davidaulloa/AmericanStories huggingface dataset:
The Sentinel=record., 1916-12-17

the part of physical suffering and death, but also the part which women gre forced to assume which is the part of mental anguish and despair There are scenes ot conflict and scenes Of women doing the work of men and beasts because of that con flict
 It is all so peaceful al first Joan and Franz one of the four sons of a widow, love each other Then comes the war call and loans husband and his three brothers are summoned to fight Joan is hurriedly married and later comes the knoWledee that she is to he mother. The country is depo ulated by slaughter and the burleque and tragedy of the War Brides is decreed by the King so that there may be babies galore, who in time shall grow into fighting fodder.
 At this Joan is stirred to horror. She denounces the decree as a mon- strosity. is imprisoned as a traitor ess, escapes and rouses the women to reyolt and she leads them to the headquarters and halts the progress of the king in his armed car. They demand that war shall cease and declare there shall he no more children until there is peace War mill always he the king s'eclares. and Joan, in an extremity Of despair, kills herself and her unborn babe
 War Brides" will be seen at the Princess soon.
The Sentinel=record., 1916-12-17

was Mr. Brenon who saw the mate rial in "War Brides for the film me dium. who expanded the playIot into a drama, and who worked out the problem of giving is pictorial power
 without infringing on its sentimental values.
 Naumova. too. has solved what was perhaps a stul more difficult problem For the first time in her
 career she has thrown aside a spoken
 part. with all its vocal aids Of inllcc- tion tone, pathos and passion Of which she is such mistress, has schooled herself 10 act in strictly confined area and with due reaard for the inflexible requirements of the camera. and without the psycoloei- cal incentive of anl audience. RIt the great actress has met all the exactions of the silent drama. though this is her first experience in
 a film play, because of her genius as an actress and because Of the helping skill of her assisting artist Mr. Ere non
 The original slloloh of War Brides" has been followed on main lines, bHt in it's elaboration there is presented succession Of panora-
 mas to vibrant and powerful so re- plete with action and reality that they arpeal 10 every sentiment of hu- manity.
 One is shown not only the part whio, ! play in war-which is
The Sentinel=record., 1916-12-17
No L4inher Price for rhls-

While food and clothing have ad- ganced in cost. 1t is well for the ak hat the prices of such reliable am 'emedies as Foley Kidney Pills not increased. Persons in moderal circumstances find doctors tils hard 10 pay in the easiest of times Don neglect weak tired or C. d.soTdered lid neys. Foley Kidney Pil' cost liLte and relieve backache, pains in sid and lions, sore muscles, stiff jon rheumatic pains and annoying biadae trouble. A. C. Jennings
The Sentinel=record., 1916-12-17

Rapid tree oeiIvery paone oa3 llc Drug Company
The Sentinel=record., 1916-12-17
All the War News

TEE sENTINEL-REcoRD PRINTS AL THE WAR NEWS UP TO 2:so EACH MORNING, TWO HOURS LATER THAN ANY OTHER NEWSPAPER REACHING HOT SPRINGS. WHEN you REAC ir IN Thls PAPER YOU ARE REAoIfSa THE LATEST.
The Sentinel=record., 1916-12-17

~cNTfNTFl DN PAGE TWO
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09
Random Impressions of
Art in Current Exhibitions
Some Modern Types of Foreign Orign-Nlanet and An
othcr-Figure Pieces by Fneseke and Land
scapes by Carson-Besnard's la PAX.

