davidaulloa/AmericanStories huggingface dataset:
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17
Die
9rutl6r
Sau8frau
30 iJ
I nddbItem SDmmtag
Sen "a. Saunar,

9Ii6t pie ionit ipo6l iebeu mir
oieSnaI Dem neuen Sabre entgegen.
3li eng iinO uniere Ser5eu trob iob-
relaneen 6ernieins, nod INNER nit
Dem alten @oterlan0e Dertniipit, ais
OuB mir uns bier in Der neuen Sei-
mnt5, scr ri6tiaen 6eitfreuoe binee-
ben fonnen, iolouge ser @eltfrieg
NIT allen ieinen Sdreden in europa
berriht. 9ledt in 0ieie Stimmimo
binein poBt Ole Reitio6rS glusgobe
DER oTeuti6en &ausfrau" nit ibrer
crnitbaiten 0lobnimg @ermanio's
al ibre 9in0er, in 6orm eines erbc-
benOen @eOihtes bon SeinriH bon
&leiit Sieran i6lieBt iid Gin bod.
intereiianter 9Lrtifel: ISM Zeppelin
bonn Yloin bis sur glbe," bon Der
aubelie6ten &erfoiierin Martba E6p.
lib, in Dem iie ibre gerooe Dor 9lus-
bru9 Oes Grieees unternommene
9uftreiie beidreibt. S6one 9lbbil-
orngen geben Elm ani6ouIideS 9iIO
ser &niiogier &a6ine pGbren0 Ser
6obrt mo ser @eoenO bonn 9aaon
aus geie6eu
Su einem peiteren 9ieiiebrief id1iI-
oert inns &ilbelm s. 2oube ousfiibr-
lid ieine @inoriide BON Berlin pdb-
reno zines bieIe Wonnte onoouern-
Ben 9lufent6oltes III Scr Souptitaot
1erti9Iono's.
gln NooeIIen entbGlt sic Summer
cine biitoriide gr5dblung bon 5. q.
@eiBler, betitelt: Ser 8G6rmonn bon
Gal6,~ in Ser uns 8liidcr's H6ein.
iibergons Dor 100 Sabreu, in neuer
llmrobming 0orgefiibrt miro Sier-
an reibt iid Elm bodit itimmungspol-
les Nellio6rs @eoibt bon @iI6elm
9enieuus imO cine prddtiee SIlii-
itrotion elmer SDIDeiternabt. Dic IL
luitrirte Gbronif 0cr 3eit oi6t cine
u1foiienoe uno flare Shiloerung
Ser &riegsIage, 10 ipeit lie geOieben.
Man erbdlt oaOurd Gin wabrbeitsge-
treues @ilO ser @org1nge ouf Dem
&riegsi6olpIube Ginen ipciteren
ginblid in 0as 2eben on ser Sront
gepGbrt ms ferner cine gon5e Serie
BON fleinen glrtifeln mOSfi53en, pie
yStreii5iige in 6einOaslau0," oonDr.
@oul Cro6ein, &riegs 9eridterltat-
ter; D9tif @tappen Commando,
6elS9oltbrief bon Eaul Oscar &odcr,
19luiiiide Nddte," BON einem oiter-
reihiiden &riegS GorreiponOenten,
II. (. 10. Ies @eiteren bringt oie
Drummer cine iponuenOe 6ortiebiing
oes nit 10 groBem 9eifan oufgenom-
menen &omons: Sans Sitter unO
ieine 6ral" bon s. Gourtbs-Mobler.
Sir oie Gleinen lit nit eiren bib
iden Ginoer 6eit 2ieoe, @eiddfti-
suugen fir @iutcr 91abnittoge, ei-
ner bii6i1er Gr56bIline unO 5ierIi-
den Sanoarbeiten gum 3eituertreib
aeioret.
Gin illuitrirteS 2opitel ii6cr ribti-
&c 6uBitellung miro ale iitngenMdO-
den intereiiiren. 0aB ou6 ioult al
les sic @eIt Der 8rou betreffen0e in
Scr r0citiGen SnuSfrau@ 9eabtiiug
finoet, lit mobl foum Su eripG6nen
notbig. @orlagen fir ollerlei moOer-
ne Sonoorbciten. Oie ncueItenSdnitt.
nuiter 81 aIeiOun9 fir Gnmen rnO
GinOer, 0teucS fir oie Splbeiterfiide,
@ori9l1ee fir Sousidreinerci lnO
anoeres me6r 6ilocn einen 10 reid-
6altiaen Qbeil Scr 91ummer, ooB
Sousfroucn fir jeoes 9eoiirfniB oes
SousboItcs iib proftiiden @otb oa-
rous i1opfcn f0nnen. Gie 3eitiHriit
5eiot N1itte[ uno @ege, Oas Seim 5u
oertiefcn, iie 6ilft ser Oeutiden 6rolL
sic Soraen Oes slatass 81 ertrogen
un0 iid5 troe Ser fleinen unO eroBen
Soreen oes Doieins, sen &ebens-
mit5 friid 81 erbolten
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

