davidaulloa/AmericanStories huggingface dataset:
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
oglnn pOllcn iuir einmal ridJtif
0ranfaehenM


Sin ilnger &riegsfreiwiaiger
i9rei6t ii6cr ole @rper6ung oes 81.
iernen &reu5es:
.... gs mar am .... ais mir
Wlorgens Z ll6r nit @eiaug bon 9.
megmari6irten, nidt a6ncn0, OaB
mir 10 ShinOeu iPater idon i'm @e.
fedt liegeu wiiroen. @lotli9 bieB
es: ausi6m1Grmen; lno i6on wur.
0en mir nit 9(rtiaerie- uno Snfante-
riefeuer ii6eri6iittet 3undbit purOe
Gefimg in eiuem &iibeufelo seuom-
men nobel mir natiirli6 ihon groBe
@erliiite batten. @egen If ll6r bo-
ben mir ims einen SHiibengro6en
ousgeporfen. g3um ging es Sag fir
Gag Dor, aber iebr loneidm ino es
foitete biel glut @s mar ia oud
feiu @unoer, Oenn mir Iageu engli-
iden aerntruppen m0 S6ottldnoern
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
eOfaI6cridte ans gsai6iuatuu.


sir pobre g8eutraIitat.
sSm n@oG.S6eoter" fono geitern
9lbeno imter oen 9(uipi8ien ser Ser
einigten oeuti6en @eieaidoften bon
g9olbington~ cine D1aiienDeriamni.
lung I'M Sntereiie Der 50roerlug
omerifaniiber leutralitdt itott, bel
mcldcr ole $50. 9llpbonie @. a0IbIe
Der @rdiioent oes giep. DorterStoats-
@erbonoes oes n0eutiH.9lmerifani-
lden glationaI6umoes, Sobn OeboD,
Der Serousee6er Ocs n@oelic.9lmeri-
can" bon glep.Yort, imo mebrere
GonereB glbgeoronete glnipra6en
bicIten. Gas @rdiioium fiibrte Sr.
81. gg. @ofer. 8um SdnB Ser Ser
Iommliing puroen 9eiddiiie sefoBt,
in melAen geeen oie g9aiieuausiubr
an Die 9[aiirten 9roteit erboben rno
Scr GongreB Inn 9lnnobme Der %it6=
d.8ortbolots@oamer Sill eriudt
miro.
0Deutfdeg ggaifcnbous."
syn Der General. .@eriammlung Oes
,,GeutIcben @aiienbous @ereins"
wuroen ole foleenOeu iia6en Girefto-
rem, oeren Sernlin obgelaiiien mar,
mieoererpdblt: Gbos. Socobieu, @bil.
Gittes, W2i6. Sol8beierlein, Or. o..
S. @eder, @us @robler, Gbriit
giommlinq imo aorl Ggolf 9Inidlie-
Beno an ole Direttorenpobl fono eine
Sibune oes Qireftoriiims itott, bel
peIher oie noditebenoen 9eomten err
mdbIt muroen: @rdiioent Dlartin
@ieaano, 1. &ice.Br1iioent @eora
9eBler, 3. @ice. @rdiioent glnoreiu
2offler, Sefretdr @m. s. @leDers
uno Sdosmeiiter Gbos. 9ioeier.
2ie 9eamtenuaobl oes 6rauen.
@Hlfsbereins bonn .0eutiden g9oi.
Ienbaus~ eroob ole ggieoerwobl
iammtliher 0omen. Qieiel6en limo:
Srou s.. @. 9ort9el, @rGiioentin;
Srau 81. 9iilpertrs, @ice. .@r6iioentin;
Sri. 8. 9ottder, Sinan0ietretdriH
8rou Dora 9otther protofoairenoe
Setretdrin; 5rou Catherine @oin,
Sombmeiiterin; @infoufs Gontite.
6rau 4otberine @ain, 5roi Sophia
Stel8le, 6roli @aarie gaeubous uno
fSrou 8. Souber.
nSeffen. .0armitd6ter8e t.
elm"
syn ieiner lette ISOLDE itattgebobten
syobres. .@erionlmhmg ermoblte Der
DSeiien. Doruit1oter llnteritiibungs.
@erein" oie folgenOen 9eonten fir
oas laufenoe Sobr: @rdiioent @uil
Spo9n, @ice. @rdiioent SenrD @eber,
Sefrct1r sSobn 0}einineer, Der 5unl
%. W2al mieoererfpG9lt muroe;
Shobmeiiter gloom 9ieeelmonu
ocIien oritter Sermin beginnt; 81.
nons.Gomite: 8. @ouer, Sobn 9liit6
uno Carl Sobn. Qelegot gum 0eut.
iden @oiienbaus 1T @rnit 9lmeung.
6obnentrGeer: Serb. Gieeelmonn,
qron5 6. Sod mo Sol. gIeuIano
01orihoa Sobn 6erber. 9(ls DeIcga.
ten gum Central. .@er6ano wuroen
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25

