davidaulloa/AmericanStories huggingface dataset:
The Bottineau courant. (Bottineau, Bottineau County, N.D.) 1895-1929, 1916-04-06
.ReSnOudenfal

4 Notice lie hereby given. That John III.
Schlueter has fled in h county court of
said Bottineau countye q duly verified
petition praying for q decree establishing
the right of succession to the estate of
Amalia w. Schlueter deceased, and tina
Friday the 18th day of May. 1915, at 2 o'clock
D. ma. at the county court room lin the city
of B~ottineau, county of Bottineau, North
Dakota, has seen set by order of this court
as the time and place for hearing said petit
tio1. At which time and place any and all
persons interested may appear and show
cause why the PRAYER of said petition
should not De granted.
Dated at B~ottineau, North Dakota, this
5th day of April, 1919.
tSeal of counts COURT
BY the court.
Irving r. parkway,
Judge Of the county court.
Let this citation be served upon the un-
known respondents by publication Ionce
each week for three successive weeks in
the Bottineau Courant.
Irving r. parkway,
County Judge.
Weeks u MOum,l
Attorneys fol, petitioner. 8&
Bottineau. North Dakota.
slApr72D
The Bottineau courant. (Bottineau, Bottineau County, N.D.) 1895-1929, 1916-04-06

When boiling strrnfps add ! little 30.
gar to the water: It improves the fla
yor Of the vegetables and lessons the
odor In the cooking.
The Bottineau courant. (Bottineau, Bottineau County, N.D.) 1895-1929, 1916-04-06

II jam or marmalade has crystallized
place It in the oven till the sugar Is
dissolved or melted: then set 1t aside
to cool. II WILDE perfectly smooth.
The Bottineau courant. (Bottineau, Bottineau County, N.D.) 1895-1929, 1916-04-06
tMar 8-Apr ~
Citation.

State of North Dakota
County of Bottineau
In County Court,
In the matter Of the estate of Amalia w
Schiueter, deceased.
John III. Schlueter...
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
CHATS WITH WELL KNOWN
ARTISTS AT THE BAZAAR

thrills in any degree toward democratic
ideals. This shu'ld he especially true
Of America. and happily the almost
universal sympathy OF Americans for
the cause OF III, Allies Is now proof
that America and her traditions are
still preserved.
The suffering ~ all the nations en-
gagged in this titanl" struggle IL a
thing no n : soul d he indifferent
TO. but the moral issue is 50 grea'. aud
believing. a. Nr do. hat the mora
Issue is the one thing FOR which the
blood or Eng and, France. Italy aal
Russia ~ flowing. We can onl% hope
for their early and ultimate victor!
Great Britain. from whom has ONE
nur civil law glorious France, great
Russia. with her greater future, and
the little nations. P",sium. Serbia.
Montencgro-llttle nations, but great
aud ma iest,c in their honor and sacr!-
fec these must not perish
LYDIA Emmet, known the world over
for her portraits of children, said, very
simply and ~tee.inSly:
4 am go deeply interested in the
success If the Niles cause. which !
deem TO be the cause Of all future
generations and the hope of the world,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

srDrir.. Tho ti..,.-t .....u. .I ~ n,iprs
n rpon romp,,rb,, ,5.h s,l,,I form
N,ri.us n,hc, IRIS n,,, h,,r r,o5,
ny or ,hrouph ,hn s,cio,y ru,nh,,
,f ,p.s. n,vc bc,r d,,.,,.d t,,orl
.ho ,n,r., l,~.o,,,j,r - ~, DO, ,r,.
lir srhnn.r Among ,ha decnr,tinrs
inns sp,urcI MA. IA, uu,ol rho s,uln-
tur,d o%vcrnantc! |,Nrrdted Toy Miss
Frances Grimes ana placed in the
foyer ~ the Wa~niustuu Irving High
Schuu'. THIS lS a -.!t Of au nuuuNmous
donor through tie s"ci"tN Throuch
h mun'i'''ce Of Mrs. Edward II
Hartman ne decoration ut me foyer
az thlS srO'". - beng Carried "a ~
Barry Faulkner Ia fourteen 01tS"
panels, IT," s'yI"l. mas contributed
d" city =" IN" !'vniaiI"N of tn" walls
ana cc'i'"- 80! the ma" Stat.t'-"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

