davidaulloa/AmericanStories huggingface dataset:
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
unl,ei Press Service

sALeM. May iS campi1,a resl,
sion IT tho plan hcr-tefatc employ ea
IN cunduetins the county agricultural
~ htbitn at tho state talt IL the sail-nt
feature ~ ,h- ptcmlum liz, of tho
isti Oregon state fair which ~as
transmitted io tho state prin,rr taia,
b, Frank Meredith. sserstsr, of The
state fair board
Heretofore all cauntie$ have eon
veted with each othot for nxrd pfiso~.
but under the revised plan. tn. state
has beon divided intp thr-. districts
cia,snp, fiiiameok. cons, surfy and
t.tneoln eountira comprising tho fifs,
district. wasco. Hood River. caiam'
bIa. Mditnomah. ciaekamas, Wash
lns.on. Namhlil. foik, tinn. iirs,on.
Lane. Douglas. jaeksoh aud Joseph.
inc tho sssaad diatrist. aud umA,iiia.
sherman. tiaksr. waiio~a. Morrow
Klamath. Lake. ttafn-y. uran,. Nal.
heur Crock. whe-ior. Gillian and
Untoh tho thifds
itsmiams at- offered pro rata fos
each district. the amount OF usaasy Ia
b. divided In each oae b.ins based ON
the numts-r Of eouat,es catered. and
tho basis ased beinx eioo Tor each
exhibit that qualities
All competing eoanties sfom each
ils,Tse, ~ill draw pro rata. IL the
sane proportion a. the oao viaaias
nrs,. according To the numbes oi
poia,s scored An eshibis mus, score
a, lsaa, 90 poia,s aa, sf 100 TO par.
,ieipa,. Tn The aisi.ioa Of tho Hoa1,
In addition 10 tho moasy pro rated
$40 ~iii b, divided. SO 10 tho asss.
t;3 To ssessd and eis To the third.
among the three counties Of each dis,
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15

Hotel Hall

" 5 Merrill, Ii. II. Sparha~k. W,
5. Hoyt and wife. Merrill: d. +. Vol
ford, Yaiuax: Jas. Hessig and wife:
J. II. Smart. c. E. Hoyt, Fort klam-
ath: Or. Gray and wife. r. c. Hor-
tronoff. b. F. Jackson, Portland; J. s.
Griffth. agile Ridge: IL. X. Miller.
Seattle; W. b. Bolton. ST. Joe. NO: /:
Edison Watson. Klamath Asenck; Geo.
L. Goodwin. r. S. Norris. J. J. Failon
Jr.. n. r. Edmouson. X. T. Oliver. p.
Thompson. ]. d. Clark. U. 8. nEsin-
eering department, Crater Lake: Ed
Wilson. Blueneld. w. Va; A. J.
Sprague. Keno: Mrs. p. c. Coliander.
Oakland: ID. Gray. Hornbrook; l.. E.
Walker, Bly,
White Pelican
b. r. Benson. T. n. Wilson. San
Francisco; Nellie Conrad. Gridley.
Calf
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
VIENNA RUNNING
PARIS FOR STYLE
AUSTRIAN CArirAi ~ RNriDiN
ACQUIRING fAMs ron rHh M.
SIGNING oF rENu>i>E trrAn.
~. ~ CLASS
uhi,ed prc~s Service

'utteu tFVNs sSs''S
VIENNA. May iS,aarha; the do
signing OF ~omen's sowna ana the
'turthcriag aud promoting Of styles
aud modes which Ia makins vivnna a
rival to Paris. 10 worthy OF hish hon
or and state recognition. VAS IN effect
III, decision OF Emperor frans josaf.
by decorating Frau Marie Gelber with
tho golden eross OF the Order of
Merit
Frau t.~lb~s IL chief editor OF tho
magazine ''vieana Modes " The dee
Grafton WAS conferred upon hos In
recognition Of her ladotasisabio work
to create ''vieana art" Ia beautiful
gowns and dresses. which has made
tho viennesc women quite tndcpead'
I-n' of pArh.
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
EAT LESS MEAT
IF BACK HURTS
TAKE A 0LA68 OF SALTS 10
FLUSH KIDNEYS ~ BLADDER
iOrHEisS YOU-DRiNK LOTS
or WATER

