davidaulloa/AmericanStories huggingface dataset:
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08
right and was out one run. no hits.

Beyers grounded out, Neapo TO Ree,e
truman stopped one OF Davis fast ONES
with bis les and took first Green went
Reilly to Ksene Smith ended the esnoc
win roller TO Umlauf and was out
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

Two base hits: Kopf. shawkev.
stolen bases: Walsh, oldring. schanE 2.
Sacrifice hits; Kopf :. Sacrifice Nv:
Engel 3. Shawkey ? struck out: by
Engel 1: Hopper I: Shawkey g. Um-
pires. Chill and Connolly
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08
YANKEES LOST

NEW YORK. May The Boston
Americans won their FIRST game OF the
season from the Yankees today 10 4
Leonard was effective In all but the sec
ond inning. Score:
R.H. r
boston ........ oO0i1O1O2-5I II o
New York 49,. 10000 OOl-3
Batteries: Leonard and Thomas; Cald-
well and Nunamaker.
Two base hit: pipp. Three base hit.
Leonard. Home runs: Hooper, Peclxin-
paugh- stolen bases. Wagner Sacrifice
nit: Lewis. Base on balls: off Caldwell
/. Leonard 2. Struck out: by Leonard
=. Lmplres. Mnllaney and Evnn.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

PftlI-AD&LPHIA Nay 7.-Philadei-
phia Knocked Bentley out % the box IN
less than two innings today and defeat
ed Washington TO 4 ShAwksy kept
the hits of the visitors well scattered.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

Todays 0amss
New York at Boston
St Louis at Pittsburgh
Cincinnati at Chicago
Philadelphia at Brooklyn.
PITTSBURGH, MAY T-Pittsburvh
made II three straight victories toda v
py winning from 81. Louis by 10 4
s S,SSSuiiian was strong In the pinches
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08
LEWIS-ZBYSZK0
MATCH MAY IA
Purse Will Be sf,2oo With Privilege
Of 60 Per Cent Of Gross Receipts.
Will Be Held in Auditorium.

A telegram received yesterday BY
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08
ATHLETICS

Kxocx sxxrLEr OUT or TIE nox
AND DErEAT WA1KrUo-
Tor TO J.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

snswfsy On othsr zHnd. yf,ens1 Air
Dstroff Waiiops 81 Loais-
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

Hartzeil lifted one TO center and was
OUT. beyers rolled TO Reilly and was
weak roller TO Davis and was an cas-,
out AT hrst. No runs. no hits no errors
the plate and was out Beyers 10 Holder.
man. Martin put up n high ny which
was caught back OF second by Brant
hpsyis lined out 10 left NO runs. nc
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08

rsstsrdsy's BeszftA
Philadelphia Z. Washington Z
Boston 8. New YORK y
Detroit n. 81 Louis !.
ShlcAso-cievelAnd. vet grounds
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1915-05-08
PIRATES
WIN rnoM ST. Louis AND MAKE TT
THREE STRAIGHT FOH
CLAHK's MEN.
Boston rakes q siugginr Match Prom,
New York and Reds TAX.
chicago Into Camp.

Yesterdays Resuita
fittsourgh 8. St Louis A.
Cincinnati 3. Chicago 2
Boston IL; New York 4
fhiladelrhia-Brookly wet grounds
Corpus Christi caller and daily herald. [volume] (Corpus Christi, Tex.) 1911-1917, 1915-07-08

