davidaulloa/AmericanStories huggingface dataset:
The Coconino sun., 1918-02-15
ARTICLE TX.

corporate debts of any kind what ever.
 ARTICLE TX.
 The officers of this corporation shall be President and Secretary Treasurer, the same person may be chosen to fill any two offices.
 ARTICLE X.
 The following named persons have been elected and shall constitute the Board of Directors until the first an nual election, towit: A. Sanford and Al Smith.
 The officers of said corporation who have been selected and shall serve until their successors have been elected and duly qualified, are as follows:
 A. Sanford, President.
 Al Smith, Secretary and Treasurer. The Board of Directors shall have the power to fill vacancies in its membership and in the offices of the corporation. The Board of Directors may adopt common seal and may adopt by laws, and may amend or repeal the same, and shall have the power and authority to transact any business within the corporation, and to dele gate such power and authority as it may deem expedient to any officer of the corporation.
 ARTICLE XI.
 The highest amount of indebted ness or liability, direct or contingent, to which this corporation is at any time to subject itself, is the sum of EIGHTY THREE THOUSAND DOL LARS ($S3, ,OOO00).
 In Witness Whereof, We have here unto set our hands this End day of January, A. D., 1918.
 A. SANFORD, AL SMITH.
The Coconino sun., 1918-02-15
Common Occurrence.

You look tired.
 No wonder, I've just been gassed for forty-five minutes. You don't say SO! Who did it? A politician.
The Coconino sun., 1918-02-15
Acquitted.

From the St. Louis Republic: "Shall we try this pretty woman?" Whats the use?"
 "Had a squint at the evidence?" "No, but I've had a look at the girl"
The Coconino sun., 1918-02-15

Representative Jeannette Rankin, the only woman in congress, is cham pioning free Ireland"
The Coconino sun., 1918-02-15
STATE OF ARIZONA Office of the

AhlLONA COhf
 COMMISSION United States of America,
 State of Arizona--ss. The Arizona Corporation Commis- sion does hereby certify that the an- nexed is a true and complete trans- cript of the ARTICLES OF INCORPORATION
 OF
 CLEAR CREEK CATTLE
 COMPANY" which were filed in the office of said Arizona Corporation Commission on the 2d day of January, A. D.. 1918, at 10:00 o'clock a. m., as provided by law.
 In Testimony Whereof, The Arizona Corporation Commission, by it's Chairman, has hereunto set it's hand and affixed its Official Seal. Done at the City of Phoenix, the Capitol, this 4th day of January, A. D., 1918.
 ARIZONA CORPORATION (SEAL) COMMISSION
 F. A. JONES, Chairman. Attest:
 SAM w. PROCTOR, Secretary. ARTICLES OF INCARCERATION
 OF
 CLEAR CREEK CATTLE
 COMPANY" KNOW ALL MEN BY THESE PRESENTS, That, we, the undersigned, do here by associate ourselves together for
The Coconino sun., 1918-02-15
JOHN LAZEAR A. H. MILLER

State of Arizona,
 County of Coconino-ss.
 The foregoing instrument was ac- knowledged before me this 31st day of December, A. D., 1917, by John Lazear and A. H. Miller, whose names are affixed to same.
 (Notarial SeaD JOHN ZALAHA,
 Notary Public. My commission expires Aug 25, 1921. Filed in the office of the Arizona Corporation Commission this 2d day of Jan, A. D., 1918, at 10:00 A. M., at request of John Zalaha, whose post office address is Flagstaff, Arizona.
 ARIZONA CORPORATION
 COMMISSION
 By F. A. JONES, Chairman.
The Coconino sun., 1918-02-15

Recorded at request of R. J. Kidd January 30, A. D., 1918, at o'clock P. M. in Book 2 Articles of Incorpo- ration, Pages 342 ct seq, Records of Coconino County, Arizona.
 DAN J. CROWN,
 County Recorder.
 By IRENE BART,
 Deputy. Feb. 15-22--Mar. 1.S-15-22.
The Coconino sun., 1918-02-15
STATE OF ARIZONA, County of Coconino-ss.

