Payette enterprise. (Payette, Canyon Co., Idaho) 1909-1935, 1916-08-17
TWELFTH EPISODE
The Haunted Canvas.

The daughter of Dan O'Mara was I
very happy girl So happy, In fact
was the freckled-nosed Peggy thai
there were times when the sheer nov
city OF her good fortune somewhat
frightened her. For the tide had
turned. The O'Mara family, as Peggy
put 1t. was at last in clover. That mys
FERROUS Fighter Of wrongs known al
the Laughing Mask had interested
himself in getting honest work for
Dan O'Mara. And that gracious-eyed
lady known as Margery Golden, once
she had realized the true position OF
the family, had become equally inter
ested m doing what she could for the
spindle-legged Peggy.
1t Is true, none the less, that this
aforementioned young lady's benefac-
tress had been momentarily nonplused
by Peggy's choice of vocation, when
this choice was placed before her.
What would you like to do mosti"
Margery had asked at the end of her
second trip to the O'Mara cottage
with a bundle of clothes for the all
but breathless Peggy.
BE a artists model" promptly an
nounced the rapt-eyed factory girl.
"But why a model?" asked the
amazed Miss Golden.
ITO doll up in glad rags and get
meself painted" explained the dream
er Of the dye watts. And odd as that
choice seemed to her, Margery Golden
did not depart from her promise. She
sought out her artist friend, Frank
Aimick, and inveigled him to expert
ment with a new and somewhat I'M
tried model.
Frank Aimick, however. soon found
the ardent-eyed young Peggy more of
q help to him than he had anticipated.
Some of her unctuous yet uneouth at
titudinizing. in fact, brought a smile
to the face of the busy artist.
But that smile was never broader
than when he noticed her standing
wide-eyed before the large canvas
above the fireplace at the end of his
studio. For this painting, which bore
the title of 1.-THE Vigilante," was a re-
markable piece Of work, in more ways
than one. 1t showed the life-size fig
ure of frontiersman staring out into
the room, with a leveled carbine at
his buckskinned shoulder. But the ar
resting feature of the painting lay
in the fact that both the eyes of the
figure and the barrel of the leveled
rife seemed always to be directed at
the spectator, no matter what position
the spectator might take.
''ffiat guy gives me the willies!"
Peggy protested as she made her way
back to the model throne.
'Why?" asked the smiling man at
The easel
s.He keeps such a bead on you, no
matter where you get in this room!"
was the girls reply.
But destiny, in the form Of one Jules |
Legar, had secretly ordained that |
Peggy's happiness should not be last |
ing one. For Peggy O'Mara was no |
longer trivial factor in the activities |
If the Iron Claw. This slip of girl |
lad brought defeat to his plans when
success seemed well within his hand. |
And for these humiliations Legar de-
sided that the girl should pay, and pay
70 the full
The modest home Of the O'Maras,
however, had no inkling of this deci-
sion until Dan O'Mara himself, wan
iering about his combined kitchen and
living room in search of his pipe, was
somewhat startled to see a square of
PAPER pinned to the faded door panel.
Peggy herself, Joining her father, was
equally mystified by this slip OF paper,
or its surface showed nothing but q
'ound blot or two of black ink on q
Iquare of white. Neither Dan O'Mara
Tor his daughter had any reason to
NOW the meaning of the spotted
Warming, any more than they knew
hat one Maud, the stealthy emissary
4 the Iron Claw, stood hidden behind
he walls of one of the three cottages
clear view Of the
yMara home.
They had no way OF knowing that
bis same Mauki lurked there behind
huttered window, patiently watching,
= after hour, the house across the
lose beside him as he watched