davidaulloa/AmericanStories huggingface dataset:
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-03-02

9(m II. Wldr5 uGarouia~ nab
9Ieapel unO Gibraltar.
9lm II. @3dr5 v@3auretania" uat6
9iperpool
glm IS. 0lar5 ~oorruine" nad
SABRE.
Pm II. @}ao5 u6inIano" ua6
Eopcr mo 9lntuerpcu.
PIN 49, 0l6r5 oSceauic~ nod
Sout6auIpton
Pm 10. @ldr5 u%retoria" nad
Sonburg.
Pm is. Md5 oSaoruina~ nad
9}eapel mo @enua.
PIN 10. @ldr5 ySont 9lnlo@ nod
Wloriciae.
9Im 10. @dr5 ,9remen~ nod
Sremen.
PIN 20. @dr5 Ct eOuis" no3
Soutbanpton.
9lm 2l @ldr3 r@riu5 6rieorid
gSil6eln" nad 9rcmen.
PIN o. @ldr5 uGolm6io~ na@
Glasgow
glm 81. @lar5 pSmpcrotor" nu0
Nam6urg.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-03-02
f6na6
1tn0 11erp0S.
SinOet @einnO6eit in egOia s. Simf-
6am's vSesctOble Compound

Greiton, Solpa ~@ou Scr 3eit Ser
lit icg on Sraenfrantbeis
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Louis DAngelo, MOruccO Feand Century
Top-John Mccormack the Hippodrome Tonight
copyrigh, MIshkin stuALe.

what was permissible and what was
not.
In fine, word may be said about the
touching expression required by Bur-
ney. We read over and over OF the
wonderful effect of the singing OF these
ancients upon their hearers. People
were deeply, even violently. moved by
them. When. however, we come to
examine closely the comments Of con-
temporaries upon the traits Of their
art and to refer to the scores Of the
operas In which they sang we are
brought to the conclusion that their
Hottest flights OF expression were in the
domain OF tender pathos.
Burney must be read literally. Touch
ing expression" "pathos." these were
the features OF the eloquence OF the
Farinellis and Carestins. There is
nothing In the writing OF those who
heard them nor in the scores OF the
operas themselves to indicate that any
apr zach toward the publication OF
tumultuous elemental passion was even
attempted. Surely we may conclude
that with the first entry OF this funda-
mental element OF tragedy into the Ital-
ian opera the male sopranos and con-
traltos were doomed. Their existence
was prolonged by a distorted state of
public taste which regarded the opera
as field for the display OF vocal
technic and voices entirely sweet and
gentle. When dramatic verify claimed
recognition the incongruous mixture OF
high voices had to give way to a normal
distribution in which masculine and
feminine qualities played their appro-
pirate parts.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
MUSIC TEACHERS AND PUPILS

The Elinor Comstock Music school III
1000 Madison avenue has long held It's
position I'm the foremos; rank Of the music
schools OF this metropolis, the American
centre of music as well AS the centre oi
art and letters.
II was TO Miss EIinor Colnstock head
Of the music school that bears her name
that the Paderewski affidavit was sent In
denial OF his contribution to an anti
Jewish paper. Mr.. Paderewski. who Is a
personal friend Of Miss Comstock, is n
great sdpirer OF her school and the
method OF teaching used there This II
only natural, as Miss Comstock Is an ex-
resens of her own teachers rsscha-
tisky's), method and Psderswski himself
IL q product OF the old Visnnese masters
school.
Paderswski knows, Il 10 said, all ~ the
pupils Of the Eiinor Comstoek Nusle
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
THE WEEK OF OPERA.
METROPOLITAN Opera House.

MONDAY-"Julien," Miss Farrar,
Mir. Caruso. Mir. City.
WEDNESDAY "Cioconda," Mines.
Destinn and Homer. Messrs. Ca
russo and Amsto.
] THURSDAY. 2 p. NJ. "Rossnkava-
her." Mines ODER ana Hempel.
Messrs. Coriiz, Althouse, Leon
hardt and Rciss.
THURSDAY. 8IS p. M. "Toscs."
Miss Farrar. Messrs. Martin and
Scotti
FRIDAY II Amore Medico," Mines.
Bori and Aiten. Messrs. Cristslli.
Pini-Corsi and Rothier. and Made
ieine," Nine. Aida, Messrs. Alt
house and De Scgurola.
SATURDAY, p NJ "Orieo ed
Euridice." Mines. Homer, Gadski,
Sparkcs and Case
SATURDAY. 7A5 p. NJ. "Lohep-
grim" Mines. Fremsrad aud Ober.
Mcssrs Berger, Goriii and Withsr-
spoon.
Century Opera House.
TUESDAY -"Tieiiand," Miss Eaell,
Miss La Paine, Messrs. kreidlsr
and Bergman.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
CENTURY OPERA HOUSE.