Somitag t6. Sanuar 1915.
Wfc6l. ~ 3ufu6r 8O69 6diier,
cini6IicBIi6 1915 8aiicr 81 9ocitit-
Yoint mO 1850 6diier 81 Canton.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17
0elttIdcs gaiicn6ans.

0ireftorium ocr 9lnltolt crip6blt ieinc
8eanlten fiir oas larlienOe Sabr
Serr @ruit sdmciBcr miro
ein meiteres Sobr an Der Spite
Oes 0ircftorilms t6Gtig Iein.
@as 0ireftorilm oeS 9mgcmeinen
DentIden @oiien6auies erip16lte in
Ieiner lebten Sibung 0ie foleenoen
geonten fir oas neue Sobr: &rGii-
bent, Grnit SdmeiBer; @ice. @rdii.
ocnt, Wiortin @1eperoird; Shabmei-
tier, @onrao 6. &obbe; sSinan5iefre-
tor, SpDn s. Soffman; prot. lmo
corr. 5etret6r, 6. s. S9neioercit6;
Gontroleur, Eercp G. Sennio6auien;
9le9tsonualt, 2ouiS q. Sennig6au.
fen. Serner muroen 0ie iolgenoen
Gomite'n ernannt: 6inan5.Gonlite:
W5artin @leperOird, Hobert NJ. Ro-
t6er. Geo. s. af. Soud; Snipefteure:
Geo. sc. 3apf G6as. 6. Somer,
inn., Geo. @ierion. Sobn 6. aumpt
g. =. aornmonn. 5rie0r. @liiaer.
S6ulGomitc 9(. 6. 6onfbdneI,
Geo. s. 81. &oud, Gonr. s. Nabbe.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17
,,@e3Gt GMrett
@EMM wte i(D
4steiMcM beiGte'S
2lltcr Geefapiidn furirtr ieincn ciaeuen
Srnd, Hahocm bic 9Ier5tc seiaet
battcu: Operation pDcr Gp0".
eeln 0cllmlll1 una end ircl scrIanst.

2npiidu ColIian5 fiibr oielc So0re onf Gee.
bann bcinm CT eifcn l1lmmca Ooppcllcil Asnc0.
bet iDn bnHeu Stur3em Mot nur 5ludiiB. all
SaRs sn e9I5e15een onoerli ign aas9 &a2re iais
ocm nnoeyn uno elm @rubbdno nah DEM ln.
bern Neine Griolacl G0lieBli@ nuroe er liD
bcpnbt hdB er iln cniiueocr eincr Qciddrliden
Operation ltnterSleben o0cr iterben mibic. Or
tat teince bon beioen. st geiltc ii1 elblt.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

anbiiin GoIlina3 mabie aus fid iel6it uno
feinem 8uiiano Gin Siuoum iino eneli0
iano, Die ibn 6n encm 9elnnoen, ftarlet, leben5'
irdiiiaen uno oiidll1cn Wsanne nindie.
Gin Seoer lam lid oeriebcn NetDobc beoe'
reii iie ut eini1d, lcd)t uitlpcnobar, iider mo
pille Scoe 4etion oui ocr 9Selt bic elnca
Nrn0 bat iollte oaS @a1 bon Stnpiiin @cllnnd
babeil, oo6 auSilbr0 cr5dolt. mic er ii0 iclbii
belize uno ipie 2coer oieic.be @cbonoungs'
inetbooe in ienem ci1encu 0cinl ubue r0en0
mel6e 1eIdltiQun9cn bcfolQcn innn Sds Quo
uno 0Rcoi3n iino ircL Gle iuerocn frei an IT,
Qenb einen @rnnlclbenocn bcrlanot Der naien'
Nebcnoca donpon dnsinllt Gcnoei tbn uber
ioiort 0leib jett che SDr oieie 8cihna
iucglegt
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

