davidaulloa/AmericanStories huggingface dataset:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

don Burh!.
David Bciasco and the Charles
Frohman Company Will produce at the
Lyceum Theatre on Tuesday The
Heart OF Wetora.' hy George Scarbor-
ough. The play has it's scenes laid in
the West and army officers as we'll as
Indians figure in the persons Of the
drama. The principal roles will be
acted by I~.eonore U.rich, William
Courtl"igh. Lowell Sherman and 9TH
ers. II is tn David I~iclasco that the
production Of the play Is attributable.
The Road to M~andi.aS.'' an oper-
eta 10y Oresta Ncssel.a, W. II. Post
and William Mcksnna, Will he sung
AT the Park Theatre on Wednesday.
Signo. Nessclla ~ known as the direc.
tor OF the band in Atlantic city Sixty
voices Will sin. the melodies. which
Will be or Wednesday under the di-
rcct.on of the composer. although on
succeeding evenings 4. de Novellis will
conduct the players. In the cast are
Herbert Corthell. Frank Pollock, Leola
Lucey, Mari" lIorgan. Lawrence
Grant. Edward Morris and others.
NesSc,la cam. to America from the
little town nj A,ifr, ntar Naples. haN-
ing studied music in the University
of Naples and served his term IN tho
Italian army as a handsman. lie lost
heart after months of vain search for
work and pndcaVur To learn the speech
ana the ways of America, and was
about to take passage for Italy when
he found u pace rs cornctist in the
Royal italian Band and toured two
hundred American cities with that or
E~ani%at,un, Then ralne "A tentative
opening to play IN the band at tho
Iron Ficr, Atlant'" Ci;y, and a happy
chance that disclosed his genius for
conducting AMI thorough musician
ship. Tor u year he led the band
under another's lam" but the second
season L became "NeSsclla's Rand,'
and Nessella * known from ono end
81 the country TO another, by Atlantic
,ity's vast amusement puh'lC. as the
Sousa oe the Iron Tier, fourteen wears
conductor there. lie has written a
number of popular,t.cs, chiefly lyrics
and dance music. but THE Road 10
Mandalay" is his first opera. Signur
dc SOvcllis, spuiIsur for "a host of
the light opera successes of recent
seasons. including The chocolate So
der" and a name 10 conjure with in
operatic production, Is musical direr-
tor and VIII conduct at all perform
anccs except the first night.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

ance Of Camille in my life. But the
thing which ! tell you is history.
Although ! eve played Armand
Durdl, the greatest of all American
tdniHts and the woman WHO created
II died in my arms. The actress |
speak Of was Matilda Heron. Away
back in 1867. while | wa still a small
hoy in kn!CNerhockers, she made a
translation Of Dumas's play and APP
peared in It. Her success In this role
was so enormous hat at the mu,ncn,
] can think Of no star in these latter
days 10 compare with her case.
THE fame of her performance
glowcd like an emhcr for more than
fifteen years when I in my early
twerties, as fresh Il nut as Brooklyn
ever produced, got the stage fever ami
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27
THE PLAYS OF THE WEEK.

SUNDAi-The Gaiety Theatre--The Stage Society will give a re.
Saturday afternoon.
MONDAY-The Cohan Theatre-"Princcss Pom Pom" with Mizzi
Hajos in the leading role.
The Booth Theatre-"The Greatest Nation" by Marion Creigh.
ton. with William Elliott in the leading role.
The Comedy Theatre-"The Fear Market" will be brought here
from the Booth Theatre.
TUESDAY-The Lyceum Thcatre-"The Heart of Weonta," by
George Scarborough.
WEDNESDAY--The Park Theatrc-"The Road to Mandalay." a comic
be played here.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

new trick. He has made no progress;
to Judge by the fun he imparts to his
present performance his artistic
method was complete before he left
vaudeville. He Is s..ll irrcsistibly en-
tertaining, however. even II he does
not. like his colleague. Fred Stone.
come back every second year with
something novel to delight and aston
lsh his public.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27
By REAMER.

