davidaulloa/AmericanStories huggingface dataset:
The Detroit times., 1917-05-10


YVyGE got weineday mat p,s = ~. S blood
Cleveland and in the second le
- net theb TO He showed his teeth ana
ne discovered u"' ~ ,rs
80
field was he and they worked lie 'o aA 9e5
and the h ana run ana u
the bases straighaway stun ana prose nv
fielding became senSalpn-l 'ibo ''
Of which mean much
There but that the jennings hr2ae Pas ma lie
darv snmp clubs slump the1 u
robust baen They When they resn confidence e
tuhlee This has been partcns 1e on e
TTers The sumps Ions scanao ana le
spirit OF The club Us litl 'lsh
o Wednesdays ie
OF tolo"i
of mo aiAef
since
been
ne iffr iola
nr The form sheet saws their fortunes
Is the advance notice o he awaited contn3ct
The Red sox taking 'Ne box ey are
ths sprng
and for years very uc3 against ro bt
OF the TIGER attack when ~ IS un
ieasbed When coure pitching nA @
play accurately and aggTfsA as e o
"Wednesday
70 the average nngng fallen them this spring me R S
that has 20 them under me ha
The Detroit times., 1917-05-10
STANDINGS
National League
STANDING


ch leSsRs' % S-EiHi E 2
Brooklyn = o ] o 90 o o. S
Batteries--Reuther pfendergast and
Elliott Coombs and Miller TmpIreH
Byron and Quigley.
Eaincd elsewhere.
The Detroit times., 1917-05-10

BLY, S0uthwcrth. AN outnelder. "a
20 get ak weeks trial with the
Pirates n he's a regular hall player
- viii rnske goot with the present
Bucraneerp in SIX minutes
The Detroit times., 1917-05-10
v Morton N thlrd

'Patt~d so- Morton IN third
Innings 2Bt IS
Detroit .........f o -
Cleveland a. o o.
Total bAses-Detrot -. Cleveland
= Sacrifice hts Crawford, Goul4
stolen basas sush. cobb Pitching
umnary-s hit@aud times az hat
- Morton n =. iun,nrs and ~
Lambeth in - and 70 oT Gould
~ 51-N rwo-base ttts Spencer md
Hetlmau Thr~e-bsge ST. e.; Roth
struck out p Jones q CGrareF.
Gould WauhsgRnss Nl'er1 ~ Mo-
tor Young Veaeh. Jonesl by
Could tJonesl Bases on balls
or ZONES Chapman. Turner N
Gould : crush = Srenrar1 Double
ufAy- Wan hsrarrs Chapman nnf
fulsto First.Sasr On rorR-Dstroit
: LETT ~ "a ep--Detro't = N1eve
and Wild pitch--for'es iFit ~
nitchec bAli-By Jonas tHiNfnEsA
Tir7@-f.AT Umpire louzhlin ard
IIUdebrand Attendance 92s
The Detroit times., 1917-05-10
Yesterday Results

Inning is- ths-F RI 81
roston f r n % n
Battefies-.Shors and Arnew. pu-
mont and Henry. umplrta-pinccn
The Detroit times., 1917-05-10
American League
SrANpf~f.


Boston - Detroit.
New York az Chicago.
Athletics AZ So louis
Warrington az Cleveland.
The Detroit times., 1917-05-10
A Bit Of Reminiscence

wyHHE Tiger similar that last when ne
nrsca recalled the club home
that decision For
~ Chicago getting
slight edge this breaking
which the
When the west IEe had JUST lost
Of what
The position in the standings was very similar 70
VIII Detroit roasted this morning
Washington legion invade Detroit The
all brilliant
hutoui and the second 70
the innings ard glorious
New York Three
four
from all this giving Detroit lie
for leadership of the league.
The spring
bunk baseball It's well worth bring
ing q boil In the dope pot
YESTERDAY Cobb gained sensaonay
fell big
battIn he
323 Speaker batting 33s This
Mcnnis
continue around $50 and 800
The Detroit times., 1917-05-10
rs Ended Time ORO Eastern Invasion oWest
By Ripley.