The much discussed and once post
poned "Tiehand" will be presented by
the Century Opera Company under the
direction of Milton aud Sargent Aborn
for the first time in English at the Cen
fury Opera House on Tuesday evening,
March II.
While the Century Opera Company
has given several novelties during the
operate season. more than passing In
terest has been attached to the produc-
ton of d'Albert's "Tiefiand.''
No opera Of recent years has been
sung more frequently in Germany. In
drama form "Tiefland." under the title
OF Marta of the Lowland." is familiar
to New York theatregocrs through the
English dramatization which was pro-
duced by Mr.. Fiske at the old Msnhat-
tan Theatre. with Bertha kalich In the
leading role OF Marta. The libretto of
the opera was adapted by Rudolph
Lother from Angel Guimera's Spanish
play Terra Baixa."
"Tiehand' WAS given some i've per-
formances at the Metropolitan Opera
House. the premiere being on November
20. 1908, with Destinn singing the role
Of Marta and isabelle rHuillier that of
one OF the special features In the Cen
fury production viii be nve soprano
artists singing the roles Of Marta and
Nurt The cast FOR the opening per-
Torrance on Tuesday evening Will lind
Lois Ewell singing Martd and Beatrice
La Paine Nur. Louis kredler will be
the SebdsfianO and Gustaf Bergman the
Pedro Alfred kaufman will be heard
as TommdsO, while Louis D'Angelo will
be Moruccio, Nando. the Shepherd will
be- sung by Vernon Dalhart and the
Priest will be Frank Mansfield. Pcpa, An
tOHA and RGsdiiG, the three young Iirls
in the service OF Sebdsiidno. viii he sung
by Florence Coughlan. Louise Hauss-
mann and Cordslia Latham respectively
Helen Stanley and Enrica Clay, guests
of the Century Opera Company, will
alternate In the role OF Marta Miss
Stanley will be heard for the first time
at the Century on "Wednesday evening.
Lena Mason will alternate with Miss La
Paine In the role Of Nuri. while Thomas
Chalmer will sing SebastianO at the
Wednesday and Saturday matiness and
Thursday and Monday evenings, Walter
Whca,ley will sing Pedro at the
Wednesday and Saturday mat!nees and
Thursday evening. The production is
under the personal direction Of Mr.. Al
bertieri and Alfred szendrei will conduct
the opera.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
METROPOLITAN OPERA HOUSE.

cullen" Will have its third hearing
al the Metropolitan Opera House to-
morrow evening with Miss Farrar. MIR.
Caruso, Mr.. Gilly and the usual cast,
Mr. Polanco conducting.
La Gioconda" on Wednesday eve
ming with Mines. Destinn, Homer and
Duchene and Messrs. taruso. Amato
and DE segurola. Mr.. Toscanini con-
Quoting,
Der Rosenkaval!er" as a special
matinee on Thursday with Mmes
Hempel. Ober, Case, Mattreid ana rornia
and Messrs. Althouse. uOritE Leonhsrdt
and Schlsasl. Mr. Herts conducting.
"Tosca" on Thursdsy evening with
Mise FsSras Miss Drsslau en- Aessrs
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Martin. Scott. Rossi. Rada, Begue
Pini-Corsi and Ananisn, MIR. Toscsnini
conducting.
Wolf-Ferrari's "L'Amore Medico" on
Friday evening with Mines. Bori and
Alien and Messr. Cristslli. Pinl-Corsi
Rothier, DE Segurola. Leonhardt. Bada
and Ananian, Mr.. Toscanini conducting
and Madeleine" with Mines. Aida and
Sparkes and Messrs. Althouse, DE
Segurola and Pini-Corsi. Mr.. Polacco
conducting.
"Orfeo ed Euridice" at the Saturday
matinee with Mines Homer Gadski
Case and Sparker. Mr.. Toscanini con-
Quoting.
''Lohensrin" at popular prices on
Saturday evening with Mines. Fremstad
and Ober and Messrs. Berger Goritz.
Well. Witherspoon and Schlegel, Mr.
Hertz conducting
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

