davidaulloa/AmericanStories huggingface dataset:
The Detroit times., 1916-11-15
FOlwell Has Given Pennsy
A Punch, Say The Quakers
HUOHtTT tNU. or N
sPANcLEs ONCE MORE

AM ARBOR. Mich. Nov. l5
Ferry field yesterday afternoon
looked like the Michigan gridircn
~ 1913 FOR "rommy' Hdghtt
returned 20 the scene. and clad
ia a football suIt procredcd 20
show 'ae 1876 asprauts JUS, how
he and Pontius worked those FOR
ward passes years Sgo Yust
Waichei HuEhitt catch the bah
IN msnv awkward situations. and
smiled reminIeccutly.
Hughiu Nperimented with
Yost's one man multiple klck and
found 't 10 his liking put;ing
half dozen o.er from the 30 ana
e5yaFd line. No-t holding The bail
for his former star qulrtcr
The Detroit times., 1916-11-15
BROOKLANDS CLUB
WILL ENTER w. G.. A.

Tho new Brootlands COLI and
Country club directors met yesterday
I'D arranged 70 afhliate with the
Western Coli association They ct.
3 oct 90 br on heir new course By
sIy 8 The BrCeklan3s course prom
.ees ~ b orc a. Tho sporiest and
.ucst beautiful In lhe middle west
The Detroit times., 1916-11-15
Is One of Michigan :
Best, Despite It's
0ne Defeat

.,- ,.,,-. ...-,..,.........,,
Ann Ataoh h.a
.-Aa sans ~e
-i F.,trit
.... mars ae esq '-
t-. sf--o. eftH
- .f
s ne r,tos- W t. ''
.
eleven e-s h-.
#.ra s-- -1. .N'''
9a '
As
'e'
-e completely e-.
-N- -"I sN'l
'~
el- Use
Won
-F-- N~.,t.
use.
a'e
on -~ " '-
r'Fa .' putting
-'7 ""'N scores
"T ln' ''>@'
pass. 'i.-.l' san
"''.-~' .'' defense
t' '.'f ''1s-.'.t1 '' .~e
30 am N--e-i-@A l4>
.-n -a.a' 1| "tAtt
The Detroit times., 1916-11-15
OneNan Team This Year, But He Sure Grand Little Ma
YoSt'S Present Team Ranks
With 1913 Clan of Stars
-lr Next YEAR

AM ARDoR Mich Nov 10.
Nta the season Practically
av.. Aust got reminiscent SEES
.erGar and said II We nlt
eu. y1Ad SPARKS al season Cgg
H.. would never have go-tgu q
harca 81 a feid goal even Ba
aeNt wear and Yo>t went back
t0 wo'k preparing his men ioy
he seasons snal ordeal
The Detroit times., 1916-11-15
The Agcies and Notre Dame

~ ToTING pleasant
IN viii slam No're Dame SATURDAY victory Of this sort would
il a
viii take much OF the our of n" autumn EFedns re
North Dakota Ags laced and that south Dakota
notable
planning
and OF b
years
alumni should have something
be q larlr
In
a
WIN play better football
and Note Dame sou.h Dakota succeeding
The Detroit times., 1916-11-15
\ Bit of Comparison

AGGlES
could 90 the a goal moments
OF play mastery hoist, .ear
- midhed Heubel has lot Of credit
Dakota kicked Held N A. G.. na .e
Notre Dame The Catholics scored touchdown
and scoring at The end OF promenade hat
Notre held
hed secured first down the iioosier hyeyad
fumbled The third wac
rspe o he 2 30 THERE
the n
Tho,
We us wh Is and wis tneva
be
the
he 8
pa
o pese opponents.
The Detroit times., 1916-11-15
Jacks Their Best Bet

m ME FARMERS
tered around Freddie Jacks Maybe Freddie MS thru
Noire Dame believe
ophant quit In DISCUS, couple OF weeks The Army did
IoosicrS
forward ophant vidal which half the
Saturdays skirnish
beat Il will be Ia
finest achievements the history n
The Detroit times., 1916-11-15

