davidaulloa/AmericanStories huggingface dataset:
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
stove Repairs.

We are still headquarters for all kinds
of stove repairs; II we haven't wha.
you want we can get It. The Com
pany store. 1908 Idaho St II
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13

c. M. HILL, Gen. Mgr. Homedale and
Fairfield townsites; room SOC. II
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
OSTEOPATHS.

R. L. MAXWELL, room s. slsn MAJ,
ST, Phone 36-J. =.
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
JOB PRINTING.

JOB PklNTING-Best equipped plant
In the state for all kinos OF joD
printing Legal blanks a specialty.
eaplta4 News Publishing ~, AZ
Idaho st.
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
SOCIETIES.

MODERN WOODMEN or AMERICA
Meet the first anu third Thursdays
OF each month II tho G. A. II. hall. II
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13

BOISE LABORATORIES CO., c. w
Parkinson, assayer and chemist, 22I
S. 10th St
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
HAIR DRESSERS.

Paris Fashion Hair Store, iU04h Main
st; specialists in hair goods: up-to-
date beauty parlors; Phone 90.
Evening capital news. (Boise, Idaho) 1901-1927, 1914-08-13
WELL DIGGER.

WELL DIGGING-S-year guarantee
!. D Laing' Phone a4S4-J. II
D. NELLY. WELL DIGGER AND
drille- Pacific hotel II
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
1.-THE TRUTH"

Winthrop Ames announces that Gran
Vile Barker has decided to etxend
the engagement of the 1.-THE Philanderer'
at The Little Theatre for one more week.
The last performance of the play in New
York will DO given on Saturday night,
March g. Grace George, in Clyde Fitch 3
comedy, THE Truth" will follow THE
Philanderer" at The Little Theatre, open
ing Easter week The complete cast is as
follows: Grace George. Zelda Sears, Fer
dinand Gottschalk, Isabel Irving. Conway
Tearle sydney Booth. Fanny Hartz,
Lionel Hogarth and Guthrie McClintic.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
ARE BLONDES DYING OUT?
Charming Miss Nybloc Spirited
ly Denies the Accusation.

ut is possible" says Miss Margaret
Nybloc, who has a principal role In
kitty MacKay" at the Comedy Theatre,
that for certain time in the last few
years blondes were not held up as the
most attractive types Of beauty, but that
does not alter the fact that ever since
the Tina OF Cleopatra, Of whom so much
controversy has emanated, and who, II is
claimed by many, was decidedly natural
blonde, that type Of beauty has been In
more than ordinary demand. IL one Wis
its any art gallery where paintings by
the great masters hang one will find, in
the majority Of cases, that the portraits
most valued are those OF blondes. Posi-
bly, the reason OF that is the artist found
greater display for the genius in the col
| oring he could give his picture, but it is
lust as likely that the features OF the
subject were the true cause for the
painting.
"Why are so many brunettes to be
found at telephone boards, behind count
ers or living the life OF mature maidens?
Do you find many blondes waiting for
some good man TO come along and offer
them a home? Not al all. Ask any man
ager of telephone company, or any
other institution where pretty girls are
naturally found, why he has not more
blondes among the hundreds OF girls in
his employ, and he will tell you quickly
enough that he can't keep them long
enough to learn the work. Some man ~
always coming along with his heart in
one hand and a fve-carat diamond ring
/ RI hrIn
marcelled wave and winsome smile, re-
mains at the switchboard and gossips
with her co-workers about the splendid
catch Mabel made.
Hundreds OF blondes, in equal TO like
numbers OF brunettes, have adopted the
theatrical profession, some as a means
of livelihood. others because they have
| ambition and feel sure the great amuse-
ment seeking public demands them. How
many of the pretty blonde girls remain!
Only those who have been gifted with
unusual ability and truly love the work.
| The great majority of them, however,
soon marry, and when YOU ask three
months later where little Edith. the
blonde girl who worked on the end. IS
YOU will probably be told she only re-
manned three months or so, and that she
| is now mistress of her own home at
Bay Shore, Long Island. and has a town
\ establishment on Riverside Drive, having
married a Wall Street broker Clara, the
cute little brunette who worked on the
other end, is still smiling sweetly out OF
mass Of fluffy eurls upon the occupants
OF the first row seats
-----e------------
THE SHUBE7TS' RUSSIAN STARS.
The Shuberts have a prediction for
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
MISS SALISBURY ON DRESS
Something About Omar" and
the Prevailing Styles.

