davidaulloa/AmericanStories huggingface dataset:
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1917-05-31
(6ortiebiing foIot.)
GinOermnnS.

Scr iIeine 0arI: nglihl lpaGr, Cnfe[
Soitor, ou ionnit Seine glu9en berauss
nclnIen uno pleocr einltcdsn2"
9oftor: ~9lGnl, ipie tonmit ou oenn
onrouf2"
AorI; "a, Rapn ingie bod gcitern, ou
1dtter eniINieoeu Gin ghae auf lmierG
ella geporfeH."
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1917-05-31
eufuI6eridte aus @ai6iustuu.
2ette8ufammenfunft Ser
SaiiDu.


Saifou.
Trl. glnita Sdooe, ole 8oriiberin
oes ,@eiellig- g-2iterarii6en @ereins, +"
iopie 6rau Olica SeiOemann laoen
bic W}itglieoer oes 8ereins 3u ieiuer
letten 3uiammenflnit Ger @inter-
iaiion ein. 0ieIel6e iinoet am SOnn.
tag, ben 3. SUM- i'm Saitie Ser 8rau
Seioemann in 8oreit @len, Wl0.,
itatt. Serr @rnit @rrndeu miro ei-
nen gortrag iiber oSugo bon Soif-
mannstbol~ 6olten. 2IuBerOem iper.
oen fIeinere 8ortrdge uno 0luiif oie
lebte geriamnllrng 81 elmer interei.
Ianteu geitolten. Dlan treffe 8ur &C.
meinidaftliden 6abrt piinftIid nm 2
llbr g4a9mittaes an Der iiiooitliden
gde DER 8 uno 8. StraBe, gt.-g84
elm
Tes Moroes i'm eriten @ra 5
idul0tg.
S1uloig oes Moroes i'm eriten
@roo mar Oas llrt6eil, oos bon Oen
@eiduorenen in Ger @riminalabtbei.
hing Gar. / inn SberOiItriftsgeri6t
iiber 4eter g9. 9llIen bon 5000 Sope
9}oao per5dngt iuurOe, Ser aneefIogt
mar, ieineu Stiefiobn erneit 9llen
an fl 9lpriI lesten Sabres i'm gB.
simmer ibres Seims eet0Otet 5u ba-
BEN Gie @eId)ncrenen 6eriet6en nur
cine Shm0e 9lllen no6m oos ILL.,.
ibeiI ru6ig eutseeeu. Sein 9(ntpalt
miro pobrIteinIirb Elm @eiii9 fir elm
neues @erio6rcn 0em 9lidter @ollo
einreiden. Die lteberrahung in Dem
93ro5eB mar, odB 2llIen's 5ral Suiic
gnIen gegen i'm ausiagte, inOem iic
erflGrte, ooB er ibren Sobu obne
ieelide SerausforOcriing eric1oiien
babe
9lngeblihe @erlebung 6eS
@eiBeS Sflooen 6 efebes.
sSrant glllen Relion BON Seattle,
Gai65 Der BON Ser YoIi5ei ols oelt-
iber Spion per6oftet uoroen mar
uno ipoter 6eiduloigt ipirOe, eeeeu
oos @eiBe Sflooens@eiet peritoBen
5il boben. muroe ben 9fidter Yugb
in Ser @olijeiitotion Dem @eriHts.
perfabren ii6ermieieu. "a 9}eIion Die
BON benz Stills glnoeSanpaIt @iben
feitgeiebte giirgidloit in Ser So1e
non $1,000 niAt lieiern fonnte, mllBte
cr ms @efdngniB pdnoern. @r poll.
te goti1aiten on cine 9ln5a6l bon
0litalieoern oes @eiteus I'M Sallie
lm0 an Genotoren icn0en, in Oenen
er Iie otfforOerte, i'm 81 6eiuden.
Hral 0ioe $oiepbine Graibner mo
Hrau @ilbeIniina Srene SpieB uer.
oeu in 9erbinOimg nit 9lelion OILS
3eugen Der Hegieriing ieitgebdlten-
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1917-05-31
@a0ifaIhetlllna Der Merpelli@pd0e.

