davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
On the Records

The value Of records for educational
purposes is emphasized by DR.. II. P.
Allen, director of the Royal College Of
Music, London, in The Daily Tcle-
graph"
Dr. Allen speaks of an experience
which came to him on returning from
sea and entering this institution re-
Gently.
at might almost be called a shock"
he says. THE first sounds that came
TO my ears were those Of gramophone
in full blast, and the first thing that
caught my eye was notice saying that
the gramophonc room was No. 80 and
the pianola room No. az. | rubbed nv
eyes and listened again, and then it
dawned on me that these were new
times and these were new methods
adopted to the needs of modern mu-
steal education and couragcously put
into practice by small band of sec
ondary teachers under the vigorous and
most enlightened direction of Mr.. Percy
Scholes, to whom the council had
, granted the use of the college for
vacation course Of musical study.
"ln the course of very interesting
conversation with Mr.. Scholcs,
learned with great pleasure that these
two rooms were serving a purpose of
the most direct kind, for in them could
Dc HChl u az any tllHe OF DAY the music
las TAR as 1T was available on records)
which was being played at the
Promenade Concert that evening, to
which, as matter Of course, the whole
band OF students repaired This strikes
me as most admirable line to take
TOR teachers drawn from all parts of
the country, many of whom can have
but little opportunity of living in close
contact with music, surrounded by it,
immersed IN it. Many Of us have for a
long time advocated the urgent neces
slty Tor hearing more and more music.
and have accepted the panola and the
gramophone as most useful additions
TO musical equipment, but, as far as
! know, this is the first attempt, under
the Board of Education, to use these
instruments in scheme of HIGHER
musical EDUCATION for teachers, who
nave little time as a rule to devote TO
their own study and musical we'll
being.
"Thcse questions of hearing music
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26

and the making of opportunities to
near music, together with the traininp
OF those faculties upon which the
proper hearing of music depends. lie
at the root of all sound musical train
ing and education. And first of all
comes the training of the ear, trained
IN music, exactly as in language, to
near, not notes, but phrases; not inter
walls, but chords; not bars, but rhythns:
not dynamics, but expression. This
training must be done on a musical
basls IN just the same way as a child
is taught to read and write, bv means
OF phrases and sentences which mean
somethlng definite to them No aural
training is of use except it be really
musical and definitely structural. Peo-
pie can never be taught to enjoy the
beauties of shape and design if they
are kept entirely to the conte nplation
of bricks.
"Of late years an enormous advance
has been made in this direction. but
1t Is still rather astonishing to find
how many quite able performers are
unable to stand any ordinarily search
ing tests in aural training. Given a.
reasonably high standard of aural eff
cheney as qualifying basis for the
serious study of music of any kind.
there is hardly any limit that can be
put 10 the measure OF musical devel-
opment. | suppose that no one of US
would consider himself real adept in
a foreign tongue unless he could with
out conscious effort take part in a
conversation, having such a reserve of
familiarity with vocabulary and &C
cent that there never need be any men
tai struggle to keep pace with the
speaker. In much tic same way, but
in different medium, the musician
when listening to an unfamiliar work
should be able to follow the workings
of the musical thought with some CON
siderable remembrance of its content
and some ability to reconstruct it for
himself
This power can undoubtedly be de-
veloped to an extraordinary degree if
the opportunities of hearing music are
ample and if the ear has been thor
oughly trained But listening must
never be confused with hearing. To
learn to listen is the thing that mat
ters, whether to your own individual
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26

81 Hall M
HAIL.
m song recital by Rose Austin; City College,
recital by of
kowsky's
MONDAY Aeoian Hall recital by Ottii
D. H. opera in
English he
ttSDN Aeolan Hail.
S:l5 m, rccia rincess Theater, m
English FAUST
WEDNESDAY
Park
1leatcr Sis English Faust"
THuRSDAY-Carneg Hail. by Philharmonic
Aeoan Uhl;
Mildred n,
FRIDAY-Acolan
recita
n Engis "Pinafore' and maid Mistress"
SATURDAYCanegie Hail,
n "Zimro'P Chamber Aeoian
Janacopuos;
Thcater in
The Pnaore "Mad Mistress"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26

performance or to music made by
others, or to gramophone or pianola
or to the more complicated sounds of
choir or an orchestra. | think it
VIII be agreed that upon such fine
basis OF ear training the power to read
at sight, to hear the sounds you see
ana to see the sounds you hear, is
infinitely eXpandable."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26

