davidaulloa/AmericanStories huggingface dataset:
The sun., 1916-08-20
THE NEW CINEMAS.
"Hypocrites" Is the name

"Hypocrites" Is the name Of
the photo play to he seen this
week at the Strand Theatre. The
story is an allegorical one, deal
ing with the trials of a minister
of a modern church who seeks to
lead his congregation to a better
life. Myrtle Stedman and Her
bert Standing have the PRINCIPAL
roles. There will also be a topi-
cal review, n continuation of the
Mutt and JEFF comics and music
by the Strand orchestra and So
loists.
1.-THE Thoroughbred" Is the
title of the principle picture to be
exhibited at the Rialto Theatre
this week, and Frank keenan, will
be seen in the role of an old fash
toned Southern gentleman.
Virginia Pearson will be the
heroine Of Daredevil Kate" at
the Academy Of Music for the
first four days Of this week. This
is a story about a strike of NUM-
tions workers in a Western town.
Blanche Sweet Is to be seen at
the Broadway Theatre in "Public
Opinion" Lasky production. In
this photo play Miss Sweet will
appear in the character Of a
trained nurse, having previously
been seen in many different roles.
D While Thomas II. Ince's Aim
snectacle, "CivilizatiQn." con-
tinues at the Criterion Theatre,
the date for the opening Of d. w.
Grifith's new production, "Intol-
e~rance," ia approaching rapidly.
1t will be seen at the Liberty
Theatre on September 8.
The sun., 1916-08-20
WHERE TO DANCE.

Doraldina is still demonstraHug
every night at the Mont0srtrA
at Midnight how we'll adapted a
Western dance may be to an Old
World surrounding. She Is the
most popular Of the professional
dancers, although it is certain
that the spectators who dance all
entertain the belief that they are
about as expert a. any Of the
Others.
Not all the gayety Is supplied
at the Hotel Shelburne at Brigh-
ton Beach by the review Splash
Me-" although there is expert
dancing to be seen In this. Then
Marie Lavarre and her associates
r entertaining. But there Is
also dancing for the visitors.
Will Rogers Is chewing his gum
and swinging his lariat, as we'll as
telling his jokes, both up and
down stairs now ut the New Am.
sterdam Theatre. That Is to say
he 10 to be seen both in the Fol-
lies and the Midnight Frolic.
There are other entertainers, %
we'll as a place to dance which 10
never neglected by the visitors.
The sun., 1916-08-20

George n. Conan Theatre, 10 his power
to DO good once acting. Much Of an
actors success on the stage she as
cribes to this unacknowledged poten-
TALLY to act for the producer. Many
IN actor has failed. not altogether be-
cause he was poor on the stage. but
because he could act only under the
stimulus Of the footlights.
AN actor must know how 70 APP
proach his manager. When he applies
for the position Of leading man. crook
or policeman. he greatly lessons his
chance II he appears In his own per-
sonality. unless his character happens
to coincide with the M which is to be
portrayed. Some producers are gifted.
They have sixth sense. intuition, UNI
canny judgment and all the other at
tributes which would lead them to see
In q timid, shrinking. narrow chested
applicant . possible Lothario. who
combines, in addition. vast heroic quail
tiles and physical magnetism. II the
producer wants such q type he will
search for a ready made by nature.
He will Be more certain Of success in
that way. What q nan should do IL to
act the character for the examiner"
Miss McComss smiled. showing all her
small teeth In that particular manner
which makes one wait anxiously for
the next smile.
1T II very simple" she said. "And
I practise II once In a while myself. A
few years some M asked me II I
could play the part Of . young tomboy
about 16 years Of age. I thought !
l Cniild u,Ank nu,. q A.. r.rA->rs.
room at once. But II wasn't I who APP
piled for the position, Il was the girl I
wanted to be. And the manager said.
Fine; you were just made for the
part II I had been serious when 1
went In there ne may never have con-
sidered me for that particular part. !
always try to md out beforehand and
then I apply all ready made for the
part"
"Did you do that when you applied
for h part in Seven Chances'?" she
was asked.
mo. This play portrays a natural
fri very naturally. She IL a breezy
American girl. She In . way typifies
what the American drama to-day is
standing for-simplicity and sincerity.
You will md that tendency In the
stage production. In the plot and in the
characters. "
Scenery must he sincere. That 4.
wherein the great fame Of certain pro-
ducerss lies. II must be sincere aud
realistic. or candidly unreal. The actor
must be Mn ere. although his sincerity
differs slightly from tho commonly
recognized variety. IF he works up his
l mart and nlovu % nAnattnsls r,,.,t,
In h way Of poor technique and per-
haps incorrect conception will be for
given hNA. Tho audience will accept
what 10 stves It II he only plays with
full & re and without allowing any
doubt VI the excellence Of his work t.
creep into his " mind. He must
feel sincerely that he IL doing good
work. n Just al 10 constantly the
case In real life he will be accepted for
the positiveness Of his effort"
The sun., 1916-08-20
THE DANCING D0LLYs.