STATE OF ARIZONA,
 County of Coconino-ss.
 I, Dan J. Cronin, County Recorder in and for the County and State aforesaid, do hereby certify that the within instrument was filed for re- cord at o'clock, P. M., on this 30th day of January, A. D., 1918, and duly recorded in Book No. 2 of Articles of Incorporation, Records of Coconino County, Arizona, at pages 342 ct seq. Witness my hand and official seal the day and year first above written. (Seal) DAN J. CROWN,
 County Recorder.
 By IRENE BART,
 Deputy.
The Coconino sun., 1918-02-15
STATE OF ARIZONA,

STATE OF ARIZONA,
 County of Coconino--ss. The foregoing instrument was ac- knowledged before me this End day of January, A. D., 1918, by A Sanford and Al Smith, whose names are af- fixed to same.
 JOHN ZALAHA, (Notarial SeaD Notary Public. My commission expires August 2 1921.
 Filed in the office of the Arizona Corporation Commission this 24th day of Jan, A. D., 1918, at BOO P. M., at request of John Zalaha, whose postoffice address is Flagstaff, Ari- zona.
 ARIZONA CORPORATION
 COMMISSION.
 By F. A. JONES,
 Chairman.
The Coconino sun., 1918-02-15

corporate debts of any kind what 1
 ever.
The Coconino sun., 1918-02-15

The private property of the stock holders shall be forever exempt from
The Coconino sun., 1918-02-15

My commission expires Aug 25, 1921
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03
AMERICAN ART JOURNALISM

When the subscriber noticed at the Gem
tennial Exposition Din Philadelphia. 1876,
the surpa ssins interest manifested BIZ the
visiting hordes from every section OF the
United States in the Foreign and American
ART EXHIBITS. he deemed It a sure aurrrv
Of an Art sentiment that needed only organ
ICED support to make 1t permanent and
nat ton wide.
10 this end, he returned to New York
and after two years of planning assisted
at the birth Of The Art 1n,oterr and IN the
promotion, in q modest way. of the wonder
iul growth and vast influence exerted BY
TINS Art magazine for a quarter OF a century
thereafter. The death OF its able editor led
the undersigned to suggest to some OF the
great metropolitan dailies the addition %
sunday Art pases-an innovation later
adopted by other New Yorl, dailes-and also
influencing the birth of the American ~
NetcS, now and for more than a decade the
only Art weekly in the United States
And so it is that the signers activities
now span forty years of undivided and sus
tanned labor in the field of American Ar
Thus the time and the occasion would seem
TO call for the return OF thanks on his ma r.,
to those steadfast clients who for two score
years have Willingly and materially seconded
his promotion of true art interests. os arm
as TO those Art firms OF reputc trho entered
INC held later aid tcIo ore desc~Uedly sartno
stronger, despite the tc0r, Nth c1ch ad,nuc-
ing Dcor.
JdnAdrU %, 1915 IN. III. GNIrfIiN
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

II, decorative panels and in his earl,
portrait Of Legros. Battle scenes BY
De Melville, Detaille and Anne Moro,
illustrate one Of the most characteristic
departments of the French school
The quiet beauty Of Henner's "Mlle
Laurc Leroux" contrasts with the efrer.
vescent romanticism of Castor La
Touches Summer Night" There are
paintings by Bastien-Lepage, BENJAMIN.
Constant, Bonnat, Carolus- Duran, Fan
tn-Latour, Harpgnies, Laurens, Meis-
sonier, Monet, Raffaelli, Carricre and
Vollon, all the leaders Of the old and
new Salons in the great years Of the
nineteenth century And with them
are shown sculptures by Rodin, Dalou,
Gerome, Mercie and SO on.
The later period, the period from
1910 to 1915, when this collection was
rlade up to be sent to the Panama
tactic Exposition at San Francisco, is
richly illustrated. Some of the pictures
hung are by artists now lighting at the
- WV anu III SCNCldl INSTANCES were
taken by their friends from their
studios without. their knowledge,
Besnard, who belongs both to the old
period and to the new, has here an in
teresting series Of nine Indian sub
jects, one of them the famous Dancer
with the Yellow Mask" Roll is rep
resented by a large canvas Of prancing
horses. Boutet dc Monyel has two
decorative landscapes. An amusing
picture is "Le Boniment," by Gull
I;ume, depicting the bewildered ex-
rressions of two buyers being shown
some specimens of cubistic art, for the
first time, by an enthusiastic dealer.
Caro-Delvaille, who is having an ex-
hbition of his own in New York just
now, sends his charming LADY with
the Hydrangeas." NJ. Gosson presents
ballet dancers more or less in the man.
ncr of Dcgas.
-Four great tapestries decorate the
entrance hall, Gobelins of the seven
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03
her when saw your mother weeping
But such is war;"

