davidaulloa/AmericanStories huggingface dataset:
Evening star., 1920-03-27
Charming Gloves

Gloves have always been the finishing touch
OF completeness to any costume-but especially
to an Easter outfit The short sleeve fashion Of
this season, as we'll the flare sleeves the
suits, have reinstated the long gloves, SO that
there is more range in the matter OF choice than
ever before.
The two-clasp oyerseam gloves have Paris
points and three row embroidered backs. Come
in tan, brown, black, white, gray and beaver.
$3.75.
Another style two-clasp overseam glove with
three row embroidered back comes In white,
black, brown, gray, white and black, and black
and white. $780,
Two-clasp PIX sewn gloves have three-row
fancy and contrasting embroidered backs. In
white, beaver, mode, black and white, white and
black, and gray and brown. 500 and $500.
six-button length pull-on Biarritz gloves
with Paris point backs, in white only. $3.50.
Eight. twelve. sixteen and twenty-button
glace gloves. $500 to $1050.
Evening star., 1920-03-27

are one of the most I'M
portant dress accessories for
Easter wear. You will be
delighted with our newest
Square Wells that have just
arrived. They are in plain
black, or navy with copen
and brown with tan scroll
borders. $3.50 and $500.
The New Chantilly Lace
Veilings, in black, brown
and navy, are also very new.
$3.50 and SITS each. Other
Made Wells with colored
dots, borders and collar ef-
fects in all colors and
styles, are 75c to $500. c.
ored Dot Veilings, SEC to
$1.W yard.
Yelling Section. First floor.
Evening star., 1920-03-27
Handbags

offer a diversity OF choice.
Some women will prefer the
Silk Handbags in the smart
shapes. but distinctly conserva-
tive in style and fabric; others
will like best the Elaborate
Beaded Bags. Two especially
Attractive Beaded Bags are in
light floral effects, and one is in
a dark medallion pattern.
Priced, S1z.0o, $500 and $lz5.o0.
Silk Bags are $500 to $500.
Whatever the Bag. the lining.
trimming and all details in fit
tings and finish are exquisite.
Tax not included in these
prices.
Bag Section, First floor.
Evening star., 1920-03-27

OSdo NECKLACES
arc very desirable just
now. The reproductions OF
jade combined with Japanese
gold or black grosgrain
ribbon are especially new.
$500 to $24.00. Colored
beads combined with art
silver are $1.25 to $500.
Graduated Bead Necklaces
in jade. coral, topaz. anne
thyst, sapphire. crystal, etc.
are $l.00 to $1,000. The
pretty Loom Necklaces in
all color combinations, light
and dark. are 500 to $500.
Hazel Dawn Necklaces in
all colors, $500 and $500.
Jewelry Section, First noor.
Neckwear
for Easter includes the
new net guimpes in all
styles, white and cream.
$3.50 to $l3.SO. COlOred Or
CANDY Sets are in several
styles; fiat and roll collars.
$1.00 to $3.50 set. And
Colored Organdy Guimpes
are also in MANY different
styles, $3.7s to $3.50. The
Hand Embroidered Collar
and Cuff Sets of organdy are
very pretty, $3.7s to $l0.s0.
Mourning Sets of organdy.
$1.00 to $3.50. Evening
Scarfs in cream and white
are very beautiful. $3.50.
Marabou Capes and Stoles
are $3.50 to $3.50 and the
plush and Kerami Stoles and
Capes are $3.50 to $3.50.
Neckwear Section. First floor.
Evening star., 1920-03-27
Street and Dinner Dresses

