davidaulloa/AmericanStories huggingface dataset:
The Mena weekly star., 1920-02-05

T. W. Carroll of Hopkins county, Texas, is in Mena for the second time, this time, he declares, prepared to purchase farm and become a citizen. lie feels pretty sure he will find a place that will suit
The Mena weekly star., 1920-02-05

M. l.. Winton, who is now at Muse was in Mena Tuesday to buy house. hold and other goods needed for his new home.
The Mena weekly star., 1920-02-05

J. c. Terrell. who lives near Rocky, was in Mena Monday on his way to Rich Mountain to take the census in that township. lie has completed the enumeration on the south side of the mountains.
The Mena weekly star., 1920-02-05

Mrs. Mollie Austin of Oklahoma City, who had been visiting in Mena with her parents, Mir. and Mrs. s. J.. 0snn, left Saturday for her home. Mrs. Austin enjoyed her visit in Mena so much she contemplates returning soon and buying property.
The Mena weekly star., 1920-02-05

with headquarters at Hatfield, was in Mena Tuesday on his way from Fort Smlrh to take up his new work.
The Mena weekly star., 1920-02-05

F. F. Parson of Wickes spent last Saturday with Mena friends.
The Mena weekly star., 1920-02-05

Dr. c. L. Baker left Tuesday for Little Rock to be present at the re- maining days of the legislative ses- sion.
The Mena weekly star., 1920-02-05
PERSONAL NOTES

.-.,--,----~-----.-
The Mena weekly star., 1920-02-05

A clipping from an East Palestine, O., paper, tells of the wedding of Clar- ence W han, son of Mir and Mrs. Jonah Whan, formerly residents of Mena, to Miss Olive Whitehill. The groom is employed by the McGraw Rubber Plant of East Palestine.
The Mena weekly star., 1920-02-05
NOTICE OF ELECTION

Adv. 6-1t
The Mena weekly star., 1920-02-05
HOUSEHOLD GOODS.

TERMS: All sums under $25.OO. cash. All over $25.OO. bankable notes due November 1, 1920. per cent discount for cash on sums over S25. .00.
The Mena weekly star., 1920-02-05

Harvey Noakes of Vandervoort was in Mena Monday to arrange for the purchase of some Holstein cattle.
Evening journal., 1920-12-02

address nowadays, but ones phone
number. you know. There will be
small coin purse with loose change for
tips.
All these things and more will go
very nicely, with room TO spare. In one
of the trihing looking feather bags so
dear TO fashions heart just now. A
typical bag Is pictured. a puff-ball
looking affair. exactly like the afore-
mentioned kitten In ones lap. II Is
OF soft gray curled ostrich. both sides
alike and has a frame OF tortoise-shell
with a gray ribbon handle. The lining
is OF pale yellow satin. Usually these
bags match the feather fan that
milady carries and the bag swings
from the arm that manipulates the
fan. A big three-feather fan OF pea
cock colored ostrich IS matched by a
bag made OF peacock blue and gold
brocade in two triangles one at either
side OF the fiat bag. with a fringe OF
peacock colored ostrich tumbling out
between the edges. The handle is a
slender gilt chain.
When il comes TO the feather fans
that are now an almost indispensable
adjunct OF full evening dress. words
fail to describe their splendor and gor-
geousness Of color. There are all sizes,
from the huge spreading fan that
makes a screen big enough for two
people to hide behind between dances.
to the tiny little matinee fan-the
latest arrival in fandom. The matinee
fan Is a miniature affair OF ostrich.
with shell sticks OF pearl sticks and Is
intended for use with afternoon cos
tunes These dainty fans come in
subdued rather than gorgeous colors
and when folded up may be tucked
into a muff or handbag. They do not
give much breeze and one sees them
used, mostly. as pretty playthings that
show or lovely hands or handsome
rings to great advantage. or they
may be lifted 10 shield lips in a whis-
pered communication-perhaps when
a bit OF gossip is passing. Some OF
them are taupe or mole color with
mother-of-pearl sticks and very smart
Evening journal., 1920-12-02