cal beauty was his dominant aim. In
fact. even TO mention the name of
l.uini to those who know his art Ia
TO evoke a mental vision OF that n
affected grace and ~spiritualized beauty
which all expert authority has agreed
10 recognize as his peculiar character
istic.
In Italian art of an earlier date the
thorough technical facility which We
md IN I.uini period was lacking. In
later Italian and in later European art
there was well calculated dexterity
and frequently consummate ability,
hut the flower of Ingenious simplicity
did not flourish. Thus in Lninis own
art there IL the rare combination OF
one of the Distinguishing virtues Of the
greatest period with the personal ac-
cent In the same given direction Of
the artists individual tendencies and
character.
We have mentioned the general ON
'cnsus Of expert authority which
recognizes the absence of monumental
lower ana Of monumental arrange
nent in i.uini's work. and vet 4, Ia
exactly in this particular thai the
Brooklyn Madonna takes high rank.
ih' Charming sweetness Of the music
making cherubs IL what We expect
from u.n but the lofty composure
OF the virgin and the monumental dig
ntN OF the composition. with its stern
symmetry OF balanced arrangement.
are qualities which We scarcely ex-
poet from this artist. Here IL Ia the
period, rather than the painter, which
has spoken its las; word. The tradi-
t'onal dignity Of the Italian altar piece
and is naturally monumental com
pOsiiion have. So to speak. saved Iuini
from himself. who has left us in this
work rather a monument OF his period
than = 'vpicallv Characteristic work of
his own personality. Composure is
'h" last word IN arr: II was no al
wlNs the last word ~ i.uini. but 4, de.
fines tho ineffabic greatness ~ ihi.
altar piece.
judged hy the evidence OF STYLE and
without reference 20 other works b,
l.uini. ! believe 'nat his picture dates
no, very Tar from the wear 1910. IA
dimensions arc ~ rs ~ inches.
The catalogue OF the Catholina Lam.
bert collection. from which the paint.
uc was purchased. mentions that tn,
picture was obtained hy Mr.. LANDER
from Thomas Acnew Il Sons. me Lon
don dealers. and that II had been pre-
NioGslv for over a century in a priyat,
collection N North Cumberland
IRE S.mmer Exhibition of Artists o
MDr'CIlir - now open at the MOnt
clair Ar Museum. Among the artist!
whu were invited 70 contribute at leas
three paintings were Frederick X
W'lIsms. T.. j Waugh. Charles "
Eaton. ';rorse inness, Jr. Henry II
To"rr. William j. Baer. Thomas X
Manlev. James King. Wi,'iam y Has
l.r. G3stave Cimiotti. K. Sloan Bredin
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

condition II Is practically perfect. The
picture represents Christ on the cross.
with the Virgin seated at the left and
st. John seated al the right: 1t IL a
mature creation Of the master, show
Ing him at the height OF his career.
The panel In quite small. measuring
only seven and one-half by five and
one-half inches, but this restriction Of
space has forced the painter to greater
concentration and the emotional eX-
preston Of the figure IL more intense
than Ia usual In his work. II possesses
a depth OF seriousness and sincerity
unknown in later art. Although the
religious painting of the eighteenth
century vas not lacking in serious in
tention and piety. no thoughtful per-
son would presume TO suggest that II
could equal the austere y spiritual
as well as intellectual piety OF the
fourteenth century in Italy. The pic
ture 10y Memmi IN an interesting COM
panion to the lovely little Madonna by
Fra Angelica given to the museum by
Mrs. Iitz in 1914. that picture has
been described as symbolizing Faith
in Joy whereas this CruCifixion SYM
holizes Faith in Sorrow
Concerning it's achievements, the
latest issue of the Bulletin Of the Mu-
nicipal Art Society says that since the
organization ~ the society its work
has varied from veal to year. rs OPP
portunities have offered and needs for
is aid have arisen. II has. for IN
stance. carried on an active campaign
against the abuse OF outdoor adNertis-
Ing signs, and in connection with the
National Highways Association has
coopcrs,ed with representatives IN
various cities for a more extended ana
organized opposition 10 this public
affront in city and country. It's com
mi,tee has prepared the first OF a
series Of pamphlets dealing with mis-
matter for countrywide distribution
This seeks 10 direct public sentiment
toward suitable legislation ahating this
public nuisance.
Another of the soCie,ys purpose!
has been 70 keep before the public 'h'
advantages Of good design IN al oil 'n'
things that the city undertakes. VIII
mis- in view IL has installed IN th'
Iorllard mansion. Bronx Park. a per
manent exhibition of photographs O
municipal art assembled from the NJ
Commission. the Bronx River Park
way Commission from the society.
own collection and from the work "
architects who have carried on
municipal projects, II has also in
stalled in Horticultural Han, In tn
New York Botanical Gardens, an eNh.
hilton of works OF natural decoration
window boxes. roof gardens. trees. q
The society has IN preparation
municipal art survey OF New iori
city. This will plot upon a large ma
the existing monuments and othe
works OF outdoor art. Later an actud
survey OF the city will Toe made as
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
Mr.. Chase Declares His Neutrality
but the Others Champion the
Cause Of the Allies

