davidaulloa/AmericanStories huggingface dataset:
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
JEALOUSY CAUSES SHOOTING

SAA&AA%Oo0A 0xA00ASS0 S0AANSOAA>NNs
Jealousy terminated in q shooting
two miles north Of Folsom, last Sun.
day. Joe and Lucy Brown are mar
Gied, but 1t is said that Selma Dexter
was accused Of sharing Joe's at
fections and that bad feelings had
sprung up between the two women
Selma called at the home OF the
rightful Mrs. Brown, between II and
/ O'Clock p. m. What she said is
not stated, but evidently Mrs. Brown
got the best Of the argument, fol-
Selma was shot in both thigs and re-
cedved q scalp wound. She was sent
to the hospital. in New Orleans. All
parties are colored.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

but effectiveness in detail-that lives
may be saved and heightened and in.
creased physical vigor promoted?
The four banks in the parish of
st. Tammany are doing their duty
In the way Of financing the parish,
the loans carried by them now ag-
gregating 1926, 448!15 lars 9
amount for this section. See state
ment made ~ st. Tammany's Big
Bank on page five Of this issue.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
NOTICE TO INTRODUCE BILL IN
LEGISLATURE.

Notice Is hereby given that shall
introduce at the present session OF
the General Assembly Of the State OF
Louisiana bill giving to the faculty
Of st. Paul's College the power to
confer the degrees Of Bachelor OF
Arts, Bachelor Of Science and Mas
ter Of Arts, in accordance with law.
FRED. ]. HEINTZ,
Representative.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
wHooPINo COUGH.

when my daughter had whoop-
Ing cough she coughed 80 hard q
one time that she had hemorrhago
Of the lungs. ! was terribly alarm.
ed about her, condition. Seeing
Chamberlain's Cough Remedy %
highly recommended. / got her q
bottle and It -reheved the cough ct
once. Before Bhe had finished two
bottle Of this remedy she was en-
tirely WE'LL" writes Mrs. 8. F. Grimes.
Crooksville. Ohio. Obtainablo at
City Drug Store.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

NoR MAN.
moth Kentucky jack. Catrbanks W..
Ne. $3.50. Terms: $500 down ana
eS.oo when foal comes. q. Brunei
a Planeha 4 Porbos' saloon, Cov1ng-
lpgton, La. auAv-smo
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

BARGAINS IN EGGs-For hatch
Ing In 8. C. RhodeIsland Reds and
Barred Plymouth Rocks, SO cents for
Is. L. o. Alexius, Covington, La.
ap8-f
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

Mrs. Mary E. Morgan sends US the
first tomato in the parish to ripen in
the open ground. IL is Of the Earli-
ana variety. 1t ia = very large one
and we'll shaped.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

Came to my place in Talisheek,
about eighteen months ago, one dark
red bull. about IL years Of age.
white speck top Of tail and between
hind legs. Owner can have same by
proving property and paying costs.
else same will be estrayed and sold
according to law.
m6.3t WALTER PARKER.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

FOR sALE-Mare, buggy and har-
ness: pony trap and harness. Abso-
lutely sound and gentle. lady can
drive. G.. McHardy, Glen Gordon,
Chiuchuba. m6tf
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
RuB-MY-TISM

Will cure your rheumatism
Neuralgia. Headaches, Cramps,
Collie, Sprains, Bruises, Cuts and
Burns, Old Sores, Stings of Insects
Etc. Antiseptic Anodyne, used in
tofnally and externally. Price Csc.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

WANTED-Hewn heart yellow
pine cross ties. 6xS-6 and 7x9-6.
Highest prices paid. Write US quick.
Tho German Co., New Orleans, LA.
AD 13-6t
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
LAND BARGAINS.

Wesley Hall place. Folsom. Thir
ty acres, 1926.
Claiborne, - acres, next to Sun
shine cottage. Very good land.
$3.50. G. E. Millar, Abita Springs.
La. Phone 80. m132t
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

FOB SALE-Small black pony.
saddle and bride. Will sell at rea-
oonable price for childrens use. f.
q. Davis. ap1tf
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
KNIGHTS OF COLUMBUS.