The winter Academy to-day upon last week 1t
closes next Sunday Then the Architectural League will take
possession of the galleries the Fine Arts Building. making
preparations for the opening Of its annual show ON February
The American Water Color Society will again before the
public at the same time will exhibit the National Arts
Club this year opening February The chief OF the aic-
impending that OF the ReisinGer collection winch WILL be
placed on view at the American Art Galleries 1hurda,
The first OF the three sessions OF the sale the grand ballroom
II the Plaza Tor the evening JANUARY * HE MINOR
exhibition as appears below be seen every hand
The Braun Gallery is hung with pictures by Mr.. ~ c. ar
,hawsky who has been working in Paris and Brittany ann2-
v Mr. Mortimer Block the Folsom Gallery The hralshaa
Gallery announces an exhibition OF pictures by Mr. George %
to open january H. NJ Pcabia, the Modern Gallery pre-
,cns further examples OF his august inspiration drawings
this time which suggest plans for plumbing steam pumps
something such interest they possess attaches To-
the ts "Ilorriblc Sorrow. This Machine Laughmgy CaSt
They point obviously high intellectual and artistic effort
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

vo,rcd Neither do any Of the com
nettors show the faculty for letter
inc which might prohtaoly be en-
uloyed. boo the circuU tancCs. But a
good beginnino d. made ON this occa-
sion. 4 movement is thus inaugurated
which in the course of time may
easily develop a fine typc Of post card.
The difference between Besnard
doing what he was born 20 DO and Bes-
rard straying into an alien sphere
has been touched upon IN our com
nonts on the exhibition at the knocd-
Ter gallery. The point recurs az the
Ritz-Carltcu, where his mural decora-
ton. ola Paix." is shown along with
the paintings and drawings By French
artists traverscd in The Tribune last
Sunday. This gigantic panel for the
Peace Palace at The Hague is COM
pletely expressive Of the artists gen
ius. which is that OF a creative roman
ticist doubled with the academician.
Possessing. genius. Boshard gives the
academic tradition its best iustinca-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

than tho blaze or the shadow Of
color. The present writer can maAe 40
prctcnce of checking the truthfu.ne $
Of these .ridesccnt harmonics. yet he
ha. memories of sunsets some three
hundred miles south of Cape Horn,
which encourage MIN 70 attempt some
.thino OF the sort-and to assert that
2Ir Stokes has i'm no wise exaggerated
the scale of sky-color IN those regions.
in the DEPTH Of winter. l. is wellnigh
uubelieyable scale, embracing more
fantastic things than one ever sees IN
Venice or the Alps. Mr.. Stokes has
captured q good deal Of their sensuous
beauty; he hardly suggests their ter
ror. There is something incongruousl y
.lave about his impressions, as though
they had been gathered in the friendli-
est of worlds. This does not prevent
their remaining. when all Is said.
lovely as Mr.. Co!eman's "Songs Of
Vczuyius" are lovely. exquisite varia-
lions ON a prismatic theme.
The Association Of Women Painters
and Sculptors did very promising
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

sense that II s also an asset, quail
ity automatically productive Of beauty.
Il is compatible oi course. with the
product on Of stupid uClness. II SIN
certify by itself we're 10 make work
of ant. then u would enable some in
veutor Of perpetual motion 20 pull
through. Il is important, therefore,
20 recognize the fact that Cezsnne's
sincerity is beside the point. IL does
not keep him from being commonplace,
mediocre. a third rate painter. II the
reader finds these terms harsh, let him
examine closely into the works by
Cezanne accessible here at this time,
let him look at them with an open
mind and sec what they have TO offer
70 the eye and the Imagination.
The best Of ;hem offer, to begin with
fair enough approximation 20 the
forms Of things seen. The PORTRAIT
of "a Man" al the Non:ross gallery Is
an acceptable biz OF ordinary realism.
SO = the landscape called 'L'Estaque.'
IN which the hubble Of red roofs seen
between trees against the gray back
ground provided by the sea rs handled
with d mildly engaging sympathy. But
what nonsense 10 pretend 20 discover
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