Robertson Jack Grsney. Harry VOL.
ter. Cy seymour. hitter with the
Giants OF a few years sgo Pat
poueherty famous slugger with The
old Red Sox and Yank teams, and
Jimmy Callahan now manager Of
The Detroit times., 1917-05-10

this may be sensational II last
the baseball
o a boil In the dope pot
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
TWO PRECOCIOUS KIDS

makeup intact is not the easiest job
in the world
Francois education was begun at the
Fine Arts school for child actors in
Hollywood. His theatrical career began
at the age of three and half years;
since that time he has been with the
Fine Arts, the Famous Players and the
Fox Films. Francis's chief occupations
are acting in pictures and going to see
pictures. He is a severe critic and
never fails to demonstrate to his
mother, at the end of a show, just how
il should have been done.
When Virginia feels that attention
has been diverted from her charming
self long enough she begins 70 cry.
She does this most artistically, and her
tears form an important part OF nearly
all of her pictures. Virginia's mother
says it was the first thing she ever did.
As a matter of fact, Virginia loves 10
talk, too. and it is matter of record
that she talked before she was a year
old. She has a past, like so many of
her profession, for previous to making
her stage debut she was an artists
model.
Virginia has played the lea ling
feminine roles in Treasure Island"
"Babes in the Wood" aladdin and
the Wonderful Lamp and Jack and
the Beanstalk."
She is extremely patriotic and she
worked so hard at benefit for the
Belgian Relief Fund that she received
letter of thanks from the Belgian
Red Cross. She has it framed and it
hangs in her dressing room.
Virginia's ability to portray the diff
ferent emotions is almost uncanny.
One feels that she must be something
more than little child-perhaps the
reincarnation of Mrs. Sddons or Nell
Gwynne. At any rate, she has earned
the name of "Baby Bernhard" and
she deserves it.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22

of dependents in case of disaster and
the long list of the fiers' wants"
The second week of the season Will
begin Tuesday evening, with "Tosca,"
in which Luisa VILLAIN will sing the
title role and Luca Botta the part OF
Cavaradossi. Marcel Charlier will con-
duct the opera, and Luigi Albertieri is
its stage manager. The season is under
the management of Edoardo Petri.
"Tosca" will be followed on Thurs
day by the second and last performance
of Faust" The third performance Of
the week will be double bill, "Caval-
leria Rusticana" and "Pagliacci," when
Claudia Muzio, the Metropolitan Opera
Company prima donna. will make her
first appearance. In "Cavalleria Rusti-
cana" Tulsa VILLAIN will sing, and IN
"Pagliacc" the tenor role will be taken
by Luca Botta.
The entrance to the Columbia Uni
versity gymnasium is on 12O.h Street.
between Broadway and Amsterdam
Avenue. Opera tickets may be OBJ
tanned from the Aero Club of America;
297 Madison Avenue; the National
Special Aid Society, $50 Fifth Avenue;
the Metropolitan Opera House build
ing. 1925 Broadway, and from Columbia
University.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
FAIRBANKS TALKS OF FILMS

ing for elaboration. I think instead it
should be elimination. The simple
things in art have proven to be the
great successes. This applies to all
forms Of art. For example, look at the
success Of The Boomerang Its sue
cess is favorable evidence Of stage
progress along elementary lines. To
me The Boomerang is the pinnacle OF
dramatic art, a splendid idea admirably
developed. and what was the result! A
sensational New York hit.
81 think that the footage Of picture
should not be sacrificed for uniform
projection time. The length Of film
should be consistent with the develop
ment Of the plot
"A few years ago the legitimate
stage witnessed q supremacy contest
which included the drama, vaudeville
and concert form of entertainment.
The drama was acclaimed the winner
of the contest, being elected the
supreme attraction by the public.
"The film profession is soon TO ex-
perience a similar situation, with the
dramatic, educational and topical form
Of films In the race for first place. ]
know of some theatres where the edu-
cationsl and topical films are being
advertised as the headline attraction,
with the dramatic picture listed as
second on the programme. Personally
| believe that the dramatic picture al
ways will be the chief attraction, but
the race has started, and | am going to
be an interested observer from a grand
stand box.
There is now on foot a scheme TO
suggest sentiment or emotions by
doors and perfumes. There is an cdor
for every emotion IL it only could be
discovered. A certain Italian is now
working on a symphony of /odors.
Should a symphony OF odors be scien-
tifcally developed we may get as much
from it as from sight. They will be
able, in conjunction with what you see
on the screen, to shoot out an odor
into the auditorium which will produce
the same effect as sad music. Belssco
tried il when he used incense in The
Darling Of the Gods
81 like comedy and do not wish ever
to play tragic parts. Some one said
that we really can't express an emotion
until we have experienced il. ! think
this is absolutely true, and 1t Is one
of my reasons for feeling that | am
not adapted to very serious character
izations. Ali my life never have had
cause to be anything but extremely
cheerful"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
Camel in Big Demand

