davidaulloa/AmericanStories huggingface dataset:
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1917-03-04
Pure Blood
Brings Beauty
PimnIcs, Blackhcads, BoiIS and Poor
Complexion Vanish by Using
Stuart'S Calcium WATERS.

TRIAL. PACKAGE: MAILED FREE.
All your dreams OF a beautiful. clear
complexion can y" made - come true.
II makes no difference how spotted
and dishgurcd your face may be with
pimplcS. blackhcadS. eczema or liver
spots. you may reclaim your heritage
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1917-03-04

Petersburg. Va, James p. Banks
Petersburg. Va. A. L. Morrison
Phochus. Va. Larrabce's Drug store
IheniX. Va. Phcnix Pharmacy
Quinque. Va. X. ". Stephens
KusEmere. Va. VIM Pegram Wilson & Co
luther Glen. Va. 6. * Coleman
Spotsylrania. Va. j. T.. II. Crismono
Simpkinsville Wa, Il. r.. Slmpkins
SAKE. Va. Womack & Moon.
Scottsville. Va. Scottsvilie Drug Co
Sebreli. Va, Rowe & Jarrett
Shacklefords. Va. IL. Il. Marston &. Co
Sheppards. Va. T. NJ. Jones & sun
Smithhcld Va. Parish 6 Simpson
south l.oston. Va. W. II. Reeves G,CN
south liill. Va. &. T.. Jones.
Stanley. Va, w. NJ. Graves e. Co.
stanton. Va. i. NJ. BELL & Co.
SUSSEX. Va. Il. T.. Thornton.
stony Creek. Va. Stony Creek Pharmac,.
suffolk. Va, Nanscmond Drug CO.
Sklpwith. Va. j. ii. .Ienrcss Co.
Snbot. Va. o. B. Taylor.
School, Va. A. A. Harvey
Sweet Hall. Va. p. II. Martin
Toano, Va. j. r. Banks
Victoria. Va. Victoria Drug Co
Eirgilina, Va, Red Star Drug Co
Nenter. Va, ii. Il. rrice.
Wakefield. Va, ]. s. White
Walters, Va. J. G.. Duck
Waverly, Va, DIR. J. j.. Mays Pharmasv
Waynesncro. Va. Fishburne & Son.
West Point. Va. A. T.. Iinrgrave e SON
Windsor. Va, *. Il. Barrett &c Co.
Yale. Va. c. A. Dickerson.
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1917-03-04

EdGerton. Va. Il. T. Jolly.
Farmville. Va. White Drug Co.
Franklin. Va, Knight Drug Co.
RI fredericksburg. Va. w. L. Bond.
fredericks Hall. Va, Il. Ill. polndexter.
Forksville. W.. shelton Mercantile Co.
Guinea. va. w: IL. covington q son.
Gordonsvilie: Va. J. IL. Stratton.
Goochiand Va. &. A. Gathright
Glen a lien. Va. Glen a lien Store
Hampton Va. Huil's Drug store
iarriSonburg, Va, Williamson Drug Co
Hardware. Va. v. s. Kidd
Holland. Va. Holland-Jon Co.
iopeMel Va. GeorCe's Drug Store
Ivor. Va. Hawls & Stephenson.
Irwin, Va, j. A. kean.
Jeters.tlle. Va, DIR. X. j. Styers
Jarratt, Va. j. w. Grizzard & Co
Keysvillc. va. w. A. Keeling
kenbridge. Va, kenbridge Drug Co
Lightfoot. Va. l.. T. Iankins
Lacrosse. Va. Nash & Matthews.
Lawrenceville. Va. Prince Drug store.
Louisa. Va. Kent Drug Store.
Lexington. Va. Wayland &: GoodaI
Mannboro. Va. j. A. SydnoT.
Midlothian. Va. l.. s. Buss.
Magnet. Va, w. II. Cox.
Manassas. Va. w. Fred Dowell.
Mineral. Va. Mineral Drug Co
Motley. Va. G. w. Shuler & Co.
Michaux, Va. c. e. Denoon.
New Canton, Va. Tho Economy store
Orange. Va. Ricketts, Drug Store.
Richmond times-dispatch. [volume] (Richmond, Va.) 1914-current, 1917-03-04