$1,000 nuO $1675
@OnleOdro.Seime
am Sans Jipab gpnleuarb,
5piben Al. StrnBe uno 8obeuboIf NnritudU,
an &c. @traBenbabnlinie. slnners rsSieiiern; 3
arobe 8immern unO 9no; neue 9ratndQe;l
&derieniter; @eronoaseSroni
81 onuDn Ucrfnnit.
Big 10 glbenos often. GeDr leidbte 8ebngunacn
,,S1c WcIinncc 0leult1 Gu."
Wlnn nebme 9Pt g9aiblnaion @IeltrIde, ltet'
ae an A. Gtrnhe ab. (Oit26,1S)
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

gluiua6mc oitli6: @m. Slim
oeIb0fer, Senrp S. Scr5inger.
9lufnobmc ~ peitli1. Charles y.
@cder, Sobn O. .Sobanneien.
llnterbringung ~ oitlid @oitor
s. @m. 9o9er, G6as. Siegmmo, y.
6. Sennig6auien g. q. &ornmaun
So6n @. So5anneien.
llnterbringllng meltlih. ScnrD
o. Son Seine, 2ouis u. g8il6elm.
Collection: Gborles 81. @eder,
ScnrD s. Ser5inger, George Wl.
8opf SSobn 6. aiimpf uuo 5ricOridb
Wiiiaef.
aauf: glrmin SSdger, G6as. Bert
ram lmO GbaS. SiegnumO.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

MSeiaI.Sedcn WroBe8 2ager 9romoie
9ienfte ~. ~ BInoleS, Slr %, eRb.0piuarb.
etrabc. 9eIephon Ct. Bonl S0q7.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17
8m SerFanfsn.


,3eDnsA6er 6nrmcf."
Yrei8 $780, SO monaili6. &eine @rnnolteuer
ooer 3inien. @utes ebenes QanD. 20 Nltnten
Don ieiner Stnot. Sn GnosSeriep aelegen, uf'
terbalb @bilaoepbia. 0a65uragen bel 0rnek
RiHne. Vr. 2i32, 8rnroie.9lre. (Cft51S)
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17
@entiae SAInBrate:

Jf q q en-. = 3lillDr Z, l66 Bu'
idel; @erianot 24,9t5 9ui@el; Gle.
Oatorens9orrot6 547764 @ui1el.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1915-01-17

i9el @erlonOt BON oen @lcOatoren
4442t4 9ui6el; @leoatoren.9or
911,381 NlIiheI.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
Lady Rocksavage," by William Orpen.

copv. but il was used by Angelica Kaufman when
che lived with the La Touches. II was bought at
y sale ten years ago and then given TO me. She
is supposed to have painted some Of the panels.
with laugh painted much better bed from
il. on a smaller scale. ! only painted the figures;
some one else did the decorative panels
The bed is huge four-poster, having a green
cauopy and curtains. the posts and head and foot
boards being of dull yellow abundantly deco
rated with figures and garsnds Of fruit and flow
crs a very beautiful and unusual piece Of furni
ture Of that kind An elaborate embroidered
spread covered it and magnificent cushions took
the place Of pillows.
"No, ] don't know any artists in America he
replied 20 my inquiry, while being vigorously
occupied with his cold. "But they want me 20
come over and make my first visit, but am
with a laugh) I'd have too good a time. am
afraid Of your cocktails. Besides am full up
with portrait orders for years ahead, 80 would
find il difficult 20 get away
In answer 20 my question he said: 81 studied
I'M Dublin and for two years in the Slade School
here / also made copies in the National
Gallery in Dublin. never in any Of the galleries
here No, I've liver studied abroad. But I've
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

