davidaulloa/AmericanStories huggingface dataset:
The Washington times., 1918-03-18

will come to Petrograd to take charge
OF German finances. r'
A conference OF eighty worllmen,
representing every factory in Petro-
grad made a public declaration yes
terday against the caucus vote of the
Bolshevik action which favored rati-
ficatiOn of the peace terms. All rela-
tives OF the Romanoffs (the family
name of the former Czsrl above six
teen years OF age have been ordered
to register. 49,.
it is believed possible they will be
exiled to Siberia with Grand Duke
Michael
THE HAGUE, March 1s.-Sacks
filled with little children were thrown
into the sea. old women and men
were crucIfed or mutilated. and all
young women and girls were handed
over to the Turks when the Turkish
forces recently sought TO exterminate
Armenians residing I'm Trebizond,
which the Turks recaptured.
These are some OF the charges Off
cialIy made by the Armenian CORE
spondence bureau here. in answer to
the semi-offcial news agency that is
sending broadcast from Turkey re-
ports that bands OF Armenians have
been committing atrocities for which
Turkish troops have been blamed.
thousands of Russian stragSIers
captured by Turkish cavalry. have
been shot down, drowned. or burned
to death. says q dispatch from the
Balkan news agency.
The Washington times., 1918-03-18
Peace ParIay Started.

Swift 4 Cornpany's' sales Of beef in Wash
isgton D., G.. for the week ending Saturday.
March 10, 1913 averaged as follows: Domestic
Besf Il & tents Per pouodf-Advt.
The Washington times., 1918-03-18

rDrIC 2IO5 Pa. Av. Phone W. ss3.
SlhSLE THE WHiP''-SIN STARS
!. SCORES THAT THRILL.
The Washington times., 1918-03-18

cTDlNn TO-DAY AND TOMORROW
SlnH1NU II. WARREN kERRIGAN
M THE TURN OF A CARD
The Washington times., 1918-03-18

fE1nED 5O7 9th St.N. W.
LEhUEN TODAY AND ALL WEEK
GLADYS BROCRWELb ia THE
DEVILS WHEEL" and q Fox Sunshine
Comedy.
The Washington times., 1918-03-18

nIUOCN TO-DAY AND TOMORROW
lIhNUEN --MITCII ELL LEWIS in
THE SIGN INVISIBLE"
The Washington times., 1918-03-18

LONDON. March 1s-Peasants are be-
ing publicly burned 10 death for crimes
committed. the death penalty is being
admintered TO burglars. and drowning
f. the penalty inflicted in some cases for
those who fail TO obey the laws Of the
Bolshevikl. 4 dispatch from Petrograd
says.
-Four boys recently were beheaded az
Bsrnapol, siberia. after their conviction
on a charge OF burglary. When sever al
merchants in Zmievo refused to pay
more than 10000 rubies in taxes. they
were thrown into the river after stone
had been tied about their necks.
The Washington times., 1918-03-18

M VMDTr TODAY AT ESQ p. VI.
ULI Ill IL. DOROTHY DALTON in
1881 L 81. LOVE LETTERS"
The Washington times., 1918-03-18

DTA7A 434 9th st. n. ".
kf1Lh TODAY AND TOMORROW
THEDA BAEA in ''DC BARRY"
The Washington times., 1918-03-18

UAME 1880 c Street Northeast
HUME TODAT-DAISTY RUTH CLIFF.
The Washington times., 1918-03-18

tDETrNT 18th & Cal. SITS. NV.
hEUENl RUTH CLIFFORD and MON
ROE SALISBURY in THE SAVAGE. -
The Washington times., 1918-03-18

A CDINnAIIJC Casino, eth L r 81.
ONhINDhLL y TODAY AND ALL
4 wEEk-'THE BIRTH OF A NATION ."
The Washington times., 1918-03-18

FDANnhIIJC Apollo, 624 II st. ne.
ItNhINDhLL y TODAY-AARY PICK.
FORD IN STELLA MARIS." TOMOR-
ROw-ETHEL CLAYTON in BROKEN
TIES"
The Washington times., 1918-03-18
'AMHSEME

ifpANDATI'o American lat & n. ].
1SNhdNDhkL y TODAY - TAYLOR
HOLMES in UNEASY MONEY" To
\ MORROw-EARLE WILLIAMS In HIS,
MOTHERS SIN"
The Washington times., 1918-03-18

