davidaulloa/AmericanStories huggingface dataset:
Harrisburg telegraph. [volume] (Harrisburg, Pa.) 1879-1948, 1916-07-24
Average Per Year

Ihree-quarterS OF THESE men I'm
cluding all those who put in a full
Engineers, road, $15S5 to 1924;
yard $1303 to $217S.
Conductors, road, $1552 to $1,000;
yard, $1145 to 1891.
Firemen, road, 1882 to $1707; yard,
1894 to S1635.
For the whole country the average
wages of three-quarters of the en-
tn1nn,ae
Harrisburg telegraph. [volume] (Harrisburg, Pa.) 1879-1948, 1916-07-24

Hand Cut. - Charles Messineer vva e
cut about the right hand wnen a light
globe broke at the Excelsior Laundry.
Harrisburg telegraph. [volume] (Harrisburg, Pa.) 1879-1948, 1916-07-24
WAGES HIGH IS
OFFICIAL REPORT
Committee of Railways Give
Figures to Back Recent
Claim
Special to the Telegraph

New York, July "a. - An elabor-
ate study of wages has just ben COM
pleted by the National Conference
Committee of the railways For six
months railway accountants through
out the country have been engaged in
collecting the payroll records to show
the actual wage payments to every in
dividual employe among the 100000
engineers, conductors, firemen and
brakemen now voting on a national
strike for a new wage scale. A sum-
mary made public to-day by the rail-
road managers says
Harrisburg telegraph. [volume] (Harrisburg, Pa.) 1879-1948, 1916-07-24

HAHHISbUHG SIDE
Philadelphia Divislon-115 crew first
to go after p. M: 124, 112 1oS, 11S, 105,
III. 1913.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

theme is. in effect. a mu1ern embodi-
m"nt of the transcendental ideal.
II may have been hat some subtle
demand for occasional relief from his
work in ivory portraiture. necessarily
an eNact Interpretation Of the subject.
has Erected his work IN clay along
these lines of broader. freer eXpres-
sion. This change i'm style came not
more than three years ago while he
was in Paris and admittedly under
the influence of Rodin. Indeed, In his
studio he has some examples OF his
earlier bronZes. notably a draped fig
ure Of lsadora Duncan. reclining on
a couch. the dra peries and the entire
method of treatment hetraying a
former more faithful adherence to
strict realism.
Meanwhile he is WORKING along this
broader avenue ~ sp|iritua! express
sion. as opposed 10 a mere physical
Interpretation Of life. some of the
fruits Of his eve methods. together
with examples OF his worries. he ex-
poets shortly to exhibit. Just at pres
ent he is engaged in finishing an ivory
hts-reiief OF Caruso. fellow artist and
traveller on the steamer that brought
putH mere last rail-. IN the voyage
he himself was made in turn the sub
ie't of one Of the singers lnimitable
cartoons.
1t is said 10 be "A sight worth seeing
to come upon the sculptor in the fever
Of work. his tall erect figure enveloped
IN a smock; flying chips OF ivory neck-
ing his bronze hair, mustache and
clothing with white as he plies his
delicate chisels. The delicate cream
and yellow planes that he weaves into
human lineaments from this material
are decidedly worth seeing.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

uii IN It's fan was to break off a small
SECTION of the adjacent palace known
AZ the Library of the Republic. This
= Il handsome sixteenth century
structure. 10y S~auSoNino. In restoring
tn" cornjcc III" present Kim of Italy
designated 'ador.u To- model anew the
marble statues Of Two pagan dcities.
Neptune and a sea nymph. destroyed
by the Companies fall. Sienor
tadorin * not very much excited
about these two figur"s a. they are
If the old school sculpture frank re-
aiIsm. If a somewhat bold realism.
More characteristic of his work IN
marble j. has purity immortal" a
nude female figure with a vestal's
lamp in her hands "a modern Nestal.
The HEuTr L. ncwu in clean lines from
a massive block. IN" lower section of
tlc mass being left IN It's heavy
'rr!Ginal Siuar"n.ss 10 l.rd a back
ground ~ strength and continuity Of
IMPRESSION TO the statue. Is an ac-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
OLD GARDEN
n HE last Survivors of the NauX-
bali Gardens. haunt of New
i York pleasure seekers IN thcir