"Opens studio. I finally turned down a shady
lane called South Bolton Gardens.
Al, the head stands a large early Victorian
house. well immersed in shrubbery, much
shaded iy trees and all enoircled by a high
wall
should have passed it by, as this typical
English dwelling has thousands OF duplicates
IN London had 7 not noticed over the gate d
round blue and white tablet with these words
inscribed Tier, lived Jenny Lind-lS20-lSS|.
A truly interesting neighborhood,' ! said
70 myself. then ! FASTENED down the lane TO
Keep ny appointment with Mr. Orpen. l
passed seties O. walled-in gardens and Sc
auded houses. and the most walled-in and Sc
Guided, d, the end OF the row. is the retreat OF
William Orpen. the Dublin portrait and genre
painter.
saw a small young man, hat and cane in
hshd' hurrying up the stairs ahead Of me- and
SS ne turned I. cogn,zed him.
have an awful cold" he said right of
Just got up. No haven't read your note -
SS ne ushered me into his studio.
ms is an ordinary room Of moderate size,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
TIME FLIES.

She was nice girl, with liking for the rugged
old salts in blue jerseys and big boards who
hawked haddocks around the houses OF Eatonville-
by-the-Sea. Many talk she did have with them,
and many stories did she hear bout wild nights
at sea in lonely fishing smacks; Of great cells that
came up in the nets and CRASHED their teeth. And
tales Of war too! For some of those old salts had
seen service in foreign parts Old Tom Ready
was great favorite of hers. lie had quiet way
Of telling stories that appealed to her. The ring
of truth was in everything he said.
Yes he was saying, poor old '0ratio Nelson!
Just before he died of larfn' in the Bay Of Bscay
e gave me this ere very telescope give it me
with is own ahnds, e did, and good 'un it is,
too. missile"
Nelson? Why, Tom, he's been dead for
than a hundred years."
"'As e. RELY missie?" said old Tom, in gentle
surprise. "Deary me deary me! 'Ow the time do
fy, TO be sure"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

spent long time in Madrid, soaking in Velasquez'
Yes. that's great spot, the Prado"
What do you think Of the Cubists and their
kind" ] asked
81 think they do great deal Of good he did
not hesitate to reply 81 welcome any new move
mcnt: it wakes up the people. Gets the artists
ou, Of ruts Limbcrs them up. I thoroughly be-
lcye in them"
He always spoke in short sentences and in
jcrky manner and here dashed he never walked
behind the big screen back Of his model stand
where stood an old spinct On this was placed
an assortment Of bottles glasses and siphons'
from which he refreshed himself
NO. don't know Matisse, nor his friends. Just
met them" he said reappearng, and added pa
thetically, "Did you ever have such cold
was duly sympathetic and after advising
remedies / said: But ! see no traces Of this
new vitalizing movement in the present academy
exhibition There is marked effect on our
work at home, and to its great improvement"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
The Irish Volunteer" by William Orpen.

NO. the academy is very stogy. It won't die
of. 1t will never improve"
"But you always exhibit there" remarked
yes, member must exhibit It isn't con
sjdered good form IL he doesn't. We have good
school of English painting to-day Better 'han
ever
"Who are the Leaders," asked
Augustus John" he replied without hesitation
Hes at the head Of it. No artist can etch and
draw as he can. We are old friends, and we went
20 the Slade School at the same time. We ran
a school for art students afterward Ke-
Aectively: Hes only year older than l am
'But looks much Older" added
"He's a great man; has fine decoration IN MIS-
studio now"
And who are the others in this school," |
asked.
ooh. there arc none" Here he was called out
Of the room TO answer the telephone. then
looked around and noted, besides the enormous
bed. which was placed steps, Few good
pieces of furniture. several fine rugs superb
tapestry on one wall, an old rug on the wall OPP
posite, but no pictures and no studies. There were
no pieces OF bric-a-brsc, nor OF brass or copper
scattered about. huge four-leayed screen was
placed behind the throne, on which were thrown
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
Continued from sixth page.