The moment Resinol touches itching,
burning skin. the suffering usually stops.
The skin rapidly loses its angY-look, the
eruption clears away, and in surprisingly
short time sLin-heasih is restored. Il acts
cyen rlurc qu;ckiy yitaidedby Resino!Sc
The Washington times., 1918-03-18

Resinol Ointneat and ReSinol
Soap eoutain no:iiirg that could
injure OF irri:ate the iSHdsye5E skin.
They clear away pinp'es, Te3ness
and rcuginesS. stop d4ndruf. and
form a nloSt vaiuaL,e household
treatment fer sofes- Cn1E q zS, eCts,
b@Tus, etc. Sc!S o. a.! 1-Cssis's.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
The Religious Songs

The moro lyrical religious songs,
which are probably of popular and not
Of ecclesiastical origin, are modestly
arranged by Mr.. SCHNEIDER or their
Spanish sponsors. 1.-THE Three Kings"
shows strong resemblance to certain
French songs and Noels. Another, "The
Alteration Of the Shepherds" is inter
spersed with refrains taken from the
Church service and presumably sung
by the populacc in intervals between
the narrator's stanzas. "The Chant of
the Birds" is a charming bit of folk
fancy, set to as charming tune Here,
with a sympathetic imagination sug-
gestive of that Of Saint Francis of
Assist, the folksong tells how, on the
night when the star arose over Bethlc-
hem, the birds came and sang their
praises, each in his own manner. Only
the horned owl and the barn owl found
the splendor of the Saviour too great
to be contemplated and departed. since
when they have been blind The pro-
spectivc auditor will be relieved to
know that the twenty-five verses of the
original song have been reduced to
threo
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
Music Notes

For the tenth Sunday afternoon sub
scription concert of the Symphony So
ciety of New York, in Aeolian Hall this
afternoon, the soloist is Claudia Muzio.
soprano. Miss Muzio will sing "Casta
Diva" from Beilini's Norma" and
Depths lie jour" from Charpentier's
Louise" The numbers for the or
chcstra are the Symphony, Harold in
Italy," by Berlioz, in which Samuel
Lifschey will play the viola obbligato,
Ernest Bloch's "Trois Poemes Juifs,"
which will be played for the first time
at these concerts, and Weber's Over
ture, DER Freischutz."
Anne Case will be the soloist at this
afternoons Philharmonic concert at
the Brooklyn Academy of Music-the
third of the societys regular Brook
!yn series. Miss Case will sing the
Cavatina from Weber's der Fret
schitz" and the Gounod aria. "Mon
c9ur ne peut changer" from "Mireille."
The first performance at the Philhar-
monies Brooklyn concerts of Rach-
maninoff's Second Symphony in E
Minor will be the feature of the sec
ond half of the programme For the
remaining orchestral numbers Conduc-
tor Stransky has selected the Wagner
Overture, "Rienzi," with which the con-
cert will begin, Smetana's "Ultava"
and "The Swan Of Tuonela," by Sibe-
Illus.
The concert of Thursday evening,
January II, and those of Friday and
Sunday afternoons, January 18 and 90,
will make up the Brahms Beethoven
cycle announced at the beginning of
the season by the Philharmonic for
performance in Carnegie Hail. The
New Choral Society of New York
(Louis Koemmenich, conductor), will
be the feature of the Thursday and
sunday concerts. This organization
will sing the Brahms "Song of Fate"
with the orchestra. Conductor Stran-
sky has chosen the Brahms Tragic
Overture" as the opening number of
these concerts, and the Ninth Sym
phony of Beethoven as the concluding
composition on the programme. The
assisting quartet for the Ninth SYM
phony is: Grace Kerns, soprano; Alma
Beck, contralto; Arthur Hackett, tenor.
and Arthur Middleton, bass.
The regular monthly free concert at
the Music School Settlement, SIS East
Third Street, will be given on Sunday,
January 10, at 4 p. m The feature Of
the concert will be the playing of the
Junior Orchestra. Melzar Chaffee, con-
ductor, which will play the first move
ment of the Second Symphony of
Haydn, in D Major, and the Dorm
roeschen Waltz of Tschaikowsky. A
soloist from each department of the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
Origin of the Music

