davidaulloa/AmericanStories huggingface dataset:
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12
No. 20,214.
W. M. Forbes, Appellee,

NO. 2O,214.
W. M. Forbes, Appellee,
John c. Madden let ALL Appellant
Appeal from Shawnee County Second
Division.
AFFIRMED.
Syllabus. By the Court. Marshall, j.
L In a written contract for the sale of
land, the purchaser agreed to transfer GER
tain notes of which he was payee as Il
part of the purchase price. After the
Protest and notice of protest waived and
payment guaranteed" appeared ON the
back of the notes above the signature of
the payee. He commended that the words
were fraudu1ently put on the back of the
notes after he had signed them. Evidence
to show when the words were written
was competent.
2. An unsigned written memorandum
can not be introduced in evidence against
a party, where it is not shown that the
party knew anything about it, ever saw
it.. or ever had anything to do with it.
3. A personal Judgment on guaranteed
cause the court took from the Jury the
question of whether or not the notes were
for and and foapd 81 that ahe tbe
represented was the balance Of the obliga-
ton contracted for the purchase of the
land.
4. In an action by the payee of promis-
sorry notes against a guarantor thereof.
where one of the defenses is that the notes
other notes endorsed by the guarantor to
the plaintiff, that the endorsements on the
original notes were fraudulently altered
after being signed, and that the guarantor
of the notes sued on did not know of
the alterations until after he had signed
the guaranty or the new notes, it is not
error to instruct the jury that the de-
PENDANT is not discharged from liability
unless the alterations were made by the
plaintiff or by his authority and that the
burden is on the defendant to show the al
teratiOns by preponderance of the EVIL
dence.
s. 1t Is not error to overrule a chal-
lenge to a juror for cause, where 1t APP
pears that the juror is indebted to one
of the parties to the action.
All the Justices concurring-
A true copy
Attest: d. A. VALENTINE,
(Seal.) Clerk Supreme Court.
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12

No 1976S.
The Rock Milling & Elevator Company,
Appellee,
The Atehison. Topeka & Santa Fe Railway
Company. Appellant
Appeal from Reno County
REVERSED.
Syllabus. By the Court. Marshall. J
l. State courts have jurisdiction in
tons to recover the amounts due shippers
of Interstate freight for repairing cars to
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12

No. 2O,507.
The State of Kansas, ex rel. S. NJ. Brew
ster, Pl9intiff.
VS..
The Board of County Commissioners IF
Reno County, Kansas, ct. al. Defendants.
Original Proceeding in Mandamus.
Writ Allowed.
Syllabus. BY the Court Dawson, J.
Chapter III of the Laws of 1915 which,
among other pertinent and related matters,
requires any county having over thirty
thousand population to contribute S1.50e
to statewide fair held in such county Is
a constitutional and valid act of the legis-
lature.
All the Justices eoneurring.
true copy.
Attest: d. A VALENTINE
(Seal) Clerk Supreme Court.
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12
PICTURE FRAMING.

FRAMING, regfldirg. mat making. mount
ing done by ]. ID. Sullivan. 122-124 W. eth-
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12
No. 20,256.
Joseph Henry, Appellee,

No. 20,236.
Joseph Henry, Appellee,
Missouri, Kansas & Texas Railway Com
pany Appellant.
Appeal from Crawford County.
REVERSED.
Syllabus. By the Court. Porter, J.
L. A party is bound by, and may plead
the conclusiveness of a former JGdgme1 1t
only in the same capacity in which he
was a party to it
p A judgment i'll favor of a minor III
an action brought in his behalf by his
father guardian or next friend, to re-
cover for personal injuries resulting
from the negligence of his employer, is
not conclusive or binding against the de-
PENDANT in another action brought by the
father in his own right to recover for
loss of the sons services.
8. A father may maintain an action
under the provisions of section 1892. Gen.
Stat 1909, to recover for the loss of
services resulting from injuries received
by his minor son by reason of the failure
of defendant to comply with the statute,
which provides for the safety of persons
employed in coal mines. tGen- Stat 1909,
sec. 1881
T. On the facts stated in the opinion
it is held that 1t was error not to grant a
new trial on the ground Of newly dis
covered evidence
All the Justices concurring.
A true copy
Attest: d. A VALENTINE,
fSeal) Clerk Supreme Court
The Topeka state journal. [volume] (Topeka, Kansas) 1892-1980, 1916-07-12
LEGAL.
SUPREME COURT SYLLkBl
inued from Preceding Page.l


