davidaulloa/AmericanStories huggingface dataset:
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1920-05-09
K. Hughes.
Toms Riper, u. J..

Por Ia carta anterior podra US
ted convencerse de que el SHAM
POO VERVENA ' e. T0NICO
VEREENA deSyruyen Il caspa, u
gorizan las rajceS del pe!o Y de eS
"A manera promCeven 81 crcc!ulen
10
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1920-05-09

entire elIos Sc r~econocieron los de al
gvnos de los soldados que d~efeccio-
naron.
Por dates r~ecogidos mas tards Sc
supo que. al conoce Ia detection IN
trcn milirar que sali0 de Celaya, a
rribo a esta capital a las 3 P. NJ. y
en- seguida despleg6 una fuerza de
caballeria en- persecution de los ALA
dos. los que fueron aIcanzados en- Il
hacienda &c Eel Molino", donde die
ron mue!te q ocho de ellos.
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1920-05-09
Ell Shampoo Tonificador para Ell PeIo "Vervena"


Slendo "A ae50r gruc3a es este
ma car,A de Il Sra. *. hughes
Tons. dc River, y. J.. fecaaoa ct
10 de mario de l92p
"Scnores:-Les mage q Us,c'ez
o~reseuces mas agTacecGm1e2-os
nor 81 "Tou,ticador NecveCa e.
nues 10 ne encorcraGo una Uea
Gina de verdaGero meri,o, : es lnt-
possible para nj poder ~desc"olr
todas U benGiicas cual.dadeS. "a
Ie r medalla de orc. No -ea,3
tan gran canciGad de CaSpa, cue "a
mi pelo Sc estaba fernando en- girls
He cousultado q tres COctoreS. SIN
obtener ninCun resultado. Ercon-
IRE casuaImerte en- e. perlodIco e.
a7uncio del "TONIFJCADOR YER
VENA". con {. cual me he lavado
Ia cabeza varlaS veceS. hacienda
desaparecer de este Uoio toca IA
c2spa Y conslgu!en6o que mi pc.o
ruviera nueyamerte 81 color y To-
zania ratureIeS. Sirvanse envlar-
me dos bote,laS mas, por 10 cual
les doy las gracjas aDr,cipacamen
re
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1920-05-09

20
HOMBRES y MUJERES ST Us
TEDES DESEAN QUE 81 PELO
TENGA UNA NERDADERA
HERMOSURA NATURAL, = que
Sc conserve Sed0So : OnGU-aG0. asl
como tenerlo = salro de Ia caspa
que 10 GeStruiria, mancen 81 or
den hoy miSmo por e. "DeScructor
Re Caspa "VERVENA' y e TO
NICO EERFENA' para el cvecI-
miento del pelo, el que sera sUfi-
ciente para IN mes de tratamierco
por S225. Solo manGen p certavos
En- estampIiaS o dInero, ' el resto
10 pagaran cuando recihan su or
cen. Para las ordeneS p~gycedentes
- et Car:ata. ensiese ei vQlor OF
on de "a Urien DLrijanse los 7e
TiINs q.
The Connecticut labor press., 1920-12-18
RUSSIAN BLOUSE is POPULAR
Type of Dress Is Being Featured in
Many Lines Developed for
Young Women.

The Russian blouse type of dress is
being featured for the coming season
In many lines developed for young
women. One charming frock recently
seen had a long Russian blouse. It
was made of black satin, fastened with
large ornamental buttons of dull blue.
held in with girdle of matching
color, and worn over a full plated
skirt.
Another very smart Russian blouse
dress was made of taupe velvet, with
a narrow panel embroidered in several
rich shades extending down either side
Of the blouse. A narrow strip of the
embroidery served as a girdle, which
was loosely tied. The ends of the
girdle were finished with metal tas-
sells
Tricotine was introduced as
tailored dress fabric several seasons
ago and soon became so much the rage
that serges were regarded as rather
declasse. 1t is interesting to note that
fine French serge is again lined up
with the exclusives. and that it Is EN-.
ployed in many of the smartest of next
seasons tailleurs.
The Connecticut labor press., 1920-12-18
OLD GREECE is
IN STYLE NOTE
Greek Effects in Dresses Are Be-
ing Literally Used by Paris
Designers.
BLACKS. BROWNS, GRAYS LEAD
More Somber CoIors Are Favored for
Daytime Wear; Brilliant Hues
Are Preferred for Evening
Attire.

