Belington progressive. [volume] (Belington, W. Va.) 1912-1927, 1915-12-16

Ity To uef i'll the shadow OF hay
stack one moonlight night years be-
fore when both he and she were bare
Iy more than children. Ned-nar
Ned-had gone away to the big city
tune She never had heard from him
since
Unclouded eyes. fresh clean com
plexion and simple direct address won
Millicent her interview with the Of
fee manager in the film plant While
he still was explaining her new filing
duties. in rushed the chief director
hair rumpled and gesticulating in wild
excitement
Audrey Arlington fell down in the
middle of her big scene in the last
reel of the Christmas release.
Complete nervous breakdown, :.
historical are rushing her d.
rect to the nearest hospital now.
What in heavens name will
we do? There isn't girl in the whole
stock company who can make up to
look enough like her to complete the
personification for this final reel!"
The head director kept wringing his
hands and swearing frantically The
president of the company registered
acute distress. Then his eyes acct
dentally fell upon pretty Millicent
among her filing cases.
Look Look; Mr.. Isaacsohn,"
yelled the head director, pointing. AS
| live. that girl looks enough like Miss
Arlington to be mistaken for her on
the street, Come here, Miss
Miss whatever-your-nam is. Have
you ever posed before picture
camera? No? Us. well, it doesn't
make any difference just now anyway.
You're fired from that Office job. I'll
give you $50 week to substitute for
Miss Arlington in this last reel. :.
No. | haven't time to listen to any
thing about it, Come on back to the
studio with me right now! The set
is all up and we were right in the
middle of the scene when Miss Arl-
ington tainted Ned Tolman, the
leading man, is waiting. C'mon!"
Bewildered Millicent was pulled
out of the busy Offices and back to
the huge glass-domed studio where
the last reel of the famous Christmas
release was being held in impatient
allegiance for its principal
Listen now, MISS" exploded the
director as Millicent emerged from
the dressing room clad in the same
wonderful gown that Audrey Airing
ton had been wearing only ten min
utes before PAY attention to what
say and don't stare at either me or
the camera. Act natural; that's
what we're paying you for Walk in
side of those tape lines on the floor
and don't on any account move out
side them. This scene is the parlor
of your home. It's supposed to be
| Christmas eve You're to turn your
| back to the camera and be tieing a
sprig of mistletoe to the chandelier.
Mr. Ned Tolman, who plays opposite
lead, will do the rest. You simply
act as any girl would under the cir
cumstances. Hey you! Get
Mr. Tolman from his dressing-room.
Tell him we're all ready again. Now,
in you go. miss"
Millicent did just as she was told,
although her heart beat fast and her
head was in a whiri. With her back
to the assemblage behind the crank
| ing comera man. she raised both arms
to tie the sprig of mistletoe to the
| chandelier. Quick footsteps sounded
| behind her and, an instant later, a
mans strong arms were around her
waist and his handsome face thrust
close to hers for kiss.
With a cry of mingled fright and in
dignation, the girl squirmed about in
his arms and tried to push him away
Then for the first time she caught
sight of the movie matinee idols face
"Ned?" she thrilled in Joyous
amazement Ned Harkins, You are
| the famous Ned Tolman?'
"Millicentl" breathed ne. clasping
| her closer as their lips met in d long,
long kiss and the watching director
| yelled: Fine, fine! Hold that"
Presently the whirr of the camera
crank ceased and the grins on the
faces Of actor, extra" and set"
shifter broadened.
Hey therel" finally shouted the
head director Films run out;
scenes Overt We've had enough of
| that kiss nowl"
But haven't" murmured Ned,
looking fondly down into his old
sweetheart's happiness-fushed face,
Have you, Millicent?'
Never! / could keep on doing it
| forever" she whispered softly back.