davidaulloa/AmericanStories huggingface dataset:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

the Earl Of Dunmorc called attention
to the attacks Of iionar Law. ana
Arms and ErplOSircS says:
"A comparison uf tn" German r1"
with ours showed thar the cNiroulc
height Of trajectory Of the German
rifle over 500, yards was Il feet 10
inches. our rifle with tn" Mark VI
ammunition. had a trajectory If
10 feet inches high, or double that
of the German; with the Mark VII
ammunition the height Of trajectory
was brought down 10 & feet . inches
and even this gave an advantage To
the German rifle and cartridge as re-
gardcd tho depth of the danger zone,
which was very important matter.
"If infantry were advancing over
that distance of 500 yards against our
present ammunition they would not
come under fire for $50 yards, as
against 900 Yards in the cas- ur the
German rifle, II was clear, TIA, r"forc
that II our soldiers had to uuht troops
armed with IN" German weapon they
would do 50 under a great d!SadNHu-
tasc. Notwithstanding Lord lIaldau"'s
reply to Rpnar Laws Indictment
I still maintain that our soldiers are
armed with inferior weapons. for. even
with tho improved sighting ana the
issue Of IA now kind Of ammunition
our rifle is inferior to the German
and French rltlgS
The key to this situation = the fact
that the British Government hates to
adop, anything for which it has to- pay
something. As already ,aid the United
States adrptod the Mausor rtlr and
pays n bounty on it, The british
could not do that, it would hay been
AN acknowledgements that English gun
makers, regarded as the best in tn"
world, are unable To build good gun
and besides this arms AMI ErpioSr- IS
says on page - that something the
British Government wants il usually
gets for nothing, "whii. taking OIL
care not to view faNoraply anythu&
that il securely patented"
That explains sufficiently why the
English soldier went 10 war not with
the best rifle, hut with he worst rifie
IN the world,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
MISS Frieda Hern-pel,
Who Will Sir,S al The
Opera CoclCeTE tO-rClSht

ten. and this Is likely To become moro
and more so because of present ten
denotes in the art. Programme music,
for example. invites comment of an
entirely rhapsodic and illogical nature
and leads to confusion as to what con-
stitutes the fibre N the art work.
Rut once the student crasps tn" in
controvertible fact that the subject
matter of al programme music II not
music itself, hut something lying out
side Of the domain Of musical arr. ana
which the composer l. striving To- re ~
resent or suggest by musical symbols,
all delusions will hc swept away. We
shall not NJ vanly striving to $50
PromctheuS and to feel his ptu- q.
when We listen to Goldmarks PRO
metheus' overture. ON the contrary
we shall hc bathing orr spirits in ,ac
real beauties Of the music which these
things suggested to Goldmark, and 10y
which he cndeavors to commuuicat"
rs thought ana feeling To us. aud W"
shall rclentlessly ask him whether m"
has cssayed to make the cnmmunica-
ton to us through piece of musical
art.
When We go again to listen and
look while Alexander Scrianlno'-
"Prometheus'' is performed 10y an or
chestra >-,,ided by n color piano. sc
shall by adhsrfng To our fundamental
standard, escape being miSlcd 10y what
We hear aud sec. We shall not hyp-
notize ourselves into emotional states
suggested 10 us not Icy the music but
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
THE WEEK AT THE OPERA.