flower vivid coral. A fan shading
from faint pink TO deep coral ac-
companies the custume.
Bustles on Dancing Dresses
There is evidence OF a return 10 the
hustle sort Of drapery-lt does keep
cropping up. does II not--season after
season? one OF tho opera frocks pic
tured has what seems TO be a loopod-
up tulle train forming an unmistak-
able hustle silhouette al the back OF
the skirt. This frock Is OF rose and
gray hrocade and gray tulio. n panel
OF the tulle with irldoscent bead en-
broldery falling at the back OF the
skirt below the looped-up gray tullo
drapery. The bodice with V docollet-
age and surpilce crossing at back and
front Is especially graceful. A stun
ming opera gown, typical OF the gor-
Feous .hues worn this season. is shown
IN the model OF black and green bro
Evening journal., 1920-12-02
OPep4 NNpEP Of
BrOzdtai1 and
Monkey Fur thEt
has Z New
silhouette

very likely st is going to be taken to
gay restaurant where there will be
dancing: so II is really more OF
dance frook than an opera gown. The
first sort OF gown Is illustrated In the
trailing model OF velvet. with lines
that might have been borrowed from
an artistic portrait The second gown,
or rather pretty frock. Is pictured In
the dainty model with bounant tulle
drapery at the back.
Many Velvet Opera Gowns
Velvet Is one Of the sumptuous ma
terlals you will see in opera boxes
this winter. The new velvets for eve
ming wear are wonderfully light and
supple-they drape like chiffon itself
and give lines of perfect grace. The
dark velvet gown pictured Is a nota-
BILE example OF the favor for dark.
rich hues in evening attire this win
ter. II Is a black velvet gown with
bands of sold lace forming short
sleeve-straps and panels that outline
the straight. fat back drapery. The
Evening journal., 1920-12-02

80 HERE is a familiar assertion to
~ the effect that no chain Is
~ stronger than its weakest link.
W And one might say also. that no
Evening journal., 1920-12-02
Short Skirts Are Coquettish But Trains Lend
Dignity Black VelUet for the Opera This
Year Superb Wraps of + Fur and + db-
Black Wraps a N NelU Fashion.

demanded ii But adequate dignity Is
lent to the short slSirted opera gown
by a train that sweeps some inches on
the floor. These long trains are really
no moro than dragging sashes, for
they are narrow and sometimes the
material is weighted at the end of
me train with a tassei or some other
ornament. But the long. dragging
train does give dignity and distinction
20 the costume. particularly when a
rich wrap is worn over the gown.
There are two kinds OF opera gowns.
you know. The gown that appears m
an opera box and is picked out by
hundreds of opera glasses. set apart
exclusively as It is In its effective
frame: and tho gown that must be
crushed into a chair. in rows of chairs.
beheld only by eyes Of Immediately
near observers. The first gown must
have q certain dignity and majesty;
the second one may have mere pret-
tineee and coouetry. After the opera.
Evening journal., 1920-12-02

brow. they are perfectly adorable as
sceptres-when beauty wields them.
They make a hundred graceful, charm
ing. dignihed or coquettish poses pos
sible-that would be too exaggerated
OF affected without the helpful fan. A
single-plume fan OF pure white un-
curled ostrich is illustrated, and the
shell handle has a bracelet ring which
may be slipped over the wrist. A very
beautiful fan of this type Is Of gray
blue ostrich, the thick, rich curled
plume long enough to curl over your
shoulder when the handle Of the fan
rests in your lap. From the end Of
the handle fall several silver and blue
metal ribbons. each tipped with lit.le
Evening journal., 1920-12-02

