davidaulloa/AmericanStories huggingface dataset:
New-York tribune., 1918-01-20

trio lights. He leaves burning only the
four lamps in the corner, with the
gauze shades, the color of dead leaves.
The chrysanthemums of snow. of gold
and Of blood are now tragic symbols
of shame, of venality, of candid con-
fession.
For almost two years what had cap
tivated him most in this woman was
the uncertainty of her origin, the am
biguity of her charm, the vagueness of
the impressions of her character which
he had been able to gather. All of
sudden singular attacks of reticence or
modesty used to make her take refuge
within herself, as the sticks of fan
fold together or a butterfly shuts its
wings at night after lighting on some
obscure ivy leaf.
He thinks of the evil which she has
wrought-an irremediable evil, whose
extent even she may never have real
lied. Yet she has been for him, after
many months Of inexplicable resist
ance, merely a mistress, anxious to
surround him with the barriers of her
love.
Tears come to his eyes. He seats
himself at the bare-topped writing
table. Before him are some COM
poser's sheets. He does not remember
how they came there. Under the two
verses of Villiers de l'Isle-Adam he
has written this name, in a thick.
heavy, round hand. which suggests
mourning:
DoLiLah.
And his pen, swift and full Of ven
geance, traces on the lines of the pages
the notes, the shadings and the marks
which reproduce his improvisation of
q few moments ago. 1t seems to him
that he hears it roll out again in
arabesques. as if-his fingers on the
keys, the tips of his toes on the pedals
he was making the piano living
voice, his soul carried to the level of
genius. by grief, love and the bitter
struggle Of his tender recollections
against the necessity of hate.
New-York tribune., 1918-01-20

companied by consummate skill. Mr..
Luks seems merely brutal, and in the
long run defeats his own purpose. Wit
ness the High Bridge" where the piers
he paints SO sturdily have, as a matter
of fact, no weight at adj. He is more
agreeable in his oils, though these, too,
show his disposition to sacrifice every
thing to emphasis. In the PORTRAIT"
and the eur Coat" he accepts certain
measure of discipline and is propor-
tionately convincing. AS a rule, his
rampant realism gives crude shock
and nothing more. 1t is pity he does
not pursue still further the delicate
motive he has played with in his
"Moonlight Sonata" study of chill
dren set in a landscape more or less
in the vein of Mr.. Davies. That note,
carried to perfection, might prove that
Mr.. Luks had charm as we'll as virility.
Apropos of Mr.. DAVIES, we may note
the appearance Of a catalogue Of his
retrospective exhibition at the Macbeth
gallery, which makes an ideal memo
rial of that affair. 1t has been ex.
quisitely printed at the Merrymount
Press, and the few pages of text are
followed by voluminous collection of
full page photographers. These repro
duce paintings, drawings, sculptures
and etchings. For preface Mr.. Hume
ker's "1n Praise of Unicorns" has been
borrowed, bit of prose charmingly
suggestive of the spirit pervading Mr..
Davies's most characteristic work. The
sale of this catalogue is for the bene-
fit Of men blinded in battle, the Light
house in France" 1t ought to produce
substantial sum, for no one attracted
by the art of this painter could desire
better set of reproductions from his
works. AS record, this book has a
permanent value.
We have mentioned more than once
the exhibition Of Mr.. Gallatin's collec-
ton at the Bourgeois gallery. Admis-
sion to this is free, but the catalogues
are sold for the benefit of American
War Relief.
When the French government decided
to take part in the Panama. Pacific Ex-
position at San Francisco in 1915 it
drew upon the Luxembourg, as we'll as
upon other sources, for paintings, and
upon the Mobilier National-the his.
toric Garde Meuble-for furniture and
similar objects. The result was COL
lection of extraordinary interest. This
is presently to be shown, through the
courtesy of the French authorities, at
the Brooklyn Museum. Paintings,
statues, tapestries, furniture, porce-
lains, rugs and other works of decora-
tive art will be displayed, the whole
illustrating the genius Of France both
in the past and in the present. The
proceeds Of the opening day, Tuesday,
February 5, when an admission fee CT
81 will be charged, will be given to the
New-York tribune., 1918-01-20
Encke S Comet
Said to Have
Lost Schedule
Periodic Sky Wanderer De-
clared To Be Harmless to
Earth and All Inhabitants
Rain of Fire Is Only Refrac-
tion-Fragments F ound in
Ancient Times
in Greenland.

