davidaulloa/AmericanStories huggingface dataset:
The sun., 1916-10-01
BUSY ALICE BRADY.
Life to Her IL Just One Film After
Another.

Alice Brady will not be seen upon
the speaking stage for some months TO
come. Miss Brady has recently De-
clined propositions from Conan & Har-
ris. Oliver Morosco. John Cort. the
Messrs. Shubert and other producing
managers. including her father. Will
lam A. Brady. The manager last men
TONED wanted her for a new play by
owen Davis which he expects TO place
In rehearsal following the comedy BY
Montague Glass and Jules Eckcrt
Goodman. now in preparation; hut
when Misc Alice had stated her case
he was satisfied that II was business
wisdom.
You see" said Miss Brady, IT am
going along so famously In the NOV
ing pictures that I think Il would be
poor judgment to interrupt my progress.
n present. 1t would he different II |
had any considerable time on my
hands between productions, for OF
curse a stage hit stimulates the de-
mand In the studios and increases
ne's value. particularly II that value
happens TO he a trifie uncertain.
But this does not apply to my situ-
alton at present anyway, am very
lappy to say. When one picture is
flushed ! scarcely have time to draw
= long breath before another begins.
| had only eight hours rest between
The Gilded Cage and Bought and
''a!d For and now a single day fol-
'ows the latter before I begin on the
ext play. which ] hear Is to be called
Loneliness"
Good talk &c far" commented the
rtornal counsellor when the vivacious
'oung picture star paused for breath.
continue
We'll. you used to tell me 10 make
"ry while the sun shone." pursued
MISC Brady. land II ever the skies
were bright now Is the time. Re-
idts, you have always insisted that u
real actress could he made IN only on.
way, and that was through expc-
ricncc."
stage experience interjcctcd Mr..
Brady tersely.
THAT In all right. too" continued
the youthful branch ~ the Brady Fam
The sun., 1916-10-01

| tons OF the audience which observed
this bright little play at the Fulton
Theatre the other night. In this par
ticular case the deus ex machina OF
the enforced marriage was "A German
General. although other equally eNec-
live means have many times been pro-
vided in the past to bring about the
same situation. After the marriage
the young couple was evidently Ia be
forced into the arms Of II another.
HUT nothing OF this kind happened.
The spectators preparing for such con-
sequences TO the opening scenes were
probably disappointed "A little. but there
was a view Of the heroine si.houetted
agains, a window blind to add some
element OF piquancy 20 the proceed
rs u. the second act. But that could
, not be said to meet with the same sue
cess that a somewhat moro logical pur-
suit OF the premises.
The inevitable scenes OF the comedy
demanded that the two young persons
who are married not because they o
one another. but because they were
: compelled to we'd. should b" made 10
undergo an intimacy which * distast"-
IN, 10 comparative strangers TIL" hu-
thors. however. did not car ~ ole"
this inevitable development 81 The plot.
They took refuge in disg Using u man
as a housekc"p.r AMI sending him OH
Ia escape in that way So, of course.
what the audience mad expected did
not arrive. Maybe the public viii In
In" future forgive the authors for Dis
appointing them in the turn ot the
story. HUI 1t Is certain thai the first
night gathering did not overlook the
change in It's plainly Indicated course.
The sun., 1916-10-01
THE PLAYS OF THE WEEK.

MONDAY-The Astor Theatre-Joseph Brooks presents Taylor
Holmes in His Majesty, Bunker Beam"
The Forty eighth Street Theatre-George Broadhurst presents his
play of New York life, Rich Man, Poor Man."
The Comedy Theatre-The Washington Square Players open their
season.
The Thirtyninth Street Theatre-water Lawrence presents Back
hreS a meodrama by Stuart Fox.
TUESDAY--Giobe Thentre-Charles Dillingham; makes his annual
musical production in Betty" with Raymond Hitchcock as the
Harris Theatre -Selwyn & Co. will present Under Sentence" A
drama by -Roi c. Megrue and Irving Cobb.
WEDNESDAY-Maxn Elliotts Theatre-The Shuberts present Elk.
ing Sister" which William Hodges says that Lawrence Whitman
wrote for him.
The sun., 1916-10-01
EVERYBODY LOVES THE CASINO.
That IL the Latest News Through
the wi%IstRchtan Tube.