Eating meat regularly eventually
produces kidney trouble in some form
or other. says = well known author-
ity. because the uric acid In meat e.
cites the kidneys they become over
worked; get sluggish: clog up and
cause all sorts Of distress. psrticu-
larly backache and misery In the kid
ncy region; rheumatic twingss. So
we're headaches. acid stomach, con.
stipation. torpid liver. sisspisssnsss.
bladder and urinary Irritation.
The moment your back hurts or
kidneys aren't acting right. or II blsd-
der bothers you. get about four
ounces Of Jad Salts from any good
pharmacy; take = tablespoonful In Q
glass Of water before breakfast for 4
few days and your kidneys will then
act fine. This famous salts Ii made
from the acid Of grapes and lemon
juice. combined with lithis, ana has
been used for generations 70 flush
clogged kidneys and stimulate them
To normal activity; also to neutral
Ice the acids In the urine 10 Il no
longer irrltates. thus ending bladder
disorders.
Jsd Salts cannot injurs anyone;
makes = delightful effervsscsnt iithis-
water drink which millions Of men
and women take now and then 20
kssp the kidneys and urinary organs
clean. thus avoiding serious kidney
disease.
Alvest1oamDat,
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15

all Amerscans. but the british consul
objected. aud insisted upon seeing tho
general. Maas nnaiiy ordered all tho
refugees on their way.
Al that place the track Sas torn
UP for three milcs- In the darkncss
Mrs. Boenckcr ana tho three little
ones. 4. aud years old. walked
this distance aud found train under
an American guard u, tho other eud
OF the gap. snipIng ~as stiil going
on when they reached Vera crus.
They were taken aboard tho German
cruiser bremen.
We we're we'll treated byb tho Ger
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
YESTERDAYS COAST
LEAGUE RESULTS

r. II. F..
Portland 5 1
Hit and Blass: West. Brenegan
and Fisher.
X. H. E.
San Francisco .........3 10 !
Oakland .....-......2 o
Tozer. standridge and Clarke; XII
lilay and Mite.
r. II. K.
Los Angeles
SdcIdmeutO 81 ~
Perritt and Brooks; Stroud. Kra-
mer and Hannah.
Accurate Information about the
klamath Basin. Sec Chilc0te, 685
Main.
Housekeeping rooms, near bridgeL
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
nrcaahe tsvssy. Ctsasv ssaes1.uH
lsasmed Noss asd tssad aaA nssVs
Castsvhai bt.~tassv. cusss DUN
tecadselss.
rfy "Eiys Cream saim. -

IfJ Eiys Cream tsalm."
&c, small bottle anyway. lsst 10
'FY !. Appis little Ia The Sosts,is
snd Instantly soas eloxxsa soss sad
s'",.-~d-ap air passage. Of The head
"'ll opea. you .iii sfsa,hs freely.
ialiaoss aud headache disappear. ~
'n"rnlns. che eataTrh. cold .ia.hsad or
catarrhal sofs throat v.i, dtsApvss.
Ena assE HisptS nos Oct the
small bottle Of "Eiy's Cream Daim''
at an drax store, This sweet. sss-
xran, balm dissoivss BY the heat Of
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
FOR SALE

FOR SALE will sell the Mills Ad-
ditto grocery. 9th street. including
aud lot. 50x150. for $500.
and stock and fixtures ut invoice; or
will rent building for $50 month and
sell stock and fixtures; will pay street
$1,000 insurance paid
for 1914; terms. w. Accsbe. Mills
Addition Grocery. Phone 1851.
l3-lms
The evening herald. (Klamath Falls, Or.) 1906-1942, 1914-05-15
MISCELLANEOUS

