The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-03-07
Woman Leaning Upon Umbrella" by Albert Andre in the
Durand- Ruel Galleries.

ithe treatment Of the modelling and in
the colors.
This Is n Of a remarkable series
OF profile portraits that cNlst in the
various galleries in Europe and Amer
lea. The "Piero della Francesca" in the
Umzi is one OF the most famous OF
these the Portrait Of a Lady" in the
Poldi Pezzoli. attributed to Pollaiuolo:
the Domenico Nenezlano in Berlin and
the wonderful Domeniuo Ncnezlano
portrait recently acquired by Mrs.
Gardner are among the finest exam
pies of this type Of portraiturc.
The Iccello is lent to tho Foge Mu-
scum by Philip Lehman Of New York
and Is one of the treasures Of his
splendid collection. Next TO it hangs q
charming Fra Angelica Madonna. The
works of this great master are exceed
ingly rare n it Is very fortunate that
at the present there are three
in the vicinity Of Boston-one at Fen
way Court. one az the Museum Of Fine
Arts and this one, which is lent to
the Fogg Museum by Mossr.. Duvcen.
The fourteenth century Is represented
by several paintings from Florence
and Slena. There are three pictures
attributed TO Bernado Daddi. one of
the most charming Of tho painters who
7 assisted G!otto. Dan Fellows Platt Of
Englewood. y. j., has lent a small
"CrucifiXion" or one side of the cross
bearded men are looking upward with
outstretched hands while on the other
side the fainting form of Mary IS be-
ing supported by her companions. and
Mary Magdalen Is embracing the cross
IN passionate fervor. Tho Workman
ship IL of a fine quality. G|rcny.llc l..
Winthrop of New York has lort "a de-
iightful Madonna by the same master.
and still another comes from Miss
ellie da Costa Greene OF New York.
Miss Greene also has sent an interest
ing "Crucinxion' by Spincllo Aretino.
There arc two other works by this
master already IN the gallery.
Henry VI. Williams % Cambridge
has lent two fourteenth century pan
els. one Of them suggesting the work
of Rarna. a S'enese master /, repre-
sents a Deposition from Tho Cross"
ana the color Is almost like that Of
Fra Angelica in the purity of its rain
bow tints.
The early years Of The fourteenth
century are represented by two charm
ing little portraits OF saint by Sar-
settle 1392-145O). the exquisite Sienesc
master. and by the Paolo Ucccllo and
Fra Angelica already referred to-.
Horace Morrison If Boston has lent
a picture Of a bishop saint in a sump-
tuous red robe, by Alcgretto Nuzi. one
Of the pioneers OF tho Tmbrian school
The Metropolitan Museum OF ART has
sent, through the courtesy ~ he
Cleveland Museum OF ART, a picture
by Lorenzo di san Severino. which
shows the gracious and pleasing I'm
brian art OF the fifteenth century.
Some Of the pictures n tho per-
manent collection indicate the way IN
which the forentine masters inNu-
enccd tho lmhrlan masters. There
!s n Madonna and Child by Fra An
gelico'S pupil, RenoZ2o Gozz'li. who
travelled in central Italy and carried
the charm of Florcntine art into I'm
hria. The triptych by Niccolo da
Fol!gno represents he work Of ono
OF the masters who was Influenced nv
this new movement.
There are two pictures ny pirru-
r,c'hio, AZ one time the master Of
Raphael. who followed in Nicolas
footsteps, ON" Is lent lay Duvrru
Bros, and T. particularly Intcrcstirr
~ III" students of art, FIR O., shows
the processes of Italian painting The
hesh tones show the urd"rpatniIuG y
t"rrc Vert, which VAS ailcrward COY
B ara1 pst,l. ,n.... r.