Three weeks more and the Metro
pUl!tau opera season Of l'li-l1 viii
md. Tomorrow evening ~ Trova-
lore vii lee sung by Mines. bcstinn,
~. and Matifeld ana Mcssrs. Mar
tlu~lh Nmato. Rothicr. Reschiglian
and Audi-io Mr., Toscanini conducting,
other operas of the week will he:
"Dj" M-lstcysingcr" on "Wednesday
evening" with Mines. Hempcl and
Na,tiod and Mcs~rs. Scmhach, We'll,
Gorirz, Braun. Schlrgcl. Rciss, Leon
htrdr. Auluian, RuNsdaei, Audsio,
rcllu'un. Bloch and Baycr, Mr.. Tos-
cauini conducting,
Die Wal>u,rc' on Thursday eve
ming. with Mines. Mat2cnauer
,BrauuhiidD. Kurt rSic0lmdc).
phor ,FrickGD, Sparkes. SchumanH,
Curtis Foruia, Milford, Robcson and
Duchcnr and Mcssrs. urlns. Braun
and Ruysdac., NJ, Hertz conducting.
special matinee at popular prices
on Friday of "lIacus"l ind GrctcI'
and ballet diyortiSscmcnts The opera
viii bc sung by Mines. Schumarn,
Mattf"ld, Robcsnu. Brasau and Gar
rison and MossrS Reiss ana SchlcGc'.
Mss Rosna Cali and the entire corps
de ballet will take part in the diver
easements. Mr.. iIagemau will con-
duct.
Iris" on Friday evening with Mines.
Eori and Dclaunois and Messrs. Botta.
Scott. Didur, Bada and Audisio, Mr.,
ToSrauni conducting
"L'Amur" dci ire Re" at the Satur-
day matinee with Mines. Bori,
Ducncnc, l'rasuu and Egcn"r and
No~srs. frrrari-l'outann .Amnto.
nldur I'ada and Audsio, Mr.. Tos-
cau,N culductiu-
"Nuiana Buttcrtly' at popular
price, "u Saturday evening with Miss
Farrar, Mines. l'ornia and l.Gcncr and
Mossrs, Martin, Scott, liada and
licguc, Mr.. HoldCco conducting
F,frcm Ximbalist. the Russian Nio-
lln!S, Will play nj to-niGht's opera
concert l.alos symphonic f.spagnole'
and u group of solos by Cui, Bowen,
Godowsky and SpUldng, Nine Frieda
Hcmpel will sing An, non Credea"
from "Lu Suunambula" and several
songs. Miss l'rislau will sing che
faro scuH, Eurldicc' from "Orfeo ed
Euridirc' and Arthur Middleton will
sing Largo q fnCtotum' from THE
Barber of seville The orchestra di-
rectcd 10y Ricnard ilageman will play
Nicolars "Mrrry Wives of Windsor"
overture, Tchaikowsky's "lSl2" over
turc and ilalvorsons Entry Of the
ROiarS.'
\ special matlnre of Carmen is
announced for Tuesday, April 10.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

the agonics of tho rebellious god has
provided him with inspiration for the
construction of q musical art work.
We shall also wish to know what the
culors signify and in what detail they
connect themselves with the music in
that organic union which Is essential
30 the production OF an art entity.
When all is said and done we shall
follow this highly cultivated reporter
into the very shrine of music and
shall experience all the thrills and
rapturos the composer has permitted
tu exist. Furthermore we shall have
the satisfaction Of knowing that our
enjoyment is rational and not merely
scnsuous. We shall know what we
like and why we like 1t. which is after
all much better than not understand
ing and still believing that We know
what we like.
There is another sermon in the text
provided by this thoughtful student
Of music. to wit his estimate Of Bach.
But ~ Mr.. Iiipling in happier days
was wont to say, that is another
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
~ FRED ADOLPus.

TN an article in last Sundays Sun q.
Basi, Barham says that In the
present var only the British army
Is equipped with a modern rife, that
the infantry OF the European armies
are armed with weapons which are
far from being up to date. with the
exception of the British rihe. which
was designed seven years ago.
This associate member ~ the lnsu-
tuition Of Electrical Engineers OF Great
Britain says that the new cartridge
for this rifle has velocity or 2,+O
feet per second. which gives very
low rajectory--and contradicts his
statements when he later tells us that
the SerHah Cartridge mas VeioS''!
OIL s'oo@ ieet ana consequently "'"0''
superior pa'hs'rs'
IL IL fa't tnat OF an tne 'ineS IN
inc "orld tne herman Mau3er ri"e -
the most perfect: II IL conceded ny all
,Np' - 'na' no .a' ''r -. T.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
Likes and Dslkes of Real Music Lover Things the
Great Composers Strive to Express
in Their Works

toward art is first Of all mental In
dolence. 1t is also traceable in part to
misconceptions People who think
they love painting have said To the
present writer that they did not have
to know anything about principles of
design or color schemes IN order to en-
Joy a landscape or n mountain view.
Perfectly true. Nor does one need to
know anything about melodic form to
enjoy the song of a nightingale.
But neither a landscape view nor
a bird song is work of art It's
nature and its reason for existence
are different from those of ar, works.
and II must therefore he aXamined IN
It's own kind. About music altogether
too much fanciful nonsense IL writ
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

