davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

80 - a. Keep bis head. He does not
~. ~. he simply allows himself TO be
~. little BY little, by general
IN, mat Is what would appear 70
,h,s sSae or during the experiences
crs,.ss 70 the painting Of the Family
On, q present under confederation.
a s.,.YfSeIetion makes IL unnecessary
se',..' me design. Nominally that
i,e,s mifht be said % be derived
EssI ne typieal Florentine Madonna
Z i,.'o. TIE association Of ideas
tan. ,1i.oie and the nude child espe-
m. -sses memories Of a hundred
: 49,. tne JMzi. One might 20 on
,s:s,sS INDICATIONS that the picture,
a. ~. ~ Florence. was painted in just
s,,,,. because Nr. Brush had been
tssE 70" the Renaissance masters
o. a - orapery and how they set
49, ~ scale Of color. The blond,
hslis, tones IN the nude are pure
.ss.~ Set IN the final result all
u -. .',ss isll into a harmony which
e. - Brush. The simplicity Of the
sas,t,.. 0sfne - his. the fine draughts-
i.s,ss - his, The artless human sen
- d.. me thing - his. above all,
i<su,s ....zei.shed style which gives the
IN ~ place apart II absolutely his
ats, ~'fk painted in slayish emu
vfsst. ne past would have no
4 1' =. weight. This piece Of paint
- az organic whole. compost
: l.. ',slpped from within outward.
Is 49, Aitsi dignity and beauty. II
iss< -. Vitality. n is one Of those
nj s.ihKs which have what We can
Z tsrs @ -, - an affirmative quality.
I1s ,s.,s A. yf.ng because II could not
fEst : work Of true creative art.
- iSie VIII be we DO not know.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

by the latter, but their intrinsic merit
is that Of photographs taken with
fidelity TO the limitations of the camera
and with the purpose of getting good
likeness. The modern photographer
who likes to think Of himself as an ar
fist is forever trying TO do with the
camera what can only be done with
brush. Mrs. Cameron and Lewis Car
roll" made no such pretensions. We
are Glad 10 see that Mr.. Coburn is on
the right track. Compare these photo
graphs with the average professional
work Of to-day. he says, land we Will
seem TO have been progressing back
ward all these seventy years. The
coal has not yet been reached. No pho
tographer of the present day, as we
have remarked on other occasions, has
achieved anything like the unaffected
dignity. the simple truth, character
!stic Of Mrs. Cameron. In another
OOH there are photographs by MISS
Gertrude Kaseb bier ana Mr.. Clarence
White. They are charming IN their
rqv. but they nave 2 Fictitious AR be
i'd the fne plates OF the Victorian
rchool. At the Enrich gallery here Is
where these photographs. are shown
also a collection of iewelry designed
and executed by Mr.. Frank Gardner
Hale. 81 Boston.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

lection as a whole seems little per-
functory. Old masters and a number
of paintings by Americans of to-day
are visible at the Murray Hill gallery.
The Folsom gallery shows paintings
by Albert p. Lucas. Thumb box
sketches by American artists are at
the Katz gallery. and similarly small
paintings by ]. Eliot Enneking are on
exhibition at the Cathedral Parkway
gallery. The Mcdowell Club presents
paintings and sculptures by Clifford
Beal, Reynolds Beal, Paul Dougherty
Hayley Lever. Jonas Lie, f. Luis Mora,
Mahonri Young and the late Domingo
Mora. Pictures in tempora by the
sculptor W. r. O'Donovan are at the
Cottier gallery. The Union League
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

the task of providing an ever richer
and more stately background Tor
invurious mode of life. But 1t IS 70
one man. not an architect. that we owe
T the most powerful Of all the
- ansncas which have fostereG the
Vogue Of tapestries IN America, the
late Charles VI. Ffoulke, Of Washing
TON. and il Is well that an adequate
monument has been reised to his hign-
minded labors. We nave 4 in me
sbape OF magnificent folio The
Fforlke Collection OF Tapestries
tFrederie FairchIld ShermanJ. wh!ehns
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
The Brilliant Traits of ihe Late Felix
RracanemOnd.


