davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
PantOmime and Dance
in Classical Opera
Traditions Of the Paris Academy and Cucks Iphgenia
Emotions and the Ballet-Greeks
and the Chaconne
Bv II. E. KREHBIEL.

reading the record OF impressions at the first per
Torrance OF Gucks "Iphgenia in Iauris' week ago 1t
seemed y great deal of stress had been laid on
feature which reality plays small role IN the tragedy
smaller role indeed does any OF the other operas by the
composer with which familiar The feature the
tomime danced by Rosna Cali in the which phgena
and the priesesses OF Arems perform the funeral rites for
Ores whom Iphgena supposes have died since her mra
ulous transportation from Auls As matter OF fact all that
the ocian should fetch forth the bowls containing the in
gradients bation nde the fire upon the altar and
sbly wreathe altar with gaand and about in solemn
measure to the rhythm Ipgenas song OF mourning. As it
was the extended by draft upon the OF Orieo
and the panomme OF the challenged much attention
at our hands because helped the almost perfect meeting in
the drama which gave classic mpessveness
and beauty The dancing of Sgnora CALI only factor
in the scene but it the which there the least
alloy which ntereed with the spirit that ought to
pervade representation OF Glucks opera.
was instance which illustrated how intelligence
could only justify but make pasewohy changes and inter
poaons in the original book. There is nothing be said
against the introduction OF ohaconnc from "Orfeo'
acte for the music alone used and there dancing
but any other opera Of the period ballet inmczo would
have offended against the spirit OF the time Had Guck
written "Iphgenia Iaus Immediately after "phgena in
Auis with which he began his reformation OF French opera
should have had dancing OF conventional kind But the
tragedy the end OF his career after he
down the conventions of the Academic and the military
which recalled "Armide' of place What Guck
prescribed wild dance OF the Scyhans around Orestes
and Pyades-somethng imagine like scalp Of
American Redmen That would have preserved the spirit OF the
drama maintained by the pantomme Of
the Fairies in the which the avenging dees visited
Oresesa which foreign to the Eurpidean tragedy
and was borrowed with fine effect, from H5schyus.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Calendar for the Current Week

sUNDAY-Carnegio of the Philharmonic Society,"
of the symphony Society metropolitan
operate concert City College, p mr. Tree
Baldwin, Comedy Theatre p m piano
Eiotts Theatre o:3O
m Of French songs Gubert; Park Theatre
SIX m opc concert; $3.50 and $3.50 and
ay this English fosongs and folk
MONDAY-Metropoitan Opera House. Italian "rOa
Aeian Hail. D. song by Mude De Voc; S:l5 m song
Vop Comedy Theatre, p m7 violin rectal oy
Evelyn starr; in English by the ADOn
Hail. pianoforte recital by Robert Lora o
Kneisel Quartet Princess The
at pianoe by Nine Pauline MalPrevost; Comedy
Theatre 3 p m. song recital by Elizabeth Guman
WEDNESDAY Hall recital by Elena Gerhad s5
NJ Society," BOssis Joan Of Arc; Aeoan
NJ Wined Christie; Metropolitan
Italian prince lgor Comedy
$3.50 M Japanese Mcho ItOw; City College free
oran recital by Horace Mann Auditorium Column
recital by Horace Conne Hotel faza
Rosenavalr Carnegie m, of the Philharmonic
Hall recital by Anode Sehenson
Metcalfe-Caas; Horace Mann Audi
lecture Brahm by Ihomas
Sue Brooklyn Academy Music S:15 pnoforte recital by
Paderewski ~
Italian "Ada
of Philharmonic Society; Aeoan
Hall D. H. panoforte recital by John POWELL s;l5 mr. concert Oh
church music by the of the Russian Cathedral
s,TrPpAy- METROPOLITAN House. German Fideo
Lescau for the beneh OF the
violin recital by Mischa Eman $3.50
N concert of the Philharmonic Society Aeoian Hail.
Alexander; recital by
Arthur Alexander Auditorium Columbia University S5
M recital panofOre and violin by Mr. and Mrs David
Names.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

