davidaulloa/AmericanStories huggingface dataset:
The broad ax., 1918-12-14
RENoVATING THE "HARD" HAT
Home Milliner Can Remedy Defects
and Make Top Piece Stylish
and Becoming.

No woman can well afford to make
herself look "hard." and there is moth
ing that will do it quicker than a
hard" hat. You know the kind, mas
culine and unbending In every line.
Perhaps you have made an unfortun-
ate purchase of the kind. So these
general hints on renOvating may help.
Usually the unbecOmingneSs Of this
type of hat centers in the crown,
which may be too tall or unbecOming-
ly stiff. or bOth. The home milliner
can remedy both those things by re-
placing the stiffened side of the crown
with softer material like satin an
tique, which is ever so mOdish for
hats just now. or with velvet. Usual
ly it is advisable to use the old lid"
Of the crown for a stay. Now cut
yOur new material of the desired
height and half as long again as the
circumference of the lid" Gather
IL on n cord and secure to the latter.
After that you can shir II both for
the sake of shape and for decorative
ness.
Another remedy for the harsh crown
difficulty, and one almost universally
becoming. is to replace half the side
of the crown and the lid with the
more yieldy material. According to
this method, you will slice off the top
of the crown and as much of the side
as will give you a becoming crown
u TN.
rial as usual. 1t simplifies the work
to do abe gathering on a little disk of
the former sitter stuff.
The broad ax., 1918-12-14
STYLES GO BACK
To EARLY DATES
France Takes Over a Fashion In
spiration From English
History.
SUIT FROM cRoMWELL's RULE
Coat and Stuart Collars Returned to
Favor and Henry % Straight Loose
Gown With Loose Cord Cir
die Is Worn.

New York.-It is a long cry from
Henry ii to Cromwell, but fashion
jumps that length in seven-leagued
boots and regards it as a trifle. Fash
ion, indeed, asserts a fashion critic.
places the two periods of the worlds
history together without apology. She
takes a bit from one and a slice from
the other, and calls II a frock.
History has been ransacked for three
years for Inspiration, strange to re-
cord, when one realizes that a few
decades from now fashion will proba-
bly, start in to register the impress
siOns of these days, and throughout
ali the ages to come, II there are such
things as fashions for women, those
who build them will 60 to this era of
wOrld-war as an aid to jaded brains.
Possibly Napoleon was sufficiently an
egotist to foresee that the period he
created in the worlds progress would
last the fashion designers at least an
hundred years, as ii has done, but he
might have been startled at the fact
The broad ax., 1918-12-14
OF INTEREST TO WOMEN

Women have been placed in the
dining rooms of three Of New York's
leading hotels to take the places of
striking man walters.
More than 5000 women served as
drivers and aids In the American Red
Cross motor corps service. The khaki
uniform was discarded and a new one
Of Red Cross Oxford gray substituted.
The first girl bell hops" In Mon
tana have been engaged at a hotel In
Missoula, where the innovation has
made profound sensation among the
ranchsrs and cowboys.
OF the $1,000 women enrolled In the
department of nursing of the Red
Gross 700 have been assigned to the
federal public healrh bureau, or to Red
Cross service in this country.
Swiss girl singers. sometimes assist
ed by boys, gave street concerts in the
principal towns and cities TO raise
money for a fund for the comfort of
the soldiers guarding the borders Of
Switzerland.
The broad ax., 1918-12-14
ARE IN GAY c0LORS
Wooden hand Coverings Are Seen In
Large Variety; Often Match
Scarf or Cap.

One reason put forward for the
vogue for mittens is that one cannot
carry a muff and carry a bag, and
every patriotic woman simply must
carry a bag these days. Another rea-
son, and one that holds true of the
woman of moderate income, is that
fur is high and q new muff Is out of
the question. Then a lot of women
are doing outdoor work who never
did it before. They are exposed TO
the. cold nipping air of morning and
evening on their way to and from vol
unteer or paid work. They drive
automobiles and conduct" street cars
and act as messenger boys and collect
bills, and for this work they need to
have a protection for their hands that
is more substantial than the kid glove
or fabric glove of other days.
Hence the mittenI
The prediction was made some
months ago that the smartly dressed
woman would be wearing shaggy an
CORA gloves and mlttens and some peo-
pie shrugged their shoulders and felt
sure that there was nothing that would
tempt the well-dressed woman away
from the conventional kid. Surely the
fact that they had almost doubled in
price would not have this effect on
the woman who took dressing serious
~. But the vogue has come, and
where well-dressed women are seen
In outdoor attire there one also sees
woolen gloves and wooden mittens.
They are made in the gayest colors,
often to match a wooden scarf or cap,
and as the season advances they win
be even more in evidence than they
are now.
The broad ax., 1918-12-14