U-AyNNsYfVANIA q claiming great football team WIS
Il @ the OF BURSTING lA'o il.
II has wnno onem victory and pulled one
- in spectacular ard forced 60 ie uast H
ends ! The quaker ttf-
be- These claims
They not justified b. tfe returns
!
r,eryv feeling good.
rniit tauan and oi li feed
ulayod game during he removed oh
Is fragie Just ke
poyrv did report Is
.sb because With
i,,y,
taIr team .'"ic.
fnrn,er players. notably
mayed Rutgers Ra'ea
and dIee.b - II 10 Brown
The Detroit times., 1916-11-15
KiectheIaf Rnns 14

PITTSBURGH nov 10 August
Kieckhofer, of Rockford. H.. cstab.
Iiahed a now record FOR Tho inter.
state three cushion league here
'ai night. when he had high ruf
~ ii and followed with two run.
~ I've each f1r grand average
~ eight in three consecutive in
nings He beat Resell. so 10 a..
The Detroit times., 1916-11-15

and Allen defeated
Thompson and Colburn ~ tho Gar.
den alleys Tuesday in The twoman
team tourney.
The Detroit times., 1916-11-15

behoove after touchdown nh
Qugey pennsy
on and Mchganeers N as
The Detroit times., 1916-11-15
He's Some Little Man

prediction Michigan
S face %
Il
an
~
Is a
The Detroit times., 1916-11-15

II will Miehigan II he with bic ons
as j.
forwa .
has
The Detroit times., 1916-11-15

PrtntiaR--ths pIafn neat ktnd--'4e'
O. riEhf--Times job Dept--daIn fS2O.
The Detroit times., 1916-11-15
rAKG 4sp ar,Hn STEAMERS


tor tirssiaad. fitt.bufgH AnH nH
tsfufs soufhl nAI suth nHtN l0sts %.
m iubc tD Cleveland, - ZIt ptti--
tti uH. .n 500
Iuto Ils tgia nnd nii points ehst. odd
dates darius Natfnihrr, = %. n. FAUE
$3.50 one wagt .t.I Wuf Nu TWtp
~tHtrrnpnt tconluiodntiuns---tp pp~r
berth, Sc lower berth, si.SOt whole
room. ~ 80.
Ttti<f.r uIt frfs - Thfrd A,s.
hnrf. az IS ruIuH-fi Ave. tunfestto
Hlde., ESQ Tnrt So a., est, orp Post
ofnse.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
The Need and Develop
ment of Films Suita-
BILE for Special Chill
dren's Performances

TIME demand for motion pictures espe-
i rially calculated to interest and appeal
to children has increased remarkably In
the last year The inquiries received at
the exchanges of the fllm-distributing or
ganizations indicate the growth of a more
Intelligent treatment of the children pa
irons of the motion picture theatres ana
more actual considerations OF their real
but unvoiced demands,
"This demand will undoubtedly be re.
flected by important changes in the pro-
duction and exhibition of films in the pres
ent year" observed John II. Freuler, pres.
ident of the Mutual Film Corporation
which has been conducting an investiga.
tlon of this phase of the industry.
Reports have been carefully compiled
by the Mutuals GS branch offices covering
all English-speaking America, and these
tend to indicate that the motion picture Is
growing in favor with the schools, churches
and other institutions which concern them
selves particularly with children.
"Tt is to be expected" observes Mr..
Freuler, that as the motion picture
achieves a more substantial standing as
a form of art expression there will be
more sharply defined lines of demarcation
between the classes of productions There
have been up to this time very few films
made with the child audience in mind
Those few have seldom been properly pre-
sented 1t is q development that should
command the attention of every motion
picture theatre man If he would give his
community the degree of service that
means the highest success for him"
In New York city alone several years
of spasmodic and inco-ordinated attempts
at establishing childrens matinees and In
procuring chlldren's and educational films
on the part of mothers clubs, women's
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
The Child and the Movie;
A Problem In Sociology
The ChiIdren's Movie

