davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23
Fresh Tribute to ''Pelleas
ct MeliSande"
The music of Debussy is proper to in day as in
other. For it moved in us before its birth and
afterward returned upon US like release

T is siingularly eloquent piece
N of writing which Paul Rosenfeld
Il has contributed to "The Dial" for
February s. His theme is the music
of Debussy, and primarily with the mu-
sic of Debussy's masterpiece, "Pelleas ct
Melisande." We read:
Debussy's music is our own. All forms
lie dormants in the soul, and there is no
work Of art actually foreign to us, nor
can such appear in all the future
ages of the world But the music of De-
busy is proper to US in our day as is no
other For it moved in us before its birth,
and afterward returned Upon US like re-
lease. Even at first encounter the style
of Pelleas mysteriously familiar. All
its novelty but the sudden conscious
ness that we had always needed, say such
q rhythm, such luminous chord, perhaps
had even heard them family sounding in
our imaginations. The music seemed old
as our separate existences. 1t seemed an
exquisite recognition of certain intense and
troubling and appeasing moments. 1t seemed
fashioned out of certain ineluctable moments
that had budded out of our lives, ineffably
sad and sweet and had made us new, and
set US apart. And, at the music's breath, at
half-whispered note, at the enclosing of
rhythm, the Towering of cluster of
tones out of the warm still darkness, they
were arisen again in the fulness of their
stature, and were become ours entirely.
For the music of Debussy is proper to an
mpressionistcaly feeling age. Structurally
it is a fabric of exquisite and poignant
moments, each one of them full and COM
plete in itself. The phrases contribute to
the whole, compose a richly, clearly or
gained mass, and yet Independent and
significant in themselves. No chord, no
phrase is subordinate. Each one exists for
the sake of it's own beauty, occupies the
universe for an instant, then merges and
disappears. The harmonies are not, as in
other music, preparations. They are ap-
parently an end in themselves, flow in
space and then change as shimmering
stuff changes hue. For all its golden earthi-
ness, the style Of Debussy is the most
liquid and mpalpable of musical styles. 1t
is forever gliding, cleaning, melting, crys-
tallizing for an instant in some savory
phrase, then moving quiveringly onward
1t is wellnigh edgeless. 1t seems to flow
through our perceptions as water flows
through fingers, and the iridescent bubbles
that float upon it burst if we but touch
them. 1t is forever suggesting water
fountains and pools and glistening sprays
and the heaving bosom of the sea-or the
formless breath of the breeze and storms
and perfumes, the play of sunshine and
MOONLIGHT
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23
'Crispino" Frolics at
Two Houses
The Old Opera Bua, by the Brothers Rcci, Is Given
Two New York Revivals Within Month"; How the
Two Performances Compare

And of Galli-Curci "The Brooklyn
Eagle" said:
while the role is not her happiest--she
is scarcely arch vivacious enough to
realize its full comic possibilities-she was
IN excellent voice and sang the ford music
delightfully."- and to the evident delight of
the large audience. Indeed, Galli-Curci was
in such voice made her name byword
for all that is beautiful in song"
1.-THE World" found this artist singing
with grace and with art, in tone that
was often beautiful in timbre." Mr..
Huneker felt that, "a sweet singer, al
ways" she sang this role effectively. not
brilliantly" To "The Evening Sun" it
seemed that "interest centred less upon
her Interpretation than upon the sheer
loneliness of her singing itself" Sylvester
Rawling called upon the italian group"
present, stating that to these devotees
"Galli-Curc's conception Of Annetta was
better than Frieda Hempels, because she
maintained all its artiiciality, never ap-
preaching to anything humanely womanly
Frieda Hempel was present and I talked
with her, but she neither volunteered nor
was l rude enough to ask what she thought"
"Miss Hempel," declared Mr. Krehbiel,
twas a spritely and piquant Annetta,"
from whose lips the music. crippled en-
trancingly."
AS for Messrs. Scott and Trevisan,
the Crispinos at the Metropolitan and
Lexington, respectively, they seem to
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