@HE last survivors of the NauX-
han Gardens. haunt Of New
i York pleasure seekers IN thciI
day, took refuge in u very lH-
ikrlN place, the headuuarters of the
American Bible Society, between Third
ana Fourth II Eighth AMI
Ninth streets. They were a colony OF
white rats. The Bible Society had at
The time Bibles in twenty-nine lam
Guaaes and dialects. but il is not known
that any Of them appealed to the rats,
unless as food,
The original gardens covered mos;
OF the ground from Fourth street TO
Astor place and from Fourth avenue 20
Lafayette place, and the entrance. in
their glorious days. was on Fourth
avenue opposite Sixth street. There Is
nothing just like them in this country
nowadays.
The grounds, alread, planted with
various shrubs II trees 10y the former
lessee. a Sw ~s nursery gardener, We're
la.d out with garden walks and en-
closed 10y a high fence. Along this
fence were boxes or stalls containing
tables q seats where visitors might
slt and enjoy refreshments. In the
middle there War a shcilike structure
now and then ren,ed by companies OF
travelling actors or musicians
! There We're no orchcstras in New
York in the early years Of the nae
tecnth century. To say nothing Of tht
Colonial days Of the gardens. CT
special occasions fireworks were dis
nlaved in this middle spare. The lights
We're glass globes Containlne OIL with
L floating wick, hut most of tho bust
Gess done by NauXhall Gardens vas ia
the daytime, after the early dinner
which New York enjoyed, in the long
summer twilights and on holidays no
Sundays.
Little by little as the n'netcentl
century advanced The space around thi.
pleasure park was taken mp witt
' country houscs and then with othc,
houses and buildings, Pieces We're en-
eft it here and there for huildinc p,,r,
poses. II lost its fashionable character
and grew cheaper and cheaper.
Here Barnum set up his FIRST tent
! for the Greatest Show on Earth, and /
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
CURRENT NEWS OF ART AND tt

| Crierson. Gertrude kasebier. Charles
u. Keller, A. Romano. u. j. i;uzicka.
william Gordon Shields. Karl Struss.
! Edith Hastings Tracy. Bertrand II.
Wentworth. Edward Henry Weston,
Clarence n. white.
The exhibitors who are members Of
the department are J. Milton Bergen.
Henry q. Bonn. Katharine Brichcr-
setter. Victor y. Camp. Richard NJ.
Colt, Herbert Wheaton Congdon. j. Il.
Cooper. Charles u. Denny. @. T. Firth.
Florence Baker Grey. Myers X. Jones.
James W. Kent. william I. Knox,
william Elbert M%acnaughtan. Robert
4. Montgomery. Edward Ostrom. .Jr.,
Leo Pokras. Albert s. Roe, Henry l..
u'nderhill. John Wray. William II.
Zerbe.
The total number Of photographs
shown will he l21. comprising the work
of forty-two exhibitors, including a
very considerable number OF European
subjects. The gallery usually assigned
to the Tiseot pictures on the third Noot
Of the museum has beer tuircd over
to the department for this occasion.
whe president ~ the department. is
william T.. Macnaughtan, and the
chairman OF the exhibition committee
is Richard NJ. Colt.
\ memorial exhibition OF the paint
ings os the late Andre Champollion,
who was killed in action March IS.
1915. In the Bois-le-Pretre. France, Is
now on view in the Folsom Galleries.
Nr (ltnn,t.,llinn Whn xlAs nf Erputh
birth. came to this country in early
youth and graduated ut Harvard. II
was after leaving college that he took
up the study Of art.
He was painting in India Just be-
fore the war broke out. and most Of
the pictures in the gallery were painted
there. Apparently he conceived "A
wholesale interest In Oriental life and
explored many strange phases Of II.
With characteristic French dircctneSs
and with strict fidelity he put down
the actual facts that he saw. His two
largest works are Of those famous in
situations. The Burning Chat and
the "Iathing Chat" The former is
rather tile better OF the two. but both
reflect the glare of the Orient sun
Two %turhanned natives in the rirjur,
called Conversation are posed in a
recess of "a white wall before a pierced
white grill. The bril.iancy W tho lieh,s
and shadows recalls the work II the
famous N~ercstchagin.
An indication Of the t~iornughness
with which the artist Studied India i.
found in the long series of carefully
painted heads OF male and female type.
which includes wandering Hindt
monks. n Yogi, a Parsee priest of I'oin.
bay. Nautch dancers. snake CharmorS
Tile;an women and a retired SKI
officer.
-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
Wood color print OF Nijinsky and Lydia Lopokova in
Spectre de la Rose by Mrs. WINS.
On exhibition in the Berlin Photographic Company's ganerie,