Street suit taken from cromweIPs rule
in Britain. It Is of dark-bIue cloth
with two rows Of tiny silver buttons
down the front, battIemented hem
and wide linen collars and cuffs.
that. in a tremendous time like this,
which makes his mighty battles puny
events, we should go on playing varia-
lions on the theme Of clothes which he
brought about through his Marian adj
ventures In other lands than his own.
None Of the designers have gotten
very far away from the Napoleonic
era, and their apology is that inspira-
ton was drawn from every source dur
ing the reign of this one man, and that
IT would be difficult to find something
which had been omitted. Very true.
We Turn to England.
There was once a time, In the be-
ginning of the Consulate, when fash
Ion In Paris was turned toward the
ancient enemy across the channel and
borrowed ideas for dress. This was
done in spirit Of perRrsity by GER
tain sections of society but the Paris
designers now turn there In a differ
ent spirit-one of intense gratitude
and friendliness, and instead of look
ing among present fashions for inspira-
tion, knowing full well by practical
evidence that they are Partisan, she
has gone back to British history.
Later she may remember MesopOtamia
and Palestine, and linking them to
Allenby and Marshall, swirl back to
Holy Land costumery.
At the moment she Is interested in
eras Of which she has thought little
and cared less. 1t seems a strange
thing that the temperamental design
ers Of Paris, on whom the world de-
ponds for the movement of the season
In clothes. should revive the fashions
Of Cromwell. Curious juxtaposition Of
ideas. None has ever arisen in French
history who could be likened to this
Puritan, and we may and the reason
for this singular recrudescence in the
pleasant fact that Cromwell was sand
wiched between two Charleses whose
frivoIity Is historically foreign to Paris.
The CrOmwellian inspiration is new;
the revival Of those fashions which
were adopted before the word had
any significance when Henry I was
king Of England. In looking over q
book OF old costumery the similarity
shown between the frocks Of then and
and is startling. And this is all the fur
ther we have gone in dress. Is the ex-
elamation that comes first.
Those were severe fashions when
The broad ax., 1918-12-14
AMONG NEW Wells AND HATS
Close Face Covering Is lnyariabb
Worn by Majority of Well
Dressed American Women.

Volumes could be written about ths
veil of the well-dreSsed American won.
an of today. Without the invariabls
close veil she never ventures abroad
in the daylight hours. One sees scarce.
ly three smart flowing veils-if Of
course, one excerpts the motor veil
during the entire season. All the Dos
sibilities of veil are only realized by
one who has experimental win var.
Gus kinds and cOlOrs. 1t was TO liz
veil that accompanied it that might b
ascribed much of the effectiveness q
the little hat of henna-brOwn satin
recently seen, says Vogue. A wiSp d
darker brown feathers shot almost d
rectly back from the left side Of tS
brim, and a dark-brown tracery Vi
gave wonderful tints to the wearerI
delicately bronzed skin. A sable cape
thrown over the shoulders completed
this harmony Of warm brown.
There is a distinct predominant Of
small hats in the smart autumn MILL
merry. Satin, velvet and beaver are
among the most popular materials and
these assume soft dark tones, such s.
dull blue, gray, taupe and brown. The
new henna brown, which is shade Dor
dering on terra Gotta, while consider
ably in evidence in autumn costumes
has not to any important degree n
vaded the field of millinery.
The broad ax., 1918-12-14
SLIM AND SIMPLE
Frocks Are Quite Unlike the
Mode of Yesterday.
WaIstIines Are caprieious; Sleeves Of
Various Styles; Supply Of Silk 10
Wcndrcus; Woolens Limited.