lists she has aid a vita ling hand
The greatness % the mird OF Franc"
les in her natural possession q: the
extreme oppos.tes " character and in
tcl'ect
The " qualities which ~fruct!fy
more than any others IN the mind OF
the arts. are courage and the desire
for perfection courage, wniLh Is read'
I, pl' forth. pioneer and GO down
.eh'ing for az idea. mercy an idea IL
art There = ais. n strain IN ~.
t'rsr,h mind 81 the fa;al.sm %! the Far
Eas:, II the un.mpOrtanCe OF tn" indi-
N.Cual. No F'renChman thinks ham
self more important than his own or
AIRY other art
"HI no. only ar, hu' every other
calling owes a supreme deht To the
genius Of France. ! would like :" an
peal 10 all the women ~ America WHO
wear the beautiful garments of Franc"
and say, Rich women of America, re-
member That YOU we 20 one Of the
lesser functions Of the genius Of France
more than hall your charm and allure
men, ana YOU know IT, T. appeal TO
them one should 60 to the automobile
SHOW w INV tlbtlt " Nl1'N.i' sup ~
parade IN Fifth avenue y bcsiece
the windows Of the limouslnes, bne
Should say to such, You are uvlnG
through tho greatest and most 'errIhi"
drama of histocy-What will YOU do
about it,
Miss Beaux is American horn and NJ
Quaker ancestry. though her father
was French. She is largely self-taught.
, though a pupil Of the Julian and
I.azar School in Paris for some years,
and has attained high honors in art
both in Europe and America, she IL
a National Academician, a member Of
the Societe des BesuN Arts and has
received innumcrahle degrees. meda,s
/ and awards for her work. Her work
is modern in every way and fun Of
individuality.
Irving Wiles expressed similar senti-
! men Is 10 those Of Miss Beaux, a parti-
sanship To France, because ~ her
glory OF art and gallantry Of char
acter, and said that what touched him
most deeply was the thought OF the
supersufferings OF the sensitive artist
nature in the soldiers of France to-day,
MIR. Wiles was a pupil Of his father,
also a distinguished portrait painter In
America, and OF Chase and Carolus
| Duran in Paris. Mr. Wiles Is a mas
ter of his trade. "A delicate n sure
draughtsman and color!st, and, az
! some critics say, the foremost por-
traitist of esprit, or character, in
, America to-day.
MIR. Wiles In his youth studied the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

ha.,s ,,r INNS ,~tu,,iye supcestiou aud
criticism in tho apnortionmen of
u,orLs ~, ar, which may no offered In
tho civ from time IN time
since ,,s orpapl,a,iop tho society
has bo,d v,r,ous exhlbi;ions os works
n, munlclnaI design mar the lmnnr-
,snce n, ,hese ml.h he kent before
III. nublic II has also contributed al
~rec,Iv IN the decoration Of the clty
Ons n, i,s ear,ies, ACCOMPLISHMENTS
u,as tho p,ac,np ~ The mural p,int-
'nys hv Edward simmons N the
,our, room Of ,hs Supreme C,ur, in
,ha CRIMINAL cour,s nuiI1lnr Later.
N emilia hors,ion with o,h,r socic,les
the "Hunt Memorial" was presented
to the city. This is located on the
cas-, side OF Central Park and com
Richard Morris Hunt. one
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

