davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
HIPPODROME CONCERT.

Mary Pickford assisted by Frank
O'Brien. James Corbett and her leading
man, whose identity Is a dark secret,
will be the feature Of the Hippodrome
concert tonight in a movie sketch.
Mary will give her share of the receipts
70 the Actors Fund.
A feature OF this bill will be the in
PRODUCTION on one stage Of a dozen Of
the popular composers OF light opera
in America. Each will appear at a
piano and play some composition OF
his own that has become famous around
the country. This will be a reproduc-
ton of the feature which recently
caused sensation ut the Lambs Gam
Dol. The composers who will appear
are Irving Berlin. Gustav kerker, Ray
mond Hubbell, Silvio Helm, Louis
Hirsch, jerome Kern, Alfred Robyn,
A. Baldwin Sloane, Robert Hood Bow
ers, Victor Jacob. Leslie Stuart and
John Philip Sousa.
The operate soloists will be Sybil
Vane, late OF Covent Garden; J. Rum
bird Duffy, the American tenor, and
Robert Csvendish. The latter will sing
song by William c. Polla called
Mary" and dedicated TO the principal
star OF tho evening" Mary Pickford.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
Premieres of the Week.

AMERICA FIRST the Maxine Elliott Tuesday evening The latest
comedy the work of T. LawaOn Riggs and Cole Por
will be
des o Miss Elisabeth llarbuy
American girl who afflicted with Anglo
overwhelmed with the glamour English title Her
through West
American destiny.
First" includes following players
Edwards, Clara Palmer, Felix Adler, John H.
Godworthy Clifton Webb 0Brn Betty Brewster
Leo Gordon and Lloyd Carpenter
gether "a chorus of twenty-four.
The has been staged Benrmo The costumes have been de-
Melville
CAPTAIN BRASSBOUNDS CONVERSION the Playhouse Wednesday
evening piece will last production of
this which has been successful that
September the
Chicago beginning April D.
Brassbo Conversion be her last offering
1t comedy three with the
0 Morocco and a Moorish castle
will take the OF Lady Ccely Wanefee the only
the play. For Captain Brassbund
Warwick, been the legitimate
ar Of a Celebrated
Theatre Lawrd play Sir Howard Haam,
Lewis Edgrd have also been
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

Nowhere is the plays age more Ger
tainly revealed than in It's minor char
acters their nature and their manipu-
lation. The sub-plot, necessity in the
nineties, happily IS now dying out
Later known as comic relief" 10 was
never anything but a concession to the
gallery -valueless artistically and
technically. Mr.. Chambers compounds
the felony by juggling two Of these
minor plots in "The Idler," nor has he
improved matters in the so-called new
version. The necessity Of fitting Marie
Tempest with a part, in fact, has forced
him TO build up TO great proportions
the properly insignificant role Of Mrs.
Glynn-Stanmorc. Miss Tempest, TO be
sure is quite delightful IN these added
scenes, but that does not condone the
dramatic crime.
These minor characters. as plays
were fashioned in the nineties, were
allotted the first ten minutes or so Of
every act with the possible exception
Of the third 1t was their unimportant
iutricues with which the audience first
became acquainted Such information
diYulged, the said minor characters
would drift into a discussion Of the
TROUBLES in which Sir and Lady y
found themselves, and when those i'm
. portant persons entered the scene the
audience was already acquainted with
their secret. But the modern play
wright is denied so bald and convent
cnt a method. Such exposition as is
furnished by the minor characters must
be deity disguised offered, in fact, in
some way that never has been used
before. And the growing tendency to-
day Is fatty to deny the playwright all
such means of exposition, no matter
how skilful his employment OF them,
and 20 compel him to reveal his stu
alton through the actions Of the ma
Jor characters alone.
An additional fetish Of Mr.. Cham
bers's heyday concerned the necessity
on sweeping up each Of the minor char
aoters IN a successful romance. no mat
ter how ridiculous il might appear.
And usually, indeed. it was ridiculous
enough, for Il was apparently a rule
of the DAY that each of the secondary
characters should be a freak Of some
sort. Mr.. Chambers, in translstng
THE ldlerT 10 The Great Pursuit
has carried along a pair Of these minor
romauces, and both OF them are iudic-
rous. Simeon Strong goes through div
crs experiences in the West, becomes
rich, moves 70 New York and waits ten
yesrs-and stays single through IL all.
And then, while in the reasonably i'm
portant act Of reyenging himself upon
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