have come off with honors somewhat
equal. Thus, the formers work was
pronounced by "The World" to be "pre-
eminent artistry"-"a fine mixture of
characterization and serious depicting of
the cobbler, who had to be chastened be-
fore being able to appreciate prosperity
at its full value" And Of the latter.
Pitts Sanborn writes in "The Globe":
"Vittorio Trevisan makes a very different
Crispino from Mr.. Scott. Without Mr..
Scotti's enormous artistic distinction and
authority, he is versed in the real tradition
of the buffo. His cobbler is the man of the
people, by instinct humorous-a very droll
and effective impersonaton."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

contained In this music, Debussy's art, too,
is full Of images of the "earth of the liquid
and slumbering trees" the earth of de-
parted sunset" the "earth Of the vitreous
pour of the full moon just tinged with
blue" 1t is full of material loneliness. plies
itself to its innumerable forms-to the
somnolence Of the Southern night, to the
hieractic gestures of temple dancers, to the
fall of lamplight into the dark, the fantastic
gush of fireworks, the romance IF old mir
rors and faded brocades and Saxony clocks,
to the green young panoply of spring And,
just as it gives again the ages conscious
ness of the delicious shell of earth. so, too.
1t gives its sense of WEAKNESS and oppres-
sion and powerlessness. The century had
been loud with blare and rumors and the
vibration of movement and man had ap-
parently traversed vast distances and ex.
plored titanic heights and abysmal depths.
And yet, for al the glare, the earth was
dark, darker, perhaps, because of the mias.
mic light, and the life of man seemed as
ever a brief and sad and simple thing, the
stretching of impotent hands, unable to
grasp and hold; the interlacing of shadows;
the Enclosing, a moment before nightfalL
OF exquisite and fragile blossoms
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

the story still delightfully."- humorous. !"
ne music Charming - sensuously, in
sratlatingly, insinuatingly charming"
ne even adds that it Spikes the heavy
ordnance Of criticism" While to Mr..
auneker, writing in "The Times" it
proved 'as full of fun as an egg is Of
neat" also "crammed with coloratura."
AS to the relative values of the two
ilesentations, Reginald de Koven de-
cared in "The Herald":
Let 1t be said at once and beyond all
AM or question that scenically there could
y no comparison, for the Metropolitan's
pfoauctlon was one of really unusual pic
VITAL beauty, while that of the Chicago
,'mpany,-while sufficiently adequate not to
y 'awdry Or perfunctory, was by no means
s.4'psuous or insisted on. But putting this
sse'Non aside, there were SO many features
exceeding merit and attractive artistic
'a'efest in both performances that the
ssanits award of the palm to either might
.nugnt with some difficulty to the I'M
''s'adiced and conscientious critic
VI course, it goes almost without saying
So under Campanini's able and expert
.Asso baton the music went with a spirit
sae verve, the lightness, brightness and
'"se't" OF real comic opera, which was
~ eompasscd by the Metropolitan per-
.mahce. The music certainly gained
s'ao'y IN effect in the smaller locale Of
~ lexington Theatre; another argument.
~ any needed, for an Opera Comioue
new York, where light opera of this
t.aa could be heard under proper condi-
as TO rival prima donnas, if Hempel. az
asa, was, perhaps, more gayly SOU
s.ss''sn' Galli-Curci in action was. per-
- more archly eoquettish. She certainly
- $50 charming, played with winsome grace
- sahg with all the lghtsome gIadness.
ana liquid sweetness Of bird, and
$500 IN exceptionally good voice, az her
~ @saon was even, clean and clear.
Aisyisan, az Crispino, sang we'll and
= WIN much animation and real spirit
nsdy, and had 1t not been for scotti's
i. remarkable impersonation --- but here
s'nparisons rest, for he was excellent"
=. 'ssosesher, Mr. de Koyen thought, it
we'll balanced performance st
lexington, which, like that Of the
politan, had its high lights and It's
. Bun" said Of Miss Hempel that
sang and acted Annette charmingly.
"a s0sedy was light, discreet and con-
sss Her, singing was fluent, luni-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

