davidaulloa/AmericanStories huggingface dataset:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
REWRITING THE PLAY.
Emotions Of the Author " no
WARNS IN an old Work.,

c. liaddun Chambers told "A Sun re-
porter tn" other day how 1t felt to
warm over an old success Just as he
has done in the case OF 'The Great
Pursuit" wh.cl! :r!ci Ger = second tn-,n
of popularity. although II was long
enjoyed in its original form as The
Iilcr.'
Mr., Chambers said 10 the reporters:
Two years ago Charles F.uhman
Invited me 10 revive The Tyranny of
Tears at the Empire Theatre. | APP
preached the task with some trepida-
ton, as the comedy vas then nearly
fifteen years old. and | feared that
! might find when | came 70 rehearse
i, that It was beginning TO show signs
OF axe.
an this respect. however. I was
a~greeahly disappointed. We found at
rchearsalS hat in thought and tx-
preSsi,n the romclv "a quite of toe
day. and this Judgment was Happily iu-
iurScd both by IL" public ana the
critics when the revival Juuk place.
" tar as | can remember I Found only
one passage in the play which | feared
might b" ous d,rci Old fashioned
that Of the last scene in which Nr.
pdybnO'V delivers a. his weeping wife
something in tho nature OF 81 lon..y
on tn" cat and dog life. This | fclt
vISc to rCWrIto To u considerable en-
rlt. with rcnursclcss enthusiasm 7
carved large chunks out OF pdrburu's
long speech 'inst a little, If I remember
rightly. to the dlsnay Of that fine
actor John Drew and succeeded in
evolving IL dramatic episode that was
certainly more human II less d!dactlc
than my original scene,
when, some weeks ago, Joseph
Brooks invited me t. revise The ldlcr,'
I found myself faced by Il very diff
'"ront and much more difficult task,
The ldler' was at least "A decade older
than The Tyranny Of Tears Il rep
resented my second attempt al play
making--thc first being Capt. Swift
Il was written tw~cnty-siX years ago
"hen | was scarcelv more than a hoy,
Indeed. 7 was known mt the time and
| for some years aftciward as the boy
| ,ramatiSt The play was received on
- original production both In Lon
an nj the - Jamcs's Theatre and
Nov York ~ the old LyCeum
"heatrc as n satisfactory and suffi-
ou'l, nodorN work and enjoyed
great popularity, II belonged to the
then comparatively new school known
= DRAWN N drama and it's new
ness, | suppose, consisted in its struc-
tural and even literary improvement
on the old school of frank melodraina.
"Wc!!. At Mr.. Hr"nks's request I read
ana considered the old play, II | don't
think ! was surprised To find that In
regard To the wearing qualities of stage
! plays the difference in a decade may
be the difference of a century. II was
not only that | found alive n kick
Ing in the manuscript traditional de-
vices that have died In the meanwhile
an almost violent death, such, for cX-
ample. rs the convenient aside and
the explanatory solilouuy, hut What Is
even moro i'm ortant, the mUur ~ tx.
preston seemed archaic and tho idea
of humor gray bearded. Other times,
other MANNERS, Is a saying which Ia
being applicable to human life, Gener-
ally IL obviously equally applicable to
the DRAMA which affects to reflect hu-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
RELIEF FOR FRENCH ACTORS.
Albert Care Writes 10 r. T.. Wells
Here.

a letter was received yesterday by
j. Tileston Wells, secretary o. the
Helief Fund for French Theatrical
Artists. from Albert Care. the official
head of the Coincide Franchise. who
~ also the president Of the Associa-
ton or Managers of the Paris Thea.
tres. which reads as follows:
ASSOCIATION BIS p~IHvCrErEs DE THEATRE
pE PARIS.
PARIS. March Is. 1916.
DEAF SIN: I received vulr Kind Ie,ter
OF February II and communicated Its
contents to the members Of our assoc
citation.
Likewise at ono OF our las, meetings,
We received a visit from Mr.. Bogsiano.
who explained IN dotail how the New
York committee had been ORGANIZED. and
that ii was adapted 20 American methods
ana had been formed at our request,
our association thanks Mr.. Bogxiano
Tor hav.nS pnt W in touch with you and
YOUR associates and voted L., cungratu.
lations and hearty thanks % the Nneri-
can committee, and especially to Mcssrs
McNlckar, tott.l,t, Murray y. Cogre
shall, Trowbridr" and yourself.
Slhcc meeting "e have been busy
with the double proJr o. prepar.r.g
an album of theatrical urt.s and M
Rodi1 medal Bu,h ar. IL Il rood wa
to completion, and we hop" to write vol,
soon a fun description or both articles
We further decided to ask the Tn,on
81 Arts. Of which the prcs.lcn; Is Mma.
Rachel Boyer az The Com.l!c Flanca!se
tho rice-pr,s.lcutr, Mines Ruitet. Le-
conic iud IorrN. LN,N.>g e the Cuned,e
lrdrra'Sc, ana the honorary presidents
az which are MN. Ii,g:. L.tvodar and
Maurice DoinaE Of the French Acad-
envy to give Us their support, which has
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
WHERE TO DANCE.