THE moving picture vii! evil
IDENTIFY o pass on; OF the
realm Of art. II indeed 1t ever
Belonged there. Recent developments
IN this new form Of Amusement, seem
TO show that 1t will be the courts
which in the future will have to deal
with many Of these corporations In 4
way which will be much more i'm
portant than any mere judgment Of
the power Of the film to entertain or
thrill or instruct. The interest of the
public in the moving picture com
pan!es as a means Of investment has
not escaped the observation Of the
en~trepreneurs and they are Just now
IN the heyday OF their prosperity.
How long 1t will last remains OF
course TO lie seen. The profits Of the
pictures in other countries has prac-
tically come to an end. so much d.
n!nished is the demand for them
abroad. More than one company
which habitually received as much AS
5000 a day for one OF its pictures Is
Bow quite satisfied to get ten a day.
This is of course not the sort OF
thing 10 make these mushroom COM
pan!es any more substantial. The
extent 10 which the pictures 1!ave
supplanted the so-called travelling
companies has not served to make up
Tor the loss Of the European patron
age, II is chiefly the question OF
economy which endears the picture
play TO the heart OF the local man.
sger. Advertising Is infinitely less
expensive than 1t Is IN the case Of a
play, and the audiences In other cities
are growing to possess confidence
Ira, they will receive the worth OF
Ue.r money, 80 far as the original
qualities Of the film are involved.
Dwellers in other cities have so long
beer deceived by Inferior substitutes
Tor the actors, by solled or cheap COS
tunes ana scenery and various de-
par,ures from the metropolitan origi-
1l that they are shy Of plays that
are brought to them. But they know
mat the picture, whatever else 1t may
De- will have the original advan-
Lees in every way.
nothing lrr.tates the present gener-
Hon OF commentators On the current
pays :" much as the exhibition Of any
'Nth" most commonplace acting. Any
esp'dy Of emotion or exal.ation or inn
'slh"ton il Immediately described as
rant "cXaggerat!on,'' or ''artihci-
AMY Luckily for the unfortunate
sc'ors who are to be judged by such
et'frioHs, there are few occasions on
WHICH they are compelled to stand or
'@' by such IA standard. There are
"~ performances OF Shakespeare
"'"ad4y', and IL contemporaneous
''os'nent altogether ignorant OF the
"Ee IN which these plays r acted
"'s all III" actors down as bombastic
.'a old fashioned and rhetorical little
"~m ~ done. II would he interest,"
eng on tho other hand, to know how
"e plays Of Shakespeare could other
Wis be played.
40 better definition Of the manner
=" acting these old pieces in the way
N' W" i"r"ssary for them could he
YUM Van the following words by J.
"HhHrN TpNse in his "Reminiscences Of
The stag,
'om' o! our modern critics. he
"''T' many Of whom saw lit
."y 'oM'dv or tragedy properly per-
""e'' are very contemptuous In
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