Meets first and third Wednesdays
Of each month in Knights OF Coium-
bus Hall, Covington, La.
J. L. SMITH, G. K.
C. C. KORNFELD. Recorder.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

parish, as per tax deed executed BY
T. E. Brewster, sheriff and ex-omcio
tax collector.
mi 3-3t +. G.. MARRERO
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

LOeT-In Covington, on May 8,
q book entitled "Loretto," or The
Choice. Please return to office OF
ST. Tammany Farmer. m13-lt
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
SEED POTATOES.

Porto Rican Vans, per bushel 6O<
Triumph. per bushel. soc.
Peanuts, per bushel, coo.
G. G. ALEXlUS,
P. o. Box 331. Covingtor La.
mr4-2m
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

Singer sewing machiens, cash or
easy payments. Postal will bring me
singer sewing machines, cash or
agent, Covington. La. ml3-4t
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
MONUMENTS AND MARBLES.

Monuments and marbles of ever.
kind and description, from $l2 up
sold and erected. National Monu-
msnt & Mausoleum Company. OF
Canton. Georgia. N. H. FitzSimons,
special representative, Covington, La.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
MASONIC LODGE NO. 1ss.
+. 4 A. NJ.

Meets every second and fourth
Tuesdays At 1880 p. m.
e. G. DAVIS, w. NJ.
r H. WHITE. Sec.
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13

WANTED-To contract with teams
for hauling timber. Apply to Fred
W. Oertling, Folsom, La. mist
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
TOMATOES.

universally than
people
St. Tammany farmer. [volume] (Covington, La.) 1874-current, 1916-05-13
&. A. Q. D:
Bogue FalayA Grove No. Fl.

Meets on the first Saturday and
third Friday Of each month. 1t 1880
.. M, in Masonic Hall. Covington,
La.
r. L. AUBERT. Noble Arch.
f.. b. MARSOLAN, Sec.
The sun., 1916-09-24
WI DANCING SISTERS
who Came Honestly by Their
Talents,

The Ford Sisters. Dora and Mabel,
now dancing in The Passing Show Of
1915 at the Winter Garden, illustrate
anew that h%eredity. so far as the
stage IL concerned. ever runs true TO
form. 1t s almost Invariably the case
that the children of players become as
expert as their parents in the art Of
the theatre. That heredity in other
professions has failed is rather curl
GUS. Whether N~apoleon's son, L'Aig-
lon. otherwise the King of Rome, had
he lived. would have possessed his
fathers genius Is doubtful. It should
well be recalled that Chesterfield wrote
some very brilliant letters ms a guide to
his son and he-like the son OF Rich
ard Brinsley Sheridan-turned out a
dull fellow. The Kembles, keans,
Jefersons, Booths. Barrymores, and
many another theatrical family offer
ample evidence as to the potency Of
heredity on the stage.
The Ford Sisters offer a particularly
interesting example. Thirty years ago
Miriam Landow. the mother OF the
Ford Sisters. was a very popular stock
leading lady ct Pittsburg. She mar
ried William Forester and for twenty
odd yenrs Ford and Forester sang
and danced their way around the
world. During their time they were
considered the most expert clog dane
ers Of any country. They had 1--WE
children, two girls and three boys.
The sun., 1916-09-24

Ford. vere p~eneraiv r~ecorn,zea a.
being rho most exnert clio, danc.rs nj
the world Dora and Nahel Ford
since thew have danced alone have
made two trims 70 tho Continent and
have anpeared with ereat success over
IN England. france Re,pipm and dor.
many,
Rut tbe Ford Sisters have nm amb,.
zion. one NOT vet fu,Iv realized. I, 10
,be,r nurnosa % becorpe c,,esic dove.
The sun., 1916-09-24
Twelve years ago william Forester