The XicGfcId Midnight Frolic
still continues to keep people up
night, but it mt least amuses
them. winch may compensate
them Tor the loss IF Sleep. VIII
Rogers stlll provides most of the
fun while Olive Thomus may he
relied upon to hold up the stand
ard of beauty.
There Will he aunthCr elaborate
cabaret programme tonight at
Thomas liealy's rc.taurant. The
Ford Sisters, Boyle and Brazil,
the Hawaiian ~ScrcuadcrS and
others will appear and there will
be dancing for the diners.
The Hawaiian Room il still
crowded every night NJ Reisen-
weber's, and "llow Are YOU" the
miniature musical play. continues
to delight the audiences.
1.-THE Midnight Rcvel' will open
NJ Castles in the Air and lee
Palace on the Forty fourth
Street Theatre nest Monday. r
promises to be n of the most
Wl,IlllEl4l elltllIlN-
ments in the city. There viii be
ten special features, IN the cast
of principals r Tempest and
Sunshine. recently Of "Stou.
Look! Listen" Fcjiv Adler y
Robins of "katinka"; O'Bripu
and Harris who Will present g u
sational dances; Burke and Grace
and the Nottcntots, who were
the sensation of the Winter Gar
den in Berlin, Another feature
will be a nightly fashion show
under the direction of Philip Yer
|! non, in which twelve manil;:na.
will appear in the designs of
American and Partisan dress
makers. The ensemble numbers
will include thirty girls in novel
songs and dances. The nightly
exhibition of ice skating, which
in the past has been the attrac-
ton of Castles in the Air. will
continue as usual with Gladys
Lamb, Noryal Baptic and BOBBY
Mclean a principals. Tho music
of tho revue has been writ
ten by Harry Carrr' and the
lyrics supplied hy Ballar' Mae
Donald. The staging and ueures
have been put on under the dlrcc-
ton of Edwin I. Emery.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16

quaintancc at the point usually at
tanned by English people after thirty
years acquaintance when they are
capable OF reaching it at all. She
pounccs gcnially on Drinhrdtcr.'
"lf a woman must he maternal to
~ That description, then confess that
I don't understand English; unless by
maternal Is meant that all pcrvasive
instinct in any womanly woman that
leads her to be friendly toward any
human being that isn't too repulsive
and the minute she gets an opportu-
nifty TO take charge OF that beings
lfairs.' But a woman doesn't need
. he gray haired and sit knitting by
he fireside to be maternal in that
sense. Watch n pretty girl of 16 boss
some one who's devoted to her. It's
, merely feminine instinct To take ad-
vantage of sex. She uses that advan-
.age in different ways, according TO
the person she's managing.
"L0dU CicclU. having discovered
that by a smile she could make men
DO what she wanted. i~oCrr-i tia
| D%rinkWnter. the sailor, must have a
bath. She made the captain OF a
| cruiser give the decision she wanted
by waiting on him. hy complimentary
his uniform. And she took Captain
RrdssbOund'S Goa 10 sew a rent In
the sleeve, while she lccturcd him on
his tempe. l'cncnth her hlandish-
lncnts, YOU see, Iddy CicClu was wha;
Sc sentimental Tommy called 'magcrrril,
| hut she succeeded So well because she
WAS not only tender and humorous
but very good looking, And she
traded upon hcr scN IN the most con-
| scienccless way as nice girls do. The
Sheik wanted tn carry her off, and the
| chances are that If he had she would
| have made him marry her. She could
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
The Actors Fund Tonight.

