davidaulloa/AmericanStories huggingface dataset:
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

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qafuueep uao auigtptdtsR
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lat If i5re ar1't uno Dirtaug aaf st
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taag gsniaai, sbih fart un0 mattig,
bod bi oltr S5.igisit lbtr ben geib
pj9it i5if!iHsn 8tihtutts f1nggn bamit
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ttr, Dfltg bisfm 8sruF t%risrut. nirb
ban o3r @htpstt uno MintqttiE ba7tls
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nubern oertouf6tn Tern 9degrt III
cod eTi bag 6dus, npHu jlnlr bol0e
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bringt ua6 trbGqi.
lnitrt 9inpfr ftnb uHltrt 9ulunft,
infer Slid! Sts TsBtn bas BON ung
bs9onnsus 2~ebeHspfrf tort uno mir boFs
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hu, in ibutn ntrsiaH ia oonenon
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@niprifs fttaf. 5oltt bat glt.h nat
ibrtr 8tbrrt eiajuIsbtu unb nuB rad
gang betinmtfn aegclu Dor fh gtblu.
Die Glttru als bic eritsu, bic it lsilen.
bdben fh nit ihnsH eng Dertrdut su
MAIDEN unb ririsn nismaIs qlau6tu,
qgborfnt Gr3itbu bon GottsS 8nantR
gu fem. Geiber bdlttn bitit bieie BIZ
osutioms 8eihdftiqung fir 70 ledt
uHb tiHFaG, baB tie ba5u peoer bfpHa
bsres @liFsH, no4 aonHeu fir notis
sta6tfn. 3enao4 fam oan bic oors
3lgli9ite Meibo9e bar panagosiIfen
Difsni6aft itne raT5t uno tIart Gm'
pFiuouHg Der SHUTTER, tbr unenblia feis
ms urtsil i6er biz tin3tlufn Rtgunstn
oes ainots unb Biz tisft auffoFung
itiner gan5sn qerionlihteit aIleiR Hidt
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lung Der meui6liheH Snoibibualiidt
nab ibrem DeieHsftrn, ibTeH SaDodtn,
8ebirfniFtn uno Qntipdihisu 1T Bel
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pgnietB ausHabmeH @kmtingut
uH6 isoe, bic aiHbsr ersitbtu uHb lRs
tn Biu. barf Oitisr @abtn niht b0lig
sHtbebrsn.
Die @rbaIiang uHb 6~orbtruus btt
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erits GrJisbuHgspffi6t etlten, bsnn bon
i6r hdnst Der sdn5t IpGttre gntpids
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tIHs Quleabt. bic Der gdiur bss 8tis
beg als gfleasrin am ftorlttsu e1tipridt
unD Gin unfrbSstts GuaHiHm pon
Gsl5fOsrIsusHars aab yIhatkuaBts
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07
Dem 8ebanSeln
Scr Geppitbs.