A Dinner Dress of particularly striking type
is of midnight blue satin, with bodice of French
blue georgette beaded in crystal and jet tubular
beads; the square neck has silver cloth vestee
taffeta with short sleeves has four long ruffled
streamers flowing from the gird1e and ruffied
canary organdy vestee and collar, $500.
womens Apparel Section. Third floor.
Evening star., 1920-03-27
Paraso1s

are sure indication of spring..
These are of fancy silks, in light
and dark floral effects. Of
course, there are plain shades.
also. All have selected wood
mounts and bracelet rings.
Something very new is a Para
sol of natural color pongee with
a co1ored lining, also Black and
White Parasols. $3.50 to $3.50.
Ruff1e Effect Parasols, in white
and black only, are $1,000. Dres-
den Parasols, with bakalite fer
rule and handle finished with
bracelet rings, $1,000.
Umbrella Section, First floor.
Evening star., 1920-03-27
Silk Hosiery Vogues

The openwor< silk hose will unquestionably
be the most in demand this spring by women Of
fashion.
There is such a wide choice in this particular
style that you should have no trouble in finding
something that pleases you.
Openwork hose in black, white and cordovan;
accordion Derby ribbed hose in black navy,
green cordovan and white; fine ribbed hose in
two-tone effects of tan and white; Paris open
work clock hose in black only; fine drop stitch
ankle hose with hand-embroidery in black only;
two-tone hose with clocks in black and white
and navy and white. Prices range from 5000
to $1,000.
Hosiery Section. First noor
Evening star., 1920-03-27
Suits of French Origin

Achieve the fetching silhouette of which Paris
is so fond A three-piece model of French
tricotine has round neck Eton jacket embroid-
cred in white wool and touch of gold thread;
finished with black satin sash coming from the
georgette blouse. $175.oo.
Another Braided Pony Jacket Tricotine Suit
has cartridge pockets and white broadc1oth
luted collar, sle5.oo. An Eton Jacket model is
richly embroidered in scroll and medallion ef-
feet, with darn-stitched cartridge pockets on
both jacket and skirt, $11o.oo.
The Connecticut labor press., 1920-11-27
THE LACE VOGUE CONTINUES
Decoration Approaches Favor It Knew in Fifteenth Century and Is Used
 in Great Profusion.

Lace approaches again such golden age as it knew in the Fifteenth cen tury. when drawn-work and cut-work established a transition from embroid- cry to lace, according to Vogue. In the Sixteenth century lace was even more in favor and we find in the modes of the day those collars known as ''fraises," the deep cuffs and the lace aprons on court gowns, such as were worn by Catherine de Medici. Particularly in Venice, the making of needle-point lace had at that time a period of great prosperity. Auvergne, also, was famous for it's laces at the same time, while in Flanders were made embroidered tulles of inimitable splendor, bits of which are still pre- served in collections.
 In the Sixteenth and Seventeenth centuries lace continued in favor, and even the men of the days of Louis XV and Louis XVI wore coats enriched with tho fnost Uolanciennas and Alen-
The Connecticut labor press., 1920-11-27
PAUL JONES HAT THE MODE
Paris Copies Headgear Which Is Often in Black Silk, With FIatIy
 Turned Black Brin

Paul Jones might have thought that he led the fashion in waistcoats, of which he was overly fond, but he did not give much attention to his hat, and yet it is this that Paris has copied and made the mode. It is often in black silk beaver, with its flatly turned back brim and elongated ends on which are puff balls of ostrich or other fantastic or naments.
 The navy hat may have been in- spired by the presence of American admira1s on dress parade in Europe after the armistice, for it has appear ed in several conformations. The tri- corne is in fashion also, and the Mar quise. One seems not to escape this type of hat. It may be outlined with gold galloOn, it may have a hatpin arranged as a cockade It often. very often, has face veil of chantilly lace attached across the front, but never at the back.
 This veil is thrown backward over the stiff shape or left to conceal the nose and chin. The most ornamental ones are bordered with gold threads in bold pattern
The Connecticut labor press., 1920-11-27