One side TO the censorship question and
the strongest plea for II ls that II pro-
tects children from the influence of ple-
lures harmful TO them, but which their eld-
ers might see with immunity. should IIg-
dren's pictures and should special chill
dren's theatres be built the excuse for guch
censorship would he removed. philadelphia,
or, rather. Merton. can boast OF one such
theatre. Here Is the program they have
offered in recent weeks:
JANUARY 20.
THE Wizard Of on
FEBRUARY 3.
"Iapans Dr. Dorscys Expedition
The Midnight Ride Of Paul Revere
"Harleuuin's story
Runaway Horse"
FEBRUARY Ia.
~ Race Through the Clouds"
"ColoneI Herzn Liars His Waterloo"
Rural Love ATglr."
French Guiana"
FEBRUARY 10.
Japan No. .: DR. Dorsey's Expedi-
tiOn,"
"Dream Fairy"
Joan of Arc"-part I.
'JOan Of Arc"-Part II.
Bray Cartoon.
FEBRUARY 90.
Mary Pickrord, In "Cinderella."
strange Birds and Senls.
Cartoon.
MARCH 4.
"Jnpan No.. % Pr. Dorsey Expedition"
"The Lazy Line"
Cartoons In the Kitchen"
'The Ticd Tlper Of Iiamelin."
''Sugar Loaf Mountain"
Cartoon,
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

But Johnson" not "Jonson," is
the man of whom those famous
words are still true. Ben john
son, who will be seen at the Gar
rick next week in at Pays to
Advertise made his mark in
.Paid in Full and with the New
Theatre Company
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

whatever cities, who now carry the white
| and yellow banner of votes for women"
Miss Russell, you know is n Pitts
| burgher and as her mother had back of
| her newspaper-for her father, Charles
| 10. Leonard, was editor and owner of the
Weekly Herald, of Clinton, Iowa-so the
daughter today has back of her her hus.
bands newspaper, the Pittsburgh Leader.
Besides, Miss Russell has well-defned
ideas on what a Mayor should be and what
Mayor should do.
II had never hoped for political of
flee and ! wouldn' think of setting myself
up as candidate for Mayor; but 1 feel
as my mother felt back In the latter SOS.
when newspaper reporter asked her
If she would run for Mayor of New York.
"'Who would nominate me?, mother
laughed,
"I will nominate you,' cried the re-
porter
"And he did, and she really ran
"She was among the first workers for
womans rights and had wonderful
platform" Miss Russell was going on rem.
iniscently when the writer interrupted
with the question:
"What platform would you run on Just
supposng. for the sake of conversation,
that you were a candidate for Mayor of
Pittsburgh"
Miss Russell outlined the following
points in no uncertain fashion.
First, Child labor reform.
Second Free school lu~ches for poor
children.
Third Free medical. dental and optical
attention for all school children.
Fourth. Work for the unemployed.
Fifth.s Clean streets.
"And." said Miss Russell, II think II
would be fine plan to have more women
in the courts and jails, Wherever women
are, in prison or i'm trouble, other women
should be there 10 help,
women are only waiting for the chance
nowadays. Look what the women's clubs
have done for unfortunate girls and think
OF the fine work women are doing In the
night courts. My mother spoke repeatedly
in favor of prison reforms Her ideas have
been carried out 20 a considerable degree
during the last 80 years, but believe that
more may be done and am in favor of
doing IT, II I were Mayor I would do my
best 10 give the city business-like ad-
mipistration, conducted on lines OF strict
eC my AS a business woman myself. /
know exactly what that means. The chief
reason why / want to vote Is because /
pay three kinds of taXes-on my property,
my income and my business-and / think
/ ought to have something 70 say about
what Is done with that money. think
the Mayor and every other citizen OF
Pittsburgh ought 20 boom the city on
every occasion. AS a Mayor I'd work for
the things l am now working for as a
woman and I'd try to keep my temper
and smile at my critics and not abuse the
NEWSPAPERS. But, really. ] don't thlnS
Women ought 70 be Mayors and Presidents
Iust set Men ofiiceholders viii DO what
Na want II ne ask then"
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

