davidaulloa/AmericanStories huggingface dataset:
Danskeren. [volume] (Neenah, Wis.) 1892-1920, 1916-11-22

luBel lDt I'll l1eIe Jun StreO2foIz
manO lpngere. Mion beitemte at FEN
lGgge oenne Sog til n9ite Me0e.
Eors0ag 9tftes boIoteg @g6et
pad @ngelif inrlig al &enipn til
ungOomnlen, bborof en- Del Oesppr.
re life er 6leoen oplprt / set onnife
Sprog. lln0ertegne0e boIot Sore.
Drag oDer: o8be Sun0aD School.
its 6istoro, its necessity ano ifs
greatest efiiciencp", % 8ait. 6. 2.
Hoienberg boIot 6ereiter Ell fort
Brgoifer, ligeleoes pao @ngelif.
Ser bar Ell meget itor og opm9rf.
iom 6orIamlina. Smngforet gla-
Oe0e os ben g[ften peo Solo %
firItemmig Gang iom peo ienere
Wt6Oer; De iang pnoi9t.
6reoag 5ormioone aabne0es Me-
oct me0 Gnongt beo Bait. g. DC.
Sanien. @n tele9rafiif &ilien ira
DIR. og Rrs. 66. @itfeIien, San
8rancisco, oplGites al Commander
og blep mootaget meO Eaf. geiera-
tet ira @anrsmeoet bleo opIpit oa
9oofenot. areosfaslereren opIpite i'm
Iaf &eOisiionsfomiteen g~oofenote &op.
port, lom 6IeD mo0taget meo 9of.
Happorten n0biIte, at Der oe0 ga-
rets 9egDn0elie par en- aasiebe-
bol0nino al $t024.54. Sn6tagter
| &reoien gennem Iarets SOB
$7S9.85. 3ilifllo ira Samiunoet
$4,000 ialt $t974.39. 5 famine
Giosrum bar lto9ifterne $155t.55,
boilfet gap en- aosiebebol0ning al
$422,55 S aasien for ct remit
oigt 9grnebiem bar ser ogiao inc.
fommen Ell Del @ooer / aorets
2sb.
On Sfrioelie til Omienoelie /
Menigbeoerne bleo foreIsbig lagt
paa 9oroet. Snoberetningsfomitpen
rapportereoe oeo Yoit. %. g. 5.
gtielien, builfen Gapport mootoges
til @ennemgnaelie punftpis. 5sl-
genoe 8unfter ueotoges:
l.. areosmsoet uotale i'm @Ipoe
oper Den 9ooe Or0ning, ser peo
Samfunoets Stprelies SiGfpnoelIe
er truifen, meo Senipn til Sap-
maros = 2ioermore. NisiionsfaIoet
boaoe meo Senipn til @isiionsprp-
item, Observation-Disclosures ogSipl.
pen fra Samfunoet.
2. 9reosmsoet uotaler i'm @lpoe
ooer ben uobiite Offerpilligbeo /
@enigbeoerne i areoien til &reos:
misiionen, men nleo oe foregeoe
llogiiter for Die, Der M uoaer ca.
$500 aarlig, opmuntres Wenig.
beoerne = % De forifellige Creme
inoenfor iomme = til at noe ON
muligt enonu rigelieere, iaa De
nsopenoige MioIer riaa fomme inc.
8. @re0smeoet beitemmer, at ser
boloes &eformotionsieit BEN 81.
Oftober 1917 ON muligt | 6orbin-
oelie meo n9Ite 4reosmsoe. Oct
p%eotoges, at en- 4omitee paa toBrp-
tier oe en- 2e9mano oelges for
oenne Gag for 1 Samraao meo
8reoiens StpreIie at orone alt neo
Senipn til oenne Seit og Bro.
gram. Grpiterne %. Sanien og M.
6. Senien @ngbolm % Delegat
g. Smitb palgtes. Greoien inobp-
Ser De miperenoe oNaitoreiemeri-
ii" til at oeltage | Geformations.
ieiten og of6oloer beres @eiieiiogif.
ter.
A. Oct benlegges til 9reositprel-
len at u~oarbeioe og tilienbe aIle
BrGiterne I 9reoien en- ipecifice.
ret Cite ooer Snot9gt oe lto9iit
/ 4reoien.
0a Der / nogle Wenigbeoer poes
iaite maaneolige 9ibrae til &re6s.
misIionert, benitiller @re0ien til De
andre Menigbeoer at operbeie, ON
oct Dor miiIigt for bisie at felge
famine 5remgnngsmaaoe.
(GI,,t+aal
Danskeren. [volume] (Neenah, Wis.) 1892-1920, 1916-11-22
EN- GOD oG BILLIG FARM

