davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
By Virginia Tracy

Of the arrows that have been let fly
at US since we wrote last week about
lifting the embargo upon foreign films
three have stuck: Did we want the
screen flooded with pictures that would
drive out the home product? Since
when were we one of those who think
everything foreign better than any,
thing homemade? Third, and last:
Was 1t true we advocated having all
American characters played by Chi
nese actors so that we could get their
idea Of Americans.
This last, too subtle for refutation,
may have been biting jest, but as
to question number two we can answer
only: When, indeed! And ask, in turn,
of question number one: But would it
work out that way?
If it be true that hidden only by the
horizon there rides a golden argosy Of
pictures, an invincible armada before
the mere wind of whose coming the eff
forts of our own producers must fall
fiat, nations sweeping irresistibly over
products in their conquering trail,
then, for heavens sake, let us have
them. Let US see what they are like,
these wonders; let America look and
rejoice-and make some herself and
make them better! The economic ques-
ton being out of our sphere, all we
want is, as the movie magazines de-
clare to be the movie slogan: Better
picturesl" At the same time, it is not,
we presume, a case of cheap labor. If
it were true that, while the consci-
entious American producer was obliged
to ask a quarter admission for his
products the INSCRIPTIONS foreigner
could flood the market with nickel
movies, then, indeed, we might hasten
to scuttle the armada, to forswear curl
osity and comparison, crying to our
very own: ooh, be as thou hast been
to me, forever and forever!" But
we cannot help feeling that the pro-
ducers have perhaps taken a step or
two toward preventing this condition;
that the Monroe Doctrine was not al
lowed to lapse from the treaty without
the insertion of some substitute. Why,
then, shoot arrows at US, suggesting it
as inevitable that on equal terms and
on their own home ground the Amer-
can films must yield?
We have friends, it is true, whose
experience of early Italian films insists
upon lights and depths of Photographic
tone they have not since seen equalled,
and we, too, remember old Gaumonts
and Pathes which seem to US fresher
and cuainter in subject than our mac
adamizcd market would permit; yet we
can't be sure, because not one of the
few French films we have been able to
see since those easily dazzled days
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
Ding Cartoon Subject Of
Loos-Emerson Phofop{ay

ooh, You Women!" the John Elmer
son-Anita Loos Paramount production.
featuring Ernest Truck and Louise Huff.
Will be released by the Famous Players
Lasky Corporation on May 4. special
press book is embelishcd. bv courtesy
OF The Tribune Syndicate. with re-
production of the clever and singularly
appropriate cartoon by Ding recent
~ published in The Tribune, headed
"Therc's No Telling How Farronchnp
the Effects of .hc World War Arc
Going to Be-"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
Reciprocity in the Films

A number of specials produced in
this country are to be purchased
by Robertson-Colc for distribution
through Jyry's in tho British Isles,
while Jury's will secure the foremost
European cinema attractions for re-
lease in the United States by Robert
sonCole. BY this arrangement Robert
son-Colc became the accredited Ameri
can representatives of jury's, an honor
aspired to for many years by numcr.
Gus film concerns on this side,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
What the Foreign
Film Might Bring