e. &inf6dm'S o@egetoblc Son'pyNSgeits
in fiir3er Belt mar i'd furirt un0 plii Ken. sa
ber bel gutter 9jeiuuobeit gepl'g;rnls inc
Stets lobe id Den COMPOUND, lpein, ,r,ciF,
mer ic6 Die @elegen6eit babe, 0n l1l sTf,9 aIirr.
es bali mir uno miro glnocren 'Tris
Dor @ilr5em babe idj 0as GompolIlllap SaG
ncr Soc1tcr gcgebeu uno mllllws ,mO
ale lcioenoen Srduen eS nelnlen H.
bon leinem @ert6e ii6er5eugt iuilt0Sae,. a,.nils
6rmt Samcs q. gciOcl, 113 gtorD,'p'
StraBe, S6ippenSburg, Ya.
2b0ia 6. SSinfGani's ngcgetaOle eV"S ,,rS
pouno", aus 6eimiifcn SSur5eu rfctis
Strdlltern bereitet, eni10lt tete use nat
ldcu ooer id)dolideu 9roguen llno; ln.;dnte
6cutc Den GeforD ais od5 erlolgl' nuo
D}ittel gegeu Srouentraufbeitelks ,n it
SauIeuoe bon freiiuilligen 3eu8l' lr;unI
ben glr6iben i'm Yinibams Sabolloaa''.yiiiadle
III 2Dnu, 0laii, i@einen bieie Sq"'
5u beiuenen.
gBenn Sie i'm 0erin0itcn oaran sstc6le
lcln, baf 9goia s.. &infbam's DSeSs.%rcis
@pmpOnnO" Sbnen bclfeu uir0, y e,ncrl's
ben Sie nm &ntb an 2DOia Is. |'l'' mail
Nacnicinc So, (cDniibeniiaO SDl'iL sSfnei
Sbr grief uirn bDu elmer 8rali 9eS' ncr'
eeleien nno bcantiuDrtet uno fre"V
traulidj geGaltcn iucrOcr.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25

u. otltt tlftff .ro"
Qeta6lc GonlpollnI'o1 ~
an ne6nleiI. .s,..S.
mails lit id9 4, lSqlsr,, '....,,
lid ieoen Vso,,i'1, Vsso,'iie
N1ein @attc ian ~.
mir cine Slaiqes l'.ir OGr
uorL ilnO es ball .,S, n''S
fofort. 9anit i.,ss i.a's
Set Gjcburt nl's'lIis tais
8ipeiteu &inoes, 9e;, 9lgeis
fe ic6 ciu 6raciIlss,lal,,,,,1i.
ben febr l@ ldlnSia ll,;';'l
SD benuBte SgSs1
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25

Soarig. n@arum iit Oie
Soute 9lnna ieit einigen Sogen 10
piit6enO?~ o@eil ibr SemanO 5u
i6rem @e6urtstage cine S6mudfoi.
iette ididtc, a6er Orin lag einc
Sdnlrrbort6inoe.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25

@eminnbringen0. Serr
e.: nSie 6obeu iebt einen 9ollon-
alifiiieg unternommen Serr Gom-
mer5ienrot62 g8ie bat eS Sbnen oenn
babel geiollen2~- @ommer5ienrotb
nOffen geitanOen: @enn meme 9lf-
tien iteigen, gefdGt es mir 6eiierl"
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
Bagrgrbrn.
9euti6e SyOrti6ritte in
glrgOnncu.
9wr6 Serid)t Ses framSOs
iiId)eit SricgsbMreaus.

