davidaulloa/AmericanStories huggingface dataset:
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29
KWESTYA PROHIBICYINA
MA KONWENCYI.

San Francisco, 20. czerwca. -
Przewodcy administracyjl,i. kto--
rzy, jak sami twierdza, kontrolu-
ia dwie-trzecie komitetu rezoIu-.
cyjnego. zdecydowali przedstawic
prezydentowi sw6j program co
do aktu Nolstead'a bedQ donna
gall sic Cd pana Wilson'a stan1w-
czego potwierdzenia warrnk6w
tegoz programu. ably stwierdzic
giownie jake stanowisko prezy-.
dent zajmie W tel sprawie.
Program proponuje n;etylko
Scis}e zachowanie prawa porz9d
ku, lecz takze zaznacza jake ME
powodzenie napotyka Kongres w
wypeInieniu wardnk0w tegoz ak.
tu, - oSmiastej poprawki - do.
s}ownie.
Senator Glass, Wirginii. Jest
zdania, re konwencya ME moze
bye ,,mokra ami sucha" bcz roz-
dwojenia sic partyi demokratycz.
nej. Zwolennicy prohibicyi twier.
dza, il posiadaja oni wiekszosc
delegatow, a przeciwnicy aktu
Volsted'a spodziewaja sic, re de-
legaci re wschodnich Stanow zdo.,
faja przeprowadzic program ko,n.
promisowy, kt6ryby pozwalai ma
wyrob lekkiego wilma piwa. Obie
partye ME So calkowicie je:zcze
zdecydowane, jak majq postapic
w sprawie prohibicyi.
BIALY DOM KONTROLUJE
DEMOKRAToW.
San Francisco, %. czerwca. -
Opozycya wzgledem administra-
cyl ma demokratycznej konwencyi
krajowej zostaia zupeinie zidma--
ma wczoraj wieczorem W komite--
Gle rezolucyjnym. Senator Carter
Glass, zwolennik prezydenta, 20
stall jednogioSnie wybrany ma
przewodniczacego. Ma on zamia-
nowac specyalny subkomitet, skla
dajacy sic dziewieciu czionkow,
ktory okreSli platforme, Ligi Lu-
dow i ,zajmie sic ca}kowltym
przebiegiem sesyi. Senator David
|. Walsh, przeciwnik Ligi. zostai
zamianowany sekretarzem.
VIM. ]. Bryan Nebraska kto-;
ry przewodniczyf dazeniom anty-
administracyjnymi, zostaE zmu--
SONY do poddania sic. Jego kan
dydat ma przewodniczacego kot1-
wencyi, - senator David |.
Walsh, odmowii tego urzedu po-
Pierajac nominacye senatora Gla-
ss'a ma ten urzad. Komitet, zamia-
rowany przez senatora Glassap
przedstawia sic nastepujaco: Sc
nator Glass personal---very.;
senator Walsh, z Montana Vance
Mccormick, 2 Pennsylvania; Sc.
kretarz Stanu Colby; NJ. Crane
| Texas senator Mcclellan z Ten
nessee: Horace Hawkins. z Colo.
Dokonczenie ns strouiey seiej
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29
NOWY KANCLERZ MEME
CKI A WARUNKI POKOJU.

Berlin, %. czerwca. - Kanclerz
Konstanty Fehrenbach, premier
nowego gabinetu, oznajmil wczo-
raj W Reichstag'u, il Niemcy, pod
pisawszy traktat wersalSki, mu--
sza postepowac zgodnie warun-
kami pokoju dop6Ei alianci ME
zgodza sic ma pewne modyfikacye.
Niemcy ntusza dolozyc wszelkich
staran, azeby ich polityka wew--
netrzna i zewnetrzna dazyia do
Scisiego wykonania zobowiazan.
A szczegolnie i to bez wszel--
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29


