El Paso herald. (El Paso, Tex.) 1901-1931, 1914-10-24
NEW COLORS IN VOGUE


are in the heyday Of fashion. either
made into entire costumes or used III
conjunction with yellow pink green,
black or red 4 stunning evening
costume which reminded one Of the
draperies OF classic Greece, was made
OF one entire length Of cloth OF slI-
yer, wound around the figure ana up
over one shoulder in most graceful
fashion. The only relief from the gray
GOODNESS Of the silver was rose. snau-
ing from pink into red
AlthOuB5 skirts are widening the
tight undershs-t, beneath a tunic OK
ample width, still continues TO be seen.
saw a mart afternoon dress rev
days ago, worn by a charming young
woman. The basque waist was OF
black satin wrinkling over the nlps,
with a collar high in the back held
in place and tied high around the
neck by q black velvet rlDDon- Inc
skirt was of black satin and cluns
close TO the figure over TINS was
worn a redingote tunic Of craqueIe net
edged with a deep band Of satin rib
bon This tunic flOated away from
the figure giving breezy erect 10
the costume and the skirt Slimmered
through the sheer net in a fascinating
manner. A charming little Cossack
hat of black velvet was perched slight
" on the side Of the head. on which
an American beauty rose was laid
carelessly on the side a little TO the
back
The Redingote and Moyen.Age styles
hold sway for the street dress OF
serge. gabardine, rep or broadcloth-
In the dress illustrated a battleship
gray broadcloth is combined with
black satin The upper dress. in one
piece with the skirt. is Of battleship
gray broadcloth bound. on all the
edges, with black braid The inset
vest and the skirt is Of black satin
A narrow belt of the bEOadcloth is
placed around the dress Just below the
waist.
A cunning little hat is worn with
the frock which reminds one Of an
indian teepee with strips OF stiff rib
bon tied together in the center and
spreading out like similarly tied
punches Of arrows This is a unique
model which is smart If placed proper
" upon the head. These days, a hat
may be chic, but if the wearer has not
a proper sense Of the correct man
ner of wearing il, II might as well be
a Turkish fez or an oldfashioned tri-
New, indeed. Is the second inustra-
ton The coat is Of velvet, with col
lars and cuffs Of imitation Persian
lamb. The lower portion is cut away,
square, in the front giving an espe-
cially smart air TO the coat 4 skirt
Of striped serge is shown with this
coat These striped serges are soft
in color and are seryiceable. as well
wear with shirtwaists or blOuses-
Plaids, in the same soft and shadowy
colorings are, also. shown and are
most attractive. These combine stun
ningly with a corresponding plain
color.
Wonderful evening wraps were de-
signed in Paris Just before the mobili-
zation OF troops, and in them are re-
Elected the sumptuousness Of the Mid
die Ages. Wonderful satins and yelvetS
are embroidered, or brocaded. in dA-
signs which remind one Of Heraldic
devices worn on the garments OF the
crusaders and the robes Of the clergy.
A magnificent wrap Of cardinal red
velvet had large collar and cuffs Of
sable, rich in IT'S barbaric luxurious
ness with q cape-like panel. rounded
at the bottom, falling from under the
collar almost to the bottom Of the
wrap. This cape was divided into four
parts through the center, somewhat
like a crusaders shield
The proper placing Of an artificial
flower is . stunning and ultra touch
10 the fall and winter frOcks- The
flower on the hat is oftentfmes du-
plicated in the flower worn at the belt
or on the waist In evening frOcks
flower clasps the point Of the waist
upon the shoulder. strands Of them are
used as Earlands on waist or placed
under TUNES Of chiffon or tulle. while
larger. single roses are often spaced
around the bottom OF the tunic. or
skirt.