WANTED-The use Of plano for IT.
care. Address box Sos. est
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

distinguished one. Neither artist has q
color sense, worth the name. Mr..
Ricketts, makes the pigment sparkle
at times, as In the Cleopatra" by
intellectually working it out but Mr..
Shannon's picture would he Just as ef-
fcctlve in black and white.
The imaginative powers of both men
are feeble and their draughtsinanship
and other technical equipment are
pathetically Inadequate. To recite the
long list OF their delinuuencies would
make this review sound like an art
primer for children. a. the risk OF
boredom. however. some OF these de-
fccts must he mentioned. but before
venttiring upon that we cannot sup
press our amazement at the mysterious
chain Of circumstances that allowed two
artists who are apparently quite lack
ing in the faculty for dreaming to go
on and on painting works OF art that
pretend IT, dream ana don't. II hints at
a dreadful lack of humor In the men
and in our English cousins, as well.
Was IL not Edwin Booth who, when
asked for the most important attribute
in a trayedlan's mental makeup. re-
piled "a sense of humor"?
The fact that the work will fail here
VIII probably cause a readJustment of
tho English opinion. Art IL interna-
tionai and each country IL continually
msgnifying local heroes. who do not ali
stand the wider test. Did not we at one
time scoff at Our Walt whitman until
The English told us Of his merit? Was
II was not France that helped us to I'M
derstand that even q drinking man
might toe n great poet? The English
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

through It's various rha es " eyyr....
technique and IDEAL 4 few selrc.oe :.
amples Of each art period VIII no o.',
wed by MIR. Weinberg from d,0",.',
angles by a close study of this ior. :. Il" AZ
his aim to help STIMULATE d NOR, l,1
mate appreciation NJ tie mamie, ''''
niiicance o, art rs 'Apr"sslos. FL, e.,
az fuller grasp or the artists lon,,....
ana it's stylisilr uao.
According To MIR. Weinberg y,o r..
developed this point. IT view IN he,
tensiNe COURSES on the "Apprcc,a,.n,
Modern lrt," the style IL the man,.
II IL through an understanding Of ,sns
niuue and the artists material TIM, ~
laNmnn can bc Initiated into Tho "v,,,
shop Of the artists soul"
The groups viii meet Saturlav No..
moons. 1870 to 3 o'clock and 3.so "a
o'clock There Will be eight ses,lop, .,
the course. All those saokinv 10 t.t.
either OF these groups may Obtain a.,
Their Information either from MIR Wo,s
berg at the Museum or by communal.
ton with Ernest Cook, 539 rest Is.s
street. ''
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

exhibition quite TO confuse the mex
perienced In these matters. What!
! Are no. these sketches IN sanguine
good?" they will cry. seeming an in
l justice. The answer Is Yes and No"
They are accurate In an academic fash
ion, hut their artistic merit is negligible.
A thousand young art students in
this city to-day can do as well. and
they will possibly never know fame,
| for lucky chains Of circums .ancc are
not arranged for every one. The fact
Is that almost any one of intelligence
who can learn to read and write and
do simple sums in arithmetic. can I've
taught in our schools TO draw like
that. 1t can be taught. therefore in
itself 1t has no value. To be valued
such drawing must be used az q step
/ ping stone to poetry. Mere drawing Ia
! rightly held to Ne the grammar or
! spelling of art.
! Pray forgive these easy lessons"
from the primer of art" dear reader.
But we must go on. This drawing"
drops from both artists when they try
IL poetic. That shows they have been
Wofu'ly m!s'rained They copy the
model who stands befur. them accu-
ratcly enough. When they try 10 pain.
u figure that tends 10 express nm idea,
IN the painting, the drawing Is lament
able. We are not among those who
are hipped upon the subject Of accu-
rate drawing, ~ readers OF this page
must know by this time. We prefer
poetry and Ideas To accuracy OF state
ment always: hut here the poetry
and ideas are paltry and SO we shud-
der Ike an Academlclan at the mussy
| ltvA "A Ia A,
| Mr.. Rickettss sculptures are almost
worse than the paintings. The faults
are the same In both. but they are
harder to forgive in sculpture. The
torsos are confused. and shoclt,ngly
constructed the thighs never properly
attach themselves 10 the pelvis, the
wrists are not articulated, ana the
planes" and proportions are uncon-
sidered. He models just az he paints,
by putting on touches that he hopes
will come right. but without a clear
Idea in advance Of what he Is otter.
IT must be allowed that young Mr..
Manigault, WHO shows In the Daniel
Gallery. Is more of Il dreamer than
either OF the two Englishmen. They say
a'inost nothing but what they do say Is
AcHNNo. MI says more, Dut
not In the suavest conceivable manner.
He dreams upon dark nights OF bright
sunshine, for In every picture there IL a
space OF black. or q sense of blackncss,
that has been Just torn away. He rends
the veil and his new world flashes before
us. dazzling us with light. like some of
those piercing rays ut sunset after an
American thunderstorm that light up al
with "A calcium the interminable reaches.
These effects are seen not only In no
ture. but also In the "cinemas."
The big landscape with its river wind
Ing through a Happy Valley. its perfect
waterfall dropping In three graduated
steps to the plain below; its Itaiianixetl
trees, its hymphs and Edenliks clouds,
constitute his most ambitious flight, and
tho complete conviction with which the
picture Is painted argues well for the
artists future.
In his allegro" and "Pastoraie," large
figure pieces. he Is just rs earnest, CON
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