cado. the design in great palm leaves
IN an ali-over pattern. A panel OF jet
beads al the front gives a straight
not line. contrasting with the iooped-
up drapory at sides and back OF the
skirt. and the Jet bead shoulder straps
continue downward In long festoons
TO the waistline at the front and 70
the knees at the back. The loose
bodice Is drapod over an under bodice
OF ncsh-coiored chiffon.
Wraps an Important Feature OF Opera
Dress
You have not half seen an opera
occasion unless you hnger In the foyer
after the performance and view the
wonderful wraps. Four splendid mod
els are pictured and these wraps evil
donce the favor for rich, dark gar
ments rather than those Of gay OF
dainty sort. There are even blach
wraps az the opera this winter-one
OF broadtail with a cape collar OF
sable IS pictured. And particularly
smart Is the Revllon Freres wrap OF
broadtan trimmed with monkey fur.
This wrap has the deep yoke that Is
/ fancied in Paris this winter. Gorgeous
/ is the wrap OF orange and black bro
cade with facings and scarf-collar or
beaver and a splendid big tasse, de-
pending from It's drapery. And most
women will fancy the blue wrap-a
graceful affair OF deep blue panne vel
vet with ample drapery confined In
yoke outline by a hand OF broadiail
Evening journal., 1920-12-02

Of heavy silver lace. A bright scar
let velvet poppy catches up the skirt
drapery al one hip.
A velvet opera gown pictured has
the skirt drapery dropped in a long
Burnoose loop at the back TO show
an elongated hodice-panel richly en-
broidered with silver thread. The
front drapery Of the skirt is also em-
broidered with silver thread-and
here again is the vivid velvet flower
this time low on the train. The
gown Is OF turquoise velvet. the em-
broidery in silver and the velvet
Evening journal., 1920-12-02

back and front panels extend down
over the skirt drapery which Is
mastery arrangement Of fabric in nat
and looped lines Of grace. the velvet
downward In a long, slender
train that Is outlined by a hanging
garland Of velvet flowers and leaves;
the velvet flowers American Beauty
color the leaves dull green. Another
stunning opera gown Of Partisan ex-
traction has a draped skirt of black
chantilly over cloth OF silver that
cllngs 10 the limbs. and the bodice
which comes below the waistline Is
Evening journal., 1920-12-02
T11nHrmD66 T1n9 AID 3 6Aas FOR TIE

ones are OF black ostrich with shell
sticks
In the larger fans. used at dances
and at the opera. the Prince OF Wales
model Is the favorite. This fan has,
OF course. the three feathers which
give It the Prince OF Wales title. one
Of these fans is pictured with three
uncurled ostrich plumes in vivid flame
shade mounted on shell sticks. Won
derful are the hues Of these big
feather fans-hame. coral. American
Beauty. emerald green, blood orange,
peacock. marine blue and so on. And
there are black fans. pure white fans
most lovely things-and fans Of pale,
demure gray.
single-feather fans are very popu-
lar and though they are perfectly use
less as fans-that Is. they watt not any
breeze whatever to cool the heated
Evening journal., 1920-12-02

ITH the opening Of grand
opera the social season in
Manhattan IS fairly launched.
Both begin officially together
Evening journal., 1920-12-02

crees in the matter-and when there
IS an opportunity 20 discard the gloves
femininity jumps at II. Gloves are
noted at the opera and az formal ar
fairs like weddings. but few women
have them on at dances or at the res
taurants. One does not sit through n
matinee now sunly gioved. on come
the gloves the minute other wraps are
removed. This helps TO preserve
gloves lucky thing. since they are
so appallingly expensive.
New silk bags for use with evening
gowns are very attractive affairs. One
model just from Paris has an odd
Egyptian outline and Is OF black vel
vet with a center panel OF brilliant
embroidery showing the Egyptian
lotus flower in conventional design.
Wooden beads az the edge OF the bag
duplicate the colors In the embroidery.
Another French bag resembles a nose
gay OF flowers held upside down
Overlapping velvet leaves point down.
Evening journal., 1920-12-02

