davidaulloa/AmericanStories huggingface dataset:
New-York tribune., 1918-02-17

Cct calls, etc.
We scarcely expected, a week ago,
that We should be able to review a
generation of Mcyerbcercan opera in
New York without stumbling into an
inaccuracy. OF course, we were dis
ooursing particularly about 'Lc Pro
phetc," and all references to other op-
cras were short, sidewisc excursions {;
but, because we try always to adhere
to the verities of history, we were glad
to receive correction anent "Dinor-
ah.' Naturally, it comes from our old
friend, A. L. G., with whose statistics
we are never disposed to quarrel.
Nine years, approximately" he writes,
mot twelve. had elapsed since the last
previous production Of the opera when
Marie Van Zandt appeared in Dinor-
an on January 30, 1892. Here is the
record: December II, 1879; the cast:
Dinorah, Marie Marimon; Tn Cspraio.
Annie Louise Cary; Corentino. Runcio
lloel, Galassi, December II, 1882: Di
Cd =
sic Bartlett (Davis); Corcntno, Clodio;
Hoel, Galass." Now that we are about
it, we add that we are sorry that the
types did not permit us to say when
VIC tried, apropos of Nine. Tietiens's
success as Fdes that it was made dur
ing short season, when the forces of
the elder Gye (not "of the older tvpc'N
and Colonel Mapleson were combined
in production of the opera.
1T was the late Gustav Mailer who
at Il meeting of German musicians held
shortly before he came to America de-
nounced analytical programmes and
proposed the toast "Pcreat all Pro-
gramme!' When he was conductor Of
the Philharmonic Society he forbade
the printing of an analysis of one of
his symphonies in the society's pro-
gramme and denied that his music was
programmatic. although the titles ana
sub-tltles OF several of his symphonies
disclosed that he had himself indicated
what he wished to have accented n,
their poetical contents. Of course. he
found followers who strovc to prejudice
the public against such helps to an,
probation. Richard Strauss is in the
same case-prompt in denying a pro-
grammatic purpose, despite the evi
dence Of the printed page, when his
music is first played and then consent
ing to an inspired Interpretation by
Mhukc or some other favored apostlc
we are reminded OF these things by as
New-York tribune., 1918-02-17
Whittier Wordless Songs May Lead Us

so that he was at the mercy of the
purely musical and purely vocal appeal |,
unhndered by any literary criterion.
And then Mr.. Dent suggests that on
scch lines - that is, on music indie
pendent of words which convey
thought or definite sentiment--a new
artistic movement may be developed.
And the reason? Because declamatory
style will not go with modern harmony
at present, since defamation means
the substitution Of rhetoric for melody
and therefore "can only be employed
against background of harmonies so
familiar and easy of comprehension as
to supply the place of melody to some
extent as connecting thread. The
difficulty and strangeness Of modern
harmony necessitatc a mclodic line Of
unusually strong character to deter
mine the form of phrase and the
principle of construction To give this
line to a human voice, especially to a
voice unimpedcd by words, is to in
tensify it to its utmost emotional
power"
II this were true, what would become
of the songs of more or less recent
date, whose composers have justified
the uncouthness of their melodies and
the poignancy not to say painfulncss,
OF their harmonies by appeal to the
significance OF the words to which thew
are set? Would the lovers of HUGO
VOLTS songs find the beauty in them
which they find now if instead of the
words to which they are set they were
asked to sing pom pom or "diddle-
oiddle" or "fa-la-la" What would he.
come of Schubert and Schumann and
all the rest of the classic sovg writer's
II their creations We're robbed of the
poetry which inspired them? Who
would invent enough onomatopnic
syllables to fit the harmonies of
Stravlnsky? Savages or primitive peo-
Piles sometimes get along without
words in their vocal music, but the rca-
son is frequently that ancient tunes
have remained sacrosanct after the
words 70 which they were once sung
have been forgotten an ancient
phenomenon II vocal music which has
many analog'es. Buddhist priests in
China and Japan still rccitc or chant
Sanskrit words Of which the meaning
has been long forgotten. When the
New-York tribune., 1918-02-17

