The evening world. [volume] (New York, N.Y.) 1887-1931, 1915-03-03

'sssaay - yut u mp s.spsu.l N CO.
tury Opefa Howe tor me0th - per.
fernanese q lsRsiar prices, rsnstng
seAt We shall present nat only
ous esoutiful danosy but greet sy1-
SsSo': Y ny s e e. 70 M 81 az
an ! shaii SsSs. q liz ana q .
moas1's sN0A0smSot, 70 Asneaatrats
- POD whek - bssn dons for thsm.
~fhis that ", are doing to-day ID
only the hltsD8 ~ Ne curtain upeN
the Oreat accomplishment that are
10 16liow. A. the 0rook dAuees we're
the forssunners e fhs 0feeh drana,
20 We beiievs ~, ase 1Aying the
foun s. for the tsssIopaasnt e 9
slow. know; but Il VIII be sure.
long time. isn't It'll danced to Om9f
kbayyam's Des0. We nave eoino4
sometnlne anee that time. Ohuxunt
We? And We shall keep on gaining.
In time think, We shall convert
even the eritsesi"
The Knsissi ouassst. at its concert
In Aeoiian Hall lest night played for
The ar:s tine IN Ns~ 1:,s. Arno!d
NacSs- cfm.saSsssS N,sSO. II il.
writes for Two vtslins. tWo violas and
two 'oeIlso, and 10 In one movement.
1hat this tn6ra tiatin1 cary compost
tn u the work Ot The ochoooberG Of
"Fururists." - sstonishine. II b pro-
to-day, VINO - bsc6mg Q fsldsr Of the
gruu0e ns0sie. Of sDvRss, bssed. IL 10
said, upon . poem from Richard Deh-
NET. webb und Welt" Cwoman and
the WorsC. II what matter? L
remember once taking a. girl. not
"Ths Hususnoss.: she had not read
the ubretto, she did net know the
Language IN which Il was sung, and
yet. after the performances. she told
me q marvellous story Of what The
RuGuenots" meant to her, utterly
foreign to the book, but vastly more
interesting. So every enc Of last
nSgAes hearers win imagination
could construct his or her own stbry
to fit the human needs. the sorrows
and the toys and the nature paint
music. The masiiy ssaf-oenta ined
Knetsei audience showed its apprecia-
ton ~ Insisting upon the recall Of
tho player half . dosen times.
M HnsfMs rasesy ha9 pvsssutsd
such q pleasing programme from be-
ginning TO end. It began with The
Brahms Soasese n A minor, and end
cd with the Bocchsrini quintet in c
major for two yton1A viaA and two
the presto and the allegro from Zoltan
/ kodaiyS quartet m e minor were
playsd-bv Se~nast.. ~. Kneisel, Mr..
Lett. Mr.. Svecenski and Mr.. willske
were at their best, and the asGistinE
artists. SamuDl 0agtnE. viols, and
Hyman EissnbsPg. 'esoos were worthy
associates with tfrenn. W.
Waiter Damrosch and the Sym
phony Orchestra. With Josef Hot.
mann a. soloist. gave . Rubihstein
programme for the third OF the Mas
ter Composer Concerts at Carnegie
Hail yestardAY aftaEnoon. The hesase
We cF0Wd04 ~ dvUrfl0wfn6. NJ.
HofmAnn WA h0aS4 IN tn vanno
concsrees IN D ntusr and h q, pfRying
- his best. which " Of tn h69t thaA
anyoo4y hD the pe1vtlsgo to hear.
mo purely orchestral numbers wers
the sy0v0oaes Doe9 Ia kussis' and
Desider Josef vsosaL q Hunrar.an
nianiaf. mads his NsW Ysrk dshut at
Carnesls Ralf Inst NIGHT. aasistsd by
an orehssts1 from the Symphony So
ctety. conducted by Victor .Xolar. In
concertoo eY Saint Saens and Lissk
! and In. Q, 4vorak suite. Mr.. Vessel
showed nsusiaal undsrstanding end
poetic fen11n0 a. no mean order, com
bined with IN a3asfive techniQuA. He
made . 5000 in9ssssion upon q fairly
large audiences
Luay 0AtaA soprano. and Thomas
Hardiei Chalmers, baritone, both
Americanss ara both in good voice,
were tho prtnMpal solpistu st The
Tuesday Salon e Sherrys yesterday
afternoon. Mach had the seed sanse
to offer q gronp Of songs In English.
sramme were Nine. de Courcy, con-
tnllof Martin HichardDen,, tenur;. and
Hena de Olloqui, pianist.