Die tIeinsrn 8logidt urb 8orIoqsn
ber GhlaiBimmtr perpen tdgtth ouiass
uommeu, ON 2rcppeufeHhet dusagdnts
TAFT uuo Icl4t nit otHl 2ePpida icn obs
8eie5rt.
Tie QroBtn Itppjde ber @ofnrdamt
tgbrt mon In itdIt bpobRttn adamln
tlqlia nit rem 1sppidbfim ooty bcr
Gepplt maidine poel peHn su iolh5r
rprbaHoen, NIT BAN 8atuum 4ppardt
ab. Su mr. ptriobifa befpobnten Ran.
men gtuii9t cine 3Iotis ootr einmali1e
Rsiniguug p5hentIih On gttpiFtn Us
Fidnbea (rpia groB cber ftsiH bifie Qbs
iidnbe iinb, bdn9t BON otm @tao Der
genusung Der 8aume, otr gaqt bar
8obnung In iiaubtger pber ftaubireter
8egeno, be5rn. St1Otteif Stodtptrt uiu.
db perogu bic 2tppite elmer qriHos
Iideu R~einisung burd 9lopftn mttrs
5oqeu, uub 5rpar ptrbtn fe 5lerf bpn
ltHts uno bann bon redts gstlppft. 8as
hiBt: bic lint Stits beg ii6er bic 3eps
pi4itdu9e gab6ngtgH 5eppihs pirO TN
Der Ridtung bon cEH nab unten llH6
ron lints nab rfdts dHsqetlopfi. Gos
banr nirb * h~erumgebrtbt, 70 baB nun
bic rstts Getts nubeu geprtbt 1T, niss
berum in beriel5en Beiie eettopft, ooun
ob9sisbrt uub 5uiammrngeroft. @on3
qrobe gepPjfe ldbt man an biteu etns
mol iabrith bur5 bic 9cppi6ilopirr reis
nigen UNI perfdbrt In iibripen nit ihnen
in ha ~foIoenoen 4eiIe: Bon 3eit III
3rit Gs mad 8euubung ots 3immerg
ale ottr Biz ieAs Mohfn) kitreut mar
ben 9fppi8 nit noFen StsbIdttern pbtr
muH nimmt Elm Gang rciBes (nm bsiteu
ne0s) Sdtuertuh unb DiIdt nit Gal5s
cher Giiipofer ben geppi3 boriiatig
ab, natdrli9 srft nahoem man ibn 5us
Dor getsbrt bat. Bel ber 4nfpsnbuHg
BON Getbidttern lit oas borheriqtn aebs
reu niat notmenbig. 6ier bangt f9
Der ettpuige Gtaub an oas ~berrpenbeit
Wlateridl unb Diro 5uglei5 NIT bisTem
burh ben 9tppifbeien pber bic aebrs
maI9iHe entfant. Cine oHgenebme 4ufs
friidung Der Barbau it bic Golqs bieIts
etufadtH 8erfa9reus. Gebr fhmuBigt
5sppiAs t0mtH auh obHe GhabsH 81
IsibtH nit GetfsnpaFer (@aaTtif0 uHb
eiRsr Dei6en &ijrite bgbanbeIt Hnb NIT
einem in flares Maiier inner pisoer
aetGlhisH Sdeutrtud ab9sTpdlt NIB
Dsun bic SeiTe ouf bieIe 0eiis edn5
eutftrnt ii, nit trodtntn SGbtru mad
gfriebtH iperbsn.
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

9us ben @r1bern Der Gambler uns
Mittelmeer, aus ~btrfunisnen, ptrihittea
len SiGbisn bat Der GudtrfletB Der
Spdttrcn alts Strrlldltit ipiebtr bercufs
asbolt, bcrId6nt unb pertldrt bur6 bic
3eit, bic our9 bic Gdurtn uno WietaIe
Der Grbe bic nuuberIdmIten Gorbens
ipiels auf ben beroraknta Gddben bers
b%orae5aubcrt.
Sine meme 8tiitsperioot bteinnt nit
9snebigs mahtpoQem quiititg. Murdno
nirb bic Sniel Der %tdnItHe Munber, nne
SobesItrafe foll ben gorpiBigcn idrets
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

f4 IN Der Gr5dblnna bes qlinius bon
ben Shiiftrn, bic, uabe BEN 8erae @er'
mel geltranbtt, bic am ufsr fir oas
StroIeuer FtbIenben Gteine ourb alum'
pen aus ibrer Sobas2doung erIsbten
limb nab BEN 9o6sn hts gldbls SaI3
mo Ganb gu tiHsr burdf6tissn Mahe
perf6mol5en faubtn.
9urd bic S~abrtauI,nbt erbt F6 bic
9unit peiter. Qe9bpter, 9boni5ier, no
6ioon unb 99ros bic 3entren biloen,
@rtt6en unb 5taltr. IS III Elm pe6s
Ielnoes auF unO ab Big our b5dittn
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

6ob nntsr osn fomii4en aaiisrn, bd
maR aus rtn 9iGgH btr 9ttifsn glass
palaf, madt init 9uHtiuJbiqen 81aH
uHo UdrotH puo Ia SjHIt.trbdnb qaa
fen itJf bic tah bsuligtm Gslo nabt
on $4,000 f%oIttten.
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07
GrH6Hus.
% 0[ata QtIfA

