davidaulloa/AmericanStories huggingface dataset:
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-09-23
wcuntcg aapiteI.

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bari i'd mid audi oea itonen Sages
ltelen."
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gSon oen bIiibeuoen yieIten, Heieoen
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ter Suit ms Simmer
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eincm beiBcu Orange crbebeno, M.
berte er ielncu aopi 0cm 5crItcr, lem
@oar berilbrte Dos lire lno ipic eIll
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i'm.
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eilt neie3, ioWuiees Heben beginner
nlilbtel"
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perieuftcn iih iteIiianoer.
9lber i'm gIeidlcu 2liigeitbIid IieE
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lie crihrodcu anliabra.
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iic tparb ihon seoiinet imO Ioralt,
aui ben Arm oes 9Ilieiiors getiiet,
binfte nit jdmmerIider Yliene ber'
EN-.
Anrtithtiltn mint \
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-09-23
@as trcibt bic ensliide slr.
maDa?
aOutreuOmiral 3. .. aalau p. 5Ofe

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lpsien iinO; bab Der plan trcs Der
pislsn llsbsrrnihungen, bic gngInno
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bnB bic GriobtuHg pisIlsitt iosar
asIebr. bat. bab er gar ni4t b.her
bate isih t6uneu.
9on jeber 1T tie 1lctte bas Maf3i.
initrument sefpsi,n. oas bic snglii4t
DIPLOMAT. fir bn DurhjpinsunB
ibrsr 6jsftdfte am beitsn 5u triibsn
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liide Diplomatic mi. bein Nilnbus
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ginbube an ibrsr aIle,meinsn llebers
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pan, iibsrhnnpt tei oIlsn Seemdd)isH.
bic nift unisrashsn MOLTEN. unb bic
bic Jehltr ibr.r S6iffbaupolitit ein.
geIsbtn battsn, iieue. nab eeIunosn
prin5ipisn srbauis 6loiisn entfinnesn
ipdrsn.
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fiai. bab bic @srniatuns Der bsrtib.n
1lpite mid. Dhue idpere 9erIuite
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banah borlaufis pislisidt ben pierten
plat untsr ben Geemdfien simunebr
men bab.n iriirbs, bat permutblih bic
sneilfe Diplomatic peranIdBt. bisfen
WsIiiriss 70 i4nsu pis mSgli4 bsr'
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-09-23
Sin raffinirttr atlInt,

I'm tdIlthitter htli.ntr.
profsdor: .9ieisn absne babe i9-
ipiebu nihis s,e,iisnl'
frau: .8u iDcIlssfi Dir bod tn
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proftHOr: .gsitsIt babe i1 aud,
absr nidis bstommen; nafbsr hai mir
Der asllnsr ioIdngs pors.rsbsi, bab Id,
neine portion ldnsit Dsr5tbrt battle,
Bis t&'s isIbit ssslaubi babel
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26
The Plaintive Song
of the Lazy Farmer

MY neighbor never seems to think
lvx his work will put him on the
blink, and give him rumatiz; he slops
around in slush and snow, to get the
chores done up just so, and bed those
calves of his. He's up before the
break of day, a-throwin' down alfalfa
hay, to feed his cows and steers; he
warns the water and the swill, the
pigs go at 1t with a will, they like it,
it appears. When snow is blowing
far and wide, his stock are comfort
able inside, and 60 on getting fat;
no matter what the weather Is, he
babies up that stock of his, and waits
on them like that.
Now my old cows are hardy brutes,
they live on cornstalks and on roots,
instead of fancy hay; they never have
a bite of corn, they get up early In
the morn, and strike out in the
snow; the cornstalks make nutritious
feed, they're really all the old cows
need, to give good milk flow. Some
days when it's too cold to thaw, l
throw them out a little straw, to
whet their appetite They've got a
nice barbed-wire yard, and when 1t
freezes pretty hard, let them in at
night; then when the ice is frozen
thick, l drill right through it with
my pick, so they can get drink. l
don't spend all my time out there to
give my cows the best of care, want
some time to think. This weather it
feels mighty good, to have my wife
bring in the wood, and build a roar
ing fire. hard work and worry do
not pay, sit and rest and smoke
away, what more could / desire?--
The Prairie Farmer.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26