50 HERE Is a familiar assertion TO
~ the effect that no chain Is
g stronger than its weakest link.
~ And one might say also, that no
costume Is smarter than its poorest
accessory. The eye OF the alert will
pick out the shabby or unsuitable
trinket. handbag. slipper OF kerchief
instantly and no matter how elegant
and expensive the rest OF the costume
may be. Il has not attained perfection
In critical eyes.
Evening dress has its proper acces-
sories just as street dress has. and
they are no less important. Just now
women are carrying handbags or reti-
cules with full evening regalia-a
thing unheard Of ten years ago-and
these opera bags. theatre bags. dane
ing bags-whatever you wish TO call
them-are by no means an insignii-
cant item in the costume. They are
made OF feathers. of gold mesh. OF
silk and satin brocade. OF velvet-but
particularly Of feathers. Fashion has
gone daft over feather bags for eve
ming use and the soft. fuzzy things are
rather fascinating-something like a
kitten cuddling in ones lap.
But what does one carry in an eve
ming bag?" wonders the woman who
associates a handbag with shopping
expeditions or business calls. or trav-
cling. Let us peek into one OF these
gay feather bags, dropped on the wide
rail in front OF a row OF theatre seats
In the first place, OF course. there Is
vanity outfit. Perish the thought OF
spending hours and hours at dinner
theatre and then supper without the
wherewithal for prettying-up wher
necessary The vanity belongings ia
the bag include powder, dry rouge. liz
rouge, lambswool puffs. a bit OF
chamois and perhaps-not always
an eyebrow pencil. Then there Is the
handkerchief. a flmy bit of fine linen
sheer as a cobweb. No other sort oi
hanky is permissible with evening
dress. There VIII be a tiny tablet and
pencil for jotting down peoples tele
phone numbers. One does not give AZ
Evening journal., 1920-12-02

There Are Many Styles In New Ostrich
Bags For Evening Use And This
Fluny Pun-Ball Effect Is Particu-
larly Pretty.
pink roses. and some OF the small pink
roses are caught against the plumage
OF the long gray blue feather.
Any woman viii realize that hands
that play about and over these con-
spicuous fans must be exqulsitely
kept-hnger tips tapering. skin soft
and smooth and rings carefully chosen.
And II the hands be gloved, the gloves
must be irroproachable. With very
formal evening costumes twonty-but-
ton gloves OF suede are worn this
winter. but every woman in her heart
loathes gloves-whatever fashion de-
Evening journal., 1920-12-02

