davidaulloa/AmericanStories huggingface dataset:
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
Lincoln County Commissioners

s74. 90; H. H. Phillips, auto hire S1.00;
Gem State Lumber Co., supplies 81. 05;
B. B. Gwin, Clerk Treasurer $50. 90; o.
J. Brennan, burial paupers $45. 90; E.
A. Bowler, clerk Auditor $4,000; Mrs.
V. V. Bower, clerk Treasurer $40. SC,
J. w. See. expenses $28. .65; Stella Cook
expenses S15.49; J. A. Armstrong, sup
plies paupers s11 .83; Jerome M. & E.
Co.. same 81. so; L. M. Zug, expenses
$89 rs; w. T. Patterson, clerk election
Sc. 00:J. W. Lundin, clerk Auditor $54. 90
K. P. Hall, rent Election $500; c. F.
Annett, Justice of Peace fees $500; C.
C. Smith, auto hire Sc. 90; J. w. John
son Constable fees ST. 90; Ross Borden,
supplies Election $500; H. M. Moore,
clerk to Treasurer S8l 90; C. F. Borden
coal County Attorney $50; v. v. Bow
er, expenses Treasurer $57. rs; Great
Shoshone- Twin Falls Water & Power Co.
light S12.15; Shoshone Hardware Co.,
$l5.55; H. M. Moore & Co., supplies
paupers $40. 45; Stockgrowers Mere Co.,
supplies 81. 40; c. F. Zeller, salary etc.
$118.75; C. F. Zeller, examining insane
etc, $46 25.
The Board fixed the amounts Of Of
fetal bonds for ensuing term.
The Board takes = recess until jan
uary 9th 1915.
w. ]. TAPER, Chairman.
A Attest. HARRY w. ANDERSON
M Clerk.
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
NEWSPAPER MAN HAULED UP AT
OROFINo TODAY ON A NEW
CHARGE.
Public Indignant Over rs Arrest
Will Have Hearing This After
noon-ConspiracY CHARGED.


OROFINO. Ida. Dec. s.-(Special)-
p L. Orsutt, editor and publisher of
the Clearwater Republican, was placed
under arrest today on warrant charg
ing the crime of insanity" the COM
plant having been Issued by Probate
Judge l. R. Crow on behalf of Walter
Cane, justice Of the pence. Orcutt was
lodged in Jail over the protests of
himself and friends.
The arrest of Orcutt caused consid-
erable excitement and indignation. not
alone among his own friends but
among those who believe In fair play.
Friends of Orcutt charge that his latest
arrest is due to ICON spiracy." His
hearing is scheduled for this evening
and it is believed the charge will fail
flat.
Orcutt has been waging war against
so called graft" in political affairs
having been made defendant in two
damage suits aggregsting $4,000, he
has been the target for other thrusts
by those who are opposed TO his method
of attack in his newspaper. 1t is al
legged that the new charge against him
is one growing out Of his activities
against what is known as the Blake
"gang."-The Star-Mirror.
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
GET MARRIED; NO WAR TAX.

WASHINGTON. Dec. s.-Prospec-
tive brides and bridgrooms will be hap
py as the result of an opinion issued
by the commissioner Of internal reven-
ue. In response to hundreds of re-
quests for information the commits =
sioner decided that marriage licenses
are not subject to the war revenue tax.
You won't get this office to discourage
marriages by placing tax on licenses"
said Col Osborn I'm sure congress
never intended any such step as that"
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
TO ELEcTRlFY WILD
Err ROAD.

w. r. Sebree, Of the Caldwell Trac-
ton company proposes to lease the
steam road Of the Oregon Short Line
from Caldwell to Wilder and to extend
1t to Homedale as an electric road.
Mr.. Sebrees plan is to raise the funds
by selling bonds to those interes ted in
the variops communities which win be
benefited. Tho New Freedom
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
Pay Your Taxes Promptly!

