The sun., 1915-11-08
q WORKS OF GREAT
ETCHER EXHIBITED
MANY Epochs Represented in
Kcppcl Gallery-Chinese
porcclains Shown.
vrW BRONZE AT MUSEUM

r,c,,y.two ctchings by the greatest
...,,r IN the world may now be studied
:. ,bs gallery of Frederick keppel &
:. The fashions in etching change and
-. methods of modern wo~kmen swing
,..,rer and further away from those
,rr,cyed by Rembrandt. yet go far from
,,,,,inr the reputation Of the master
.,s divergence ever increases his repu-
,a,on.
The Keppcl exhibition is a collection
=, Dutch etchngs that includes work Of
.,,v epochs, even the present. Close
,,scryers will find entertainment in
..,dv,ug the racial characteristics of all
,bsse artists, clearly visible throughout
g., sp,e Of the standardizing influences
D., which the living men are subjected.
pu In the end the student returns to
p.mhrsndt. who is not only Dutch but
UNIVERSAL in his grand simplicity.
Among the Rembrandts to be seen are
,rhe Descent From the Cross by Torch
p,ht" the "carist Preaching" '"The
I,,sssntatton." SKIS Bridge" Land
Zane WIN ~ NHoi NFii'h wv S'Ni'Shs
20 Jnrghe." "Ephraim F7nus" and REM
prand:s Mother"
other interesting plates are Adriaen
var Os,ade's organ Grinder" Cornelis
gess's "rhrce Drinkers" Baron Leyss
|, .Arrhers" and a series by the Twins
Marus Bauer.
More than seventy etchings by ID. Y.
cameron have been assembled In the
gallery OF Kennedy & Co. to do honor
"a two new plates by this favorite Scotch
e,cher, which have Just arrived In this
,onntry. These two are "CairngormS
and amsterdam" both highly charac-
,erst.c and showing the march in in
,ensty of Cameron's style. The Am
s,.rdani' is drawn with power and ap-
,arert absence Of artifice. The houses
.-ou,ing he canal are shown In full sun
ght, There are no birds in the sky
,or clouds. and there is almost no at
.enpt 20 Indicate the water OF the Tore
ground. The artist was interested IN the
telicate architecture and the almost
musical skyline. and khe details OF the
Elndows and ornaments are given with
such icwellike precision that 1t is easy
70 comprehend his hesitancy at adding
confusion Of boats TO the composition
Simple as Is the arrangement of the
etching It already seems compie'e'
The 'Tonying gallery on Fifth avenue
/ . showing a number of antique Chinest
porcelains recently received from the
republic that soon may be again "a mon
anhy. Among these is a chihese WITT
ers water bottle OF the sort that Is ire
llenly seen in clair de lune ana peacn
bow slazes, but this one Is an especiaiiS
rch yellow of shade between ciToi
and mustard There Is aiso hahusoi'i'
oid bottl" IN graylsh ''air ue iui,'
the new coiiecuoh' sothe Mihs ooMi
n white ana an interesting oroi'Ac WIN
jar mat oates from 'he mo" u!
In's wine JaI 10 VI 'ho M"
gherhontai'N III 'ie 'eh,p,eS, go
murash'do proh@e an" has p".
req ana sree"' si>e' W D"e 'e"
'anes'
Thr present exhibition in the Mac
doHcll lub is a students exhibition wiz
d vengeance. None OF the ten artists
vao banded together for this exhibition
aas been thoroughly trained in the pro
.sssion and none gives indications of
desire 10 say things to the world n
.ayge All dutifully echo the tendencie
d. the modern schools. bu; even as echoe
hey are not very clear. These painter
make blurred outlines and their hand