Paris designers are using ever so
many Greek effects in dresses, writes
prominent fashion correspondent.
The romantic morganatic marriage of
the young king of Greece and his June
visit to his bride, living in Paris, set
the French dressmakers to thinking of
the beautiful possibilities for fall fash
ions in the native Greek costume, both
ancient and modern, the result being
decided Greek note in the autumn col
lections.
The wife of the king Of Greece, who
is very beautiful, and her younger sis
ter, equally lovely, wear charming Pa
risian clothes. The youth and beauty
of these two girls plus the royal ro-
nance Of one of them appeal to the
creative genius of the Paris dress
maker and milliner, consequently "a
la Grecque," will be very fashionable
in Paris. AS there is so much of real
merit in Greek inspiration, one may ex-
pect many lovely things during the
coming winter.
Designers Turn to Greece.
Greece is only one of the many coun-
tries to which designers have turned
for their inspiration. Makers of
clothes appear loath to give up any
successful idea that has been brought
out recently, and we find the old min
gled with the new.
The Egyptian influence is still felt,
as is the Italian Renaissance. To
Persia have dresSmakers turned for
embroideries and to Russia for loose,
baggy sleeves and blousing bodices as
well as embroideries. Truly. we have
an unusual mixture of fashions, Span
ish styles have not, relinquished their
hold. Many ideas are still gathered
from the picturesque costumes Of
Spain.
There are several things, however,
upon which all agree-the slender sill
houette, the more somber colors for
day time wear-black. browns ard
The Connecticut labor press., 1920-12-18
POSIES ARE USED ON GOWNS
BefloWered Frocks Promise to Be
Favored Especially for Evening
Wear This Winter

Two kinds of flowers are being used
at the moment for trimmings; they
will also be worn during the winter
months, especially for evening dresses.
There is natural type of garden flow.
err as well as the very fanciful one
in velvet and satin, of extraordinary
size and shades, such as belong to the
realm of fairy tales. Many garlant!s
fall from the waistline, and are softly
mounted to allow a supple and grace
full movement when walking or dane
ing, and they will add a nice touch of
color to our dresses. There are big
flowers, or small nOsegays, made with
faded tones and mixed shades. Some
flowers are made in two cOlOrs for in
stance, pink taffeta and beige pOngee,
with each petal cut in the two mate
rails and placed one over the other
the petals are not sewn, but curled
and pressed together, in order to eff
feet the same waves and folds which
give fairy lightness to the flowers.
A motif at the girdle has been very
much favored for a considerable time
now. 1t is sometimes. a feather pOuf
or a cluster of fruit, or one or two
velvet flowers of fresh hue
There are some gowns which are not
only trimmed with beads. but are en-
tirely made of them. Long fringes of
beads entirely cover the slip under
meath, being held by the girdle. An
effect of contrasting shades is general
ly sought after. If, for instance, the
slip is of black satin or crepe, the
glass tubes are white
The Connecticut labor press., 1920-12-18

grays leading-and, striking contrast
to these, brilliant hues for the evening.
They agree, too, in the tendency to-
ward the high collar, long sleeve and
the uneVenneSS of skirts at the hem,
which tends to make them more grace
full. All of these points are brought
out in every collection. The collec-
tons are being constantly augmented
and we may expect a great many in
teresting developments from the nu-
merous ideas already advanced.
Dresses that fit in with the present
day fashions may be made by using
the forms of the ancient Greek cos
tunes with few changes. In an inter-
esting frOck we see the straight Greek
dress of about the Sixth century. The
embrOiGerieS are exact copies of those
used on an old Greek costume. In the
sleeve lies the only real change in the
design. A medium shade of tan duve-
tyn is used for this frock and the en-
broideries are in beautiful shades of
brown. A narrow belt Of brown leath-
err girdleS it.
Model of MousseIine.
An interesting model is developed in
coral mOusseline de sole and gold
cloth, with coral chains forming q Cir
die and shoulder straps. 1t will be re-
called that the ancient Greek military
dress showed plaitS and even that of
the present day carries remnant of
the idea of plaitings which were so
characteristic of the costume Of
Greece during the height of their i'm
perial glory.
We usually think of Greek dresses
as having been simple and beautiful
always, consisting of the straight
cnlIon-a garment WnIcn was cut an,
partly sewn-Or the costume achieved
entirely by means of drapery. The
Greeks, however, had changing fash
ions, just as we have today. There
were periods of Overelaboration, which
saw the dress laboriously and artifi-
cially folded.
A Grecian effect with plaits, very
much mOdernized, is developed in pale
blue crepe Roman. In color this model
suggests the Greek, being pale blue
and gold, the latter forming the en-
broidery and bands on the skirt and
on the Jacket A big double lOoned
4
The Connecticut labor press., 1920-12-18
Designers Use Erminette.