MONDAY-"n Mines Destinn and Ober Messrs MAJ,
tineli. Amato Rothier. Mr.. Toscanni conductor.
WEDNESDAY-"De Meersnger" Mime. Hempel; Messrs. Sem
bach, We'll, Braun, Goritz and Reiss.
THURSDAY-"Die Wakue Mines Matzenaue and Mess,,
Urlus and Ruysdael.
FRIDAY, q M-"Haense und Gretel" Mines Schumann and
hatfield. followed by ballet.
sPM-"Iris" Miss Bori: Messrs Bota Scott and Didu,
SATURDAY. p. M-"LAmore del Ire Re-" Miss Mr. Fer
rari Fontana, Mr.. Amato. Mr.. Didur
sP. M.-"Madama Butterfly" Miss Farrar Mr.. Martin M,
Scott.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
CONCERTS OF THE WEEK.

acknowledgements Opera House. concert ss
MONDAY-Kitty Cheatham Lyceum Theatre p M
O'Brien Butler songs. Aeoian Hail. sI5 p. M.
TUESDAY-Gosch Hodgson joint recital Thsr.
3P NJ
Knesel Quartet Aeolian Hall. s:r5 p. M.
THURSDAY-Edh Wade. violin recital, Aeolian Hail. p M
FRIDAY-John Powell, piano recital, Aeolian Hall.
SATURDAY-Elena Gerhardt recital Carnegie Hail. ao
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
~ ". ,. HENDERSON.


" HE rcace Of Palm Sunday had
fallen upon the ONCE. The Of
i flee boys were reading the sea
stories In the SUNDAY magazine
section. except one who was practising
shorthand in a dark corner where he
thought no one could see him. out In
City Hall Square there was rest.
The socialist orators had left Hen
Franklin for a time and the German
Apologies were all up In Times Square.
The air was drowsy. Even the city
editor was dreaming that he had sue
ceeded in getting out OF the business.
The only pronounced sound In the
ONCE was the dull clicking Of type
machine In the foundry room. re-
porter who had no assignment was
working industriousiy. not on a
special" for next sunday. but on q
letter TO the musical editor. For this
reporter was real music lover and
he had some ideas which clamored
for uttcrance. Most d his letter is 10
interesting and 40 full OF suggestive
thought that parts must be repro
duced. The musical editor has moth
Ing to say that ID as good as this:
II suppose there are thousands like
me, without the least technical train
ing. with strong love OF music ana
a profound desire TO get from 1t some
thing more than warm gush OF fee'-
, ing. as Daniel Gregory Mason char-
, acterizes the vague emotional state
OK many AUDITORS.
what IL one TO 90. especially II,
ike myeeIf. ne ne unable 10 get 10
symphony concerts. the recitais OF
virtuosi, or even the opera? Wen.
, have found lot that l may do. In
an amateurish way stumbling into
occasional pitfalls ana enduring all
the mistakes inherent In any system
OF self-education. ! read every SOUND
BOOK upon musical SUBJECTS can Jay
nold OF. What 90 mean ny souno
DOCK! WORK such as groves See
thoVen ana his Nine symphonies. L
rule out all SUCH volumes as analyze
sonata or symphony in this fashion;
The opening movement COM
mences with theme at once tender
ana playful. But soon the sunlight
upon the meadow vanishes and mood
OF thoughtful sorrow stirs in the be-
hoioer. Darker ana darker becomes
ms reverie, &C.
IN short, away with the whole
tribe OF rhapsodists! Let the author
reproduce, with simplined harmonies
X necessary, the nrst theme ana the
second theme. Let MIN tell me now
many measures are taken up with the
statement and restatements or each.
! wish TO Know something about how
they are combined or alternated ano
developed IN the working out. II the
composer mas used counterpart le'
this be noted. want my 'ttention
called to sequences. changes OF Key
ana mode. pedal notes and so on.
want precision.
Il can supply the rhapsody myself;
but II the work Is really great the
composers inspiration VIII shine forth
without leaving me moment in OBJ
scurity as to what he means. So lei
my attention be directed to the ;ech'
meal means by which he nXed his In
SEPARATION on paper. II Will not DE-
stroy the poetry OF the Work, ana II
Will Trobab'y enhance my enjoyment
OF II.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

