davidaulloa/AmericanStories huggingface dataset:
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
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Then, Taezs o-soas gons -
$50 -Ssv TCrk Tines
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
MAKE PROFIT IN cocKeRels
osse ersssssie way 80 SEA. .-e
esesse~~ 10 - csesnixs vss,s
0sies-oeers;is 10 si-rie.

TIE t-est an1 r1os- p.cttzbls usy
20 -svG the r-SDstsr- 10 to ceposirs
NE yosns eoetsssls
MOI people tDok gpor ezpsorirt-E
~ Q ctscui; opers;'on. bui shs e
1fttis prsctioe !, can - ssccessfgiiy
g'ssforrDsc ~ anyone Pan lrtirge-
tions are generally seni ri;h ssts o,
cspooirinx instrVusnts Ho-sTsr
anyoos intsrsxtsd in the sgblsct car
get complete tn'orr,st.on ho- bu,-
iesin t5z. -CapoHs and CspOriEing
Of the United states department d.
agriculture
Tue cxpcn is ggiet aHt EASY 70 .a--
Gle and shows no disposition % sK.t
The fesh - o; tiEh qgaity. y TIE
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
o.nt.r II .-e Carer.

C1ptsr stil in,ss: gardens creep;
4 TIE cs1trzl p,s-tt.as o. large ci,.es.
AID ara kzre % extsfl!nzte vbsre
s-2.y vacant lg,s are found Gzr1sa
cvrsrs & not care 70 keep polsoc and
uzps CT kznd. szi k2r easily . &C.
ccrapi!sh the tszrh Q. the gopher b@-
coF.ss q ry-blera- Last vesk o-s
threw - little mound In the writer's
sarGs.. kzTi-g tursoEed untsr the
.e-es ircin an stloining vacant lot
A ressenger vas hastily sent 70 a
nearby drug store for bctils q car.
tca bisulphld The hole uas opeasi.
. halt cgp,zi pygred IA. the hole closed
sn1 frned ~ith damp soil. Tse nert
day tie sol vas dug out and tie hole
fcllsssd bat three fee; INTO the vacant
lot. and there his gophership reposed.
dead
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
LAYING TWO EGGS PEP DAY
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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

A. 1lf<t--s sre@.s- Er..ss 70 tsE
fars- thzi Ehsrsrs- t.s-s are a-.es-
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70 szeA 10 porsts q I've peight.
an trss :, a. s-s>five rerztT. Tsts
e ss-pis ard sssat sns certain
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
s.-e.-i-s ls. r.--.-a

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5o-ss- EE-ic-lt-ris.
Tesyre the rlzces U-cls Ey. Il
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-sVze- q zA.cA a-e -o,1si % cast;
- sc=e1cT r-p51c=5 3 "a; 5Ee.le- =
daily rc--d G. -ezle..ss Judge
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

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TIE Mistress Only :, hone .-r -E9
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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

Mrs Ezcc1-fiss . vs-T i-cc-s1.
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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08
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A-s 80 s---s- t1a-c--t 1-as-rg
t.s-- sa-rss z. ---s
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Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

II fee.rE c-rterrlIs 4 is veil 20
-, a tsslssyqDu'ui o, baking sc1a
70 sseA fali1i 0, ogt,srnns. Tnis
psts J, IL ths r1Ent sAsp@ Tor vhe.-
ttnz the sypefifss q re psxs, ana
xfrss tkssz god gr0wth
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

Tea. ~ E-.s z-s ErE 20 -z=p
go.
1. " z-s E-E % .st@ -c--e-
E---E 70 -ars s.s -s=-s = rsrs-ic-
-1g1rs
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

TIE hishesf rs>nr1 srsO1r tbs
states Of the Unio. IN ho1sy pro1se-
ison 10 zz1s ~ California Thsgs 10
no rsxsOa erperts say. say every
slsis s.Sslc nol p-ocses more sc1sy.
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

D~rt r-vns VIA a. an
U>1s -, - 'Es toper inas
DsD1t esf Dr rns s.0rz t,zsa
rsnt issrs AiEls
Dat .ss >g9l to.is
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

PCT -z- IS .1cls1 z-5 -7~s- Z
s--z % IS sign ia; T. -zs -o
size O. instruct 1--
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

Tie fellow yc-ier Is Ess=z-.
-E9E can you tel
- rs ballet head
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

Wtea yc- have 10 r=zs1a % Smile
keep ID practice a-vEzv
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

10 yo- 90 much Ught reading
Yes hay 70. In a gas insp.c-
-- -Ea Itl--r-a American
Farmers' champion. (Elgin, Okla.) 1912-1922, 1915-09-08

TIE al q. b.-&-g Les IL k-5---g
z.z- 70. %
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30
THE A THAT LAST.