tramps after his own heart, the real
tramps, as dusty, grimy and vermineux
hs one could wish.
"Rarrabas,' infant terrible OF the
great family of tramps resembles MS
brothers very little. Tie has neither the
resignation OF some n~r the false
joViallty of others.
"'IIrlp yourself says he because
the heavens won't help you And then
he adds. When they give YOU soup In
charity ~ the doors of barracks. don't
say. Dogs wouldn't touch that but
take IL"
The four paintings in our Museum
by the ci~hteepth century Venetian.
Plctro Longhi, two OF which are ioaned
and two having become the property OF
the Museum by purchase. viii AFFORD
much pleasure to lovers Of old Italy
The four canvases introduce us to only
few Of the characters OF Goldoni and
Cazanova. but they suggest all the rest.
There is the smart young able inter-
rupted at breakfast 10y mysterious lady
and messenger; the countess in her
drawing room, with n. gallant feeding
macaroons to poodle: the ante-cham-
Der to a ballroom with some maskers
and n genuine intrigue going on before
our eyes. and, yes, there is the coy
young sewing woman reading billet
doux, that IL being explained to her
by an old bag. There IL not quite the
vim and raciness OF Cazanova, hut II IL
all charming nevertheless and softly
colored
Speaking of Longhi in the Bulletin
| Bryson Burroughs, curator OF paintings,
says:
While the artists Of the rest OF Italy
were striving To realize n too ambitious
ideal. the crushing heritage of her great
time. the Venetian painters alone seem
to have been. alive to the beauty of the
spectacle OF daily .ifc. Canaletto and
Guardl expressed the outdoor aspect OF
: their Venice; Tiepolo appreciated the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22
ART NEWS AND COMMENT.

T IERE Is n mean and cruel story OF
RI modern artist that the anti
= cubists are telling now IN Paris;
II seems that one Of TIE masters of the
cubist!c school, VI. Pho, W may add
In passing. the initials Of Pablo picasso--
had recently commenced the portrait OF
one Of his friends hut was forced To GO
to Brussels before finishing IT, oddly
enough the friend also found that he had
to GO to Brussels and NJ. L. had the
happy idea OF prontlng hy the uneN-
pected meeting TO finish the portrait.
He wrote to Paris to request that the
portrait sketch he sent on.
All Of the family OF the painter searched
for the picture In question. FINALLY. not
without hesitation, n canvas was des-
patched to NJ. l..
a reply was not long In coming NJ.
p. wrote back a furious letter. They
had made a mistake, the sketch they had
sent represented. It seemed, the Hotel
des Invalldes.
we all believed that Steinlen would
draw no more vagabonds says Lc Cri
IT, Paris "He had declared 1t. lie had
taken the miserable creatures IN hor-
ror. ever since rclletan had ordered him
20 make the Illustrations TO Jean Richie
pins 'Chanson des Gueux.'
AT the moment that he undertook
this work Steinlen felt his heart fail him
These vagabonds sung by future
Academiciun suddenly appeared to him
to be so terribly knowing, even snob-
bish. He seemed to feel silk stockings
beneath, their shaggy sandals and green
embroideries under their rags. He took
the task In that fa-,lion.
"Pelletar went every week 10 claim his
tramps. but Steinlen would draw nothing
but cats and chickens. He drew al least
twenty chickens and thirty cats To one
vagatond, and in consequence he was
ten years illustrating the 'Chanson des
Oueux.'
"Some years later the publisher, Eu-
gene Ray, requested a book upon Paris
from Steinien. He counted upon NJ.
pescave for the text; but the artist
preferred 'Barrabas.' the picturesque
and alert book that N. Descave had
given him before that. He promised to
illustrate II without delay.
1T was once more q story OF vaga-
bonds. We feared II would start Steinlen
of again upon his chickens and cats.
Not at all. Tho vagabonds OF Descave
t'cklcd him 10 death They were
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