she didn't get that laugh. and then I
noticed that when She said Ny sags
facen she raised her hands up toward
my face. Keep your hands al yosf
side tonight told her. She did, anl
the laugh came back.
an The Third Party there was 4
scene where Taylor Holmes and myself
got cauPht lying. 10 was supposed %
be one of the funniest parts, but whes
we played it there wasn't a sign Of .
laugh. Taylor said l. we got to mes
this up. I'm going 90 get a setter
bottle Dear Walter be begged, 'tort
pull that old setter stuff I hate e
90 it, | said, but we got 70 do sors.
thing
well, that night as came to o.,
theatre / happened to get hold Of q
bunch of American Beauties who's,
petals were just falling or ! gave
them to Holmes and I took a trust
old settler bottle myself When We
got caught in the lic ON the stage
commenced TO stammer and SAID, Lets
have drink And in making the higi'
ball / squirted that stuff al over HI
stage. Holmes said. What beagifg
roses!' and grabbed the bunch and gsy'
a shake. A cloud OF petals went Up Z
the air like autumn leaves, and th'
stream of setter drowned the stage
Well, you ought 10 have heard the yell
10 was the biggest laugh wa ever pulled
and il was so big 10 spoiled he act w
had 70 take it out and close the sho1
with It,"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
n F17RNTSH THU WEEKS DRAMATIC FEATURE
Random Conversations
with Theatrical Folk
The Singular Complaint of Olive Tell-Walter Jones D.
cusses Farces-Arnold Korf to Act
English Speaking Stage.

The ten-twenty-thirties w.c
next TO claim the versatile ve,i. -
Jones. lie played in a piece 81
THE Pulse of New York; 70, 49,.
years. During that time" said ~ ~
81 played nine different parts 49,
show. l killed everybody bu, !,
soubrette and the leading wona,
fore | got through" !"
IL was in 1893, In d musical sy,,.
ganza entitled 1872" that Jons, ~,
his FIRST big hi. lie took The mar, :. {
tramp, and at the opening perionr,.
he went so well that his manage, 80
behind the scenes and raised him g.
$50 10 $3.50. From that time Jons.r.
been wollknown musical comedv !.
farce fixture.
In farce, according 20 Jones. a.
funniest situations are rarely vpis,.
in the script. They are d.seoyer,S ,
rehearsals or during performance
There is only one certain w,r
doing a thing that viii get the l,esl
said Jones, "and you have 10 nv :,
try until you discover DC. Often II, -
simplest little thing. For instance 4
The Blue Envelope we get our bis,,,
laugh just by walking on the s,sS.
We're supposed to be in an oper,hs
room, but we're really out to a ro,i
house; and when We come in us,,
pectedly with our clothes full Of O.,
fetti and strcamers we get an sx,
scream. Now, when we praetsed IS,
scene in rehearsal without toe CO.
fetti il went flat
Then ] remember once IN B.k
Mine my wife got O big laugh Just \
saying Ny angel taceN one day q
lost it. Where's your laugh% s,s,
her. And she said: y don't know. VI.
ter; I'm worried sick about H. l. n.
disappeared Well. sin for three iin
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
How twenty-five Years
Can Affect the Theatre
The Great Pursuit Serves Reminder as Well as
Stirring Curiosity Concerning the
Dramatic Future.
By GEORGE S. KAUFMAN.

