davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
NEW THEATRE OPENS
The Marriage Of Columbine'
To Be Presented.

The new Punch and Judy Theatre,
on 49th ST., near Broadway, will open
for the first time next Tuesday even
ing, when "The Marriage of Colum-
bine." comedy in four acts by Harold
Chaplin, will be the initial Offering
"The Marriage Of Columbne" has
been PLAYED successfully IN England
and Scotland. but will be seen for the
first time on this side Of the Atlantic
next Tuesday evening. Harold Chaplin.
the author. is we'll known in England
as { producer and writer of short and
long PLAYS. lie is known 10 have made
a study of the folklore Of the English
provincial circus. and he gives IN this
play an intimate view of their home
life
The Marriage Of Columbine," al
though designated q comedy, is said TO
have q marked pathetic note IN the eX-
perience of little Columbinc, a dancing
giri IN the latter part OF the nine
tcenth century. The scenes Of the play
take place mainly IN the lodgings OF
Scaramouche. the principal clown Of
the circus. ~ the town OF Dorchester,
toward the end of the last century
The PLAYERS are Charles Hopkins.
Herbert Nosc. Edward Emery, Charles
Hampdeu. John Edward Emery, Mrs.
Hopkins. Louise Closer Hale, Eleanor
Carey, Vera Pole and Linda Bolton.
There viii be matinees on Fridays and
Saturdays.
This little theatre is different from
any other playhouse in New York.
The outside is quite fascinating, with
Punch and Judy themselves IN bright
mosaic on either side of the facade,
and again in the stained glass of the
entrance doors. Up above are old
fashioned lattice windows, just the
sort from which Punch used to shrek
his remarks in our childhood days
The interior carries out the idea.
The carpet is a soft green, like well
trodden grass, and the reddish tan
stucco walls are unobtrusive. They
have walaut strips at intervals for
decoration. but the walnut" like the
wood" Of the boxes and seats, is
really painted-ovcr concrete. Only the
handrails and arms of the seats are
what they seem to be.
As in the Little Theatre. there are
299 seats-247 in the auditorium, which
has long. straight benches like church
pews, and the rest in the boxes. which
form n tiny straight balcony on each
side. Each box holds only two; what
an inducement for the sentimental,
Furthermore, the dressing rooms for
the cast are at the back Of what should
be the balcony, and runway goes
along behind the boxes down 20 the
stage; 50 perhaps the boXholders will
be allowed to peep through the door
and see Columbine and her associates
en- route for the tiny stage, which is
Just half the size OF the tiny audi
forum
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
PLAYS AND PLAYER
Cyril HarcOurt ON Talent-G George "
Robart-Jomes'sT Two Characters.
Bv HECTOR TURNBULL.

ing. and which. Judging from its recep-
ton, is destined to remain some time
at that playhouse.
II is safe 10 say that no other drama
list writing for the English speaking
stage could have extracted the subtle
comedy inherent in such a situation,
and certainly no other English speaking
actress would be capable Of interpret
ing the comedy in its infinite nuances
with the same sureness and deftness of
touch as that which we are justified in
from Marie TempeSt's ripened
art.
Jones has frequently. and with rea-
son, been accused OF harsh cynicism
In treating Of the foibles of feminity,
and there will be doubtless those who
will go away from the theatre feeling
a lump in the throat for poor Lady
Bodsworth. Which is precisely what
Jones intended they should feel.
For in Lady Bodsworth, with her
badly and sadly "made-up" complexion,
her glittering, golden hair. triumph
of the chemists art, her bad figure. her
ugly gowns, her lack of taste IN all
things and her overwhelming middle
class espectability-in spite of the
aforesaid hair and complexion, in this
UOOls wei meaning trump VI a NOildlls
Henry Arthur Jones has drawn an
archtype Of feminity which is just as
prevalent in Canada or the United
States as It Is in provincial England.
She is a woman born, not TO shine in
society, like the dashing Mary Wichel-
10. but to stay at home. raise babies,
mind the house. and die in the odor
of sanctity. Her only error consists
in trying TO he something she is not, in
aspiring 10 be chic, elegant and a la
mode, whereas, poor creature, she
hasn't even the faintest instinct for
any Of these things. Her worst defect
is a total paralysis of the ability TO see
a joke.
For a woman handicapped by such
physical and mental limitations to at
tempt 10 pattern herself and her man
ners after another woman of the type
OF Mary Wichello, and, worst Of all, TO
try 10 assert social precedence over
her just because she happens to be a
'your ladyship" while the other is a
plain Mrs. is one of those fatal blum
ders which only a stupid woman is
ever guilty of.
In the role of the piquant Mary Miss
I Tempest has one of the most congeniai
in all her career, while TO Miss Kate
Sergeantson, the finest grande dame
on the London stage, falls the part of
Lady Bodsworth.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