No. 20,2SS
William Sheat, Appellee,
James w; Lusk, ct ai. as Receivers of The
81 Louis & San Francisco Railroad Com
pany. Appellants,
Appeal from bourbon County.
AFFI{MED.
syllabus. By the Court Johnston, c. !.
l. The receivers of Il railroad company
VINO have been in possession of the rail
road for more than a year liable for
an injury that results from a defective
culvert ON the right of way at the inter
section of the railroad with highway al
thouSh the defect existed before they came
into the control of the railroad.
In the absence OF the evidence and
especially where only a part of the facts
are embraced in special findings of the
jury, the special findings far as they will
admit of it win be given an interpretation
consistent with the general verdict aud
the general verdict will be deemed to be
sufficiently supported by the evidence and
to include every element necessary to its
validity not negatlved by the special find
ings.
All the Justices concurring.
A true copy.
Attest: d. A. VALENTINE,
(Seal.) Clerk Supreme Court.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

For a Mere Matter of $40 They May Now Battle in the
Inspiration of Laura Jean Libbey. Irv. Cobb, Chambers,
McCutcheon and Other six Best Sellers" at
the Authors League Social Branch

manuscripts some day? without
making any promises Mr.. Williams
came away from that reception leaving
with the poor young authors. at least
those of tho gentlcr sex. the reputation
of being Il Perfect Love.
As the evening wore OF and the
party broke up into groups. and the
sandwiches. cake and lemonade were
passed around. much soulful CONVEX
sation arose. Mr.. Churchill. who dis
likes the limelight. disappeared early
and was discovered later lurking be-
hind a curtain in the effort to escape
from three poetry writer's from Kala-
mazoo who wanted to know whether
his hero in "a Far Country" was
modelled on himself. as in the case Of
Dickens in David copperfield." or
was just imaginary.
Harvey J. O'Higgins vent peering
around as he always does. looking.
Rayard WELLER said, for detectives. and
Gertrude Athrrton turned her back on
the poor young authors and talked
with Henry Sydnor Harrison about
women's c.othcs and what perfect
rights they were nowadays. and hos,
straigh. front corsets ruined the line
Of beauty. But one of the poor young
authors mad. Il had faux pas Will
Mrs. Athcrton early IN the evening.
Being lately from a town where l..
lraries were scarce II consequently
not knowing about Julia France
aud the rest Of Mrs. Atherton's works
and havins seen the famous authors
name in an afternoon paper signed 10
an article prIising "A certain make of
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

automobile. the poor young n took
her for one of those ome who 8Fe
mailing fortunes as sellers OF motor
cars and aueered himself forever by
trying to with her along that
lire.
With these exceptions the big au-
tiiors devoted themselves shcetly and
kindly 10 the poor young authors u
permitted themselves TO he questioned
on how they felt when they won Sleir
mrs great success. and whether ~ was
better to write IN the morning or the
afternoon. and how much NJ II WAS
ivinc iiic and how much just keeping
at il. and whether literary art was. as
So many said. IN its ~dccadenco' and
whit; NoI were - 10 when everybody
in Your Town laughed AZ the idea that
Won roulj write. when YOU knew right
down in your soul that YOU could, and
.csid.s o got first prize at school
for composition.
There was Il reporter person there.
hi, Of course she didn't really belong;
unl, tho hostess made u nohl" effort TO
he kind and brought up several Real
Authors. those who had hid u few
stories ~ tic magazines. aid miro
dtl.eI them. But however much may
l., said dhol, some ~ the best Writing
b,iuc lung off III q newspaper Office
~ midnight when II" desk II hoWlnS
for copy. IN" reporter persons knew.
as over, body lrows, that there Is a
Somrtling allow. - h'i, Author. "a
though. they told hor how interesting
they Thought i, must he 10 Ia n re-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

