El Paso herald. (El Paso, Tex.) 1901-1931, 1914-10-03

J and usually such an effect can only be
attained by an artist A most impOr-
tanu thing TO remember is not 10 buy
a dress because it pleases your fancy
but because you know 1t viii ac-
centuate all Of your good points. To
many this category Of don Is viii seem
so elementary that they are hardly to
be taken seriously, but unfortunately
they are but few who actually put
these rules into practice
The styles this season are shown in
such variety that there are clothes for
the fat the thin and the negative
woman
Velvet and other pile fabrics, and
the imitation fur-cloths, such as mole,
Persian lamb, cIveu and leopard, are
used extensively for gowns. suits and
wraps, as well as for the trimming Of
gowns
A taupe gown Of chiffon over the
same cOlOred charmeuse had two tunics
which were edged with bands Of imi-
tation mole skin The waist also had
a band TO it TO outline the surplice
waist
Another stunning gown had a waist
made after the jumper style Of Per
sian lamb cloth. The sleeves Of the
waist were Of black chiffon The skirt
was made with a long Uunic of velvet
with a lower skirt Of fur-cloth.
a suit Of black velvet has a jacket
with long ends Of velvet, which tie at
the back beneath q cape-like back.
ne EaIE E-5E4 Win "A 40AL-
band Of Persian lamb The long tunic
of velvet has a band Of this same fur
and is over a narrow skirt Of velvet.
Jet glitters and Elistens on gowns Of
velvet lace and satin Bands Of IL en-
circle the waist. form straps to 20 over
the shoulders and suspend the waists
Of evening gowns. Jet beads and pail
cites are fastened 10 net foundation,
which makes q wonderful scintillating
clOth-supple and attractive, without
Of cloth raF -
ago when IL was so much the rage.
a wonderful evening gown Of velvet
was made with waist cut in a low V
front and back On one side was
draped a triangular shaped piece Of
velvet the point reaching almost to
the shoulder, where il was Joined to
a similar piece in the back with a
band Of jet The other side Of the
waist, front and back. was Of tulle
draped up in the same manner. with
the points Joined together with the
band of jet The skirt was made
with q yoke short on one hip and
longer on the other To this the
lower skirt was attached, which was
gathered about an inch and a half
from the top edge and formed a narrow
ruffle as the heading where skirt and
yoke were joined This skirt hung
straight to the ankles on one side
while on the other it was draped up.
Around the waist was q wide girdle
studded in graceful design with bril-
Iauts
4 dress Of brilliant brocade with
waist full low in the back and skirt
draped up at one side was entirely
yelled with blue tulle. At the back
two ends were fastened TO the waist
and reached out 70 the wrist, TO which
they were attached with bacelets of
Jet. When the arms were raised the
effect was Of transparent azure wings
One-tOned costumes are very smart
Suits Of gray, green, brown or blue
have blOuses TO match Of satin. or
chiffon. A striking suit of beige
colOred corduroy had It's jacket semi
fitted and flaring at the bottom. The
skirt had an upper and lower tunic.
both very wide and ripping in effect
The blouse was Of exactly matching
chiffon, which was made with a u
shaped yoke about the size and shape
of a mans shirt front, which was filled
In with narrow ruffles Of the chiffon
picot edged
The popularity Of the cape coat is
undiminished and is seen in widely
varying fabrics. Those for especfaIlv
dressy wear are OF velvet or broad
cloth. duvetyue, velour or one of the
various fur-clOths. For sports or
everyday wear in cold weather they
are made in tweeds, plaided cheviots
and rough mackinaw cloth The coat
illustrated is developed in rough nov
city wOrsted plaided in green and blue
and black 1t is stunning in its style
and simple in its construction. It is
style which is much more practical
for winter wear than the plain cape,
as IL fits closer TO the body.
Braiding and beading are used eN-
tensively for trimming, and are com
bined charmingly with darning stitch