Twelve years age William Forester
began teaching his three boys stage
dancing. The two little girls were
then 10 and ~ years old respectively.
The three boys nave become the three
greatest buck and wing dancers Of
the world. John Ford. the oldest of
the three boys. holds all champion
ships for this class Of dancing. While
William Forester was teaching his
sons to dance Mabel and Dora Ford
decided that they too would be dane
ers. They watched their fathers in
structions infinitely and when alone
worked out all the minute steps OF the
hard and soft shoe dancing.
Mabel Ford said last night: I'VE
seem to have been born with an In
| stinct for dance steps. Sister and I
never took n lesson in clog dancing
from father or n professional
dancer in our lives. We simply
watched father when he was teaching
the boys to dance and we initiated
them when we were by ourselves and
that is how we got our start. Dane
ing came TO us naturally. and new
steps to-day come to Ia just as
naturally"
scarcely n moment passes" said
Dora. that we are not on the stage
practising our old steps to get rid OF
the roughness and rehearsing new
! ones
During the ten years that the Ford
Sisters have been on the stage they
have rot always danced alone. Early
in their stara Careera they dpnCef
with their brothers. and the Four
The sun., 1916-09-24

young American. fresh from college.
who seeks his fortune in the scientific
cultivation OF bananas; several knaves
and military revolutionists. sometimes
friendly to each other. sometimes
arch enemies, but; always intent upon
~plundering whomever. whenever and
wherever they can. And each OF
these villains in his heyday takes
liberty as his watchword. the easier
to dupe the common people. and bring
them rallying at the first blare OF
battle trumpets. Then Of course we
have the consuls and representatives
of foreign Governments and faded
globe trotters seeking new sensations
in a quantity different land. II Ia
from this diverse assortment OF hui
mainly that I have picked my char
acters in The Flame and in pictur-
ing their actions and reactions l have
attempted to be faithful to conditions
not alone in any M single spot. but
in the whole Caribbean strata. What
happened in Cuba a generation ago
has since rehappened in Hayti and is
to-day being reenacted in Mexico. The
mighty chess board of the tropics is
the same. but for each game the fates
choose fresh human pawns.'
The sun., 1916-09-24
WHY P1ERRoT SENIOR IS HERE.

VI. Clerget's Theatre In the Hands
Of the Gevvnau Ms.
"My theatre in Brussels IL in the
hands OF the Germans" said Paul
Clerget during an intermission Of
"Pierrot the Prodigal' at tho Booth
The sun., 1916-09-24
TRAGEDY OF TROPICS IN A PLAY

only one man that I know Of In
France to-day. or indeed in the entire
universe. who can thus interpret
classic pantomime in the traditional
way. and that is NJ. SEVERN of Mar
settles. He 10 a disciple Of the great
Paul Legrand. who In turn inherited
the mantle Of Deburau. Marseilles.
by the way. has always been regarded
az the home Of pantomime in France
and has given more brilliant mines to
the French stage than Paris herself.
But even in Marseilles, the popularity
Of pantomime has wancd and II has
become virtually a lost art. More's
the pity. as every real actor should
have a fundamental pantomimic train
ing. Precision Of detail, suppleness OF
gesture and east of facial expression
can alone be acquired by experience
in playing pantomime. The public has
lost interest. possibly because motion
pictures have killed pantomime. Qui
salt ,"
The sun., 1916-09-24

II would like to break away from
the clogs altogether said Mabel. her
eyes sparkling with the ambition that
burned within her, but sister doesn't
think we had better"
mo. not now" explained tbe more
cautious Dora. 1--WE have in our pres
cnt dances an act that has made us
famous, and I think we had better
keep them n while longer
Tho Grecian dances arc so much
moro beautiful" went on the enthusi-
astic Mabel. "They have a higher
appeal. and in them we have so much
more chance TO show our art. I dearly
love n Greek costume. II IL 80 sim
pie and so beautiful. II, in itself. is
an inspiration to dance"
II is as we'll to explain here that the
Ford Sisters do not 10 to the length
OF certain other Greek classic cancers
on the present dat stage In getting
back TO nature" in their costuming.
They are as fully clothed as college
girls In performances of Greek dramas
10 crafty the whim of some fossilizcd
professor. and yet they have authorita-
tive models in old Greek painting and
statuary for every stitch Of clothing
they wear.
Did you originate tho Nausica
dance yourselves" I asked the girls.
Yes" answered Dora. I'VE got the
idea from mythology. and then rom
structed the dance
And so it is that the famous Ford
Sisters. clog danccrs evtraordinairc.
may In time blossom forth In tho
classic dances.
The sun., 1916-09-24

