davidaulloa/AmericanStories huggingface dataset:
The copper era and Morenci leader., 1918-10-11
the Insane Asylum at Phoenix.
 Satisfaction of Mortgage.

the Insane Asylum at Phoenix.
 Satisfaction of Mortgage. State Bank of Morenci to E. J. Rubien. State Bank of Morenci to Bruno Barona.
 State Bank of Morenci to J. H. Nor ris.
 State Bank of Morenci to Epifanio Tsparza.
 State Bank of Morenci to Ricardo Nanellp. John R. Ward to Berardo M. Pro- vencio.
 State Bank of Morenci to J. c. Err win.
 First National Bank of Clifton to Ella Rabenowitz.
 Quit Claim Deed. Genaro Rodriguez ct ux to An tonic Spezia.
 Land Patent. To George M. Robinson.
 Trial Jury Drawn On Monday morning before Judge Laine, Sheriff Slaughter, County Re corder l.. N. Callicotte and Clerk of the Court Ben M. Crawford were drawn the following list of persons to serve as jurors for the coming term of the Superior Court which has been set for October 21: Frank Springer c. A. Angle J. I. Watson c. E. Stevens F. c. Martin R. G. Phillips A. H. Buck. w. S. Green w H. Williams Wade Harris G. L. Wyatt L. J. Upham R. E. Johnson Geo. F. Montgomery A. F. Hoffman E. E. Packer R. H. Pringle P. M. George F. A. Sanders A. Sonsthagen W. P. Raines Henry Laine W. G. Scott Wm. Richards c. A. Warren Ole Hagan A. l.. Young Wm. E. Payne Geo. W. W ilson w. R. Davis J. H. Isbel J. W. Foote Jas. Poole W. H. Caid J. w. Boyd John K. Chiffon l.. H. Payne c. M. Brooks H. Albert Robert c. Brady M. A. Clouse Walter Foster L. D. Smith H. T. Boyd Ns Wm. Wantland Fred Thudium Frank E. Gooch J. " Nichols w. H. Moses J. J. Brown J. H. Bryan W D. McKeehan J. l.. Await D. F. Goddard W. E. Bradshaw Maurice Day Hal Nicol John Burton c. l.. Turner W. P. Dees Will Laney M. O. Goodspeed c. R. Clifford W. H. Sloan J. E. Blacketer T. H. Nichols Jas. V. Parks G. W. Hostetter F. T. Moore J. W. Bloomfield o. A. Risdon George Glenn T. Maupin Walter Russell c, C. Carnes
New-York tribune., 1918-03-03
The Other Operas

"Le Cog dor" will be preceded by
"Cavalleria Rusticana," sung by Mines.
Easton, Perrin and hatfield and
Messrs. Lazaro and Chalmers, Mr.. Mo
ranzoni conducting.
The other operas of the week will
be as follows:
"Manon Lescaut" tomorrow evening,
with Mines. Aida and Perrin and
Messrs. Caruso, Amato, de segurola,
Bada, Reiss, laurent, Reschiglian,
d'Angelo and Agdisio Mr.. Papi will
conduct.
Samson ct Dalila" on Thursday eve
ming, with Nine, Matzenauer and
Messrs. Caruso, Amato, sRothier,
schlegel, Audisio, Reschiglian and
Bloch. Miss Cali Will dance. Mr..
Monteux will conduct.
Carmen" on Friday evening, with
Mines. Farrar, Miller, Braslau and
sparkes and Mcssrs. Martinelli, White
hill, de Segurola, Bada, Reiss and Lau-
remit Miss CALI will dance. Mr.. Mon
teux will conduct.
aida" will be the weeks Saturday
matinee opera, with Mines. Muzio,
New-York tribune., 1918-03-03
Bloch Writing
Everyman' Music

