davidaulloa/AmericanStories huggingface dataset:
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1920-02-29

men and women on the NevsKy Prospekt.
"On my arrival in Petrograd had rented
a modest, hut dainty little apartment. 1
had to pay the rent, which was fabulously
large, in advance.
81 had not been settled ten weeks in
this place before received a visit from
party OF revolutionary soldiers. The leader
said 10 me:
"'This apartment is not yours. 1t be-
longs to the Soviets. 1t is needed by
citizen with a family. You must SO at
once
There is nothing to DO but obey. Any
protest may lead to imprisonment In the
Peter anu Paul Fortress, summary execu.
tion-any fate, in fact
while evicting me the soldiers divided
up my jewels. given to mo by the Car
and the Grand Dukes, the bulk OF my
wardrobe and my other belongings. For.
tunately I had hidden q considerable
amount OF money in a secret place used
by me and some other artists
After this I was glad to share a room
with a former dancer of the Imperial Bal
let, who had found a way Of making her
peace with our revolutionary rulers. The
obscurity in which / lived here was the
means OF saving my life.
Soap has become an unknown quantity
in Petrograd and hence strong smelling,
lasting perfumes, such as civet, are great.
ly desired by women who wish to make
themselves agreeable.
Soon after my arrival in tho city re-
ceived orders from the Bolshevik Minister
OF Fine Arts to sing at what was formerly
the Imperial Opera and has now become
centre OF revolutionary amusement. As
] had been decorated by the late Car for
my singing was very much averse to ap.
pcarfng here.
'chaliapine. who was once my friend.
but has become warm adherent OF the
Soviet government, came to me and urged
me to sing. and told me what dangers I
ran by refusing. The Minister of Fine
Arts tried to force me, but ! said would
rather die than consent.
"Other artists Of the old Imperial Opera
and the Imperial Ballet Corps felt like me.
We planned to give some popular enter.
tainments that would help us to live and
protect us from the danger OF mourning
the enmity Of the Soviet government.
Il formed a company OF these artists to
give French operetta In Petrograd. We
played the light operettas Of Ofenbach
and Lecoq for three months with much
success. We were careful to make any
princes or mobiles that figure in these
operettas very ridiculous and to glorify
the populace. Thus We maintained our
popular standing.
ut is strange to sing in light operetta
when the sounds Of executions. machine
gun firing, assassinations and dreadful
riots are ringing in your ears. We all felt
that OUT lives were In momentary danger
on account OF our comparative prosperity
and our associations with the old aristo.
cratic regime.
lone evening went disguised as peas.
ant woman to see friend dance at the
former Imperial Opera. The audience
presented fantastic spectacle. The rev.
dictionary leaders knew that the correct
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1920-02-29

Decent food is not obtainable by the
majority OF tho people. knew princesscs
Of the old regime who were living on rats
and other yermin. was sometimes able
TO buy chicken or rabbit for 500 rubles
or more. and then at times was subjected
to the bittcrest hunger and had to eat the
most repulsive food.
During one week when was fighting
against the Bolshevik officials orders to
sing for them had nothing to eat but the
bark Of trees.
AFTER our success with the light opera
company we had larger resources and
came into contact with some wealthy food
smugglers. In exchange for the entertain.
nent we offered them they helped US to
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1920-02-29

LuiuE WIS " BIZ III tuo
front rows. Therefore all
iof them tried to sit there.
They were piled up on one
another's laps and the arms
ot chairs, while many OF the
back rows were empty.
I'm the state boxes of the
Car and the Grand Dukes
! could see feet hanging
over the balustrade. The
air was filled with the reek
OF vile tobacco mixed with
weeds, and many were
drinking ost inferior
vodka. Others we're con-
Stunning behring's, now the
commonest food, with dirty,
New-York tribune., 1920-10-24

