davidaulloa/AmericanStories huggingface dataset:
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13

bylo velkemu nedostatku no.
vinafskeho paplru. Pravil, re
vsechny casopisy by mely
zmensit We stejnem pomery po
Get svyeh stranek. Vyslovil Sc,
ze padesat neb sedesat velkych
casopis6 We Spoj. Statech spo-
trebuje skoro polovinu vseho
novinarskeho papiru a kdyz by
Sc tyto neuskrovnily, re "a krat
ko bude sc nedotavati vice nez
100000 tun. Ma konoc bylo u
sreseno, aby .provedeno Z bylo
zmenseni potfeby papfru 10
procent, dokud vyroba nebude
odpovfdati spotfebe. - Plukov
nix Robert r. Mccormick, ie-
den z vydavatelG Tribune"
byl ustanoven, ably zorganiso.
val vydavatele casopis1 v Chi
cagu "a dcelem Setfenf papf-
rem.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13
WSS] It'll WSSl
GARY MEL BY PRY BYT
o DEPORTOvAN.

La Crosse. Wis. II. ledna.-
Jestlize deportace Jest lekem
prot neklidu V t6to zemi, Ell
bert H. Gary, proslaveny oce-
lafskym trustem, pet velkych
statkarG a JIM trustovf magma
ii NELL by jiti prvni," pravil
zde vcera vecer James Thomp
son feci pred obcanskou kor-
poracni hgou.. Thompson Jest
fedrovan jako kandidat pro t.
rad spolkoveho senatora pri
pfistich volbach. Phi posled-
Mich volbach kandidoval prot
senatoru Lenrootovi.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13

bylo vsak pozdtji zjlsteno, de-
stala od neho dive 5000koruny,
ktere byly nahodou slepeny,
take Thiele toho nezpozoro-
val. Cfsnice Justova vzala 81 cd
neho ma ukazku novou tisiciko
runu, Sc kterou Sla k Holubo-
We. Tisicikorunu jiz Thielemu
nevratila.
z vinarny Holubove odebral
Sc Thiele do vykricene mistno-
sti V Seminarske ulici, kde ultra
eel podobnym zpusobem. Pro
stitutkam Anne a Marii Funk
tovym dal kazde po 7tisicikoru
mach. Dale Jim dial 800 korun
ma boty, 500 X ma cukrovi a
mimo to 1000 korun, ktere ia
daily cd neho, kdyz chtel S nj
mi jiti ma prochazku, tvrdice,
re museji dati penize MATTEL
ce mistnosti.
Ma zaklade dormant Thie,o-
va pfedvedena vinarnice Holu
bova a ODE ciSnice do bezpec-
nostniho odd6leni. kde z pocat
ku vse popfely. Po krfzovem
vyslechu vsak doznaly vse okr
insp. Bubnikovi tax, jak udaI
Thiele. Vinarnice Holubova ma
koupila pro ciSnice vanocni dar
ky, "a ktere zaplatila 1923 kc
run, Ia kter6 vsak il cisnice
vyplatily TAO X. A mnohe Z
vecl 81 vinarnice nechala. We
dischova priznala tez, re S Ju.
stovou a 2 muzi utratila teze
noci v. kavarne "Mikado" 31OC
K. Rovnez prostitutky sestry
Funkovy teprve po delsim "a.
pfrani doznaly, re dostaly oc
Thieleho po $500 korunach
Cely obnos daily V uschovant
svemu milenci elektrotechnikc
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13

vi Ladislavu Svancarovl 2 {.
572 V Prokopov6 ulici ma Ill
kove. Svancar, byv predveden
energicky popiral, teprve po
konfrontaci s Funkovymi do
|Znal, ze cd Mich obdrzel 1900
X.
Vesker6 zdcastnene osoby
v6d6ly, lie II lety mladik, KITE
ry cini DOZEN hocha, jiste ne
nabyl tax velkeho obnosu pocti
We, kdyz utraci tax lehkomysl-
nym zpusobem. Pres to no sva
dely k utraceni imenovite vi
Inarnice Holubova no pri ucto-
vani primo okradala. Nekryta
Skoda, zp1sobena jednanim
Holubove, cini 1853 K. u THE
la byl pri zatcenf nalezen OBJ
nos 1920 K. Energickym "a
krocenim okr. insp. Bubnicka
utrpela N6mecka spolecnost
pro obchod dobytkem nepatr-
nou skodu. Statni zastupitel-
stvl zahajilo trestni rizeni S
lehkomyslnym urednikem a je-
no sv6dkynemi.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13
WSSl WSSl fWSSl
BUDOU SETRIT PAPfREM.

