New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-07-28
REAPPEARANCE OF TABLJFP
Some Apron-Length Panels on Skirts Have Sash Ends
and Others Are Extended Into Bblke
Pastrons Rodices
/, OMETHING had to be do,

their patrons began 10 complain and.
anticipating those rnurrnurings. hast
ened 70 revive a long neglected
isshlcr-the tsblier or apron
length iron, panel. In reviving
,his charming detail the various de-
Sgners have followed individual
methods.
individuality in Tablier Sash.
One model shows the apron panel
It knee length, gathered 70 the Wa. p.
5snd concealed under the broad
crush BELT OF a sash which may be
kno,,ed a. back or half way over
either MP. The arrangement Of the
,abli.rs sash is purely a matter OF
individual fancy.
Really charming IS the arrange
men; c: the blue crepe sash on /
:rock II rose crepe whose tablier.
It SEE material. is scanned 20 the
SIDES .; the long overdress. from
wais;5and 70 base Of hips. There
one end OF the sash, which so en-
c.:c,es me hips at back that the
ove.dr-ss slightly pu5s above II.
runs under the tablier and al the
oppos;-e side is knottcd in short
loo1s and ends. An entirely sepa-
rare strip OF blue crepe makes
hisa crush girdle over which slight
" 5.ouses 4 bodice-no bodice is
very tull these days-whcsc v
opere6 neck is finished with a blue
c.e1e collar. The collar. too. is more
rovel than either he tablier or
Us sash. for. although at back and
SIDES = stands far away :rorn the
throat. u IS fully six inches broad.
Ore-.h,rd OF that extreme width,
however. makes d facing FOR the
,wo-iach wide upright band which
sucoo--s II and 70 which the crepe
IS so gathered that i falls in de-
Ec.o-s it;le ripples across the back
and the shoulders without actually
touching them.
Quaint Bib Plastron on Pink Linen
Frock.
Years ago. when the taolieT was
as, fashionable. i rarely extended
s.ove me waistline But as seen
c. some OF the late models, II is
r1- under the belt or girdle as a
-.ast-on trimming for the bodice.
A particularly charming phase OF
t--s treatment shows IN girls
rock il pink liter whose taoher,
ve-v narrow and barely extending
Ger the hips, actually starts as
low b.b-iike plastron buttoneo at
esca corner 10 the base OF sleeve
less bodice whose fitness It fat
tens a. the waistline.
An apron front which would DC
merely z panel were II not gathered
10 re belt falls almost 10 the ankles
Q: ve.vet bordered blue tafeta
szir. Obviously It's mission IS 70
, break ne cross lines OF a uer OF
thee sca.loped aounces with velvet
band edges covering the skirt from
was. C knees. Thus prominently
broken a. four places, this skirt
would Re impossible for any save
a. extremely tai woman, were II
no. :or The narrow panel which
gives ~ appearance Of length from
re wa,s, down. Above the girdlc
- ne long line effect IS continued
il surphce crossed mousquetaire
sleeve bodice.
silk Nousouetaire and Full Tablier.
Co-oaratively few women realize
how much these set-in and very mar
-ow wrist-long sleeves contribute
70 ne appearance OF slenderness
end height. But that oouturiers
generally believe II IS evidenced by
y. FAC, that uousquctaires gcner-
ally belong 70 a bodice accompany
ing = tsolier treateu skirt. Sucn
sleeve. untrinmed, are markedly
loag and clinging in white silk or
embroidered net frock whose full
,sb...r is bound and scalloped az the
lover edge.
They are quite as long, but not
50 PLAIN. II banana tsfeta garden
! party gown whose tablier in white
tulle and Valenciennes encircles the
back and sides Of the figure, but
opens IN The front over line OF bug
tons running the length o' the
skirt And the same long line ct
feet from shoulder 20 wrist obtains
N an afternoon costume in rose
crepe, and embroidered rose tulle,
mounted upon white satin founds-
ton. IN this instance. however, the
Inc 81 ~. tsblier itself is broken by
TER Of three deep tucks OF gradu-
s'ed widths. definitely separated.
Lsoped Crepe Sash with Girdls Fringe.
IL u.rSf~ IL IL. r.r.i .hn.ua one