4, Reraldis great compendium, Les
Graveurs du XIX Steele" whole vol
ume is devoted 10 Felix Bracquemond
and that was published as Tar back as
1855. The list Of nearly eight hundred
pieces would be doubled, We suppose
If il were TO be brought up 10 date
Bracouemond was born in 1888, ana ne
was busy down 20 the time OF ms
death. reported only the other day by
Mr. Weitenkampf, curator o. the plln'
room at the Public Library. ms
charming portrait OF himself, done
when he was twenty, is characteristic
in its accessories, pointing WINDY 10
the artist in mis- workshop. One THINKS
OF him as the craftsman PERSONNEL.
And this not only because he was so
devoted but because what he did was
essentially craftsman's work. tie could
do ANYTHING, paint, etch, engrave. lie
was an expert photographer. lie hs9
practical knowledge OF ceramics ne
one thing he could not do was 70 play
the part of a creative artist. ne hao
intellect and taste. lie mad niue ini-
What little he had he brought 10 the
MAXIM of his portraits. penetrating
studies of character. Beginning hls
artistic life in the studio OF Joseph
Guichard. who had studied under
Inpres. he carried over into his own
work something of the noble style
which had flourished in the time OF
the famous classicist. But ne was q
modern type, thoroughly modern al
his sympathies. and in portraiture ne
cultivated a naturalistie, even emo
tional. habit which might have DIS
concerted Ingres. In expression pose
and gesture his sitters have the AMI
nation of life itself. But while ne Is
about il he takes pains 10 bring TINS
vitality of his within the conhnes OF
u stvle as pure as II IS pulssaht'
Bracouemond is in his very dlrerent
way master OF the cal0re OF uall-
lard. an exemplar of force governed o.
an exquisite sense oil balance III
line is bold. firm, and. Tor all us Urn, Urn,
ness. extraordinarily supple; lie Iiheu
: decorative effect. HIS Edmond de
Concourt" is a veritable picture. ht
drew many portraits IN that engaging
vein But he left them all distinctly
monumental affairs, portraits IN wnicr
detail is kept in complete suoordiha
tion 10 a strong. unified effect. There
il something about his plates VINCE
subtIv suggests the worker IN metal,
rot nerhaps the maker of the bronze
bust but the consummate chiseller IN
silver. His manual address is equalled
only by that Of Gaillard. He is the
inneccable tecnnician, brilliant as
diamond. His death was perhaps TO
be expected. yet the news OF II brings
q peculiar shock. One could not asso-
ciate IDEAS Of declension with an art
Ike his. il was too splendid. too mas
terful. He seemed. with MS serene
authority, his unbroken success to be
/ forever in his golden prime.
The Cult for Tapestries in the United
States.
] There are tapestries in this country
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

servers, We imagine. They are pho
tographs Of old architectural monu-
ments. beautifully picturesque. The
portraits which chiefly cover the walls
are in a broad way familiar, many Of
them having been reproduced in the
memoirs of British notabilities. They
gain much OF their interest from the
fame Of the persons represented and
from the old-fashioned clothes worn
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

but the cult for the subject which eX-
lists to-day is an affair Of recent
growth tt origin, Moreover. has been
different from that of nearly every
other movement involving the collec-
ton Of works OF art. When Americans
began to BUY pictures il was for the
sake of the pictures. Later, with So
cial developments leading to the cree
ton OF new type Of dwelling house,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
s,udv in the Tradition of the Old
Masters.

n. frs. pictures which made Mr..
~ known drew a good deal OF their
...riar,ty from their subjects. tie
..irssd Indians and painted them I'M
s'..monlv we'll. in designs suggesting
,ss. he cared as much for landscape as
isr the figure. His labors seemed at the
.ms 70 possess a peculiar value, prom
'',r 10 redeem field rich in artistic
..s.ssrial from the blight Of convention
,li,v fastened upon it by incompetent
Is,as Then began a change IN his
"a no. only as regarded subjects, but
AZ REGARDED his whole point OF view
\ was most definitely signalized for
tho present writer in an interior with
sgurss shown in some local exhibition
.Ssnty years or more ago. Recollec'
lion may be az fault as 20 the exact
Details OF the composition. was the
,r,ist himself portrayed in the scene.
r.rting the mother and children posed
bsiOt hir? We think so. But the
pOjrt is no. essential. What is clearly
recalled Is the disposition Of several
sgures in o scantily lighted room and
he treatment Of them in a style RENT
sis,sn. Of Terburg or some such Little
Master Of the Low Countries The hint
a The past was there, but with it not
he smallest trace Of an initiative pur-
bose. L was rather as If Mr.. Brush
lad rurnec his back upon the wildwood
q IL Indian pictures, with all the
aYg q the open air and Of an in
tsrssy American sentiment that Il i'm
pied ana had become fascinated by an
srceni European tradition. We have
zen dozens OF his paintings since then
sd they have steadily deepened this
Impression. While they have done so,
iasy asre only increased our sense Of
he originality which is at the bottom
q hs az.
TIE explanation lies both in his hat
ars Independence and in the strength
q BIS technique. Only an artist who
really knows how to paint can triumph
ever the powerful influences exerted
By ihs old masters when he sits at
iasir feet He can take the risk be
essH with knowledge comes poise and
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

