Evening star., 1915-02-21

is conspicuous object of art in +his
49, room, it's dull
~ AoohS Like gold inlay har-
Woman's Home. f,e'I,,.i monizins beau !.
the gold of the chairs and tables. On
.he latter are just the choice bits of
prac one would hope to find in
such harmonious setting, even to a
crystal vase on the center table. whose
sraceiui spray of yellow orchids is the
''lai note of an exquisite color scheme
10 d feminine room, a room that
gives one the impression that if was
go, ,iioueht out in advance. and that
every OBJECT in it had been caught apd
secured because it was just the tbine
LOT lts own peculiar niche. Moreover
one reels that possibly tender bit of
sShtiment may have lain behind the
pacing of each object That is The
atmosphere of the house. II nerI.Sas
IT. II. one realized it particularly. per
maps, when admiring the beautifuI
paintings of vases of roses. which form
@ the panels in the drawing room. and
noir,a mi,1n were done by the best flower
painter OF France. for a friend of Nine
hause, as favor to her. All over
the house the walls are done in white
panel efects. the spaces in between
sSoInetines done in frescoes, as in the
large dining room, where the nour.I /
u D.
man and Greek temples embowered in
green. In this room the color scheme
is again old blue and old gold, the blue
predomlnatlng, the brocaded siIken
stance, being of this color. The floors
ara or a universal covering of a neu-
trai shade. a cross between a French
gray and sand color, excepting in the
lprary, where walls and floor are in
what their mistress calls a faded
green Here are oil paintings, mostly
portraits, including very perfect like
ness of NJ. Hauge. The carved sand
stone mantelpiece is flanked on either
side with bookcases reaching from
floor to ceiling, and filled with wonder
fully bound books, and Nine. Hauee
admits she is proud of her books, and
well she may be. In front of the omen
fireplace are two large softly cushioned
dlvanS placed opposite each other
making sort of isle directly in front
of the open fire.
The library. like the drawing room
and dining room, is on the second
floor. Directly be-
The Living and low the former on
Guest Rooms. the theft first or entrance
floor is the music
room, where a rised marble dais at
one end is covered with a large tiger
skin. and here the grand piano is
placed. A marble fireplace and attrac-
tive chairs in the main part of the
room invite one to linger, and it is this
room that Nine. Hauge uses for a
smoking room for her men guests when
she entertains large dinner COM
panies.
The bed chambers are on the third
floor, suite for guests being done in
rose color, and the mistress own in
pale blue. The architecture of the
house inside and out is that of the
French chateau, and the idea Is faith
fully carried out even to the bed in
the blue room, which is on raised
platform with coronet drapery as a
canopy, and the two steps of the plat
form covered with a white silky rug
In Nine. Hauge's dressing room is a
device which would delight the heart
in any feminine breast. The walls are
all in while paneled woodwork, and
in each panel is door which being
opened displays shelves like those in a
millinery shop, and on the shelves are
laid the accessories of various cos
tunes, for instance in one section the
shelves are filled with corsage bou-