her when saw your mother weeping.
But such is war;"
The doctor breathed freely. Big
tears ran down his cheeks. But he col
lected himself, and, bending again Owe.
the wound, he announced:
I've are going to put you to sleep
right away. 1t is nothing serious. You
VIII soon be we'll"
While they washed the wound with
tlncture Of iodine and an assistant got
ready to administer ether, the wounded
man gave some more details:
Yes, your mother is we'll and suffers
no Inconvenience. The house is al
ways in order, as if for a fete Her
rooms are so neat and the floors so
scrupulously polished that it is pleas
ure to look at them in passing. She
waters her flowers; she trims her rose
bushes. An attractive house. A fine
woman!"
Then his voice wavered a little; he
grew stiff; soon he relaxed and softly
passed into slumber.
In the midst of the operation he rave
n start, turned his head to one side
and babbled some meaningless words.
The assistant was about to give him
more gas, but the surgeon stopped him.
mot too much. We arc nearly
through"
The prisoner began to talk again.
This time his words were precise. hi.
phrases clean-cut. His voice, which a
little while before had been so calm.
became harsh and imperious, and he
smiled between his phrases with huge
smile which shook his abdomen and his
arms.
go ahead! Go ahead. Take that
old wardrobe out and burn it. Break
1t open for. HE first! Linen? That's
good to wipe our shoes with. What
does she say? A spigot for the wine
casks? Ho, there, the rest of you! Get
an axe and draw the Wine out in
buckets"
The doctors hand trembled.
"Hurrah." the wounded man went on.
Seize the old woman! Tie her to n
chair If she is obstinate. She has a
son who is an officer? Ha, Ha! Sian
her on the head till. she gives US the
key to her strong box.'
The old doctor stood erect, very pale.
his big, blood-stained hands wide omen.
For an instant his terrible ewes ran
from his fingers to the neck of the
Boche. Then, in a very low voice he
said to his assistant, as he bent down
again:
GIVE him a little more gas. Unless
you DO so l am afraid ! cent 60
ahead" ~
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

as Mr.. Samuel Yellin. The designs for
most of this gentleman's exhibits were
made, it is true, by architects, by Mr.
Magonigle, Mr.. Goodhuc and others.
But the essential character of his beau
tlful productions has its origin in
distinctly personal gift. He is repre-
sentative of an extraordinarily large
body of our manufacturers.
We hope to return ON another occasion
to the photographs and drawings of
purely architectural exhibits, furtively
inserted in an alleyway at the rear Of
the big plllarcd scene in the third gal
lery. The setback given to building op,
erations by the war is doubtless re-
sponsiblc to some extent for the subor-
! dination of this section of the show;
but at the best, architecture could
hardly be expected to figure very con-
spicuously in an affair Of the sort
Neverthe less, it is pleasant to note that
20 an architect, Mr.. Benjamin ". Nor
of honor. None has been bestowed this
year in the department of painting
The medal for sculpture goes to Mr.
Bartlett. The Henry 0. Avery prize
for sculpture has been awarded to Mr.
Raphael Menconi, who has also won in
the collaborativc competition, his fell
lows being Mr.. George LIGHT, architect,
and Mr.. +. f. Gates, mural painter.
Three years ago, when Mr.. Bryson
Burroughs first made full exhibition
Of his works in this city, VIC found the
charm Of what he did somewhat OBJ
scured by the manner in which he did /
it. There was stiffness in his draw
ing and modelling, there was hardness
in his surfaces, there was GOODNESS in
his color. And yet he took US captive.
Now at the Montross gallery he re-
turns with eighteen pictures, all but
two of them new, and this time he is
even more compelling The old tech
ncal foibles are there, but they are
less insistent upon getting between us
and the true substance Of this artists
work. Is it that in the short space Of
two or three years he has heightened
his proficiency as a craftsman? Yes,
in some measure. His surfaces seem
now little finer, his handling shade
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

