davidaulloa/AmericanStories huggingface dataset:
Amarillo daily news. [volume] (Amarillo, Tex.) 19??-current, 1915-01-21

INDIAN hpOlf- irH f.n
The ground 600 t... .Hn 'Hir.'
Trrr. ItinIr politician HrI '...HH
pro- ,uutraIur ... IH#.,fu."'. I"H"H
ht fHr F,d.rs| grH' IH- H rHf
urciiun eith eir.'Iuu irfH. ''ru
tlHut, ufI Do .rf before i.HHIt
Judge Aud'r.oH fn... I., H'm
rer ni0f on ueHaf off V..Hr Doom N
RoHsrt a..rf. f..f t Federal
tour vas uIf.nH .r'.1r .Ha'
fsf facts are ruI sufficient "A" ."T.II
trfs Il uuEI.. uffar.U u.. f.I. OBI.
.ndIrfurnf vague b. I.N
mea Who PLEADED Br IHHurr ffU
eishf arkuoN lsdErl guilt and fhs
aiaufD pleaded nov guilt.
Amarillo daily news. [volume] (Amarillo, Tex.) 19??-current, 1915-01-21
CHRISTIANS IN PERSIA WANT HELP

NEW YORK, January 2O-Chstan missionaries and converts
in Umiah recently occupied by Turks endangered and need
help as also the thousand refugees Is according
to Presbyterian board Of foreign missions. Among the
missionaries Urumish Mrs H. P Packard Of Pueblo Colo
Amarillo daily news. [volume] (Amarillo, Tex.) 19??-current, 1915-01-21
CARNEGIE HERO
GIFTS AWARDED
lORIl.lOlK AtIS MOSTLY OF
YOUNG MEN AND WOMEN
RECOGNIZED
THIRTEEN LOST LIVES
Pensions Granted to Dependents IN
Mann ta>c>-IhOusand APP
piOpiiated For EduCa-
tiOnal Work

% N.oHa'rl Pro-
PITTSBURGH. Pa. Jan. go
Forty-tour acts OF heroisu, largely
those of young men aud women in
Nidely-sCJiicrcJ places Ia the INIT
ed States aud Canada, were rccog
uiIeG at thr eleventh annual meet
Iug OF the Carnegie Hero Fund
Commission here today by the award
ol elCyou silver medals. and bronze
medals Boo the other thirty-threc
eases
Thirteen of the heroes lost their
lives, and To- the dependent Of seven
OF these, pensions aggrcgaiing So
100 year were granted. 10 the de-
pcndeuts Ol four Of the others who
lost their lives. sums totalng $4,000,
were granted Ia addition TO these
money grants. Ia eight cases sums
aggregating $4,000 were appropri-
ated for educational purposes. pay
mcGts 20 be made as needed and ap-
proved and In twenty-thrcc cases
awards aEgrcgating &2l,Gl5 were
made to be applied toward the pur-
chase ut homes the liquidation of
indebtedness. and 10 other worthy
purpose. Payment In these eases
win not be made until the bcuefici-
aries plans for IN" use OF the
awards have been approved by The
Commission
The awards are as follows.
Bronyc Medals
Joseph sterling OF oyster Ray. y.
q
from drowning In skating accident
Jan 20. 1917.
G. Williams Jr. Bethany No. Il
saved ". Marshall Clifford, rs, from
Drowning iu q swimming accident at
Carlsbad. y NJ. April 20, lalc.
Bcssic g. Naunah. WinsloWs Mills
Maine. lG. attempted TO save Frank
G. Dclano. In skating accident
Jan -, 1913.
Harold q. Abcll Riley. Kan, IS.
saved Edward ]. otto. from drown
iup winning accident juno 4,
1871
John NJ Greenfield, nuosyillc,
Arb. Is. attempted 10 save % child
iu runaway acridcpi. Marrh e.
1918
GUY ". Henson. n n %. Joplin.
Mo attempted to save William '.
Gaull. FROM drowning in "a swim
ming accident July IS. lFl2
Robert Calbmith Pine Bluff. Ark
~. saved Charles T. Sla'tun. So from
drovulu. In wbirlpool al Nocl.
II, IJ, 1. Igl3.
rlor,n,, MURRAY. Stratiord. Ont.
90 sawed six-ycar.old boz from
Jr,onipr March "a. 1912.
wuliam 4 vcKuirnt Niagara
F,u. \ "a saved two BOYS
from "a rnaVay horse in N,. YORK.
,iiy March lN 1914.
rJu,-J IA Uavs Barr'ou Kan
a ,f,.n.Df.J io save Leroy q
Ioor, .t from suffo,atiou In d
.,.u s,,t ~ i4Ia
lam n n,.,or. ropcka. Kan. s>
.,r.l Isru. T. UoVry tSrp case
rrs,rJiug,
rl,yI A. u,rrsr grt,ui Pond
u.,.. 90 .,,,J Charles 4 Jacobs.
-, fr.r. l~,,,pipr ,.,ro, np.,f So.
...t,r NJ lqlI'
In, a. -r.-tD ,pp.pot. Md
,tf.wptct to save Rianrhr e.
rurru. "a from drowning iu d
.,l,.. ,,.ii,r, Nurust iu. IqI.
rb,l. Armstrong Er,cobrlo.r
.., 3. ..,.1 c,r,r,l. , rrcJ,r
Fl. h. % A''tl. ". .- .. "
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

