davidaulloa/AmericanStories huggingface dataset:
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08
llnfdae.

- Die adt Sohre nltt Mdrh gDosr
ner prn 90. 1920 Wtiiern qpsnus
iDurbe aeiterH @ormittas an Der Bant
Strabs unb Mirdea 9p.nue Don benz
QuipmobiI pes Ssiisnfabri,anteI
GoaoIep Rpan risoergtrannt, fam ls'
bed, aIiidli6ertptii. nit einigen unb,,
ocutsnben SGrnmmtH Sabou, iObab
iie iih ohn. Silft na6 ibrer slierli9en
Wohnuna bege5tH .ounte.
- 70. $. 2onBsr. Der Wd6ier i'm
Glubbduie in Gcn,p Sstanb, tpurD.
eeitsru gprmiiio1. als er bic Gditern
Npsnue entIang Ti!t. an Der gonbdm
Sirabs mttidmHi ieintm pferbs Don
einem gtuiomotiI nieoeresrannt, bos
6drpsp Cantor pon Ro. 654 RodbaIe
apenue lsbori Wie Cantor berii6er.
ie, mar bic SolIiiipn unpermeioIia,
neil er einsm Sirabenbabnnaasn
auspid unS hierbsi 2unbtr nieber'
ranrts. 2anB.r irup ibtpere inn,rs
9erl.suRs.n Sapon, bi. feline lIettrs
fiibruna naa BEN itdbtiitxn 6oipitaI
n6tbip madtsn.
= Uht pnrsnittr S4ulier mubis
geftsrR qb,uS DiIliam go5ier, bon
gip. 614 of Sedfe gtrdb. mad BEN
iiGbtii5eR SOipitaI etf@afft irerbtn.
1OSisr, Der al bsr Gediten Strabe
unb 90ba, &llsp BON eintm polisiii.n
IaufgsIeisn puyb., b,baupist. bab ,r
BON sincm qutomobiI ni.bsrssrannt
ipOrOen i.i, 'orrts ii1 jsbO9 ridt ba.
raul bsiinnsn, no oisier uufaa paHirt
mar.
- 0urh Isirt sissn. Sdulb p<run.
IsIiidi. e,ii,rn Der adt Sabre alis
artbuy gOurstr, DON 30. GIT GIins
Ton Strab.. Der aEabe rate bic
ainr Strub. entlnns unb rann.e ar
Der Bets Sirabs birtit in Elm 2aifs
auiOmObil Der Iennenbaum SO. bins
Elm. luob.i sr Srpei famtr3bafts j.bo9
Iniht ssiabrIide aopfpunbeH oapons
trug, bic ibm i'm ct. Rarisn SOipital
perbunosn nuroen.
- Die AZ Sabre alts 5annab Den.
terIsin pOn glo. 217 Dsfi aibtrtb
Strube, fam asferu als lie in Der
iSabri. Der 6ogan Sbos 60. an Der
I IiHbIop uub s5obn Strabs I'M Or,
belt rutfraQis, duf Der Srsppe 70 un'
aliidIit gu haG. baB fie iid ben r.6s
Ten FuB D.ritandte nnb mad BEN
itabtiitsn SOipitaI ssbrd4t iperbsn
muBte.
- Gin Gliifspils III pbus Jrass
Der iFurbiss Sam. RobinioR bon go.
703 :aObr strabs. Mobiuion ipuro,
aeit.ru 9tbsnb an br &reusuns Der
Sobn Eirube unb Carlisle absnus
Don ,inem 9utomobil. bos gissnibum
bes giaeprGiibsnten Cartwright pOn
Der llnion Gas unb electric go. III.
HisotrasraNnt. Der Sarbige tpurbe,
luis bic 0etsttips Shpdbel rnb
0iers, bic Quasnseussn bts urfuGs
iparsn, p,rii6srten, atpsimal bon benz
automobiI in bic SDbs seiuorfsn, fi.i
ruHn uuf ben porbsren 9beil Der Mas
idIin. uub rolIte urter oas cine Rao,
bas iibr lon hintpeggina. 1rotbsm
bat .r nj, bi. asrsts I'm itGbiiIhen
SoipitoI tonitdtirtsn. MIR eine ein5is
| ae. unbsbeutenbe gHramme bdpona.s
traosH. gr uurbe isbo4 porIdufis I'M
5ofpitaI bebolteH. ba Ct etiuas 5u tief
/ in's GlaS aeihaut bate. Der Gbaufs
ftur. Der bas llnheil anseri4tst, osr
sFarbias guron gBin4eher purb. in
5aft usHummen. Wtrhefisr bait.
| 6srrH Cartwright ua4 BEN Granb
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08
aentIdrslmerifaniId,r llnter. ..sserein

