davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Butter, Cheese and Eggs

Butter.-Receipts were 1881 packages
Creamery. higher than extras. ID. 81 q
b2AC': extras. 90 score. 51@51i.c: firsts
So to 81 score, 4ai7 ep5o%c; seconds, So te
81 score. Al Il q 49c; lower grades As ~ a
4Ic, unsalted. higher than extras, 50 - q
seconds, 49M5lc; stase dairy. tubs, finest
5o12 q sic. good to prime. 49@ SOC: com
mon to fair. 46M4Si2c: renovated Grsts
soc. lower grades. 6@49c; ladies' current
make frsts, 47i2 q 4Sc; seconds. 1890
lower grades. IS q 46c; packing stock, cur
40 iac; lower grades. 42M44'.c.
Cheese. Receipts were 4.475 boxes State
whole milk, fresh fats, colored, lb 80 a
&c; white. 32M 80 iac; average run. col
ore1. 81 . q $l3.c; white, 81 81 &c: lower
run, white 3Os4 @ 81 lsc: colored 3Oa. a
81 lac: lower grades % M30,2c Wiscon-
sin. whole milk. single daiscs. fresh. col
ored. 32i4 a 33c: double daisies, colored.
fresh. a24 q 32':c, Young Americas, fresh.
25 lsc; prime to choice. 2O02sisc: fair to
good, l5M l9c, lower grades, I a lac.
Eggs-Receipts were 1883 cases. Fresh
8 altered. extras. dozen. STA SIC; extra
frsts. 4Sdu50c. tirsts. AS q 47c. seconds and
No. . and poorer So@3sl ac; checks, good
70 choice, dry. 36 M37c: undergrades. 26 q
Soc. state. Pennsylvania and nearby west
ern. hennery whites. fine TO fancy. 80 463c
fair to prime. 47Gl5sc: gathered whites
to prime. a a 5sc: other western
state, Pennsylvania and nearby, hennery
browns, fancy, 53@55c; gathered brown
and mixed colors. graded fancy, 50M52c
fair to prime, As @49isc.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
and Business g:
Commodities =

bsk.. s2a35o; Maryland and virginia
yellow, bsk.. s2@a; Texas, crt., $l@45o
ccahlornia CRIT ssq4.25. 1oolb. bag, So I
Peas, Long Island bag, $3.50 q $50: state
bsk,. $26o@ 3.so Jersey, small bsk.. 81 q
200; Maryland. bsk.. s1@2. Peppers, box
81 q !: IS; southern. bsk.. s1@l75: south
ern: Italian box s2@3 Parsley, nearby
curly, bsk.. so @s1.5o. Rhubarb. 100 bchs
gig $50 Romaine. bsk .5o@$1.2s; Dbl
bchs.. -sl02. Scallions. 100 bchs.. s1@2
Spinach H.: nea ri y Dbl. sla2 bsk., 4o@sl
slM2; box. .5o@s1.5o bsk. 5O@si.5o
yellow. crooked neck. bbl., .5o@sl5O. box
30 q s125: bsk.. .50@sl. Turnips. white
Dbl, sS@35o: old, Dbl or bag. .a.5oG4
Tomatoes: Florida. CRIT, $1@S5o; South
caroiins, ert sl@2.75; Mississippi. fat
81 90; dollhouse, lb. 12@25c Watercress
90 bchs S1M2
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Cotton

Cotton prices weakened under hquida
ton yesterday, and at the close were "a
from 10 points lower to l point higher
than, than the previous closing. An early ad :
vance carried the market up Is to 20
points, the July delivery rising to SO 80
and the October delivery to 1891 There
was heavy selling, however. in the way of
evening up for the week end. This selling
was stimulated by favorable weather fore
casts. The market broke from "a to "a
points and closed at or near the lowest.
Another private bureau report on the
condition of the crop published. 1t
put the condition. as of June %, at SIS,
as against its estimate a month ago of
1915. A new. review of the crop situation
emphasized the damage caused by the boil
weevil, the poorness of cultivation and the
grassiness of the fields. The plant was
SAID to be small and weak. Moreover.
tnere is now great danger it was asserted,
from hot. dry weather, if such weather
should follow the long spell.
day.
Prices for future contracts follow:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Tea

Demand for teas. particularly Ceylons
and Japans. continues active. Stocks OF
many grades said to be in danger OF
deposition result of large exports
Quotations for lots of 80 and 90 packages
follow:
Greens.--Moyune Gunpowder. 5lm73c,
Pingsucy C;unpowder. 81 a 55c. japan;
Panlired, IS q SOC. India: Pekoe, "a a 44c
CeylOn: Pekoe IS q 4Sc. Java: Pekoe, 29
q 34C
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Hops

