davidaulloa/AmericanStories huggingface dataset:
Evening journal., 1919-05-16
THINK
WELL OF CARLIN

A Hamilton, Ontario. newspaper has
The following 20 say about johnny
Garlin. the New Castle boy. who Is
piayirg this year with the Hamilton
Canadian League team:
The chap who beats Jack Carlin
out OF the shOrtsiopping Job is going
10 be a veritable whirlwlnd
John is a corker, n his form Of yes
ferday can be taken as criterion. lie
pulled 'em out OF the dirt and the air
IN electrifying style, pegged like a but
let. and as true to the sacks and his
work was so highly sensational and
satisfactory that he had the railbirds
talking TO themselves.
= His al-round exhibition could hard
~ be regarded as flash in the pan u
fakes a mighty sweet innelder 10 per
form the stunts he was guilty Of IN
euch poor baseball weather as that sf-
forded the squad yesterday, and when
Old Sol takes the idea into his head 60
Dash on The heat he should do even
better. Rieht now he looks 20 be 0rnl-
~ planted in the southfleld berth. and
Il will likely require the use Of der /
rick to dislodge him
"Carlin certainly opened Manager /
shaughnessy's eyes. "He looks like a
better shortlelder than ever performed |
IN the Canadian League" said the big
landlord.
That's saying a heap for Jack, mind |
YOU, because there We're several fine
sooristops drawing pay when the Ca /
nnck circuit was alive. There are one
pr two other asplranls for the short |
Stop position on the local club. but
they'll have to travel at dizzy clip 20
topple Carlin over"
Evening journal., 1919-05-16
BR0WNT0WNERS HAVE
SOME JOB TOMORROW

There will be baseball galore IN VIII
mington tomorrow, il old J. p. butts
out In addition TO the Del-Nar and
Church League games, the old reliable
Au-WilmingtOn League will stage a
series Of games, Puscy & Jones meet
ing Neighborhood. Triangle stacking
up against Eleventh Ward, Edge Moor
trying for a win over keystone and
Brownson taking on Ilillcrcst 10 Is a
good lineup for the third day Of the
season and some snappy ball playing
should be seen on every lot.
Eleventh Ward, Triangle, Neighbor-
hood and BrOwnson won the first
series Of games. Perhaps the best test
OF the strength OF the leaders will
come tomorrow in the Eleventh Ward
Evening journal., 1919-05-16

Triangle game. The BrowHlowners
say they are out to win the league
pennant before July Z, but this dope
may get its first spill tomorrow. Tri-
angle looks good just now. Nelghbor-
hood also played gilt-edged ball the
first time out. Brownson too, is cap
able OF putting up a fast game, and it
need cause no surprise II all these
three teams make Eleventh Wards go
ing far from as swift as these boys
now imagine.
All the other teams in the league
hope to get into shape after a few
more games and then it will be a
happy fight for the pennant.
Evening journal., 1919-05-16
YIPsEL CLUB OUTING.

The Yipsel Club viii havo its first
outing on Sunday, May IS, at Shellpot
Park.
All kinds Of outdoor sports will be
engaged in. The members are invited
TO attend.
Evening journal., 1919-05-16
ALL-WILMINGTON LEAGUE.

Puscy 4 Jones vs.. Neighborhood, at
Second and dupont.
Triangle Us. Eleventh Ward, at
BrOwntOwn.
Edge Moor vs.. Keystone, at Eden
Park.
Brownson rs. IUllcrcst, at Shellpot
Evening journal., 1919-05-16
nEI-NIAR IEAGuE-

DEL-MAR LEAGUE.
Gen. Chemical vs.. =. II. r., at t7tl
and Spruce. Umpire Wilhelm.
Ellion vs.. Wildel, at MiIitar,
Grounds Umpire Kay
Newark vs. New Castle, at New Gas
tie. Umpire Mullin.
Evening journal., 1919-05-16
CHURCn LEAGUE.

