The Jasper news. [volume] (Jasper, Missouri) 1898-1924, 1920-09-02
Ideas In Gowns
From the Stage

roles she wore only the white-skirted
hip extended models 30 characteristic
OF that house. II must be admitted
that dresses OF this type are eminent
" suitable to a coquettish and dash
ing young woman Of slender. graceful
build. Renouarsl looks so admirable
IN her Lanvin dresses that one can
not doubt that she greatly aids IN the
continuance OF this fashion.
orrandIe Over Slack Taffeta.
A rose-coIored Orgnndie dress, made
up over q hip extended foundation Of
black faffefa, IL very beautiful. The
eEgnndie q q plip-oyers head, che
mise style. with considerable fullness
on the hips. The dress opens In q
wide panel down the front to show
the black foundation. About the waist
is q black tatfeta ribbon sash tied In
a simple square-Iooped bow at the
back. This ribbon has border Of
rose colored mtin, matching exactly
the tone Of the ofgandie. Interesting
ornamentation, in the form of a fiat
applique and embroidered roses Of
precisely the same tone, appears on
the front Of the skirt. On the black
taffeta there IL likewise rose-colored
applique Which enlivens the rather
somber foun, ation. This dress has
the low, rour a neck and short sleeves.
Lanvin IL making many Of her dresses
In this style.
Renouard wore with this dress the
thInnest OF tete-de-negre stockings and
black satin slippers. She also wore
long mousquetaire gloves Of glace kid,
finished with points Of leather at the
edge Of the wrinkled top. \
Marie Louise, the well-known mil
liner, made the adorable hat Of black
horsehair braid, delicate to the point
Of transparency, banded and bowed
with a wide rose taffeta ribbon Dor
dered with black.
Dignity Of Line and Deslon.
In the same role Renouard wore a
black taffeta frock, very simple In
design, wide skIrted. and with a bod
Ice fitting her slender figure Qplte
snugIy. The feature Of this frock Is
big feather design IN white, deyel-
oped In white ribbon and silk floss
embroidery, which stands out like an
applique and adds materially to the
effect OF the dress. There are no
sleeves. The decoIletage Is quite low.
Again. she wore a Marie Louise hat,
this time Of black satin trimmed with
skeleton plume Of Natter blue os-
frich.
In direct contrast with dresses Of
this type are the models made by
houses such as Redfern and Worth,
who keep to dignity Of line and con-
ventional designs.
Nine. Daimor. playing at the Renais-
sance theater. wore gorgeous dress
OF seml-conventIonal type made by
Redfern. II was developed in silver
brocade and mauve tulle. the latter
forming q voluminous-- sash drapery
at one side Of the back. She carried
with this pale mauye and silver dress
brilliant jade green ostrich fan.
In summer suits the plated skirt
continues popular. Many models are
being developed in taffeta and satin.
Skirts having plated panels are often
accompanied by jackets with plated
panels and neck frills.
The fashion Of catching tts plated
skirt In at the bottom by means Of
restraining band IL one Of the fea-
lures In summer tailor-mades. Beer
has a. interesting new model of this
sort. with loose box coat and a
straigl plated skirt developed In
white serge with black trimmings.
This house also shows sma { sport
suit Of khaki-coIored serge, trimmed
with stitched piaits. which pass
around the bottom Of the jacket, the
hem Of the skirt and the fiaring edges
Of the sleeves. Fiatiy stitched plaits
also form a yoke outline on the body
OF the jacket.
~2Mna L