Appomattox. Va. Peoples Drug store
Ashland. Va. j. G. Hughes
Beaver Dunn. Va. J. w. Beazley
blackstone. Va. l.. b. Spencer Drug Co.
Boydton. Va. a. r. SneIlings.
Branchville. Va. Branchv,lle Drug Co.
broadway. Va, Aldhizer s. Son.
.Burkortlle, Va. Young Drug Store
Bowling Green. Va. Itains s: Co.
Curdweli. Va. NJ. ). Bowics.
Cape Charles. Va. Fishers Pharmacy
Carson. Va. y. q. Haliigan.
Chase City. VA, Chase City Drug Co.
Clarksviile. Va. DIR. j. A. Drake.
Charlotte c. H.. Va. Williams & Morton
Charlottesville. Va, Pence x sterling.
CORTLAND. Va. h. r. Reese
CreYc. Va. l.. y. Crittendsn.
Cuipcper. Va. The Culpeper pharmacy.
Curlsville. Va. =. NJ. Jones e Son.
Chester, Va. Chester Pharmacy
Danville VA. McFairs Druc and Seed
Dolphin, Va. j. H. Poarch.
Disputuntn. Va. j. NJ Cocks
Dendron. Va, Dendron Drug Co.
brakes Branch. Va. j. c. Booth & Ca.
boswell. Va. Il. G. oliver.
Elierson Va, Il. y. Bradley.
Enfield. Va, II. r. Cooke.
Eclipse. Va. 8. Q. Bunkiey.
Elkton. Va. J. 7. Wallace.
Emporia, Va. SoutiAide Pharmacy.
Ettricks, Va. J. A. Branch.
East Atlee Va, w. II. T. Timberlak~
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
The Weeks GriSt

CAMBER"To-morrow For
chosen
Horace Anncsley Vache which for
Theatre London the longest
The play mystery drama
who her husband and
Harding, will
Mary Boland his wife and
Sidney E. Herbert W. L.
Emery Shirley ALBERT and Henry
direction of B. den Payne The
for his excellent character
in "Qunney's" and "The LEDGER"
THERE"Tuesday
j. Hartley
with the previously
announced plans Eranger and Tyler who have
Miss Taylor Now York entire
in a repertory Of w Of S husband
study character development with the
background the effect
being little Cocxney girl which
which Miss Taylor will be Frank kemble Cooper and
will the together with Caharne Proctor
NJ Campbell and others
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

chsnical correctness even in her TRACE
dies and catastrophcs. II has found
it's way into the American theatre. The
American play is constructed like
machine. 1t is principally the product
of skilful craftsmanship. In its de
vclopment is seen the controlling hanc
of the technician.
Thus we find that the mechanical side
of the drama has reached its ultimate
development in the American play. In
plot and construction it boasts of
brilliant and bewldering tricks, but
never fails to suggest the mechanic.
This is not a criticism of the Ameri-
can playwright. He must use the ma
terials of his environment. The great
est recent American successes are the
brilliantly constructed melodramas like
within the Law" "On Trial and
THE House of Glass"
Russia and America stand for the
extremes in dramas. They both have
great virtues and great faults. They
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
Russian and American Drama

with the community in which it ex-
lists. 1t is the very breath and soul
of its life. It VOICES its joys, its tears,
its triumphs. its tragedies.
The slow development of the Russian
play is in harmony with the rhythm
of Russian life. The slow moving
types are studies of tho austere and
sombrc Russian nature. Ia the at
mospherc Of the Russian theatre ono
hears the signing OF the winds across
the endless steppcs, the moaning of
the trackless forests, the sobbing of
her melancholy rivers.
The simplicity Of the plot of the
Russian play is the reflection of the
simplicity Of Russian life. 1t is not
involved, it is not intense, and is
without complication.
The American theatre is correspond
ingly different. The American play,
cleverly contrivcd. iugeniously wrought.
intensely developed, technically cor
rcct. suggests instantly the great tech
nical scientific construction OF the
American machine. It suggests colos-
sal bridges and gigantic skyscrapers.
The American play is therefore the
very embodiment of American life. The
punch" in the drama is felt in every
phase of American life--in the press,
in politics. in its industrial develop
ment. The happy ending demanded BY
the American audience is but an ex-
preston of an optimism that pulsates
through all the ramifcatons of Amer
lean life.
The form which art assumes is reg
ulated by the form of the life with
which it concerns itself. The machine
has penetrated deep into the heart OF
American life. One finds this me-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
HIP SUNDAY CONCERT