and your son adore each other, and their
happiness cannot be spoiled because
neither has married the other for
money"
Nine. Leroy acquiesced with smile
Her eyes, lighted up with maternal
pride and affection, followed the slender
silhouette of her son, who was talking
eagerly with his fiancee.
"That big boy!" she exclaimed, in a
burst of tenderness. "What beautiful
things he must be telling her! He is so
good! And SO poetical! Money counts
for nothing with him''
They, too-the young folks-had now
seated themselves on a green bench at
the turn of a path. He was saying in a
low tone:
I'VE must persuade your father to
give US the two hundred thousand francs
at once. He has put them in inactive Sc
curities, which produce a ridiculous in
terest. / will make them worth some
thing. Money isn't meant to sleep. It
ought to work"
Certainly" answered the girl in her
soft voice. Papa thinks that we can
live as he does. That isn't possible for
us. 1t would be bore"
ut would be misery" echoed the young
man, with emphasis.
And the old people, their white heads
bowed, felt themselves rejuvenated by
the thought that at that moment Love
was passing close by.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

20 remember that my life is wind: mine
eye shall see no more good.
"The eye of him that hath seen me shall
no more: thine eyes are upon me,
and 1 am not.
AS the cloud Is consumed and vanisheth
away; SO he +hat goeth down to the grave
shall come up no more.
Wherefore l will not refrain my mouth;
/ will speak in the anguish Of my spirit;
I will complain in the bitterness Of my
soul.
cam I a sea, or whale, that thou set
test watch over me?
when I say, My bed shall comfort me,
my couch shall ease my complaint;
"Then thou scarest me with dreams, and
terrifiest me through visions:
$50 that my soul chooseth strangling,
and death rather than my life.
II loathe it; 1 would not live always: let
me alone; for my days are vanity.
"What is man, that thou shouldest mag
Nifty him? and that thou shouldest set
thine heart upon him?
"And that thou shouldest visit him every
morning, and try him every moment?
SMY SOUL is weary Of my life; I will
AVA leave my complaint upon myself;
will speak in the bitterness Of my soul.
II will say unto God: Do not condemn
me; shew me wherefore thou contendest
with me.
us it good unto thee that thou shouldest
Cypress, that thou shouldest despise the
work Of thine hands, and shine upon the
counsel Of the wicked?
"Hast thou eyes Of aesh7 or seest thou
man seeth?
"Are thy days as the days Of man? are
thy years as mans days,
"That thou inquirest after mine iniquity
and searchest after my sin?
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23
kkXX7 I'LL some one please write
- W. amelodious, charming new
opera for a coloratura

soprano?" pleads Henry
T, Finck, in "The Evening Post" AS a
matter of fact
agchsrd Strauss attempted it, but, accord
ing to reports and to the testimony of our
ears when excerpts were given from 'Ari-
sane' in concert he was far from success
;ul Since coloratura sopranos continue to
ia born, why should not an occasional good
lIrht opera composer come into the world
also? Under present circumstances, 'Travi-
ats' at the Metropolitan is followed by
Traviata'. at the Lexington. 'Crispino' by
Crispino.' Let us hope that the Metro
politan management will not decide to give
'pinorah,' and that neither house will re-
member La Sonnambula.'
And yet the prevailing opinion among
the critics here seems to be that this
musical comedy in the classical Italian
style" has lot of charm about it still.
H. E. Krehbiel, in The Tribune, admits
that way back in 1884 he felt that ct
was the conserving influence of Nine.
PATHS art which galvanized what we
then thought already a moribund opera
into life" But here we are in 1919 en-
joying two vigorous revivals of "Crispino
la Comare," and although the echoes
Of old triumphs have been "growing
fainter each year" they are still en-
phaticalAy audible.
Mr.. Krehbiel, along with others, found
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23

~ EATED on a green bench, at the
M gable end Of the villa, Nine. Leroy
~ and M. Dupuy were deep in con-
versStion.
They were old friends, comrades from
childhood, Of the sort who like each other
very much, but never fall in love. AS
young people they danced and laughed
together. But the idea of marriage be-
tween them had never occurred to either
Each had sought and found mate else
where.
Now they live as neighbors, greatly to
the satisfaction Of each, for they have
rich stock Of memories in common.
Don't you remember, my dear
friend?" M Dupuy began. It was an old
story of thirty years ago, at least, which
they lived over.
However, they were not absorbed in
the past alone, as SO many old people are.
The future, which youth believes to be
it's exclusive property, but which doesn't
always belong to it, occupied them at this
moment in charming fashion. If they
had not loved each other in bygone days,
Nine. Leroy and M. Dupuy were rcaliz-
ing dream which was very dear to.
them. They we're going to unite their
children in marriage. The engagement
had just been celebrated, and they and
all their friends rejoiced at it.
Not far away hom them the two
young lovers came and went, side by
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23
\ YEXT week "The Book of Job"
e. will be revived by Stuart
"a Walker in his Portmanteau