artists work in the larger exhibitions.
but We have never seer anything of
hers so good and so inspiriting as this
group.
At the Knoedler gallery Mr.. Hopkin-
son Srith is making his annual display
of watercolors painted in England and
France. He is as deft as ever, but not
quite so successful as usual in respect
to the quality Of his tones. The col
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

James II. McGraw. DR.. o. A. Monterey,
Miss Jane Murdoch, DR.. c. G. Filkins,
James G. Gordon, jr.. Miss Rosalia III o.
ban, c. F.. Morgan, 3D., Mr.. and Mrs. j.
B. Morgan, Mr.. and Mrs. ". II. Psddett
and Mr.. and Mrs. Martin J. Powers.
Dennis Mrs. Martin Smith. Mr.. and
Mrs. f. ]. Byrne, Miss Clara Elberson. +.
c. Henser, Mr.. and Mrs. A. II. Lowry. Mr..
and Mrs. J. l.. wilkins, Miss Josephine
VI. Bennett, Mr. and Mrs Charles Bar
guer, John +. Cannell, Mrs. S. T. Fiero
and Miss Mary L. Fiero.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

Shelburne DR.. and Mrs. George
Cook. Mrs. julius Rainhelm, Miss
Teresa Tanncnbaum, Joseph IL. Appel,
jr., Mr.. and Mrs. +. W. Barnett, y. b:
Biug, Albert Ehrman. Miss Rachael
Flynn. Miss Laura Hinshey. Charles
J. McMahan, Mr.. and Mrs. r. b. Van
Dycke, Mrs. Mary Walters and J. {.
Henderson.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
MERCHANTS DAY
At ASBURY PARK
Chamber of Commerce Plans TO
Boom the Town During the
Winter and Spring.

Asbury Park, y. j., Dec 5.-The
Chamber of Commerce here is display
ing much activity in plans for booming
Asbury Park during the winter and
spring months. At the last meeting.
upon the recommendation Of William c.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

we became conscious OF decorative
reeds, or at all events decorative OPP
portunities, which had previously scarce
crossed our minds. The psychological
moment for the tapestry had arrived
There is . beautiful ballroom not many
hours away from New York which is
also a gallery OF tapestries. The walls
are hung with a set which, indeed.
gives the interior Of the house ITS chlei
distinction from an artistic point of
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

view. In this Ease the tapestries were
not hunted down to adorn the room.
The room was designed to receive the
10 that extent has Ameri-
can taste been stimulated by the re-
discovery Of an old art form.
Tie architects have had much 20 do
with it, charged as they have been witn
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
New Paintings and Miniatures and
Some Old Photographs.

Mr. Allen Tucker has some paintings
and drawings at the Montross gallery.
The latter are amusing notes of travel
in France. This artist uses pastel with
sympathetic touch. and he is skilful
into the bargain. His light sketches
give an impression of the ease that is
based upon thoroughness. The oils are
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

planking purposes where the timber is
not to be painted, as they both take an
excellent polish. For heavier construc-
ton work on vessels of larger type
yacal has proved very acceptable, being
more durable and of greater tensile
strength than the Borneo timber.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
PHILIPPINE WOODS
MAKE MANY SHIPS
Yacal and Apitong in Great
Demand by Builders
of Boats.