S6wude nerb6e Beroneu apluet ScfinmesoeEet uuO
dledten &rdlmen, er60poen gusien 9tltt, Nader rlo
4upfdmren aarsaSan Abnobm les @e66rS no Der Sebra
aaarrb Wtagn0ruder GlblOertopmg Moefeit @rrotben,
8ttern Ser5lopn, 9utbctlemmng AengIitte uno Sribm
erubren benz gSngeuOanS" ME ale plGcE gseuoder YER
ruugea granoi in fr5eer 8eit nHO StrEtarcu GamnTHk
&BmO ranpiaOer mO &aerbrnd uad eiIer U6Aa De-
tJOoe aHf cnen S3lag sebeilt peroeu.
1rnidcn ErOatIiuIf, 1877 GGf q. Str &u-yOrf, Ny,
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1917-05-31

Herr Sobn s.. SeuneD, Der Sefre-
tar Der .9liiociation oi tie Sire lin.
oermritcrs" bon Baltimore, bat Elm
gut ousgearbeitetes girfular 5um
Sdube Ser 2ebensbe0iiriniiie gegen
8euersgefabr Der0iientlidt Cas- 9ii.
rcou 0eS Srn. 9euneD befinOet iid
in 91r. 10, Soittb StraBe
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
From The International Studio

and William Morris among the latter. In
short, he and the Birmingham group are
carrying on the traditions OF the Pre-
Raphaeltes
Possessed of naive simplicity and bound
less patience, as shown by his unwearying
researches into the lost art Of tempera and
fresco, he couples with these qualities an
audacity of public spirit worthy OF George
Frederick Watts himself, and more success
fully; for, while Watts could not persuade
the unimaginstive directors of the London
& North Western Railway to decorate Euston
Station, Joseph Southall managed to prevail
upon the hsrd-headed Birmingham business
man to allow him TO paint fresco depicting,
as Florentine would have done, scene in
the city's life-Corporation Street, occupying
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
The San Carlo Effort

1.-The Musical Courier" is pleased with
the manner in which popular-priced opera
is being handled in New York, noting
that
"The best s. opera company, the San
Carlo. now is demonstrating in this city that
it is not the price OF seats which determines
the musical value and performing effective
ness of an operate organization. That this
knowledge has reached the public OF the
metropolis is proved by the large audiences
which are attending the San Carlo render
ings at the Forty-fourth Street Theatre.
They have been above rcp-oach as 10 the
SOLO contributions the chorus, the orchestra
and conductors have satisfied even critical
tastes, and the scenic accessories were dig
nifed and ample. The contention of Fortune
Gallo, that entirely satisfactory grand opera
can be given for 50, no longer is vision,
for that courageous and resourceful impre-
saro has made his dream reality. and a
very profitable one at that. Now let the
imtators arise"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

vince its audience, felt that the White
side Baron was "foridly effective" And
Ralph Block, in The Tribune, thought that
to the adjuncts of the makeup box Mr..
Whiteside had added "a personal smooth
ness and a refinement of detail" that
merted a better part.
A number of the critics had fun with
the hara-kiri which marks the plays eli
max. Burns Mantle, for instance, referred
to the Baron as humping his venerable
head as he falls as sign to the audience
that all is over" "The Sun" observed that
"any sword that penetrated the ligneous
anatomy of this wooden Oriental must
have been sharp. Yet no sound of chop
ping reached the audience"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

