The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1920-12-16
High Collar on
the Style List

for this suit, and the pointed edge
panels. which extend below the edge
OF both jacket and skirt. are embrol-
dered in gray. The gray embroidery
also appears on the narrow cuff bands.
The one-button closing is extensively
used by this firm as fastening for
suit jackets. The vest and high col
lar are of squirrel. The skirt Is short
and narrow.
Wider sleeves are In evidence. Ever
so many are loose and flowing. The
bell-shaped three-quarters length is
very much liked. The long. straight,
full coat sleeves, with deep embroi-
derles, which were so much feature
OF last seasons collections, stlll are
seen.
Bulloz. who Is noted for his beau
tiful suits. makes Jackets which are
straight. loosely belted and. OF me-
dlum length, loosely belted with two
inch belt, which is twisted and passes
across the center front, where II but
tons. The ends OF the belt, which
widen gradually TO about eight Inches,
fall TO the bottom OF the skirt. The
skirt Is embroidered all over with
enormous taupe plush roses. These
roses reappear on the jacket at the
hips and on the collar.
Tight Skirts, Coat TO Knees.
Another interesting idea is the maxi
ing Of n belt. six inches in width,
which folds over the center front In
one piece with the back panel OF the
jacket.
Still another suit OF blue serge
shows very tight skirt and knee
length coat, which Is tremendously
full IN the skirt. This fullness Is LET
In at the hips and held out at the
hem by means OF bands and ruchins
OF the serge. The high collar II
made OF an immense serge ruche.
Bulloz's collars are Of exaggerated
height on both dresses and suits. Soft
fur collars on suits come literally
above the nose. 30 that the eyes Just
peep over the edge.
A model OF interest shows n cort
lacing at the back from the top Of thu
high collar 10 the waIstllne. whero 4
ties In bow with streamers.
No special note has been made o
the materials used In suits. because
there IL nothing striklngly new II
them. We have previously noted IN,
use Of broadcloth and other old-fash
toned. smooth.fnlshed cloths. o
course. there Is any amount OF velour
de inine and duvetyn. with the chew
OTIS and striped woolens for the NOR
strictly tailored suits.
Colors ore rather somber. Black
brown and gray Hre In the lead. witt
the use OF gray for suits seal has be
come even more popular. because 4
makes such beautiful contrast TO IN,
soft gray cloth, rs well as following
the vogue for gray and black.
Bulloz has successfully launche,
some splendid coats made OF cloth
with fur trimming. notably In com
binatlons OF gray velours de -lain'
, and sealslSln fur.
/ Many brown furs. which are very
beautiful In themselves. could not b'
considered for use with gray. Whit,
! furs are used In connection with
! hlack cloth. White skunk Is used II
the form Of enormous collars and cuff
worked In vertical lines on beautl
fully brocaded evening coats
The different feelings toward IN,
use OF trimming, as .evinced by IN,
different dressmakerS Is interesting
Some use u sparingly. and Others
lavlshly. Those who favor It's exten
sive use employ Il In the form OF
large collars ana cuffs, and for both
deep hands and narrow edglngs.
Cheruit Is one great designer vino
favors fur. Cabot, another author
ity, uses II sparingly. SO We may
please ourselves MS TO whether We
shall wear fur or not and also con,
suit our pOckethOOka