/ have had any special quality whatever
and from Italy have come only a few
huge spectacles whose photography hat
been already equalled and whose dra.
matte passion-save in the personal in
stance of the younger Novell's acting
had been far surpassed by Griffith's
judith of Bethulia," while their pa
geantry, with the probable exception OF
"Cabiria," was of no difference in quail
ity from the quantity in which our
own lavish producers are won't pleas
urably to smother US. Still, those were
pictures which we attended when we
were still pretty largely screen blind
and, having eyes, saw not; when we
had to learn the plots by means
heaven save us!--of synopses printed
on the programme, as if we were adj
mittedly incapable of following them
upon the screen; when the unfortunate
"This Is a lady. This is a gentleman.
See the gentleman put his arm around
the lady? That is pantomimc. 1t
means he likes the lady. Watch closely
and you will see whether she remains
in his arms or whether she pushes him
into the fountain. Then, by exertng
all your sympathy and imagination,
you may be able to deduce whether the
lady likes the gentleman" In other
words, we had then about as cultivated
a perception Of pictures as that upon
which those who are still screen blind
base the superiority Of their dramatic
vision. Pity the poor blind-but don't
take their word about pictures And
don't take ours about those pictures
which we saw in those days of our
dark night.
But it was only about year ago
that two English pictures struggled
into our fold, George Loane fuckers
we'll advertised "Manxman," and some
what earlier 1.-THE Second Mrs.
Tanqueray," which was scarcely even
announced, so that we should have sup.
posed it the work of some obscure firm
but that the cast included Sir George
Alexander. All, if our rich ignorance
of the foreign field were only lighted
by the dates when these pictures were
taken! For "The Second Mrs. Tan
queray" was like cry from the stone
age. Flat, blackish-gray shadows
stalked across slate-gray field in the
merest dream, at once vague and crude.
through which the glance, the gesture
of some indomitable actor occasionally
struck match-or, shall we say, hailed
us as if with an arm tossed above the
flood before he sank Now, if this
picture were taken six or seven years
ago, it was merely in the ordinary rum
ming Of its day, but we feel pretty
sure that the date of 1.-THE Manxman"
was 1915; the time, in America, of
Carmen" and maria Rosa" and "The
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
And Hank Opened His
Mouth and Spoke

Fred Woodward has spent most of
his time for the last ten years acting
like mule, and this is literally true,
for he is the best known donkey in
the world. His name is Hank on the
inside and Fred on the outside
We saw Hank last week over at
Shanley's, and he fascinated us to
such an extent that we begged for
an interview. So he told us all about
it over the demi-tasse, and, by the
way Hank does not subsist on
shredded wheat and apple cores
With our mind always on the films
we asked: "Why don't you go into
motion pictures? You ought to be
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
ON THE TRAIL OF THE MOTION PICTURE

! VI
the Triangle when it put forth "The
Lamb" and Acquitted" and "Aloha-
o-e," "The Edge of the Abyss" "The
Coward" "The Disciple" 1.-THE Wild
Girl of the Sierras"; the time when
"The Birth of Nation" was already q
year old. If our guess is right, then,
"The Manxman" may be fairly weighed
against our best pictures-for better
than these we have never done-nor is
it, indeed, second "Tanqueray." 1t
has the shape. though in distortion, of
modern picture and drags its slow
length along with hating and wound
ed stimulation of modern picture move
ment; it makes an earnest effort after
emotional strength, and its photogra-
ply, though without depth or brilliance,
modelling or emphasis, does make zeal
Gus attempts to use modern shading.
But this is a degree of success before
which neither Hollywood nor Fort Lee
need quake.
Consider "The Manxman." Never
was theme more ideally suited to pict-
ure form, picture feeling, picture
beauty than that story Of blind passion,
of fate and struggling righteousness
composed into an almost Biblical mould
by the very beauties and seventies of
the region against which it wreaks it.
self and which implacably fashions it.
Imagine it in the hands of Griffith, an
lnce, DeMille, a Blackton, a Nelan,
and see how every threat and glory of
storm or night or noontide, rock or sea,
would be blended into an expressive
ness which would back the emotions of
the story as deeply as the voice of
thunder backs the flare of lightning;
think how the continuity which as
mere consecutiveness now lies along
the ground like the links of a dead
chain would be fused by suspensive
emotion and stir into the tide of liv-
ing river. For that matter, set it
against the gay grace, the tenderness,
the happiest sophisticaton of Mr..
fuckers own enchanting modern of the
moderns, "The Cinderella Man," made,
we think, only about year and half
later, but made in America, against the
velvet-steel engravings, the eagerly
employed graces of both fashion and
nature with which we sought to screen
the mechanical best-sellingness of
"Virtuous Wives"-if he did these
things in America, mustn't he have
found in America better conditions?
What, then, do we want of foreign
pictures? Well, of course, that irwin
chile armada. if there is one. But if
not, then strangeness, challenging COM
munications not so much from the
England of our own speech, but from
the countries really strange to us,
which would then, instead of capering
with astonishment at the things sent
by the costumer, appear civilizations as
prosaic to themselves as ours to US;
the real thing in foreign expression,
selected, indeed, from what is to any
public the undecipherable mass of life,
but untampered with to pleasure alien
standards.
Alas! upon these airy grounds we
fear that, far from driving out the
home product, the foreign films would
starve before they had had time to
educate us in fraternity. Or could they
be kept going by subscription? That
necessity alone would somehow make
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
Post Pictures 10 Star
Worlds Most Re1uf;fuJ H.