Daniel Frohman says that the
benefit for the Actors Fund to-
night will be one of the most
elaborate ever given in New
York. Since he has been in
charge Of 50 many affairs similar
TO that at the Century Theatre
tonight he ought to know. 1t
seems TO Us that any programme
which simultaneously offers Jack
Wilson and Sir Herbert Beer
bohm Tree must be some pro-
gramme.
There will be nearly four hours
Of constant entertainment and
the programme will include the
following list of attractions: Miss
Elsie Janis comes from a distant
state to appear in a new selec-
ton and unique dance and
Marie Dressler will appear with
her song entitled "Le Ballet
Russe,' which was a sensation at
Mr., o. II. p. Belmont's recent
opera. Sir Herbert Beerbohm
Tree and Blanche Bates will also
appear, and Nine. Nazimova will
present a dramatic sketch, as
sisted by Charles Bryant, George
Probert, William Hasson and Ar
thur Hurley. Kitty Gordon and
Jack Wilson will present a novel
act, and there will be a selection
from the Metropolitan Opera bal
let. Ada Meade and the male
quartet from "Katinka," Lew
Brice, John Hazard and Ada
Lewis will also appear. There
viii be a fashion show of new
spring fashions rendered by
Twelve beautiful models. Barney
Bernard and julius Tanner Of
IN" Potash and Perlmutter"
company will appear as enter
tainers, and "A feature of the eve
ing will be the temperance Of
Edna May for this occasion, in
connection with the twelve great
song composers, who will render
Their selections ON twelve pianos.
bsP.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
A PLAY A WEEK.

The Standard Theatre will
show "Under Fire." the war play
by r.. C. Megrue which William
C~ourtenay acted SO long at the
Hudson Theatre earlier in the
season. Violet Heming Is still
the leading actress. There will
be a benefit tomorrow night for
the staff of the theatre.
: There will evidently be no end
to the extent of society which
potash and Perlmutter in So
ciety" will cover. After spending
a week on the upper West Side
at the Standard Theatre they
have this week moved up and
over to the Bronx Opera House.
GLASS; amusing farce will be seen
there this week.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
CAHiLL. .
IN THE MELODY OF MOUTH

would not be able TO act hat part
well. In the first place. the editor
knows nothing about what has hap
pened in the play. The audience
knows that the reporter is the CO.
respondent because it has seen her.
and the wife knows it because the
woman has confessed IL to her. The
husband knows 1t for the very best
reasons. Consequently all the charac-
tiers that appear in the last act Of the
new play at the Booth Theatre are
in the know with the exception OF
the man who IS in love with the girl
and hopes to make her his wife.
So he holds the attention Of the
spectators all during this last act
as no other character in the play
does. He is the apple OF the audiences
eye. And this Is due to the anxiety
of every maj and oma on the other
side of the footlights 10 See what
his dcmeanor viii be when he hears
that tho girl he hopes to make his
wife is the very correspondent for
whom h has been sent out to search
for by the newspaper.
1t is ~ OF such skilful conditions
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16

But even twenty years ago the play
al the Empire Theatre contained no
such villain as the s%aturnine and
vicious orderly. WHO il really il sti fixing
and vivid II somewhat reactionary
figure in the play. II is a little diff
ficult to reconcile him with the thea
ire OF the present day. 1t is difficult
for that matter to reconcile much in
Rio Grande" with the latest devel-
opments of the theatre In any coun-
Mr.. Thomas has not pbeyed so far
as their letter is concerned. 1t may
be that he has gone contrary to the
wishes of the audience in making his
heroine cling to her oldish husband.
Does the public desire 20 see her mated
to the young Lieutenant rather than
restored to the man she has married
under a mistaken Interpretation OF
her dying fathers words?
II may bc that tho playwright has
erred in this point, hut there Is as
surcdly no other prccaution that he
has neglected. In order "a Gus the
sudden death OF tho Colonel we are
made to realize that the first aid kits
are useless in almost every y on
account OF the inferior quality sent
by the Government. So when the
Grcascr slips his knife into the
Colonel's midriT it IL plausible that
he should die, since there is no i'm
mediate help that his associates are
able to administer. The insolence-
the incomprehensible in~solence-of the
orderly I'm the first act prepares the
audience for his more heinous crime
later. Throughout the play there
seems TO he nothing that the man
darlns recommend which has not been
supplied by the careful author.
Everything is there that the author
could supply but a sense OF vitality
and actually. The emotional quality
OF the drama Is ~'singularly dry. There
are in spite of all the careful observ-
ances Of the rules few minutes of
emotional stir. Have the formulas
been worked out? Taken in considera-
ton with tho great success OF Jus
t.cc," which ts filing the Gambler
Theatre to overlooking and yet violates
every rule Of playmaking, there seems
to have been a change Of some charac-
ter In the public mood.
There Is nothing in the play at the
Empire Theatre so entertaining as
the married couple. Mr.. Thomas has
drawn with engaging humor the char
actors of tho devoted husband and
wife vino Jar IN the accustomed way
and minglc their affection and aspcr-
ity in u style Convcntionally supposed
10 lie common to all married couples.
Not only has the author sketched
these two characters with delightfully."-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
KING LEAR" IN CHELSEA.
Neis hbOrhOOd Performances Oi
shakespeare TrngeL,.


