The Daily Ardmoreite. [volume] (Ardmore, Okla.) 1893-current, 1914-05-21
IN SOCIETY
By Jeanette H. Poland Telephone 36l

Inc HullDtlS ol tIlt phOSihih hau
been arranged with view TO pleasing
all classes of music lovers. The result
moment. The program opened with
Shuman's "Traumerei," played by the
violin class, including Misses Orie
Madden, Frances Graham, Marguerite
Wimbish, Gladys Guillot, Louise Sew.
ally, Gladys Basham, Leta Ragsdale,
Katherine Adams, Mary Martin, Doris
Westheimer Marguerite Baral,
Maude Anderson, Katherine Howard
(Tishomingo); Messrs. Walter Poole,
Joe Brown, Louis Williams, lvyl Nc
Carty, Travis Ritter, Ernest Enloe,
John Crittenden, Rudolph Helbach and
Leon Daube.
This was a most pleasing introduc
tion given with unusual feeling.
Miss Madeline Colbert gave the sec
ond number Autumn" by Chaminade,
with delicate and artistic touch.
The third number another of Shu.
mans pleasing violin arrangements
"Sommerlust" was given faultlessly by
Misses Gladys Guillot, Gladys Basham,
Katherine Adams, Leta Ragsdale, and
Messrs. Ernest Enloe, Walter Poole,
Joe Brown and Louis Williams.
Miss Ruby Harrison of Marietta
played Chopin's Polonaise in A-major
with vim and enthusiasm.
"Serenade by G. Purine, dainty
fantasy, was given by Miss Doris
| Westheimer in a most capable and
finished manner, marked by exquisite
technique.
"The Little Shepherd" by Debussy,
as interpreted by Miss Raye Campbell
was most pleasing. The piece called
for the work of an artist and was rem
dered with expression no less than
that of an artist, her Interpretation
was full of feeling, and carried the
message the composer wished to con-
vey.
Miss Mildred Brown gave "Minuett'
a generally favored composition of
Paderewskis; this was marked by her
beautiful, caressing touch, carrying
the dainty melody with its variations
most delightfully."-.
LA Cinquantaine," an attractive ar
rangement for violins by Gabriel Ma
rie had just enough "spice" to delight
all the listeners The piece was attract
i've from every view point, each young
artist did her or his best, the lightness
and graceful ease with which the pu-
pills manipulated their bow, bespoke
for days and days of practice. Those
who took part in this number We're:
Misses Orie Madden, Francis Graham,
Marguerite Wimbish, Gladys Basham,
Louise Scivally, Gladys Giuillot, Leta
Ragsdale, Katherine Adams, Kathe-
rine Howard; Messrs. Walter Poole,
Joe Brown, Louis Williams, Ernest
Enloe, Rudolph Helbach and Leon
Daube.
Miss Dorothy Dickson gave Grieg's
Nocturne, a difficult characteristic Nor
wegian composition, with true regard
for the Morse artists picture of a
night scene in his native hills.
The violin trio, Haydens Andante
from Surprise Symphony No. ), de-
serves special mention for the eXquis'
ite manner in which it was rendered
by Miss Doris Westheimer, Miss Mar
guerite Barall and Mr.. Ernest Enloe.
Miss Francis German played Wag-
ner's March from Tannhauser in a
most creditable manner, with delight
full accuracy and beautiful touch,
showing an artistic temperament and
appreciation for Wagners most uni
versally admired composition.
Miss Marguerite Barall gave the
second violin solo on the program.
Air Varie" by Charles Dancia, in a
most finished style.
Presto moonlight Sonata)a romant-
ic number from Beethoven, was given
with ease and grace by Miss JOye
Moore. Her Interpretation was equal
to that given by one with years more
training and many years more work.
Miss Marguerite Noble gave heavy
Grieg number, Allegretto and Presto
from Concerto in A-minor, with E.
Lowenstein taking the orchestral part
on second piano. This beautiful con-
certo embraced all the moods only
Grieg could express, these were most
90 N hIv intarnratpd hy Mics Noble and