davidaulloa/AmericanStories huggingface dataset:
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
LICA NATIUNILOR
STATUTELE .ACESTEI LIGI
STUNT TERMINATE.

PARIS, 20 Martie. - Conform
credintei generate care domneste
astazi aici ,,Liga Natiunilor'' va
fl Incorporate in trataful de pa
&c preliminar 81 are sd fie com
plectata pima Simbata yiitoare.
Comitetul care compus pune
telc din statutelc acelei Lige, va
tine Simbata viitoare prima Sc
dinta. Presedmtele Wilson va
prezida la aceasta Sedinta, care
va ii conyocata pentru orele 10
lnalnte dc ameazi.
Comitetul Ligei va urma o Sc
ric dc conferinte GU privire la
constitutie. Propmerile tarblor
neutrale Gu privire la schimbari-
le 81 adausurile &c le Ger, au fost
primite astazi. S'a ingaduit ca
sc vor mai face adauSuri la face
rea carora sc va lua III seam@
propunerile venite din afara, cum
81 propunerile americanilor de a
casa GU privire la nestirbirea doe
trinei lui Monroe. Oar adausurilc
sc yor face de asa Ca ele sd nl
iicneasca drepturile altor ma
tiuni.
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
OcOseli DeOchiate.

Am ascultat de ajuns 81 am ia
cut de ajuns. Ca membru in Iii.
ga Nationala Romina din Ameri-
ca am drept sd vol'besc 81 eu 81
sa-mi spun cuvintul.
Tot aceea cc este mai de seama
&C au facut Rominii din America,
este ,,Liga Nationalas' Toti Gel
&c au jertfit 81 vor jertfi pentru
dlnsa 81 pentru ,,Fondul Biruin-
tei'S sc pot considera dc Romini
adevarati. Liga 81 Fondul Biruin-
tel este proba de nationaiism.
Eu nu yorbesc de actiuni, vor-
besc de fapte frumoase rationale.
Cine lea infaptuit acestea
Toti Gel carora lie place neamul
81 le este drag sa jertfeasca pen.
tru ell
Am admirat 81 admir- 81 astazi
tinuta alta de deamna nationa.
Ia 81 alta de nesovaitoare a &C.
lor de la ,,Liga Nationala't
Am cetit 81 en scrisele domnl-
lor earl yorbesc de bani. Dar iat;i
tocmai aci vad Ell 0 deosebire
mare, ca Intre Ger 81 pamint i'll
tre uni, Romini 81 intre sltii.
Unii sc cugeta numai la bani,
tOate cite le fac sunt Gu bani 81
pentru bani. Pima cind eu 81 cu
mine multimea mare membrilor
Srednici al Ligei Rationale, nu
ne cugetam la bani, ci la suflete
cnrate rominesti
Liga nn are nevoie de banul
cntarei sectiuili. Are. @neyoie dc
sufletelc neprihanitc ale membri-
Tor. Ori, ca sd ma exprim in ter
menii d-fui Ioanovici Gle la 0 a.
dunare nationala: ,,Liga nu are
lipsa de stirvuri expuse la tot So
jul de pacate; ci are lipsa de su-
flete Mobile rominesti. Nainte de
toate neamul, apoi banul".
Sc site destul de bine 81 cu cred
ca aceaSta a fOst dOrinta fonda
torilor 81 congrcsului care vo.
tot statutele ca fiecare membru
Sc faca aplicatiune. M membrii
sd vina gu porunci asupra Ligei,
ci dinsii sa-si ceara ingaduinta
ca sa fic primiti
Cine nu subscrie apicatiune 81
nu incearca a deveni membru, nu
este Gu Liga. lar cine este in con-
tra Ligei, este in contra neamului
rominesc.
Asa cum mise prezinta mie 81
tuatiunca de astazi in afacerilc
,,Ligei", voiu asemana-o unei
intimplari din viata mea. Cuvln-
tul italian: Isl non G vcro e
bien trovato" (chiar de nu ar ii
adevarat, binc nimerit). proba-
bill sc Va nimeri 81 pc aci. Main
tc dc asia cu 8 ami cram iii A.
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
IA.