The Tax Collectors books will not be held open day
longer than the law requires the officer out
and new takes the Office This requires the
sent officer his books and settle with the board before
leaving the ofce Do wait until the last day there is
per penalty added to all taxes that not in the
hands Of the Tax Collector the day Of closing
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17

Perseverance, Means Success.
Nothing is impossible to one with q
Will.
The Richfield recorder. (Richfield, Idaho) 1909-1931, 1914-12-17
TIGHT SKIRTS TO BE TABOO
Peady-t to Wear Makers Plan for Pieits
Aplenty.

Aplenty.
Women are not going to wear tight
skirts any more Such is fashions
decree for next spring and summer
The makers OF American styles for
women have decided upon that point
and are going to confirm their deci~
sion of the 25th semi-annual conyen-
ton of the National Cloak. Suit and
Skirt Manufacturers association. which
met at Toledo. Ohio. Statements are
that milady will wear a tailor-made
suit with plenty of plaits on the skirt.
-Nampa Leader.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
a MATTER OF INCHES.

George MacFarlane's aunt compares
him with De Wolf Hopper. George Mac
Farlane, now in The Midnight Girl,
at the 18th Street Theatre, appeared
early in the season with De Wolf Hop
per in the musical play "Lieber Angus
tine"
The electric sign over the Casino Thea
tire entrance on Broadway read LAeber
Augustine with De Wolf Hopper and
George MacFarlane"
Mrs. MacFarlane, an aged scotch aunt
OF the popular barytone. came to New
York 10 pay him a visit. Naturally
Georges parents took her TO see 'Lieoer
Augustlne." AS the machine with the
MacFarlane party rolled up TO the thea
ire entrance, the aunt caught sight OF the
electric sign
my, my" she said. in her Scotch
burr. isn't IL fine to see Georges name
I'D there in the lights. But why does Mr..
Hopper's name come before George 6!
"Oh." they explained. that is because
Mr.. HOPPER Is bigger actor than
George" Sure enough. so he is, said
the aunt. II well remember comparing
them once in 'Pinafore' and Mr. Hopper
was at least foot and a half bigger
than George
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
PAUL SWAN, w A
SERIES oe DANCES AT
The LONcAC0E, TOtsoAH
AFTERNOON MARCH $50

man but how she would Kill the very
best in a man Of genius.
But the new woman is different
"Of course. She has worked. she has
left her narrow province and she has had
a glimpse of other things. She may nave
ambition herself, and she realizes that the
ideal thing is 20 stimulate that amoltion'
and that anything which tends TO mere
satisfaction and stasnation is fatal. Con-
seouently her love is uplifting; she Is
constructive in her love, not destructive
For. after all. the womanly womans
1--we IS unsatisfying. Love is her whole
life. and that is more than any man can
bring his. Consequently, she becomes
unsatisfied, restless. To my mind the
restIessness OF women which we hear so
much talk OF to-day is nothing but the
failure OF many women to realize that
love cannot fill their lives. and that love
can only live in conjunction with other
qualities that otherwise passion devours
itself. And so they vent their energy into
nerves and spite. Poor man, Is 1t a
wonder that he tires OF Julia and seeks
refuge with Grace? Grace was calm,
placid. She might not have Julias tenn
perament, but at least she was not clog.
She was a companion. a friend. and
might be. too. the most delightful or
amantes. But she is primarily a human
being. Julia is relic Of the barbaric
ages. Grace is the woman OF the future.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
NEW PRODUCING MANAGER
Author of THE Last Resort"
Talks of His Own Plays.