Boland, posei Sim Feinerow
ktory niedawno powrocii re Sta
now Zjednoczonych, wyrazii sic
re niepodlegioSciowcy irlandzcy
pokiadaja wielka nadzieje w par
tyi demokratycznej, ktora obec--
ME zebraia sic W San Francisco
Wierza oni, re partya demokraty-
czna wlaczy do swego programu
niepodlegioSc Irlandyi.
f. De Valera, glowny przyw6d
ca Sim Feinerow, postal depesze
do IrIandyi przez Bolanda naste-
pujacej treSci:
,,Nasze powodzenie tutaj zale--
zy cd powodzenia i postawy naro
du irlandzkiego."
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29
KAMUFLAz BOLSzEW|CK|.
Sowdepia Potrzebuje Po-
mocy Europy.
lrlandczycy Pokladaja Nadzieje
W Partyi Demokratycznej.
Nowy Kanclerz Niemiecki a
Warunki Pokoju.
BUNTY GLODOWE W HAMBURGU.
zamieszki we Wfoszech.
INNE TELEGRAMY ZAGRANICZNE

w TAXI to sposob zorganizowa-
Ii bolszewicy tragi-komedye raju
komunistycznego, azeby dac fall
szywe pojecie goSciom angielskim
o rZeCzvWistVm stanie Rosvi.
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29

Dokonczenie na stIonicy Z
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29

Dokonczenie ns strouiey seiej
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1920-06-29

IL zostanie one odrzucona.
New-York tribune., 1920-10-17
Outrageous Mrs. Palmer
Proves That This Is Verv
Much of a Woman's World

The Broadway lobby has it that Mrs
Pat Campbell is on view at the Thirty
ninth Street Theater, not in person, it
is true, but in the role of Mrs. Palmer
in "The Outrageous Mrs. Palmer" as
played by Mary Young But Miss Young
herself says she is not consciously
playing Mrs. Campbell in her delineation
of the leading role in Harry WagstaT
Gribble's latest success.
''In all my life l never met Mrs
Campbell" says Miss Young. Il know
absolutely nothing of her off the stage
and very little about her on it. saw
her in the theater once a number of
years ago, and | certainly did not gain
any impression from her then of her
character and of her life out of the
theater.
And | do not think that Mr. Gribble,
author Of The Outrageous Mrs. Pal
mer,' had any individual in mind
when he drew the character In fact,
he has said that she is composite
picture, based upon his observation of
the women of the theater as he knew
them as an actor in England and in
this country. If people think that the
model of the character is this or that
particular favorite Of the footlights, it
seems to me that is a high compliment
to Mr. Gribble. He has presented a
type of woman of acting genius who
had been Influenced by her life in the
theater, and naturally members of the
audiences will see this or that original,
depending upon their own magma
tions."
Miss Young was reminded that Mr..
Gribble had been in the company Of
Mrs. Campbell on one of her American
tours.
But he has also been in many other
companies" she replied.
Then. the conversation drifsed to the
meaning of Mrs. Palmer in wider values
1t was commented upon that the
women of the audiences took Mrs
Palmer to their hearts in spite of her
coldness to those about her in the
earlier acts and her snubs to many of
her friends.
81 think that the women of the au-
diences like Mrs. Palmer because she
proves what every woman Knows said
New-York tribune., 1920-10-17
Valsdeville

ALACE~Adclaide and Hughes will
dance here this week, with Dan Cas-
lar at the piano. Emma Carus, the
prlma donna comedienne, with J..
Walter Leopold at the piano, will
sing new and exclusive songs and in
dnlge in chat and banter. The Four
Marx Brothers will present "N' Ev-
erything," by Al Sheehan. Beatrice
HEREFORD will do her character mono
logues. Morris and Campbell in "The
Av-Ate-Her," Kranz and La Sale.
Long Tack Sam and his Chinese
helpers in Oriental magic and the
Jack Hughes Duo complete the bill.
RIVERSIDE - Florence Walton, the
dancer, will head the bill Allan
Fagan will assist Miss Walton
Louise Cunning, Ruth Roye, Bobb
O'Neill in -Four Queens and Z
Joker" Harry and Anna Seymou,
Rome and Gaut, Ed Morton, Ameta
and Nat Nazarro and company arc
also on the bill.
COLONIAL Emily Ann Wellman will
top the bill, appearing in "An Act
or's Wife, Clark and Bergman.
Davis and Darnell, extra Dry" Milt
Collins, Duval and Symonds, Clarice
Vance and the Randals also will ap-
pear.
EiGHTf-FIRST STREET Little
Cottage George Chooss miniature
musical comedy, Will head the bill.
The screen feature will be Olive
lhomas's last picture, entitled
"Evcrybody's Sweetheart" Others
viii include Stephens and Hollster
Duffy and Mann, Eddie Foyer, Rolls
and Royce and four Lamy Brothers.
JEFFERSON-There will be fall fes-
tival bill this week, with twelve fea-
lures, including Lillian Shaw, "Not
Yet Marie" Lydell and Macy and
Patricola and Mason, Phil Baker, Ed
and Birdie Conrad, Lou and Gene Ar
cher, the Follis Girls, Laura and Billy
Dreyer and Anderson and Yvel.
HAMILTON Jane and Katherine Lee
THE Baby Grands." will hold hoad-
line honors. Others are Sarah Pad
den and company, Henry Santrey
and Band, Ruby Norton. Miller and
Mack, Mel klee, Les Morchantes and
Burt and Florence Mayo
AMERICAN - Mercedes, "the
psychic eighth wonder of the world,"
assisted by Mile. Stantone, will head
the bill for the entire week. Viola
Dana in "Blackmail' viii be the pic
true the first half of the week, and
Pauline Frederick will be seen in
Madame \" the last part of the
week
New-York tribune., 1920-10-17