HEE ITH the opening Of grand
"A opera the social season in
AN Manhattan Is fairly launched.
Wv Both begin officially together
and though opera continues all
through the winter months, the So
cial season is on the wane with the
beginning OF January. Then people
begin 10 migrate 20 Palm Beach,
Aiken and Hot Springs. London
chooses her period of social gaiety in
town at a time when everybody Is not
planning to go away somewhere.
April, May and early June constitute
the season" in London. People are
through with Christmas. the bad
weather is over, summer houses arc
not yet open and weekend visiting
has not yet begun. The town fcsiivi-
ties have a charming background of
springtime Awnings and flower
boxes make the houses gay and the
daily promenade of motor cars and
other private equipages In the park
Is delightful.
Because the social season Is really
so very short in Manhattan. II IS
specially gay. and events follow fast
on each others heels. Most women
are very glad Of Palm Beach when
the time comes! But whatever gale
ties occur. nothing IS allowed to in
terfere with the opera. opera in New
York Is a sacred and symbolic func-
tion, a duty to convention which So
ciety performs seriously. The finest
and the most formal costumes are
reserved for opera nights and no de-
Walton from the rules Of convention
and correctness are tolerated.
Evening Attire Raised To Nth Degree
OF Perfection
A mans wife may be tolerant about
the evening clothes he wears on or
binary occasions. She will allow him
TO mate his dress suit with his soft
hat and business overcoat II they are
only going to the theater or to a
restaurant supper-dance. and may
even permit his business suit to ac-
company her to dinner But woe be
to the man who is not punctilious
about every little thing in the way Of
attire. when an opera evening is in
view; from silk hat to patent leath-
ers.
AS for feminine costume, II touches
It's highest note Of elegance, expens-
iveness and formality in opera raj
ment. TO its last accessory the opera
costume must be perfection, not only
because It viii be the cynosure Of so
many eyes but because II is an opera
costume and therefore much Is de-
manded Of Il! There is always dig
nifty in opera dress. partly because the
wearers seem to bear themselves with
n greater dignity than on less formal
occasions, and partly because distin-
guished rather than coquettish styles
are always selected for the opera.
Watch the women in the carriage
foyer, and in the grand foyers between
the acts. There Is an atmosphere OF
quiet. OF dignity. OF exquisite breeding
that Is impressive. The beautifully
gowned women make you think OF
princesses. the meticulously appointed
men. OF courtiers. Watch the SAINT
people. restraint thrown off. at a gay
supper-dance or at rollickinl
"show" on Broadway and-you thinl
how versatile and adaptable is th'
American temperament
Long Trains, Short Petticoats
Skirts had to be more or less shor
on evening gowns this season-Pari
Evening journal., 1920-12-02
A LAMP THAT GIVES SWEETNESS
AND LIGHT

- HERE are exquisite little lamps.
A four or five inches high. for
q milady's dressing table. When
- few drops Of perfume are
applied the lighted lamp gives out a
delightful fragrance as well as a tiny
glow Of light Most women prefer
these fragrant little lamps TO the
Oriental incense burners which give
such a heavy. stuffy odor after the
first few pungent whifs. And ones
favorite perfume can be burned In the
little lamp. perfume that matches
the delicate sachet IN negligee saI-
ments and does not clash with H. -
the strong Oriental incense periu"'
does.
Evening journal., 1920-12-02

ward from the drawstring. which Is Of
green ribbon. and at the bottom Of the
bag the leaves enclose a bouquet OF
violets or other small posies.
Decorah-posten og ved arnen., 1920-03-02
6iftiee Olipener.

Sra Ghirago uoicnOte3 Sir$6ug Ell
gIOuuricl ON, at Der al ct g@holeIule.
bus ocriteo9 ucr tibet ~bctpoelige
Grantitetcr az foroGrucoc GorBiItcoe)
Olipcncr III @rpccrpbunolcre / -
iorifieQigc &pcr / Sonoct, ocriblanot
/ ielqenOc uoroUeitIigc Stutcr:
SQiuol3: &c aalb, BRADFORD,
@iattoon, Carthage, 6rccport, Sucf.
ionpiur, g~8in)citer, gSpOming, Alc.
90, @eucun. Camille, GIgiu, GIiu'
ton, @rogg3pille. &earo9topn, Suta
6orcit % GUauitou.
Soma: 9ltIantic, Gc5 Yloillc5, IN.
0iauoIo, Speucer. Boone. Siour
Gin, Miarcugo, GorIbanL @utcrIon.
Goa 8rope, OOeboIt og Genlion.
8~i$conIiu: Moriucttc. Gibfoib,
Fcauer Cant Mooiior, sort 2ltfin.
ION, % 9tid)Inuo Center.
Montaua: Giaou on aa.ligcI.
aonio5: Flttaburg. 5oItou %
y9ititu.
Decorah-posten og ved arnen., 1920-03-02
De ~oipIomatiife Oaler

