The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1920-11-25
One-Piece1FrO :
Still in Favor

comprise models Of all the types
brought out by this house for the past
few seasons.
Cabot Is showing straight dresses
OF square cut-that is, hanging from
the shoulders without being drawn in
at the waist by means of a belt. This
straight, beltless dress has been Cal
lot favorite for some time-and moth.
ing could be more beautiful than a
plain, straightline dress unbelted, pro
vided II Is made OF q suitable material.
II certainly offers a wonderful back
ground for exquisite embroidery de.
signs. This Arm also SHOWS very full
dancing dresses, such as were worn
by the beauties Of the 1880 period, the
draped, OBSERVATION-DISCLOSURES type
Of evening gowns having very sheer
bodlces and dresses with apron tu-
MICS. 1ounces and scallops; also little
chemise dresses belted at q normal
waistline.
Many of Callot's evening gowns
are very decollete. although the square
neck and the straight-across lines also
are featured. For day wear this firm
shows high collars and long sleeves,
as well MS collarless models with short
sleeves.
Straight boxlike dresses, unbelted,
are made Of serge, duvetyn and black
kasha. Agnin, these dresses are of
tulle, brocaded crepes and chiffon of
bright colors, worn over narrow foun-
dalton slips of velvet and satin. Often
these underslIps are trimmed at the
bottom of the skirt with a band OF
embroidery from one to three inches
wide.
Lace Dyed In Dazzling Huea
The use of lace is an important fac
tor for entire dresses or as a trim
ming. In many instances the lace Ia
dyed a brilliant color. Rouille, or rust.
a color very popular the last two sea-
sons In materials such as crepe de
chine, crepe georgette, chiffon and
duvetyn, is now considered the nov
city color for lace dresses and Is fea-
tured by Cabot.
On a frock Of rouille, or rust-col.
ored, crepe de chine and lace the same
shade, the plain bodice and plated
skirt are Of the crepe de chine and the
overdress OF lace. The blouse falls
loosely over n lace sash. This
sash ties low on the hips at the left
side. The sleeves are very short and
tight ftting.
Another model shows a very full
skirt OF rust-colored tulle having two
iounces OF black chantilly lace, each
fiounce edged at the top with a rose
plating Of the tulle. The bodice Is
very sheer. In the center front at &
normal waistline is large black vel
vet flower.
An attractive method Of using lace
as trimming Is seen In q dress OF
brown velvet. The entire dress is OF
the velvet and has low waistllne bod
ice. There is no fastening; II slips
on over the head. Over the narrow
foundation skirt is hung a knife-plait-
ed lace tunic In vandyke points. The
lace appears again as an outline for
the straight neck and short sleeves.
While fur Is used more sparingly
than hitherto, a number OF novel ways
OF applying It to suits. coats and
dresses have been worked out. 1t is
used on both suits and dresses to edge
trimming bands of velvet, which may
be applied In loop form; also 10 Dor
| der short box coats that end about
| four Inches below the walstllne. Bands
OF the fur are placed up and down tho
front and continue around the bottom
of the coat. Sometimes the band Is
omitted from the bottom Of the jacket
and the skirt will show a band Of fur
where the jacket ends, thus giving
the appearance OF a fur-edged jacket.
Plush sometimes Is substituted for fur
on the bottoms Of skirts and for col
lars and cuffs.