QUARTER century presumably the Joseph Brooks OF
a revive one of the dramas from when
the present generation derives such enjoyment Care VIII De
taken Of course plays obvious signs Of age e
phones motor for example, and in their places
will be substituted methods Of communication and ranspo
ton And then? viii the result foolish the audiences Of 1910
the plays Of 1890 the audiences OF today IN oher WORDS
the dramat progress during the coming quarter century marked
has been in the last2
Experience would dictate affirmative answer but com
However the thearegoers OF 1871
undoubtedly the period the best that co
written of them still think So for that matter WI" e
example before one foolish standpat attitude and
present dramatic form cannot be improved upon but
is difficult the mathematical ratio will hold true IN the
matter Of 1916 and the difficulty emphasized by the dismal
failure Eaddon Chanerss efforts to breathe new life into the
play that "The Idler"
When this youthful ndiscreon Of Mr. Chambes
either in it's old form or presented at the Shubert The
e one cannot that could have passed for
entertainments that parts of old Every char
er every scene every every the imprint Of its
time Small Mr. Chambers could not bring up to date by
having Lady Harding and Marie Tempest talk over
the bon It's age the surface; is the kind that hardens
the arteries and makes brittle the bones
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
THE GERMAN PLAYERS.

Director Christians Of the Irving
Place Theatre and his stock company
will present Julius Cesar at the
Metropolitan Opera House on Tue day
night as part of the German Shake
speare Festival. The gala performance
VIII have for the first part of its pro-
gramme a classical concert by Nahan
Franko's orchestra, and a educational
speech, Shakespeare, the Poet" by
Dr. Eugen Kuehnemann. Of Breslau
University, Director Christians. who
has STAGED the play. will appear as
Marc Antony, Richard Fest as Brutus,
Crete Never a. Calpurnia and Ernest
Holtznagel as Cassius. Others in the
cast are: Ami Rub-Fserster, Hertha
Schoenfeld. Aranka Ehen. mn Engel.
Ernest Robert, Christian Rub. Hams
lnterkirchCr, Gustav Paul Schuetz.
Willy Frey. Otto Meyer, Ludwig Kop-
rec, Curt Manthey Eugen Keller and
Heinrich Falk.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
WHERE PLAYS CONTINUE
A Handsome Production of The Merry Wives, with
an Excellent Fastaf.

at the Lyric. will bring its run to a
close Saturday night. Il is contln-
uation of Potash and Perlmutter."
"Ilit-the-Trail Holiday" at the Har-
ris. is a farce about Billy Sunday,
gcareG 10 the usual Cohan speed.
Margaret Schiller" at the Empire,
is a bad war play in which Elsie Fergu-
son is appearing. Il is now in its last
week.
king Henry VIU," as Sir Herbert
Tree is presenting il at the New Am
sterdam, is a layishly mounted, beau
tifully costumed and we'll acted pro-
duction. Ign Harding is a fine Henry,
Edith Wynue Matthison an excellent
Katharine. and Sir Herbert at least an
acceptable Wolsey. The play is offered
more as pageant than as drama.
"The Heart Of Wetona," at the Ly-
ceum, is tense melodrama of life on
an Indian reservation. II Is produced
knowledge, and is consequently a sue
cess.
"The House of Glass" at the Cand-
Ter, is an interesting police melodrama
that will end long run this week.
The Fear Market" at the Comedy,
treats OF blackmail in high society. 1t
= an inept play, but has been reason
ably popular.
Treasure Island" at the Punch and
Judy, Is good dramatization of
Common Clay" at the Republic, is
melodrama with a typical big scene"
IL has been exceedingly popular.
Just a Woman at the Forty eighth
Street Theatre. deals with the attempt
Of a Pittsburgh millionaire to acquire
new wife. Il is a melodrama with a
strained punch.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