Bird" were among the earlier pro.
ductions Of NJ. de Diaghilefrs com
pany, and continue to prove as attrac-
tive as any.
Bakst has quite recovered his health,
not up to sample" He reports, in
deed, that having-probably from
habit-replied to the question ad.
dressed to him as he travelled from
Paris-"Why are you going to Switz.
erland!"-that II was on account OF
his health, his interrogation walked
round and round him s%uspiciously for
a considerable time, remarking at in
tervals. But, my faith, you don't
look ILL.,"
His thoughts are at present a good
deal occupied with an ingenious series
Of forgefies Of which he and others
have been the victims. 1t 10 pretty
widely known that the Taller Of Lon
don was taken In by a clever impOstor
who sold to 1t four pictures as genuine
works by Leon Bakst. These were
published as such on February 3 Of
this year together with IN article
under the heading The Amazing
Bakst"-as the artist recounts with
keen appreciation
Upon the discovery that all Of these
pictures were ~forgeries- the Taller
made all amends possible, and, like
Bakst himself, tried to get upon the
track Of the ingenious scoundrel who
had victimized 1t.
Recently it has been brought to light
that an eminent collector who has
already many Of Leon Bakst's works
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

photographs that accompanies present
day existence. and the view they take
Of the model is the view that the yer
age man Of the street takes. They
don't pretend to poetize. and the model
Is planted before n plain fiat curtain
without folds and is painted as tell
ingly as both mel can.
Mr.. Henri's method Is the more
forceful because he has more COM
mand over form. construction and the
other items in the convention Of draw
ing. The brush strokes flOw over the
canvas. stopping at JUST the right
places to indicate with clear and some
times hard precision the bones, the
lips. the folds Of n fat lady's chin or
the placement Of an ear. He draws
and he use drawing as a means Of ex-
preston. II he Is content to express
attributes that are rather obvious that
Is a handicap 10 doubt that he con
~sciously puts upon himself. and can In
no way he attributed to his schooling.
An artist must be aware Of the class
Of society to which he makes his
appeal.
But there Is n wide difference be-
tween the drawing Of Halpert and
that Of Davey. as illustrated upon this
page. Halpert is a man who knows
drawing and in this instance disre.
CARDS II in order to make what he re-
CARDS as a more important effect.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