Tie most inviting of the exhibitions
this week are one or two when MAKE
no urctcucc save to entertain, with not
an "ism" FOB them 20 bore the Guilelcss
visitor. No. in "a long timc have we
had go agreeable bali hour lu local
gallery rs iu Mrs. Nh.tney's studio, at
p West Eirnth Street. Out OF the blue
this lutte collection Of pictures iails'
"a handful OF modern things. American
French. Italian. Spanish. private col
lcc.ors have lent them. imply 10 give
pleasure. We note first the two Tea
Conspicuous paintings on the walls
studies of Venice. by Venetian, 'ch-
raro FataL llc knows the genius OF
the place and expresses - ln terms oi
unusually interesting color, the more
interesting because II rs 50 wen re-
.troinod Another welcome Italian IS
Ettore Tito, painter OF ne } ram
His gravs arc good. and, as always. ne
rorycv- au iuspirtng lmprcs SION
through his fluent brush work, has gen
crM ain of artistic vitality. boldlhl
COMPLETES the italian group. but IA ms
most ParlsiauIzcd vein. Ills iull Length
"Tortrait Of Mrs ". X. Vanderbilt.
Jr" is Il gllttcrlng, amazing Dlt OF
s'eight of hand. A. a portrait u is
merely clever As an exercise ~ teen
nique it ia mastery.
Zuloaea. in The Gypsy shows hls
wontcd stern power, and, by the way,
quite crumrles up the Two exhibits o.
his countrvman. Sorolla. Besnard $
..Ioruirc." % biz decorative compost
zion. ia trimming over with tie 10Y al
B.o. u brilliant. .oul-saU tying example
Of v,rtuosity REINFORCED by sentiment.
and there is "a good companion ior me
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09
Some Pleasant Groups of Pictures.

Fnocdlcr gallery. an eclectic affair, EN-
bracing an important example Of &C.
zanne 10 which more detailed roier-
cnce is made m another column and
tvpcs as strongly contrastcd as Ua-
chan and Besnard. The latter provoke,
some rather odd reflections. lie could
not be dull If he tried. and the two or
three notes Of his journeyings IN India
have some interest. But not half a.
much as one would expect Besnard IN
the Fast The mere words raise iervld
expectations. But almost any accom-
tfesc ordinary cni4odes of travel Turn
nov, to The Hcsnard Of accustomed
n.tb. Oh. Reward who paintod me
foe5 AND shoulders of a woman. a pic,-
,,ro - ja.cJ POM 1914 All The Old
e nth ,r ' 49, tbaro ain the CRASH upon
forrr ~. force. The etvIe. There are
conc caarminc pieces by Carrierc.
salon tyucs Ike Cot.ct. Simon and La
Touche are we'll represented. and there
IS iudiciou. spi.nklug Of impress
sioni,f paintings.
looming above the entire assemblaee
ie tine famous Manet. LA Lccon de
Musiouc." once "a Revolutionary" docu-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09
o,ul Cezanne and the
Cult for His Paintings
i. by Him in Two Exhibitions at Present in New
''' York. and a Book About Him by
Fervent Supporter.
Nv ROYAL CORTISSOZ.

., b, CSzanne shown TO Whistler. SAID
t;i o., ten were draw like that upon his slate ms
" c were good mother. would spank him for IT. But
ae No1ard the Partisan dealer who tells the anec
,c another mind, and he IN similar circumstances
e. H ,fbry frame the slate He knew the painter well
c man, Of his works he could Set hold OIL and made
s leading attraction OF his gallery III the Rue Laihttc
Ri W tc.t,ir5nv TO the faith that IN him and monu-
' 81 t friend he publishes himself Paul Cczanne, truly
& f,I;, written with aHcCtOnatc care and illustrated
G .hcs possible ARRAY paintings and drawings, many
f~rcr reproduced photograNureS or IN color plates
\, Willard bv any alone in his appreciation OF this
theodore Duret, who IN his book on Manct and the
twists" wrote the first full biographical sketch OF &c
mon which Noard and all other commentators have
, drawn speaks of tho distinctive and isolated nature
~ and credits HIM with at least popularity "oi
l' r.-- II merit" here precisely, does the truth
r . CHI. subject :, especially provoked at the present
>. tie Nonuo~~ 4aicrv there IS an exhibition de-
..;~.', gil. Dezannc F, contains group OF seven OH
or. Illustrating the artists dealings with portrature
Us. and still lie and offers a much larger number OF his
,',rs casual studies rom nature ont OF doors At the
IL gallery IN d miscellaneous show OF modern french
49, ,Ie-e a characteristic landscape by Cezannc and
.br more representative OF him than anything OF the
~ ire rival collection With these documents Immediately
%. ~. NAV, appropriately up impressions OF type
30. o,odnctions have been made the object OF curoUsY
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