s""k"sp"nr"'s Tragedy.
Taking advantage az .hn sh,lo-
spcare ;ercentenarv as an ouuortuniry
for testing the need for , uc~il-hAorLo,,
playhouse In the rhoIs., d,.tric,
Fourteenth TO Forty-sscoud stro..
FIFTH ayonuc 10 tho Hudson ,rvsr ,bc
Chelsea Ncighborhood tssocL.ticn. no
West Twenty-third street. begins dur.
ing the week of April 81 a s,rics n,
ne~ishhorhood performances of .I>ir-
Lear" by a group of prnfessiona, ac-
! tors especially chosen for tho occ,.
sion.
Duncan Macloural, OF the Now
| Repertory Theatre. London Is Jir,c,.
in, the production and viii play .h,
part o: the king. 4 profound s,,idcn.
OF the Shakespcar!ln drama. no de-
| clarcs that IL Is n,iit, uos.,h,. ,o hr,,,
home 10 tho great masses or raon,c
| the plthos and comedy os Ic,r"
and the Chelsea undertaking has ,,oo,
, p',rred ., -carb ,l,us.,ds u.bo r,ro,,.
II eyer haye visited rho ,ho.,-a L,o,.
| o: the five performances arc IN n.
presented IN .a,,isn,cnts a,1 cbrrcbas
IVES. of Eighth avenue in ,hc henr,
Of .hc ,hickly Formulated W.s, Side
' Only % cents n sea, win 10 ,h,rr.,
So as to place the pcrform.uco within
reach of All.
C;cpr-o u Wiur. -ocan,'y v,i,r Jnh,
Richards S~bak.sre1rinn conn,rv vii
MAY the KIM M Franc, nuJ rrstus
Dn.neck.. a Dartmouth gradual. ono
of TIN. iucr,,.iur numher of co,,a,a
men entering The fold az serious dra.
matte e~Ylcuyor viii act ~, mart of
tho Uyl, nj coyu,ruu 1aras WaI,er
vii, aune,r as the r,y, n, E,y, Va
racticu. r,,-a, p,r.or who r,s
speut a lifetime In the profession an ,
ia veil known :, stock comr,nios n,.i
! ON tha road uiI, nortr,y ,bo Far, ~,
! GIos,,r C5o,r Tho SON of GIost.r
will he p,von hv pbilir To,,a v.,,o n, :
| n member or sir Henry Irvirp's com
r,rv ana r,,yo1 ,rorj,or, ,ar,s ui,,,
s;r Iobr.,o, tnrhos-pnl.rtsnr 81
,J.rhnr, r,ran ,,a H. T. y r,,so,
Sb~ako.ro.rio, rn,nr,r, c,r,, ha ha,
,.,t Two rnclish stono IN ~. o,,,r-
,ry ruler ,bn n,,,r.mcn. ~ coor.a
| 1'yIer T,ur-a created ,,xc mar, ar T,,J.
/ dIc. IN ri ~ liza" .r,
p,.y I, ,l, u,r ,I., .,,.,,,h. ~,
I,,. ,,,n ,nr,,,.J ,,,,n .ho p,r c,,a,,
,,, ,bis .r,.nr nI,,od l,,,i. Ia ,ho
"pn,,,, ,,a L,,;,," ,,o.lu.,t,, rn.
,,., .,,, ,,s, H.. la r.,,r. ,L,
,,.iit ,,,, ,,a ,,,, -, ,,5.,,J son, =,
,tny,c, r,s b,or Vim N,.,,ro, An
.,tin and Ia. b,. ,i., ,,r",rrI IN
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
BIZ LAWRENCE REAMER.