Davey's 'Organ Grinder" Is the work
Of a man who has not yet considered
II necessary to learn to draw. The
hands, the neck. the straps Of the
organ. countless little items every.
where in the picture letray an in.
difference to draughtsmanship.
The organ grinder has. however. re-
ceived a great deal of praise from the
students who have fOcked to zee II.
Absolute precision Of drawing has
v been held by THE SUNS chrOn.
icler as infallibly necessary to works
Of art. Many famous painters have
succeeded in spite Of weaknesses in
this direction. 1t will he in cOnse.
Quence interesting to see IL Mr.. Davey
succeeds In permanently capturing
public favor without much draughts-
manship or whether he himself will
bend. tn the desire for q wider audi.
nce to the study Of this branch Of
technique.
The director In chief and founder
Of the Russian ballet company, NJ.
Serge de Diaghiler, has leased the es-
tate Of Belle Rive ut Ouchy. Switzer-
land. There he was visited recently
by Leon Bakst. who remained with
him for q fortnight or 50. Bakst ia
at present engaged upon the com
plete remounting OF Strawinsky's
Fire Bird." which Is to be pro-
vided with entirely fresh staging and
scenery expressly for the tour In the
United States. He Is also arranging
new versions Of "Scheherazade" and
Les Sylphides," which. like the Fire.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

Mr.. Davey Is Robert Henri's pupil
his star pupil. for Mr.. Henri always
has had pupils and now that he is an
instructor in the Art Students League
he has a larger clientele than ever.
All these pupils flock to the show
and help to create atmosphere. Mr..
Davey's exhibition has had more "at-
mOsphere" than any other 50 far In
the young eason
The joint exhibition Of Mr.. Davey
and Mr.. Lever has already been re-
viewed in THE SUN. but the photo.
graphs give an opportunity TO compare
the work Of the pupil. MI. Davey. and
his master. Mr.. Henri. Mr.. Henri
has recently been astonishing the Chi
cago people with his Indian and
Chinese paintings which we saw last
spring.
The obvious differences between the
two that strike one at the first glance
are that the younger man does not yet
draw with the brush security Of his
instructor, but on the other hand Is
already capable Of greater tenderness,
particularly in the representation Of
children.
Neither artist does much in the way
Of Interpretation. Both have been
mentally affected by the ocean Of
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

holding 1t a proof that the artist was
Living In this era /; that Is, the era that
has been Influenced by Cezanne.
All Of the mere facts In the case OF
the table are not considered to he Of
equal Importance by Halpert. There
are advanced artists "Of the period
who consider that non Of the facts is
important. But Halpert apparently is
not verse to facts just because they
are facts. He reports the truth In re-
gard to the light, the solidity Of things
and their color, with almost literal
respect.
He changed the table tops perspec-
tive merely to improve the compost
ton. 1t is only necessary for some
little boy or girl in the high school
drawing classes to change this bad
perspective into mechanically true per-
spective to ruin the picture. Any little
boy or girl in the high school classes
could draw this table according to
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

Thanks to this incessant production
and to his continued ability to get 1t
noticed, his work Ia probably as well
known to the general public as that
Of any painter we have.
For that reason the announcement
that this artist has embarked upon a
new line OF work will awaken wide.
spread interest. 1t seems that more
or less in secret he has taken up etch-
ing. Keppell h Co. discovered this
fact, and when they saw the impress
siOns they promptly became enthusiast
tic over Mr.. Hassam. the etcher, and
arranged to give him an exhibition.
Mr.. Keppell Is confident in advance
that the amateurs Of etching will echo
his interest In the new work.
The Randall Davey pictures In the
Macbeth Galleries are primarily stu.
dent pictures. They are not only dis
tinctly for art students but by one.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

TO those who are at all instructed
in the technic Of painting. and
this includes such amateura as
are sensitive to the method Of an
artist. 1t Is sufficiently apparent In
the reproduction Of the still life by
Samuel Halpert upon this page that
this artist knows how TO draw and
yet has disdained certain rules for
draughtsmanship that are laid down
In the school books.
The perspective Of the table is In
the reverse Of conventional IersIec-
tive. The guilty edge OF the table top
that goes for you instead Of away
from you Is in shadow. but any pro.
lessor Of the old school would notice
1t instantly to the exclusion Of all else
that's in the picture. A professor OF
the new school. on the other hand.
would regard this line a~ffectionately.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

Childe Hassam has been conspicuous
as an American artist for many years.
lie Is one Of the chief members Of the
valiant band who taught Americans
the secret Of French ''impressionism,"
He Is n member Of THE Ten" impress
sionists who still give exhibitions that
they wish regarded NJ separate in
spirit from the Academy's shows. In
addition he is probably the most regu-
lar exhibitor before the American pub
lie. sending not only to The Ten" but
To both Fall and Spring Academies, TO
such chance exhibitions as happen
along. and usually to n special show
Of his work in some dealers gallery.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14
The Antique Shop
West lSth ST., Near Fifth Ave

