The broad ax. [volume] (Salt Lake City, Utah) 1895-19??, 1919-07-19

Thls town blouse" 10 Of white seora-
cite lowered In daffodII yellow and
soft green, decorated with wooden
beads In green and blue.
that it falls in long loops from under
the sash Of rose pink satin.
The bodice has fold Of the Powered
georgette draped across the front In q
monks collar fashion, seemingly one
Of the most popular ways Of finishing
this sort Of frock at the neck. The
Organdie friIls border this, too, and
the short sleeves are likewise edged
with the frills.
The blue and white printed georg-
cites are among the most successful
gowns of the summer. They are made
In almost every fashion, with straight
slips Of dark blue satin or silk under
meath as a foundation, while the
printed fabric is draped In straight
tunic with unbroken lines from Shout
ders almost TO hem. A wide sash Of
dark blue satin is tied loosely about the
waist and left to hang somewhat lower
in the back to give the sort Of over
hanging lines and long waist effect so
much sought. This way Of making the
printed georgettes is excellent for the
dark blues or black and white. and is
the sort Of afternoon dress one is al
ways needing during the summer.
chemise Dress a Boon.
grho okor,tso draes e \, hoor 20 al
most every woman, for II requires a
sash, and sashes, wide or narrow belts
and the dropping waistllne cover q
multitude Of faulty figures which are
revealed with unsparing frankness in
separate waist and skirt. The thick
waist appears almost slim when the
wide sash and belt are cleyerly ar
ranged so as not TO accentuate. while
q waist and skirt seem to point only TO
the added girth.
Few women who have attained this
undesirable thickness through the waist
realize apparently what a top-heavy
look they have with light shirtwalst
above a dark skirt-f they did all
would abandon this fashion and at
least have skirt and whist Of the same
color, all white. for instance, or all
blue.
It Is not safe always to follow ones
neighbours choice In the matter Of
clothes, however lovely they appear on
that neIghbor. We can all. the thick
and the thin. hail happily the summer
sash and cling to II as long as the de-
signers Of women's clothes Will let rs,
for It Is our friend and we ought to
reverence II
Dainty for Summer Wear.
Contrasting with these rather aWk-
ward dresses are the charming things
Of pale geOrgette and tinted lace. They
are as delicate and dainty rs summer
clouds. refined and '1edylIke," an old
fashioned word which has been lost
In Q maze Of uniforms and light skirts
and other sartorial diversities until we
seldom see this sort Of dress.
The tinted lace Is really enchanting.
A silVery gray chiffon frock made over
q tight slIp Of gray tafreta lets this
slip show below the upper draperies on
the soft chiffon and the pale gray lace
tinted 70 match the exact shade. Along
the edge OF the silken petticoat there
is q quilted rufie Of the taffeta which
holds the petticoat In In q slightly
hObbled effect about the ankles.
The lace used for this Is the ail-0yer
shadow lace with its cObweo fneness.
Z Il wide enough to drape one side
entirely and falls over the georgette In
soft, graceful lines. The gray lace ap-
pears also almost entirely covering the
waist draplng In front In the sort Of
monks collar mentioned above. A
sash Of soft, silvery gray satin con
fines the waist and hangs At Just the
right angle at one side. Lavender
chiffon with entire deux Of the softly
tinted lace II not only lovely but has
an added charm In being different from
ordinary things
The frOck a. to line follows the
dr1Ded designs Of this type Of dress /;
the charm. however. Hes IN the beauty
and tie novelty Of ths tinted lace con-
hlned 80 eieTerly.