The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-12
ORIGINALS OF SUN"
CARTOONS ON VIEW
Drawings by Oscar Ccsarc We'll
Received by Critics and
Public.
OTHER ARTISTS EXHIBIT

! THE SUN are now on exhibition in ,hs
| fIahlo Galleries on Ffth avcrue sra
are meeting with both kinds " success
That is. they arc receiving the nrai,. q,
Mr.. Cesares fellow artists and cornos.
seurs are annexins them for their co..
| lections.
Tho drawings gain Ivy hc'ng show.
together. In spite NJ tho gpccd vlp
which a modern carichturist is rcouirsa,o
work-and TIE SuH's readers demand
a drawing from Mr.. Cesare over DIV
there is no hint OF careleSsness nor eva,
| fatigue In his work. In the Original.
! the careful drawing and breadth q.
| treatment arc more evider, than 4, ~.
reductions.
Tho breadth OF treatment IL due 10 IN.
fact, no doubt, that the artist began ~.
as a painter and became "a car1ca.u-r
! only after thorough arprertc.ship
| with tho brush For that reason a tour
OF the rooms where his dra awnings A..
| now to hc seen suggests comparison.
with the carcature work Of rurope
where thorouchness Of workmanship -
| insisted upon
The best known oaricaturs,s n,
America IN the past such M Ton Nas,
| and Homer Davenport, have relied q
most exclusively upon the wit ~ ,NsI-
| ideas 10 carry the drawings. srd 20 adj.
rire the style" OF the sa;irist. ~ Oh.
| French admire tho style" OF their 10.
| rain, Is something NO are only now ne
! ginning to arrive at.
One of the most effective OF th.,a
| drawings IL the burlcsque OF the dip'o.
| mats. awaiting their turn IN an ante.
| room, with implorinE eyes turned tow.
| ard the door that leads to power III.
| very well done indeed. Then there's ,hs
/ long series, that SuS readers know q.
ready. Of Mars ploush!nt TIE tur-o1
! in Civilization and turning an Hatred
and Famine the Guide - To-ruf-Np
! showing tourists the work % the wre,k.
/ eys OF this year. and the "Cdrtrrrtr'er,
1915" with Death and Cupid cp1sI,'.-s
7 tho maps.
There's the hushand'nan watering -.
field that has been planted t-,rkly WIFE
ia yonets, pictorial comments o. W..
/ street and Satire sdeli-hts uron ou-
! relations with Mexico. l1ou tho Nhos
I a graphic summary OF one of the vHr.1
I most tragic years cfn b. -ctd IN ,-'s
/ gallery Of carcaturcs.
James Preston's exhibition of rs'er'
4 landscapes. which remains on View
the gallery OF the Mai~on Ad Braun =.
. Gle. until April -. shows an atyarg,
, in technical power over his vurt
F former exhibitions and certain c.'yt-oa
In the exhibition iudicat" prpgg,....
even within the scope Of q year.
, Progression. trtt f.. q MOI, r.'.
Of utterancs he held TO no progress
B Is evident. Tile MIN Race" aprra.-
T he one OF this artists most recent vu.-
B and is certainly among the stro s'-.
The group 81 buildings along III, ~
race are In good color and the draw
/ of them shows a feeling for the rN''.
of line.
The color 10 excellent I'm tN .. v
Preston's work and his imp..s-....sf
method permits him to do s'oN ..,...
OF which he * fond with nor. .l..
/ able results than ih" 'Nf.twr r..'..
achieve Among his subjects t.. -.
crtl found M France .m".E t.,. .'
/ Charities Cathedral towers s''a
F the town roofs a.I % picture of N....
. the town ~ which the &c man
. on their rush 90 Paris
! Landscapes a,l portraits
? beth Curtis nh tNo of lh, N......
3 lcrieS. Mss curtis j. a' U....
lmpressiou,~' who has 70 '.' suits.
subject and u--, uupl ...u.
been espcr ally CLEVER o.. .....
summer camping rrHr'
lllrhor. WHOM" u...' ol .f.
been done, Is al that ... ......
desire
The "O'd Rarrc' Uo.~.' .
worthy TO De- The .t..'
Even art critics WON'T ....
ny IN ~ Tho Snug
q g..