these undersIips are trimmed at the bottom of the skirt with band of embroidery from one to three inches wide
 Shirt Bosom and Bell Sleeves.
 An interesting model shows a nar- row foundation dress of blue satin. At a normal waistline is a narrow red ribbon belt tied in the front with loops and round streamer ends. Over this foundation is hung straight dress of blue plaited chiffon. The bodice has & shirtlike bosom front, at each side of which the chiffon is plaited. A six inch band of chiffon is set in at a normal waistline, but is not drawn into the figure, thus preserving the straight line. There Is a high collar and long bell sleeves. -,
 Another noteworthy model show ing the shirt bosom front is devel- oped in black and blue satin. The dress is of blue satin and appliqued motifs of the black satin. The en- tire dress is plaited. On each hip the skirt is cut so as to form two triangles, revealing an underslip of scarlet satin. The edges of the tri- angle are bound wfe@ scarlet. There is a high collar with buttons down the front. Buttons also appear on the bosom front. The sleeves are long.
 A novel idea is the use of the wrong and right sides of satin and brocades. Thus, a dress of brown crepe satin shows the dull side ex- tending down the front in four in- verted box plaits, which end in band at the bottom of the skirt. The band is of the right, or shiny, side of the satin. The sides are formed of the shiny side, which loop and make the back. There is a narrow belt, short cap sleeves and straight across neck.
 Lace Dyed in Dazzling Hues.
 The use of lace is an important fac tor for entire dresses or as trim ming. In many instances the lace is dyed brilliant color. Rouille, or rust, color very popular the last two sea- sons in materials such as crepe de chine, crepe georgette, chiffon and uuFElyus IS AOW cOuSluGTcu luS HOf- city color for lace dresses and is fea- tured by Callot.
 On a frock of rouille, or rust-col- ored, crepe de chine and lace the same shade, the plain bodice and plaited skirt are of the crepe de chine and the overdress of lace. The blouse falls loosely over a lace sash. This. sash ties low on the hips at the left side. The sleeves are very short and tight fitting.
 Another model shows very full skirt of rust-colored tulle having two hounces of black chantilfy lace, each founce edged at the top with rose plating of the tulle The bodice is very sheer In the center front at 6 normal waistline is & large black vel vet flower.
 An attractive method of using lace as a trimming is seen in a dress of brown velvet The entire dress Is of the velvet and has low waistline bod ice. There is no fastening; it slips on over the head. Over the narrow foundation skirt is hung & knife-plait- ed lace tunic in vandyke points. The lace appears again as an outline for the straight neck and short sleeves.
 While fur is used more sparingly than hitherto, a number of novel ways of applying 1t to suits, coats and dresses have been worked out. It is used on both suits and dresses to edge trimming bands of velvet, which may
The Connecticut labor press., 1920-11-27
LATEPAR|S MODES
Skirts Are Shorter, Sleeves Both
 Short and Long.
Monkey Fur Trimming Used on Gowns and Wraps; Much Silk Braid
 Is Favored.

Fashions may come and fashions may go but Paris keeps right on, thinking up new and more fascinating ones to take their places. At least so madame will think when she sees the new clothes the fashion makers have planned for her winter wearing.
 No, skirts are not going to be longer. Any woman can decide that for her self when she sees the new gowns. They were short, they grew shorter, and one might say that the new skirts for winter are shortest of all Sleeves too, are as often short as long. Some are high above the elbow, some cover the wrist and come down over the hand-but then one expects Paris to go to e1tremes-and she does.
 For the new gowns the foremost French dressmakers are using duve- charming gown, a Lanvfn, was of mid night blue duvetyn with cut-out de signs of duvetyn on blue velvet trim ming.
 Monkey fur for trimming is another Paris idea. It made striking bit of trimming on a smart new coat dress of white broadcloth, which had wide band of white stitching on filmy black net and high collar and deep cuffs of black monkey fur. And this same fur you will see used on other Paris gowns-gowns from the most famous houses. And there are other ideas of trimming. Much silk braid is used-the braid, of course, put on by hand, in the French fashion, and most effectively arranged. But most unusual of all was the trimming on a street dress, trimmed with shining steel ''nai1heads." It was certainly unique, and, queerly enough, was rath- CT attractive.
 Paris wraps, too, show originality and charm, and are sometimes as un- usual as the gowns. Think of wrap, for instance, lined with shadow lace Yet that was the distinctive feature about one exquisite creation-a lovely panne velvet in soft pink, lined with frothy, creamy lace. By way of finish there was a fluffy collar and a band of snowy white fox.
 You will see monkey fur on the new wraps, too-it was used on a perfectly beautiful black brocaded velvet. This wrap was lined with robins egg blue panne velvet, there were great orna- ments and pendants at the armholes and a wide collar of monkey fur for finishing touch.
The Connecticut labor press., 1920-11-27

