davidaulloa/AmericanStories huggingface dataset:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13
face COVERED
WITH PIMPLES
ALL MR LIFE
'at Miss Ayres Got Beautiful Com.
piexion' at Cost Of Onlv $500
dec11d2v-

Nov. %, lal4:--@All my LIE my face
vas covered completely with a mass Of
s'Ipies, blsckheads and blotches. spent
Hl OF money on numerous remedies
sm treatments without success and no
t ,ais' at all. I tried so many things
, ,us' l was afraid my case could not be
s..so' Resnol Ointment and Resinol
tss sP seemed TO do me good right from
S ose first. I used two Jars OF Resinoi
tt o.,nt and some Rssinol Soap, the
WA wal cost being only 800. and this
vS;.pietely cured my csss. Ny skin is
s s.aouf blenish and I am the pos.
t sS;s OF q beautiful complexion.
Ill; ,sntd} Mabel Ayres, Stone Noun
Az, s'g ny druggist sells Resinol Soap
hsr, hesinol Ointment, and physicians
!. e Prescribed them for twenty years
to,u me treatment of eczema and other
ueas'ng skin troubles.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mrs. May Cassigrande recently return
ed from Portland after visiting her broth
er. William Bissett of that city. for a
few days. While there Mrs. Cassisrande
attended the annual ball given for the
blind under the management of her
brother. About 80 couples were on the
floor.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

The annual meeting of the stock
holders OF the National Bank Of Gar
amer IS called Tuesday, January II.
1916.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mss Gladys J. Ladd arrived Friday
from Freeport to visit her aunt, Mrs.
Geo. W. Ranks. Hichland avenue.
Miss I-add left Saturday for Comma.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

The annual fair and sale Of the Uni
versalst society will be held next Thurs
day afternoon and evening at Society
hail chicken pie supper will be served
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

MISS Nora Alley arrived Saturday
from Castine, where she is attending
Normal school
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

q. T. Haley who has been VISITING
iriehos in Gardiner, returned Satur-
DAY to his home in Bristol.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

L. {. Ballard went to Portland SAT-.
uroay 10 accompany Mrs. Ballard
home.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13
LOCAL NOTICE

Have YOU considered how much Web
Dor & Hewett can save YOU on your
meat bill? You would be surprised at
the savings to br effected dec11d1w
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mrs Adelaide Stone of West Card
nef left Saturday for Boston to PASS
the holidays with relatives.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Hon. and Mrs. Weston Lewis and
daughter. Miss Eleanor Lewis. arriv-
ed Saturday from Boston to pass the
We Elk END.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Miss Ance Lawrence a student at
Gorham Normal school arrived Satur-
day to pass the holidays with her par
ents. Mr. and Mrs. George Fossett.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13
RIVERSIDE

The Community Club will meet at
2.so Wednesday afternoon at the home
Of Mrs. J. 8. Gilbert.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

douglass Lorins. who has been con-
nhed to the house with a sprained an.
kle, is now able to be out.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Richmond schools, passed the weekend
at her home in this city.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Donald Morrison Of Skowhegan rem
iered violin solo at the Sacred Heart
church Sunday.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Miss Annie T. Page of Lincoln street
plans TO leave shortly for New York e
pass the winter there with relatives.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mrs. Melissa Damon left Saturday
for Boston, where she is TO pass the
winter with relatives.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

The Chatter Club will meet With
Mrs. ]. W. Grant On Monday evening,
Dec. 10. at her home, 20 Maple street,
Randolph.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Esther Gilman Of Waterville passed
the weekend with her parents. Mr.. and
Mrs Eugene Gilman, Academy street.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mrs. Fossett Of T!re-ton, r. l.. is the
guest of her sister Mrs. George Cox Full
Ter for a few weeks.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Marion Chapter, No. GO, order of the
Eastern Star, Will hold their annual
election of officers Monday evening.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13
GARDINER LOCAL ITEMS
DEPOT sQUARE---TE1EPHoNE s7W

Fred ;. SherhIrll Of Sanford was
calling on Gardiner friends Saturday.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Hon. NJ. A.. Haraden Of Bath was
calling on friends in Gardiner on Sat
urday.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

The Mothers club Will meet with
Mrs. Chas. Ward on Tuesday evening.
Please bring in all lists.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Leroy Mccormack went sunday to
Lewiston.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Mrs Daniel sherman Of Randolph is
confined TO the. house by Illness.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

The Baptist Ladies Circle cleared
about so from their recent sale given az
the vestrV.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

AIr. and Mrs. Kenneth Fuller Of Lew
iston passed the Weekend with Mr..
Fullers Parents in this city.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

j. e., Putnam Of Boston was the
guest of Gardiner friends SATURDAY..
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Miss Evelyn Parker arrived Satur-
day from Bath
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Robert Bruce went Saturday to Bos-
ton, where he will seek employment
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13

Sherman Dunn Of Bates college pass
ed the week with his parents i'll
this city.
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1915-12-13
Gardiner 1895, Augusta 1918
AUGUSTA.