their references 10 the a~r,.hc!ality and
unreal!ty Of the style Of the old time
actors. OF course IL was artificial and
unreal. but only in the sense hat all
the great masterpieces Of imaginative
fiction are uart-l Il was u sty.e
deliberately cultivated ard developed
through some centuries .. experience
to harmonic with and s.ve full effect
TO incidents, thoughts. aspirations and
emotions outside the experience OF
common humanity. II did mo-: perhaps
always achieve It's full purpose. but 1t
came :rfln!te;yVnearer to the .ca!.za-
ton OF the fancifu! than the !gnoblc
and slovenly utterance and unreSu-
lated. spasmodic ana inexpensive ges-
ture OF the untnught and ~self-ac,ing
player v can. 1t involved a labori-
ol.s study Of artistic principles. and II
was abandoned chiefly because it was
lsborious. AS the demand for actors
increased with the multiplication OF
speculative theatres and modern social
plays the opportunities Of teaching
them grew less and less"
Is in the matter OF farewell tours!
Here he Is playing his new pieces over
the country to the great de!!sh, Of his
admirers. Whether /, be in Boston or
Philadelphia. the audiences AL the
theatres ami Mr.. Sothern has none Of
the cause to complain which embit-
tered his engagement in New York.
He had large audiences during all his
stay at the Booth Theatre. but they
did not satisfy him, although most
actors would have been very well sat
isfied.
Now with large audiences to well
come him everywhere. he has DELHI
erately signed a contract with "A NOV
ing picture company and wants 10 go
to England az soon as his work IL
over. Foolish. foolish Mr.. Sothern!
He might readily farewell all over
the. country. taking about three years
in the process. II Sir Johnston
Forbes.Robertson who knows us 80
slightly IN comparison. took as long
there is no reason why Mr.. Sothern,
who has dwelt among us all his life.
should not take at least as long a
time. II he wants a native model
there Is no reason in the world why
he should q confer with William
Gillette. who Will tell him how II IL
done. Mr.. Gillette began it five years
ago or more and Is still on the Job.
He ought 20 have said a good farewell
once ne has finished.
Francis Bends;en has had two hits
in New York in new plays during the
presen, season, az the German pro-
lessor in Mrs. Boltay's Daughters"
and as Dickic wilkes in The Fear
Market" Mr.. Bendsten IN Danish by
birth, having been brought to this
country when n child. In CHICAGO he
was trained for the stage by Hart
Conway at the Chicago. Musical Col
lego. lie spent three years with him.
after which Mr.. Mantc!l engaged him
for his company. He made his debut
at Louis XIII, In "Richelieu." Among
other parts he played La%nnccIot.
Gnbbo. First Grdtrii0gcr. RodriOo in
"t),hello" and the Ddnphin in Louis
XII" After leaving Mr.. Mantell Mr..
Bendsten was engaged by Mr., Faver-
sham to create S0upel In Edward
Childs Carpenters THE Barber Of
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

you might have beer his son-or II
least his younger brother
We'll. that was the beginning .!
our friendship. My next vivid r.co.-
lection of her vas the night Of ~
performance. | shall never forge;
that as long as | live. | played Fiut-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27
billiard AND MATILDA HERON,
lnteresting Memories Of the Actor
Of the Great ca mile.

done me the honor Of asserting that
I wa the greatest Armand Daral Of
my day and generation" remarked
Robert billiard between his acts u
THE Pride OF Race at the Maxine
Elliott the other night. Now heaven
forbid that I should ever voluntarily
and deliberately shatter a fine press
notice. but then there is just enough
Of the honest Injun' In me to prevent
such an assertion going down to trad!-
ton unchailenged. AS n matter Of
fact I have never played In n perform
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

source OF delight 70 her admirers. So
far as We are concerned. however. we
could DO with a piece of cheese.
There is one advantage possessed to-
day by all the musical plays over
dramas, comedy. tragedy. historical.
pastoral. &c. They are not compelled
to come into opposition with the
movies" They have one inerad.cab.e
feature which Will forever keep them
out of rivalry with the so-called
"s.len; theatre" Tney have music.
Does that account for the continued
success of the play with music? BE
! they never so stupid, they are certain
10 attract audiences for a month or
two.
Their libret,os cann0 be too banal.
their music too commonplace. their
| aumor too elementary to drive the
public away for the first W months.
Thus obey axe assured Of a run for a
certain length OF time, however lame
they may be, No mere dramatic per
To exist for a certain period quite in
dependent of It's merits. q: course II
is not possible TO say anything about
the quality Of The Masked Model.
wh!oh 50 completely failed Of %apprecia.
ton in Washington and Baltimore thai
It's career is, temporarily AZ ali events,
nj and end But il IL dollars To dough-
nuts that il would lave lasted for n
month ar " prosperously a. a New
York theatre, Such is the present
vogue of opcretti and such is the
power of the voice even when Il is
lifted IN very conventional songs u-
perior to anything that the dead ma
chine can accomplish. When the cut
rate ticket is taken into consideration
the longevity of the moderately sue
ccssful musical play may be indef-
nItely prolonged.
~ ''''' ''' - 'fNN - w.
Winter Garden, * still IAN amoosin'
LITTLE cuss." He sings his SONGS with
the old effectiveness and seems the in
caruation Of good nature and modesty.
Nothing ever disturbs his AVAILABILITY
nor does srlf-consciousness eve inter-
fcre with the delight he causes his ad-
IT. ircrs H. hn\iSh upu-n SIN mnrka
a contrast t u his associates in the play.
lie Is Tn" most youthful looking OF all
the funny men.
He Is wisely in blackface. lroha-
by hr will stick to his determination
TO attempt any other kind Of
comedy. 1t Is a singular fact tim,
since Mr.. .Iolson came to the Winter
Garden he has not acquired . single
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