Ernest Bloch is just completing the
score Of his incidental music for Rich
ard Ordynski's production Of the old
English play, "Everyman," which will
have two performances at the Metro
politan Opera House, under the au-
spices of the Society of the Friends
OF Music, on the afternoons of Easter
Monday and the following Thursday.
April 1 and 4. The music will be
played by the orchestra of the Metro
politan under the composers baton.
In the "Everyman" score Mr.. Bloch
seeks to heighten the variety and color
of this ever-changing picture of me-
diaval life, imagined by some name
less monk four centuries or more ago.
Throughout it runs the religious
majesty, the sense of the imminence of
deity which was so keenly felt bv the
mediaval soul. 1t is a theme which
appeals with peculiar liveliness to
man of Mr.. Bloch's gifts, and in treat
ing it he has freely utilized his talent
for harmonic and instrumental color
ing.
New-York tribune., 1918-03-03

which would always give warning in
case Of danger. At first the King does
not believe him, but the cock is
brought in ard cries at once:
"Kikeriki. kikerikou. Be on your
guard; mind what you do"
In the second act Dodon and the
Noyevode Polkan, with their army.
come to narrow pass among the
rocks which has evidently been the
scene OF q battle Here Dodon comes
suddenly upon the dead bodies of his
two sons, who have apparently killed
each other
The wretcned, egotistical King is re-
duced to tears at the sight He per-
ceives under the shelter of the hillside
a large tent. To the great astonish-
ment of the King and his Voyevode. q
beautiful woman energies from the
tent. She sings song of greeting to
the dawn.
Dodon asks her name. She replies
modestly that she is the Queen Of
shemakha. Then follows long scene,
in which she lures the old King un.
I'll he is hopelessly infatuated with her
beauty.
The Queen of Shemakha consents to
return TO his capital and become his
bride.
The curtain rises in the third act
upon another of those scenes of bustle
and vigorous movement Characteristic
of Russian opera. The people are await
ing the return of King Dodon.
There enters wonderful procession
which reminds us of an Eastern fairy
tale. AS the King and Queen pass by
IN their golden chariot the former ap-
pears aged and careworn; but he gazes
on his companion with uxorious ten
derness. The Queen shows evident
signs Of boredom.
AT this juncture the Astrologer
makes his appearance, and a distant
storm, long threatening, bursts over
the city. The King gives a hattering
welcome to the Astrologer and ex-
presses his readiness to reward him
for the gift of the Queen of Shemakha
herself. The King refuses with indig-
nation and orders the soldiers to re-
move the Astrologer from her.
Suddenly the Cock gives out a shrill.
threatening cry; he flies onto the
Kings head and with one blow of his
beak pierces his skull The King falls
dead When it grows light again
Queen and Cock have both disapteared.
Pima Garavelli, coloratura soprano.
for whom much is claimed. will song
for the first time in America at to-
nights concert at the Winter Garden.
She is a graduate of the Conservatory
OF Milan, and comes here from Turin.
Italy. Her aras will be the "Caro
Nome" from "Rigoletto" and the fa-
nous cavatina from "The Barber Of
Seville"
New-York tribune., 1918-03-03
Musical Alliance

Musicians, heads of civic organi
zaslons and other men and women in
terested IN the development of music
as an aid TO civic betterement will
meet at the Hotel Biltmore on Tuesday
evening at dinner to be given bv the
Musical Alliance of the United States.
John G. Freund, president. philauder
2. Claxton, United States Commits
sloner of Education, will be the chief
speaker and will submit to the gather
ing tentative plan for the general
INTRODUCTION of better music into the
public schools of the country. Another
guest Of honor will be James Fl. Pres
ton, Mayor of Baltimore, who will
speak on Music as a Force for Civic
Betterment. Mayor Preston has
placed Baltimore in the lead among
cities fostering civic music and will
discuss actual achievements in that
city. The other speakers of the eve
ming will be Josef Stransky, conductor
of the New York Philharmonic Society:
Hon. Murray Hubert, Commissioner of
Docks and Ferries, City of New York:
Ralph NJ Easley, chairman of the Ex-
ecutive Council, National Civic Fed
Grafton; Chief Justice Isaac Russell.
Mrs. William Rogers Chapman, presi-
dent of the Rubinstein Club of New
York; Miss Kitty Cheatham, Rubin
Goldmark and David Bispham. Mr.
Freund will be toastnaster
New-York tribune., 1918-03-03
Greek Idea in Dancing
And Symphonic Music
Recent Exposition at the MetronoE.
tan Rene1vs Question of Interpreting
Schubert With the Feet