Princess Theater. 3 p NJ. Song re-
cital by Rose Austin:
Come, Thou Lovely Chuck
Rapture of Melancholy. ....... Beethoven
The Enchanter; The Violet: Unhappy
Love ................... Mozart
The Dewdrops Shine; Like to "A Lark:
In the Forest; Clara's Song OIL. Rubinstein
DECEPTION Only for Thee. .Tschaikowsky
Regrets; Eglogue REPRESENTATIVES,. Delibes
Pagina dAlbum; La Girometta Non
Ho Parole Sihell,
Ny Lord. What Mornin Oh, Didn't
1t Rain Burleioh
~ u % . La Drge
olng 10 Me, Sing Observation-Disclosures. Homer
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
WEDNESDAY,

Aeollan Hall, 8 p. m. Piano recital
by Anis Fuleihan:
sonata op 10. No. Q. in major Beethoven
Sonata in minor .Schum.nn
Ia, "a Naehedrale Engloutie. ........... Debussy
l,1 $50 Jonas
froioRue Bedouin Dance; Monajat
might Song Serenade III the Desert
- Dance of the Dervishes .... .Fuleihan
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
TUESDAY

Princess Theater. 8 p. m. Piano re-
cital by Daniel Jones:
Etude en- Forme de Variations r. Schumann
Sonata in B minor. .............F. I,isz,
ballade in major: Rhapsody in B
u MINOR $3.50. ACKNOWLEDGEMENTS. Brahms
deoues .....+..-. Debussy
Nocturne in c minor; Etude op -.
NO. u .-................ Chopin
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
SUNDAY

Carnegie Hall, p. m.-Violin recital
by Fritz Kreisler:
SONATA -'.-..--.... .......-.-~.--- .Tartini
Concerto .........-...-.....N ivaidi
Soucerto -'---..-.'- Nlotti
.,.s,i' "le -trluct
Excerpt from "Rosamunde". $500 Shubert
Ia .rltana ..:......... i re isle
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
Aeolian Hall, 3 p. m. Piano recital
by Rebecca Davidson:

Dv febecca Davidson.
Sonata, op. a0.......R eethoven
lmpromptu. op. 3s..............Ch opin
Etudes. op. 20, No. /; op. 10. Nos
and 3. Preludes. sharp = fiat
and E fiat. Waltz, op. Az
Der Contrahandiste .Schumann-T ausig
LAlouette ...,. Helalire1v
Au Bord dune source .Y.iszt
iarantelIe Venezia and Napoli. List
At SIS p. N. Violin recital by
Jules Falk:
Suite in G minor. Henri Eccles (1slO-I7--)
Rondeau. lie Coucou" ......,D anuin
ASsAt rAAceeo o Nardinl
Second Concerto. minor. 49,. Cecil Burleigh
Shant du Voyageur. Camille Zeckwer
miniature ...-~~......-..... Francis Moore
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
THURSDAY

Princess Theater, D. m. Piano "a
cital by Mildred Copper:
'0 E 49, .....--... $3.50. Chopin
crave, Agitato, Scherzo. Marche Fu-
nebre. Presto
'-'uoos ..,-' ..---........-... Chopin
minor. + minor (posthumous)
mar major tposthumous). sharp
minor, G fiat major.
go aDes ~ Debussy
French Serenade : Cr;s1
Wedding March armenian folk tune).
- Howard Brockway
1T eiFnaoe -...--..-.-.-.... Strauss Pfeiffer
s s,'uoe ......--.... Paganini-Lszt
]'oS'ulhe ioccata :............ SRambati
4slaiee. Fantasia Orientale. Balakirew
Aeolian Hall, $3.50 p. m. Violin re-
cital by Maurice Freedman:
Concerto. D minor .. Vyien;avsl,
,'iid'e, ID MINOR. ACKNOWLEDGEMENTS. Bach
- = = 1oidmark
Nazurka .. Gh"n,1.
Gypsy Airs Sarasst.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
Programs of the Week