! Chicago-they were fine days in the theatre.
too-and then The Tribune" sent me down
TO New York as it's resident correspondent.
was kept here year, and then was called
back to become Sunday editor, which lasted
two years more.
At this time "The Tribune's" managing
editor came to New York as managing ed-
tor of "The Morning World"-William Van
henthuysen-and he was good enough to send
for me to be the dramatic critic Of "The
World" That was in April, 1899, and have
been ION the job" ever since. William Win
ters hair wasn't quite white when | began,
and even FRANKLIN Fyles, of "Thc Sum-" WAS
quite spry. These two facts disclose the
fact that must be getting old, though am
still less-a wee less-than fifty.
OF course, in my long time of observation
Of the stage | have written a good deal of
magazine stuff. | have kept record Of
more than two hundred such articles. It's
rather a matter of pride with me that | have
reviewed plays in almost every theatre Of any
account in Europe-ovtside OF Russia and
Spain.
| have lurking idea that if all dramatic
critics took their work as seriously as il
deserves TO be taken it would be helpful to
the theatre. The theatre ought to be helped
by the people outside its own ranks for two
reasons. One is that, God knows it needs
IL; the other is that, properly managed, it is
ton and high purpose-all combined in one
dose--that there is in the world.
This is all ordinary modesty permits.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

time, and under other circumstances. Womb
have been deemed almost iHsuperable. Pa,
the impetuous young men were rewards
by finding that, encVmbered with Corr
the Hurons were losing ground in the rs,
"Stay, dog of the Wyardottew exclains
Uncas, shaking his bright tomahawk A.
Magua; "a Delaware girl calls stay!o
81 will 20 no further cried Cora, st.o.
ping Unexpectedly on q ledge Of rocks. th.t
overhung a deep precipice, at no great
distance from the summit Of the nom.
tain. "Kill me If thou wilt, detest,tI.
Huron; | will 90 no further"
The supporters Of the maiden rais.d
their ready tomahawks with the impiOl,
joy that fends are thought to take in mis-.
chief, but Magua stayed the uplifted arms
The Huron chief, after casting the w.sO.
ons he had wrested from his companions
over the rock, drew his knife, and turae}
to his captive, with Q look in which con.
ficting passions fercely contended.
Woman" he said. Choose; the VIZ.
wan or the knife Of lie Subtl"
Cora regarded him not, bu. cropping ca
her knees, she raised her eyes and
stretched her arms toward heaven, saying
in meek and yet coniding voice:
Il am thine. Do with me as thou s.sst
bestir
woman" repeated Macua, hoarey
and endeavoring in vain TO catch a gla,a
from her serene and beaming eye. "choosr
But Cora neither heard nor needed lis
demand. The form Of the Huron trembd
in every fibre, and he raise his arm o.
high, but dropped it again with bewl
dered air, like one who doubted 0sa
more he struggled with himself and lfts
the keen weapon again; but Just then |,
piercing cry was heard above Them and
Uncas appeared, leaping frartic9lly, for
a fearful height, upon the ledge. Magu;
recoiled step, and one Of his assistartl
profting by the chance. sheathet his Q,
knife in the bosom Of Cora.
The Huron sprang like q tiger on b.
offending and already Ietrea,ng country
man, but the falling form Of Uacas seps
rated the unnatural combatants. Diverted
from his object by this interruption, and
maddened by the murder he had just wit.
messed, Magua buried his weapon in tie
back Of the PROSTATE Delaware, utterIns
an unearthly shout as he committed ne
dastardly deed. But Uncas arose from
the blow, as the wounded panther turs
upon his foe. and struck the murderer Of
Cora TO his feet by an effort in which The
last Of his failing strength was expended.
Then, with a stern and steady look, he
turned to lie Subtil, and indicated by ire
expression of his eye all that he would 20
had not the power deserted him The
latter seized the nerveless arm Of the IT,
resisting Delaware, and passed his n 70
into his bosom three several times before
his victim, still keeping his gaze rivetee %
his enemy with look of ineXtirgllshsM
scorn, fell dead at his feet.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