Gardiner won 1895 to 1918 Friday
night from Augusta.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

beauty? What more-if We throw in
genius?
Mr.. Cox in the long run leaves US
dependent, Of course. upon that
hypothesis. But this does not mean
that he shirks his task. His book ex-
plains everything that is applicable in
Homer's art and thus carries us most
helpfully to the final conclusion we
have indicated. It ought 10 prove OF
solid service in the establishment OF
better understanding OF the subject.
incidentally, we may add it makes an
engaging souvenir OF the painter. Il is
beautifully printed and the illustra-
tons, save for the frontispieee in
colors, are first rate reproductions OF
well chosen examples.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

hales from his drawings? 1t is at
bottom. no doubt, has taste, his feel
ing for beauty Of form, his whole
artistic sense of things; but in al
most equal measure we are inclined to
attribute it TO his mastery over his
medium. Nay, it is more than the
medium. lie has studied the living
model. he has given thought to matters
Of composition, he has seriously IN
terested himself in light and shade
and always, in season and out Of sea-
son, he has .aken care to draw like
gentleman. Thorough" has been his
watchword- and what is the result
lie draws with perfect ease. His line
has grace and sometimes subtlety.
When De chooses to draw tbs nude as
I'm the ~Rcmorse,' with a bold, broad
summarizing touch, he remains sure
Of ms truth and gets, into the bar
gain. something Of the force Of style.
There are ideas in Dis exhibition
ideas OF sentiment, Of romance oil
drama. lie has illustrated Poe and
the experience has had its effect upon
his imagination. lie gives us in some
Of his designs kind Of macabre
poetry. But we would emphasize more
particularly the briiliance Of his teen
niaue. l. shows in' his sound ana III
,eresting craftsmanship, and then
in the beauty Of tone which ne has
cNtorted from his rich blacks and dell
cate. silyep grays. with the .liiho-
graphs are exhibited a number Of
drawings, chiefly portraits They dis
close the same sterling traits that We
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

have noted in his work on the stone
the traits Of on accomplished and sim
eere artist They are nightly re-
freshingl
Another capable craftsman, Mr..
luirhead Bone, may be studied at the
moment i'm an exhibition Of his prints
at the IIahlo gallery. lie draws archi-
lecture and landscape as Mr.. Steiner
draws the figure. with the searching
and affectionate authority that comes
from knowledge His style is aus
tere and sharply individualized. Occa-
sionally one may fancy an echo Of
Claude or Rembrandt in his work, but
in the main he uses n language un-
mistakably his own. lie Is as potsRt
as Cameron in expressing the atmos-
phere engcloping an old building, it's
elusive. spiritual character. And,
austerc as he Is. be can also be fairly
lyrical when in landscape he drds pre-
cisaly the right theme. This exhibit
ton is made up Of fine Impressions.
IL is worth seeing.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17
AR [
EXHIBITIONS AND OTHER MATTERS OF FINE Ar

criticism with a cynical chuekle' we can
surmise that he had, after all, nothing
te conceal. no esoterie mysteries up his
sleeve. The central Characteristic Oh
his genius is a wholesome simplicity
While we are searching that wonder
full style Of his for some key grand
gloomy and peculiar, we are recalled 70
his passion for the truth, to his al
most rude life on the Maine coast. 10
his essentially manly traits and
again. to his naivett. What more IS
needed 70 account for the splendor oil
his achievements. for his style for his
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

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New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

was not p trace Of naiycte. but some
thing like 20 is traceable in his art.
Nr. Cox speaks Of the impersonal
manner in which he entered into direct
competition with nature, painting q
subject. as - was wont 20 say him
self, with reference solely 20 It's sim
pie and absolute truth" but he viii no.
call Homer a cool observer; he would
call him, rather, "an exalted obsery-
era kind Of flaming realist burn
ing deyotee Of the actual" In, his de-
yelopmcnt Of this point the author
makes his most effective contribution
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