vancc beyVnd nv ccnsrnl II lhc saAi
HtAntcs. stall ~ and d hereby ieemed
= n0fticicas ana VALID txcust Tor hts
nal rvnaefipa ~ tfffofmins iho ,sut.cs
ard scrvlce aforesaid. aad 10 fuFfsit.
ufe ~ renNife contemplated iN this ~.
dinaucs shah - dcnaulled - the saiS
stantee Cos hey failure 30 ~ 90 g~f.
fofin MS duties az 9bliratiens unNrf
this oriinance ana rontrtet ~ gqasoh
~ any Aet - 0s,A 90 oihet Opfetcecsn
accident
sectien "a Grantee shall have ihc
fikht hereunder o. ues only aaCh pow
81 for pfopciline iniefnflan cars ar j.
designated IN sectAsn a. Afticlc iisi.
REVISED civil smlutea, iaii. the state
"a TsNaA
Section 81 THIS ortieAntc shan
take eflvct and tc in fnrcc fsom and
after its gSesaNe and api fo>si and
publication and acceptance
tssS-ea or fTzi rcahins fhr feih al,
~ 1as@ = lsia ~ lhe icllowlna vote
Nnicf ayV
sutherland aye.
Wart ayc
Outline. aAe
Uaiiashcr ave
ADVERTISEMENT
Corpus Christi caller and daily herald. [volume] (Corpus Christi, Tex.) 1911-1917, 1915-07-08
THE BANKER-fARMER
CONFERENCE CALLED

"Nuoh ~ the aacq~se ui az this pro.
sfam ~ al rpWaferyiRl spn iuuurtt,~t
activities ef tsr nation IN d4rtHAsut
Hpun hettur nugheiina end difislHaiiar
effltitr,ics at wcl fs pfUprf snd nnpic
D9adW neiilisH Nlth ihc psgfrfiiuH ~
which Nc arc in rsiirlial ttmNaiht
"fhr uals thinN fhsl hsH sawed ihc
American fafmsr to iar has hrcH ip.
cfsasrA erip pfigys aad nnt values
~ required ,amnlirn vt ga frs4a
n efrNsnt ie r4lHD ihc aerrsHs uHett
81 iUid 10 bushels yer mere.
"un hiHhff ptirfd lara She csr0utt
rsta up fhr aFtraFr acre 1irii Nff
profit and the unn pfoni Be- in tho
escfta fleld alnst thN aNffhfe rru0Np
81 ht fafinnti mffhnda
"l.oW slfida ahuN m,k uf uiefati nf
f,fuuN onr ef hoih and ntfsn lDN
at.risl CnuditipUa.
"fisaplf sulnt thVafiais ihr fH,l rt
mains chat tlF aerf sisida Afi ni.
tmpr carry prosperity in tnrn wtht
Corpus Christi caller and daily herald. [volume] (Corpus Christi, Tex.) 1911-1917, 1915-07-08

Using csfH a. aNoiS ffAukhts cSlpF
SURE. sudden snanees. sai iakiea b
utatInsnt of IN NineA New pisfe,tfs
vii positively rriiess. and in iiuf viii
snrcls IA Nsn ef souf VouGa Thr
FIRST dost soothet she iffliaiiun. Chrtkr
suur ,uurh witch steps IN short
tlnes i'r Nmsr Nuw utecotrf, has
been used suecce.funt NV as ycafr
and he futanssed So eaft YUu Mouos
nack 81 u Fails ust hettio iiVn
Yuef arussiss be eusfr unis nut
AVID Will heis ,oN 49, nluoh. Adtctiise.
mtat
Corpus Christi caller and daily herald. [volume] (Corpus Christi, Tex.) 1911-1917, 1915-07-08
Mns n {. nowARp pYlNa.

caller tfrrnid Special
DALLAS iuiF 2 NruNriH frm ihr
toaalde 20 Nn Dammls a. lioenfd
uiaihei si pf Nantir a NHlrirk ine
American phfHrlnn rtilri Un in thr
fiNhinn HtiInna ed Mssicn 90 Nhc
charge 90 Hs hoaith problems lndlostp
that she be- slnhirT following 80
iapHe tuaaY irf death o. skrrtiri
aimurt momrntotilY iier een ana Ufh-
ct solau,rg are I'd hff htasld0.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