Along the banks of the Suez Canal
and thence along the old coast road TO
the east you will find to-day between
the endless series Of British encamp-
raents caravans of camels passing TO
ard fro with their burdens or lying
patiently at their managers and chewing
the cud with that tranquil expression
cf the beast which no stress of war
can disturb.
There are more camels gathered here
than ever were assembled in the bazaars
81 Cairo or Damascus. Though the de-
fence Of Egypt has been carried for
ward from the canal itself TO the hills
and dunes Of the Sinai desert and TO
the Land of Promise beyond, the canal
ir still an integral part Of the defen-
awe scheme. Roads and railways, il is
true, run out here and there eastward
from the bank, but there remains
vsst hinterland unreclaimed from the
desert waste. in which our troops con-
tinuslly moye.s-Manchester Guardian.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
"The Marseillaise"
First Printed Version Known
Is in German Museum

The. only copy of the first printed
version of "The Marseillaise' known 20
exist is, of all places in the world, in
German museum.
This learned from London book
sellers catalogue, in which there was
offered the first edition Of the song with
the music, together with autograph let
tiers of Rouget de Lisle, the songs
author.
Like many another patriot who de-
served we'll of his countrymen, Rouget
de Lisle fell into poverty toward the
latter part of his life. The popular
poet B6ranger managed to obtain for
Tim a pension of 1000 francs year.
There probably is no more stirring
national hymn in existence than the
swelling, soaorous lines and the ad-
mirably welded music of "The Msrseil-
se."-Girsrd, in The Philadelphia
Ledger.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22

zation. Her efficiency has built up a
remarkable service.
eve take what we can get to make
the dressings, because the demand is so
much greater than the supply. And we
want more and more linen and cotton
and more and more women to make the
dressings. You see, surgical dressings
are a specially. They must be made
well, and women find it fascinating to
do them. There must be no threads
that would poison man hanging
round, for instance"
1t is an organization of first magni-
tude that Mrs. Willard has built up.
To form it, to define its policies, TO
know how to direct the work of the
various committees, to keep in daily
touch with the centres in Europe, TO
see that the work is done quickly and
well-that is a serious and concen-
trated work, TO which Mrs. Willard has
proved herself equal.
And nothing else has mattered. All
her other interests have been pushed
aside. And no wonder. When the
Paris bureau cables: american Am
bulance out of eye Zeppelins "a par
ticular eye bandage); desperate need !;
put other work aside" the surgical
dressings committee instantly puts
other work aside and works night and
day to fill and ship the order. When
Italy cables, Send thousands of oakum
pads" thousands are sent instantly.
Makes for Efficiency
at makes for efficiency" Mrs. Will
lard explained. "You can't help it. We
expected to send the American base
hospitals supplies for a 500-bed ca
pacity. They change to 1,000-bed, and
the consequent order is Send us sup
plies for 1,000-bed hospitals as rapidly
as you can, and don't be too particu-
lar
1t is a stirring work that this COM
mittee does. 1t ships even to Tunis, TO
Russia, and only wishes that every
woman would help and every woman
give of the old stuff that is on her
linen shelves to help fight the fight
which is engrossing the world.
This work that every woman can do
gives instant comfort TO the wounded sol
der, saves the time of nurses and doc
tors for other purposes and enables the
hospitals to use the money they would
ordinarily have to spend for surgical
dressings on delicacies and other things
for the patients. Thousands of yards
of material are also shipped 10 the dis
tributing centres in bulk, so that they
may send more quickly than it were
possible at American headquarters spe-
cial supplies for which there is instant
demand.
For this work there are 200 vo lunteer
workers and fifty destitute French WON
en- at work at the Paris bureau. The
latter are paid two and one-half francs
for an afternoons work, and the money
for the purpose is raised by special ap'
peal.
In New York. Mrs. Willard points
out, there are stations at Lord & lay
lor's. Best's, McCreery's and Gimbels;
in Brooklyn at Loeser's. department
stores where every woman may go to
learn how to make surgical dressings
and thereby Immediately enroll herself
among the thousands OF women wnC
have in this way found a complete and
satisfying answer to their anxious
question, what can | do to help"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
By HARRIETTE UNDERHILL