stantinopolitsn ideal OF feminine beauty
Is the highest. Mr.. ManiEault may be
able TO sway us all back to an allegiance
to the early Dutch type, and II he sue
ceeds II will be a triumph of genius
But as for that We shall have 10 wait
and watch.
His two Central Park pictures and
the New England Town" presenting
no problems OF this kind, may be pro-
claimed instant successes. The different
paths in the bark. with motors and car
riages on one level. its horsemen. foot
travellers and workmeu on theirs, Is n
charming and playful ARRANGEMENT. The
Kiosk IL also great fun" and the
water colors all have their special at
fractions.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

that Il IL too easy. that they UNDER
stand" 1t, In fact. II that should prove
to be It's fault. 1t is n fault that will
make its appeal to all Acadcmiclans."
Mile. Pogany's" ear Is ~ droll elllpse
and may worry beginners in modern art
study. hut the same individual who will
be astonlshcd at such an esr In modern
art admirea exactly the same sort OF art
convention In d Chinese jade. AS the
light strikes It now in the little gallery
1t IL very like jade. The whole piece OF
marble Is delightful MS stone, and the
artisan has cut It with fine appreciation
OF its quality. The touch to apply
stu another musical term TO Brancusi's
chiscl. is extraordinarily caresslng.
Few pieces of modern stone cutting
come up to It in "prcciousness," ard
none that we have seen eclipse II. Ger
tainly Robins do not. .Sculptors who
have any love for their trade as such
and know In theory what "respec; for
the marble" Is will conccde this success
to Erancusi.
The new piece. the "Danaide." il far
more subtle and refined than the Mile.
Pogany" Why she smiles We do not
know. this Danuide. IL she the one
who didn't murder her husband upon
her wedding night or one Of those who
did? 1t is "a most elusive smile, difficult
to translate, but charningly high bred.
A japanese noblewoman would smile
Ike that just before committing hara-
klri. From every point OF view the
lines as lines are good. The swollen neck
does not explain itself to us. but In
another hght IT might, as the young
person In General O'Regau" says. The
hair If suggested III most interesting
way ana the tenoerness of execution -
even more marked than IN Mile
Pogany' Nile. Posany mas the al
vantage IN marbies' tnough'
TN an exhibition made up OF oil paint
ings, sculptures. Autographs and
= wocdcuts II is inevitable that the
larger and more easily read works
should dominate the show. In such
cases one discusses the works in the
places ~ honor and ends with polite
commenda tons Of the sketches That Is
the usual form.
Occasionally It Is dificult. rs IN the
Ease of Whistler. to say whether the
artist is most brilliant with the brush.
needle or crayon. but even with him the
writer's upon his work concern them
selves chiefly with the product Of his
brush. It may he an unpleasant law.
Why II operates we need not discuss.
but II appears To be "a law and 1t bears
hard upon two Englishmen. the
Messrs. Ricketts, and shannon, who are
having their first joint exhibition In
this country In the gallery Of the Berlin
Photographic Company.
Mr.. Shannons Autographs and Mr.
Rickettss woodcuts are already well
known to our collectors. Both have
Iuali'';s OF refinement rather than
strength and both have been helped here
by tn" reports We have received of their
immense though quiet prestige at home
For years 1t has been a fad to speak
with batei breath of these two men.
They lived aloof from the maddest
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