space underneath an elevated back
porch.
For the sitting hens and their ex-
pected broods, comfortable coops may
be made of packing boxes of moder-
ate size which may be cheaply OBJ
tanned at any large store. A cover
ing Of building paper will make these
weather-proof for season. Such
coops are commonly used on many
large poultry farms because OF their
low cost.
When making the initial purchase
OF mature stock, chicks or eggs, the
beginner should exercise the greatest
care. He should first make up his
mind what breed and variety is best
suited to his purpose, whether he is
most interested in the fancy points or
the producing ability of his flock, and
then secure strain In which the de-
sired characteristics are well estab-
lished.
Purchases.
1t Is mistake to buy either eggs
or stock merely because the price is
low. Too often this means that the
flock will be poor in quality, unpro-
ductive and Improbable and this in
turn may cause the amateur to be-
come disgusted and give up the work.
On the other hand, high prices do not
necessarily mean that the stock is
desirable or that the eggs were pro-
duced by birds of the desired stand
ard. The beginner should secure
the advice Of an experienced poultry
man in his neighborhood as to the
sources from which to secure just
what he needs, or else investigate the
matter carefully and use his best
judgment, based upon the informa-
ton secured.
If birds of show type are wanted,
place your order with some prominent
speciality breeder of the selected breed
or variety, some one whose stock has
regularly won prizes in open competi-
tion at leading poultry exhibitions.
1t Is not necessary to buy prize-win-
ming specimens or eggs from the best
blood Of the strains that have demon
strated their excellence in open CON-
petition. Blood will tell, and the pro-
portion Of desirable youngsters bred
from medium-grade birds Of estab-
lished strains is usually greater than
among those bred by freak or chance
birds of. unusual excellence which
have no real breeding.
The same applies to laying stock,
The tendency toward great egg-pro-
duction is inherited, and as there are
so many bred-to-lay flocks in Amer
lea, those who wish heavy-laying pull
let's should take full advantage of the
work already accomplished.
Be sure that the parent flock is
healthy and vigorous, as these quail
: ties are greatly to be desired. See to
1t that the parents of your prospec-
tive chicks are free from such dis
eases as roup and white diarrhea, dis
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26
Profitable Business of Poultry Raising in America

orders which will almast surely ap-
pear in their offspring.
II you cannot visit the plant from
which you purchase eggs or stock,
put these questions right up to the
proprietor through correspondence.
In the great majority of cases you
will receive square treatment.
In conclusion: II you really want
to keep chickens, make beginning
now. Start small; don't invest much
until you have had a certain amount
of experience, but make start. You
will never be entirely satisfied until
you have tried 1t.
Copyright, 1915, by Matos- -Menz Adv
Co. Inc)
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26

