Evening star., 1916-04-02
LAW AND ORDER IN INDUSTRY BY

the season provide an outlet. and if one
f; follows from place to place perhaps
/ even a better idea can be gained OF
| current output than would be possible
/ in single much larger show. The
academy remains open until the 23d OF
April. and while not as interesting AS
. 1t might be. has much to attract at
itention.
In the center of the long wall facing
the entrance in the Vanderbilt gallery
| hangs Emil Carlsen's beautiful picture
of Moonlight on Calm Sea" to which
the SaltuS medal was awarded, and
| nearby to the right is to he seen Charles
Rosens painting, entitled winter Sun
| light" to which both the Inness gold
medal and the first Altman prize were
given. To the left is painting of still
| life. some Dutch bottles and jug, the
work of Dimes Carlsen. Emil Carlsens s
son. A lad of not more than twelve, yet
so admiral bly, rendered that 1t not only
caused remark. but straightway found
a purchaser. There is an odd picture
here by Robert Spencer-a picture of
the backs of tenenents on the canal at
New Hope-homely enough. vet so well
pa inted that it takes a tenacious place
in She memory. Hobart Nichols has
two paintings in the Vanderbilt gal
lery, and his daughter Hildegarde has
one-a picture of fruit and flowers. 1t
| scapes by ]. Francis Murphy and Bruce
Crane are to he seen. as well nota-
BILE figure study by J. Alden Weir. pres
ident of the academy. and an engaging
marine by Howard Russell Butter OF
Princeton.
In the center gallery with the paint
ings in oil are shown over one hun
dred miniatures selected and set forth
as an annual display by the American
Society of Miniature Painters. In
ri nd or z, r.
garet Foote Hawley, Laura Coombs
| Hills. Lucia Fairchild Fuller and Ber-
! tina E. Perrie.
At the end of this gallery hangs a
very impressive painting by Horatio
Walker. q large canvas picturins a
swine herd pausing with bowed head
before roadside shrine. 1t is dra-
matte scene. There has been a storm.
the sky is still clouded. the ground
wet. Il rainbow breaking through the
rain clouds slorifies the figure of the
crucified Christ. and both the man and
the lad who tend the hogs pause and
bow their heads in devotion. Such a
picture as this MiIlet might have paint
ed had the subject presented itself to
him. Millefs color, however,
rule warmer than Horatio Walkers $
and his brush strokes were less clean
cut-the spirit is the same, but the
personality different-it is a matter Of
style rather than thought or feeling.
To the left hangs very striking and
enga ging landscape by Chauncey F.
Rvder-''The Hills of Lyndeboro-
big thomc simply and finely rendered.
/ To the right hangs Il painting by Ken
Won CoX-"Truth''-a nude female fig
Ure holding up Il mirror, beautifully
painted classical. chaste and without
emotion. Continuing the journey of
discovery and inspection. one finds in
! this gallery painting by &. Y. Turner.
the mural painter whose easel pictures
are few indeed. This is entitled TN
welcome News and represents an old
man in shirt sleeves looking UP from
his paper and pipe not with a Welcom-
ing smile. but scowl toward an un
seen Intruding visitor.
Charles Bittenger and Everett l..
Warner are both represented III the eX-
hibition. ono by figure painting. The
Sisters. the other by landscape,
"Roadside Birches. These works are
hung in the south gallery, wherein is
ais" to be found a very pleasing pic
ture by William y. Ciosson. Three
Friends
In the academy room some Of thu
best WorkS are to he seen. and here
! William II. Holmes painting. THE
Wanderlusters at Rest" has been given
prominent place" Mr.. Holmes is better
known AS water coIorist than as a
painter III oils. but he handles the lat
ter medium with holh skill and inGi-
viduality. The Wanderlusters" was