'UTVtSVONHINVIy INV
Largest Collection in This CI'y
Period Furniture Of all the old
Schools, Bric-a-Brac, Old Bohemian
and English Crystal Glass, rare old
China, fine Andirons and Fire sets,
Old Dutch and English Silver, Shelf
held plate, Clock Sets, Brun1es.
Prints and Paintings. Mirrors, Lac,
quer Furniture and Screens, old
Silks and Tapestries
For The Holidays Z. o a. ilo
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-11-14

rule Of course. although none Of them
could paint with Mr.. Halpert's power
or with his command over decorative
line.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
The Plaster a ~ N%RpOlcOn's
Face.

OF the making of books there is no
end. som" are made for the sake of
their subject: some To instruct. amusC
81 help others: some for the pleasure
Of the author himself. Mr.. q. l.. DE
ST. NJ. WATsoN's The story Of Napo-
ICONS Dcdh Mask ,John Lane Com
pany) bears every mark of belonging
to the last division. The book, hand
somely printed on beautiful paper. has
1876 pages and the author consider
ately sums up all his conclusions for
the wearied reader in one and a half.
His summary is as follows:
|. All death masks of Napoleon are
derived from one and the same orig
inal mould, rs is proved by the eyes
and ids, the lips, and especially the
ears.
.. That mould, a waste mould, was
fashioned on the ace of Napoleon by
Or. Francis Burton in the late after
DOR of May &, 1921.
3 one east only-the parent" or
%"original' castvwas taken on the
morning of May 7 by DIR. Burton
from his mould and the latter was
necessarily, and o accidentally,
broken in the process,
!. From this east on May : joseph
william ltuhidge tool IA secondary"
n~on-plaster impression,
!. From this cast, also. when in
B%ertrand's possession Antommarchi,
in 90 the summer of lS22, took a sec
ondary plaster piece mould.
& From his secondary mould Ru-
hidge, before leaving st. Helena q. O..
between May 7 and June IL, lS2l)
took the plaster cast, now in DR.. san
keys possession,
I. From his secondary mould Antom-
marchi in 1S22 produced a secondary
cast-now presumably at Bogota-and
laid il aside til after Dir. Burton's
death.
s. In 1880, and after, Antommarchi
made various moulds and trial moulds
from the preceding cast: from them
proceeded the plaster and bronze
masks Of the lS33-3i "subscrip,Inn
iSSue.'
.. To that issue. or to editions i'm
mcdiately following, belong the sun
dry death masks of NJ lolcon of
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13

Nothing is more inevitable than an
niversaries. yet they never cease Ia
cause admiration, eve with something
of the words genealogical implication
OF wonder. Now II is the centennial OF
Waterloo. one hundred years ago this
month French. German and English
soldiers were battling in Belgium. In
the opening phase OF the present wal
Sir John French. Won Kluck and
Joffre matched Wellington. Blticher
and Napoleon Of the earlier campaign.
VIII this war educe such military
regulations as the old wars did, or Is
II so truly an affair "of men. not gem
erals" that the opportunity is less?
How much announcement for the
apostles of permanent peace In
Europe is there in the reflection that
the Allies of the Hundred Days are
the bitterest pair of opponents in the
war of 1915? A century ago Prus-
both Russia and England against
France; Is 1t impossible that a hun
dred years hence France and Germany
Will make common cause against
England? Not international politics,
however, but military science Is the
concern of Captain A. +, BEcKE. late
Of the Royal Feld Artillery. i'm Ma
pOIcOH and Waterloo U,ondon; Kegan
Paul, Trench. Truebner and Com
pany). a study in strategy and tac-
tics, viewed principally from the Ma
poleonic side and with some appear
ance Of specia. favor for that arm in
which the author served.
Paragraphs in the story II the
Waterloo campaign look like very
modern history, with a drive AT
Paris" in consideration, with names
like I.iege. Namur, Mons, Maubeuge,
Charleroi recurring insistently; with
the Forest Of Ardennes a hinge
Of strategy, and with a front extend
ing from Brussels to Metz. But how
utterly unlike are the tactics of 1915
and Of 1915. Then the science OF
val centred 10 detailed manHuvring
thrust. parrysfnd surprise, charge and
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
known antiquity now found in mu-