merely establish home flock. The
inexperienced man who wishes to en-
gage in poultry-keeping as an exclu-
sive business can profit greatly from
managing such a flock, but he re-
quires much additional preparations
before being qualified to successfully
manage a commercial poultry plant.
To such individuals l would give the
following advice. If possible, take a
course in poultry husbandry at one of
the many institutions offering such
courses, and then spend year or two
working on successful profit-grow-
ing poultry plant. In any event, Sc
cure the benefit Of the latter train
ing and so learn how the successful
men manage their establishments and
! how costly experiments and errors
may be avoided.
In the Spring one may start home
flock at slight expense, through the
purchase of small pen of breeding
birds, Of eggs for Matching or baby
chicks. But little equipment will be
needed. especially If the hens are
used to hatch the eggs and rear the
chicks. Broody hens can usually be
secured from nearby poultrymen, and
after they have performed their work,
they may be fattened and dressed for
the table, or else retained for another
SasOn.
If a small breeding pen is obtained,
some kind Of house or coop will be
needed, but since the Winter season
Is past this need be neither large nor
elaborate. A small, inexpensive port
able house may be purchased or the
handy man can rig up satisfactory
outfit from piano box or two or
some large packing cases. The fowls
will pay no attention to architectural
details. All they require is protection
from the weather, plenty Of fresh air
and dry quarters.
OF course, a poultry yard will be
demanded, but this may be a tenn
porary affair made of ordinary poul-
try netting stretched on light stakes
or posts. For house furnishings, as
water dishes, feed boxes and nests,
one may use discarded kitchen pans
and dishes and small boxes from the
grocery store.
Equipment.
During the long days of Summer
there will be ample time to erect a
better poultry house and yard and
get everything shipshape for the Win
ter's work. Subsequent contribu-
tions in this series will contain build
ing plans and descriptions of poul-
try houses of the more popular types
The temporary outfit may not be
beautiful, but it will serve Its pur-
pose and its low cost will often make
possible beginning In this line.
In many cases there will be avail
able old poultry houses or other build
ings which may be cleaned up and
used for a time. One very successful
poultryman provided quarters for his
first flock by merely wiring in the
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26
In I'ropria Persona.

Mr.. Johnsing-Say, Mr.. Dorman.
what am de meaning of dis here line
in de ticket whar 1t says mot trans
ferable?"
Mr.. Dorman-Dat means, B'rer
Johnsing, dat no gen'l 'leman am ad-
mitted unlessen he comes hisself.-
Exchange.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26

In his current article Professor
Stoneburn explains how best to
make a start in poultry keeping
according to the object to be at
tanned. From week to week he will
give our readers practical depend
able information and advice on all
the activities of the poultryman,
laying special emphasis upon how
to make the business pay a profit
In his following article, which
appears next week. Professor Stone
burn discusses the various breeds
and varieties of poultry and their
prominent characteristics. This Will
serve as guide to those about to
make choice.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1915-02-26

So much for those who wish tt
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-01-17
HATSOLO BAUER Joint
Rectal sVyEh P7bZo CezseZs.

out q reading Of the lines or how on,
can suppose that this reading is not.
a part of the impersonation Is quite
beyond the comprehension of one man
who has been familiar with the thea
tire and acting from his earliest child
hood
The lower the form Of dramatic art
the less important the reading OF the
lines.
The higher the form the more impor-
taut the reading.
In one of the typical farces of Brold-
way vivaCity. clptivatiug appearance.
smart dressing, Clcverucss in movement
and in dancing all are quite as neces-
sary to artistic success as the manner OF
reading the lines.
When the play is work by Barrie,
Pncro or Jones the delivery of the lines
becomes still more important. What
would have become of Oscar Wlde's
brilliant comedy Lady Windermere's
Fan" if the lines had all been spoken in
an unintelligent and slovenly manner?
When the theatre rises to the poetic
drama the speaking Of the lines becomes
of paramount importance. What oe-
comes of Hamlet" or Romeo ard
Juliet if the actors cannot effectively
deliver the lines?
The basis of it all is not difficult TO
find. The poetic drama possesses in the
highest degree the lyric quality If
speech which requires artistic publica-
ton. The common Broadway type of
farce utilities the talk OF the street,
wnicn mas no quality at ali.
The opera is a high form of the poetic
drama, in which song is substituted for
lyric speech. I'm other words a more
definite type Of lyriCjsm than that Of
the blank verse is employed. with this
lyric uttcraucc the real artist can do
but one thing to attain the purpose Of
the musical drama, nam ~, to sing il.
When Nine. Calve was discussed back
/ i'm 1896 as If her acting were one thing
and her singing another, the present
writer asked his readers to remember
( that she did very large part Of her
acting with her voice and that sh" was
/ first. last and all the time a singer.
Those who can recall the exquisite tonal
Colorng and its aid in the expressive
ness Of her singing in SdHtH=:d, Mar
/ GUCTitC ana OphCIid. as we'll as in Car
men. will perhaps be willing to admit
that the delivery Of the speech of any
character is quite as important as rush
| ing up and down the stage and waving
arms, or even facial delineation.
The operate actor is hampered by the
imperative necessity of fitting his action
into the musical.sCheme. SieOtried can
not strike the sword on the anvil when
he chooses; he must do it at the mo-
merit when the great blow is struck by
the orchestra. BrHCHHhildc cannot plan
her gestures in the awakening scene ac-
cnrdinG To her own ideas, but must time
them to the music which is designed To
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-01-17