A few years ago, when women wore
white furs in the sweltering heat of
summer the craze for white fur
reached such an extreme that for some
time after the we'll dressed woman was
loath to wear any white fur. We can
only hope that the present-day re
ViVal will not run to any such eX-
IRENE. For the present, at least,
snowy fur trimmings are on models
from the most exclusive houses.
Erminette is being extensively ex-
plotted as a trimming by fhe Paris
designers. This fur very closely re
sembles real ermine, one of the pelts
always greatly in vogue. While it is
not as expensive as the real fur, it is
not cheap. AS we'll as being used for
a trimming in the form Of narrow edg-
ing and for large collars and deep cuffs,
it is combined with seal in evening
wraps White skunk is used to make
great muffling collars and deep cuffs
on the most elaborate of evening
wraps, some of the newest of which
are formed of beautiful silver bro
cades.
One great designer has invented an
entirely new shoulder line of Greek
influence in which the material is held
up over one shoulder and cut to ap-
pear as though falling off the other.
Embroidery Is Featured.
Martial ct Armand feature embroid,
cry on the backs of garments only. A
large disk design in contrasting cOlOrs
is a favorite pattern. An embroidery
design may extend across the back of
a coat from shoulder to shoulder or be
placed horizontally from shoulder to
hem. On dresses the embroidery used
in the latter way is very often of sill
yer threads. Black embroidery On
white velvet, white satin and white
net is prominent. A few models show
white embroidery on black, the prefer
ence being given to the former.
The Connecticut labor press., 1920-12-18

An interesting model in white and
black has q foundation skirt and bod
ice of black satin, with the tunic of
white net embroidered in a grape de-
sign, the grapes being white and the
leaves black. White velvet dresses are
embroidered in heavy black silk and
jet.
Gray wool on blue serge is a com,
binatiOn that we have grown accuS,
toned to and one that is still used
hut white WOrSted embroidery OF
black velvet is unusual. Gold anu sill
yer embroideries are not neglected
These are usually seen on chiffons,
IL ceS or mOuSSelineS.
The Connecticut labor press., 1920-12-18

Talking of beads leads to thoughts
of real pearls; they are no longer
worn screwed on the ear, but hang at
the end of a thin thread glittering with
small diamonds. Many women wind
their pearl necklaces round their
arms, and some others hang them
across the breast from one side to the
other. But the classical string of
pearls that encircles the neck always
remains the most lovely.
The Connecticut labor press., 1920-12-18