The comet is behind time; meaning
Encke's comet, which is now about to
swing round this end Of its elliptical
orbit and disport itself before our
view. That is not to say that it is be-
hind its periodicity schedule. In this
respect it is as regular and trustwor-
thy as the provcrbial death and taxes"
But as harbinger of war and disas-
ter it has travelled hither on the De-
lay, Linger and Wait Railroad; unless,
indeed, it be ominous Of something
about to happen to certain All High
est. Blazing portcntous in the mid
night sky in July, 1914, it might have
given color TO thc ancient superstition;
but now it can scarcely be reckoned
as ominous as an exploded Zeppelin.
In former times people feared a col
lision with a comet, but since these
heavenly bodies are better known, they
no longer scare anybody. There can
not be cited a single case of comet
having ever harmed any creature, or
proof that it is capable of doing so.
Like most tramps, the comets, in spite
OF their suspicious appearance, are
quite harmless fellows. Their tail con-
sists of gases rarehed to such degree
that with thickness of thousands Of
kilometres they are transparent as
glass of water. There is reason to be-
lieve that these gases consist of ben
zoin or petroleum vapors, but all the
contents of a comets tail that could
bridge over the space between two
heavenly bodies would possibly enter
into the small space of few bar
rels.
Light Caused by Refraction
Besides. the light of a comets tail
is not glowing or burning in the COM
mon sense, but a kind of phosphores-
cence or fluorescence in the ether,
caused by the refraction of the electro
magnetic rays of the sun. Therefore
no rain Of fire need be apprehended.
Nor is there any fear of the earth
being destroyed by collision with a
New-York tribune., 1918-01-20

gin" and Giovanni dal Ponte's two
wings for an altar piece. These are
typical Of the collection in its most
essentially primitive aspect. But the
chronology of the school is carried for
ward to the fusion of religious ECSTASY
with more sensuous conception of
form and design, as the lovely "Ma-
donna and Child" by Filippo Mazzuola
or the similarly rich and glowing study
OF the same theme by Antoniazzo Ro-
mano. They harped always on one
string, these pioneers; but what con-
stantly fresh harmonies they got out
OF 1t! Some of the best of the exam
Piles of pictorial narrative shown in the
November exhibition reappear here,
notably Nardo di Clones "Crucifxion."
superb bit of concentrated drama.
and the two thrilling little martyrdoms
by Alegretto Nuzi. The curious "Domin-
lean Legend" of Taddeo di Bartolo it
is also delightful to see again, and very
welcome, too, are the amusing panels
ascrlbed to the school Of Masaccio, es-
pecially the quaint "Salomc." The stu
dent should compare this with the
painting of the same subject by the
elder Cranach, to observe the differ
ence between northern and southern
primitivism.
The Italian contingent on this occa-
sion is not confined to the earliest
painters. One of the most interesting
things in the collection is the "Bust of
Woman" given to Giampetrino, not
in itself an important thing, but sug-
gestive as a document. 1t forms link
between the sheer grace of the primi-
tive style and the instructed power Of
the Leonardesque masters. There are
some excellent sixteenth century por-
traits by Lorenzo Lotto, Bronzino and
Penni. The Lotto is a fine thing,
though it is not altogether persuasive
either, having little less than the full
New-York tribune., 1918-01-20

