The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-05-08
FARRAR SEEN AGAIN
AT STRAND THEATRE
Appcars on Screen in Play
Founded on Angel Gui-
mera's "Maria Rosa"
OTHER PICTURE SHOWS


-.,s. r,rr.r ~. >,orv p,,,,ora
'er"'u'". ~
~ the M~etropoiitah opera ftouse' was
.een on the screen again yesterday after
,oo, shs ua. n, tho Strand Tbeatrc
g -...., r.. =. 60.
winch "S' "e" "' "'"e"
Later she was seen nearer to the opera
house in Temptation at the broadway
,-..,r. Thu n,c,ure olax ve.,srdev
-, ,.,-.- -.
was ROUNDED on A"se' o"''"era Mar'a
Rosa" which Dorothy Donnelly gave Mt
,be ~Thirty.ninth street Theatre three
-
years "so'
or course Gu'neras simple play has
been expanded and extra illustrated and
,,, nj Z, vere. into words M opc syi,a.
30 in order that tho most undevc,oncd
,...,iigc,c. nay unders,,na a.. scono.
i.,sn disressiors from tho story are as
,rooror, a. us,,a, In tho r,ctur. ,,ay.
instance. was n Ash. II seemed to he n
rtckerel. II was the tribute or one OF
Maria Rosds suitors. She rejected him
and his pickerel simultaneously. An
other lover resented his and
was hit IN the race with the passive fish.
which had by this time begun to lose
commercial value. The nshmonger was
murdered FOR his audacity Maria Rosd's
betrothed was accused and the guilty
lover went free.
Then Gulmera was resumed and
Maria Rosa went on TO It's accustomed
finish. although IT seemed a precious
iung time apout IL. Miss Farrars
glossy locks were beautiful and she
played certain OF the serious scenes with
ehe't. rms was notably true OF the
raise announcement or her lovers death.
she was painfully exaggerated in all
her expressions OF gayety. and her arch
ness during the earlier scenes was only
q little more overdone than the tragic
episodes at the end. With ali the excess
s've play OF every feature. the over
working of every glance, muscle and
even tooth. there was not the least con-
viction OF sincerity about all the pro-
ceedings. 1t was all for the camera.
which Miss Farrar never forgot for q
minute.
Fine Pictorial Quality.
Acting IN tho ci,er, MACS Mug, bo
the mos, documentary rnrn N; ,ha, or,N.
else souhre,,es ~ ~. s,,a. ,o,,a 10, y.
ero,ionaI Actresses y, ~ e,n,s n,i,h
such case II can sn,rcaI, ha o,,ied
p~,n.omime in tho case -, N,s. E,rrar
AS she sne,ks ~ ,oyo ,o,-tor esh =.
Was one instance n, ,bts nec,,ia ritz in
which 4, was as easv 70 r.ad har ill., as
~ she had heer .n.,l,rc a,o,,a D.,
win ali IL. lac. -, Az, 80 -
plesi,v there mus, no COW. sor, n, =,
medium a dagree ~ ,r,,s,,, ..s,ratr,
necessary .omewbor. tn s.rnan ao,tna
Miss =, rrar hsIn.a ., 49,, 81. -,
into the car, and soId c,rro,s "a 49,
nlns and cabb,res IN ,he ua-Sa, r,i,,
oemocratic enthusiast A.. usn.i nnr.
traits OF the sonrapo wsr. ,,-on,n ~,
screen before he n,.y hecan ~ .o"mnS
Impossible that The iatr,v arnar,,;on ~
Mdnon. the nict,,resoua C;o'r;o g., 80
the ,mperious EIorin Tosco .ho,,,a No..
been the Same nersop ,h,, us -, -.
IN the pictures
II was said tina. Nyiss F. rr,- ON, 1u,,
Tellegen. her nd we've ,rs.e,, ~
a box, hut IL could no, no sesn in ,ho
subdued light whether o- M, tho nrn,.
res; of the pdc.ur. w,s a-c>n-rnar,e
with the same exui,a,,o, tho, u'a. ..i,.
messed on the stage OF the Naxtn. ri.
'o.. Theatre u,h.n ., 49, S..an.
=