The jewelry and metal design IS |
gold rings and scarf pins, which
year captured the Louis G. TIL
gold medal. \ large punch bow
copper and a well executed nut sd
in silver and copper are also SID
The latter was awarded the hr|
medal by the same donor. Al III
were hammered from the ia.
Or. George kriehm Of the der|
inent of extension teaching, Cvlur
University, announces a course d
lecture promenades IN the Mo,ropo|
Museum Of Art on the Morran cd
tons. This curse is designed f0r|
study and enjoyment Of these 81
tons which have been partly >oli|
are partly to ne withdraw from|
museum. The class meets n |
successive Tuesdays and Friday |
lo:3o y. NJ. In the library e.. 'ta
scum. beginning April @S. u. KrI
also announces a single lecture ~
made for the purpose Of study Il
loan collection of ancient Chimes.
terry now exhibited in the museum|
enc Of the most importii' oysr|
stmbled. 1t meets on MAY 3 a.
\. NJ. in tn. library Of tn, Missed
The recent exhibition ~ N'.hn|
Davies. Jules Pasciu and Wat 81
in the Macleth Galleries proved i
one of the most talked of shows Il
year and is still discussed. one Il
results of the association of ,le--
in this exhibition is the por;rs"|
Kuhn by PasCin reproduced on
page. Mr.. Kuhn's share ~ 'te \
beth Galleries exhibition did Uo' |
with universal approval ed
slightly Mephistophclian twist -lyt|
his hair IN the portrait may 10
Pascin's appreciation o' MS 'lcg''
a trouble maker.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

is said HAT here he miu'ia .!rr
mermaid that fooled So man. WISE
pie and confirmed him IN bis ,'Lvl|
ahou: the taste az the .AUrr''tN Il
for humhugcery. TIE las ',s,'e
bradford Jones. who htd = .1"iI
cert and minstrel show.
by 1910 the distric, cas-
Square was definitely ttsh.uua.
all sorts ~ well To- do !nst...'..cs
seeking roomy sites on o. fr,a-|
the city. Tho New Nur> HIST
Society. founded N lS0l '.' II
can Bible Society. founded p '>lt
Mercantile Library. all ,.i.' n
quiet nciehborhood. In .'F
Jacob Aston founded the A,,o: l."
on Lafayette place. bur cooper
tute did not arrive NM. lN''
Bible Society PAY NJ 10 hl''u'"|
1888, and the rats prohal 70 81
not very long after, 'ND - 81
know il when they did.
Among the exhibits 90 '.''Ha1
Nauxha'l Gardens Wa q w'nd]
regarded rs a moral show WI
able persons who would Enj $500
10 attend a circus. aud 90 'c II
serlc were some white 'a'- M
Cident allowed some Of '.'" n
away, and following ,re tt'lra|
stinct Of rats they headed or = I
ING where there Was pic = n
especially waste paper. r.'"'' ~
and much storage room u-'. ''T \
ing away these attractive 81
not poliCed by cats. \ iH. ..S 81
kind is. from the rat point 2 N''"|
superic: To the private r,I-'. N"|
constant patro,'ng 10y Ht.'t.S
and cats. its traps a.d n'"1
food supplies.
Il Was some time We" % u
in the B!ble House foUu. a.
had any rats ON tho
ere not in MI points
rats. for the rat is a m. Ia
tffacing beast. rSpc,t
white and has In roultn.
mostly Of the b., Is. - N" '
rats that match tl"lr Ia
that j. HOW i'arnU'O 49," ~
pcncd 10 move from Y, '
] 10 an environment ST.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