Everywhere one sees new clothes.
At first glance they seem quite like the
mode Of yesterday-and one resolves
with firmnesS to wear the things left
over. One looks again, relates a writer
in Harper's Bazaar, and discovers a
difference which lies not in the out
lines but IN a host of clever, artfully
/ flies on wings.
/ In style all frOcks are slim and SIM
ple-Or ut least they give that impress
sion. The skirts are Of the well-knOwn
"hObble" type. but they have all the
delights and one of the regrets of the
hObble we used to struggle with so
valiantly. Instead Of the uncOmfOrta-
bly, close confines OF other days, the
new skirts are so skillfully folded and
draped that though the slender lines
are scrupuiOusly maintained, the wear
or has plenty of room In which to
brave the eurbStOnesl
Waistlines are indeed capricious, for
while some reach aspiring heights,
others startle with their length. A few
staid and sober ones insist on being
normal. OF girdles there are a-plenty.
II one would have the swathing kind
and one surely will-remember that
il begins at the normal waistline and
is draped to give the effect of a long,
slender waist.
Sleeves, always a law unto them
selves. are long and tight at times,
again only three-quarters. Some are
draped and some are ''bells;" some are
banded with fur and some with heavy
material. Though the straight neck
Vine is still much liked, distinctive col
lars of fur will stamp a gown as IN
mistakably new.
Silk is the mode, of course. And
never were there such wOndrOus silk
en- stuffsi
Woods there are-rOugh hOmespuRs,
duvetyns, velOurs and jerseys-fOr
suits and wraps that one may wear
without a Qualm, for the materials
were manufactured and purchased
long before there was any question of
conservation. The supply, of course,
is limited. and the tariff proportionate-
ly high.
The broad ax., 1918-12-14

Gown Of sweet-sum eoIored veIours
showing the square contour for
which fashion Is headed. The back
of the skirt Is plated, the front
plain. Under the square bodice
there is sash of IndIan-red crepe.
the contour Of the figure. 1t is get
ting square. II 1t succeeds there is
another blue ribbon Of victory to the
house Of Callot who moves along q
mysterious way toward changing the
fashion OF the civilized world.
When Callot sent to this country
those primitive garments without belt,
or curve, cut straight from two pieces
Of cloth, or 30 II appeared, and sewed
up at each side. women simply uttered
an emphatic negative and passed them
by. Ever that little group Of extrem-
lists which can be depended on to try
out everything once, at least, were too
doubtful Of the experiment to put
money IN II. And yet here 1t is creep
ing In among all the best gowns from
important houses and promised as the
ruling contour for spring.
Copyright. 1slB by Mcclure Newspape
Syndicate)
The broad ax., 1918-12-14
LACE COMES BACK
Decoration for Frocks Promises
Wide Popularity.
There Is No Attempt to Relieve the
NeekIine Of Evening Gowns When
They Are Deeply DeeoIIete.

By this time 1t is quite apparent to
even the casual observer, states a
fashion writer, that old lace has come
into its own again and that there is a
revulsion Of feeling against the severe
neck line except by women who know
they look extremely well in such Sc
verify. 1t is not especially trying when
the decolletage Is square, but when
round, or V-shaped IL takes a woman
with remarkably regular features to
The broad ax., 1918-12-14
STYLE SUGGESTIONS

Pockets are shirred at the top 50 j
to appear very full.
Dark tailored dresses are reiie'e'
by colored silk piping.
Capes may have small fur-0oun'
Sits to act as armholes.
A striking scarf is of black tul''
faced with metal tissue.
TUNES which droop In points al ~'
side are very graceful.
Transparent material panels
heavy dress with much effect.
One side Of a skirt may be ven
much draped and the other not al ~
A charming froek Is Of rose ge%
gette and is sashed with brown Vei'e.
Rows Of military braid form Dig
ehoker collar Of a blue serge dress
Three-lnch buckles Of gun neu
give a costume Of serge q military q
feet.
The broad ax., 1918-12-14
CHIC NEW SWEATER BLOUSE
eaEnent Devised Wiz Purpose of
Conserving Wool, but Without
Giving Up Good Points.