The greater part Of Tuesday nights
music comes directly from the roper
tore of the great choral society, the
Orfeo Catala, in Barcelona. And this
society, which, it would seem, is the
emotional centre Of the natonalistic
renaissance. in turn had it's origin Gas
Mr. Schindler's admirably extensive
programme notes narrate) in the en-
thus;asm Of a Russian choir leader
one Dmitry Slaviansky, who visited
Barcelona with his chorus in 1895 and
became much interested in the folk
music of Catalonia.
But Mr. Schindler's chorus is to do
much more than re-sing merely what
the Orfeo Catala has surg before. Some
OF the music has been nearly and e!ab
orately reset by Mr.. SCHNEIDER, and one
or two of the ballads have been so
extensively developed asany form orig
inal compositions. The8 narrating
"A Miracle of the Virgin Mary" is
based on slow. sinuous melody, evil
IDENTIFY of priestly origin, which was
doubtless sung in droning nasal voice
to the openmouthed townsfolk CEN
turtles ago. If this tune were repeated
for each stanza it would be too nonot-
onous for modern ears, which will
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
At the METROPOLITAN

The D'Annunzio-Z opera
Francesca da Rimini" will have an
other hearing at the Metropolitan
Opera House tomorrow evening. It
will be sung by Mines. Aida, Sundelius,
Braslau, Delaunois, Perrin, Egener and
Sparkcs and Mcssrs. Martinelli, Amato,
Bada, Malatesta, Audisio, laurent and
Bloch. Mr.. Moranzoni will conduct.
The other operas this week will be
as follows:
"L'Oracolo" and "Pagliacci," as a
double bill on Thursday evening, the
former sung by Mines. Easton and
Braslau and Mcssrs. Althouse, Scott,
Didur, Rossi and Audisio. "Pagliacci"
will be sung by Miss Muzio and Messrs.
Caruso, Amato, laurent and Audisio.
Mr.. Moranzoni will conduct both
operas.
"The Daughter Of the Regiment" on
Friday evening, with Mines. Hempel
and hatfield and Mcssrs. Carpi, Scott,
Reschiglian and d'Angelo. Mr.. Papi
will conduct. <
Boris Godunoff" at the Saturday
matinee, with Mines. Matzenauer, Bras
lau, Perrin, Sparkes and Robson and
Messrs. Drdur, Althouse, Mardones, De
Segurola, Bada, Rossi, Reschiglian,
Audisio, Reiss and Schlegel. Mr.. Papi
will conduct.
Faust" will be sung on Saturday
evening for the benefit Of the French
Hospital by Mines. Farrar, Delaunois
and Howard and Messrs. Martinelli,
Rothier, Chalmers and d'Angelo. Miss
CALI and Mr.. Bonhglio will lead the
Walpurgis Night Ballet. Mr.. Monteux
will conduct.
At to-night's concert Mischa Elman,
violinist, will play. Miss Sophie Bras
lau will sing "Mon Cnur s'ouvre a ia
voix," from Samson ct Dalila," and
several songs by Rachmaninoff and
Delibes. Rafaelo Diaz will sing an
area from "Herodiadc" and several
songs by Alvarez, Homer and Fay Fos-
ter. The orchestra, under the drec-
ton of Richard Hageman, will play
Enesco's "Rapsodie Roumadine" and
several other selections.
"R;goletto" will be sung on Tuesday
evening at the Brooklyn Academy Of
Music by Mines. Condo (who will make
her operate debut on this occasion),
Perrin, Egcner and hatfield and
Messrs. Caruso, De Luca, Mardones,
Rossi, laurent, Audisio and Reschig-
liam. Mr.. Moranzoni will conduct.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