The Junior Patriots will run a mon
ster entertainment at the Hippodrome
tonight in aid of preparedness and
the army ard navy. Mayor Mitchell and
Ambassador Gerard are scheduled TO
speak. and Nine. Frances Aida. of the
Metropolitan Opera Company. will sing
the Star Spangled Banner" Others
who have volunteered their services in
clude Ethel Barrymore, Roshanara,
Brice and King. Douglas Fairbanks, Jack
Barrymore, Rock and White, Constance
Collier, Dickson and Hyson, and the
Leighton Brothers. In connection
with the grand tableau will appear rep
resentative squads from all the great
junior patriotic organizations. the
Junior Police. the Boy Scouts. the Plum
Island Cadets, the Junior Naval Re-
serves, Chinese scouts. the charming
Camp Fire Girls organization, with the
famous Scotch Klties Band, military
hands and the Hippodrome orchestra
under Director Raymond Hubbell.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
BROOKLYN DRAMA

MAJESTIC Nazimoya in "'Ception
Shoals"
MONTAUK 1.-THE Great Divide"
TELLER'S SHUBERT "Katinka."
STAR -"The Honeymoon Girls"
ORPHEUM -Sallie Fisher in THE
Choir Rehearsal" Bert Kaimsr and
Jessie Brown and James c. Morton.
BUSHWICK - Emily Ann Wellman,
James K. Carson, Chester Spencer
and Lola Williams.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

arc both radically right and radically
wrong. In their virtues they have
achieved works Of genius. What is
wanting in one is found in the other.
In technique the Russian play is an
absolute failure, the American play
triumph. In portraiturc the American
play is a failure and the Russian play
a work Of supreme art. 1t would be
interesting to see an assimilation Of
the two.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
IN VAUDEVILLE

PALACE-Brice and King, Nat Wills,
Ruth st. Denis, Melville Ellis and
Irene Bordoni, FRANKLIN Ardell, Bert
Savoy and Jay Brennan and "Patria."
COLONIAL-William Rock and Frances
White. Craig Campbell. Mrs. Thomas
Whiffen, Villa Holt Wakefield and
Ray and Gordon Dooley.
RIVERSIDE Florence Moore. Eliza
beth Murray, Nat Wills. Dooley and
Sales and Ralph Dunbar.
ALEXANDRA Adelaide and Hughes,
Bennett and Richards and George
ROLAND and Company.
ROYAL--Louis A. Simon in Bride Of
the Nile" Noel Travers and Irene
Douglas and George Skipper and
Myrtle Kastrup.
AMERICAN Amelia Bingham in a
repertory of scenes from her great
est successes.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
Broadway and Elsewhere