We hold not the briefest brief for
what Helen Moller and her pupils did
TO the Schubert Symphony in major
at their exposition of the Greek idea
in dancing" at the Metropolitan Opera
House last Monday afternoon. They
may have exposed Greek dancing, since
none Of US has more than the faintest
notion what Greek dancing was like.
But the most noticeable exposure was
of something too, too solid, and not at
all of anything so evanescent as art.
If the occasion had not invited such
an avalanche of remarks about "the
naked truth" the dancers artistic
Standards" the shocking fact that
woman is a bipcd, and the like, we
might have had a very pretty discus
sion concerning the propriety Of dane
ing to q symphony. There are some
who simply won't have it. A symphony,
they insist, is q symphony; it is not
ballet If Schubert had meant his
music to be danced he would have so
directed. 1t is an impudence, they in
sist, to seek to add anything to a
Beethoven symphony. Did not the mas
ter know what he was about? Is his
music "incomplete" as it stands? Has
Miss So-and-So the genius of Beetho-
ven, that she presumes to make clear
his meaning?
When we get into this sort OF discus
we are furiously embroiled in
SC clashes of tastes which make the
apers Incorporate and leave the soul
Inject for some kind of Turkish
The only thing to do is to gather
il little knots OF Bolsheviki and
Nenshevik and humble things about
each other in safely distant corners of
the rooms. Some of US who are Boil
sheviki in this matter, and would sin
cerely like TO see certain of the SYM
phonies danced, if only il could be done
adequately, won't ever be convinced to
the contrary. Wagner. with that splen-
did poetic imagination which was the
solid half Of his genius, said one of the
ultimate things when he called Bee
thoven's Seventh Symphony "the apoth-
costs OF the dance" And those who
have read Nietzsche's "The Birth of
Tragedy" will never get the feeling out
Of their blood that music at its most
intense and exalted somehow implies
the dance. And in any case, is it such
sacrilege to speak Of dancing in con-
nection with symphonies? The sym
phony was originally TO more than a
suite OF dances, and not until Beetho-
ven's Third Symphony did it break with
its dance tradition and become clearly
emotional and dramatic. And even in
Beethoven. and for decades afte-ward,
the dance feeling pulsed persistently
in it. blood
Al all events, there is one symphony
New-York tribune., 1918-03-03
A Book Of Songs

Since there are some thousands of
songs published each year, and just
few CT these are good ones, the need
for some sort of sitting is evident.
This is where the editor of "collec-
tions" performs one of his chief SER
vices.
But this IS not all, The songs pub
lished this year tend in some degree
to sift themselves, and each season
one or two emerge by the natural proc
ess OF elimination, as II. T. Burleigh's
Deep River emerged two years ago
But what about the thousands Of songs
published long ago and forgotten? +?
What about those published in strange
lands and never published anywhere
else? The concert singer would need
an international intelligence bureau to
keep informed. Here, more than ever,
the keen-eyed editor is indispensable.
And his services are appreciated.
Since Kurt Schindler's two volumes of
Russian songs were published few
months ago, for instance, we have
heard some dozen or eighteen of them
IN New York concert halls, or seen
them on programmes We missed. And
as for his earlier volume, "a Century
of Russian Song it has been a mine
CT material for singers for five years.
Let no one again make sighting refer
ence to the editor and collector as a
"rehash artist"
New-York tribune., 1918-03-03
From the Music
School Settlement

"Hosanna.' new song for COM
munity singing, the words and music
by Arthur Farwell, will be sung by q
chorus of over five hundred, accom-
panied by an orchestra of nearly two
hundred, at the festival concert of the
Music School Settlement Of New York.
to be given at Carnegie Hall on March
6. The singers and performers will all
be pupils of the school. The song is
dedicated to the pupils, and will be led
by Mr.. Farwell, director of the school.
The vocal ensemble of the school, un-
der the leadership of Laura Elliot,
head of the vocal department, will sing
New-York tribune., 1918-03-03
'FGolden Cock" Opera
Premiere Wednesday
Caruso Will Appear in "San,son ct
Dalila" -"Carn,en," "Aida" and "Ma-
non Lescaut" Also on the Metropolitan
Programme