IN Carmen" in a minor role. OF these
N'gnor Snmpanini and Signor del
ruente were heard in the Academy pro-
auction, which, generally speaking, was
wei received, the openin. chorus
mrable dictu, being encorcd! Does anv
enc recall similar occurrence at the
Metropolitan?
One of the writer's most vivid recol-
lections Of Nine. Gerster is connected
with her appearance at the Birming-
ham Triennal Musical Festival of
1879, to sing in Mendelssohn's elijah
and other works on the very SPOT
where the composer had given the first
performance of his oratorio thirty
three years earlier. Mr.. Simpson, a
musician of rcpute in the English mid
lands, was the organist on both oc-
casions. The Hungarian singer took
the place customarly filed at that
period by Nine. Albani (who had tenn
porarily retired, following her marriage
to Mr.. Gye, son of the Covent Garden
1i'4PA"Se'- iOj, UNO ncT associates IN the
Elijah performance were Nine. Tre-
>oelli, Nine. Patey, Edward Lloyd and
Mr. (now Sir Charles) Santley.
Few "old timers" who remember
local operate doings in the 'S0s will
need to be reminded of the joint ap-
pearance of Adelina Patti and Etelka
Gerster in Les Huguenots," the for
mer as Valentine, the latter as Mar
guerite de Valois This was at the
Academy of Music during the season
OF lsS3-S4, while Colonel Mapieson was
manager. Almost at the same time
Henry E. Abbey produced Meyerbeer's
opera on the Metropolitan stage, with
a cast headed by Christine Nilsson and
Marcela Sembrich. At the Academy.
Gerster. who was on her mettle. sang
brilliantly. Valentine, however. was
New-York tribune., 1920-10-24
Philip Hale's Program Books

Of all the American program books
those prepared by Mr.. Philip Hale FOR
the Boston Orchestra concerts are the
most welcome to the music lover, and
1T is gratifying provision which
makes them obtainable at the end of
every season neatly imprisoned in book
, binders boards. In two respects they
are now quite perfect They are too
discoursive to be read at concert
between numbers and the analyses
which they contain do not set forth
the themes in musical notation,
though they are characterized Gas to
Instrumentation, key, length or breyity.
accompaniment, etc. so as to be rec
| ognized when heard by any reasonably
experienced and instructed listener.
Still, as the books are not to be had
until one is in the concert room Gin
Boston) or in the vicinity of Carnegie
Hall (for circulation is denied it inside
that place, which is sacrosanct to the
advertisers in the house bill), the at
, tendants at the Boston Orchestra's
-'~~1e 70 Aiuo1 PiSh up lllclr Information
about the music while in their chairs
TO this end short schematic ar
rangement would be more servceable
than pages of description. This would
leave the best, because the most enter
tanning and instructive, parts of the
pamphlets to be read and digested at
leisure in the home circle.
We do not ride sedately with ewes
on the main road when reading Mr..
Hale's essays on the days program;
we are oil with him in canter on
hundred sidewise excursions CLEANING
pieasurably in hundred fields trib-
utary to the chief territory. Histori-
cal data are mingled with lluminatiye
anecdote; titles suggest ingenious in
sulry into things ancient and mytho
logical, as we'll as modern and con-
ventonal. Metaphor does not suffice
hlm. Should he have occasion to ouote
IN aliusion to the hanging Gardens OF
Babylon we are sure of a delightful
note on Nebuchadnezzar and his wife
Anytis, the longing of the latter for
her native hills among the lat. flat
fields Of Babylon and the means bv
which an indulgent husband who or
oinar'ly suggests only a Biblica,
king, turned into mad vegetarian, and
an operate subject for Verdi. That's
the way the fertile and ineXhaustible
mind of Hale works, and so each of
his books is a thesaurus of things re-
lated to music, box giving out the
odors of the aloes and myrrh and
cassia, and frankincense ana spices.
which have been the cargoes of the
vessels which imaginative men have
set afloat for centuries Hale is not
only musical annotator; he is
reservoir, repcrtorium, u promptu-
ary, treasury, an arsenal of facts
and fanSies of all kinds. Coming
around to the point from which we
started. Mr.. Huneker. who mikes up |
New-York tribune., 1920-10-24
calendar Tor TIE Current Week

oCNDA1-Canegle Hail. violin recital
National Aeolan Hall
. p violin recital by Nina Wulfe; A Samuel
A baldwns recital; Hippodrome
by Wnogradf baryne Thcater
m concert by Ftziu,
MONDAf-Carncgle Hail. M
Aeolan Hail. m, John Quine; 8:15 D. m
recital by Ceci wv
ohoDA1-Carnegle Hail. 2:3O National SYM
phony Orchestral 8:5 m, by the Philadelphia Or
o;15 p piano recital by Ralph Leopold
"EDNkSDA4-Carncgie Hail. by Thelma Given.
o'lo p m song recital by IIipolo Aeoian m
song tal by Helen Rumsey City College, Samuel A.
baldwns free recital
by Mardones md
N NN'''"io
'N1oA-feoan Hail. p by Romaine.
by Mary Mellsh ~' 0'N'
carnegie Hail. 2:30 bv Erwin
>SoEhazl; S:l5 Michel
1eo.'Sn man, p M, piano recital
violin recital by Gabriel Engc r "'
New-York tribune., 1920-10-24
Friends of
Music Give
Seasons Plans