aompf Inn $artmonuspciIcr &opt
i'm GlioB ongcblid nod nibt cnt-
idieocn. - Srau5oien Wolcn
nobe Germeaes eineu Oeutideu
Sdiibengro6en genomHeu bo6en.
5rou50iiider GrfoIs bel 9err1-
ou.9oc oemeIoet. - Sonitige
gcri@te.
&oris, "a. Sonuor. ~ Gos belI.
te gl6eno 5u ipdter Strnoe bonn
frou3oiii6eu &riegs6ureou Deroiieut-
li6te Bulletin beiogt SDlgenOes:
nGie Gciti6en unterbielten 6eute
icbr lc66aftes 9lrtillerieieiier in Der
@egenO norolib BON 3ille6ede( (6lan-
oerD uno no6e G6ateou o. Sere-
ueeg, es CAB jeoo6 feline Snfanterie-
9lngriiic. @iuige @eidoiie purOeu
gcgen glrras geridtet, lno norOli6
bon ser Staot fanO 9lrtillerieieuet
itott.
Sn ser @egeno bon gll6ert bat Scr
8eiuo cine 9lil5o6l Bomber gegen
ga 9oiielle geworien; oo6 nniere
glrtillerie 5porg i6ui oieien Qlngriif
ein5uiteaeu. gio6e Garnop fam eS
5u fleinen @eiedten.
sSn Oen 9lrgonnen iino Die Sample
in Ser @egenO BON Soir Oe @oris
3u @noe gefommen. g9ir 6abeu ale
lniere @oiitionen be6ouptet, nit
9(usna6me eines Sdiibengra6ens
bon etuo so Wletcr 2dnge, pel6er
ourb oie idweren @ei4iibe oes
6einOes 5erit0rt muroe.
SIN eliaB iinO Sample in Ser @e-
geuO bon llff6ol5 uno BON Sout-
monnsmeiler &opf i'm @onge. g9ir
iino bis an oie StaHelorabtberbaue
oes 5einoeS beron9efonlmen; ood
es iinO nod feline meiteren g2aHrid-
ten BON Sen Sperotionen Oes Cages
bier einaetroffen.~
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
@essn 9lnnabme ssitO6lcnen @nts
Der6aftet.

Inter ser 9lniduloieung eeitob.
lene Soden enpfaneen iino berfouft
5u bo6en muroe eeitern ser AZ
Sabre olte SSomes $. 0uirt bon glr.
2109. @ougb .StraBe, berboftet ino
bonn 9lidter Smith in ser 0itlihen
@oli3eiitotiou fir Elm peiteres @erbor
feitgebolten. 2uirt botte Silber-
ioHen I'M @ert6e BON Sc bon bier
iirngen @1otroien erbolten oie eben-
falls in Scr oitli6en @oli5eiitotion
megen oes ongeblicben 9iebitabls
feitge6olten peroen.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
gru1t 8Etnel
Rr3tiblt grnltfl'
gsic eg0ia 6. %inf6am'S uSeo'ia'N
COMPOUND" Fc IA Sabre
scianS crGicIt.

S6ippcus6ure. @a. - ~Gs ipaF5 aF5nSia SGs
me9reren Sobrcn, als id beganll, S S'es
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25
g9 as Oos fron86iifG c
&riegsbureou iogt.

@oris "a. Somor. - 9os
fron80iiide &rieesbureor erlieB beute
g3oduittog 0as naditebenoc offi8iele
GommuniQue biniidtlih Der Sample
ouf Dem iueItliden &riegsihouplat:
nSn Der @egeno bon glieuport
unO Somboert0ooe bomborOirte ser
Sein0 uniere neuen @oiitionen in
Gorbercitlng eincs 9lngriffes, oen er
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-25

gl6pnnenten, bic ben .Scutidjcn Gurrcs
ipunbenten" nidjt piinftlid OOcr iinregels
mdkig erbalten, iinb 0cbetcn, Der Office
bapun per SclepbOn ue>- idJrifilidl Wlit-
tbcilnnn 81 mndae.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Novel of jacques Futreile
Put Into Four-Act Com
edy Drama by
Lee Morrison.

The Booth Theatre will begin its
regular fall and winter season on
Thursday with new comedy drama in
four acts, My Lady's Garter"
dramatization of Jacques Futrelle's
novel by Mr. Lee Morrison.
The action of the play closely fol-
lows the theme Of the book The con-
trail figures that ire involved in the
plot are a wealthy New Yorker whose
hobby is the collecting of antiques end
are objects; his daughter, wild, un-
tanned creature who has her own ideas
in the matter of matrimony, an English
detective Of the Scotland Yard variety,
an American detective, more blunt and
less polite than his English colleague;
a notorious gentleman thief, known as
The Hawk, and young American of a
decidedly adventurous spirit.
The cast includes Robert Dempster,
Paul Everton, Wallace Worsley, Cecil
Owen. Albert Sackett, Louis Kimball
Robert Rogers, Harry Stafford, Louis
Thiel,, Harry Scarborough. Leslie
Hunt, Clyde Vaux, Miss MiRna Com
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Star at the Shubert Spent
Years in Playing Small
Towns with Repertory
of ThrilIers.