La fintina cea A peatra
Stau feciorii sd Be bata
Pentru un dara6ut da fata.
(P0poral)-
Locot. Richard Wright, un
aviator din Clevelana Ohio, rein
tors numai acnm De curind din
Franta, a fost pAscat noaptea
trecuta in git, in II duel drama
tic dc pistol, care IRA aproape sa
Sc termine in tfaecdie. Inciden-
tul a avut loc in *Grillroom" -ul
de la hotelul Martinique" +
,Martinica'' eel btn de odinioa-
ra, dar care, in cilrsul timpului
s'a degradat multi.
Cauza duelului q fost fata,
Una din desamagitele purtate de
ale vietii valuri.
La finea duelului.. cintareata
dc cabaret, pentru care a fost
cearta, a disparut! Locoteneptul
ranit dc m cintaret dc cabaret.
a luptat foare frumos in Franta
Doborise doua aeroplane de ale
dujmanului 81 rant la umar a
fost fortat sii descind3 indaratul
liniei inamicului. STA ars aero
planul 81 dupa doul .zilc 81 doua
nopti a fngit in -tabara ameri-
cana.
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21

frica dc sud. I'm trib salbatec de
aci, ayea 0 gazeta 81 un ,,borah'
(advocat) de al lpr avea alta ga.
zeta. Una era a tribului, lar cea.
lalta era lui ,,borah" care, a.
yea de gind sd ajunga, prin pisi-
Carl, conducator de trib. Cea din.
| til Representa- interesele multimii
cea de doua interesele particu-
larc. ,,Borah" acesta al nostru a.
yea niste ticniri, pasiri in public
Gu ocoseli care de care mai Su-
chiate. ,,Borah" fost trims de
guvernul englez ca sd faca pro
paganda prin trib. A fost platit
0 vara intreaga Gu sumo enor1nc
de bani de la guvern 81 in loc
de face isprava guvernului ca
rel platea, a facut isprava pen
tru el, caci a vindut actiuni la
cei prosti din trib. Pc urma cind
a intOrs indarat, tot el striga
conducatorilor ca au mincat s;
iau fndopat' din banii multimei
,,Borah' tragea clopotul in
dunga. Oar poporul, salbatecii
dim trib, in loc sd sc revolte con
ira conducatorilor lOr. in o buna
ri. sa u rcvoltat contra lui ,,Bo-
rah'' 81 l-au alungat din pamin
tut locuit de trib.
.,Borah'' spunea ca in tara or
bilor eel GU un ochiu este impa.
rat, lnsa s'a inceluit el eel &C a
YEA. numai un Ochiu, yi in loc de
,,conducator'' ajuns sd fie dat
afara.
Citi ,.Borah' j MI ayem priu-
tire moi. Trcbue alungati ell dis
pref din toate partile undc sunt
afaccri obsteSti, trebuiesc pusI
la recon
Nointa poporului este volnya
lui Dumnezcu. Nointa tribului e
ra ca el sa fic alungat. Inzadar
STA mai aflat el niste aderentl.
caci toti s'au dovedit mici fata
de vointa poporului. A fost alum
gat impreuna Gu eli.
Romini din America: Tineti
mintc. i'm zilele de astazi, singu-
ra voastra mindrie, singurul tit
lu la un traiu egal ell cci de dim
colo este acela ce vii puteti ca
pata prin membria in ,,Liga Ma
tionala" 81 prin membria la
,Fondul Biruintei's
in cartile unde sunt scrise nu-
mcle membrilor, isl dau intilnire
toti cei buni. Toti cei raj lipsesc
din ele. Ne vom mai intilni 81 din
colo. Vom vedea atunci cine a
fost bun 81 cine rau. Pc cit stim :
pomii carl nu fac fructe Sc tale
81 in foe sc arunca.
Voiti 81 vol foe? Ori voiti Sc
produceti?
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
B0LSEV1Cn STUNT BATUTI.