What used to be the post Film
Company" has become the Post pict.
ures Corporation and Clyde Elliot,
vlce-president, announced that pic..
ure starring Paul Swan, "the worlds
most beautiful man." is imminent
Just what the picture is to be is not
revealed. Perhaps a screen version of
Ida and the Swan
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
In Which We Go TO Call
On Ethel Clayton

it, but do need vacation, supnos. -
1t seems in this world that neon,.
are divided into two classes-thos.
who have everything and those uhs
have The power to enjoy everythins
that they haven't.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
Shadows ON the Screen

The double standard of morality,
which excuses in man that which it
condemns in woman, is the theme of
new photoplay based on Augustus
Thomas's great drama GAS Man
Thinks" produced by Harry Raver for
Four Star Pictures, with George Irving
as director and Leah Baird as star 1t
is the first of new series of Thomas
dramas in pictures to be distributed by
the w. W. Hodgkinson Corporation and
put, in being under the supervision Of
Mr.. Thomas himself
An announcement is made by the
World Film Corporation that an ar
rangement has been made with George
Kleine whereby World Pictures takes
over the selling and distribution of five
Charlie Chaplin pictures. Four of
these are revivals and one a newer
picture. The revivals are might at
the Show" Police" "The Bank" and
"Shanghaied." The newer picture bears
the title Of triple Trouble.'
months has been enjoying a winter
vacation at Palm Beach. has signed a
new contract with Famous Players
Lasky Corporation to continue her ap-
pearance in Paramount Pictures by ar
rangement with f. Ziegfeld, jr Miss
Burke will return from Palm Beach
next Tuesday, and will start work
under her new contract.
Georgia Woodthorpc, who earned the
distinction of being the youngest
Ophelia when at sixteen she played
the part with Edwin Booth many years
ago, mas recently gone into pictures"
accepting an engagement to play
young old lady in King Vidor's new
Brentwood production.
Irene Castle, with her director.
Charles Maignc, has gone to Miami,
Fla, to start work on "The Firing
Line In the supporting cast are Yer
iioiA NoCCiJ 0dNiu OWcll ana Anne
Cornwall.
contract has just been signed bv
Paul Swan, who is known as "the
worlds most perfect man." to star in a
series of photoplays with the Post
Pictures Corporation. The work on the
first picture is to begin immediately.
Betty Blythe will leave the Vitagraph
with which she has been as
ISOLATED for some time, to begin
work on picture to be produced bv
Arthur Guy Empey. 1t was in cover
the Top" the perturbation of Mr.. EN-
pegs famous book, that Miss Blythe
found fame.
Cecil B. DeMille has completed "For
Better, for Worse" his Aircraft Special
written by Edgar Selwyn and scenar-
lied by Jeanie Macpherson, and will
shortly start work on "The Admirable
Crichton," the j. M. Ba~ric play, re-
Gently purchased by the Famous Play
Corporation.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