Caprice Espagnol ,.H K.,,.n
Melodie .... Tscb ;ts.pai.
lie CARNIVAL Russo W;epi.n.s,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26

Hippodrome, 8:15 p. m. Concert by
Helen Stanley, soprano; Josef Lie
Winnie, pianist, and Nikolai Sokolotf.
conductor:
Symphony No. in f minor Tschaikowsky
Intermissio
ARIA from "Eugen Onogin" ('The Letter
0cene) -............: Tschaikowsky
Nine. Stanley
Concerto for Piano No L. in fat
minor :....-.:..... e.. TschaikoNgsly
Josef LHevinne
Marche Slav ..-....-......- Tschaikowsky
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
AT 8:15 p. m. Piano recital b,
SATURDAY

"esic nan, . p m- song recital
by Marguerite d'Alvarez, contraito:
Anuet chante (Une ombre! From Gas
Recitative and Aria of Dido Purce,i
AIR an de s ,,, G5lytsemnestra from "Iphisenie
The Celestial Weaver from the Chinese
" poet Ting Han Ching, 300 $40. Bantock
Sea '' Fever ''''''''''''..''..' T. de Rieeo
The Blind Ploughman. ...C CI.rL
1es Ieurs ................. Debus.v
- Is p apIiiohs --...-.........-.... Chausson
cs-a ataIcoh ....-.--.... .Debussy
Sanciones Arabescas. .......F. Pedreil
Seguldillas Citanas ......... II. Pcdrcii
Ia N,a)a Dolorosa -........... Gransdos
20 -''e' ''..........-.... Borodins
At s:15. Concert by "zimro" Palss-
tine Chamber Music Ensemble:
Suite No. 2...... v..s-
(al Moderate; lb) Andante (of Jewish
1 lol I1s - Verjommerr. serklost)
oc, Ensemble
"Gahit' Concert for the carionet) .Pedotssy
Jewish Rhapsoaie 5 Bellis0n ...,
Solo for he. piano; l. Berdichevsk sS'
Jewish Dance for two vioIins) KapI.r
Messrs Mistechkin and Besrodny
+ anlasuc Trio for violin. cello and
Messrs. Mstechkin. CherniavsSy and '' Bsr.
-. diehevsky
~ ~ @ ct.h Zeitlin
fret'fhs .:......... Cherniavsky
- Solos for the cello: J. Cherniavsky
Roman Of Jewish folhsonss Weinberg
..,-, Solo Tor violin c. Mistechkin
Aot H7drei .............-,... Coorovftek,
Ensemble
Aeolian Hal, D. m. Song recital
by Vera Janacopulos:
Margoton XIV Century,
n,. Hasrnonized by Perllhou
Pia amt, - a. cello cut nest pas aimee
Non. ie nirai pas au ho.s.
Harmonized by Wekerlin
There Was jolly Miller XVII Century,,
Ar'ette from the opera. La Belle Ar
Ma Belle Etoile; Nocturne: J'ai Par
Fl Mirar dc ia MaJa. ............ Granados
Chinoiserie; sesuedille 49,. Manuel de Fails
Yell Me. Mana The Prayer from Nur-
the Songs and Dances Of Death
At s:15 p. M. Piano recital by Rich
ard Buhlig:
Beethoven
Sonata. c minor OPP Is (pathetiqne,.
sonata. A fiat major. op. IS ... Beethoven
Sonata, u major. OPP 1o........ beethoven
Sonata. h minor. op. 81 tappsssionata),
Beethoven
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
Aeolian Hall 3 p. m. Piano recital
by Ralnh Leonold:


Ioccata and Fugue, D minor. o.. Baeh-Tausiv
Variations serieuses ......... Mendessohn
Four Rhapsodes, OPP. II &C minor. +
sharp minor, major. L fiat minor,
Dohnanyi
poeme -..............-... Mana Zucca
Criehtale ACKNOWLEDGEMENTS. AInaili
.'s''iaNc bdHce .licDtsSy
The Garden of Soul Sympathy; Paradise
Colonial Song Observation-Disclosures Granger
Paraphrase on Tschaikowsky's Flower
waltz ACKNOWLEDGEMENTS. Granger
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
FRIDAY
Aeollan Hall, p. m. Piano recits

Aeollan Hall, p. NJ. Piano recital
by Rudolph Reuter-:
noi'ata' op- 4 no. 5.--...-...... Beethoven
barcarole. op. so. .Chop;n
op ll8, No. s. Rhapsode on. ia
No. .................. Prahn.
,i ne ide -....-.......... Marion Bauer
NJ fountains of the Aqua Paola:
Rhapsody in G minor ...... Bernard Dieter
Christmas Eve ................... Busoui
"interreigen. op. 13: RbApsodie
'Dles lrae, op. II. No. 81 500. Dohnanyi
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-10-26
City College, D. m. Samuel

CltV C0IIege, 4 p. m. Samuel A.
Baldwin's free organ recital:
Sonata No. 5. in c minor Thaver
Scena Pastorale Ross
Prelude and Fugue in E minor (lesserl Bach
oposalzlo -.........-. .,....... List
IN the Morning.: Asses Death w Grieg
Within Chinese Garden .Stoughton
Finale from First Symphony ...... Vierne
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

An officer of the medical department
was paying his first visit to the front
line trenches. A corporal from Mis-.
souri, was standing on the fire step en-.
gagged in the pleasant pastime OF
sniping at whatever there was to snipe
ut. The doctor wandered by an open
loophoIe in the parapet.
Crack" came from German
sniper across No Mans Land.
Whang-plooey The bullet came
whizzlng through the loophole and
with naughty thud splashed mud
right on the doctors new trench coat.
'Bangw REPLIED the corporals rife.
Deep silence reigned for ten seconds
Then the doctor picked himself up
from his hands and knees and asked :
Did you get him, corporalr'
mo. sir" replied the corporal, but
If you'll just walk by that loophole
again I'll sure get him next time"
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

Estada will resort to force on board;
indeed force will be the very last card
he will care TO play in your case. You
are English and all the practical sea-
men on board are from northern Eu-
rope - English and Scandinavian.
These men are not pirates from choice
they are prisoners who have taken
on to save their own lives. with his
bullies and cutthrOats amidships he
can compel them to work, but he dare
not go too far. Once these fellows
unite In mutiny they could take the
ship. An assault on you would be
dangerous"
at is these men you count ONT!
"Yes; but for me to gain their conf
dence and leadership will require
time. The slightest slip would mean
failure and merciless punishment. At
best the situation is absolutely des-
perate-but | see no other solution
"And my service IS decelt-the act
Ing Of part 10 blind the eyes or
Estada?"
II sincerely believe your greater
chance of security lies in this course.
The fellow is II supreme egOtist; OPP
position will anger him, while flattery
Will make him subservient. You have
the wit and discretion TO hold him
within certain limits. 1t IS a danger
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

We stood with hands clasped in the
darkness. | thought she was going
to speak again. but the words failed
to come. Then suddenly. silently the
door opened mere crack, letting in Il
CLEAN of yellow light from the main
cabin, while the crouchlng figure of
man. like II gliding shadow slipped
through the aperture. closing the door
behind him as softly as he had opened
it. | heard her catch her breath and
felt her hands grasp my sleeve, but
never stirred.
Who could he be? What might be
the purpose of his entrance? But one
answer occurred to me-PedrO Estada.
driven by unbridled passions to attack
the girl. | thrust her behind me, and
took step forward. with body poised
for action. I was unarmed, but cared
little for that in the swift desire to
come to hand grips with the brute. l
could hear him now. slowly and eau
tiously feeling his way toward us
through the darkness.
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

