The Hope pioneer. [volume] (Hope, N.D.) 1882-1964, 1916-07-27
What Came
OF a Sketch
By EDWARD 7. STEWART

Au~ VI OAA - AANS>
youths efforts to get an art educa-
ton half a century ago are almost i'll
credible. Ryerson paid his expenses
to Italy and lived there a year on
$3.50.
One day when. he was eating his
usual dinner of macaroni-with no ell
trees-in a cheap restaurant, costing
him u couple of cents in our money, Il
him, whose appearance seemed to offer
a striking subject for a picture. He
was shabbily dressed, a conical hat,
mustache turned up, Il pointed beard
was suggestive Of Mephistopheles. Ry-
erson asked him If he would object to
his making a sketch Of him. The man
consented, and the artist, opening a
portfolio he had with him, took out
pencil and paper and went to work.
The model was an Englishman, and
they conversed during the sitting.
Ryerson possessed Il gift for catch
ing likeneSses, important i'll that day
when there was no cheap way Of get
ting them, for Daguerre had only just
invented his process. \ sketch was
made that was III excellent reproduc-
ton Of the mans features, including
a scar over the right eye. Ryerson re-
GREETED that he could not pay for the
sitting, but the man declared that, be-
ing poor himself, he could appreciate
the others feelings. However. he eX-
pended u Ira in IL litre Of Wine, which
he invited Ryerson to share with him.
He seemed, however, to be Il miSan-
thropic person, and Ryerson judged
that he had met With some misfor-
tune or had been treated uniustly.
At any rate, his disposition had evil
IDENTIFY been soured. He made an i'm
preston on the artist, and after they
parted Ryerson could not get him out
of his mind, and the sketch kept the
impression alive.
Ryerson engaged passage to America
by way of Genoa, and while waiting
for the ship to sail put up at a hotel
where the guests We're mostly English
and Americans. In the reading room
he picked up an English paper and
while scanning it his eye caught an
advertisement for information of Cecil
Manchester. followed by Il dissertation
reward Of 600 was offered for infor-
nation that would lead to the party's
discovery.
Ryerson was so impressed with the
belief that the two We're identical that
he was tempted to cancel his passage
at Genoa and go home by way of
London. His story Of his meeting
with the man ne had sketched might
furnish u clew to his discovery. But
to go by London would be more ex
p%ensive. He tossed d coin to decide
whether or not he should take his
chances Of profit by going to London.
and London won
Counting up his available funds, he
found that he could get to London, but
if he received no acquisition there he
would be short Of his passage money.
Again he tipped the coin to determine
if he should take this added chance.
Again the risk won.
\ few days later Ryerson stepped
into the Office Of the London paper that
had contained the ad. and told his
story.
"Have you the sketch:" he was
asked.
He at once produced it and was
offered any price he would ask for its
use. 1t was surely a likeness Of the
party sought for and the only likeness
eXtant. Its publication would be of
great help in finding the original. Ryer-
son told them that they could have the
picture for any price they chose to
pay. and they drew a check for a hun
dred pounds.
So far, so good. If the sketch led to
finding the original Ryerson would re-
ceive the 1900 reward in addition, in
all 81, 800.
The likeness was published all over
the continent, especially in Italy, and
finally met the eye Of its original who
had found a position as croupier at the
casino in Lucerne. He at once OPEN
ed a correspondence with the London
paper.
The story Of Cecil Manchester, sec
ond son Of a British noblelnan, is a vo-
luminous one in itself, far too long to
be given III this episode in the life Of
an American artist. He had unwilling
~ got mixed up with rascals and had
shared their disgrace. He had jumped
a bail bond and become a wanderer,
his family having turned against him,
not even knowing his whereabouts.
Then he had been e%xonerated. and all
were anxious to make PREPARATION. He
returned to England, where the fatted
calf was killed for him by his father,
who was rich.
Ryerson was in great luck. He was
regarded as the connecting link be-
tween Cecil Manchester and his fam
lily, who had wronged him, and both
were anxious to pour out favors upon
the artist whose marvellous likeness
had secured the wanderers return.
Having been paid the reward, he was
invited to the family residence in Dew
/ OnSlfro. where he &Uoc Uuino1 o,1 -1