George V. Hobart is determined to
live down the tradition that a funny
man can never be serious, and has
started to 90 so with no little effect in
his modern morality play, Expert
ence," now at the Booth Theatre. Mr..
Hobart, the creator of Dinkelspiel, is a
writer of uproariously funny vaude-
vile sketches, is q commentator on
plays and affairs, and last, but not
least, is the official libretto maker of
the Ziegfeld "Follies," and has a large
place In the heart of the American
playgOcr. When he wrote expert
ence," however, he never intended it TO
be a public entertainment 1t was
written i'm the way that poets write
sonnets for themselves alone, and i'm
the way that sculptors are said to
chisel statues which never 90 beyond
their own studios.
Experience" was this moralist's
comment on humanity. 1t was written
in a short time for one Of the Lambs
Gambols at the famous clubhouse in
44th 81. William Elliott. who had been
away from the stage for many months,
returned to play the role of Youth i'm
the all-star gambol. and Immediately
thereafter purchased the rights of the
piece for autumn production.
Mr. Hobart does not believe that the
writing time of Experience" occupied
in all more than seventy-two hours.
Six of the episodes were written in q
short space of time in two afternoons.
The dive scene, with its vigorous ac-
ton, was written in a parlor car Of the
New York Central en- route between
New York and Albany. This scene was
not in the original play, but was put in
after one or two rehearsals out of
town, and is unquestionably one Of the
strongest of all the episodes.
Mr. Hobart says that in writing ok
perience" he was animated by no par
tlcular purpose or inspiration other
than 10 write a play of human life as
he had found 1t, with its aspirations.
its Disappointment. its grotesque de-
feats and its sometimes empty tri-
umphs.
His success won immediate mana
gerial recognition, for the piece was
not forty-eight hours at the Booth The
atre before he was managerially posted
to dramatic Edna Ferber's delight
fully energetic and typical American
woman. Emma McChesney. He has al
ready undertaken this work. and the
self-rcliapt Roast Beef Medium" girl
will be sent before the national foot
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