known antiquity now found in mu-
seums and private collections.
We are reminded in wading through
these pages of the timid undergradu-
ate who asked Jowett, then lean Of
Balliol. which rooms had been Swim
burne's and tremb,ed as he heard in
the masters high falsetto voice: I
believe they were numbers SO and "a,
so far as that can be Of the slightest
Importance to any one living. Mr..
Is
Had our alphabetical au-
;hor been considerate enough to print
his conclusions at the beginning In
stead Of AZ the end Of the book the
reader might be spared much pains.
II is undoubtedly ~exhausting to
have to cope with pages OF such
words as: diffiding. appulses. prose-
pomorphia. and phrases such as:
'thusly rhetorizes.' 'posterity are in
debted.' 1T gravels us to explain
A good example of the authors ex-
,,berant style is the following para
graph:
The wax cast IL now in the possession
Of capt. Winneberger Of the Bavarian
army. Bavaria-you have It! no doubt the
monstrosity was moulded In wax one night
by II slashed and sailed young Fuchs, of
plastic turn twho had seen the Arnott
sketch) to the glory and the use OF Gam
brinus! For set that cylindrical side face
upon end. let 1t rest on the cushion Of It's
own double chin and It will recall, me-
thinks, the prosopomorphic quart pot OF a
Munich beer cellar. minus the handle.
snapped OF in "A students row.
In his despair over the state OF
Napoleonic iconography in England
and America the author exclaims.
"To see the Illustrations of some Ma
poleonic books issued by publishers in
London and New York in ecent
gears n might suppose they hal
been selected by the charwoman and
ine Office boy
But it would he unfair not To give
some of the authors more respondent
passages. splashed. AS they are. with
purple %eloqucncc:
Napolcon's last phase shall he the lofty
theme Of a poet and playwright Vet un-
born. who to a Daniespue soul vision will
join the fatality Of an .Eschylus. and in
that i've years agony Of the greatest NJ
Moderns intcrweave a nemesis unmatched
In mortal ken.
Lord Rosebery alone. Of all those
who have heretofore written OF Ma
poleon. the author halls with enthus-
iasm:
As YOU turn rather YEARLY from the hot
sword play Of polemic or the chill spade
work OF research OF the enrolled st.
Helenists. from the personalities OF the
iimitartans and the ti-Iimitsrians or
the more courteous debates Of the Faculty
-Carcinomists versus C1imatlsts. pincal
Glandists a hye'-to the serene and sym
pathetic pages Of Lord Roseherv. the only
feeling there Is room for is thankfulness
that they exist.
The chief emotion inspired by Mr..
Watson's book is th~ankfulness that II
has an end.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
IMPRESSIONS OF sw1NBuRsy
Unreasonable. spoiled cana.
Satd Bayard Tp,j,r