With the multitude OF New York;
theatres. It IL rather curious that so
few OF them. as In the old time. have
become "institutions.' with the WHIP
ing out OF the old Union Square. the
I.yceum on Fourth avcnu. and DAYS
Theatre our theatrical institutions
have become few ard far between, like
school houses On an Indian reserva-
ton. Under the management Of Fred
Thompson. the Mcssrs. Snuhert and
now Charles Dillingham; the Hippo
irome developed something IN this
line. somothiNg which WIS staple.
which came l'kt tho seasons. l'ndor
the lat" Charles Frohman the En-
pire was an institution, II had. like
Days and the Union Square. a ellen
,ol- upon whom the could
depend for nj least an enthusiastic
opening. All the dignitarles Of the
town were present. Theatregocr-
fought for frst night seats and there
was an air " stability and eNpecta-
ton which so many Of our theatres
lack.
Tho advantage of building up an
institution" is demonstrated nv the
present vogue Of the Winter Garden
and the Casino. Both u these the
aires are institutions So called Of the
old sort. Each is confined 10 n spcc'a!
l!nc Of attractions, with the result that
when n new piece Is announced puh'ic
expectation IS aroused. A hrs, NIGHT
Of the Casino for n quarter OF n cen
fury or more has been an event. For
- ,,a 80 N - -.. at.
theatre has been confined to musical
comedy. In short. Il Is the musical
comedy theatre OF the town, after the
fashion OF George Edwardes's Gaiety
In London. This policy has been settled
and well defined. with the result that
this playhouse means something to the
theatregoer, and II IL generally cons!d-
cred A. being n OF the most profit
able theatrical properties OF the me-
tropolis.
In this particular the Winter Gar
den is one distinct theatrical institu-
lion OF New York OF our time. a new
show AT the Winter Garden has n dis
tinct meaning 10 the ~playgocr. No
outside attractions are hooked In this
playhouse, the output being Of a dis
,inct kind and the offerings turned ont
are by a we'll organized staff which is
regularly employed the year round
Tho advantage TO the producer for
building up an institution of this kind
is enormous, Not only does he profit
by a regular clientele of New York. hut
the output IL well known to theatre.
goers over the country. -Four pruduc-
tsl,ay IN a. - nvA ,,.nla ~ f.--
The sun., 1916-10-01
CONCERNING AN AUTHOR.
Faets About Mr.. Goodmau. WI,
Doesn't Get PIays From Tru.L.