Tra @%aihington bcretteH, at o.
ocruprenoe Siplomatcr ug Hepr1-
icntanter for iremmeoe Ntatloller bar
teIllittet Of rette Jig eitcr SogItuncl
/ bet isoeralc SorbuostlllGg PEG ri.
liQig at opgiue it GrirlIcglllm I'll
uhinoret at importere Sine % Spt.
tinloia iii eset BRIG.
gariagen, Iom opglpe5 Tor oerule
Beilutniug, er Den, Of Den er menI
iom en- Ssilisbeo ouerIor Dc 6orene.
&C Staters SoDe.
Tripot anfsre5 ell ouocn % tuu'
ifc aoitiQig pG9tigere @rlnlo, Der
rentliq, at 3iplonlaterne8 @lGlt.
iribco Dor perct lat paa en-
.ncget baaro % / mango III.
irloer mcgct pinibeI Ereoc, ltoe.,
Eorbuoet troaotc ifroit. ) Gu'
cupa bar oct ncmlig ira Arllo3 I'D
2rret Sfif % BRIG ar trafterc Be
;sgenbc meo "nogct Of orttfe % bios
4, o. DC geIsgcnoes antoI or ! Den
iencre Sio taset til / en- Iaa Iornro'
.igenoe 8rao, at oeiaa Diploma
ierne beiIutieb at "itrue Saaget qaa'
Decorah-posten og ved arnen., 1920-03-02

for. Sen inoieotc 9efoltnirg bar CT
Wanbc at urre paa % ct Sdnte'rt al
ocIcS ircmntco FOR Dem ionl iomnlcr frd
9tpro. Ierior i%oritunr ui Dem life, mn
Der os life ~iilrette blnubt DEM. Ecttc
er life Isit Suui, men Oct otrtell9c Sors
bolo. Geripm MI en- 6nniiIc bolrtter
iia miot ibIanot oisic. iod ltaur man
Der ircureD % bill mart isIe liz iorloot
% pennelss. Ter or life lonet III DtiSmon
% SicnlGueicl. San life triocs. VT
bIir goIt. Til miIlige 0icrtieecre otlnc
ice oerfpr fremioraIt iiae: &c at Der
tlsbeS 2ano pdn er Step bpor ct lepcs
opatiat uorii NdboIdg ION oeutc9 oI
huur en- noriiz lutberit Rcri8beo tGn
oauneS ltrar. Seize "cr lterre eno
mango oil tru" - her i Eera8. 1tulos
glGoe mig al ie oct gd0r bort Snoflptters
iolt Del her / Stoteu. Serfor bette
Haao. Set manalcr lie pud Boretd8s
ionlbeo hos bort Solt. Vi tor not ioc
oeu Gags Shlb, gdo mco Ysrrct S1toe.
DIcn SUBS @~cIiignclie mao I'll, oerlom
set ifal bliue pel. 0elltancllclt tomnler
peo Sro % Satrnment Jon 0erren bar
| betrpet lin Wenigbeo. Genne gtcnl8s
heO or port airtehiem - gtuct az @uo.
Nu oil por NEUTRALITY-SUSPICIOUS. meo Dor
arcosiormnub 6olm 9jsrc oIr ocu ION
Tor Of uGre bcblGlpelig idd port Eol..
iom tomner her Fan irlues o9 hdoc Oct
hicntIiot og bli uclit9uet. Sci tan ) III
ltolc pdd.
Mco uerIig 6lIleu,
\. .. Gciucrticn.
Decorah-posten og ved arnen., 1920-03-02
Stuoenter.S fireno.

Get isritc Stiitepnc al Goac9ciuu'
ocntcr, iom bar ilrroet Stco bert
@anoet, uibolbtes iorleoen Sag /
Mubiiou. isis, meo "8opbcr Ell
Glub" ira MinneIota StatsuRtuer'i'
.et % Badger Sfi Club" ira 8i2.
tcniiuuniperiitetet iom 3eltagerc |
Get arranscreoe Soplsb. @isconiin.
aiitterne ieireoe nteo en- iammenIags
SoplRnsoe al 700 600 MOB 6S4
Soo.
gease 8lubber bar Surtet Sf.
iporien meo itor Suer | benre poa
iortrinlisi Stiisre iaa rigelig bpoer
De Sinter. % berom pibner oalaa Den
rinse GoritieI i Heiultaterre
Decorah-posten og ved arnen., 1920-03-02
9tebraifa: @abou.

