The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-04-25

not alone for the stodgy critics but
for the public as well. The artists,
on the other hand. are All well trained
They learned enough about DRAWN,
in their school days To insure them now
against worry over the grammar" of
Their art. and they are experienced
enough with the iithosraphcr's stone.
crayon and press to play with th-
medium.
! The stars Of the company are G.
| spencer prysc. Miss r. hcl GabaIn ami
John Coplcy.
Mr. Spcncer-nrysc draws with
! agreeable freedom and evokes an O.d
| W rid mood that is Pleasantly remi-
| nisCeut of the Pre- Il phaelite days. ut
! the drawings of Hossctt! and the cary
3 M.,lais lie probably acquired il. il
/ he he young man, in the school o.
/ l.ogroS from whom apparently no
pupils came empty handed.
/ Miss Gabain * not 80 strong a
draughtSman, hut she has greater
sparkle and sense of touch. Her work
Z Is most attractive. MIR. copley is n
love with the theatre and enjoys peep
( ing at the stage from the wings. tie
i young enough to %. entertained by
the horizontal rows of dancers legs
cut off Al the knees by the remorsclcss
curtain. and indeed this is an unfail-
n2ly interesting spectacle.
Miss T.. \ Hopes Corner Of the
Quay" with groups SquattinG MoorS,
is good in an academic fashion. and
Daniel \, WchrsChmidt' New Slave
il certain of quick success, though
not Of a permanent one. The young
mans feeling who wakes from sleep
to view his new vasSal is So unvc-
serVedlN expressed that no portion Of
his wondcrmcnt is left for the stu
dents second glance at the print
Joseph ronncll is So determined 10
be the historian Of his epoch it's a
,auddb.e ambition. of course that
there j. no motive he leaves unturnei
This time q : Xoppclins He shows one
in action above a city and also one
that is Gagged in its hangar. They are
not without certain interest at this
Time. although the interest is not eN-
CmsNely artistic. BranGwyn is well
represented Nth a large st. Paul"
which has mach besides 81. PAU in it.
The foreground shows wharves with
burly porters struggling with heavy
boxes in the blue moonlight
THAT Beauty l. a state" in the May
number Of the Burlington Magazine,
by Amanda toomaaswamy, is an in
spring. poetic little essay that lovers
e good English and good art must
not miss
There is n quiet air Of hnality and
authority about the article that
startles the Western reader, who is
won, however, into admiring attention
before he can assemble his objections,
objections he afterward admits To he
the outraged sense IF surprise that
poor humanity always feels when the
voice If the oracle arrives from an
unexpected direction,
There is in truth nothing to comba,
in Mr.. Coomaraswamy's principle.
Quite casually he states the genesis of
works of art probably unaware that
he is recalling almost urgottcn truths
There is ~ an aesthetic intuition
on the part of the original artist--th,
poet ~ creator; then ,a) the interna
expression Of this intuition, the tru,
: creation or vision uf beauty, 49, the
indication of this by external Sign,
Language for the purpose If com
muniCation, the technical activity; ant
finally, 90 the resulting stimulation
Of tho critic 10 reproduction of IN,
original intuition, or of some approx,
nation Ia it,
The source Of the original intuition