before ! ever got to Broadway. IA
feel much more secure If I'd had more
of a struggle. | wish | were like Elsie
Ferguson-sh she has done so much for
herself"
For those who never have seen Miss
Tell be it said that she has a colorful
sort of beauty. Her eyes are very blue.
her teeth are very white and her lips
are very red. In fact, after seeing
Miss Tell there are a lot of people who
can't decide whether they'd rather be
Lou-Tellegen when he's at home or
Lou-Tellegen when he's on the stage.
Although Miss Tell is extremely
pretty and wears her gowns becoming
ly, if there's one thing that breaks her
heart it's to read that very expression
in the papers She cannot bear to
have people say she is pretty and wears
her gowns becomingly- goshl What's
going to happen? Here it is twice in
one paragraph
CAN you imagine portly Walter
- Jones, the eminent farceur now
engaged in a great pursuit of "The
Blue Envelope" perched on tho apex
Of human pyramid and clad in Nile
green tights?
Yet that is how Jones started in
the show bushes, thirty-three years
ago. When he was ten years old he
got Job as top-mounter for an aero
battle family the Cyclonic Nincents.
Jones was the part Of the family who
did stunts up where the atmosphere Is
rarited. And he wore Nile green tights
with spangles.
From the circus circuit Jones drifted
TO musical farce, for in those days,
after the characters had finished run
ming in and out OF the doors. under
and over beds and up and down fire
escapes, they would all lire up in front
Just as the curtain foil.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
MUSICAL.

The Conan Revue 1916" at the
Aston. is the brightest and zippiest
show in town, and the most intelligent.
"Katinka," at the Forty-fourth Street
Theatre, is a popular musical comedy
that will be transferred TO the Lyric
Theatre at the end Of this week.
Every Good Eddie" at the Princess,
is a quiet and likable musical play.
"Sybil." at the Liberty, Is a spirited
entertainment that boasts Of Julia San
Gcrson, Joseph Cawthorn and Donald
Brian.
"Pom-Pom," at the Cohan, contains
the sprightly Miss Hajos, as we'll as
much whistleable music.
"The Blue Paradise" ct the Casino,
is rounding out Broadway season.
Robinson Crusoe. Jr.," at the Win
ter Garden, has the humorous Al Jolson
and scores Of girls.
"Hip-Hip Hooray," at the Hippo
drome, will run to the edge Of summer
Ziegfeld's Midnight Frolic," atop
the New Amsterdam Roof, IL at present
undergoing various changes. Il will
be strengthened tomorrow night by the
addition Of tho Horelk Ensemble and
the departure II Eva Tanguay.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
Newman Traveltalk.

Bolivia, the Land Of the Great Pla-
teau,' will be the subject Of f. NJ. New
man on the occasion OF his fifth lecture
on South America at Carnegie Hall to-
night, In addition to n trip through
Bolivia. Mr.. Newman will take his hear.
ers to Ecuador, Panama, Costa Rica
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