As ASI x9T M 5o2 4x eAS nxS Sc the d %T: % TSR 1w liked BEST "s"t they ALWAYS the ""a that" Ill
OF COURSE, you like GRIPPING DRAMATIC EPISODES. to and GORGEOUS SCENIC
ADORNMENTS and ENHANCING MUSIC.
Bta after ALL A BIG LOVE STORY counts mA doesn't it?
S M5! T II IL sS sT *1 il " fr s1K;": and "a; s ss by Syk ke4 1aa17 W4l 1G $ Tu hs Of x s .y, s: lii! 4KE
BRD OF PARADISE and "OMAR, THE TENTMAKER"
the manea on Wednesdays md Saturdays you must purchase ticket FAR IN ADVANCE if you
wish good seats
Perhaps you ought to know that" 1.-THE FLAME" Of tet title is rny THE FLAME OF MOTHER
HOOD. Tes story ncens tn Re love of Panels Cabot acharmigN New York; odHy Gr for Wayne
Putnam, a suugglngy mns Amianw VIII is seeking h. fortune in Mexico Casting aside soal
position Panels finally hds thu NSESTENT CALL o LOVE, mAi. Wayne and goes to live
with hin on hsl onay plantation
Then THEIR LOVE is PUT TO THE REAL TEST.
Pamela is ABDUCTED by ZbMa. eader Of the bLodhiny horde of awse.;a again and again hey
OF LOVE BURNS CONSTANTLY BRIGHTER Always they yelling clos to- ho other Faithful,
TRUSTING, HOPEFUL.
Then in thu lend THE FLAME DAZZLES THEM WITH ITS BRHLLANCY, and they discover that
the GREATEST TREASURE OF EARTH IS THEIR OWN FIRSTBORN.
Often during the play there lump in yor throat, and. sometimes you HISK AWAY A TEAR,
HAPPIER THAN YOU HAVE BEEN FOR WEEKS AND WEEKS. -" """
Yu will ak about THE WoNDERFUL SCENIC EFFECTS for day.. The. scene showing HUR.
RIcANE SWEEhNGI THROUGH, THE GREEN JUNGLE is one Of the MOST REALISTIC and
M00DSMRR.SG setting: ever devised Then hss.h the WEIRD PROCESSION OF VooDo0
ALTAR TO THE SUN AND MOON at the BOTTOM OF THE OLD WELL
There are tn CREEPY ToM:ToMs Of tn AFRICAN DRUMS; the WILD PAGAN RHYTHMs
for the CUBAN "RUMBA"; the LIFTING MEASURES heF OXTROT; the SWEET STRAINS
ofhes SONG OF THE FLAME and the TENDER MELODIES krh the DANCE OF MoTEERHooD
THE FLAME" is SUPERBLY ACTED by oe of the GREATEST CASTS EVER SEEN ON
BROADWAY. The feature player. mdude JOHN COPE, WILLIAM COURTLEIGH, VIOLET
HEMlNG, PEGGY ONENL Robert Patton Gibbs. Richard Gordon HamtS Sterling Ann Warrington
Byon RUSSELL Albert Tavrmer and so other
F" thousand and thousand reasons THE FLAME" IS THE TALK OF ALL NEW YORK.
The sun., 1916-09-24
Y writing The Flame" said
Richard Walton Tully the