In one respect William Hodge is as
big a rubc OFF the stage as on. He
smokes a pipe With most Of the
makeup still. on his lace, he likes TO
sit in his dressing room az the Shu-
bert just after the curtain has gone
down or "ILc Road 90 Happiness
put hie feet on % trunk eighteen or
twenty feet away from whore he's sit
ting and smoke Nor is he averse to
reminisc.ur "a little. though it keeps
his chauffeur waiting al the stage
door.
"There was "a man in here just be
fore ,he performance to-day an old
actor by the name OF II. i. Irving.
He's blind helped 10 put him in
the Actors Home. lie was playing
heavics in Gus HIS company twenty
two years ago, when l broke into the
game. and ne was the first man that
ever gave me q word of encourage
meut. ! used TO De getting fred all
the time.
MY but ! must have been rotten.
! was property boy what they called
fifth man ! played all the bits. no
matter if there were q dozen Of them
IN a performance. ] had a boy with
me IN The Man from Home who was
probably % good deal like / used 10
be. he was assistant stage manager,
and he was always making mistakes.
] fred him and took him back half a
dozen times.
"A lot OF people think the first thing
I ever did was Stubbins in Mrs.
Wigs but they don't know about
those twenty-five years. toured at
the head Of my own company for three
years. We played week stands in
small towns, with a change OF bill
every night. Where there were no
theatres we played halls. We had a
company of FIVE men and three women,
and did plays like East Lynne Jerry.
the Tramp The Irish Detective and
The Hidden Hand II was great ex-
perlence.
Thirteen years ago was with
James A. Herne i'm sag Harbor.' II
was fine part, though II was only
six sides Herne was great on types;
he understood the American small
people better than anybody | know.
"Then there were musical comedies
all sorts of them. / played IN
George AIDES Peggy from Paris then
in Mrs Wigs and after that down
al Wcber's had great time that
year. took Ficldss place the
Dutchman and the rube 1t was
great hit, We came close TO staying
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05

roles, it must be granted, she acquired
some measure Of renown, but it was
not until she became the clever Grim
inal in "Within the Law" that interna-
tional fame was hers. Score one for
sin.
And now comes Common Clay.
bringing fresh laurels, and with Ms
Cowl playing a character whose way
would scarcely receive the sanction OF
the nnermost church circles. But on
the question Of bad women and good
the impersonator of Ellen Neal Will now
take the floor:
Ellen" said Miss Cowl, "is not what
| would call bad woman. She wants
to be good but the circumstances are
such that she simply can't be. In the
parlance of Broadway, she IS up against
il. So was Mary Turner, in Within the
Law Ellen Neal has a good heart, and
consequently the sympathy OF the audi
ence is with her--if that weren't the
case | don't think | could play the part
There are two kinds Of women. in
fact, whom wouldn't care TO play. One
of them is the utterly ruthless, wicked
all-the-way- through k!nd-the sort
found in The Typhoen' and A Fool
There Was The other is the extremely
good kind-the sheltered girl who never
has known temptation, and consequent
ly is about as interesting as a week in
Louisville.
ITO be interesting a girl must have
one Of two things either a colossal
amount of brains or colossal amount
of experience"
Then came the question that is asked
at all interviews: Looking back over
all the parts that you've had, which one
40 you like best?"
But Miss Cowl proved herself an ex-
ceptional interviewee. ooh, you know
the answer 70 that" she smiled. Even
VI wanted 10, wouldn't dare men
tion any part except the one I'm play
ing now. II would never do. But like
any part so long as it's-well, so long
as it's a good part. What's a good part
Why, one that has plenty Of clash in It.
And there's another thing | wish
you'd mention in the paper. ! simply
love TO play comedy, ana it's so seldom
| get q chance. There was some excel
lent high comedy In The Outsiders, but
il never came into New York. Won't
some manager offer me a comedy
SO there is a chance for some mana
ger Won't he offer Jane Cowl a com
edy? But there Is little use in his doing
so for one or two or three seasons. be-
cause Common Clay" will probably
keep her occupied for quite while.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Jane Cowl Finds Wages
OF Stage Sin Not Bad