all interested in the art Of the theatre.
The young persons who began so mod
estly in the Bandbox Theatre have
found an increasingly interested pub
lie. They found themselves frequently
Playing to a crowded theatre. which is
more than any of the previous occu-
Pants Of this little house could boast
81. OF course. their prices were low
But had there been nothing in what
they had t. offer to interest the public
there would have been no audience,
whatever the prices.
OF course. 1t was not possible to
praise all they gave the pubic. But
the originality and intelligence of their
plays, the skill with which they per-
formed them and above all the nov
city they managed to impart to their
programmes soon attracted a public
large enough to support them through
one season and prove. moreover. that
there IL stu a demand for intelligence
end wit in the theatre. whatever the
opinion TO the contrary may be.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
NOVELTIES OF THE WEEK.
Lew FieIds Ia with Is Again
Gilbert and sullivan Revival.

The Messrs. Shubert will present
Lew Fields In a new summer revue
called Hands Up" at the Forty-fourth
Street Theatre on Thursday night.
Maurice and Florence Walton are also
to be featured in the cast. Regarding
the merits Of the coming performance
this nnouncemen is made:
THE piece is described as a spec
tacuHar comedy revue in two acts and
twelve scenes. several of which prom
Use unusual novelty in their elaborate
investment. In one Of the scenes a
part Of the Panama-Pacifc Exposition
grounds will be reproduced In detail.
Another feature will be a scene show
ing the bathing beach at Long Beach
at the height Of the season.
The story concerns the loss and
recovery OF a valuable necklace and
will travesty the melodramatic plays
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
THE PLAYS THAT LAST.

Among the pays still TO he seen in
New York are Twin Beds" at the
Harris Theatre, "On Trial at the
Gambler Theatre, THE Natural Law
at the Republic Theatre. Three OF
Hearts at the Thirty-n!nth Street
Theatre, sinners at the Playhouse.
The Bubble at the Booth Theatre.
1T Pays to Advertise" at the Conan
Theatre. "She's In Again" at the
Gaiety Theatre. Under Cover" at the
Cort Theatre and "A Full House al
the Longacre Theatre.
The musical plays are Hands Up
at the Forty-fourth Street Theatre,
De Wolf Hopper in Gilbert and Sui
Ivan operettas at the Forty-eightr
Street Theatre. "A Modern Eve" al
the Casino. Nobody Home at the
Maxine Elliott Theatre. "Chin-Chin''
at the Globe Theatre and The Pass
Ing Show OF 1915" at the Winter
Garden.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

necessary because of the limited SPA O.,
and shape Of the stage
I'm the second act | show n '1,w
in the very modern Central Park
apartment of q very modern Il"
There are five doors IN tho room r.
irregular intervals which break 100
the usual stIltcd and conventional"
shaped tri-wallcd stage room. n, -s
Tony MhI"r is not "A conventional ',pa
and wouldn't he apt to select mat KIND
II an apartment"
And how about tho black ,ri vr.'a
walls with the tubs of ortngH 'r''>
painted or them, and The ortrg" "r-
tains and couch was this .0 "
scheme especially thoUGnt nu' 20 80
press 7Ony'S pcrSonalIiy"' asked '-"
reporter,
NO, indeed. Il WASH, thought n.'
al all. | never think oU' ,u.n-,
Just feel them. can't explain w
| used orange any moro ian purge"
except that | felt orance ~ %" r.-'
for that particular room H' ''e
people are born with a superior .'''r
sense just as they are born we. 4
talent 10 sing or to draw C7-'sN
couldn't hclp being tho greatest singer
in the world. IIc was horn VIII n
superior voice. Now don't '..rE 'hr'
by this comparison | am setting '"'-
self up as tho greatest c~o'ur'e' 81" g."
world only mean thar h. Nos
natural for me to fccl hoau'fj' ''."'
combinations just as 7 have 3 "''"'''
architectural sense without over "'-
ing had tn study architecture. '"'
~tAa.A lA,.A III IAnfF Atr "HHF
want to reform stage d"yNra''"-
hate the word reform. ! moro w.
to do tho things ! foo, n tho w.
feel them. Just AZ prc>c"' I N'',
more than ANYTHING c'sN to % \ 60 ri
comedy. as I'm interested IN N"''."f
real homes on tho stage
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

