Connecticut western news. [volume] (Salisbury, Litchfield Co., Conn.) 1871-1970, 1919-04-03
OF
DECORATIVE ART
Strange Sources From Which
Pigments Used by Modern
Painters Are Derived.
PRESERVATION OF SURFACES.
Crude but Effective Processes Employ
ed by the Egyptians and Greeks of
PIiny's Day-Noah Prudently
Waterproofed the Ark.

Whether paint was invented in an
swer to a need for preservative or to
meet a desire for beauty is a question
fully as knotty as the ancient one about
the relative time of arrival of the
chicken or the egg. 1t was invented,
though, and it serves both purposes
equally; so whether it is an offspring
of mother necessity or an adopted son
| of beauty remains forever a disputed
question.
The first men, covering under the
fierce and glaring suns of the biblical
countries, constructed rude huts Of
wood to shelter them. The perishable
nature of these structures caused rapid
/ decay, and it is probable that the oc-
cupants, seeking some artificial means
of preservation, hit upon the pigments
of the earth in their search. 1t is per-
haps natural to suppose that it was
the instinct of preservation that led
men to the search, although the glories
of the sunsets and the beauties of the
rainbow may have created a desire to
| initiate those wonders. in their own
dwellings
The earliest record of the applica-
ton of a preservative to a wooden
structure dates from the ark, which
was, according to the Bible, pitched
within and without" The pitch was a
triumph of preservation whatever it
lacked as a thing of beauty.
Decoration applied TO buildings first
comes to light with ancient Babylon,
whose walls were covered with repre-
sensations of hunting scenes and of
combat These were done in red and
the method followed was to paint the
| scene on the bricks at the time Of
manufacture, assuring permanence by
baking. Strictly speaking, this was
not painting so much as 1t was the
earliest manifestation of our own IA
| miliar kalsominhg.
| The first Hebrew to mention paint
| ing is Moses. In the thirty-third chap
| ter of the book of Numbers he i'm
structs the Israelites, "When We have
passed over the Jordan into the land
of Canaan. then shall We drive out all
fore you and destroy all their pic
lures. ="
At later periods the Jews adopted
many customs of the peoples who sue
lrcessivelyl obtained power over them
and in the apocryphal book of the
Maccabees is found this allusion to
the art of decorating, "For as the mas
ter builder of a new house must care
for the whole building, but he that
/ undertaken to set it out and paint it,
must seek out things for the adjoining
| thereof"
Although Homer gives credit to a
Greek for the discovery of paint, the
illusions to it in the books of Moses,
the painted mummy cases of the Egyp-
| tians and the decorated walls of Baby
! lon and Thebes fix its origin at a
period long antecedent to the Grecian
era. The walls of Thebes were paint
ed 1000 years Before the coming of
Christ and 906 years before "'Omer
smOte his bloomin' Tyre"
The Greeks recognized the value of
paint as a preservative and made use
of something akin to ii on their ships.
Pliny writes of the mode of boiling
wax and painting ships with it, after
which, he continues, neither the sea,
nor the wind, nor the sun can destroy
the wood thus protected"
The Romans, being essentially a
warlike people, never brought the dec
grafton of buildings to the high plane
it had reached with the Greeks. For
i all that the ruins of Pompeii show
many structures whose mural dccora-
lions are in fair shape today. The
colors used were glaring. A black
background was the usual one and the
combinations worked thereon red, yell
low and blue.
In the carly Christian era the use of
mosaics for churches somewhat sup
planted mural painting. Still, during
the reign of Justinian the Church of
Saint Sophia was built at Constantine
pie and its walls were adorned with
paintings.
In modern times the uses of paint
have come to he as numerous as its
myriad shades and .ints. Paint is
unique in that its name has no syno-
nym and for it there is no substitute
material Bread is the staff of life, but
paint is the life of the staff.
No one thinks Of the exterior of a
wooden building now except in terms
of paint coated. Interiors. too, from
PAINTED walls and stained furniture
down to the lowlest kitchen utensil.
all receive their protective covering.
Steel, so often associated with cement
reinforcing, is painted Deiore ii goes
to give solidity To the manufacture
stone. The huge Orders of the sky
scrapers are daubed an ugly hut Ell
cient red underneath the Surface coat
of black. Perhaps the best example
of the value of paint on steel is found
i'm the venerable Brooklyn bridge, on
which gang of painters is kept go
ing continually. 1t is scarce possible
to think of single manufactured ar
ticle which does not meet paint some
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