davidaulloa/AmericanStories huggingface dataset:
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20
Have to Be Aroused.

Most men do not know what is In
them till they receive the summons
from their fellows; their hearts die
Nithln them, sleep settles upon them
the Iethargy Of the worlds miasmata;
there is nothing for which they are so
thankful as for that cry, awake, thou
that sleepest i''-Ruskin.
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20

such officers for the proposed water pipe
lines as provided and required by the pro
visions of Section 925 sub-Sections 100. 101
1872. 1903, laws of Wisconsin. Statutes 1918.
Dated this 9Th day of Septe-4 1918.
THE BOARD OF PUBLIC WORKS.
BY A. ". BRIGHAM,
30w3 Secretary.
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20

30w3
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20
The Branch House Man

Company branch house won't run itself, and
that it is up to the branch house man to
run it properly.
Any branch house man who doesn't
see his work in this light is transferred to
some other place with Swift & Company to
which he is better adapted.
They are picked men, these branch
house men. Every time you sit down to
steak or chop, or cut of roast, you can give
grateful thought to the whole crew of them.
And remember, in general way, that
everything that makes life smoother and
more convenient for you, is the result of the
thoughtfulness and effort of lot of people
of whom you have never heard.
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20
THE
MILWAUKEE SANITARIUM

FOR MENTAL AND NERVOUS DIsEAsEs.
ESTABLISHED IN 1884
Located at wauwatosa Ga suburb of Milwau-
kee on G. NJ. s. ST. r. Ry., an hours from
Chicago. Two car lines from Milwaukee.
minutes walk from all cars.
Psychopathic Hospital. All appliances for
acute cases. Continuous baths. Fire-prooa
building separate grounds
West House. Attractive rooms suite:
private bath connected.
Modern bath house.
Gymnasium and Recreation Building.
Secluded. yet convenient. Five buildings
for patients ''set on a hill" IndividualiEed
treatment. Thirty acres beautiful lawn ana
forest.
Address: RICHARD DEWEY. AM, Md,
Gin charge) Wauwatosa, Wis
EUGENE CLANCY, AM. MD.
WILLIAM 4. KRADW ELL, M. D.,
Assistant Physcians.
Chicago once: Marshall Field Annex Bldg.
Hours: TO Wednesdays Except In July
and August.
Milwaukee once: Goldsmith Bldg, Room set-
Telephones: Chicago--Central 1lr2
Milwaukse--wAv VI tvsa IL.
Wauwatosa news. [volume] (Wauwatosa, Wis.) 1900-1948, 1918-09-20
lines to Be Remembered.

Fear to do base, unworthy things is
valorS il they be dole to Us, to suffer
them Is valor. too.--Bea Johnson.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

RI l. SQUIRE a ri""s1 and r p,, sly ye.r,
$40 est 95:h s.ree,. Phone River 26ss
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

M all, GRlSSKGpF urNGAR'AN vIoLlNIsr
SIKH N@"o'' Instruction. 1874 Carnegie Han
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
More About French Music
BY II. T. Krehbiel
To the Editor of The Tribune.

To the Editor of The Tribune.
Sir: Mr.. II. T. Krehbiel's critical
articles on music and his records OF
musical history are always fascinating.
His memory is prodigious, his research
chile. But why in thunder does he
train his heaviest guns on an innocent
phrase in my little speach of welcome
TO the orchestra of the Paris Conserva~
teire at the supper given them by the
orchestra of the New York Symphony
Society
In his article in to-day's Tribune, en-
titled Faulty History Corrected he
~skes me fore and aft with his 16-
n gun, but, while / acknowledge that
shot and she'll, the smoke and
,se have left me somewhat Devil
red, am still defantly clutching in
Y right hand the phrase to which he
lkes exception and against which he
rects such IN intensive lombard
nent:
Flerch music needed no propaganda
IN this country, for ever since my
OF Berliozs 'Damnation de Faust in
1878, and of his great 'Messe des
Morris in 1880, there has not been q
French work Of Importance that has
not received repeated performances
before enthusiastic audiences in New
York and in other cities of America
The implication that by this | meant
that the cultivation of French music
had It's beginnings with these ministra-
tions of my father is Mr.. krehbiels
not mine. ! knew IS we'll as he that
there had been isolated performances
Of Berlioz's works in New York before
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