Il IS the contention OF Cyril Har-
court. author OF a Pair Of silk Stock
incs.o the current attraction at the
Little Theatre, that If man IS born
with poetry in him he will find some
way of expressing it, no matter what
the circumstances Of his birth or en-
vironmeut.
He draws this observation from the
psvchology OF his own experience ar;
Hsrcourt was born Of a family that had
very little sympathy with the theatre
and conscCuently looked with alarm
I,pou tho liking for it chat he evlneed
ea1lv in lie. lie was just about ten
wears OF age when the spirit moved
him 10 esDouse the cause OF Meipo-
meme. ana it was then that he was
ted iust a bit closer with the maternal
spron-string.
"lf I was not 20 be an actor he
saws. 81 was bound TO give vent 10 tne
noetrv in me or die. And after MAN.
aabufs in oSsaylng its express on III
byohibited directions j suddenly DIS
covered that there was poetry 10 mo-
lion. in seeing machinery 90 round IN
creative mechanical work. Inere was
10 opposition TO be met ln becoming
mechanical engineer, so ! entered upon
that profession. But ! never forgot
that there was something that more
nearly fulfilled my desire.
an time ] learned something Of the
inspirational qualities OF music
studied at the Royal Academy OF
Music and became singer. IrouD4e
with nv throat put an end 10 tLaJ,
u 90 LII
meet nv family objections ami at
the same time find congeulal work.
Nv people wanted me 20 enter the
Church. There were always Dlshops
and Wears and curates among my rela-
tives. Ny brother is canon and the
late Archbishop of Canterbury was CT
my kin. Incidentally, that proOaoly
accounts for so many religious WORKERS
i'm nv PLAYS. In fact, ! actually stud
led for the Church But all at once
realized that / was q free agent, broke
loose, and went my way.
you know. il isn't such daring
thing TO 90 upon the stage IN England
as il seems to be here. Acting there Is
a profession like anything else. feoplt
take il up for sheer love of It, and that
was how 10 came about with me.
"But have practically given up act
ing now. 1 act IN my own plays be-
cause like it. but outside Of that not
at all. Writing was the next logica
step. because it is essentially more
creative, and writing implies the whole
field of literature. As a novelist
wrote The Worlds Daughter and MS
SEQUEL, First Cousin 10 q Dream,
which is shortly to be published here;
as a dramatist, a Place in the Sun,
produced in England, and A Pair OF
SILK Stockings
"That is why ! so sincerely believe
that there is no such thing as re-
pressing talent. II may be tnat th'
poetry that was in me stayed there
and never came out, but that it wa:
there in the beginning l am certain"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
MAns,,ur. HOWARD, BEAUTY" IN EXPERIENCE"



Barrymore ana Jane Nie5 81 me stars
at the Republic
"THF ONLY GIRL q pleasing con.
bination Of music and comedy, az ihe
39th Street Theatre.
- ~ -, - Fls;e F.rg-.or st b..,
49, ~ ~. Tvceum.
D'''' "
"PAPAS DARLING" an attractive
ana 'aneIuI Hu''e"' ''''--'' Oh '"'
Ne" Amsterdam
..,.,r, -...i c..... -.......,
81 H. 4 typl0@c' .-I ~.
cast.
,,.,. conn -. D.. D... ~.
ma SoHl' " pisa' ..,.. az.
Donaio iias-'is'' "'." o.
1"e ii"ii'''
THE RATTLE CRY me.odrans
Of Kentucky me- ar me LYRIC
ar,vprprr>-cEv- ,,t... ro-..,.v
play, at the Booth.
..rrru,, 81, 49, and ts.. f.rs..
tacular melodramas, 10 the Manhattan
Opera House.
4 .DrprO,rACvT --.. -.,.,..r ~ S,,.
- ;,-,oros+i1,, rie, 40 -le rmnire
with william Gillette, Blanche Bates
and Marie DOro.
~, - ..r,o,.D-rsy
"A PARK OF sin 'I', N'.'''.,
I0H|EIlL
ion by an English cast A. Che Little
, Theatre.
CHIN Il hlN is NoA. Z
stones pest venice ana . ...'., a.
humorous evening enter
up y G VI Al 10 NJ George heraAi /,
Shaw's idea Of a romance. iu q.
Mrs. Pat Campbell and a good cast AZ
the Liberty.
. ,-.... ..i.
drama. with Walker Whte.ae as ite
villain. az the Maxine E.io-.
-. ia.
MY LADl = phEHN' ..'. ''''
---.. A.
THE PhANlOA XIV Al' t"..'
most charming play we nav, 81. m.
Belasco.
.. ------,, Old. ., -.v
"DANDINH AhON->H' ~.
costumes ..Ii5.nE s0'''.'' .-,rsctiys
dancing at the Winter Garden
,.,.u.,,, prDc L...-t. ....., ,,,.s
~, ! W ~ II. DE- ,;,.,;oD. a- -.s Faiton
N'''0'
THE HAWK an Interest ne venice
for william taversnam AND .'-' D''
ziat, at the Snuoert
DADDY LONC-LFCS comedl
with charm and Ruth tna f'oh' I"
the Gaiety.
...... -..i..
drama by George Broaahr.. 90 the
Forty-eighth Street Theatre.
.,rtrr ,,rpAcrT nav. .. ....,rge 81
Cohan's most ambitious etof. ana !
both interesting and well f.'.el' ."
the Aston
nun ppNcrcS Tlrrsrrr present.
ing five interesting plays. "i.h o. s'0'
cast of players.
INNOCENT" a second clifton e
The Vampire, ' well acted ana ri.',y,
ed IN a noYal manner "- -.
.., No.. r, ,--,-rorr-..r , ioll,
IL TAI = ~ tAIf Fif 80
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"She looks like an impropriety," Is
what one lady said Of another present
at a dinner party. And, Of course, the
other lady heard the remark, as one
always does hear the unkind things
said about them when the person who
Jaws them does so at the time and in
the place when and where one cannot
lelp hearing, and especially when, as
i'm this case. it was intended that the
adv so mangned should hear. Mrs.
Richard WichcllO, known 20 her friends
as Mary, was the lady guilty Of the
SANDER. while the lady slandcred was
none other than the brand new, freshly
created Lady BOdswOrth. As plain
Fanny BodswOrth. wife of plain Mr.
Thomas Bodsworth. Fanny was not d
bad sort. in spite of her vulgar breed
ing, her lack OF any pretence to culture
and her utterly impossible taste in
dress. while as 10 responsibility poor
Fanny might have declared in all truth
that Caesars wife had nothing on her
i'm that line. As a matter Of fact Lady
Bodsworth was deadly respectable, and
nobody knew il better than the enc
and clever Mary Wichello.
But since she had been presented
with a title Fanny had taken on all the
airs and grand manners Of a peeress Of
the realm. and at this dinner party
where the trouble began she had, as
I adv Bodsworth. insisted upon pre-
ccdine Mary Wichello in to dinner, and
mat in a house and in a city where the
latter had always reigned supreme.
Aronnd the lawsuit which ensued and
he Grand row generally that these
ladies' and their respective husoands
and friends preclpitated upon tne
peaceful security Of WarElnstaiI' M I
Henry Arthur Jones has woven tne
texture Of the delicious comedy mary
Goes First" with which MISS MARIE
Temnes, opened her repertory season at
a. Cnn,ad, Theatre last Monday even
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
u gSas@S;.n