1T was Solomon, wasn't It," asked
Miss Salisbury. "who wrote that there
was nothing new under the sum-"
ut was replied the interviewer
"Why?"
Because Solomon Of all men, with that
harem OF his, should have known some
thing about the whims which lead to
womens styles. The talk about seasons
fads would lead you to believe that every
year brought something new, but, take
Solomon's word for 1t, there Is nothing
new, even in womens styles"
The leading woman with Guy Bates
Post in Omar, the Tentmaker" Richard
Walton Tuliy's Persian play, turned the
subject OF this dressing room chat 10
styles because reference had been made
to her costumes.
you see," she explained, "a good
many Of the tendencies Of the last season
have been obvious limitations or near
limitations Of costumes in the past, which
we happened to have forgotten. 1t isn't
that they were not attractive. or are not
attractive still, but why call them new?
little fetching collar effect, for ex-
ample. that has been much I'm vogue, with
lace turned up around the back OF the
neck, but open in front, was introduced
by the Medici in Florence. Don't ask me
the date, but l know that style was worn
by Lucrezis Borgia.
And the broad hip effect so popular OF
late. that is produced by certain way OF
hanging the skirt, was in vogue in Persia
back in the time OF Omar Khayyam.
That was the last half OF the eleventh
and the first half Of the twelfth centuries.
I'm sure Of my dates. because | had TO
look them up for Mr. Tuly's play And /
have the fulness of the hips brought back
to mind every time ] put on my costume.
Now they say that bare feet are tho
latest vogue i'm Paris. and they'll be
showing over here-when we're quite sure
that the blizzard season is over. Bare
feet are, OF course, recurring style
again. They've always 1ourished among
the bellies OF the Fiji Islands. and in san
das they've been popular among many
races All you have to do is to take y
glance at Greek and Roman art TO be re-
minded OF the fact. And they had this
STYLE i'm Persia. also. when Omar lived
Members of our company have been asked
to go to balls I'm the costumes which they
wore on the stage. but know that I. for
ono. would hesitate a little. for bare feet
are still bit conspicuous. Besides. taxi
cabs arc not always as warm as they
might be.
But, speaking of bare feet, | hear that
the shoes and sandals to be worn with
them have high heels / don't mind high
heels myself, but with sandals they are
ridiculous. That is always the danger OF
reviying old styles. What was disnlfied
custom in Greece and Rome becomes a
fad, jambottes-au-naturel. But, anyhow
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
COMMANDER EVANS LECTURES.

Commander Evans, c. b., r. N, deliv-
ers his first New York lecture at Carne-
gle Hall on Tuesday, March II, when he
will tell the story of Captain Scott's
Last Expedition" II is the first time any
member of this Inflated expedition has
come to this country, and for the first
time will the events of that heroic sacri-
flee to science and duty be told. Evans
himself had large share in the polar
Journey, and was the last TO turn back
and reach civilization alive. The lecture
will be illustrated by the wonderful NOV
ing and still pictures taken by II. G.
Pointing for which the expedition was noted
and will be preceded by short intro
ductory address by Rear Admiral r. e.
Peary.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

haunting havor-half social satire, half q
sort of rustic music. The scene is an
English peasants cottage, and we see an
egoistic old codger-a devil with the
women in his day-and his son, chip OF
the old block, contrasted ironically with
the devoted, dsillusloned wife, the girl
the son has seduced and the girl he is
Just bringing to his fathers house as a
bride.
The husband is blind and doddering, but
amusingly unregenerate, the sort OF genial
old Bluebeard who can still cackle to his
wife: you had a voice like a bird in
those days. You have a voice like a bird
still, maybe. For they be birds and birds"
Perhaps the best part Of the play is that
in which the old differ, sitting by his
doorway in the sun, recalls the days Of
their courtship, when he met his girl at a
round together.
Ezra-And you were young and bonnie,
Aye, you were young and pink.
There's little pink about you now,
I'm doubling.
! Bliza-Aye. you were handsome, sure
enough;
And ] believed my eyes in those
days,
And other peoples tongues.
There's something in young girl
seems to fight
Against her better sense,
And give her up in spite Of her.
Yes. ] was young.
And just as foolish then as you
were handsome.
Ezra-Well, fools or not, we had our time
Do you remember how, nigh all
day long,
We sat together on roundabout?
] must have spent fortune,
Besides the sixpence that dropped,
For we rode round and round,
And round and round again,
And music playing ali the while.
We sat together in a golden car
riage.-...
And you were young and bonnie;
And when at night twas lighted up,
And all the gold a-gitter
And we we're rushing round and
round.
The music and the dazzle.
Ehza-Aye. that was IT. the music and
the dazzle,
The music and the dazzle and the
rushing
Maybe twas in a roundabout that
Jim won Phoebe Martin.
Ezra-And you were young.
| EliZa-And I was young.
! Ezrs-Aye you were young and bonnie;
And then when you were dizzy
! Eiiza-Yes / was dizzy
Ezra-You snuggled up against me.....
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

