Grant County herald. [volume] (Lancaster, Wis.) 1850-1968, 1920-12-01

-w-N ONE of his most charming pas
SageS Anatole France eyokes a
fleeting memory of the quays along
the Seine, where one disturbs the
dust-cOvered books of the 5-cent stall,
and thousand shadows terrible and
charming" 1t isn't our purpose to
revive these memories; to do so would
be to parade the whole past in review
we shall simply state the magic which
draws and which holds to the quays
of the Seine, writes L. A. Des Carrots
in La France.
The quays Along both sides of our
river they run! But when we speak
of quays, we mean. of course, the quays
of the left bank. There is the heart
of Paris. Who would deny it?
The action of those workers who
live in the neighDorhood of the quays
artists, thinkers, poets or simple
wOrkmen-when they seek their river,
is one of happy Incidence. They do
not pause before the windows of the
antiquaries' shops; they go toward the
rampant which courageous and deter
mined booksellers have raised, before
the river of forgetfulness, the dixie
which will protect their books. 1t is
there that, in the summer sun. as well
as in winter fogs, are the last resting
places of the production of mans
thought. It is there that a book, af-
ter good or bad fortune, comes to take
its last chance it is there that they
are viewed by the savants, in search
of information, or with sentimental
curiosity by, Mimi Pinson yes,
the last refuge and the tranquil resting
place over which watch the high
profile of the Louvre and the towers
of Notre Dame!
Where Point of Interest Begins
The quayS start a little above the
Palais Bourbon, at the palace of the
Legion of Honor, once the famous Ho-
tel Salm During the revolution. since
the prince of Salm-Kriburg had been
given command of battalion of the
Lafayette guard, his palace became the
meeting place of the Reformist club.
Later the same building received the
members of the Cercle Constitution
mel, until the day when Napoleon made
it the seat of the grand chancellor OF
the Legion of Honor. 1t is a pity
that this charming Greek temple
should be eclipsed by the surrounding
buildings.
Next there is the Quai Noltaire,
where Nine. Cecile Sorel makes her
home, near the house in which V0ltaire
died When one enters this building
the ghost of the mighty century APP
pears YOU are received with the graz
ciOuSness of Celimene. Everything III
this house bears the imprint of Louis
NV, and nothing could be more q part
of it than the character of the great
artist who lives there. Here died IN
gres; there was the convent or the
Theatins, brought to France 1foii
Italy by Mazarin. Further along az
til corner of the Rue de Beaune, usea
to stand the barracks of the gray
muSketeers
The Famous Bridge Of Tears"
LET rs stop at the institute. From
here all the Paris of yesterday IS seen
the towers of Notre Dame, the Louvre
the Saint-C hapelIe. st. Germain FAUX
errois. the conciergerie, the palais de
Justice and the Pont-Neuf, still look
ing very solid Since it was opened
to traffic by Henry III, the same Gay
he lost his fayorite Quelus, the Pa@lsl-
ans called it "the bridge OF tears.
That did not prevent it, however. IRON.
becoming the center OF animation OF
the city where all Paris gathered TO
be amused by the news OF the g5Aet-
teers and the sallies of Taharin.
Next we see the palace of the prince
of Cont, today one of the treasury
buildings. To save ourselves both re-
morse and regret let rs put aside the
sad memories of st. German FAuXer-
rois and of the conciergerie. Let us
instead follow along the Quai Cont, N
the footsteps of Lamartine, OF Netof
lingo of Sainte Beauve. of Alfred Gle
Musset and of all those others who
have been familiars of the auays.
Alasi Where are the glories of The
past? Under the dome of the inssi-
tute?
Quays Are Charming.
our quays are indeed charming, with
the movement of tramways, wagons
and carriages, with the whistiing q
the boats and those thousand small
noises which are multiplied BY the
waters of the river. love to wafen
tho lonngers who come to loaf there
good fathers Of flnilies pulling theiI