Chicago, 4. ledna. Zastupci
casopisG Ze statu Illinois a In
diana, patricich k American
Newspaper Publishers Associ-
alton, NELL vcera schulz V hote
lu La Sale zavazali Sc, re
budou setriti novinarskym pa
pirem a vyvaruji SIC veSkereho
p'ytvani. PTedsedou schGZe byl
pluk. Edgar E. Bartlett, vyda-
vatel casopisu Register-Gazet-
tie V Rockford a tento prohla-
sill, re ie tTeba soucinnosti me
ri vvdavateli. aby zabraneno
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13

VYZV ANI!

Timto jsou zadani vsichni
bratfii
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13
LEHKOMYSLNY uREDNik
We SPARECH VINARNIC A
PROSTITUTEK.

Praha, 21. prosince. V utery
zadrzen We vykTicene mistnosti
Josefy Hablove v Seminarske
ul.-I. ufednik N6mecke spoiled
nosti pro obchod dobytkem,
17lety Karel Thiele, jenz ma
padne utracel.
Okresnf insp. Bubnik podro-
bill Thieleho vyslechu, pri KITE
rem tento doznal, re jsa zame
stnan V sekovem Oddelenl uve-
dene spoiecnosti, z konta spo-
lecnosti poukazal 81 3. t. m. ma
dvakrat obnos 67.493 koruny
ma konto post. sporitelny ma
jmeno Kohout.
V utery vyzvedl 81 z konta
Kohoutova $4,000, z nichz "a
8 hodin utratil celkem $4,000
K. Nejprve odebral Sc Thiele
do vinarny Marie Holubove {.
262-IlI., kde S cfsnicemi a vinar
nici popijel. Ia pIldruhe hodi-
ny napocitala vinarnice Holu-
bova ma 1trate $50 K, kteryz
to obnos die vlastniho dozna-
nj zaokrouhlila ma 6100 K.
Thiele obnos tento il zaplatil.
Holubova premluvila Thieleho,
aby il ciSnici dal 1000 korun
ma prstynky ma pamatku. Da-
lie vylakala ma mem 1000 K pro
zenu, ktera potfebuje penize,
jsouc V jinem stavu, penize
vsak 81 ponechala., Thiele dal
il 1000 X pro hudebniky, KITE
rym vsak dala pouze ITO X.
Stejnym ZpGsobem no obiraly
tez ciSnice. Weidischova obdr-
zela cd Thieleho 5000 K, jak
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13

bylo diktovano poddni, coz ar
cit predpoklada ohromnou "a
sobu vnitrnich zdatnosti sill W.
konnych, cehoz vsak tn nesta-
va. Z toho pax vznika jedno-
stejne provedeni a neni tn ami
stopy DO raznosti slohu t6 neb
one skladby komorni. Z dali
sich, mimo. jinych zcela bezvJ-
znamnych komornich sdruzenf
tehoz slozenf, uvadime "Berk-
shire Quartet (ktery, jak zna
mo ucinkovaly ma letosnim le-
dnovem koncerte "Ceskosloven
ske hubby" pofadanem nasina
klubem), kterezto sdruzeni OBJ
jevilo Sc ma zdejsim obzoru hu
debnim jakozto jest6 nehotove
vnitrne zevne (kletba Ameri
ky: "hurry up!'), cimz nelze
mu prikladati nejak6ho vyii-
mecneho umeleckeho vyzna-
mu, V fad6 neposledni take je-
ste tn rozkladne pdsobi rdzno
rodost' racova clenG tohoto
Fsdruzeni.
Vse predchazejici, co jsme
uvedli drivejsich a stavaji-
cfch kvartettech americkych,
nelze aplikovati na "Renaissan
ce Quartet. U tehoz isou prv-
ky skutecne umeleck6 a hadn't
ru dGlezitym cinitelem je tn
racova prislusnost k stejnemu
kmeni: umelci ducha Geskeho
| odchovani l.-----vA Ceskou Sko.
| lou a poctiva ctizadost vznika.
jici snahou po neivySSim -
charakteristicky to a dedicnJ
odkaz nasich tvGrcich a vykor
nych duchG hudebnich, poCins
! je Smetanou a Ondrickem. =
Existence Renaissance kvar
/ tetta Jest zarucena Slechetnyn
a idealnim zajmem nekolik;
americkych nadsencG. Jsou tt
Rolph Pulitzer, mattel cas-
World" sc svoji PAM a malii
Walter d. Goldbeck.
SveÌŒt = World. [volume] (Cleveland, Ohio) 1911-1939, 1920-01-13
IWSSl fWSSl TWSS]
o CESkEM UMELCI Z Gle
VELANDU.