Ritz-Carlton on Sunday afternoon. De
cember II, at 8 o'clock. Sam Frankie
will direct a small orchestra, wiln q
chorus and soloists, in two cantatas of
Bach, a concertino by Pergolesi, and
Sachini's Ballet Suite"
Michio Itow. the producer and direc-
tor Of the Japanese play "Bushido,"
which is being presented by the Wash
ington Square Players, will give first
recital in America Of original Japanese
character dances at the Comedy
Theatre on Wednesday afternoon. He
will be assisted by Tulle Lindahl, a
Danish dancer. The programme will
comprise the following numbers: In
PRODUCTION OF Dancing; Japanese Girl
on the Cherry Hill; The Spirit of
Wine; Chinese Dance; tema J,mon;
Gypsy Dance; Fox Dance; Study Of a
japanese Lady with Umbrella and Fan;
Sword Dance. etc.
On December IA Gustav Mahler's
Lied Won der Erde" will have its Amer
lean premiere in Philadelphia with the
Philadelphia Orchestra, under the
baton Of Leopold Stokowski. Johannes
Sembach will sing the leading role.
Mr.. Sembach has been studying the
role under Professor Eisler and Artur
Bodanzky.
On Monday afternoon, December T.
Miss Maude De Voc, soprano, will make
her New York debut in a recital at
Aeolan Hall.
Miss Elena Gerhardt will give her
first recital In Carnegie Hall on
Wednesday afternoon. December Q.
Miseha Elman's first recital here this
season will be given in Carnegie Hall
on Saturday afternoon. December 8.
The symphony Orchestra Of the Mu-
SIC School Settlement of New York
now numbers over fifty players. All
amateur performers of orchestral in
struments are invited to join and need
only 10 present themselves at the mu-
sic school, 90 East Third Street, on
Tuesday evenings before the rehearsal.
which begins at $40. The instrument:
particularly desired are 'cellos, violas
oboes. bassoons, horns, clarionets and
trombones. The orchestra is conducted
by Arthur Farwell, director Of the mu.
sic school. and he is planning for
public performances during the win.
ter.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Franco-American Associa-
ton for Musical Art

With the general object OF promot-
ing the art Of relationship between
France and America and with the spe-
cial purpose Of fostering the knowl-
edge and appreciation of French music
in America and Of facilitating visits
to this country OF French singers and
musicians, Otto II. Kahn, Clarence II.
Msckay and william X. Vanderbilt,
with the cooperation OF the Marquis
de Polignac, have formed q committee
under the name of Franco-American
Association for Musical Art. The
membership of the committee as at
present composed is as follows: Com
modore Frederick G. Bourne, James
Byrne, Henry r. Dawson. Andre de
Coppet, Henry C. Frick, Robert Goelet,
August D. Juilliard. Otto II. Kahn,
Clarence n. Msckay. John d. Rookie
Teller, Jr., Charles II. Sabin. William
X. Vanderbilt, Henry Walters and
George w. Wickersham.
Loudon Charlton will act as manager
for the committee. An announcement
relating to the Forthcoming visit, under
the auspices Of this committee, Of
several distinguished French artists,
will shortly be made.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

nv Ossip Gabrilowitsch, Percy Aldrlch
Grainger, Albert spalding and Cor
nelius Rubner. Miss Cheatham Will
Give. for the first time, her arrange
mepts Of excerpts from the compost
t,ons OF Bach. Haydn. Mozart, Beethoy-
en-. Schumann, Brahms, which have
been made with a special idea OF famil-
iarizing children with the simple little
tunes upon which many Of the master
compositions have been constructed.
In addition to popular nursery rhymes
and old negro songs, Miss Cheatham
will introduce an innovation in concert
music by singing two songs, March!
march," by Arthur Fsrwell and sour
America" by August E. Stetson, the
choruses Of which the audience will be
asked TO sing to inaugurste the idea OF
community singing as part Of a
recital programme.
Leopold Godowsky will give his first
New York recital, In Aeolian Hall, on
Tuesday afternoon, December ~. His
programme will consist OF selections
by Schubert, Beethoven, Chopin,
Weber Godowsky, Withorne, Scriabin,
Debussy, 81. Saint-Saens, and Ravel.
Reinald Werrenrath will give his sec
ond recital, in Aeolisn Hall, Monday
afternoon, December IL, with Richard
Epstein at the piano.
The American debut Of Bogumil
Sykora, 'cellist, takes place in Carnegie
Hall. Tuesday afternoon, December IL,
assisted by Walter Golde at the piano.
The Musical Art Society, under the
direction Of Frank Damrosch, will give
It's first concert this season. in Carnegie
Hall, Tuesday evening. December 10.
The orchestra Of the Symphony Society
Of New York will assist in Debussy's
THE Blessed Damozel."
Rudolf Ruckert, basso, will Join forces
with the Dutch 'cellist, Michael Penha.
in a Joint recital 20 be given in Aeolian
Hall. Thursday afternoon. December IA
At the McAlpin Hotel this afternoon
at o'clock, a recital of Gilberte COM
positions will be given by the McCon-
nell Trio, under the auspices Of the Ma
tional Society of Ohio Women.
The next concert OF the Society Of the
Friends OF Music will be given at the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