WHEN Arnold KorT o.. the ITitg
W Place Theatre Comuang JOBS
James K. Hackett as i.a3 n Nr, hses..
ett's forthcoming production o.
"Othello." the Lugi Dr. pe4A.ng stage
will acquire am actor who has been ne
fayorite of the Kaiser, the car V,
Emperor Of Austria and the hlag o.
Spain.
For sixteen years Nr Korf playst
in Emperor william hasef.iei'
Konigliches Hof-Burgtaeatcr IN Be''
lin, at odd times visiting other lure
pean capitals. where h.s arrival Su
the occasion OF roya. interest Amofii
other things. Dr. h0rt has receives
the order of knight COL. Che Red hss'
from the Kaiser. a.
II is not generally known hat ~
Korii is an American citizen, OF nAN't
birth. lie was born '1 S. LOUIS y
Swiss parentage. Do 1862 Nhea ~
was one year old his father moved 70
Vienna. Here Korif spcu, bis boyao'''
and was educated to be ar eugneG
In pursuit Of this calling hor1 ",
turned to his native land when ne W. ~
twenty-one years old. going west ~
stayed for FIVE years, following yans =
career For two and O half years =
South Kansas he was a cowboy p1n.-.
ing cattle. Korf says DE can throw
lar!at as well as VIII Rogers. s.s
he joined a stock company DO Dsl't5
his first American appearance ., 80,
stage. But the company NcAi DSAA'f'
and he returned 90 Europe -,
From boyhood korf had been VS.
Of acting. so when che opportunity ~
scented itself BE- join .. lHp..
company in Berlin. Here ia sgso,,
ance with the custom of german ~,
tory, korf received the lnesi 'I"''-"'
that can come 20 an actor
Although friends often solgh' 70
fuence him 10 give up hi' Amsl;'s :,
citizenship, he always refused shs :
the beginning Of the war be Fe'''"''
TO this country.
81 have played all the German par
that are being played" said NJ. ho,-
land | feel that I want 90 enter ~.
fields. Besides. I am forty-se'eh 80 80,
old. and ! want 20 make some hON''
before | die" go,
Mr.. Korf has spoken high Oesp.s .,
almost continually for more ihsu N
years, but he does not feel inat ne rI
be handicapped In his SaaNe'pe"..s'
role. II have a slight conrersA'l,.o'.,.s
accent" he said. "but in speahins ~"
orized lines / do not anticipate -
trouble.9 The role OF Iaeo Is nov ~
to him, as he has played me p''
German. Ia,
Mr. Korff Is "natural born sew
as he received neither instrReuon "a
encouragement from any one. 49,
ing To him. there are no oths, 80
than natural born" actors. 500
cannot be taught or learned, ne sTS
"An actor can only be guided
spirit must be within him ih'ls
only one good actor the one VINO Pg,
An actor is real success WneH "a,
performance is worth s. 90 every ~
son who sees him" 4.
George AIDE recently said VIZ. =
any one had 20 DO nowadays To =. :,
actor was 20 have has picluf, 80,
When Mr. korT was asked tor hia W.
tograph he seemed surprised. ana ss"
a stammered apology he SAID ne H .,n,
have any. In these days, when P.s.,i
Of Robert billiard IN q Panama ~.
more common than one OF ffes,', !,
Wilson, Mr.. Korf's statement was =
ceived with incredulity, 70 say ths ~
But close questioning revealed INC -.
that he had not had his picture "''
in some ten years.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
PLAYS CONTINUED.

"Erstwhile Susan at the Gaiety,
provides Mrs. tiske with opportunities
of which she takes full advantage.
John Cope also does some good acting
IN a play that deals with the humors Of
life among the Pennsylvania Dutch.
"The Great Lover at the Longacre,
continues is victorious career. Leo
Jitr!chstein is excellcntly cast in a
line comedy about grand opera fox
"The Cinderella Man" at the Hud-
son, is a modern fairy story of great
Of substance.
THE Melodv Of Youth" at the Full
ton, is a romantic play laid in the
Ireland Of 1880. 1t has much sweet
ness.
"Pay-Day,- az the Booth, Is a satire
on the films, although 1t was never in
tended to be so. The result Is a satire
that IS always restrained and sensible
joy forever and the second most
intelligent entertainment IN town.
"Fair and Warmer" at the Eltinge
is skilfully written and well played
farce. Two married couples and a
cocstail furnish enough humor for d
couple of plays.
"Tbc Boomerang" az the Belasco.
Hi.l round out "a solid year Of success.
Three weekly matiEcos are incapable
OF taking care Of the crowds.
"Thc Blue Envelope" at the Cort.
has plenty Of laughs in It's Last act.
I'm It's earlier moments, however, II f.
quite innocent Of gayety.
Potash and POrlmutteF In Society,""
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26
PLAYS OF LAST WEEK.