I,,.,,., I.,,,. r.,i,,l- C,,.yo,x
49,, han 80 o.,ar.o ,,a {, .no,
~, ,.,'.,Iar ,,.., ,h,. AN ,h.,. ro,o,,
-. nj. ~ !, 49,. an,
- .
80 ~ 'i" ~
y '''. F'"' r',,.'
'''"'- '"' '''' ! ""' '"'' "''"""- ="
'~"' '"' '''9''.'' "'""
i"r'fh' I" '"' 'hI''r'h' """'E ''
WI. . '' great P''h''H s"N''
WY unrStl"h IN reference 10 H. -
THROWN ana N'HN"h '"A mas NE" =
n"''i N" MI hf"Nh was honest ~'f'-
"''S A1d sincere 50 - MI '"\, an"
"ti. Al rs Well
"MN question as - \ln"rlcdu arr
e''u- POO NaN' -"p' completely over DO"
u'''i~ - 'A'~" ~''"I"hl@, INVESTIGATORS
"rd thinkers "i NhlctI'tn ART Ii'>
~ blind '' the great thugs that ar
.'.,.- "' around them Tr"v hr' hdui
:" 'ir" '1- ~pi'It here 'hh' has -r""N
ont Of tn" soil and Trough ia" rae"
terms Of ar, tina, rank With the pioa,
Euroucan epochs. l, IS lust such com
miite.s that have prevented American
,,utrihItiuns ia art.
"fr there Is ouly a superficial and
ma, , basic difference hc,vcon modern
\urr,au ART and modern I.urnpc,r
art why ,urn pubIic attention from
IN, really good EXAMPLES Of mndcr4
I.ui,t,on ar, s,u,,, TINS ia IN lac IN,
first and only comprehensive exhibit
tjou who's, aim Is to create an au-
prr. Hitinu ,r AFRO
"TIlc puhlir wants 10 know ;hcs"
thirus and wants 70 know why.
.'Tl,oy say that they ruaran,oc these
.no ,nin,iuus AS works If ar, I'm n
ni-h,r ~ lcssnr drrrrn' so far AS hon
..,t ,Xp,rt opinion can guarantee any
thing and 1T is obviously impossible
TO guarantee ANYTHING which as yet
dr,s ma, cxis,' pryzlo picturc-fi find
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

THOSE WHO picture Americas
successful authors as Il cold.
i reserved and naughty galaxy,
wrapped IN the supe. .or!ty Of
their genius. dwelling apart on the
heights OF Farnassus and scorninc 10
o,ingle with the humble throng OF as
pirants TO literary fame are mistaken.
II may have been so at one time. but
me formation of a social branch 10y
h Authors League Of America. a
branch which anybody who has writ
ten anything that could he copyrighted
and who has SO TO pay the initiation
Tee can Join and gain the right 10 at
END the receptions and shake hands
with Laura Jean Libbey and Theodore
Roosevelt and Winston Churchill, and
Fat ice cream in the same room With
them-w we'll, the formation az this
branch proves that literary fame does
not destroy the .Amcricanism Of the
possessor: the eagle oc democracy
screams for all.
Jus how the social branch sprans
into being is not recorded. lu. rumor
has il that Irwin Coh,, ar mayl~ IL Was
Robert ". Chambers or George Barr
McCutcheon. or anyway II Of those
Authors League members who sell
their works not by the piece but by ttc
word and are not afraid ;n talk right
up TO the publisher who says. oh.
never mind art, u that story the way
the public wants IT,: one -: those
stars b%ut;onholed Carolyn Wells and
Mrs. Helen u. Woodruff and the
Princess Troubetzkoy. who used 10 BE-
Amelie Rives. and said - them:
See here. u gifts should not maxi
us selfish. Too long nave w" kept our
gatherings confined To- u own circle,
spending our brilliant bon ino;s. our
profound philosophical observations
upon II another. There are many
lager young men and wumen whu
nave some literary ability and a great
deal of ambition. Think what Il would
mean to them 20 meet and miu2lr With
us from time 10 time. Do no. let W.
exclude these poor ana struggling
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