""'o'v ind in the narrative the dra-
"ae'c excitement which riveted the at
'eh''on of the naive Pensioners of old.
hence Mr.. SCHNEIDER has built the ma
'erlai into unified mposition-with
Soeg'nn'ng, middle and an end"
rs the dramatic critics like to say
add'ng a bit of his own matter imi-
lated from other sources. He utilizes
10 the full the contrast of mems and
women's voices, adds an obbligato here
and there and freely makes use of the
humming effects which are cultivated
rot alone by the Schola Cantorum but
by the Orfeo Catala as we'll The old
melody, sung as it was doubtless sung
IN the old days. would sound dreary
and aimless. Mr. SCHNEIDER. without
oolng violence to the tune. has framed
1T and colorcd it so as to set off it's
strange, mystical beauty.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

School OF Musical Art. PROF. ANDREWS
DIRECTORY 1910 Broadway. Cor. 65th.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
school will be heard. The public il
cordially invited to attend.

An "lntermezzo" by Daniel Gregory
Mason will be feature Of the Flon-
zaleys Quartet's second subscription
concert in Aeolian Hall, Tuesday eve
ming, January %. This work, which is
still in manuscript, is in one movement
and is intended as a sort of entr'acte
between more fully elaborated quartets.
The first Of it's two contrasting themes
is described as sprightiy and somewhat
whimsical, while melody imbued with
deeper feeling introduces n more
thoughtful episode. The Flonzaleys
will open their programme with the
Beethoven quartet in fat major. opus
"a, and will close with Schumann
quartet in A major, opus Al, No. 3.
Interest is attached to the concert
which the Russian Symphony Society
will give at Carnegie Hall on Saturday
night because of two numbers which
will find place on the programme. The
first is a series Of four tableaus from
'RimskyKorsakoff's opera lie Cog
dor" or 1.-THE Golden Cockerel," to be
produced in its entirety shortly at the
Metropolitan Opera House, and the Sec
end will be a rehearing Of Scrlabine's
"Poeme Extase," which has not been
played in New York for ten years.
Pushkin's poem Of the same name
formed the basis for the libretto of the
RimskyKorsakoff work
Bielsky, the librettist, in his preface
to the work, says of it: "The purely
human nature of Pushkin's Golden
Cockerel'-that instructive tragi-cornedy
Of the unhappy consequence following
upon indulgence in mortal passions and
eaknesses-permits us to place the
plot in any region and in any period"
The story recalls the simple customs
and daily life of the Russian people, Civ
ing completer view of the lighter side
of their nature than have the other Rus
sian operas that are now familiar to
American audiences. Its qualities are
crude, strong coloring, an exuberance
and yearning for liberty and freedom
of eXpressior--a freedom which was de-
MED the composer himself, for the pro-
duction of the opera was not sane
toned by the censor until after Rimsky-
K orsakoff's death.
1t will be recalled that Rirasky-
Korsakoff died in Lonbensk, near
Petrograd, in 1908, just year after he
had completed this his last opera, and
it is said that the action OF the censor
in refusing to allow public perform
ance with the authorities Of the Con-
servatoire at Petrograd FASTENED his
death.
The version to be played by the Rus
sian Symphony Society is an arrange
ment by Glasunov of the principal
melodies and most important parts of
the work.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
A Varied Selection of Secular
Songs

Of secular songs Mr. SCHNEIDER has
made varied selection. "Under the
Elms' is Il spirited comic ballad, in
threc-eighth time, making sport of a
husbands attempt to discover the un-
faithfulness Of his wife. "The Three
Drummers" is a Spanish version of the
French folksong, "Lc Jol Tambour"
But far more effective is "The Silver
smith," designated under the general
term "El PIANO." 1t is cast in a ne
crliar Andalusian rhythm familiar to
admirers Of "Thc Land of Joy,s' which
is syncopated according to a regular
scheme giving the effect of two meas
ures of three-cjehth time followed By
one of threefour. The song, with
its pseudo-guitar accompaniment, is in
tenscly stirring. And one must rot
overlook the exquisite verses, which re-
tain rare charm even in literal
English translation. In the "Serenade
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