been hampered. He has driven straight
for the realistic effect for the drab, tragic
conclusion
It is doubtless unnecessary 10 describe
the play 1t has long been available In
print and Galsworthy's many admirers
ever two facts about it stand out more
conspicuously than in the reading,
The first fact is that the dialogue. while
IL has the nervous directness and Occa-
sOnal eloquence and packed thoughtful
ness of its authors prose, when spoken
by living players, seems from moment to
moment utterly Colloquial Galsworthy
himself has somewhere said that the task
which confronts the writer of modern real
istic plays, the task Of creating literature.
while, at the same time, preserving the
effect of daily speech, is perhaps the hard
est technical task in authorship. But he
has certainly solved the problem In this
play, in part, of course, by tho device of
formal addresses TO a jury by two learned
advocates and the judge, but chiefly by
much more subtle means-by dropping a
phrase here and there into the mouth OF
q likely character which seems quite art
less and natural, but which. in reality.
keeps the message of his play, the intel
lectual content, reasoned out and clear,
The second fact which stands out in
the acting is the fact that Justice" has
dividual villain Hero II has none Of
any sort, but a villain 1t has-sooiety,
you a! me, our penal systems. The
thoughtful spectator at the play cannot
but feel almost a choking Of personal
guilt You do not blame the employer who
prosecutes the clerk who raises his check
You do not blame the jury who convict
him, nor the jailer who keeps him in soli-
tary. You know II a similar case hap
pened on Wall street, or Broad street, in
your office or mine, the clerk would prob
ably be similarly prosecuted, similarly
convicted. and the final effect would be
similar, too. No, the play may have
caused an abatement or solitary confine-
ment in English prisons, which is a bless.
ing, but IL goes far deeper than that. The
solitary confinement scene, in which the
poor boy goes half mad, is, in fact, the
least part of the play though IL most
rasps the nerves. Ii is a quite terrible
indictment OF all society, of the whole
penal system To a thoughtful spectator,
there has been no play In recent years
to cut so deep and seem so deadly true
and real and in the highest sense inn
portant.
OF course, what is most cutting and
disturbing in Justice" Is Just what works
against it's popularity most severely, and
what causes the most perplexity IN the
average spectator, trained to check his
brains in the courtroom. It Is the irony,
that sort OF cOsmic irony which Brown
ing saw and Thomas Hardy built upon
the mighty structure Of his novels, Here
is poor. weak, decent Faiderj 23 years
old on a clerks salary, IN lbve with a
poor, weak, pretty girl who Is married
10 brute. she comes TO him, hall ehoked
sp..ti.,.as ~, p. -.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
The Man Who Paints
His Scenery on the Floor
Joseph Urban Our Most Distinguished Stage
Artist, Tells How He Makes His
Mimic Worlds

-,oR those whose despair is the stage
Of today, and with whom dramatic UP.
~, ranIss ahead of prohibition and pre-.
.arsdness. some measure of relief is af.
tordsd nv the fact that, in one respect
.cane painting-progress has been unmis-
.stable. The phenomenal developments
in this field are due almost entirely to
one man--Joseph Urban.
Afr. Urban is an Austrian from Vienna,
.rd was educated as an architect. He
soilowed his profession for 12 years be-
fore he started scene painting. Then he
came TO this country with the Boston
opera Company. He painted it's sets for
three seasons, and when the company went
bankrupt he was left to shift for himself
rhen he turned to the regular stage, and
,odav he is virtually in constant demand.
Then he turned to musical comedy and
Ma first production was "Ziegflelds
RALLIES" now playing at the Forrest.
aI paint on the floor" says Mr..
Urban. At times he will speak of his
work. ~ do not paint on frame. [ put
NV canvas down, and 1 walk around. The
result is that I can see the whole of my
palnting as l work, and not Just the small
mart in front of me.
II paint for light effects. That is, IL
want n green l do not paint fiat yellow
and then blue on top. l paint the yellow
separate and the blue separate, in a sort
OF lattice effect. From the distance 1t
looks green, but the quality of the color
is dependent entirely upon the light. A
warm light, and 1t brings the yellow out
a cold light, and the blue comes out. This
color quality would be impossible If 1
painted the blue on top of the yellow, like
house painter. 1 never mix colors. If
want purple, 1 put the red beside the
blue, but never on top. like best to work
with deep blue, orange and emerald
green.
my second point Is my plastics
am an architect and ] build solids That
% the important thing for the builder of
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