An extremely serviceable and jaunty
garment is the new combination sweat
er blouse. devised by some one who
wanted to conserve wool without Civ
ing up the good points of the sweater.
A blouse of some gay striped silk is
first made according to a pattern that
opens down the front with fronts that
fold back and join in a wide sailor COL
lar. But the sailor collar is not made
of the silk. Instead, II is made of wool
Of some color that goes well with the
strikes in the silk, as are wide cuffs
for the sleeves and foot wide hip sec
ton that forms a tight-fitting peplum
for the blouse. To put 1t on il is SIM
ply pulled over the head. 1t is charm
Ing to wear with the walking suit
skirt, and the wool is placed just
where the additional warmth under
the suit coat might be most welcome
Of frosty mornings.
The broad ax., 1918-12-14
Those Coin pota

On neckwear black coin dots are
worked In cotton on white organdy In
q way that makes them quite worth
while.
The broad ax., 1918-12-14
LIiInus Are coIored.

A notion reminiscent of the blouses
OF several seasons ago. when many
colors were transfused by means of
many Innings placed one above the 9TH
er, Is shown in some clever blue
blouses OF georgette through which
red, canary or petunia shows part Of
the way to the yoke and again for
cuffs and collar.
The broad ax., 1918-12-14
The Square Figure.

These are minor changes, however
important they may be to the mass Of
women who have no intention Of
swinging their clothes into every pro-
cessiOn that passes, in comparison to
the subtle transformation going on in
The broad ax., 1918-12-14

Cromwell interrupted the pleasure-l0v
ing Stuarts. Some one has said tina
when Charles III came to the throne
England with a sigh Of relief laid
aside her hair shirt to show that she
4, wore a silk one beneath.
Just recently there has appeared sew
eral sorts with battlemented hens
a strange sign Of those times, and q
double row Of buttons on each side OF
q long straight front opening. The
wide linen collar and cuffs are added
and one sees that II Is a new fashion.
Not so new, but equally Cromwell
ian, is the sleeveless blouse. or short
tunle that our shops sell as casually
as they once did the American shirt
waist. These, also, were battlemented
at the hem, while ours are not, but
they also showed the full sleeves of
the shirt beneath. In those days the
man chose the undershirt In broad
yellow and red-barred stripes.
As. we wear this other coat, the bat
tlemented one with long sleeves, fas-
tened at the neck, but not below, the
effect is good. 1t provides a variant
from the accepted styles Of jackets. It
is beltless, which is a fashion the
French designers are striving hard to
establish. The slim lines Of this coat
keep the widths from avkwardness
and the small armholes aid the clean
cut look.
Sinuous Hips Of the Orient.
1t may be a happy fact one that
gives cause for rejoicing that design
ers have no objection to punching"
the countries when Ii comes to fash
Ions. To put the oriental hip drapery
alongside the coat of Cromwell and
the chemise Of Adele OF Iiauvain is
legitimate business.
AIS well that once looked well,
might be their motto and they go on
making a sartOrial Tower OF Babel, for
II costume could speak. this is what
would happen in any representative
gathering. The Orient is always too
seductive, too easy of imitation, to
escape constant usage; there may
have been periods in social history
when II would not have been posi-
BILE to persuade well-placed women TO
appear in the clothes of the Temple
girls and those of the Bazaars, but we
don't happen TO belong TO one of them.
We have stopped at some things in
the last six years, but we have gone
far, very far.
Sedateness has entered into cOstum-
cry during the last two years. but now
we may see a return to license In cos
tAnery that may make pre-war fash
ions appear anemic. Let us hope that
joy won't be too unconfined.
If there is a pleasing sedateness
with freedom from occurrences and
drabness, ther we will see good cos
tunes. Already there is a gracious
way of employing orientalism which
cannot be objected to by conserva-
tives, even in the hip drapery whose
swathings are the sign and symbol of
the Eastern dancers.
There is a tendency to combine col |
ored satin with black thread lace In |
the oriental ffocks. which takes away /
the suggestion of the East except In |
the swirl of fabric that goes about the |
hips
The broad ax., 1918-12-14

carry it of. This refers to day frocks.
There Is no attempt to relieve the
neckline of evening gowns when they
are deeply decOllete, as the bodice is
rarely Of heavy or Opaque material.
The introduction Of an afternoon
frock, which now means a frock worn
for lunch as well as tea, but not for
the ordinary purposes Of shopping or
patriotic work, with a deep U-shaped
decolletage half filed In with a fat
ruffie of lace, has met with sufficient
popularity to insure a reasonable
measure Of SUCCESS, and one hears on
every side the expression of pleased
acceptance with a fashion that gives
one a chance to have the face soft
ened.
Against this judgment there are a
host Of directors who insist that the
severe neckline is smart and that the
other is out of the picture. but as soon
as enough well-dresSed women adopt
the advancing method then she who is
out of the picture will be in ii. II is
merely a question of the eye. We are
the victims of visual familiarity with
objects. Otherwise there would not be
that complete change In the fashions
which occurs season in and out.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07