boh &Aara &rteh
eats cling id nett ius file zen,
I'm meih bauses 5er5 sur aur al
briB9fn.
1itf I'M Vtbfl lag lie gan5e QBt4,
Sarr bic grdueH 8tgtnpOlisH 6inotu.
aus ben b%rduneu Gur5tn bob F6 saa
@tint Bint1Idat benz Alht tnia,a,n.
Iit Dirbs itin an tbrtm Grnteiaa2
Htifi Re irobli4 in ass 5risbtus etesn7
Su ben fti1sn @rdbesn an BEN grsrstn
Rlbn bt, gauIenbs, bic fir uns iarbsn.
@irb Der Griiblins ibre Grdbst irdn6,n2
grtrst br 9srbit ms hisIts @usioal
9drhn2
als ID Bringing. fab ib bo6 I'm Dun.
telR
3piifen 8olftH unfls Gtsrns funtsfu.
limb oaf fsrnsR geibsrn fab Id gtuisn,
Itrt Der pitIsH, bic gu fttrbtn ~Isrnltn.
&eifguatiOn.
Die Bell ,ntfTitbt. @us jung tinT NOR
Wffo olt,
unb mas in Souus sinit ssblibt,
Sit tot uRb talt.
Die atpptH, bic man6 Iisbsg Dort
eef0rmt
Sinh Hamm,
limb nur bsr Rlaus ssbt mir nod lsis
SIN a0pf htrum.
Die Jlut BOZ euF, BIZ ,inf bsTpHlt ben
Gtrano
Orr Set,
Rnht f6irnernb fern in, RtbtIlanb
gugdngsnbtii $3.50.
eHiI 3tsFtsHss
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

t1nb beiber uriprung nmpsbt motif.
f6es 8unitL.
Qlie dgpptifde 8anbgamdlb, aus bar
Silt I'M 5000 b. CIR. iUis Ft auf 9tafs
mdIern lei 8enis6dFaH 9efuuoen. seis
gen bereits g~ldabidIer an btr 4rbtit,
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

ben G6Iaf, ben tisfcn, taamloIm
Ghlaf.
Gr 61dhst i'm eff. nod t3, ptr Zap
pi4 sur 6GIfte fertis mar.
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

Wigif ~, bob Gin Mubsrtr tinf Mr6dt
kiorat be bin lditigiF, 70 htsptifls,
bdb q re kitten fam
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

ten BAG 9GbtimniS prsis5HQt5ln. I'm
ioait! 9uttmfortidritt ldBt h mat
mthr eiaiptrrGH uno aufbdIt,n mic emit,
oa gibtrtus rad otr llfbfrlj1itruna btu
G~rituotr .bieaiamtn@ @oIes binrittEa
itsb, neil ts Gcle unb Gilber ~sntipttttu
tonutc. llebr btu gIptn tpaBbyi Bic
auuit, unb g5bmrn NIT IeiHer b,ioHou5
outtH aitTtItroe pire bic 6eimat ttr
5nbuirie, bsnu Dn5a III Boa ate 6an0,
rgt g.lrorotR.
Aua In Der nelsH UtIt tntN tt 1l3
rFes inouHtie1ss llHttrntbmH cine
gIosfabrit 8a JcmestolpH. Die erie
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

4. Irnfen Der icrtiacn gPare. aae
mn~naelbaitsn Stnde WerScn ans
igrtiert.
2. Die &areH nrrben nit beieem
@ahs britrideu uno trOduen &c.
laien, che tie III bic 6dnbe oes
Shlctiers ~aelaHgcH.
3. lie @laemnrtn crbnlteu cit
SaurcbaO sur Wl0itHHg Der Cber.
flade.
i. Slc @lGFmnrfu iuerbcH nm
Sdllctiitciu nna Der 3etdnnng &C.
iGlifieu.
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

: n Sen oieleu Talaftofen 4d6ten,
n bic mir bddisbeH finb, oentt
= i'd Oft an bic Mseufaen, bic
{ pieatiat 3Hr gleiaen 3tit
fhlaflos lieqen unn i'd bitter
TaÌˆgliche Omaha tribuÌˆne. [volume] (Omaha, Nebr.) 1912-1926, 1917-06-07

Grtuot ar sjntm bG5lfRn,
uHo aaigsptfttH
b5fonbtrs ipsnR d aas
iit bat zine gtobs 8ts
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
How to Study
By Grace Hofheimer