Der Dsutf9 qmeriianii6s llnt.rs
ifiibungs @erein belt lsbtn Diem
flag feline rsssImdbise @srfammTuuS
in $. 6GfHsr's 5aue, Gde aibkrtp Il.
Gin CIR. prafibsnt Seurp gu4sr
fiibrte ben @orfis. glls rsues Mits
alieb purbs Ssrr gl6ert aubit Dors.'
f6lagsn. 2lu elm iruntes WliteIisO
tpurben $500 unttrltiibuns uusbsp
sabIt. GiHlabungsH fpurb,n anse'
nommsn gum qIterheim Geii, Be-
sirts SdHssrfsft, picntr Der gisbens
biirs.r Sadf.n in Hsidsrutbs pari
aub Hs Deuti9 : slmerii. llntsrf.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08

rinIien feitens gbinas. Die Nesieri.ng
in So.io bot ibren @eiarbten Gti
Siofi anpeipiefen. China Sic iapani.
iden &iinife fIar gu i,ahsn nno
Sleid3eiiia ben beri0nIiden Beiit 81
5ctonen, bon Dem Sapan 5oifi, pon
China cine beirieSiseHSc aHiiport 5n
ertaIten. Gs ipiro fcrHer gefagt oab
Die Ne5ieritrg 6cs Iifaoos es tief be.
bdusrn ipiirbe, iolte es 3lpiidsn ben
beiocn 20nben, Sirm 9riid tommen.
gis gum gintreiien Der antTport
iper6en iebodI Die ariegspprbereitun.
gen nit urpcrlninoertem Giier iortas.
lett. Stint poIbeieete Iriipperifiiic
iinb bon Sircid,ima mad gbina 5u in
Gee aegangeii mlo 5ablreid,e ariegs.
Idifie nit beriieaelien Srbrcs.
Rrofeiior ariga non Der llninerf.
tat 8aic0a. Der inpnniite giattgebcr
ees 9r1iiOenten Duon Chi slni, III
ieiner 9roieiiitr eftfleiSet iporben iinO
III psrfdruiinoen. Or bate i'm Der.
oaGf seitonoen, elm Gpion Gbinae
su iein. unb Die 9OIi5ei batte ibn
it)iiten riiiien.
Or. Gun Dat Gen, Der critic propi.
iorIItR 9rdiioent Der Nepublit Ghina,
lit in !esier 8eit bdaiis in lotto &c.
ipeien.
Die in gotobama sriftinsnbs 3sis
tuna .Sodi" fast, Sab fDu.e ss ami,
iten China unb 5apar 5um arisat
tomm.u. bic chiuefiI6en Htpoluiicnd,
rsn iidl iebsnidlIs nm Or. Gun ifoa.