with it's typical American houses thin
ly yelled behind bare trees and it's
foreground Of icy waters, you feel that
the scene has emerged from no selec-
tive process. 1t has not been composed
in the studio. Here, rather, is an cx-
ample of the purest kind OF realism,
OF truth suffering no admixture Of pic
torial purpose in the narrow sense.
Considering Mr.. Lawson as an impress
sionist you do not consider him as che
disciple of school. He is an impress
sionist because he cannot help himself.
He deals by instinct in light and air.
And finally, in his color, he is perhaps
more original, more free, than in any
thing else. His art has passed through
more or less clearly defined stages; he
is working now, on the whole, in dark
key where he formerly was addicted to
light one, yet he never suggests, as
so many so-callcd colorists do suggest,
that he takes his harmonies out of a
box, where there are lots more of the
same sort. His pictures are all new
chords, for they all spell new, fresh
attacks upon nature. They have be-
quilting sensuous charm, springing from
beauty of color, but what serves
equally we'll to give them their lasting
effect is the sheer truth in them, the
sincerity and simplicity of the artists
vision, his penetrating sympathy for
his subject. His studies of the hills
and valleys of Westchester, fascinating
in their resonant tones, are memorable
above all things for their robust fidel-
ity to the American scene.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

teenth century from designs by Le
brun. Four late Gobelins illustrate the
history OF Joan of Arc, from designs
by Jean-Paul Laurens. There is his
torlc furniture, there are porcelains
ard other objects and the exhibition
includes. besides. prints, water colors
and medals. After next Tuesday. when
the admission fee of 81 goes for the
benefit of the Brooklyn Chapter of the
American Red Cross, the show Will be
tree to the public. IT is abundantIy
worth visit. The French government.
prevented by the war from doing all
that 1T could have wished when it
undertook 20 send d collection of works
OF art overseas, nevertheless contrived
to make Il handsome demonstration at
San Francisco. The opportunity now
given IN Brooklyn is one which will
be widely appreciated.
The exhibition of portraits and deco
ratlons by Henry Caro-Delvaille and of
medals and relief portraits by Mr..
Spiccr-Simson at the Gimpel 4 Widen
stein Gallery has been extended to
February 16.
The iifty-first annual exhibition of
the American Water Color Society is
announced. 1t will be opened at the
National Arts Club with private view
on the evening of February and will
continue until March L.
Portraits by Mr.. Charles Hopkinson
are on view at the Arden Gallery. The
Whitney Richards Gallery shows paint
ings of New York by the late Irving
Heitkamp. The Mich Gallery makes
an exhibition Of paintings ny THE
Nova Scotia Group" which is to say
by Messrs. Charles Basing, Eliot Clark,
George Macrum and several others.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

| have vague recollection of drawings
OF his disclosing far more control over
line than is discernible in his paint
lngs. We regret the omission in the
latter But it does not really count;
so much that is infinitely more valu-
able remains.
1t is a great thing to be able to
embody romantic scene from CLASH
cal antiquity and to do it in such
wise that the antique motive takes on
modern poignancy, touches us with
the vivid, searching emotion of human
Life. This is the rare achievement To
be attributed to Mr.. Burroughs. When
he paints "The Consolation of Ari
adne," or "Demcter in Winter" or
1.-THE Runaway Princess" or almost
any of his remote themes, he is no
pedantic archaologist, fumbling the
dry leaves of the pagan mythology.
but a born believer in the magic of
poetry, made free of its far, enchanted
world. Something of "thc large ut
terance of the early gods" creeps into
his idiom. He makes us think of
Puvis now and then, both in the char
acter OF his forms and in the nature
of his light, cool tones; but the nobil
lty of his conceptions is plainly an in
dividual trait A composition like the
"Arladne" aforesaid has the weight
and the grace Of true invention. 1t is
as though, after the manner of the
authentic creative painter, he waved
his wand and in trice caused the
lovely scene to rise before US, filled
with the vitality of nature and bathed
IN the glamour of the subject. In one
respect we perceive clearly enough an
improvement in technique since he
last came before the public. AS de-
slgner he has steadily simplified his
schemes. They are put together with
better balance, and, by the same
token, with a greater freedom. The
idea, which always happily means so
emuch to him, is better seen and the
more forcefully realized. AS his emo
ton waNes-and there seems to us
far more of it in this exhibition than
80 Aoo PASNNSCooOl dCulCVCS more
spontaneously the pictorial unity at
which he aims. He is uneven, still.
There are pictures here like the
"Spring Holiday" which in their thin
character are hardly comprehensive
as coming from the hand that painted
the "Ariadne." But this unevenness
only intensifies our idea of his art as
remarkably personal thing. 1t show;
us how free he is from formulas, how
entirely he depends upon mood, upon
inspiration. He has conventions of his
own, perhaps, as witness his manner
of generalizng the waves in his two
sea pieces, and his color, through
out, is based upon an altogether atbi-
trary translation of the phenomena of
the visible world. But to all his con-
ventions the imaginative charm of
these pictures gives an absolute va
lidity.
Another American painter Just now
making an exhibition here which COM
Dlctc1V tptaches it.rlf from tho ord;
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

