davidaulloa/AmericanStories huggingface dataset:
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1914-10-12
Mk|hLEY HIGH and PUNAHOlb WIN /
OPENING GRIDIRON GAMES OF YEAR
Former Team Has Easy Time With Light Mills Team While
kamehameha Fights to the Last Line Against Oahu Col
egansSafety by Cadets Only Score Of the Game Which
is Clearly Played.

tried drop kicks. but the pigskin bare
ly missed the mark At another time
"Staff" Austin ran back punt to
Kam's eight-yard line, bnt lost the
slippery bail on fumhle. Punahou
worked several successful end runs
during this period and at the end Of
the quarter the bah was on Kam's Il
yard line. first down.
Fourth Quarter.
Kan was held for no gain In three
downs. On her last down, standing on
his own 12-yard line, Mitchell tried Q
forward pass and had Il intercepted
by Brown, Punahou now had the ball
on Kam's 20-yard line. But Kan tight.
ened up, threw Ferguson for i've
yard loss, and caused Qulntal to hurry
forward pass. This shurrying cost
Punahou a touchdown. The pass went
wild. into the arms Of Crockett. He
ran It back II yards. but on the next
play Kan was penalized Is yards for
holding. This put Kan on her 5-yard
line and Makanani punted. His kick
was blocked by Kula. It rolled among
the spectators and Kan recovered It
behind it's own goal. scoring safety
and two points for Punahou
From then on Kan made desper.
ate effort to redeem her loss, but II
was useless. After an interchange Of
pnnts and lot or fumbling by Puma
hoQ the game ended with the bah N
Kam's possession on PunahOUs so-yard
line. Score: Punahou 2: Kamehame-
ha o.
The lineup was as follows:
p. Woods. .... L. =. ....... Hlpa
A. Brown. ......L. T.. II Bertelmann
f. Lyman. ......L O.. C. Berteiinann
c.. Mott-Smith. 49,. c. MCGOWAN
L. Bertelmann. n. G........ Simeona
j. Clifford F. -. Namame
g. ouintal -. @. + -. -. Among
d. Ferguson. i H. Mitchell
a. Brown. ...... r. :. Cockett
s. Austin tCapt j n H Mackanan
lC1Dtl
Subs-Kama for g. BerteImann:
Kong Tai Pong FOE Napihaa; xula Tor
Lyman.
RefeFee, Lieut.. Besson; umpire.
Lieut. Jones: timers. schmutzlef and
HopWood: head linesman. VIM Desha:
tIlne 81 quart efs. 4 = minutes
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1914-10-12
SUMMARY.

TWO-base hits Sour, Layton, Car
roll Double plays--La Mere to F1izer
- SOusa, Medicines to Flizers Bases
on balls On Sloan q. on Medeiros o.
on Lawson l. Struck ontr-,By Sloan
s. BY Nedeiros 4. BY Lawson 70. wild
pitches- Sloan. Medeiros Umpitea-.
Stayton and Bruins, Time Of Eame--
One hour and 20 minutes
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
George v. The

Nations have a knack Of summing
up the virtues or defects Of their rulers
in a. word-not always complimentary.
Two Richards of England came off bad
ly-the 'Coxcomb' and the Crook
backed" A sad fall this after Rich
ard the Lion hearted" Henry VIII
nearly came down in history as Stout
Harry" but Bluff King Hal won.
Charles II of Germany. is, however.
known simply as Charles the Fat. J"
Another Charles H-of Nevarre-is
known as The Bal" although King
John of England could have given him
points and won easily.
Charles II of England will always be
known as the "Merrie Monarch" ard
his namesake. Charles II of Denmark.
so long as there are history books, will
be remembered as Charles the Cruel ~
Russia has an Ivan the Terrible" and
Norway tHarold the Stern" King
Pepin, an important person once, APP
pears in history as "Pepin the Short Z"
Louis VII of France is THE Foolish, -
and France Charles the Bald" and a
Louis the Stammerer."
Strangely enough England has had
only one "great''-King Alfred The
late King will figure in history as THE
Peacemaker," and George V-the Sail
or Prince" an appropriate and affec-
Tomato title-has yet to prove whether
he will earn another Round Queen
Victoria so many excellent memories
hover that no definite word has been
evolved. although THE Beloved" and
"TEe Good" have been used.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
Snap Shots
BY LILLIAN LAuFERrY.
Maiden medltatIons.

