davidaulloa/AmericanStories huggingface dataset:
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
UN DISCURSO DE HUGHES

e. Magistrate Hughes, peSar de
este cargo. que reviste seYiedad V
fuerza; 4 pesar de que sus enemi-
Cos hablan de e. como de una esfinge,
cuya alma es un misterio, Sc ha he
eado. Sistematicamente hablar. No
parece sino que su politica radica en-
el Silencio.
Sin embargo. hace pocoS dias con-
currio una fiesta escCIar. en Ia que
SUI hija tomaba parte; Y ALI pronunci6
IA siguiente arenga. premeditamente
incolora, ante las alumnas del plan
tel: "Esta Dandera-dijo, tomando en-
sus manos In de los Estados Unidos-
l..
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
Hughes obuOo mayor nero de uoos los dos escrunios
Uer1cados anoche en- Ia Conuenc6n del PadO Repubcano
La session ermn6 esordenodamente pUes los deegodos
por Oregon querian prolongarIa con o3jeto de
forzar la designation defiRitiDa de Hughes
Los progresistas tuUieron tou1bien una session
tumuItosa en- que pedlun que fuero noH'6ra-
do candidate Roosevelt inmedictomente

: : e: E:
Especial para LA PRENSA
r>ruado del segundo
Hughes 32S
medic, Burton u medic Weeks !9 Roosevelt So
LafoI cuantoa voSoS
eI SenadoT
tinad Ia continual
In Er< de objcto la Comison de :
del Fsrtido ProgFes
Los deegado la
tuhg conservaado la Convention
confusion al fin
Aanbea que quedaba suspendjda hesa maaana :
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
LA INTRANSIGENCIA DE LOS
PROCRESISTAS

e peligro de Ia division esta en- los
progresiStas. AlgunoS de ellos. a me-
nos. preseutan esra diSyuntiva al Par
lido Republicano: 20 Roosevelt o
Wilson" Is decir, 81 e. coronel no
es el candidate. IA division ser4 in
evitable, y, con ella, el triunfo de
Woodrow Wilson. William !. Bryan
en- recientes declaraciones. ha dicho:
''Todos los republicanos de las dos
facciones. y que Sc dicen bieu intor-
mados. reconocen que 81 inica pro-
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
AbandGnarOn los fcrrOcarrilrroS cl
prOycctO de la huelga

Los rnrrocarri.eroS De Ia Lin"a de-
Vi2o han deridid0 abandonar I'll pro-
y"ct2 de deciaraF una hunI2a gene
raj. rn vista de que, por mas ",fucr-
zos que han hcrh0 para ronsa=uir
apoyo en los emp,radoS de los iemds
fcrr0rarirleS d. ESpa1a. NADIA han
locrado hasta Ia frrha que los bene-
ficir.
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
Los obrerOs protestan pOr el aumen-
10 de las rentaS de caSaS.

I'm varias pob.aciones del Reno
han vanido ce,aDrandose damostra-
rionas populares de- pcotcSta poT a
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
LERROUX CRITTCA La NEGACION
De La AUTONOMLA CATALINA
Los obreros protestan por Ell alza en- las rentas
piden que Sc conceda una morotoria

conrrdjia por - gobirrn0. In uni
dad de- Espala - vera IN p"llcro.
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10

(Psse E IL 5s. Col. sa.l d
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10

(Pess . IL So. Col. 5s.)
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10

(Pasz a la 5a. Col. 4a.)
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10
TO ADVERTISERS

We guarantee IA PRENSA has large,
circulation than any other mexican news
paper in the United States.
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10

CoYnpre ustad sUs iibros en- esp@h'i
,pnacio E. Lozano, 6O7 uoIorosa s.. san
Antonio. Texas. Su casa Is n haas har'.tn. .
La prensa. [volume] (San Antonio, Tex.) 1913-1962, 1916-06-10

(Pasa = IA 5a. Col. Ca
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
FILM FOLK TO EXHIBIT.

