Evening journal., 1915-06-05

one before. Nightgowns, chemises
and combinations for instance, hnd
inspiration in every period OF the
past hundred years and TO make the
choice more bewildering the garments
are taking special names. Simple
ity" is a batiste set, chemise and
nightgown, with baby waist and pun
ed sleeves of the first Empire. "Nic-
toria," iet in chiffon cloth of Dawn
Rose" a fabric similar to indcstructi-
BILE voile in a filmy rose color, comes
from Victorian styles as one might
readily guess. being made in sections
Joined together with fagoting. There
is a name to fit every style and almost
as many fabrics. In some OF the
sheerest models, striped Georgette
crepe is used and then there are the
cotton crepes, French voiles, nous
selines. nainsooks and chiffon clothes
in Dolly Warden patterns. elaborately
frilled or plainly piped. trimmed with
Flemish, Lierre Valenciennes, hlet OF
Baby Irish crochet lace.
Inst at this season, when the parks
bloom with flowers and the shops with
lingerie. il is refreshing TO linger over
the fluffy frills for the boudoir. How
charming the Robes de interior arel
Again. crepe de Chine is the fabric OF
the moment. coming In attractive leal
pattern. stripes and polka dot designs
The polka dot idea is used in smart
kimono in an Avenue shop. The silf
is white with large and small greer
dots and Is made with an Empire Dod
ice and full skirt; the neck, sleevel
and lower edge are finished with wid
, ruffs OF maline and the waist with
I twist of ribbon and a pink rose Il
! front. Crinoline wrappers are ais
: featured for morning wear in daint
, dimity, Swiss, null and point d'espri
I ruffled in fiower-like formation. tie
: upon tier. other kimonos of Chin
silk, tafieta and crepe de Chine sho'
! the art OF the smoker.
4 A Natter blue taffeta matinee has
! yoke effect of this needlework and nal
: row ruffles on taffeta petticoa
Then. for milady who breakfasts /
I bed. there Is pretty jacket of peac
{ blow satin trimmed with swans-dowl
/ and one of the new shirred, circula
4 pillows of the same satin. to tuck b'
hind her back. Breakfast jackets
Lierre lace and point d'esprit are ais
G shown. Each one of these has Il
/, own particular boudoir cap and hel
: again names come in play. The mo
o mandy" cap OF maize. pink, white,
A lavender crepe de Chine takes II
9 style from the headdress of the No
4 mandy peasant and the Colleen ca
. is a confection of ecru net Orient
n lounging robes are also receiving col
h siderable attention. on account
! their new shaded colorings. One bu
% terfly kimono of fine silk crepe is en-
n broidered in a wisteria pattern. gra
! uating in tone from deep purple
J. white.
a Styles for the houdoir go more th'
10 skin deep. Besides the kimonos al
! dainty caps, there are supporters al
-s stays to think of. For those who
4 not wear corset when lounglng
"a their own rooms. there are round ga
Ii ters OF broad elastic. covered wi
n shirred ribbon and finished with
IN flower to suit the color scheme OF [
re negligee and room. However. If I
= negligee is semifitting, a stay must
o. worn. For this purpose, there a
satin corsets in white and pas
~ shades, made from the waistline I
e like bodices of olden times. w
~ flexible whalebone, inserts of elias
,s and stocking supporters, they sp
he boudoir comfort, grace and luxury.