Much has been written about poetry
in music. Technique has received per-
haps more than its share of notice
while a minimum of conside rntion IS
the lot Of concentration. And this,
though the essentials OF thorough mu-
steamship are found IN this latter
most important factor.
Concentration does not involve a
narrowing of the view to one specihc
object, but suggests rather collaoor-
alton Of all the faculties upon each
and every phase of music study. No
one is true musician who knows the
technique only OF a particular instru-
ment The same is tfu' OF one VINO,
appreciative of the poetry OF the art,
is unconscious Of the rhythm.
To attain to mastery OF the musical
art a knowledge is necessary of all
the factors which make for efficiency
therein. and the outcome Of their con-
centrated action results in the highest
type Of art. ,,
The hours devoted TO study should be
REGULAR. The time allotted to each
composition should be definite and reg
ulated by the character Of the compost
ton.
After this, with control of the factors
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14

the polite question, so I usually say
have no particular method, or, II
you wish TO call it one, it is the method
Of least resistance the shortest dis
tancc between two given points
straight line. The two points are
teacher and pupil. One Of the most
essential factors for the progress OF
the pupil is that a bond Of sympathy
he at once established between teacher
and pupil.
aim 70 make a psychological and
physiological study Of each student
whose musical education is intrusted
TO me. This saves much time and
effort and often readily explains why
certain phases can never be accom-
plished by one student, yet this very
same person may excel in other
branches Of the art. II one has not
the convolutions in the brain neces-
sary 10 solve and play with under
standing the great mathematical prob
lens Of Bach, why insist upon it? Is
not our literature rich with Beethoven,
Brahms, Chopin, Schumann, Schubert
and many other composers too numer-
Gus to mention?
What this country needs is more
musical diagnosticians who will study
the particular physical and emotional
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
Rothwell Studios

Walter Henry Rothwell reopened on
October his studio at 545 West lllth
Street, and will direct this winter
special classes in conducting. orches-
tration, score reading. coaching In
operate and concert repertoire and
other phases Of the higher forms of
music. Mr.. Rothwell VIII again con
duct the symphony Club of New Yor>.
an organization Of prominent women.
that gave several brilliant concerto
last winter for philanthropic fund
ard that is beginning its rehearsa
Cor this years activities early IN No
yember.
On Monday afternoon, October p.
Mr.. Rothwell will appear in an en-
tlrely new role, as he will act "a &C
companst for the song recital which
Nine. Elizabeth Rothwell gives in Aeo-
Ian Hall on that date.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
Concerning Improvisation

The difference between the two sets
of notions is that IN the case OF the
apples there are definite means pro-
vded 20 possess the fruit; whereas in
improy isation the notion prevails that
no definite means can be provided for
its attainment. Therefore the assump-
tions: improvisation Is gift, and as a
means of musical expression it has
no value.
These notions retard musical growth
and development and should have no
place in an intelligent mind.
II is a common thought to-day that
what has been well developed once can
be well developed again; and that an
act poorly done can be, with practice.
more skilfully done. This thought in
connection with improvisation has
never been seriously considered. This
Is due entirely 70 the failure to recog
nize certain facts concerning the
growth and development of the facul
ties that are employed in musical
creation.
1t is not that these facts do not ex-
ist. They have remained hidden chiefly
because famous improyisors did not
trouble themselves 10 formulate the
means By which they gained their men
tai technique, and also because others,
through poor efforts or through the
practice Of an Inadequate method, hav-
ing gained a wrong impression Of the
art, ceased to seek the principle upon
which the creation of music in this art
form had its foundation.
The whole matter resolves itself
down to one point, namely. study and
practice Of complete method designed
70 awaken and develop the creative
faculties OF the musician with the OBJ
ject Of expressing ones self imme date
ly, as in improvisation. or with DELHI
GRAFTON, as IN composition.
II improvisation did not play such
an important part in the growth and
development Of the musician all that
has been said would be but idle talk.
Improvisation is a necessity and not "A
useless stunt" Every branch Of musical
expression is benefited By the intense
study required. Every ounce of ones
creative power is brought TO exercise
itself in forms Of harmony. melody and
rhythm. II is the training and eXer-
else of ones musical self. Music be-
comes an open book, its pages revealing
new powers as one develops the deeper
musical senses.
Nne-tenths of the best in music lies
beneath its tonal surface That best
lies in ourselves. Developing the best
in ourselves by scientific methods, not
notions, makes the master musician.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14