Russian actresses. This firm was the
first to make an American star out OF
Nazimova, the first of the Russian ac-
tresses TO make success in America.
Now, with the engagement of Olga Pc
trova for the title role in "Panthea,' the
latest Shubert production. the Shuberts
will have three Russian artists under
their management In three different
American productions, namely-Olga Pc
troya. in "Panthea," Lydia Kyasht, the
dancer in 1.-THE Whrl Of the World and
Fania Marlnoff, in "A Thousand Years
Ago"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

sion is to round up gang of thieves, and
a reward OF $4,000 is offered. With a view
to earning this and proving his worth &c
Dorothy's exacting father. Tom decides
to do some private detective work lie
learns from Griffith that the suspicious or
the London detectives have been directed
toward certain character who had ap-
peared al the charity ball i'm a beautiful
crinoline gown. After the guests had
been searched on that occasion she was
the only one not accounted for. The
theory is that it is not a woman, but A
man in feminine garo, who. when the
alarm was given, removed his disguise
and dropped the gown containing the
jewels through window TO a confederate
below. This gives Tom an idea, and with
view Of testing mans ability TO ep-
pear successfully as a woman he tries on
one OF his sisters gowns. He is so
pleased with the experiment that he at
tends the ball in crinoline gown. One
of the first persons he meets is the thief
in the crinoline. Finally he traps tn.
confederate OF the thief in crinoline gains
the reward. and so wins the girl. MI.
Eltinge is surrounded by an excellent cast
of characters. including Herbert Cortheli.
Charles p. Morrison, Walter Horton. Her
bert Mckenzie. Joseph S. Maria, James
c. Spottswood Edwin Cushman, Helen
Luttrell Maidel Turner, Edna Whistler.
Augusta Scott and others
Edward Peple's new farce, a Pair Of
Skies" will be presented in the Long
acre Theatre on Tuesday evening. In tbs
cast are Ann Murdoch, Hale Hamilton,
George Parsons, Ivy Troutman, George
w. Howard, Maude Eburne, Walter
Allen, Carree Clarke, Robert Smiley.
Raymond Walhaum. Frank Gerbach and
John Merritt. The action of the farce be-
gins in the New York Offices OF the Eu-
reka Digestive Pill Company, in which
George B. Nettleton and r. Boggs John
are equal partners. In everything that
should combine for harmony they fail 10
agree, each asserting his right to conduct
the business as a senior partner. Their
lawyer, summoned TO arrange a separa-
| ton, fails TO provide an acceptable bust
ness dissolution. and so he proposes a
game of showdown poker in which the
winner shall conduct the business unmo-
Tested by the other. for one year and the
loser is to act as the others servant dur
ing that period. The proposition is re-
duced to legal verbiage and the cards are
dealt. The dsmay of the loser. who is Or
dered to serve as a butler in his partner
home, aggravated throughout the two sub.
sequent acts when the wife. sweetheart
stenographer. and finally the English
housemaid all become involved in a strug-
gle to disentangle an arrangement which
legally provides forfeits, fines and other
penalties for any infraction OF the cove.
nants IN the contract, develop tho farci.
cal situations.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
JULIAN fLT,uct sse9 HELEN LorTReLL
IN TIE CeNOLMe GIRL" ~ The hle<ee6OckGS
FIVE NEW PRODUCTIONS
Margaret Angln in Shakespeare-A New Farce-Aro
matte Comedy-A Farce Comedy with Songs
and Another Viennese Operetta
ANNOUNCEMENTS FOR THE WEEK.

ON MONDAY EVENING:
At the Hudson Margaret Ansln In "As You Like IT.
Julian Enss in 1.-THE Crnoine Girl
ON TUESDAY EVENING;
"A Pair Of Skies farce by Edward Psple
WEDNESDAY EVENING:
At the New Amsterdam Victor
and Franz Lehar
Money comedy by Washington Pezet
and5 erram Marburg
ON THURSDAY EVENING"
Ansn THE Tanning of the shrew"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
uN ~--------
OMAR" TO MOVE AGAIN