to the analysis Of the whole subject
when 10 emphasizes the Towering Of
Homer's observations in extraordinary
beauties of design. Here. too, he es-
pecially requires the courage of his
convictions, for Homer, SO far from
giving him any help. would seem to
contradict his view of the matter 1t
is noted that a mural painter once
tried to express his admiration for the
composition Of line and space in Ilo-
,rer's pictures. only 10 find the master
"blankly unrcspcnsive and inclined to
DENY the existence Of any such quail
ties either in his own work or else
where protesting, indeed, not to know
what was meant by the language em-
ployed.o Was this an expression o.
boredom or did it denote the nalyete
70 which we haze alluded? Ia any case
there is no denying the force OF Mr.
Cox's remark that all Of Homer's great
fleets have their roots in the art Of
compositicn. Consciously or uncon-
sciously, the painter always places his
~biect rightly within the rectangle OF
Ms border. he always balances felici-
tously his filed and empty spaces and
as his power Of observation becomes
more acute. his power Of design keeps
mace with it. his most original obser-
vations being infallibly embodied IN
couallv original designs We like the
drift of Mr.. Cox's argument, tending
rs IT does to show how all this came
about through the operation Of IN
.tinct and not through the play Of the
ory. It makes that much the more H.
minous a conception Of Homer as one
Of those artists destined, like the real
roets. 10 do fine things because they
cannot help themselves.
His pictorial faculty was TO him
what the rhythmic faculty is TO the
roet-his second nature and his justi-
acation. A large part Of Honer's n-
terest for mankind lies, as Mr.. Cox
clearly perceives and abundantly
RECOGNIZES. in the sympathy that ne
had for mankind lie knew how to
tell a story, and told j, with all his
heart Subject was everything to him.
The wide popular appeal Of his piet-
rres strongly testiies to the humanity
in tbcm. But nothing would have come
of his grave and sometimes even tragic
impressions Of the life Of fisher-folk
if he had not invested them with the
dignity Of style. The power eonnoted
BIZ that epithet is nevep very easily
defined and it is doubly battling in the
case of an artist Of Homer's reti-
cence. But even while we can figure
him resisting the opportunities Of
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17
The Subyersiye influence of some MOO
ern Ideas.

t.,o, tir,o 70 time. since the Armory
sbow was held, in 1913, we have had
.o..sior 20 note reyerberations Of the
.o;.o ~ made. And we have wondered
al along. when they would begin 70 Dc
nature 20 be taken seriously. 1t
soomed as if the stimulus provided by
,bo incident ought sooner or later TO
result in something Of interest As I"
o.t,or Of fact, no good at all would
o,,oar 70 have been done by the laud-
otlo efforts Of the Association OF Amer
;oor Painters and Sculptors.. The only
,vpes IN the exhibition who excited
.,.1ot;on were those least worthy OF
consideration, the Cubists and other
freakish portents. Their influence mas
heen All over the place and has done
q LOT Of harm, leading young painters
osneciallv to splash about with 10 OBJ
vious purpose save to attract attention
ito themselves.
In some cases the persistence Of the
new idea" may be regarded phiIo-
sopbically enough. The new paintings
by II Francis Picabia, which may be
soen AZ the Photo-Secession Gallery
moro riddles Of Enthusiastically, may safe
u. he left to the people who care to
,;v. their time TO that sort Of thing.
But at the Carroll Gallery where
works by a number Of the French
arcvolutionists" have lately been shown
,bore are now some decorations which
have originated on this side Of the
water. and they excite real regret.
They have been painted in the Cooper
alive Mural Shops, whore the dihercn,
hands engaged are supposed TO bring
different aptitudes 20 "a common task
but where everybody seem 10 be BIT
ten by the same craze. H. these deco
rauons queerly painted females SIT
around in queer Landscapes. In one
of them "a feline animal Of some sort
blue spotted and waving striped tail
.prawls defantly between flying pea
cocks and other fearful wildfowl 4
pattern" Of SOME. kind we suppose
| is aimed al. II Is grotesque and
uclv pattern. We could eondone the
ugliness in this exhibition if 1t were
accompanied by good workmanship II
Tire makers of the decorations showed
that they knew how to paint well and
had some plausible ideas. What we per
ceive, instead, is general effect as o.
amatcurishuess playing with ill-digest-
ed ecccntricitios. II we are 20 thank
the Armory Show for such perform
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17
\ Luminous Study of the Art of
NnslOw Homer.


Winslow Homer.
For the external facts IN the life Of
Wuslow Homer it is necessary to 90
to the biography by W. Il. Downes, a
narrative admirably framed on the
basis of exhaustive and sympathetic re-
search. For a concise Interpretation OF
the painters art we would cordially
commend the reader to "Winslow Ho-
mero Frederic Fairchild Sherman ia
monograph by Kenyon Coz, which is
the best piece of criticism that writer
has yet put TO his credit. This is a
good book because it is a candid one,
taking the fullest account not only Of
Homer's great gifts. but of his very
significant weaknesses. lie is frankly
characterized as "a poor technielan, an
UNEQUAL colorist, powerful but un-
trained craftsman" What was 1t
that pulled him through, despite these
disabilities? Pure genius, we should
say: the power which inyades a man
when he is born to paint pictures and
has AN authentic inspiration. To Homer
the latter seemed nothing more nor
less than a mandate to be faithful to
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