67 mops-state, 1918, prime to choice. lb..
common to prime, nominal; Pacific Coast
1919, prime to choice, 5s960c; common
TO tair, AZ q 56c; 1917. common TO prime.
9sV i0c; state and Pacific Coast. older
erowths 22Q zoe.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
u. S. Government Bonds
Liberty Issues
Transactions

transactions
The following table gives the trans
actions yesterday and the approximate
investment yield in the several Liberty
Loan issues at closing New York
Stock Exchange prices:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Bid and Asked
Quotations

The following table gives the closing
pa and asked quotations for stocks
nsted on the New York Stock Exchange
but not traded in yesterday:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Hay and Straw

Hay-Timothy. No. I, large bales. ton.
s44 q ~ No. to 2. $685. shipping.
$33 @34 no grade hay. $26N3l; fancy
light clover, SAP a43: No. ], clover mixed
$3.50; No. 2, 1896. Straw.-No. /. rye
$3.50 IA; No. l. oat, $12
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Sugar and Coffee

Current Year
prices ago.
Sugar. granulated per lb. 745
Sugar. centrifugal, per ID. 1873 -
Coffee, Rio. No. T. per lb.... 23 83s
Coffee. Santos, No. 4. per lb. 281x @29 -
Sugnr-Refners continue to reject do
nestle orders unless buyers are willing to
take August September delivery. There
is demand also for refined sugar for
export which cannot be filled.
Coffee Futures-Coffee prices fell back
yesterday for net losses of Ct to 81 points
There was free selling result of ca bles
saying the Santos term market was %
to 100 reis lower. Prices for future con-
tracts follow
Previous Yeal
High. Low. Clos. close ago.
July. 1900 ee.oo s1.s0 @2l 90 ss.55 %
Sept. 49,. 21.8O 21.BO 2150@21 60 $3.50 -
Dec. 2I.SO 2l.X0 21.O1@21.O5 21.8O -
March. 21.30 3f.3O 2O.S1@D2O.X5 21.G5
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Bonds

fouoD'ng rs q complete record Of
all transactions IN bonds on the No1U
York Stock Exchange yesterday:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Consolidated EXCHANGE

lonit OF trade on this exchange, 10 shares
transactions and prices yesterday for the
more active shares follow.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29

Live steers. fair TO
primo. 100 lbs. 3
Dressed beef sides,
ID.
Live vcals, com
mon TO prime.
100 ID. i.
Dressed veAls. city
ID. ............
1.-Two ewes. 100 10.
Dressed mutton,
10. .
Dressed lambs,
city. 10. i.
Hogs, 100 ID.
Live lambs. fair
to prime. 100
Id. ............
Dressef h o r .,
bacon. ID. &.
Mess beef. Dbl.
Mess pork Dbl.
Lard. Mid. West.
100 ID. ......
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
=: Varied Phases Of Finance and
'nds Dealt In Flat

do 5-year 514s 1921. esIs es3a
do 2o-year 51ss 1887. seIs eeIz
Foreign Bonds Dealt In Flat
Mexico Ext strl IS of '99 1915. e6M ~
do gold As of '04 1854 ..... So 81
Russ 1894 rente As 1000 den. 20
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Cereals

Whoat.-HarNostn of winter wheat is
reported to be moving northward at a
good rate. high temperatures are ripen-
ing the crop and dry weather is facilitat-
ing operations. Receipts of wheat at New
York yesterday We're 400 bushels.
COrn.-The market closed q to y cents
higher The rise was based upon small
stocks and an increase in the price of
hogs. Weather reports were favorable
Yesterdays Previous Year
Corn, No. 2. ylw. s1.94H s1.9s
July .:......... 1885 1.7s1s s1.4s
September ...... 1864 l.75% -
December ...,... 1884 1881 -
Onts-Prices were fractionally lower
Many traders continue to emphasize the
Yesterdays Previous Year
Oats. No :, 1917: $3.50 so'7s1. so.s ST.
July &C.,. $3.50 80 .73
September. .ss1s q - $3.50 -
December. .e9A @ -- 1915 -
Rye-Markct dull
Yesterdays Prevou, Year
Cash, Mo- wh.s1.52% sl.5aM $l.8l
Flour and Neutrality-suspicious. were
Yesterdays Previous Year
MINI NEW p25H slSsf SGsf s,os s0
Corn orr meal a5o@ 4a2 s59@@ as RIPE
Bran.... i2.75@ 43.OO 42.75@43.OO -
Cottonseed OiI.-No sales we're reported
on future contracts were
Open.
l0:45 a. M Previous close.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29