The Third International Exposition
OF the Motion Picture Art Will open
at the Grand Central Palace, Lex
ington Avenue. tomorrow. 1t will be
under the auspices of the Exhibitors
League OF America. and the advance
announcements modcstly have 1T tina,
il will he considerable exposition
Money has been spent like money. All
Of the great producing companies nave
taken space. and every angle OF the film
industry will he fully represented.
Furthermore. there will be a grand
ball every night. which will be attended
by those much-to bccnvicd persons
the screen stars. The music for the
week will be in the hands or instru-
mcnts Of twelve bands Each after
noon and night motion picture will
be staged. a regular studio having been
built for the purpose The picture will
be made from scenario to be accept
ed by the committee in the 800 am
atcur contest. All Of tho actors and
actresses will be amstVrs.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
ZIECFELD BALL DE LOOKS

Tomorrow nigh; there viii be A.
enormous masculine jam atop the Men
Amsterdam Theatre. whcrea. will 'sss
place. a. the ght hour, the ANNA.
Zicgfeld Follies Ball. The Fol's
company and the usual Frolicson'
midniehters viii combine their shlSb
and aftcrward members OF both orgsn'
izations will be guests at the ball. Tbs
means that large share Of the towns
pulchritude will be released at one cir
an event not 10 be missed Unic'tc'
na,cly, only five hundred lucky per'Ori
will be admitted.
Among the stars from the folie'
who will appear are Ina Claire, Leo
Enrol. the eccentric comedian; W l.
Fields. the jugglcr; dainty Ann fer-
nington. Charlie Purcell, Lucille esS'
anaugh. Carl Randall, Emma HalS
George White. the Oakland Sisters, WI
West. May Hennessey and Bert VIZ
Jams.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

And we found. 10 our regret and yours
that il was not the intellectual public
that had quintupled it was the less
intelligent. They were innocent Of
dramatic standards and Of culture. To
them a play was just SHOW They
cared nothing for such things a. char
acter delincation or psychological an
alysis. or subtleties OF dialogue in
short. for the things that make drama
literature. They wanted good show"
and their definition meant merely a
simple, rapid. exciting story, told in
terms OF action. The more intelligent
public had increased. too. of course. but
in comparison its increase was so small
as to he noCli gible; and the so-called
advanced drama began to lead hole
and-corner existence. In word. what
happened was grand general watering
Of the intellectual stock.
Now. alas, II YOU want an intellectu-
ally aristocratic drama YOU must have
an intellectually arstocrstic audience.
The thing is as sure as sunrise. Russia
has the most advanced stage to day:
and IN proportion TO its population
Russia has the fewest theatres and au-
diences almost exclusively drawn from
the upper classes. Do YOU suppose that
the man who drives YOU in a drosky to
the Art Theatre in Moscow ever dreams
Of going inside? He'd a. soon expect
an invitation 10 the Cars garden
party. Yet not a month ago drove to
New York theatre in taxi, and as
paid my fare the driver asked: Boss.
what time does this show begin -"
Half past eight" Just got time TO
make the garage and get the wife" said
he. Pm going. too" Well, there YOU
are The tsXidriver and Mrs. taxi.
, driver or 20 be more accurate. the
class just above him in the social scala
outnumber any other in the average
modern audience four or five TO one.
THIS is what we have grown 10 call the
General Public: the public that pays
the piper and therefore calls the tune.
And 20 most of US behind tn. curtain
began vigorously 10 pipe ractimc.
I sometimes when We got very rich or
very courageous we'd take a little aier
"a Beethoven and Debussy and then
come back and pipe rag time NOR. Wig
orously than ever to pay our bills.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
MIR. AMES DISCUSSES THE MASSES