When Gluck came 70 Paris French'
opera, still rejecting the spirit Of
French music inherited from the court
Of the Grand Monarch. was dominated
by the ballet. Even Grimm. who was
not friendly 10 the German composer
could not help seeing the absurdity-
which the fondness for dancing had
forced upon the lyric drama. French
opera" he wrote, "is a spectacle where
the whole happiness and misery Of
people consists in seeing dancing about
them" and Rousseau was particularly
forceful and sarcastic in his delinea-
ton Of the popular dramatic spectaeles
'If a prince is happy all share his
JOY. and dance. II ne is unhappy those
around him try 10 cheer him. and they
dance. There are also many other oe-
casions for dancing. and the most
serious actions Of life are accompanied
by Il. Priests dance. soldiers dance,
gods dance. devils dance; there is
dancing even at burials--in fact,
dancing is seAsonsble with every
thing"
All this. no doubt, might have been
brought into accord with the prin-
ciples and methods Of antique tragedy
had those principles and methods been
preserved. But even the operas Of
Gluck dealing with the subjects Of
classical tragedy were operate para
phrases Of the antique plays. and one
of their most admirable qualities is the
manner ia which, in spite Of their
c.nvcniionalism. they preserve the an
cue spirit. But II was long before
Cluck had his way about the ballots.
Here is a story 20 illustrate what has
been said above about Gluek's early and
later relation 20 the conventional
French dancing mania. IL is copied
from "How 20 Listen 20 Music
"Gluck's Greeks. like shakespesre's.
dance 20 the rhythms Of the seven
trcnth century Nesiris. whom the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

people Of his time called the god Of
the dance once complained TO Gluck
that his 'Iphig6nie en- Aulde' did not
end with a chaconne, as was the rule
a chaconne,' cried Gluck; when did
the Greeks ever dance a chaconnoP
Didn't they? Didn't theyT answered
Vestris; so much the worse for the
Greeks There ensued q quarrel.
Gluck became incensed, withdrew the
opera which was about 10 be pro-
duced, and would have left Paris had
not Marie Antoinette come to the
rescue. But Vestris got his chaconne."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
AT the Metropolitan