'Zpravodaj" organ ceskoslo
venskeho ume.eckeho klubu V
New Yorku, prinaSi We SVEN
poslednim elsie stat, tykajici
Sc tez clevelandskeho umelce
pana Jaroslava Siskovskeho,
syna znameho naSeho narod-
niho pracovnika a absolventa
hudebni Skoly p. Ant. Macha-
ma. Stat ona mi:
Renaissance Quartet" jest
Inazev noveho komorniho sdru-
zeni, vznikl6ho V New Yorku.
Kvarteto mGzeme zvati ces-
kym, jelikoz clenove tehoz
jsou vesmes ume.ci ceSti. TAX
u prvych housli nachazime O.
takara Cadka (z Chatanoogy,
Tenn.) druh6 housle jsou V ru-
kou Jaroslava SiSkovskeho (z
IClevelandu, Ohio) proSleho
ISeVGikovou a Auerovou Skolou
Iviolovy part zastupuje Ludvik
Svab (z Brandysa n. L.; V A
merice znam jakozto klavirni
prGvodce Kubelikdv), ktery
rovnez jest odchovancem Sew.
cikovym a konecne violoncello
- duSe kvartetta - nemohlo
naleZti vhodneisiho a ryzeiSf-
no umelce nez BedTicha Vas
ku, jehoz vyznam a zkusenost
v oboru hry komorni (viz "Sev
cikovo kvartetto', neipTednei-
81 po "Ceskem") zahrnuie u
meleckou zdatnost tohoto move
no sdruzenf = smyccoveho
kvartetta, jez isme jiz davno V
Americe pohreSovali. = Byla a
lsou zde sice kvartetta smycco-
va, ktera vSak nedostoupila nj
kdy vrcholnych bodG, nedostat
KEN umeleckosti vIbec a tim
poctivosti provadenf del hud-
by komorni zvlaste. Jako pro-
totyp uvadime byvale "Kneislo
vo kvartetto", jez lie nazvati
"femeslnym", nebo l6pe "n6-
meckym" (abychom mluvili
die Nietzscheho, navrhuifcfho
misto slova "Spatny'' = "ne-
meckyO; dale pax "Flonzalev
Quartet" iez proste hraje vse-
chny skladby svym t. Nv. osob-
MIN stylem, t. j. hraci vycha-
zeii iedine re sveho stanoviska
k dilu, misto ably vnikali do di-
la samotneho a 2 neho, aby i'm
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28

top 81 aim. knocking The breath out Of
him. Before he knew what was happen
ing, Peggy rolled the two OF them under
the shelter of a. large rock
There they were safe from the bird,
but peeking out they could see II. The
bird looked bigger than any bird Peggy
or Billy had ever seen. To their tiny
eyes 1t was as big as the rock about
which Sinbad the Sailor told in his
stories of strange adventure. -
very handsome. II had a bright red
breast. while its head was black and Its
back was brown
"It looks like Mr. Robin. only 1000
stared at the bird, then gave
Ut is Mr.. Robin" he whispered
back. You forget we are only. the
size of pins, and OF course he looks
Peggy sisgied, too. but Billy suddenly
put his hand over her mouth. Hush
sh-sh .' he whispered very low. of he
should hear us he might gobble us be-
fore we could tell him who we are"
This was real danger. Mr.. Robin
had cooked his head on one side and
was listening intently. He took hop
toward the children, then again listened.
Suddenly he drove his .beak into the
ground and began to tug. tug, tug. He
had grabbed something In the earth,
something was giving Mr., Robin a
hard fight. It jerlted him over until he
was almost standing on his head.
But Mr. Robin wouldn't let go. He
braced his feet and tugged with might
and main. He pulled and he. jerked
until out Of the ground strusgling and and
which Billy had fought short time
before.
The poor angle worm didn't have n
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28
CHAPTER III
The Blg Bird