The announcement that George Scar-
borough. author OF THE Lure and An
Bay" will enter the ranks Of producin1
ma nagers tomorrow night at the LonuI
acre Theatre, by presenting his own pIa1
"The Last Resort" has attracted SOD
. attention.
This young author. one year ago entir
~ unknown to Broadway. now has 10 q
credit two successful plays The reasof
for this speculative plunge by Mr.. Scar4
borough are tersely stated by him as foi1
lows:
II am producing my own play, UNDER
my own management. primarily because 9
could not find a manager IN New York
who would produce IL without cutting ont
most Of the essential features. This play
has been submitted TO many managers
and was accepted by several under condi-
tons TO which / would not agree. All Of
them declared that 1t was a powerful
play, but they declared that | was mon
keying with a buzz-saw where touched
the sacred subject OF judges They Sc
riously questioned whether political in
fiuences could affect judicial decisions
and they also declared that no judge
would abuse his almost unlimited power
OF sentencing a man 10 prison for con-
tempt of court
The only answer 10 these critics VINO
say such things could not happen is 10
reply that they actually have happened.
IL is impossible for me 10 divulge the
source Of my information, but | know,
and many other people know. that there
have been incidents In real life which
practically duplicate anything that hap
pens in my play. However. as / do not
wish any manager in New York 10 take
any chances on my account, and as
have the utmost faith in my play. I have
decided TO produce II myself. | have
made so much money out Of The Lure
and At Bay that / am quite ready 10
gamble my profits to back my Judgment
little further, even II the play is a
failure. II The Last Resort proves a
success. / will continue as a producing
manager"
Mr.. SCARBOROUGH has opened Offices in
the Loneacre Theatre Building and will
direct his enterprise from there.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
1.-THE BOW OF ULYSSES"
Cerbart Kaufman Modernizes Homers Characters-Some
Critical Opinions of New Poetic Drama Re
Gently Produced in Berlin.

lachrymosity. Once he weeps because he
sees the herdsmen dancing. In short the
Odysseus OF the drama is weak. neuras-
thenic, lachrymose-a true Hauptmann
hero"
Instead OF depicting Ulysses 5 meeting
with Penelope. Hsuptmann tries TO get
dramatic effect out Of his meeting with
I,aertes. But the psthos OF it IS strained.
Iaertes is feeble minded. When Ulysses
cells who he is the old man doesn't I'M
derstand and invites Ulysses TO dance
with him. They 90 dance together.
This" says the Viennese critic, 'ougnt
perhaps TO be affecting. But in truth the
dance il repulsive and painful spec
tacle.'
In Homer Ulysses recognizes his be-
loved Ithaca. and for a moment bends ana
kisses the earth. In Iiauptmann play nc
take handful Of earth in his hand, Kisses
il and makes an Grafton over il. Later he
kisses the threshold of Eumaioss house
and the ashes which lie upon the hearth
I,vervthing is overdone and neurotic.
TeIemachos suffers in the same way at
Hauptmann' hands. In the Odyssey ne
is natural spirited youth. "In the
drama" says Goldman, The loses his sell
control when he meets Odysseus ciad as
2 beggar He wants to turn away ne
hangs weeping on the neck OF LeuKohe'
with whom he is in love. and II Is only
when the girl encourages him that ne re
gains his self possession. 1hat is not
Telemachos It is Bockerat OUT o.
.Elusama Menschen' or Schilling out of
Gabriel SchiIlng's Flucht' In many
drama OF Hauptmann We have seen TINS
man with oversenstive nerves, TINS man
who is no man. There he may nave mis-
place. But IL is not reasonable TO present
a ueakling. who must cling TO a woman in
order to retain his grip on himself, IS the
son of Ulysses
In summing up his impressions the
critic says Worthy of praise in the
drama are the verses, which flow smooth
" along. and the style, which, except IN
a few messages, steers clear of artificial
itv and expresses much in an exquisite
manner. Many descriptions arc highly
successful But even when this style
ehows at its best il Is still only literature
The poet Bern, the friend of Michaei
Angelo. once remarked OF the poets VINO
were Angeles contemporaries: lie says
things. and they only use words. That
eDigram might be taken as motto TOT
our epoch Of literary poetry They al
use words and nobody any longer says
things.
az. must be recognized that Iiauptmann
has again set himself a great task IN
drauatizinr the odyssey Yet he has
lacked the mower TO fulfil that great task.
Tho copv does not repeat the beauties OF
the original. nor does it replace them WIN
now beauties. II turns many OF them INTO
their opposite. The reading or Homer
offers still greater pleasure aiter seems
tho drama II is as If one came out vi d
thick and heavy atmosphere into air ana
upht-into the fresh air which blows from
the sea and into the sunlight "hich
warns and brightens Greece. ono rear
| ICES for the first time the trne greatness
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
AMONG THE eURLESoUERs.