era we have the brush and behind II
the artist seeing New York In his own
way. Impre sions Of the city were
designated as essential IN the pro-
gramme and this yoluminous col lee
lion Of sketches makes kind OF urban
Kaleidoscope. T. contains a remark
able amount OF truthful and clever
work. The water 'front.' has yielded
any number Of pleasing studies. Three
of the four prizes awarded 90 10 sub
.ects drawn from this aspect OF the
city spectacle. one thing we miss. the
instinct for decorative design which
would perfectly adjust the Pretoria
motive 20 the peculiar little space in
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

thing when IL instituted n competition
for post card designs. We need ar
tistic IDEAS in this field. The photo
graphic "view" is often interesting and
sometimes beautiful. In Europe, wherc
architectural and kindred material -
70 rich, n has been exploited so well
that one hardly thinks Of asking the
makers Of post cards 70 engage IN
novel experiments Here the situation
is different and the time - ripe Tor
something new. The competition afore-
said the results Of which are on eX-
hlbition at the Municipal Art Gallery,
has produced n. IN place Of the cam
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

cock Feather" by Mr.. j. Alden Weir
There IL a touch Of humor in the policy
which includes paintings like these.
They throw ptiless light on tho
amateurishness Of most Of the sur
rounding pictures.
Fifteen new pictures by Mr.. +. c.
Frleseke may be seen at the Macbeth
gallery. They are new in that they
have just come from his brush, but
otherwise they but repeat what we
have seen before. This artist exercises
his undcniable talents within de-
cidedly circumscribed area. He dwells
at Giyerney, whore he ~ evidently pos
sessed Of "A pretty house and garden
IN all his pictures a likewise very pref
" model strays in and out amongst
the flowers, in world where It ~ al
ways sunny. always biithe. Her pose Is
changed for new canvas. She wears
different necklace. But 10 is the
same story that is told. Mr.. Friesck'
cells IL very we'll. He uses bright col
ors and uses them with good taste
lie draws and paints skilfully enough
80 for his stereotyped motive did no'
Monet paint the same haystack. IN,
same cathedral, the same bridge, an
indefinite number Of times? Mr.. Erie
scke has his warrant. II he needs one
But even while we make him presen'
o. Il we must confess that his pretty
picture, clever rs il il, has lost Us
charm. Though he paints 80 well he
is hardly lowered with what one
recognizes az style. In the absence
of that we are thrown back upon hgh'
surface traits. admirabl go far as they
go. but making an essentially cphemer
m appeal. 1t is time for Nr. Fr,eseke
20 broaden his scope 70 add some ideas
10 - resources.
downstairs at the Macbeth gallery
there are some excellent landscapes by
.Johr +. Carlson He - very accurate,
very efficient, conveying at once an
impression of his having observed the
American scene with the right sensl-
tiveness. These pictures are induDit-
ably portraits. II they disclose no
great originality Of design they are
! at all events put together in work
maulikc manner. There il construc-
/ tive quality about Mr. Carlson's WORK
which gives II weight. seriousness. In
the treatment If light he achieves
beauty. The clear. cold light Of WIN
ter's dav. tho subducd tones Of the
foroet studied on late, snowy after
noon. he ntcrprcts with eXcepuona,
adro.tncss and with feeling into the
bargain His winter scenes hold ;hc
very silence Of the woods. Perhaps
i, is as well that he does not essay
any great flights .n the matter OF
composition, but builds his pictures up
with certain everyday conscientious
ness and then wreaks himself on land
scapc sentiment. His delicate truth
ls hy Itself a boon. This is an eX-
hib.,ion worth seeing.
Picture Of the Arctic Antarctic and
Terra del Fuego By MIR +. v. Stokes
arc az the Arlington gallery. They are
Uniform in size. fact emphas ling the
idea of some mysterious opal. turned
about and about in the hand and yield
ing always some new and more ailurlng
nuance Of color The chances for diver
sity iu compo itiou ln this field are OF
course lm.,cd All that ar artist can
do is 90 study his Iccbcrgs from new
angle. 90 10 sen or .ucrea se the dis
lance 90 tho horizon. And then he will
come back 10 nothing. more nor Jess
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