con lace, while their handkerchiefs made as lavish use of lace as did those of women of the day. It is to Louis XIV that France owes the. in- stallation of great 1ace-making cen- ter in France and it was his patronage which started the work which pro- duced such wonderful results as the point d'Alencon, the point d'Argentan, the point de Bruxelles, and the point d'Angletere, laces which were also made in France.
The Connecticut labor press., 1920-11-27
BIouses in Two Glasses.

Blouses for the coming season are divided into two classes, as has been the case during the season just ending -tuck-in and over=the-skirt, with odds in favor of the latter for smart trade. Tuck-ins will be largely confined to tailored numbers for wear with tail- ored suits, and in the cheaper quail ties where every inch of material counts in turning them out at given figure. Over-the-skirt types come in medium, high class, and very exclusive models, for general and dressy pur- poses.-Women's Wear.
The Connecticut labor press., 1920-11-27

Frock of Blue Serge With White cire
 Braid Around the Bottom of the
 Box-Piaited Skirt, the Cape Collar
 and Pointed Edge of the Bodice. CT, dressmakers are less creative than of yore or whether the styles of the past two years have pleased women so thoroughly that they are loath to abandon them.
 It must be said that in the near past designers attempted new and wider silhouettes, but these did not find any permanent favor. There are always few women looking for novel, ties. and these were the only ones to whom the fantastic features of the hip-extended frocks appealed. The Parisienne absolutely refused to adopt them. French women have worn too many good clothes and are too fond of their personal appearance to accept anything fantastic or bizarre.
 The majority of our styles Ire launched in Paris, but there have been several points in dress on which the American woman and the Parisienne have disagreed. On the silhouette, however, they. are absolutely of one mind. It is a tribute to the good taste of women that they continue to hold to the simple, beautiful one piece frock, refusing to go contrary to the principles of good taste and re- finement in dress. So out of all the models with astonishing hip exten- sions, unusual gfrdling, loops and draperies the we'll dressed woman has continued to hold to the straightline frock and the natural silhouette.
 Fashion Strikes No New Chords.
 The clothes of this winter, while most interesting and pleasing, bring with them no startling new notes. Even those shown by Callot Soeurs comprise. models of all the types brought out by this house for the past few seasons.
 Callot Is showing straight dresses of square cut-that is, hanging from the shoulders without being drawn in at the waist by means of belt. This straight, beltless dress has been Gal lot favorite for some time-and noth- ing could be more beautiful than plain, straightline dress unbelted, pro vided it is made of a suitable material. It certainly offers wonderful back ground for exquisite embroidery de signs. This firm also shows very full dancing dresses, such as were worn by the beauties of the 1880 period, the draped, wrapped-around-th -the-fgure type of evening gowns having very sheer bodices and dresses with apron tu- nics, founces and scallops; also little chemise dresses beIted at normal waistline.
 Many of Callot's evening gowns are very decollete, although the square neck and the straight-across lines also are featured. For day wear this firm shows high collars and long sleeves, as well as collarless models with short sleeves.
 Straight boxlike dresses, unbelted, are made of serge. duvetyn and blaclt kasha. Again, these dresses are of tuIie. brocaded crepes and chiffon of bright colors, worn over narrow foun- dation slips of velvet and satin. Often
The Connecticut labor press., 1920-11-27
Coat Chains Follow Mode.

Fur to the ears and duyetyn straight to the knees, mean that coat chains will wind their way into fashion again this winter. That long severe line from collar to belt on the dark cloth suits cries aloud for relief, and good looking coat chain certainly responds. The new ones are made up of hand carved links with a jewel between Imagine the glory of dull gold chain studded with topaz, worn with brown suit kolinsky trimmed
The Connecticut labor press., 1920-11-27
Black Lace ana White Velvet.