Row They Began The1P High Step.
ping Careers 4, RvAa,est,
Va.
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Tor =, .s., "".
go. ~. oNes nI'',onIe
sn,,nos ' mas '. s
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Nv ..ep"'.o 1"e'',e'
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~. 80 Wv" ~" gu
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~. 80. ".. p . o,euileu.
-. .pe' wn.hoe
$500, NV ~
ss,,,n. E.. 49, a'-,nS n ~
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~ NN"." u."u' ."o sppeeI-
~ VI Nos1iN. Dohy ana her twin
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N"-M~ o'.s'".a pay WIZ"
u".sn.' .oi".','o" 70 AL part' o. inc
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'ou"s i"utes wiz osput III sthr'iihs
.,"se eoe,uN'es '"aue especially lot
nv" "o,,e'' e~cep' nat they VIII
The sun., 1916-08-20
Vaudeville and Burlesque.

PALACE THEATRE - Adelaide
and Hughes, Grace La Rue ana
a sketch called THE Clod' by
Lewis Beach. which was used ny
the Washington Square lIay'
ers, will be features Of the en-
tertainment nj the Palace TINS
week. Others will Re Andrew
Tombes and Lola Wcutworh,
Stan Stanley, Raymond and
Caverly, German com"d'sn''
and Jean Beraac's indoor cir
Gus.
COLUMBIA THEATRE The
East Wind and the West WIZ
are the novel characters II
"The Girl From Nowh"ro. me
burlcsoue to bc r%yc.ertej f'-e
this week. AL X. Hal, Il ny
Barry, Harvey Brooh ara
Joseph Weston are in the pre-
senting company.
NEW BRIGHTON THEATRE
Belle Baker, Gus Van ara Joe
Schenck. George White a'' -
ellie Cavanagh. tlaHio G.. I'g'
water, Al HERMAN a'' Lat"
Wyatt's Scotch Lads and Las
sizes will he the principal a'''ac'
tions here this week,
STAR THEATRE "N'd.
tary Maids" b~uI'"squc ors'"''
cation will be n ne N' 'HI'
week. 1t is II well hrow O. M
pany of vaudeville ar''.',
comedians and singer Nh,
H.. Ward, Martha Pry r, ~
Rogers. Myrtle Roger, deN''
Hilberg, Jack Roevcs o". Ia
Belle Helene compose the H'l
tary Maids company.
AMERICAN THEATRE G'''
vaudeville intersrer~cd WIN
motion pictures form ''' ~
tertainment here on vat j..
known as Loew's Nm"'1''h
Roof. II is n cool place q" en-
JOY the evening and get ne
excellent amusement Vi' me
bargain.
The sun., 1916-08-20
NOTES OF SUMMER MUSIC