Gus Fay, one OF burlesque's most popu-
lar German comedians. will be seen with
the Gaiety Girls at the Columbia Theatre
this week in new two-act satire.
"Schmidts Widows" Between the acts
of the burlesGue there is an attractive
olio, tho feature of which is the ballad
singing of Miss Nellie Florede. In Mr..
Fays support, besides Miss Flore1e. are
Ada Lum. Rae Williams. Eugene Jerge.
Billy Kelly. Edith Hamilton and
Thomas Hodgeman.
Ed Lee Wrothe and the Ginger Girls
will be at the Murray I'M Theatre. Mr.
Wrothe will present his character Jani-
tor Higgins, which is the central figure
in a two-act burlesque that shows the
ianitor as a sport at the Sheepshead Bay
racetrack and later as traveller in
Alaska. In the supporting company are
Henry p Nelson, owen Martin, Fay It
Clair, Luella Temple and the Alpine
Quartet.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
ALHAM 3 RA.

The Alhambra Theatre will have Anna
Held as principal feature of big pro-
gramme. She will sing some songs from
A selection of her best numbers. others
here include Jack Deyreaux and company
in a playlet by Edward Peple, The Girl
Claudius and Scarlet. in musical me-
LANCE. THE Call Of the Sixties; Harry
De Coo. the man with the tables ana
chairs: william Friend and Amy Lesser,
as The Butler and the Maid Goldsmith
and Home. presenting The Manager and
the Salesman; BERTHE Heron ana Bonnie
;avlord. Two Corking Girls; -Four kas-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
MISS L.ASCELLES ON LOVE
She Does Not Believe in Talk
ing of It-and Talks.

There is too much discussion about
love" said Miss E,rnita Lascelies, the
Grace Of THE Phlanderer." at the Lattle
Theatre. Ever time YOU pick UP q
magazine YOU read about the right way
TO love. and long essays on the rlght ana
the wrong kind of love, etc, are haunted
in YOUR face. It's awful Miss Lasceiles
held I'D her hands in horror.
why talk so much about love. she
won, on. Does it make US the better or
the wiser? And isn't love a matter or IN
dividuality? And could an article tell you
as TO the right or the wrong way IN love
or inform YOU as to the correct or the IN
correct feelings 10 harbor' Why It's ao-
surd."
Then you don't believe in love
ON love? or course. But I don't see
that there Is any use of talkng about it
all the time.
"In other words. like Grace. YOU would
down the old fashioned, womanly woman
70 whom love was everything?
by no means. She has right TO cX-
ist. too But she must not forget that her
day is past. ShaN's Julia, for instance
is n typical and perfect example OF
woranIy woman \ clog. a dead weight at
tached to the man who happened TO fa!i
in love with her and whom she happened
10 love. The worst kind of hindrance!
There is nothing inspiring or uplifting IN
her or in her passion. Ii only takes the
very best out OF man. 1t is the vam-
plre type of love, that demands endless
eelf-sacrifce and devotion.
THE new woman feels different love.
She feels that there cannot be true love
unless il Is uplifting. upbuilding, unless II
perfects the two to whom II comes. II
love does not bring out the very best IN
q man. inspire him to better work. better
ideas and ideals. If II does not spur him
onward, that love IS worthless. TO my
mind, and the woman who inspires II Is
no more than n clog. and the more dan
cerous the more hold she has on him.
And. too. II seems 10 me that idea love
should bring woman forward rather tnan
drag her down True love should mean
greater development for both parties, not
merely the satisfaction of beins together.
But such love the womany woman
cannot conceive She is jealous, jealous
Of everything. anything pertaining 10 the
loved one. Such woman might be a
good wife for the very matter-of-fact
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
CHINESE GESTURES.