Yesterday. A year ago.
1909 s14.00@17.5o
.15@ 20 .17@ rs
17.oo@21.oo 15.oo@1s.75
::ss::S 80: 80 .::ssssS,.::ss:s
100 III .,s@ .:s
FOG 80 $50 81
%l.25@2i.b0 17.258i7.75
17.So@ls.so le.so@is.ss
.. .S2oo@;;..e,Ns :;a:s%@asM
500 85s.5O 47.5o94s.oo
a+.so@s4.7o s5.lsg2s..s
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-06-29
Yesterdays Transactions in Listed Stocks

dollars
,aseden on tfansee ef shar
New-York tribune., 1919-10-19
Whittier to Introduce
Russian Comedies Here

Robert Whittier, directing the Rus
sian Drama Season, who is completing
the details Of the repertory for an
early opening announces the most dar-
ing feature of his project, the intro
duction Of Russian comedy to America.
For years this has been cherished
ambition Of Mr.. Whittier crystallized
during his six years Of rcpertory on
the Continent. He feels that now the
psychological time has arrived for
definitely undertaking the experiment
in this country.
Among the comedies Of the Russian
dramatists that have been scheduled by
Mr.. Whittier ere "The Cherry Or
chad" and four nc-act iarccs by
Chekhov, "The Inspector General by
Gogol and Jealousy" by Arzybashehi
MIR. Whittier say his project Will
present an entirely different angle OF
The Russian character and tempera-
mcnt. and asserts that some OF the
most subtle humor OF modern drama
comes from Russian pens in spite OF
the popular opinion that the Russian
mind is more inclined toward the
gloomy and morbid.
special feature will be the mel
dantal music and orchestratlon, whicf
will be presented by native Russian
artists.
New-York tribune., 1919-10-19
America T. First In Revues.
Says ''EIitchy's'' Producer

Julian Alfred, who has staged
"Hitchy Koo 1919," the Raymond
Hitchcock revue at the Liberty, is the
only American producer who has staged
big musical revues in the four big
capitals Of the. world ld-London, Paris,
Berlin and New York. Several Ameri-
can producers have staged musical
shows in both London and New York.
In fact, it is quite common thing
for producer to divide his time be-
tween the two English speaking cities.
But Mr. Alfred has produced several
revues in the French capital and also
in Berlin-naturally before the war.
"The musical revue has taken the
place of the oldtime extravaganza"
said Mr.. Alfred recently in discussing
the why and wherefore of the modern
revue. "Musical comedy-a play with
q plot and musc-we have always had
with us and always will. but many
other types OF entertainments change
with the changing years. Just why
theatregoers should prefer the revue
to the Extravaganza is not apparent,
except that the revue is livelier, faster
moving and perhaps more related to
what people are thinking about.
at may be a sad commentary on the
American stage, but it is fact that
the only type Of production in which
we excel is the revue. We lead the
would when it comes to revu's like
.Hitchv Koo,' The Follies' and girl and
music shows OF that type. Nidsical
comedies are better produced in Lon
don than in New York. Operettas are
better done in Berlin or Vienna than
New-York tribune., 1919-10-19

over here Dramas are better staged
in the Art Theatre in Moscow and the
Dcutsches Thea ter in Berlin than any
where else For farces there is no
place like Paris.
But when it comes TO revues, New
York and by New York mean
America-is supreme. 1t is an art that
VIC have developed far beyond the pro
duccrs in London and Paris, and, Of
course, Berlin.
Take this new 'Hitchy Koo,' for in
stance Il is on more pretentious
scale than anything that has ever been
produced abroad. European managers
do not spend money on their prodnc
tions like their American rivals. This
new revue has cost at least 100000.
One drop-a sinble curtain-cost
SO 500. a European producer would
throw UP his hands in horror at such
expenditures. Here in America the
revue manager makes his production
without regard to expense.
The personnel is in excess of 100
people-10S, to be exact. With prlnci-
pals salaries ranging rom $40 to 500
a week. exclusive OF the star's-and
sixty chorus girls whose minimum sal
arv is $40, it will be seen that the pay
roll is enormous. Only in America
can such extravagant entertainments
be undertaken. For in Paris and Ber-
lin there is no road territory to get
back the cost OF production. and IN
London the revue has not reached the
stage DEVELOPMENT it has here"
New-York tribune., 1919-10-19
Greenwich House Benefit
At the Sc!wyn Tonight