nv tho choice spirits Of the world, not
- Inc Philistincs. II is an unanswer-
abe saying. No doubt il savors Of a
D5arisalcai superiority TO those who
.tard bv the good old democratic
.yjom that one mans opinion ls as
God n another's but j, happens 20 be
trae. Also. it IS a truth equally. APP
plicable amongst artists themselves.
Thcy produce great art exactly in pro
norton TO their irborn alliance Win
he choice spirits OF the world. Was
C,zanue thus allied 60 ,hen? Neither
NJ. Nollard nor Cezaarc .n his "oi IS
cen SO persuade Us for the traction
of second. lie was sincere. yes ana
,.c know with that gusto that ii"it j.
elevated into az artistic virtue by me
hackers Of tyne like Ce1anne. u
may be. indeed, virtue, bat not III inc
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

ton. using II in his own way. a.
means 20 an end. The spirit which "
were discussing a week ago as so ma
vcllously oxemplfcd in Gerome's OH
fashioned but stiil great picture OF $50
Eminence Grise" is preserved IN 81
Pax" n Is the spirit OF balance, Of
order OF monumental competition.
Besnard adheres % the pyramidal cor
ception which has served the purposes
OF uncounted masters. But his struct-
ural scheme is yelled. so 20 say, as
is always the case IN tine painting,
By the traits Of original personality.
within his deliberately fixed diagram,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

e We may so describe Il. he is never
.hcless free. Balance is there, but
with nothing mechanical about T.. The
three grave figures IN the upper par,
Of the design find their place es IN
"a work Of architecture. yet they carry
Themselves with The artlessness Of n
strictly realistic group So 1t Is with
the massey rock on which they stand,
and with the genius OF peace below.
and with the attendant horsemen. the
painter portrays each detail with an
easy breadth and az the same time
makes il contribute 70 the harmony
Of the whole. Over II an he throws
the glamour OF magnificent color. II
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

drummed up in modern art. The mis-
sion of the painter ls to create bcaut.-
ful pictures. j. is function which
Cezuuue pathctically missed.
IN the course o. the foregoing re
marks we have suggested that the
reader look az his works with an open
mind. We hesitate about making the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