,UTHE MERRY WIVES or WIND
SOR," the second of James h.
Hackett's productions al the
/ Criterion, is an eXcellenuy mounted
ard quite we'll acted presentation OF
/ Shakespeare noisy farce. Thomas =.
Wise achieves new houors az Falstaf,
and Henrietta CrOsman is q fine Mis-
trcss Page. Viola Allen. although mis-
cast, does reasonably good work as Mis-
tress Ford Some of the lesser roles
are exceedingly well played, and josef
/ Urban's scenery is alone worth visit
20 the theatre.
"The Great Pursuit at the Shubert,
Is new Version Of &. HaddOn Cham
/ bcrs's play. The ldler" IL is we'll
acted by a cast that includes Marie
Tempest, Phyllis Neilson-Terry, Bruce
McRae and Charles Cherry, but the
play itself is hopelessly old-fashioned.
"A King of Nowhere" which will
move to the Thirty-ninth Street Thea
ire tomorrow, gives Lou-Tellegen the
opportunity for some fine romantic act
ing Aside from the stars work and
that of sydney Greenstreet however, it
contains little that is noteworthy.
THE Magical City" at the Bandbox,
is the most worth while of the quartet
Of new playlets offered by the Wash
lngtOn Square Players. Ii is a melo-
drPma OF New York life and play Of
high literary quality. Pierre Patelin"
is q delightful fairy play; "Children" is
tense and realistic drama, and The
Age OF Reason" is an amusing skit on
The precOcity Of modern children.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

the slayer Of his brother, he encoun-
tiers a silly thing i'm short dresses and
is engaged 10 her the day after he
meets her The romance involving
General Merryweather and Mrs. Glynn-
Stanmore Mrs. Crosby, IN the original
play is even sillicr if the thing is
possible From the love-making OF
cackling old men and women may we
be forever spared,
The chief dramatic situation in "The
Great Pursuit" may have been new In
1890 certainly il had to be new some
time On one pretext or another
married woman visits the apartments
Of the other man at night; the husband
arrives and finds her; big scene. But
Mr. Chambers jerks his incidents along
bv such elementary devices that the
scene lacks realty and must have
lacked il in 1890 or 1890. There is
q curtained balcony on which the fair
visitor conceals herself once, but
several times And, that the husband
may discover her presence, her bouquet
is left conspicuously displayed upon
the table The modern audience, YOU
may be assured, discovers it long be-
fore the husband does. Mr.. Chambers
method of improving" this scene was
20 substitute bouquet for a fan.
Fans are so old-fashioned. you know.
1t IS idle to dilate upon the coin
cidence that brings Strong, Crosby and
Harding together in a London drawing
room in the first act-men who had
drifted apart tep years before in
mining camp 1000 miles away
Enough has been said to show that the
gap between 1890 and 1916 is 80 great
that it is unreasonable to hope for
similar improvement in the quarter
century TO come. Yet a Won
dering critic may draw up 20 his type
writer, along I'm the Spring OF 1910,
and solemnly asseverate that the years
between 1910 and 1865 can never wit
ness such improvement In the art Of
playwriting as took place between 1916
and 1910.
The young woman who wrote "The
Age Of Reason" in the new bill at the
Bandbox. is Miss Cecil Dorian. There,
Miss Dorian figured as Mr.. Dorian i'm
the Tribune review Of the programme,
and we cannot even follow tradition
end lay the error 90 the COMPOSING
room. The only Cecil,of our acquaint-
ance is Cecil Lean, and the only other
of whom we have knowledge is Cecil
Spring Rice. That is our excuse.
The literary organization that now
lists Mary Pickford, Anita Stewart and
Jess Willard among its members is
about 20 be singularly honored. Theda
Bara is writing her confessions.
Who, we wonder, Is the person who
rivhtlv blows IN the balloons on Mr.
Ziegfeld's roof, and what does the job
pay7
"A King OF Nowhere according 20
the verdict, is swashbuckling play
and one that is rather more swash than
buckle.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

"A King OF Nowhere according 20
the verdict, is a swashbuckling play
and one that is rather more swash than
buckle.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

Who. we wonder, Is the person who
nightly blows up the balloons on Mr..
Zicgfeld's roof. and what does the job
paw
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

The literary organization that now
lists Mary Pickford, Anita Stewart and
Jess Willard among its members is
about 20 be singularly honored. Theda
Bara is writing her confessions.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

"The Cinderella Man. az the Hud-
son, is modern fairy story of great
charm, and which has the added virtue
of substance.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-03-26

"Thc Boomerang" az the Belasco.
Hi.l round out solid year OF success.
Three weekly matiuces are incapable
ol liking caro- Of the crowds.