Eagle River review. [volume] (Eagle River, Wis.) 1890-1927, 1915-09-03
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earshot of Les EyZies series of stations
which taken together furnish data on human his
tory practically from Acheulian times to the
present day. These stations begin with the old
obscured shelter of La Mcoque, include the par
TALLY ruined shelters of Upper and Lower Lau-
gerie; another. ledge-shelter that served oldtime
brigands as rendezvous apd also as fortress
to defy the English in 1410; still another ledge
marked by ruins of what looks like some old
baronial chateau; and end up finally with the
more or less well-kept houses of the modern
peasant. These houses often stand on several
meters of ancient rec-bearng debris and seem
to cling in an infantile sort of way to the over
hanging cliff in spite of it's cold, damp nature.
Some distance up the Vezere, at the Rock of st.
Christopher, where the last houses have been re-
moved there four meters of debris
dating from neolithic to present time and the
adjacent cliff is marked by several series of par
ael holes, cut for the insertion of ceiling beams,
precisely find them in Southwest.
Some of these holes are high up the cliff, but
others are below the surface of the accumulated
debris, which is itself below the high-water mark
of the river, With all this evidence suggestive
of continuous occupation, it is not to be wondered
at that some students profess to among the
local inhabitants number of individuals that
resemble the physical type of paleolithic
A visit to the painted caves is the experience
of lifetime; but while it is an adventure bound
to excite more enthusiasm than the examination
of the Shelters it is less instructive and certainly
less convincing 1t is also an undertaking fraught
with some difficulty and disappointment, except
perhaps in such as Altamira, Niaux and
Font-de-Gaume.- The painted and incised repre-
sensations on the walls seldom so plain
and striking as one might infer from the superb
reproductions in the published reports, and to
make them out the visitor must take time In
this effort to decipher he is most ably assisted by
Prof. Emile Cartahac of Toulouse, who has given
good part of his life to the study of paeolithic
art and who as present guards nearly all the
Pyrenean caverns. In Spain and in the Dordogne
country, however local guides must be taken and
as these are not always competent, the student
who would profit by his opportunity must prepare
himself beforehand in regard to what is to be
seen and then insist being shown, or he may
not see much.
The last cave to be discovered, and also the
most beautiful, is the Tue d'Audoubert, located
on the estate of Count Begouen near antGrons,
France. This is perhaps the most difficult cavern
to explore. But to risk passage in the improvised
boat that the visitor must sail in order to reach
the interior, and to crawl his stomach along
muddy passages that really too small for
a fullgrown man, and finally to receive innum-
cradle bumps on his head from pending stalac-
titles is not too much to pay for the privilege
which, as it happened, was accorded the Museums
representative as the first American-to see the
wonders inside. Ordinarily, the natural wonders
of the caverns more or less discolored with
mud, but here is gallery after gallery of be-
wildering forests of pillars and pendants and
POSTAL pure white and glittering as if stud
ded with myriads of diamonds Here and there
the stalactites hang in large sheets like folded
draperies and by placing light behind them the
translucent substance flashes up in colors of
green and rose too beautiful to be described
No fairy palace ever more adorned! You are
led along devious passages, stepping again and
again j iakelets of invisib1y clear water and
when on dry footing yon are warned to move
circumspectly for fear of obliterating some an
Client human footprints that are family visible
under the thin coat of stalagmite which covers
the clay floor. Bones and skulls of the giant
cave bear and other animals lie all about cement
ca IN place Finally, near the extreme inner end
of the cavern, comes the re al object Of the la.