The Bridgeport evening farmer., 1915-10-01
Triangle Nights.

l r1angle Nights. Pretty nearly every day somebody says
 But how in the world did you do it all so quickly?"
 And the answer s--'We didn't.'
 a matter of fact, Triangle Film has been really years inthe making.
 But like many great enterprises which have been long preparation said of it until it done.
 To do first and talk later was the idea
 For long, long time Griffith and Thee and Sennett have beennakng moving pictures that were so much ahead of ordinary that exhibitors almost fought to get them
 But like all ambitious men-especially artists they all the time fretng because they wanted to make them better still and held down by the money lina tions of low-priced theatres.
 Even so-they were perfectng great organizations which got better every day.
 Among them they had got together about fifty of the most expert photographers the word and with each of these trying to make clearer beautiful pictures than the rest imagine the perfection of the studios!
 It natural enough that directors who were am bilious gathered about Griffith Ince and Sennettespecial ly when they what photography they producing
 All this time the acting getting better Really wonderful artists developing
 Mae Marsh, Ralph Lewis,
 Seena Owen, Robert Heron, Wallace Reid, William S. Hart,
 Enid Markey Fred Mace,
 Bessie Barriscale Ford Sterling,
 Mabel No11nand, Roscoe Arbuckel,
 Lillian and Dorothy Gish!4
 Everybody chafed under the holding back of Price
 Then Griffith broke, all boundsjurnped all barriers got some of his friends to help with moneyand on his own hook produced 'sThe Birth of Nation
 Everybody said it wonderful and everybody said it wouldn't pay!
 Then it shown in New York; and the whole town camored for seats at $2 .O0 each. i Don't you see how simple the rest was?
 The behind Griffith and Ince and Sennett took off the financial 'slid and the fur began to fly with geance.
 Each of these great electors had up his sleevelwon- derful things he'd been wanting to do for years!
 Here certain stage star the needed last touch there tremendous mob scene; still again some amazing mechanical effect" that would cost fortune
 Directors-camera men--actors and actresses outdd themselves!
 1 Stage Stars that always shied moving pictures listened came!
 Then the tfickled wise exhibitors for they had found that the best show always succeed ed-no matter what rent had been paid for ilm-began teegraphng for and that the rest fought for what was left.
 The star executives of the big film distributing panies let it known that their services might be had
 And all this time company had been formed nothing had been arrived at beyond rough general derstandng among the who had put up the money.
 than two months ago the thing finally took shape, and Triangle Film'' became Corporation
 It had no liabilities.
 assets probably the most valuable pieces of executed in the film buslnessfor they were contracts for the work o these three supervising ducers for years to come
 Its chief stockholders besides these menwhose fu- ture is pledged to it-were Adam and Charles Kessel, Charles Bauman and H. E. Aitken every of whom had got rich in the film business.
 It's executives, the pick of the industry.
 It's goodwill the promise of business from exhibitors of the very highest type the country over!
 So you it isn't very wonderful after all that, newly it is, Triangle Film is already fine, strong running 1nachine-doing easily and efficiently though it's parts had been working to- gether for years.
 that the Triangle Plays which have just appeared h c7oh f h hI70Cr I0anCc c+ fhc kI6E EO L1FT Th