Daddi, Giordano Paltrinieri, Octave
Qua, Rodolfo Fcrnari and others in the
cast.
The Saturday matinee cast Of Mas
senet's "Manon" will include Mile. Vix
in the name part, M. Muratore as the
tenor, with Mines. Berat, Maxwell,
fruette, Pruzan and Pelucchi, and NM.
Maguenat, Huberdeau, Qua and De-
frere.
The first New York hearing Of Had
ley's "Azora." on Saturday night, will
be given with Anna Fitziu in the So
prano role Of Azora; Forrest Lamont.
tenor, as Halca; Cyrena van Gordon.
contralto, as Papantzin; Arthur Mid
oleton, barytone, as Ramatzin: Frank
Prelsch, basso, as Canek, and James
Goddard, basso, as Montezuma.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

The Chicago Opera Association will
open it's season in New York at the
Lexington Theatre on Tuesday, Janu-
airy %, with Mascagnis 'Tsabeau,"
which had its American premiere in
Chicago in November. The cast will
include Rosa Raisa, in the title part, a
dramatic soprano role; Giulio Crimi,
tenor; George Bahlanotf. barytone;
Carolina Lazzarl, contralto; Alfred
Maguenat, barytone; :eska Swartz,
mezzo-soprano; Myrna Sharlow, So
rrano, and Constantin Nicolay, basso.
The opening week will include one
ether novelty-the new American opera
"Azora."
Wednesday night Lucien Muratore.
the French tenor, who has appeared in
only one performance in New York
heretofore, and Genevieve Vix, the
Partisan soprano recently introduced
to America, will appear in Gounod's
Romeo and juliet" with Alfred
Maguenat, Jeska Swartz, Louise Berat.
Octave Qua, Hector Dufranne, Gustavc
Huberdeau and Vittorio Arimondi.
The Thursday night offering will be
"Thais," with Mary Garden, Hector Du-
frame, Charles Dalmores, Louise Berat,
Gustave Huberdeau, Myrna Sharlow
and Jeska Swartz.
NTho 1ouolc of tho NfoJopp,V ,,,;1I ~
given Friday night, with Mines. Raisa,
Berat, Swartz, Marie Pruzan, Alma
Peterson and Annetta Pelucchi, and MN.
Crimi, Giacomo Rimini, Francesca
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

cU4!o ri ICCEI Music Studio.
~"'"o" ~~~A~~A~A~A carnsaie Hail, N. Y.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

de Murcia" one discovers what is takcn
to represent the Moorish influence in
Spain. Mr.. SCHNEIDER has provided it
with n sort of vocal cadenza, fore and
ait, taken from gypsy song.
These casual notes only suggest a
few of the many elements Of interest
III the coming concert. But it is we'll
to stop here, for music such as this
must not be talked to death. 1t Is nee
essary to add only that the arrange
ments chosen or made by Mr. SCHNEIDER
call upon a wide variety of'choral re-
sources and that the chorus will sing
its songs in the original Spanish or
dialects thereof. H.K.M.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
The Meddling Justified

10 the purist it is little short of a
sin to NEEDLE thus with folksonp
especially when the process is carried
to the extent of introducing new mu
steal material. But there is another
aspect of the matter. This song. in it's
original form, was not only q melody
but also ballad. Merely to ing the
melody once or twice to the words of
one or TWO stanzas, as was done by the
Orfeo Catala, is to chop off the head
Of the ballad, which is an art work
equally with the music. And since the
persistent repetition of the tune is
quite out of the question. some liberty
must be taken. Mr.. SCHNEIDER takes il
boldly and doubtless with a full appre
cation of his responsibility 1t is a
liberty which must constantly be taken
with folk music. The justification lies
in the fruits.
Ehls license is carried still further
by Felip Pedrell, mentioned above. in
his ballad Of Don Joan and Don Ra-
mon," for which the composer has
drafted two folk tunes from the island
of Mallorca. The fine text is evidently
related to similar murder ballads of
ether lands and in its inqusition scene
suggests the famous Scotch ballad.
Edward" a splendid version of which
has recently been discovered by Cecil
Sharp in the Appalachian Mountains.
Pedrell has rightly read the text as a
drama, and has attempted to heighten
the dramatic conflict by every reason
able means consistent with the spirit
of the ballad form. even to the extent
of initiating the beating of horses
hoofs in the bass. More freely vet
has A. Nicalau, another contemporary
Spanish composer, treated the text of
the ballad an the Monastery of Mont
serrat (the place known by name to
lovers Of "Lohengrin") with the aid Of
old Gregorian tunes. At one point he
even tries to suggest the tuning of the
harps in heaven--all, Of course, with
the unaccompanied chorus. But the
most ambitious venture of all is Mr..
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13
A Quantity of Spanish Music
Mr. SCHNEIDER as Usual Taps an Interesting and Unfamiliar
Source for the Schola Cantorum's First Programme

