davidaulloa/AmericanStories huggingface dataset:
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25
Awful Good Time.

The children returned from the
party. whore they had been guests of
johnny and Susie wilkins.
Did YOU behave yourselves nicely2'
mother asked.
"Surc we did"
"Then you had good time, didn't
you?"
I'VE had an awful good time" they
answered. johnny and Susie both got
lickings. Newark News
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25
PLANNED To CORNER
OIL; IN SANITARIUM
Tulsa Man Had Dreams of
Millions but That S All
He lIad-Dreams.


Tulsa is accustomed tn having bug
nj, d,,is an, o,or aud ,,o ,r,us,c,ions
WI '''i' P"' '''i' anu Wv
or millions or more passing IN the
course of q day with no more than
hriof ,,ortion
Hu'h Il ueal a' th'S' III 'h' p"i'"lE'
was killed when friends of Fred a.
Owcn foruerIv an nn,nIove of AN oil
e,,.,,,,,,.. +, MI, 49, ,,,... :, I-,r
@vui''l @ l ny ~ ul',, NhS t'Nc' " -. -.
o''a 10y u'su'tS n,s,''' ''Hi,'
d ,''' ~ NouS W o,h''uW"' VIZ. P.'"u' u''S
"'l ,,'a '"''','i''b % ''
'",t,.'' ,,s '"in ". a'''t .'vn 10. ..
!, nv 1"arn'tcI VI wv" atno',.V'
noN'Ncr' Mnclc"3 h' an" HIS i"'"Sl-
nary us3pr'atcS Mc'c W sc'u'c 'ol
her on INC W"rlu NuPPN VI lucl W.
an" l"c inuII''' ~ Wh'vn Nv "'te"'P'
eu W ploH"t' '"V t"'"P'"N' lcu w
~ 'uN 'slE'Voi' ". ~ "''i''a! o"''H
,.D tion ny ini'i'us anu MS "'Pu''"'c io'
N'''a'' ''N'
"NiiiionS' To Burn
The first intimaticn that friends had
of the big deal owen had in the hatch
had secured financial backing of mil
lions from prominent oil men of Tulsa
and PENNSYLVANIA, and that active
wcrk toward the securing of a corner
on the fuel oil supply OF the world Was
about to begin.
At the hotel where he was stopping
he paid. i'm checks. bciIbovs and Dor
ters by check IN amounts ranging from,
| $40 to 500. He called upon those
about him TO take letters in shorthand
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25
ALWAYS Remove Splinter.

'If you get a splinter of wood in
your hand always take it out i'm
mediately," cautions medical au
thority. Some kinds of wood are
especially poisonous to some people
the California redwood for exam
pie. Delay may cause a sore hand
FOR several days. or even more serious
discomfort" "
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25

His royal nibinski, Dr. w. Forrest
Dutton; Minos, chief justice, Henry
o. Green; master of ceremonies Mar
tin Il. Walker; his majesty Mokanna
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25
KHGORE Is TO FACE TRIAL
Bristow Man Claims He Shot Negro
I'm Defense.
World Greek County Bureau.

World Greek County Bureau.
BRlSTOW, okla, Nov. "a. - The
pre- limnary trial Of Charles Kilgore,
charged with killing Henry Slayten,
negro, at this place will come up
tomorrow before Justice Herman. The
denfense claims that Slayten stole
ten head of cattle and that when Kill
gore came upon him the negro
whipped out his gun and fired twice
at him. One of the bullets took eff
feet in Kilgore's neck. The Injured
man returned the fire and Slayten
was killed instantly,
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-11-25
Tho Housewife ON World Politics.

'The war Is Keeping them al gucss-
ing isn't II, Henry"
"Yep. Nobody can guess what
Greece Is going to do next"
~And It's Just the same with butter.
There Is no telling how high 1t Is
going. ."-Des Molnes Register.
The sun., 1916-01-16