nounces three Star Series attractions
for distribution during the month of
April, including Marion Davies in Get
ting Mary Married." Constance Tai
madge in "The Yelled Adventure"
in which shs will be presented by Lewis
J. Selznick bnd Alice Brady's "Red-
head"
B. S. Moss has sold Break the News
to Mother" featuring Pearl Shepard, to
Select Pictures Corporation.
Frank G. Hall, president of indie
pendent Sales Corporation, announces
that he has bought the United States
and Canadian rights to J. Stuart Black
tons big special production, "a House
Divided" adopted from Ruth Holt Bou-
cicault's novel, "The Substance of His
House." by Anthony Paul Kelly, and
produced under the personal direction
of Commodore Blackton. Sylvia Bream-
or and Herbert Rawlinson will play the
leading roles.
Alexander j. Herbert has completed
onc-rcel comedy for the first Rothapfel
unit programme, and is off to Philadel-
phia to play the juvenile lead in "The
Melting of Molly" Mr.. Herbert will
return to the pictures as soon as his
theatrical engagement is ended
Contracts have been signed between
the Select Company and Sergeant Ar
thur Guy Empey, author and star of
Over the Top for the production of a
new big special feature photoplay which
will bear the title, "Hell on Earth"
Charles +. Philippi, of the Balboa
Film Company, has sent several copies
of "The Stowaway" which contain sam
Piles of his clever pen and ink sketches.
Phillip is just back from the front and
wants to do business, but not at the
same old stand.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

Loew's New York Roof "a, 42d St W; of B'way
BEGINNING TOMORROW (MonS ~ ~
11iO ~, hoSCO, other acts All Seat.
n ~ imeafre, Chas. Ray, "The Reserved
Sherih's SON." Excel Vnud i25 q, IN
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

Select Pictures Corporation an
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13
ADJUSTMENTS

L Ls :: New York Theatre % H g. %
Cont II A NJ. to II p NJ Roof to i A. ~
bEhI LYTELL, "BInclxe's Redcmption';
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

Charlie Chaplin in revival called
"Police" will be shown at Loew's New
York Theatre and Roof Monday and
Tuesday of the coming week. D. W.
Griffith's latest production, "The Girl
Who Stayed at Home" Will be shown
with Chaplin Monday, and Sessue
Hayakawa, in "a Courageous Coward"
on Tuesday. The features scheduled
for the balance of the week will be
Albert Ray and Elinor Field, in Mar
ried in HASTE on Wednesday; j. War
rem Kerrigan, in "The End of the
Game" on Thursday; Taylor Holmes,
in "a Regular Fellow" and Bessie Love,
in "a Yankee Princess" on Friday;
Montagu Love and June Elvdgc, in
"The Quickening Flame" on Saturday,
and little Viola Dana, in False Evil
dence,' on Sunday.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

B. S. Moss has sold "Break the News
to Mother" featuring Pearl Shepard, to
Select Pictures Corporation.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-04-13

How winsome, charming Irish girl
assumes high title and how she falls
in love with a duke Eyes, real, live
duke) are ell told in "The Delicious
Little Devil" in which Mae Murray is
starring at the Broadway this week.
BY way of comedy Mr. Kashin pre-
sonts Charlie Chaplin in "The Jazz
Waiter"
There will be the usual programme
of music and news pictures.
Der Nordstern. [volume] (St. Cloud, Minn.) 1874-1931, 1919-07-31
N1uttertae in DeutiAlant

Der nabfolgen6e in ieiner @rt be-
6eutiame Mrtifel lit elmer Ser r1e1el ten
Nummern Der ~&o1niiden &olfs5ei=
tung" entnomme11: ...s.
Motbers 6ap. 0aB man audi bonn
Sein6e lernen funn, boben 6ie 9eut=
16en INNER eingeieben. l1n6 6ie1e
@rfenntnis 1T ibnen tpabrli9 ni6t
gum @6a6en ansgel9lagen. Mu6
biibl6e @ebrdu9e nn6 Sitten iollte
man 6em @egner %nod)ubmen. 60 bot
es 6ie rbeint16en Sta6te troy nuer in
neren 8t6eritdn6e moblt1eno BE-
rIbrt, oaB Sic 8eiobungstruppen
(&'ncr.fcner) iel5't pGbrcn6 ocs&ric=
ges u6en Sag Ser M11tter" feierte1l.
@el9 biibi9er @e6onfe Iiegt 6arin,
einmal i'm Sabre - einmal in Sen
@irrniilen 6es 2e6ens> 6es Samples
INNS 9aiein> eirmol int Srteoen o6er
&rteg - Der totem o6er lebenoer
Mutter offentliG 51 ge6enfen un6 ibr
5u gbren cine 8lume GIT tragen.
~Motber 6aD" itono an Sen 9a6en=
fenltern, an BEN Mnidlogi6ulen, an
Sen Elafaten fir Sen @ornipal. l1n6
jeoer lebmgelbe &rieger> Oh @ona6ier,
Suoldnber> Ebilippiner o6er Neger
tr11g an %ieiner Uniform Sic rote 8lu=
ME. @arl1m gera6e cine rote Bl11me
getpablt miro, meiB i6 nidt an5ltge=
ben. Wan6e mollen SLOT als 3ei6et1
Der Sro1er Inn @%erltorbene gepertet
mifien, tpie 6as bel btelen nrIpriing=
lt6en @0lfern Ser Sal 1T. S6er Tie
nebnen SLOT a1s Sarbe Der 2iebe. Ser
Sag Der Weutter. Ser @e6anfe lit
f96n. ...
Der Nordstern. [volume] (St. Cloud, Minn.) 1874-1931, 1919-07-31