"Why notf" he asked In his harsh
croak of voice. $50 long as we he
at sea? Whit harm can the girl do?"
perhaps none; ! will take half
chance. ut least. You shall have tho
freedom of the cabin. So long as you
keep your word, while us to the decx,
We will consider that later. Prove you
mean what you say by joining us
here"
My recollection of that meal Is not
of words but OF faces. Estada's eyes
sought constantly the girls face, and
to my CONSERVATION exhibited an in
terest in her personality which prom
led trouble. ] know MT whether shs
noticed this awakening admiration.
but she certainly played her part with
quiet mOdesty. | believe that even
the Portuguese reached the conclusion
that she was not altogether regretful
for this adventure and that IT was safe
for him to relax some degree Of vigil
!nncc. His manner became more grn-
-ious. and long before the meal ended
his language had tendency to COM
pliment and fiatter. l contented my
self with occasional sentences. The
young woman sat directly across from
the. our words overheard by all. and
us l knew both men Possessed some
slight knowledge of English I dare not
venture beyond commonplace CONVEX
sation In that tongue. with quick wit
she took her cue from me. 50 that
nothing passed between US. either by
word Of mouth or glance OF eye. to
arouse suspicious.
Believing the feeling Of confidence
would be Increased by such action.
was first to leave the table. and il be-
ing my watch below Immediately re-
tired TO my room. nOisily closing the
door after me. yet refraining from let
ting the latch catch. thus enjoying "A
slight opening through which to both
see and hear. Manuel did not linger
long, making some excuse TO go for
ward but Estada remained for some
time, endeayoring to entertain. His
egotism made a fool of the man. yet
even he finally became discouraged ~
making her comprehend his meaning,
and lapsed Into a silence which gave
her an excuse to retire. This was ac-
conpllshed so graciously as to leave
no sting. the fellow actually accom-
panying her to the door OF her state.
room. bowling his compliments rs she
disappeared within. The fool actu'
ally believed he had made n conquest
und preened himself like n turkey
cock.
"Gunsaules, you need not lock the
senoritn in her room or guard her In
any way hereafter. She Is permitted
To come and go as she pleases aboard
Estnda entered his own stateroOm,
leaving the door ajar. When he came
out he had exchanged his coat for a
rough jacket. Thus attired for n turn
on deck, he disappeared through ths
companion.
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

HER CHOICE
BY EVA SYM MES.

Audrie paused us she slipped II pin
into her thick. fluffy hair. Her eyes
fell upon two pictures on the dressing
table before her.
one was II smiling, brown-eyed lad
In military attire. For an instant
Audrle looked full into the clean. boz
ish face. She had known him for
years. Now he was In the army; had
won a commission from the ranks.
"Ycs. Jimmie" she told him, you're
good pal: always have been and am
proud Of you"
Then she turned TO the other. the
tnce of student, dark, serious and
distinguished. A whimsical smile
passed over her face. Ever since she.
us II retiring little freshman, had met
Harold he had been mudly in love with
her. As all girls do, Audrie glOried III
the security of the rich young mnn's
affection, yet dallied with decision.
Sometimes she wondered why he re-
mained at home when So many boys
were in the service.
The ringing Of the front door bell in.
terrupted her reverie. With guilty
start Audrie sprang up.
There's Harold nowl I'll skip down
and let him In" One last renssurins
glance In the mirror, and In the frac
ton OF u minute she was greeting the
youth right cheerily.
Good evening. Mr.. HaroldI" with q
playful curtsey. I'm almost ready.
honestly. Just u second til | get my
wraps"
Good for you. Audrie." laughed llnr
old. Then approximately:
My. but you look bewitching to-
night! Do you think 1t safe TO take
you TO u dancer"
"oh, silly" scolded Audrie. "of
course 1t Is Let's hurry. I'm just
dying for waltz
The music was enticing. the floor
was perfect. and Audrie sparl,led with
exhiinrutlon and pure JOY Of the dance.
Soft lights ndded to the enchnntment.
Audrie glided gracefully In llarold's
arms. The sweet neaTness OF the girl
the weird strains of the waltz entun-
glcd Harold's senses in IL new whirl-
wind of love.
''Audrie. dear" he whispered. "come
out on the veranda and rest bit"
She nodded assent half reluctantly.
Ihe cool breezes served only TO fan
Harolds nrdor.
"Audrie. l have wnited long time"
lie said, suddenly, taking one OF her
hands ITO talk To you as you know l
must some day"
He hesitnted. Audrle's cheeks burn
ed with the knowledge Of the coming
declaration.
You know how much | care for you
denr; you know. too, that have cared
for you ever since i first met you, aud
that stayed ut school only to be near
you. Can you love Inc Just little In
returnr
He was pleading now with all the
eloquence OF his manly voice and dark
eyes. He came closer, took both her
hands. For an InstfSnt she almost
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30