pictures by La Touche In particular
ought In bring bushes to our ac;ldpmi
clans cheeks, for they forcibly recall
the days when our artists used to try
something besides landscapes and pOr-
traits. La Touches Merry Night" is
distinctly "Snlon piece" although
already diminished from the gigantic
sizes that RochegrosSc finally brought
into public diSfavor. 1t is large for
drawing room certainly, but there
are other places than drawing rooms
for big pictures, and its size Is not
really against 1t. 1t has the usually
good color of this artist; the summer
night outdoor dinner Is always n
pleasant topic, and he has disposed It
with skill
More important men than La
TOuche, however, dominate the show.
The Music Lesson." by Munet, is
familiar to everybody and will he seen
with pleasure. 1t has all the familiar
directness OF painting and illustrates
ManetS ability to give haunting i'm
preston to his figures. One imagineS
that Manet never painted any one or
anything unless that person or thing
interested him intensely. Manet was
independently rich. as Is we'll known:
hut many artists have independence.
yet allow themselves to be led into
painting certain things because their
connections wish 1t. Mnnet was u
free man and his art was free. His
people all loom large to US now. rs
symbolic figures in period that had
pictorial charm. The "Music Lesson"
Is among his very good ones. 1t
would look very well In our Metro
pOlitan Museum.
The sun., 1916-01-16

clan 1 advised him to zee the
Montross show. II will not" came
70 forcibly In reply that I saw In.
deed that Il would be useless for him
70 ses the pictures. He would not seS
10 them the things he puts into his
own work, and would be 20 outraged
that he would be incapable Of feeling
the new thing that Cezanne does con-
tribute. The new generation that
does not share my ncademician's BE-
lief that art can be expressed only In
an acatemical fashion, and seeks for
something more subtle. palpitating,
and nervOusly alive, finds II In c.
Zanne.
The young explain II. as I said. in
hushed earnest tones. But to whom
do they explain It? Only to each
other.
1t would he a miracle as astOnish.
Ing Us the conversion Of st. Paul, were
they TO get a single feeling of theirs
into the bosom Of on ac,ldemician.
To me 1t ID a thing impossible, there
fore useless to attempt. The real
thing Is not to convert ncndemicinns
hut to proselyte among the immense
number Of human beings who won't
20 to academic shows, but who never
theless live In the life Of the present
and can be interested In present.
ments Of the emotions that they too
have experienced.
The explanations that one hears
offered by the young people are, how
ever, too technical. Cezanne tried
intensely to get the essence Of the
thing he felt to be beautiful. and al-
though his water colors are told In
but a few touches they give a sense
Of great completion. Every touch In
them is meant. They are put in with
30 much certainty and power that
even the spaces Of white paper take
on quality and meaning. Those who
feel this and are enrnptured by 1t lay
too much stress upon what IL after
all a technical feat. To say that Ce-
zanne Is great becnuse he makes these
blank spaces vibrate. or because he In
terlaces forms, or notes the reaction
Of one color upon another. IL quite as
bad as Kenyon Cox's statement that
Winslow Homer Is great because he
IL n great designer. Cezanne Is great
because he is great artist. This
saying doesn't explain much, but, as
has been said before. genius Is un.
explainable. 1t can he weighed and
Its effects measured, but 1t cannot be
understood. The secret hope of the
feeble is to unlock Cezanne's mystic
power and to rewOrk the vein again
for self-exploitation. It's quite use
, less. Of course. No one can he Cezanne
over again. The secret Of being the
! intense vital artist who shall stand
us chief representative Of an epoch
does not consist in initiating some pre-
cetling chief, not even Cezanne.
There Is little hope that Max
Weber's "foreword" to the Cezanne
catalogue will explain much to the
The sun., 1916-01-16

fully creative, placid organizing, mind
controlling emotion and blazing In.
tellect. In these water cOlOrs Gun be
seen and felt his power of synthesis
in transforming the chaotic into the
purely architectural plastic.
$50 intense. and often final. are
these cOlOred contours that the blank
areas stir the imagination. for they
IRE imbued with constructive color
and form and are ut once rs satisfy.
ing rs II they had been carried us fur
us his most complete works. So full
OF suggestion are these water COlOrs
that the spectator. artist or lnymun.
must for the time being become crea-
tive. To me these water colOrs ara
complete works of art of great dis.
tinction. wholly rs important as the
oil pictures"
Walter Sickcrt writes well. He
paints well. too. but his written
arrows fly straight and they seem
more unacceptable and burbed than
his painted ones. His art criticisms
always contain something that Is, as
we Americans say, straight OF the
bat" In the December Huntington he
reviews II London exhibition Of the
work Of the young French painter
Maurice AsSclin. 1t Is amusing and
true.
Nothing throws a clearer light on
modern work than comparison of 1t
with the ancient, just rs no one can
have scholarly appreciation of the
classics who Is without an acute sense
Of the life Of his day and q perception
Of It's racy intensity.
1T has been my somewhat un.
popular task to refer my contem.
pOraries and betters necessarily back
to their studies In the National Gal
lery. Nor Is this because ! think
the comparisons there Incurred to be
invariably and in all respects to the
advantage Of the ancients. One OF
the things to which 1t seems To me We
have right to speak Of progress is
the intensity Of dramatic truth II
The sun., 1916-01-16