mediocrity is bound to fail. We speak
now of fundamental artistic fervor, of
that strength in thought and feeling
which enables a man to rise above his
own limitations and body forth works
Of beauty. Mr.. Burroughs impresscs
us as the type of painter whs could
do certain things in technique if he
chose, but whose imagination is too
deeply stirred by other impulses for
him to refuse to follow them. We
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

Another American painter just now
making an exhibition here which COM
pletcly dctaches itself from the ord-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03
The American Craftsman
Obtains His Innings
His Work Dominates the Architectural Te.o,,a,.
Exhibition-New Paintings by Bryson
Burroughs and Ernest Lawson
By Royal Cortissoz

LIMITATIONS are out for the the Academy of IA
they with which so,
passing circumstance felt the ken perhaps the reason
that the winter has not thus far precisely brilliant The Van
to the will exhibit year would be IN anv a
decision The time has this lie aw for
while Yet customary
shows fairly there them than usual
category by the there interesting dspv at
Museum where the late A. Ryder comncmoraed in loan
exhibition of his works There nothing sight comparable to tho
Kenerger exhibition of Italian beautifully marked
the opening of the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03

regards style. Upstairs. where the
show overfows. there are few antique
rooms, among them Jacobean example
contributed by Charles, the London
dealer, which is superb. These souve-
MRS of the past may we'll serve the
visitor as touchstones wherewith to
test the productions of the present.
observing the latter he will be struck
by the sensitiveness of the American
craftsman in catching the note of a
given style. But the thing that will
most impress him is the perfection of
the Americans technique, the sound
ness OF his workmanship. The league
VIII have done we'll, it will have atoned
for all the garishness of it's overdonc
"pageantry," if it calls public attention
to the thoroughness and finish char
acteristic of, say, such metal worker
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03
Under Ether
By Maurice Level
Translated by William l.. Mcpherson
Copyright, 1918. by Til. Trlbun. Associaion>

bun
Here is another venture into the realm of German psychc
In his story "After the War; published this series
fen months ago. Mr. Level corasted the preteasions of tn.
average Pssan officer to sort Of surface gemty conduct
a7 the ansensvemess and brutality (Which lie that
thin IN that the treatment iromical and un
tged Nth bitterness. 1t is not contrast
betaUeem the tanning serviy of German uuder-offcer
20oded and taken prisoner his t1cence to those ao
the fortunes of aOor put IN his poacer
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-02-03
Notes

The French government loan exhibi-
ton at the Brooklyn Museum consti-
tutes little cosmos Of art in Paris.
One seems to be visiting again the
familiar halls of the Luxembourg.
Here, from that renowned gallery of
modern French art, are such unfor-
gettable souvenirs as Renoir's "Portrait
Of Madame H." Manet's "The Balcony"
and that exquisite pastel by Degas,
"The Cafe," recalling all the gayety of
Montmartre. Tho austere beauty of
Puvis de Chavannes is represented in
his Hope" Besnard may be studied