may best be appreciated by the list OF
exhibitors appended, onc-half Of whom
are members of the department. the
ether half being invited exhibitors, in
GLIDING many Of the most celebrated
artists Of the country in the given
field.
The exhibitors by invitation include
the following names Paul l.. Ander-
IN, francesca Bostwick. Alice Bough-
ton, Austin \. Breed. Arthur -. Chap
man. Alvin Langdon Coburn. Dwight
a. Davis. William u. Dyer. Arnold
Genthe, John Wallace Gillies. j. w.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
THE EXHIBITIONS

schools activities. name, Adv.S.
drawing, book and costume ,,ln,.
ton. jewelry design, interior do
ton, stained glass oesian clay MOI,
ling. poster design. principles q, :
corative design. mural dc Grafton y,
textile design.
The classes in plastic and icvelr, a
sign have the place of ho.or. =
former has on display some clev,.
executed lighting fixtures adap,et
garden fetes. The other small 60,
lures = creditablc and profess =.
In execution.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

fed 10y a discouraged ma and 'f'rti-
tude" Icy an exceedingly capable TO-
male. Poets and ltdN WHO'S sui.,-
times try Ia rcNcrS" these roles. l'i;
scicntinr writcr- uai"c with Mr SAN
ford thA, fHr teal f1'titudv a woman
CNcc's Il nldu aNN line
There j. also /, bronze Ajax in
wn'.N I've trlpu gcS'ur" which Alas
prode WITH his short sword in ucfcu'c
j. no dpInt s'udiouslv aud s..rntlr-
cally correct Ike the female fortltudc.
but It wil. rstoui>h Amateurs. y dane
ing "Oddi.suuc" in a short skirt and
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

memorial. Indeed, he enjoys tho dis
ilnrti"n of hclnS 20 modern VINO hts
succeeded IN gaining access To tie
classic 81. Marks Suuar" IN Nruicc
with ONT Of his work. This he conf
sidcrs as rather amusing, as ~, Marks
y entirely closed to modern s%Culp.ors.
When the old tamu,nil" "rumhlei
and fell in n quite orderly, decent maal-
ner back IN 1902, the only damage IL
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

comedies that woman Is the greatest
sufferer in war, and | think most ~.
crybody viii agree that Belgium has
been II greatest sufferer in this "A
IT, portraying Belgium, then, | have
chosen to represent n woman as th'
highest expression of suffering. That
is reality. you know. And when !
say that the tendency now in art
is away from graphic reality. l neal
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
ETTORE FANG

ural line of their genius. however. -
his restless search for an outlet nf
expression he has of late been turning
To bronze ss offcrir: a still broader
latitude for his talent. In a littic
rorth light studio IN West SiNty-s.v-
cnth street n bus!eS himself on THE.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

al a subject. Sow it - for art 20 pre-
sent a broader picture OF The subject
as a. Whole by producing an emotional
effect that translates ,he simple spirit
"f Il multitude Of complex impressions.
II have tried in that statue Ia pre-
sent the ease ~ Belgium. EveryhoJ;
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