In all important respects evre,,
l found him 10 he very much vba, "e
ucipated. writes Laura Stedmau (, ~
Worm american RericG, quoting R,,..'
Taylor's impression of S~winbnrne 80
exception is instead of h,, '"N
prematurel. blase young man nI
world, he is rather a wilful, neryo,..
unreasonable. spoiled child. Ills a.
Is still that of the young shelley. ana y.
great rear Is mat II will never be o,h,,
vF1. '"''
He needs the influence az
stronger that his I'm everythlns bu, .'
imagiSSti"s faculty-such a na,nro w
Byron's was to Shelley. liz b"
a weak moral sense, hut his Often,
arise from n colossal unbalanced aNo,,'
ton. This. or something like II
d~isorganizing element i'm his na,..
which quite obscures the organi,ins
that IL artistic-sense. What I ,I,s,.
In him-yet admire with "A frelins
pains the mad. unrestrainod nrono.
derance Of the imagination. 4, 10.
godlike quality. but he sometimes No.,
II like n devil. lie greatly in,o,as.
my intellect but does not touch ",
magnetically. q"
He could have no power over me hu
on the contrary I felt that sbon,
y $3.50 w Wv ilIl III a Stlnrf f'pa
! had n letter from him the other J',
which shows that he feels an ntelier,p,
relationship between us. Now. ,bt, =,
not a question of relative poetic pov.,
hut OF "A certain diversity Of qu,u,,,
n ] don't mean to be cgotistic In cav.
Ing that ] might perform somewhat ~
the same servvice for him as BYRON g.,
Shelley. | feel that az i, liz ma,
ready too late) I could help him n
some degree of poise. OF system. OF I,u
In short. Art.
In this sense he moves my dcep,..
sympathy, for I see now tho m,,,,,
that might be moulded into a splrlJ'
poet %relapsinr into formloss condition,
II is sad II Is tragic. and II This f,ncy
or mine he foolish. there il is. nove,,b..
less. Without this sense OF giving a,
sistance n week alone with SNiuhurr.
would he intolcrable to mo or an, o,h.,
human being.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
ASTRONOMER SAW ECLIPSE.
Hut lie Had tn Use Balloon 10 Get
out Of Paris.

NJ Flammarion is n veteran Of
astronomy. for he was watching the
heavens forty-hVe years ago. during the
siege OF Paris by the Prussians. his as
Economical work. however. being sub
.ervient to his duties as a Captain in
the Engineers.
In December, 1870. n solar eclipse oc-
Cured. the partial phases OF which VI.
Flamm trion observed while the enemy's
shells were dropping in the besioged
ity. The total phase 81 the eclipse
was visible In North Africa. and Bis
marck. being aware that before the wal
arrangements had been made for Prof.
Jansen 10 go to Africa to make scien-
tifc observations Of totally on behalf of
the Paris observatory. sent a message
into the city Offering the scientist a
safe conduit.
This Was politely refused by Prof.
lauSscn, says the London Standard, hut
nevertheless he went 10 Africa TO sec
thc phenomenon. leaving Paris by way
uf the air in n balloon. thanks in large
measure to the assistance of NJ. Flam-
marion in making the necessary ar
r~auEcnents.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
TRoLLoPE N TOSS.
Publisher Tells ~ Accepting Novel
ist's Challenge.

anthony Trollope. says the ran Man
gazette, the centenary Of whose birth
has Just occurred, held a somewhat OK
aGGcratod opinion Of the monetary value
Of his works.
George Smith, who founded both the
cornhW Magazine and the ran Mall Ga
:effc. relates that Trollopc. when offered
t2.o00 for q serial in the former publi-
cation, stood out for another 81 600. and
finally suggested a toss for the amount
IN dispute. 81 asked him IL he wished
TO iuin me, and said IL my banker heard
of my tossing authors for their copyright
he would certainly close my account.
W ultimately came to an agreement
on my terms, which were sufficiently lih-
eral But ] felt uncomfortable. felt
mean. ! had refused a challenge. To
rcl!cv" my mind | said. Now that is
settled. II YOU will come to my club
where We can have n little room 10 our-
selves for five minutes, | will toss Won
for q Goa with pleasure Mr.. Trollope
did not accept the offer"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-13
POPE'S INFIRMITIES.
lie Was mpbRckcd, D]cformcd
aud of Diminutiv~ Stature.

Those who imagine there is some
necessary connection between literary
genius and inches will w to explain
away the case Of Alexander Pope. saws
the London Chronicle. Pope was OK
actly I feet & inches high. lie was
hulnphacked and deformed.
According Ia one of Lord Oxford's
servants, h" was 80 weak as 10 stand
IN perpetual need of female attend
ance extremely sensible of cold, So
mat ne wore a kline of fur douhIet
under a shirt of very coarsc warm
linen with fine sleeves. When he rose
ne was invested in a bodice made of
stin canvas. being hardly able To stand
erect till 1t was laced. and he then
put on a flannel waistcoat. One side
was contracted His legs were go slen-
der that he enlarged their bulk with
three pairs of stockings, which were
drawn ON ana OFF by the maid, for he
was not able to dress or undress him
self" '