LONDRA, 20 Martie. - I'm co
municat oficios sosit astazi ale
spune ca fortele bolsevicc au fos1
batnte in un atac asupra pozi
tiilor aliatilor in sud de ,-Archan
gel.
..Bolsevicii all atacat MOrjoior
skaya, la $50 mile in sud de Ar
changel" dupa cum spune co
municatul - Isl au fost respins
lasind pc urma lor 500 PRISONER
peraniti; 81 morti; multi ranit
81 6 pusti-maSini"'
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
TRECEREA oCEANULUI IN A.
EROPLAN

LONDRA, Is Martie. Sc ra-
.porteaza din cercurile ayiatorilor
ca un sbor peste oceanul Atlantis
q inceput de catra un locotenent
francez Gu numele Fontain.
F. craporwaza cd ei poriiif -iTillS
m port Francez-African. adeca
de la lakar sprc Pernambuco.
Brazilja. pcstc insula CapuI Verde
81 st. Paul.
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
CRIZA MlNISTERIALA IN
GERMANIA.

STOCKHOLM, 20 Marie. -
Rapoartele sosite astazi aici ara
ia ca in Berlin este criza minis
teriala. Sc spune ca pozitia can
celarului Scheideman este de tot
nesigura.
America. [volume] (Cleveland, Ohio) 1905-current, 1919-03-21
DE LA LECATlUNEA ROMANA
COMUNIC AT.

Legatiunea Romina nstiintat publicu romn din Anne
rca (pe cei din Romina Basaraba Bucovina Dobrogea
Tansvana 81 Banat pasapoare pentru rentoarcere in
Roina Mare pnace conena de pace este in curgere
Sc mai nbereaza sub nci conditiune
Fie Romin din America doreste Sd napoexe
in RomniaMare este rugat Sd tina strict de uratQarele
~ p1nxxttirY M 'np nm AMrp1nA AITA ~ A1xrx n
LEGATIUNEA R0MtNA DIN WASHINGTON, NU EXIS
IA 81 TOT ASTFEL NICI AGENTI OR BANOHKRI f1dPU
TERNICITI GU sTRN0EREA DE PASAP0ARTE NJ
STUNT;
b) ori CE CERERE fife pentru passport ndrumari)
VA TREBUI, ATUNCI CfND EMITEREA De PASAroAR
TE VI REfNCEPE SA Sc ADRESEzE DE GEL IN LIPSA
DIRECT LA LEGATIUNE
o. MOI UN Eel DE RUGARE SAU UERERE FACU
tx PRIN AGENTI Or BANOHERL NU 81 VA LUA IN
CONFEDERATE, CT VA II RESPNSA TARA CRUTARE
0rijiti dc svutul agonst 81 de luc1u cel ave ofnd
sosi tmpu de plecare rssabite drumurie de
nicate LAgatiunea ntr5a 81 ngnese publicuL Ma
cnrd o. u ward nsa Ia nici drumne spre cas&
yor II deechise. LE0AT1UN6A R0MiNA.
New-York tribune., 1919-02-23
Calendar of Exhibitions

n ean Art Galleries. Madison Square SoutTapestries fur
% ana embellishments sold Augustus Kountze
the cont panngs collected by N February 27
Galleries. Park 'tSeenee, Ayee At to FbruanX e.
of early war Pang m to February 26 February
A1den G0fsH stud Sn seT9naqieS Saa T and railroads
Ardsey Studios 11o Columbia Heights Brooklynapanese
& Art Salon. Majestic HotePaintings by Content Johnson to
b H Art League 25 West Fysevenh stree-Panting
Arlington Galleries, Madison Avenue-paintines b Amer
lean artists, to February %. ~ " "1n''"sS oy Amer
painters March l. ~ ''S""' 0'ree'-"es'ern genre
x Bourgeois Galleries Fifth Avenue-pannps and drav;
v oy cHb Of New York 55 West Foryourt see-painting
ny oa[son a f9WHler, to February 28: ~
Maurice asSr Fromkes mixes to March IS 'e''' ""'"sS' 0S
Et ane Galleries West Forysevenh street-Pantngs by
+. Butler Co. Madison Avenue-Etchings and mezzo
Ehrich Galleries. TOT ACKNOWLEDGEMENTS and etchng
ny un F edon to March III early American
Redfed, through February ~ ~ '' ' " 1"
Association aaS A5 we%sn B"q Psofa5s 5 sd West
fogom Galleries $50 Fifth William Mac
Knoedr Galleries. AvenueFrom February "a paint
'ss HIh ~ LOUIS 1Kr9nberg and I'd Whistler autographs
% en % Galleries l08 West Fiftyseventh by
o Macbeth Galleries 45o Avenue-rhrty paintings by f
m Montros Galleries. AvenuePanngs by Kenneth H.
49,. Maepowe Club West FftyAfh sreetGroup of paint
color Naona Arts Club 10 East Nineteenth
low @ Renhard Galleries Fifth by Will
Samagundi Club AT Fifth AvenuePantngs sculpture to
Whitney Club lat West Fourth streetwood enprav
ngs charcoal drawings and color plates by group
Whitney Studios Eighth stree-From February 25
by Malvina Hoffman, and paintings by Arthur Chrp
Vanity Fair Shop, 718 Ayenue-Sangune portraits bv
Virginia Hargraves Wood to March ' ~
New-York tribune., 1919-02-23
The Montr0ss Collection
And Some Other Exhibits