den current Of air makes them sway,
the smoke pots give out the smoke ef-
feet and the red lamps supply the
golden glow of fire.
Without the aid Of electricity, such
gorgeous spectacle as "Mecca" could
never be given, for electricity plays
many important roles in the course
OF an evening at the Century Theater
The big extra stage used for the small
settings is propelled down stage and
into position by means of electric
motors much as street car is moved
IN position. The stage is really larger
and heavier than a street car and runs
upon special tracks. with trolley to
guide 1T INTO the proper grooves. This
stage is also fully equipped with a
special switchboard to control its own
lights, with special footlights, special
top border lights, and all else that is
needed to supply performance on
a legitimate stage.
Five of the biggest electric lamps
ever manufactured are used in the
scene showing the Sultan's gardens
Each lamp weighs more than 700
pounds, and stands higher than a mans
mead. When not in use, each lamp
is lowered from it's heavy cables into
position on special carriage on
rollers, and wheeled into the wings.
There are four hundred lamps
mounted on bamboo rods, which are
used from time to time by the chorus
boys and girls, each lamp with a stor-
age battery and push button in the
handle. These lamps and lanterns are
OF various shapes and strange designs,
ana represent vast amount of work
done by the property and electrical de
partmcnts.
In the old days of "The Bowery
After Dark and "London Under the
Gaslight" it was considered a marvel
of stage achievement to get somctn ng
remotely resembling moonlight by
means of gas, but to-day, with The
modern development of electricity, the
nnest achievement in the way of stage
lighting is the wonderful illumination
of the Century stage during the dancing
of the Foklne ballet in an old Egyptian
temple by moonlight.
New-York tribune., 1920-10-17

Miss Young. "She proves anew ,h..
TINS world IS very much a womsn,'
world. She dominates the men shnss
hor, and she gains exactly wha, ~
wants IN most cases. She IS fssc;,a.
ing and charming. in spite of her NAV,
festations of temper and temperamsn.
IN the earlier parts Of the play. VIII.
IN the play she is mans woman az
seems to require mems company n ~
at her best nevertheless, she IS :, ~
other sense woman's woman. sincs ~.
successfully manages mon.
In the latter half Of the pjav -.
come to more serious values WIZ
prove 20 the women in the a,d;sr.a
that Mrs. Palmer is thoroughly woT9
an. She has false self which :.
manifest at times. she Is still swaras
by this self when her son enters ss
lively into her life she is attrsc,a,
by his uniform. She examines - c,r;
ously, and then il dawns unon her ,ha.
this son is worth while. Mother lovs
Is rekindled IN her and all the :deal;r.
ton she lavlshed upon HIM as lttls
boy returns TO her as reality. Hs-
son Is then the ruling motive OF he.
life. She has her moments of traoss,
when he is reported killed in Frame
and great regeneration -hen he rs'
turns. She rises 20 tAe hs4cht of sslt
sacrifice in giving him 70 ms hancss
and then she is ready to live aga,,
her life upon the stage Yes. I think
the women OF the audience like Mrs
Palmer first, because of her success.
ful use of feminine influence and
charm, and then because Of her human
quality as a mother.
What did she do in the period Of
her life which comes after the last
act. Of course, she returned TO the
stage" And the creator of Mrs Palmer
smiled.
a had letter from her only yes
terday' she continued. Let me see if
| can find it."
She searched her handbag.
Il must have left it al home. But
can recall some OF It's phrases-those
that would particularly interest YOU.
| remember distinctly this paragraph:
az am far greater actress than I
was. I am a greater woman, but how
much more interesting than they were
men arc!'"
New-York tribune., 1920-10-17
Sam Asll's Voice Saved
Him When Moonshiners
Were Raided i'm Kentucky