ren uno bic GsIeaenbsit, s.gsn giian
S9i Raj porsugebtn, b.nubsn mir
ben. Die gbiusien fdnssn an, Sapan
gu p.rIaifsn unb aud In Gorsa it.bt
Gin grobus, bsror.
petina 7. Rai. - @.leasnilidl
oes geiuds. ben Der 0iJsminiiier
3ioo 0nliu Der iapaniidsn @danbi
itait asiiIn abs,iiatisi, bate r
miinblif srlIdrt. China f.i bersit. bic
idpaniiden eifsn6atnfcrb.runem III
rrluGasn. bic Shut unb Soipitals
griDiIeaien au p.iudbr.n, ben Sapa.
nsrn Obne GniifdbisunS adnotrsi.n
susup.iien uub bi. aorSsruns.n Be-
irsffs Der grooinS Shaniuna fallen
lu IaFsn. Tiefs ipartn StrIl,Iuna
Oss Sinius QUO. tpis u por BEN arisa
beiianb; Ghinns 2bsilnabms an Der
drisoMsionfersns unb eriaB b,s in
Der Riau Gboip aampasns srIiitsnsn
Stabens.
9i. f,insiifftn Gts.npprIblds. .rs
ttrntn otuindd, ale GorbrungM "a.
pans nit Alsnabms bertr, tponaA bis
56lfi. Ger ausriiitung fir bas dine
iii6s 6ser aus sapan bsjogsH tpsrbsn
mub. bic dinsFi4sn arisndIs Don ben
sfapunsrn iontrolIisrt nubm. bic
men nsrbu iollen.. .ipsrbsn abtr oje ias
niihm Roibasbsrn, ionic bic 3uIai.
iunp bubbbiittifer MiiiicHars.
Die Gbintf,n limb bauon Hift ion'
osrli6 er6aui, bab bic obssIsbnisn
Sotb.riua,n fpiitr ipisbr aufetnomr
men ipsrbsn foIIsn. ipirb ob.r bic ius
pdniihtn gsciHaunnen eriiilItu. es isl
osnn. baB es ben iusnis,H llnpsrf6bnIi.
tl.nhen i'm Siadtsratb bis Wontaa
a.Iinst. ben s]rdIiosutsn Dudn S6i
ani umsuitimmm.
1isn 9f;i;n China. 7. Mai. -
ells I'm 6afsH Iisasnbsn inpanif4m
Dompfsr finb bonn iapaniF6sn Or
idnp..n aurhdasbdltsn uno fiir be
beimiIhe Neaieriins requrirt rorbsn.
Den iapaniifen GtaaisungttBrisen
il fsrnsr asiaei porbtu, ii4 jyr Gin.
i4iffung brett su balisn. Das ia,
panif6s gghamt uimmt Istns goil
lmstr an,
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08
1amiItsn.