Iohnson's Black and Ink nown Bards"
(which will he heard for the first timel the
old negro hymns steal Away, swing
Low. sweet chariot. Nobody knows de
rrouhlc | see" Roll Jordan" and 60
Down. Moses ,ucldcn'a 10 he poem, Will
bc given in their primitive expression.
An arran cement Of Alice in Wonderland"
TO Schumaun's music made by Alice Wood
IN. teacher IN the Music School Settle
nent for Young people. will be one of the
interesting offerings, Lewis CAROLS de-
lightfnl verses have Unexpectedly been
found to coincide rhythmicaly to sop1c OF
Sch,unann'- compositions from tho AL
bum for tho Young
Edith Wad" will give violin recital AT
Aeolan Hail on Thursday At o'clock, her
first appearance on this sid" of tho water
except for concert in which she appeared
with Emilio dc Gogorza AZ Windsor Hall
in Montreal last February. Her accom-
PIANIST will be Andre Renoisr Miss Wade
has studied in Geneva under Henri Mar
tcau. In Berlin under Carl Flesch and in
Paris with iieorgcs Encsco, the Rumanian
composer and violinisf and the only rival
in that city Of Jacques Thibaud who j. also
nm admircr Of Miss Wades nrt.
Jeanne Rowan, pianist. and Caryl Rem
SOL soprano. will give ioint recital at the
Hotel Bil'more next Sunday evening
John Met ormack, the Irish tenor, will
give his tenth concert of the season in
Greater New York next Sunday after
noon at Carnegie Hall. He will give the
romanza "Forna al felici di" from Puc-
cini's opera lie Will group Of Eng
liSh TRANSACTIONS OF works by Wolf Strauss
and List songs by Campbell Tipton
and Olev Speaks. two songs written
for and dedicated to the singer hy Ru-
dolph GAM composer will he az the piano,
and an unusually attractive group of old
Irish folk songs, all arranged nv Mill
gan Fox. The Irish Emigrant" will h.
repeated nv special request Donald
McBeath and Edwin Schneider will he
the assisting artists
At the iast OF the Peoples symphony
Society chamber cOnceFtS at Waehln utnn
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
MUSIC TEACHERS AND PUPILS

Miss Catherine +. Brown. who H. rap
idl, becoming "A faNnritc among b"r
marv Audiences IN New York and vlciu-
ity. was the sulost at the tenth ami.
Vsrsary dinner of tn" y. ". &. A. OF
jersey city on March 10. Her artist
cally rendered programme received long
and enthusiastic applause. Miss Brown
ia the pupil of Mis- Jessie Fcuucr who
has a studio Ia the Metropolitan opera
House.
Mss Josephine Mildenherc. '''c Wcii
known VOC" specialist, - arranging AN
afternoon Of music 30 which Miss MI
lruherr VIII Introduce two of h"y t'.
,ist" pupils. Miss Edus Wight, lyric
soprano. Whp possesses voice of 'N'
ccptinnaIy beautiful quality and pho
uom"utl range, and Miss Marion
Altenius. gifted with q lovely n"zzo-
soprano voice of true dramatic quality.
Miss Elfrda Nirtus. pupil Of Mona
I Downs. W. heard Oh Tuesday evening
IN neg graduation recital I'm Carnegie
,'hambcr Music Han Miss NIttag
as unusual posc Tor 80 youl = 4 siL-"r
and IN" control nf q VOL trained voice"
80 quality and range. Groups az Eng
lish. French and German SONGS with
selections from operas mad" up tho pro.
gramm". OF the German group Schu.
maluf. "Ich tirulle NiCut' wa prr.
! Aaps the best rendered Miss Ntttdr
{ mas accomplished hor work in three.
| wears. entirely with Mss Mona DOW rs
whose historic Sauc rccitalS, shown
: the development OF tho song from tho
earliest composers to thuS" Of to-day.
are known IN the musical world
/ Mrs. Henry :. Boirc gave = rorcp-
tiou mus ca', ou "Wednesday to NJ.
Tatdival AID her daughter, Mss ll'l'u"
Tardiva. and Miss Vera roppa. Miss
Tdrdiytl. q talented young panist", who
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

