Bisbee daily review., 1915-04-21


 tnis week as tho leading man at Che Little Theatre in Philadelphia.
 Rupert Harvey Is hacl, iu New York alter eight months tune and about ten Thousand miles ut artistic effort ln the leading role of "NiIesJoncs.
 Helen Evlly. rated one of the most promising dramatic players in Che ranks oi the younger artists, is develop ing an inclination towards vaudeville.
 q wouldn't say that art i- dead in the theatre, Gilbert White, tle Amer can painter makes bold Go observe. "but am sure that it is suffering from a prolonged trance
 Clever Ruth Richmond was seen in New York last week In am interesting ntuc comedy "Hltaslng g Woman The playlet has won artistic success and Margaret Nybluc is Co do it in vaudeville
 "I.oncsome Like" is to be played in vaudeville by Mhitford Kane. Helen Evily and Kate Morgan. It recently formed @ part of the programme of the Modern Drama Players at the Toy Theatre in Boston.
 "Fine Feathers Is Co be done in the ulms. Madeline Traverse Is Co play the leading role. Miss Traverse has just completed the feature picture of Three Weeks in which she was the stately and Amazouian queen.
 Lillian hingsbury is the latest dra- matte actress Go invite herself Co do vaudeville. Unlike most emotional ac- tresses who venture into Che lighter form Of entertainment Miss kIngsbury has selected a comedy rather than a tragedy for her vehicle.
 Mona Limerick the distinguished English actress who was last wear brilliant contribution to the Inst of dramatic stars in this country. win be seen in New York this au in a pro- ductl1u which IS Co introduce her as an emotional actress Co NeUupU playEoers.
 Wallis Clark, now playing with Wu- Ham FaVersham In "The Hawk" at Philadelphia, had one of his first Amer lean vaudeville experiences in that city. They did not consider him good enough for small time vaudeville. Later he won one Of the biggest per sonal successes of the season In dra- matic productions in thc same city.
 The constellation of dramatic stars are beginning Co divide for the summer, and hereafter until the call of the boards is again made, many of the brightest features of past dramatic successes will be engaged in stock plays. Lillian Keller put in her thumb and drew out syracuse for her summer home.
 With the production of "The Doc tors DNemma. in New York a fort night since, Granville Barker has but one more play Go do this yclr-hIs own Madras House After this has been done he win make some pastoral pro- auctions. using therefor Miss MCCar- thy Ian Naclarcu. O. P. Heggie and other leading members of his present company.
 Harold de Becker left call for seven o'clock at a. hotel once. The bell boy was negro. and he assured the young actor that Che call would be made iu ample time. The next morn ing Mr. de Becker was awakened. Say boss, he heard through the trausom. "I done feTg.t Go call you at sebben o'clock dis morniu'. ] kin call you at sebben tonight or jest Jet you sleep"
 Marguerite SIiryin is writing for the Saturday Evening Post an article on stock companies uf the United States. Her present scene of activity is Hart ford, where she has proven one of the most popular arusle who has gracgu the local stage. This is to be her last season in stock as new play designed for her use on Broadway is to be pro- duced In Hartford this summer before being brought t0 the Metropolis.
 Ierue Rogers is young enough Co have a birthday and therefore does SO. She had one in New York last week what might at first glance. ho half of the German Empire The most in rere9tne message came from the man. ager of fHe MiDtergHrdon in Berlin. of- fering her an engagement for eight weeks at the highest salary ever of tered am American arti4-e. Miss Rogers fs thinking.
 GIlhert White, am American painter and lecturer was guest of honor at rha PIeiaues Club iu New York last week and gave the most Illuminating discourse on tne new etarocraft and IIIr.su iu stage art that has been heard .n fhe metropolis during the en- tr- cuutraversv over this interesting erh...r Mr. White believes iu being araruc and natural pro'crring this ta tHe present tendency towards thg original sans HTr.rE.
 One uf fhe strongest advocates of thr short play is Clara E'andicf. She rsr.- mot whether It he done ln vaude rI.Ia or in fne dramatic houses .if iI Doe well done" she drcI req "it is as lr.Hraet'nr af fhrue-aat play The short e.lrT has ir9 own cuviahIe p0si- l0r .n literature and tne short play should hold an enuaIIr strong place lr tla ara UHf.o world. v I.uHudH entire. lF uUHU IH. merit uf fl. TIlr. not ltf length as 10 whether r s 1r may bc- come popular
 One 0f thc most powerful fhor' uIaHs from fun ull of Rutherford hHrrr thr FneIeh Grfm.Hef who haf contributed FeEer.I r. fh. native stage ls Rcd Turf aH iE.Hh drama. which
 cHAPARREL SECTION