Some of the most striking combi- nations of black and white are seen in models of black lace used in eonjunc- tion with white velvet. A favorite way of making dress from these materi- als is to develop a simple foundation of black lace with long sleeves that hang loosely to about the elbow from where they fit tightly over the lower arm and wrist. The velvet is used to form the front portion of the dress, which is in apron panel effect. Often the white velvet panels carry beauti- tnI embroidery i'll black.
The Connecticut labor press., 1920-11-27
|ONE-PIECE FROCK
 STILL IN FAVOR
Women Cling to Simple Dress, Refusing to Go Contrary
 to Good Taste.
FUR USED MOST SPaRINGLY
Decoration Is Applied in Novel Ways to Suits, Coats and Dresses Plush Sometimes Is Given
 Preference.

This season might be termed one in which fashions, that have been float ing about like straws in the breeze, become crystallized. It is question, observes a fashion writer. as to wheth-
The Connecticut labor press., 1920-11-27
For Dinner Frocks.

Chenille dotted net is used exten- sively for dinner frocks, in either black or brown.
The Connecticut labor press., 1920-11-27
CLOTHES OF FRENCH TOTS
Plaid Frocks Favorite for Both the Little Men and the Little
 Women.

French children today are as at- tractfvely and ratfonally dressed as any children in the world. says Vogue. This year the little girls frocks are widened at the hips in various Eight eenth-century fashions, or they have the full gathered skirts and basques of the middle of the last century. Chu- dren are wearing Roumanian, Czecho Slovak and Jugo-SIav embroideries without having to bother their heads about the geographical positions or political aims of these complicated countries Their elders have adopted scarab and lotus embroidery, with swinging girdleS tied low about the hips and vague gandouras draping their shoulders and the litle people follow suit. Their diminutive frocks are edged with symbols of the great ness of old Egypt, while bright colored wraps of crepe de chine cover their lit tie tunic froclzs, which are too classic in form to be worn with conventional coats and mantles
 Plaid frocks and coats play their part in the wardrobes of both little men and little women; the latter may have pIaited skirts with tunic blouses of natural colored tussur, sometimes embroidered in bright colors, or of glazed satin or silk jersey. Plain blue serge kits are also worn with these gay blouses, which are sometimes of knitted wool in brilliant shades of red. blue, green or yellow. Yellow Is a favorite for children's clothes at pres ent and, contrary to tradition, it proves becoming even to blondes, If their complexions are not reo pale.
 The little girl is getting her innings in the very latest mode of plaited skirts, and to the limit of being al- lowed to compete with big sister in the glory of big plaids. The little girls big-pIaid skirt is a surprise. It looks very demure in close little plaitings, a mere criss-crossing of colorings- and beholdl the little girl does a bit of a hop, and that skirt flares into an ensemble of startling plaids that wouldn't be startling at all if big sis ter or mother had futtered the revela- tion This is one of the -caprices in little girls clothes this season.
The Connecticut labor press., 1920-11-27

be applied in loop form; also to bor- der short box coats that end about four inches below the waistline. Bands of the fur are placed up and down the front and continue around the bottom of the coat. Sometimes the band is omitted from the bottom of the jacket and the skirt will show a band of fur where the jacket ends, thus giving the appearance of a fur-edged jacket. Plush sometimes is substituted for fur on the bottoms of skirts and for col lars and cuffs.
The Connecticut labor press., 1920-11-27

SAFETY DEPOSIT BOXES First National Bank, 40-42 Church St. Merchants National Bank, State, cor Chapel St. Second National Bank, 135 Church St. opposite The Green.
The Connecticut labor press., 1920-11-27