So James NJ. Barrie Is going 20 write
another play for Maude Adams: or
rather. having already written it. that
charming actress finds IL suited to her
needs and will appear in 1t next au-
tumn. II Is said to Re whimsical"
in the manner OF the Scotch drama
t!st. 1t Is to he hoped that rs within
sical!ty Is Of an earlier brand than
Sir James has been INDUCING in lately.
Such wh!msicality as pushing men out
OF railroad ears and then being tried
for murder is not nearly so satisfac-
tory az some Of the humor in 1.-THE
Little Minister Equality Street and
What Every Woman Knows So
unsatisfactory has Il proved indeed
that London would have none Of the
play called THE Legend OF Leonora."
II proved In all probability a severe
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

New Orleans" From tina; engage.
men; he joined Mr.. Sothern and Miss
Mar.owe. playing T%ouchstonc to Miss
Mar.owc's Rosdiind. Osric in Ham.
FcStc in Twelfth Night" and
Arrcoon in The Merchant" Then he
went into musical comedy. appearing
as the Japanese spy in THE Girl at
the Gate" at the la Sale in Chicago.
Last season he acted Il Frenchman
with Lydia %I.opokova N Just Her
SELF and the Dion Tith,rddoc part In
Life" during the run Of that piece
at the Chicago Auditorium. Mr..
Bends,en has also played Ibsen in
Danish and Moliere in French. Osuaid
in Ghosts and .irOon in lie Malade
Imagina!re."
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27
NEW PLAYS OF THE WEEK

Wade, J. Hooker Wright. Thomas r.
Gum. 4, l.. Felter. Roland Rushton.
Henry Duggan. Harry Rose and Cor
don Burhy.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-02-27

sourcc OF delight TO her admirers. So
far as we are concerned, however. We
could DO with a piece OF cheese.
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

is advantageous used in my state,
1--WE have 1000 miles Of main state
and mter-eounty highways, The up
keep Of which costs our state over
a million dollars a year
Gentlemen opposing this leSisla-
ton lose sight of the fact that these
western states alone are paying the
revenue now coming into the treasury
from grazing, logging and other priv
ileges. We pasture our stock, and
pay "A good fee for doing SO. We buy
posts, logs and wood, paying a rea'
SOnable price therefor, we gcI back 20
per cent of the money We pay in, and,
i'm addition to that. We now esl, thar
10 per cent be laid aside in order to
reimburse the government for the
million dollars advanced annually
from the federal treasury for the con-
struction of good roads
If you are believers in conscrya-
ton, which no doubt YOU are vote for
section s to stay i'm the bill; make the
national forests of permanent use
do not regard them as something too
valuable to be utilized
II hope section 8 will be retained
i'm the bill, ANA that the conference
report on the bin in whole WI be
adopted by This house.
Then We can feel that we have
done something for ourselves and
something for our western brothers,
who are anxious to make our roads
the pride Of our country
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
CURRY COUNTY TAX
FIGURES MAKE AN
EXCELLENT SHOWING