iiuisr asent in Samilten 10
SER Gbuuro yrad, 449 Glib Ganfte
etraie. gen Gel. 476 o., 60ms
pbOns 163ia
=. Gtubwhtr branstn poreeiisrn
y1atmiitaa 5ur ipattn Stuiibe IN ots
Wobnuna Der Janilis Wm. o. pdter,
30. 626 Glib a. Sirabs, Ddbrsno
'srau pater ben Rooie aarnspol in
Der 6iab Gtrabs bsTu6ts. Die ein'
briniaIina, knuBtm sinen faliden
gdIiiiIsl, lin bic aiidsntbiir Su offs
nen unb erbeutetsn sinsn Diamdntring
i'm Wsrt6e BON S175, cine Oidmants
WuIeuuaosl i'm Wsrtbe Don $50, siHt
Sparbant nit $4, So gaarselS Der
'Srdu pat.r, Elm arm6auo lno sinsn
iJinasrrina Der sohtsr.
- Sartp O. @aOben, tpeI4er bic
giider Der Stabt Samilton fiir oas
Stadts Departemeni unisriu4it bat
dlles in BETTER Srbnuns ssfunbsn.
- Die geipobnsr Don ainoenfpalo
perlaneen Saniidis ab5usstandle
unb bsifers StrabeHbsIsuhtnng.
- israu Gb. Suber bon GOnnerss
bile, Snb., lam porgsit.rn absnb dnf
Der Suhe rad ibrem 9ruber. Ben.
Sartman. pel6er in Der .SDuth aps.
tpobnsn Ioa. Die Wluttsr nno ipr
br.iidbriges 5S6ier6en fanben Gb''
bad in BEN Seim bss 9elping 9ano
@srsins.
- Geo Rapp msIbete Der pOIiJei
BEN DiseEah! Isin.s 3neiraoss. Chat
les Gpdns, benz Sdnitor IN Der Staot'
bale, ipurSs sbenfuus bas GabrrdS &C.
itobleu.
- Rilo 8. SdmsiOn, bon Qo. Sl6
Glib s. Sirnbs, puroe geitsrn Wlors
gen in benz Mdsnsr'fhsH asibiiaa Don
sinsm unbGnbissn gierb am rstist
SGeHteI burd sineH SuiI9Ids 10
iflimm Dsripanbsi, bab Elm arat 81
Raibss.3ps.n p.rosH mubit
- Die Usain Sirabs tpirb rpie bi:
6isb Strab,, BON Der Bride biz 5ur
. Sirabe auf bsiosH Ssiitu o.r
SraBe nit Der fb0nsn slstiriitsn
8sleuttung periebsn ipsrosH. Der
aontrd.t ipurbe nit Der Stabs abst'
I6lpT.r. Die Gti5GfisI.uts bon
Weii 5olmiIton pero.H bic Rotten
aus eisnsr sdfte beitrsitsn.
- 9Piaitr SarIan bspiaisi. BEN
GIsranber Gbilbs bic S6sibuHs Don
Clarence Gibbs unb CAB Die spsi
ainber bss qaares in Sb5ut Don
2lmog 9oob. Der @ater mub abty SO
Si. @o6s Tiir ben lln.srboIt Der aiH'
Der be5ablen.
- Die auibtrif5s asbr,r Der
einisuns belt ssiiern ROrssn tpi.bsr
sin. g<riammluns in Der 3ionstair'
d. uub bic aonisrsns Ialob Ra4mits
tags.
- Gtspb.n u. Dsber, p.If.r bi.r
an sem Iailp Sournal anseiielt 1T.
beiratbste porstfern QbsHb Jrau Rofs
6orton gabooH. Tas paar bat in Der
GbsiiHui Sirab. .in, fdaOn ,irs.ri6iss
it Wobnuns besos.n.
- GbarIss Sbarp fiarb seitrn
Wprs.n in I.iner Wpbnuns. 30. 440
Rob ap.nus an ,inem i5erSl.ibsn I'm
Qli.r BON 45 Sdbrsu. CT btn!rldbt
bic @diiin unb pier fiHbsr. - JroI
5.l,na Gnser,r, QDittpt bon Sobn
Gns.r.r, i;drb Dorssfisru abenb in ib'
r.r Wohnuns, no. 719 Wapls au.nu.
an Der glaij,bruns i'm Ql.,r Don 70
Sahrsn. si, bin.erIibi ,in,H Sobu
unb bier gni.l.
Der betanRis 9aubOISbduSIsr
Um. Ul. 9insf.lo,r, ipsI5er bura bic
llsberidiDemmuna Dor ;tpsi JabrsH
btbeuisnb in WitItibsni6afi s.jos,n
nurbs, iibsrtrue ssiisra fsin Gigns
ihum on ben Rettsanpalt W. 8.
Burns als Qjiisn.,. Die Qlttipa IND
paiiipa iinb niti btianni sssebsn.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08

5eute gla8mittng fiirftss uno isbs
tee Spiel Der Seris 5pifden rRebs"
nnb Subs" in Gbicaso. Die nRsbs"
baben am Snnntag Radmittag eiuen
aampf NIT ben pittsburssr rqiras
ten" i'm bisiigsn RebIanb 5ielo 81
beiteten, pOna4 iie lire erite Sour
Der Saiiou mad bem OfteH antreteu
tperben.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08
Ghs.GrIsabniRiheiae.

