The Connecticut labor press., 1920-08-21
....ny, wnose InoaeIs, wn1le alwayE

.v1iny, wnuse models, wnIle always beautiful, never were Iovelier than they are this spring, uses quantities of printed chiffons combined with plain materials. In one instance she unites bright red foulard with chif fon having a large black and white pattern.
 This dress has long-waisted blouse joined to tunic skirt with entre-deux, very much after the manner of the model just described, point of diff ference, however, lying in the fact that the blouse, which is of the chif- fon, is cut in a pointed design and ap- piled to the foulard skirt. By using a long smock blouse Mime. Jenny clev- erly gives the effect of a chemise dress.
 LoveIier Dresses Than Ever Before.
 There is a large rolling collar of the red silk draped about rather low-cut neck on the chiffon blouse. It is really wonderful the way these very bright-alnost gaudy-silks are being combined with figured or plain silks as well as chiffons and made into dresses lovelier than any we have ever had.
 Even serge dresses have become frivolous to be in keeping with the gay dresses seen at the fashionable thes danSants. While these dresses have for l long time been somewhat enIivened by embroideries and trim mings of colored leather, the intrOduc- ton of lingerie effects into them is something which we have not seen for many a season.
 The woman who liked above every thing else in her dress effects that were becoming and feminine regretted the passing of the always f1adtering lingerie collar. Many said, when it became the mode to wear dresses with severe necklines, quite unadorned ex cept for the occasional use of embroid- cred bands or bit of dark fur, that women would not adopt a fashion so lacking in tiattering aids te~beauty.
 But that most women are willing to follow the prevailing fashions is at tested by the fact that lingerie collars were nowhere seen in assemblages of women who made any pretension to
 
 was a comparatively brief one, how ever, for now lingerie effects have re- turned.
 One of the smartest of the new serge frocks, which has white organ die as it's trimming, was seen at an afternoon dance. The color of the cloth was very dark blue and dis played to excellent advantage the f1uted organdie trimming which took the form of a f1aring Medici collar that continued down the front of the dress to the wastline in the form of a rest.
 BOX Coats, One-Piece Dresses.
 Box coats are not confined to reg u1atfon suits. At the Maison Worth. as well as at other great Paris houses, the box coat has been incorporated into the idea of three piece suit that is to say, the one-piece dress has straight box coat to be worn over it. Instead of having a contrasting vest these are open in the front to reveal the full length of the frock. Ever so many of these coats which match frocks have high, straight collars but toning closely about the neck. These are unusual on loose coats that do not close at the front.
 Every woman who loves simplicity and comfort in dress will be delight ed to know that the best houses are still featuring the straight-line frock. A typical Parisian model is made of white tussah silk almost on the lines of a coat dress with the one. side fastening. This closing shows bind ing of black satin, which continues. in a straight line to form a finish for the high, close-fitting collar. The skirt portion Is slit at the front to show an underskirt of black satin.