TWO wonderful children are Vir-
l. ginia Corbin and Francis Will
burn Carpenter. Virginia is four and
a half years old and Francis is a year
older, and yet they are playing stellar
roles and they have journeyed across
the continent TO make public appear
ances in connection with Jack AMI the
Beanstalk," which will be shown here
the last Of the month.
One hardly knows how TO approach
these unusual infants. Both are faxen
haired and blue eyed and tiny and yet
each seemed possessed of the knCwl-
edge of Solomon. Virginia is par.icu-
larly dignified and extremely con-
ventional. No, indeed, it would not do
to take any liberties with Virginia.
Francis had evidently promised Vir-
ginia that he would not allow himself
to be patronized, and he gave the i'm
preston that he was utterly bored with
the business of life. This was just at
first, however, for presently he could
not resist the desire for self-expres-
sion, and he burst forth with 81 amt
going TO be a policeman" as though
the topic had been holding the atten-
ton of all present. Virginia frowned
and Francis subsidized for q moment.
Then he said breathessly, "Should you
like to be a cow-puncher?" and without
waiting for reply, which surely
would have been in the negative, he
went on: 81 was going to be one, but
now ! amt. I'm going to be a school
teacher. Look what I can do" and
Selling his slate he printed out his
name with both the and the c
facing the wrong way.
1t was Francis's mother who told us
all about him. Francis is a splendid
child, but he is about as difficult to
land as piece of thistledown, and
keeping his hair arranged and his
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
THIS is what Booth Harrington
i thinks Of Douglas Fairbanks:

THIS is what Booth Harrington
i thinks of Douglas Fairbanks:
Fairbanks is a faun who has been
70 Sunday school. He has pagan
body which yields instantly to any
heather or gypsy impulse-such as an
impulse TO balance a chair on its nose
while hanging from the club chandelier
by one Of its knees-but he has a mind
reliably furnished with a full set of
morals and proprieties. He would be
a sympathetic companion for anybojy's
aunt l don't know his age. | think
he hasn't any. Certainly he never will
be any older-unless quicksilver can
get old"
In reply to which Fairbanks pleads
guilty, but says that there are ex-
tenuating circumstances. For instance:
81 can only compare my fln. en-
thusiasm to that of baby with q new
toy. Forgive me. but it is all so new
to me that when get going can't
stop. But, as once learned to pound
out on the typewriter, Now Is the
time for all good men to come to the
aid Of the party for in my opinion the
film industry is In a somewhat serious
condition.
ave must continue TO advance with
the progress Of the times. We must
develop those authors who arc now
students in the profession, that sleep,
eat and live films. They are the ones
who. when visualizing a situation, will
discount its dialogue possibilities and
see only a situation from an absolute
screen perspective. Some day we will
have a screen language, but this Is, Of
course, a matter of time.
"Not long ago we thought that no
subjects but those which lent them
selves to nothing but the most vivid
kind of pictorial exploitation could be
used for screen purposes. Now We find
as we develop the screen language that
we are bringing the high comedy into
use previously taboo because Of the
Importance of dialogue.
an one Of my recent pictures We
have a scene where I sit at a table
opposite another man for five minutes
and we did nothing but talk by gesture,
the turning of a hand, the lifting OF
an eyebrow, the tense gaze, the act
of half rising from table in a threat
ening way, the clenching of fist, the
pointing to a door, or looking toward
the window and taking out a watch IA
denote expectancy.
an fact, we are employing more and
more the same gestures and grimaces
practised on the speaking stage to &C.
company and emphasize spoken words
the kind of pantomime that the fire.
quenter of the top gallery sees and
understands when he can't hear the
voice.
st seems that in film circles at the
present time almost every one is striv-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
'Tosca' and Faust
Will Be Sung Here
For Aviation Fund
Old Favorites Appear on
This Weeks Summer
Opera Programme

Summer students at the local uni
versities and colleges, as we'll as New
York City's summer residents, have
grand opera offered them this season,
for the first time. the midsummer
season Of eight performances having
started last week with two operas, LA
Boheme" and Faust" The season is
for the benefit of the Aviation Fund Of
the National Special Aid Society, and
the net receipts will be used "to meet
the needs of the air service, the care
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-07-22
1879 Ships on Ways in Japan

In Japan's eleven shipbuilding yards
there are 1S9 steamers, eacn exceeding
900 tons, now building or on whlch
work will soon be begun. The govern
ment grants a subsidy for each steam,
er. The combined tonnage represented
is GAS, 034.
Danskeren. [volume] (Neenah, Wis.) 1892-1920, 1917-11-21