1t was not to indulge in speculations
like these, however, that we called at
tention to the essay in "The Musical
Times" but to consider the thoughts
which Mr.. Graingcr's wordless songs
have evoked in the mind of Mr.. Dent.
He has not yet heard the "Marching
Song Of Democracy,' which, though it
seems to have required several hun
dred lines taken from Walt Whitman's S
yawps to elucidate its sentiments, has
for its vocal basis nothing but meaning
less vocables, and even these the
singers are told they can change to
suit their individual whims. Blu.
though Mr. Dent has not heard the
wonderful song with his physical ears,
he has seen the printed page, and ad
mits that it gives one Il shudder to
look at it's score. and he invokes
Heavens help on "'thc conductor and
chorus who have to rehearse it week
by week in cold blood 1t must be
more discomforting than Jannequin's
'Bataile dc Marignan,'" he continues,
actual musical material is really strong.
enough to carry it off. 1t is written
for chorus and has no words except
that such syllables as pom POM and
'diddlc diddle- dunn are printed under
the notes, with the very sensible dircc-
tion that singers are at liberty to sing
either these or any other nonsense
syllablcs that they may find convenient.
The nonsense syllablcs are disconcert-
ing only because we arc not accustomed
70 sec them written down. We have
accepted ra-la-la' and, laterly, ri
toral-l-lay as literary conventions.
They belong to the PASTORAL and
'hucolic' categories and are guaranteed
respectable in any society But re-
spectacle is the last thing Percy Ora N :
ger wants his musicfto be. The way
10 look at it is not to be put Off
by these queer syllablcs, but to regard
then, as directions for style, like any
other marks of expression. The really
essential thing is not the words but
The feeling ofsa great crowd possessed
By the singing impulse" Mr.. Dent
adds that he had lsterAd to the
Colonial Song" fully prepared to scott
and yet found himself moved by it.,
rather against his normal judgment,
and accounts for his unwilling con
version by the fact that it had no werds
New-York tribune., 1918-02-17
H910L/70 ZAzARo IN
W 6L$<ZAN" HHE1EoNoLfz5A
OPERA.

writer was given an Iroquois nave
while collecting traditional music in
the Reserve Of the Six Nations, in Can
ada, years ago he asked the meaning
Of the words of the initatory song
which was sung during the ceremonial
They consisted of a rciteraton Of
ryllables like "Ook-wa-lee, Ook." The
only explanation which he could get
from an old chief, who was master of
ceremonies and principal singer, was
that he did not know what tho words
meant, but it was "the way bear walk
on log The words may have had a
meaning once, or may have always been
onomatopes, but the song would have
lost its efficacy without them.
owe might even get as far as an
opera without Words" says Mr.. Dent,
ignorant of the fact, apparently, that
such an opera was actually composed
! thlrty-tlve or more years ago by Asger
Hammerik, in Baltimore. We never
heard the opera, but it cannot have
been quite as fantastic as Mr.. Dents
fancy conjures up. "Plays without
words are not unknown" he says, "and
musical plays without words are an
established convention" We suppose
opera without words would solve many
difficulties, and might eventually lead
US to see that the principles of opera
are not Identical with those Of drama.
An opera should deal with just those
emotions which words cannot cxprcas." ,"
but which "pom-pom, ri -di- diddle -di-
day can, we suppose; but let Mr.. Don't
have his say: "A wordless opera, in
stead of borrowing a plot with a maxi
mum of incident, like 'Tosca' or
Fedora would have to be based on
some story that everybody knows, such
as the legend of Orpheus, so that there
should be no need of tiresomc explana-
uons on the stage. And we should then
get rid of the nilh-puuch 0 qvisj.y?
business in opera &c I'm fociLe ranoe{o,
as Consul Sharpless says himself).
the unnecessary realistic touch which
merely serves to make all opera ap-
pear the more unnatural and absurd" ."
All we need, then, for a lbretto is q
familiar plot and a rigmarole of vo-
cables for the composer to hang his
music on. Once upon a time a Chi
cago journalist attempted to make
merry at the expense Of Italian opera.
lie thought he was a humorst, but he
was unconsciously lbrcttist of the
'"ture, when he wrote the words of a
duetto (Which are quite as meli0uous
ana servlceablc as vehicles of musical
tones as Grainger's nonsense syllables):
New-York tribune., 1918-02-17