I skandinavisk Settlement. 243 Acres
godt Maisland, code Bygninger. To Mil
fra Blooming Prairie, MINI, Lette Vii
kaar. $4,000 til $4,000, nu eller I'll For.
rent Rente, Rest / s eller 10 Aar Q Pro
cent Rente. 1925 pr. Acre. Kom eller
.kriv. - Fagre Rye Land Co., Blooming
Prairie, Minnesota.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
Old Fashioned Opera

Many years ago. when most OF the
matrons who now fiji the boxes At the
METROPOLITAN Opera House were
Younger if not more charming than
they are now, THE Chicago Examiner
newspaper perpetrated al amusing skit
at the expense of Colonel Mapleson
and the new opera "Manon," which he
was exploiting at the time. IL pub
lshed what purported 20 be letter
from the redoubtable colonel. in which
he graciously put at the disposition OF
the newspaper the text Of grand
duetto in Alto secondo" of the opera.
The satirist did not know, OF course,
that "Manon" isn't that kind OF an
opera. but mis- fun was diverting at the
time and is diyertng yet. since "A Few
old-stye Italian operas still hold the
boards. At any rate, the parody IS
worth reproducing, so here 1t 10:
Msnon Umplohnsyl -signorei
Manon fffanticallyl -Piefa slsnOre MO sllstto.
Presto andante. ma cuspidor.
Al che Ia m0rte ANNA alleget0
Nj hunk dor Al iresco amor
De Grieux lafectedl All. hi casino
Manon more franacallyl-Sh infsuce amor yer
Alabsrsn con rislto Juror.
Chora 30 lima. ah rasherri ielli
Oh. QuAlt0 sagOn cum cloSa u dof
De friour deeply mosedl-Mi yoce husN.
% gotta sanduski
fervdlyl SIC ssmpre macaroni.
Parlafe brandt POM.
Uu0mn con banana
D. 500 Ter Eve havana.
Sfiettof
Msladetf0i
tospeffOl
Don f0rgett0
lDcspairingyl Hsd.o. hsdio hsdio dino
TIge.a good cissrOi lSfrAes high @.
Mauon (wildlyl Al. A0rita cCucertlna.
Expressive.
Excessive.
Tomato supe aroma Throws her arms around bis
necfl.
Both wildly --Reina victora astfs spaghetti.
Ipocac castor Oyl milo oguor.
lit al casino non mi spermsce'i.
M huuh don FL frgscO amor
Mauon umpi0ringlyi -Ah. MI hunk dor'
DE Grieux fpasslouateI on. gOia glor
Mau0u--A h-Al--tr. ...e ... &c. .-.e \ lu al
Both down 80 the f00tighfsl-Presto sldauts "a
cuspidor
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
How Pasquale Amato
Made His Name

Pasquale Amato. the Metropolitan
Opera star who has been called by
many admirers "the emperor Of barry
tone" did not start his career as an
infant protege He had not been "ac-
claimed in three continents at the age
of five. Not until he was twenty-five
years old did he make his debut as Ger
mont in LA Trayiata," role which was
to prove as fortunate for him the first
time he sang it as it has been since.
Amato's first appearance created
Juror and a career second to none was
predicted for him.
Despite this success 1t was difficult
for him during the first two years
1900 to 1902 to procure engagements.
The Metropolitan star of to-day for two
years struggled to support himself his
wife and their only child. But IN this
period of stress, says Amato, his wife
went to his aid and by her steadfast-
ness and devotion helped him TO tide
over the deys of adversely. In 1902
came a turn in his affairs which led
to success. Giulio Gatti-Casazza and
Arturo Toscanini, both at that time
being with the famous La Scala, Of
Milan. one the impresario, the other
first conductor, heard Amato sing.
They were delighted with his voice and
advised him 10 go to Germany to round
out his repertory.
Amato went to Germany and learned
to speak the German language like
native. He sang leading parts in Wag-
merriam opera and established his repu-
tation in such distinctly Teutonic roles
as Amfortas in "Parsifal" and kur-
wenal in Tristan ind Isolde lie re-
turned 10 Italy in 1905. The reputation
he had mad, in Germany preceded him.
Vanice first engaged him as Germont
in LA Traviata," the role in which he
had made his debut. He impressed his
hearers to such a degree that Gattl-
Casazz. who was still director OF La
Scala. went 10 hear him. When GATH
Casazza heard Amato he wanted 10 en-
gage him, but found the singer had
signed a contract to appear at Turin.
Nevertheless he outbid Turin, and
Amato prepared for his debut at the
greatest opera house of Italy
In LA Gioconda" in the role of Bar
naba. Ama.o was scheduled TO make
his first appearance there. Just two
days before his debut was 70 take place
he succumbed TO an attack Of laryn-
gitis and bronchitis, yet that did not
prevent hiw from endeavoring 70 take
the part for which he had been cast.
On the opening night, after finishing
the monoloeue Of the first act, Amato
found that he had no voice left. Dis
consulate and discouraged, he wrote
Gatti- Casazza and Toscanini that he
would abanCon his career as singer
and 20 into business. They remonstrat-
ed with him, and prevailed on him to
take a rest. He stuck 70 his bed for
twenty-eight days, and reappeared as
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
A Christ-Child Legend in Ballad Form.