lie COG d'Or''--"The Golden Cock"
an opera pantomine, almost the last
work OF the Russian composer, Rimsky-
horsakof, finished in 1907. and never
produced during his lifetime. will have
its American premiere Wednesday
evening at the metropolitan Opera
House. II will be the eighth Of the
novelties and revivals" promised by
General Manager GATH Casazza for the
season OF 1917-'1s The work was
given in Paris and London during the
spring Of 1914, with great popular sue
cess The action OF the opera, which
IS based on fairy tale by the famous
Russian poet, Pouskkin, is entrusted
to the ballet, while the music assigned
to the persons of the play is sung bv
the principal artists and chorus garbed
IN Russian costumes and seated on
terraces arranged on each side of the
stage. Appropriately fantastic seem
cry has been designed and painted for
lie Coz dor" by Willy Pogany, who
also designed the costumes. For the
stage management Adolf Bolrn. for
mer star of the Ballet Russo, is re-
sponsible The musical rehearsals
have been in charge of Maestro Pierre
Monteux, who conducted the work in
Europe and who Will direct the per-
1ormance here. Maestro sesti has
framed the chorus. The double cast
will be as follows:
New-York tribune., 1918-03-03

Inc esucen ..-...M Miss Cali and Nine Barric,t -
Np1'lfa nbn KnS Msa smith and Mis- Brssla
The General Alr sartik and Wr ''p Rro Dlaur
The PPS'5ooEoF. PTpon Mr. Bqqaslio and Mr pa1
"I 'iice. ....... Mr.. Hall and Mr. Andisto
y NH'zhl .-..,. Mr.. Johnson and Mr. Iesch slan
In the first scene we are ,ntroduced
to hall in the palace Of King Dodon
where he is holding a council with his
boyards. He tells them that he is
weary of kingly responsibilities and
especially of the perpetual warfare
with his hostile neighbors. and that he
longs to rest for while. First he asks
the advice of his heir, Prince Gvidon
who says that instead of fighting in
the frontier he should withdraw his
troops and Leu them surround the capi-
tai, which should first be we'll provi-
sloned. Then, while the enemy was de-
stroylng the rest OF the country tho
king might repose and think of some
new way of circumventing him. But
the old General Polkan does not ar
prove of the project, for he thinks if
VIII be worse to have the hostile arn7v
surrounding the city and perhaps at
tacklng the king himself. Nor does he
agree with the equally foolish, advice
OF the kings younger son, Aphron.
Very soon the whole assembly is
quarreling as to the best way out of
the difficulty, when the Astrologer ar
rlves upon the scene. He offers King
Nodon present Of a Golden Cock
New-York tribune., 1918-03-03

Homer and Sundelius and Messrs.
Kingston, Amato, Rothier, Ruysdael
and Audisio. Miss Smith will dance.
Mr.. Papi Will conduct.
AT to-nights concert Alma Gluck
will sing Micaela's aria from Gar
men" and several selected songs. Miss
Cecil Arden will sing the "Habanera"
from Carmen" and songs by Hue,
Lane Wilson and Buzzi-Peccia. Rafaelo
Diaz will sing "Cielo mar" from LA
Gioconda," and songs by Massenet, Ra-
bais and Denza. The orchestra under
the direction of Richard Hageman, will
play Goldmark's "Sakuntala" overture.
Dvorak's "Scherzo Capriccioso" and &C.
lcctions by Handel, Massenet and
Brahms.
"1 Puritani'' will be sung on satur-
day evening at the Brooklyn Academy
Of Music by Mines Barrientos and Pc
rini and Messrs. Lazaro, de Luca, Mar
dones, Rossi and Bada. Mr.. Moronzoni
will conduct.
In the cast of "Le Cog dor" the mu-
sic described as "the voice of the cock"
viii be sung by Miss Marie Sundelius.
The scenery for "Le Cog dor" was de-
signed by Mr.. Pogany, but painted by
?. Dodd Alderman.
New-York tribune., 1918-03-03