II is the tradition that counts, The I
curious weight and power going with .
most Of the older mon. They were
masters Of the art OF omission. Their
drawings are notes" but they possess
the SAVIOR Of style which seems to have
been the special appanagc Of the earlier
schools. The Keppel show is about
evenly divided between the historic
past and our own day.sthe transition
being made from the old Italian, Dutch
and French masters through English
men like Gainsborough, Turner, Crome
and Constable TO modcrns like Daubigny
and Lclanne, and thence to artists Of
our own day. Bejot, Muirhead Bone,
d. Y. Cameron. Herman A. Webster and
others. There are even a couple OF Alb
bey's inimitable illustrations, done in
the old days when he was making de
signs for Hcrrick Some of the modern
men are at pains TO make pictures out
of th,ir drawings. Bone is noticeable
for his efforts in this direction anu
very successful. agreeable efforts they
are.
The loan exhibition of Crecos and
Goyas at the Knocdlcr Gallery was
traversed at length in The Tribune last
Wednesday, bat we cannot forbear re-
turning for a moment to the subject.
We reproduced then two Of the paint
ings by the earlier master. To-day we
include Goya amongst our illustrations.
The show affords a rare opportunity for
the study of his portraiture, embracing
as it does, memorials Of the most diverse
types. Unless his history is pretty
carefully explored, one is apt to think
Of him as laying stress upon the sensu-
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New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

what ne saw. But the fates would not
leave him a mere reporter. They were
always at work at the back Of his mind,
guiding his hand and so governing his
transactions that truly great art
emerged from them. In his personality
as Mr. Dowues has portrayed it there
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

trade. lie could draw Delightful too'
in much the same studio fashion Is inc
Gabrielle dEsutes' Of Daniel Dumoh-
sticr We have seen infinitely inner
no,traits from the hand Of that courtly
craftsman, but this is quite good
enough specimen Of his stately tradi-
tiOn,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17
OLD MASTERS AND
NEW DISASTERS
soarish and French P0rtraits-Armory
Show Aftermath.
BY ROYAL CORTISSOZ.

other miscellaneous objects left boy the
late Mrs. Emile de L. Havemcyer We
reproduce one or two Of the Hood
paintings. At The Anderson galleries
there are the modern French paintings
collected by the late Henry 4. Bate
man, of Baltimore. with szamples added
from other sources. Baudry. Corot,
lsabey and Dclacroix are among the
artists represented An American is
also in Che catalogue. Miss Mary
Cassatt.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-17

anccs. then b. is pity tha. the Armory
Show was ever invented.
The Work of an Artist Who Knows
What lie l. About.
The example Of Mr. Albert Steiner,
Bismarck daily tribune., 1915-11-26
EAT WITHOUT FEAR
Of INDIGESTION OR
SOUR, ACID STOMACH
Instant relief! "Pape's Diapepsin"
ends your stomach trouble
forever

Wonder what upset your stomach
which portion of the food did the
damage-do you? Well, don't bother
II your stomach is in revolt; if sour,
gassy and upset. and what you Just
ate has fermented into stubborn
humps; head dizzy and aches: belch
gases and acids and eructate undi-
gested food; breath foul, tongue. coat.
ed--just take little Pape's Diapep.
sin and in five minutes you wonder
what became of the Indigestion and
distress
Millions OF men and women today
know that il is needless to have bad
stomach. A little Diapepsin occasion.
ally Keeps this delicate organ regu-
lated and they eat their favorite foods
without fear
If your stomach doesn't take care
Of your liberal limit without rebel
lion; if your food is damage instead
T of help. remember the quickest, SUR
sest, most harmless relief is Pape's
Diapepsin which costs only fifty
cents for large case at drugs stores.
it's truly worderful-it digests food
and sets things straight, so gently
and easily that It is really astonish-
ing. Please, for your sake, don't 20
on and on with weak, disordered
stomach; its SO unnecessary.
Bismarck daily tribune., 1915-11-26
SHOULD NOT MEET
WILLARD TOO soon

Chicago, Nov. 2j.---Fight promoters
are striving to rush Fred Fulton OF
Rochester, Minn., in his progress to
the heavyweight championship, but
veterans of the game think if he is
discreet he will refrain from accept
ing the match until he has elimina ted
most of the other aspirants for less
Willard's crown and obtained needed
ring experience.
1T looks as if Fulton and his man
ager are making a big mistake in
seeking a match with Willard so
soon,' said fight expert today He
has not had sufficient experience TO
cope with Willard and defeat will
set him back tremendously. What he
requires is more actual schooling and
the only way he will get it is by box
ing the lesser lights in the heavy
weight class
"rhere are a great number in the
east who are capable of giving Fulton
a good fight and not until he has beat
EN- them do think him entitled or
prepared to battle Willard for the
laurels.
FULTON by knocking out Anderson
did not stamp himself as the logical
heavyweight opponent for Willard
While the fight displayed hid hitting
power it did not demonstrate his real