Sam Ash, whose pleasing tenor voice
is heard in Zimbalist's musical com
edy, "Honeydew," now at the Casino,
owes to that voice not only his pres
ent position in musical comedy, but his
extrication from a rather dangerous
escapade of his youth.
The story-the big event in the
young singers life-reads like ro-
nance from the movies. Ash was born
in Covington, Ky., the son of parents in
moderate circumstances. He was of
adventuresome disposition, and at the
age of fourteen he set out to see the
world. The only means. at his com
mand was his ability to cling to the
"blind baggage" of passenger train
which left Covington every evening at
$3.50.
1t was winter when the youth es-
sayed to see the world, and he was a
very much chilled, chest fallen and be-
draggled lad when the train crew
chased him off at lockwood, Tenn, the
following morning There he CHANGED
to encounter two youths of about
twenty, who took pity on his plight and
invited him to their cabin in the hills
near by. They proved to be Sam and
Archie Logan, sons of "Uncle jeff"
Logan, local celebrity. Young Ash
enjoyed the hospitality of the wood
men for nearly three weeks before he
was initiated into the mystery of their
secluded lives-in the presence of a
still further back in the hills, where
the trio repaired daily after leaving,
ostensibly to hunt.
For two months the chap, who is now
dellghtlng Broadway audiences with his
singing led the existence of a moon
sinner, living, loafing and working with
his hosts, and then one day came the
inevitable raid. 1t was accompanied by
a pitched battle, in which "Uncle jeff
and Sam Logan were killed, and when
the officers gathered up what was left
of the moonshine band they pulled the
boy Ash from his place of hiding be-
hind a tub of sour mash and took him
TO Chattanooga, where he was duly ar
ragned with the wounded moonshiner
before United States Circuit Judge
Hargrave. 1t was a feature of the cvi-
dence that the revenue officers. while
watching the band, had been assisted in
tracing them through following the
sound of the boys voice, the mountain
eers having made a practice of coax
ing him to sing "My Old Kentucky
Home"
When Sam Ash told his story Judge
Hargrave called upon him to sing in
court, which he did. The judge advised
him against the evils of running away
from home restraints and of bad asso-
clates, and sent him home with fund
OF good advice and a prediction that he
would achieve 4 great career if he cul-
tivated his voice.
1t was this experience that took the
wanderlust and love of adventure out
of the youth and determined him upon
the course which landed him where he
is tO-day
New-York tribune., 1920-10-17
Coldwyn Releases New
Series of Pictures for
The Season of l02O-'2l

The Goldwyn Pictures Corporation
announces that it's second series Of
pictures for the season of 192O-'2l has
been completed and will soon be ready
for release. There are nine pictures
in this series, and they cover wide
range. One of them, Goddess Men"
Is sea story with virtually all it's
scenes laid on schooner far out at
sea. 1t is the adaptation of BLACK
Pawl.' by Ben Ames Williams, which
appeared serially in The Saturday
Evening Post. Just Out of College" :"
George AIDES stage success, is on the
list. with JACK Pickford as the star.
Pauline Frederick in Roads of Des
.lny," has an intensely dramatic part.
1t is perturbation of CAanning Pol
locks adaptation of 0. Henry's story
of that name. Betty Compson's first
picture as star and head OF her own
company is "Prsoners of Love" by
Catherine Henry. Winsome Madge
kennedy's contribution to the series is
"The Highest Bidder" perturbation
of Maxlmilan Fosters successful
novel. The Trap" which recently ran
rs a serial in The Saturday Evening
Post. "The Song of the Soul" starring
Vivian Martin, and the first of the
Kendall Productions. is on the list. as
is "The Great Lover" which was such
A success on the stage when played by
Leo Ditrchstein. Mabel Normand's
picture is Head Over Heels" by Ed
,ar Allen Woolf, from story by Nal
no BARLEY. The role on the stage
yas created by Mitz Hajos. Graham
ioffatt's comedy of Scotch life, "Bunty
'ulls the Strings" completes the list.
New-York tribune., 1920-10-17
Edith Taliaferro Admits That
She Has Waited Fifteen Years
For kissing Time to Come

