Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1920-09-19
.BR|GHT'S DRAWINGS HAVE
CHARM or OLD ENGLAND
Work of Ldttlc-Known Artist on
Show In Walker Galleries In
Bond Street, London.
EXHIBIT BIZ ALLIED ARTISTS
"hitechapcl Is Becoming CONT
mental in Atmosphere-Painter
Makes Designs for Wife Who
Conducts Dressnnking Shop.
nY MAnK HANGWIII..

u
I'D. World charm I'm; about the eollectiom
% drawings At Walkers Galleries
Il sona Street by m na,1r b briEh,
II tho Norwich school. His work.
'nough litue known generally. often
discusses delightful and romantic
~ he handiing OF many media.
the old rural England which he
Ienicicd Is gradually being improved
AVE become prosperous seaside re-
sorts. with huge hotels and pron-
i"crinS populations: picturcnluc old
cottages have given place to red brick
Where once the cuckoo called But
England. from the painters point %
lew. Mas, stili unspoiieh ~. Bright's
,!me. old mi!ln and ruined castles.
I'D bridges and COTTAGES, old farm
buildings. churches, and ilsninE viii
ages. old barns and gipsy cHcainp-
in"nts. all thcs. EriEEc drew with
owing care. and surpaarIng skill
And ne painted the sea maEnif-
Gently. HIS pastel. Fast Castle" is
. masterpiece: q romantic old fort
fcss, huilt on u great rock rising high
rui Of che Sea. boldly relieved agafns,
4 w!ii. threatening SKY, and swept
~ mug. waves breaking into foam
On tho black rocks In THE Mili
; the Sea- too, he has depicted "A
.ough sea wonderfully. the distant
"atera touched to emerald by II ray
81 sunlight brcnkinS through the
hsavy storm clouds Moors and
marshes At suHcise and sunset.
moonlight on sti. waters: mountain
aud glen river bank and se.shOre.
under grey or twilight skies. were
subjects he loved. OIL color and
water, pastel cr-Non. and pencil j."
HfSi With "Gnni faculty. the ptatcis
l"llS particularly rbi!ani. III max
inE the work ~ I.cn-v Bright better
.!n"wn 20 tho general iiuhlic Walkers
iai.eri"s are doing Il real service 20
art.
Allied hrii,t~' Association.
The Allied Artists Association was
founded Ia zoos. Al! members o. the
hsHpslitlun have the r!gnt or exhibit
ng three works without submitting
'ncn 20 my lnry. Il liz thus similar
10 the Paris Salon des Independents.
on which II IS modelled Under the
lluc ot the Twelfth London salon"
40 works OF the most varied char
hcter were hung al, the gracious
Grafton Galleries. OF Bond street.
Ihar'es Gian.r and Walter Eayes. but
It b.".' ihalor!ty are entirely IN
rgwn to faIne.
20" pictures here rise above the
ayc.aGc most are b"low IT, These
IRE =. 'nanner 81 weird experiments
70 2si'!Mntcts.on!SU. 'blEin ctc,
'"cy ~" N"iy itrrS ana the
nprr c"Aventiona! pictures are no.;
l"r" STIMULATING. There IL, however.
excellent piece o, sculpture. the
-. $500. fAttifl. lft'"l ~! tSuIDa, Dy
h@ihcrlu" Mal'"ood. which has Dig
-!.N aud nystcry, ana IS worthy or
a1ny co!.cci!on. 1, VAS re. .-:e9 By the
s ssoyai Nesteiny Fr""k Rutt"r. The
pAnder OF IA" association. claims that
INC Inclusion Of this work alone aniuly
''h"s the "S!si"nc. Of IN exhibition
tIid' ppis no bar hct"cc the creative
aEIiS' aud the public.
Theodore Eoussel, The artist. Witty
F'Haf '>"d IN defence Of the frat es-
.'.l ION "I INC Allied Artists al tho
koyll Albert Han We have the same
pfiNlleEc her. as At The Royal Acad-
'Wy N hanging bad pIcturef. only
"" nave not the r!gh, 10 regulate
iHc good. Nevertheless. the latter.
IN tho present exhibition. arc mostly
conspicuous by their absence
Art In Mhitechnpcl.
NNhitcchcpcI - not 80 black ne /,