The Maui news. [volume] (Wailuku, Maui, H.I.) 1900-current, 1920-10-15
THEATERS.
Douglas MacLean

SOuNldo mdSLSdn
These delightful young persons,
Douglas MacLean, and Doris May, in
their latest comedy bombshell, Lets
Be Fashionable" They keep up the
same rapid, joyful pace that they set
in Twenty Three and a Half Hours
Leave" Mo- movie goer could ask
more.
This time the pair are q couple of
n~ewlyweds who take up residence in
Il modest bungalow in an ultra-fashion
able summer resort. Their efforts to
keep abreast of society's fast whirl re-
suits in a host of %laugllable compiled
lions. Finally they decide that it is
more important % be happy than to
be fashionable.
Tom Moore
zone of the Finest is Tom Moore's
new Goldwyn picture. Not only does
1t afford any number Of delightful
surprises in the way of startling COM
plications and unexpected thrills, but
il shows the likable star in a decided
ly new guise.
He is Larry Hayes, a mounted police
man He makes his first mistake in
the performance of his duty when he
overtakes 4 speeding limousine and
reminds it's beautiful occupant, Fran
ces Hudson (Seena Owen), that her
chauffeur is exceeding the limit. The
society girl rescnts his remark and is
angered. So she sets about to have
her father cause Larry Hayes dismis-
sal. Instead of this, however, he is
reduced to the rank of plain clothes
man-but not before Frances Hudson
has been saved by him when her life
IS in peril. Peevishly she rcsents his
timely interference and the policeman
only laughs re more.
Assigned to guard her sisters wed
ding presents, Larry again meets the
girl he can't forget and she proves
that she hasn't forgotten him either.
From this moment surprises begin to
happen.
Sessue Hayakawa
There are many heart-stirrinS mo-
ments in "a Heart in Pawn" Sessue
Hayakawa's los recent production.
The charm and pathos Of the stage
play, Shadows" from which it has
been adapted, are preserved, while
realistically AMI scenically tie produc-
ion surpasses tho stageGersion.
The night Ger in Japan-particul-
.rly the thrilling chase of the convict
una SllCl III toNupC n oNIs
are wierdly beautiful, and only a mas
ter-hand of artistry could reproduce so
realistically the power and exotic
beauty of the mystic Orient.
Hayakawa plays a difficult role like
the artist he is, and is ably supported
by Tsuru Aoki il the role of Sada,
With which she created a sensation on
he stage.
:theI Clayton
Ethel Clayton has another of those
attractive domestic roles which have
characterized her last few pictures in
1.-THE Ladder of Life"
The star is Edith Parrish, a mag
azine illustrator, who sees Peter Cor
don, a friend, marry q Shallow femin-
inc creature, Dora Leroy. In an en-
deavor to keep the information FROM
Peter that his wife is carrying on an
affair with another man, Edith draws
suspicion upon herself. Thus she is
under a cloud when Blaine, whom
she really loves, comes along. How
ever, a decent streak developes I'M
~expectedly in Dora's admirer, Brent,
He tells Blaine the truth Il paves
the way for Edith's happiness.
Anita Steward
All Jne drama OF TOUR lives Is IneTB-
cd in a tremendous focus for one sec
ond in the remarkable climax that
closes ~Vitagraph's picture, "The
Wreck" featuring Anita Steward as
star, supported by Harry T. Morey
and an all-star cast.
"The Wreck" may be described as
the picture possessed of great NOM
ents. 1t presents situations whose
brief seconds of time encompass IN
eternity of meaning. 1t is not often
in story or play or play that so much
dramatic conflict is packed into such
narrow confines of time. ct the eter-
nifty of a second will occur to the
minds of those who see it here as a
faithful mirror of the big moments
that occur in real life.
The spectator recalls such occa-
sions as the sudden threat of death
which caused in an instant the whole
memory of his life to flash through
his mind. All people know this
feeling-the feeling that m with
a big moment.-Adv.