Il version with melody noted from the
singing of an old woman in Alresford,
Hants. in November 1907. OF the
several melodies which ! have seen
none resembles in any respect the one
sent by Miss McGill, nor is there one
so graceful and beautiful.
The story told in the carol is a le-
gendary one which was spread through
out Europe by the Pseudo Matthew
Gospel, a portion of the apocryphd
New Testament, written some time in
the early centuries Of the Christian era.
As set forth in Chapter of the
Pseudo Matthew, it is thus related by
Professor Child: "On the third day Of
the flight into Egypt. Mary, feeling the
heat TO be oppressive, tells Joseph that
she will rest for while under a palm
tree. Joseph helps her to alight from
his beast, and Mary, looking up from
under the tree, and seeing 1t full OF
fruit. asks for some. Joseph, somewhat
testify, expresses his surprise that she
should think of such thing, consider
ing the height of the tree-he Is much
more concerned to get supply Of
water. Then Jesus. sitting on MS
mothers lap, bids the palm to DO"
down and refresh his mother with its
fruit. The palm instantly bends ITS
top to Mary's feet" In Catalan and
Provencal, Professor Child comments,
the tree is an apple. On the way from
Bethlehem to Nazareth, Mary and Jo-
seph come upon gardener who Is
climbing an apple tree, and Mary asks
for an apple. The gardener politely
gives her leave 70 pluck for herself.
Joseph, not so disobliging as in the
pseudo gospel, nor 50 cruelty suspicious
and rude as in TIN earliest forms %
the English ballad, tries 70 reach the
apples, but the branches 20 up and
evade him. Mary now extends her hand
and the branches bow down to her.
The cherry tree is a purely English in
vention. In some ballads the palm is
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
.AS / WALKED OUT"

Among the Kentucky ballads printed
in The Tribune on April 80 was one
beginning
As | walked out one evening late
To hear the sweet birds sing,
which described as a fragment which
| had not identified either in words or
melody. have since found an Eng
lish version in No. 8 of the journal
Of the Song Society" which goes
AS follows:
As walked out one May morning,
SO early in the Spring,
I placed my back against the old gar
den gate
And | heard my true love sing.
To hear my true love sing, my boys,
To hear what she had for to say,
"Tis now very near three-quarters OF
year
Since you and together did stay"
Come now, my love, and sit down by
me
Beneath this green lofty oak where
the leaves are springing green,
It's now very near three-quarters Of
year
Since you and together have been" %
81 will not come and sit down by you
Nor no other young man;
Since Won have been counting some
other young girl
Your heart is no longer mine"
The ballad was noted by Mr.. r.
Vaughn Williams, who remarked that
the tune was "a good example of the
extraordinary breadth and melodic
sweep which is to be found in English
folk-song." The Kentucky melody
bears a singular resemblance to the
English in breadth and melodic
sweep"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

the one string which is used as a chan
terele on which melody is played IS
stopped by the fingers without mechan-
zeal aid, as the strings of the violin and
banjo are stopped. The strings which
are left open furnish forth all the har-
mony that folksongs require. As a rule
folksongs have no modulations. The
"dulcimore" is entirely of domestic
manufacture, and sells for 50. The
homemade violin is also in use in the
mountains, but is less common than
the dulcimore. The latter name is no
doubt a corruption Of dulcimer. an in
strument which in a simple form was
more common in the United States nifty
years ago than it is now remember
seeing one in farmhouse in Northern
Ohio when / was a boy.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