Belle Song from "Lakme" ..... Delibes
Amelita Galli-Curci
lie Cid (Scene du Ballet) .... Massenet
Aria from LA Sonnambula" ...... Rellini
Amelta Gall-Curci
DANA della Ondine from "Loreley"
Catalani
La fuga degli amanti Chioggia from
the suite "Cleopatra ..... MancinelI
Meditation from "ThaIs' ...... Massenet
Pierre Henrotte. Concert Master
Shadow Song from 'Dinorah" Meyerbeer
Amelita Gali-Curci
March Militai:e .............., Saint-Saens
Concert by the Societe des Instru-
ments Anciens. Theatre du Nieux-Col-
ombicf, 3 p. M.
Symphonic en- sol. ol...............B Brlni
l75a-is25
Quatuor des Nocs ct Clavecin
Choral ct Scherzando.. ,............ Benincori
l779-lS2l
Quatuor des Violes
Deux melodies populaires de Basse Bretagpe
Ma douce Annette ct LAngelus
Air de Telare ct Menuct
lie Nozze di Figaro (aria di Cherubinol
w. A. Mozart
Non Sa pin Cosa Son-Voi che sa pete
Nine. Raymonde Delaunois
fahtaisle ACKNOWLEDGEMENTS. NiccolinI
17G2-1S42
introduction Scherzando. Lento aromoso.
Nivace
Pour Viole d'amour ct Clavecin
Mr.. Henri Casadesus ct Mme Regina Patorni
lcte galante (3allet) .....A c. Destouchcs
l612-1It9
La rencontre, La Poursuite. Gavotte du
Bouquet. Mcnuet des amours, Tam
bOurin du Iriomphe
Quatuor des Nioles ct Clarecin
1IEo.1ofo
New-York tribune., 1918-02-17
M1onon- Imploringly) Signore.
De Graeur Sternly) Traditore,
IIGnOn-( -(FranticaJlx\.

4l0non- Imploringly) Signore,
De Grieur- (Sternly) Trad;tore,
MGnon -(Frantically):
P'eta signore, G mio stiletto
Presto andante, tn cuspidor
An che la mortc anima a]Iepretto
Nj hunki dori al fresco amor!
re G'aeur-Affected) All. bi casino,
Manon- More frantcally):
Ml lntellce amor vermicelli
Alabazan con rialto furor.
'hlola di lima. ah rasberri icllj.
On quanto savon cum closa te
dor.
he .GrienT-(Dee moved:
Mi vocc huski,
q gotta scandusk,
(Fervidly):
SIC Scmprc macarOni
parlate brandt poni.
Duomo con banana
T. tn fer five havana,
Stilcttol
Maladetto,
Cospetto.
Don forgetto
Dcspairinglyl:
la dio. ha do ha dio dino
lugetta good cigarro,
Strikes high c..
W0non-(Wildly):
All, horrida concertina,
(Exprcssivc):
Tomato excessive supc aroma,
hrows her arms around his neck)
(Wildly): ' ''' = -
heina victoria astra spaghetti,
lpecac castor oyl mio ognor
Lat al casino, non mi spermaceti
Mi hunhi dori al fresco amor
Monon-l 1mploringly) An, mi hu..k,
dori? We n
glori. e''"
Wanon-Ah, Ah-tr. e. .ee. c * in
=, Both~(Down to the footlights J
Presto andante c tn cuspidor.
New-York tribune., 1918-02-17

AT the fourteenth Sunday Afternoon
subscription concert in Aeolian Hsll
George F. Boyle's symphonic fantasy
will be given for the first time in New
York. Mr.. Boyle has been instructa
of piano at the Peabody Conserstor
in Baltimore since 1910. Several e,
tatas. piano concerto and some chan.
ber music from his pen have been
played in New York. Another new
work on the programme is Victor 70.
lars Symphony No. in d. This work
OF the assistant conductor Of the Sym.
phony Society was produced at these
concerts under the composers baton on
January 28, 1916. 1t bears no pro.
gramme and Is intended to be heard Is
absolute music. Two medieval melc.
dies have been employed, one tuas Of
the Hussite religious wars. The soloist
is Guicmar Novaes, the brilliant BEL
gian pianist, who will play Chopiai
concerto for piano with orchestra in T
minor.
New-York tribune., 1918-02-17
MONDAY

Violin recital by Ilya schkolnik,
Acolian Hall. S:l5 p. m.:
Concerto in A major. .................. Sinding
!,ua1'o Fiorillo-Schkolnik
aiSS 81, '..'-..... Weber Burmaster
O'a irish lune ........ Ar by V. Herbert
2.heiAo D: ..'''................ Tschaikowsky
Snna. sonutaio r. VieuXtemps
sonata in minor Gle Tombeau').
49, j. NJ Leclair
Grave-Allegro ma non troppo-gavotte
~ allegro
souvenir de Moscou' (Russian airs),
Wieniawsky
New-York tribune., 1918-02-17