Exports OF Philippine hardwoods TO
the markets OF the Orient and to the
United States are steadily increasing,
al the demands are much greater than
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06

Rogers. chairman Of the merchants
committee, they decided 10 set aside
two days, probably December 10 and
16. for the operation of Merchants
Dav." On these days each merchant
will display one or more prizes in his
window. and every purchase made VIII
carry a coupon with a number. Inc
number that comedies with the one on
the prize will be the winner. Ihey VIII
also ask the City Publicity Committee
TO devote a larger portion OF next
years advertising fund TO the residen-
tial attractions Of the resort.
Members Of the Comus Club were en-
tertained with a reception and musical
AT the Marlborough Hotel on Tuesday.
The event WAS the first given by the
club this winter. During the holidays
a social affair will be given, the nature
of which and the date 10 be announced
later. and 70 be determined by a COM
mittee composed OF Miss Helen Cot
treu. Miss Marion Burroughs, Miss
Ethel Rugarber and Miss Mile STRAIT
ton. A standing committee was named
10 arrange for an ice carnival to be
given when the first good ice puts in an
appearance. On this committee are
Miss Berenice t. Hetrick. Miss Frieda
Schneider and Miss Marion Burroughs.
Miss Hattie Ferguson was elected to
the presidency Of the club, to succeed
Miss Mabel Winsor
Announcement is made by Manager
Frank Smith Of the Ocean Grove Asso-
ciat.on that a new park, 70 extend from
the South End pavilion either way,
would be one Of the improvements
made at this end of the resort imme-
diately. This is only one of the extern
sive improvements that will be made
BY the association in this section Of
the resort.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
A GREAT PICTURE
BY AN AMERICAN

But we know where IL ought TO 20.
Straight into the museum.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1914-12-06
The Cult for Tapestries in the United
States.

There are tapestries in this country
which have been here fer many years.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23
oit llmaanagIgradls IN C8tnslaI 00ngnnemtnI QtI

niti
Iiq uon pen Oeutiae Erappc 1eeStcn Igcilc ocs
eacnaau aon0reids 8elseH iino ii ciuenl General
Commencement NIT Dem Ncgermgslise i'll griiiIcl ti
ferelt iuoroen Gcr 5ldhaiu6alt oes Generap@oi
ucrieueuts bera9t 20 l52, Gtu, sic gsc0oItcrmassat
belief td rad Der 3abliing pom 81 Ie5cnbcr 90 au
T423,7Sl 5eelcn t9crcdlnna pom 81 GecHter 1911
7i901lt anf Gtm 25l (Rbcnauo 26il
Ie giationaIipradlei~ Deg 2onoeS iio 0pd)oeutid
MleocroetiA (5dliii1) lHo 8raiB0iid) NHeiit uallo
ndicr @unOcr0 Hedlna man bic, bic cinc Der orci
Sprodcn am bdiiiacr ipredlet oencr 5n oic lie ans.
itlicbd bcbcrridcr io crgibt iidj nod @ctcrm Nlit
tnnilnnen fnlnetthn Nlninn1n1fihrriht.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23

Dic @uIuits Ser Gu8lancr In 5raHtrrid uerOcn
oni s0,0o0 acidast ga Gnalauo 6ebauptct iopct nli
10000 ,Siietruppen uaoo 6ranfreid aean0 5u babea
bcfrngeu nio oie &erhtiie oes brtialen &eercS Oil
oeni Continent Gin 3ritte otr @eianmtiidrte Gas III
cine e6r bobe HerluitSiiier i'm @ergle nit her Ac
idjct Sie id nl hSd1iicns 100000 W1onn bedlft uaa
iomit nur pn glGtcl Scr it OH Den 5rontru bpoIdcu
uiQt @liaioneu ocidci Streiier betrdgt,
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23

