New-York tribune., 1920-10-10
A Joyous Mingling
TNHIS winter we shall dine ant

T. bons and furs mingled lux
uriously. 1t was natural
70 suppose that women would tire
Of lace dresses, as so many of them
were worn during the summer, but
the fervor for lace continues un-
abated. The loveliest things mag
Unable have been created in combi-
nations of velvet and lace dyed to
match the color of the velvet. In
these, gray, brown and green are
favored, while black lace frequently
Is used in combination with white
velvet embroidered in black.
Many beautiful lace and velvet
models are being made up for after
noon wear, as we'll as for the eve
ming. Ever so many of these show
the pleated fan shaped panels at the
sides and the low waistline bodice.
Long, tight-ftting sleeves and
straight, shallow necklines are fea-
lures of the lace dresses for after
noon wear. Models of this charac
ter are greatly admired and, judg-
ing from the number ordered by
well dressed women, bid fair to
become one of the successes of the
season.
At the lower left Of the page is IL
lustrated a frock developed in a soft
shades Of taupe velvet, with lace of
the same hue. The sleeves and neck
line referred to above are used. 1t
has the apron tunic which, while not
new this season, is receiving consid-
erable attention. 1t is being handled
in q much more interesting way
than it was last summer. Frequent
" it is Of lace or, if of the material
from which the dress is made, 1t car
RES interesting embroidery, which
sometimes Is Of wool with deep
wool fringe edging the tunic.
An Apron Tunic
Of Black Satin
ONE Of the most popular models
showing the apron tunic Is of
black satin. The sleeveless bodice
is long and straight, reaching to the
hipline. At this point an apron tunic
Of jet paiIlettes Is attached. 1t falls
straight to the edge of the skirt. AS
so many Of the black frocks this
year must have touch Of white,
just as those Of white are accentu-
ated with black, a ladder-like pat
tern Of rhinestones is placed on the
bodice just above the point where
the apron tunic joins it. The rhine
stones appear again in a narrow
band placed about two inches from
the bottom Of the runic.
At the bottom OF tho page In an
evening hock Of silver gray chiffon
velvet with a full silver lace over
dress. A band OF chinchiIla fur out
lines the high neckline Of the lace
overdress in thefront and, crossing
the shoulders, follows the line of
the decolletage In the back. There
Is also band Of chinchilla on the
narrow foundation skirt about six
inches from the bottom. The girdle
Is Of turquoise blue and emerald
green brocade.
A pronounced feature in evening
gowns is the draped princess move
ment. Dresses of this character
usually are cut in one straight piece
lrom shoulder to hem. The drapery
appears across the front of the
hgure at medium low waistline,
and as the folds are rather tightly
Drawn into the side seams this gives
pronounced stomach line. Long
"ains falling from the low waist
Nne' at the back or at one side, are
likewise features of these draped
prlncess dresses. The decolletage
Is medium low and of a square cut.
handsome metal brocades, dark
Drowns and black, brocaded in gold
of silver, are the materials used.
A Wide Sash Tied
At a Low Waistline