Part Of tho new opera "Harlekin,.
which Paolo Calico. a New York
pianist and composer. IL now complo,-
ing, viii lie heard for the first time NJ
next Fridays concert OF the Civic
Orchestra Society with Walter Henry
i-othwell. conductor. at Madison
Square Garden. The soloist of the
evening Is Mary Jordan, the concert
contral,o. who will sing an aria from
Saint-Saens's Samson and Dellah."
Cello and clarinet solos by members
OF tho orchestra will be q feature of
a Massenet selection. Evening Under
the Trees" from Scenes Alsaciennes."
Martha Maynard. secretary Of ths So
ciety. declares that as tho remaining
concerts will he an important factor
In deciding whether or not the series
shall be continued at popular prices
next summer. II behooves music low.
ers to increase the attendance largely
by interesting their friends. The pro-
Gramme will be as follows:
overture. "Iphigen!a In Au,ls."
Gluck-W Wagner; suite. Scenes de Bal
let" GlazOunow: aria. Samson and
'Deliah." Saint-Saens: Mary Jordan:
introduction third act. "Harlekin."
Calico; Evening Under the Trees"
from Scenes Alsaciennes,' Massenct;
cello solo, Robert Thrane: clarinet
solo, Gustave Langenus; waltz,
Voices Of tho Spring" Strauss.
Martial spirit throbs in tho latest
letter which Loudon Charlton has
received from Jacques Thibaud. The
French violinist writes enthusiastically
Of the bravery of the French troops.
He tells with %vividness Of detail some
Of the dramatic events he has wit
messed. But his happiness in being
permitted to come to America next
season ana TO resume his work with
his beloved violin Is marred to "A
touching extent by his sympathy for
tho poor fellows who, he states, will
he struggling In the trenches for a
long time to come. OF the ultimate
outcome, however. Thibaud has no
shadow Of doubt: "A victorious
France is what he foresees In 1.-THE
not too distant future"
After telling Of n thrilling two days
experience IN WHICH he and his COM
~ranions were exposed almost constant
~ to shell and CUR Are. he writes;
The sun., 1916-08-20

Of wartime. = written with . hight
touch.
The scenery has been dssigned By
Robert Edmond Jones. whose most 10
cent contribution was the costumes
and inner scenes for the Shakespeare
masQus. "Caliban." The fantastic char
acter Of the piece o6en exceptional
opportunities for the uss Of the newer
methods of scene designing and light
ing. An elaborate musical score. which
In parts 10 closely interviewer with the
action. has been composed by Eugen
Halle. It will be performed BY . large
orchestra under the direction Of
Charles Feleky. Owing TO tho dih,cul-
ties Of s~ynchronixng music. scenery
and action the piece has been more
than . year in proposition.
James T. Powers. under the dirsc.
ton Of the shuberts. will be seen At
the Forty-eishth Street Theatre Tues.
day evening In Mark Swans comedy.
based on . novel written b. J. r. Ran.
DAN. entitled "6omsbody's LussaS&"
While Mr.. Powers has been NJ In
late years In musical comedy his
earliest experiences on the stage wsrs
in comedy and farce. He WIN Be
remembered particularly for his ap-
pearances in "The Runaway Girl"
The Geisha." "san Toy 'Ths Mes
senger Boy" "The Blue Moon" and
Havana" His earliest appearances in
comedy and farce were with Willie
Edou.n In "Fun in a Photograph GAL
lery" and "A Bunch Of Keys" When
a very young man he replaced Raw
don Vokcs with the famous Vokes
Famils While with the Vokes Fam
W he q. AIRED In I'm Camp" Fun in
a Fog" and Tho Bellies Of the
Kitchen" Mr.. Powers's role in
"somsbody's Luggage" IL that Of A.
fred Hopper. He 10 in love with Caro-
line Parftt. who has a cousin. Walter
OWen. In the secret service. Open in
duces Caroline to take up secret SER
vice work herself. and at least once a
week Caroline Is called upon to cross
the Channel from England (where the
scenes Of comedy are laid) to France.
These frequent absences arouse the
suspicion Of Hopper. who decides to
follow her. Going w on the same
boat with Hopper and the two score,
service operators 10 IN Australian
named Crawford. BY . strange coin.
cidence. Crawford has . portmsnteau
which IL exactly the mate OF that car!
ried by Hopper. Alfred insists or
claiming CroWtord's portmanteau and
through . oomioal trend Of oircum.
The sun., 1916-08-20