you pronounce your name and still for
ever this controversy. Is it Tolliver p
Now if Miss Taiaferro had stuck to
her character of Mimi she would have
replied, "What's in a name? A rose by
any other name would smell as sweet"
Mimi had a penchant for opposite quo
tations. But instead she said. Italia
fer-ro. It's Italian, you know. Only
the southern families call it Tolliver."
SO that's settled"
And then, when there was lull
that we ought to 60, Miss Taliaferro
relieved our mind by saying. would
you like to see my gowns" Now kiss
ing Time might just as easily have
been called Dressing Time" The
gowns are marvels of loveliness and
there is no dearth of them. 1t was
evident that every time Mr. Hobart
wanted to think up new kink in the
plot, or Mr.. Caryll was stumped for
new motif or Johnson, Grey or
Caesar stopped to look up a rhyme
for "Kissimee" they had agreed to
have the ensemble ladies come on in
were gold ones over black and blac
ones over gold and orange and silver
and black velvet with ermine. but our
favorite was the simple gray velvet
frock with pockets and buckles which
Miss Taliaferro wore in the last act
and that one she took down first. We
carried away with us perfectly good
mental picture and tomorrow our tail
or shall learn about every tuck and
fold.
please copy it, she said generously.
Nothing delights me more than to
have my gowns copied. Imitation is
the only form of flattcry which one
may not disbelieve.' Miss Taliaferro's
dressing room was filled with flowers
over its three dime mensions-length
breadth and thickness There were
orchids, roses, carnations. lilies and
foliage piled to the ceiling. And in
the center of the room sat Edith in
her mandarin coat with the heels of
her slippers caught over the rung of
her chair looking not day over ten
years old. OF all the stage children
we ever knew she was and still is the
sweetest. AS we left she thrust into
our arms a huge bunch of roses and
mignonette. So that when we stepped
out of the stage door into Forty-third
Street there was futter Of excite
ment in the group which waited for
the appearance of the celebrities. We
congratulated ourselves that we were
wearing our best bird of paradise and,
not wishing to disappoint them, we
stepped into waiting taxi and said
"Home. James" And, unless they
happen to see this, they never will
know the difference. They will think
that at least we were cast for the title
role
New-York tribune., 1920-10-17

frankfurter at Coney. There is logical
sequence and an attempt to portray the
mental processes of purposes good or
bad directly through the action.
THE World and His Wife which /
showed at the Rivoh few months ago,
was a consecutive story which developed
to a powerful climax. It portrayed that
intangible power-gossip. 'Hunoresque'
was another example Of the great strides
which the photoplay has made 1t pic
tured mother loye-not merely the love
of one mother, but that great elusive
force which holds the world together.
This was great success a. my Cri-
terion Theater because it was simple,
direct, human. There was no attempt
to try unusual camera stunts or roam
into queer fields for novelty. The au-
thor merely pictured the sacrifices, hopes
and fears Of humble Ghetto mother
who gave the world great viollnist
The interest OF the picture lay not so
much in the adventures OF the son as in
the reflected glory of the mother.
Another interesting example Of the
newer photoplay is Behold Ny Wife,
the current attraction at the Rialto.
can go into greater detail about this
picture because it is still on Broadway.
The story is by Gilbert Parker and
shows the art Of the story teller.
I'm Behold My Wife we have
striking example Of the progress which
the motion picture has made toward
the technique of the stage Without
discussing the dramatic merit Of this
Particular picture. can say that the
Fnotoplay is not just copying the tech
nlque of the drama, bat is adapting
that technique to its own form Of tx
preston. There is cutting away of
extraneous matter and a closer adher-
ance TO the art which tells its story
directly through character
u believe that there is much in the
newer photoplays to be enthusiastic
shout. | do not for a moment contend
that the cine la has reached its highest
point OF development. in fact, | believe
We are still far from the goal OF per-
feet pictures. But 90 believe that,
bsslng predictions upon the progress
made IN the past. we shall see Won
certul blossomlng Of the new form Of
att eXpression'
New-York tribune., 1920-10-17
New Productions Open
Out of Town, Ready
for Broadway Showing