There was also AN Editor there ho.d.
.ns a reception IN @ corner. After Tho
poor young euthors had been intrn-
dIced to the reporter person and had
asked her II she was allow ed % write
up the news she got herself they weI.
introduced TO the Editor. whom the
regarded with I'VE though she vat
young and small 10 look at. Because
as with a magazine writer. there IS n
Something about an Editor
Well. well. IL was n nice evening
Charles lsann kennei., whose rHu!s-
nant God bless you air attracted 'hs
poor yauns authors as a freddy ere.
attracts the birds. had - CIRCLE Of eager
listeners around him III he had 30 tear
himself away, 0nd II lac tod hoT he
wrote THE servant in Ill" iiouss
once tie told II q dozen times. Owen
Wietcr d,sa ppointed his CIR! admirers
becaEsc he insisted on chanting Hymns
Of Hate of President Wilson instead O.
taking about The Nirgirian, hn.
owen johnson made UP for thai ,.
looking at the pretty cirl poor autho-S
in u way that made them perfect,
positive he'd put them IN his very nea.
"SalAmander' novel.
Helen b. Woodruff with her D,es!sr
china beauty made the hearte ~ a.
the poor young mon authors GO p!.-a-
pat. and wheH they heard tia. shA
gave the proceeds ~ her books 20 four.
asylums for poor children and help N"
blind and so forth they simply fell n
her shrine il shoals. II wa a nice
evening. and when che bis author
shook hands With tho poor youni
authors a: tho end and assured item
chat they need never Worry about ths''
copyrights being stolen or d!S..c-@s'
magazines refusing 70 pay for 'he't
stories and articles, becauee the l"ac.r
would protect them. tho poor YONG
authors went away feeling tla' - !
careers We're already made, 'a'
Authors League 81 America va n y
friend.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

liu-h.>. ali the tom of the suc,.ss-
fuI imcn authors ~ fact. Wei" fault
,c,slv creased in tho most correct ut
evening CLOTHES.
Nur wei" tho .i'tlr authors shabby.
However they might have been ii1tur
ca III" traditional crust in 'ic iridl-
t.u1Il carrot. jh'V were dc'"rmin, :"
make a splash Ina >'un Lud tllc>
did
Wei, ~ hefvi" remarked. the roCol-
tiuU Wa largcly ATTENDED. II w.S
rather an ordeal getting in. hcCau>.
there was IA butler person with a tig
Voice at the door. who asked your
name N a mysterious whisper nUu
hen beloved l.. aS IL Were. - the
heights IF Tarua~slis. ~ course II
NuI We're owen johnson or Charles
Ram Kennedy ~ Ceriiud" Athertru
o.: somebody Ike that YOU didn't mind.
it,; if yuu We're M.rtic Green from
Detroit, Mich. and ruur poems had
only appeared in the loca' rancrs ~
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19
HE knoedleI exhibition ot paint
iHgs 10y modern English artists.
which opens tomorrow. will

~ HE kNoedleI exhibition Of paint
iGgs 10y modern English artists.
which opens u-morroW. will
be certain 10 prov.ir enter
ta.nmen'. Among the artists are
Augustus John, William prpen, Will
lam S:ranr. A.. McEvoy. I. Command.
l.. Wilson Steer. Charles shannon. ".
Nicholson. W. W. Russell. W. Rothan-
stein, Charles Sims nj James prydc,
who may surely he considered the
elite OF the con;emporary English art
world.
1t Ia 10 he hoped that i. Wilson
Steer Wi. he adequately represented
III II. FOR this painter, who is So highly
esteemed by "A certain group Of writer's
" England. Is hi' slightly known here.
The western WcdJNg" bl prpcn no
doubt Will he the feature OF the tNhi-
bition. and may ever stir up q con-
troversy. There arc likely To- le some
10 take exception 10 the freedom with
which The artist is maIrtirg his
peasants Tor arc they t.nkers?) in
the open air by the side of "a roadside
crucihX. For artists Of the Old school
Q special little scanda. has been pro-
vid0d by the placement high in the
CIR a. NJ side OF the CONFESSION Of
an Indifferent spectator on horseback.
] warn o however, that THE Suns
ehPonicler II not in the least scandal
1ed by II. 1t is an interesting work.
Richard Blossom Farley, who has
had q great deal OF success in Phila-
deaphia, is making a first bid for New
York attention with an exhibition Of
81. -at-, l., A. g, I.n
leries on Madison avenue. The work
includes figure pieces, still life and sea
views. II Is in the last mentioned
genre that he attains most individ-
uality.
Mr.. Farley has been n pupil IF
Whistler. Chase and Cecilia lieaux.
One OF the paintings, 1.-THE Daguerrean
type" distinctly recalls the Whist err
IAN teaching, and the black dress If the
lady who looks at the daguerreotypc
and the curtains at the back and the
wall all suggest the soft, Japanese
blacks that are so much admired in
Whistler's "Mo,her." Mr.. Faricy's
own character began 10 rcassert itself
apparently after his return from the
lessons, and THE Black Veil" n pictur"
of a young woman IN a park bench ON
.es enow 10 quite academic and Of the
eHf that wins prizes IN the local
shows.
IN the surf and beach pictures. how
ever, Mr.. Farley forgctS oil about
Whistler, Chase and Miss BrauX and
Is more original, though less prize win
ming. lie has II uIiou fashion Of
painting these hig with an
infin.tude OF tiny brush strokes that
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

