The Kansas City sun. (Kansas City, Mo.) 1908-1924, 1920-04-03

II I'd - - a "ATS vi "a u"
~ eler, or both, who, first adj
venturing forth to enjoyment
of the beauties and riches
Of Italy, approaches her from the sea,
and strides ashore from his ship at
Genoa. That is better than stealing
through Swiss mountains by night, or
working round in a train by the
French Riviera and crossing a frontier
line ut ~Ventimiglia, says the Chris
tian Science Monitor.
II is difficult in the latter circum-
stance TO feel that one has changed
from France to Italy the impression
grows slowly and is graduated, which
is always bad for an impression.
Come suddenly upon Genoa from the
sea (giving r thought as your craft
steams in to the famous lighthouse
at the entrance to the harbor-it is
400 years old, and of a style suitable
% Italy,, and Genoa strikes you as
a fine, strong representative piece of
Italy. Genoa. with her glorious past,
is steeling herself sternly now to
modern m~aterialistic demands.
There is no other city in Italy which
combines so many features of the
country's life, appearance, history,
traditions and sensations as does
Genoa. 1t is a place of measureless
variety and enormous contrasts. There
may be little Of Rome about it, as you
might say, nor scarcely anything of
the delicacy, the elegance, the aesthetic
refinement of Florence.
Foremost Italian Seaport
But Genoa, this first seaport of Italy,
is a busy, commercial place, of enor
nous achievement both before and
during the war, and which up to the
beginning of hostilities was doing a
trade of over two hundred million
American dollars a year. 1t is a city
Of vast aspirations, coupled with a
practical way of working them out.
In busy Genoa you get occasional
reminders of Bologna, Of Verona, anc
of the veritable Venice. And, again
you have here some of the stern
modernity of M%ilan-platn, manufac-
turing metropolis of the north, bent
coldly to the needs of commerce and
trade.
Genoa couples in herself some Of
the omanc of the Queen of the Adri-
attic with the modern commercial
hardheadedness of Milan. Milan in
| Italy is what Manchester is to Eng
land; and even in the magnificent
opera house, the Scala, where so
many of the worlds best singers have
been nursed. there is the feeling al
ways that here commerce is patroniz-
ing it lordly DER the arts.
Flavor of Old Italy.
You may poke about the myriad lit
tie pinnaCles or the roof of the cathe-
dral, and gaze afar to the white-capped
Alps overlooking the lakes of won
drous blue, but m seems TO
tinge almost every contemplation.
And this is good for Italy, for Italy
cannot live on art and tradition alone.
But Genoa, mex in commerce and
first in the ranks of Italian ports.
while doing its m on the grand
scale, has the art and color and flavor
of old Italy as well.
Go down by the harbor, and, not
w~ithstanding the busy hustle and the
certain evidence of the modern world,
n would hardly be astonished to see
two gentlemen of old Genoa, attired
in brightly cOlored silks, with swords
at sides, emerge from one of the ff.
teenth-century dOorways which abound
In that quarter. Everywhere there is
this strong contrast.
4 part of Genoa is a veritable maze
Of old, dark streets In which my per
son without the instinct for getting
his whereabouts may speedily become
lost, Rare old streets they are, too.
In the middle of the city there is
one which is most wonderful, the Via
Luccoli, a thin slit not more than nine
feet wide and hundreds of feet high,
so that just the thinnest strip of Ital-