ClIueruc cr Al &c moouc, ipl0te
Slags, ulminoclig tien0t UNDER gtap'
net "pimcnto oliueS" o. or anbraat
paa @ldsilaifer.
let upuute 5irmu hor, laaiunrt
oct al 9bicagoS Seocuore. OF Dteicri.
mipettsr bEeu 9iort opmertIom poI
Sagen, tacgrutiif uioerretter De
SanoIcuoc, iom otaie Sarer bar Ieub.
iii, on Gorboloct.
Gliocncrltc CT onqrebuc al "bocil,
ms botoInilS", en- 8titurt iom ! oen
icuere 8iO bar ioroorioget Her:
GsOaiaIo.
Decorah-posten og ved arnen., 1920-03-02
HAN TENDTE LYS, DIN GAMLE FAR.
(Til DIR. Knut Gjerset.)

Han tsndte lys, din gamlc far.
lys, som skal spille i lange tider.
funkle og bl8nde, naar slegter skrider
under, fordi ingen arv de har.
Han tendte lys den lange kveld,
da boxer fra hjemlandet aapnet sit weld
av nordlystindrende %arveguld.
Da trndte han lys i sit code hjem.
Aandslivets luende ledestjerner,
~blandende, livsfyldte sandhetskjerner.
Fadrenes daad la sin lid dem.
Han tandte lyset sonners sind,
som naadde til farshjertets livstro ind,
ia naadde diets dyreste arveguld.
Han tandte lys over slegtens vel.
Kj1rlighed CAV Diet sin fagre gleden.
O, den kan stfmme og stanse OGDEN,
folkesvskkelsens Aasgaardsrei.
Tilbake til fadre. som l9rt av Gud,
i livstroskap vernet ON sandhets bud,
Diet nordlystindrende arveguld!
Gud signe mindet ON gamle far.
Lysberer var han fremmedlandet.
H9vding han var, Diet har tiden sandet.
Htstor arv han til sonnen bar.
Hans minde STAIR som en- v~ardevagt:
Til aandsdaad henter vi liv og magt
hos fedre, som gjemte wort arveguld.
SIGURD FOLKESTAD.
Decorah-posten og ved arnen., 1920-03-02

Sp.: @tinc Some bebe for noecn Tiger
iioen. Seq Ieper i9ien paa NIT lille
!oonnclteab lammcn meb min Satter %
henbcs Iano. Snrnene fisbtc noact
Sllsgeraab til frles NfbennttcIic for mig
"a jim Ior; DC benpttet Sien,mct iom iii
Sient, bbor &c fit lin Sorplcining pg bpno
Mioreu fiInbe al benz meo |nif % for
ifieqist. Seq aster ircmbeIcs at DO pon
Sdnbet: Hu 'psrgcs: anu noeen al @nra
meme uben pibere 10 noget al Snbboct /
nit 8lls. naar Der intet Stiftc siercs
otter dfbebe? adn leg ltoppc bcm for
bette, pg 40 hpilten Sci? Or Oct 4oplig
Decorah-posten og ved arnen., 1920-03-02

Observation-Disclosures / Ssbct bar
S%hIocnternc Nrcl Snn9ict, u. 2.
@ooorid,, Scrbcrt Wtcaon, Stguro
Smenion Oh Y. .. Srnl
Set or muligt at "@upherue" oil.
DC bopc icirct, ON oct life hoooc oG'
ret Tor hct llhclo at arnn brGftcoc
Gel,et mlot rmocr &outciten.
&lanenoc Sfiitcpncr bill bli Ell oar.
La AfiGrc bcrcitCr - forroIat al
Ncir % IBrc tilln0er oct.