believe that it is that is. instead Of
trying TO hit what | might call the
greatest common diyisor OF public taste,
we'd better specialize. And that II
certain actors and certain managers
and certain theatres patiently and eau
tiously try 10 set up for themselves and
cling 10 certain individual standards
they may find that the various publics
which they thought the food had SUD
merged and drowned still exist after
all. Even the much -decried moving
pictures that have recently worked such
I havoc with our balconies and galleries
may help US by separating the sheep
who still find some qualification in
the spoken word from the goats who
prefer to take their drama like baby
in a perambulator.
But that Miss Marlowe and Mr.
Sothern should at the time they did.
with so many odds against them and 50
MAN. sllurements to decide otherwise
have made and persisted in their dccis-
ion. was something for which we shall
be grateful TO them as long as they
live-and after. They alone set up a
standard to which the wise and honest
might repair" Il was brave sdven-
turc indeed. Shakespeare had too often,
as our trade saying goes. spelled ruin"
n - isl nj 80 a
repertory of his plays doubled the
risk Until they had recruited public
o. their own by seasons of labor their
financial rewards could not be as large
as they might have earned otherwise
and Immediately. And their decision
involved another penalty more serious
to any one who has experienced it than
any Of mere finance they would have
10 pay Tor their ideal in life itself. The
long run was out OF the question with
! Shshespearc's plays. \ succession Of
popular prices might have kept them in
New York for half year at least. But
Shakespeare meant life of constant.
t lrDDilOu, 1t NillNS iiAN " HN'ttH VI
all degrees. of trains with all their in
finite physical discomiorts. OF unchris-
tian hours. Of ill-kept dressing rooms
in ill-kcpt theatres; and. worse than all,
OF interrupted friendships and associa-
tions homclessness than would rob
existence Of half its worth to YOU or
me
We Of the theatre. my dear Mr. and
Mrs. Sothern. know that no other actor
or actress has dorc as much as you for
the American stag. in our time. You
leave MS the example Of lives Of noble
service.
"Earc thee we'll.
The elements be kind 20 thee. and make
Thy spirits all OF comfort
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

make test case for about $500. 10
seems possible that the rate NAV be
even lower for vers librc. For an equal
outlay the painter or sculptor may
complete and exhibit his work. The
architect experiments at his patrons
expense. anyhow. But TO raise the cur
tain on the simplest theatrical produc-
ton for less than $4,000 or $1,000
means chc.s.-paring: and it is safe to
say that every pls that fails has cost
somebody at least $4,000, and may
have cost hugely more.
No; the trouble with the drama now,
and for several years in the past, IS
that it is dominated b. great new
carer. childlike. tasteless, honest, crude
General Public; and as for blaming
ANYBODY it's pretty poor fun
blaming A great primal force like Grav-
itation or democracy. We're probably
inst going -hrough a disagreeable but
necessary period of CESSATION, ana Wneh
tho potentialities Of our audiences nave
time TO develop they may develop with
them an American drama that, Ike
the drama Of Elizabethsn England, VIII
rive Us a place in the sun.
Meantime. IT was in the very worst
Of the welter and confusion 'na' MISS
lula Narlowe and +. II. Sothern TOOK
,h.ir destinies into their own hahds'
Tbov had already won their spurs
Their names were substantial ana I'M
mediate assets with the General Public
mich seemed so firmly seated IN the
.ad,lo /, was clear where the largest
and most immediate financial re"aluS
,av for them obviously in plays "hich
would have the greatest appeal 10 inc
.,.;dos, ,ublic. | haven't doubt tnal
ovorv argument and Requirement was
hrouoht 70 hear 20 induce them TO take
this course What they did instead
,.ou Lnow. they decided 10 devote their
combined and ripened talents the pest
vesrs Of their acting lives to the
nlavs Of Shakespeare don't know
how they arrived at that decision
whether through unconscious clsirvoy-
sncc or mere faith, or through pure
reason. But do know that 81 the TIME
when such a judgment was most d'''
cult TO Justify, they hit on the ohly
possible wayl to rout the old bogy the
General Public which Is TO pretend
Won don't believe he exists: 10 call HIM
"They" instead Of 1T; to believe ne :
many pubics instead OF one, and try 70
split him up.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
Giving En- What They Want.