ENI HAT would like to see?" No fear!
w Not London--no, nor Winder.
mere,
Nor Paris with its sky so clear
Give me look at Sheffield.
/ have it in my mental eye
Its valleys, and its uplands high,
Its smoke-cloud flung against the sky
The smoke that blackens Sheffield.
Its five small rills that slowly Steal
Past rolling-mill and grinding wheel
Their very names can make me feel
That belong to Sheffield.
70 Loxley, Rivelin, Porter, Sheaf.
Flow onward to the Don, your chief!
And ripple out your challenge brief
Men must be free in Sheffieldi")
] know each tower and lofty dome
That's long made Sheffield air its home,
And where some others, lately come,
Have reared their heads in Sheffield.
mark each street and winding lane
Oh, yes, they're black! Oh, yes, they're
plain
But let me tread them once again,
And Heaven will shine in Sheffield.
And | can hear, as luck may hap,
The nickerpecker's tap, tap, tap"
The grindstone's hiss, the tits rap, rap"
As if was in Sheffield
Aye, and the blunt old Sheffield speech
AS none else to my soul can reach
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

my mind he belongs TO the vacuum cleaner
school of acting"
"The Times" noted that all the Baron's
'subtleties of gesture are aimed at the last
man in the top gallery"
On the other hand, to "The Herald" Mr..
Whiteside's portrayal of the role appeared
'adroit"; while to "The Evening Sun" it
was technically excellent" Charles Darn
ton. in The Evening World" said:
THE play is interesting chiefly for the
fact that it gives Walker Whiteside the sort
Of role in which he excels. He has no rival
in the field OF sinister, Oriental chsracteri-
zation.'
Burns Mantle. in "The MAIL" while ad-
uniting that the play failed utterly to con-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
(From Chapter 81, "The Last Of the
Mohicans")

CTILL Uncas kept his eye on Magua'
- as if life to him possessed but
single object. Hayward and the
scout still pressed on his rear, actuated,
though possibly in less degree, by COM
mon feeling. But their way was becoming
intricate, in those dark and gloomy pas
sages, and the glmpses Of the retiring
warriors less distinct and frequent; and
for a moment the trace was believed to be
lost, when a white robe was seen futterng
in the further extremity of passage that
seemed to lead up the mountain.
"'Tis Coraw exclaimed Hayward, in a
voice in which horror and delight were
wildly mingled.
Cora! Coral" echoed Uncas, bounding
forward like deer.
"'Tis the maiden" shouted the scout.
Courage, lady; we come! We come"
The chase was renewed with diligence
rendered tenfold encouraging by this
I glimpse Of the captive. But the way was
rugged. broken, and in spots nearly i'm
passable. Uncas abandoned his rife, and
leaped forward with headlong precipita-
tion. Hayward rashly initiated his eX-
ample, though both were, moment after
ward, admonished Of its madness by
/ hearing the believing Of piece, that the
Hurons found time to discharge down the
passage in the rocks, the bullets from
which even gave the young Mohican a
! slight wound.
| I'VE must close" said the scout, passing
! his friends by desperate leap; "the
knaves will pick us all off at this distance
and see, they hold the maiden so as to
shield themselves"
! Though his words were unheeded or
rather unheard, his example was followed
| by mis- companions, who, by incredible eX-
ertions, got near enough to the fugtives
to perceive that Cora was borne along be-
tween two warriors. while Magua pre-
scribed the direction and manner of their
fight. AZ this moment the forms of all
four were strongly drawn against an open
ing in the sky and they disappeared.
Nearly frantic with disappointment, Uncas
and Hayward increased efforts that al
ready seemed superhuman, and they issued
from the cavern on the side of the noun
D a. IL. -
sued. The course lay up the ascent, and
still continued hazardous and laborious.
Encountered by his rife, and, perhaps.
not sustained by so deep an interest in the
captive as his companions, the scout suf.
fered the latter to precede him little,
Uncas, in his turn, taking the lead of
Hayward. In this manner, rocks, preci-
pices, and difficulties were surmounted in
an incredibly short space, that at another
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

