The Lehi sun. [volume] (Lehi, Utah) 1913-1949, 1920-09-02
Ideas in Gowns
From the Stage

roles she wore only the white-skirted
hip extended models so characteristic
OF that house. II must be admitted
that dresses of this type are eminent
~ suitable TO a coquettish and DASH
ing young woman of slender, graceful
build. Rencuard looks so admirable
In her Lanvln dresses that one can
not doubt that she greatly aids In the
continuance of this fashion.
Oruandie Over Black Taffeta.
A rose-cOlored orgnndle dress, made
up over hip extended foundation OF
black taffeta. is very beautiful. The
organdie Is sllp-over-the-hend che
mise style. with considerable fullness
On the hips. The dress opens In a
wide panel down the front to show
the black foundation. About the waist
is n black taffeta ribbon sash tied In
simple square.lOOped bow at the
back. This ribbon has "A border Of
rose-colored satin, matching exactly
Z, the tone of the organdie. Interesting
ornamentatlon. In the form OF a fiat
applique and embroidered roses OF
precisely the same tone, appears on
the front OF the skirt. On the black
taffeta there Is likewise rose-cOlored
applique which enllvens the rather
somber foundation. This dress has
the low. round neck and short sleeves.
Lanvin is making many of her dresses
In this style.
Renouard wore with this dress the
thinnest OF tete-de-negre stockings and
black satin slippers. She also wore
long mousQuetalre gloves OF glace kid,
finished with points OF leather at the
edge OF the wrinkled top.
Marie Louise. the well-known mil
liner. made the adorable hat Of black
horsehair braid. delicate to the point
OF transparency, banded and bowed
with vide rose taffeta ribbon Dor
dered with black.
Dignity OF Line and Design.
In the same role Rvnouard wore a
black taffeta frock. sery simple In
design, wide sklrted. and with n bod.
ice fitting her slender figure quite
snugly. The feature of this frock Ia
big feather design In white. devel.
oped IN white ribbon and silk floss
embroidery, which stands out like an
applique and adds materially to the
effect of the dress. There are no
sleeves The decolletuge is quite low,
Again she wore Marie Louise hat,
this time OF black satin trimmed with
skeleton plume q Nattler blue os-
trich.
In direct contrast with dresses OF
this type are the models made by
houses such as Redfern and Worth
who keep 10 dignity OF line and con-
ventional designs.
Mme. DalmOn. playing at the Renais'
snnce theater. wore gorgeous dress
OF seml-conventional type made by
Redfern. II was developed In silver
brocade and mauve tulle. the latter
forming voluminous sash drapery
NJ one side OF the back. She carried
with this pale mauve and silver dress
a brilliant jade green ostrich fan.
In summer suits the plated skirt
continues popular. Many models are
being developed In taffeta and satin
skirts having plated panels are offer
accompanied by jackets with plated
panels and neck frills.
The fashion of catching tf1 plated
skirt In at the bottom by means Of d
restraining band is one OF the tea
lures In summer tallor-mades. Beel
has an interesting new model Of this
sort. with a loose box coat and
straight plated skirt developed II
white serge with black trimmings
This house also shows "A snl : spor
suit OF khakl-colored serge, trimmed
with stitched palts, which pas
around the bottom Of the jacket, thu
hem OF the skirt and the daring edges
OF the sleeves. Flntly stitched plniti
also form yoke outline on the bod!
. | oF tho tDckpt