We don't like rag-timc ourselves as
well as other dramatic music. assure
YOU. Any one that really knows the
people back OF the curtain will toll you
that. with rare exceptions. both actors
and manager would nightly prefer to
give the public better plays than the
public wsnts. They sometimes under
estimate the public taste, it is true:
but quito as often they fail by aiming
too nigh. They are accused of lacking
courage to experiment. Well, we're
obli0cd to lean toward caution IL We
mean 10 spend more than few flushed
and feverish years in this trade. To
experiment successfully in the drama
IS more costly than in any OF the other
arts. 4 poet can publish a book Of
poems and distribute sufficient TO
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

Nf'INTYRE & HEATH. the well
wi known burnt cork artists, who
move in a world of ham trees, biscuit
groves and doughnut hills, return 10
the Palace in new sketch, THE Man
from Montana" Just 70 show that
she can do it. Nora Bayes will star,
her second weeks run tomorrow with
out a trip to Atlantic City.
William Rock and Frances White
will offer a new dancing act, and Frank
Fogarty, the Dublin minstrel; Smith.
Austin & Company and the Fridowski
Singers and Dancers are others on the
bill.
Florence Nash, in "Pansy's Psrticu-
lar Punch" a sketch in which she
made a favorable impression at the
Palace the last two weeks. will head
line at the Colonial. Miss Nash i
supposed to be waitress from
Childs's, but she talks more like per
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

The follocing ia an crtroct from
spccoh b. Winthrop Amcs. orcctor Of
the LitfIo Theatre. deirercd al the din
rcr TO Mr.. and Mrs. +. II. So'her" last
Sunday ereuin0:
THOSE Of us behind the curtain are
i the first TO acknowledge that
s,roe.binc seems very wrong win
our stacc. and that intelligent peo-
Mo have every right TO grum'
blc ] think we shall diagnose inc
,rouhle more accurately il We say mat
tho average isn't as high as It ought 10
no That the good plays are SO SUD
MERGED and overwhelmed by hoou u
;,ro,ior rubbish that they seem To nave
,,o. lost in the shuttle altogether anu
- o.,or the stage a general arr OF
ret~ocression. A constant Diet ol *"
.rasbv nlavs TO one good one is what
hos Jisoruntled and alienated so many
&c our more intelligent theatre-goers'
We'll. who is TO blame We benlho INT
curtain or Won in front of II? Neiiher'
.l,irk Evils spring sometimes from
benefcent sources as foods from ram
and drougths from sunshine. pc
love that the average quality OIL pays
has declined IN America during the ias'
twenty years for these surprising ie"-
sons: First. that America is dehoe
rac,. second. that we have free puollc
.cboo;s; third. that these twenty years
h.ra brorcht Us unexampled material
nrosneritv: and fourth, because OIL the
labor unions and their influence.
I'm not aiming at paradox pemo,
craft, America has stood for the ris"'
Of the lowest citizen TO better ms 80
cisl position. and he has taken full al
,ar,ace Of this opportunity; our
schools have made certain lever .
education not only free but co"'p"'
.o,,.. .bc national wealth has increasHu
NV leans and bounds; and various ~
81 rorces chief among them the laoor
,,,ions have been sitting this Ne@'''
dow, through all classes Of society
qho result has been that ln the 1as'
,,.or+v years those IN America VINO
would be called peasants abroad nave
advanced a stride IN the social sca'e
= o,d this nressurc from below has cor
rcenondingly increased nc lower MO
die class: and in turn THIS has resu''cu
;r not only doubling. it is hardly "ide
~ ,b. mark to say it has Quintupieu
,,u. theatre-gocrs. A whole new sec
ton Of the public has got sufficient
mental advancement and spending
noney to become patrons Of the drama
1,ow # first. then more rapidly. and
finally in food. the newly sprung
,,avcoers announced their advent.
Theatres upon theatres were built. not
I'm New York only but all over the
country and still thcy secmcd rev.
Plays for the Multitude.
Tn. celebrated theatrical trust
which had hitherto pretty much con-
,rollcd things. could no longer keep it'
dams in order And still the tide Of
the new audience continued to rise.
PLAYS had to be found to feed them --
and players were found; but from the
quality of the dramatic fare they OBJ
viouslv rclshcd and demanded We
gagged the quality Of the new patrons.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