1t will probably surprise no one
familiar with ballsdry to learn that OF
the 3O5 ballards which Professor Child
printed in his collection the one that
has oftenest been found in the United
States and which is most widely dig
tributed in this country is Barbara
Allen" An obvious reason for this
is the fact that Barbara Allen" has
frequently been printed in popular
sone-books and sung by many persons
who never gave a thought to its tradi-
tional character. II has been found in
every one Of the Southern states men
toned and eight varients have been
noted officially in New England. As
onposed 10 this there is only one rec
ord of the recovery of "The Cherry
Tree Carol" in the United States and
that is the one which is printed and
discussed for the first time now and
here. though it, too, has been pub
lished With music for popular use.
am bcholden for this version, col
lectcd in Kentucky TO Miss McGill who
writes that she heard il from only one
singer who lived in most inaccessible
place in the mountains. The evidence
that II Is genuinely traditional is in
controvertible. Child. who numbers it
81 prints version with varients from
Ssndy's christmas Carols collected in
the West of England" another version
from Husk's Songs Of the Nativity
reprinted from a broadside Of the 18th
century; one from Homes Ancient
Mysteries" published in 1923; one from
Sylvester's "a Garland Of Christmas
Carols" one from a Birmingham chap
book Of about 1s43 quoted in Cowper's
"Apocryphal Gospels" one from Bran
lev and Stainer's christmas Carols
Gin which it appears with melody as
sung in Yorkshire); and one taken
down from the mouth of a wandering
gypsy girl in Berkshire. In No. IL Of
the Journal Of the English Folk-song
Society, published in June 1909. there is
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

The mountaineer sings a great vari-
ETY. Of songs wrote Miss McGill in the
communication printed in The Tribune
on April 80, usually unaccompanied.
However, the banjo, fiddle and guitar
are used, to say nothing of the indig-
enous 'dulcimore' This instrument,
having somewhat the appearance Of an
attenuated violin, is played with pick;
it has three strings. two tuned in uni
son, the third to a fifth below, and
serving as a sort of droning bass
Later Miss McGill sent photograph
Of the instrument. and added to her de-
scription: at is always plucked, the
first string alone being fretted for solo
requirements, the other two serving for
a droning accompaniment. The per-
former manages, however, TO effect
rhythmical variety which is interesting
and surprising" The picture Is here
reproduced.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

Kurwenal in Tristan und Isolde" to
make an immediate triumph.
From that time on Pasquale Amato
was in every way one of ltalys first
barytones. South America eagerly took
him each summer. When Gatti-Ca-
sazza was summoned to the Metropoli-
tan opera House as manager, his first
choice among principals was Amato.
Amato made his debut in New York in
1908 in "Tcavia.A,' and from that time
until to-day his popularity with the
concert ant opera public has been un-
questioned
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

God in trnyte," and he humbles him
self accordingly. With the remainder
of the play we are not concerned.
From various copies printed at dit-
ferent places Hone compiled his YER
sion, which is as follows:
Joseph was an old man.
And an oil man was he.
And he married Mar.
Queen Of Gslilec.
When Joseph was married.
And his cousin Mar, got.
May proved his with child.
by whom Joseph knew not
A. Joseph and Mary
Wsh'd through the garden gay
Where the cherries they Tes
Upon every tree.
o. then bespoke Mary.
With words both meek and mild
Gather me some cherries. Joeeph.
They run IN my mind.
Gather some cherries
For | am with child.
o, then hspoke Joseph
With words most unkind
let him gather thee cherries
That got tire with child"
O. then bespoke Jesus.
AL in his mothers womb
Go to the tree Mary
And ~ shall bow down.
Go n the tree MARY
And il shall bow 10 thee.
And the highest branch OF All
shall bow down 10 Mays snee,
And she shall gather cherries
By one by two. by three.
"Now you may see. Joseph.
Those cherries were for me
o, eat your cherries Mary:
q eat YOUR cherries nov.
o. eat your cherries. Mar1.
That grew the b0ugh.
Thus far the carol follows the pseudo
Matthew legend; the continuation has
nothing TO do with the legend, and is
the most beautiful part of the ballad.
There is but a suggestion of it in the
last two stanzas of the Kentucky YER
sion. In the compilation made by
Hone the carol runs on as follows;
A, Joseph vas walking
lie heard angel sing
This night shall he born
our heavenly king
He neither shall he born
In h0usen. nor IN hall
Nor in the place Of Paradise.
But In an or stan
He neither shall be clothed
In purple nor IN pail.
But all IN fair linen,
As babies all
He neither shall be rockd
In silver. In gold.
But IN wooden clsie
That rocks the mould,
He neither shall he christened
In white wine In red.
But with the spring water
With g-hirh Cnrlstene1.
Then Mary took her young Son
And set him on her knee
4 pray thee now. dear child,
Tell how this world shall h.!
This world shall be like
The stones IN the street
For the sun and the moon
Shall bow down al thy fesi
And upon a Wednesday
Ny vow will I make.
And upon Good Friday
Ny death will take
And upon the third dsy
Ny uprising shak be.
Aud the sun and the moon
Shall rise up with me.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
A Grewsome Tale of Murdered Twin Babes

