davidaulloa/AmericanStories huggingface dataset:
The Glasgow courier. [volume] (Glasgow, Mont.) 1913-current, 1915-04-02

May Is, 10, 1915
May 20
May %
May 22
May rs
May 81
June LA
June Is :.
June 1916
June II
June II
June 21-July 9
July 10
July 1923
July "a
July 26
September I'll
September 1914
September IA
September 1913
September 20
September 20
September 1924
September "a
September rs
October 4-November Is
November 16
November II
November 1919
November %
November "a
November "a
November 26
December 13
December IL
December 13
December 14-18
December 20
December 20
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

instruction to return to Paris whore
they may, Tx" TIE sisters of soldiers.
ais serve with the dc ot'on and d $
erect h"ro.sm hat W. admire N the
women of France.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

like Mr.. Dodsc's, look best when secn
from a great distance. Mr. Tack Is
show ins fourteen Of his new paintings
IN the Wurch Galleries. aud a though
he was somewhat Of u po.r'ilI,st IN"
last tine he exhibited IN New York he
= now very much NOR 50.
He Is not completely = pr.n;ill.st.
however. Ills madonna IL the Ever
lasting lIills" Incorporates and Yields
TWO distinct manners. tn face of
the Madonna and hrr hands are softly
treated. ne thou"h with oilCe.s hair
brushes. and j. We uu, anita this
portion had We d:i"d that The artist
permitted himself 'o rair furious
poin..,i!st touches al over the rest Of
tn" canvas.
Th.s effec' r'Fcats self in most OF
the pictures IN" und'r uJrmon."s
they may ~ ~r styled ur" the most
Agreeable. Ia 30" Souls Niv'u.lrc
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

"Androcles and the Lion" and before
muslin curtains stained with owen
tionalized references to the action.
Titania's bower is a bare. hard
hillock bereft of bush and flower. At
the back and sides of the squared
stage hang long strips of green and
blue cloths through which the char
acters wind in and out for their exits
and entrances. Above the bower "A
huge wreath Of Botticellian design is
suspended. and there is also a Sumurdn
veil that drops to earth about the
hallowed spot. No illusion oi forest
or nature is obtained and there are
no genuine pictorial ideas that Will
impress artists. Bakst in his most
extravagant moment is at least .elib-
Grating A painters idea. For NJ.
Wilkinson = much cannot bc said.
He appears to have iugg,cd with Dor
rowcd ideas without quite compre-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21
Portrait of a Lady" by Randall Davey.

winds, and the Eeinhardt, Bakst. Cor
don Craig and poirci IDEAS have be-
come 50 familiar over there that hopc-
leSsY dun people flock 10 such pro-
duCtions IN crowds. knowing by this
time that I,einlrardt and Bakst are
safely fashionable. Here the public
may or may not take to- M. Bark
er's troupe Il Midsummcr fairies,
gilded from top to toe. hike living gilt
bronZes. to the extent that they took
to Peter Pan but there is a suF-
Gent love for novelty TO induce a
profitable proportion of the population
~ decide the point individually.
An artist having been concerned in
the affair there has been "A special r-
qucsj for an impression of his work.
Before the war these Simplifiei
modern stage settings seemed to
indicate the advance of the theatre
toward ideals that the other arts had
already adopted. The Importance OF
the popular success tina Mn, Barker
achieved in London lay not so much
in the originality % Mr., WlIkin-
sons designs, for to students of the
Bale, Russo they could not seem that.
but in ;hc impetus they gave 10 The
search for The unexpected. There was
no knowing inuo what agreeable
audac!ties the theatre might not have
led Ms hui; for the war. For the
moment the question Of modern" art
in the theatre, as a movement, must
wait.
The pictorial IDEAS involved in thG
new production are compounded OF
those of Benson. Poirct and Eakst. and
more i;akst than henson, Two bic
settings are provided Titan.a's hover
and tnr palace port.co for the ryramuS
and Thlsbc episode. The other scenes
are enacted upon The apron" bull
out over the musicians pit. which
served already u the DroAact3oa q
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

record Will he sent to the committee N
Paris.
lie Masque de Fer" writes IN one
of she Paris newspapers hat al. the
French prilc winners N i.umr. with
the natural exceptions Of Mile. Heu-
ve,mans ana Mile. l.ili ~Boulangcr. are
serving with the tiay.
The two young lady residents Of the
villa MedeciS, however. did not wish
to remain away from France working
TRANQUILITY how could they?--in their
studios upon the pinCio while their
comrades were battling for la patrie.
When the spring descendS in flowers
upon The hillsidcs the w. charming
artists VII not oe there % gather
them.
MI. lieuvc,mans II Nile. i.i..
Boulans1r ave asked md obtained
permission from 20" Minister Of Public
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21
ART NEWS AND COMMENT.