The following productions opened out
of town recently, preparatory to show
ing on Broadway:
sonny a comedy by George ' iio-
bart. opened at Belasco Theater. WASH
ington, Monday evening, October IL,
with Emma Dunn. Chester Morris, Rus
sell Medcratt Pauline Garon, Georgia
Lawrence. Nallen Thompson, Robert
Ames, Lillian Lorraine, William Dl-
pont, Walter Fredericks, Lotus Eooo,
Renee AdoIce, NH White. Char.cs;
Fearing, Isabel Adams and Donald
Bayne. No New York date set.
"The Indian Giver." by Roy Briant'
opened at Wieting Opera House. SRA
cuse, October 7. with Roy Briant. BY
win Mordant. Josephine Drake. Clar-
ence Bellair, Ada Boshell Henry Penn
berton, Robert Williams Reginald Bar
low, Jean Clarendon. Mary S'epnens
and Jean McAlpin. No New YORK dS's
set
stepping Stones a drama by LOUIS
X. Anspacher, opened a. National Thea
ter. WASHINGTON Monday, October H.
with Mary Eliza beth Forbes. Pedro 90
Cordoba, Mana Bryant, " NatouI,''
Gamble, A T. Anson, kathlene w.
Donell, Frederick Lloyd Phyllis PoV'--'
Merle Madden and Malcolm Fasse.1
No New York date set
THE Dreamer" by Jules Eskert
Goodman, opened az Columbia Theatef.
Far Rockaway. Friday. October l, WIN
Alexander Carr, Frances McGratn'
Harry Spencer, Frederick Boros, ram
Browning, Jack Rafael, Rose Morrison
Joseph Seman, Charles Brown. Meme
Elting. George Frederick. Harriet Men
del, Betty Baker. No New York d@le
set.
The Toreador." by Louise Coleman
opened at Atlantic City Monday even
ing. October Il. with Leo Garlic, At
thur Adamini. Louise Lord, Henry OAt-
viii, George Marion, Carlo de Ange.o'
Corsueh Garcia. Margaret de 81
Clair. Mignon Ranseer. Maud BrooAS
Merle Mackaye. Matilda Foss, Ricne-
letto Burani. Boots Wurster. helen
Spring. Percy Moore, Robert Bennett
Antonio Salerno, Virginia Pemoer'oh.
Rooney Martin. John Lawton, jasper
Manjoine and Stephen Denoy. NO Ne"
York date set.
New-York tribune., 1920-10-17
Brooklyn Thleaters
SHUBERT-C T-CRESCENT "The Char

SHUBERT-C -CRESC CENT 1.-THE Charm
School," by Alice Duer Miller and
Robert Milton comes over from Man
haitian for a weeks run The cast is
headed by Sam Hardy and Marie
Carroll and includes the others who
played at the Biiou Theater.
MAJESTIC-Lew Fields's production of
Poor Little Ritz Girl" with cast
including Andrew Tombes, Lulu Nc
Connell and Frederick Santley, will
be the attraction for the week.
MONTAUk-" "Shavings," the comedy
from joseph c. Lincoln's novel of the
same name, comes here with cast
headed by Harry Beresford The
decentralization is by Pauline Phelps
and Marion Short.
Eddie Leonard. "Princo of
Mlnstre's,a will head the bill. Karyl
Norman, 1.-The Creole Fashion Plate";
Basil Lynn and William Howland,
Lane and Moran, Lydia Barry. Mel
lette Sisters, Charles r. Semon, the
Nolans and Six lmps and Il Girl com.
plete the program.
BUSHWICK-The Ford Sisters. Mabel
and Dora, will appear as the head
line feature. They will present THE
Ford Frohcs of l920"; Dugan and
Raymond, Mary Marble and Com
pany. Harry Lester Mason. the Lee
Grohs. the Three Misses Dennis.
LOEW'S METROPOLITAN The
Mimic World,' a one. e.hour musical
comedy with a cast OF twenty-three.
VIII be the headliAer all next week.
Pauline Frederick in Madame \ ="
Will be the hlm the first part OF
the week and "Blackmail" with Viola
Dana will be seen the latter part of
the week
- Charles Ray in Peaceful
Valley will be the feature film.
There will be other screen and musi-
cal attract;ops