The Society of the Friends of Music
VIII open its series Of concerts on
Sunday afternoon, November Ia. in a
program arranged by Harold Bauer
The society is no longer giving its
concerts at the Ritz, which has for
several seasons been too small for its
a"6iences, but will 20 to Aeolian and
Carnegie halls, and this first concert
VIII take place ut the Cort Theater, in
West Forty eighth Street The pro
gram Will consist Of piano and cham
hcr works By Bach sNd his forcrun-
ners, and includes the first perform
snce here OF Fantasia and Fu.ue by
Zach for harpsichord with pedal key
beard. which Mr. Rauer has arranged
.or two pianos. The D major concerto
COR harps chord, flute and violin vii
he played by Harold Bauer. George
Harrere end Sascha Jacobson.
Ihc Detroit Symphony Orchestra
viii give the second concert of the
series on Wednesday evening. Dccem-
Ger Q. at Carnegie Hall, beng heard
or the first time in New York. With
Osslp Gabrilowitsch in the dual role
Of conductor and soloist
The January concert. en- the 18th, az
Aeolian Hail. will be directed BY Artnr
Bodarzky, with a program which in
clrdes Two works of recent interest. -
concertino for clarinet and small or
chestra by Buson and Malipiere's
"Grotcsques." Since the latter en-
poser won the Pittsfeid Festival prize
this summer, opportunities are more
frequent to hear his other COMPOST
tions. This concert viii also enlist 70.
the first time tire services Of the
Friends Of Music chorus, small BODY
Of forty-tive singers 0hich is being
trained by Stephen Townsend, of Bos-
ton.
On February 20 Arthur Rubinstei
VIII play chamber and piano works at
Aeo.ian Hall, feature being the frs,
performance of Ernest Hioch's latest
work. sonata fer piano and #iolin.
The season viii close on April 8 Wit.
an orchestral and choral concert Of
bach's works. the "Actus Tcagicus''
cantata and ore OF TIE Brandenourg
concertas being the majcr portion. The
society FEELS that the pahiic has in
suflcleEs opportunity OF knowing
bach's works, and it intends here
after to devote part Of its programs
to presenting some Of these IN as inti-
mate and perfect way as it may.
New-York tribune., 1920-10-24
Boston Symphony Orchestra

The program for the first concert of
the season by the Boston Symphony
Orchestra ct Carnegie Hail, on Thurs
Gay evening, November 4, will include
Beethovcn's Symphone No 5, the So
called Little Symphony; a symphonic
fantasia on Two Folksones Of Anjou,"
by Guillaume Lekeu; prelude. chorale
and fugue by Cesar Franck, arranged
for orchestra by Gabriel Pierne. and
Liszt's mphonic poem, Tasso.
At the Saturday matinee on Novem-
Der the symphony will be the First
in E minor, by Sibelius; a new work
by the American composer, Edward
Rurlingame Hill. based on. Edgar AL
Ian ,Poe's poem. "The Fall Of the House
OF Usher" and Scriabine'a. Poem Of
Ecstasy"
New-York tribune., 1920-10-24
More Memories of Cerster

10 the Editor of The Tribune.
Sir: May | be allowed to supplement-
'ne Irib"ne's interesting account of
the brief operate career of Ete,l .
Gerster with some further rcm;nis-
cences?
Of course this popular singer OF
thirty~five or forty years ago was heard
mere IN a number Of roles besides those
mentioned in the obituary notices
among them being Linda di Chamounix
Rosina in III Barbicre," Elvira in ~
l'uritani," Marguerite de Valois in
Les Hugucncts," etc. On December
y 1913, she appeared at the Academy of
Music as Edith Plantagenet in an
Italian version of Balfe's posthumous
opera, The Talisman," the most ambi-
'lous OF the Irish composers many
works for the lyric stage, the libretto
being BASED upon the novel by Sir
Walter Scott. Four years previously
Christine Nilsson had sung the leading
role in the initial London production,
and the writer, while a very young man
attended a performance in the British
provinces where the opera was given
with n truly remarkable cast. includ
'ng Iherese Tietjens as Edith Planta-
genet, the beautiful Marie Roze as
Queen Berengaria. ltalo Campanini as
Sir Kenneth, Jean de Reszke (then a
barytone, known as Signor di Reschi)
as Richard C9cr de Lion. and Signor
del Puente, later the popular Toreador
New-York tribune., 1920-10-24
4 Discussion of the Merits
And Value of Program Notes
urious Annotations by Press Agent; Philip Hale's
Program Books; A Stupendous Program
Note Minus the Music

