Mansfield mirror. (Mansfield, Wright County, Mo.) 1908-1957, 1919-04-24
ANTIQUITY Of.
DECORATIVE ART
Strange Sources From Which
Pigments Used by Modern
Painters Are Derived.
- ri
PRESERVATION OF SURFACES.
Crude but Effective Processes Employ.
ed by the Egyptians and Greeks Of
Piiny's Day-koah Prudently
Waterproofed the Ark.
PRESERVATION OF SURFACES.

Whether paint was invented In an
swer to a need for a preservative or to
meet d desire for beauty is a question
fully as knotty as the ancient one about
the relative time of arrival Of the
chicken or the egg. 1t was invented,
though, and 1t serves both purposes
equally 80 whether 1t is an offspring
of mother necessity or ar adopted son
Of beauty remains forever a disputed
question.
rhe first men, covering under the
fierce and glazing suns Of the biblical
countries, constructed rude huts Of
wood to shelter them. The %perishable
nature of these structures caused rapid
decay, and 1t Is probable that the oc-
cupants, seeking some artificial means
e. preservation, hit upon the pigments
Of the earth In their search. 1t is per-
haps natural to suppose that 1t was
the instinct of preservation that led
men to the search, although the glories
of the sunsets and the beauties of the
rainbow may have created a desire to
initiate those wonders In their own
dwellings.
The earliest record of the applica-
ton of a preservative to a wooden
structure dates from the ark, which
was, according to the Bible, pitched
within and without" The pitch was IL
triumph Of preservation whatever it
lacked as a thing Of beauty.
Decoration applied to buildings first
comes to light with ancient Babylon,
whose walls were covered with repre-
sensations of hunting enc and of
combat. These were done in red and
the method followed was TO paint the
scene on the bricks at the time of
manufacture, assuring ~permanence by
baking. Strictly speaking, this was
not painting SO much as 1t was the
earliest manifestation Of our own ia
miliar kalsomining.
The first Hebrew to mention paint
ing Is Moses. In the t%hirty-third chap.
ter Of the book Of Numbers he In
structs the ~Israelites, when We have
passed over the Jordan into the land
of Canaan. then shall ye drive out all
the inhabitants Of the land from be-
fore you and destroy all their pic
lures. . . ="
At later periods the Jews adopted
,,nr- ,,.tn-,a ~ tla pnnp1nc trhn ctn-
cessively obtained power over them
and In the apocryphal book Of the
Maccabees is found this allusion to
the art of decorating, For as the mas
ter builder Of a new house must care
for the whole building, but he that
undertaken to set 1t out and paint it,
must seek out things for the adjoining
thereof"
Although Homer gives credit to a
Greek for the discovery of paint, the
illusions to II in the books of Moses,
the painted mummy cases of the Egyp-
tinns and the decorated walls Of Baby
lon and Thebes fix Its origin at a
period long a%ntecedent to the Grecian
era. The walls OF Thebes were paint
ed 1900 years before the coming Of
Christ and 996 years before "'Omer
smote his bloomin' Tyre"
The Greeks recognized the value of
paint as a preservative and made use
| of something akin to 1t on their ships.
Pliny writes of the mode Of boiling
wax and painting ships with it, after
which, he continues, neither the sea,
nor the wind, nor the sun a destroy
the wood thus protected"
The Romans, being essentially q
warlike people, brought the dec
Grafton Of buildings to the high plane
It had reached with the Greeks. For
all that the ruins Of Pompeli show
many structures whose mural decOra.
lions are In fair shape today. The
colors used were glaring. A black
background was the usual one and the
combinations worked thereon red, yell
low and blue.
In the early Christian era the use Of
mosaics for churches somewhat sup.
planted mural painting. Still, during
the reign Of Justinian the Church Of
Saint Sophia was built at Constantine
pie and its walls were adorned with
paintings.
In modern times the uses Of paint
have come to be as numerous as Its
myriad shades and tints. Paint Is
unique in that Its name n no syno-
nym and for 1t there is no substitute
material. Bread Is the stan Of life. but
paint Is the life Of the staff.