AFTER another week at the Booth Thea.
IRE Guy Bates Post and Omar ths
Ientmaker' will move back TO the I.vr,c
Theatre. The seating capacity nc ,hs
oooth proved inadequate, and the man.
asement desired to have a larger theatre
arrangements were made with the shu.
oerts. and the move will be made on Mo,.
day. March -.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
SIDNEY CREEuSTeEev. MARGARET ANet,N ~
:,z9 PUTH HOLT 6OUclCAULT ~ AS VOW LIKE "
1T Ike HuoSON
TECHNIQUE OF THE DRAMA
. Nonentity of Dramatic Technique-It Is Negligible
Compared with the Imaginative Energy
Required to Set 1t Going.
BY ARTHUR RUHL.

r predecessors dramatic critic Of The LnaOn
Max Mr. Shaw
dramatic technique i mean
1t dece
theatre intending play
which they do not understand
and critics believe that the
writing difficult acquire Books even
intricate wonders OF dramatic crafts
M themselves paywrgh
#>|<H alI critical advisers -
EG#
believe that he is budding
of the quality described in the
compared with the job
the job of complying with the
chldishly The author who
not likely TO be worried about
conriving suitable
Hi&* display his character
especially by those
particularly directed They will be
will fail to the fact that Mr.
alphabet and the multiplication table
things off, and is but putting
by the food Of desiccated
poured which in
said both
OF
important that people should not forget
theorists generally completely
more - technique negligible compared with
Lssa1><&&& energy o going"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
"THE MAN WHO WOULD LIvE.Y

William Hurlbut, author of THE Man
Who Would Live" his latest play dealing
with American life, soon to have its OPEN
ing presentation at Atlantic City, Is also
the producer of the piece. The scenic pro-
duction was built from his own models
and painted from sketches designed by
himself. The first act depicts log cabin
scene in the wilderness in the year l7SS.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

Iot much is heard of the weekly NATL
Is given by the students OF the Empire
kmatic School. who on Thursday pre-
3ted 1.-THE Death Of Tntagaies' as
H. last Offering of the season. They
amateurs, Of course. their audiences
A,tly made up of their associates and
Hpds. yet their performances are nearly
avs worth seeing and have come as
81 AS anything i'm town. OF late, to fui-
o the functions OF an intellectual
&tre."
&arly every week. lately they nave
h something worth seeing ana I'M
y TO get into the regular theatre Ihe
81 play "Womenkind. by the English
playwright. Wnfrod Wilson Gibson
rented last week. is characteristic
.ple. II is work with fresh ana
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

On Wednesday night Henry ". Savage
will offer at the New Amsterdam Thea
tire a new Viennese operette, Maids OF
Athens" the work OF Franz Lehar and
Victor Leon, composer and librettist or
THE Merry Widow" This is their first
work in collaboration since The Merry
Widow" and it Is to emphasize this fact
Mr.. Savage has changed the title from
"The King OF the Mountains" as Vt was
known in Europe. The English version
has been made by Carolyn Wells.
The scenes of maids of Athens" are
laid in Greece at the present time. Inc
first act shows the palace of the Prince
OF Parnes, a young noble who varies the
monotony OF court life by becoming the
chief OF a band of brigands. The second
act is laid in the brigands stronghold,
and the third takes place on board OF
United States man-of-war. The plot re-
wolves around the efforts OF young
United States naval officer to capture the
brIgand in order that he may win the
hand of the sister Of the Prince OF Parnes.
The latter IL In love with a charming
young American girl, and the complication
of the princes dual personality and the
two love affairs furnish the basis for the
story. George Marion. who staged both
"The Merry Widow and "Sari' for MI
Savage. has also staged Maids OF
Athens" The cast includes Josephine
Whitteu as Princess Photlni, Leila
Hughes, as Mary Louise; Albert Pellaton,
as the Prince of Parnes; Henry Cote as
Captain Harris; Marie HorGan, as Mrs.
Barley; W. 8. Percy and Bert Gilbert, as
twin detectives; Van and Dyke Green and
a dozen others.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