complicated in form and in color ar.
ranaement. --- = =
"The Conauerors (Cu.cbra CuD," by
Jonas Ide, Is or,e If a series of pictures
%, the Panama Canal IN process Of con-
struct!on,. which the artist painted rs
the result az a trip to the lsthmjLs In
1918. 1t IA, notable for its dramatic and
impressive composition and for the stage
OF the great work which 1t records Re
pairing the Bridge" by Robert G. Spcn-
.cer, was exhibited In the recent exhihi-
ton, of tho National Academy Of de-
sign, where 1t held IFS own among
any of the pictures shown and where
II won pretty general appreciation.
There three pictures will he exhibited
after this mcnrh. with other American
works ot this IIesrn collection In Gal
lery 10.
This charming vignette of col
lector is taken from Bashford Deans
account of'"Wllliam H. Riggs az Coll
iector" in the March Bulletin of the
Metropolitan Museum of Arr:
There was apparently but one per-
son who had real influence rpon Jr.
Riggss career as a collector and whom
ho willingly acknowledged his master
THIS was pere Garland. an elderly Nor
man scholar. who had long been an
archivist at Lyons and had won fame
rs a discoverer of palimpscsts ana as
umsmatis hut who was especially a
lover and collector of ancient arms. To
Carranu, as to his Dupil, arms and
armor had the interest Of romance. and
TO acquire them was worth any sacri-
flee. Although Garland had hut
modest income this detail did not pre-
vent him collecting. since he was quite
willing to economic vigorously. He
had cramped quarters in an ont of the
way neiHhborhood. and ne even cooked
his own food. but so far as precious
posse sslons went he lived en- grand
prince, surrounded by Gothic armor
Mr.. Riggs has still n bright memory of
Carrand's dusty home, in which the
staircase leading to the bedroom Was
cluttered with priceless armets and
salades. 1t was from Garland that Mr.
Riggs first learned the living charm of
the armorprs art: and together the two
collectors. literally at the feet OF Car
rand's harnesses. would pore night long
over the pages Of ancient Froissart or
Olivier dc Ia MarChe. reading how
armor was made. worn and used and
how in early times il was preserved
and transported The old collector had
the training of gentleman OF pre-
revolutionary France. and when he
called upon Mr.. Riggs he appeared. az
became HIS dignity. IN lace jabot and
ornate shoe buckles. He was singularlv
unworldly; his only plan for getting
money for the purchase Of aunor was
to- spend his income IN no other way.
certainly not TO exploit his skill and
knowledge "a connoisseur. As an
example Of this he IL said To- have ac-
cepted no fee for forming the cabinet
OF arms OF his friend Prince Soltykoff.
which cost him years of labor. Nor
could he be tempted To dispose Of tho
objects in his collection. no matter what
bids Were made. only after his C'ath.
when his armor was scattered. did Mr..
Riggs succeed In obtaining certain
coveted pieces"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-22

fascination or familiar scenes and pic
tured them at times, but Pietro Longhi,
after his student essays in the great
style, knew no other ambition than TO
record the appearance and customs OF
the people about him. He has been
called both the Hogarth and the Boucher
Of Venice, but his aims were more akin
to those Of the little masters of seven
teenth century Holland. to Pieter de
Hooch, for instance, than to either OF
these artists, for he had neither the
dldactcism of the one nor the sensuous-
ness Of the other. He had, In fact, no
preoccupations beyond the simple one
of rendering episodes OF daily life, leav-
ing the story or meaning OF the incident
to be OWNED or net"
Three new purchases have been made
out Of the Hearn fund. The G!rdle OF
Ares" by Arthur g. Davies, was painted
about -four years ago. II Is a COMPOST
ton In which against a background Of
ragged mountains and evening sky ap-
pears a level line OF struggling figures
that Nils the lower part Of the picture
from one side Of the frame To the other
The work differs In expression from
Dream" the other picture by this ar
list, which the Museum owns, being
more ambitious in conception and more