1880. Mr.. Krehbiel Instances five per
formed between 1856 and 1S75-not q
very convincing number; also few
sporadic performances of the works OF
lesser men.
But do think that my fathers pro
and the "Messe des Morris" created
such stir in the musical world of that
day (eight performances of the formcr
were given within the year 1850, and
an audience of 5000 heard the "Messc
des Morris" in 1881 that n new era, Of
general appreciation Of this greatest OF
French symphonic masters might be
claimed to date from that period, and
that the remarkable enthusiasm which
they created paved the way for the
French composers that came later.
America of Berlioz's Romeo and
Juliet" in complete (choraN form,
under my fathers direction; soloists
Lena Little, Theodore Toedt and Franz
Remmertz; and since then the newer
men, d'Indy, Saint-Sans, Ravel. De
busy, etc, have gained immediate
recognition and-as l said in my
speech-"received repeated perform
ances before enthusiastic audiences in
New York and in other cities of Amer
lea. Yours very truly
New York, Dee Is. 1918.
do not perceive so much OF the din
of battle as does Mr.. Damrosch in my
effort of last Sunday to show that ap-
probation of French music in America
had an earlier origin than | thought
was implied by the words of his speech.
l looked upon the incident as an op-
portunity to correct mistaken notions
about the cultivation of music in this
country such q one as I have
frequently embraced in the past-anA
also to invite The Tribunes musical
readers to what I hoped might be &
pleasant excursion into American mus
cal history. | confess, however, that i
did want to make the occasion IN
structive even if | had to rebuke my
TOO exuberant friend for indulging il
the belief, so common in this self-suf
ficient, not to say bumptious, genera
ton, that things began to happen in
this world at about the time we made
our advent on the planet earth. sub
NIT that did not train any heavy guns
on him and shall not now, though he
has thrust himself needlessly into small
arms range.
While dehantly brandishing his
speech in his right hand, wish Mr..
Damrosch had used his left to open a
dictionary of the English language and
cast his eye upon the definition of the
little conjunction "for," for upon the
meaning Of that word in his phrase de-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
PauIist Claoristers

The famous Paulist Choristers. ~,
Quoted by Father Finn. will sipg =.
night at o'clock, in the Lexington
Theatre. The choristers recently paw.
298 concerts for the benefit Of 4.
homeless orphans of France. The ~,
ganization has been decorated !,
France, while the Pope presented +.
ther Finn with the insignia Of MAST,
OF Song.
On this occasion New York will bs,,
medieval carols Of French, Belgisr
Old English, Italian and Russian or.
gin, which will constitute part of f.
programme. Nicholas Probst, Chark
Larkin' Hallet Dolan, Joseph Walsh az,
Lew Donovan viii be heard as solOis,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