address on the war. Mabelle Adams
will play the violin. Charles Conway
will present his Dickens impersona-
tions, and Blanch Bates, Burr Mcln-
tosh, Maclyn Arbuckle, Beatrice
Forbes Robertson, Claire Hummer,
Mrs. Conrad Kimball, George Carrie
and Flora Hardie will entertain in
divers manners.
The proceeds from the benefit will
be used for the purchase of motor am
balances, and 10 per cent Of the re-
ceipts will go TO the Faversham fund
for the relief of the destitute families
OF actors in Europe
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
DUTCH
Dolls AT
CHlMalN"
OF Ire
GLOBE

Sitgreaves, Mabel Mordaunt, Marjorie
Hummer, Dion Titheradge, Richard
Dix. Harold de Becker and Casson Fer
gusou.
What Do You Know About That? ?"
farce, by Claire Hummer, will be
played b. Roland Young, Margaret
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
DANSE DIES FOLLIES.

At the Ziegfeld Danse des : N
atop the New Amsterdam 1 heHs.N'n
two orchestras, one a band OF "a q
musicians, the other am tehsss;~eA.h.
negroes, are attracting crows
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
BENEFIT ENTERTAIN
Elaborate Programme Planned
for Lyceum Theatre on Friday.

A mammoth entertainment for the
benefit of the British War Relief AS
ISOLATION will be given at the Lyceum
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08
CURRENT ATTRACTIONS.