fully in trying to name the pieces which
were to be played. One bit of infor-
nation, of curious interest at least
both press agent and annotator ne
elected to give us. &C. Burgmein," who
"ideated" the second composition in the
list, is in the flesh Mr. Giulio Ricordi,
head of the famous publishing house
by whose suffrancc (amply remuner-
ated) we are privileged to hear the
modern list of operas at the Metropoli-
tan establishment. Why a clever Ital-
ian should disguise himself under a
German pseudongmn we have never
heard. The relations between Burg
mein the composer and Ricordi the pub
Usher must be ideal.
New-York tribune., 1920-10-24
Sunday

Aeolian Hall, p. m. Violin recital
by Nina Wulfe:
Concerto No. g. D minor wieniawsii iisls SKI
Nocturnc. Op. 10. in e minor Chopin Aver
Der Nussbaum ........ Schumann-Aucr
La Capriccieuse e.............. Elzar
Maaguena. Habanera ........ Sarasate
City. College, 4 p. m. Samuel A.
Baldwin's free organ recital:
Choral No. 8. in minor. .Francls
Prelude. "Lohengrin'' '........... Wagner
%ugus srasss IN nat major. ........: Isach
s'lcsro moderate from unanias.ed Nahe sI'e"S
,yen1nr nympn9ny snpe '.'...'....'.--.. Schubert
suite Gothique .................B Boellmann
Hippodrome, s:15 p. m. Concert by
Winogradof and orchestra:
Overture. "Rienzi' ....W Wagner
Night on a Bald Mountain. .Moussorgshy
Orchestra
Balladc OF Tomsky. from "Prue
Dame. In Russian. chaikowslty
Balladc. OF Nelpsxo, from 'I'Afrl-
ca1re.' in Italian. n............. Meyerbeer
Cavatine of Figaro, from Barber of
WinogradoH
Capriccio Italien .......... .Tschailsowsky
Jewish folssongs;
Cber die Hoyfen. n..................M Miner
1HHii Aoy'c mt dOtt. BcrCiChe'vSsV
Zum Hamert ........Be Bernstein
Winogradofr
Lexington Theater, $3.50 D. m. Con-
cert by Anna Fitziu, soprano; Cantor
Woolf, tenor, and Sasha jacobson, vio-
linist:
Spanish Dance No 7............ .Sarasate
Mr.. Jacobsen
Aria from "Toyca' '................P Puccini
Cantor Woolr
Convien Partir "Dauehter of the
Regiment ........ Donizcttf
Miss Fitzu
IIaben jakerly.
Rachum We chanum.
Cantor WoolH
la Mata Dolorosa. ............. .Granados
81 MaJo Desc.rto. ........... Grarasos
Cnan'ons les Ainoors dn Jean. Weckeri"in
Miss tit1iu
caprice A Winor. Pag antni Krs isier
- ''a,.'i.".r e GA
Mr.. jacobsen
Carnegie Hall. S:l5 p. N. Concert
oy the National Symphony Orchestra:
Plano Concerto, G. lnajor.... .pschali>o,.....y
EcIAi.;4a Moro
Second Symphony, u major. .... Bra Inns
New-York tribune., 1920-10-24
Tuesday

Princess Theatcr, 3 p. m. Song re-
cital by Nelson Illingwor:h:
The Wanderer (Schmidt) Ode to Music
(Schober). Etthyramb (Sch.ler),
Loves siessa tpellstat,. My bod.
tReilstab). Atlas CHeine) Schubert
Fairy Household (RukerD. The Erl
King (Goethe). Edward tOld Scctch).
Loewe
Dedication tNulier). Lassie With the
Lips So Rosy Ueine) On the Sea
lHeine). Temp. 81 and Storm Furies
Shrieking tHeine). Churchyard oval
dau). Out Of My Souls Great Sad
rha, 9ess Hvinr} wr,d ~ >,a,. g.. Franz
tDaumer). Trezchery Lemcke).
Brahms
New-York tribune., 1920-10-24