talia belonging to Mr.. E. r. Warren,
of Boston, with additions from the
house of Yamanaka, all to be sold next
week. The examples of ceramic art
are especially good.
The portrait of President Wilson by
Mr.. Sargent, which is to go to the
National Gallery in Dublin, and may
now be seen for few weeks at the
Metropolitan Museum, confirms the
impression left by this artist in his
two portraits Of Mr.. John D. Rookie
fcller. AS portrait it has the vitality
to be expected in a work by Mr.. Sar-
gent as matter of course. AS work
of art it is disappointing, being cold,
uninspired, a perfectly capable but in
no wise distinguished performance.
The design has perhaps little more
weight, is a shade more interesting,
than in either of the two canvases on
which we have lately had occasion to
comment. 1t has more body. The fig
ure, the chair, the hint of furniture in
the background are unified we'll enough
into a pictorial scheme. But the
scheme, though coherent, is uninter-
esting, and once more Mr.. Sargent
causes US to wonder what has become
of his gift for style. That the color
is rather prosaic is doubtless not his
fault. The absence from the thing as
a whole Of his wonted brilliance of at
tack only serves to clinch the sus-
picion that he has exhausted his re-
sources in portraiture. Now he gets
the truth, to be sure, but no added
charm of incompatible virtuosity as in
the old days.
At the Kraushaar gallery there is
collection of new paintings and water
colors of Mr.. George Luks. In the
lighter medium his robust talent fairly
runs away with itself, with somewhat
disconcerting results. His color here
is occasionally interesting, but water
colors painted by main strength seem
q contradiction in terms. It is a ques-
tion of handling. Winslow Homer
could be intensely brilliant in water
color. Mr.. Sargent shows the same
force. But in these men power is ac-
New-York tribune., 1918-01-20

Following the miscellaneous exhib-
tion now open at the Montross gallery,
a collection of new paintings by Mr..
Bryson Burroughs will be placed on
view. This exhibition begins on Janu-
ary % and will last for a month. The
Arlington gallery announces a show of
recent paintings by Mr.. Henry w. Tom
linSOn.
New-York tribune., 1918-01-20

American Art Galleries are mostly good
pictures, and the very fact that they
arc works of merit rather than mere
souvenirs Of great names will make the
sale Of the more interest. 1t will show
where the American collector stands, SO
to say; not only his courage at diff
cult time, but his appreciation of in
trinsic rather than fashionable values.
Incidentally this collection shows US
where the dealer stands. How differ
ent it is from what it would have been
not so many years ago, when we were
being drawn from the standard Of the
French Salon to that of tho Barbizon
school. and then began to dabble in the
old masters! In those days the phrase
"a Dealers collection" meant some
thing decidedly miscellaneous and not
by any means flattering to our knowl-
edge of art 1t implied taste that was
no taste at all The dealer was all for
the collector who "knew what he liked. I"
Now be -eckons with the connoisseur.
The early Italian paintings in the
Klenberger collection may be taken as
SO much solid testimony to the estab-
hshment in this country Of new ideal
OF asthetic education.
Many of them were seen in the recent
loan exhibition for American war re-
hef. They profted then by association
With numerous other works from other
owners. Atmosphere counts for much
IN any assemblage of pictures At the
show IN question some masterpieces
heiped to carry some very minor pro-
ductions- But now that the Klein
berger group is detached and isolated
II admirably holds it's own. If it is
not dazzling it is ct all events most
oeguiiing, rich in that delicate beauty
which was the peculiar appanage of the
Italian schoolSin the formative years of
the Renaissance. There is variety, too,
within the clearly defined boundaries
New-York tribune., 1918-01-20

The American Museum of Natural
History is making an exhibition of the
carved worries secured in Africa by the
Lang Chaplin expedition, works of ma
tive craftsmanship. In the Print Room
at the Public Library a collection of
the etchings of William Strang, the
Scotch artist, may be seen.
New-York tribune., 1918-01-20
The Season of Auction
Sales in Time of War
A Period OF Reasonable Prices for Good Things-The
Keinberger Prmitives and Other Old Masters
MIR. Sargents Portrait of the President
By Royal Cortssoz

Exhibitions are increasing in number in London Works
Exhaustive statistics regarding abroad are not ST ha [
the available evidence 1t would that market evvinp
ively few sensational those which ara
private negotiation Tor unique treasures AT the people are
stuff 6nding Its tendency on tho whoe 10 ]
moderation and ono result OF this the rather
bargains Inc safes mere IN New York have begun
Brady Hermann
but the prices paid for individual pictures reasonable The
interesting incident about the dispersal collections
bidding of Mr. Bradys nne BeecAes n to $40 Ooo ono
that American art longer position in the
auction room 1he early Rembrandt in the Hermann fetched
ny $3.50 ~
New-York tribune., 1918-01-20