for the medium date, iI70 or las. the
latter date assigned by Morelli.
Thus Luini's career sa a painter
falls exactly within the limits Of the
golden age Of Italian art. which began
with the completion of pa Nirci's
Last Supper in l4?S. and closed
mainly toutside Of Venice with tn"
sack Of Rome in 1921 and the siege of
Florence N 1880.
ormerly regarded as the leading
pupil Of Leonardo da Ninci. .uini is
now more accurately considered his
leading follower. Ia Ninci left Milan
in 1893 l.uini is not known TO have
visited Milan before 1900, hut he IL
ranked as "A follower of I.eonardo's
school and methods in oil painting,
and he - also universally recognized
as the most distinguished painter in
the very considerable following which
had gathered about the famous acad-
envy in Milan which Ia NinCi founded.
So intimate was the relationship be-
tween these artists as regards the re-
sembiancc OF certain works that two
Of the best known paintings In Europe
were c~atalogued and labelled for CEN
49, | 60 '" 'iNt'' Wv - CIV 80 '''
known az works of Iuint M Il
;hem IS the famous "Chris' and the
Doctors Of the National Gallery in
London. and the other = the MOD
esty and VANITY" so called. which
was formerly in the Sriarra-'olonna
Palace N Rome. Tho latter picture
especially calls 10 mind the dependence
ut l.uiu nn Leonardo. ns illustrated by
Z that consecrat"d formula of he entire
Milanese school, It's repetition 90 tho
IpouardcsQue ideal. or type. Of iemal"
beauty. with regular features. h gh
check homes. long nose. delicate MIN.
sweet expression and subtle or evan
esCent smile. In spit. Of the frequent
appearance of his type in Iu'nis
easel pictures II a. well 90 remember
ma H.. nardo VAS uo' his first mas
ter. ard that n" rad previously been
y disciple Of E~nrgoGnoNe and ~ Bran
artlno. ear cr Mlanesc painters uf
important and considerable merit who
had n no way Yielded tr I."or'rlo'S
manurr in this or .u o'hs~ "'spo"ts.
Thus. We may nn'e tnI' th" Nort
lovely lace 81 the MldoHrl %re'cntlN
drained FOR The Broot'Nn Misruu
does no. ~boW IN" accented rcsem-
h'aN,e 20 tho Leonardo type although
10 slightly rcsrmu,"s IT, TINS indie.
ucudou,, 80 tho i.cou.~ q formaia :
a wei. known characteristic uf l.u.ri
,ariN fires uc> ma so appears iu rcr,
,ain later ease. PICTURES notably n tn,
famous Madonna If the Rose Hedge
,Brcra Gallery Milan. which dt'o,
letween 1913 and 1870.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
MoNG the mos, Interesting offer