SMILES came to the faces Of the green
~ fairies when Billy told them the big
snake he had been hghting was only an
angleworm.
why the angleworms are the
friends and neIghbors OF the growing
folks" they lispedi They do us no
harm, and sometimes they do us
good" ~
But even though the supposed snake
was only an angleworm, Peggy and
Nanette agreed that Billy was very
brave to pitch into II the way he did
to save them. He didn't know II was
only an angleworm when he attacked
II with his sharp stick. and so in
fighting 1t he was really as brave as
though he had been fighting the most
dangerous of all snakes ....
q. II wish | could do something IS
brave as that" thought Peggy to- her
self. And even as the thought entered
her head, the chance to be brave sud
denly came. There was a loud hutter
overhead, and quick glance showed
her an enormous bird sweeping toward
Billy. In another instant II would be
upon him.
It was too late for Peggy to warn
Billy. There was just one thing to do
get him out of tho way of the pounc-
ing bird. Peggy never. stopped to think
Of her own safety. She d',shed up the
ridge on which Billy stood and gave
him pusl that scnt him flying down
the little hill on the other side. Then
she went tumbling after him. II was
just like Jack and Pll, only Billy
didn't break his crown" as Jack did
but landed without harm in the soft
earth of a little gully. Peggy fell on
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28
Adventures
With a Purse

THE older woman frequently prefers
Il to wear guimpes and vests with high
nccks. rather than the low vestees of
her younger sister. She then will be In
terested TO hear of some sheer lovely
high -necked vestees Of soft georgette
crepe. smartly tucked They are cx-
ceptionnlly nice looking and are reason
ably priced nt $1.00.
There is this to be- said about q baby
by the strictest supervision you may
manage to keep him reasonably clean as
he plays about his kiddy coop. or small
allotted space. But just start to give
him that bowl OF porridge or whatever
1t is one does feed babies upon, and then
look at him: Gan over your nice clean
dress you scold. And much good it
does! But II you are wise, you will
ask me where ] saw the feeding bibs.
Bibs? They are aprons rather. which
should easily envelop your small child
from the top Of his fuzzy hair to the
tip of his small pink foot. neither one
Of which is immune from smears. This
bib or apron has all sorts of interesting
nursery figures painted upon it. and
is made of what judge to be oilcloth.
so that it is easily wiped off and does
not have to be laundercd. The price is
sixty five cents.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28

Send self addressed. stamped
envelope to the Editor Of Woman's
Page, or call Walnut 5000, for
names of shops where articles men
toned in Adventures with a Purse
may be purchased.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28

couch and she summoned Anne impcri.
ously to sit beside her. III need some
ono to come here and answer my let
ters, take charge. Of my correspondence.
you would be just the girl. I'd pay
thnt?" 80. -
Ten dollars week! Anne felt sud =
denly sick and faint. Ten dollars q
week for coming here to this beautiful
house and doing things for this wonder
ful person who talked like fairy god
mother But IL was impossible; her
(nthcr would never allow it. =,
Geraldine was watching the girl. She
saw that she wanted to come and that
she was probably hesitating because of
home conditions.
''1f YOU couldn't come for all day. you
might come after lunch" she said
smoothly. "I,d pay you $5 a week for
the afternoon.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28

(Tomorrow--Clothes and the woman.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28
DREAMLAND
ADVENTURES
The Garden Dragons
by DADDY

fPe01y. BiHy and Nanettc, made
,,ny ~ Johng Hl9n1h mo0nyy-
the green groUin0 fairies ~ Nan.
cites garden. IN defending the girls
aud the tdirios BtliD attacks tohat
looks IKE q big snake, but tcbdt
pToUeS to be an ungletcoTntJ
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1920-04-28

chance TO win when once II had been
drawn from it's hole. Mr.. Robin beat
the ctr with his wings and sailed away
toward his nest, carrying the angle
worm with him The baby birds were
sure of plenty of Breakfast that morn
ing .arr ."...
. ~ ----5-..
Tomorrow tChH be told hOiU The fair
les try to adopt Pep0y, Billy and Nam
etteJ
The Washington times., 1920-04-15
KLINE HERE TO REFUND
ON TICKET CLAIMS