April 10. the Tollefsen Trio will play tho
new Cadman trio In y major. opus -
first time in public, Those who hav"
heard this work consider II MIR Cadman ;
most noteworthy contribution to the
literature of chamber music
The sixth Bltmorc musicale will take
place Friday morning, Npril .. in tn"
Cascade ballroom on the nineteenth f'oor
of the Biltmore Hotel Tho soloists who
will appear on this occasion are Frieda
Hempel. soprano of the Metropolitan
Opera House: Pas1ualc Amato. barry
tone of the Metropolitan Opera House
Rudolph CAM. pianist. and Louis Sicgel.
violinist Miss Hempel will sing the aria
from "Ernani" and IA group of songs Mr.
Amato will sing the aria from "Roi de La
hore" and group Of songs MIR. CAM
will play selections by DAlbert. De-
busy and Chopin List Mr.. Siegel will
play selections by Sgarnbau. Elgar.
strauss and Hubay. Miss Hempel and Mr.
Amato will end the programme with
the duet from "ltigolctto
Two young American artists. Belle V.
Gottschalk, soprano. and Hugh Leslie
Hodgson. pianist. will appear for tho first
time in New York in Joint recital next
Tuesday afternoon at . O'Clock at the
BandboS Theatre. Miss Gottsohalk. after
Ave years of operate study IN Berlin
under Nine. Etelka Gcrster and the late
Frank King Clark and one years ex-
perience In opera in Russia. was com
PEELED to return to the United states on
a IL,
inc in concert during the winter in tho
middle and southern States Mr. Hodg-
SOL is pupil Of Nine Stcpanoff of Bcr-
lin, and though finished concert player
is also senior honor man N the University
of Georgia and manager of its baseba II
team
~ Carnegie Hall on the evening Of
Monday. iprl ~. the annual concert
of rho Music schools Settlement for COL
ored People will again take place. and
through the devoted effort of !. Rosa
mond johnson. who l. in charge of the
work Of the settlement school. "A fine pro-
grammc j. promised II will consist on
tircly of negro compositions, ranging all
the way from the old sp,rltuas and slav"
songs to that most cousummatr achieve
Incnt from "A negro pen tho "Iliiwathas
Wedding Feast. by Coleridge- Taylor
In this work MIR. johnson will conduct
"A negro chorus of $50 voices. Another
feature will br the negro orchestra. al
ready we'll known. and still another will
be the introduction 10 New York of that
most promising Young negro tenor
Roland u HAYES OF boston who has
iust been awarded ia" honor OF having
been chosen from among number of
applicants by "A distinguished board Of!
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

has Just returned from n course of s,p,..
in Paris. and Miss poppa. eelI.s, r,y.
great pleasure. Vocal numbers w.-o n.
Mr.. and Mrs. Harry Self and Mis-. t,o.
cnce Austin
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