A MONG the most interesting offer
II inss at the Allied Bazaar are
the portrait s!ttings donated to
the American Authors and
Artists booth by a group OF five Amer
lean portrait painters, william NJ
chase. the dean Of American art:
Cecilia Beaux. Irving Wiles. John
~Johansen and LYDIA Emmett. II vii
be recalled that Sargent made a some.
"nat similar contribution Of a portrait
sitting to a bazaar in England. for
which Sir Hugh Lane paid $4,000.
Sargent, as In we'll known, had for sew
sral years refused fabulous sums Of
fered him 20 paint another portrait.
When the five artists of Mr.. Chase's
group were approached on the subject
~ their donation they expressed views
and sentiments significant % the
American artists attitude toward the
world calamity which the work of the
bazaar was undertaken to alleviate
i am neither pro-Al,v nor pro-Ger-
man, declared Mr.. Chase. Humanity
means everything to me and a map
nothing, ] W too much to Europe,
AZ every artist does. not to feel hei
needs at this moment az u duty
to he.p and 10 give
Mr.. chase then spoke NJ now IN"
"sr had made evident also the I'M
por,ance NJ portraits as historical and
fanny mementos.
People in Europe who possess por-
traits II the soldier heroes of their
family slain upon the battlefield hnd
THEMSELVES with "A priceless possession
&: art, OF sentiment and Of history"
ne SAID
There is shortly to appear a book
o. the "reminiscences of Mr.. Chase, the
publication OF which will be an event
" he art world. Mr.. Chase has taken
q .eading part in Americas artistic
movements for the past forty years
and vas for many years president Of
the Society of American Artists. As
critic, instructor, lecturer and painter
rs influence has been widespread. Mr..
chase was a pupil OF Wagner and
Plo'y for six years at Munich and re-
turned 10 America with methods that
were revolutionary In American art at
tina, time, Chase and Duvenack we're
INC frst OF American instructors TO
make the brush work instead Of the
oIayon drawing the foundation of the
picture.
\ contrast TO Mr.. Chase's univer-
ss.i,y OF sympathy was found in Miss
Cecilia Beaux.
I am for France first. last and al
WAYS she declared with sparkling
srfor W Americans have always
loved France, II Is proverbial. France
IL individual to us. like a dearly loved
person. She IL able to give every one
Nhat Is most wanted. The most seri-
Gus and the lightest person hasten to
her and are napIhest when under her
influence.
How can We bear to think Of this
@lored being in sorrow Rnd blood,
struggling for life with a covetous in,
vahef' think ! "a truly say that
Oil artists feel this gratitude to France
and mingled with II are those memories
% wrapped In glamour Of student days,
N Paris. hard working, struggling
days, often In winter when one was
heVer quite warm, hut always per-
meat"d with the charm. beauty and
srnihcance Of her enchantment.
"Hilaire Belloc says. The French
mind Is tho pivot on which Europe
'urns' The real debt, Of the artist Is
To the mind Of France, Upon the OBJ.
seur'st sources Of our natures ~ art
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
\ Tyrolese cruci6x, by John Sargent. in the summer exhibition
at tho Knoedler galleries.

pa, Ar Society in the Society or
Beaix Arts Architects. and with their
Ella 1oraie architecture and brilliant
banners and awnings suggest what an
artistic feature of a Hudson RIVER
naval parade any one OF them would
form The FIST prize was awarded to
Rohert Pal.esou II New York city and
meGdis 20 n X Harris. Il VI. Ken
nedy. II : k.rschberser, : Y. Oh;a.
II - Derrick, r. II Murray, r. +
Weihe ami \. Brown, j.
Few cities have New Works problem
Of adding "a the comfort and displa,
o. a naVa, revew. but every city is
N;a,,y concerned ~ the majority %
he needs which hrough. the Municipal
Ar. Society into existence, and the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

HE City Club has Just opened
its summer exhibition Of paint
ings by American artists.
Among the painters represented are
Carroll Brown. who sends Sep
TENDER, C~ragsmoor,'' Il. NJ. Shurt-
ler. whose Woods Interior is seen
again. and F. !. Waugh. Max Bonn.
" H. Howe, Ben Foster, W. G. Bunce.
James Knox, G. W. Hawthorne. +. {.
Frieseke. {. r. Ryder ami Ivan t..nskv.
The bulletin OF the Municipal Art
Society OF New York. No. :. shows
Illustrations Of the socieir's prize de-
sixns for a naval reviewing stand.
These are the result of the acGual
competition Instituted by the MUn!ci-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
story Of its founding and purposes,
which occupies q large part of the
bulletin. should be Of wide interest.


-
,,. ~. ~
-. VI ''ooN''"
..>s.a-. o"
1T C.'-u 80,
,on, 4, -.a,."
nnnr,.,,, $500, D."
,hnu., u,.. a.
N"""" Hon i"
-, a.. m,. p...."., po'n' /" Wv
ai,nou.h go .e'"a.ul"' ,"'n'' an"
49, - !" "I'o !, p"1"
10, la. -. 80
I. -. -, "".se s'"e", H''"ulns
era, rno,a.,.n, 49,
moro n,,,.,,. ,.| "'
Our "p,~..'''
.on.t h,on.a.h, ~.
90, aaa.,,. "'''."
80, a., aa,.. '""",S '" IA"
,or,nr,,n antas ~"
,nd ,ha ,ra,o.a,a..
u, Il uni,u. -.
nor,orn.a ,.,.t... 49,,
,r,yo,,a, I,at,,
.hos, ,.bo a. 80, ,.,, >,i,a
49,. T.. -, ~ ~"
i" o".N tene'"' "osra-
:. We '"e i''i"h PAINTERS
u "'.u"'e 'h' sN.eeht'
.'' Nv r''e"'ihe ''ois'"
".", " Wy '"'e 'u'iouS "'shaP'
v, Wy 'e"Son VI ue''''e"' per
o.,"' mo, '""''"n "h.Cn u" was uh-
~ 10 "'dNe s'"u anu % h"' care :"
""''o"' ''"""'u n''Seil !" " very
,''''! "'''''n W ''"'"L 'as"'' va"
w." P'''e',o" 'ne Spe''ns VI MS
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
Important Bacon
Collection Purchased