Miss Claudia Muzio, the new Italian
soprano of the Metropolitan Opera
Company, will make her American de-
but tomorrow night in the title role Of
"Tosca." IL Is not her first visit here,
| for in her childhood she accompanied
her father, Carlo Muzio, to New York,
where he was an assistant stage mana
ger and chorus master at the Metro
politan and subsequently the Manhat-
tan. Her father wished her to become
proficient as harpist and pianist. but
her piano teacher in Turin, discovering
that she had voice. advised her TO
take up vocal art Four years ago she
made her operate debut in Florence.
Since then she has sung In all the
leading opera houses of Italy, and in
the spring Of 1914 shared the honors
with Nine Destinn at the Covent Gar
den Opera, London, where she sang
lyric roles and even Aida and Lenora.
With her tomorrow evening will sing
Mr.. Caruso and Mr.. Scott. Others in
the cast will be Miss Braslau and
Messrs. Rossi, Malatesta, Bada, Bogus
and Reschiglian. Mr.. Polacco will con-
duct. Mr.. Gatti-Casazzs has provided
new scenery for the first and second
acts. 1t was painted by Mario Sala. Of
Milan, and arrived a week ago.
Of no
the revival Of Beethoven's "Fidelio,"
which has not been heard since the sea-
son before last. II will be the first time
that Mr.. Bodanzky has conducted 1t
here. 1t will be sung next Saturday
matinee by Mines. Kurt and Mason and
Messrs. Sembach, We'll, Braun, Rugs
dael, Reiss, Leonhardt and Bloch.
The other operas of the week will
be: prince Igor" on Wednesday even
ing, with Mines. Aida, Perrin, De-
launois and Egener and Messrs. Amato,
Botta, Didur, De Segurola, Bada and
Audisio. Miss Rosina CALI and Mr..
Bonfiglio will lead the Tartar Ballet.
MI POIaccO VIII ConuuCI'
"Der Rosenkavalier" on Thursday
evening, with Mines. Hempel, ODER,
Mason, Howard, Curtis, Van Dyck and
Tiffany and Messrs. Goritz, We'll, Alt
house, Reiss, Ruysdael, Schlegel,
Audisio, Bloch and Bayer. Mr.. b.
danzky will conduct.
Aida" on Friday evening. with
Mines. Rappold, Homer and sparkes and
Messrs. Martinelli, Amato, Didur,
Rossi and Audisio. Miss Rosina GALL
will lead the corps do ballet. Mr..
Polacco will conduct.
"Manon Lescaut" will be sung on
Saturday evening for the benefit Of the
Italian Hospital. The cast will include
Mines. Muzio and Perrin and Messrs.
Caruso, De Luca, De Segurola. Bada,
Rossi, Reschiglian and Audisio. Mr.
Papi will conduct.
At to-night's concert Ernest Schel-
ling will play LISTS < fiat Concerto
and Chopin's F sharp Nocturne and A
fat Polonaise. Nine. Louise Homer will
sing 80 Don Fatale" from "Don Car
los" and mon ceur SQUIRE ia voix,"
from Samson ct Dalila." Paul Alt
house will sing Celeste Aida" and
Burleigh's "The Young Warrior"
orchestrated by Ricardo Zandonai.
The orchestra, under the direction Of
Richard Hageman, will play Massenet's
"Phedre" overture, Tschaikowsky's
"Capriccio Italien" and Strauss Blue
Danube Waltz"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Song recital by Miss Arnolde Stephen.
son, Aeolian Hall, 8 p. n:

Ar from Dido and Aneu' ....'...',,..-. P,r,,-
AR from "Ph1bus and Pan. Bs4
De soit ldes Poses Lyriauesl, Gren Go
Lyri9uesl and Fanoches (des Tstss
The Foraken Maid. ................ Thomas "a.
Snl le n,iTais plus aux B0is" tdes Per.
seFeties du XVIII steele. Arranged b. wetssn.
L Amour De moi tAfleme s.ec.o) and Tar-
bourin NNliiieme siecle) Arranged BY Th.sra
La Procession. Z. 800,
Clair de LUne...............'..... "a,
Ellie await tro!s couronnes dor ard Les FILLS
IA aut felt Banies. ....,.. Roger &c Fonie1g
Two melodies on posms BY Maurice Maeterilpct
berceuse du Paysan ......... Ns-I..or..,,
Pastora9 lsons without words ... igor suassasg
lie FONT lsur posine de ClaudeD Darius Mlhssa
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Programmes of the
Weeks Concerts
Philharmonic and Symphony Societies To Be Heard This
Afternoon-Two New Singers Make Their
New York Debut
SUNDAY

Concert by the symphony Society,
Aeoian Hall. 3 .. M:
SUITE 10 c tsrsnsed By Walter Damrosch) Bach
First tine at these concertsl
Danss sacree. Danss pro.sne. ............ .DeorD
For harp and stringl
Introduction ard Allegro for harp ..........h AFel
New. hrst ume)
Carlos SaiLedo
"Enims" Variations ........................E sr
Concert of the Philharmonic Society,
Carnegie Hall, 3 p. m:
Overture "Finsal', Cave" OF 20.
Symphony No a. I. Ma;cr oD s,hs%.n1
Gl4zounov
Efrem zmbaist
Cspyiccio Epagnol oD. 81 Rirsky HorsahoH
Max Sanders's sixth musical, Harris
Theatre, 8:15 p. M:
Variations symphonique ................ Bocilmann
Helen and Harriet scholdsr
Una FurtiTa Lagrma tElisir d'amore) .Doni1etu
Frank Pollock
Irockens Bunen ......'......'.'. ....s schIocft
~ Ists cn.,1ls
Anne Arksdu
Spanish Serenade ....................-.,. Topper
manson Russo .....................'..A ousscrgsy
~-'''''' Helen scholdsr t'ccIlol
Lahore de Moi Chanson du xve Steel.
ne Hspd ~ Lover MISREPRESENTATION English Msiody
Frank Pollock
bacGOle ...s....s.......s.....s. 'Chopip
R, SSs VuS W e.iiins1sIH
Harris, scholder tpianoj
I Plsure dan; mon occur clsud. Deeus.y
Floods oil spring ''i,:...ii,, ssrsei Rachmaninon
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Violin recital by Hildegsrd Brsnds.
gee, Princess Theatre, 8 p. M:
FRIDAY