Eastlake vs. Emmanuel A, at Water
Tower. Umpire Gcrhauser.
Emmanuel u ". Wesley, at Water
Tower. Umpire MOwbray.
Evening journal., 1919-05-16
SATURDAY BASEBALL
ennnN,nn IrAcIr

SliIplARD LEAGUE.
Harlan at Emergency Fleet (twC
games).
Sunday Harlan at Merchant
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
Mr.. Gallatin's Study
of War Records

Albert E. Gallatin delivered an ad-
dress before the College Art Associa-
ton of America at the Metropolitan
Museum on May 1S on the Pictorial
Records OF the Great War" Mr.. Gal
latin gave a warm appreciation OF the
work of the British war artists, and
in comparing their records with our
own arrives at some painful conclu-
sions.
Two contrasting excerpts from his
paper are as follows:
The greatest possible credit Is due
the British and Canadian Governments
for the splendid manner in which they
went about obtaining pictorial records
Of the war. They sent their best artists
to the front, and these artists covered
all phases OF the war In a most thor
oughgoing and mastery fashion.
One would have imagined that the
official British artists would have been
chosen from the conservative and I'M
inspired painters of typical Royal
Academy anecdotes the popular
shams. But nothing OF the sort was
done. On the contrary. England sent
her most vigorous and original mon.
Stress should also be laid upon the fact
that Great Britain gave her artists an
absolutely free hand and imposed no
restrictions of any kind upon them;
thsQ we're at perfect liberty to 20
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
Landscapes by Inness
Placed on View

Admirers OF the work OF George
Inness will find group OF pictures by
him forming a special exhibition In
the Madison Galleries on West Fifty
seventh street. Among them are some
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

the eight illustrators officially desig-
mated to make records OF the activities
OF our armies in France embarked on
their undertaking. These men were
appointed captains in the Engineer
Corps as their duties would take them
to military zones not open to civilians.
Nearly 200 of their drawings were
shown at the Allied War Salon in New
York last December and in a fairly
satisfactory manner they reflected the
spirit OF our men, their backgrounds
and the Incidents OF their lives, al
though they were. as collection. dis
tinctly disappointing. Capt George
Harding's pastels OF marching soldiers
and scenes right at the front were
we'll drawn and Capt. Wallace Morgan
also made some spirited drawings, but
most OF the drawings were made too
far away from the scenes OF conflict.
Some interesting paintings and draw
ings were executed by Mr.. Samuel ].
Woolf, who was not one OF the official
artists. 1t is not necessary TO speak
here OF the innumerable paintings
which have been executed in America
OF atrocities and battles and submarine
encounters. These pictures are nei-
Their OF interest historically nor artis-
tically.
1t is certainly much to be regretted
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

These artists, TO mention but a very
few. not only produced work quite
worthy OF them but in many instances
their art was actually broadened and
developed by the war. The ma Jority
of these fine works. 1t is gratifying to
know, are to be deposited in the 1mpe-
rial War Museum in London.
Sir William Orpen has painted or
drawn about 200 pictures, including
portraits, studies OF types and OF bat
tlefields. His portraits are most dex-
ferrous and brilliantly clever pieces OF
painting: rapidly executed, with the
backgrounds often left unfinished. they
possess the freshness OF sketches.
am sure that all OF "OPENS portraits
are capital likenesses, and also that he
has got considerable OF the sitters' per-
sonalities fixed upon his canvases.
Painted with very high keyed palette
as are the portraits, Orpen's pictures
OF battlefields are also very realistic.
The pencil drawings are full of interest
and show much technical ability. al
though II must be admitted that COM
pared with the Autographs Of Steinlen
and Spencer Pryse they are rather hol-
low and lacking In feeling.
No artist has touched upon as many
sides OF the war as Mr.. Bone, the IA
nous etcher, and no artist has given
us more faithful and artistic records.
He has sketched at the navy yards. he
has visited the Grand Fleet, and he
has made many drawings on the west
ern front. Mr.. Bones draughtsmanship
Is well nigh faultless; his landscapes,
executed in pencil and wash, rank
with the greatest landscape drawings
made since the time of Rembrandt.
with whose drawings, in absolute mas
terly and emotional appeal. they are
comparable. James McBey. a Scots
man. known before the war for his
beautiful drypoints. made some very
sensitive and charming pen and ink
drawings, washed with water color, In
Palestine and Egypt.
With a commendable spirit OF broad
mindedness and fairness Great Britain
included among her artists converts
to the teachings OF Post-Impression-
ism, Cubism and Futurism. Chief
among these artists was Mr.. Nevinson,
whose art was largely developed by
the war and which interprets the war
to an extraordinary extent. Soldiers
are unanimous in saying that his
paintings and Autographs depict the
very soul OF the war. The rhythm and
motion he gets into columns OF march
ing men is really wonderful. but 1t Is
when depicting aeroplanes in Night
that he attains his greatest and most
convincing results. Paul Nash has
successfully painted the utter desola-
ton OF the shell torn landscape.
shall close this brief paper with a
few remarks on our pictorial records
Of the var. Unlike the British artists.
~
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