ago are still visible to observers, hut
no one of intelligence could possibly
dream of objccting to it now, and on
the contrary most of us are very fond
OF II rs part of the Manet downright.
ness. But in the pastel there is none
OF It. There must he Il god who espe-
cihlly superviSes pastels. and the
period of Manet und Degas must have
been propitious for him. Certainly
I" clio">" fav"riteS among the long list
or marvellous pastels that both these
men produced is difficult. The head
OF Marie Colombier in the present
show, however, would be n candidate.
II has been so easily accomplished
(apparently) that 1t appears to have
been "wished" upon the paper. Never.
theless 1t Is highly racial. highly
French.
The sun., 1916-01-16
Art Association.

academicians. As art appreciation II
will seem to them to be as wild ns
the pictures. 1t is, however, only
fair to reprint 1t, as 1t shows the way
the young now talk. The modern ar.
lists will like 1t, and nothing derisive
or derogatory that the philistines may
say will affect their appreciation.
Who cares what philistines say any.
way? This Is Max Weber's fore
word:
1.-THE rhythms, the interlaced and
contrasted quantities and their energy
Of contour. are what he sought ont In
nature through these water colors.
"They are expressions Of the first
vital, fresh sensa lions he received
from closest and intense observation.
and they are his freshest expressions
of what one might call colored geom-
etry sought out BY him In the land
scape. They seFve as most satisfy.
inR and comprehensive Introduction to
his complete sculpturesquely painted
pictures, the areas Of which are con-
structed with color nuancas aud gra-
dations-0nly Cezanncsque-u unknown
to and unequalled BY any other
master or school In tho history Of
painting
His art Ii the most marvellous
example OF the reorganization of the
natural into Q purely plastic domain.
The reality Of his art o % marvel.
lous, concrete and poetic that he suc-
ceeds 70 Q rare degrees In making ths
static 70 vtbeatA It q The vosy spirit
ualixat3oN 0e matter form on earth.
The sun., 1916-01-16

the modern conversation piece or
genre picture.
MIR. Asselin's girl in La robe
grise Is certainly cutting her nails
with more convincing action than
nogarths figures are doing what they
ure supposed to be doing. Close your
primer, my son, and take Il dish Of
tea with us. You will return to your
studies with greater zest for the In.
terlude.' is clearly what Hogarth
wishes his fine gentleman IN the
conversation piece to be saying. But
he says II In stngey ana unnatural
manner. The same would apply to
the gestures in Il Longhi.
mir. Asselin's little girl Is cutting
her nails with the intensity and con-
centration of n monkey. and 10 that
extent something essential has been
torn out of life and put before us.
And 1t is doubtful whether the more
elaborate realization of details OF
costume in the pictures can he
weighed In the scale against this
heightened intensity of life. This,
then. this added dramatic profundity,
is one of the things thar the mod"rns
have added unto us in the course of Il
century"
The great moral lesson that ema-
mates from the French art in the
Knoedler Galleries applies directly
to our older men. who are usually
meant when the term ''ac;ldcmicinnS'
Is used. even though they bc not nc
tually members Of that body. The
CeZanneS are for the Young who are
The sun., 1916-01-16
. HE Cezanne exhibition in the
Montross Galleries and the
= French art MT Knoeller's con.

II HE Cezanne exhibition in the
Montross Galleries and the
French art at Knoedler's con-
tinue to excite attention, and no doubt
profound results will flow from both
events. The Cezanne episode Is al.
most being turned into a religious
festival BY the young artists Of nd.
vanced tendencies. who openly &C.
knowledge this artist to be the foun.
tain head Of modern art. The water
colOrs In the Nontross Galleries yield
them especial instances for their
arguments. and promulgations In
hushed but earnest tones may be
heard at any hour Of the day. These
young people are right to emphasize
the water colors, for they illustrate
perfectly certain things this artist
contributes to modern art whereas
the oils. although fine as examples.
are not SO Overpowcringly convincing
with the exception OF the superb
portrait Of mani, ns certain others
that might have been shown.
Conversions to the faith, however.
have not been so numerous nor SO
spectacular as those that are mum
bered and assorted by the publicity
agents Of the Rev. Billy Sunday. II
doesn't seem possible that they ever
hn 70 IN eha ..t
Cezanne and the new school must
come from the young. In other words,
you must be born modern to be
modern.
This has always been the case with
innovations and innOvatOrs. The his.
tory Of the previous great art cause.
impressiOnism. Is not much taken up
with distinguished conversions. The
prominent. important, powerful people
who opposed 1t went to their graves
for the most part In perfect assur-
anco that Aanet and Monet were
charlatans. We might console our
selves with the reflection that now
that they have ascended to celestial
glory they see things truly, that Is to
say, impressionistically; were we not
too busy trying to make the promi-
nent, important, powerful people Of
the present see truth from totally
different angle. The saints above. 1t
10 altogether likely, look with great
leniency upon these ophthalmic sins of
the flesh, SO we must try to. too. Tbe
efforts Of the prominent, important
and powerful to stop the clock at
The sun., 1916-01-16