Among the plays still 10 he seer in
New York are "A Celebrated Case" AZ
tho Empire Theatre. Twin beds AZ
the Harris Theatre. ION Trial" at the
Gambler Theatre, The Natural Law"
al the Republic Theatre. "Expcricnce"
az the Maxine Elliott Theatre, Sin
nerS' at the Playhouse, The Bubble"
at the Booth Theatre. "Trilhy" at the
Shuhert Theatre" 'lt PAYS To .Advcr-
tisc' AT the Conan Theatre" shes N
Again" al the Gaicty Theatre. Under
Cover at the cort Theatre and y
Full House at the LonGacrc Theatre,
The musical plays AZ" The only
Girl' at the Lyric Theatre. De Wolf
Hopper in Gilbert and Sullivan oper-
ettds AZ the Forty eighth Street Thea
ire. ~ Modern Eve" OF the Casino.
Nobody Home" at the Princess Thea
tire. chin chin" AT the Globe Theatre
and The Passing Show Of la15' at
the winter Garden.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30
THE PLAY AND THE PICTURE

which will he produced with her in
Egypt during the coming summer.
'Zaza,' and a notable series Of sim
lar dramatic successes.
Marguerite Clark. another leciti-
mate player who. within an incredibly
short time. has become an interna-
t.onal film favorite, made her first az.
pearance in motion pictures In on
production of 'Wildfower' last Deem
Der. This subject met with such grea'
popularity that We were actuated IN
inducing her to abandon the stage per
manently and appear on the screen
exclusively under our management.
Going from women to men star
in your article you quote John Barry
more as having had various offers
from moving picture producers. You
may not know that John Barrymoro
has already appeared in three produc-
lions of the Famous Play ers Film
Company. An American Citizen The
Man From Mexico and Are You u
Mason In whsh his success has been
so tremendous that we are nj the
present time seriously planning to
induce him also IN aba ndon the stage
and appear only on the screen under
our management.
To compare him with Charlie
Chaplin, az you do. suggests more CON
trast than genuine comparison. John
Barrymore. after only three appear
ances on the screen. Is to-day moro
popular with the refined photo pla,
fans tnsn Charles Chaplin can ever
hope to he. Moreover. to indicate the
| difTNyn,no in ,hntr GnnA,tal -.,au,
Charles Chaplin pictures arc rented
TO theatres for 81 n night. whereas No
theatre IN the country can Obtain IN"
Of u John Barrymore features To-
less than $50 a night.
1T Is true. Of course. that a .~ca
many stage stars who have aprJar,!
On the screen have been sad r'iiu.,s
This can be traced 80 q nuuI'r'
causes the TWO prominent Of W'i
may he cited.
81. Age. and he Inability 20 tii,h a.
camera in this respect = "pv nrs
-. Inappropriate vehicle. badly o.
duced.
We have proven. hoV",cr. nF r
experience, that stag" star, win ,,U
and individuality rcgistcr uH -
~ zen ~ q ldl Slfh''l HSl'' '"'
film stars Of youth AM h"art un.
and no definitely d"vc oped Hh;i;v
The p%hotoplay puni" has h"'I
taught 20 distinguish between Norr.
and beautiful players with no toch-
nique or ART and stars Ike Margncr-
ite Clark, Hazel Dawn and Mario Dor"
who are attractive AMI vet posses
method and precision. These latter.
for these reasons. attain a great"
! degree Of popularity on tho screen.
! and consequently far more nnancia'
/ value. than the old fashioned and fast
d"isappcaring screen star
NJ Frohman's explanation seems :"
depart in no important principle from
the statement Of tho writer IN ~
SrH thai youth. beauty and larE".
dark eyes are tho only importan'
qualification for success on the screen
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