way during two decades. a precisely similar
will was executed in the name of stella Car
mae"
Bennett had not erred in his judgment The
pneumonia developed a high temperature that
night, and Yvonnc's mother died without recov-
cring consciousness She was buried at Mon.
To silence gossip, and by her husbands emphatic
wish she was described on the monument erected
to her memory and to that Of Walter Carmac
IS stella. wife Of the above named Walter Car
mac and formerly known as Stella Ingersoll."
The lawyers extraordinary haste and anxiety
with regard u the two wills explained after
the funeral
81 have always had reason TO believe that the
validity Of the marriage might be questioned" he
said, when he had drawn Ingersol, Yyonne and
Tollemache into the privacy of the studio. "When
Mr. Carmac executed the will which may now,
der advice be set aside he caused two copies to be
made with blank spaces for and dates. A
few DAYS later he lodged sealed envelope with
me and another with his bankers, and each bore
the superscription:
This document is to be kept always in its
present condition, and never opened unless my
wife's succession 70 my estate shall be disputed.
In that event the document must be produced and
acted on
Il broke the seal yesterday soon after Mr..
Ingersol's telegram came TO hand and was not
surprised to find a will, properly filed in, signed
and attested, leaving Carmac's estate 70 Stella
Ingersoll formerly wife Of John lngersol artist,
at one time resident in the Rue Blanche, Paris
and dated subsequently to that already in exist
ence. So, you see, all these tragic happenings
might have been averted. Rupert Fosdyke could
never have touched penny Of his uncleis money
beyond the provision made for him in both Wills"
But a whitehead girl looked at her father and
their eyes met, and each knew that Power not
TO be controlled by any human agency had brought
about the horrors that had agitated their beloved
village during that memorable month.
And when the clouds disappeared and the sun
shone on Brittany pink with apple blossoms,
Yvonne herself had TO ask that absurd fellow
Lorry whether not he really wanted to marry
her because he hanging back shamefacedly.
for no better apparently than the rdcu-
lous one that be had no right to WOO and wed
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
THE FLOWER OF THE GORSE

,;i 90 ~;cb "a she At least II she didn't exactly
GOV, "Uiu vou marry me p" she did the next thing
20 il by telling him that she and her iather had
decided TO regard themselves merely as trustees OF
the Carmac millions for the benefit OF their TEL
lows They would touch little II any, OF the money
for personal needs. The notion was thoroughly
distastefu TO both, and they would help each other
TO find the best and wsest means Of getting rid OF
the incubus.
80. YOU see. Lorry, with the exception Of
some Of my mothers jewelry which know she
would wish me 10 keep and wear snail De
quite poor" said Yyonne demurey.
That settled matters completely They we're
in secluded part Of the bols dAmour' no"
could locality be better named? The wedding
took place before the summer, and they roamed
through Switzerland m June
Madeleine? Madeleine is a certihcated nurse
in big Paris hospital very smart in her nice
uniform and thoroughly devoted 20 her profes.
sion.
Peridot? What French jury would convict
Peridot Of murder when his story was told. His
advocate almost moved the judge TO righteous
INDIGNATION against the iniquitous Fosdyke, and
pcridot was let of with light sentence He
camc hack TO Pont Aven, was received with open
arms bv the village and sailed away In his own
vague TO pursue the elusive sardlne. Last year
he married little Barbe So Mere Pitou's views
anont fishermen as husbands must nave been
modified BY Peridots ownership Of fine boat
and good money invested in French rentes
Pont Aven. save for the riotous month OF
August. is still unchanged. : new house springs
up here and there and rumor has 10 that some
time soon. maybe when the gorse is in flower next
summer. new launch will replace the old one
which has to be coaxed daily to Port Nsneeh
and hack during the season.
But that is all nothing TO make a song about.
Mademoisee Julia ever busy, growing younger
each year. still cracks jokes and encourages art;
though 10 be sure. her opinion OF cubism and
futurist pictures is distinctly unfayorable to
both forms Of excess. She is always ready with
smile and the right word. II, for instance, any
one asks her il she knew YyoEnc and lngersoll
and Lorry and where Mere PitoU's cottage stands,
you should see the way she jerks her head on one
side and hear her rattle out with merry twin
HE in her eyes:
"Qu'est-ce que tu reur que je te Disc NOR
THE END.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