Wnlkrr jThiteSide in THE Pdun, by
AzeIle VI. AIdrich and Joseph Noel. Pre-
scented By the MesSrs. Shubert at the Fut-
ton Theatre. Saturday night, September s
T1HIS play. whatever its defects, sue
ceeded in squirting the New York
critics to nth power effort. There
was scarcely review which did not scin-
tillate, scarcely one which was not closely
packed with often eloquent scorn.
According TO the critics, "The Pawn" Is
a pretty shaky affair. There is also an
element of danger-at least potential, since
it presents, for the most part, picture of
the japanese little likely to forward bonds
Of amity with America. However-and
this is a salient item-nearly all the critics
emphasize the fact that "The Pawn" isn't
TO be taken seriously, which, it is pointed
out, must operate against its constituting
a possible agent of mischief.
Louis Sherwin, writing in "The Globe"
put it this way:
Here is one Of these anserine Yellow
Peril plays that would call for the attention
of the gendarmes if it we're not so complete
~ beef-witted and dull that it can safely be
left TO the transfer man. The B9otian lack
of tact in presenting an anti-Japanese piece
at such time should be evident to four
year-old If it had any merit as play it
would gratutously be mischievous AS IT
is, however, not even the stupidest Califor-
MAN jingo-the kind of yahoo who is terri
lied by the industry, frugality and intelli-
cence of the japanese into asserting the
superiority of the glorious white race with
brickbats and exclusion laws-could find any
entertainment in The Pawn 1t is neither
intelligent drama, comedy, nor even good,
rousing melodrama. It's simply punk"
"The weakness of the play" "The
World" phrased it, makes it harmless
Agreed, then, that the piece is not to
represent a serious menace, the critics
turn to the principal protagonist, Baron
Takada, played by Walker Whiteside.
Here they encounter fresh stimulation.
Alan Dale in THE American" the feat
ured word of whose review was "trucu-
lent stated that:
Walker Whitesde played the Baron Ia
kada in his best and neatest Japanese fash
ion. He was staccato, deliberate and SIMS
ter. You felt that even when he laid him
down to sleep at night he was trucuent. and
that perhaps when he donned the nocturnal
pajamas he grinned in sinister manner"
Said Louis Sherwin:
1.-THE principal role in the play is taken
by Walker Whiteside, a. gentleman whose
transcendent ability and fascination have
never been able 20 perceive. For the last
few years he has done nothing that | have
seen except these pseudo Oriental charac-
tiers. And his method of making them con-
vncing is confined, as far as can observe
to talking in fat, expressionless tone in
terrupted by frequent loud inhslations. To
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

graduating, in 1891, spent a Few months
on 1.-THE Detroit Evening News" But that
was before the days of Ford and his fiv-
vers, and Detroit was not very prom
Using town for an energetic and ambitious
youth So ! found job on the staff Of "The
NChcago Tribune" where I remained eight
years. After three years as a reporter was
made the assistant of Edward II. McPhelm,
the "Tribune's" dramatic critic, and after his
death Just naturally dropped into the job.
For three years | reviewed the plays in
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

necessary 20 place the artistic epoch
20 which he really belongs. A glance at
his brushwork, and brief examination OF
the well-flled decorative figure compost
tons, with their landscape backgrounds and
fairgrounds frequently comprised with do
lnestic pets and sristocratic peacocks, imme-
diately recall the work OF Benozzo Gozzoli
and the Florentines Of the Early Renais-
sance But TO say that he is Florentine is
TO limit his work, and partly to confuse the
artistic and spiritual impulse with the means
whereby he has built up his mastery tech
nique. For, in truth, he is an otf-shoot of
the great Victorian circle Of artistic and lit
terateurs Watts, Rosetti, and William
Blake, and later Burne-Jones, among the for
mer; and Leslie Stephen, Tennyson, Ruskin
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
Current War Poetry

1t knows not how TO beg, beseech,
The tongue that's spoke in Sheffield
Could but see that smoke-cap thick,
Meet swarfy-breeched Tom and Dick
And lads with scissors on a stick,
I'd know | was in Sheffield.
But here we are!-"What for?' !!
say?--
To teach the Boche the time Of day.
And keep him far enough away
From setting foot in Sheffield.
A Sheffield Lad IN The Spectator
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
The Heir of the Ages