! J9Ostlisb aShs,. 81. 1878 Queen
1 Gttp aDe.
iSetnu GOrti6, SO, 1873 @sitpOOb
Iosnue.
(grucs Gppsrt %, 245l Gaitsrn Ipe.
!9at.ie SartmaRu, %, 2116 essgI.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08
Iei5e ber Sale.
Die Sentide Sauielmaun aDse per.
biubrt Samit cine breitasise Jeier.

Dtu0rf DuiUlt etWe oTetIuBtBt Uettt.
Ter pr1dltiee 2enlpel, Den Ole
oentid)e Sanielmann 2oge Der sSrei'
nlaurer an Der Clifton aperue, Bur.
net @ooOs segcniiber, errittct bat,
gebt iciner SnnenpoIleiibung nit
idneIlen Sdrittett entgegeu. Die
iseier miro ii9 iiber orei Toae .er.
iireden ino miro eingeleitet ourd
cine gorieier. Die etgentlid)e @eiJe
iinoct am Smitag, 29. @sai. III Scn
9,adyniittagsitinben itntt. 8dbreitb
bes icIgenoen Cages iiebt Der Seulpel
cem aIigcmeinen 9SibIifim 5lir 9c.
iid)tigiing oiicn mo ant Iontag
Abcno iii nIsoant cin gIdn5enoer ein'
piana Der MitelieScr. am 6reitae,
80. gVai, slbenbs 5 llbr, torrmen bic
Diitglicoer Sum Iceten Dial iiioer al.
Ten Saae on Der 3luoIiten uno gsaI'
mt Strafe gum gIbihieonebmen su.
icmmen. Eos programn fir bic
3cnpelmeibe III nilnHebr tpie icIst
feitgelteIlt:
Dreiteg tcn %. 80 l.
Ibenos 8 llhr, Die @riieer Der Snn.
ieImann Soac peroen abid)ieo Don
Der olicn Sale nebnen.
gamstng ben 80. 0la l.
gsadmnittags 2 llbr, bic ieierIid,e Gin.
.psib,mg bes ueuen 2eInpels burh
zen @rotmeiiier bes Staates. gr.
@eorae g. Raribnu, mo Sie @enin.
ten Ser @roB.Soae. 9ie 9riiber Der.
inmmelu ith in Sem ge6aiioe OH Der
Clifton Gpcnie. GinIab ourb aartcn
nar fir Die griiber Der $aniel.
mann Soee uuo bie brei bofliten @e.
omtcu Der Sdepciter.Sogen atbeuos
q llbr, iormelle ilebergabe 6es neilen
Senpels ourd bas gali.aommittee;
uaGber aIrbeit IN Dem Wciiternaurer.
@raS.
Sonntoa BEN 80. nrS
~ outag, ben 81. " al 9sah.
mittass 1 80 bis 5 llbr, Der 3enIpeI
miro cfieu iein sur geiidtisung iiir
Gas IubIifum.
Dtcntag oen 81. Wnt
gtenbs 7 bis 10 llbr. GHpfang. Rur
6ie griiSer Der 2oge, ihre anseb0rt
gen unS eingelabene 9aite iinoeu
Ginlob ourdj 9drten.
sir Die Gercnlonie Der Ginipei.
6lng ON Saiuitag glodyntittas oieut
iu!genoe 5eitoroming;
8eiang, ,2ie SpiutmeI rii6men" :.
=. =. @eetbouen
1ie Wauriife aapeIe i,no Gbor
llgbersa6e oes @ebdrbes sur Giinpei.
bnng- gr. Nm. grauSis. Naciiier
ponl ShibI.
@iniucibunss. Gee, 8orte bon 9r.
sIItm Sarrp 5. 2aque; gieIobic:
r@ctt erbalte 5ranj ben aniier"
S1nielmann Gbor imo 9riioer.
girpeibuus.
Sodit Gbrpiiroiser 8robmeiitcr
George 6. Rnribda uno Beanie
Der Grob.2cee, 5. g. u. 90. pon
Chic.
;3uriidga5e Der @erf;euee - @r.
Charles 8. a!id. Sailpt.@rtitett.
ejebet--s9r. aItru. Sugo o. eiier.
lob,.
@eiana .Suprrme Grnn6 Wiaiter",
Relooie: .Sl0 Sanoreo".
Saniclmnm ebor.
@ibnnmgs. sInrl,flmg - SeHr
Gbnp. @robtaplan gr. Q. See
auItlnan.
glnfiinoigimg- Sebr Gbrlp. @rob.
mnridaa Or. Sobu q. 5Iotrou.
Geidrg. .Sanetus" - SanieIntalu
Gbor.
gneliide fScitrebe, gr. Gbas. $.
@lerj. GteIIbertr. Seer Gbrip
@rcbreSner.
@einns, glusgapabIt - SanieImann.
GlInrtett
9eutife 5eitrebe- -SSr. sIIHn. $arrp
5. Saaue.
@eiang, .amerifa" - SanieImarn.
Gbor uii6 9riiber.
Sege,I 9r. 4Itul Sugo d. eiigl.
lobr.
N@ou Der glrbeit CUR GrboIung.
MeiitergPairer Grab @benbs z uEr,
------------.--~------
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08

