New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-24

China, CanadaD"Sun and Shadow,
Lake Louise; California and the
Grand Canyon OF Colorado are among
places that have given subjects 10 MS
easy going, broad brushes. he has rnado
good, painter-like, objective notes,
rather ordinary in conception. although
there ia an occasional glimpse Of OK
ceptional color, RS in Evening In the
Hills, Porto Rico" "Rio Piedras."
"Kowloon," "Hills Round Kioto' and
"Grey Day, BOwkiver."
The exhibition Of landscape etchings
at the keppel Gallery, a mine o. roots
and results, gives both entertainment
and instruction. Mr.. Zigrosser, who
arranged and cstalogued the collec-
ton. has done mis- work we'll, so well
that we may begin with Direr and
Albrecht Altdorfer, 20 whom land
scape was r white page upon which 10
write phantasies suggested emotion
ally. and end with men like Herman
A. Webster and Ernest ID. Roth. who
scarcely dare 70 blot the page OF land
scape with the specks Of humanity
which feed upon d. Durer, Altdorf-
er, Rsimondi, Zatzinger and Lauter-
sack are merely a prelude to the play.
The play begins with the fathers OF
landscape etching" Claude and Rem.
brandt, and Rembrandt. hero in such
plates as "Six's Bridge" Landscape
with Men Sketching," The Viii" and
"The Cottage with White Palings."
would seem TO be a father unbeaten
b. vast multitude Of PROGENY in all
shapes and sizes. We 70 on: jacques
Cabot, Lucas van Leyden, Antoine
Waterloo, Adrian Van 0Sade, Jan
Both, Tho Great Tree: Allart van
Eyerdingen. John Crome. all etchers
of the seventeenth century: through
the eighteenth: Tiepolo, Canaletto.
"Nurano"; Pirsnesi and Palmer. This
brings US TO those pure landscspists,
the Men Of 1S30-Corot, Huet, Jacque.
who was TOO perfect; Millet, Daubigny,
Appian-and the beginning OF impres
sionism-Jongkind. The modern mas
tiers are headed in the order OF the
catalogue By Seymour Haden. Of whose
"Shere Mill Pond" that lover Of fnali-
ties, p. G.. Hamerton, said: with
the single exception Of one plate b.
Claude, this is the finest etching OF
a landscape subject that has ever been
executed in the world" Poor Rem
brandt.
Brsquemond. Legros and Lepere are
well represented; so are Childe Has
sam, Pennell, Bauer, Cameron. Muir
head Bone, Mclaughlin. Washburn.
Webster, Roth and McBey.
An exhibition OF paintings bv the
Misses Helen NJ. Turner, Theresa
Bernstein and Maria j. STREAM. OF
silhouettes by Miss Sarah r. Cowsu.
and Of sculpture by Miss Renee
praher is held at the gallery OF the
Woman's University Club. Here the
pictures are shown quite as thew ap-
pear in home separated by large
spaces Of wall and surrounded by OBJ
jec;s Of furniture. One singles them
out with dificulty. They arc not ION
parade" Those Of Miss Turner
Betty and Mrs. Leicester Lewis"-
have added n certain foridness %
color TO the technical mannerisu.s os
Mr.. Alden Weir. Miss Bernstein
paints beach scenes without fear OF
the death Of color that moderns tell
us Turks IN the employment OF black.
Her brush dares as much as her
palette. One could wish that II backed
It's daring with Just bit more learn
ing. In Miss Jane Peterson Elisha
Nedder Fountain" and Street.
Gloucester is love % breadth
that works against insistence upon
the salient and even Significant detail