stances he obtains p-esssssion Of II,
leaving Il With the porter in his name
his own bag meanwhile being left
on dcck. Crosoferd II accidentally
blown overheard. Hopper ssss him
disappear ana than oollapsss. The
lost passenger - Therefore Identified
- Ao1psv. - his bag 10 on the deck.
Hopper. who has been drinking, IL
too much under the weather to ex-
plain. and the mistake 10 allowed to
stand. When CaroIine. who. a. has
already been said. 10 q passenger on
the boat. learns that Alfred has been
drowned. she believes that he has
committed suicide for love Of her.
The aforementioned Crascford, II de-
velops. 10 on his way from Australia
to England to claim a large inheri-
lance. A. every one 10 under the be-
lief that Hopper II the Australian. no
10 taken In charge by the ships stew.
ard and . oabman and conveyed to
the homo Of the late ~. Fsiv5oo. who
has left the Inheritance. On the way
to the house HepSsv 10 knocked down
BY . motor ear. which raises Q bump
on his head. The attending physi.
clan who u called In TO sober him
up warns every one about the place
that the blow may affect Roppers
mind and to pay no attention to his
eccentricities. When Hopper realizes
that CrdVtord has come in for Ave
thousand . year no decides to lot the
mistake stand. All might continue
blissfully for Hopper and his sweet
heart. but Crawford himself. who
was not drowned at all. turns up and
adds to the general Misunderstanding.
Mr.. Powers's supporting company In
cludes Beatrice Terry. Beryl Mercer,
Betty Bellairs. Lionel Belmore. George
Manning. Charles Peyton. George
Renevant. Percy Waram. Homer
Granville, Ronald Byram. Clifford
Brooke. Tom Rogers and Robert Ayr.
ton.
The sun., 1916-08-20
OFFICE ACTING.

Ntss CARROLL McComas Tells How
tn Apply for n Job.
The stage is not the only place in
which Il player must show his abilities
as an actor. What Ia almost as i'm.
portant. says Miss Carroll McComas,
leading woman in David Belasco's lat
est production. Seven Chances," Roi
Cooper Megrue's new comedy at the
The sun., 1916-08-20
Louise Rxtder in
7lm 10 tic RbAf

Aston Theatre and Please Help Emily
at the Lyceum Theatre.
The musical plays which are still on
view include THE Follies of 19ls' ut
the New Amsterdam Theatre, The
Passing Show Of 1915" at the Winter
Garden. Very Good Eddie" AT the
Casino Theatre and "Katinka" at the
Lyric Theatre.
The sun., 1916-08-20
THE NEW PLAYS THIS WEEK.

MqNDAY,Esshubst Thsasrs5Arthur Hopkins ~l present The
the there and hereafter" Music said to be Of special significance
has been composed for the occasion BY Tugen Halle and the scenery
Is by Robert E. Jones.
Tu~EsDAYmForty.eigh Street Thsatrs|Jamss 7. Powers viii DO
seen in Somebody Luggage," . comedy BY Mark Swami. Mr..
Powers is best remembered for his appearance IN musical plays. but
ported by q large cast.
The sun., 1916-08-20
Doll Stsaa.v N
Ills Bndd/MaM'
#zs3sz$#sH#