aber mir Ielbit erinnern uns, bob mir
uber Sic Moglidfett bon etpas pie
nationaler Brobibitton lad)ten. Die
GatIade III, baB bas 8olf ge1d)lafen
bot, un6 &auber eingebroden ftno u.
angefangen baben, unferen Sdab gu
1teblen. Sic meiiten bon lnS 1tno lest
mod ODER menigitens balb tpah. Aber
mir lino pertpirrt, mir tappen lumber
uno ipiiien ni6t mobin mir 1trs me1t=
BEN ioGen. Mein, Die &ne6tnngsber.
ll1be boben ibr @noe nod lange ntdt
erreidt. Sic l~1eberrumpelnng, Die nns
sic 5pongspeiie @infiibrurg Der Pro-
bibition bereitet bat, 5eigt, mas cine
5ielbetpubte, riibrige nno NIT allen
Mttteln Der Propaganoa arbeitenoe
Minoerbeit permag. 9ieie, onr9 ST.
folq fubn unb fre9 g%etporoen, miro
einen 3meig uno Mit nad
6em on0eren bon bent Baum Der ante-
rifani1den Sreibeit at breden, Biz
1u1r ser fable Starrm nod baitebt.
Der Nordstern. [volume] (St. Cloud, Minn.) 1874-1931, 1919-07-31

tpie nit 2arrbpunftten IN beitGnbigem
Modridtenaustal1ib al Derbleiben.
Ser amr Belt bon Neroplane1 benlbte
brabtlo1e Mpparat bermag 8oti6af.
ten 600 Metlen meit 51t ienben, l1no
iolde aus elmer gntfernl1ng Bis al
14O0 Meilen gu empfangen:SaGs auf
benz Meroplan getrennt nntergebro9t
Euno unter Siderung ieparater 8e-
t%riebsfraft, tpen11 6er@anptmotor bere
lagt, miro ct imftan6e iein, IN SCOT
fGlen, 8. 9. tpenn bns 2nfti6iff ft6
auf bem @aiier nieoerlqiien muB,Stl-
fe berbei5urnfen.
DoB orabtloie Eelegrapbie in Set
por1tebeno bei6riebenen Weiie idon
felt langem 6em S6iffsberfebr bien=
.lib lit, biirfte our @eniige befannt
lein. @elben l1mfang 6teier Dienit
.angenommen fat, ergtbt ii6 aus Der
SatIabe, oaB sic &an6elsf1iffitatio-
men felt 1917 bon 797 n1f 2235 &C.
1tiegen iino. @or Dem &rtege betrng
Die 3obG Ser Ii5eniterten Mmateur:
Stationen 1862, 6o9 laiien borlte=
genbe Mnmeloungen 6arauf i6lieBen,
baB 6ieie in fur5er 3eit idon iid) anf
10000 bermebren per6en. @rfabr=
l1ng bat gelebrt> bob 6rabtloie Sele-
gropbie fir Die San6elsmarine bon
groberer @i9tigfeit lit als biele
2eu6turme nno sic Si6erbeitsbpr=
februngen an 8or6.
Der Nordstern. [volume] (St. Cloud, Minn.) 1874-1931, 1919-07-31
SSt NOtre Came, Sr1b., ipirb am 81,
- CT..~.EL s.AM.xls e..

