Omaha daily bee. (Omaha [Neb.]) 187?-1922, 1915-10-05
TO CUT OUT NOISE
ON CONCERT NIGHT
Governor Black Promises Zone Of
Quiet Around Auditorium for the
Symphony Orchestra.
PROGRAM OF MUCH EXCELLENCE

Innumerable suggestions both In
person and by mail have come to the
retailers committee in charge of the
Charity Concert course, whose first
concert will be the Boston symphony
orchestra, at the Auditorium on next
Thursday evening, in regard to abat-
ing the noises on the carnival
grounds during the program.
Mr.. Charles E. Black, chairman of
the entertainment committee of Ak
Sar-Ben, has arranged for absolute
quiet as far as disturbing elements on
the carnival grounGs are concerned.
and in an interview yesterday
stated most emphatically that those
in attendance at the concert will not
be disturbed in the least from out
side sources.
Boston Symphony Program.
The program which Or. Karl Muck has
arranged for the concert 10 be given
Thursday evening, October T. by the Bos-
ton Symphony Orchestra Is one OF I'M
usual charm, one which contains many
styles. The composers represented are
Beethoven. Wagner Rimsky-Korsakoff.
Bizet and List. wherein one sees two of
the greatest masters of Germany, the
greatest technical master of Russia, the
man who in some respects may be re-
garded as the greatest talent OF French
music and Hungary's greatest genius.
Beethoven is represented by his SYM
, phony in A major. No. Z. the work which
Wagner once called 1.-THE apotheosis of
the dance" The first sketches of this
symphony were made probably before
| 1911, or even 1910. The composition was
begun in the spring of 1872 and the work
published I'm 1916 The first performance
| OF the symphony was In Vienna in the
large hall of the university December 5,
1913. In had an enormous success.
wagner on Beethoven.
| In his 1.-THE Art Work of the Future. -
Richard Wagner said of this symphony;
/ ITO give his tone-shapes that same
compactness, that directly cognlsable
and physically sure stability, which ne
witnessed with such blessed soiace N
Natures own phenomena-this was the
soul of the Joyous impulse which created
! for us that glorious work, the symphony
In A-major. All tumult. all yearning and
I storming OF the heart, become here the
/ blissful insolence of joy, which snatches
US away with bacchanallan might and
bears US through the roomy space Of
nature, through all the streams and seas
I of life. shouting In glad self-conscioUs-
ness as we tread throughout the uni
verse the daring measures Of this human
/ sphere-dance. This symphony is the
apotheosis of dance itself; II is dance IN
its highest aspect. as It were the loftles,
deed of bodily motion incorporated in
an ideal mould OF tone"
other Great Numbers.
The Wagner number will be the bril-
liant and d amatic overture OF his earlier
opera, ''The Ely ing Dutchman." Rimsky-
! Korsakoff's Caprice on Spanish Them-s'
is most remarkable orchestral tour dc
force in which the Russian, despite MS
antecedents and his national traits, re-
produces most wonderfully the atnos-
phere OF the dance halls of Seville.
Bizet Is represented by the first suite
from the exquisite music he wrote fol-
Daudet's play, "L'Arlesienpe," while the
final number on the program. Les Pre-.
ludes." is the finest of LISTS symphonic
poems.