Chase The next instalment Of the
Paramount South American travel
series with several good comedies are
also on the programme.
Love. Sno and Ice" is tho title oS
the new picture at the Nijagrapn
Theatre this week. An clopement
serves as the theme for tho picture.
while a pursuit on skates and ski's
and by sleigh. %tohoggan and icehos'
furnishes the motive power. Other
pictures will he another instair,cnt ~
THE Goddess" -Four Grains Of Rice
Fair. Fat and Saury." and mir. Jan
and the Ladies Cup
Two now groups representative ~
the civil war have been installed fui
Decoration Day at the Eden Muscc.
One IS the signing NJ the peace b.
tween Gen. Grant and Gen. Loo, th"
other showing Uncle Sam grcctin.
two veterans of the civil war. TIN
Kincmacolor moving pictures ar
called THE Majors story" Love ~
the Dark" and a picture showing all
gator farming.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

An artist once said that he could
readily acknowledge the great advance
II photogi aphy and even admit its APP
proach to an art. Only one him IN
terfered with his full enjoyment Of The
works of the artistic photogra piers.
That was their pretentiousness. They
claimed as much for their medium as
\elasoucz or Millet might have accom-
plished.
So it is with the moving pictures.
They are too highly praised by their
promo; ers. They would put them
ahead of the spoken drama from
which they can only lie derivitive. But
it was with pleasure that THE sur re-
porter listened to the following con-
yersation from Daniel Frohman. who
Is such an authority on the whoie
question OF the moving picture plays.
81 read with a great deal of interest
the article H. THE SrN entitled DO the
Pictures Spoil the Vogue OF the Ac-
tori" Mr.. F'rohman aid. since you
mentioned the tamous Players Film
Company in this article ] want 20 sub
NIT the following facts. which will in
dicate that the stage I who enters
into motion pictures has every oppor-
, tunity for financial and artistic sue
cess. These fac.s are not presented
in order to contest your opinions or
conclusions. which the writer appre-
ciates are based or the surface APP
~peararces OF the situation, but rather
with a sincere spirit OF a~cduainting
you with the actual factors in the
| mater as they have evidenced them
. selves within this organization.
since YOU have reproduced the
photographs Of Marie Doro and
PA uline Frederick as an illustration OF
I, your statement. and since also both
| of these artists made their debut with
| the Famous Players Film Company,
by whom their film services are exclu-
screen success az an indication OF the
advantages open to any stage star in
the possession or youth and talent.
Marie Doro was presented by us in
The screen version OF The Morals o'
Marcus. t. photoplay made such
a tremendous hit tina AL The eXhih-
! itors 'hroughou; the country. number
ing thousands. who presented this
production have written us earnestly
requesting a series OF Marie Doro fea
lures. In compliance with THIS de-
mand We are Tow planning a series
nf elaborate photo productions with
. this dainty star. ana because ~ her
prompt success on he screen have
agreed to pay her exactly twice as
much for her future services as W.
III co., hay n,c. .ra,ya,
Pauline FrcderiCk's great personal
triumph as DoUHo Roma in The Eter-
nal city i generally known. In the
motion picture trade this characterize
ION has been termed the foremost
cmotiona, portrayal ever contributed
by a stage artist ia the screen As
a result, OF Mss F'rederiCk's success
as a film star We have secured the mo-
ton picture rights Of Robert Hlchens's
famous novei and play. Bella Donna.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