principal singers and yet IL the charac-
ter. passion and Importance OF each per-
sonage in the piece is not distinctly
marked and supported. II the airs are
not contrasted with one another and
the part Of every singer in the same
scene specially different In measure.
compass. time and style the composer
not a complete master OF his profess
sion.
Good singing requires a clear. sweet,
sven and flexible voice, equally free
rom nasal and cultural defects 1t is
but by the tone of voice and articulation
Of words that a vocal performer In SUI
perior to an instrumental. IL in SWELL
ing a note the voice trembles and varies
in pitch. or the intonations are false
ignorance and science are equally Of
Tended; and il perfect shake. good
taste in establishment and touching
expression be wanting the singers rep
utation will make no great progress
among true judges. IT in rapid divisions
the passages are not executed with neat
ness and articulation, or in adagios II
light and shade, pathos. variety of col
oring and expression are wanting the
singer may have merit OF certain kinds
but is still distant from perfection"
On. ~ m. item. in his enumeration
is "diyisIons" strictly sn.akinp this
term sipni,,,d a succession ~ shor,
notes not necessarily a scale sung ran
idIv In on. breath IT.. c,rr.c, or na,y-
less executior of divi.iors was ma of
the tests az n singers technic in the
ia,tar mr., 81 tho say.,,..,,h can,,ry
ana ,benceforw.rd through mos, of iha
eigb,.or,b purroy ,.IIs no Tho, ,h.s.
diyisions v.ora - mo sing ,,ith noatn.ss
ara ar,,o,,Ia,,on Ia o,h.r ,,ords ,h.,.
,,,or., =, d., ,,ar,.,,I,. o,,a,, ON, I'd -,
iu,.I, .r,oa,h rho,. 400. no COLL ,or
nou,sr a.. h,,lliano, E.xac,,ass mi 10
-. 81 ,,,, 80, ,ha,
s,..'s,,,,, ,,.,'I,h 80, - ',N
80 -, -, a., ,h. ,r,,. ,ra
- t,r''.,,r 49,,
20 y.
W., 80
70 ,,,,'., ~ -, - 800
.,t.,.I,.' a., ,,,,i, 49, ,aa,as
T., 49, ,,,ra, -, ,t, ar, E,.ar,.
nna., axnaa,.a 80 - s,oi.. or
r.. .',oaas,, -, - 10.
o., .nn,has 80 -. go, ',,ho 4,
u,as 90 dors Listening In nerfec, mas
-, N, =,
',T.,,.I,, eni.,h.a oan,il.na u,a. ~.
rh;o, nv, 30 hi. d.,igh,
Now we note that Rurnev also snesks
NJ "swellinp n note" The art of he
ginning a tone very softly. swellinR n
our 10 a full forte and then diminishing
| II again TO n piano was one OF the great
| features of the old time singing. This
| was called "messa di voce" and no
singer could expect admission TO the
first rank who was not a past master
of II.
Indeed upon command OF II rest
| to-day all the infinitesimal gradatlons
| OF loudness and softness which play
such an important part in the nuan cling
of song. In the Handelian period GER
| tain arias We're introduced into operas
chiefly for the sake Of giving singers
opportunity to display their skill in
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
WOLF FERRARIS NEW OPERA-ART OF MALE SOPRANOS
CONCERTS OF THE WEEK

SUNDAY--Mischa Elman, violin r..
cital, Carnegie Hall, 3 p. NJ
David Sapirstein, piano recital
Princess Theatre. 3P. NJ
Ferdinand Sinzig. pianist, and MIN.
Eudors van Horn, soprano. ioin,
concert. Rumiord Hall, $50 p. NJ
Hans Leff, violin recital. Inn.
Theatre, $50 p. N.
John Mccormack, song recital
Hippodrome. 8:l5 p. NJ.
Opera concert. Metropolitan Oper,
House, S:i5 p. N.
Opera concert. Century Oreta
House. s:iS p. M.
THURSDAy-Mme Namara-To,e
soprano, Royal Dudmun. ssrytone
joint recital, Aeo.ian Hall. J p. NJ
Boston Symphony Orchestra. Car.
negie Hall, 8:lSP. N.
SATURDAY--Boston Symptom Or.
chsstra, Carnegie Hall, $50 P. NJ
Harold Bauer, pianist. Aeolisn Hail
! p. M.
Tolleisen Trio and Nine. Buekhout
soprano, joint concert, AeoIian Hall
S:i5P NJ.
Jan kubelik, violin recital. benefit
Hospital Fund Hungarian Relief So.
cieiy. Carnegie Hall, S:lSP. NJ.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
W0LF.FERRARIs NEW OPERA.