IN the Macbeth Galleries there is a
special exhibition ~ the work OF
Charles II. Davis, Paul Dougherty.
Kenneth II. Miller, Chaunccy +. Ryder
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

and don't care about Jress anyhow,
being bluestockings. Laura Jean Lib
hey WAS a perfect dream in n low cut
blue silk dress with u red rose at her
breast and q rhinestone tiara in her
deliberately CURED and coifured yellow
hair. and Ellen Clasgow--but why
,Oumerate? Al the big women authors
showed unmistakab.y. though not in
too assertive "a way. that their copy
right returns are coming right along:
while the tall svelte form Of Winston
Churchill. the rotund one " Rupert
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

yet. though you knew they would ring
through the world some day. why. you
felt "a trifc shy
In the drawing room there was a
long and glittering receiving line. and
every poor young author could 90 right
down the line and shake hands with
every one. There was the uand that
penned THE Inside Of the cup and
the hand that penned "NV's Eyes and
many others. and as jesse Lynch
Williams told Louis Joseph Vance
when the latter grumbled that me
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

well known IN New York u The pres
en- gruUp W. hay" tie success OF
thu,. |pr,V.ols.v seen here, h most
striking Nork n tho collection - "A pur-
trait of the Princess Pierre Tuubttl-
hoy. which j. ID mos, searching char
act,r a|udlN..>. ami l~c~!,ics has clever
,..ss uf tyrt mcuj AID color. Feminine
smartucSs and e%l"Sanv" are not dii'i-
cult 80 tbs artist and mono of his sit
tors has had attributes Of that sort
neglected. Mrs William Allen poses
IN brown ,h.fiuns that match hcr
brown i,u..rc dos. Ms. Robert Meade
rAri>,r is .u white wiki q slack Pom
,rau',u 10y WIy q; dramatic contrast.
..d ,lr mAtA lut,rLA,l Mls. loNnnrd
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

tiN. kllns. certain vases carry an in
ciscd decoration mad up Of repeated
amino. ar FORA forms that SUGGESTS,
hut mot too closely. TIA" work ut the
F'r"uchmIn l.aliGuc. Their" * q quite
evident challenge of French standards
of workmanship Also, from the point II
View rs I~"rcciniHs.
Anon th" artistic rItl'."> now IN
the Nnorian Gallery ~ iIf'h av"uu"
ana rw,ntN eighth street j. a iiuuIC"
uf ull lac" datn. from the ilrurl ~
prr'od Of III" iU"s, Workmanship. Mi
Nouriim acquired tn" piece ~ \"nlc"
Nl,r" II wa considered "a specimen "i
point ,o \cnis", lut experts nov A.
,rihu'. Il ~ III" Henri ~. period of
France. The design T. exceedingly
well balanced aud the skill of IN"
nccdlcwork IL astonishing. '
Another item " interest IN tho col
lection Is an early Greek s~tatucttc az
u Venus, the pose Of which has "a GER
tain resemblance to the Venus dc Milo.
Mr.. Nouriau's Venus. however, has
both ~ her arms and holds n mirror
IN one hand in which sh" studies her
undcniablc charms.
Willard Huntington WrigNt's soft
answer to X. j. coady's letter pub
l!shed in last Sundays SuN failed to
turn away the %latter's wrath. Mr..
Coady smites Mr.. Wright's other
cheek vigorously In the following
reply:
"Thc Forum Exhibition committee
now claim that their position II IA
humble one yet this drunkenness
seems To he the only clement in their
makeup which il really modest and
retiring.
"In their advance note 10 the public
they claim adequate qualifications to
pick and choose the very best Of mod
ern American art and to r~clegate the
rest to the ash heap. They claim I"
give tine public the first and only
comprehensive Idea of what Is good
in American art, They claim to GUAR
autcc that those 100 paintings laN"
veal permanent vaiIc. They lam to
guarantee to the buyer that his pur-
/ cNiSeS are secure
"Now they either guarantee these
,hings ar they don't, II they do !
want proof. not words. II they don't
intend t" make them say SO.
at the first inquiry into the truth
Of their position they Immediately he
rnno humble and change their first
statement from the very best exam
pies to among the hes. examples
To this | reply that the wors, are
usually among the best and that word
it,yp1tny .lnaS MT holm D., e,,ptai, thai,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