child in the North Carolina noun
tains." The fragment, it will be OBJ
served. corresponds closely with the
fifth stanza Of the version sent by Miss
McGill from Hindman. KY. There Is an
indication that New York is d perver-
sion Of the name Of the English town.
In Cecil J. Sharp's Folk Songs from
Somerset" fourth series, published IN
1908. there is version Of "The Cruel
Mother" which begins
There was lady dweH IN York
She feii IN love with her fathers clerk
Down by the greenwood side. o.
The melody recovered by Mr.. Sharp
is not at all like that found in Ken
lucky. Professor Smith reports versions
Of the ballad found in Kentucky, Geor-
gia and Virginia. 1t will no doubt be
found again in North CAROLINA, where
Miss White said it had been heard
some twelve years ago from the lips
Of poor mountain white" child.
There is no record Of the tunes to
which the other American versions
were sung.
In May, 1900. after a lecture at Cor
nell University, received from the
communication Of Mrs. ". Miller, the
ballad Of which print the melody and
first stanza in another place on this
page. 1t seems to be singular mixture
Of fragments Of The Jews Daughter
also "Sir Hugh Of Lincoln'1 and
"The Cruel Mother:
As walked IN my fathers hall.
(A alone aloneyl
saw baby tossing ball.
down By the greenwood sde5J
took ny penkni'e or o. my pocket
I stuck Il into the hahy's heart.
I buried him under a marble stone
(All alone. aloney).
I buried him under marble stone
Down hy dhe greenwood .ideyl.
They caught me At Il. my fathers men,
They put me into dungeon then.
Mrs. Miller informed me that she
had learned the song from hearing it
sung by her father, Daniel Farren Rog-
ers, of Minturn, Iowa, who was a son
of the abolitionist poet, Nathaniel Pea
body Rogers.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
The Kentucky 'Dulcimore.

BODY Rogers.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25
Central Park Concert.

The programme for to-day's pep
ular concert at The Mall, Central Park,
at 4 p. m. to be given by Franz Kaiten-
born and his orchestra. The Park De-
partment announces that this concert
was made possible by the generosity Of
Elkan hamburg.
PART J.
star spansei Banner
March Queen o. Sleta" ..........-.- Goanol
Choral and fugle. ...... -. ..... .-.. hs,"
N0rfu-ne from Midsummer MINIS Dream
Ih1rn colo Herman DltschksI. and scherto.
from 'Aillsummer Nigats Dream .--....-,
Dance q me Hours. from La Giocollda AIM,
s.,-.,,.- ..r-.r... sias.ene.
PART n
Overture. -R1samIrie' .....-.-. .-. Sehlber'
T~imget solo Farewell sons from The
Irlmpefef NJ rlrsns-n ..tt.- Nt,-iei
Filtrlstein.
waltz Artists LIE ....-----. ...-. -tiauss
Srrins song .......... -..-.-Fsn der stucse.
Symphonic poem. Preiudss ............. .Ll'Ii
"AmercA
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1916-06-25