settings: To know where to put plastics
The rule is that whatever the actor comes
in physical contact with must be plastic.
Whatever his hand touches must be solid
His hand casts shadows. and the thing it
touches must cast shadows, too. There
fore, 1 paint where the actor Ia not, but
where the props are l build always plas-
tics.
so much for actual construction. For
merly the stage manager called in the
scene painter and told him to paint SO
and so, with door here and a window
there. according to his fancy Not now.
must nave the book. | read Il through
ana then | begin, not the stage manager.
We work in conjunction. The stage man
ager sees only from a business stand
point, but 1 see from the standpoint Of
mass and line and color.
Another thing: My drops and plasttcs
are Tor one play only. They are never
used again
The actor must get used TO this kind
OF scenery. There must be a rehearsal
under my supervision. The star must he
taught how we play our play. When
was with the Boston Opera, sometimes the
star would arrive only few hours before
the performance, and just look around on
the stage. But now that cannot be- The
star must come "a hours beforehand and
there must be a rehearsal She must be
lifted to the play, and not the play to
her.
You will notice that my columns and
designs are always given only in de-
tail. This is so that the actor will not
appear out of proportion Simple as arc
my decorations, and clear as are NV
colors so should be the acting of the per
formers. | have observed that Il strong
individuality fits well in my scene, where-
as a weak one will gaze around and not
know what to do.
"All of the designs are painted free
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

clubs and educators have resulted this
winter in the amalgamation of the various
forces into the Juvenile Motion-Picture
Federation.
There are three departments of this
federation. one. known as the National
Juvenile Motion Picture Board. is headed
by Mrs. S. T. Woodland and is an out
growth of the Motion Picture COMMITTEES
of the Horace Mann High Schools Parents
and Teachers Association. Mrs. Woodland
and her associates were instrumental last
year in establishing n large number OF
childrens matinees at outlying and down
town theatres. This year they decided
to lend a helping hand to the women
Confinued nm Paro Foup
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

ance. is astonishIngly subdued to the SOM
bre, drab, pathetic color of his role: and
he Will as bitterly disappoint the matinee
girls as his sister Ethel disappointed the
men when she played "Mid-Channel."
Furthermore, the new managers went
to headquarters for stage manager and
secured b. Iden Payne, who staged the
play for Miss Hornmann in Manchester,
unue. the authors own direction II is
perfectly evident that Mr.. Payne has not
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
ARBUCKLE-ACTOR AND ARTIST, TOO

ing caricatures of the quintet. He de-
lights in nothing more than in caricatur-
ing his own rotund figure and jolly fea-
lures, and the choicest gifts which he be-
slows upon his friends are these cartoons,
Mr. Arbuckle has certainly been able to
see himself as others see him, and a little
more, for he puts humor into his own
view of his physique that is very highly
priced by the possessors of the drawings.
In THE New Henrietta" Mr.. Arbuckle is
playing the worldlywise cleric. the Rev.
Murray Hilton, a line of character en-
tirely apart from anything in which he
has heretofore been seen.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

NIACLYN ARBUCKLE. though he is a
IKI scotchman by descent. has cast to
the winds Bobbie Burns axiom:
"Oh wad some power the giftie gle us
To see oursels as ithers see u.s."
Mr.. Arbuckle has an immense sense OF
humor and great ability as n cartoonist.
and he misses no opportunity to lampoon
himself. as we'll as other members of the
hve-star cast. his companions being Will
liam II. Crane, Thomas W. Ross Amelia
Bingham and Edith Taliaferro. by max
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
A MOTHER, A MAYOR AND A MAID

She is Helen Louise Leonard. yclept Lii
liam RUSSELL yclept Mrs. Alexander p.
Moore, who has returned to the stage and
appears at b. T. Keith's Theatre next
week.
Miss Russell has the mayoralty germ in
her blood. When her mother stood for
election in New York, Belva Lockwood
was running for the Presidency, 1t was
the cradle days of the equal franchise
movement, but out of that cradle came
the fair Lillian-the fair Helen and the
other fair ones of whatever names, in
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