"hlch to some of us seems to crv for
accompanying dancing, and that is pre-
cIsely the one Miss Moller chose
Schuoerts Seventh. Isadora Duncan
owned its possibilities a number of
years ago, and with her pupils danced
TO the last two movements, not ade-
quately, as we felt, but with vastly
more feeling for the spirit and the de-
sign Of the work than was shown on
Monday. But many q listener must
have caught the feeling independent
The rhythmic quality of every move
n-ent .ashes like whip. The second
theme of the opening allegro must
convey the picture OF some exotic
dance to the dullest of souls. The
lovely trio of the scherzo is one of
the most irresistible lilts in all music,
The andante makes the muscles tincle
with desire for visible rhythmic move
ment. The final allegro is not to be
described IN any such measured Ian
guage. To one who feels it at all
(there are some who call it weak and
thin) it is violent whiskey, making
I the head spin and the blood rush in
crazy directions. 1t is nothing short
Of painful to sit in ones chair and
listen to this music, unable to do any
thing about it. The peculiar dance
quality does not reside merely in the
persistent rhythm. 1t is somewhere in
the tireless and exultant melodies
themselves. But by the grace Of the
gods OF music it is there, and some
thing simply has to be done about it.
That something can be nothing but
dancing, dancing straight, honest and
natural, physical and buoyant, the
overfowing expression of joy in the
1.-the figures, clean muscles and re-
silent flesh which nature has given
to her favorites among US. Natural
dancing, but not aimless. The human
animal, when he is keyed up to play, is
not aimless. He is very intensely aim
ing to throw a ball to some particu-
lar spot, or to jump clean over
brook, or to put the shot exactly an
inch beyond the worlds record.
Artistic organization is not triumph
over natural impulse, but natural i'm
pulse getting what it wants. The
Italian children who obstruct traffic
down in Macdougal Street on summer
days get their games organized as fast
as their minds can make up rules and
principles. And so the dancing which
will accompany this Schubert SYM
phony, when it satisfies US, Will be as
impulsive as human nature at play and
as the music of the childlike Schubert
himself, but as cleanly organized as his
symphony and as simple.
1t will not tell "a story" as Miss
Moller tried to do. Schubert's music
simply won't lend itself to that. 1t is
as impersona as country
gallop, as "absolute" as a shower bath.
1t Will be a pure architectural design
in movement and mass, as Schubert's
music is an architectural design in
rhythm and tone.
New-York tribune., 1918-03-03

the negro spiritual, Listen to the
Lambs" by Nathaniel Dett.
The presentation % large choral
groups, four orchestras. various en-
sembles, the whole student body par
ticipating, is intended to give the pub
lie an idea of the magnitude OF the
work in progress at 55 East Third
Street, the home OF the school, as the
result OF its twenty-four years of
growth.
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1918-11-05

mas chyba ME podejrzewa o chet
u;mowania sic "a grubianinem'
bijacym kobiete, %bezbronna, a
zwiaszcza, gdy 6w egzemplarz
jest - Niemcem: zaprawde ME-
MA. w mas krzty sympathy ku
Niemcom... Ale tez my ME ma
r,y pretensyi zasiadania ma try
bunale i ferowania wyrok6w! -
Me sadzimy - pomni, re sami
pragnelibySmy bye sadzeni
w~zglednie i poblazliwie. ow Sc
dzia tutejszy stanowczo przekro-
cyl ciezko granice urzedu swego
i zasady zwyczajnej ludzkosci.
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1918-11-05
DO W~IADOMOSCI!