Dloom OF this remarkable Venetian. or
Iiepolo's prodigious brio there Ia a
capital example In tho sketch for
ceiling, "Tho Last Judgment"
We glanced just now, In alludine to
two versions Of the story Of Salome,
at the difference between northern and
southern primitivism. The Italian al
ways energies triumphant from such a
test. A certain tenderness, a certain
charm, would seem to have been In
his blood. His forms are beautiful and
NO sees them from point Of view in
accord with their sentiment The
Fleming, the Dutchman, the German
may be equally impassoned. but they
never make the same fine feryor mani
fest in their works; they never achieve
the same melting beauty. On the other
hand, they have often creator
strength In execution, as we'll as
deeper note Of pure realism. The
Klenberger examples of Pieter Breu-
ghel and Jerome Bosch, of Patinir and
the Master of st. Severin, Of Joost van
Cleve and Jan van Scorel, make an un-
usually imposing representation Of this
colder but still imaginative art. For
tho collector, indeed, there are certain
paintings, like the Bosch Legend of
st. Christopher" or the Patinir "St.
Jerome" which are prizes as 'enviable
as any of the Italian pictures-works
Ike them are as rarely encountered in
the market. They illustrate in brilliant
form the special virtue Of the north,
It's ponderable truth. The Italian prim-
itive may watt US further toward the
things Of the spirit. The man Of the
north carries US deeper into the phe-
nomcna of the visible world. Patinir's
landscape, fanciful as it is, is also
strangely modern. The more engaging
OF the later works in this part Of the
exhibition are portraits by Amberger.
Bruyn and Cornelis de Vos, but there
are a few good specimens Of Dutch
landscape and genre-the "Tailor's
Shop" by Brekelenkam Is a gem of its
kind-and the big picture of "Joseph
Telling His Dreams" which figured in
the Lambert collection as Rembrandt
and now turns up as bearing the sigma
ture Of Jan Victoors, leaves a fairly
exhilarating impression.
There follow number of paintings
OF other schools-threc or four old
Spanish canvases, among which the
full length Of Carreno de Miranda by
himself looms in stately fashion,
first rate piece Of ordinary seventeenth
century Spanish technique, and there
are passable items of French and Eng
llsh origin. These will all excite some
interest at the sale, but the latter will
make its appeal especially through the
earlier Italian and Northern paintings.
Other collections share with the
kleinberger pictures the space at the
American Art Galleries just now.
From the estate Of the late Isaac d,
Fletcher there come many pieces of
furniture and other objects which will
be sold next Friday and Saturday
afternoons. The furniture includes
some handsome antiques. There are
several early French statuettes that
arrest attention and in fact the whole
section of sculpture is of interest.
Mr.. Fletcher seems to have had flair
for plastic art. His tapestries are of
value and so arc those in the group of
dozen or so of objects left by the
late G. +. Williamson, which are in
cluded in this sale. Finally this ex-
hibition presents a quantity of Oricn-
New-York tribune., 1918-01-20

Brooklyn branch Of the American Red
Cross, and special arrangements have
been made to make this day q festival
for the cause. Otherwise, save on the
usual pay days, Mondays and Tues
days, the exhibition will be free. 1t
will continue until Sunday. March II,
inclusive. The affair is altogether to be
hailed with rejoicing, not only out of
sentiment for our French allies, but
because it will place before the public
a really important collection of French
New-York tribune., 1918-01-20
Dalilah
By Charles Henry Hirsch
Translated by William L. McPherson

Here spy story avith novel settig As the title td1
c0tes the theme ancient old the Old Testament
many German Daahs France and the revelations IN the BoIo
haze only recently sho0m hos0 widespread the net of Ger
espionage and intrigue.
Mr. Hrsch is Of the surprisingly clever group of French
short story 1ter hc the has brought to the 'front.'
pyright1 by The TibuneA Associate
New-York tribune., 1918-01-20
A Dealers Collection, New Style

Perhaps the best test Of current con-
dtions will come when the paintings
belonging to the Kleinberger galleries
are sold next Wednesday evening for
the purpose Of adjusting the business
interests Of this firm. Fourscore old
pictures just placed on view at tho
New-York tribune., 1918-01-20
Prussia May Put Women
On City Committees