exactly the point where they achieved
their own material successes must
look very amusing to them after
they have quite done with earthly
strife. and they look down upon
each succeeding generation from the
realms above and see each new set
Of successful old persons denying that
The sun., 1916-01-16

what the new young crowd has dis.
covered has any element Of truth In 1t.
Life changes and sO-called truth"
changes with 1t.
Lunching to-day with an academi-
The sun., 1916-01-16

how sensational by contrast theyl
would appear in the present eXhibi-
ton of our Academy. These artists
have been well trained, and even II
they do not aim for the highest levels
they ut least never evude work. The
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13
THE FIRST JOB.

4 host Of young men just out Of
school and college are this month for
the first time drawing a regular pay
envelope. says The Tampa Tribune.
No wages earned in lster life. even
ir much larger. ever locks quite as
good as the Grsi Saturday night pay
ment. To many it means a financial
Independence Of their parents Of
which they have long dreamed.
The agile fingers of a boy often
command @ range Of pay quite out OF
proportion to what he should earn
later ON. A l5.year-oId feels mighty
proud earning a dollar day folding
circulars or collecting accounts. lie
swaegers around ia the haunts OF his
friends. showing his roll. and treats
The girls. But lci him reflect that if
hc were to fold circulars and collect
all his life he would never get muoh
more than that.
Most young men are anxious for big
pay quick. They think they cant az.
ford 10 wait They want their auto
mobiles no~ and they do not want
any oldfashioned fourcylindar ma
chimes either They are looking for
short cuts 10 success. are impatient
with the hard path Of steady and
sure progress. The thing for them to
consider is not how much money
they are getting for start. but wheth-
- they are in some place that is
educating them for better things later
On.
In many employments requiring the
finer determinations the new man
is practically useless for a year or
WV nv may ~ Daid d iiiuH hbiiN~
thing TO encourage MIN, bur he makes
more mistakes than his wages are
worth. But all the time he is learn
ing things that may be OF great value
to him He should reflect that a bus.
mess training must be paid for as
wei as Il scholastic one. A position
in which good pay can he earned at
the start is not apt TO lead to anything
much higher The size of the salary
is sign that The work is too easy !
to learn, and that it leads to no further
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13
A Lesson In This.
advancement,

The Georgia house of representa-
tives this week presentedtto Repre-.
sentative John r. Dorsey, of Cobb
county. copy OF the New Testament
purchased with subscription of nick.
les and dimes taken up in hat pass.
ed around among the members.
For several days Representative
Dorsey had been neglecting his bust.
lness as a representative Of COBB
County and paying 40 attention to
events Transporting in the house in
order that he might devote his entire
time and attention to searching for
z Testa1nent5 which he claimed to
have brought with him and lost t.;
Determined to end the Cobb coiihty
gentleman's anxiety, member of the
house raised a fund and purchased n
neat little Testament bound in leath,
or, and SO it was presented TO Mr.
Dorsey in The following resolution:
Whereas Representative John r.
Dorsey OF Cobb county claims to
have brought to the house of repre-.
sentatives a New Testament, and
Whereas He claims to have lost
said Testament and deyotcs his time
and attention to roaming over the
house in search thereof, and
whereas, He gives every evidence
oi being deeply pcrturbed by the loss.
which feeling We share, and knowing
his need tor Che gospel as We do,
therefore.
BE it resolved That we. his col
leagues in the house Of representa-
tives, hereby present to Mr. Dorsey
This new and revised edition OF the
gospel according TO the Apostles, with
the proviso that he shall stand in the
place and give his word to read n
chapter in the same every day and
three on sunday and in the hope that
he win accept and practice the Cos.
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13
More Evidence.

