Omaha daily bee., 1916-04-09

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NM Will hear for the first time
O Maggie Teytc in her greatest
yFw@xrA role. that Of Flora IN The
&tIRgNh Love of the Three Kings, an
&Afhn1D opera that has been creating
furore wherever the Boston Grand
Opera company has presented f. Waiter
Anthony OF San Franciueo, writing In
tho San Francisco Chronicle, says ~ a.
fon listen almost IN vain for . melody
~ 'LAmore del Ire Re- once you
hear something which might have come
from tho land Of Verdi when the horns In
ne Introduction 70 the third act sing
Honofously, while the mulcd trumpetB
and The strings provide dlsaonantai
harmony, and occasionally you hear a
cadence or tenor tone, or soprano, or
hass, Imposed on remotely related chords
nut mainly You hear no melody at all
You hear only. action reduced 10 the
terms df tone~the departure OF the war.
rlor husband the Atrldent trumpet calls,
lha symphonic setting Of a young wlfe's
woe, the pusatlons of her heart when a
einofseless oedlpus ilirottles her.
Never have ligtened to grand opera
that W0h 40 completely removed from
tenllmfnM ~ i9g 'EAmofe del Tire
Re" II tho most hopclessly unhappy plot
that ever appealed 10 the imagination Of
= composer Wegner would have liked
i IN hls younger years, since n has the
dol0rous death chamber Of The last net of
bomG0 hnd Julist1 II has the FILTER
shss The jealouay which anlmatos
nut "EAmore del IRE Re- has in it
something more than the music of the
new school, n has n Kiss that IA said
70 tranacend all other stage kisses as
the sunlight does tho calcium Waldo.
mar Young, also writing for the San
Francisco Chronicle, thus tells Of this
kiss, which Maggie Teyte takes part IN.
It1l0 M0binmnzzlA musical thriller.
"IfAmore DEF TTe HN," ellmaFcd last
night ln a bl1a D kiss of HWcetneaa 30
long drawn .9ut that even the Neither.
aohhu hnuEhtnesH q yeHter'yeaf seemed
LIPS met And elu1g Time passed
The orchestra, lifting 10 fine ecstasy
of blafc gnd bedlaQ, swung on and on
n might have been less than o minute.
n might have been more Some say
i've Anyway II vas an am1tOry cpl
H0de of some Duration
srethlcss. . brilliant flrat.nIqht audi
enee eat ontfaneed. Not anywhere IN
ail the great thropR ~ them was there
the disposition 10 Hay OH or "Aht'
0r 10 give The Ftgle tbat tho ordinary
stage Kiss u always IN peril Of pro-
Thai was bccaube this was no ordinary
st9Re kigs. II was, aa well os being The
climax ~ the npers, tho summit ~ the
nights exquisite display N tho arl ~
Maggie Teytc the dgintinFt prinB donna
The good town bna opfned its arms IN
welcome ~ for seasons. Giovanni Zeua.
tello'a grace .of feryor, helped. too. IN
the lmpecfobillty of the prolonged aeg-
sion.
"Are you there? Yes. ttis Is Nazgie
Toyte a reporter? Come down ard taye
my picture takcn7 Well I'm lust out Of
The ~ that Is, I'm not dressed, but II
you can walt minute, III be right
down"
This Il sample Of the conversation
that usually takes place shortly after
Magic Teyte, primn donna of tho Boston
Grand Opera company. gets TO her hotel
room after the arrival Of tho company.
She must have her morning rtub.'
That's the word she omitted in her con-
versatIon. for Maggie Teyte Is English
and II couldn't be anything but tub"
But even " she il English. there Is
twinkle IN her eye and an
ever ready witty reply that spells Kill
lsfney somewhere In her ancestry, or
Appearances are deceptive
She IL q golf enthusiast and many
morning when the tenors. baritones and
baagoe Of the company nre still quietly
mapping fsnoring is considered bad for