down number of first performances
OF works by Bcrlioz and seine of his
compatriots under tn direction OF
Theodore Thomas. ali beiore Mr.. Dam
rosch's French sunrise in 1890:
Aubcr-" Grand Inauguration March,
1862
Berloz- Overture. "The Corsair.v
1868; Symphony, Harold in Italy"
1868: second part of the Romeo and
Jnllet" symphony, 1864; overture, to
"Benveuuto Cellini," 1867.
Catel-Ovcrture to "Semiramide."
1868
Gounod Ballet from ola RENE de
Saba 1867; two movements from the
second symphony. 1871: overture to
lie M6decin malgre lui," 1878; over
ture to "Mirellc," 1874.
CuirauG -" Carnival" 1877.
Mehul-Ovcrture to "Horatus Co.
clcs,' 1871
anselle for flute and clarinet. 1873;
cabra." 1876: ballet music from Sam
son ct Dalila," 1877; Suite. Op. 40,
1877.
And now am obliged to direct at
tention TO the fact that again Mr.. Dam
rosch writes himself down an untrust-
worthy historian of even his fathers
activities. He says that the perform
ancc Of Romeo and Juliet in 1882
under his fathers direction was the
fms. production in America Gin COM
plcte (choraD form l assume by
these words ne means that in 1882
Berlioz's dramatic symphony received
its first complete performance in
Amesica and that his father conducted
H. If he means that it WAS the first
time shat his father conducted a com
rlete performance I have nothing to
reply; but if I may. imply that he
means what he plainly says then
must tell him (bess his ingenious and
confiding soul!) that reviewed a per
Torrance of Romeo and Juliet" in
Cincinnati in 1878 when Miss Annie
Louise Cary, Charles Adams and Franz
Rerlmertz sang the solo parts and the
Festival choir the choruses. Mr.. Thorn
IS conducted. | also criticised the New
York performance four years later for
The Tribune, and | had no intimation
that it was counted fist performance
OF the work but q plain intimation
that it had been given here in its en-
tirety two years before | heard it in
Cincinnati. | set no great store by
my words of thirty-six years ago but
as they give some color OF support TO
what Mr. Damrosch says about the ef
feet on the public of the performances
OF THE Domination of Faust" in 1880
and Tho Mass for the Dead" in .cSj
and are otherwise informative. q II
glad TO quote some of them:
CAS- for the audience they we're in
better condition than they have ever
been heretofore TO appreciate the work
as a whole. Since it was first given
here by Mr.. Thomas in 1876 the Der
lioz revival has taken place. festi-
Val performance of the Requiem Mass
and repeated performances of The
Damnation OF Faust and the instru
mental movements of this cantata and
@i-SaS @amnaSitians &C Rerlinz have
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

before 1880? Mr.. Damrosch says chat
| instanccd performances of five works
by Berlioz between 1855 and 1875.
What / instanccd was sixteen perform
ances of five important works by that
composer by a single organization un-
der a single conductor and to that
record I added performances as far
back as 1S47. | contented myself with
the record OF the Philharmonic So
ciety because it was easily accessible
and said nothing about what Mr. Berg
mann, for instance, may have done at
the concerts of other organizations
which he directed But since Mr.
Damrosch thinks that these perform
ances and a few "sporadc" cases also
cited are "unconyincing, let me set
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
Sunday Concerts To Be Give,
At the New Selwyn Tbe.,..

selwyn & Co. announce that !.
ginning next Sunday night, DecsmI'.
20, concerts viii be held at the w.
Selwyn Theatre, West Fortv-s....
Street. The programme at the S
concert will be presented by Leo o-s
stein, pianist; Vera Barstow. viol;,...
and other artists. -'''
The idea Of utilizing the selvv,
Theatre as concert hall was frs. r..
gested by music lovers who attend,
It's opening as a -playhouse. The row
tort and particularly fine acoustic, =.
the auditorium prompted the sup,.,.
ton. e'''
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
Mr.. Montesanto. Mime. Nluz;c
and Mr.. Crirni in II Tabarro"

ponds the question whether or not his
words implied what | said they did
Here is what one Of my dictionaries
says: "For: because; Of reason that;
for that; indicating, IN Old English, the
reason of anything; since; indicating a
reason of something before advanced;
in the most general sense indicating
that in consideration of, in view of, or
with reference to which anything is
done or takes place, etc, etc. Oh
viously, then, Mr.. DAmrosch tsli his
French guests that French music needed
no propaganda now "because, "oI lea-
son that" "for that" IN consideration
of the fact that since the performance
Of "1'hc Damnation Of Faust and tnc
"Mass for the Dead" by Berioz in 1880
and 1881 French music had been re
peatedly and appreciatively received in
New York and elsewhere. If it does
not need propagandism now because Of
the fact cited or for the reason given,
then it must have needed it before the
occurrences which made it unnecessary.
Is this an implication from the words
only to my poor mind, or was it such
also to the minds OF others?
Was there or was there not effective
cultivation of French music in America
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