All performances Will begin at $50
O'Clock and nj at 6:l5 o'clock.
Those who will appear with Miss
Mccarthy In "1phigenia in Tauris' to-
morrow and again on Saturday are
Mary Forbes, Alma Kruger, Ian Mac
laren, Leonard Wiley, Lionel Graham.
The cast of The Trojan Women"
which will he given on Wednesday, in
cludcs Miss Mccarthy as UCCubd.
Miss Matthison as .~iudromdchc, Miss
IIerne as Cossondrn and Miss Hanson
as Hclrn. Ian Maclarcn and Philip
Merivale.
Euripides's "Iphigcnia in Tauris.'
which will be given twice during the
week, is considered one of the most
beautiful Of the Greek plays, containing
a story of romantic Interest and pos
scssing dramatic situations Of power
ful appeal. Prof. Gilbert Murray of
Oxford University, England, whose
translation of the Greek text will he
used, has written a preface To the
play, which follows:
THE 'IphiGenia in Tauris' of Eu-
ripidcs IL one Of the most beautiful
OF the plays. not really a tragedy in
our sense, nor yet merely a ro-
nance. 1t begins In gloom and rises
to a sense of peril, to swift and dan
Cerous adventure, to joyful escape.
SO far 1t is like nan But it is
tragic in the sincerity of the character
drawing. Iphi0Cnin especially, with
her mixed loncings for rcvcngc and
for affection, her hatred for the Greece
that wronged her and her love for the
Greece that Is her only home, her
possibilities of stony cruelty and her
realities of swift self-sacrifce, Is a
rue child Of her great accursed house.
The plot Ia as follows: Iphigcnin,
daughter OF ApdmCmnOn. who was
supposed to have been sacrificed by
her father at Aulis, that good fortune
might attend the Greek army before
Troy. was really saved by Arfcmis, and
Is now priestcss to tho goddess in the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30
CONCERNING MISS MILLER

rugged ont in a sllff ballet skirt. made
her debut. She was hon 4 years old
and the date WAS August 20, 1908, and
tho place Lake Side Park, Dayton,
Ohio. II seems Unnecessary 10 adj
that little Miss Marilynn hS hsen
dancing ever since. Later she added
clog dancing, singing and mimicry 7"
her stock IN trade. II ultimately
Mile. Sugar Plum" was dropped. tt"
family was then STYLED The Column
bIan Five"
Soon artrrward IL became So apparent
To tho father and tho manager Of Nh"
act. Caro- Miller. that they should h'
playing in the larger cities that with
a certain sense Of dsgust he gathered
together his brood and sailed for for
cign lands. This "trip included Eng
land. tho West Indies. tho South SH'
Islands. Hawaii and Australia. Com
ing back to America they played vaud'
vile IN the middle and far West. ami
in 1905 by IN" mcrcs, accident thy
appeared IN q brooklyn theatre tbs
was the nearest they were cvcr abb"
to get to New York. Marllynn Na,
stlil the milestone around the neck u.
the little act.
only two more years remained, ne"
ever. for the anal appearance N ~"
York Was due to a circumstance which
brought Miss Miller into contact Nu
Lee Shuhert, She had N abroad to-
dance, and one evening IN - Supp"t
club in London slc Was in''odu 81 I"
the American manager Two m"uiIr
later she was rchcarSinG with TIN"
Winter Garden company. and t'""
came the final graduation iuto 80"
ripe old age OF Vi, Father Mi,I"r va
happy. while the Law gave mp lis r"-
l~entless pursuit. Mamma M1il"r
merely cried, and "FahY' simply
danced till her toes auhcd.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

II was just a year ago hat New
York got it's frs, glimpse Of little
Marilvnn Miller, who at that. time
made her debut at the Winter Garden.
She has returned to the scenes OF her
first triumph after a year on tour,
Like all actors who are compelled TO
wander from Broadway she is de-
,!Ghted to he back. 1t isn't that Broad
way appeals to her young nature so
much as the fact that for twelve
years she was prohihSed by law from
being seen in New York. THIS Jaw
Was the child labor enactment
and the crime charged against her
was that she was not sweet sin
teen tiut asst June she became l6,
snapped her fingers in the face Of the
law and danced for the first time be-
fore a real New York audience.
Remaining at the Winter Garden all
ldst summer with THE Passing show
Of lal4.' she travelled with this attrac-
ton up until a few weeks ago. This
tour took her back over the route
where season after season she had
appeared in the lesser vaudeville
theatre as one OF The Five Co
lumbians.' Wherever she went the
past season her reception was in the
nature of a triumph. for Il seemed
that every th%eatrcGocr in the States
Of Ohio. Indiana. Illinois and I'ennsyl-
vania was familiar with her fight to
get into New York.
Little Miss Miller, who is extremely
slender and Childlike, was born in
Find,ay. OHIO. Her parents as well az
two oder sisters were performers.
Mother. father and these two sisters
at the ttme of the birth of Marilynn
were doing an act on one OF the
vaudeville circuits, calling themselves
The Columbian Quartet As soon as
Marilynn was old enough to travel II
was natural that she should he taken
along with the little family, Neither
her mother nor father eve dreamed
that she would evincr a desire 10 take
part in the performance. But II so
| happened that Mari,ynn saw a moving
picture of a toe dancer This was her
undoinC.
II appealed TO her fancy SO strongly
that she began initiating the dancer,
and to the surprise Of her sisters, and
every one else, for that matter, the
little Sirl was able to walk on her toes,
and in a daN or 80 little Miss Miller,
! billed as mile. Sugar P1um" and
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