conspiracy to make the sum-.
mer season - short a. possi-
BE-. During the past W weeks half
the New York playhouses Of import.
anco have opened their doors. Within
the month all will be awaiting the
public patronage.
% far - the experts are willing to
inform the world. there have come out
q this early opening Of the theatres
two successful productions. Two Of
them are said to he witnessed every
night By large audiences. Such a re-
suit Of % much activity IL not en-
esurasing to the impresarios who ct
cut 60 ind%ustriously while the weather
w1s still 20 unfavorable to them.
Even the nrst performances do not
sssm to interest the public. Theatres
aro BY no mea crowded on these
occasions. Vacant seats are visible
frequently. Theatre STATS occupy
many places. But the cinema panto-
nimists predominant. They swarm in
The stalls and look out of the boxes.
they occupy more attention from the
audience even than the unemployed
actors who are present In large num-
bsrs. The man In the street 70 alone
u~nrepresented at the frst night gath
ssings-and he the most important
person In the plans of the manager.
There II to b Q merciful lull this
week and every evening will be de-
voted 10 some masterpiece Of the mod
ern drama On Monday "The Happy
Ending will b seen at the Shubert
VhsatrA Arthur Hopkins 10 RESPONSE
BIZ Tor the production. which 10
enough TO kindls the interest Of those
mo realise that while Mr.. Hopkins
ny not always meet with popular
success. his artistic ideals are high.
Conserving his latest enterprise. It 10
communicated that this play by the
AacPhersons 10 Q fantasy In which
this life and the next interminsle and
meet on most friendly terms. In this
comedy Of here and hereafter" the
Thereafter" has nothing In common
With the death known to Poets and
undertaken. II u rather. the authors
sAy, . hereafter Of which the world
at large ID dreaming. especially At the
present time. Tho MacPhersons
wrote the greater part Of the text in
England during the progress Of the
present war. and In this time made .
special study Of war Psychology" In
suoh . time Of crisis. they say. . a
lions ideas Of life and death undergo
. radical change. and Il 10 this wartime
point Of Wow which 10 presented In
the Happy Ending" Ono OF the
authors. Lieut.. Jean du Rocher Mac
Phsrson Of the Royal Field Artillery.
u now in the trenches somewhere in
France" having recently conva.esced
from . wound received near Ypres.
Tho play. though 1t touches upon
some Of the serious spiritual problems
The sun., 1916-08-20
THE A THAT LAST.

That Are still Ia be Seen.
The plays that continue In New
York are THE Boomerang" at the
Belasco Theatre, Seven Chances" at
the Conan Theatre. His Bridal Night"
at the Republic Theatre. Fair and
Warmer at the Harris Theatre.
Cheating Cheaters" at the Eltinge
Theatre. "Coat-Tales" at the COrt
Theatre. "Broadway and Buttermilk"
It the Maxine Elliott Theatre. Turn
70 the Right" At the Gaiety Theatre,
The Silent Witness" at the Longacre
Theatre. The Guilty Man" At the
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23

Lost anything? Put a Want Ad in
The World and get in touch with the
finder. Call 2601-after $50 p. m.
1000.
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23
MINNESOTA cow rs
A RECORD BREAKER
Duchess SbyIard Ormsby Establishes
New Mark for Butter Fat
Production.

A Minnesota Holstein COW, Duchess
Skylard OrmsDy, has recently broken
the worlds record for yearly produc-
tiOn of butter fat. Her record stands
as 2I7G1.7 pounds of milk contain
ing 1,2O5 pounds Of butterfat In
terms Of butter this means about
1,40O pounds as her years work.
The diary world was amazed some
twenty years ago when Holsten
cow Belle Sarcastic. made a yearly
record Of G32 pounds Of butterfat
from 1,075 pounds of milk In 1903
a COW of the Guernsey breed came
into prominence by by producing 775
pounds of butterfat. In 1907 Co
lonthes fourth Johanna made a rec
ord Of 99S pounds of butterfat from
1882 pounds Of milk, This record
was thought by many people to be
beyond reason. To those who appre-
Ciated the possibilities of the dairy
COW this record Of Colanthe's was
thought to be the limit Since 1907.
however, seven cows have broken
this record
The following are the yearly milk
and butterfat records OF the ten high
est producers in each Of the four
main dairy breeds. This record is
corrected to November Is, 1915: Hol-
stem Zb,S30 pounds or mix ana l,O5Z
pounds of butterfat; Guernsey 1S,0SS
pounds OF milk and 954 pounds of
butterfat; Jersey 1926 pounds of
milk and 921 pounds of butterfat;
Ayrshire 2O,262 pounds of milk and
SIS pounds Of butterfat
During the past year the average
Of the ten highest Guernseys has been
| raised from 900 pounds Of butterfat
to 95i, gain Of As pounds The
ten highest Jerseys averaged 909 one
year ago, as against 921 at the pres
ent time. The ten highest Holsteins
averaged 9S9 a year ago, as against
! 1850 at the present time. The ten
| highest Ayrshires averaged 765
pounds Of butterfat a year ago, as
compared with S1S November IS
! 1915.-J. NJ. Fuller, department OF
diary husbandry Oklahoma A. & NJ
| college, Saltwater.
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23