re- 7 EA1 week ne BOOK or job
- will be revived by Stuart
4 Walker in his Portmanteau
Theatre, housed at the Punch
and Judy Last year it enjoyed con-
siderable pre-Lenten success. This drama
is not merely based upon the famous
Biblical book. 1t is our familiar old
King James version quite intact. When
The Review asked Mr.. Walkers press
agent if she would supply copy of the
prompt book for purposes of record here,
she replied, in her inimitable way: "Bless
you, child, it's just your own Bible,
word for word" Nothing was left to
the stage manager but to scribble down
the names of the speakers in the margin
and indicate entrances and exits. This
is being faithful to an original with a
true vengeance
The vigorous old lament is just as
vigorous to-day as it ever was. Bless
you, child, open your Bible and read it
again. Here are a few of the eloquent
passages:
GTS THERE not an appointed time to
n man upon earth? are not his days
also like the days of q hireling?
Gas a servant earnestly desireth the
shadow, and as hireling looketh for the
reward of his work.
$50 am I made to possess months Of
vanity, and wearisome nights are ap-
pointed to me.
"When I lie down, I say, When shall I
arise, and the night be gone? and I am
full of tossings to and fro unto the dawn
ing Of the day.
"My days are swifter than weaver's
shuttle, and are spent without hope.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1919-02-23
slated By William L. Mcpherson
BY Adrienne Cambry
Copyright, 1918, by Ne,o York Tribune. Inc.

translated By William Mcpherson
y N Yk T1uneImc
dnuIt
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12
An OLD RECIPE
TO DARKEN HAIR
s... -.s soe Sulphur Turns Gray
racec -s- Dark ard Glossy

.-es- =re-vors knows tia. Sage
= 80 -c--. properly Gem pound
= --ss -a ne natural color ard
..s;-- !. r.: ar when faded. streak
. = s-Y. Years ago the only way
Il 81 4 C1:1rs was 70 make i. at
e. w-c1 Is nussy and trouble
S.
E.xsiars ve simply ask at any
i-.- So = Hyeths Sage ard
So E.ro1rc.T Yoa viii zst a
a--e cf-= = rs Old time recipe
-.r.~ re addition OF other II
r-e.--:s, 4, very little cost Every
ssa. s-s ;c.s preparation row. be-
as-sa - car possibly tell that
Tg4 3a--=-s>i yc-- hair. IS il does il
80 -2cz II ard evenly You damp
e sarge - =cft brush with II ard
slr.v rs through your hair. taking
ss.as s-..., strand at time; by morn
IT, - gay ha.- disappears. and al
x z-o.3ee APPLICATION c. Two, your
sa-r t@-1--s 1eau-.-...fr dark thick
s,t -1ssT a.: Eo- look years young
D-AI-
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12
METHODIST MEMS
MONTHLY GET.TOGETHER

BAKED neaa supper vas served -
About IS -er Thursday evening a.
RE G-eer S--eec Methodist cn.--ca O.
tAe occasion q re monthly ee,-t2-
gather - RE -e1 cf ire c.--ch "
te- Ire a-s7tces - -. Btole Class
Te=-e followed az entertainment. cor
s.st.lg q selections BY a --a!e guar
t+- cc- oGssd ot Xsss-S Easks,. a-i
Packard bases, arr Ra7d Ard mood,
te-5-s. Speacrs= ware made b. George
c. L-otT. : 9. ing-ahe-. = = Cray
-a-ae=- ot re New Ergian. Tee
ph7-s Go. Leon ? Higgins P-esiter.
q TIE Maj Serate. and the pastor
Eev. X. J --sE-1a Ars-lca was
surg = closing
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12
4s-HOUR WEEK
fc,,t,n.ed f-oc. Page Oret