duce to this country the British mu-
here and is now slowly giving way
to the review. "A Gaiety Girl" which
Augustin DAILY had seen In London.
was the first 10 delight New Workers.
No other memories of these musical
farces are so delightful as those which
cluster about Days. He not only
selected the best of these pieces, but
he produced them in a polite and
dainty spirit which none OF his rivals
could ever approach. So whether It
was The Geisha" or THE Circus Girl"
or The Runaway Girl' or San Toy"
1t was at Days Theatre that these
pieces were seen In their best estate.
Other managers Of course began TO
import these plays so soon as Augustin
DAILY showed how we'll they were suited
to the taste OF u public. But none
OF them found in them the same sue
cess that he did so long as he was in
charge OF Days Theatre.
In spite OF the fact that "Haensel
und Gretl' was first produced at Days
Theatre It Is the series of London
musical plays which gives that theatre
its importance al a house in any way
dedicated to the musical pieces.
Already a building Is rising on the
site of the former Bijou Theatre. Nc
playhouse was probably ever less re-
GREETED than the departure Of this
narrow and uncomfortable little thea
tire, which was altogether i%rreconci,-
able with the ideas Of what a play
house should be In this day of comfort
and safety. 1t was here. however
that the most famous production OF
Oncnbach's "Orphee u Enters" was
ever given. In this representation
were collected all the stage beauties
Of the day. They would, moreover
have held their own in any day of the
theatre. Isabelle Urquhart. Laura
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
MISS ELSIE DE WOLFE
TURNS STAGE DESIGNER

Elsie do Wolfe, who is well known
as a decorator for the houses Of mill
ionai-es. has just tried her hand as a
stage decorator with such success as
the " charming scenes IN Nobody
Home" reveals. Miss De Wolfe has the
same decided theories as to the pro-
rrieties of stage decoration as she has
for her work in another field.
"Why should We go on keeping tothe
cool serenity and safe m%ouotony Of
sraycd and subdued coiors,' she said Ia
TIVE SvN reporter, lust because mel
low tones happen Ia rave been the ac-
cep,.d conventional harmon.cs for
generations and generations in the
past? Color and warmth are every
whore in nature. Nothing could he
moro brilliant in color than a gor-
geous sunset or more vivid in hue than
MANY Of the loveliest flowers. Color
is everywhere in life, and yet untn
recently We have excluded the bright
est colors in the decorative schemes
Of our stage settings, TO say nothing
of our homes-on the time worn
grounds of their being gaudy or vul-
gar.
You see We are yet too small to
realize that ideas of beauty grow and
change like everything else that
lives. Greek art. for instance. can
not entirely satisfy us to-day. because
beauty is no longer a mere something
that proves pleasing to the eye--lt
must I've character, energy, humanity
and power. Also IL must he emotion.
one must comprehend more through
sensations than through representa-
ton.
For this reason the successful in
terror decorator must 10 something Of
a psychologist as we'll as an artist.
Mechanical means alone cannot pierce
beneath the surface and bring out
the personality of a person for whom
YOU are designing a room. And so |
generally learn to know the person or
persons for whom ! plan "A house or
room before beginning work. do not
believe, for instance, in putting rooms
of the different periods into modern
households. 4 Du Barry room en-
presses the personality Of Du Barry
ltNlfI Juan tHt NtSl'S OF tldIt'ltT Ut
any part Of the inner self Of the pres
cnt occupant"
Miss de Wolfe paused to scold a
small white kitten that had strolled
into the room and was on the verge
Of upsetting a little bowl OF dried rose
petals.
at is tho same" she continued,
with stage settings. Rooms on the
stage are too often planned without
due regard to the type Of person in the
play to whom they are supposed 10 be-
long. They remind n quite fire.
quently or the illustrations that do not
illustrate in tie popular new novels,
| have carefully considered the kind
Of hotel lobby most in accordance with
the place the persons In the first act
Of Nobody Home would he apt Ia
patronize, The Hotel Rlit2 in the play
as car he readily seen, is really the
RitZ-Carlton, SO | have reproduced n
| good part Of tho actual lobby of tina,
hotel with its balcony, swinging doors
and everything that gives the atmos-
phcre and character Of ire place
making only such changes a. are
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
Ell IT,
sTtiE. PASSING SHOW OF 1915.