it was freely rumored about that they
were death.
But as the nation became more en-
lightened it began to pay some atten-
tion to its wage scale, and presently an
investigation conducted by the com
mission of something or other decided
that sin was being grossly underpald.
Thcreupon there were conferences, and
tie testimony Of witnesses was taken
and ultimately il was decided TO in
augurate the present rate Of compen-
sation.
At this point. before the reader as
sumes that the story is written IN col
laboration with Satan, IT should be
specified that the reference is to vi
carious sin. No other need apply. Real
sin will continue to be punished as 1t
deserves, but the rewards OF vicarious
sin shall multiply and grow larger, even
until they increase beyond all recog-
milton.
Having made the dramatic conces-
sions demanded by good technique, 1t is
now fitting and proper to introduce the
leading lady. The way has been care
fully paved and the entrance led up TO
by the conversation of the minor char
actors wherefore behold Miss Jane
Cowl. Undoubtedly it is extraneous to
add that Miss Cowl is playing Ellen
Neal in Common Clay" which, in
turn, is playing eight times week IN
the Republic Theatre.
Half an hour before curtain time a
few evenings ago Miss Cowl received
the interviewer in-hold on; don't
jump at conclusions. 1t is not the IN
tention to interpolate here n long and
technical description OF a marvellous
gown and its accessories. Unless he be
possessed Of uncanny power Of will,
the eyes of him who talks with Jane
Cowl will not stray beyond the face.
Possibly the sweep Of the throat but
this is an interview.
Miss Covl, then. received the inter-
viewer in her dressing room. The
formalities having been run through,
the conversation lost little time in
turning 20 the question OF sin. II made
a brief forav into the by-products, and
took up good women, bad women and
the difference between them. II bris-
tied with innocence and wickedness.
Whereupon il was speedily discov-
cred that sin vicarious sin, mind you
has done a lot for Miss Cowl. For
years she played the most impeccable
ladies virtuOus heroines VINO spent
most Of the evening pleading with the
leading man TO go straight. In these
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
OUR CHILDREN" TO OPEN

George Mooser. in association with
Miss Elizabeth Marbury and f. Ray
Comstock, will present oar Children"
three-act comedy drama by Louis X.
Anspacher. at Maxine Elliott's Thea
ire on Friday.
The cast will include Emmett Cor
rigan, Miss Christine Norman, Ralph
Morgan, Arthur Lewis. Alphonz Either,
Albert Bruning, Miss Alma Tell, Miss
Elizabeth Aariens, Miss Rose Ludwig,
Gavin Harris and John Mckee.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Road to Happiness" Was
a Long Lane for Hodge

together as Weber and Hodge. | had
ono song. The Volunteer Fireman,
that was so funny that Victor herbert
used TO laugh at il while he was lead
ing the orchestra.
81 liked that wear because it was so
easy. While | was on the stage ! had
more fun than the audience, and OF the
stage spent all the time playing
checkers with Joe, in the dressing room
It's different in this play. 10 get II
across, I've got to believe every bit OF
il myself. When I'm putting IN that
window I've got to be doing 1t as
though | meant it. There's no time
in play like this TO think of the
funny side.
ITS the spirit of youth that makes
this play a success. It's hard Tor an
old man to put over play like this.
The public likes the fighting spirit
that goes with youth.
"Will ! ever do any other kind OF
plays? don't think so. AS ] look
at il, il would be darned conceited Of
me to try them. I'd be saying TO the
public: OF course, you like me in this,
but wait until you see how much better
can do the other thing. | feel tow
ard the public just as though they
were guests at my hotel. If they ask
for steak. I'd be sucker TO give them
pork. wouldn't !?
I'm well satisfied just to give them
the thing they like to see me in. Per
haps that's the reason I've been so sue
cessful On the other hand, it may be
because I'm the only person doing THIS
sort of work at present. As George
AIDE used to say, anybody can win un-
less there happens 10 be second
entry.
American types that's what l ex-
pect to continue playing. III never
play a foreigner.
DO ! ever get tired of them? Oh,
yes, once in a while. But I'd 90 nutty
If they told me that | couldn't play
tkop, op,r
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Playing Wicked Characters
Brought Fame to the Her
oine in Common Clay
at the Republic.
Bv GEORGE s. KAUFMAN.