Dress of gray satin and dark blue vel
vet. The long mitten sleeves are of
the satin embroidered In blue to
match the velvet.
satin and a long redingote of cloth.
Many such frocks have high collars
which button tightly about the throat
and are faced with a contrasting
cloth.
Autumn skirts are somewhat longer
than those worn during the spring and
summer. A skirt with it's hem ten
inches from the ground is smart, yet
not extreme.
A rediQgote suit developed in green
velveteen has a plated skirt and the
coat is trimmed with skunk fur. In
e this model we see the beauty and
grace Of the suit with a very long
coat. In past seasons women have de-
clined to accept the long-coated suit,
saying that it had a tendency to make
one look older. This, however, is not
true of the really long coat. Nothing
could be more girlfsh than a suit such
as this one, giving, as it does, the ap-
pearance Of a one-piece dress with an
underskirt.
Another example Of the redingote
type is evolved from brick-red broad
cloth material, and the trimming is
kolinsky fur.
Ideal Dress for Street Wear.
One of the newest and most popular
blue serge dresses is very much like
the redingote suits in outline. It
gives the effect of a skirt and a very
long coat, although it is really a one
piece dress. The trimming consists Of
bands of tailor's braid of the same
dark blue hue as the frock. It is an
ideal dress for street wear in the au-
tumn.
Braid as trimming has found con-
siderable favor in this autumn's fash
ions. Dressmakers are showing great
originality in their methods of using
this trimming. Not content with braid
alone, they have stitched it in silks Of
contrasting cOlors and applied it in
ways that give the effect of new and
elaborate embroideries. Often the
braid is embroidered by hand.
The new square-hanging satin man
tie is of the very heavy quality which
is being used for street wear this fall.
The trimming is moleskin, fur which
will vie with squirrel in popularity
this winter.
Great stress is laid on satin for
wraps of all sorts. The satin of 1920
is a striking example of the wonder
full progress that has been made in
the silk industry. One never would
suspect it of being even a distant rela-
tive Of the stiff and lustrous satins
Of bygone days. In past years satin
coats were considered suitable for ell
1erly ladies only. while a wrap Of
tOday's satin is youthful
Lining silks are quite as handsome
as those from which the garments
themselves are made. These are beau
dful Chfppendale prints and mikado
jacquards, both of which have radium
backgrounds. The Chippendale is
printed in multicolOrs in Japanese,
butterfly, leaf and flower motifs, while
the mikado jacquard is brocaded in
conventional and floral designs In self
coIors
A strong fancy is manifested at the
present time for plaits arranged In
groups of ten to twelve, with plain
spaces of equal size intervening.
There are dresses on which the trim
ming consists of inserted plated
bands surrounding the skirt in rows.
Many of the new printed silks are
worked up in this way.
The Connecticut labor press., 1920-12-18

pIaits lies in the form of a fan
shaped panel on the Jacket. This
panel has fine horizontal plaits placed
as closely together as possible. These
lie very fiat. The skirt has a CORE
spending plated panel in the front,
which hangs a few inches below the
hem of the skirt itself. A lovely white
embroidery and white fox collar and
cuffs emphasize the vogue for black
and white A band of the embroidery
is placed down either side of the panel
and around a shoulder and back yoke
in the coat
The Connecticut labor press., 1920-12-18
SUITS THAT WIN
FAVOR IN PARIS
Costumes With Long, Haf-Fitted
Jacket and Slender Skirt
in Front Rank.
SIMPLE CLOTHES ARE liked
Parisiennes Not Slaves to Every DeIir-
ious Creation That French Cou-
turieres May Put Out, Cor
respondent Says.

In Paris there is a marked prefer
ence for extremely simple toilettes. In
fact, writes a prominent fashion CORE
Spondent, the tailored costume of al
most classic style is now tremendously
fashionable with its long, half-ftted
jacket and slender skirt, the latter
either plain or plated. A costume OF
this type is more representative OF the
real Paris fashions than anything Zou-
ave, African, CzechO-SlOvak or Egyp-
tian. The Parisienne, therefore, may
rightly claim that not all women in
France are extravagant nor are all Of
the Paris dressmakers producing ex-
IRENE effects.
Fashions are often misrepresented,
and through this misrepresentation
one might gather that the taste Of
the present-day woman is for clothes
that are snowy and extravagant,
rather than those that are beautiful
and simple. Many people, when view
ing the new fashions, are inclined to
talk of the things which are ex-
IRENE and unusual, rather than those
that are simple and refined, which
The women of Paris, even more than
those Of America, are misrepresented
in this way, so that it would appear
that the Parisienne is a slave to
every delirious creation that the
French couturiere may put out. A
mannequin at the races wearing some
bizarre costume will be Immediately
proclaimed to the world as wearing
the latest Paris fashion, when per-
haps this dress is the only one of its
kind seen during the whole season in
Paris.
Simplicity Sought After.
What more simple and economical
than the tailored suit or blue serge
dress, both of which are now and
have been for some time pre-emfnent
in Paris fashions? What more refined
than the models which the leading
dressmakers create for their own pri-
vate customers? That this SIM
plicity is greatly admired and much
sought, regardless of the publicity at
tached to the bizarre styles, is proved
by the fact that certain houses in
Paris who cater entirely to private
trade are sought in a roundabout way
by purchasers of models.
One house in particular that has
a great Paris following and which be-
cause of this refuses to sell to manu-
facturers or dressmakers, preferring
to keep their models exclusive, can
and do get from their private trade
from 1000 to 5000 francs each for
their simple silk crepe dresses made
without one stitch of embroidery lace
or trimming of any character. Even
The Connecticut labor press., 1920-12-18
Decorations for New Canes