Importance but of indubitable quality
by Wyant and Shurtleff, respectively
There are two Blakelocks, small but
characteristic, and one of them, the
"Moonrise," particularly good, having
in it more of his breadth than of his
folble for silhouette. The Lake Under
the Hills" by Twachtman, is an en-
gaging souvenir of his middle period.
Examples of Bruce Crane, Charles Mel
vile Dewey, Elliott Daingerfield. w. l..
Lathrop and G. w. Eaton complete this
part of the show.
In the contingent of figure subjects
the outstanding canvas is Mr.. Dewing's
Green and Gold" He also shows US.
so to say, both sides of the medal.
his recent work and the work of other
days. "The Waiting Athlete" painted
years ago, is a study of the nude on
small scale, academic in sentiment.
Refinement in the sense of form sug-
gested, purity in the color, alone fore
shadow the quality of the "Green and
Gold" This is typical of the artist
at his zenith, painting a lovely femi-
nine figure so idly posed as to ex-
clude all thought of any dramatic sig
nificance, but painting it with such
mastery as to make drama seem alto
gether negligible. We were alluding
IN this place only last week to the es-
sentials in art of this kind, consum-
mate craftsmanship, fneness of taste,
distinction of style. Mr.. Dewing has
these things and they make his SIM
pie composition radiant. As kind of
pendant to it the exhibition presents
in the young Woman" one of his re-
nous impression. Apropos of drama,
cent pastels, an exquisitely diapa-
we may note that that element gives
way to decorative or gracefully realis-
tic motives in the small pictures from
various Academicians which appear in
the collection, and is sunk in pure
portraiture in perhaps the handsomest
OF them all, the solidly painted, finely
drawn "Head" by Mr.. George de Forest
Brush. But the atmosphere of an i'm
aginative drift comes back in the
paintings by two types conspicuous
in the ensemble, A. P. Ryder and A. B.
Davies
Ryder's magic power of suggesting
something over and above the ponder
able factors in scheme is wonderfully
effective in the Dancing Dryads."
Like so many Of his productions it
seems, technically, incomplete, but in
New-York tribune., 1919-02-23
Random Impressions
In Current Exhibitions

There are certain artists-Michael
Angelo IS their supreme p-ototype-to
whom form supplies an idiom through
which to express emotion. Their pur-
suit of beauty does not necessarily
take account of subject in the strict
sense. They use form rather as the
writer of absolute music uses the notes
Of the scale. No other type, pressing
toward success, courts graver dangers.
Some five years ago when Mr.. Ken
meth Hayes Miller asserted himself in
Il fairly ambitious group of pictures he
seemed on the way TO triumph in this
field. Out Of kind of gray penumbra
his figures suggested visions which had
earlier recalled Arthur B. Davies, but
which now promised the revelation Of
Mr.. Miller's own inspiration. We were
impressed by his ability and wondered
just whittier he was tending. To-day
at the Montross gallery, he shows u.s.
A few of his canvases revive the old
penumbra, but in the main he uses an
other and lighter key, seeks to make
more Of landscape sentiment, and in
so far as he hints of any external in
Huences makes US think of such di-
verse painters as Cezanne, Renoir and
Puvis. His art has gained. There is
in it moro of the light and air of
New-York tribune., 1919-02-23
AMERICAN ART IN VARIOUS ASPECTS