eighth Street Theatre suggested again
the inquiry which has always pre-
scented itself whenever this amusing
little work Is given here. II has never
been so popular here as II was In
England, although there has never
been any explanation Of the lesser APP
probation here. Must there he an in
horn respect for wigs and gowns, for
all the legal formali,ies and
tionallties which hedge English court
practice in order that the satire of
this amusing little play shall be al
together understood?
II Is certain that American audi
ences have never been 40 ~appreciativc
OF this work as the country OF its
birth. Even in its latest form there
was less enjoyment in the piece abroad
than there was here. James Barrie
probably would never have thought OF
the trial scene in THE Legend of
Leonora" had It not hccn for Gilbert's
lihretto, which is 80 similar "a II, The
construction Of this battling play Of
Barrie's made 1t almost inevitable that
II should have been built In this way.
The delightful first act which is so
complete in itself was first intended to
he a complete play. Listening to the
counsels OF his friends and realizing
how perfectly the role was suited e
Maude Adams, the playwright ampli-
fed the drama until 1t contained four
acts. But no scenes after the first act
were nearly so entertaining, so whlm-
seal or so original as the opening
scenes, There was much Of the Barrie
fantasy, the irresistible humor and the
fancy which is i~nseparable from this
author. But there is not the inefsess
of quality noticeable in the long dia-
logue of the first act. Quite the best
of the framework In what follows is
what has been taken from Gilberts
one act librctto.
The success Of tho Washington
Square Pisyers Win be gratifying 10
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

Joyce, Pauline Hall. Ida Mule. headed
by the versatile Marie Vanoni. were
the principal figures in this revival,
which was practically all that vas
ever seen here of O~fenbach's work,
which Is so well known even to the
present generation through its music.
The audiences and the artists arc.
| ever getting closer, not only IN SYM
patty out in h flesh, At one of tho
| root garden reviews, II the dancing
and singing are to be described in
that way. the guests are requested 10
join tho players in closing the per-
Torrance with a general dance. That
Is the nearest that audiences have so
far got TO knowing the players, al
though there may be still further ad-
vances in this direction. II was first the
fowery pathway that brought the
ACTORS into the auditorium, and the
Winter Garden. runway did valiant
work in furthering this friendly
feeling between spectators and actors.
II was also helped by the plan Of pre-
senting the so-called cabarets, which
are no more than one act musical plays,
in the restaurants which did not pos
sess a stage. But 1t was not until the
spectators were invited to join in the
final dance at the new cabaret show
the other night that the audience had
been invited to take a part in the
, performance,
Probably the decision that res
taurants will have to take out a the
atrical license II they want to give
these short musical plays Will result
in diminishing the number. The rcgu-
lar roof garden car afford this luxury,
But ii Is not certain that the res
taurants can make the cabarcts any
more expensive than they already are
The prices on the menus have been
pushed Just a. high as they will 90.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
THE E CHANGES.
Plays and Players 20 he Seen on
other stages.