illustrate them. Roman ROLAND la
ments bitterly the rhythmic duet of
ISOidcS waving of the scarf in the sec
ond act and the imitation Of the action
by the orchestra; but there is no way
of avoiding it, The greatest Isolde
must do it to the beat of the conductors
baton.
So too she must sing in time; but
rhythmic singing is IN the fact Of its
metriCal constitution IN no wise differ
cnt from rhythmic speaking, which has
cNisted in the theatre from the time of
the Greek dramatists
The summary of the whole matter is
that an opera singer should first of all
be a singer. otherwise any person who
can approach within an appreciate dis
lance Of a melody and can project it
across the footlghts IN any rude sort
of tone and can at the same time he
very strenuous in action. geStlCulation
and facial expression, who can rush
about and shout and groan and some
times just talk, can be an opera singer.
When any one of these persons being
completely convinced that he Is an eX-
ponent of vocal art leaves the theatre
and ESSAYS to sing on the concert plat
form the poverty of his resources is laid
bare The truth that he cannot sing at
all comes out.
1t does not follow that every one who
makes profound impression on the
concert platform would he equally in
terestnE as an opera singer. Many or
ators and preachers would make very
bad actors But the musical drama has
got to be muscal there is no gainsay-
ing that. And 1t cannot be so If the
impersonators engaged in ii cannot
sing beaut fully.
One might as well hold that il would
be possible to give adequate repre-
I sensations Of operas with orchestras
which could not play properly as to ar
que that 1t is not first Of all things
necessary to sing.
The singing is "A prime factor in the
impersona,lon. It Is a part of the act-
/ ing. II is the speaking Of the lines
And the psychological elements of any
! character cannot he fully exposed un-
less the speech plays fully its part.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-01-17
METROPOLITAN OPERA HOUSE.