The Saturday evening concert in Car
negie Hall on February % will be de.
voted to Tschaikowsky and Wagner
The formers Fourth Symphony will be
given, while the Wagner numbers and
the soloist for the concert will be an
nounced later.
New-York tribune., 1918-02-17

Perhaps it may be pertinent to add
IN explanation OF Mr.. Dents allusion
to Jannequin's "Bataille di Marignan''
that 1t IS polyphonic piece for chorus
descriptive of the victory Of Francis
! over the Swiss in Lombardy, in 1915,
and was composed 400 years ago. 1t is
ho' "ordless, however, though it
makes use of cnomatopottic syllables
to lmitate the roar of drums, rattle OF
New-York tribune., 1918-02-17

The Music School Settlement Of Nh
York, Arthur Farwell, director, is A.
sembling its forces to give "festiul
concert" at Carnegie Hall on the eva,
ing Of March 6. A feature of the nv.
gramme will be community singing BY
the entire audience and the student
body, led by Harry Barnhart, and in
place of the usual lighting OF Carnegie
Hall there will be lighting decorations
by Claude Bragdon, designer of the
lights for the Song and Light" fest.
walls in Central Park. The concert 4,
given primarily to present the Music
School Settlement idea before the city
and to show the magnitude and worth
of this work.
New-York tribune., 1918-02-17

The first performance Of the "Medss'
OF Eurlpides will be given by the Sym
phony Society Of New York with Ms''
garet Anglin and her company in Car
negie Hall on Wednesday afteruooN'
February 90. Miss Anglin will plN
the title role, and special incidents
music has been composed for the Grssi
tragedy by Walter Damrosch. The per
formancc of "Mcdea" will be on tns
same lines as that given by Miss Anf
lin in the Greek Theatre at the Urt'
versity of California in 1915.
New-York tribune., 1918-02-17

Tonight az o:45 O'Clock Michio lses'
Tulle Lindahl and Toshi Komori VIZ
close the series CT dance recitals wps'
they have been presenting at W
Greenwich Village Theatre. The psv
eramme viii again include nurip'' :
Of original dances TO Japanese mss'''
as we'll as several other dances, shu
pantomime to music of Tschaikowsas'
pebussy, Cyril Scott, Saint-Saens' LS
sale Spier and Charles T Critics, piass'
by Mr.. Spicr at the piano.
New-York tribune., 1918-02-17
THURSDAY

Concert by the Russian Symphony
Orchestra under the direction of Henri
Verbrugghen. Carnegie Hall, 2:3o p. m. ::
Overture "I.cnora." No. 3...,... Beethoven
symphony NO. 5...,............ Beethoven
Symphony No. 5...............,,Ben Benthorem
Violin recital by Eugene Mars Mar
tin, Aeolian Hall, $3.50 u. NJ:
Sulte IN !. minor. .................,..Zi .Zimbalist
Concerto in A minor. Rach
Adagio Pathetique-Op. 12S, No. . Coda re-.
"N 49, . . i I. schubert
"a "a folia, ,'.........,..:. Corelli-Leonard
Canzonetta from concerto in d major
w. Up. 20 .....'.'. ............. Tschaikowsky
n"'TS Hia'iole.. GOdOW v
Two African dances -Op. SO SColerdge-Tavlor
Allegro comodo ct I.arghetto con espres-
sione. from trio in +. .... Conrad c. Held
Martini Mason Trio
Eugene Mars Martin. yiolinist
David |. Martin. ir, 'cellist
Lydia Mason. pianist
New-York tribune., 1918-02-17
WEDNESDAY