As u came TO US. Without comment
Judge for yourself:
Dear Mr.. Austin: As Tommy. VINO
is one OF Mr.. Burnside's assistants
saw the ambitions of chorus girls IN
The Tribune. he brought in the IN
closed. submit it just as 1t arrived
and il is not the effort or inspiration
oil " press "He"'' MARK"
Now. for 1915 my ambitions are
leaning toward poetry. ! always near J
il said that all new born poets shou'I
select a subject unlike anything eyer
written before, 50 | selected Anna NAY
Robert as my hts. SUBJECT ieeI'HS
sure that no poet ever had any such
subject 20 write upon. ! nrst MT upo"
tho idea of lust adding t-l-o-n 10 her
name. but that would give the word
IAN li) ma (tion). and animation ana
Ann Nav are total strangers. Anna
Nav and Mandalay sounded well to-
TOMMY DOWD.
Assistant Stage Manager the Hippo
Grome.' ,.,,
By r. ol - road or sixth Avenue
There, a li from Tennessee
Dr. uer dressing ...m "li--.
AID I alla sire tuiu.s .. me
Wl.4 .is 1,cr-l.s a.r.n
rsl,. She rs- FOB hesf ore 'T.
Cms .aa a,e .a........ imp., Ma, you.
A. tfr ii.p Hitu 't.- jas
WI.H the ..i HIr iiIi tH"raF
.au sr ''rm t|i-'' la.Es
TI-f T.u ar 's.t-t
A. rr. u.. .f.t Jay
Nr r... Elephant, p.4f
A.. tH.r r.li- i..
~ f. .iu. f.- Ni 'A'd
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

is q noble achievement. IN .he grand
stvle. the unfinished ceiling Tor tn
French Embassy at Vienna IL al eXnll A..
arating illustration OF his playful
bravura and amusing. therefore, 70 see:
Bat IL seems trivial beside La Paix.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-01-09

cock Feather" by Mr.. J. Alden Weir.
There IL touch Of humor in the policy
which includes paintings like these.
They throw a pitless light on the
amateurishness Of most Of the sur
rounding pictures.
Gilpin observer., 1916-09-21
RIOTERS cLuseED AND JAILED.
Striking New York Car Men Injur,
Passengers With Stones.


New York, Sept. 20-The most seri.
GUS rioting since the transit strike in
this city began two weeks ago oc-
CURED Tuesday night in various sec.
tions of Manhattan when attempts
were made to run cars on the Forty
second and Fifty-ninth street cross.
town surface lines. Mobs of strikers
and their sympathizers stormed two
car barns, overpowering the police and
putting to flight all railway employees
in the vicinities. Several motormen
and conductors who had not Joined tho
strike were beaten. Much property
damage had been done before police
reserves arrived.
The police reported late last night
that all surface cars had been ordered
to the barns. Numerous arrests were
made and many of the rioters were
dubbed by the police. Several passen-
gers were hurt by missiles. Later, the
strikers attacked the elevated trains
with bottles and bricks from house.
tops. Policemen then were stationed
on the roofs along elevated routes.
The strikers apparently planned
their attacks, 1t was said, as disorders
occurred in many places at the same
time.
Gilpin observer., 1916-09-21
Denver May Get Farm Loan Bank.

Denver.-This city may receive a
federal farm loan bank as Christmas
present and at the same time the
farmers of the intermountain region
will find dawning for them an era of
emancipation from the manipulations
of the loan shark. Following an ex-
haustive presentation of the claims of
Denver for location of one of the
twelve banks, Chairman George w.
Norris of the federal board announced
a program that would require several
weeks and then declared that the de,
cision defining the boundaries of the
twelve bank districts and designating
the bank center for each district prob,
ably would be forthcoming just before
Christmas. This has been one of the
best hearings that we have had," said
Mr.. Norris just before the departure
of the train bearing the party.
Gilpin observer., 1916-09-21

Pinkham's Vegetable Compound Ny
mother bought it and the next month I
was 80 well that I worked all the month
without staying at home q day. am
in good health now and have told lots Of
girls about it. Miss CLARIcE NORM,
22 Russell Street, Taunton, Mass.
Thousands Of girls suffer in silence
every month rather than consult ply
sician. If girls who are troubled with
painful or irregular periods, backache,
headache, dragging sensations,
fainting spells or Indigestion would take
Lydia E. Pinkham's Vegetable Com
pound, safe and pure remedy made
from roots and herbs, much suffering
might be avoided.
Write to Lydia E. Pinkham Medicine
Co., Lynn, Mass. (confidentiaD for free
advice which will prove helpful