"MARY GOES FIRST" a delightful
comedy. by Henry Arthur Jones, ad-
mirably acted by Marie Tempest and
her company at the Comedy.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

MARIE TEMPEST IN MARY GOES ylRsv" ct tie COMEDY
of tie COMEDY

lights about January I. With this Mr.
Hobart has some full length drama
plans of his own.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

KICK IN" a first rate melodrama
played by an excellent cast, with John
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

played by Ynoz Seabury and p. j.
Maccord.
"Gruesome Grange" melodrama, by
Anthony Hope, Comyns Carr and An
thony Marshall. will be given by an all
English cast. comprising Frank KEN
bic Cooper, IL. Cooper ClIlTe, Beverley
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

William Faversham in his famous role
of Jim Carston George Fawcett will
again appear as Big Bill, and Miss
Mabel Morrison as Nat-u-rich. Edwin
Milton Roylc will appear as Petrie
after an absence of fourteen years
from the stage. The other roles will be
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"THE LILAC DOMINO" a h's >,
pleasing and graceful operei'.s, M
sung at the Fourth-iourth SiIes'
gfrc
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

THAT SORT a play bg Basil Ne
Donald Hastings, with lal nova, al;
the Harris.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

THE BATTLE CRY" melodrans
of Kentucky life, ar the Lyric.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"EXPERIENCE." q modem morality
play, at the Booth.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"CHIN-CHIN7 is Montgomery and
stones best vehicle. and ID wholesome.
humorous evenings entertainment a,
the Globe.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"SUZI." typical Casino musica.
comedy. with Jose Collins and large
cast.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

LIFE" the biggest and be.t of spe,-
tacu.ar melodramas, 20 the Manhattan
Opera House.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

DIPLOMACY" line revival ~ Sar-
dou's interesting play, ~ the Empire.
with William Gillette, Blanche Bates
and Marie DOro.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"A PAIR OF SILK STOCKINGS a
Jolly comedy PLAYED in excellent tase-
ion by an English east. A. -le Little
Theatre.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-11-08

"PYG MALIO NJ George Berrar!
Shaw's idea Of a romance. fl,i ~
witty dialogue and well presented @l. !.
Mrs. Pat Campbell and good cast. A.
the Liberty.
The day book. [volume] (Chicago, Ill.) 1911-1917, 1914-05-21
STORY OF coLoRADo's CIVIL /
WAR REACHES CAPITAL

WAR REACHES CAPITAL
Washington, May 21.-The story
of COlorado's civil war, where women
and children fell victims of the bat
ties between desperate coal strikers
and gunner and state militia was
carried to the White House today.
The women who have suffered,
some of them bearing scars of the
conflict, came to the nations capital
to protest, in the name of humanity,
against the, terrorism that has wiped
out of existence peaceful communi-
ties and cost 200 lives in seven
months.
They came here with Judge Ben
Lindsey to tell President Wilson all
about it and to demand that he, as
head of the nation, end situation
that is admitted by both sides to be
intolerable.
Lindsey himself is going from here
direct to John D. Rockefeller in New
York to ask his cooperation. AS the
dominant figure in the Colorado coal
industry it is admitted that the "oil
king" can restore order Immediately.
The feeling on both sides is so in
tense that it is admitted unless some
plan can be arranged before the fed
eral troops are withdrawn from the
district a far bloOdier conflict than
any heretofore witnesses is inevitable.
Lindsey hopes to get concessions
from the elder Rockefeller that will
make such a plan possible.
The women of Colorado who are
here include. Mrs. Lee Champion, who
at the instance of the Woman's Relief
Association of Denver went to the aid
of the women and children victims of
the milida's wrath at Ludlow; Mrs.
Pearl Jolley, a miners wife, who saw
ed many lives; Mrs. Mary Petrucci,
and Mrs. NJ. H. Thomas, the latter ac-
companied by her two children, a girl
of four and boy of six.
Mrs. Petruoci saw her own babies
killed bV fire in the death hole" at
The day book. [volume] (Chicago, Ill.) 1911-1917, 1914-05-21