Concert by Mr. and Mrs. Henry
holden Huss, Arthur Hartmann and
Charles W. Clark. Aeolian Hall, 8 70. m .
Sonata for violin and piano, Op. 10. G.
minor; (a) Allegro con brio. lb,
Nndantc to-Vivace-Andante.
tc) Allegro motto yIrss
hlessrs Hartmann and Huss
MY Lovely Celia. .................M Monro
l~e Nlolette. e............... ccaria =. !
"Maman. dites-moi ......... Wcclnrl;u
.u Mrs. Henry Holden Huss ''"
3,I,a1so Vival,li- Hartmann
HH.umoresaue ...... .'Tschaikowsly X artmann
Dhant D d'Automnc. .Cretschaninow-H Hartmann
Arthur Hartmann
bailade. Fragment, "Cherry Ripe
When | Walk with You" x. Hartmann
Charles w. Clark
Prelude Appassionata. lntermezzo From
1ne 1s. of,enta RE- oe 'Msso, Ettude, Sur ls
20 night. how wond'rous art thou in
thy melancholy, thy majesty and thv
mystery Prelude. major. Op. / Huss
",u. G.. Henry Holden Huss
we are Sincere Soldiers" Lament
The Happy Heart (Mss.) when aI"Sv ! Vas songs
Wi. My y: Desrie" (Msso. after sor-
N''' Mrs. IIuss ''''''' 'huss
a Cradle Song .....'.......Artbur uartm.n,,
- 't'tt I1dTti1d
SpuNen'r ..-..........,. Arthur Hartmann
W. "TzurNa =, Glierc- Hartmann
Edgar Thorn - MacDowelD -Hartmann
Mr.. Hartmann
Organ recital by Samuel Baldwin.
City College. p. NJ:
Prelude and Fuguc in c major Bach
Largo from sonata. op. :, No. ,. Beethoven
sonata in the style of Handel .WoIstenholm.
Benedictus .... 'e,iial Di.i
A ., N''' '''S''e Nierne
Evening Idyll - s,eo.. Seo,.
Overture "Oberon" Va
New-York tribune., 1918-02-17

Tomorrow afternoon at 2:i5 t'
Strand Symphony Orchestra commence
another week of the popular Afternoon
concerts under the direction of ose''
Spirescu. The following programme
has been arranged: Overture 1.-The fis.
inc Dutchman," Wagner; Ballet Suite,
Op. 80, Glazounow: "Capriccio l'si'
ien," Tscha;kowsky. The soloists i0'
the week are Grace Hoffman, soprsh''
who will sing the Shadow Song" ftoD
"Dinorah,' and Alfonso Zelaya, pianisA
playing ''Etude de Concert" "
Leschetizky.
New-York tribune., 1918-02-17

John Mccormack programn. for
his fourth concert of the season, which
VIII be given at the Hippodrome Sun.
day night, February "a, will include
selection from a Bach cantata. AMv
Dearest Jesus, Have Lost Thee; An
unfamiliar air by Handel; "Florio," b,
Schubert; an arrangement by Herber.
Hughes of Moore's Has Sorrow Thy
Young Days Shaded?" and a best VA,
song, "God Be With Our Boys To-
Night written by Wi!ifred Sanderson
New-York tribune., 1918-02-17
FRIDAY

Violin recital by Jacques Thibaud
Acolian Hall, 3 p. M:
New-York tribune., 1918-02-17

Alphonso Grien, barytone, will riys
his only New York song recital q.
Aeolian Hall on Monday evening. Feb.
ruary 25. He has arranged a programm,
OF songs of unusual interest. They
range from the early sixteenth century
Italian songs to RachmaninoF and
Burleigh.
New-York tribune., 1918-02-17

musketry, booming of ordnance, trum-
Pet calls, etc.
New-York tribune., 1918-02-17

mr. EDWARD j. DENT, English
WI whose words always worthy
rl1rbe Of
New-York tribune., 1918-02-17
Programmes
for the Week
SUNDAY

Song recital by Nine. Camille Sev-
gard, Princess Theatre, $3.50 p. m.:
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10

Seven or eight room house wariei
q, once 40 good noiahborho5d and mu,'
have garage OuN 'Wo IN family
Best Of reference Address M 50 car,
Times (AlyI
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10

skrt. and hi, curlcd-back lips and
teeth were much IN evidence
1hcu into my mind flashed the man
ucr M which William had pot me 10
Pctc's Crc could Try that method
but 1t involved slroklng thi, strange
Young officers coat sleeve. ] flushed
again but mentally scored myself for
my prulshuess. The man had gallaulIy
come 10 my assistance, he was wait.
ing 20 aid the dog. and was delaying
him and myself by silly embarrassment
drew the dog toward him.
Pete isn't my dog" said smiling.
but his owner put me IN his charge
this morning. and made him understand
that ! was worthy OF confidence can
only lry hr, method and hope lhat u will
he successful
pete old fellow" ! aid soo,hpgly
come here This man !, all right He
going 10 help YOU
put out my hand and ,'rokcd 'hc
Young officers sleeve then mouuucd
him ~ take Pete, collar
((OUNTighi
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10
New Middies
Lace Front Sl.50

They have a deep sailor yoke
with pockets in the yoke Neat
collars and cuffs; straight hem
Fine values at $50
Third Floor
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10
TT HAS PROVED
EVERY CLAIM
SaIesman's Wife Refused OPP
eration-Takes Tanlac and
Troubles Disappear.