MS game, admit. and n dlsagreeable
me. but the case requires desperate
cmedies."
She lifted her eyes. searching my
ace through the dim light.
"Geofiry Carlyle" she said at last,
tremor In the low voice. There Is
no sacrifice | would not make to pre-
serve my honor. ! hate this man;
dread his touch; shrink from con.
tact with him as ] would from
snake. but | am not going to refuse
to do my part. If you say this Ia
right and justified | will consent"
81 believe it Is"
"And you Will not lose faith In met"
she questioned earnestly. ut will not
lower your belief In my womnnhoodr
"Nothing could de- that. Mistress
Dorothy. | want you To realize the
depth Of my interest and respect. Your
friendliness has meant much TO me.
nd | would never urge you Ia lower
your ideals. But We must face this
situation us It is. We possess but two
weapons OF defense,-deceit or force.
resort TO the latter Is at present i'm
pussibie. cannot conceive that you
,r,. lowering yourself in any way by
sing the power you possess to escape
iolence-"
The power ! possessf"
"Yes-heauty and wit. These are
your weapons and most effective ones.
You can play with Estnda and defeat
Ilm-trmporarily, at least. | confess
here Is danger In such u gume-he is
& Wild beast, and his evil nature may
overcome his discretion. Take this
uIstol. Keep It hidden about your per-
'on, hut use II only when all else fails.
You retain faith in meg"
"Implicltly."
And pledge yourself to your part,
leaving me TO attend to mine?"
Her two hands clasped my fingers.
hcr eyes uplifted.
"Geofry Carlyle, / have always be-
loved In you. and now, after the sac
riice you have made to serve me l
an refuse you nothing you ask.
viii endeuynr to accomplish all you
require of me- God knows how ] hate
| lie task but-hut | win do my best.
| Only-Only," her voice sank. Tiff
| the beast lays hands on me he-he
/ pays the price. | could not do other
wise. Geoffry Carlyle am Fair
fax"
Satisfied with my mission and conf
dent nothing more need be said. |
arose to my feet.
"Then we can do nothing further
until l learn the disposition of the
crew." / said quietly. "Estada Is not
likely to resort to extreme measures
at present That IS why | believe you
are comparatively safe now-hls own
! position of command Is In the bal
ance."
81 VIII see you again?'
"Perhaps not here; II Is too danger
nlcate With you. Good-by."
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30
CHAPTER XVI.
In porothy's Stateroom.

I stood crouched, with eye at the
crack watchful of every movement In
the lighted cabin, my own decision
made. | must see and talk with Dor
uthy. Gunsaules turned down che light
md departed along the passage lead
ing amidships. A moment later |
heard the sound OF dishes grinding to-
gether preparatory to being washed.
The Lamar register. [volume] (Lamar, Colo.) 1889-1952, 1919-04-30
Not as q Rule.

Sometimes two slang expressions
may sound much alike. yet have very
different meanings. For example
when Il man tumbles to thing he
does not fall for lt.-Youth's Coz,
Uanion.
The Madison daily leader. [volume] (Madison, S.D.) 1890-current, 1919-04-15

here. All of the arguments of the
past few months were gone over
again only to have the commission
put a motion across the board for
calling a special bond election or
May 13. The motion was carried and
so the matter now stands. In the
interim, however, the committee that
was appointed to investigate North
ern States Power service as found in
cities in Minnesota and this state
and Diesel engines and steam plants
operated and owned municipality and
otherwise will proceed to meet the
requirements of their appointment
and later make reports to the ON
~missioners.
There being no further business to
transact the meeting adjourned.