CTb dcl-ht once more IN the per-
i,uIs practice Of trusting to
memory, did not the school
master n "Bllloc Taylor" complain
IN song that he Was such an unfor-
tIndte villain, a Bcrsia born out of
tino that there was never a plan
for some poor wicked man TO commit
q terrible crime? There could be no
such complaint from Bill Hccht. L. S.
\, and orderly TO Col. Barnard, sta
toned nj Laredo, Tex. He was a villain
SUI as the contemporaneous stage has
rarely seen. Then he has every pos
shle opportunity for the execution
o. his purposes.
This villain in the first act Of Rio
Gyanln' leored at his Colonel's daugh-
Ter and ioked about her bathing suit
calling ii lou bathing suit" 1t was
not Unt!l the third act. however. that
he came with the added audacity that
The knowledge Of her guilt gave him.
lie dl not accomplish all that he
sought her out for. 1t was in the
last act that he met his fate through
q hu!.o, from his officers pistol. He
might have been killed before by the
young Lieutenant who was also in
love with the Colonel's wife had not
his friends urged that scandal would
follow. But the Colonel ooh no heed
Of that possibility.
History repeats itself. After tho
Intruder had forced himself into her
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16
i've THoMAs N THE ZIEoFeLO MIDNIGHT FRoLIc

hold the heroic tainted. She spent
the next act vita her hand to her
head wondering Wat had happened.
Who has forgotten Viola Allen pass
ing through exactly the same emo
ticnal crisis in The Conqucrors" when
Paul Potter's amous play was given
at the Empire Theatre? She also Won
dUred what had happened. 50 after
more than twenty years tins same
scene is repeated on the stage Of tho
same theatre. Thus do the cycles of
the drama rcappear,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16

these roles. In fact there is li.tle
about the play at the Empire Thea
tire that does not seem To be skilfully
contrived. There is plenty OF method
about it. but precious little Illusion Of
life.
There has been nothing on the local
stage so brilliant as the acting OF
Marie Tempest in the unfortunate at
tempt TO resurrect Haddon Cham
bcrs's THE Idler,' which was given
under the name Of THE Great Pur-
suit" at the Shubert Theatre. She is
surely the greatest comedienne OF her
day. In the English language she has
not her equal assuredly. Then she has
the exquisite finish of .he most ac-
complished French actresses with the
spontane!ty OF the English actors Of
he best method. Sho bubbles with
the most irresistible and piquant fun
all during the very adroit scene of tho
second act. which Mr.. Chambers has
devised for the actress. She IL n
woman OF fashion with two husbands
already out OF her life and with the
earnest desire 20 acquire a third who
will bring her - financial independence
which tho two others wcrc unable
10 assur her. II happens that her
old friend, in whose house she Is Il
lions OF a certain desirable IL elderly
pdrti. Tho same has been faithlcssly
devoting himself to the widow of two
husbands.
So the humor OF the scene between
the two develops delightfully."-
when the boasts of the widow arouse
the jealousy Of her friend. Miss Tenn
pests comic horror at the distress
of her friend is quite the most de-
lightful acting that the New York
stage has witnessed this winter. She
holds her audiences In happy thral-
dom during every minute she spends
o. the stage.
Miss Tempest has not always been
happy in her choice Of plays. 1t is
as much the misfortune of the public
as 1t is OF the actress. since with the
appropriate opportunity there can be
no more satisfying artist to the con-
no!sscur IN good acting than Miss
Tempest. Mr.. Chambers has written
a scene which shows the talent OF the
actress at its best. Could he not write
"A play that would have the advantage
Of displaying the charm and skill OF
Miss Tempest throughout a whole eve
ming? Some playwright ought to do it.
There is n wonderful character for
an actor in The Correspondent" He
IL tho managing editor addicted to
an English manner of speech and fire.
qucnt changes of dress. Norman Ire
vor happens to be n skilful actor, but
We would like 70 So the man who
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16

iN"rHe

that the good parts for actors are
made, although they never seem to
realize 1t. Mr.. Trevor might have de-
claimed for hours and gone through
all the frenzies possible without cre-
ating in the audience anything like
the interest which was aroused by his
ignorance Of the actual events in the
presence of the knowledge OF the other
characters. Out Of such careful build
ing UP OF scenes are good parts made
for actors. not out Of words nor Of
deeds unless they are placed with the
same respect to their values.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1916-04-16

natural humor but they are well
played 10y the two actors who have
these roles. In fact there is l!.tle
about the play at the Empire Thea
tire that does not seem to be skilfully
contrived. There is plenty OF method
about 1t. but precious little illusion Of
life.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1916-07-09

