The daily telegram. [volume] (Clarksburg, W. Va.) 1901-1926, 1916-09-29

4 A coat of English cloth cut on cr,.,l
the same lines as a mans co al eS sasIi
service for more than one season r."
OF the Second Empire a coat of M.
hogany velour delaine with gray satir
lining and krimmer trimming, has rapisn
sleeves and tastens at the neck and hin
Silk cords ornament the sides. SevsPn
rows OF stitching finish the bottom the
iiling OF gray satin matches the stitch
ing. ''i's'i-
A coat of blue Bolivia cloth E,. =
Chasuble back. The straight panel b,cis
colarettes and stoles are like a prccioI,s
blue and silver embroidery. The high COLI
lar, adjustable SO it can be worn either
open or closed, is of gray lined with
oiue. When open It takes the shape
OF fan-shaped Medicis collar. At the
slightly low waist line the coat belts
itself across the front.
An evening mantle developed in scar
let VelVet has a large medallion in front
embroidered in black and gold. The
high collar has black fox on one side
and satin on the other, just as the cuffs
are partly of fur held by straps of the
material: A. deep cape Of the material
is banded with the fur.
vi violet panne velvet wrap glori-
ously. trimmed with touches of metal and
chinchilla fur, has deep pointed collar
finished with tassel at the back. The
front section OF the coat forms a muff
with fur bands.
Separate waists answer 50 many OBJ
legations that We are as ever loath to
torsake them. The sober colors off
fashions rainbow are used with suits,
Blouses of chiffon, Georgette, taffeta,
faille, net and taffeta and satin often
portray colors such as chartrcuse, Copen-
hagen, cyclamen and gold White, gray,
maize Or blush with or without black or
white lace, have long sleeves and openi
collars, or as fancy wishes high collars.
The bit of color on sheer white
blouses mark them 1916 models. Waists
are often worn outside the skirt. A
MILDLY blouse of crepe de chine has the
fullness belted in with a sash. Then
there is a close-fitting striped taffetaI
blouse which reaches to the knee and
buttons down the front.
A silk jersey waist has flower em-I
broidered on The left side with another
flower embroidered on the opposite
sleeve.
White Georgettc lace and filet lace
combine to make an effective blouse.
The waist has shell collar of the creoe
inserted with wide band of the filet,
and edged with knife pleating of the
crepe and it is brought around and fas-
tened with a knot of turquoise velvet
ribbon. The sleeves are of crepe with
inserts of flet gathered very full Of the
elbow and from that are huge puffs of
crepe to the wrists finished with mar
row band of the turquoise ribbon.
Serge and black satin comprise the
L All
time cashmere is again used. Navy blue
with black, black with pink, natter blue
with mauve, or royal blue with black
are good combinations. One-piece
dresses of taffetas, jersey, velvet, satin
charmeuse, ribbed effects, brocades and
pile Reinstatement are vital factors in
the trend of fall fashions.
A maripe blue charmeuse and black
Chantiliy lace combine happily in dis
/ tinctive gown. The corsagc has an
: unique stiff, wide charmeuse collar
/ topped with wide ruffled black net
collar. The long sleeves of black nct
. with pointed lace cuffs have three-quar.
ter length over sleeves, There is a pleat.
{ cd charneuse skirt with the sides draped
| hips across the back. Pleated black
NHdllllllS laSC SAauOmS VIC lLOlL ski
panel.
The Russian dress lends itself we'll to
: the style of the moment. A froch
of bottle green plush has embroidered
} designs worked out with multi-colored
beads. The pockets are lined with satir
t to match the material. The belt stop!
: in the front of the pockets, leaving til,
l sides free. A stitched satin collar
t reaches nearly to the ears. The skiri
is banded with chinchilla and the sam,
fur is repeated on the waist.
Il A one-piece dress of elephant era,
]. zibeline has cartridge pleats appearing
|, in waist and skirt. The fror of thu
! bodice is slightly gathered to yoke
r and opens over deep cream lace vest
aThe beaver collar fastens in front witl