NJ. F. Kline, concert manager, has
returned to Washington from New
York after instituting a suit to re-
cover the loss entailed by the sudden
postponement OF the Amato- Case con-
day, April 4th. Mr.. Kline states that
he is here to refund on all ticket
claims made against his concert bu-
reau, and that he can be reached AT
Box 792, Eleventh street Postoffice.
During his career as concert man
ager in Washington Mr.. Kline has
this winter. presented seventeen con.
certs of many of the prominent ar
lists Of the world. He is now plan
ming for a similar series for next sea-
son, when he aims to continue his
work in the concert field in the
National Capital.
The Washington times., 1920-04-15
COLUMBIA HAS MOTHER
SONG BY STRACCIARI

Dear Little Boy OF Nine Is
mother song sung for Columbia
records this month by Riccardo
stracciari, the great Italian baritone
II portrays the pangs or separation
from a son, and Stracciari sings IL
with deep feeling. His own boy was
In the war and is now at Vladivostok
with the Italian army.
The flrst duet sung by the Ponselle
Sisters-Rosa and carmela-for Co
mmbia records Is the beautiful Bar
caroie" from the Tales OF Honman'
IL was Carmela's rich mezzo-soprano
which frst attracted attention to
their singing, and 1t blends beauti-
fully with the now famous Rosa's
pure dramatic soprano. Carmela may
possibly follow her sister to the stage
Of the Metropolitan Opera House
New York.
oscar Seagle sings Nah Indy
Lou" a rich, resonant negro love
melody well suited to his baritone
voice. As a boy he used to tramp the
mountains of Tennessee with his
father. who was q lay-preacher, and
lead the singing at his fathers
meetings among the Southern me-
groes-
The Washington times., 1920-04-15
by LAszLo soHwARTz.

When you consider that there
nave been great European artists
coming across the sea year after
year. and that some OF the greatest
knock at the American door time and
time again before IL is finally opened
to them, IL is so much more remark
able that an unknown singer should
come from the Land OF Snow and
Trouble. appear in a New York con-
cert hall and take the whole audience
by storm after the very first number
on her program.
1t has been many q year since New
York audiences have been swept Off
their feet by the art OF any great
musical interpreter, as they were the
day Nina Tarasova sang her way Into
the hearts OF the American music
lovers, with quaint folk songs OF the
Russian peasants, in a tongue abso-
lutely unknown to us. Because IL Is
so seldom that such instantaneous
successes are achieved on the Amer
lean operate and concert stage. I
greatest OF all folk-song singers to
what she attributes her phenomenal
success.
No Secret to Success.
So without dilly -dallying about the
here are some OF the secrets Nina
Tarasova gave me:
you know the strangest thing
about my success is that there is
really no secret to it.! AS a matter
of fact, I don't believe there is a Sc
cret to any success. That phrase. to
me, always. seemed so paradoxical.
Ever since the first artist Of the Stone
Age carved a figure on the wall of
his cave homo or moulded a grotesque
statue out of clay, success in art can
be traced back to three things:
Genuine talent. the divine spark
and. endless work.
"It doesn't make bit of difference
In what field an artist succeeds, these
three essentials must be there II he
is to receive the fullest measure Of
success. In my own cas- I believe
was particularly fortunate in having
come, as you Americans say, with
the right thing at the right time"
The Washington times., 1920-04-15

olcott success OF -hscushla" In a.
list shows how dear to- the heart 70
the Irish song OF sentiment rhsa
there IL Little. AiAs Charity with
Lipser Longer Lefty and the lstest
thing In the ''Frivoiities" and '-sesn-
dals" OF iazo. .t
Musical merchAndiss received dur
ing March Is making an unusual dis-
play in the shop OF the pubiisbers Of
the Robinson iBuIistin- There sre pss-
septed new and n0v~tty instrus>nas
that are creating . now form sf club
music OF orchestral proportions They
are ON exhibition, as wen a. catziox-
ued In the BuIlstfn issued BY J. Edgar
Robinson and Alan J. Baehrach, ct
1905 @ street northwest.
The Washington times., 1920-04-15

