The evening world., 1915-02-10
PaUiOzCa Seen
II, NelU BaLIets
At the Century
By Sylvester Rascling.

DW o0VUGVUG0 1o14GVU8S8Us
A NINA PAvLOwA and her Rus
~ sian ballet began the sseond
week Of their ensagsmsnt at
the Century Opera House last night
with . programme that rightly may
b called sntrancing. II held ths at
tsntion Of . large and fashioaabls
audience 70 the last dance. Faces BE-
come familiar ~ the Metropolitan
Opera House aboundsd. Outside
there were inposi..g lines q waiting
automobiles.
"Amarilia," an episode Of gypsy
life, founded on an old Hungarian
folk song. arranged by n. Clustins.
ballet master Of the Imperial Opsra
Houses. to music By Drigo and
Tschaikowsky. cans f,rst 70 was
prsssntsd once only whom Nile. Paw
Iowa Wa here last. The scene b .
garden party OF . countess. whs 10
about to we'd q count, for whioh the
gypsiss have besn engaged ~ enter
tainers, Amarillo. the Gypsy oucsn
(Mlls. Paviowa), discovers that the
than the man Who, disguised ~ .
peasant. has woosd her. Surprise.
hope, anguish. ana despair arc de-
picted by turn In her eloquent panto-
mime. and Of the opportunity to show
sons Of her widest dancing she takes
full advantage. Her brother IN. Vol
inins) ably supports her. The ensemble
dancing was exquisite and the eos.
tunes were beautiful.
Aftsr that there wae "CheplnieAe.
an ethereal ballet the music a an
purposes by OIasovao9. In all there
were nine numbers. including pre-
ludes, valses and masourkas, ana the
Finally. there were the. divertisse-
monts, that included 6chuoert's NO
ment Musicale" By Miles. Butcova,
Crombova and Piaskovietska; Dngo's
G1,.e % raR,9n A%';r. BY y,.%o: Mi1s ,v'iEs ME.
Svirskaia. and oodsrdfs "fas de
Trois," By Mile. Pavlowa and Mn.
volinine ana Ouirainsly.
The Kneissl Quartet, At its fourth
concert In Asoliaa Han hast night.
had a. assisting artist Katheetne
Goodson, the EnSiish pianist. 6he
appeared In Bsahmss quartet in A
IutAJOIp OpOD ~ BOb U48u0s VtOssns VsOso
and cello. II was the last number
on the programmes. Miss ooodson
showed herself a. admirable IN en.
oemble player ~ she u soloist The
composition might be CONDENSED TO
IL aAvantags. but II u always inter.
esting and has some big movenoots.
The 0dagio gAve Mr.. Knsooea hio %.
portnnity. of which ~ tesk fun -.
A Is: s.s,naans there was s.s.
Ssis:. ssa.: isssss:: 49, q S.s. s:ss s 8. :: s:
poese sought 70 Depict sone q he
most vtvt1 imursssions of his IKE.
The climax Of his emotions 10 reaeoed
In the largo sostenuto, which a.
presael the bliss Of HE Arst we.
Between these two works came Bee.
thoven's quartet In p nat major. opus
~. breathing the soft air OF friend
ship. peaceful. tuneful and soothing.
All three works we're played In the
lots Of applause from the usual large,
cultivated and 1aalaienable KnsaSel
Ethel Newcomb save . plano recital
at Aeolian Hall yesterday afternoon.
Here u . young American woman. .
pupil OF Leschetisky2 her techMQue
ample. her touch arm, her tone In
gratiating. her digital dsxtsrlty sup
plemented by . mind. WHO y worth
hearing. Her audience Wee fAarly
large and duly appreciative. Her pro-
gramme included Aendelsoohn's Pre-
iude and Fugue In e minor. opus -:
Bcethoven's Sonata, In ID DAT major.
opus Il; 8chumann's FAntaise. N c
MAJOR. opus ~. and Examples Of
Chopin. 6criabins, LaseAotisky and
Rubinstein.
Maud Kraft gave . piano recital At
Rumford Hall yesterday afternoon
under the management of the Music
League Of America. Her programme.
Win the Strauss. .Schuls- Evler "Blus
Danube" waits. Nine. Kraft, who
| shoWed no little skin and knowledge
l 90 Yuaa sraccAAAAd In hnl6.