ESPECIAL coRRssPoHoIEcE 10 MORNING JouEHAp
Santa Fe, Aug. 6.-The tax roll of
Curry county just received by the tax
commission shows that Curry county,
the Youngest of New Mexico counties,
has a total of $9,6l7,005 or more than
twice as much as Taos county, one OF
the Oldest counties, and with about
the same area but infinitely greater
resources, for Curry is entirely a dry
farming section.
The exemptions amount to $509,aO5,
leaving taxable S9,30G100 There are
listed 1850 town lots valued at S51G-
col. improvements thereon, $GS3,l4O.
There are SCOOP acres classed as aG.
ricultural lands, valued at $3,2S3,14I
and the improvements thereon, S292,-
$50. telephone lines, $%3,S20, 5000
horses, $243,6l7, 9V4 mules, $S2,32O,
22,g77 cattle, $S54,52G; l3+6 sheep
$5.4G0: 1910 swine, $4,000; type
writer's, cash registers, and scales, So
$50: saloon and other fixtures, S59,-
SIS: vehicles, saddles, etc. S3O,94oi
threshing machines, $9,444; farm
tractors $500: farm implements,
$36,S17; express company $500;
Pullman company $l5,760, jeWelry,
SG.290: liz automobiles, $4,000, 100
books. $1,000, steam laundry, $4,000
creamery, $500; three garages, 49,
200; three newspapers $3,450; ice
manufacturing plant $4,000; shares
of stock. $4,000; banks, $llO,653
money, $4,000. 4649 miles Of rail-
road, $2,l1&,9OO; railroad facilities
S525 600
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

Department Of the interior, n. S. Land Of
flee at Santa Fee. New Mexico. July TO-
1916
Notice Is hereby given that John Collins
~ Alhuquerquc H. NJ who, ON June &c. 1869
made Homestead entry No li05Ul Tor SW
Ia section ~ Township 10 ~. Range Z E,
New Mexico Principal Meridian, has filed
notice of Intention 4, make Five Year Proof
90 establish claim TO the land above de
sarIbed, before George r Craig, H.
Commissioner at Albuquerque ~ NJ, e.
September d. 1916.
Claimant names as witnesses: Daniel Aus
tim Of Sui y 9TH street. Albuquerque n.
Henri Bramlett. ~ Postnfflce, Albuquerque,
~ n: Trlmbe Wells. ~ 202 S. Broadway,
Albuquerque. n NJ. George AuGfin. II 500 n.
5th street, Albuquerque, n. VI
FRANCISCO ~ ,LdADo,
Register
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
FOR SALE

$2.750--5-room brick, modern, large
Basement corner lot highlands.
close I'M; easy terms.
$2,50O-Fivc-room frame, modern,
gassed-in sleeping porch, cellar,
good outhuldings, fine shade and
fruit trees, lot l00Xl42; Fourth
ward.
81, 500 Four-room frame, modern,
shade and fruit trees, chicken yard,
garage North Eleventh street; fine
location.
$3.500-5-room, modern bungalow
stucco finish, lot 80 by 200, good
shade, garage, West Central ayenus,
81, 5O0-5-room frame, bath, etc, In
Highlands, close in; very easy
terms.
So, OOO-5-room brick. modern, West
Silver avenue, cellar. good out
buildings.
Many other bargains in improved
and un!mproved property
A. FLlEISCiHIlElR
Real Estate and Insurance
4. .fa4t
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
A. IFLIEISCBIlElR
Real Estate and Insurance
III SOCth Fourth Street

FOR SAFE Poultry ana IGSg$
S~-~S0I~%I~ISSI~-~I~N ~-~~-S~-~NSN~-SOS-~-
FOR SALE Twelve aging Leghoru puII'tS ,
Gentry stock, SlOO each, pedigrecd Leg
horn rooster $500 1905 West Fruit
QUALITY COUNTS"
Buff and white Orplngtons and BlacA
Minorcas. c. l. e. Farm. H. II. Morgan
MET, p. 0. Box 500, Albuquerque. Phone 1878
THEY lay, they win, they pay. Navajo
r. l. Reds; also s. c. White Orpngtnni
and Notified Anconas. Prize winning stock
and eggs at reduced prices H. Z. Thomas
M East Ilazeldine avenue Albuquerque.
ANTFD--ROOmS
WANTED-FurnsEed rooms for light house
keeping BOX ga. Albuquerque.
MONEY TO LOAN.
Private party has money 20 loan on sal
aries, household goods, pianos. Couud"u-
tial Address j.. O. I3ON 4i3, city.
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
Male or Female.