There is great deal of music in the
world, good music, which was never
designed by the composer to be inter
preted in words-that is, in terms of
thought-for which writer's who are
given to what Horace Greeley con-
demned as "too much damned fine
writing" have supplied programs in
explanatory. program notes. OCCASION
ally we meet such a note and greet it
with pleasure because it seems really
to have been evoked by the music. 1t
awakens some of the emotions which
accompanied the hearing of the music
and comes within canon of approval
which Schumann laid down. The music
written nowadays is practically all pro-
grammatic and much of it is barking
back to it's origin in that it is bccom-
ing materalistc and utilizing natural
sounds, sometimes crudely Orchard
Strauss's windmills, bleating sheep, the
clock striking the hour when baby is
to be put to bed and the cow-bells in
the Alpine pasture), sometimes by
mere suggestion. These things scarcely
need analytical notes to identify them
They are the things themselves. no
matter how much the composer may
have affected to idealize them. But
when music enters the metaphysical
field 1--WE mean when composers profess
to have made it do that) then the
sluice-gates must be opened wide for
attempts at exposition.
Ives Essays Before a Sonata"
There are old-fashioned critics who
think that all attempts at elucidation
are vain in such cases because the COM
poser is trying to make music tran
sccnd its powers, which reminds lis that
we have let months pass without COM
ment on book which in a sense is as
unique as it is interesting and
sprightly It's little volume of 124
octave pages and processes to be a
predatory explanation to a pianoforte
sonata. The author is Charles E. Ives.
He calls the book Essays Before
Sonata, says that combined with four
pieces of pianoforte music which he
calls sonata, with an apology to the
term, he has attempted to give an "im-
preston Of the spirit of transccn1ental-
ism that is associated in the minds of
many with Concord, Mass, of one-half
a century ago" He intended to print
book and sonata (Which has s. title
Concord. Mass, 1843) together, but
concluded that the volume would be
too cumbersome. So we have the book.
without the music. Under the circum
stances we feel justified in calling the
collection Of essays the most sturen-
dous program note in existence. When
the sonata is printed we expect to find
its four movements labeled l, Al.egro-
Emerson; II, Scherzo- Hawthorne: III.
Andante, the Alcotts; ", Finale Allie
gro, Thoreau
lnasmuch as the author does not
seem to care to let US hear his music,
or see it in the printed symbols. we
are unable to derive as much comfort
as we should like from his extremely
candid and considerate dedication.
which runs thus: These predatory
essays were written by the composer
for those who can't stand his music
and the music for those who can't
stand his essays; to those who can't
stand either the whole is respectfully
dedicated" The essays are most engae-
New-York tribune., 1920-10-24

ing in style and full of pith. We liked
them Immensely and gladly forcgo the
music which they are supposed to il
ium'nate. A sonata which should un-
oertake to-day any of the things
"h'ch Mr' Ives has SO capitally said in
MS book we could not contemplate or
hear without shudder.
New-York tribune., 1920-10-24
Thcrs'av

Aeo'ian Hal D. r. sous rseital
by Joan C.f9 9he' 'e0er.
Ne-i', T..H.r anI f.-f.r = lI Mr..
-. l'.-. Ars.,. .u. ora.e 20
J 9htha ..----... ........ i.andei
ola it4.4An
Invooa-ioae III orf.o-.- .... Jacopo PERI
-'4''e 10 -,
fr f"1t. i'n~ -.r| if dit'
OR ch 10 non y gro niu RAHas.lo RoniAns
Aioi-rn Fs.nch
J'ai Peur dun Baiser. W Alconrt
Joseph S1uie
La Lettre. ............ ....... Louis Auoerf
Ia File du Koi dc Chine Georges Hue
Foiksongs
Brioiage. Song Of .he rabo-ers of
ferri tfrrnch) ..--A Arr. BY Julien TieFrot
tn S!lversnli:h tfoIk dance of Murr.a
and AncalusIa) Arr by Kurt Scnindief
An Eriskay Love Lit tScotch1 ....
Arr. BY MarjOry kcnnedy Fraser
Arr. by Ccoil sharp
Lo Granatiello tNeapo.itant. .....-. ....
Arr. by Ninc-nzo de Negiio
Modern English
The Bell Men...........~.. Cecil Forsyth
The Gray Winds. Dream Laden. ......
Eastwood Lane
Ihe Messenger DSeHas Aesf"'
New-York tribune., 1920-10-24
Azzaoy$<azeH q
-b1<zEox@ :,

old Hirams "ivory, apes and peacocks"
in his books, says it was Mr. Hale who
invented the term "passionate press
agent"
New-York tribune., 1920-10-24
Aeolian Hall, 3 p. m. Song recital
h. Ellen Rur.sev.