Oie Wlooeu in Commentator en-
ideinen pie cine ME enoen0e Seric
bon 9eeubeiten ,iopobl in gesue mIf
%oterial, mie in 6orm uno @roke.
@ieneitt iino oie fir Sotiommer,
trod)t beitimmten oie onipreheiioeren,
oa iie 70 pollfommen ueiblidl mirfcn
8eionocrs gilt oieS bon Siiten, ste
fir @arienfelte beitimmt iino, Fiis
SeeItrono ODER 9ReitaIrorttroht gIn-
ober Spite rmo 9leb in 0icnaiiiantes
It'll fin0gn oibcroroeutlid Oiel Pin.
flonq. 5port6iite in @onomo-Strcb
oelten fir beionoers moOiib eIegout,
rno peiien in Ser &egel Elm SIb5eiden
in Der @ornihr ouf Oas ouf oen
9iebIinqsiport Der Srdgerin idlic-
Ben ldbt. @anoa.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1916-07-09
RIms Dem 0aeidbe berNOaDDe. !.
u c N q orf. 6er 28. Siuni.


MoS tonnte einer 6ror groBeres.
Dereniieeu beraiten, ais an berrliden
SonuHermorgeii iih in ibrem @Grt.
ben, ooer aud MIR Dem 9lniot an eli.
nenr iolAefi, 3il bei9Gftigeii, Ole See.
te bonn llufraiit 5u reinieen, iDeIfe
@ldtter 3lI entiernen 5u gieBen, oic
@ege al beboden. Dies 9llles Iino
feline ibperen glrbeiten, babel ai5t
es nihts, mos ole @jeiimobeit beIIcr
ioroern fontte, ale oieie leibte @e.
Iddftiglng IN Der freien itGrfenoen
W2orgenluft, nno nidts, mas mc6r
Befrieoigung eep1bren fonnte, oen.i
Ole 8etreffenoe bat ben eon5en Sog
iiber oas Geiultot ibrer D}iibe Dor
glugen inO fam ibre 6reuoe oarn
baben.
"a man ober Bel oieIer BeIddfti
giing mebr ODER ipenieer oen fritz.
iden 9liden Der lieben 9eadborin
ousgeieBt 1T, 70 ereibt iib oie 9lotl.
ipeiioiefeit elmer entIpreHenoen alei-
oung, Oos beibt elmer iolben, Ole ne.
ben Der 8ipednidBiefeit oudD Elm net.
tes glusieben t'erbiiret. 9lud bier
Bat sSrau W4o6e nitn. ipie ouF ieoem
onoern @ebiete, oiifs 8elte borse.
iorgt. Die fir bieTen 3ped oFferirte
,,glusriiihng~ beitebenO aus @leio
uno 6n3u poiienoem Sut lit 70 biibidl,
6oB bisls sSrduen nrb U}Gbden oieIer
au 9iebe ihon iif DeronIuBt fiiblen
0iirfter, ibr @1rtben ielber in Orb
rung az bolten. Ginen ipeiteren @cr-
aug boben Oieie &leioer, onB iie fiibI
iino, neil olts 2einen oiieefertigt,
imo IoIe bequeme 2inien oiifipeiIcn.
Die boiIe 9etpegungsfreibeit eeItot-
ten. 0oB Die aleioinnifeit babel nidt
ou fitr5 fonlntt, broii6t uobl fnml
eripdbnt 81 iperOen
@s IGBt fld fount ctte biibibere
aleioung fir ben IN OieOe itebenoen
8iped oenfen, ols Oos in itirerer err.
iten 9lb6ilOtirg beromdaulidlte Wlo-
6en. Ssyt einent Der forbenreiGen, ia.
poniihen @drten geiebenL ipiiroe ons-