"a I;tlIt Russo attitude j. one uf Mr..
Saufprd's most attractive hronzeS.
PAU I'hiippoj"auN. who Viii be re-
mem'.r"d for tive great panorama Of
the ..,Jt|o II Gettysburg. which was
shown in all our great cities, j. rep-
Resented fN - number Of oriental
scenes, al painting IN detail and
highly finished There j. "A snake
charmcr at Cairo, II picturesque Bashi-
Bazouh sentry. a milk vender d.spens-
.nE ~" iiuid from jars transported on
a dunheN's back and "a group of Arab
horsencu at "A fine fountain. Prince
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
JUS ITALIAN SCULPTOR. AND HIS WORI

ri in IL trodje~t sense. IN literature,
Nc."
Let Il not he gathered that Siguor
Cadoriu IS entirely q specialist In ivory
mentioned that h. Was chosen. viii
D'Annuu2iu. 70 create the WagUcr
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
A cartoon of Cadorin drawn by
his famous country man
Enrico Caruso.

compartment in music, In Abe lower
corner j. the Latin iu%scriplioal "AnXia
VITA Nihil,' Il sent, mcnt that Nprcsses
SiSnur 'adorin's " conc'I, tion II
tins piece. n a glurliicatiorL. of the
con'rmplatiNc llfr. The whole shaping
Of the BACKGROUND to tho femaI, figure
has been formed To create an Amprcs-
SION OF ctcrnitv-the reality Of the
past and, as it tapors slightly upwards.
the certainty Of immortality. Itsa entire
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

~ NE or two modern artists and
a great many academicians
~ take part in the invitation ex-
hibition in the Montross Gal
'eries. which is to continue until May
~. The academicians carry of the
hunors not only for quantity but for
quality, as the "moderns'' are not very
significantly represented, The little
"t,lue Vase by Max Weber Is scarcely
a challenge to the landscapes by W. l..
I.athrop and Hen Foster and the por-
traits by George Bellows.
From the point OF view of accom-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

Paleologuc. wtho is a Rumanian. edu-
Gated at Sout3i Kensington. was first
an army man .and fought through the
Turco-I,ussian. campaign OF 1878.
His monotypcss are effective and clever.
rnc of tine mt a. successful is q Head
OF a Faune.'' drawn rather large.
There il on ia splay at the Municipal
Art Gallery. ~ Irving place. an in
tcrcstiny exhibiA ion Of Industrial art.
the work of the students OF the New
York Evening ~ hool Of Industrial Art.
1t comprises th, entire field OF the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30
The memorial tablet to Richard
Wagner. executed by order
of King Humbert.
Ahove-The location of the tab
let on the Palace Vendramin-
Calergi in Venice.

tC him. comparatively plored ,'-
gion Of creation. Here, also, he has
been Joined by his wife. Erna Mucllcr,
an Australian singer who toured this
country in concert with KubPlik IN
the latter's last visit.
Already Signor Cadorin's stay here
has borne fruit in the shape Of Il
bronze statuette called La Eclgiuue."
or the Belgian girl. This piece has
Just been purchased by Enrico CaruS,.
II is the nude figure Of a girl, kncel-
ing, with the hands touching the
ground. the palms facing upward in
an attitude OF supplication. The whole
as one OF tho foremost Of the
figure gives an impression Of consuin-
mate WEAKNESS. the head dropping to
one side with the lace and cyelids
turning slightly upward. bearing out
the whole theme Of "A patient ~resigra-
ton to what heaven has sent. This
s%tatuette epitomizes SignOr Cadorin's
w conception of what will be the
wars effect on art.
after 1870" he says, Everything
was for Il graphic. minute reality: AN
attempt actually to transfer the pic
ture to the canvas. M the marble, or
in the sto.S. whatever it ma he. That
is no longer necessary. even II de-
sirable. with the moving pictures that
give far move f-ithful representations
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

@tITE unaco.aimcd ard unher-
aided. there arrived here last
~ fall one Of the foremost Italian
sculptors OF the younger
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-30