.. rosr 81 tie speakers = fairness
toward the opposite SIDE ara tae
hearing was for the most pa. lack
ing n any spirited debate Senator
coeo az Kea--tec- chairman Of TIE
COMMITTEES. explained a. TIE open.-z %
ire hearing taa- Wat .he committee
wanted Tas facts. s-i asked thai
these be presented n order that tns
committee could form It's own view a.
20 TIE legislation asked FOR.
Early :. t1a hearing the s-zce--n
@. Are=. rpy-e q ere Loan F:xars
Ta.e- u B15G@tc-: nat TIE Young
yo-e. IN parts o. tire -il we're scan
,:iv eiad or account az what ne dss-
crites as the excessive heat II vnic-
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12

Much interest IS being she VI b. he
men q tie loca, company - TIE 81
Maine l,fan.-y ard every W=,.re<c.av
evening shows large attendance.
Among re Audience which, ASSENT
every week are -.z-y c-en returned
froc. overseas. VII -eve- fan 70 crr-
p!-Hert the C.ec :o- the snap they pur
into their SOFA: movements ard n.
manual .. arms II vh.c-. -hey are
becoming very proficient
Plans are beng made . have Al
exh. aicion Gr.L on Ez-=r Mo-tay,
when the company w, .o,5 a IT'LL.
ta-y ball
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12
AMI ENENTS
Suspense ard Mystery

Cheating Cheats-s' a story ~, G.
suspense aE3 mvs-a-r. NJ! BE- shown.
THURSDAY afternoon aE5 evening =:
- Colcr.a. Theatre staring Cara
h:EtaI Young ard sle VIII he sup
ported b. her Own company. TIE
story = FlCa II thrilling scenes. Ge-
lgh-tul side plays. vcr.ie-f4i COS
times and sPsea.9-a settings. Who IS
Ire c+ieaIe- II Cheating Cheaters -
That's TIE question. imagine me sur
r--Se % re Crsa-=-s WIEN -h-T GlS-
cover another cEe4-er cheating -rerl
Y0u vi II interested n tI.s picture
because me plot S :. = an unusU-i
refreshing c-e. Sc Cara X Ycurg
Hhp. So hey say does the cheating
X -=c III meets th4st ! . difficult %
1lv:tse tn Spells. BIZ before me
thieves know i somebody else has
s-=ppe5: !, ard d3-e IRE dividing TIE
whole sorry = b-:----E over re -op
with good things % delight the sye II
re lover g t-e si'e-- drama.
Wonderful Clara S!:e wears s-ca
thinner ar: she t,as IRE mast atc-ac-
tive way q doing Ae- hair, He con-
pa-y which supports Ter :. Cheat
i-g C.eace-sT includes Il .ts cast
such We. known acco-s al actresses
.Pcr t1- screen as Anna Q. N!isoC.
Jack Holt. Frederick Burton. Frank
Cacpe21- N!choias L4--aE. May1n=
ne!so. THY Marshal. Edwin Stevens,
Jess Singleton. E:ean1r Hancock a..
Y 4 Ca--o.l-A5v
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12