AMSTERDAM, Jan. 19.-The "Rhein-
ische Westfalische Zeitung" an
nounces that the Prussian lower house
has adopted a proposal admitting
women members to the municipalities
committees on social welfare, public
safety and school boards
New-York tribune., 1918-01-20

OF this group. 1t embraces, to begin
with, goodly number of those Madon-
mas and other religious subjects in
which intensity of devotional emotion
is overlaid with q kind of childlike
Journalism, golden panels like Simone
da Bologna's Coronation Of the Vir-
New-York tribune., 1918-01-20

art. 1t is gratifying to observe, also,
that the show will include the sculptures
and paintings by Belgian artists which
were displayed under French auspices
at San Francisco.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1918-03-15

eersdfdJipnber, bos nod fSreiburg 3u
fIcs, tDurben an Der Jrcnt brei slug
5eise GbgeItofsn. Baron BON
Ri9taOfcn srIans isinsa 65iten
.Qgftfiu.s
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1918-03-15
OdsTa
SSurSe tuie Serltn melbet,
nit 3mitiutnitng 0tumd'
mieins erDbert.
Der GrO6erung gtng Elm Rampf bei
Q6olooiponta Dpraus.

gerItn, IA. Mdr5, bta 2onoon.
Die beutI6en Sruppen, bic 06eFa
ibefebt 6aben, tpurben, tpte es tn Dem
amtIideH geri4t Der Sberlten 9eea
resLeitaHg bonn 9onneritag 9ebt, nit
3Hitimmung Rumdniens bortbin ses
fun6t. Der 3eridJt lautet:
uOeItli4er &riegsi6auplab: 9euts
f9e Sruppen, bic nit Der 3ufttnls
mung &Imdniens gegen 9beFa DON
8ratla aus ii6er @alab uno 8enbert
geianbt poroen tpareH, bGben S0efa
na6 etner S9ln6t nit 8onoen in Der
gaGbe DOR Wlolbotperta beieBt. Sbnen
folgten 0iterrethti9 rrpgarii6e
Srrppen, bic aus 3bemertnta tdmeu.
2lrberpdrts bat Ii4 ri4ts gleues
ereignet."
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1918-03-15
yIisssrsrfoIse
Q0erSen bpnt englii1en
6riegspitit bDm beri6ies
benen asnnftcn gemelbet.

2onboI IA. Widra. 3pei britt
ife Seflus5erss rnbmen am 9ieifs'
tag nit fiinf feinbliden Glug3eugsll
iiber ber Horbise ben &f auf.
ipie amtli9 betarnit geseben tpirr
uih ein feinblides SeeflugSeus ipirs
be 5erit6rt, fpabrenb ein 5iDeites bers
untersetrisben ulirbe. Die beibsn
ergIif9en i5Ius3euge iiHb snriidses
iebrt. Der Yeri4t ldutet:
|. sg[m 9ienstag madten 5iugi britt'
fhe Geeflugssuse i'm ii6li4en Sbeil
Der Rorbfse einrn 4teriif ,auf fiinl
feinbli6e Wugseitse. Gin feinbIider
3peibedsr ipurbt a6seI4ciIsn urn
serftSrt, ber geoba9ier qif eiiler
aueiien giafftne ipurbe eri4oiien
unb elm brittes Gesfl,ssaeus tpuroe
auf has Mafier eetrisben.
Der aaupf enbete nls bic engli'
fd5en Geeflug5suge ibre gaammte
Wlinition perbraudt batten. gcioe
5lii9Scuge finb 5urii6getebrt."
2onb on, Mitttpo6, 10. Mdr5.
Der 9eutige geridt iiber Die Sbdttg9
lett Der britiffen Marineflieger Ian.
ttt iuie foEst:
Bon britifden Marinefliegern
ipurben om Moatag abenb Soutben
i'm Geipi4t BON bYi Sonnen auf bic
Merfie In Brings a6gsiporfen. Der
grfoig founte. infofge i9le4ter Si9t-
bartlett nit)t beo6a9tet tperben. aHl
Dienstag futrben riele Bombtn out
bic Sruppeulaser unb bic Seitense.
leiie in ct. pierre gapeIle abgeDor.
FEN unb es tpurbs Elm grObes 6eaer
syeuer berurfn9t.
Sci Grtunbuneen tpurben fetnbIi.
DE S6iisengraben NIT Wafdinsrge.
ipebrsn beI9oiicn unb 5tpei feinblihe
TlasseuGe tpurbcn in 5lantrlen ites
beno absei4oiIen Gin feiHsf6e-
8allon, Der fid) losgeriiea bate,
ruuroe absei3ofien.
Giues umstsr Glugruss nirb Dsra
mibt.1 80.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1918-03-15
Bier Somben
4}nrf beutTaer i5Iisser in Der Mitt'
nod Qadt auf 9ariltpool ab.
aonbou melbet. baB fiiuf psriona1
setobtst Hnb neun beripunbet
tpurSen.

