Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1915-04-22
MISS RAYNO[DS'
CONCERT TO Be
MUSICAL TREAT
Noted Singer Who viii Appear
al Auditorium Tuesday
Night WINS High Praise From
Press of Country,

The concert to be given next Tues
day night at the auditorium by Miss
sarame Reynolds and "A supporting
company from the National Grand
Opera company which was postponed
from last Monday night ON account OF
severe colds contracted by the artists
Of the company in the Pecos valley
floods. IL all the talk in Albuquerque
musical circles, and a record attend
ancc is IN prospect for that occasion.
Miss Roynalds and the other mem
hers of her company who were incu-
pacitated by the exposure In the flood
are reported TO have fully recovered
their voices, ana will give a concert
in El Piso tonight rendering the
same program that Is TO be given
here Speaking Of the company. the
III Paso Herald Of recent date, says
I'm Able Company,
"The quartet of the National Grand
Opera company stars who will appear
here week from Thursday comprises,
hcsdes Miss Reynolds Miss Margaret
Jarman, contralto or me2zo Soprano
Mario Rodolfi, tenor; and ltalo Picchi
bass An have studied under the
best masters in Europe, and have
stage. All possess In marked de-
gree the attribute " dramatic ability
and in ali their operate musical in-
terpretation this quality Is displayed
with force and intelligence of no com
mon order
Miss Raynolds not only hos nat
ural voice of exceptional purity, range
aud power, but her long training has
given her a technic which she has
made her servant and not her master
Hearing her, one tx not annoyed by
the mechanics of singing, as one some
times Is with even the greatest virtu-
osi Her first care is TO make music
not To demonstrate a method
Miss Jarman has a voice wei
admitted To operate work, full hnd
round, with dynamic reserve and eN-
celent control In the quartet she u
never put to It to make her part car
~. as contraltos SO often are IN sing
ing with other voices of unusual pow
or. and she docs not have to sacrifice
tenderness TO the necessity of balanc'
ed narmonies.
plcchi and Kodolfi.
"Italo pfrchl the bass, OF bassO can
tante. has great vogue in Italy where
] ,
leading operate parts AT La Scala u
Milan and az Rome and Bologna TIC
has also achieved fame in BuenoS
Aires aud Rio Janeiro, where there
is permanent opera of highest stahd
ards
Mario Rudolfi. the tenor Is SIN
ger of exceptional artistic attainment
and he has In addition kind of mag
netic quality that may make him one
of the most popular tenors IN Amerlca
az he continues in his operate career
| His range Is remarkable and ther'
seems 10 be no limit to the power
which he brings to bear in the highest
Register. lie sings without apparent
effort. and without mannerisms
Whether i'm solo or ensemble work
/ his voice Is eNauisitely controlled an'
betrays neither calculated mechanics
nor anxiety. =,
"Tho program chosen for the =
! paso concert is purely an operate
one An the numbers are those II
which the four principals have takel
the leading acting parts in Crane
opera. so that added to the purely
/ musical expression NJ the score, there
Iare dramatic experience and drama
ltic training TO enrich these interpre
tations'