There's one thing sure about Jules
Eckert Goodman. and that il that any
play of his sold 10 a suspicious man
ager and produced for an unsuspect!nr
public will never be a Juvenile product
He has no manuscripts dating hack
to the days before Success gave HIN
the glad hand. II will V be said q,
him, Mr.. Goodman promises. whn, WI.
saic OF n recent production when son.
one asked: Where did Blank ~.
playwright ever get this play" at.a
a cynical manager replied, 81 think b,
just turned his trunk upside DOM ~
II fell out" Mr.. Goodman nus n,
trunk. not Of that kind.
The author of THE Man WIZ ctr.
Back" which william 4. Hrady y.
produce at the playhnnsc ~,
Wednesday evening. has written r'tG
plays. OF course. quite "a f.w ~ '.,.
destined never to be produced. In dl.
ton TO those which, like Mother a.
Treasure Island" brought MIN O..
n fortune. but the efforts t'.
more. All that remains j.. 70 CO.
amount Of technique which NJ e.
man learned In writing them.
What became of :hcm? !l,ro
story. Mr.. Goodman. after grad.
from Harvard-where he did 10
the playwriting course-ctru- a'.
to New York with several i..5 ...
he had written. l;u' he d.d ~
them. Instead, tu pay ~. room
he secured q job on a ma. o..
several magazines. in fact. Iu'rr'
on hours he aIieu t. that sr't
plays in his trunk. Then or &c.,
was earning at this time the l,.-'
Of 81 a week. reading sturt- T
macazine-he sold IN" 81 tee a.,
4 few days later L." sold aru.I,r
within two weeks IN. had s,,l II '
Whereupon the young uu'h,~ 49,,
hack to the office ~ that th'l,', f'..
zine. resigned his ! l. and t.ri..
on to his hal bedroom. r 70
gathered mp every SCRIPT H. .. .'
cep; those ~ ia" three play o. r
ried the who" bunch down - INC ,.
mace and burned them.
And that WAS a ""mpara' yt.t -
cent ~happeniuE, sine" Nr 'r -
, began tn draw ruNalty Cl,ct. 81,
a few years = He seems t. r
to provide enough ny To- date '.t.a
matters stand now. without r,..t'
tho hazy past. "TrCdsur, ts|.'f .
dramatized a year dgo from 'lr So
enson novel. and that ran 'r-
n season N the Punch 9i' 49,
Theatre. After Il wa under W
began work m n dramr. "T'" e.
Who Came Back" fuunG;nc q u' ,
story by John Fleming Wilson ~
appeared in NcClUr,'s NagI.tr" '#
spring that vas don" AID s'3
William a. Brady. Then NJ q
man went 10 work on "a clu"l' v
Montague Glass. dealing witt I,e.
business life. not Il coutng. '.' .
n Potash ana Pcrlmu'trr s.r,.
OF n similar nature. This COMEDY "
sold TO Mr.. Brady during 'ir s.-
mer. And there's another pay .
In the ofting.
THE Man Who Came Ea,k y
be produced by Mr.. Brad, o. '
Playhouse "Wednesday evening
Thursday morning reherrs'o -
start for the Glass-Gootman c'"'''
and after that Will come ~ q"
play. Evidently, with 80 much '''-e'
Mr.. Goodman could a~or' N !
his old scripts.
The sun., 1916-10-01
WHERE TO DANCE.

1.-THE Bull Ring" at Castles
IN the Air, on the roof of the
Forty-fourth Street Theatre, has
developed into a popular mid
night rendezvous for the sun
Dodgers. It begins its second
week tomorrow night. The pro-
gramme includes a travesty on
"Carmen" and a lot of clever
midnight entertainers.
The New Amsterdam Roof
opens tomorrow night with two
performances of the new Ziegfeld
Midnight F'rolic. The new deco
rations are by Joseph Urban, the
frolic is by Gene Buck and Dave
Stamper and it is staged by Ned
Wayburn. The new frolic is the
fourth of the series and promises
to be the best of them all.
The Montmartre continues to
offer a diverting entertainment in
the evening and is a popular place
TO dance.
The sun., 1916-10-01
MOTION PICTURES.

Narir Dorr ''
Lash" by Paul Wcs,. VI H.
sented aS the rictlrc Of ~
Raymond l.. pitmarS. en-
the New York Xoolor',2' =
will lecture on e|No'ut''' n
nection with his mntro'
of the intimate life e. v'
mails.
RIALTO--Wil'om : u
be featured in 9TH" Rot
Draw Egan." ChmI'c &
lin in his --latest 80, ,'-
"The Pawn Shop
added attraction - 81,
programme.
erick in ".Ashes of En-
Forrest HalScy, vii i'
ture picture of the We.
subjects on the proc a".
Charlie Chaplin I'm 'lg
Shop"
NEW ItRk - Mu'I,
Tuesday Charlie thgr.'r. g..
Pawn shop will Ice t'"
at Loew's New lorl IT,.
Roof. Another ATTRACT
Monday will be "|'1....
Wall" with Neil Sh.un.'
ACADEMY OF VI So
leska Suratt IN "Th,
Way" a drama in wilrO 80
plays an impor'NGt pas. 81
gin a -four day ran,
Sunday, nj William Io. e
envy Of Music, Mis- Spr.''
ported by Herhrr H.,
White and Claire Whur,,.
The sun., 1916-10-01