Greenwich House will have benefit
tonight at the Selwyn Theatre. The
programme. arranged by Robert Milton.
stage director for Comstock g. Gest,
has twenty star acts, including an ex-
hibit of Paris gowns and hats. Ray
mond Hitchcock will auction gown
and hat donated by a Fifth Avenue
importer. Among those who will ap-
pear are Bessie Mccoy Davis, Irving
Berlin. Lieut.. Gitz-Rice, Irene Bordoni,
Florence Shirley Juliette Day, Douglas
Stevenson, Lorraine Manvilie. Hal
Forde, Juanita Fletcher. Allen Pagen
Harry Fox, Anna Wheaton, Tom
Powers, John Z. Hazard, Otto Kruger
and Francinc Larrimore.
Greenwich House has just closed its
wear with deficit of 50 900. caused
by the tremendous increase. in its
activities during the last few years
To clear this deficit and bring its in.
come to the level of its expenses, Mrs
Arnold Gottlieb friend Of Greenwich
House, arranged tho benefit.
New-York tribune., 1919-10-19
Tim O,2enings and a ReuiUal 1his Week

will present on the iis
oor,odv NV Harvey Harriet Ford touch
~ m CANA of the more amusing Of the servant proon IN e
cost are Laura Cyril Scott Donald ""nef' 'p ~
At the shubert sothern and Julia Mar"e IN ne "u ~N
REVEALS will appear IN ne lairH
the
.h wrer Garden Shub will present "The
by iaroo eusc music ny
bv c. dancing numbers arranged by
uor There will be bcwideng profusn or scenic
costume effects annual comey chorters
~ cos Monroe lazel oox ohares
u,;n,;no.r ON Haskell, Madgo and many others
New-York tribune., 1919-10-19
True Color of the Orient
Brought to Our Theatre
By a Native OF New York
By Rebecca Drucker

insistence on 4 more courageous use
of color An excess in the ase Of it
was better he sald, than the alasnlIa
of the eye to which modern pair ting
had succumbed Western art was In
fuenced largely by those tourists who
made pilgrImages to the Bay II Naples
to see it through smoked glasses The
truth is. he sad, we fear clear co.ors
because we do not know how to use it.
We have trained ourselves 20 think
tonalities in rood taste because we
have neither the ski nor the courage
20 risk working in clear col1rs. 4 is
easy to hide all our bad dr1ftslnan-
sI . II der smude ings o. ca aroscuro-
81 remember Going 10 d Pittsburgh
art emil saia Sin 5nson. Il pa ssed
before the drearr row % spititless
paintings the bad RIM 2raadts and
Velezquezes and Whistlers, with
which the ce ars are filled after
each spring exhibit. ! grew more and
more disconso ate. wandered into
the next room By mistake AID there
I oct NV first thri ! cf the whole day.
There stood a stuffed zebra, and
stopped spclibound by the beauty and
the ooldness OF the ing. Nature had
not been AFRAID to make p definite
mark Nature had been garish. And
over and over again you Vii tnd tHere
are no colorings that the mind Of
man can concci1e that are as audacious
as those in nature"
Stage designers nave used lighting
as painters have used chlarosc1r to
blur out the inecttudes Of bad draw
+ ing and bad coloring A stare designer
: if he has done his work well 5 Old
have proportioned so beauti.
should have set his GROUPINGS in reia-
ton to one another s. rightly shou a
/ have decorated and cost1med in such
authentic and integral co.ors that he
need ask no aid from l~ht. A setting
should be adapted 10 any mood. The
! designer should do his work so that
any play of any mood can 20 on IN a
hard blond light.
That is what simonson has accom-
plished in The Faithful In taose
settings he has toned his passion for
color down to tHe sorority and re-
straini of the Jaoene spirit. Bat he
has not ecaivocated with either his
lights or his BACKGROUND. lie has
kept them ali clear a 4 definite, hard
against a li~ht Background. Yet the
whole thing ties together" color with
composition and line--th~y merge into
the human figures as the figures do
into the play.
These young artists, in their revolt
from the sentimentalities through which
Western art has muddled along in the
last 500 years. voice again the almost
forgotten artist creed that art is use
less if it is not utilitarian. Design,
says Simonson, is filing a space with
sense of what the space is TO be used
for 1t is as true of the proscenium OF
he stage as of the frame OF a picture.
1t is as true Of sofa pillow as of n
mural decoration. With true instinct
for the essential qualities of design an
artist would be able TO adapt his Gro
!. ative genius to any form.
New-York tribune., 1919-10-19
yulia Marlowe Picks Out
Her Shakespeare Roles