A WRITER in the Paris Figaro
~ stated that the artists of France
were deeply touched TO learn OF
the benefit exhibition arranged by the
artists al our National Academy. IN"
exhibition which ended This week, in
the knoedlcr Galleries.
The well known French artists
Leon Bonnat, Carolus-Durau, Roll.
Da gnan- Bouverct. Harpignies. Fla
mtng, Bartholome. Antonin Me Gle,
Baschet, RaNael.i, I.ochegroSsc, Frlnt,
'ormon EapNic, Collin and others in
order to thank their assisting con-
'rcrcS IN the United States are to send
~ d souvenir /" each of tho tftN
exhibitors in New Nnrk It WORK uf art
mad" especially for he purpose.
II seems also that Mr.. k%noedlnr. by
way Of "A return favor, has had photo
graphs made of zach work OF art In
~ e1hlettoA, - cAs Photographs
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

bending their possibilities Or without
the ability to reanimate them.
The artists services to the produJ-
ton. whiCh are all this notice pr =
tends to review. ended apparently win
he designs for thu costumes and the
decors. He said nothing about thu
groupings. and apparently The stage
manager felt the artists advice to h"
superfiuOus upon this point. There
are no unforGettable groups or pic
lures, which Is a pity. Almost con-
tinualiy the actors were. as painters
say, "Spotty,' They were out of rcla-
ton TO each other and usually II of
relation To the background.
When the gildrd fairies with the
Siamesc and Chinese coinures slept
or danced they assorted IN with tho
long vertical green cloths back of
them. Such long straight lines. made.
aS such long lines must. "A GothIc
demand, and II was only A. tho end
of the S.'cne when rhesels and his
hunters dsshinG in stood side by side
and upright upon Titania's bower that
u picture presented itself.
Tho attic portico for the Pyramus
and Thlsbe scene, being straight arch
lecture, required less Imaginative cf-
fort upon the part OF the stage mar
age and several effective groups fol-
lowed each other in quick succession.
The puppies and gold. the acidulous
reds and melting greens that Poirci
has already taught Us to admir-, here
wsv' in and out between the black
and silver columns agrceabiy. The
Garish lights robbed them of quality
however. one could not "believc' N
the costume As n did in those az
"SLm,urun." Of Bakst'S "SchehcraE.is'
and of Mrs, Patrick Campbcll's
"IClpktra
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21


instruction I" return to Paris where
they may. TX" TIE sisters Of soldiers
ais serve with the do o;'on aud d $
erect h"ro.sm that We admire IN the
women of France.
In William dc l.citwich -, dgr's
Day Dream a little Sirl dressed
hl'r'N IN p.uk with her hair neatly
IIea Wi'h r'"o"h~ SItS upon the ground
rams "h'"hnto'tdp'F IN l"e nr"'An-
w" '-n'''' 90" SUOMI ptNcS'dI 81 '""
H,'i'S ct rue" man VIZ" ana dreams
~ '''iH' H"''e Fou"E S"lS are more
S','" !" "'N ~dr'dH'IhH IMAM others
u H'''F t"IN '",' - exceptions" ''
'"'". N''p'.v'''' ''''V S'"Ne r'"-
49, "pi''' 80 .
49, ~ '''' "i-,'
n"'@," " '''" NJ '''u '"' ''i'
, "'r
49, ,',,t.h,an 81
dro.,,,n r,os ro. "''
NO rna
~ .,bau.r," AGO.. nn,
N-t,boI,rool,. m pon,or,,
III a,,,I ,,.. u.a..
,,or,i u,,i TO- a,na ~ -,
tho nr,., ,.in n a."
&c ,hon, r',.ot,a rann1 s'
,-. na ''
aatI r,,,. - - =,
r,a. ,rn 1T, '
,,
H Wv
'.""- ~ wv ." - '''''' "''''
- y. ' "' . "
'''N ''I' - NV '''H'''' E'Hl
'''' 49,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21
.OLOR, the attractiveness "
waterways and the rhythm
- Of professions occupy the
thpuphtq az N,,rt,a prou