is largely ap%ochryphal in the major
ity NJ cases. But there Is enough VI
tally In the tradition to impress the
first night public with the idea that a
masterpiece is about to be disclosed.
So the faithful sit tight in expectation
OF the approaching revelation Of the
great wit Of this author.
Whatever may be said to the contrary.
the first night audience In New York
ls not a death watch. II Is in the the
atre To be amused. II will laugh with
the slightest provocation. 1t wants to
have IA good time. So the first few
impotent attempts at smartness In talk
evoke n half apologize smile. IA the
actors grow more emphatic and try to
point the cackle from time to time. the
smokers begin to come uneas.ly. Then
the spectators are likely 20 glance
about surreptitiously To ascertain II
their appreciation Is expressed in the
right place. As the action or perhaps
the movement grows more animated
and the players. in the hope OF some
sort Of a response. begin q throw
themselves about II bit, the audience
laughs right out boldly.
Bring on your smart London COM
edy," II seems TO say. I'VE are as well
able to understand 1t as the English
public. We car laugh. too. with tho
best Of them"
And there are occasional cachina-
ktiuns from the friendly henchmen IN
the e n seats. These explode at the
slightest provocatlon IKE obliging fire.
works. Yet after a while the entire
pretence OF the whole business be-
comes too evident. Keeping up tho
houp-la IL such obviously hard work
that the reaction sets In after the most
important act. whether II be the Sec
ond, a. in Caroline" or the third. O.
In some others.
The popular players arc spplauded
az they always r on irst nights. for
even the most discouraged gathering
then looks out for something to spend
It's friendly feeling N There is n 1T
tie more scattering applause. the
laughs grow i%nfrequent. Fatigue is
eioquently expressed in their tonal
quality. The last curtain falls. The
weary audience rctircs dcspondently.
having ono again been delighted and
d',zzlcd by n Of those wonderfully
clever. witty plays that come from
London. Most OF them then involun-
tarily wonder when George NJ, Conan
is going to have a new revue.
The examples Of London wit most
frequently quoted in the play now on
view at the Empire Theatre are tho
doctors questions to the middle aged
heroine. Does she not observe that
the policemen are all younger thar
they used to be. are not the younf per-
sons more rowdy at the balls than they
were and are you not now content a.
go home at ] o'clock?
In order that the spectators may not
b. Altogether dazzled by these pyro-
technics and lose all control Of them
selves, "a voice at intervals calls out
My hat My hat"
Is that SOM" example OF prevailing
London slang, or IL IL more wit?
Tho two authors of Arms and the
Maid Grant Stewart and Robcr,
Baker, did mt carry out the exp~cta.
The sun., 1916-10-01
T OF THE STAGE.