SS1n Motre Danne, Snb., tuirb an s.,
6. unb z. Muguit Die Ronbention Der
eldartitii6en Brieiter-2iga itottfin-
ben. Montagnbett6, ben A. Mnguit III
cine @orberiammlung. Sim Dienstng,
ben 5. Mug1it, Tim ubr 1T Borti-
fitalarnt. Sn Der acknowledgement Si-
b11ng miro Der Brdiioent Der &or1pen-
tion, bodm'iter giidof Soiepb
Sbrembs bon Eole6o; Ohio, cine Mn-
ipra6e bqlten. Mn6mittags 3 ubr if
&onferen5 in Der @aibington Snqe
ltn6 lint 8 l1br feierlider 9egen. Sim
MiH1po6 balb 9 ubr miro Elm 8on-
tififalrequiem 5elebriert fir bic See
lenrube beg 8iidofs Mnes> Der erfte
Broteftor Der 2iga in BEN Ser. Staa-
ten. @s folgen Damn Sibungen nit
beri6ie6enen Nnipraden. Corners
tag, ben 8, M11guit 1T I'M baIb 9 l1br
Bontififalam NIT acknowledgement
uno Mnipraden.
Der Nordstern. [volume] (St. Cloud, Minn.) 1874-1931, 1919-07-31
Mehr w~mn>erbares.

@oD 81. @eagont, Sadberltdn6iger
Der Marconi BireleB telegraph Cont
panp Of Mmertca, fat fiir5li9 11eue
M0gli9feiten ser b%robtlo1en SeIe=
grapbie erldutert. 0teie tpiir6en CUR
6olge baben, 6aB 6lieger ~ie6er5eit it,
re Holitton geran 5l1 beitimmen, un6
lire Tabrt nit nnbermin6erter &C.
i6min6igfeit a1t6 BEL 6i6tej tenn See
bel nn6 nngiinittgitem @etter fort5n=
1eben bermogend &ermittel1t 6robtlo=
fer Gelegrapbie fonnten groBe Bfa6e
iiber 6em S3ean fir ben 2%nftDerfebr
gei6affen mer6en, tpelde 2uftfabr=
5eltge n%nobbdngi~ bonn @eter in bei=
BEN Hi6t1tngen benuben f0nntett.
u&auptmann Mlcod un6 2entnant
8rotpnL" bemerfte &err 8engant>
.~baben bel ser eriten l1eberfliegung
6es Mtlontic it6 betreffs ibrer 8eobz
abtungen anf 4aitronomiibe Snltru=
mente %berlaien, 6od ergeben fire @r=
-fobr11ngen, boB 6ieie fir 6ie @tener=
u11g bon Snft161ffert bou1g u11get111=
,gen6 itn6. @Gbren6 mebrerer @tltn=
ben tpar Der Mon6 ntGt iidtbar, nnb
fonnten 6ober Obierbattonen ni6t ge=
-nommen tperoen. Mebnlibe l1ebelj tdn=
0e miiien bon allen Sliegern in @r=
tpdgnng ge5ogen tper6en. Suas 6aher
Ser ueber=oas Meer-6l11g anf font
mer5ieaer 8aiis 111ternommen tper6er
ioQ, lit es abiol1t erforberli6, 2uft-
idiffe nit Steuerapporaten 81 per=
feben1 6ie obne duBere &ilfe funftio=
Inherent" @r beidreibt Damn cine 8or=
febr1ng, Die als &aoiofompoB, &id=
tungftn6er nn6 @ntferntngsmeiier
6ient, nn6 Die be5iigli6e SSnformatton
Ieidt fidtbor be5et6net. Beitere Ser
boufommrruttgen 6es Mpparates mir
ben es ben 2uftf1iffern al1d erm0gli=
den, 6ie NGbe o6er @%ntfern11ng at-
0erer 2uftfabr5e1tse feit5niteaen, 10.