udtalte, at hvis jeg like holdt
op med at worry, kunde jeg
like blive rask. H@rte saa me
get ON Lydia E: Pinkham's We
getable Compound og min Mand
@nskede ogsaa jeg skulde prove
det. Tog Diet for en-: Uge og
f3lte straks Bedring. Brugte
Diet for 8 Maaneder og bar Diet
nu godt, kan spise alt og bliver
like nerves" Mrs. ]. Worth
line, 2842 North Taylor ST.,
Philadelphia, Pa.
Flertallet af M@derne overan-
straenges nu til Days. der er
.saa mango Ting der krever de-
res It'd og Krafter, Resultatet
er ufravigelig Svaghed, nedbrudt
5Helbred, nerves Tilstand med
Hovedpine, Ryglidelser, Pirre-
lighed og Nedtrygthed - som
udvikler sig til alvorligere Syg-
domme. Det er paa ct saadant
Tidspunkt at Lydia E. Pink
hams Vegetable Compound vii
tibagegive en- normal sund Til
stand, SOM Diet gjorde til Mrs.
lWorthline.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07
J. A. o.
PR L S
For State Auditor
.Kandidat for .Genvalg paa Diet
republikanske PARTS Liste we'd
Primervalget den II. Juni.
solbaternes 8enefiee.

Sqngforeningerne Glberg oa
@ergelqno, Ser bar famine 9iri=
qe11t, bar Toaet Zig iammen ON en-
&oncert paa 9. 9. @. Sail 5reOag
Sen 81. s, sunni, Der fortiener at blibe
gpot belpgt. @ele Snbtegten lfal
nemlig tilfaloe ct Soloaterfono %
antagelig benpttes til at fipbe 81
gorettcr og Sobaf til @ocines to
Seltbatterier / 6ronfrig. Ser oil
blipe goloma1nre al oiperle 8irtno=
Ter, og set %miolertibige 8rogram er
meget lopenbe. CONNER &anoall
fra &eno1ba bar tillige lopet at bo1-
Sc Sore0rag soper ct patriotiif G1nre.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07
Krnnahu.
Gn oniparsfnlb SOFT.

Mn0reip 9ablltrpm er blepe11 a11=
lat font 5efret9r for Ben nplig ltif,
teoe patriotiife 2iga, Ser bar faae1
Mapn efter Sacob q. &iiS. 81:
Mar @enins, Ser er Sellfubcts Nre.
'iioent og egentlige Glitter, bar
&oci,1e iiolte 2gr6ag, ian1men mel
.Garl Mntonien for at in%tereslere
Hralter % 6oreningS1eoere ! Ga:
gen, og tog iamtioig Mnleoning til
at i6ge en- Sefreter, iom er iltanl
til at forrelpon6ere babe paa Gu
gelif og Danff. SIT ban fanot Ell
1qaban / 9ablifr6m, ct Ser i11ge1
Ebipl ON. 9an ifal babe Sobeo
foarter i gbicago og traaote
8laos ollere6e ii6lte Snsbag.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07
eSnaen &pneert.

5nngforeningen 8rage blep ifft
farotg meb Sn09peiien at 8ro9ram-
met for fin Soraarsffoncert beram,
met til ben 80. Meai og iumme CT
6esoariag l10iot paa 11beitem Gib.
Mogle bill bog finoe ben eeentlige
@rl1no 6eri, at 8~rooeriamfnnoets
SAL, bpori 5nnger11e bar @obeo'
fDarter, Iigger inoenfor ben balp.
mills girfel, Der er 6raget ON Sol
oaterleiren noe peo ben Itore Mo-
torfabrif, og iom Dar 5fplb !, at Is
SaloonpRrter mnatte lufffe uoen ri.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07
@erqelamb ipnaer.