George n. Smith. dealer IN rare
books. has announced that he pur-
chased The Bacon objection formed by
a Baconian scholar and writer, the late
Or. G.. W. Sleeves ~ Liverpool. 1t is
said to he tho most extensive collection
Of WORKS on Francis Bacon in exist
orCe.
The Huth collection contained SIX
teen editions % - ORIGINAL works.
The Robert Hoe Library catalogue de-
~cr.hes twenty -iv" tides. In the
sleeves collection there arc .~shty-tire
separate items ia addition 20 the coll
lc,tel books and Writings referring 10
Bacon and his philosophy.
Among some of ,l" rdr" works may
be mentioned the p'rafrd ed ton, "Es-
SAFES. Religious Ar4d.tltiu"s. Places of
Persuasion and Disswtson scene and
Allowed; Printed a. London For Iohn
Iagcard, Dwelling IN fleo;e Stroete at
sue Htrd and Stare. uc"ye Temple
Barre. 1905 Another is Sir Fran
,.s BACON. lis Npol"si" I'M C'rtaine
imputauous concerning the late Earle
Of t.-scN. printed IN l"nion IN l"oH'
Il had been supposed mat the Robert
Hoe copy Of TN : wurk Vas he only one
Iuowu. There j. tie ampllii"d reprint
n " parts. printed IN lbl". of IN"
pirarcl IagCard cdlti"u ot tn" Is
sales. E|,liglpus M~ed!'atiuns, &
Another rare Nolumc i The Pa
safes Of Sr Frances Bacon, ~" klnss
solicitor General" when - the fourth
edition and he frs, - contain tairtN-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
William M. Chase. Above. Irving X. Wiles.

William J. Awkward. William Couper
and twenty-five artists Of the vicinity.
The Boston Museum of Fine Arts
has just been enriched by the ncquisi-
tion of an example OF the work Of
lippo Memmi, presented by Mrs. W.
Scot, Fitz, ~ which it is said that il Ia
attributed hy the eminent critic DR.,
oswald Siren I" Iippo Memmi 'died
1857; 1t Is therefore related TO a great
school Of art Of wtteh extant examples
are rare, ana IN N execution and ito
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

II also offers . trophy with medals
20 Ice competed for in the high school
ar classes. This trophy cons sts of
n hruuze medallion mounted upon an
Cak table,. II j. awarded to the school
whose team uf five pupils succeeds N
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

that am willing to do anything In
my power to help In any way that |
a the people who are suffering for
the success OF this cause Nothing
else that ! could say can add anything
to those facts"
These Ave artists. all OF whom have
attained world recognition. considered
II a duty thus to give their work TO
the Allied Bazaar. The portrait sit
t,ngs thus donated are valued at $500
each ard are 70 60 70 the highest
bidder.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18

by good drawing, most attractive color
and inventive and dramatic genius.
His deficiency in fresco was lack Of
monumental and architectural balance
Of composition, His supreme merits
were ingenious simplicity In the rep
r~escntatiOn and expression of spiritual
sentiment and of sincere religious feel
ing and the love OF natural beauty.
So incNpressihlN sweet and amilble
are his creations that they sl,un with
equal success the faint OF i%nsipidity
and the suspicion that purely physi-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-06-18
Luini's Madonna Enthroned," purchased for the Brooklyn
Museum at the Catholina Lambert sale.

fore been undertaken 10y the society
and j. being maintained through all
branches of its organization.