Some of the new capes are decorat.
ed on the front with applique, in floral
or conventional designs, and in velvet,
duvetyn, lustered tweed or satin.
Edges are defined with ribbersfne
braid or invisiOly secured.
The Connecticut labor press., 1920-12-18
IN WOMAN'S REALM
Bits of Interesting Things for the Housewife
and the Home of the Wage-Earner, Contri-
buted by the Ladies Into Whose Homes The
Connecticut labor Press is Welcome Visitor

ming, which lacks the cachet of sim
plicity, individuality and perfect cut.
Tailored Suits With Fur.
For the autumn there are charm
ing tailored suits in redingote style
trimmed with fur bands. Sometimes
these redingotes have plated full
ness let into the skirts. Simple fall
dresses also are being shown in both
redingote and apron styles and new
wraps are in perfectly simple outline.
In dresses many variations of the
redingote appear. They may be made
entirely of cloth and trimmed with
braid or with a slip or underdress Of
The Connecticut labor press., 1920-12-18
Velvet Bow in Couture

1t is quite the fashion to tuck
black velvet inch-wide ribbon bow
hairpin does the trick-midst the
couture, at left side, near the nape of
the neck.
The Connecticut labor press., 1920-12-18

crepe Roman. Black is the color Sc
lected for this suit, the coat of which
is very long and slightly blousing at
a low waistline The sleeves are
loose and cut in one with the garment
itself The interesting application of
The Connecticut labor press., 1920-12-18

One of the new fall suits developed in
plain and plaid WOODEN, combina'
ton that is being emphasized in au-
tumn collections.
the hens are only hand-rolled, and
the dresses, which are little more
than slips with pendant cascading
panels or handkerchief points, are
without lining, guimpe or undersleeve.
Some of these models have not even
a hook. They slip on over the head
and a sash ties around the waist Yet
for this simplicity and grace the dis
eliminating Parisfenne will pay so per
cent more than for dress with trim
The Connecticut labor press., 1920-12-18
sash at one side is seemingly a co
tinuatiOn OF the crepe bodice.
Autumn Models Have PIaits.

Any number of the smartest models
for autumn have plaits. Coats, suits
and frOcks fresh from their recent
voyage from Paris show plaits of every
kind and description, which indicates
that it Is impossible to go too far with
this trimming to please women.
One of the most extreme uses of
plaits for the new season appears on
a model suit developed in beautiful
The Connecticut labor press., 1920-12-18