aim increased and improved produc-
ton, and thus doing away with silly
and unproductive notions, are being
applied to all forms Of industry.
The two common notions concerning
Improvisation are, first, that the ability
to improvse is a gift, the reason for
the belief being that only few i'm
provse skilfully; second, that the
ability to improvise is of no importance
to the musician, the chief reason being
that, outside Of the so-called gifted
ones, improvisatoral attempts have
been an artistic failure.
Now listen to this complaint and no
ton from another angle.
81 could climb my apple tree and en-
Joy my fruit did but possess a ladder
like that of my friend John jones'"
and again, The apples on my trees
are Of no value because | made two at
tempts to climb the tree to pick them,
but fell down both times before reach
ing the first branch"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
By Clarence Adler
Pianist and Tcacher)

mo process is so fatal as that which
casts nll men in one mould. Every
human being Is intended to have a
character Of his own, to be what no
other is, to do what no other can do
| am asked the question. what
method do YOU teach ?" ! would rather
not answer, but would prefer to give
nv inquirer printed copy Of the
above excerpt from Charming. which
10 nv mind explodes all theories OF
trying to adapt the pupil to the
method. But ! am forced to answer
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
Ry Frederick Schlieder

False notions concerning improyiSa-
tion are rapidly passing away. ms
is du. to a bit Of sound reasoning. In
the light of reason and evidence, no
tions that retard growth and develop
ment, be it in connection with yege-
tables or education, economics or art,
must find their place in the waste bas-
ket sooner or later.
There are people who still believe
that cucumbcrs can thrive only when
planted on Friday, in the evening
when the moon is full The country Is
full of notions founded upon pound
Of nonsense and an ounce OF common
sense. Methods that have for their
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
Adapting Method to Pupil

erdowments with which Nature has
supplied each person. Many pianist
who appears before the public IS uh-
successful. not because OF q lack OF
ability or musicianship, but on account
of bad Judgment in selecting the pro-
prammc. This is often the fault OF the
teacher. who has not sought to treat
his pupil individually. Again a CASE
of adapting pupil to method.
do not wish To be mIsunderst'od'
insist on a thorough study OF Bach
and the great masters who came oelorc
and after him. Bach does more 10 de-
velop head, heart and hand than any
other composer. Not only ~ he one
of the most notable examines OF tne
classical school. but he IL also mooern'
Numerous progressions OF the mo1ein
school, which have revolutIonized Dn.o
retical textbooks, were anticipated ny
Bach. and many Of them are 70 De
found in his compositions. 30 iar "
advance of his time was he that even
our marvellously constructed cohccII
grand pianos, capable Of great sonoriIy
and broad style. do not exhaust 'no
larger compositions OF Bacn' sueh d.
his Chromatic Fantasy and fugue.
Fundamental technical prlncipies
must be developed hand IN hand WIN
the musical intelligence. By 1unna-
mental prInciplesJ mean that postum
of arm. wrist, hand and myers "hich
10 ant 10 hiring about the best musical
,osuIta Ono should never practise me-
chanics for the sheer delight OF moving
onr's fingers swiftly over the keys. The
mechanics are only the means OF en-
abIing the student to take up the study
~ tccbnioue. There are some people
who think technique and mechanics one
and the same thing. One may develop
n fine mechanism for the piano ana ye.
not have the faintcst conception Oh
technique. The hipher technique IN
cIudes perfect mechanism, phraslng,
pedalling. tone production. toucn anu
n playinc knowledge of the dIHereh'
STYLES of composition. -,
Here are few suggestions "nich
might be helpful TO the serious student
of the piano: Listen 70 your tones 90
not look az them. What would you
think Of painter who listens TO the
stroke Of his brush across the canvas
In order to make practice interest
ing and profitable. you should vary the
order of your programme eacn Gay -
Do not make a machine OF yoursef.
Always use the pedal with trllis;
otherwise they sound dry.
The best lingering is by no means
that which comes easiest to the hand. IL
is rather that lingering which best eS-
presses the musical phrase.
Whenever two themes or figures APP
pear together. the one with the least
amount of notes receives the most I'M
portance.
The goal Of all instrumentalists IS to
initiate the voice, which IS the perfect
instrument.
Finally, remember that it takes char
acter and enthusiasm TO brave through
work 70 success, without falterlrg and
weakening or breaking down under the
demands of the tremendous strain.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14

