Bisbee daily review., 1915-06-13

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 PUBLICITY WIDE SCOPE THE HAGUE. June 12.-Holland has neither law nor regulation under which the propaganda of either side u the European conflict can be for bidden circulation In Switzerland, caught in the very center of the whir- pool of war, it is impossible Go pur- chase certain Of the more violent par tisan newspapers and periodicals The comic papers of Germany and France. for example can be bought only sur reptitiously. Neither Simplicissmus" of Munich nor "Le Rire" of Paris may be displayed in shop windows nor seen in the cafes, and that is only by convincing a bookseller that he is to be trusted that a stranger in Switzer. land may become possessed of either. Then the sale takes place furtively. behind the counter, when no one is about
 In Holland it is very different The tradition Of centuries is against any censorship Immediately back of the l panes Of b0okshop windows. wires are strung from one side to the other. and 3n these are hung the latest numbers of the various illustrated press of the belligerent countries. "Le Rire" and | La Vie parisienne" hang cheek by fowl with "Simplicissimus' and the 'Lustige Blaetter" The "Wustratirte 1 leiung" balances sLIuustration" and 1 The Graphic" Each is opened to ex libit some warlike design celebrating | -he heroic exploits Of the Germans l he French of the British "Di, | Woche' of Berlin and "Le Miroir" o
 Paris hang together. the first witl
 photographs of the German Emperor pr some member of the German nobil 1 ty sharing the labors of the German 1 common soldier. while the second ed 7ertises the hardships and bravery of the French "poilus." as the red-lee 1 5ed French soldiers are nicknamed ir this war And there are always larg, crowds before the windows Of th,
 ihop impartially examining the pie lures from both sides Of the front.
 In addition to actual photographs O The war. there is a revival of repro | luctions of those paintings of Messon
 CT and Dclacroix that celebrated th,
 material exploits of other times. 4 l modern conception of the came char acter by George Scott, IS called "H | Alsac and hangs in almost ever l )ookshop window of Holland It re i presents the symbolic figure of an Al
 atian girl clasped with evident sat ] slacti0n in the arms of a French sol
 Her. while the black and white DOS l .opped by the Imperial eagle lies il The dust at their feet The desiu 1eems very popular with the crowd
 yho haunt the windows of bookshops
 Dutch cartoonists and designers ar, l also much in evidence in the field O war themes Louis Raemarkers ha
 published a number of portfolios of de | signs in color of extraordinary clever l ness and strength, under the genera ironic title "The Flight of Civiliza l tion." Willy Sluyter. a Dutch painte
 1f some renown. has also contribute, 70 the number of cartoons on the war while J. Gabrielse and Jacob Doese have attacked the war with pen an, i brush in cartoons displayed generally in the shop windows of the Neither lands.
 The Dutch have also gone in fo
 Illustrated weeHies with photograph
 depicting war scenes. "De Prins." hal existed for some years, having beer modelled on the German Die Woche.
 but "Het Panorama" which more re sembles the French weekly "J'a vu..." is a wartime product.
 Owing to the presence of so man. refugee Belgians in Holland, Belgian scenes, cartoons revealing the suffer ing of Belgium and post cards of tn, l Belgian royal family find place I every shop window where such thing are sold. The Queen of the Belgianl in her nurses costume, playing tho role of the uuest queen of modeu times, is a favorite study and appeals to the Hollanders quite as much al their own royal lady
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