tran cis
~'ums.n. %.z3sess IL -Ass III sf lscesnak
inG 0i<sd 9rtaD fright exposure ant
lIsr0xi,sp during rlse ling ln0ufhs n
the struggle fi,a; ~a<su; ssn In tAe ns11i
eH Frxnce- (v,i,esS vo,mnarii. lef. lsce
making 10 <.iscses II mt'r< ,exdifss.i,
occu;Mriunx. Thus lsex has ErVw1
mts-e Jsrscipu&. aoc ssnpt specimens
I.~ aimsnr JaSsx.is-sA-
on LAnss ia sss~ ese9ineA
LaM yx.sY ruiI< ~as used airDoss ex
c1uxsrelJ 9ue wedding reilA. except B.!
,asuse fortunate <nea<A to pasaea
ss.u u,tful oie family lseeA Al tina
time nSs,s,dy kDe~ he~ 1ens II ~cu,s
sse t.xdur< the lscemakins iDouStS!
could s.e resamed Fortunately. ihi
has taken . wueA shorter time thai
anyue,e ANTICIPATED
Paris has fairy ouf6co< besnelf Il
fase csesf3en q l0r<Ay t<sdal dresee-
Developed entirely from ful,e viii
Isa.s manfje-like veils Of real lace III
io4sS H us0 VI AAAos Vo0atS AAsN"o -
,ualioe-x. hut 10 IN all silk trIie ne,
<xse1iy Initiating the haDd-ma6e mesh
e. that form the fouoda;ion oR rea
lsceA Cdne this euality lasur.
Ions<rify, making II possible for tn
dress TO serve several eeoe-1t3caA
Nothing could be more eirlixA. SIN
pie and bride-like than the dress en-
;hely Of fulle r;lsiiings. the skirt an,
bodice teans sccordseo plated viii
. tablier or apron panel front made q
. succexsaoo Of narrow piaif;nss eod
ing IN Eun-say roaefiek Similar plaii
inSS outline the modest oecollcfae,
and the short sseeveA
The priceless lace veil. arranged Il
corooee fasAion. u held In place viii
dsad<m of natural orange blosnom
mounted On Q wreath Of s;lvef diiSree
the WORK Of an italian artist. the al
yer 1laneots forming this work &C
eording perfectly with the delicate pat
tern Of the lace. There 10 . ccrSae
bo0qvet of orange blossoms Tied viii
sdlvef rfhbooa. the ends Of xhseA ~
Weighted with silver niieree pendants
Another model shows an equally Ia
terextinG use Of lace. Here the ide.
10 reversed. ~ the gown itself IL q
lace and the reil cf tulle. In forr
this asess 10 q cumbinstion Of Gree