Concert By the Russian CathsdYsl
Choir. Aeolian Hall. Sis D. nj
p. l. TsohAfossu
Tbs Lords Prayer.
o. come. Let IN fan dswu and vusAlD hsfss
Chris. and Holy God
Tns Chsrubimie Hymn.
The Creed
Mercy 81 Peses and We rycss ms
We bless Thee.
Meet IL II
g. Rschmaninod
o. Only Begotten Ron aud Word Of ood
The BeatitudeS
Lord, Have Mercy,
The CheriIbimic Hymn.
The Creed.
Mercy q Peace andi We praise Tns>
We bless Thee.
Piano recital by John Powell, Aeolias
Hall, 3 p. m:
Allegro De Concert and Socturns IN major
Crosses Kon1srt solo. Concerto P,ih,ueus,
Don Giovanni FAniasie ................... Linz
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Song recital by Susan Mstealfs.
Casals, Aeolian Hall, s:l5 p. NJ:

Adelaide Observation-Disclosures. Rs>th,<,u
lutoTO all Idol MIC. ................. C,xs
Sc florindo fedeis. ............ -. se.r,ssr
Non pu cosa son "NJzke az Ffgaro'' 80 Norsn
Cot I'm truhling and Die rAubeS post. .schubsn
Hess mich NIGHT re,en and Die Sennin. schunana
Won Wad-hekranzter Hohe, Nenn Gu auf
zuweilen lschest, rs tgagmL mir and Achi
Wende diesen Blick. ............ Brahms
saIr a., Vii ynS
Chanson; Cone iSay, Death, and nbere Wus
Lover and HIS Lass a., No>s
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

THURSDAY

Concert Of the Philharmonic Society.
Carnegie Hall. $3.50 p. M:
symphony No 4. IN b fat major Oh e. R.,.Ao-.
Symphonic Poem No a. Die ldeAls. and Cop-
certo IN fat major for piano aEd orchS-
N~S b. o. - LIN
Sress Carrafo.
Prelude and Eebestod. from Tristan urt
Isolde" ............ w.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
SATURDAY
Song recital by Caroline Hudson
Alexander, Aeolian Hall. 3 p. M:

Concert by the Philharmonic SoeieV'
Carnegie Hall, $3.50 p. M:
symphony No. 5. IN minor. Op. "a. .1schaiscs,.n
scene from Jeanne d'Arc'' .......... IschAihYe"'
For soprano ard Orchestra
ffances Ada. a.
Two Elsgsc Mslodies. for strns Orchestrs. % -
Heart Wounds: Ths Last srrtnz -.
MargAfetsin, Erslos Begcplen. Lsn Der "ct
Francs Ada
Frank IA Forge Al he Pane
i"eD' I rschsikvss1
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

WEDNESDAY
Piano recital by Miss Winifred Chris
tie, Aeolian Hall, 8 p. nc:
Fsnt.sis. Opus 20. and -Four Etuds-oy1 10
No /. IN major. Opes 10. No !. In
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03