"My favoritc part is one that have
not played for quite while -lmogcne
in 'Cymbclinc' She is exquisite, the
lovelcst heroine in fiction" says julia
Marlowc, who is co-starrin@ Mt the
Shubcrt with f. II. Sothern in brief
Shakcspcarian season. con, but Ike
Imogenc! After Imogcnc, | like Viola
and Rosalind in the comedies and
Ophclia and Juliet in tho tragedies.
There was Lady Macbeth, too, different
from any Of the roles have had"
In Shakcspcarian drama Miss Mar
lowe has appeared as Hcrmionc and
pcrdita in "Thc Winters Tale" limo
gene in "Cymbelinc," and with E. II.
Sothcrn as Ophela in Hamlet" Viola
in "Twclfth Night" Katherine in "Thc
Tanning of the Shrew," Rosnlind in
GAS You Like It," Juliet in "Romco and
juliet" Portia in "The Merchant Of
Venice" Beatrice in "Much Ado About
Nothing" Lady Macbeth in Macbeth"
and Cleopatra in "Antony and Cleo
patra."
each role" says Miss Marlowe, "dc-
mands a new set of gestures. | believe
IN lew HcSLuTcS, anu tilCy hiuSe S'>" ~
individual to the character. What that
determined, ambitious Lady Macbeth
would have had would be entirely op-.
posed to the little, refined actions OF
Rosa ind. for iNstance. Lady Macbeth
was coarse don't mean vulgar-but
she probably liked big, bcefy things to
cat, ard would not touch delicacy
such as Juliet mi~ht have crnvcd."
Miss Marlowc has always been a
stanch woman suffragist She was
nskcd If playing The flaming of the
Shrew" wherein Katherine is made TO
call the sun the moon and otherwise
please her mastcrful husband, Pc
truchio did not go against her suffrage
sens bilities.
"No" said Miss Marlowe, shaking her
dark head and smiling cryntc smile
"Dont you worry about Katherine
She can manage Pctruchio all right
She shows nbjcct submission, but she
is clever. She found thnt she could
not ret her own way by stormlng. sc
, shc tries another method Remember
. how at the very end she bids the wife
Law her hands under her husbands fee
TO tread on If no desires? And rcmcm
Der how she adds and may it do HIN
'euBci'7"
New-York tribune., 1919-10-19

Lee Simonson is vivid and provoca-
tive. Nature has made him the Orien-
tai in appearance, so dark and foreign
looking that if you wrapped him in
some Of his own gorgeous colors he
wou d belong magn .fcently in one OF
his own most exotic stage settings.
And she has made him an Oriental in
feeling-not in our fabby, shopworn
theory of it, but in the clear, astrin-
gent quality which comes nearer the
ruth of I.
The quality Of the Oriental is in his
work, which comprises some of the
boldest and most beautiful stage de-
signing America has yet seen. The
beauty of line Of "The Magical City"
settings. the hot colors of Sisters Of
Susanna" the fat decorative quality
OF pierre Patelin" and the precision
and restraint of his settings for THE
Faithful" John Masefield's japanese
play which is now at the Garrick
.'neatru under the auspices of the The
atre Guild, all show how much he has
drawn from a rich source which West
ern artists have scarcely tapped
Having made him an Orie.-tal n sp-
pearance and temperament, Nature
yearied of consistency. She let him
be born a New Yorker. And if you
are persistently romantic and search
back few generations, the disiliusion-
ment is even greater. Two generations
back you get to German peasant stock.
/ But 20 back a thousand years or so
antedating the Diaspora, and you find
rhe authentic Oriental strain.
Perhaps it was damned back too
hard in past generations that it flows
with such intensity through young
! Smonson. 1t made him unhappy as 4
boy with the drabness Of New York
its consistent feature!essness. And
his four years in Harvard, which were
a concession to parental desire, were
no happier. AS soon as he finished
Harvard he made straight for Paris
and found his way to Julien's. There
in a studio that was always bathed in
a gray light, the color of dshwater
he absorbed traditional princip es. /,
was not long before he found his way
into the group of Leo Stein and other
young insurgents. They were all ther
greatly excited over the Continental
revo .utionary stage designers-Gordor
era e and Rcinhardt and Bakst. A re-
quired piece of work at Ju lens was
weekly sketch whose excellence de.
termined ones advantageous place or
the studio floor. Simonson's was usu-
ally a design in the manner of Gordon
Craig tiny human figure at the bot
tom of q cavernous hell OF draperies
which usually earned for him from hi:
conservative master the very wors
place on the floor.
Lee Simonson's work in stage de
signing is perhaps the most significan
of the whole school of young artists
who have adopted the theatre because
, of his training in the school of ultra
modern painting. He has brought tn
tendencies OF the painter to stagecraf,
He burst upon the peace of the Ameri
, can art world five years ago On hi
return from Paris with disturbing