Tho Love may suffer from wander
lust in youth, when he grows old he
longs for his own freside
Grave sorrow and great happiness are
akin in their sympathy with life and
understanding OF its beauty
Man forgets his lesser loves and 70
members great love chiefly because
in his own capacity for emotion he finds
the secret OF power But even A wise
woman wastes herself In rememberins
every man for whom she ever cared
The woman who doubts her lover and
her love ceases-and results from-mueh
Of LIES tragedy
When coming events cast their shad-
ows before, we are generally looking
behind
There are bat two types Of human
beings after all, those who admire. take
and regret-and those who aspire. give
and rejoice.
There is no such thing as perfect hap
niness IN world where the man who
can make money TO buy French pastry
can not manufacture the gastric Juice
To digest Vienna rolls and the man
Who could digest scotch oatmeal hasnt
the whereWithal 70 buy frsnkfurter.
Public speakers DO longer euiogize
Woman-she speaks for herself
10 Is wise 10 be Inconsistent II con-
sisieucy viii make you ashamed of being
wiser To-Day than Yesterday,
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
Beginning With Her Nose
BY BEATRICE FAIRFAX.

man whose "hrst glass" has been fol-
lowed by many others. she begins to
lose all sense Of self-respect and the
next step is a change In the color OF
her hair.
From sweet faced, modest little
girl she has developed into such a
false faced, painted creature that
though her heart and morals are good
and sound she gives everyone reason
10 doubt It, SHE has put on herself
the price mark OF cheapness. and so
lowered herself in the respect of all
who see her that If strange men ad-
dress her In questionable ways she
may be accused. at least, of contrib
utory negligence.
Why Does She?
Why does she do It? Why does
bad habit grow? Why does a vanity
when pampered become a diseaseo Al
Just what hour does the slave become
the master?
girl who makes herself crea-
ture to be smiled at and doubted bv
excessive powder and paint calls
from the housetops that she has no
fine ambition that she doesn't use
her brains 10 think. that her hands
are not doing the faithful service for
humanity for which they were made. .
In brief, that some Of the powder
from her powder can has gotten into
her eyes, blurring her vision to all
that is for her own best god
But no man should condemn her
too harshly Let him look al the lin
Of his own nose. and see what is the
story ii tells
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
The Manicure Lady
Ely WILLIAM F. KIRK

(GX you have been throwing your
brother's noetrv AZ me so
lora. soi5 4bo t1aaa 9or
'ois' 7''u '''e iIee'N o'i
per- 1hat sat up nome last night
and wrote a poem all by my lone
some II is the first noem that 7 ever
"lote' ana suppose II VIII De the
last, but | made up my mind that
was going to finish it and read every
linz - :, 70 ,,,,, o,,4 nab, ,.o,, ifi,a
It.
You can read 1t II you want TO-
said the Manicure Lady. but | amt
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
NJ The Brazilian Maxixe and Other New Dances
L/UUCEUS Described by Adelaide of the Jardn Danse
o

in his, the girls left hand in the
mans right hand, simply facing each
other They make the same steps
together but with opposite feet. The
entire meaning of the dance is re-
vealed in this one fact. 1t is the
most mportan thing to remember in
the whole movement.
On the first count Of the music the
m slides his left foot forwar ),
draws his right foot near from the
left, sliding Immediately the left foot
forward again, and benCi~~ the right
knee. The girl does the same back
ward. This is really a double move
ment forward with the left foot, with
slight bend of the right knee, bring
ing the right foot off the floor
On the second count the man
touches the floor slightly with the
point of his right foot and bends the
body slightly backward, and then
points his foot in the opposite direc-
ton, backward, in the meantime
bending the body forward That
means that the movements of the
feet and body are directly opposite.
This contrary movement is in itself
one Of the most beautiful things in the
dance. At the same time the girl
bends her body forward, then back
I'd.
The third and fourth counts Of the
first movement are a repetition Of the
same thing, the ste~7 of the first and
second counts only beginning with
the other foot and reversing the body
movements
Thus 1t can be seen that there $
nothing at all difficult about this first
movement The hardest thing about
the dance lies in the swaying grace
of the body; the steps in themselves
are very simple-it is suppleness and
agility that must be attaiLed.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