s0I T. BECKER ''A A2!oL- As0
Studio: sieinway Han. 1903 East 1ib s,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

he Fate OF the Flirntiam. .......- Bergh
Have You Seen but a Whyte Lily Grow
Old English
ne FlraCe Song .GllDelt
Wells Have 1 Dug. The Little Choomak.
Look Up at the Sky, *The Penniless
Choonak, Buckwheat Cakes. NThe
Boorlak. ....... Little Russian Folk Songs
without acconlre c;Iiient.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
ADJUSTMENTS
METROPOLITAN OpERn

WE. fEUpOL.E I AN OPERA
sohcchi.' Narrar Nuzo. Eas.on: crim De ime"
Montcsanio Coud.. Moran~oni
. Xmas Day Mat. at 81 to So. Cavalieria Rus.
ucana taS'oa Braslau; Aithousc. Chalmers PAUL
acci Nuzio: Caruso, Moniesauto Conl Moran~ou1
"ed., Xmas Night. SIS Daughter Of the Rcoi-
"c"'. Hempei toward Diag, Scott Ccnd Papi
+, 'n"'s al 'i' Stttc'ly rarar. Ecluia; Nc
Corma1N CpaAess naGa. Cord Noranzoni
. F7i at 5 Samson ct Della Iiomar: Ca,uso
erNs lou koiu'rf. Ncnd, NOnteuN
SAT. at 2. First Tine. oberon ponselie. Gentle
"eII heii' Alhovse Rotiler H9nd Rolanziy
sal at Sl5 ':5c 10 SD La Trayiata flsmpel :;
-. I'm re Auca Tada. Aesn Cond Moranzon
'llo-btlGb1r s::;s, t s:"s:,
Concert at $3.50 and
Prices from SOC to 50 'osei Nosehpiatt
ENTIRE ORCHESTRA. cond HAeEmaN
HAhpMAN PIANO USED.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
THURSDAY

Carnegie Hall p. M. concert by the
Symphony Society:
symphony on the Song of French
Mountaineer Observation-Disclosures. D'Indy
Piano obbIigato by Mr.. Alfred Cortot
Cantata, "Faust and Helena" Lii Boulanger
Nine Julia Claussen, Mr.. Craig Campbell
and Mr.. Edgar Schofeld
Symphonic variations for piano, with
orchestra. .................Ce Cesar Franck
M. Alfred Cortot
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

made his style familiar 10 the people.
They have learned to admire the many
points of excellence exhibited in his
music and to look leniently (perhaps
little too lcniently, at those idosyn-
crasies which disfgure it. The con-
cert records Of France, England and
the United States during the last few
years discover a steady growth in
popularity of Berlioz's music, and
there is hardly any question that once
it has gained a foothold it will rapidly
extend its dominion over the public
mind, even further, perhaps, than the
best and most intelligent friends Of
the art would care TO have it.
We conceive that which is truly great
in this dramatic symphony to be not
only the highest, Durest and best music
ever written by Berlioz, but also, in
a manner. among the loftesJ ex-
pressions in the whole realm of in
strumental music Enthusiasm can
surely not go much further than this,
yet it does not close our eyes to the
imperfections Of the work. but instead
only causes regret that the beautiful
should have so much alloy as we are
convinced it has here in the vocal
parts"
And so on in discussion of the empty
theatricalism of the vocal parts of the
work, as compared to the wonderful in
strumental love scene in particular
phenomenon not confined TO New York,
but a reaction against Teutonism,
which showed itself especially in
France as d result of the Franco Prus-
eiic Rorlio1 i
in France; he was now taken up with
enthusiasm and played against Wagner.
| would not in the least belitte the in
fiuence OF the father of Mr.. Damrosch,
and for whose memory | preserve an
alfectionate admiration, but the Dam
nation" performances Of 1880 and the
Festival Of 1881 can scarcely be said
to have been influential in the almost
universal interest in Berlioz which
came after the war o. 1S70-'71 Their
influence was large, but local, and had
been ante pated by the labors of other
conductors in New York for thirty
years.
submit again that | haven't trained
any large calibre guns on Mr.. Dam
rosch's speech. My citation of first
performances Of Berlioz's music is 8
mere fusillade which might be made
more destructive by an enumeration of
the many repetitions which all of those
works Except the vocal parts of the
dramatic symphony haze received in
our concert rooms since 1S47. Perhaps
| ought to confess that the conductors
ct fifty years ago did not do much Tor
the Immediate recognition" of DIndy,
Ravel and Debussy, though Mr.. Thomas
did fairly we'll by Saint aens. Why?
Ask the stork
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
SATURDAY