m chorus of the Schola Cantorum.
under Mr.. Kurt Schindler's d.
,setion, sings programme Of music
,h;ch is largely unfamiliar and nearly
,lvays of marked interest to musicians.
Many have come to regard this pair of
concerts as one of the Indispensable
pleasures of the musical season. For
me music which Mr.. SCHNEIDER selects
i usually not only in itself new to
New York audiences. but frequently
,aps a strange or little known source
a, supply. Such was the concert of
two years ago which brought to notice
i, to NEEDLE thus with folkshr dtair al
Of unusal beauty. To few specialists
It may have conveyed nothing new, but
to the great majority Of attentive N.Y.
steal amateurs it brought some init
mate knowledge of q popular musical
literature which had been virtually un-
k;own to them, save through the trans
forming medium of large orchestral
works and operas. And some such
welcome surprise is anticipated each
season by those who have learned to
vstch for MIR. Schindler's programmes.
At the first concert of the present
season, which will take place on Tues
day night in Carnegie Hall, the Schola
Cantorum Chorus will sing CATER a
group Of familiar Welsh songs) guam
tity Of Spanish music, drawn or adapt
ed from popular and ecclesiastical
sources, which is virtually unknown to
Americans. 1t will serve as a slight
rejection of the renewed interest which
Spaniards are taking in their national
music, thanks to the tireless labors of
their nationalist composers, such as
psdrell and Albeniz.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1918-01-13

Sch'ndler's experiment with "Thc Mira
Gle OF Saint Raymond"-the Saint Raw
mond who. having gone to the island
OF Mallorca as confessor to the King
of Aragon. fell into disfavor because
of his command that the King give up
his sins; and being refused to boat in
which to leave the island, spread his
cloak on the waters as ship and
raised his staff as mast, and thus.
through the help Of God, sailed safely
over to the mainland of Spain. The
foundation melody is a fine tune in one
Of the modes familiar to folklorists.
but Mr.. SCHNEIDER invcnts a counter
theme, blends ard contrasts the two.
builds up a stirring choral obblirato
of orchestral character and bends
every effort to the establishment of
the climax at which the chorus pro-
claims that a miracle has happened.
The work is developed much more free
ly than Mr.. Schindlers "Vasilissa the
Fair which he compiled from four
ukrainian melodies. In truth, it is an in
dependent composition--of what quail
1 Vy r1~
The Colfax chronicle. [volume] (Colfax, Grant Parish, La.) 1877-1981, 1918-11-09
About Croup.

If your children are subject to Group,
~ If you have reason to fear their be-
ing attacked by that disease. You should
procure bottle of Chamberlain s Cough
Remedy and study the directions for
use, SO that in case of an attack you
will know exactly what course to pur-
sue. This is favorite and very sue
cessful remedy for Group, and it il i'm
portant that you observe the directions
carefully. ADV.
The Colfax chronicle. [volume] (Colfax, Grant Parish, La.) 1877-1981, 1918-11-09
LIVER DIDN'T ACT
DIGESTION WAS BAD
Says IS year Old Kuy Lady, Who Tells How She Was Relieved
After Few Doses Of BlaekDausft

Meadorsville, Ky.-Mrs. Cynthia
Higginbotham. Of this town. says: Eat
my age. which Is es. the liver does
not act 20 wen as when young. A few
years ago. my stomach was all out Of
fix ] was constipated. my liver
didn't act Ny digestion was bad, and
It took 50 little to upset me. My APP
petite was gone. I was very weak. :.
I decided would give Black
Draught thorough trial as knew 1t
was highly recommended for this
trouble. I began taking It. felt
better after few doses. My appetite
improved and l became stronger. Ny
bowels acted naturally and the least
trouble was soon riehted with a few