as lyrical and limpid as a Corot, with
horseman who seems to bear an i'm
measurable burden Of old. unhappy, far
OF things and battles long ago. The
Ryders are all true fragments OF his
odd genius. Mr.. Davies, who some
times seems kind Of offshoot from
Ryder, has eight pictures in the show.
His tendency, always, is to be uneven,
and there are some Of these examples
of his art which seem to want his ac-
customed glamour. The "Body of
Dew," for instance, is fairly crude
performance. But he is bewitchingly
himself in "The Call Of Spring." or
the Breath Of Autumn" or the "For-
est's Festival" which is to say that he
revives in these paintings all the naive
charm, as of old Renaissance improvi-
sations, which was once his salient
gift. He has latterly fallen upon fan
tastic ideas of modernism, which ap-
pear to have withdrawn him from the
artless spirit Of his early pastorals.
1t is hard to see how ne could have
left these ideals Of his earlier expert
ence. Take, in illustration, the Breath
New-York tribune., 1919-02-23

Of Autumn" In a way it is of realism
all compact. The woman rambling be-
meath ancient trees, the child on his
pony at her side, make no specifically
romantic appeal. Yet the scene is
drenched in romance, in the romance
Of youth and a remote sylvan world.
There is one undiluted realist in Mr..
Montross's company, Mr.. Horatio
Walker, with big, powerful picture,
the "Ploughing in Acadia" and sew
eral smaller studies of rustic themes,
Milking" "a Stye-boy Feeding Pigs"
and the like. The large canvas afore-
said asserts itself through weight of
composition, through certain robust
quality, but the other compositions ex-
emplify the value of technique in its
more intimately appealing quality.
That is what marks the collection as a
whole. From Murphy's delicately SEN
suous tonality to the bravura of
Chase's "Fish With Still Life" the pre-
vailing strain in this exhibition is one
of interesting craftsmanship. 1t is
representative of much that is best
in the American school.
New-York tribune., 1919-02-23

nature, a fresher note of color. But
his figures and the obscurity of their
significance bring US back to the dan
gers just mentioned. One of his de-
signs is entitled Psychological Allu-
sion," and the phrase is only too apt.
Mr.. Miller is so vaguely abusive that
he loses his hold on reality, on the
beauty of things seen. Form with him
has become so much the vehicle of a
recondite emotion that he seems, while
attempting to glorify it, actually to
slight it. The pursuit of the idea
slackens the pursuit of nature, crowds
out the nuance of modelling, the
beauty of linear expression, which in
such essays are really indispensable
1t is as if some theory, some formula
had intervened to dislocate his cosmos
1t is still, we feel dimly-and the dry
points he shows confirm the impres-
New-York tribune., 1919-02-23

spiritual mystery and enchantment it
IS brimming over with his peculiar ro-
manticism. The three companions or
breadth of his scope. One of them is
the familiar "White Horse an illus
tration of his faculty for lifting the
portrayal of an animal to higher
power through sheer force of person
ality. Another is the picture, obscure
save as it is Illuminated by poetic emo
tion, called Landscape With Old Mill
in Moonlight" The third is his "Childe
Harold's Pilgrimage" little landscape
New-York tribune., 1919-02-23

colors have already been shown at the
artists recent exhibition in the Art
Salon of the Hotel Majestic. Mr. Fow-
Ter is quite as successful in oils as in
water colors, and in "The Forge in the
Forest" he shows an effective COM
position of tall trees, with a group of
small figures at their base. "The End
of Summer" has brilliant color, but is
a trife hard in quality. In "The Mill
Race" however, he achieves a charm
ing, softened quality of sunshine and
shadow. Morning Mists, Tyringham
Valley" has also been painted in a
poetic mood, and "Willows, Lenox," "
though sketchily painted, has much
spontaneity. The exhibition will last
throughout the month. Ladies are ad-
mitted between the hours of II and
only.
Impressions of other exhibitions
on page four of this section.)
New-York tribune., 1919-02-23

A group of water color and oil paint
ings by Carlton Fowler has been
placed on exhibition at the City Club,
of New York. Most of the water
New-York tribune., 1919-02-23
$lOO Prize Is Offered to
Artists by N. Y. Publishers