tea-i the proponents Il the at a. :
5.:.ocs, % Cha pier l.5 Of the Revised
Sta-ltes. relating 70 - observation.
49, ar Il persons i tha state hos
gals. n. Forrest : TYSON, super
l-tA-ts1c y - Al--.s--- STATE hos
r.,a- Eova-e: L k@Ese- a16 George
PI4za u IN Bra-.: q Hospital
Trustees. Dr. " T. Hairs ard D.
: J. E=ac- - Augusta So J :
Da-.-v = r. So Board C CHar-
t.eS a-5 Cc--@c-.--S AID Executive
C01-ciIo- r. z >w!-- e Augusta ali
favored - + Aas---E
D Tyson outline! -:-e biz. TA!r1
--cv. 7e. for better care a-3 cbserva
ION o. re insane a21 e1-e-slon .
- -.e.fc5s wLi2: II re pas. te~
4a-s h1v- grove. very ne-~-caa' f2-
tr-s cas- = --tQTtunates- ors- Ea--
- al Hea-n car tte ---'.sC-l pre-
f-ss.or hear-l-v er6orse.. a. n. t.
son had said g.virg as thei- helief
tha- J. 5 the most II Portart PIECE Of
MEDICAL legislation betor5 --e Legs
!at--e fo- ysars.
inland Fisheries and Care
Fish~ars n dams and plug ash
-y ws.a re topics discussed before
tire COMMUTE - asaad fisheries and
game IN toe Museum 81 the STATE
House OF T1est:ay afternoon
legal A@airs
rep. FTke G Eastpo-- APPEARED =
L.nalt u his resolve submitting ar
s-=-G-zr- - the constitution
changing tn -.--@ A. the >-a:- e,ec-
TIN from September IL n frs
Tuesday following th4 r-st Noaday
n Noye-Ibe-. H regarded i as q
s.ep II the right direction as veil as
rn@ Ct economy. Tn only a--uTen.
which could - az z1ceG against Il
was that Maine served as i pcl..Slai
barometer. tbs c-y h+!7ed both par
ties % secure large po,is.ca; coat-i-
buttons from theiE national commit
ts-s. ha- IL recent vea-s Maine a. !
p.sli-.cai barometer rad Tot amount
&c 10 much.
Benjamin r. CIeaves spoke ii CO.
position 70 The TIL. His opposition
First on the pure ground Il Republic
can poI.tics- Pep. Pike Jeff the Toor-
a. this point and Judge Cieaves add
ed that ne had never known a Re
publican 70 introduce 4 resolution TO
change the time.
Now sad Judge Ciea~es. tia,
we are about 70 lose the only real
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1919-03-12
SAYS F!PE LOSSES
So, PREVENTAELE-
SUGGESTS REMEDY
Secretary ef Natis-a' Protective
lessue e Fire Assoc 1t a-s A..
dresses Gsthe-i-e - Hall &c Req
-ese-.ati.es Teescsy Evening

Hoe Franklin H. N entvo--E- So
rotary Of the National Protective
Leag OF Fire Associations was ~
speaker ct the evening last night =
the hall o. the House . Representa-
tives. his subject hein- Fire Pr
yn,ion." 4 eair-slze6 audience cree--
81 TIE speaker wao brought cG-
many questio-s q 1-e prevention
tro-. re scientific site &c -tac sub
je.- Insurance missioner o.
Walden Smith presided ard n Intro
ducing the speaker made the an
roucce-ec- .hat Maine VII hare a
fire prevention week beginning
Acr:l !: thai the entire state vii
be covered ~ several HUNDRED four
minute spea kers an5. with III c.
opera,ion Ct State lper.--erc er-
Thomas eve-y sthccl = t1@ safe
win be visited by ar--en ard SAFE
officials and instructions and pub
nclty exploiting the subject WI be
used.
Deputy STATE Superintendent Il
Schools S.a-Rev was introduced. ~
Comm ssiorer Smith as ire repre-
sentative Of the ecu q .io7al c@nar--
-ar- and assured tae audience mat
Z. would Cooperate with the irsaT-
a,ce dsca.,nent 20 the fullest c.
gree.
N introducing NJ. wentworth
ro--iss55rer Smith alluded 20 the
-r,.--s Of s-e fighting as beng enc
familiar TO Us all He said that Il
h;. or,-;en the science of n-e Pre-
vs,tisa is equally important. Il neg
-a-s 50. He stated tina. Nj Went
-, hsd been engaged II Ns ~erx
g. n wears M Wentworth csctar
IRA. the Are waste n rns c~ihtE:
.-ov,.s,i to $3.50 ooo. @sa annually:
81. -rfs tremendous tribute 20 H-e
ras 81 Ger cent II excess o. what u
-..,,r@ h. The speaker especially
..ues attention 20 tire great opsE
49, s,aees open elevator sfaits. arr
-,-y.rases open staircasss as De-
~ highly conducive to hres % -.
c,nea grafton erier. He said ina
,,sxa snaces should he broken cp
~,.b occasional IRE spaces or HFE
r- C-;--ira. ca-elessness, ae-
.,.,.s Ire speaker. Is responsible toC
80 ,av@ the fires that occur. arc
- -sn.dv that he suggested IS ii
,.~,.ls,io- either 10 compel the man
.he fire, which might nave
ne.n prevented. paying the IRE &c
,a--e,t-e expenses for asnLihs ttsss
a. or IL il caused injury 20 MS
a;~hsar,s property. paying the loss