EOR me the Empires waXed and wane
l. And Homer sang Of ancient vars
For NE Columbus sought the West,
And Calico read the stars.
For me the heroes fought and fell; .
Twas for my sake that Shakespeare w'0N'
And they that broke the pride Of SPAN
For me unknowingly they smote.
For glory not, and not Cor fame
Did Cromwell strike at tyranny;
King Charles was shortened by neao
For my sake, and twas, too, for me
That Revolutions torch was lie
And kings and mobiles knew the KNIFE
When France was to a shambles turh"'
was the object of their strife.
And when this storm " war IS stli'e~
And men the victor fain would see'
It's | alone shall be proclaimed
Yea, alone Liberty ..l
&C. ". Lane, in Canadian MaseS
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

the dramatic critic
of "The Morning
World" which is a
pretty long service
at one desk, as
things 60 in the
newspaper profess
sion.
In college, at the
University of Mich
igan, l specialized
in dramatic litera-
ture, etc, m or e
from the love Of it
than from any set
tied intention o (
taking up profess
sional dra m q I c
crit icism. After
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
Reviewing the Reviewers
LOUIS V. DEFOE

TT the intention OF The RreU each week ( the field has
short sketches embracing the the critics
little generally PldygoS read
year; they their tGrorte csthose nth
experience
they depend Themselves persons
much less is therefore felt that this personal mill
be reLcome
Last boards; is LOUSY Defoe,
ccritic of York World"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

riR: In response TO your telephone
"a message of yesterday afternoon,
~ must say that the only "high-light'-
to use your own expression--of which
am conscious is that | have been for moro
than eighteen years. without interruption,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

lirhts Of the hair reacting against the
blacks and whites Of the furs ere lost IN the
reproduction. In this composition, as also in
the Southwold Beach fresco, the artists main
concern is to embody the artistry of the hob
BILE skirt as an aid to beautiful outline.
"As to this artists influence on modern
art. it is only necessary to recall the work
of the Birmingham group in tempera. Most
Of them learned the use of this medium at
the feet of Joseph Southall. What success
has attended its adoption is due entirely to
his patient, unrelentng research into the
lost art of the Primitives and of the
decorative school carrying on Pre-Raphaeite
traditions he is pre-eminent-'
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16

m,s Fnmoye Cooper novi born at Brlago, a.
tcenycight ye
the agc of siryroo September a. 1851 His chief claim TO dc
Misunderstanding and his stos Of adventure notably Of Indians
hoe, which generally considered
pes mastcrpie which the fouwtg tpcrt excerpt taken
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-09-16
Carving On the Pre- Raphaelite Tradition

a commanding posi-
ton at the head OF
tho public entrance 70
the Corporations Art
Gallery.
at was his dream
Of public decoration
that led Joscp h
Southall 10 abandon
the profession of
architecture, W h | c h
he had entered upon
with no little credit
TO himself, consider
ing that Ruskin com
missioned him to de-
sign a museum. How
much Of his success
as an artist is due
10 his architectural
training may be an
swered by comparing
his careful and mas
terly rendering OF de-
tail in the architectu-
raj backgrounds to so
many Of his compost
tions, the fine bal
ancing and arrange
ment Of his decora-
tive designs, and the
successful grouping
of SO many figures on
the panel. with the
weakness displayed in
all these matters not
only by modern art
lists but also by Coz
zoli.
"His fresco of Cor
poration Street, Bir-
mingham,' is OF spe-
cisl significance, for
not only in its exc
cution does IL embody
his individuality and
acute observation, but
also it establishes
fresco MS a successful
medium wherein the
modern mural painter
can work. There is a
combination OF Flor
enjne realism with
the simplicity in the
delineation of the hui
man figure character
istic of Fra Angelica,
Lippi, and the other
Primitives, together
with q rendering Of
facial spirituality so
marked in the Pre-
Raphaelite decorative
groups work. The
absence. of cniaros.
euro is compensated
for in the deep tonal
effects and massing OF
contrasts. Unfortu-
nately, the beauty Of
the bright earth
colors and the golden