that those responsible did not have
the vision OF the Canadians and the
British and that they did not send
some of our greatest painters to
France. Mr.. George Luks. who has
painted some fine pictures in this
country, including one OF the "Blue
Devils" marching down Fifth avenue,
should have gone. as should have
Messrs. William J. Glackens, Mahonrl
Young, Childe Hassam, Sargent and
many others. Why was not Lieutenant
Commander Henry Reuterdahl with
our fleet? America has no pictorial
records OF the wonderful achievements
OF her navy during the Great War.
Every foreign country knew the value
Of propaganda and made particular
efforts to tell their people what their
working forces were doing. Admiral
Sims was anxious to have the activ-
tiles of our overseas fleet recorded,
but the Navy Department thought
otherwise.
In conclusion. why has our Govern
ment made no plans for a museum to
house pictorial records OF the war
that is, such records as We do possess?
Even Australia, whose artists made
d splendid record OF the part her
troops played in the Great War, has
done that
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
By HENRY MCBRIDE.
/, CHRISTOPHER RICHARD

~ CHRISTOPHER II Z 1T A X ID
1 wYNNE NEvINsoN has ar
- rived in this country and Is
showing his etchings and Autographs
in the galleries OF Keppel & Co. He
Is said to be a lively. forceful. orig
inal young person, and It Is to be
hoped that he will do something to
amuse us during his stay In New
York, as we sadly need entertainment.
The only bulletin that has been issued
from his headquarters to date Is 10
the effect that he likes New YORK
and is enraptured with our sky
scrapers."
But 1t Is scarcely fair to judge OF
his originality by his first utterances
and so we must possess our souls with
patience and await his sober second
thoughts. These foreigners have a
habit of saying one thing when they
come and another when they go. For
instance, no one has forgot the right
about face that was executed by
Gorky upon the occasion OF his
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
Notes and Activities
in World of Art

The Macbeth Galleries have ar
ranged a comparative exhibition OF the
works Of the old and the new Ameri-
cans. The Hudson River group OF
Samuel Colman, Sanford r. Clifford,
William Hart. David johnson, Jervis
Mclntee and James d. Smillie Is con-
trasted with the work OF such men as
Winslow Homer. John II. Twachtman.
George Inness. Homer Martin. Alex II.
Wyant, Charles II. Davis. Ralph A.
Blakelock and ]. Francis Murphy.
one OF the Homers Is an example
OF his great style. the "Driftwood. :"
II shows. as Homer has often shown
before, the power and fury Of the
sullen northern sea breaking upon
the rock bound coast. There is one
pure green wave that is a marvel OF
painting. and in the distance the
grays OF the sea are astonishinc-Iv
true. One of the landscapes nv
Twachtman seems to be quite as much
OF a tour de force in its quiet wav
as this vigorous marine-every stroke
In 1t counting for beauty.
One OF the Blakelocks, showing the
shanues or the "squatters" in the IN
per part OF the city, will s,,rnrise
many people by its intensity. All thrcn
or the Charles II. Davis landscar.s
nave especial charm, and there is an
Arthur h. Davies, a sketch of "1,,rn-
ers" that is a great success IN bio
ne" manner. IL is most attractive I'm
coior and is highly decorative.
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
Arundel Print Show
in BROOKLYN