Margaret Anglin and her company will
begin an engagement of two weeks at
the Hudson Theatre tomorrow night in
special REVEALS of three Of the comedies
of Shakespeare. The plays for the first
week will be as follows: Monday Tues
day and Wednesday nights and Wednes-
day matinee LAS You Like IT.; Thurs
day, Friday and Saturday nights and
Saturday matinee, "The Tanning of the
Shrew" Miss Anglin's supporting COM
pany. which began its season in San
Francisco last September and played en-
gagements in the more important cities
of the West and East includes Fuller
Mellish. Eric Blind, Pedro de Cordoba,
Ruth Holt Boucicault, Sidney Green
street, Lillian Thurgate, Max Montesole,
e. Y. Backus, Harrison Carter, Harry
Barfoot, Wallace Widdecombe, Florence
Wollersen, Max Fisher, Margery Card,
Howard Lindsay, Brandon Peters, Donald
Cameron and twenty others. The scenic
equipment and costumes were designed
by Livingston Plat, who spent three
years in Europe studying the methods OF
Max Reinhardt, Gordon Craig and others.
A special feature which is promised is
the swift movement of the productions;
scene follows scene in rapid succession,
thus eliminating the tedious waits usually
associated with Shakespearian repertory.
The versions of the plays employed by
Miss Anglin are her own arrangement.
and while she has followed the accepted
traditions, she has introduced a number
OF innovations, particularly in the running
of the scenes and the lighting effects. A
special musical setting will accompany
each play. During her second week Miss
Anglin will present Twelfth Night" in
conjunction with the first weeks bills.
Following her fortnight Of Shakespeare,
Miss Angln announces special revival
OF Oscar Wlde's brilliant comedy-drama,
Lady Windemere's Fan
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

f. Va the exaggerated value put
La professional discussion Of
for instance. is that most Of
Indulge in 1t have not only not
E vs. themselves, but have never
imaginative art OF any kind.
Z. + OF know what II feels like to do
lat comparatively simple minded
Regular artists are. The result is
fit 10 achieve, there's no doubt Of
and they assume that it was tech
], that made It so. Now If Kipljng.
~ instance, were TO turn TO criticising
|t3ays hs would have back OF him the
iemory Of the days when the PLAIN
ales" (whose technique may be sifted,
IL redded and diagrammed into heaven
Knows what complex marvels for the edi-
|hcation Of undergraduate classes in short
story writing, wrote themselves, so TO
speak. in the intervals OF young Colo
NAL newspaper mans busy days. Wrote
observation-disclosures the gods we're brush
him with their wings, he saw world
! Q else had seen and was in hurry
about it. Mr.. Kipling has settled
Asomewhat since then and now pre-
hun the empire. He couldn't write
M Tales" now. though it would
Ne urged that he knew any less
Unique. But he knows what di-
- feels like, and when he felt 1t IN
Ssatre he would doubtless salute II
Hpectfuliv and with something Of the
used and wlstful smile with which an
(. erly uncle regards his nephew's youth
.sonderful and beautiful thing which the
assessor can't help. and not promptly
III off his chair in speechless admiration
III the authors technique. When some
|4ashing Mr.. Bernstein came along with
his polished bag OF tricks he could proba-
T lg be counted on TO see through them
"a nd II the play seemed to make life richer
AOd more beautiful or more worth Twins
assume that by painstakingly re-
4ing It 10 syllosisms he could go off and
another like ii.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15
] held you in my arms
And warm against me,
And round we went. 80.
With music playing. -...
And gold a-glitter...>"
rTba Y,,ucic and the dazzle

Unlike most poetic drama" this is
more effective played than read. There
is OF course, a dramatic background CIV
ing the words significance not felt here
but ere this scene arrives the spectators
have fallen into the curious ingratatins
swing OF the lines and the slow round
and-round" and the recurring music and
the dazzle" have an effect-a mixture OF
musical monotone and the human feeling
expressed-not easy to describe.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-03-15

Julian Eltinge in THE Crinoine Girl, 3"
which is described as a farcicaI melo-
dramatic comedy, with songs will be the
attraction at the Knickerbocker Theatre
beginning tomorrow night. The book is
by Otto Hauerbach. Mr. Eltinge is re-
sponsible for the lyrics. The music is the
work of Percy Wenrich. The story of
the piece briefly is this: Tom Hale Car.
Eltinge), rich young American in Eu-
rope, has got his name publicly connected
with that of young Partisan dancer.
This comes TO the ears OF his future
father-in-law, Richard Ansley. who is en-
PERTAINING Lord Bromleigh and some
friends at the Hotel de Beau Rivase. at
Lausanne. Switzerland. Not alone does
he forbid his daughter. Dorothy. to see
Tom again, but also threatens to break
the engagement between his nephew.
Jerry Ainsley, and Alice Hale. Toms sis
ter. After many protestaticns on the MARI
of Dorothy, Richard Ainsley Qualities his
ultimatum to Tom by Offering to reinstate
him in favor IL he can earn $1,000 unaided
by his father. He accepts the conditions
and sets about TO discover some manner
in which he might be successful Through
his acquaintance with a young London
newspaper man, Charles Griffith who
happens to be guest at the hotel. Tom
learns that detective has been sent
from Scotland Yard TO attend fashion.
able ball to be given on that same night
at the Hotel de Beau Rivage. His mis-