~ w VFNA'ItF b'NlIIlN the
thoughts of Maurice Prem
dersast almost to the exclusion of
other topics. His Impressions are elu.
siVel presented ana one must accept
ur reject them much is one accepts or
rejects music. This manner of taking
art has not yet been widely adopted i'm
America, although Frederick James
Gregg, who writes an appreciation of
this artist for the catalogue of the ex-
hibition now in the Carroll Galleries.
insists that Frendcrgast is revered by
u younger men. II seems that this
painter. who's color is so hotlv Nene-
ian. has f"rsakcn Boston. where ne
has been living. for the more Oriental
delights of New York.
~"Prcnderrast drew ON France and
Italy for his art education" writes Mr..
Gregg, ana consequently was out "
sympathy with the p%uritanical. unc-
motional and unimaginative environ
ment of New England. But whatever
tho people might he. Prendergast was
able to create his owl world. He fell
back upon himself and in his work.
shop created out of the Massachusetts
coast paintings the beauty of which
did not depend so much on any con-
Htocration Of representation as on in
trinsic art value. the result Of intense
personal expression. 1t docs not mat
ter where he gets his subjects-ia
Venice or Paris or Marblehead, Mass.
everything that he does is unmis-
takably his own. An imitation Prem
dergast H. almost unthinkable."
Boston will not object in the least
to the word ~"puritanical.' In fact she
rather dotes Upon it. \ lady VINO
dropped down last week from Boston
expressly for the Jules Pasc!n eXhihi-
ton was heard to say that she came
over three times upon the Mayhower.
meaning that not one hut three of her
ancestors braved the rigors of those
unhygienic passages merely for the
social prestige connected with them.
Bostonians indeed are more proud II
their Mayfiower than We are of a ONE
sixth interest in a box at the opera,
n drag it more rclcntlessly into the
conversation.
But "uncmotlonal and unimagina-
tive! Boston papers viii please copy.
IL this he calumnY it should No
stamped upon at once. The statement
has a horrid tiuCc of partisanship.
=. - =
N ''" ""' ''"Ne SnV
u m','''"' ""',''''"'""l' oui'''
','' n''"'"''" ."' 'aIe''
~ n.y." ~ '''""N'
W "-l"' WI ."''' 'u,n'S y"
" ','" w '",'"' 'U' Wv
' ''''
"7 '"'' ''' Wv "'S "'''" u
an" . unII'"' u" '"' Nou'I 'Hu "'I
" 's " "" '"" "''
~. olI nrd In NM. ,td,r ,hc,, r,., src
Now growing cold
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

Youth. above all things. loves to be
respected and yearns for appreciation.
II knows whore it IS listened to and
where its equa.s are and goes as
straight 20 the place as a bee To the
flower. II would he pathetic IL il were
not So charming. this comfort that the
young. ardent and neglected found IN
the shelter VI the gallery of the Photo
Secession John Marin actually uses
the word in his poem thai ends the
number. II is a d%isjointed but very
rtal poem.
a spiri; there movers roundabout
q something fcli by those who feel II
here together and to those who come
- place ur comfor'
a place electric q place alive
"a place magnetic
since IL started 10 kissed
Tor ihos" SINGER. those Thirsty ones
{" live their lives
tu de- their do.
who feel they hdN"
Vet cannot SHOW
William Xorach first heard Of the
place" IN a lecture in one ( the insti-
tutions in which he was warned
against it. but exactly like a genius
il. promptly went 10 SEQ o.. He blum
dered into "A MatiS>c exhibition and
stood ~ absorbed the atmosphere
of the place and the drawings. They
had NJ meaning to mo as I then knew
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