Acolian Hall, II a. NJ, concert for
children by the Symphony Society:
Overture. "FingaTs Cave Mendelssohn
Prelude to The Deluge" ....... .Saint-Saens
Violin solo by M rinlot
Air on the G string, gavotte in E for
strings $1,000. ......-...-..... Bach
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
FURTHER DISCUSSION OF MUSICAL HISTOR
Programmes of the Week
SUNDAY

SONDAI
Aeolian Hall, 3 p. m. Piano recital
by Mischa Leyitzki:
Chrornatic Fantasy and Fugue. Bach
Melody Observation-Disclosures. Gluck Sgambati
Polonaise Op. S9.............. Beethoven
gtudes Symphoniques Zen forme de
yariatons), OPP 13........-...S churnann
Hocturne, G minor ............... CHOPIN
gtude, fiat. ..................-. Chopin
Guide, fiat OBSERVATION-DISCLOSURES. CHOPIN
,oeme Heroiaue .........-. Mana yucca
Waltz, d major ................ Stolowssl
Music of the Spheres from Winter
Pieces) Op. 13.......-....-.. Dohnanyi
Etude, D sharp minor. ..,........ Scriabine
la Campanella. .....-...... PaganInl-Liszt
Carnegie Hall, p. m. Concert by
the Philharmonic Society:
Symphony in G minor ......... Kalinikow
Concerto, No. in D minor, OPP. 70,
Rubinsten
Ethel Leainska
Caprice Espagnole. Rimsky- Korsakof
Maxine Elliott's Theatre, 8:15 p. m.
Recital by Nine. Yvette Guilbert:
.cgendes Dorees (XIvth and XVIII Cen
tury).
lie Miracle de St. Berthe.
La Passion.
Yvette Guilbert
Suite .Gclamark
Emily Gresser
Tragedies Amoureuscs.
Belle lsabeau (XiIth Century,.
Pourquo me bat mon mari (xII1tn
Century,.
Yvette Guilbert
Hymn TO the Sun Goa DOR
Rimsk5- Korsakos
arranged by Sam Franko)
Sarabande ct Rigaudon ..,.... Frarcoeur
Emily Gresser
Farces Anoureuses (XVIIth Century.
Margoton va ia liau.
Les Conditions impossbes.
Oh que Pamour cause de pene.
Yvette Guilbert
Rondes lXVIIIth Century,.
Voic e temps d'a.mer.
Les Compagnons de la Marlolane.
Yvctte Guibert
Nine. Mamin, Misses Teretzka, Meddvedieff
and Hoadley
Emily Gresser
Chansons des Pierrots.
La Lamentation de Pierrot.
lie Dieu DIES Colombines.
lie pauvre corps human.
Yvette Guilbert
Greenwich House, $3.50 .. NJ, song re-
cital by Vladimir Resnikoff:
Tears Observation-Disclosures. Moussorgslly
The Minstrels Vocation. .MoussorgskY
Ballad .................... Moussorgs ~
The Seminalist. ............ MoussorGsky
The Classicist ..............-.. Moussorgsky
The Idiots Love Song ......... Moussorgsky
}
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22

JOSEF ADLER Pianist. .Acco.nnanist
1874 WEST .end ST. Tel. Colunnus 1si,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-12-22
HA5sGss F nNaNE)()

Operate Yenor-'seacrcr OF Singing.
Pupil of famous De Lucia, announces his
lni@!iIhlc method Of perfect vocalzation,
correcting false methods in six months;
cured for pupils. Phone for app~iutnl,nt
80 Gramercy-3955, 244 EAST 23d ST.
Keowee courier. [volume] (Pickens Court House, S.C.) 1849-current, 1918-02-13
BRIDGE OCEAN WITH SHIPS.
Build, Build and Continue to Build
Ships" is tho Call.

