The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-11-08

ibilluS VI Hltuldl QUALITIES.
Intensity Of action. the spirit to dare.
is in the nose, with its diated and well
formed nostrl. Caution has bocom,
more active. The power of ANALYSIS as
realized in the brow has left it's efrn,,
! in the more clearly cut septum of I'M,
nose.
Turn the page again and we see n
man of thrty-hve Gig. c. Fifteen
years have gone by, boyhood has been
left behind as before, supposed man
hood has taken its place. But how de-
plorable the difference between the ma
here shown and the boy he used 10 h..'
The face has changed, the simplicity ot
youth has become the weakness of Dis
sipation and physical excess; the idea.
lty of the boy has degenerated into In.
lust and regardleSsness of animalism
and passion.
Look carefully AZ the picture n Ito
/ the remnants Of the former face; the
| foundation is the same, but how
wretched, how ptiful the supcrstruc-
ture.
The upper forehead is that of tho boy.
not that of the man shown in the pre-
Coding picture Directed mental effort
has not brought into play the natural
possibilities They remain as they wcr.
in youth; latent but unused. The cross
wrinkles show the mind concentrated
one moment, relaxed the next: the
brows drawn down one minute, back
ward and upward the next; the irregd-
larity Of the hair in the eyebrow Is pro-
duccd by this same movement, indicat-
ing a lack of G. ncertcd, sustained con
centration Of the mind.
The nose has coarsenod: has lost the
pudglncss Of youth, but has not taken
on the refinement of accomplishment.
The mouth. instead Of gaining in
strength with years, has become inf
nitcly weaker. The mouth f promise
has taken on the responsiveness of un-
controlled passion; the upper lip pro-
jects more the lower lip hangs down;
both are iooser and yet harder in flesh
formation. They are less well formed
are more irregular in their lines than
those of undcvelopcd manhood They
show temper, lrritability. uncontrolled
passion, sarcasm and dissipation; noth-
ing of determination, decision or contr'l
No marks Of ambition extend from
the nose downward. The chin is drawn
up but by use of the physical side in
satisfying the natural appetites and not
by accomplishment in doing the bidding
. of the mind.
The fulness and hloated condition in
front of the ear, surrounding the jaw
bone and extending beneath the chin:
the filling in of the back of the neck,
each and all indicate, in this nature to
which flesh Is foreign, the result of CON
. tnucd and excessive use of drink and
growing tendency toward the sensual
the physical and mental energy depre-
eating and degenerating as a result of
internal and external fatty growth
growth which weakens and cripples the
action of the vital organs.
The picture in profile Gig D. gives
some idea f what can he judged from
the natural formation of the face.
The bone and clrtilaginous structure
can be estimated much more easily in
profile; whereas to get the whole sig
nificance of the muscular and neshy
tissue the full face should be seen.
Although the forehead Is covered the
pos itiun f the eyebrow and eye plainly
bcspoak the reflective type the on"
which ahsurbs without analyZing, COM
hitting easily to memory without CON
sc.ous thought and giving out in the
same manner, possessing a splendid
memory for things 50 learned, but hav-
ing n memory of the things which
must Ice analysed before they are ac-
cepted.
The eyebrow indicates the erratic ma
turc faucifu, of mind The upper eye
lid shows a little sclf-consciousness. a
little oversenstiveness. both of which
qualities were more noticeable in years
gone by than they are now. The full
and rather prominent eye shows the
imaginative dreamer, constant in affeC-
tons, sanguinc of nature up in tho
clouds one minute, down in the depths
the next, fun of hope. but easily inilu-
enced. This is the prominent blue ey.
which indicates the cferVcsCent temper
quickly arouse d and as quickly gone
the nature that forSIves and forEets
| The fulncss beneath the lower lid ind-
Gates We'll developed powers of facia
and verbal expression, the nose shows
delicate and refined scnsibilites, artistic
tastes, literary instincts and a tendency
to spring to the defence of friends. TIL,
upper lip is excellent in its controlled
compression, with little seltishness in
the way it hangs slightly forward
| something of self will, slight indiCa-
| tion of temper and irritability in The
| upper rim line, nature sensuous with
| out sensuality; the mouth as a whole
shows love of good things: the full
roundness of the jaw carries strength
of purpose when found in conjunction
with the well formed but rather man
nish chin, which denotes intensity and
enthusiasm in affections
This profile shows a face in perfect