ever have wrote so fine a poem. !
thought always that your head was
filled up with racing dope and the
records Of the prize ring Now I feel
more interest in you than ever have
felt. l guess I will have Wrfred
come down and meet you Maybe he
can give you some pointers"
Yes, and maybe I can give him
some" said the Head Barber. DO
You honestly think it is good?"
Sure it is good for YOU" said the
Manicure Lady. "Of course. I don't
think that Alfred Byron or Lord Nil
ton would have thrown out their
chests very much il they had wrote it.
but coming from a every dav kind Of
a fellow, like you, I think it is fine.
Why don't you try writing something
about love? This is the time of year
when everyone turns to thoughts Of
love and all them tender emotions
which reigns in human breasts"
The Missus wouldn't like it IL I
was TO write love poem, said the
Head Barber She looked at me kind
of suspicious when I showed her this
piece, and asked me If | was getting
nutty in my middle age. bur she
would feel a lot angrier with me If
she caught me writing q love poem.
Love poems amt safe things for mar
rled poets to monkey with"
You know best about that,
George. said the Manicure Lady, but
think any poet has a right to write
about love any time, Love is so love-
~, If YOU do try writing one, ! wish
you could ring me In. Then 7 will
read 1t and make believe that you are
real poet making love 10 me. Here
comes the old rummv you shaved
Yesterday and got the dollar tip
from"
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

guess you'H have gotten over i by
Tomorrow morning
When she was gone ! sat down be-
fore the fire. ! did NOT cry ! felt as
II had reached depth Of suffering
that was thousand fathOms too deep
for tears do not think wept again
for many months afterward, and then
II was a great joy not great
grief that brought me a burst Of
blessed tears.
But could hear my dear good
Price crying behind me, and when
said
Now, you see for yourself that
can not remain in this house any
longer" she answered in a low voice:
Yes. my lady
Il must 90 at once-to- night II pos
sible"
You shall Leave everything TO
me my lady
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

Does the baby talk YETI" asked a
friend of the family of the little
brother.
No" replied the little brother, dis
gustedly He don't need to talk. All
he has to do is yell, and he gets ev-.
erything in the house worth having.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
o Up-to-the-Minute Jokes o

Marcella-Mr scarborough seems
to be greatly bothered with indiges-
ton.
Waverly-I should say so. He re-
fused to attend a moving picture
show the other evening because one
Of the scenes had a banquet i'm IT,
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
seventy-seventh Chapter.
IT HE bell rang, but, Of course,
did not go down to dinner

| did not go down to dinner
AS soon as Price had gone off
/ TO make the necessary arrangements
| ] turned the key in the lock Of my
! door removed my evening gown, and
! began to dress for my flight.
| Ny brain was numb but ! did my
! best to confront the new situation
| that was before me.
Hitherto | had been occupied with
| the problem OF whether I should or
should not leave my husbands house:
now ! had to settle the question Of
where | was to 80 TO.
I dared not think Of home. for
| Messy Macleod and Aunt Bridget
apart the house OF my father was
the last place I could fly to at a
moment when | was making dust and
ashes Of his lifelong expectations
Neither dared / think Of Sunny
Lodge, although I remembered, with
a tug Of tenderness Christian AIMS
last message about Sory O'Neilrs 1T
tie room that WIS always waiting COR
me-fOr thought of how ] had bro
ken my pledge to her.
The only place l could think Of
was that which Martin had men
toned when he wished to carry me
away-London. In the mighty world
of London | might tide myself from
observation and wait until Martin
returned from his expedition,
Yes. yes, London" ! told myself
in my breathless excitement, little
knowing what London meant.
! began to select the clothes | was
to carry with me and to wear on my
Journey. They must be plain, for
had to escape from a house in which
unfriendly eyes would be watching
me They must be durable, for dur
ing my time OF waiting | expected to
be poor
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
By ADELAIDE.

Copyright. 1914. by International News
Service.
tn HE Brazilian Maxixe, what is it,
II is a dance evolved from the
languorous life Of warm eli
mate, sunny skies and Temperament
tai, slowly rhythmical music. Like
the tango, II IS an adaptation merely
that, nothing NOR, for the tango Ia
the original could never be dance I
here; 1t has been 80 modified from
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

vided into four parts, but as the
third movement is an exact repe-
tition of the first and second perhaps
1t would be better to outline the steps
under three main divisions
In the first movement the man
stands facing the girl with her hands
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
News Spread.