5A nringeli aonn it MiBianD an itiperiir 9riabrod
Denn apf oeier StraBe Iiegen Die seobe7 Huo Giieu
Uerle HN0 iiolid oereIben befiHoeu iid Sic auBeror
fentlidj rud]tbaren GereioeuSfubrgc6et RuBIauo's
pie IN nprmalen Aabreu cine @etreincmlsbr DON 5ehH
NitaipHeR Ionnen ermsgliden- Ner mare MrBIono IN
icinem 2ebcusHsrp aetroifei gairo oiec Gegeuo uou
zen Rliicr ebit uid peripiitc 10 bieet lie init 2eid
tgeit Bic gtabruugSntitte iiir cine Dduonen @rmee
limo c gaus H Derpiiiieu 0rite and bei gr0Btrr M}e
ieridait tam uIoslid iein. Aacrougs lit Die Guter
rmg ene aroBe lie betrdat 1900 0ilometcr BON 2em
berg H @a5icH Had 3ari3Du un0 an oas llnterncbmcu
nurte AUDI nlsr acoadt Terocn, pclu es gelinat 0aS
ruiiide seer total 81 idlngen mo Die llcberreie ou
Ger 5lutt aili3nreibeH 0amit Scr rnlfeu &ccrcslei
na feline ErIppc 5lrr @criiielmg itebcu Die &erbli
onigsIinic 0m cin0rngcHocr Ictiden inlo Cciicrrci
der iu 5critorcL
Ma1 oel 9roBcN Ab1ang bcim pupolconilIen Secrc
a Iinier 1912 onlangt 10 miro orclbc OcEonntlih
MIR sim acrngcn Ebcilc niti Sdladt0crlnite baupi
ddhd nbcr ami 9tabrWHacHaHael uno crit III 5ucitcr
Gtic AMI N6lic 5uriidgcf1rt Gin llebrgea that audi
Der 1Dpbus oer 3mccIsobue aber aud oaa rr9c
seer rtinoccs III ebcn % eroBen llmiougc ocjiurtc
Icr lgpbuo dBt id trigcn5 leBt bel itreugcr @eino
bcitspcgc gcrmeiouug ocS @enniieS BON lm0ctodltcm
@aier mo oeS llcbcrnadtcs III ridt oesniBirten rHi
iihH gauernbalticrn uerlHci0M Gas cigeHtlid)c Rro
blcnI orebt id bic Sroac ob g mogib it, bel mel
ten M2drdcn nlIsreIdcnoc Aabrtug usit5uiiibren no
Oh man glHreuge!o uarnle 4lcloer bcorgcI tdln. GS
RUB notirlid nit Dem ocutbar m8ihaiten Sale &c
fedJnet ucroeit mil Der Wlo9dtet oaB Die Gien that
idtIid beu Hiid5ngc bintcr id alcS 2aO pcrpiiitei
io bic Giienbabnen 10 tart jertoren oaB oeren ie0e
beritena bel aIcr Guergic Der 8onere Der natriideu
bca oeitih oiterrcididca Seere @aonate III 2nprud
nnit nit onocren @ortei nit Der Ssa5rdeinlidfet
oaB Der 9ohringsmittel 9adnub fir orei bis pier
g2oratc bon Der Seimatb ans aii Dem Sononege eeidc
ben auiB lluo oa5 lit nogidj pcrniitcla occ Saauto
nobls. Sir pic pornci aleiocr iorecn bic @iIlioucn
oeiltider 6roueu9dnoc
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23

Tas ailgg 0cr @cIt iii III oicc 9dafn nnd1 Sci
0aitidjgnaiihcn 0reu8e acridltct 2ic 5bIaht pcldc
port e eiiiulcn soacn an @anae i maa cutideoen0
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@lalc aipnoiid aiii oen @op acihlagcn bat ion oer
igicr lleHu3ougung ein CAB e i6m andl oeIcs @1al
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en eniAci0en0er ein mira Ca bic MIiau iid III 6olae
6es bcrciie ergetretenen @lricrs ndt u neuc Sdlii
ituaraban 5riid5ieber i6nnci ionoerH Hl oifcua Gc
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mrroni 0elIdjai Golounen Nidts Stan0 boliei FAINT
Tie Aprte SinocnbirgS oertcii dl Bah bic 0eiltihe
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gta0c haf ipeiu nic 0cr vMetter GilpreuBats 3uer
dtlh hoiit oe eRiac @hlqdi gliidd iilr SIC oetifc
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Settle 9BIoo BON Giieibnbucn 0rdi3ogeu III uuo circu
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rtiiericlo,u5es nah giuBlaHo 0pi cucm Sadirarn bc
iArod1ct ur0 ilir eA lcNcsmc8a 10 rsfmtes llntcres
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grracilclt irro Crei arobs GiuiaIiiraBea cara Sen
1eudiaa uio Gcitcrredcrn 5ilF @eriMiHi3: oie cite
Nup0lcuNiide Secritraia sioUno @tlEa 1niolefsf
s4goslaA 0cf yea ibeT Bciers bltrg uedb RoSia m0
fnttevs oie upliswirfpidaltIid weioiis pdtisr eiH
lrnhiEaBe bon &asieil ans nad) Steu un0 bon nd au
tgm rehten nnb linic lliei bcs Irepr nah 3ctoter
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Gem @pnesgqhiei utD als0auii ac9 3ar8paa @clinat
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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23
Ncnrh M. Nlidlitcin

