The Birmingham age-herald., 1915-06-05
DOLLY DALRYMPLE
Continued from Page six)

picts in the Court de Lastra to my mind would be the nearest thing to eternal punishment that could imagine, for hav- ing ones finger tips kissed early in the morning, or a large arm chair hurled at one's head at the breakfast table. or having to pet and humor him like a spoiled baby or let him drag you about by tine back hair is all very nice on the stage, but I fancy it would be trifle nerve-racking after 6 or years of prac- tical demonstration. fa
 There are three little stunts which M. Lou-Tellegen has worked out and which he has right at his finger tpis
 Stunt No. P is the "masterf4l," the protecting" the "I'll-take-care of-you- Little-One" attitude which no woman has ever yet been able to resist since the scr pent spoke to Eve that way in the Garden of Eden.
 Romance, dear lady. My Mariclle!
 My little one," says the count in a voice of silver which seems to fairly en- compass the unhappy wife of M Blon- deau like soft glcved hand and then the hypnotism begins.
 When a man starts that, ''littie 5irl, - little one" little sweetheart" business it's time for a susceptible woman to run, and run as fast as she can.
 In the next scene Stunt No. 2' 's sprung on the foolish Marielle, ana then the count proceeds to make love to her in the modern pink-tea fashion Of yelled hints and inuendoes-oh, no; not he.
 Most men in real life seem to fancy hat the last way to let woman know that she is loved is by telling her so. They travel all around the subject from Cape Horn to Labrador without ever trucking it, and they fancy they are playing cum ming cat and mouse sort of game. put sn honest confession of love is good for any mans cause. It is a form of f1attery that places him forever in little niche in the wall of womans imagination and gives him a life ticket of admission to cozy corner in her heart Whether she wants s to marry him or not she can't help aalnir- ing his taste.
 But in the play Marielle is obdurate and goes right on refusing her lover, long after every woman in the audience is ready to take him at the drop of hat This gives Monsieur Lou-Telegen ar opportunity for his coup d'etat and Stunt No 3'-the brute stunt ii pulled of. And he can play the brute-oh how he can play the brute. All the finessee of his subtle love making, all the tender ness of his courtship and caresses, paie into insignificance beside the savage'y o1 his determination and so he plays his last card and-wins.
 What card, did you ask?
 Why the card that Villa played wher he took an American girl by force ane married her out of hand: the card tha' Richard III played when he told Lad, Anne he had murdered her husband snt then led her willy-nilly to the altar; ths card that man has played ever since thu first savage stole the maiden of his choice and dragged her three times round hi tent by the hair; the "I'll-show-you who s-ma ster- -here'' card which is ac high in the whole pack. The villain. little wife of M. Blondeau. who prctest very end, fall desperately in love witl allows her to be compromised ontra geously by him, he quietly throws hi overcoat over his arm,( puts on his sill hat takes her husbands smoking jacket
 which she has kindly given him, says "A, revoir'' as casually as if he were giviYli a waiter an order for cavair, and let l himself out through the window, thu ending most shocking nocturnal visit. 1 Really. M. Lou-Tellegen Is a marvelou master in the art of stage love making and he has created a tremendous furol
 in New York the past season.
 l He suggests beautiful opportunity fo MT. Carnegie or some other mildly dis posed millionaire who can't give away hi
 money as fast as he makes 1t, to open hl heart and purse and found a Chair O Love Making in some university fc
 modern men, with this sauve Frenchm1l
 as director"