who has two more plays scheduled
for production besides Lilac Time"
in which she il now appearing. This
will not be an easy task. as Miss
Cowl has a collaboration. Jane Murfh,
who also Yields a prolific pen.
you're In Love" is expected TO
shift over 20 the Lyric Theatre in the
course of a few week. 20 make room
at the Casino for THE Beautiful I'm
known" rev Oscar Straus Victor
Leon musical piece. Another con
tcmplated shift is to move "Oh, Boy"
which at present is the most popular
musical show in town. from the Prin-
cess to the Aston at the close of the
long run Of "IIer Soldier Boy" Love
O'Mike," IL is rumored will take 10
the road in the course of the next
few weeks, and Eugene Walters
drama. "The Knife" is due at the
Maxine Elliott.
The cause Of uplifting the drama
will receive decided impetus this
week when tho nock Of sheep in "Thc
Waudercr' will be shcarod. Messrs.
Elliott. COmstcck and Gest expect 10
realize $3.50 as a result Of this dram
attic incident.
In addition 20 "The Very Minute"
the play in which Arnold Daily is to
be starred, David Bclasco will also
produce this spring a piece by Willard
Mack dealing with life in the Cana
dian Northwest. As yet IL has not
been named, and il will not be seen
on Broadway until next season.
Among the players engaged for i'm
portant roles are Lenore Ulrich, Full
Ter Hellish, Thomas Findlay and Pedro
de Cordoba. This play is not TO be
confused with another by Mr.. Mack
which recently had try-out in
Washington.
Conan and Harris will shortly pre-
present to the commuters circuit new
play by Sydney Rosenfeld entitled,
under Pressure" II is q comedy,
and Fred Niblo, who has just closed
his tour in "Hit-the-Trail Holiday"
will have the leading role.
81 am firm in the belief that acting
is a premed tated art and that one
must determine what one would do.
The accidental actor is always in diff
Guilty II he does not put himself
into difficulty, he is putting everybody
else into it. Edmund Keane's life
will show you that he would come
upon the stage, and he would do
something so Illuminating that REQ
pie saw in the Shakespearian roles he
was playing beauties and qualities
they never observed before. But IL
was subsequently discovered that he
acquired that ability 10 give these
flashes of genius only by excessive
labor."5E. II. Sothern 20 the grsdu-
ating class OF the American Academy
Of Dramatic Arts.
D De Wolf Hopper will be the star Of
the next Winter Garden Passing
Show" The prospect Of hearing the
gifted interpreter Of Gilbert and Sulli-
van singing pretty Baby" or ballad
of that ilk, arouses a feeling within
US somewhat akin TO that experienced
when Mr.. Sothern entered the movies.
A new comedy by Harry James
Smith. entitled "The Tailor Made
Man.. is said to be scheduled for the
opening of the Cohan and Harris
Theatre the. middle Of next August
Grant Mitchell has the leading role.
The play is now in Boston.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

y
"Nju," the Russian drdmo nolc at The
Bdndbor.
BY OSSIP DYMOW
IVAN one be defined in the terms OF
~ the other? Do the differences
abide in the formal artistic expression
peculiar to the respective dramatlsts OF
the two countries, or are they OF
deeper and more fundamental origin?
Are the Russian dramas distinguish
able from the American dramas merely
in point of taste, or arc they COM
pounded of different ingredients?
The Russian drama moves slowly. 1t
is almost devoid of action. How quiet
~ the characters develop! The story
in the play is simple the outline Sc
we're. The phantasy is poor-the plot
weak The construction is primitive
there are no thrills. In fact, the climax
is absent from the Russian play. And
for the filament the Russian audience
contents itself with a pessimistic
atmosphere of gloom and tragedy. .
Tchekow, who ranks among the great
Russian dramatists, most chsracteris-
tically embodies the spirit of the Rus
sian theatre. His plays have almost no
story, no plot, no intrigue. His famous
drama "Three Sisters" which never
fails to move Russian audience to
tears, concerns itself with the per-
sonal misfortunes Of three women
whose ultimate ambition is to take
trip to Moscow. Without complication
are his other dramas, "The Sea Gull"
Uncle Vania" and "The Cherry Tree
Garden" The same is true of the plays
of Ostrowsky, Gogol and the great
Gribojedow.
In the investiture of the play the
Russian theatre is poor. II is without
life or color. The appeal is never to
the eye II depends rather upon the
Characterization of types, the atmos-
phere of quiet events. The Russian
dramatist is very much of a Rem
brandt. He aims to be great portray
I er Of character. To him the deinea-
ton of psychological detail is a work
of the supremest fascination. Every
other consideration is subordinated.
The American audience in a Russian
/ theatre would not sit through play by
/ Tchekow or Leonid Andriev. 1t would
! look in vain for the ultra-realism, the
climax, the punch, the surprise and the
thrill. Belasco in Russia would be
/ bankrupt in one season. 1t is equally
certain that Tchekow could not induce
an American manager TO part with his
/ theatre for a week.
| Who is right and who is wrong?
/ Which is good and which is bad? Sure
| ly no greater extremes can be found in
/ the dramatic literature of any two
countries than Russia and America.
/ Yet both are right
/ The Russian theatre belongs in Rus
/ STA and the American theatre belongs
! in America. Each performs its proper
and necessary function. II can be well
| said that one finds in the drama a truer
and more comprehensive reflection of
contemporaneou life than in any other
/ form Of art. In the very nature of
/ things the theatre is closely identified
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
By HAYWOOD BROUN