Beginning to-day the Print De-
partment OF the Brooklyn Museum
will open an exhibition OF the chrome
autographs Of works of old masters
published by the Arundel Society.
This exhibition will continue through
the summer. 1t Is generally realized
that the most important pictures pro-
duced during the first three centuries
Of historic italian painting, namely
the fourteenth, fifteenth and six
teenth. were the frescoes or wall
paintings Without minimizing in
any degree the great value and inter-
est of the panel paintings of the same
period, 1t is still true that the best
appreciation of these panel pictures
must move from a point of view
which has first studied and appre-
ciated the wall paintings. A.
1t naturally follows that a frst-
hand acquaintance with italian
painting ought to begin in Italy. 1t
follows in the second place, since the
Italian panel paintings are the only
ones which can be transported, and
consequently the only ones which can
be known at first hand in the gal
leries of Northern Europe and the
United States, that some means of ac-
cess to knowledge and study Of
Italian wall paintings ought to be
available not only to those who have
visited italy, or to those who intend
| to do so, but also to those who may
be unable to realize this ambition.
Hence the vast Importance Of the
acknowledgements Of the Arundel
Society as the only publication which
offers to students a comprehensive Sc
ries of reproductions in color Of the
old italian frescoes. Photography is
also an indispensable assistance to
such study. but only with the previ-
sion that its great deficiency, the alb
sence Of color, Is corrected either by
a general knowledge of the color
sc hemes OF italian art obtained by a
visit to Italy, or otherwise obtained
by a knowledge of these chromos.
And in this matter 1t must be remem-
bered that a proper knowledge of the
color schemes of italian fresco can
not be obtained from a study OF Ital-
ian oil paintings, that is to say, Of the
transportable and transported pane
picture.
| Under these circumstances, when
we consider that there is no otner
i complete set Of the Arundel chrome
Autographs in any public institution
| of Greater New York, some further
account of the given publication may
be offered here.
The Arundel Society was founded in
1S48 and its publications ceased 1.
| 1897; 1t was not a commercial society
The dues OF members paid the ex
penses OF the reproductions and the
copies sold enabled the society to con
tinue its work. 1t was named after
Thomas Howard. Earl of Arundel, tn
distinguished patron Of art who -four
ished In the reigns Of James l. and
Charles I. Among those who formed
the first council were the Marquis o
Lansdowne. Rev. II. ]. Liddell. Lord
Lindsay. Samuel Rogers and Johr
| Ruskin. Monographs Of great interes
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

where they chose and to do what they
wanted. This accounts in large part
for the excellence of their work.
Great Britain chose wisely in select
ing such artists as Sir William Orpen,
c. r.. w. Nevinson and Eric II. Ken
nington to depict the activities of her
armies in France. and James McBey to
record her campaigns in Palestine and
Egypt, and no living artist could have
recorded the environment Of the British
army and the Royal navy half as well
as Muirhead Bone. Excellent TOO are
the sea paintings of Sir John Levary.
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

Albert Eugene Gallstin, who was
chairman of the committee on Arts
and Decoration for the Mayors Com
mittee on National Defence, has
written a chronicle and record OF the
important part played by artists In
the war. 1t is called art and the
Great War" and will be published by
+. =. Dutton & Co. in September.
In It there Is a study of the wars
posters. the official records of war
activities, the marine and military
camoufiage, Raemaeker's cartoons and
the work Of the, ltculptorS
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

AT least Clifford W. Ashley knows
good village when he sees one. The
various village pictures are the best
Things In his exhibition. now occ,,nvS
ing the Arlington Galleries. Pcrb5ns
II is always the same village seen from
new angles. but from whichever side
II Is viewed. 1t looks well. There arc
great shade trees, with old houseS
nesting under them. and endless sug-
gestions in the mere lay of the lana
Tor possibilities In the way of entcr'
tainment for the small boys who al
ways seem TO abound In such villages
Mr.. Ashley's second love seems -
De the sea, and his Flying Dutch
man is by no means bad as decora.
uon' This artist paints vigorously
and freshly. but does not always get
away from the consciousness of naint
lie is so DESTROYS of going the limit in
tho way OF force that he sometimes
puts strain upon the pigments, maxi
Ing the skies opaque.
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

the American artists lacked proper d.
rection and were not given proper IA
cilities for carrying on their functions
Moreover. it was the purpose of the
War Department not to send painters,
bur illustrators. whose work was suit
able for reproduction in the press.
This was a great mistake. Even as
drawings suitable for publication in
the press the pictures were not a sue
cess. as Is shown by the very small
number that the magazines were will
ing to take.
1t was in the spring of 1918 that
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

talent.
There is the Natural Bridge at
Etretat, France" with a gray sky and
a molten sun Just sinking below the
ocean horizon; the Sacred Grave at
Rome" also with lowering sky, but
with illuminated hills in the fore
ground upon which cattle Craze; an
early gray view of the city OF Venice;
and smaller sketches OF Tivoli. Italy.
and Montclair. n. j.
The galleries are given up at pres
ent exclusively to American works.
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18
While the HEGEMONY OF