pear tn have origina, or bold ideas
hail from the lower East Side. Think
of making them members of our club!
hut too crude. Let's give the prize
this year TO Smith, Ard So on. by
the time Jones, Brown. Robinson and
that very exalted hyphcnated social
parsonage Brown-Smith have re-
Ceivcd the prize ii dawns even upon
the blighted vision of the committee
of our noble and immense institution
that these prizes. having been bestowed
for so many years upon artistic nonen-
titles. have lost the Intended distinc-
ton and are not eve sought for now
except 10y those who intend to bluff
their way through artistic dealerdom
TO speedy but temporary honors.
What is worse. q score or SO Of
young geniuscs have arrived upon the
scene without any assistance from us
whatever and laugh rude,N every time
We bcstow one of oar prizes. These
geniuses congregate at a little gal
.ery on lower Fifth venue where
they give nc prizes. We know exactly
where this gallery IS. 1t is at No. 29l.
Some of u committee have ventured
in there. The exhibitions, as YOU
might know. are shocking. Not a
single picture that has ever been seen
there could he exhibited at o,rr institu-
ton. But the young people like them.
They seem to ike them just because
We don't. It's curious, this pewersity-
of the young. We weren't Ike that
when We were young. But
All things In turn glide DER my mirror
face
Man looks-aud sees the poor forgotten
dead
Looks and remembers. with a sudden
dread.
The Old lost grace.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21
The Man on the Green Bench" by Walt Kuhn.

The Man on the Green
/ for Is iirSt session IN the museum
classroom on Friday. February 20,
The course VII be completed 10y May
| Those desiring admission must So
cure membership cards IN adVanC"
from Prof James f.. Tough, director,
The fourth arnua exhibition of the
National Association Of portrdt Paint
ers. which is bcirg II ID at the galleries
of Seigm1n ~ CO.. continues To at
tract q large attendance.
Tn" attention of tn" visitor on FRS
entering the gallery i attracted 60 the
! p" tra,t b> William Cotton or Nj
Dorothy Gordon King ,pSlumcu iu
Eight green aud gra,. i.ug ne =,
Spc.cher presents Il carefut'! panied
and conscientious work. l:..u- Il
W.'es Is rcpr' ~cnicd by c.ala,'.
isric portrait of Miss q ady~ W..
rather sko;chy in treatment bat .N-
trcmelN pressing: DO Wiz VI. Took
man has q Niri . portrd of Mr.. r.,
l.. Y, ana a portrait uf y Iiajl An.
drew by Ms Cecilia IicauN is q fore
iul work of art.
An cntraac> fee of - cent, is
charged to create a fund which VIII
bc forwarded 90 NJ. Leon fiunuai.
mcmbre de !Institut and pres dent d.
Ia Fraternitc deS .trti~te>. Paris. Who
will apply the same for tho benefit %:
the families Of tn" French artlS's now
at tho front.
MANY of the great European houses
connected with tho arts VIII he unable
To participate IN INC Panamt-Pa''t"
Exposition IN san Francisco owing 10
inc conditions brought q 10y the
war p'l' ll'Iulh% Z" the special re-
p"oSt "I '"r -rh"ih. '"rnlnlsNirN VI
.n' rI'''A ,'"'''nmrhi u" 'h' 'Ar"si-
'''"' CO.. va" III 40 braun 81 ne
n"> "'''"'" IL" NUN" us ri"''r~'~ ~
INV or '''"'"''''HN u 'n' fi'"'n
" '''''''"- - u" .'T
~,
wv ,'"'' '"''S upon '', are 'N-
'' -''''' D." 81" H''"'i "'
-, WI" "' ,''Nl'N ''''i-
',,, T. ""'', WI " '".' "i''
'""' wv ''' WIG" : "nu ti'i'N
,'''" " ,"'' .''
w.... "'' VIZ.
N'"''' INC
u " D." NV
..I,,.,. , ID sac
M. ,,
d~en.rIn.n ~ .rn u,y. n
10, n,",d ~, ,,,ii,. 49, "'N
po. '"'
- ''''
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

and seven plaque. A. A.. Er....r
fr.rze with ~cahorsr, g,,N. r.n,.a
red upon q blue grnuu.
'"."G To- 'l. arg '"-'~'''''H g
''ri'', '." 10Y I' =
." ''. f.
in ,,, N,tr,u,H,. u....,
:, has boo, l'.td.J ., .l.., ,o.
section I'll. additional ...f...
me-; on N.lnl io fu g. w..
~ the US .tnNm 81 ... ...
tn" n'h'i 80. '- 200. p n
% VI '1' @''
90 u y .- '''-
o.. ""'
,,. , g..
.,u .u,..ll.. old. N -.
m,u collection, Tn. ....t... .-.
present ~"m,-.,. .r.. e
Of the N.tiupu.iI. N.- .H. .
% schools treated . '-
an f.'n''e'' "nu >.''".- -
''hI''>" '"' 'I'' "a
'''"
-,
"'' '' ''
' ' "''"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-02-21