The East-Wcst Players, who pre-
scented a series Il one act piaylets az
the Berkeley Theatre last spring. have
already begun ~rellcarsing for their
productions this season. In addition to
revival Of THE Stranger" and
Might they are planning 70 pro-
duro The Awakening Of Narradin,"
hy Gustav Blum and Elias I.ieberman.
This is an Oriental fantasy based upon
an Arabian Nights tale. Music, which
will serve az an interpretative COM
mentary throughout. has been com
posed by Walter r. Johnson. Tho or
SANITATION IL an experiment In CO.
operative management. and includes in
it's number. besides actors, many am
bilious playwrights. artists and must
clans.
One day last week q new speed record
was established by the Packard Thsat-
rical Exchange when hat firm.
through its dramatic department Ada
Eumhcrt, manager. closed contracts
with the following players. who will
form the Jewett stock company. play
ing In the Coplcy Theatre, Boston:
Leonard Gray. Cameron Matthews.
Leonard Craske. Elizabeth Mersen.
Isabel Mcrsen. Gladys Morris. Fred
rermnin, Arthur Dernison. Jessamine
Newcombc and Lionel Glenister.
Henry Jewett will direct tho players.
presenting A repertoire Of high class
plays. including several Sh~akcspearian
productions.
! nthar >pOave,nents ps1ottated
through tho Packard Theatrical Ex-
change last week were those Of Will
| Howell, VIII Nicholson. Herbert
Charles. Gerald Pring and Gilberta
Faust, with the Der Hur" company 4,
Hans Du Mont. Carl Axzell. Carl Deitz.
Paul Cazeuneuve and Suzanne Jack
son, with "A Delicate situation:
Frances stamford, Laura Walker.
Jennie Dickerson and Eugene Dingens,
| with Where the Rooster Crows
Muriel Hope, Loretta Wells and Kay
Carleton, with "Evcrywoman": j. II.
Greene and Jack Daley, with Hit the
Trail Holiday; Louise Emery and
Eric Blind. with the winthrop .Ames
| play Hush: William J. Kane. Jules
Jordan. BILLY Dickson, Jess Dandy.
John Shaync. Wright Kramer and
Irving Cummings, with Object. Mat
rimony": Robert Frazer and Elsa
Rizer. with the "Riu Grande"; Eugene
pRuurkc. Jennie Weathtrsby, Martin
Mann. with cyril Maude's company
now ~rehcarsing Jess; Jnliette Day,
Alfred Hcsse and Arthur Elliott. with
"Up Stars and Down: Edwin Nor
daunt. Jack Ellis and Jerome Renner
with The Fear Market; Harry Hul-
lingsworth. with Blanche Rings com
pany: Julie ilerno and Daniel .Iarrct
! ,Ir.. with Claude Gillingwater's vaudc-
vile sketch, and Jane Houston. Alison
Skipworth, Helen Meinken and Mary
Worth. in John Drew's company, now
rcncarsing "~pendennis.'
Yvettc Gnilhcrt Will appear agar
next season at Maxine El'iott's The
ntre IN n series of re tails Ia he given
twice a week iur.nr November auU
December on Sunday evenings ana
FRIDAY afternoons, While the SUNDAY
rcu!tals, called "I.,s N"illres Frinciis-.
will I've vocal and musical. the FRIDAY
afternoons. called LES Matinces pari.
siennes," vii, hay" u literary character
Nine Guilhert Will he ass s,ei u,
Prof ear Rc"k of Brvn Mawr Col
The sun., 1916-10-01

people. with the opening Of the new
Coincide Franchise on Forty-hfth
street New York will have what might
well be called a new theatrical "in.
stitulion."
The sun., 1916-10-01

NAAN -
a lnrge number Of dramas during the
present week. There Is n wide variety
in the list OF works which are offered
this week.
Taylor Holmes In "His Majesty
Bunker Bean" a draiuatization by
lee Wilson Dodd Of Harry Leon VIII
sons stories OF the same name, Will
be seen tomorrow at the Astor
Theatre. The play Is presented under
the direction Of Joseph Brooks.
bunker Bean IL q spineless. dif'dent
young stenographer, wholly lacking
assertion and confidence In himself,
He believes In reincarnation. After
| coming into q small inheritance
Bunker Is easily convinced by a schcm-
ing psychic faker that his first APP
pearancc on earth VAS as a good and
powerful Egyptian king. Ram-Tah.
Then follows his mental transforma-
ton. lie becomes bold and fearless
In the business world. acquires wealth
and social position and wins the girl
Of his choice. Even when no learns
that the mummy OF Ram-Tah he has
purchased from the pseudo c.airvoyant
is a fake. and that there never was
such a king. his faith In himself re-
mains and aids him TO continued sue
cess. las a man thinketh In his
heart. 80 II he 10 the keynote to the
play.
The dramatist has closely followed
the authors story and has preserved
the original characters with fidelity
Besides Bunker there are Pops Mops,
the FIdppcr, Grdndmd, The Demon,
The Big Sister. The greatest LETT
handed pitcher the World Has Erer
fno,rn. Bulycr, The Lis.ic Boy. The
N'Gstcr and all the others made IA
miliar to the readers OF the stories,
In the cast are Taylor Holmes. Flor
cnce Shirley. Charles Ahbe, Robert
Kelly. Lillian Lawrence. Jack Dew
ereaux. Marion KERRY, Clara Louise
Moores, Harry G. Power. Walter Sher-
win. Grace Peters. Horace Mitchell.
Bedford Forrest, John Hogan. Annette
W.stbay and George {. Lyman.
Waiter Lawrence will present AT the
Thirty-nInth street Theatre tomorrow
'Hnckiirr" a new mclodramn by
Stuart Fox, Mary Roland plays the
leading roe, while otter actors In the
/ company are tn hc Ailcon Poe, Fred
crick Trursdrll and Ogden Crane.
Tomorrow evening at the Comedy
Theatr" IN" regular season n the
The sun., 1916-10-01
PLAYS TO BE SEEN THIS WEEK.
Nor Novelties From the ener"us
Theatre Managers.