NV husband stood for a moment
with his mouth agape Then he be-
gar to laugh-loudly, derisively'
mockingly
Nothing TO YOU, am ! ? You don't
mind bearing my name, though, and
when your time comes you'H expect
IL TO cover your disgrace
His face had become shockingly
distorted. He was quivering With
fury
That's not the worst. either he
cried IT'S not enough that you
should tell me TO my face that some
body else is your real husband. but
YOU must shunt your spurious of
spring INTO my house. Isn't that what
IL an comes TO all this
damuable fuss OF your fathers
that you are going TO palm Off on
me and my name and family your own
and this mans BASTARD
Ard with the last word. in the
drunkenness OF his rage, he lifted his
arm and struck me with the back OF
his hand across the cheek.
IKE physical shock was fearful but
the moral nfamy was a hundredfuld
worse. ] can truly say that not alone
for myself did ] suffer When my
mind, still going a. lightning speed.
thought Of Martin. who loved me so
tenderlN I felt crushed by my hus-
bsnd's blow TO the lowest depths OF
shame
] must have screamed. though I did
not know f. for at the next moment
Price was I'm the room and ] saw that
the housckeeper drawn perhaps. as
before hv my husbands loud voice.
was on the landing outside the door.
But even that did not serve TO re-
strain him.
NO matter" he said After what
has passed YOU may not enjoy to-
morrows ceremony But you shall 20
through it, Bv heaven. you shall
And when 10 is over. 7 shall have
something 10 say 20 your father"
And with that he swung out or the
room and went lunging down the
stairs
was sti, standing in the middle OF
the floor. with the blow OF nv hus-
bands hand Ungling on my cheek.
when Price after clashing the door IN
The face OF the housekeeper said.
with her black eyes abaze!
We'll. 70 ever wanted 10 be a man
before tO-davt"
News OF the scene went Ike wild b.
IRE through the house, and Alma S
mother came 20 comfort me IN her
crude and laundering way size told
me Of d similar insult she had suf-
Tered n the hands % the bad Lord
Paa," and bow p had been the real
reason ~ her going 10 America
Us married ladies have much 70
plt 70 with But cheer Up dear!s,
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
Bank Book Useless.

hunted out some of the quaker
like costumes which had been made
for me before my marriage, and when
/ had put them on | saw that they
made certain deduction from my
appearance, but that did not matter
to me now the only eyes I wished
to look well In being down in the NJ
arctic seas.
Then | tried to think OF practical
matters-how | was TO live in Lon
don and how, In particular, | was 20
meet the situation that was before
me. Surely never did more help
less innocent confront such q serious
problem. l was woman, and for
more than a year | had been Wife,
but l had no more experience Of the
hard facts Of material existence than
child.
thought first Of the bank book
which my father had sent me with
authority to draw on his account But
II was then p o'clock. the banks were
closed for the day, and knew enough
OF the world TO see that IL attempt
ed to cash a check In the morning my
whereabouts would be traced That
must never happen; | must hide my
self from everybody: therefore my
bank book was useless,
NRulAt uNtitNSt / AituAEtflt THROW INK
il aside like so much waste paper
l thought next of my Jewels But
there / encountered a similar dill
Guilty. The jewels which We're really
mine. having been bought by myself
lad been gamhled away by my hus-
band at Monte Carlo. What re-
manned were the family jewels which
had come To me as Lady Raa but
that was a name was never more to
bear, a person / was never more 70
think about, so ! could not permit
myself to take anything that be
lonRed TO her
The only thing left to me was my
money ! had always kept a good
deal OF il about me. although the only
use had had for II was to put II in
the plate at church, and to scatter il
with foolish prodigality to the boys
who tossed somersaults behind the
carriage on the road
Now / found II all over my room
in my purse. i'm various drawers. and
on tie toilet tray under my dressing
glass. Gathered together. u counted
up to IS pounds. I owed four pounds
to Price and. having set them aside,
] saw that ! had "a pounds left in
notes, gold and silver.
Being IN the literal and unConven-
uonal sense utterly ignorant Of the
value OF siXpence. ! thought this a
great sum amply SUFFICIENT for all my
needs. or at least until secured en-
ployment-fo ! had from the frst
some vague idea OF earning my own
living
Martin would like that" told my
self lifting my head with a thrill Of
pride.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