Opera 6ouft aebrndt unb bnnn nit
tinsra RofTeaenoien sine iIetne Sprib,
tour ilnternommtn unb er iibtrfubr
1hctinfon, neil CT ii9 ssrabe nod elmer
fdrbiaen Gh0nen umfHduts.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08

- als Dermibt purSs ssit.rn Der
pOlissi Der "a Sabre alte al.tis 3sars
n.p DON go. $40 DeIt Siebsnte Ctr,
Semslbst, Der felt RittDO8 ipurIOs
Dsri4punbsH IT.
TaÌˆgliches Cincinnatier volksblatt. [volume] (Cincinnati [Ohio]) 1885-1919, 1915-05-08

iiu,sr asent In Snmilton 10
SER GbuarS grud, 449 Gab Ganfts
etrase. geIl Gel. 476 o., 6ems
Vbun. 1881 u.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

ment OF atmosphere, but In the main
IL is hardly Mr.. Lavery's role 10 be
subtle. He is most Enthusiastically
successful when he is merely direct
and clever.
Mr.. II. Ledyard Towle, exhibiting a
collection OF portraits, pictures and
sketches at the Arlington Gallery, sp-
peals TO one chiefly through the glow Of
his color. The golden haired girl in
his Violet" is painted in an engagingly
decorative manner. Some of the smaller
studies, like the yacht club scene done
in water colors, show the same apti-
tude for color and an even more salts
flying sense Of measure. In his por-
traits Of men, which all seem to be I'M
commonly veracious, the drawing is a
little hard. In only one Of them, the
Samuel G. Bayne," does he slacken
the tension. The result is altogether
TO his credit. This is a capital bit OF
work. The general idea conveyed BY
Mr.. Towle's exhibition Is that he paints
to good purpose just in proportion a,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

He can do two things which by them
selves would arrest favorable stten-
ton. He can paint mountains without
permitting their bulk TO dislocste his
pictorial ideas and he can give local
color It's value without overriding It..
One subject to which he evidently likes
to return, brick house in Holland.
with It's terraces and garden. he paints
best in the winter. The paintings he
has done in Norway are in varied
moods and are all successful. His style.
{, not notably original. Is at all event..
sincere and pleasing. We discover
nothing OF any subjective significance
in Mr.. Singers work. no feeling for the
mystery and tenderness In landscape
sentiment. But Il is obvious that he
makes no pretence Of poetizing his ma
terial. /, I. enough for him If he gives
a vivid, specifically faithful portrait
Of a scene, and he does this not only so
skilfully, but with such wholesome
zest that we are not In the least con-
cerned by the unronsnsfc drift Of HE
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