Madison Square Garden Is now in
its new umncr dress, and moving
pi,tures. which began there last night.
seem to he much in vogue in New
Works. largest motion picture theatre.
This week there Us being shown the
Sporting Duchess. with Rose Coghlan
in he ;eading role. The symphony
music and the organ contribute In
general to a In" performance.
Ina Claire. will make her moving
picture debut at tho Broadway Thea
,re this week in the Jesse l.. Lasky
finn from william G. De Miles ro-
mantle comedy. The Wild Goose
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30

Rutherford Mayne, said to he a thrill
ing picture OF Irish life in action.
The aim and object OF the Irish
Theatre of America says Mr.. Camp
bell. lis to establish dramatic CEN
tres in New York and America for an
individual and characteristic dramatic
art and to interpret a fclk lore that
has been created here by a people
whose thoughts and emotions once
vlhrated around their hearth fires in
,u. mountains and glcns. but whose
life now centres around the radiator"
concf rn.ng the plans of this new
.;'>'itLtlon It's promoters write 10 THE
sun:
IN. Irish people in America have
.:ctted many valuable institutions for
themse. YES. hut alone among i'm
poriant n~ationalities they have no dis
jin,t.ve theatre. Among the various
~uatlunalit.es the theatrc - the radiat-
.nG centre for national cultures: the
Germans. tho Italians, the iiddish
speaking Jews and the French come
INTO contact through IL. Where a
racia, group has its theatre 1t has a
hrai.or Of thoughts and emotions.
Therefore We believe that the project
~ an Irish theatre here il OF national
IMPORTANCE. II would he an o.ganiza-
;lon that would foster and produce a
aational culture. The time has come
when all Irish people should Join in
he building up OF such an ~organiza-
Ion. We rely upon them here to CO.
operate in forwarding a movement
which will put them beside the other
important n~ational!ties as regards an
individual literature. art and drama.
The theatre keeps alive the interest n
national music. song. da and story.
The projectors Of the Irish theatre
hope 20 create centres for a charac-
tcr!S,ic dramatic art n New York and
throughout the country. hu; they will
not lim., themselves cnti'ely To the
production of purely Irish plays, They
vii Interpret the lore which has been
.rca;ed 10y a people whose thoughts
md emotions once V.hrated around
their own hearth fires in their noun
aims and ciens but whose lie now
tutrcs around the radiator.
AT the outset they Wi produce
simple plays which viii reflect tho
freshness ot mind. the simplicity and
sincerity Of Irish life and which VIII
keep alive and foster the great moving
,ur,c oc racial consciousness
Thc Lambs Gambo, IL set down for
next Friday and Saturday al the Gem
;dry Theatre. Its promises are fully
described elsewhere.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-05-30
NEW PLAYS OF THE WEEK.
Greek TraEedies Out of Doors and
Irish Plays.

jan Women" Of Euripides in the new
I.ewisohn stadium at the College Of
the City OF New York yesterday as the
feature of the dedication of the spa
cious municipal amphithcatre. Mr.. and
Mrs. Granville Barker began their
series - open air Greek play pres
entat!ons which will he continued in
the stadium this wcew.
The programme for the week ia
"Tphigenia In Tauris," with Miss Lillah
Mccarthy az T%phioenin. Tomorrow
afternoon; THE Trojan Women"
Wednesday afternoon and "Iphisenia
in rauris';s next Saturday afternoon.