The Howard Company, 22S-26O Boule-
ward, near Kimberly Ave.
The White Motors Co., 266 Crown St.
AUTOMOBILE GARAGE
The Howard Company, 228-260 Boule-
vard near Kimberly Ave.
AUTOMOBILE SUPPLIES
The White Motors Co., 200 Crown St.
AUTOMOBILE TIRES & TUBES
A. E. Alling Rubber Co., 1913
Church ST.
Orange & Elm Tire Co., So Elm St.
Save 1919 to 500. Central Automo-
bile Tire Co., Cor. College and Crown
SITS.
BAKERIES
Chamberlain, "The Cruller Man." 147
Temple St.
Mory's Darker System) Bakery, 1872
State St.
BANKS
Connecticut Savings Bank corner
Church and Crown SITS.
First National Bank, 4O-42 Church St.
Mechanics Bank, The, Church and
Center SITS.
Merchants National Bank, State corner
Chapel
National Savings Bank, AS Orange St.
New Haven Savings Bank, Orange cor
ner Court ST.
Union & New Haven Trust Co., The,
81 Church St.
BOOTS AND SHOES
Besse-Richey Co., 784 Chapel St.
Cummings & Frawley Boston Branch
Shoe Store, 845 Chapel St.
Sorosis Shoe Co.,, 814 Chapel St.
BUILDERS SUPPLIES
New York Plumbing & Masons Sup
ply Co., 43 Dixwe11 Ave.
CAMERAS
City Hall Pharmacy Co., The, 15e
Church ST., next to City Hall.
CARPETS AND RUGS
Billiards., 91-97 Orange St.
w. B. Hall, 458 to 40 State, near Elm
Window Shade Co., 1881 Orange St.
&C. E-Z" GAS LIGHTS
Gas Co.'S Appliance Dept, 20 Crown St.
CHECKING ACCOUNTS
First Natioanl Bank 4O-42 Church St.
Mechanics Bank, The, Church and
Center SITS.
Merchants National Bank, State cor
ner Onapel.
Union & New Haven Trust Co., The,
81 Church St.
CIGARS
The Gillespie Drug Co., 2 stores, 744
Chapel ST., and 63 Chapel St.
CLEANERS AND OVERS
West Haven Tailoring Co., 499 Camp
bell Ave-, and Is Grove St.
TT NTuTEPS
Besse-Kichey Co, z84 Chapel St.
Hyman's, Inc, IS Church St.
J. Johnson & Sons, The Live Store"
$3.50 Church St.
COAL
The Howard Company, 228-260 Boule-
ward, near Kimberly Ave.
CONFECTIONERY
The House of Hasselbach, the home of
home made candy and ice cream.
Under new management, ]. A.
DeBowes, Mgr.
CRULLERS
Chamberlain, THE Cru1ler Man." 147
Temple St.
DIAMONDS
The Bijou jewelers., The Store of
Quality, 81 Church ST.
DRAPERIES
Window Shade CO 7S21 Oranoe CT
The Connecticut labor press., 1920-12-18

Read The Labor PresS-11cchor's paper.
The Connecticut labor press., 1920-12-18

Read The Labor Press-Labor's paper. Window
The Connecticut labor press., 1920-12-18

berger Co.. Props. ga chapel St.
Roy J. Ward, 176 Temple St.
America. [volume] (Cleveland, Ohio) 1905-current, 1920-08-18
C 0 N U N iCAT.

No. 17O3-92O.
Sc aduce la cumostinta onor. So
cietati 81 membri ca la secretariatul
general al Uniunei Sc afla de vim
zare astoria Americei in romines-
te de Ilie Martin Selisteanul 81 care
lstorie e in doua volume. Pretul
fie carui volum de 60c.
Comandele fnsotite de cost Sc fac
la loan N. Sufana, seer. gen., 312
So. Liberty Str, Alliance, O.
De 10 secretarul general Sc pot
comanda 81 Diplome pentru memb-
Ri Societatilor, adeca al Uniunei.
Aceasta comanda Sc poate face nlf-
mai prin Societati 81 al carei cost
g de $1.25 din care 25c trece in
fondul Societatei, lar $1.OO Sc tri-
mite odata Gu comanda.
Sc mai afla butoni extra de pus
la lant'll de ceas. Pretnl unui ase-
mcnca button de $500.
Alliance, O., q Iulie 1920.
loan N. Sufamd, seer. gen.
America. [volume] (Cleveland, Ohio) 1905-current, 1920-08-18
A Y II

Sc face cunoscut Ia toti fratii
romini care an luat partc' la in
mormintarea celor sase frati 70,
mini din Salem, Ohio, earl s'au
inmormlntat in ziua de 10. August,
a..c., aeei frati romini carl ddresc
g avea Q fotografie luata ea oca-
zia aceea, sunt rueati a face CO.
manda la Pres Soc. Leul, valente
Moga. Pretul este $500, de buca-
IA.
FDtografiile sunt foarfe frufhoa-
se. Trimfteti banii odat4 Gu CO.
manda. Tot odata 81 adresele a.
voastrx u Vi Sc VI trilnite B foto-
grafie. Scfieti pc adresa societa-
vi. IA 'nAlmele SOC. Leul,
f101- -9 v AnI1,tT E6GA !.