folksongs at one another, mutually
stirring the opposing lines with their
melancholy gripping musical mes
sages.
Inspired ny War Songs.
IL wonder IL historians will ever
think of making notes OF the effect
that the songs of each of these bitter
enemies had on the lines across No
Mans Land" .
81 think OF this often, and every
time l am reminded OF my great
American success. somehow II occurs
to me that 1 am only continuing to
re-echo those wonderful folksongs
that these boys sang in all tongues
never to sing again. And you may
call 1t superstition, you may call IL
spiritualism or whatever you wish.
but if there is one secret to my sue
cess-one of which speak seldom,
but feel more intensely believe this
Is the one. 1t gives my message the
strength of millions of souls-it's
their song through my lips"
That Is what Nina Tarasova said.
But to merely put down her words
and not to break up each sentence
in an attempt to depict her wonderful
facial expression, which reflected the
true dramatic coloring and phonetic
value of each word as uttered by
this truly divine little artist, is bur
giving you the interview on the in
stallment plan.
True GenIus.
Her whole personality and char
acter stands for the quintessence of
simplicity, and 1t is because most
great men and their great creations
81 III u.
of simplicity that Nina Tarasova is
Enthusiastically one of them--a genius.
1t is because they can use truth and
beauty SO clearly and have The power
to express 1t with ssfh facility and in
such simple style thNt their appeal is
so direct and the response so instan-
Before parting I asked the great
folk-song singer why II her success
as a simple foIK-song interpreter was
such a very simple matter-why there
were so few successful folk-song in
terpreters in the musical world. Her
reply was witty and cut to the core
of the subject.
Must study Peoples.
at is because in art it is most diffii
cult to interpret simple creation
fiawlessly. But perhaps more SO be
cause the average folk-song inter-
prefer does not study the peopIe-the
peasants whose songs he. is about ia
interpret. He does not understand
their musical messages because he
does not under d!their life, their
psychology!
you have to dream with them
cry with them, dance with them in
their humble surroundings in their
simple ways before you can peep into
their souls. Only then can you in
fuse into their folksong. all the primi-
tive dramatic and lyric powers OF
their rustic, yet poetical character
Then preceding her words with a
melancholy smile Nina Tarasova
again assured me that N'There is nc
secret to my success-it is Just a
happy combination of talent the di.
vine spark and tireless work"
The Washington times., 1920-04-15
Nina TarasoUa, Russia S
Great Folk Song Star,
Tells Secret of Success

.You see in order to fully under
stand what 1 mean by saying tho
right thing at the right time II Is
necessary to make a survey OF the
musical world at the present time.
Let US go back just to the time
previous to the breaking out OF the
world war. What do we fnd? We
md that in almost every country a
few OF the so-called futurists, impress
sionists and other 'istic" schools OF
composers had overthrown the ideals
OF composition in musical art, ana
not only discarded the melody, but
also thrown on the musical junk
heap some OF those fundamental rules
without which music cannot make It's
appeal to the masses-only to the cpl
cureans!
IT refer to the lack OF simplicity in
the compositions OF this highly
strung new school and it's frantic
hopeless attempt to create something
that has never been here before. In
most cases this resulted in hopeless
chaos-a musical tumble in which
there was just as little genuine music
or melody as there is in the Jingle OF
clowns bells.
Heroes Spread Songs.
Then came the war and the world
was brought face to face with the
realities of life in a most gripping
and impressive manner. Millions OF
boys from the farms and from the
densely populated corners of the
earth were called to arms. They not
only carried arms to the battlefields,
but they also carried their songs with
them-the songs of all nations. and,
strange as it may seem, though they
faced one another as the bitterest of
enemies, yet they were bound soul to
soul by ties of simple. unaffected and
genuine melodies.
"The verses chanted by the Turkish
soldier were not understood by the
lads from Scotland, nor was the
meaning of the Scots words conveyed
by the tuneful. rollicking song to his
enemy across the line who came from
the lowlands of the Rhine. And this
Identical deduction can be made from
the two firing lines up north, where
the Hungarians and Russians fired
their salvos and also their wonderful