The Prescott daily news., 1914-10-07

fruits are presided over by old mar ket women. The wares are protected from sun and rain by enormous um- brellas. It is the busiest of the mar ket hours. Gaily dressed ladies are inspecting and dickering for bargains Men in doublets and cloaks and flow cred hats are doing some buying, but more looking. The red tiled roof of the markethouse rises in the back ground.
 8. Chop Suey.
 The fierce dragon looks defiance from either side of the eighth float. while the keeper of the outdoor eat ing place, with celestial satisfaction, looks down upon group of patrons. In front is a pagoda housing large vase. The guests, in Chinese costume, are plying the chop sticks with vigor.
 g. Beethoven Symphony.
 A portrait of the composer ushers in the Prophets tribute to worldwide fame Upon great globe, the singer stands in front of gorgeous sun burst. She holds high the torch of inspiration. Feminine lovers of classic music are acclaiming their enthusi- asm Under tree sits the artist, si. lent and entranced.
 10. Bohemian Girl.
 A woodland setting shows 'the cauldron scene" In front is way side shrine In the background, be- tween old forest trees, faggots smoke and blaze under boiling pot sus- pended by tripod. An old woman is watching the pot and warming her hands by the flames. The Bohemian girl, with her tambouriIe held lightly in front of her, her head archly poised, is listening to the words of the young man who has just ap- preached. Others clad in the cos tune of the period and the country which the composer was representing are listening.
 il. Song. The Prophet has created a beautiful tableau to symbolize Song. Upon high cliff in the foreground, a woman Is striking the chords of a harp. She looks down upon the reclining figure of man who Is holding upon an out stretched hand little bird prompted to sing by the occasional notes. In the center of the tableau is a pavilion in the midst of trees and flowers. In the background the sun, great gold en ball, Is rising from the ocean. 12. Carmen.
 The tragic scene has been chosen for representation. In front Is the sign of the Plaza de Toros. The post CT announces "6 Brazos and Arrogan- tes Toros." Carmen has fallen, the victim of jealous lovers rage. From the amphltheater entrance, true to | Spanish architecture, bull fighter and a soldier are running to the res cue.
 13. Melody.
 Naturally, the Prophet associates melody with birds. This is impressed by the thirteenth float. The goddess of melody is equipped with wings. Birds are perched upon the boughs of tree in the foreground. Live birds are grouped among the flowers at the feet of the goddess
 14. Lohengrin.
 Under a canopy of royal purple, the king and queen are seated upon the throne. The bridegroom comes in a shell-shaped boat drawn by a swan. On the steps leading down to the water is the bride, the central figure in the tableau.
 IS. The Spring Song.
 For Mendelssohn's Spring Song the stage Is gaily set. Blooms are every where. One of the joyful maidens is singing. Two of them are chasing the first butterfly of the season. A fourth sits under tree and plays the flute.
 16 Oratorlo, J. s. Bach.
 The famous composer is seated at the organ playing the oratorio which captiyated Duke Wilhelm Ernst at Weimar In the foreground are the duke and members of the court who adjudged Bach the official master of music for the German Prot ~Jtant Church.
 t7. Salome
 The girl is posturing before the king. She dances to the weird, mo notonous music which two slaves pro duce on strange string instruments An attendant languidly waves great feather fan From his raised seat un- derneath canopy at the portal of the palace the king, attended by his chief counselor, views the performance. On either side of the palace entrance are great mystical figures.