While the HEGEMONY OF
THE SUN IN THE WORLD
OF ART is due to the influence
of THREE editions (Morning,
Evening and Sunday. the doml'
nant force is the SUNDAY ed
ton, regularly before the art pub
lie on the day for rest, and for be
ing read with care by those then
naturally in the most receptive OF
moods, Both Art Page text and
art advertising are thoroughly
edited. with resultant missionary
and alluring effects. An enticins
visual appeal is always OF mo-
ment when backed by interesting
text and supplementary advertis-
ing tastefully presented-the lat
ter of piece with the adsge that
goods we'll displayed are more
than half sold" Minimum space
30 lines; maximum, 100 lines
Present rate, as cents per line per
issue; after June Ist, SO cents per
line per issue, agate measurement
All advertisements must be set
within the we'll known limitations
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

connected with the chromo-litho
graphic publications were written by
Lord Lindsay. John Ruskin, Sir A. II
Layard and others.
The abandonment Of the Arundel
Society publications in 1S9T>was due TO
the lack of further public support, and
this again may have had two causes
First and foremost, the diffusion and
use of photography, in spite OF its de-
ficiencies as means OF study, and
perhaps also the great increase of Ital-
ian travel and the consequent facilities
offered the general public to obtain a
The sun. [volume] (New York [N.Y.]) 1916-1920, 1919-05-18

and in the supplementary exhibition
are to be seen: A characteristic ma
rine by Mr.. Waugh, spirited Indian
riders by w. r. Leigh, several colorful
views Of the Western plains by Mr..
Groll and pictures by Henry Mosler,
Bruce Crane, Frank de Haven and the
late Henry Ranger.
The Chickasha daily express. (Chickasha, Indian Territory [Okla.]) 1899-current, 1919-02-14

of profit, dignity, and Influence
and. to that end,
-. To disseminate the infor-
nation in the hands of the agri-
cultural colleges, experiment sta
tions, the federal department OF
agriculture and the best farmers
in such manner as to have this
knowledge put into practice on
every farm. Fourteen years ex-
perience in developing this sys-
TEN Of instruction leads to the
adoption Of the following funda-
mental principles;
81 That it requires personal
contact between the teacher and
the one to be taught to bring the
best educational results.
-. That examples or demon
strations worked out by the
farmer on his own farm under
careful plans and instructions
are most eff fectiye means of in
struction.
"3. That centers Of Influence
and strong personal leadership
are as essential in any broad
system for educating the masses
of schools. "
The Chickasha daily express. (Chickasha, Indian Territory [Okla.]) 1899-current, 1919-02-14
COUNTY AGENT SERVANT
OF THE PEOPLE.

Although we have had a coun-
ty agricultural agent in Grady
county for a number Of years,
it is probable that many people
have not yet realized the inn
portance Of the work of the man
who fills this position. DR.. Brad
ford Knapp, chief Of the division
in the United States department
Of agriculture, in charge Of eX-
tension work, defines the duties
Of the agent and his relations to
the community in a recent issue
of the official publication as fol-
loWs:
"The county agent is the ser
want Of the peOple-all the peo-
pie in the county. He must not
allow himself to be made the
tool or convenience of few self
ish or influential citizens. This
point is constantly impressed up
on agents by the administrative
officials in the work. In order
to serve all the people in a coun-
ty the agent must work through
local organizations, developing
rural leaders as rapidly as he
can, who can help him in his
work. Where there are no local
organizations the demonstration
plot is used as community cen
ter, being the medium through
which gatherings Of farmers can
be promoted. Free from the in
lluences that come from the sup
port Of educational measures by.
private funds, the county agent
in the south is a public servant
supported by public funds. doing
educational work Of the biggest
kind, and is reaching the people
that need to be reached.
"The United States depart
ment Of agriculture, ii cooper,
alton with the agricultural col
Ieges, state departments of agri
culture. counties, and other asso-
cations within the staet or coun-
ty. has been developing system
Of education for the country
people on the farms and in the
homes. the objects of which are:
~ To project agriculture
and rural life ON a higher plane
The Chickasha daily express. (Chickasha, Indian Territory [Okla.]) 1899-current, 1919-02-14

better ones in industry or busi-
ness?
Franklin X. Lane, secretary
Of the interior, insists that we
should continue to put into prac-
tice the unseIfish spirit providing
for the returning soldiers. In the
Red Cross Magazine he writes
You know that there is a big
man and little man in each Of
us. and the little man has ended
his day. He was the selfish, ego
tlstic, narrow, moneY-making
fellow. just as soon as this
country went into the war the
bic man came out The big man
inside each of us was chal-
lcnged and he arose at once and
responded. We found railroad
presidents and BANKERS and mcr-
chants and manufacturers com
ing down to Washington and
saying We want our opportun-
ity to help It was not selfish;
it was noble And that spirit, if
still carried out in the perplex-
ing days which so soon are to
come to us, will make this coun-
try a new land IN which the
boys who come back vii, find
that helfulncss has come to take
the place of Indifference, and CO.
operation to supplement mdiyid-
ual initiative.