having white walls and large side window
and is not a legitimate studio, so-called. The
window was screened at the bottom by the
same green shutters seen in his self-portralt
bought by the Metropolitan Museum. This
picture shows his reflection in long mirror
various bottles and syphons on the floor IN
front and his figure standing with hat on cane
in hand the other hand in his pocket, with the
shutters forming hOrizontal-lined back
ground.
He flung himself into an easy chair and lighted
cigarette. his manner plainly indicating; Now,
60 ahead.
1.-The active smooth faced little man he u.s.
with a merry twinkle in his eye. no perceptIbIe
broeue and d great sense Of humor.
.What gorgeous old bed" said as l opened
,,y notebook. DO tell me about it. | recognize
IT, for saw it in one of the interiors shown in
YOUR New York exhibition
81 don't know whether that is an original or
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

OW. BRYAN" remarked Ezra
knight. as he knocked out his
o.pe on the stove, Bryan he's
real politician. I b'lieve he
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

"No," he answered with emphasis. 81 go
through with it, even if am disguised with it;
| am bound to pull it through"
Mr.. 0rpen was born near Dublin in 1878 and
started drawing in the Art School of that city at
the age of eleven. He went 10 London in 1895
and entered the Slade School, where he soon
began to attract attention by his proficiency in
drawing. In 1899 he won the composition prize
for his drawing of Hamlet. He also in that year
began to exhibit at the English Art Club From
that time up to the present he has shown there
nearly eighty pictures. He became a member of the
New English Art Club in 1900, and in 1904 sent
his first picture to the Royal Academy. He was
made an associate of that organization in 1910.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09
country Store Debaters Put
Administration ON Grill

EFF he didn't he'd be gittin too much. Doth
the wild ass bray when he hath grassP That's
Scriptcr. amt it, Course the ship bill didn't
git through-there's some things even
donkey can't swaller-cordin' to my notion
"Fwhat gifts me own goat, says Mike, Is
thin eoin round sayin' there's no hard times.
Is it jokin' they are? Can't they see thm|
"OT Bill Castle" said Eben, opening the
stove door TO inspect the fire, and closing It
hastily as the flames leapcd out-"Ol Bill
Castle. arter one O. his sprees, useter have
mighty bad spels-he'd yell bout snakes n
lizards n green medders n sparklin' brooks
that no one else couldn't locate. 1t was kind
o. puzzlin'. but he warnt jokn. He was that
sincere you could hear him clear TO Bratte
boro."
IDEALISM IS ONE FORM OF JIM-JAMs
JUST THAT.
whats Bills i'm Jams gottcr do with hard
tines?" growled Scrag.
Wal. Jedidiah." drawled Uncle Eben, Il
dunno as I has a whole lot, but it set me con-
siderin'. Ye know what an Ideelist is. Wal,
he's a Teller that b'lieves tn only real things
is in his own mind. There amt nothin' real
outside Now that sure does describe Bill
at them times an I've bout concluded that
Bill was sufferin' firm Ideelism"
Uncle Eben chucked and stretched his legs.
Course twas rum that brought it on, Bill
But there's folks gifts that way jist on words
Some o them right here started drinkln happy
thoughts three years ago, an now they can't
tell an an eppigram firm an unpaid tax bill
Ye'd orter know phrase firm fact, Scrag.
AS fer eppigrams, they might be like an
eppitaph-read like gospel an fool ye like
seed catlog.'
"Nothn like hitchin' yer wagon to star,
Scrag," remarked Ezra grinning.
Stars is fine things, Scrag," continued Eben,
but fer draft purposes they got too long
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-05-09

two black satin cloaks The long mirror seen IN
the self portrait already referred to and an easel
or two completed his painting equipment HIS
palette contained the ordinary amount OF colors
and was clean, unlike Matisse's, which was dis
ordered mass of vivid pigments. The room was
an orderly workshop.
When he ran back, breathess and apologize,
asked him what he liked best to paint"
Subject pictures" he answered quickly and
here recalled how many times he had painted
himself in various characters, and generally out
Of doors.
"The Dead Ptarmigan," which he considers his
best canvas as to technique. shows him as
hunter holding up dead bird he has just shot,
a gun being held in the other hand.
But why did you make yourself look so
fierce 2" said as examined the photograph OF IT.
ooh" he said looking up at me with lamb
Ike expression, that's the way | want to look'"