Richard Walton Tully the
other evening. II endeavored
D., depict conditions In no single
community or ever country, but
rjrd to present phases OF life
IN all tho region adjacent to the
culf Of Mexico and the Caribbean Sea.
ohich includes not only the east coast
Mexico, but also Cuba. Jamaica.
u,ytL Santu Domingo and Porto Rico.
The piece is not Intended to he his
,,rcally accurate as to details, hut
broadly to typify the larger and more
.,lient nspccts Of existence In the
,'oces noted. The history OF all this
,ccion. iullll.lg Mexico, and the
Greater and Lesser Antilles. Is \
,remcly fascinating. and practically
,ne same cycles of experience have
one to all of them. For three hun
lrcd wears in all these places periods
= peace nave altcrnated with times of
.,r,fe and revolution. In The Flame
have tried TO show. with the aid of
-nmantic and melodramatic devices.
,le confusion. b%arbarity. sweetness.
cruelty. espresso and toll that are
.,.day cummingled he~lter-skelter in
,aa, grcn, territory below our southern
orders.
The conditions of to-day are the
-csnl, of three hundred years OF ex-
,loitation on the one hand and oppres-
,on on tho other. In the trail of the
-. adventurous discoveries came the
p~rlests and missionaries. II has al
w,ys been 50 whenever unknown sec
.,ns NJ the earth have at last been
chartcd. Immediately following the
Priests have always come the educa-
',rs. self-sacrificing teachers who give
heir lives for the sake OF uplifting
The natives. Thus in The Flame 7
lave presented the work of the priest
nd the teachers. who labor pretty
much in the same n to-day that
hey did five and ten generations ago.
FNr after oil. not SO much progress
fas been made. Indians at heart are
st,l Indians: the poems are still wild
and untamed: the negroes are still as
.-norant and superstitious as when
hey first came from Africa. That is.
The bulk ~ them all are. So in my play
have found a place for the negroes,
With their voodoo rites and atrocities,
az practiced secretly to-day: and for
re still %uncivilized Mexican and
spanish poems. and I have even in
,.uded the sun worshippers Of old. for
mere are still some Indians who wor-
chip the sun as did the Mayas GEN.
turies ago.
Into a land as rich in natural re-
sources as either Mexico or Cuba
here always come. after the priests
md the teachers. tillers OF the soil
and digcers ot precious metals. Most
II these are honest and struggling, but
a their wake come many unscrupu-
lous persons. even thieves and MUIR
derers. whose business It becomes to
prey upon the land before them and
despoil all within their reach. Anc
Town through all the years these
rarous classes of men persist. espe-
c!aIly when a land does not become
filly civilized. SO in The Flame I
have presented these men. too. the
'arnest. honest oil prospector. stalking
lis life and happiness upon his ability
20 discover the riches Of earth: the
The sun., 1916-09-24

Theatre the other night. THAT IL the
reason / am here In New York to-day
playing Pferrot pere instead Of man
aging the house I own and have con-
troiled for many years in the Belgian
capital. Previous to taking the man.
agement of the Alhambra in Brussels
] was the lessee OF the Porte St. Mar
tin Theatre in Paris and r%elinquished
the direction OF the historic old play
house to NJ. Constant Coquelin. At
! BRUSSELS I produced all OF Franz L.
, hairs operettas for the first time out
side Of Germany. The last produc-
ton I made In Brussels before the
war broke out was the opera Of "Sy-
bill" which has been such n great sue
cess on your side Of the water. I own
and control tire rights 10 "Sybil" for
the European continent, with the en-
ccption, OF course. of Germany.
Among the plays which I AVE pro-
duccd for the first time on any stage
have been Eugene Brieux'e 'Menage
d'Artiste.' Maurice Donnay's 'L'Amant,'
and Croissy's lie Main Coupable,' as
well as other pieces by Pierre Wolf
and Decourcellc. have always
blended the careers of actor and man
ager since ] made by debut in Paris
with my contemporaries. NJ. Guitry
and NJ. HuGuenct. Curiously enough.
We all started together and we have all
played identically the same lint Of
parts. NJ. Jules Claretie. who was so
long director Of the Coincide Fran
ciise in Paris. did me the honor Of
twice asking me to join the national
stock company. but az | was hen In
charge of the Porte st. Martin The
atre I had to decline the offer.
"Of course this is not my first in
curslon into the pantomimc field. Mon
Dieu. non. I played for an entire
month ut the Nouveautes in Paris in a
pantomime lie Statue du Comman-
deur.' which next to 'L'Enfant Pro-
iigue' has proved the most successful
dumb drama on the French stage. The
music by David was delicious and I am
surprised TO learn that 'Le Statue du
Commandeur' has never been done In
this country. l also played the title
role in another successful pantomime
'Scaramouche.' and my costume and
makeup were n replica OF Watteau's
famous painting which hung in the
Louvre. Possibly you may be sur
prised to learn that Romeo n Juliet.
when played in pantomime In thre,
acts was highly effective md score q
success. Another wordless play II
which I have acted was 'Barbe Blou'
otte.' n new version OF the old nurser,
legend about 'Bluebeard.'
Mind you. I do not rate myself Al
4 mime in the traditional sense OF IN,
word. Let ME make myself clear IL
this matter. as II involves an interest
ing question of dramatic art. Panic
mime when It was at the height OF II,
vogue on h French and Italian stag,
had n gesture code. or. as I call 1t
rantomimic vocabulary which wa,
understood by the audience quite a!
clearly as II was interpreted by tn,
mines. For instance. certain gesture,
and expressions in the old academi,
code Of pantomime were veritable sym
bois which the artist mastered ar,
made so Ineligible to the spectator.
that they understood II as clearly a!
IL the spoken word accompanied II
DO I make myself clear? There Il
The sun., 1916-09-24
Brooklyn Amusements.