York at Aeolian Hall on Tuesday evening.
April q, with Ossip Gabrilowitsch rs as
sisting artist. The programme opens with
novelty by an American composer. the
pianoforte quartet In A major. OF. Z. by
Daniel Gregory Mason, which will be heard
for the flrst time In New York. Tho com
poser was born in Brookline. Mass, in 1879.
and graduated st Harvard in 1893. He Is
n grandson Of Lowell Mason and a nephew
of DR.. william Mason. In addition to this
quartet. which was written during the
summers of 1909 and 1911. he has composed
violin sonata. op. 3, an Elegy for piano,
Pastorale for violin. clarinet and piano. a
set Of Country Pictures" for piano. and
symphony. He Is assistant professor OF
music at Columbia University. Among
his books arc Beethoven and His Fore
runners. ""The Romantic Composers and
From Grieg to Brahms" Following this
will be the Haydn trio In q major for piano.
violin and violoncello. In which Mr. Ga
brilowitsch will also appear. One Of
thirty five compositions by Haydn for this
combination of instruments, this trio may
bc identified by the last movement. the
Rondo all Ongaresc. The programme
cont aims also the quartet In \ minor. op
ia,, by Beethoven, which Is ,sone of his
last compositions IN the field of chamber
music. and the Schoenberg sextet. "Verk-
laerte Nacht."
Kitty Cheatham'e last public recital for
this season will take place tomorrow
afternoon at the Lyceum Theatre at 3
o'clock promptly. The programme Is pc
culiarly appropriate to the season, includ-
ing, In addition to several interesting nov
elites enough popular request con-
tribu,ions to meet the demand for repeti-
tons. A group Of Shepherd songs includes
Wcckerlin's arrangement OF an old French
Shepherds Cali t"Eho! Eho"'). Debnssy's
Little shepherd. from The Children's
Corner. (which Miss Chcatham first intro
dnccd here. and Elizabeth Coolidgc's
Little Boy Blue" Two Songs Of the
Sea" are n. Walford Davies's When
Childcr Play" from Tom Browns betsy
Lee. "Fo'c's'le Yarns" and Carl Enecrs
sea shell" Songs of fairies and elves in
cludc Hugo VOLTS "Elfenlied." Hans
Hermann's "Freund Husch. Walter Morse
Rummell's Singer Fairy" and Franco
Leoni's Brownies New manuscript
songs by Harold Vincent Milligan and
Edward Falck from Stevenson's "Child's
Garden of Verses" have been written espe-
cially for Miss Chcathan. One part of the
programme is entirely dcvol ed o old negro
songs and legends, in which Miss Cheat
ham Is specialist. In James Walden
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04
NOTES OF MUSIC EVENTS.

The Kuriscl Quartet gives tho final con-
.rri "t - tyrnl"-jh.rd season Ia New
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

John Powell. pianist, will give a re-
cital in Aeolian Han Friday AFTERNOON
next Mr.. Powell has been heard in
New York on several occasions iu recent
years. while hi compositions hqvr like
wise met with favor, Oi American birth,
he has spent much tuuo in study and per-
formnno" abroad, and ha~ gained r"cog-
milton A. an cNooutant of worthy attain
m"nts Hi programme for Friday fol
lows Beethoven, "onHin, mHlor, op.
>, No >, Lisa, sonata u minor Srhumann,
elndcs symphoupue- M,oni-iiS2t, Mo
phsto wnli Eoe,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

At the iast of the Peoples symphony
Society chamber conusrts at Washn gton
Irving High School saturday evening,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

\ Dohls>N programme VIII ho rem
drred Jointly 10y Margaret Huston. so
prhno, and G"org" ,opclaud pianist .
Al their rr"lraI IN \"olau Han Thursday
afternoon. Arri ~ Both Of Jh",r artietS
arc known 70 local audiences. Mie, Huston
having gwen a recital IN January and
MIR, Copeland having made two appears
anCrs within the last lcw weeks. Their
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

story" II may interest the writer Of
the letter and some others. however,
tu know that Al Father Bach il grow
ug in popularity. His music is played
more 'tud more. IT seems, every year.
IL = certainly played much more than
it was twenty years ago.
And 1t l. perfectly safe To say that
II viii Ice heard and enjoyed 10y music
lovers All over the world when some
NJ the music which this correspondent
cannot enjoy is buried in total ohliv-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

Tie. ct, = ~ on sale ~ 'hc dc.t ., lIOTEt.
rLNIA. and ~ Tho It.ic IaWlor Allied Nrts
~ East ddth street ret Plagn 5IOl
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

lir, seats on sale tomorrow morning a, Pl'no,t
bnh ofic". Ngt. II. T.. Johnston. kuabr piano
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

April 10. the Tollefsen Trio will play the
new Cadman trio In major. opus -
first time in public, Those who hav"
heard this work consider II MIR Cadmnn's
most noteworthy contribution to the
literature of chamber music
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-04

Jeanne Rowan, pianist and 'aryl Rem
sol. soprano, will give ioint recital al the
Hotel Bl'more next Sunday evening