art. but the feeling I got from them
still clings 10 me and always will.
Now after an absence Of three years
| have visited '291" very oftcn. and "
me it is a wonderful living place pal
pitating with red blood place to
which people bring their finest and
that brings out the finest that is
within all those that come in actual
contact with It,"
Charles Daniel. the picture dealer.
confessed that "29i" gave him the orig
inal impulse 10 enter the world VI
modern art. II saw an exhibition Of
water colors by John Marin which
quite startled me at first. but held
me and left me eager for a second
view. Aside from the pictures. the
attitude OF Mr.. Stieslitz toward art
and life made a deep impression upon
me. ! felt that here was one pursuing
an idea for the IDEAS sake.
After seeing a number Of exhibit
tions at 2s1, to my establishment many
Of the old type OF pictures that had
interested me left me cold and indif.
ferent. And now that I come to think
of It. 2al has meant much more to
me than had realized. and 1t seems
that this exhibition Of John Marin
was an important event in my life"
c. Denuth. the impressionist, writes:
The forenoon had been this and
that.
The afternoon dragged through an
exhibition or two, a saloon or two
some art talk.
Then somehow tired and d~.scour-
aged We found ourselves. at FIsk's
suggestion, In a place. a gallery
like the word pace better Than the
word gallery Tor this place.
May we see tho new Picasso?'
at was brought INTO the room. \
picasso.
'TNdt udS n moment.
what docs it mear?-tven with
that felt by some one in the room. Il
was n moment
II is truly deplopble that young Mr..
D-mu;h should frequent saloons
some one should save him ere II is
too late-but ne does write well.
doesn't her
But YOU see the tone that runs
through these cont, sslons. Always
the hunt for sympathy. comprehen-
sion. fellowship and their own world.
The old dry as lust; INSTITUTIONAL world
viii not do for dancing. eager. heauti-
fui youth. Some one should present a
copy Of this Camera WoTt To cve-v
oihccr Of every arr inst luton in tho
United States. particularly to tho old
officers il the old institutions.
\ Mr.. Wilkinson an artist. has ncen
induced 10y The progressive MIR. Gran
vii . Barker Ia dos.Cu oStume and
settings for his stage productions. and
New Workers on Tuesday evening
were dazzled in consequence nv d
startlinCly new Midsummer Nights
Dream" StartlinGly new at least for
New York.
The Ballet Russo has trailed
through London. Paris. Berlin and
other European capitals. finginG its
oyersweet perfumes upon the four
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-09-25
DRUGGISTS IN L. /. CITY.
Buy site for Big Building-Com-
merciaI section Most Active.

BRYAN l.. Kennedy has sold the block
bounded by Borden avenue. oliver street
and Third street in Long Island city,
265xlsO. with a Long Island railroad
siding, for the Potter a Stymus Com
many to the American Drug syndicate.
which will erect for it, own use a new
ireproof building. Mr.. Kennedy reports
the sale Of tw~erty-four lots on the block
bounded by Nelson avenue, Anabel ave-
hue, Carolin and Gosman streets, Thorn
son Hin, near the Bliss street and Caro-
lin street dual rapid ransit station on
Queens Boulevard, to Henry Crawford,
formerly OF simpson, Crawford a Simp-
son of New York. Mr., Kennedy also
reports that contracts for the sale OF the
new Schlrmer Building on the block
bounded by Gosman street. Addison
place. Anabel avenue and Gould ave-
nue., Thomson Hin, will he signed early
next week. This building Is on the
property OF the Courtney Development
Company adjoining the lots to be sold
at auction by Mr.. Kennedy to-day, The
Schirmer Building Is a two story and
one story REINFORCED concrete fireproof
building 22OX290 feet, with an area or
$4,000 square feet, recently built and
leased for a period OF twenty-one years
TO the G. Schirmer Company, muse pub
fishers. Negotiations have already been
started for the purchase OF the balance
OF the entire block extending TO Gould
avenue to be used by this same COM
puny.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-09-25