Hlll, QtuIIDullr 2Sl2. 0tl loB Vte7
nigbe0en nreo @leoe fn1oo og fnlo.
tie aroerIen Den 80. 0ecember187t
meo en- 2sn al $3.50 for ct aar og
iaa ,Yrenoe til Ell Stooe" Iom Der
ltaar i 0repet.
Snoen @(n6erien bIep 8rpIt, be-
tientes nof elIerS Meni9beoen at
9ait. 5. Is. Safobien, 8inobester,
8is., og / bette Siosrum fs6tes
Oen leoige Sfole / Bro 8aro, iom
ioa brllotes It'll 6orIamlTngSbils.
OgIno MiffeIIens 5OIf iomle6es /
bette 2ofale.
9rofesior 8eenoos peo Ings-
burg Seminurium Op0ngeoe imio-
lerti6, at anoerien nere0e 9runot-
Oigife %gnifnelier, og MI blep t01
noe. 56rit tilbeo Iaa &onfereneen
al oroinere Eborltp iii Wenig6eoen,
men oct iag0e Menigbeoen M mel
til, Den piIoe booe I~n0erIen. Saa
bleo Iborllp ien0t til 8a1paca,
men man bil6e life 6gre BAN tale.
'0ereiter blep Metigbe0en in0buOt
til ct OiIfustionsm60e / OIbtoi6,
men ofilog at fomnte; tbi Den 9ab-
6e int fig i 6oOe0et, at an0erien
ifuI6e bere 0ens Brpit, og ban blep
Del.
81. 4~noerIen bleu 6erefter oroi-
lteret al Bait. u. g. Rielien, Ge-
oar Sails, ga, btitaaet al gaIt.
u. 1bomien, indianapolis, Sno.,
% A0am Dan, &acine, 8is., Or
Oinotionen ioretoges 0en 26. Snni
1872 / ben ifotlfe Bresbpterianer-
firfe / @aupaca, % PnItor anoer-
len preoife6e fin f6rite Breoifen
oDer | 8or. 2, t-2. San til
trooote ina Menigbeoen ben | Slili
1872. Sooeobe9ibenbe0en / Inoer'
lens 9rGiteIip inmler Jig ON 9Dg-
al Den onnIfe 9irfe paa Will
Str, % / &riitelig Samler ira
1873 iortelles Der en- Del ON
@runoitenen8 3eOle99elie % til
iioit ON Snooielien. Com &urio-
INN fan meo6eles, at Sdoelmager
9ln0 bab0e, mems ban arbeioeoe /
0anmorf, Inn0et Ell gammelUfent
/ 5bi0ie @irfe / 8en0iDsiel. San
ionot Ben pe6 at iitanoiptte 9np-
Oenne Ment blep tillige
meo mango anore Bigger og Sfrif-
ter lo9t / @run0itenen, % oa ben
me &irfe blep bpgget, flpttet ooer
/ oenne. @%runoItenen bleO ne0lagt
Binie0ag ben /. SUM 1873 % on
beltoO Menigbeoen al 314 Siele.
9aitor %glnoerien tog ellers meo
6rejoigbeo fat paa jim @erning.
San unoerpiier 9ern % boloer ct
iamen n1eo Dem for at anoile Dem
oeres 8laos pna airfeguloet PEG
confirmation, ban 6olOer ita6ig al'
tergang ON SenOagen, men oite
fun ior ganife iao, % ban inOleoer
8irfegon9Sfoner, noget, ionl neppe
mere finOer 5teo / Den oanife III
airfe / bette 9an0. Genne
firfelige &nnolin8 6lioer ogian eoet
un0er Baitor Sebolm, - DOG fun
TO @ongeg Ina io%rioinoer Den. De
ii0ite apin0er, iom ble0 in0leot |
par %piitnof Wtrs. 81
bolm Den 30. Sunni 1879, % iao
en- aDin0e til i 1887, nemli0 0trs.
9(noers 9nrien.
s 9e90nOelien er Der o9laa no
act al en- lpffelie Stemniug ODER
6or6oloet imellem 9rGit % Vae-
nig6e6. Den set er ligeiom oct
ioranOrer fig i 9tarenes 2eb, %
Der 6lioer noget merft ooer anoer-
lens ii6ite Gage / 8anpaco. Oct
les al Geferater1e, at ban flager
ooer 6reosforitprrere | @enig6eoen,
% en- enfelt Sang er man 9egreb
meo at u0eluffe en- Sfomaaer al
Menig6eOen, iom life oil opfbre JIG
orOentlig, og iom tilnleo er en-
.Granfer. Saa fla9es Der oper
9enaeiorbolbene; oct er ipprt at faa
oennen inc til 9rGiten % laa Tia
aes Der ODER, at man bar CLIENT at
6ringe BAN 9renoiel til 9affeloo-
<. = & .nar2