IT WAS in 1888 that Cynthia Leonard
l ran for Mayor of New York. the first
ana only woman who has actually gone
before the voters of the metropolis and
asked thCIr suffrage for the highest office
IN the Eift of the municipality.
IN l9lI 20 years after this interest
.ns event Cynthia Leonard's daughter
may be candidate for Mayor of Pitts
pursh. Now, do you know who Cynthia
Leonard's daughter is?
or course you don't So let us tell YOU.
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11

Continued on Page -Four
Evening public ledger. [volume] (Philadelphia [Pa.]) 1914-1942, 1916-03-11
By WALTER PRICHARD EATON

by WI EN- TNIOHNND EAIUN
GALSWORTHY'S play, Justice" has
VI waited six years for professional
production on the American stage-waited,
in fact, until the new managerial firm of
Starting their career with production of
"Erstwhlle Susan" with Mrs. F'iske as
the star, this new and hopeful firm have
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1916-10-23
(enaen aIeela glndlfnLner.

gSie IN 9rooflpner areiieu Der.
laltet, bat g8alter SenrD 3ot6peQ,
Der ii9 ini lebten CONNER ais Better
oes o@iOic 0rdeitra" einen 91onlen
madte beeriinoete 9lnsiic6t ser
g1adfolger Gugen Slices ais Tiri.
gent Der 9roofIpner n9(rion" 5u per.
Sen.
aot6uea, ser i9on Dor Sabreu
cine pielocriprebenoe 99em g)orfer
@iulifgr0Be ipar miiroc oird cine
epcnhIeae @obl gum 0irigenten oes
boGongciebeneu 9rootlpner GIeioug-
Dereins Dem DelItidbt6um nod nG6er
geriidt meroen.
@r lit betnntli6 jo6reIone all er.
item 9u6nen 3eiltI6Iono's ais sea-
peameiiter t6dha geweien umo per-
binOet cine ousge5eibnete nmIifali-
itbc 8eid6iolma nit tieiariinOlibcn
9enntnilien. Gem ,9lrion" mGrc 5u
elmer @obl &ot6wea'S nur 81 era.
tuliren.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1916-10-23
9yiir elm 6cimaetranf.

Qos bon Geo. @iintber ae6roiite
Bier lit Oos bette. @iele geurtbeiIer
bon @ier crfldren OoB es ireeno Ell
mem erItfloiligen muSIdnoiic6en @ier
glei6tomnlt. @eraoe ooS Dina fir
oen 6omiIicngebroud. SSeines g[ro-
ma better @eldmnd lmo icbr na6r.
frdftig. Direft bon oer9rouerei our6
ole neueiten @loibiueu obaefiiut,
moour6 ougenieine geiubeit gelibert
miro. aiite 81. Ebone: @oIfe 90.
(Suni1S,1&i@o,Oo) (9Ino)
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1916-10-23
SIR SaS 0mtterIGafts-S -SOTpital.


Die Gomen.9cb0roe oeS Wlltter.
idaits-Soipitals, 9lr. 112, 9loro.
Gal6oim-StraBe, miro am 8. 30
Uember 8lm 9citeu ocs SoipitolS
cine EbcatcrOoriielhlng in Der ,,WAl.
iif,9(fa0enie~ obbaIten, INN @elOer
fir sic grmeitering ser 9lnitalt ali-
5ubringen. Dic geboroe 6eltebt aus
iolgeuocu Ganen: 5rou Sarab Wla.
bool Grimes, @rdiioentin; 3rou
Grmo &oi6aQ @ice&rGiioentin;
lSrou 9. q. Nluie. Sefretdrin; 6rau
Sobn @ropeS, SHatmcilter; }rou
s. 3. glpplcbo, 6ran Charles 9etts,
6rou Q. 6uruib, 8ran So6u @ooic,
tSrau ". u. &crpcL 6rnu u. So-
bliBcIl sSrl. $. u. &omaro, ,5rou
3. $. SmnillS, Srdu ". 90. Smings,
SSrml 8. z. Gtarr ,Sron q. @.
Scim 6rau So6n Grottcr, 6rau 6.
2. Ban Sort uno 3rau 9. @an
@illiams.