This is real, authentic. gen-you-
L whine picture Of Edith Day shak-
ing hands with Ralph De Palma. It
was taken at Minneapolis just after
Miss Day finished driving Nh Dc
Palma around in his machine. Ralph
is cougra,ulatirg Miss Day that they
are both alive.
A, What has this 90 do with the drama >
AHA. We arc coming 90 that Miss
Day is ono Of the big and undcniablc
reasons for tho success OF "Pom-Pom, -
Row playing 90 the Cohan Theatre.
To return 70 the subject,
this picture shows. in addition. that
Miss Day looks just as charming ~
eres-e a. she does in grease paint.
Miss Day home city is Minucspo-
lis, town where sutomobilcs'arc so
common that they give 'cm TO the
children 20 play with AZ an carly
age (hsndy phrssc,l a. an early age,
We repeat, Miss Day manifested A
kccr desire Tor running motor cars
rather than sewing machines. prefer
ring 20 pour gasolenc through a FUN
mel rather than -four through a sieve.
Why. thinrs got 20 tina, she even act
Cd A. local dcmonstrstor FOR big
sgen.
But presently Miss Day became a
movie star Movie stars, ~ should be
said. arc not quite 80 common IN
Ninacspolis az automobiles. She was
doing stunts for news weekly under
William Lochrcn. just - the time the
new motor speedway had been com
pletcd, and the late "Wild Bob Bur
man, Ralph DE Palma and Sock o.
fpeed eater were out tuning up their
wagons. Lochren thought 10 would be
good stunt 20 have his star circle
tie course with ono OF the drivers.
She wss spirited out on the track on
trial day and given her pick Of The
speed monarch. Her choice fell on
De P,lrna. a. "Wild Bob could not SEE
girl IN biz car for minute. The
gallant Nr. De Palma, however. hint
ed that The natty street sUit Of the
screen star would hardly do.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

Dave Marion will bring his second
edition Of Around the World" TO the
Columbia Theatre this week, appearing
49, Snuff. the csbman, charactcr r.
miliar TO an habitu6s Of burlcsquc
entertainments. George Ban'e Barney
Pagan. Agncs Bcuhlcr. Henrietta Byron,
lncz de Vcrdier. Frank Schand, Pose
Hack and Ar Harrington arc some Of
those in the cast. Nile. Bsrtolct,',
dancer. will be side show feature.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

"Rut ! don't expect it to-" Miss Day
purred, just like a siX-cylinder en-
CINE. aren't you going to let nc
div, ?"
4 spirited argument followed. with
,he result that Miss Day skipped over
90 % convenient tent and donncd one
Of Palph's altogether" suits. She
emerged triumphantly and slipped into
the mcchanician's scat for the first
trial spin between Burman and Dc
Palma. Il was a bunny track, as the
concrete had just been laid, making
the Going hoppy Ralph handled the
BIG car sinscrly.
Too fast" he managed TO query
above the roar Of the engine.
II was just wondering why you
didn't nit 1t up" drawlcd Miss Day
The car shot out at that. but Miss
Day was placid. and merely asked if
She could pilot the next trial. Amazed,
De Palma consented 90 act a. mocha
n:cicn Miss Day shot the lever. and
The big racer courscd the track at a
terrific clip. while the onlookcrs near
~ svallowcd their palatcs. II was a
reel race for q mile. and just enough
20 make Miss Day want to enter the
big event. The management thought
H. orcI. but decided IL was too risquc
no, that cant be right too risky.
So her name never graccd the time
board in an automobile race. But itTl
be w. on Broadway in electric lights
one OF these dag, or all the we'll
.ro-,,o ef.,r. fail
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
SHADOWS ON THE SCREENS