General Manager Gatt.-Casazza will
present his nth and last novelty OF the
Metropolitan Opera season next Friday
evening. when Ermanno Wolf Ferrari's
latest work. "L'Amore Medico," lyric
comedy In two acts, adapted from
Moliere's "L'Amour Medecin." will have
It's American premiere. The public IL
already familiar with the composers
lie Dome Curiose." I'll segreto di
Suzanne" and Il Glolelli della Ma
donna" "LAmore Medico" had its first
performance In Dresden December 4.
1918. Public and press gave IL a cordial
reception. II was said to be in the
composers best style, while the libretto,
made by Enrico Gollscisnni, was praised
for the skill with which the spirit OF
Moliere's play had been preserved. The
opera has been prepared for presenta-
ton here and will be conducted by
Arturo TOscanini. The scenery has
been painted by kautsky Of Berlin and
James Fox OF the Metropolitan Opera
House. The costumes, after designs by
Caramba Of Milan, were made by Nine.
Louise Musaeus at the Metropolitan
costume atelier. Jules Speck has charge
OF the stage management. The cast
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

though they may not ne able ~ nav r,-
her resular tuition. Nine. Garr.gu. CAV.
a private concert at the Waldorf-N-
on the afternoon Of March ~
Miss Jessie q. Fenner of lS IVES.
Thirty -sixth street gave an iute-esiirs
talk on Voice and the Art OF Singing ana
Speaking before the music departmer, O,
the Womans Club OF Jersey CITY or
Wednesday afternoon. March II. Prsr
tcal illustrations were given ny MIS-
Fenner. who had the assistance ~ tHra.
Of her pupils. Mrs. Isabel Klemyer, Ms,
Catherine II. Brown. sopranos and Ma.
Gladys Opdyke, contralto, M songs
Alexander Lambert OF 10, Lexington
avenue will give the dansant ton IN,
In honor Of Miss Elinor Comstuck and
the members of her music school and their
friends. Nine. and Miss GadsN. Me-,
Lopoukowa and Alma Glucl are among
those who have accepted invitations to
meet these young musicians
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15
CONCERTS, RECITAtS, NOTES OF
MUSIC.

The last pair OF concerts 81 the Poi,
ton symphony Orchestra viii bc gwen
in Carnegie Hall Thursday evening
March 10. and Saturday afternoon, March
II. At both concerts the orchestra win
have the assistance as soloist OF Nr
Paderewski. Thursday evening Mr. rad
erewski will play his own concerto .r A
minor. Saturday afternoon lie VIII play
Beethoven's concerto In T. Hat mal,r 10
8, Emperor The programmes Don nm
for each concert are as follows.
THURSDAY ryESlNG.
symphony In + major. No. . .CU.,lF ..
Symphonic poem. "samspu"
Rubin Gull"...
Rumanian rhapsody .............. E,. 60
Concerto for pianoforte In \ Wu..
SATURDAY AFTERNooN.
symphony in i minor. No. t.
TschiikoW ~
"HaHner" serenade Nos. .. 3 lN. n.
Continued on FVtccrth Pare
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Walter l.. Bogert. musical director Of
the Peoples Institute, has engaged Flor
ence Anderson Otis. soprano; Ellison Van
Hoose. tenor. and jacques kasner. violin.
for this evening, March Is, at Cooper
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

0VHFFU'vDIs
"L'AmOre MeAico" will he followed on
Friday evening by Victor Herbert's
Madeleine" with Mines. Aida and
Sparkes and Messrs. Althouse, DE segu-
rola and PM Corsi. Mr. Poiacco con-
Quoting,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Esperanze Garrigue tries voices gratis
every Wednesday at - o'clock at her
residence studia'Heathcote Hall, 500 West
ll4th street, near Riverside Drive. in
order that all who wish II may have the
benefit of her criticism and advice, al
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Edwin Orlo Bangs. tenor. and Marion
March. harpist. will give a recital Monday
evening. March 20. at the studio OF Mr..
Hall.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