GIRL PROTESTS EXAMINATION
AT SEARS-ROEBUCK PLANT
When got my job here at Sears
Roebuck they make me take off all
my clothes. A doctor squeezed and
pounded me all over my body. 1 had
to open my mouth for them to look
at my teeth. Then they said jump
up and down and run around the
room. They put me on scale to see
how much l weighed and they wrote
down everything about me, the color
of the hair and eyes. They said it
was to help me and they are making
everybody in the whole works more
healthy. l guess so. 1t looked to me
like they don't want anybody to have
a job unless she is healthy"
This is part of letter that came
yesterday to Oscar F. Nelson, chief
state factory inspector. 1t was sign
ed with initials only
Nelson said it is one of several let
tiers and telephone conversations all
giving information about the physi-
cal examination systems that are
now run by Sears, RoebUck & Co., the
International Harvester Co., Mont
gomery Ward & Co., the Chicago
Telephone Co. and Swift & Co.
Five years from today, Nelson pre-
diets, no man, woman or girl will be
able to get job working for any big
Chicago corporation unless he or she
will stand for a complete physical ex-
animation.
''In the same way that these cor
pOratiOns buy horses they are going
to buy the labor of wage-earners, "
he said. "Only those who stand up
against certain tests will be able to
get by and go on the payroll.
"The stable superintendent buys a
horse only after he has run his hand
over the muscles. opened it's mouth
\ L = IL L i -
St. Landry clarion. (Opelousas, La.) 1890-1921, 1914-10-10
Clerk, Antoine Speyrer.

Clerk, Antoine Speyrer.
Observation-Disclosures Louis
Mouret, C. C. Devilliers, Alexandra
Sicily; Clerk, Adam Mcbride.
NEUTRALITY-SUSPICIOUS. 6. De-
Kerlegand, Armstrong Smith, Edwin
Martin; Clerk, j. E. Delahoussaye.
Bayou Current-Commissioners: G.
v. Berger, Frank Anderson, Robert
Gordon; Clerk, Cap. Boykins;
Melville-Commissioners: C. C. John
son, William Lena, Sidney Deloach;
Clerk, Ira Westbrook.
Waxia-Commissioners: Edgar De-
jean, S. C.. Taylor, j. j. Beard; Clerk,
Sidney Reynolds.
observation-disclosures: A. A.
Richard, Jake Meyer, Ernest Soileau;
Clerk, Frank Charles.
Big Cane-Commissioners John
Hubbard, l.. L. Ganson, Sylvan Goud-
chaux; Clerk, Jesse sVannoy.
Observation-Disclosures: r. A..
Pickett, Lester Morrow, H. E. LoWrey;
Clerk, Alva D. Hanks.
Port observation-disclosures James
Mahon, Jos. Dubourdier, John Burleigh,
Clerk, Nick Lahaye.
NEUTRALITY-SUSPICIOUS. Will
liam Elter, John M. Prescott, Armand
Wartelle; Clerk, L. A. w. Quirk.
Garland-Commissioners: w. A. Fie-
gel, Henry Graft, F. R. Roberts; Clerk,
Jos. Reeves.
Observation-Disclosures: Marshall
E. C. Milburn, Daniel McKeever;
Clerk, C. w. Reed.
Grand observation-disclosures Rene
C. Fontenot, Cleophas Doucet, Eraste
Robert; Clerk, l.. A. Joubert.
Observation-Disclosures: u. S.
Levy Campbell, w. A.. O'Quinn;
Clerk, j. F. Milburn.
NEUTRALITY-SUSPICIOUS. Oscar
.omeau, Pete Brown, Martin McGee;
Clerk, Louis Savoie.
Mallet-Commissioners: Robert Nc
Clelland, Emar Lafleur, Edgar Pitre;
Clerk, Jos Boone.
Plaquuemine observation-disclosures:
J. F. Gay, Alcee Dejean, F. D. Cortez;
Clerk, Sidney Cary.
Observation-Disclosures: Andre Ar
,eneaux, Henry Lafleur, C. M. Rich
lrds; Clerk, Henry Landry.
HENRY LASTRAPES, JR.
l.. A. GOSSELIN,
G. P. DUNBAR. oct 10-4t
St. Landry clarion. (Opelousas, La.) 1890-1921, 1914-10-10
Grand Jury to Meet
Nov. 2.

Judge B. H. Pavy has issued
a call to the grand jurors to con-
vene in Opelousas on Monday
Nov. I'd.
The criminal court docket is
very light this year and it is not
thought that the grand jury will
have much of a job in dispensing
with the criminal cases. There
are no sensational cases to come
up for trial before the October
term of the criminal court, with
the exception Of a couple of ne
gro murder trials.