Buster Collier, son Of William Col
li-r. will be the central figure in a
stirring military drama at the Rialto
this week, entitled "The Bugic Call"
Two other stars. Anna Lehr' and
Rags. a nondescript dog. have i'm
ror.ant parts. The picture was direct
ed by Ince and released Via Triangle.
Ramona" Clune's colorful picturi-
zation of Helen Hunt Jackson's novel.
continues at the Forty-fourth Street
Theatre.
"Where Are Ny Children ." which
has the o. X. Of DR.. Parkhurst. if not
Of the Board of Censors. remains at
the Globe.
Among the features at Loew's New
York Theatre and annex the coming
week will be Norma Talmadge in The
Children in the House" on Monday;
Clara Kimball Young. in THE Feast OF
Life" on Tues day; Ella Hall, IN The
Crippled Hand on Wednesday; II. B..
Warner, in "The Beggar Of Cawnpore. "
on Thursday; Bertha Nalich IN "Slan-
der" on Friday: FRITZ Brunette, in AZ
Pinev Ridge" on Saturday. and Lionel
BARRYMORE. in "Dorian's' Divorce" on
Sunday
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
BROOKLYN DRAMA.

Daddy Long Legs viii be the at
traction at the Montauk Theatre hex.
week
The Cslburn Opera Company viii
offer THE Bohemian Girl for the week
starting tomorrow.
Anna Wheaton and Harry Car o.
song and pianolosue combination;
Claude Gillingwater. in wives o. he
Rich" and Jack Wilson. burlesqIet.
will be tho three principal acts a. the
Orphcum.
Bob Albright will make his frs,
Brooklyn appearance at the Prospcc'.
Everett 5. Rusksy and the Misses
Campbell will also be seen.
Nursery Land" featuring Ka!mar
and Brown; Jamie Kelly. he tunnel
digging Irish jokester; Kate Eiirore
and Sam Williams and the Rigol~t.o
Twins are all on this weeks Bushwics
bill
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
HIPPODROME CONCERT.

John Mccormack, we'll known psou-
lsrlzcr Of red seal record, will appear
at the Hippodromc tonight % give his
last New York concert Of the season
The great Irish tenor Will sing som.
fifteen song, a programme made ~
exclusively Of request numbers. ",
will be assisted by Donald McBcqth
yiolinist. and Edwin Schncidor, pis'ist
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

Maud Morgan. hsrpist. gave Az
Ham Of Classical Music" on last
Wednesday afternoon at her s'udio III
THE Rockingham IN honor oil An
drew u. White and Mrs. Nhite' VINO
were visitors in the city. MISS MOT
gan was assisted By Charles Lee raey'
pianist. and Helen Doyle, violinlst' IN
numbers from Bach. Beethoven ana
Pereolesi. which were greatly enjoyed
by her guests.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
THE WEEKS VAUDEVILLE

potusl reader Of George AIDES fables
Arthur McWatters and Grace Tyson
will present Revue OF Reviews" Tor
Review OF Revues.' as you ike.
and Ideal. swimmer and diver: leo
Beers. Foster Ball and Fred West vii
also be seen.
Van and Schcnck. who have no h.si.
fancy in calling themselves the pen.
nant winning battery OF songlsnd
will share top-notch honors at the A.
hambra with Mr.. and Mrs Gardner
Crane. in skit from the pen Of Mrs.
Crane entitled "Miss Helen Smith"
Refine Davies. Harris and Msnion
and Vera Sabina are added starters.
Craig Campbell. the tenor, will make
his first appearance m The Bronx a.
the Royal Theatre. Mr.. and Mrs
Jimmie Barry will play their sketch,
THE Rubc." and others are Elsie Will
Jams and Sam Liebert & Company.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
UPTOWN THEATRES.

"Thc Birth OF Nation" ID. W. Crit
fth's photo-dramaiic spcct ,cle. viii be
continued ~ the Standard Theatre Cor
another week.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30
Benefits OF Specialization.

Whether or rot that is the final way
TO deal with him has vet TO be proved
Rnt som. Of us arc Just beginning to
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-04-30

"rho House Of Glass" with Mar
Ryan. plays a return engagement a.
the Bronx Opera House. by popular
request.