vention, a thing stamped with person
atty, with style. II 10 great oeca-
sion. This Is not such a stupendous
gathering Of priceless types as the one
at Madrid, for example, but Il has re-
markable merits. Mr.. william II.
Riggs, TO whom a very large part OF
It is due, is an ideal donor. He re-
allied that the armor in the museum, TO
be studied 20 sdvsnts should be
studied en- masse, and so he has per-
mitted the arrangement OF his pieces
in the right chronological association
with all the others acquired from other
sources The ensemble in the big cen
trail hall (which IL perfectly lighted
is necessarily somewhat formal, but
tapestries and banners bring in the
needed warmth OF color, and these ex-
pedicnts tell even more effectively in
the smaller rooms. In one Of the lat
ter, not yet ready for exhibition, there
will ultimately be placed his old por-
traits, furniture. stained glass, books
and manuscripts relating to the his
tory OF arms and srmor.
There will then be nothing lacking TO
the purposes of the student. He may
learn anything he cares to learn about
the srmor OF antiquity and OF later pc
RODS, Of Europe and Of the Orient.
And In the process he ought to be very
happy. We might recite unnumbered
little details concerning this collection.
details Of technique. details Of histori-
cal association. There are pieces shown
which belonged to great kings and
courtiers, to Charles V Of Austria. 70
Henry VIII Of England. to Diane de
Poitiers and TO the ineffable Bassom-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

fes the same thing -"the candid ex-
preston Of ones personality" Post
impressionism played perfectly into
their hands. It showed them how they
could liberate the tragic stuff rafting
around in their little cosmoses with
out paying the smallest tribute 70 art
as it is understood by the rest Of the
world, and they snapped at the chance
like a duck at 'doughnut. Hence
much pathetic messing about with
paint. Hence the voice Of the oracle
uplifted in the land. Hence exhibit
tons like the one Of works By NJ.
Henri Matisse which has been opened
at the Montross gallery with every
circumstance OF high erected gravity,
including a guardian at the gate, in
whose imposition of an admission fee
we are TO recognize, presumably, the
special Importance attached 20 the af-
fair. We would rot be discourteous,
not for a wilderness Of monkeys, but
to speak quite frankly, the thing bores
US TO death.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

with by the srmorers as clay is played
with In the sculptor's studio. They
played with It and they restrained
themselves in obedience TO traditional
laws. II it were possible TO ira
verse, with any approach to detail. the
collection of nearly three thousand
pieces Of European origin at the muse
UNI, II would appear that they illustrate
fairly logical sequence.
There Is curious individuality
about a given suit or weapon. The
really gifted armorer was not wont to
repeat himself. He had too much self
respect, as an artist, and besides, he
had the tastes of his patrons TO con
slider. But the rough lines OF con-
sistent evolution are plainly enough to
be discerned. The art begins in sim
plicity and as il develops takes on an
ever richer and richer decorative char
acter. That, IN a nutshell, is the his
tory Of srmor from the days Of the
Crusaders TO the purely social require
ments Of the Renaissance, from the
desperate man-at-arms TO the dandiacal
prince on parade. Paradoxically, this
does not spell what might ordinarily
be expected in such artistic matters
decadence. The later, more ornate ar
NOR may not seem so we'll adapted 70
"bloudy business" as the srmor that
preceded il, but /. Is amazingly beauti-
full.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24
pFLICS OF THE
AGE OF CHIVALRY
r,e Riggs Collection of Arms and
ArmOr at the Museum.
BY ROYAL CORTIssOZ.

