Putnam patriot. [volume] (Putnam, Conn.) 1872-1962, 1915-12-24

lease The names OF FASCINATING Au'
frey Arlington, darling of the movie
fans and of Ned Tolman. her hand
some male support" occurred fire.
aHently. The release was to be In no
less than five reels three of which
the press notice stated were already
done and desperate efforts were be-
ing made 10 finish taking the other two
for a theater presentation by Christ
mas eve. "A mammoth. elaborate pro-
dlcton no expense spared
." etc, etc. ad lib.
Not knowing much about the
movies. NGnicent wasn't much inn
pressed. however At the moment
her mind vas feryently occupied with
melancholy "reminiscences of Ned
whom she herself had lnown-Ned
Harkins, Who bad pledged eternal fidei-
ity to her In the shadow of a hay
stack one moonlight night years be-
fore when both he and she were bare
ly more than children. Ned-her
Ned-had gone away to the big city
three years before to make his for
tune She never had heard from him
since.
Unclou ~ eyes, a fresh clean com
plexion ana simple direct address won
Millicent her interview with the of
flee manager In the film plant. While
he still was explaining her new filing
duties. In rushed the chief director
4,-. III Nd lot fnq m xuild
excitement
Audrey Arlington fell down In the
middle of her big scene in the last
reel OF the Christmas release.
Complete nervous breakdown,
hystercal are rushing her di-
rect to tho nearest hospital now.
What IN heavens name will
we do? There isn't a girl in the whole
stock company who can make up to
lock- enough like her to complete the
personifieation for this final reell"
The head director kept wringing his
hands and swearing frantically. The
president of the company registered
acute distress. Then his eyes acct
dentally fell upon pretty Millicent
among her filing cases.
Look Look; Mr.. Isaacsohni'
yelled the head director, pointing. AS
live that girl looks enough like Miss
Arlington to be mistaken for her on
the street, Come here, Miss
Miss whatever your-name Isl Have
you ever posed before picture
camera? No? well. IL doesn't
make any difference Just now anyway.
You're fired from that office job. I'll
give you $50 a week to substitute for
Miss Arlington in this last reel. S.
No, haven't time to listen to any
thing about IT. Come on back to the
studio with me right now! The set
is all up and we were right in the
middle of the scene when Miss Arl-
ington tainted. Ned Tolman, the
leading man. Is waiting. C'mon!"
Bewidered Millicent was pulled
out OF the busy offices and back to
the huge glass-domed studio where
the last reel of the famous Christmas
release was being held in impatient
allegiance for its principal.
Listen now miss" exploded the
director as Milncent emerged from
the dressing room clad in the same
wonderful gown that Audrey Airing
ton had been wearing only ten min
utes before. Pay attention to what
I say and don't stare at either me or
the camera. Act natural; that's
what we're paying you forl Walk in
side of those tape lines on the floor
and don't on any account move out
side them. This scene is the parlor
of your home It's supposed to be
Christmas eve. You're to turn your
back 10 the camera and be tieing
sprig OF mistletoe TO the chandelier.
Mr.. Ned Tolman. who plays opposite
lead will do the rest. You simply
act as any girl would under the cir
cumstances. Hey you' Get
Mr. Tolman from his dressing-room.
Tell him we're all ready again. Now.
in You so miss"
Millicent did Just as she was told.
although her heart beat fast and her
head was in a whirl With her back
TO the assemblage behind the crank
ing comera man, she raised both arms
to tie the sprig of mistletoe TO the
chandelier Quick footsteps sounded
behind her and. an instant later.
mans strong arms were around her
waist and his handsome face thrust
close 10 hers for kiss
With cry of mingled fright and in
dignation the girl squirmed about in
his arms and tried 10 push him away
Then for the first time she caught
sight Of the movie matinee IDOLS face
"Ned?" she thrilled in Joyous
amazement. Ned Harkins, You are
the famous Ned Tolman?'
"Millicentle hreathed he. clasping
her closer as their lips met in long,
long kiss and the watching director
yelled: "Finel finel Hold that"
Presently the whirr OF the camera
crank ceased and the grins on the
faces of actor, extra and set
shifter broadened.
Hey therel" finally shouted the
head director. Films run out;
scenes over, We've had enough OF