Washington, Feb. 6.-"Aiake a
bridge Of ships to France" was the
message from Gen. Pershing and
every man Of his command. delivered
to the American people tonight by
Major Gen. Frederick Palmer, chief
censor Of Gtn. Pcrsbing's staff, in an
address at the National Press Club
Build ships and let every woman
and child In the land think ships"
said he. "We ought to be wearing
little metal ships in our buttonholes.
Children ought to- play with toy
ships.
"WOiiid you have the men fighting
IN France think that you had forgot
ten. thcm--yOu In your comfort, at
home? Would You have the lives OF
such men sacrificed because you have
not concentrated your efforts on tie
lblhg that meant most to them?
"Toward our snip yards-for the
power they fear during and after the
var The German staff strains its yis-
ion. Hnild, build and continue to
bnid ships. Make q bridge Of ships
TO FeTsbiDg."
Keowee courier. [volume] (Pickens Court House, S.C.) 1849-current, 1918-02-13
Food Will Win the War!

Eat more corn. oats and barley !
products, fish and poultry.
Bake, boil and broil foods. 4
Eat less meat, wheat, sugar I
and fats.
Food VIII Win the Wari
Keowee courier. [volume] (Pickens Court House, S.C.) 1849-current, 1918-02-13
CAIOMI;L SALIVATES
AND MAKES YOU SICK
Acts Like Dynamite on u Sluunish
Liver and You Lose Il Days
Work.

There's no reason why a person
should take sickcning, salivating cal
omel when a few cents bays a large
bottle OF Dodson's Liver Tone-~-a
perfect substitute for calOmel
1t is q pleasant. vegetable LIQUID
which will start your liver just as
surely as calOmel, but it doesn't
make you sick and cannot salivate.
Children and grown folks can take
Dodson's Liver Tone, because it is
perfectly harmless.
Calomel Is a dangerous drug. 1t
Is mercury and attacks your bones.
Take dose OF nasty calOmel to-day
and you will feel weak. sick and
nauseated tomorrow. Don't lose a
days work. Take spoonful Of
Dodson's Liver Tone instead and you
will wake up feeling great. No more
biliousness. constipation, sluggish
ness, headache, coated tongue or
sour stomach. Your druggist says
If you don't find Dodson's Liver Tone
acts better than horrible calomel
your money Is waiting for you.-Ad.
Keowee courier. [volume] (Pickens Court House, S.C.) 1849-current, 1918-02-13
f5aEf Your a-ivllag
without Money Cost

We are all at danger point. On
the use Of good common sense in our
1918 farm and garden operations de-
pends prosperity or our "going broke"
Even at present high prices no one
can plant all or nearly all cotton, buy
food and grain at present prices from
supply merchent on credit and make
money. Food and grain Is higher in
proportion than are present cotton
prices.
It's time above all others to play
safe; to produce all possible food,
grain and forage supplies on your own
acres; to cut down the store bill.
A good piece Of garden ground,
rightly planted, rightly tended and
kept planted the year round, can be
made to pay nearly half your living It
will save you more money than you
made on the best three acres Of cotton
YOU ever grew!
Hastings 1918 Seed Book tells all
about the right kind of a money saw
ing garden and the vegetables to put
in it. 1t tells about the farm crops as
we'll and shows you the clear road to
real and regular farm prosperity. It's
Free. Send for 1t today 10 n. G.
HASTINGS CO., Atlanta. Ga.-Advt. 7