4 READER who seeks TO draw us
A out only to slsy us propounds
some questions m the following letter:
IN your article of Sunday. March
(. YOU give it as your opinion that
Barrie is a more important figure in
the drama than Pinero. If it is not
sking too much, may | ask you to
ysie in some future article your rea-
sons for such a belief?
As a person who has been much
Interested in the theatre for NAM
Der Of years, but who has never been
IN any way connected with it, may |
venture to put to you few ques-
lions on the subject under discussion?
Barrie. OF course, as all persons ad-
nit has written some delightfully."-
whimsical and fantastic pieces for the
stage, pieces which may be called
plays for want Of better name, AL
though many of them contain little
enough Of plot These plays are
highly amusing and stimulating to the
Imagination, but are they really great
plays? How many years do you think
The Legend Of Leonora' will live?
You have stated more than once in
your articles that drama must get
some place I should say some
where, but ] suppose the English
81 boys used TO say some placed.
What place does The Legend of
konora' get or where does 1t
gsi' may l respectfully ask. Any
one will admit that it furnishes a
espital evenings entertainment, but is
I great play? Do you consider
Lewis Carroll greater writer or
more important figure than George
Eliot,
You have, suppose, made up your
nind 70 set your iron heel upon the
aecs Of all problem and sex dramas;
therefore you doubtless consider
Leonora' or Peter Pan as greater
plays than 'Mid-Channel,' His House
N Order or The Second Mrs. Tan
eaersy.' Do you not think the great
est drama is that which instructs as
vel az amUses? DO yap not con-
nder that The Second Mrs. Tan
qaeray,' besides being dramatic
masterpiece. teaches great moral
lesson? Is there any good reason why
The Second rs. Tanqueray' should
h't be considered the greatest and
most important play written in Eng
nsh during the last twenty-five years
"A A. A."
First for the answers in order. We
INK Barrie has written no play
which is quite worthy to be called
great. We think The Legend OF
Leonors" is already as dead as a Pa
enc Coast smelt This absolves US
ron answering other questions about
As play, which is below Barrie
best work.
A. 70 George Eliot and Lewis Car
'oii' We think some mistake has been
made, a. julius Cahn's "Oficial The
a''iesl Guide" for 1901, which Is
re only reference book available IN
- '..@-s-Y, mentions nei;her party
mere IL, however, Harry Carroll IN
.a9deyille, and William Elliott is the
".sh who Is stripped Of his raiment al
we end Of The second act OF The
"anderer." We think Mr.. Elliott II
We more important.
We consider peter Pan" a better
pay than "His House in Order
Aid-Channel" or THE Second hrs
'Snquersy." We do not think thai the
Ef'stfst drama Is that which IN
'"Uets az well ~ amuses." There II
10 Connection whatsoever between arr
'hd Instruction. Educational movies
moving how ths cocoa bean Is capt
S'so In Central America are instruct
ss and amusing, bat they are not art
$50 Venus Of Melos IL art, bot IL IL
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

| myself could see further IL he were
seeing at all. Perhaps I can call you
you who have dreamed, and dream
ing know, and knowing care. Novel
Move from the things that hold you
If you move, others will move. Come
now-bcfor, the sun goes down."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
Neighborhood Playhouse

On Saturday and Sunday evenings
March "a. %. 81. April and 8, the
Neighborhood Players will present
three one-act plays: "Black ELL" by
Miles Malleson; "A Sunny Morning" by
Quintero, translated from the Spanish
by Anna S. Macdonald, and a revival
of "A Night at an Inn" by Lord Dun
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
THE WEEK STANDS

STANDARD Captain Kidd, Jr."
BRONX OPERA HOUSE Pom
rom"
LEXINGTON-"Hans and Fritz"
LUMBIA-"Hello New York
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
The Yellow Jacket

