El Paso herald. (El Paso, Tex.) 1901-1931, 1914-10-10
New Fabrics For Winter Costumes
Fabric Trims Fabric and Gives It the Touch Of Flower

trated. The waist is Of the short
basque variety, with plain short sleeves.
A tunic, which does not meet IN the
front, is worn over a black satin skirt
The girdle is OF the same material as
the dress and tunics and meets IN the
back where it is fastened with snap
pers placed underneath the cloth-coV-
cred buttons 4 pointed collar and
pointed cuffs Of the satin complete the
dress
This is indeed a lace season and for
evening dresses and for afternoon
dresses it is used extensively. 1t forms
overdresses for frocks Of charmeuse
and satin; at times it is only the tunlc,
or II may be but the bodice Of dress
The margot edged craquele net is very
smart and effective The evening gown
illustrated has a SURF lice bodice OF TINS
craQuele net with the margOt edge, and
a craquele net yoke The skirt IS OF
pink satin with OversIirt Of lace.
Around the waist is worn wide sash
Of silver gauze ribbon which ties at a
low waistline in the back
The practical evening wrap OF black
velvet which is Worn with this costume
is called the Norma Wanna cape after
the play written by Maeterlincic- The
collar is of Persian lamb and the cape
is LINED throughout WITH a rich NATTER
blue satin. The lining Of capes and
wraps this year is an imr ortant feature
Of the garment. Wonderful brocades
figured crepe de Chine. MORE, satin, and
taffeta are all used.
For evening capes and wraps mere
are exquisite metal brOcades from SO
yard up, which are both effective and
beautiful These are trimmed with
collars Of ermine. mink, sable, beaver or
kolinslCy. the latter is northern Rus
sian or Siberian mink Among oIner
materials used for these wraps are
Ottoman faille silk which comes in rich
; designs futurist in their coloring and
outline one stunning coat made OF
/ this silk had an allOver figure that al a
distance reminded one or Cnimese De
signs. and the effect was heightened
l BY the shape Of the care which was
not unlike a Chinese lantern II was
/ trimmed with a huge cape Of kolinsky
and a band OF the same fur banded
/ the cape just above the hem rms
/ cape was lined with plain green,
I which matched one OF the colors in
] the design
| The separate tailored coat is made Of
I such warm and thick materials as vel
| our de laine. cheviot and a new fabric
| called chenille cloth Velvet and plush
/ are also used
The trimming Of street suits Of faille
/ ribbed velour. serge, Eabardlne, vel
/ veteen, corduroy. chiffon velvet, poplln
i duvetyne. kitten ear or Dr0euclotni
i is confined almost entirely 70 the collar
/ cuffs or waistcoat effects These may
/ be heavily braided with Hercules braid
I or trimmed with one or the superb
/ metal vestings- these are very eNpen-
i sive but a small amount goes great
| way. Chiffon velvet in q Roman strips
| is popular and may be had in blue and
/ tan or in tan and brown Caracul vel
| vet and moire chiffon velvet are OTTER
| used TO good advantage various scotch
/ plaid effects are also used for the
/ collar, cuffs. and waistcoat and are very
! smart Combinations OF materials are
/ seen in these suits such as velvet anc
| fur cloth. velvet and faille silk. blue
| serge and black satin and satin ano
| broadclOth-
An ultra touch in the seasons frock'
] whether it be the street suit, the after
| noon or the evening dress. Is 10 have
| flower. often a rose. Of becoming colol
! tucked into the sash at the waist OF
| placed coquettishly at the neck Gar
| lands are placed under chiffon and lac
! on skirt and waist