Songforentngen @ergelan6, 81
rigeret at Sans Sobannes &anien,
gob ft0ite 2eroag Mften Ell 1mui
&onrert poa @ergelanb Soil, bbor
ct noiggt 8l1blifum CAB fit 8ifaI1
.tilfienbe me6 talrige Sremfal6elier.
&oret iang fem norife, 6anife, iben-
ife % amerifanife 5n1ge meb aner=
fien6en6e 8recifion, Ser bite grnn-
dig 3belfe og ban6t flor Mppln1s.
Granf Smbolbtg 1tnge begapeo.
Datter, Srances, Der er en- begabei
Nionit, gioroe flor 2bffe med
@riegs Cutie al @eer @Dnt. Mfte.
mems glon bar imibIertio Ole
Solms ge~norioloer. San bar en-
glimren0e stemme, bel ifoIet, % ot
ban life er foitbar, les bernf at ban
|fang lite min6re ems s Ml1mre.
@af Iepereoe Mliifen til set paa-
|felgenoe 8aI.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1918-06-07
Uhuagu.
vS Mutiben",

Donlf l1ng0omsforening's Seltblao,
finbes en-. Mrtifel: v8bin0e 0og!",
Ser life ber forbplbes bore 2Glere,
tbi fife olene er Sen ioa goot fire
ben % laa fon1is / ,.ot matt
gen 6pgtig Sorrnaliit ciloe mis11n=
Sc Sorfotterinoeu, Mrs. Selga
Sanfen, me,1 Sorbaaielien % 8e-
11noringen tiger cnon1t bejere, 11oor
man erforer, at Mrs. s. $. TOM
Ter til 2onoet, 90 bum fln bar ct
Mar gammel, .alorig far faaet I'm
oerpisning / 9on1f og iclp bar lprt
fig at leie og ifripe 9anif - talt
blep 9onif i 6ruens Stem. Sa, Der
fplger Mrtiflen, laa fan bore 9reoe
'2ni ere leln afgjgre, ont hi bar lagt
for meget:
@ninbe / Gag! gr set big flll6t
bepioit, bpilfen Nptio b1t leper /;
bpilfen Stprfe ou ejer, - troOs
.8rig, trp6s Sorg, troos alt?
gtDe 9anfer 1trelnmer % / Mpoe,
bbor enb III gaar. Sg Ter ri % ON,
Miber bort &irfefelt %l1begrGnlet.
Boberne ielp ipnes at raabe:: @irfl
@irf alt, 611 formaar; tbi I'LL CT
Gioen sin!
Man amer set bibrnoerliglte -
Set, at muligbis oenne Si0 funoe
giere Ell f1l6poflen. Mfan ler lom
en-. M11ligbeb ems 8prn mangeliDig
for taoenoe,-en @lebe numbering.
Man %gjennemiules al cit itor, bpb
Erong:. Seq bill birfe, pirfe 11ltaro-
ieligl
Do manife -
Sor Ell ret lenge liOen ltoo Sen
emoncipereoe &pi116e e11e / ct Cant
funb, Der life Henotes bel,be pe0.
'Meo @raob / &allen % fnptte0e
S9n6er fun6e bum fortpiDlet e11lfe:
Bi6 jeg bar Mano ogGfnn6e pirfel
5or ben6e tor usaepinoetilitnn6"
- 69ng1elstilftott6.
Sun ftan1pebe moo 8rao6oen-
ng So6en bleb flao og iterf. Sun
rpfteoe &obe6et pre6t, iaa BET fiji
Stprfe og &efbe6 / @oloning. Sun
beo Munoen fmmen / trooiig SCR.
grelie, % Den tit faite, ifarpe Greet.
SUN pinteg, nreoeoes, prgreoes, ino.
til alt ppnteligt, blpM %foripanot.
Sen fri1tenoe Mel1no, Sen blpoe
@inb, set ra1noe 8rnit bur fife mere
for benoe. Set fpiiif ifiptne fore
TOM ben6e forloffer6e; og bu1
fleote Zig t%atilutenoe % peloaffett
Sun b1ep Mano Zig, men e
Mano fier. Sun maatte fabne
bbqo bum / @alt faite0e bort mel
fine 2pnfer, 90 bun ferit felte fit
og 5remtioens Grang. Sun bro
Iag6e 8eien, ri treoer i Sag. Sun
1arte % mere, en6 bun Ielp ffatteoe
3enoe taffer bi otter % otter.