Rita Jolivet. who appears as the Prin-
cess TuranGot in Percy Mackate's ro-
mantle comedy drama, "a Thousanh
Years Ago" now running at the ShubeTt
Theatre. believes in thorouShness IN dc
tail. When she was preparing TO portray
the role OF Turandot. she found it neces-
sary TO learn something Of chinese gest-
ures. TO this end she sought the assist
aHce Of an Americanized son of the new
republic. and was. IN turn. introduced by
him TO his Chinese wife. With the latter
lady Miss Jolivet spent many hours. per
fecting herself IN the gestures necessary
for the portrayal Of the character TO
some friends she conilded the secret OF
her mysterious visits to the Chinese mer-
chants house. only TO be confronted with
the very disappointing information that
she had wasted her time.
Wasted my time?" queried little Miss
Jolivet TREMENDOUSLY.
"Ccrtalnly-what good will modern
Chinese gestures do when you are por-
traying a Chinese princess Of thousand
years agog'
II never thought OF that" answered
Miss Joivet
Later she advised the Chinese merchant
that her visits for instruction would be
discontinued.
why" he demanded.
She explained.
"Ah." he answered. But your friends
are wrong. China remains the same to-
day as il was yesterday. day, year.
century, thousand years they make
no differ ence in China What you nave
learned is the same that 1T was when
the Mings sat on Chna's throne
So Miss Joivet continues TO use the
gestures her Chinese tutor taught her
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
FIFTH AVENUE.

For the first time since the old Weber &
Fields days. Louis Mann will appear at
the Fifth Avenue, in lower Broadway. ms
vehicle for vaudeville being his condenser
version of "Elevating a Husband IN
which he is assisted by Emily Ann We'll
man. WELLINGTON Cross and Lois Josephine
will offer an act entirely new as TO set
ting. material and costumes, while Nell
Mckinley. the Scot. VIII oiier hluSloa,
monologue. A special position on the oII
will be given the Three keatohs' WIN
their amusing act Others on The Dill are
Joe Cook. the one-man show Rose Mar
ruerite, ~ her act featuring a trained
horse and pony; Fetching and company
in musical novelty: Myrtle and Daisy'
in song and dance hits, and Proctor
Feature Films.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
COLONIAL.

Joan Sawyer and John Jarrett dancers
will top the bill at the Colonial theatre
this week in a series of modern ballroom
dances. Fannie Brice. the character
coincidence: 3. A. Rolfe's big musical
production. Arcadia and roster Ban
and Ford West. in THE Days OF 81 are
other headiners here. The remainder OF
the programme includes Hoey and Lee
character parodists; Max and Mabel Ford
dancers: Robbie Gordon, I'm statue poses
Three Hedders, equilbrists, and Rsfay-
cites Dogs.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
SHOULD A WOMAN TeLLT'

William IIammersteiD announces that
he has obtained the American rights Of
should n Woman Tcll?' a playlet by
the Rev. \. j. Waldron. vicar OF Brixton.
presented at the Palace Theatre. London.
should Woman Tcll?' will be pre-
scented at the Nictoric Theatre the week
OF March 10.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01

Carlos Sebastian will have as one OF his
dancing partners at the Jardin de Danse
a young Chicago girl who never before
appeared in public "a a professional Cliff
ton Webb. a newcomer at the Jardin. IL
now the dancing partner Of Janet Nell
wane Next Thursday will be the occa-
sion for another "frolc night on the
roof
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
A HIGH JlNKsr PARTY.