,'aairit .aA .osii". ........- FaSo'o relo
iin, tll.o -.nlvr. panfa. fss. ia
-. hrn''i" ..--..- .D-fante 90 - 90
.. 81. iert Ni.t, = .r.s ...s<t
i.oerii .... ... Vn.r. i.tcmsAy
The Ches nut rree.............. SCI, mann
a. iis sYo.nt"i =s.ensdc. ..... !jrshns
iai }.Hn-" er 'e.e...... .--...-.-- -...... tius
s"roeEse de iOl.b4i.. ..-....... hshey
J.. Hi-'tft t.-ls .'rti.s aie sianes -.i' ar
+. x-,so ....... S.l.- con
II F iirtt .ciov
itnfr's 3 ~ $50. '.......-........ GHr
~pa.iti. j .-s ..-..- ...... rlncr
1ine 11iiAer. lsti.i Clf. ,..s.iing
ril. Fob
New-York tribune., 1920-10-24

not one of Nine. PATHS happiest eff
forts, though her glorious voice was
still unimpaired, and the Mctropol-
itan performance (Which had the
advantage of Italo Campanini as
Raoul de Nangis) was generally ad-
judged the finer of the two. 1t was
certainly much the longer, for it in
cluded the now almost forgotten fifth
act, in which Nilsson and Tietjens had
been accustomed to appear in London,
but which Patti, who showed signs of
fatigue after the great duet, we'll knew
would cruelty over-tax her strength.
A. E. G.
New York, Oct. 13, 1920.
New-York tribune., 1920-10-24
Wcnsisv

Carnegie Hall. 3 p. m. Violin recital
~ Michel Gusisofs:
Concerto in t; minor. ...... Vival l. Nsrhez
Sonata No. in minor. Bach Schusns IN
,.oncSrio IN 3 minor. Op. 20 'Ar.orosio
NJ riSte Dir. tuct,
oahae ...........-.. .Cy. - Sc5tt
NAiSa AAprice ..--..
New-York tribune., 1920-10-24
Aeolian Hall, 3 p. nj. Song recita
by John Quine:

Il eSpcllo HOCCElerO, from 'ASra-tr'
Bnononcini
Grow tiSi4) ................ Otd Dneitsh
Furnlbondo srra Il ycrto .......... it.4pcsl
fr ir serious son,5 ...... 81 4 Inns
q. On" Thing 1.cfaileth.
b. SO IieturneI.
c. Death. I.aafh.
q. Though s7eaA With Tongues % II n
Gha-,i chant q amour. ........ y k n
Simti"re de- Ca"pagne. ........., Ham
La Procession ............-.. Cesar ti..ack
Mabrisa.e Observation-Disclosures. i ,a...,t
Ethiopia salutins THO Colors ...... BurleieA
The Time for Making Songs mas Come
Through the Fields in winter.... So,
Maiy of ANendaie II. Lare = .'..pn
The Fiddler of Dooney ney.............il ilo.s. r
At S:l5 7. n. Piano rectal by Cecil
CoW.es:
;oon.'s 80 H.. ..............- Mozart
st'io''l' Gtacl>-Ss 4.rhhl l
,"rI'e f't'.a'l
Nosturs.c. op. 4s. 10. ?; ya!sa. o..
~. pni.adr ii q minor ............ G. or!r
AmonTe'te d. fierrot- ....-.... .s.ojov s'
Two sActches-fersian. Chinese ....-.
Cecil Cowies
Romance d'apres une chanson ,ic Iis1,
Hugo Maraicidt
Hungarian Rhaposdy No. le .I.iszt
New-York tribune., 1920-10-24

Continued ON next page,
New-York tribune., 1920-10-24
Programs of the Week

Thine tHeine) Clowns Song
tShskespeare). The Two Grensdiers
tHeine) .--..-....-'. .-.......-... Schurnan-
lie Cnaroonnier .......... Fsladilh,
New-York tribune., 1920-10-24

Carnegie Hall. S:l5 p. m. Concert
oy the National Symphony Orchestra:
Ovarture. "Cor.oian,le' ..... I,eer l...ye,l
Plano Concerto, {; lnaior Tscnaiso,g.s..y
FclnHaa Moro
Second Symphony, IL major or..... Bra Inns