All KINDS. both new ana second hand
bought, sold rented and repaired Anu
querque Typewriter Exchange. Phone Ol4
1872 south Fourth street
UNDERWOOD TIPEWEfTERS. New ma
chimes. First class rentals. Repairs and
high grade rebuilt typewrters Expert me
chanic IN charge 81 shop 32i West Gold
Phone IA Uudarwopd rvnewriter company
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

bO yuu want tu buy 70 house aud STORE flr
glUw tnor viii not yuuerrvpuyry o. per
cont go ihr Investment" owner leaving
t.nu $50 commissions. Apply o. Stern
bldg
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

FOR EI.N1-OTfIc0 Rooms
FOR HENT-Onlces. Apply ID. a Mac
phsrsun. Journal office,
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

ENTIRE bakery business with good cst1h-
Hshrd trade I'm the best town loo the stutc
aud BOO very good location. for sale real
business choucc for the rtgbt party Ad.
.dIrse "M " journal office
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

tOk RENTING modern BRICK houses. five
ana four rooms 9la North Fourth street
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07

VTI TNT|-N = 7 "TT ----TW I"W"I- TIT0 N"TTI
Fourth street Inquire SuUuBs Book
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
FOR RIlNT--Dwelllngs

North.
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1916-08-07
Notwithstanding

C~~~~~o~~~~@~ -~~-c~~~--~~,-~~~~~-~~
WAN IElt ITO rent. tour room mudtt %
house Iowllnds preferred. from September
Answer fun particulars. NJ o. care Jour
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-02-02
10000 SEE ACROBAT
FALL FROM TRAPEzp
Winter Circus Performer M.
ties Through 85 Feet of
Space-May Recover

A terrible accident, the apparitIon =,
all circus folk dread, became a r.sn.
for willy Santey. an acrobat. wh,.
fell IS feet from an aerial trapeze IN i.
OF 10000 persons He may rerover
Santey, who is one of the two G.
brothers with spcllman's Winter cis,,'
performing In Convention Hail n.
street and Allegheny avenue ls ~.
scious in the Samaritan Hosnltai .-,,.s
a broken right arm. broken hpbons s wv.
II is believed, fractured skull. An euS
examination of his body will be
today.
An iron bar yielded to his weigh, !.
night. That is how Santey, with a ,,"r'
on his face, happened to piunre ,.,'ue H.
parabola to the floor below. wh.
avoid the hurtling body p
Santey's act includes "daro.a...,
stunt" in his giant swing which is aesn aes
posed of iron bars. It Is a somersaui, ~ Y
mid.air with the iron trapeze cutting ,y,al
sectors In the air above the spectators
Shimmering in his silver tights ss,,..
was swinging far out over the ring 4 w.
ment before his scheduled leap. Suddsr,-
he left the trapeze. A ripple of apnlsm',
started in the audience, but In an lnstsss.
1t turned into mighty gasp as the twi,,
ing figure shot downward. There ~
no net between him and the floor.
Momentum sent him toward the how.
where, an instant after the men ~
women sprang from their seats, he strtSs
on the edge of box. crashing in ainons
the chairs. Clowns began their ftlnnsSs
antics to calm the crowd, while sevs,.,
persons rushed to Sankey's assistanc.
They found blood necks on his spansl.a
tights. He was hurried to the hosnl,sl
Santey, who is 30 years old, lives in Me-
York.