Arizona republican., 1918-11-03

Infantry band, AE.F. in France.
 George Herritt, bass, NJ. E. choir US. Army.
 William Work. tenor, NJ E. choir Lieutenant instructor of musketry, Roswell, N. M.
 Clinton Jackson. bass, NJ. E. choir Lieutenant A.E.F. in France.
 Note: The foregoing list is very in complete. It will be appreciated if those having information regarding other musicians in tie service will give it to MT. Mills, phone 4674.
 The following from the October 1ath issue of Musical America is so fitting to the day that we quote the article complete:
 The Power of Music
 The demonstration to promote the fourth Liberty loan, made on Monday of last week at Carnegie hall by the Allied Musical Industries and the mu- sical profession, was memorable not alone of account of the enthusiasm, not alone on account of the splendid result obtained not alone because of the eminent soloists of world renown who appeared, but because it was proof of the power of music at the very time when so many of our legislators, pub lie men. writers, have taken the atti- tude that those engaged in music and, 1 indeed, in the musical industries are doing non- essential, non productive work, and so should be forced, under the Work or Fight edict, to change the sphere of their activities. if we are to do our share with our allies in win ming the war
 1 The demonstration was also remark 1 able because of the conditions under | which the vast audience that crowded the hall to the doors assembled. Tick cts were only obtainable by those who i were already subscribers to Liberty bonds, through members of the musi- cal industries. Even with this restric- tion, there were hundreds, although subscribers to the loan, unable to ob- tain tickets, while hundreds even with tickets could not get into the, hall
 When we consider that the musical program was presented by artists like Caruso, John Mccormack, Galli- Curci, and Jascha Heifetz, with Pryor's band, we realize how energetically the great stars of the musical world cooper ated.
 The outcome was that the quota for which the musical industries were re- sponslble, namely, some three and a half millions, was carried ys"oVer the top and was running toward the five millioN mark when the hour oi midnight struck and the audience was dismissed so that the people could go home and go to bed, at the very time when, had there been another hour, the five million mark would unquestion- ably have been passed.
 Thus the musical industries and the musical profession go on record as , having contributed the largest sun ever raised at any concert or public . function of any kind, and as leadins } other industrial and artistic industrie. to such an extent that they are not il r the same class.
 Finally, the amount raised by tn { musical people in one night was con siderably more than double the amour
 raised in nearly a week by all tn . theaters and movie houses in Neg . York put together
 Should not this show, once for all, l. ' the doubters and the cavillers and t
 all those who would relegate the whol - question of music to the rear as some
 thing that can be dispensed with dur . ing the war that their attitude is no
 only unjust, but positively ridiculous n The one great power. the one grea