For the remaining two weeks of their
engagement at the Liberty Theatre. Mr..
and Mrs. Coburn will be seen in "Ths
Yellow Jacket" together with the same
supporting company which played the
piece at the Harrix
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

The editorial Of the editor OF The
People" which forms one Of the telling
moments in Susan GlaspelPs play OF
that name, seems to US an effective
niece Of writing. Here it is:
eve are living now. We shall not
he living long. No one can tell us we
sbsIl live again. This is our little
wbue This is our chance. And we
take IL like child who comes from a
DARK room 10 which he must return
comes for one sunny afternoon TO a
lovely hillside, and. finding hole
,rswi. in there until after the sun
bs, set I want that child TO know
Tho ,un IL shining upon flowers in the
grass. I want him to know It before
h. must 20 back 10 the room that Is
dsrk wish / had pipes 70 call him
20 the hilltop Of beautiful distances
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25
IN WIGS AND WINGS
In Which 1t Is Stated That Mr. Barrie May Be
Mentioned In a Breath Before Pnero

not instructive. Riders to the Sea"
is art. but it burdens its audience
with no information. Damaged
Goods" is instructive, but we can't
admit for a minute that it is art
We do not think "The Second Mrs.
Ianqueray" teaches a great moral
lesson. There are a number of rea-
sons why "The Second Mrs. Tan
queray" should not be considered the
greatest and most important play
written in English during the last
twenty-five years. Some of the rea-
sons are Candida" "Cesar and
Cleopatra" arms and the Man"
Man and Superman," "You Never Can
Tell" "Androcles and the Lion"
John Bulls Other Island" Great
Catherine" "Thc Pigeon" Strife"
"Riders to the Sea- "The Playboy of
the Western World" Magic" "The
Faith Healer" what Every Woman
Knows" peter Pan," "Hindle
Wakes "The Gay Lord Quex" and
some others.
Pinero is losing his hold in the
theatre because, in spite Of his re-
markable technical skill, he has moth
ing TO say. Life moves him to no in
teresting mood. The problems he
presents are the veriest theatrical
shams. Take "The Second Mrs.
Tanqueray," for instance, in which he
propounds the startling theory that,
all things being considered, it is, per-
haps, not the best policy in the world
10 marry a woman whose past has
been too promiscuous. Having set up
a straw dummy, Pinero is not even
content to fight fair for his victory.
Mrs. Tanqueray commits suicide be-
cause her step-daughter is about to
marry one of her former lovers. The
fine flare of drama in the breakfast
table scene is thrown away by this
purely fortuitous coincidence.
Then there is "The Notorious Mrs.
Ebbsmith," which deals with the cues
ton of whether woman has a right
to burn a Bible, even if it's only
revised version, and Girls" in which
the dramatist discovers that u is
compromising for woman to take
money from a man. Not only are all
these things one-sided, but they don't
matter. On the other hand, the
question of whether or not you be-
lieye in fairies is Of vital impor-
lance. This is something when
touches the everyday life of us all
II must be answered, and there arc
those who say that even the skeptics
have good case of sort.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

Oh, we forgot to say that Barrie
has style and Pinero has none.
The Washington Square school OF
acting distinguishes itself in the
present bill at the Comedy, for MISS
Alice Raider. who plays Edme IN
.Plots and Playwrights," gives one OF
the best performances in the present
bill.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

1.-THE follo1cing article is from the
pen Of Mr.. Ossip DymOSc, author Of
"Nju," the Russian drdmo no1c at The
Bdndbor.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

Word comes from London that "a
Little Bit of Fluff" recently reached
its 6jOih performance. It is now
rumored that six London managers
are bidding for the English rights Of
"Ivctte.'
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

The cause Of uplifting the drama
aill receive a decided impetus this
week when tho nock OF sheep in "The
Wandercr" will be shcarod. Messrs.
Elliott. Comstock and Gest expect 10
realize $3.50 as a result Of this dram
attic incident.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-03-25

The success which has come to
"The Brat Maude Fulton's first
effort as playwright. has stirred
within her. and she is row
furiously at work on anew play. IL
is Miss Fulton's desire TO overtaks
Jane Cowl. q rival actress-authoress,