tomary for these associations to ap-
ply To the county board for the ma
terials for the watts and for the chem
icals used I'm the baths Until Satis-
factory arrangements have been made
I'm this or some similar way for the
construction of sufficient watts TO ac-
Commodatc all the cattle in the
county without driving them long
distances the time il not ripe to un-
dertake active eradication work In
most instances the law requires that
before such work is undertaken the
county should vote for it in special
election. Even where no election is
actually required the moral effect of
the expression of the peoples Will is
greatly to be desired
Dip Every II Days
Systematic eradication work means
the dipping of all cattle I'm the county
every IA days IN a standard arsCnical
solution. If this regulation is rigidy
enforced one season should see the
elimination of the ticks and the free
ing of the county from quarantine
ENCry dipping, however, should be
supervised by regularly appointed in
spcctors and the arsenical solution
should be tested and made of stand
ard strength each time that the vat
is used Furthermore, care should be
taken to account for each cow in the
territory i'm which the vat is located
\ few neglected animals will afford
a refuge for the tick, and i'm time
undo all that has been accomplished
/ by the dipping of the others
The regulations necessarily involve
some Inconvenience to cattle owners
/ As has already been said, therefore
before active work is undertaken II Is
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23

Circular Inltnre and n,rlnhlnts ~,
plaining the e,iI nf the tici' and tbe
pnssiiiIi,,, ~ its ',i' ,i ,,'g
~ he SOM ~ tbis i.i'''''''''' It.t '''e ''''''
The next sten ig IN ,rra,co FOR
nracticai demoGstr,tfons nf 5inrin,l
since the feder,l denartn,ont has No
funds nt its disnosaI fnr tba nurnosa
the constrnction 0f dcrnon.tr5t,on
yats must ba undcrtoLen oitbar T,,,
the local autborities mr. NV one or
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23
Best Containers for the
Farmer or Housewife
to Make Use of.
PACKING OF PRODUCE


Special TO The World
WASHINGTON, January 22.-The
farmer VINO Wishes To sell his lroduc.s
10y parcel post and the housewife. who
wishes To use this method of srruriur.
country produce tor her table. viii
lind many useful points i'm Farmers
bulletin 1O3, suggestions for Parcel
ost Marketing This bulletin, i'm add
cltion to explaining the postal rates
and measurement limits fOl. MARCEL
post matter discusses i'm some detail
the types of containers which are
most successful and the methods uf
grading ana packing produce So that
il Will reach the consumer i'm good
condition, and be attractive in quality
ana appearance. I'm treating stand
ards for parcel post shipments the
bulletin tells how to select, handle and
lack poultry and how to grade uuh
Iack the various fruits and vegetables
Nhlch the average farmer is likely To
market through the postotn,e.
Price Question.
The bulletin points out that one of
the common obstacles TO establishing
Parcel post communication between
farmer and consumer is that the
farmer may be unwilling to offer
goods at price which attracts the
consumer or that the consumer may
offer a price lower than the farmer
can obtain at a local market. To
quote the bulletin:
mot only must the farmer have
something additional to the usual
price to compensate him for the extra
work, contoncr and postage required,
but the consumer must also have
something tO attract him to pYrIgDI-
Tulsa daily world. [volume] (Tulsa, Indian Territory [Okla.]) 1905-1919, 1916-01-23
Work in Tick Eradication

Practical Demonstration in Work of Dipping Great Aid