School and takes a great deal Of interest
In their welfare
The l06th free organ recital in the
popular series under the direction OF DR..
William &. Carl will be given In the Old
First Presbyterian Church, Fifth avenue
and Twelfth street, tomorrow evening,
March ls. at Sis o'clock by Henry Soy-
mour schweitzer. +. \. q. o., organ!st
and musical director OF Trinity Lutheran
Church Reading. Pa, and n postgraduate
OF the Guilmant Organ School.
Margaret Anderton is giving a course
OF five music lectures In New York city.
The course began ON Friday. March g.,
and continues every succeeding Friday
night. The initial subject was The
Pianoforte apd Its Development and Evo-
lution---Pioneer Makers and Present Day
Makers" Each lecture Is illustrated with
many piano selections played by Margaret
Anderton.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Union. For the other sundays in March
the following soloists have been engaged
Alfred u. Thaw, tenor; Francis Rogers
barytone; sara Gurowitsch, cello; b.
e. Tuthill clarinet.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

At the Mcdowell Club, where Walter
l.. Bogerr IL chairman OF the music com
mittee, Harold Henry, the pianist. will
give recital ON the evening OF March 81
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

Continued on FVtccrth Pare
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-15

School and takes great deal Of interest
In their welfare.
The evening world., 1914-03-31
Centenary of Napoleon's Fall.

people that We are waging war, but
upon Napoleon" And the King of
Prussia added: And not upon Ma
poleon himself. but upon hts ambi-
ton"
Before the evacuation Of Paris Ma
poleon's wife, the Empress. and his
son, the King Of Rome, were escorted
weeping out Of the city to Rambouil-
let. But Napoleon. who was In the
rear OF the allies. did not know this
when he heard the news OF the cap
itulation OF Paris. His first question
was: And my son. my wife, where
are they?"
The downfall Of Paris brought to
the Corsican the full realization OF
his own ruin. He threw himself down
In the dust of the road and hid his
tear-stained face. He was no longer
an Emperor. the master OF Europe,
sued by the nations and by fate. He
tried to poison himself. but this at
tempt at suicide, like that In his
youth, was a failure.
Guizot has left us graphic pic
ture OF the Paris OF that period:
mo workmen. no movement, mate
rails in heaps unused, deserted scat
folding, structures abandoned from
want OF money. hands and conf
population seemed uneasy and rest
lessly idle. IKE people who are In
| want both of work and rest. Inaction
and agitation, many more women and
| children than men: young conscripts
sadly on the march to Join their
| corps; sick and wounded pouring
back"
| Paris was swarming with Kings
| Cars, &c. The Duke of Wellington
| called on Nine. Recamier at her Paris
salon. He made a feeble joke abou,
| Frances fall. and patriotic Nine. Re
camier promptly and publicly ordered
him out of her house, to the delight
OF all Paris and to the horror of the
English. who worshipped the "Iror
] Duke" as a hero.
The evening world., 1914-03-31

RANCE observes this month the
centenary of Napoleon's fall.
Not with wild festivities, how
ever. For the man who drained
French resources and French blood
Is now looked on AZ something of a
demigod.
1t was a hundred years ago this
month that the famous words we're
growled:
Paris IL none of my affair. ] am
only a corps commander. and I have
saved my corps"
bandaged, one arm In a sling. face
blacksned with powder. az he rode
out OF Paris at tho head of the French
regulars who had vainly defended
the capital against the laundering
the allied forces, numbering 10000
men, commanded by Blucher. the
Prince of Wurtemberg and Barclay
de folly, had surrounded Paris. and
after a series Of desperate conflicts
with the French regulars and Ma
tiOnal Guards (assistod by the stu
dents and many Of the citizens of
Paris), had forced capitulatiOn.
The French were permitted to with
draw with all their arms. and on the
morning of March 81, lsl4, the Grip
pied army limped out OF Paris, and
i2O, 900 OF the allied troops took pos
session OF the city. 1t was trlum-
phal march. In which the victorious
Prussians were too ragged and bat
tie SCARED 10 participate. Mingled
cheers and jeers greeted the victors
The royalists welcomed the enemy as
the forerunners OF the restoration
and showered flowers upon the dash
ing Cossacks as they rode through the
Faubourg 81. German.
Paris will not be harmed was
the reassuring word sent by the Czai
| OF Russia. ut is not upon the French
The evening world., 1914-03-31
Spring Fashion Notes