{ designing OF military equipnent-Ra-
phael, Michael Angelo. Durer, Leo
nardo. Cellini, Holbein and Donatello.
They were thus sympathetic 20 the
task because they were in harmony with
the broad feeling Of their contem-
poraries in every walk Of life. In the
age Of ehivalry war had It's uplifting
aspects. ~ only as & spectacle.
Froissart, describing a great clash in
the field, is overcome by the splendor
Of what he sees. -knd whsn the son
was risyng up It was great beauty
TO beholoe the bstayis and the armurs
shinynge sgsynst the son" The SOL
der, scrupulously caring for his &C
coutrements because they were a mat
ter of life and death TO him, was also
conscious Of their possessing some
thing moro than a merely protective
value. Their heroic character min
istered 70 his pride, and In his dying
hour be was sometimes comforted 20
know that they would be placed above
his grave, TO keep alive his fame.
Shakespeare, when he SPEAKS Of sour
bruised arms hung mp for monuments,S
does but commemorate familiar prso-
tice. From Mr.. starkie Gardner's ed-
nirable little treatise we borrow this
apt passage:
To the custom Of hanging arms in
churches we are indebted for the pres
ervation Of all the most valuable his
toric pieces. The first record Of this
poetic usage occurs early in the thir-
teenth century, when William Of Iou-
louise hung his helm and splendid shield
over st. Julien's tomb at Drives, and
his lance and sword, bow and culver,
outside. By the middle of the century
il had become the practice, when a
brave knight died, 10 hang his shield
and helm on the walls above his grave,
and it appears in addition, from the in
stance Of the King of France after
the battle of Cassel in 1928, that the
victor in some cases presented his arms
10 the nearest church. The helm of the
Black Prince IS still suspended Gboye
his tomb at Canterbury.
Armor, then, was allied IN mems
minds with some Of their finest senti-
ments. The psciHst would call It, we
suppose, 6 relic Of bsrbarism. II was
fashioned, nevertheless, under the in
fuence OF hurnsnistic ideals, the ideals
which little by little turned unitarian
articles into objects Of beauty.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1915-01-24

Is used. The museums collection Is a
veritable gallery Of lovely patterns,
which, whether damasoened or worked
out In the low modelling Of sculpture,
are in perfect relation 70 the purpose
Of armor. No doubt a medieval sob
der in full panoply was often mos.
gorgeous, hamboyant looking creature,
but when you come to examine into
his harness you And II designed in sur
prisingly good taste. He was eor-
geous, yes, but never vulgar. The
truth Is that tho great armorers were
first cousins TO the jewellers and gold
smiths.
This collection is not by eny means
confined 20 helmets, cuirasses and the
like. 1t is prodigiously rich in lances.
halberds, swords, daggers, maces. pow
der horns, crossbows and other odds
and ends, some OF which are made ont
Of ivory as well as metal. The weapons
OF the past are cruel enough in all con-
science-nothing could well be more
murderous In suggestion than an old
Spanish bsttleaxe or mace, a German
fail or an Italian rapier-but the ar
morer fingered over the adornment OF
one Of these instruments Of death in
the mood Of a Cellini making a salt
cellar for a king. In the First Book of
the good Commines it is told chow the
Burgundians supposed great thistles
TO have been launces held upright"
But he goes on TO excuse their mistake,
laying IL to "the darkness Of the day"
Even so, II must have been a porten-
tous thistle that could simulate the
radiance of the old spear heads. It Is
in Commines, we may note in passing,
that we stumble upon an amusing bit
Of that quaint lore IN which the sub
ject Of armor Is saturated. He talks
Of "the long ell" in the hands of the
Burgundians, and Dsnett, his Eliza
bethan translator, tells why. "By the
long ell he mesneth the pike where
with souldiers at the sacke Of towne
use 70 measure velvets, silks, and
cloths"
There is a generous store in DR..
Deans handbook Of just such illumi-
mating antiquarianism. He takes US,
period by period, with a scholarship
tina. Is ever light in hand, through the
countless devious paths Of an entranc-
ing subject. 1t is good to know the