2onbon IA. Mdr5. Gdsgents
li9 bee GIieserangrffis in Der mlitts
nod Ro9t irsusts Elm auitftifi bi,
aiife nnb mari pier 9cmbtn nui
soartltpoof nb. Gs purben feds
WOtubiuisr cemoiirt un6 80 Mobn'
bduist beIhdbigt. sSiinF gberionen
ipurben aet0Dtet uhb neun periplIil,
bet. Der omtlife 8sriat Iapiet.
Bur Elm dlus5sug trtu5te seiisrr
Ra6t bic siiits. Gs mari pier gom,
ben IN SartIepccl db. Der slugrei,
fer, ber.iicb in auBerorbtntIid sroBer
60be befnnb. bIifb MIR lpenige Wlis
nuien iiser beni 2nnbe unb Der Rsit
isiusr goHbsn f4eiiH IN bic Ges &C.
fallen 5u isin.
% iDiirben feds @obrbdider aer,
fort nib etipn brsiBie bei3Gbist.
Den Iebten goIisttberi9ten 5ufolse
lDnren bic @srluite ipis foigt: @es
t5btst: elm Wdnn. cine Jrau unb br4
ainbsr; rsruunhst: btsi Eeannss.
si,s Bsau uus fiisi Rinbes.'
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1918-03-15
Getretdr Safer
8iro ouf @urti5 oes qrdftocnterI
nit 9enepoI perF9ing be3iigLia Der
9er5ffeltfi9uug Der 8erIufts
liItsn tonfertreIL

DufbtnstOn, IA. Mdrs. -
gluf QnIuden oes griiibsrten WiIfon
miro Setretdr Batter pd6rsHo ieiner
anpeienbeit m 5rnntreta peuIonIi4
nit General gyerIhurg be5iiglih Der
ispo9e tonferiren, ME bic omeritanis
Iten @erluitiiIten per0fFentltat pers
ben foaen. Ia6bem Der prGii0ent
ben 9rpteit BON George @reel, Dem
goriiber bes Stonrmittees fir 6ffents
lif,e SuforlnasioR. segen Die 9erDta
sentlid)ung Der Stften obue glorefen
Der Gefauensn unS @ertpunOeten ges
priift botte, erIudte .r am OonHerss
tag bas griegsnepartement, Setretdr
8ater 1uf5uforberr. Die argeIege1beit
nit Dem SbereefebLshaber Der ameria
tdHiI9eu Sruppen 81 erorterrt.
9e5iigli6 Der Steaurgna6me bes
prGIibenter m bieIer 2tngeIegenbeit
iino teinerlei 9lnoeutiingen erfplgt,
aber feIbft lnsnu feline TaOotfi5trling
beg 8eFebIs erfolgen folte, 10 gtdubt
man bod, bab ftidjbaltigere 9riirroe
fir Die gorentbottung Der @brefeu
betanHt sesebsn iperDen biirfteu.
S9Der beiiroft.
ct. Sofepb, Mo, IA. USars.-
Mbert 8. auellit, EN- rei6er 9ieiiger
Suhhdnoler, tpurSe am 0onneritog
rom 9uHSegrifter 2lrba Ban Ball
teHburgb ~ stpei Subren 3u6fbnls
uno elmer @sloittnfe pon $500 perurs
tbeilt, neil sr berIuht bate, MitsIies
ter Der Neutrality-suspicious. gu be-
feGen. 2eslie g. GIort, Der inter
elmer G6rtfideI 2lntIdge ftanO, ipurbe
gu IS Mpnatm unb gu etner GeLos
frats rnu s100 bGirtReiIt