fashionable in dress goods. coats and
millinery. Much red will be worn. In
the dark suitings, navy blue is still as
popular as ever and the royal and
copenhagons have lost none OF their
favor, There is also a dark greenish
blue known as Tokyo. A soft shade
of Russian green Is called Czarina and
in the browns there Is the hazel and
a reddish brown termed rust
In the brighter shades there are the
minaret "a beautiful Yellow. Bermuda
(similar 10 coraD. eco Ia deep biue),
and Oriole "a soft burnt orange). Fox
glove Is the new name for a beautiful
ahnde OF purple.
This years business in Easter gloves
lies principally in silk and other fab
ric gloves. Since these gloves have
attained such perfection in ut. women
prefer them to kid and are adopting
them at the first appearance Of mild
wcaih her.
Tho Faster promenade will show
tie strong preference for patent
leather shoes-that Is, patent vamps
with colored uppers, the favorite In
The latter being the shades of fawn,
castor. gray ana the mastic tans.
The separate skirt will now again
DC part of every Woman's wardrobe.
These are shown in silks. worsted and
cotton materials, There are checks,
Hcrges, gabardipes, poplins, crepes.
taifetas, moires. piques. ratines, cot
ton corduroys and cordsunsA
The evening world., 1914-03-31
Letters From the People,

Elbow Dia He D0 Its'
N the Editor of The nvsnins World:
Readers. q man gave away on ak
occasions thirty-one dollars, always
giving an odd number ana never any
fractionA How did no do Il?
JOSEPH KAHN.
q IL Mght.
To the Editor Il The Evening World,
A Aays that there wore 80 days IN
February one year and d says there
were never more than 20. Which In
right? A READER,
N shs Editor ~ Tho Evening World,
10 Robert Mantell. the tragedian,
still ltv!agy u. 10 q,
A. to More work for the Army.
N the hd't1 a. The Evening World,
Every now and then thora In some
talk OF putting tho United States
army and navy 10 work. They work
hard enough now for such small pay !:
and ] think any extra work would
only dsorssSs the 2plislaents all the
No.. ~ 4
The evening world., 1914-03-31
NO LIMIT TO THE BILL.

ny WAY they figure it, Workers have got to stand
~ $2O0O,OO0 in their coal bills.
= - The that the summer scale OF
prices which goes will twenty-five cents
per higher price April l. 1913 Even if the usua
May omitted and put off buying until
then dig deeper into their pockets than they
did through the months last In Manhattan the
price per family Of hard coal will he for
April May $780, July 500, August $3.50 Serem
Der In Brooklyn retail prices usual keep twenty-five cents
Q con ahead Of those in Manhattan.
the years the coal barons have twenty
York In 1912 the cost Of settling
standards This time the demands Of the coal
barge and the Pennsylvania State mining tax
question pay the toll Of trouble will
the Coal Trust while the public has dollar left Every time
burden has been Observation-Disclosures the Pennsylvania State
tonnage tax laid by the Roosevelt treaty
the engineered the Mr. Morganeach has
speedily tightly strapped the shoulders OF the
There sackenng Of dividends the great coal roadsthe
Lehigh Valley. the Lackawanna and the jersey Central
n year April March 81 1913. the
companies which the
twenty-five amounted than
si5OoOooo paid than
100000 And the tribute Of this city for the coal
ending March 81 1914 will amount to as much
100000
press upon the people directly and constantly
the need Of coal Coal food warmth industry 1t
touches Here the great city of New York only hun
the richest coal deposits the country Yet
community souls the Of coal combine
which dictates month by month what people sha pay for this
commonest Of necessities.
public pays Yes It also pays for monopoly
greed pays the fees Of high finance It pays for clashes
employers and employees for strikes and settlements
pays nfrngments Of tho law pays conflicts with the
Government.
later pays for every experiment every folly every
embarrassment every loss every extravaganza. hghhandd
policy Of coal finance.
And there limit to the bill.