The entire High links" company ara
to be the guests OF George Rector az his
new restaurant. Broadway and 18th street.
after the performance at the Casino Thea
tire tomorrow night. Stella Mayhem. Tom
Lewis. Audrey Maple. Ada Meade. Emile
Lea. Robert Pitkin and Burrell Barbaret,o
will entertain.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
TOD s>z0 HARTMAN
liz I've LAUGHING HUSBAND
st HE KNlCKeR6OCkEe-

of Homer bv comparison with the Epi-
gone. who with vain effort has strlven 10
do over the Greek poets masterpiece.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
HAMME RST EMS.

The Ma Chere' production. when
comes from Les Ambassadors, Paris, VIII
be the attraction at Hsmmerstein Ma
Cherie" is labelled as sensational French
panto-dance advertisement. simone DE
Bervl and Emile August, heading A
company OF twenty ihterpolate dances
from the French capital. Lew Shank OF
potato selling" fame and the self-deposed
Mayor of indianapolis, will also make MS
initial bid for stage popularity MT.
Shank will appear in monologue. Eliza
beth Murray. late star OF High Jinks'
will appear in new series OF character
songs. Winsor McCay is also announced
to present a set Of new moving picture
drawings. James J. Morton VIII oner
new monologue. Others on the bill are
the Nine White Hussars. The Flying
Piano." Ashley and Garfield, the Four
Shapely Sylphs, Harry Ellis, the Terrys'
the Harvey Devote Trio, Burley and Bur-
lev. Chester Kingston and Rogers and
O'Donnell
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01

The bill for the week at the Palace Is
led by Nine Bertha Kalich. Mime. halich
introduce the Spanish author EchegaraF
and appears as Mariana. Emma Carus'
the comedenne. Is also a featured mem
Der of the programme and she has
new selection OF songs and stories
new production by Jesse l.. Lasky, Beau
ties" will he presented. The oferlnS Is
a tabloid musical comedy and its cast IS
headed by Laura Leb and Stewart bairc.
An attractive act is offered by George
White the dancer. assisted by lsapehe
Jason. An extra feature is the cartoonlsl
Lawrence Semon. Hines and Fox nave .
song and dance act, From Songland.
Two acrobatc acts will be presented py
the Great Jungman Family, aerial artists
and Herr Ergotti and his Lilliputians.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
"TOO MANY COOKS"

BEFORE 4 o'clock Thursday afternoon
william A. Brady received three cables
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
5 G.o~e WHEN CLAUDIA SMILES" skLke lHRlC
THE WEEK IN THE VARIETIES
Rertha Kaich in Mariana Ma Cherie Louis Mann
in "Elevang Husband Joan Sawyer and
John Jarrott-Anna Held.
JARDIN DE DANSE.

RAGS. in Buffet des Falls" and VERNE
kaufman the cNclist
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-01
DESMOND RtLlX
N HELP WANTED" at he
MAXINE tLLlOTT

applying for the English rights OF FRANK
Craven's new comedy. TOO Many
Cooks" produced Wednesday evening al
the 39th Street Theatre. The American
TO purchase ne play for his own use
manager, however. lad already decided 10
take the comedy to London on his own
account, with Mr.. Craven playing his orig
inal role
Williams news., 1914-08-13
No Time to Vote Bonds

It would seem that the present is no time for the people of Arizona to vote additional bonds upon them selves. Bonded indebtedness is always a thing to be entered upon with extreme caution, and with the war cloud now hanging over the world, it would seem that ex- tra caution would be exercised It is the small property holder and the laborer upon whose shoulder the burden of increased taxes falls most heavily. These people are finding the struggle for existence hard enough at present without the assumption of any further bur- dens, especially when we have no positive assurance that the obliga- tions assumed will pay financially. Five million dollars for better roads means five million for a luxury. Five million for an irrigation ex- pertinent may prove bad venture l. is time for caution.