Of rhythm and tone color and with in
terpretative insight, the mastery OF
each piece should afford the greatest
pleasure and mental stimulus TO the
student
Most discOuragements Of the young
art aspirant would be eliminated II the
methods OF the efficiency expert were
applied to the musical as they are %
the other professions.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1917-10-14
Madame
ACKNOWLEDGEMENTS
The American Singer

Eeonora de Cneros enjoys the position the operate HE
Of to-day the American who has practically great
operahousc the world Only artist Of exceptional versatility and
power can the three audiences Italian French and the
German and their widely dergng tastes Cisneros has
plshed this prodgous undertaking.
She commenced her operate the METROPOLITAN Opera
House 1900 when only OF while still student OF
the famous teacher MuoCe This honor before
corded American singer who had had abroad
Considering that the obligation of every American this
nt to uphold and support the fullest degree all that which Amer
lean Eeonora de Csneros daughter of this country eaur
ing for the coming season special program exclusively Of the works of
American composers,
Announces the following special Programs
SONG RECITAL-ExcIusipely Of american Composers.
MODERN SONG RECITAL-In French, Italian, Rus
sian, Spanish German and English.
CLASSICAL PROGRAM.
ORCHESTRAL. ARRANGEMENTS French and
Russian music, many works hitherto unperformed
in America
Address all communications
MISS MAY JOHNSON, Personal Representative
50 West Sixy-sevenh Street
New York City
Telephone 552+ Columbus
Washington standard. [volume] (Olympia, Wash. Territory) 1860-1921, 1917-09-14
HOME GUARDS TO HAVE
OWN UNIFORM next week
Local Company Soon to Be Fully
Equipped as Military
Company.

Members of Company A, Capital
Home Guards, who received 100 guns
and 10000 rounds of ammunition
this week, expect also to receive their
first consignment of uniforms next
Thursday and soon thereafter to be
fully equipped as a military organiza-
tion.
The guns and ammunition were
purchased by the county commission
ers upon formal request of Sheriff
Jack Clifford, while the uniforms were
bought by donations generously given
by local citizens, when the new Home
Guard organization demonstrated
that it meant business. The uni
forms, of regulation olive drab, con-
sist of a shell jacket, trousers and
leggings, campaign hat with cord, and
collar ornaments showing the branch
of service.
When all the equipment has been
received, Captain McClarty plans to
take the company out on Hawks
Prairie, east of Lacey, every two
weeks, for target practice, and va
rious field maneuvers. About 40
men are drilling regularly every
Tuesday and Friday evening.
Washington standard. [volume] (Olympia, Wash. Territory) 1860-1921, 1917-09-14
STATE FAIR next week
IS BIGGER Than EVER
Fine Livestock Display Predicted
County Exhibits to Be
Large.

The Washington State Fair, to be
held all of next week, gives promise
of being one of the best ever featured
by the state.
DR.. r. J. Donohue, superintendent
of the livestock division of the state
department Of agriculture, after max
ing trip through the Olypmic penin-
sula and meeting the stockmen else
where who are preparing herds for
the fair, says he expects to see the
finest stock show ever pulled off in
the Northwest.
The county and district exhibits
that have contracted for space insure
splendid showing in the line of agri-
cultural crops. The children's indus
trial department is enlarged this year,
under the supervision of Superintend-
ent Rodney Ackley, who is confident
that $50 boys and girls will compete
for the prizes.
big sheep sale will be held
through the week. Registered and
pure-bred rams and ewes will be Of
fered for sale. The sale is under the
supervision of Professor William His
lop. of Washington State College, who
expects 1000 head will be handled.
Washington standard. [volume] (Olympia, Wash. Territory) 1860-1921, 1917-09-14
CAMPS AND MILLS REOPEN.
Rains Eliminate Fire Danger-Strike
Declared Broken.

Reports from all sections of West
ern Washington say that the men are
going back to work in large numbers
in all the logging camps of this Sec
ton while many of the mills are also
starting up on the old basis. Here in
Thurston county the Mud Bay, Bor-
deaux, Fir Tree and Union Mills
camps are putting on crews again, the
heavy rains of the past week having
eliminated the danger of forest hres.
The lumbermen are confident the
backbone of the eight-hour strike has
been broken and, though most of the
crews are still shorthanded, they ex-
pect additional men as the work in
the harvest fields is completed and
the American Lake cantonment is
finished. s5f