The liberal theatre 81 this
city are once more to Offer p~laysoers
a large number o. dramas during the
present week. There is n wide variety
in the list OF works which are offered
this week.
The sun., 1916-10-01
JANET NJ
UNDER

~
Four one act plays will be presented
for the first time. They are "A Merry
DEATH a ~harlequinade by Nicholas
Evreinov. translated from the Russian
by G. l.. Bachhofer; Lovers Luck
Il comedy by Georges de Porto-Richc.
translated by Ralph Roeder: The
Sisters OF Susanna n farce, by Philip
Mo.llcr. During the season the Play
crs have promised their subscribers to
give AT least five bills. They will play
every evening and Thursday. Saturday
and holiday matinees.
"Rich Man. Poor Man" will 10 seen
at the Forty-eighth Street Theatre to-
morrow. II is one OF the delights
promised last week. but deferred.
Charles Dillingham; vii! open nj.
cgu.a season at the Globe on Tues
day evening with Betty from Daly's
Theatre. London. Mr.. Dillingham's
nnual musical comedy production at
the Globe will have as its star this
year Raymond Hitchcock. who returns
to New York after q long absence
abroad. He did not appear in Betty
while in London. II was presented at
Days while he was playing al an
other theatre. Betty IL q musical
comedy with a story By Frederick
1.onsdalc and Gladys Cnger. The score
Is by Paul A. Rubens. The Globe
chorus. which has something OF a
reputation TO maintain, will surround
a cast that includes Ivy sawyer.
Eileen Dennes, Justine tombstone and
Marion Davies. Joseph Santiey is in
the company. and others are Kashc-
rine Stewart, Joseph Herbert and
Peter Page.
Selwyn a Co. will present "I-nd,r
sentence, a serious play by Iso!
Cooper Megrue and Irwin :. Cohb
AT the Harris Theatre on Tuesday.
The play deals with n serious .ub-
ject but Is neither somhre nor tragic.
Tn" cast includes George Nash. la
ret Beecher. George MacQu.rrle.
frat kremhs. L. G. Robinson. Frank
VIC. gan II. w. Pemberton. Lawrence
Eddinser. I. T. Gum. Thomas
Mitchell. Joseph slaytor. George
Wright. Jr. John A.. Boon. Gerald
Oliver Smith and Harry Crosby. The
play is In three acts divided int seven
episodes.
On Wednesday night Ice Shubert
VIII present AZ Maxine E,liott's Thea
atre William Hodge in his new play,
'f1Hlng Sister" n comedy drama of
New York life in four acts. by Law
renc" Whitman. Miriam Collins, Jane
Wheatley, Ida Vernon. Hamilton Dean
The sun., 1916-10-01

There IL something uncommonly in
teresting from the PSYCHOLOGICAL point
NJ view in the aspect of "A first night
audience under the divulgence of a
Vaughan play. Usually these dramas
arrive here with the renown OF long
London success. The continuance OF
these tr.umphs on their nat!vc heath
The sun., 1916-10-01

Tomorrow evening at the Comedy
Theatr" IN" regular seaso NJ the
The sun., 1916-10-01

Rich Man. Poor Man" will bc seen
at the Forty-eighth Street Theatre to-
morrow. II is one OF the delights
promised last week. but deferred.
The sun., 1916-10-01

The two authors Of Arms and the
Maid Grant Stewart and Robert
Baker, did not carry mt the expecta-
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