I mhertO GlOrdanOS new opera Ma
dame Sans-Gene,' which has been awaited
with much interest since the announce
ment several years ago that he intended
to make musical version OF Sardous
famous play, will have its first perform
ance on any stage next Friday night at
the Metropolitan Opera House. Renato
Simoni is the author of the libretto
General Manager Gatti-CasaZza has done
everything possible to give the work an
adequate production. The composer can
not be present, as had been hoped, but he
may be assured that no pains have been
spared in the preparation Of his work for
public presentation by Arturo Toscanin
who will conduct il. The scenery comes
from the studio Of Antonio Rovescalli in
Milan, and the costumes have been made
at the opera house atelier after designs
by Carlmba, also of Milan
As every one must know 10y this time,
ii Is Geraldine Farrar who will imperson-
ate the title role of Cdterihd HuCbSChCr.
the laundrcss, known I'm her quarter" as
mime Sans-Gene" CNIstress Don't Care)
who became the Duchess of Danzig The
! role Of Napoleon viii he taken by Pas
quale Amato, while the part OF Lefebvre
the husband of the heroine, will he sung
by Giovanni Martinelli, and that of
! FOUche by Mr.. DE Segurola.
The rest Of the cast will be as follows
/ TOniettd, Leonora Sparkes; GiWlid. Rita
! FOrnia La ROsSd, Sophie Braslau; Vim
dtgrc, Max Bloch; COHte al NoipperG,
! Paul Althouse In Regina Carolina, Vera
| Curtis; La Prncipessd Elisa, Minnie
! Egener; DCpreGUr. Angelo Bada Gel
sOnlino. Rccardo Tegani LEROY Robert
Leonhardt De BriJOde. Nncenzo Res
chiglian; RopStdn, Bernard Begue stage
manager, Jules Speck,
Other operas this week will he as fol-
lows:
"Lohengru" tomorrow night with
! Mines. GddSk and Matzenauer and
Messrs, Grlus We'll, Braun and Middle
ton, Mr.. Hertz conducting,
Special matinee ON Tuesday for the
benefit Of the Metropolitan Opera Emer-
gency Fund the programme consisting OF
acts from "IIaensel und Gretel," aida,
"La Boheme" and "Paglacc." In which
will sing Mines Schumann, hatfield, Des-
tim, Matzenauer. Aida and Bori and
Messrs, Martinelli, Amato Rathier, Ross
Botta, Tegani, Didur, Ananian, Caruso
and Audisio. Messrs, Hageman and
Polacco will conduct,
Boris Godunot" on Wednesday eve
ming, with Mines, Ober, Delaunos, Du
chene, Sparkes and hatfield and Messrs
Ddur, Rother, De Segurola, Althouse
Rossi Bada, Reiss, Audisio and Schlegel
Mr. Toscannl conducting
The HuEuenots' Thursday night, will
Mines, Destinn, Hempel and Garrison an,
Messrs. Caruso, Scott, Rothier, Braun
ReschglIan, Bada, Ananlan. Audisio anC
Bcgue. Mr. Polacco will conduct.
TN Ballo in Maschcra" at the Saturday
matinee, with Mines, Destinn, Hempel an,
Matzcnauer and Messrs, Caruso. Amato
BOTHER. De segurola, Bada, Audisio ana
ReschlglIan' Mr. Tosco hi conducting
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-01-17
MUSIC TEACHERS AND PUPILS.

Mr.. and Mrs Ross David were most
fortunate IN having their programme Tor
Thursday evening enriched 10y the ip-
pearauce of Melville \. Clark. the cele-
hrated harpist who has accompanied John
Mccormack on his tours. Mr.. clark
played a group OF old airs q concerto for
harp and piano with Miss Marion David,
and selections on the little Irish harp. a
delightful instrument OF his own making.
Nine. Haine. Cothran, soprano, and Len
noN Barnes, barytone. were The singers
Of the evening. ON January - Mr.. and
Mrs. David will present two of their ar
tst pupls--Mrs. Robert ". Manager Of
New York. soprano. and James Gamble,
tenor, Of Philadelphia.
At the annual meeting OF the National
Association of Teachers of Singing held
January -. the following ortcers were
elected President. Walter l.. BoScrt
e-presdents, Gardner Lamson, Adele l.,
Baldwin, H. W. Greene; treasurer, Will
lam Ilirscgmann; secretary, Clara Kali
sher
The music committee OF the MacDowel
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-01-17
THE WEEK OF OPERA.
Metropolitan Opera House.

Metropolitan Opera House
ACCOMPLISHMENTS Mines Gadski Uu
We'll and Braun
TUESDAY, p MSpeca matinee performance for benefit of Met
roPohan Opera Emergency Gretel"
Mines Schumann and hatfield; Aida Act Destinn
Matzenauer; Messrs Martneli
Nine Aida Messrs Bot Rother "Pagiacci" Miss
Caruso Mr.. Amao
WEDNESDAY-"Boris Godunof Mines ODER
Didur and Athouse.
THURSDAY"The Huguenots" Mines
Messrs. Caruso, Scott and Rothier.
FRDAY-"Madame Sans Gene Miss
nell and De Seguroa.
SATURDAY,, P. Nun Bao in Maschera,"
and Matzenauer; Messrs. Causo, Amao Rothier.
SATURDAY,, p M"Tnnhaeuser Mines. Gadski
Messrs. Urus We'll