The wages of sin is thousand dol
lars a week. The amount, being the
atrical salary, is not guaranteed under
the pure farce and drama act. But 1t
is within a few hundred dollars OF the
right figure, one way or another. In
the theatrical business one deals care
lessly with few hundred dollars, par
ticularly when they are the property
of another.
In the olden days, Of course, people
did not paint sin in so attractive a
guise. Not many years ago, IN fact'
sin was distinctly frowned upon II
had not then been taken up by the best
people. And as for the wages Thereon
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
BILLY, JR.," AT COMEDY

william Elliott will present a new
play, BILLY, Jr.," by Katherine Brown
ing Miller and Allena Kanka, at the
Comedy Theatre tomorrow afternoon.
In the company are Milton Sills,
Gladys Wynne, Mac Macomber, Ro-
land Rushton, Mary Elizabeth Forbes,
Manton Marble, Thomas Gum, Matte
Ferguson, Ernest Truck, Charles J.
Harris, +. Gaillard, Eleanor Stone and
Marie Rose
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
MARIE TEMPEST AT LYCEUM
Coincidence Will BE Seen in Double
Bill.

Marie Tempest and a company headed
by Graham Browne. as leading man.
will appear in two plays at the Lyeeum
Theatre from tomorrow night on OF
rather two comedies.
Miss Tempest will. during the hrst
part OF the evening, act the chief comic
character in Robert Marshalls three.
act comedy, "The Duke of klllicrankie.
Afterward she will assume the entirely
different role OF Rosalind. 10 j. W.
Barrie's one act play of that name. thus
far never given in New York.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Dog Star Seeks His
Life Work in Drama
Jasper of young America" Finds
Straight Comedy Much More
Engrossing Than Mere
Vaudeville.
By HAYWOOD BROUN.

The dog yawned bang another illusion Before we
called on Jasper leading figure Young America the canine
had figured out just the sort OF story we wanted
o
"Iiere last" thought lis who doesn't care the eaS'
m applause the of the stage means nothing an
actor temperament without pride matinee do VINO
is not in the least performer who talks about himself
Jasper does not talk the other of the stage are his
Taylor the dog assured US that Jasper was broken
hearted if an audience him cody He takes curtain no"
young bars first stage box and then the ohef
wit scrupulous impartialty.
In place Taylor assured that Jasper was not
trained dog the uckey Of routine IN
sructon Jasper s a thinking dog
He understands everything say" explained the and
eeded to dog identify articles in the dressing ROOM Without
the least hesitation Jasper pulled handkerchief out Of mans pocket
closed the door, indicated his paw the window the water bottle
and a table.
dog readily but without enthusiasm As he might
have said Of the vaudeville which he has ougw ey
re small time stuff" for dog thinks and There isn't
doubt in the Jasper and his acting becomes carried
away part Mr. Taylor has threench wound IN ms ght lore
finger as a proof of the dogs sincerity
mo sir that dog bit me or anybody else IN
his life before but fight the first act ne acts just
like he was he's really mad but ne got so excited
the dress rehearsal teeth right there He'd bite me
again i'm the regular performances but wear heavy gloves now
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
DADDY LONG-LEGS' BACK
Ruth Chatterton Returns to the Gaiety
Theatre.

Ruth Chatterton will begin a special
engagement in Daddy Long-Legs" az
the Gaiety Theatre with a mat
inee tomorrow, Labor Day. There
will be, in addition, the custom
airy Wednesday and Saturday mat
inees. Henry Miller has surround
ed Miss Chatterton with the same COM
pany that appeared with her during the
all-season run at the Gaiety Theatre
last wear
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
my Lady's Garter" To Be
Seen at Booth Theatre

bel, Miss Louise Macintosh and Miss
Elsie Glynn.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05
Record for Birth of a Nation.

"The Birth OF Nation" will reach
is hve.hundredth presentation in New
York City on Tuesday. The attendance
last week was the largest Of the TWEEN
ty-scyen weeks il has been on Broad
way. During its run the play has been
seen by more than 100000 persons.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05

"The Boomerang" at the Belasco, is
a light comedy excellently conceived
and acted with rare skill. The cast in
cludes Martha Hedman, Wallace Ed
dinger, Arthur Byron and Ruth Shep-
ley. The play was written by Victor
Mapes and Winchell Smith. The
Boomerang" may be recommended as
an excellent show for mixed doubles,
but then, its appeal should be we'll
nigh universal among people OF dis
elimination.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05

"No. 80 Washington Square" at the
Park Theatre. is a farce built around
Nav Irwin. II Is a dramatization by
LEROY Scott Of his well known novel
and affords Miss Irwin many comedy
chances. Leonard HOLSTER as crook
scores hit only second TO that Of the
star
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-09-05

By the way. although there are sew
sral ballets In Wsyburn's revue. there
are no ballet girls. Bless your heart.
90 The little dears are tone i'm
pressionists