sin more testimony as 10 the val
nc Of the Federal reserve act which
was given 70 the American people
by Democratic administration is
piling up.
Secretary McAdoo yesterday order
ed Withdrawn from Federal reserve
banks at Richmond, Atlanta and Dal-
las, $5.00O.OO0 each placed three last
September to assist in moving and
marketing crops The Withdrawals
viii be made July Is. the secretary
announced. because the deposits have
served their purposes.
In notifying Secretary McAdoo that
the Atlanta reserve bank would de-
post $5.0OOOO0 with the secretary of
tic treasury in repayment Of the
special deposit made with The Allan
ia bank, Cashier J. p. Pike wrote:
We want to take advantage of
the opportunity to say that the ac-
'icn Of The honorable secretary of the
treasury in making this special de-
post with us on September 4, 1915,
resulted in the cotton producers,
through the assistance of the federal
reserve bank and the members of the
banks being able to hold their cotton
for much higher price, thereby
bringing into this district many mil
lions Of dollars that probably would
not have been received otherwise.
The banks of the district were thus
able to make better collections and
general conditions throughout the az
trict have been more satisfactory"
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

The Allies claim the German sub.
marine is potential warship,' Pro.
badly SO. probably so, Bur we should
worry about the Allies. All Amer.
leans are loo fair 10 claim any such
thing and in fact we hardly think
what Great Britain thinks about the
submarines win have amy bearing up
on the American government We
take no orders from England.
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13
Take 1t Gamely.

1t is a pleasure to see the sports
manlike way in which most of the
British papers are taking that feat
performed by the German submarine.
While the submarine trip does
credit to German enterprise and sea
manship, it leaves the maritime sit
uation where it was before. The risk
Of disaster is immense and the cana.
city Of submarines to carry commodi-
ties which Germany needs is insight,
ficant"
The Daily Graphic has this view of
it: ...
The Daily Express asserts that if
dozen German submarines were to
reach America they certainly would
not affect the blockade.
+ The morning newspapers, while ex-
Dressing admir5tioh'editorially for The
feat of the !, German Fl submarine
Deutschland, insist that it cannot
have the slightest military a.eitt.
ancc nor can it be regarded as n
demonstration of the ineGcctiYcueas Of
~ i''''''" "'"eNa"e' ~
, We are quite ready to Join in the
laugh against yourselves and to ap.
plaua The skin and daring of the cap
tain, who ,abDGarsite us as a sports
wen' and has oathcd his 4 laurels
elcaely|NsaFs tlE Manchester Guard
ian, referring to the German subma,
rine Deutschland
The Guardian says that plans for
submarines of 5000 to 1000 tons ex
isted in Germany and England before
the war. but that such vessels were
not built because Of the time re
CURED to submcrge them and the i'm.
possibility of suhmerging in shallow
water 1t points out that the Aus
trian submarine A. E-2 went from
Australia to the Dardanclles and says
that if the captain and crew of the
Deutschland are members of the inn
perial navy the submarine may he
dealt with as naval auxiliary Other
wise she is blockade runner which
could be ordered to stop and if she
attempted to submorge ii would he
justidablo to sink her.
ut is unlikely" the Guardian con.
tinues that the moral of the ap
pearanee in American waters OF u
German submarine will be missed af-
ter the threats OF Count Won Reveut-
low and the other Tirpitz writer's last
spring,
They warned America Was ret toe
tar away for Gefmany's arm to reach
hrr Although the Deutschland may
be disarmed. she is none the less a
threat 10 The American navy,
- -~----- -
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

lions % buy Testanents for its mem
bers. We rather think il would be well
to have il meet only once every two
years. Maybe II would have enough
business then to Keep IL busy.
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

Pafaerapher says women are wear.
ing stockings with the bottom third
blue, the middle third white and The
top third rcd. lnasmuch as we only
get TO see one-third OF the display,
We caH testify only TO the white part
OF the story, Tampa Tribune.
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

President Wilson has signed the
good roads lin recently passed by
congress authorizing the expenditure
of SS5,ooo,oO in Eve years by the
federal government in condition that
states eNpend amounts similar 70
those apportioncd to him. The sign,
ing was Witnessed by members Of the
senate and house aud representatives
81 farmers ORGANIZATIONS.
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

To those persons who are tired Of
Brunswick and keep knocking all the
time, we might suggest that the ocean
is nearby. Drop in
The Brunswick news. [volume] (Brunswick, Ga.) 1906-2016, 1916-07-13

Taft is losing physical weight but
Teddy and number of other Rcpub
lican leaders are losing political
weight.