A 500 prize has been offered to
artists and designers by Boni G. Live
right, publishers, 1O5 West Fortieth
Street, for the best design for lining
paper for their volumes in the Mod
ern Library" which should express the
idea and scope of the publications.
The conditions of the compettian are
that the designs submitted must be
6ss X x8A, or in proportion and to be
made in two colors, one indicating
stock and the other the printing All
designs must reach the office of the
publishers on or before March s. The
judges are j. Herbert Duckworth
Louis j. Bouch and Horace Liveright.
New-York tribune., 1919-02-23

sion-a cosmos in which beauty is not
forgotten, but somehow it is not
brought convincingly to the surface.
The same preoccupation, the existence
Of which we suspect, is probably ac-
countable for Mr.. Miller's arbitrary
definition of ground forms and his in
determinate textures. His landscapes
suggest rather than report, and that
may be on occasion a virtue, but these
pictures do not suggest enough. He
makes us feel, as we have felt before,
that he has rare imaginative emotion
of his own. But also he still leaves
us feeling that he is moving about in
a world unrealized, that he has not yet
found the right envelope for the rich
substance of his art.
Mr.. Jerome Myers, at the Mich gall
lery, knows pretty clearly where he is
going. Subject, in his case, shows
vividly through the fabric of his art
1t is the East Side that he portrays-
the life of the streets, of recreation
parks, of the humber theatres-and
through most of his scenes the chill
dren of the tenements provide the COM
pelling motive. The stuff of his work
is human or nothing. AS such it goes
perilously near the edge of anecdote.
When he paints "The Grandmother" or
Evening Circle" or "Recreation Park"
he might easily be confused with the
illustrator in black and white, avid of
types" and local color, and thinking
only Of. the accurate presentation Of
slice Of the New York scene. But Mr.
Myers does much more than this. He
has gamut of color that is very per-
sonal, notable especially for some quiet
tawny notes that bark back in their
realistic way to Whistler, and even
more personal is his style. This is
what gives him his distinction, the
fresh, intimate and likable way in
which he draws his threadbare models.
young and old, giving their squalid fig
ures new and charming investiture of
art. He is weak in design, perhaps
from uncertainty as to what to omit.
When he paints a street procession it
is his canvas rather than the street
which is crowded. Even in the smaller
groups his actors are not quite spon-
taneously-or artfully-enough placed.
The naturalness of pose is felt in the
particular woman or child rather than
in the group. On the other hand, the
naturalness which he seeks Mr.. Myers
finds. His portraits of the East Side
would be hard to match and harder to
beat. Such sentiment as is embodied
in them is refreshingly sincere. There
is the beauty Of truth in these pict-
ures and there is unusual beauty of one.
Beauty OF design added to their char
acter and strength would give them
even higher rank than they now deserve
and that is not low.
New-York tribune., 1919-02-23

few bold, pure tones the result is
one-man show a fit rival to the dis
play, further downtown, of the Water
Color Society. The most prquant ex-
ample is "The Coal Wagon" 1t was
something like tour de force to turn
this prosaic theme into such effective
pictorial terms. But the best measure
of Mr.. Beauley's talent is given in
landscapes like the "Autumn Day" and
the green "Moonlight" and the vivid
"Snow and Water" or in architectural
subjects like the "Fountain, Riverside
Drive" the "Park Gates" and the "Old
st. Paul's.' This artist has an un-
commonly good grasp upon textures.
His sketches of buildings denote an
architects sense of structure and ma
terial. The fountain piece aforesaid
is beautiful illustration of the point.
The "Old New York" is another, and
charming portrait of a place into
the bargain. For place, indeec, afr.
Beauley has a flair. One great merit
of his exhibition is that apart from
its technical merit it is genuinely
interesting in its impressions of urban
scenes, of the countryside, of still
life, of a wide range of picturesque
subjects.
The success of the Macbeth gallery
IN holding little Academy of its own
is repeated in the current show of
thirty pictures by fifteen American
artists. Landscape predominates, but
the figure has its chance. Mr. f. Luis
Mora holds the place of honor with his
Fortune Teller" a picturesque Incl
dent of the marketplace at Madrid
1t is a Salon type of picture, big. tell
Ing, in the histrionic realism of the
racy Spanish figures. Painted a num-
Der of years ago, its rather powerful
colors have mellowed, and it is really a
handsomer canvas than the same ar
tlsts decorative Ruth in Costume -
Mr.. Maurice Fromkes, brilliant in dec
Grafton and in richness of surface
sends two portraits. Mr.. Hawthorne,s
Autumn" and "April" are both illus-
tratlons of kind of symbolism which