Daily capital journal. (Salem, Oregon) 1903-1919, 1915-04-24

were VI SuI1lclent diversity and melod-
lousness to leave the audiences in the
same state of interest and apprecia.
ton which they had shown at the close
OF the first numbers. Splendid ensem-
BILE work characterized the playing of
Alice Baker, Gladys Harbert, Ruth
Schultz and Mildred Reid in the open.
ing number Tuesday night, the young
musicians, seated at two pianos, play
ing Bella S Hungarian Overture in per
feet time and rythem. Elizabeth Cock
rlel and Lois Leinkamper, both making
their first appearance in public, show
ed the carefulness with which their se-
lections had been worked out, both
playing with ease and sureness. Beth
Bedford carried the march motif clever
ly through the March DIES Tambours, "
pleasing composition by Smith. "Tam
o Shlnter," by Warren, was realistic
ally descriptive as interpretated by
Alta johnson. Ethel Rupert and Alice
Baker gave the general favorite, Men
delssohn S I'M idsumme Night S
Dream, " playing brilliantly and with
precision Ruth Redford, the youngest
on the program, surprised with a mem
orizel Interpretation of harvard s
-" Air de Ballet Excellent musician
ship was demonstrated by Ethel Rupert,
who not only has good technique but
very musical ear as well. Mildred Reid,
a talented young girl, played one Of
Leschetizky's Mazurkas with freedom
and correctness. The difficult
Spilnlied," by Lilolff, was well rem
dered by Agnes Halsall who intelli-
gently brought out the idea of the
piece throughout her playing. Gene.
We've Yannke gave most delightfully."-
g The Clown" by Thome, depicting by
her playing the principal and environ
ment of the ballet. Laura Arenz gave
a double number, "Minuet," by Pa.
derwski, and 'Poupee Valsantte," " by.
Poldini, from memory, greatly pleasing
with the beauty Of her Interpretation.
Gladys Harbert contributed Singing s
" Rustic of SPRING" being at all times
self-possessed and entering into the
spirit of her number completely. Many
in the audience who were in an author-
tative position predicted brilliant
things of Alice Baker and Ruth
Schultz, who concluded the program,
not because it is customary to do so
at the end Of program, but because
the splendid execution of their num-
ber Country Dance, by Nevin, de-
served it. Mrs. Holman played most
charIulnsl{, SO n'uch So' ,nuee'I V"o'
s"Th" O. g. % tbo SaUI =, L,. G,ilI ni,
an Ly ME- nonison NJ siinnor l1iss
Duncan and Miss shelton. gave par.
ticulrr pleasure. the instrumental trio.
in which Mrs Holman, Miss Booth and
Miss Shelton appeared, being received
with equal enthusiasm. Ihe program
IN "illen the small tolE 'ook part MON
,;no T"S Esv tDi was aao aS ,U,UTs, 2 n ,,s G; ;"
slm @ assisting. '''''' '''' ''''O Imp
oolo ana chorus
Solo Slumber Sea '...,,..........-Chiihom
Flora Fletcher
Chorus" Fairies From Fairyland' -
! Constance Hnnts, Creta Perry
DoreIla Anderson, Bessie Siddall,
Ealleda Ohmart Elaine Foster,
Lorraine Fletcher, Edwina Baker
Ma21rka ,...............,..........."...Andre
Kenneth Wilson, Margaret McMahun.
Song of the Bold Pixic...........B Brown
Winfred Reinhart.
SONG Of tbe Canary pretty Sto, Rowo
Corstanco Ysntis
nm
-" ''' '''' ..''',i''',,,'','' w "''''''@'o'
Nal"l"o i"S''
Flora Fletcher
NTittbf,1 Nfo,,,nt. t,,,I,,,o,,,
Francis Ward, Esther Miller.
NANNY : Cradle Souu
Lorraine Fletcher, Flora FLETCHER
ma. 90 A., p.4..,c,,. r..
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