Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1914-07-05
STYLES Of DAY
LONG PAST ARE
SEEN ONCE MORE
They Look Different, But the
Contrast Is Slight Between
Present Modes and Those
Of Thirty Years Ago,
r-.e... eo..s..o-os~e, TO MORNING 'oua~..

s-<S
srsn,.l co~sss~o.osscs 70 MORNING JouRrsl'
Now York, July i.--frem out of
/ Father Times cncst, from the TIL la
helcd 1880 have come the basque and
polOnaisc. To be Furo they look dil-
fcront, but 50 slight Is the change that
II seems as though IL is the figure OF
the woman rather than the cut OF the
garment Itself that makes them seem
a part az The fashions of 1914. Then
the waists were small and compressed.
nov the lnrpef the waist the prouder
the well built woman II. In fact,
pads have been worn By naturally
,Amall- WASTED women Ia make them
appear larger around the waist than
nature really intended them TO be.
Sashes are worn with these waists.
which tie at low line In the back.
causing or adding to the hustle ERECT
which was also part of the fashions
nhtn thcaa waists wore Worn before.
The skirts of these dresses are
mostly made with the long tunic
though rome are made With series OF
ruffles from hem 10 waist'ine.
The long TUNES are being made IN
sheer and thin materials and are even
more charming thnn In the heavier
materials. 4 dress OF cerlse ercpe with
n ratno stripe is made with long
tunic over narrow underskirt OF the
same material Tho waist " made
with a surpliee front having shawl
collar. A ehemisettc Of folded chit-
fon IN creamy white Is worn. AT the
back OF the waist hanging from the
shoulders To below the waist line Is
circular cape.
Al Rhnl.llnn Illt
Louis XVI hat Of lcghorn. well tilted
np al the back, and upheld by ban
deau of small flowers a sparse
wreath of these same flowers daisies,
roses ana forget-me-n ots) circles the
top, across which black velvet fln-
bon extends, tying behind under the
handeau OF flowers and falling well on
to the hair beneath
Likewise for afternoon and even
ine wear, planned 10 wear with TINS
same icghorn hat. was a sheer or
CANDY frock, flounCcd and pic0t
edged The three tlounces were mar
rover both in depth and width as
they descended. This gave a vide
hip and narrow footline silhouette
There are always occasions when
trips To town or week-ends In the
country are suddenly planned, and II
ones clothes are not in condition Tor
such contingency the pleasurubie
trip "a spoiled For such an occasion
silk dress; light in weight and styl-
ishy made Is appreciated 1t does not
have to be Numbered its simple cut
fits for all sorts of informal affairs
while more drcssy material allow OF
fits being used for the moral formal
occasions The Illustration is smart
example OF dress to fill such need
in blue fOullard. The walst has the
raglan shoulder line with sot-in
sleeves The reverH of the waist turn
buck from a yestee of net, whose
fulness IS gathered up on a sllken
cord. The skirt is made with fullncss
in the flounced lower section, Il Ia
Paquin. The white hat Worn with
this dress is of the stylish tricorn
shape-with single white rose, aud
green leaves set in each indentticn
at the front of the hat with Il long
feather extending from each.
As the girl passes the age or IL
years, dressing her becomes prob
lem. she begins to have ideas of her
own. ana mothers opinions are be-
ing constantly iostled from the even
tenor of her established views of
what is proper, what is too young,
and what is too old, for her daugh
Ter TO wear.
In my admiration is a gflish dress
to strike the hoppy medium of what
mother likes and Of what daughter
likes. Plain white crepe is the ma
terial used. with vest and cuffs of
white crepe, having ratine stripe /
evenly spaced across 1t. The shirred
skirt with tunic is of the latest style /
which no longer confines the ankles, |
but allows free and unhampered mo- /
tons. 4 wide girdlc of royal blue 7
ATTN completes the costume. The /
hair is worn loosely combed back ana 7,
tied at htc nape Of the neck with a 1
large blue satin bow.
The frocks for a young girl follow /
closely upon the style of her moth |
er's dresses. only eimplified to suit her
youth TUNES and painters are mod I
flied. while fluffy ruffles on dresses /
of sheer material are all supreme. a I
dress Of sheerest batistc Is |
made with five ruffles, one above the I
other. Each ruffle is lace edged and |
corded on the edge which is stitched I
to the skirt At The waist the skirt is !
finishe with narrow ruffle and fas- I
tened to the top of the skirt looking /
as though it were the top edge OF the I
skirt. The waist was made with the ,
body and sleeves in one and cut low,
dropping off the shoulders. with the |
fullness corded and drawn up on the |
cord. A tucker of net is finished with (
a narrow frill of itself to fill in the /
neck Of the dress.
Win the returning fullness OF
skirts, accordion pleatng is enjoying |
favor. The lower section /
of the long Dutch tunic skirts are ac-
Gordon pleate1, and sometimes the +
tunic itself with plain lower section. /
A charming blouse is made Of accor-
dion pleated chiffon, which is set on
to yoke which is in one with the (
sleeves.
Many thin froeks are made with a I
hem on heavier material. \ red wolfe /
had a hem of natural colored linen. A I
dress of embroidery flouneing had a F
wide fold Of pink silk set under the /
scalloped edge Of the skirt hem, +
thereby adding to the charm as wen
as TO the durability of the frock.
T00 ATE Tn ri ASSIEY