Copyright. 1919. by Herrsrs Magazine
Copyright 1918. by HearsJ Magazine.
Copyright IN Grea, Britain Copyright.
1913. by J. B Lippincott Company.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

that is, the dancers having at their
command a fair amount of supple
ness may learn the steps to exact
ness anC reproduce to some extent
the wonderful grace Of the body and
arms in the make movement The
entire movement may be roughly a.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

the original A. gentine movement
danced to the tinkle of the cas-
tanets and with all the abandon of
the race in its Interpretation, that
save for the name the tango would
hardly be recognized abroad
The Brazilian Maxine 10 adaptable
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

TIME tip Of a girls nose! Some
times rounded, occasionally
painfully sharp; often saucily
upturned, and just as often dropped.
Preferably white, but sometimes. ow-
Ing to indigestion or poor circulation,
a little too pink, and oft times for
similar reasons, 4 little shiny.
She can not change the shape,
which is fortunate, for this would
mean another torture. since no girl
is ever satisfied with her nose. But
she can put little powder on the end
and hide the pinkish hue or cover the
shiny spot
She could. OF course, so 10 the root
Of the trouble and eat fewer sweets
and deny herself rich pastries, but
self-denial is not characteristic Of
young girls And they are not by
themselves IN that,
There is nothing on the market as
inexpensive as face powder Il is the
one thing the nigh cost Of living
should affect, and the one thing il
does not For 80 cents a girl may buy
enough face powder 60 last her a
month and II she continued to use il
as sparingly as the first time. when
She gingerly touched that pink or
shiny spot on the tip of her nose and
then rubbed IL off. a 10 cent can
would outlast several generations.
Ia
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10
TO-DAY's INSTAILMENT.
seventy.sisth chapt.r-Continued.

Ny head was reeling. my eyes were
dim, my palms were moist felt as
n ! were throwing myself over d
precipice, but ! answered;
ut is perfectly true"
] think that was the last thing he
expected. After a moment, he said
Then you have broken your mar
rage vows--is that IT."
Yes; il you call It So
call it so? Call it so? Good heay-
ems, what do you call IT,
] did not reply, and after another
moment re said:
But perhaps you wish me to I'M
derstand that this man whom ! was
so foolish as to invite to my house
abused my hospitality and betrayed
my wife. Is that what you mean"
no" said. "He observed the laws
Of hospitality much better than you
did. and II I am betrayed ! betrayed
myself"
L shall never forget the look wish
which my husband received this con-
the air Of an injured man and said:
What? You mean that you your
self deliberately
Good God"
He stopped for a moment and then
said with a rush:
Il suppose you've not forgotten
what happened at the time Of our
marriage your resistance
and the ridiculous compact submit
ted to- Why did I submit? Because
/ thought your innocence, your con
vent bred ideas and your ignorance
OF the first conditions OF matrimOny
But I've been fooled. for you
now tell me after all my
complacency that you have
deliberately In the name OF
God. do YOU know what you are
There's only one name for q woman
who does what you've done. DO you
want me TO tell you what that name
is2"
was quivering with shame, but
my mind which was going at light
ming speed, was thinking OF London.
OF Cairo. Of Rome. OF Paris.
why don't you speak," he cried,
lifting his voice in his rage. Don't
YOU understand what a letter Ike
this is calling YOU"
My heart choked, But the thought
that came to me that. bad as his
own life had been. he considered he
had right to treat me in this way
because he was man and l was
woman brought strength out OF my
weakness. so that when he went on
to curse my CHURCH and my religion,
ga wing this was all that had come Of
the mummery Of my masses" ] fired
up for a moment and said
you can spare yourself these bias
phemies. II ] have done wrong, II ls
]. and not my church, that is TO blame
for IT.
IF you have done wrongl" he cried.
Damn II, have you lost all sense OF
a woman's duty TO her husband?
While you have been married to me
and ! have been fool enough not to
claim you as a wife because l thought
YOU were only NJ company for the
saints and angels, you have been
prostituting Yourself to this blusterer,
this ."
THAT is a lie" / said stepping up
TO him in the middle Of the floor. ITS
true chat / am married to you, but
HE is my real husband and you
you are nothing TO me at
All
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1914-04-10

" Be Continued To morrow.