The Meeker herald., 1917-09-22
A Professor 5
Story
By OSCAR cox

uscript was found among his papers
His son, into whose hands they fell
refused for long while to publish It,
for there were those who believed thai
the professor had impaired his mind
as well as his body by too close appli
cation to scientific research. However
the heir at last assented. The paper
reads:
Holding the chair of chemistry In the
university, all the work OF my brain
has been devoted to the decomposition
and reconstruction Of matter. have
long been convinced TINT we must pass
through matter to get at splrit-in 9TH
er words, our medium Instead of being
q person must be science. Now, by
chemical agents we photograph matter
which We can see. More than this, we
photograph objects we cannot see ex-
cept by the aid OF the microscope. Still
more, we photograph objects beyond
the range OF our vision even assisted
by the telescope. Ergo. may we not
by the extension Of the process at last
get a picture of beings existing In
spirit form7
luiS OIy BCIeutiuS pEctuSc 40 Uut pAc'
liminary to the story have to tell and
Ia essential TO its understanding. Ten
years ago l married Louisa Markham.
Five years ago she died. Since then
my scientific studies have run In but
one view, to bring her within the sight
of my mortal eyes.
The discovery OF radium gave q new
impulse to my Investigations. Radium
In the first substance known to exert
power without exhausting itself. The
steam engine must have coal, the body
food. Az soon Us heard of radium It
struck me that here. was substance
akin to spirit. neither requiring fuel
We may photograph matter even
though invisible. Therefore may We
not photograph spirit?
will not ask you to follow me In
my studies of Photographic processes.
tried to penetrate the realm Of soul.
l will only say that at last discover
ed substance which converted Into
q plate. or, rather, laid upon a plate, q
hundred times more sensitive than any
known form Of matter. 1t was one of
many 1 had tried in making ordinary
photographs and failed. But on one
occasion while experimenting with 1t
was called away. On returning sew
eral days later I took the plate from
the camera to develop 1t.
To assign reason for this impulse
Il had no object Of which was con-
scious-would bc to leave the scientific
field and enter that of psychology. ]
am convinced that i was impelled by
one In the spirit world to develop the
plate. Such direction given to human
thought Is very common. I developed
my pIate--not with the usual agents.
but others had proved by experiment
to be far more dellcate-and what was
my astonishment to see the semblance
Of human forms. The difference be-
tween them and living persons can
not explain. To get an idea of them
they must be seen.
Why these figures had appeared be-
fore my camera do not know. l
could never get them again. II they
were spirits they had happened to be
where they would he photographed.
pondered long on how might pho
tograph my wife, provided she was &C
customed to frequent places she had
been used to frequenting In life. There
is window Of her bedroom at which
she used to sit and look over a view Of
rolling ground on which were scatter
ed several Of the college buildings. 1t
occurred to me to keep plate con-
stantly exposed bearing on the chair
she had used in this window in the
hope that she would come there.
A weeks exposure failed to show
any impression on the plate. Possibly.
thought, ordinary light il not strong
enough for the purpose. / determined
to use the strongest light available.
The room faced south, the sun being
on 1t In summer from o'clock In the
morning till about 5 In the evening. i
rugged lens-on the principle of the
common sunglass-outside the window.
throwing on the chair a light COM
posed Of the converging rays Of the
sun. My lens was arranged to turn by
clockwork, 80 that the light thrown OH
the chair would continue irrespective
of the suns apparent motion.
exposed my plate all one very clear
day. but found nothing on it when de-
veloped. For five successive days the
sun shone well. continued the ex-
posture. After the fifth exposure faint
figure appeared on the plate. A print
showed 4 woman sitting in the chair.
The figure was not distinct enough
for me to tell whether or not 1t was
that Of my wife. mourned the i'm
perfection Of my materials and sighed
that I had none more delicate.
caught the figure at the window sew
eral times. but the impression was al
ways blurred. How longed to pro-
duce n picture that would give the fea-
lures Of the face! Doubtless would
then see my wife looking at me as
she had often done while sitting In
that chair.