Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-11-27
Mouiegrdms From
Screen to Patron

A FTER making motion pictures in
"A Europe for nine years, John Hohen-
vest, one of the best known directors
on the other side of the Atlantic, Is at
the Goldwyn studios in Culver City,
methods of production. He was one Of
several experts on French life and Gus
toms engaged by Frank Lloyd, Pauline
Frederick's director, to pass on the ac-
curacy OF detail in every set for
ton next week. He also has a role In
the play.
American western pictures are popu-
lar In France and all over Europe" he
said recently. I'm fact, all American
productions except the comedies are very
we'll liked and a number of American
stars have big following there"
WILL ROGERS, the popular cowboy
wv actor, whose fancy roping stunts
we're a stellar attraction on the yaude-
vile stage before he entered moving pic
lures. has acquired a new hobby It
happened when the star was making
week. As Hutch" Rogers is the father
Of three children. played by the younger
members of the Trebaol family. Edward
Trebaol eleven years old, had quite
reputation for quoit throwing.
perhaps you can do things with a
rope nobody else can, but l bet l can
beat any one round here throwin' horse
shoes" he boasted. So the two went at
1t and the eleven year old easily came Off
victor.
for lorg. From then on he devoted him"
self to acquiring the art, and now little
Trebaol goes around saying, me
and Will Rogers can beat any one In
Los Angeles county THROWN horse
shoes
TNHE sympathetic role of Margaret
i Hill In "Out of tn Storm, to be at
the Victor Ia next week Is portrayed by
Barbara Castleton. Her beauty and
charm have impressed themselves In the
minds of Go!dwyn audiences. especially
in Dangerous Days" John Bowers Ia a
lead who has been steadily forging to the
front of popularity. He appeared re-
Gently with Pauline Frederick In THE
Woman IN Room 49,"
Director william Parke interpreted
Gertrude Atherton's novel. "rhe Tower
Of Ivory" from which this picture is
ndaptel.
WHEN Joe Luckett, who used to be
w with the Griffith organization and
who Is now United Artists manager at
Dallas, Tex, read not long ago that d.
w. Grifath was coming to the city the
news seemed "phony" Luckett was
aware lnat IrlilltI was uue oii .iD
ming Of the day OF the announced Dallas
visit, at the Chestnut Street Opera
House in that city, to attend the Tooth
performance here of Way Down East.
So he started a little investigation. AT
hotel In Dallas sure enough there was
n man named David Wark Griffith
registered, only he had changed the
Wark to Work. Luckett was astonlshed
when he read in the papers absurd state
ments attributed to Grihith. Finally
Luckett caught up with his man and
the result was an arrest. The fellow, 1t
Ia asserted. was endeavoring to make an
impression upon young woman VINO
wanted to 60 into picture work, ana ne
promised to make her a star to get her
picture in the papers and everything
"0NE of the interesting things about
" motion pictures is that the direc-
Sors have welded all the arts-muslc,
scting sculpture, painting, lteraSM9afe: Mf
ford, who produced Behold My Wife,
the Paramount picture now playing It's
second week at the Arcadia. This is the
Aim version of Sir Gilbert Parkers
novel, THE Translation Of a Savage
"A director must know something OF
all these things, to be successful and II
doesn't hurt an actor or scenario
writer TO be conversant TO some eStent
with the varied phases OF arr.
camera man also can climb the higher
Is gifted In, this direction. He must have
Imagination. a knowledge of lighting.
grouping. compositon--what not?
'Photodrama also includes science
business and organization. a man VINO
has gone the route of the studio-an
impossible thing, perhaps taking IN