The Goupil Galleries provide d va.
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-03-25
Country Correspondence
SORROW HOLLOW

Mrs. Jemima Hoff is sick abed with
grippe. Jim Hoff her husband says he
is turrible sorry being as he is sick s.
tired cookin his own meels.
Lafe Henderson met with calamit-
ty tother day. While tryin to kick the
ice balls often his heels he kicked off
one of the heels of new pr of boots
Miss Lucinda Jane Hawkins of
lions Crossroads who has been the gest
of Miss Hetty Perkins of here for a
wk past has returned home Miss Lu-
cinda Jane made menny friends while
in our midst espeshia1Iy Jim Simpson
who druv her home when she depart
ed. We persoom Jim will be a reglar
Satterday mite visitter to Zon Cross
roads hereafter.
Il Gookins while tryin to git bot
tel of Ticker outen his pocket recent
which he had brung from the CO seat
to give Lem Squiggins friendly nip,
had the botte1 to slip outen his hand
and fall and bust wasting every drop
of its corntents. Lem says IL amt
spoke to him sinst and seems to re-
gard him as bitter enemy
Rufe Changers old dog "Tige" had
roomytiz in one leg and fxt up a mus
tard plaster s. bound it to the dogs
leg. Being as Rufe amt seen his dog
sinst we guess the mustard plaster
must of took. UNO.
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-03-25
Births

Born at the residence of Mr.. and
Mrs. Jim Miller last Thursday MORN
ing before breakfast with Doc Liver
more our human speshialist & veterinary
offishiating in his perfeshiona1 capacity
a baby boy which weighed IA lbs. &
II OF: on Jim's butter scales Mother
& child doing we'll
AS for Jim whenever ennybuddy con-
graduates him on the occashion Jim
says that congratulations amt in or
der but sympathy instid being as he's
the father of 9 now and this last addi-
shion to the fambily he looks on not
only as sooperflewus but also as con-
siderable of a calamity.
There was a good cal of surprise ex-
prest at the wgt. of this baby GA lbs.
& II oz.) until folks realized that the
scales on which it was weighed is the
same that Jim uses to weigh butter on
for his custummers who will probably
purchase their butter elsewhere here
after
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-03-25
How Are You Off for
Rats and Mices

Being as l am pretty smart in the
head & of inventive turn of mind
have been working for almost a yr on
a patent rat & mice trap to fill a
long felt want on the part of the gen
eral public or whoever else is pestered
with rats or mices from their celler to
their attick.
Well, have got this trap finished
at last and it is a awful big sucksess.
I make these traps myself and by
working hard l kin make two of EN-
per day If I neerIy bust myself I
kin make three l alreddy have
duzzen made on hand for sale and will
dispose of them to those as is both
erd by rats & mices.
When this rat trap of mine goes off
it ketches whatever happens to be in
it at the time. 1t went off & ketched
my hand in it onct and it TUX me
half hour to git it out and even then
three fingers was smashed l calkilate
whatll hold me by the hand for half
a hour and smash three fingers will
hold a rat.
l will sell these doz rat & mices
traps at so cts each while they last.
First come 1st served Why be pes
terd by stitch pests when my trap will
ketch EN- & hold EN-? Come & see
these rat traps. | expeck to make
forchune outen this invenshion some
day. Yours for rat traps,
(also fir mice)
LEM PERKINS,
BINGVILLE. INVENTER.
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-03-25

went out to the barn and fed the stock
and being as his wife diddent have
brekfust on the way when he come
back to the house Lem got suspishus
and lookt at the clock and was a good
cal surprised to find it was only II p.
m and that he haddent been abed only
four hours. Lem was so mad at that
clock he throwd it outen the upstairs
winder, TUX off his clothes agin and
went back to bed in deep disgust. Next
day Lem hunted up the alarm clock, but
it was busted all to smash.
Personal Breefs" amt what you
might call plenty this wk. AS result
these is all.