-When they told me that the only
hone for relief from my troubles lay IN
m operation, it Just seemed more than
] could bear and ! refused to- a'Io"
IT, then my husband got lanlac io'
me and here am we'll and strong
again" is the truly remarkable state
mcnt made recently by Mrs. William
/ Jackson, wife Of a well known travel
;og shoe salesman residing at 5dOJ
Ross avenue. Dallas. Texas
"My health broke down more than
wear ago" she continued, and Just
went from bad to worse until It looked
like I'd never be any better. My Stom
ach was in a terrible condition. | had
no appetite and all | could eat was
little milk toast and custard and even
that Soured on my stomach and formed
gas that kept me in misery tor hours
AZ a time. NV whole system seemed
filled with poisons my head ached
i;ke II would split, my heart iuttercd
and acted strangely and on top OF all
nv other misery, rheumatism set IN
and racked me with pain from head to
foot. Finally | had to take to my bed
and call trained nurse to attend to
me. was told that an operation was
the only thing that would relieve me
hut wouldn't submit Then | tried
Tanlac as last resort.
Il improved from the time started
taking Tanlac right up to now. have
taken four bottles and am mp and go
ing all the time, doing my own house,
work. eating most anything | want and
plenty of il, and feeling better than !
have in a long time. ] haven't a pain
in nv body any more. The rheumatism
IL gone, my stomach is in splendid con
dition and I'm feeling stronger every
day. Tanlac is the greatest medicine
have ever tried and il has proven
every claim made for it, in my case,
Tanlac is sold in Oklahoma City by
the Westfall Drug Co, and leading
druggists and dealers everywhere
iAdy }
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10
SO German Planes
Brought Down by
British Aviators

LONDON. Nav l0-The official
statement relative to aerial operations,
issued BY the war office last night,
reads
"On the northern portion Of the front
Our airplanes were active all day Wed.
resday. ten tons OF bombs being dropped
in lie Camoau Cambria. Bapaume and
the docks and mole at Zeebrugge.
Strenuous lighting took place
throughout the day twenty-five hostile
machine, being driven down, seven
were compelled to alight out Of control
and one was shot down by machine gun
fire from the ground Seven OF our
machines arc missing
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10
WESLEY NURSES WILL
GET DIPLOMAS TONIGHT

Nurses Of the Wesley hospital who
will soon be going ovcrsea, IN Red
Cross service viii he graduated tonight
At cxcrcl,cS m ST. LukcS Methodist
Episcopal church. which are open to the
public The graduates are Grace Lima
McMannS. Pauline Augusta Graft.
Alma Lou Hart. RUBY Virginia Muzin-
go and Jessie VI Butts After the in
vocation BY the Rev William d. Mat.
hcws. Claude Weaver will speak Dr..
r. X Camp. the superintendent, will
present the diplomas and clas, pins will
be presented by Bertha Huber After
'hc exercise, reception will be held
in the church parlorS
The Oklahoma City times. [volume] (Oklahoma City, Okla.) 1908-1984, 1918-05-10
.eve1aGot1s
0EaW11e
H0eIr CnrfXOoTf
Why Madge Found Herself in Mo
mentarily EMBARRASSING Situation.

- IrUER fine note of command IN
+ fine voice from ,hc road or the
l. anncararre ri the iowner nj the
.yoire startled ,h. trolley conductor into
,nstaui ohcdicnre lie released my
wriJ from the gr,so with which he had
prcyentcd nv ringing o, the he'll cord
And nu,tiug nm his n,,n hand vayc the
signal 10 Sion
Eaturally looked around IN amazed
relief for m, onporrune dcllycrcr. /
hadn't far 10 look The handsome motor
car | had noted pa.stpg MS a moment
before had evidently turned around and
come hack Al auv rate II was drawn