The Chocolate Soldier" a musical
version Of Bernard Shaw's scintillat-
ing play Arms and the Man." which
was produced first in this country at
the Lyric Theatre in 1910, and was
later moved to the Casino, will be the
Offering by the Van den BerE-Conger
Opera Company at the Standard
Theatre for the week beginning to-
morrow night. The book Is by Ru-
dolph Bernaucr and Leopold Jackson.
The English version is by Stanislaus
STANCE. The music Is by Oscar
Strauss. The original American cast
included Miss Ida Brooks Hunt, Miss
Edith Bradford. Miss Flavia Arcaro,
George Tallman, William Pruette.
Thomas Richards and Francis J,
Boyle. The principals hat that will
be heard at the Standard will he
Dorothy Maynard. Carrie Reynolds,
Greta Risley. Charles Bowers, Arthur
Cunningham, John r. Phillips and
Louis Cassivant. The usual Tuesday
Thursday and Saturday matinees will
be given.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
VAUDEVILLE AND BURLESQUE.
4 Gilbert md sullivan Review at
The Palace Theatre.

IA a summer novelty beginning 'h's
week at the Palace Theatre a G,,hcr'
and Sullivan review will be staged fr
the first time. The production IS,
include scenes from "Pinafore." THO
Mikado." "The Pirates oc P~on2arco"
and The Gondoliers." Tho east VII
include Vernon Dalhert. Edwin Shci.
don. Kathryn Irving. Vera Ropcr'7
and others. Eva TanEuay will ho an
other feature. Others arc Joe Jack
son. William Morris In Mrs. Temples
Telegram" Swan. Wood and company,
Kerr and West and Prince La Mon
Kim.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

The proposal Il charge an extra
price for tickets on first nights-that
Is to say a greater price ever than the
spectators at present get-seems only
an opportunist's plan to get as much
as possible while there Is a demand.
First night enthusiasm may be relied
on to sell out a house when there is
some special interest attaching 10 the
performance. The scheme proved
profitable at the Winter Garden, but
the Winter Garden Is an institution in
the amusement life Of the city. There
are never more than four first per-
formances during a year and there is
always n demand to hear them. There
might he the same demand for a Zieg-
field review, for that Is given but once
a year. and this series Of "Follies'' has
been going on now for years. So 1t is
readily believable that for either Of
these productions the scheme might
he a success.
But for ordinary first nights there
would probably be little demand. In
deed. it seems difficult to persuade the
public to buy tickets for these under
any circumstances First night per-
formances rarely attract large audi
ences. Numerically they are little more
distinguished than they are in other
ways. So 1t would be highly ironical to
offer them to the public for any more
than their usual price. It might not be
a bad idea II Offer them at a reduction,
the prevailing rate Of prices to he re-
stored after 1t has been established
that the play is worth the money.
The performances of Trial by
Jury" which were seen In connection
with The Sorcerer" at the Forty.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06
PLAYS ON THE SCREEN.
Novelties OF the Week In the
Motion Picture Theatres.

The leading moving pictures Il be
seen this week are:
Tie Birth of a Nation" at tho Lib
erty Theatre. where n. W. Griffith's
film spectacle continues to he the
rrigning sensation OF the season,
George Behan in "The Alien" a half
reel. half real" production of extraor-
binary interest. is at tho Aston The
atre. following the long run Of The
Eternal city
The new picture at th' NitaGraph
The sun. [volume] (New York [N.Y.]) 1833-1916, 1915-06-06

Mile. La Bergere and her posing
dogs have been cont .nusd at tho CO.
lumbia Theatre for another week ami
will he the feature Of tho lev KEY
Behman show now enterin. upon ''-
NTH week. Mile. Ia B'rcerc'S At .
m of the fine.t ever seen I'm y y
York. In many respects Il SURPRISES
the La Milo act recently seen ur vtu.
deville circuits. Her poses with body
painted to so res' mhle marble that 'F'
audience can hardy toll wh"' or '0"
characters are roal or not is ono -
the most artistic features of m. h-r-
lesque stage. Other inter s'n- SO
will he introduced this week iS Vel