Piano recital by Pauline Mallet-Pre-
vost, Princess Theatre, 3 p. M:
s seos + 1NSo1 TPS5 S Ss r. No a.n
Soc Soif IN sharp minor op a. No. l.. CHOPIN
cSae ss,s II fsn,a,taao OBJ it, No g. PsdsrsS.
'''' ''''O-'' '' '''-' Leg orns,sin
impromp,u in II nat major. op ia. schqber,
Rhspsodie No. 'l4']'
Concert by the Xneisel Quartet
Aeolan Hall, s:l5 p. m:
SS Sns; IN a. major K6ci.i $50 Mo1.t
Quartet In major CD. 22.......... SehaikoS'D
Piano recital by Robert LOrtat.
Aeolsn Hall, 3 p. M:
Variations. Interlude and Finals on Theme
~ J. Pm. Rameau. .............'s. ,fAGl pukA
Debu.sy
val.e Caprice. No. i........................ Faure
les Fstes .....................Deo dat do ssssrse
Ts Mt R,ude.. op. 10. Nos. and g. Bolsro:
Andants splsnato ct POlonase. Chopin
Song recital by Elizabeth Gutman.
Comedy Theatre, p. m:
del MIC dolce AfdOr. ...............,..., Glpes
o SEQ. Why coat thou leave mel from "serpsis''
HAndel
Where the Bee Sucss. from Tbs Tempest Arns
fhrs StimWs Observation-Disclosures. Schumann
Ro.eleiu Ross,ein ......................s chumanr
grhHne Fremte Observation-Disclosures chumsnn
VoIs.liedrh.n ....,...,.,........... schumann
Russian Folk Songs
Xgsto,shksz mola: Gle ma Eori; Spit rinka;
Tshumss do tshumsko
Yiddah FOX Songs.
An ~ N4f with Violin obhlgstol
Rctsness Msch der Choesidl Sch. Mocha
rne.e: Awrsm. AWram tGebe).
Pc Gfbi aOossoibsS
e die "A Efo1icisnka f.s.ss.ts.sssstt NOUS ~ ~
song OF the Dew ...............r.s-+ srra"insU
Russian Cradle Song .................. hsrganon
SeferGGo AsNA~AAV~sAy
WEDNESDAY
Piano recital by Miss Winifrsd Chris
tie, Acolian Hall, 8 p. rn.:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

Bossi's Joan of Arc" will be given
at Carnegie Hall on the evening Of De-
cember s. Performed for the first time
in New York last winter, Joan of Arc"
received such an enthusiastic reception
that the Oratorio Society Of New York
has decided to repeat It this season.
The title role will be sung by Marie
Sundelius. Of the Metropolitan Opera
Company, and other solo singers will
be Morgan Kingston. Clifford Cairns,
Grace d. Northrup, Rose Bryant, Mas
ter Preston Parkinson and William
DenhSm Tucker. In addition to the
permanent chorus of the society, there
will be boy choir Of sixty and the full
orchestra Of the Philharmonic SAciety.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Piano recital by Grace Elliott,

Prelude and Fugus IN minor. ........ Bach Lam
Etudes, op. 10. Nos. and 4: on, Is. Nos.
IS 10 and Observation-Disclosures. Chopin
Weeping willows and Soughing Pines. .Goldmark
DAWN Observation-Disclosures. Faryell
Japanese Romance and Dragon Files 700. Bartlett
Etude de Concert IN + minor and Poonaiss
ia Observation-Disclosures. List
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
MUSIC NOTES

The long black gloves 20 long asso-
eiated with the name of Yvette Gull
bert are once more to make their APP
pearance. TO Offset the erudte pro-
giammes which have lately charac-
terized the recitals Of the French
artist This evening at the Maxine
Elliott Theatre Madame Yvette will
sing the songs Of the Montmartre,
and discourse TO her audience about
the esprit boulevardier."
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

Concert by the Msruchess-Sc
Ensemble, Comedy Theatre, 8:l5 p. m:
Zsete Senate fur hlayer " Violin ....... .Busoni
Clacouna lltal
ak Young Marches
Sonata In q major ACKNOWLEDGEMENTS. Grieg
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

TuNsItU FUIh NVT .
Xus,o,shksI mola: Gle ma Eori Spit. rlnka;
Tshumss do tshumsko.
Yiddah Folk Songs.
Arh ~ ~ with violin obi gstol
Rcteness; Mseht der Chossldl. Sch. Mocha
r,.le. Awram AHfam fGeOtt).
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

The Rlalto announces the engage
ment ~here Of Jenny Dufau, of the
Chicago Opera Company, for the week
commencing Sunday afternoon, Deem
Der 3. The Rialto announces also a
return engagement Of Vicente Bales
ter, young Spanish barytone who ap-
peared there for three weeks last sum
mer prior to his signing a contract with
the Boston Opera Company. The
orchestra, led by Hugo Riesenfeld, will
play the "Galatea" overture by Won
Suppe
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03

Kitty Chestham will give n recital at
the Hudson Theatre on Friday after
noon, December 10. Miss Cheatham's
programme will contain new songs and
arrangements written especially for her
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-12-03
Song recital by Mauds De Voc,
TUESDAY
Piano recital by Pauline Mallet-Pre-

william Lester At the Piano.