shock. chnunc"y l.. l.yder's 'S;uGr
Hallor. cap" cod" X a highly finished
and clever p!.c" of brush work. "Th"
Tomb "f Il Saint" ly William Suituln
J. dramatic ana imt@ lutiv" W.inlu re-
-trictcd lines.
In the lower Macbeth gallery a col
lection of high iir" porc"!ti's 10y .\d"-
laid. .\isop l|,"l!n"au If SNIacuS, Will
on view duriuS March. Thos"
porCc'ains. 'wh.rh achieved q success
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

and William Sdrtain. one Icy Charles
II. nav.s SENS unusual for him simply
htcmlsr il shows u clos, view OF AN
attrao,.v, l"i-" seen through the
trunks If tan ti,c-. II Is called sum
mer .A%flcru"uu' and has ;h. usual
DAVIS palette, lut "u. Ia :" accustomed
70 the rollins hills low on the canvas
by this artist with iloct.ng clouds cast
ing soft shadows upon them that TN"
chains, uf them. gives n : ue. #
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-03-19

Thomas IS in a street costume o.
brown.
A nulnb,r IL landscapes Us PA"
T~rouhctzkoy arc shown. M, "' ...'
transcripts from ua'r!r" II '''N'"
subjects found in NirIir',. ~
~ IA iandscapist Is .uui"'dui' 20
trac,lve. decidedly moro "'r ''
simple than II IN" ,@rcs'H' 90
ainonn our painters.
The class C paintings ~
gallery include madorutS y" N'
ConeciiaIo and Lorenzo .I tvs. ''
1iavc passed api'rov.rs'v Throws ,'
hands of Mn ii"rcuson, Jn' ''~ &c."
attractiN. rtlirirus piece p' t''.
TWO pdnc'S OF early saint .l,' ''
rare pH.ntlnE.
+, is noi general, '.o".
t'rcdorirk Alymdn, 4 r"'..'
late Benjamin Altman "'u.'.'.'
famous uncle IN IN .~nthHs'isW g.. 90
and Is ambitious as q coli"
self. Ills tastes run - t1o ,'ptF' ~"
he already owns a Ner ~ ~
vases signed by VERY famous raii-'
Like the late Mr.. .N,Gn-. 80
nephew has the courHsc ~ ~. ''N''
,ion. and acquire a paluNnr uioA
i%pdividua, FAITH IN g." "'r. 's'"
without regard T. fictitious '.".N.'.
stance: and in "onsequ"n" "'N '
his most interesting lo~s'-sl'i- ~
by "~unknowns' of undouN'"i u".".'
tive ability.
Tho pride o. his collection if a "Nr'
,l,., Il. .t,r,iN,,,g 90 .,l.'HTN la
Ninci and which has received 'i' no.
crn title Of Advice Il gro3I y
Uaie figures. a Descent FROM -
Cross" when acquired ny Mr. Ari'''
Was purchased IA tn. work. q Si"'"
dc Nos, a pupil Of Peter Paw h'''"'
born in 1903. and whose "ResHTr~
ton If in Antwerp Cathedral ~
since coming into its present o'''
possession certain amateur =; 49,
including Mr.. Altman h.msel' a'"'
como to believe IL the work e. -"
bens himself.
There are also n Gains n'T
landscape with much Su''" '''E y
Salvador Rosa, ~ "T~rau~Ns!-i. -
copper ny I'll" Flemish ,'rJ' t'r }'t'''
ken ard a number ~ modern ''.
Water co'ors and oils -
Boss fill the ..rtlc Thumb H.
lary on Fnrt--outA s,Test Ia
liant color auT diiticui' Gfs'~f.
is, they WA u" G.itp'u.' t' ''
miCiaNs. on tho other iHn"
ernists" viii regard Mr. E- "
as academic.