AUTOMOBILES The Howard Company, 228-260 Boule- yard, near Kimberly Ave. | The White Motors Co.,, 266 Crown St.
 AUTOMOBILE GARAGE The Howard Company, 228-2o0 Boule- I yard, near Kimberly Ave.
 AUTOMOBILE SUPPLIES The White Motors Co.,, 2oo Crown St. AUTOMOBILE TIRES & TUBES A. E. filling Rubber Co.,, 7-9-13 Church St.
 Orange & Elm Fire Co.,, B Elm St. Save 40@o to 50%6. Central Automo- bile Tire Co.,, Cor. College and Crown
 BAKERIES Chamberlain, The Cruller Man," 14z Temple St. Mory's Barker System) Bakery, 392 State St. BANKS l Connecticut Savings Bank, corner Church and Grown Sts. First National Bank, 40-42 Church St. Mechanics Bank, The, Church and Center Sts. x Merchants National Bank, State corner Chapel. National Savings Bank, 145 Orange St. New Haven Savings Bank, Orange cor ner Court St. Union & New Haven Trust Co.,, The, 57 Church St.
 BOOTS AND SHOES Besse-Richey Co.,, 7s4 Chapel St. Cummings & Frawley, Boston Branch Shoe Store, 845 Chapel St. Sorosis Shoe Co.,, 8l4 Chapel St.
 BUILDERS SUPPLIES New York Plumbing & Masons Sup ply Co.,, 43 Dixwell Ave.
 CAMERAS City Hall Pharmacy Co.,, The, 15o Church St.. next to City Hall.
 CARPETS AND RUGS Bu1lard's, o1-o7 Orange St. w. B. Hall, 458 to 40 State, near Elm Window Shade Co.,, 75-81 Orange St.
 "C. E-Z" GAS LIGHTS Gas Co.'S Appliance Dept, 70 Crown St.
 CHECKING ACCOUNTS First Natioan1 Bank, 4O-42 Church St. Mechanics Bank, The, Church and Center Sts. Merchants National Bank, State cor ner Chapel Union & New Haven Trust Co.,, The, 57 Church St.
 CIGARS The Gillespie Drug Co.,. 2 stores, 744 Chapel St. and 63 Chapel St.
 CLEANERS AND OVERS West Haven Tailoring Co.,, 4eo Camp bell Ave, and 25 Grove St.
 CLOTHIERS Besse-Richey Co.,, 784 Chapel St. Hymar's, Inc, IS Church St. I. Johnson & Sons, "The Live Store" 85-8o Church St.
 COAL The Howard Company 228-2o0 Boule- yard, near Kimberly Ave.
 CONFECTIONERY The House of Hasselbach, the home of home made candy and ice cream. -. Under new arrangement, J. A. DeBowes, Mgr.
 CRULLERS -, Chamberlain, "The Cruller Man." l47 Temple St.
 DIAMONDS The Bijou Jewellers, The Store of I Quality, g Church St.
 DRAPERIES Window Shade Co.,, 75-81 Orange St.
The Connecticut labor press., 1920-11-27

Patronize TIE LABOR PRrss advertisers.
The Connecticut labor press., 1920-11-27

Read The Labor Press-Labor's paper.
The Connecticut labor press., 1920-11-27

Read The Labor 1abor's paper.
The Connecticut labor press., 1920-11-27
WATCHES

The Bijou Jewellers, The Store of Quality, B Church St. Samuel H. Kirby & Sons. Inc, 822 Chapel St.
The Connecticut labor press., 1920-11-27
PHoNoGRAPHs And RECORDS

The Edison Shop, The Pardee-Ellen-
 berger Co.,. Props o64 Chapel St. Roy J. Ward. 176 Temple St.
The Connecticut labor press., 1920-11-27

H. M Hodges & Bro, 2 stores, o52 Chapel St, and 2o0-2o2 York St. New Haven Wall Paper O., B Grown St
The Connecticut labor press., 1920-11-27

PAPER HANGERS SUPPLIES New Haven Wall Taper Co., B Crown
 St
The Connecticut labor press., 1920-11-27
RUBBER cLOTHING

filling Rubber Co, 7-o-13 Church St New Haven Rubber Store, 8l9 Chapel
 St.