WsAysIAirh I~nteresantow RajuprEet-
naIcj grOsi.sy o prEeSTrEeSanle pOhLn-
say "a yss~s&aG0ek9
81 grxCE d.!>a caly Cd SOdzlny S-meJ
EFaLa 80 40 wieesOrem - co dnia' &
Ny.4fAlrm DisdHbel I SWAT kraJON3c en-
-a5a"yeh.
?Lgz.sGya i'tSolR uaSzeSO prES1mnJS
iufrvVNautGU 90 inia W GODZlNACh
POPCRE DNlO"GCA Od 2-SieJ do o-teJ
- = S~yiat&Iem SOb6t.
3gd4kcyE dta lnteresantow W.
ten TIInO ~ GODZINACH RANN1CH
= Old GOBIINY IO:39 Do
IIsSc; pa ~poiudniu tyIko sa sReeynlns
uIEU09.
TYLKO PO GODzINIE Io-teJ
PRht' POLUDNIEM.
IoraSza sic - lie mOznoAcl 1Snelkte
sprayyy q EedIScyB Lal2tNiac PLSEN-
NJ. 10 aa ~EOnSersaeye diuEte ME ma
my rEaSu; tyiGO W sprawaeh sEcEeSoi-
niSlNxei WAL OsObistych, Tub ME daJ9-
cyrh SIC xniatwie Eyyie&le drOSa ko-
~TrspondrHcyi PrOsimy taTie sic oso-
Iofp EodGiny 1I-tej Namykamy gazette
1 WSEYsry najbardziej jestesmy wted5
korrssanJent0w upraxEamy naJmoe-
NENTEH. LGB Ma MhSSYNIE, ME
TBST SCISLIWIE = TGLkO Ma JE-
DNE1J %TROSIE PAPIERu.
Jrsi. utNory JRkiekOlwiek mic maJs
bNe OENENkuhEs poNhAhNAA &c NcsA
TrJwkcyjUy; lesli ~pOSadane ss do EwrO-
az. ~ raxie nile OElOsEenln, nalety TO
WSRAINiE ZAZNACZlC L ZALACLfC
yNACIEh POCzTOwY Ma ZWROTNA
PRLESfLkE.
LaJnych kOmunikatbU do OEfosEenin
10 ualeSy prBesylae m kartkach od-
Ervt, "a; 2ndnyeh tex ME p~rzytmute sic
t~,o.upikncy teiefouieznyeh - chybS
" wTfpIkOWyeh wyraSkaehj rO"niez o.
..se dotyrzacych ruchu w toUa-
TEy.tnach ~telrf9Rieznie ME PrEyjmu-
jeRIF.
4, oZIoszen W Adminlstracyi I tam SIC
, rfsra; zSrnea6 nRle5y:
PoazIekOwanla 70
ssajn' R~ELOLUCTE POLL
TSCTxEI 4. D. naleis do pIiafu oEio-
Ese1. .,rt,ao-
n n,usza bye POdplSnno =
n.Srs.a naEvIskiem wrnz Z adTeSem pi-
ssaeegas bezlRiiennyeh. Ino podpLsanyen
-n~sInikiem, albO yvresIcie sioweh'
"oIs~s1 - kO~mHnikaeyt nj korea
,oadenryf ME znnieszezAmS.
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1918-11-05
KAC|KA.
Figjki i Fraszki.
,,ERsATZ''.

Gdy szwab kogo okpiG zdoial,
Ma reklame kogoS zwabii -
To sic u mas p%owiadalo,
Re poczciwca ktos ,,oszwabil"!
w tego ,,ktosia" pieknej ziemi
livingstone ,,oszwabienie",
U las zas ma take figle
Dano tylko ok~reslenie.
,,ErsatS" take szwab wymyslil
I naiwnych na to zwabia -
Vice pc polsku to sic zowie.
re bezczelnie mas ,,oszwabia".
Poc6z szukac nam slow nowych -
,,Ersatz" przecie to puiapka -
Jego zatem okreSlenie
w polskiej movie brzmi ,,oszwab
ka"!
Lecz ME badzmyz juz naiwni -
Unikajmy tel pulapki,
BY i W miejsce wolnej Polski
Me wetknieto nam ,,Oszwabki".
(Kuryer Codsiennyj. Mefisto.
Dziennik Chicagoski. [volume] (Chicago [Ill.]) 1890-1971, 1918-11-05
KOBIETA.
Stara piesn Indyan szczepu
(Passamakwoddi.

(PaSSamakWoddl.
l. do1u ziemnego wyszfa ona-
Z dolu, gdzie ludzi sic grzebaio,-
Pamietna ojcom lasu strona,
Cdzie to sic wszystko stale:
Wybudowala dom ia drzewic,
Gdzie byiy geste liScic
Dlaczego tam, Mkt ME vie
Galezi rwala kiscic.
Wszystko to bylo dawno...
Chodzila naga lasenl,
w listowiu pc kolana-
a stopy, widne czasem,
w potoku myla zrana.
Spiewala .ciagic piesni-
TIE same dis, co wczora,
AZ sic ,muini" leSni
Dziwili co wicczora.
Spiewafa idac W lasy:
20, pragne widzieG ludzi,
SWAT ca}y peien krasy,
,Mnie slohce tylko budzi-
Ma swiecie jestem sama."
Te jej placzliwe krzyki-
Gdy lasem biegla bose.
Posiysza1 czlowiek dziki
I z rama przyszed} rosa.
Ponad jeziora-gory,
Mad ciemne bardzo chmury
l. daleka rival pred siebie
Pc tax w~ysokiem niebie,
Kobieta go ~ujrza}a
gloSno zaplakala...
On biegi okryty tecza -
L swiatla-z kolor6w jego szata
Jak jaka gwiazda skrzydlata,.
Utkana nicia pajecza,
'Szeroko sic rozwlekia!
kobieta ME uciekia,
Choc wytezala silly.
U stop wielkiego wzgorza