81 iidyb am 2i Noucmbcr 1914 0mrh gs.
Midlsln, ae.iehicr @'aiic bon Gbereia 9iidl
"a Noecnbcr 9aHmifapo VS. r9r bon ocr
gVnbruua iencr Gbipcier Erau 0li5nhefb
Irlbnn, mr. $780, Wlurlen.sitahr, aus itnii
Hcllcruua nNi bcM sHonoon Bari 6ricoboc".
lAlnnnl- IN
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23
Iaeit0e WeinnlIllIIIber !.

"a bic 5a1rcide il1nnbc Arceitcreinmanoerung ~
Sic paIloniiten Snonrie.@cbiete pieiad 6rou5oiiid
als @elptpradc dnaegcbcu bot tnnn Die Gimme ocr
dldnlen INN cine sQlnociBabl oareleii
5ir George Eaii9 Der britiihr 8adlmauu ami ocm
6el0e Der 6nan5, Der por cdcH sSocben nod oca ger
Siaoten fam, luu oie ACKNOWLEDGEMENTS 5uii0M
eri tei1c Souocrr IL 81 croncn 0aB Die gorien n Sot
ooi uno 9lauyort me0cr eroiHe veroul onntcf, obuc
oaf 8n gronr Bcrhitc All Mcrtben Su berdJten ieicl
i plotlid ami Qeicbl ocs brtdcu Stubtm3lers Slopo
George uicoer abaereilt obnc nab cir Abtomnci nit
oet groBc 9ansetS oiecS SonocS 5u Stanoe gefonmcn
it 8ie ce idcilt, reigern d) oic lebcu @cteru aAi
ben brtiidjcu Suieln, cinen Gre0itiono BON bmoert
@iIionca Collars ju idlaficn 3ucfS 3dlub ser ameri
iariidrn @erthpnpere Sic be oer Grofiiunq Der Sor
ronar @0rie olif ben @larft aeworeu pcrocu iodtcn
Ger liehe @ecr so5n bleibt iid III olcu 2aaen aledl
Il lit brrrit Bonn 9ru0er Sonatbot ale croeufliden
ACKNOWLEDGEMENTS nl8uncbnct 81 @eguciriiiei "
"a otcg MIC bcreit
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1914-11-23

Gepartemsai FIR BnrHalGlc Be:bcfernHsrE.
tlrtr. z tnytpemert oee otSuatnlrurc.
90Itimore. 6, Nobenlber 1914.
9lu efe bic cc ouqtm.
G5 urh biCrmit eemdb ocu Abmnlieu So y
unb So see Nalimorc Stdot@bartcr5 be-
iarni ocmahi oab bic aissenaoittabens
GommiinH Nan BEN IA. 1t5ember 1914 bes
elnEea uirb. bic uongeuannieu GtrdBen iEit
uiooerrcu Wlaicria 81 pilaliern. .Hen az plas
fern uno Hea 81 bcleseu, glue Ecrlonen mo
6crporailoueH perben 0cehalb nui1clotoeri,
GrIaubHibidine fir oae Irbeien 81 lolen unb
0lcie Dor ocm H. Hc6cWber 1914 az beenoelL
sic IN irasn0 eiHer g9ciic bic GulaTabuia ooef
Nuire.buna nahocnauntcr SirabeH ooer cinee
Gbeiies ocIleben nUiaia uldmen moNleE. rahf
oem ile oAi i9lGe 9Seile acpiaiieri, fien &C.
pllaiicrt coer ueu beegi finn.
Die oben crlpabnieH Sttne:f IND d,
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(Qcb7 .14.2t.2s) Gtaoi',Snaenlehr.