STAR THEATRE-Charles E.
Taylor. beginning Monday matt
nee, presents his "Darlings Of
Paris" burlesque company in a
performance consisting of musi-
cal comedy, burlesque and vaude-
Vile, including in the cast Doro-
thy Ceilings, Searcy and Noble,
Leona Fox, Harry Seyon. Lew
Reynolds. Hugh Flaherty and
Josie Taylor. The first act is en-
titled 1.-THE Girl from Jacks" and
the second "1n Gay Paree." The
usual Sunday night concerts will
be given.
BUSHWICK THEATRE-Hen-
rietta Crosman, Emma Carus and
Larry Conner, Maude Muller, AL
Herman, George Damarel, Ota
Gygi, Whitfield and Ireland,
Bradley and Ardine are the head
liners of the special entertain
ment beginning at 1:45 each
afternoon during the fifth ami
versary week of this theatre un-
der Keith management. Hen
rietta Crosman will be seer in a
bright little comedy called "Cous-
in Eleanor" by Frances Nord-
strom.
ORPHEUM THEATRE-ack
Norworth, who has just returned
from two years in London on the
vaudeville stage, is the headliner
for the week. Others on the pro-
gramme are Joseph Howard and
Ethelyn Clarke, George Austin
Moore and Cordelia Hanger and
others. May Tully will present
1.-THE World Dancers" with
| Emile Lea and Tom Dingle and
ten other dancers.
PROSPECT THEATRE - Be-
sides Keith vaudeville changed
twice weekly, on Mondays and
Thursdays. the programme in
cludes first run Triangle and
Keystone feature motion pic
lures. During the first part Of
the week Bessie Barriscale will
be seen in a film called Home"
The vaudeville programme in
cludes Bob Yosco. Armstrong
and Ford, Anthony and Mack,
Will j. Ward and others.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1916-02-25
Country Hay and Grain
prices paid producerl

The diamond industry is believed
to have suffered more than any
other as a result of the European
war
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1916-02-25

cities.
Both are Cheyenne boys. Har.
rington has been graduated and Is
associate editor OF silver and Gold.
the University of Colorado sent.
weekly. Schneider is still in Chcy.
enn. high.
Three years ago Harrington was
told by his family doctor he had a
heart leakage and must not enlist
In the cadet corps. He vas thin.
tall. delicate. His parents took him
to see Denver specialist. who
confirmed the doctors diagnosis
But Harrington wanted 10 Join
the cadets. aud got permission from
en- osteopath. lie omitted only the
wail.scaling part OF the tralnins.
Two years OF drill built him up
so he asked his osteopa,h for per.
mission to try wall scaling In hts
senior year lie won a.
HARRINGTON was graduated last
June lie won second houors for
scholarship. AND HE WAS SIX
FEET TALL AND WEIGHED 100
POUNDS. He weighed less than
itO when he Joined the cadets. His
wall scaling didn't affect his heart.