The Bridgeport evening farmer., 1915-09-21

OR another month women will
 be more interested in how to
 tide along with clothes on
 hand till November than In ultra fashionable designs. With this month of respite for externals. we may interest ourselves with accessories and ar43or1naIitaesf of which our four tea gowns give charming hints. All are developed in a fine duality of crepe de chine.
 The Lady Teasdale. with the grace ft13 rippling back. is Beautifully hand ennbrotdered at the V neck, elbow sIeeves and girde, pointed at the cen- ter front. Any becoming shade may be chosen-old rose. amber. copen- hagen blue. navy or wistaria- Almost the same rIppIing effect is obtained in the next design. it's graceful fullness being caught at the back with rows of hemstitching. headed with a dainty fan ruche of self material The front Is finished in like manner Ruff1es with pfcot edges trim the sleeves, forming xosettes and tiny buds. Light blue, pink. pearl and lavender are favortte colors for this design
 The handsome home dinner gown is conbined with chiffon The box plait- ed skirt Is gathered to a. net under bodice on flat elastic. The full dRaped coat is cut to form long wide revers in the front, which are trimmed with wide p1cot edged ruff5es outlined with hem stitching. At the waist line wide satin ribbon of contrasting color is drawn through picot edged sits. Rosette and streaner ends finish the side front Navy or pale blue. gray. black or old rose may be used for this model.
 The other informal dinner gown for home is of nile green crepe de chine combined with beautiful ecru lace as coat effect The skirt is plaited and <1a aexffr Ribbon rosette and streaIners also fin ish the side front The Gabriel sleeves are finished with silk tassel and friIls of finely plaited net form long revers and collar. French buds in delicate pastel shades arc clustered at the shoulders and neck.
 lingerie frflled and r1fned. is talk ing on it. contrasting past slouchiness. Petticoats have much fullness and from knee te hem are dounced and much tE5mned, evening wear utilizing net chiffon and silk ruches. Cor1bina- fions show sca11oped bottoms with henpstitched edges and insertion trim : ntugs.
 Some of the new skirts. often with plain effects front and back. have marked fullness at the sides This is attained by plafts tucks. shocking, folds and sfirrs. It is said that dust r1ff1es are returningss Waist Anes.seeun to tend toward the normal. although orae piece gowns still take liberties with our torsos- Tailored coats are longer. Certain models fall even be- low the bottom Of the skirt. Straight lines are used In the top part of coats frequently the skirt part haring-
 Sports hats of charmeuse felt and otlaer Beautifully soft felts shoWSa wide range of color and shapes. All leather hats, especially in white, are popular. sIlk beavers for stiff top hats,' are featured for smart tailored wear Italy brings in couue feathers for the ber- sagIiere hal. which is picturesque and serviceable.
 One tone effects for materials are popuIar-navy. light brown and dark greens in gaberdine and serge for serv- fceabIe street wear, while chiffon cloth and Kaalle are still, favorites for the house Bodaces stin resemble short 1aekets. Certain models show bolero effects. Sleeves remain long and are slightly fuller, while collars are high. even to "chokerss and often unwired-