SATISFIED MORTGAGES.
with name and address OF lenders a
torney.l
LEXINGTON Av, lsl6.l2ls, n " c SAD

with name and address OF lenders at
torney.l
LEXINGTON Az. i2i6.l2ls. n " c SAD st.
l02 2N5. Dec Is. ls02-Florence W Clark
~ Alice + Brown; atty. Geo W Ellis
SAME P'Ri6PERrY sept 20, Isoi-Elw 4
Royd to Martin l. strauss ....... $4,000
SAME PROPERTY. sept 26, l9ot-saine
- Barbara stein; atty, . \ stein, q p
g;TIiui" =! n +, 400 " Isl, az. ~2Sxss's.' s. pt
y. isil-wm { a Bertha Meyer ct al
a Chas & Jacob u born. 3si Sd av. q
i J Dorm. IS Lincoln pl, Bklyn. exrs
estate OF Jacob Sch"itzer' address. ) j
LEI%%TTgS:Girtd6Is T Wv. 'sis. 'c's'55 list II,
lbNsg. JUNE Is, lsot-Mary y Wilson 20
lulis \ Nesey, atty. Frank NJ richsnor;
p PARK Row tlI ,OpO
RIvERsiDE DRIVE. 5 e c iOsth st. sOllx
81, July IS. lall-Mati!da W Brewer TO
Marion J Barley, - L 9Th ct; atty;
SAME PROPERTY, Aug II. isos'..,same
to same. atty, same ............s wv wv
a2D ST. 2S7 l., n q, 1875 W % av. ~25xss.s.
sept II. lglS-Theresa J Kelly TO Green.
witch Saw Bank; atty. N y 7 CO, is5
u5HTTmiS ST. n 5. 100 sd av., 65xicoI
June .. lgO5-ChRrles II & c Co 10 Rich
ard Weber, New Roche lie; VIM Web
Der. 900 Riverside Drive pucy Weber
Jordan, Freeport, l. ! & Hattie Aver;
Farley. 22s Bway .....,.....: $4,000
PARK Nv, > : IS n 7Sd st. sa.xe6, Aug
l., IsOg-Betty NJ Hawks to Mutual Life
Ins Co; atty, l. T a T Co. 100 Broad,
,gGMssT ST. a5s'w IS. ?o4 " Manhattan av.
lGNlOO. ll-Matilda Pape TO Hy V Allen.
Montclair. y j atty, A u Pape, 81 .edsr
st 500. SptVVV
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-09-25
PRODUCE MEN LEASE LOFT.
six story Harlem Building Taken
for Long Term.

Edward s. Napol!s as attorney has
rented 10 the Consolidated Commission
Merchants. a new corporation, the six
story loft and factory building at 1924
street and the East River IN the Harlem
Market. The lease Is FOR ten years at an
aggregate rental Of $4,000. The new
corporation will engage In tho fruit and
produce commission business.
Morris Rose and Lewis l.. Rosenthal
have leased for "A long term the Ave
story building at 1919 West Forty-second
street. After extensive alterations have
been made 1t win be occupied by Jules
Altman for me sale Of haherdashery
and clothing.
Burton Thompson 4 90. have leased
store No. 2 In the standard Arcade 10
Charles W. Wolf dealer In trunks and
leather go5ls. The store faces on Broad
way on the northerly side of the Arcade
proper and contains about 1900 square
feet. This Lease completes the rentals Of
the Broadway front OF the Arcade.
Royal Scott GulSen has leased to Star
buck N Hunt. interior decorators, the
first loft at 10 to - East Forty-seventh
street for a term u years for Harris
Il Vaughan. agents. This completes the
renting OF the building.
A. l.. MCnfort has leased Cor a term Of
years the building at III West Eighty
ninth street for George McKesson Brown
to Nathar 81 Champion. for use as a
garage.
The Charles F.. Noyes Company has
leased Offices In the Masonic building
II West Twenty-th'rd street. and ID
West Twenty-fourth street to the Cen.
taur Film Company, the Meccano Com.
pany, the GENEVA Embroidery Company
and the De Luxe Film Company.