preserved, and in others the tree Is a
fig. In Franz NJ. B5hmc's "Alt-deutches
Liederbuch" ! find hymn of the NJ
teenth century used at the dramatic
ceremony in the churches. called
hindollcie0en "a ceremony of which
the creche tablcaus in the Catholic
churches is a survival, | fancy, called
Die heilige Familie auf der Flucht
mach Egypten," in which the tree is n
date palm mot fig, as Child says.
The quaint old verses are worth repro
ducing:
Joseph der nam sein Eselein
vol bel dem Zaun.
Er fnret unter
Elm Datelhaum
Iselein. du snllt sule stan
Maria die will rornet han.
sic 1T Nude
Ia neigei sich der Dsnelhsum
IN goics CUTE
Maria brach die datteln
vol IN ihr scho.s
Joseph dcfselcu veil
doch 100 verdross
lselcin. ia solli frhass gan.
Wiz hahcn noch dreisg neil ~ gan.
IS wird ~ spatc"
Ia neige sich der daitelbsum
"a g1tes guade.
In Halliwell's edition Of the Coventry
Mysteries Pageant XIV is a play which
Hone describes under the title, "The
Miraculous Birth, and the Midwives."
In its beginning the miracle of the
cherry-tree plays a part. The play,
says Hone, begins by Joseph acquaint-
ing Mary that Octavian having de-
manded tribute to be "cryed in every
bourgh & Getty be name" he must
"sekyrnedys" in Redeem" by labor
Mary says she will 90 with him, where
she may perhaps find some of her kin.
JosePh-AIy Spouse ye be with chids; fer VOW
For. me semyth It we're vsrtys wylde.
But VOW 10 pose. psht fayu void l.
fiit women ben ethc 70 sreve. Than thel be
Now latt us forth wend IS fast as We NAV
= a. mighty God spede rs. IN cus tumsy.
Mary, while they are travelling,
espies a tree, and inquiries of Joseph:
4 my sveete husbond Holde 70 teIle to me-
What ire is yCn, standing vpon yon hylle'
joscpi.-F0r suthe Mar II Is clepyd chery ire
In tyne n yer. sc might rede VOW Their on
yOvr fylo
Maria Turn geyn. husbond. 4 he holde yon ire.
How that 10 hlomy ght. now. 50 swetly.
Ioselh-Cu on MARY. that We wern a. yon Cytn
or elIys We may De hlayd. elle VOW lythly.
Mara-Now my Spouse. ! pray VOW 20 be hold
How the cleryes grown ypon yon tire:
Tor 10 have them 81 uglt. fsyn ] void.
x 30 psyd SOW 10 labor so mech for me
Jpscph-Yo' desyr 10 fulfylle l schsu assay
seyrly.
Ow! to plucke VOW q these cherries. It IS a
werk wyldel
nor the lre is M. 1t vol not he yghty
Y for leie by pluck vow cheryes. be rat, VOW
with chde
Maria Vow. good lord. pray the. srsunt me
this b0un.
10 hau u these cherries 4 it be 30 wyl.e:
TOW. ] thank n god. yis ire hWsyth 10 me down.
! may now gader'y a move. a etyn my nyhe.
The gracious conduct of the tree in
bowling down so that the Virgin her
self could pluck the cherries makes
Joseph regret that he has spoken in
reproach Of his wife and has offended
The Barre daily times. (Barre, Vt.) 1897-1959, 1916-01-14
ALL PASSENGERS
WE'RE QUEST IS ED
Clark Arrived in
New York To-day, and He
Will Make Full Report to
the War Department of
the Occurrence, Which Is
Held to Be Serious

New York, Jan. l4.-Albert Clark, a
private in the Fifth United States In
fantry, was removed from the steam
ship Santa Maria at Jamaica by Brit
ish neutrality officer, according to pas
sengers who arrived ON the Santa Maria
to oday. After being detained ashore for
several hours he was allowed to return
to the ship and proceed here.
Clark had served seventeen months in
the canal zone and was proceeding to
Washington under orders to report to
the adiutant general and was in full
uniform when taken from the vessel
which flies the American flag. This is
said to be the first time a United States
soldier has been removed under similar
conditions since the War Of 1872.
When the Santa Maria was stopped at
Jamaica en- route to New York, British
neutrality officer boarded the vessel and
closely questioned all the passengers
as to their nationality. Private Clark
told the officer he was born in Vienna
but had taken out his first American
papers some time ago. Later
he was taken ashore to the eoncentra-
tion camp and closely questioned by the
officer who released him.
Private Clark said to-day that he would
make full report to the war depart
ment.