The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-07-26

the larger lights. \ study Oh. , ..s,-
, an V ,,.h. ulaM'ns room . lily 1
wa su" VIII
show how little detail the hu.
''"' VI. me we les,
knows this and subducs and ~
lighting so as to soften the ., ~,
her guests features. ami this ...
more becoming than "A brillia ..,.,,
with its hard shadows but it ais. .....
out the true charlc,,r Of
expressions, for expression il .....S H.,
he contour of the muscles. ....
'rhich Is dew, ioped eith,r D.,
sulks. and by the modelling
rather than by wrinkles. cl,
other superficial triiies.
The Phlistine is usually ur
When he laps,s into attention
tn count the number of mas.
tant ship or to tell the timp . ....
tant clock or To Il teCt the mo. .. ..
neighbor's eye. Color has U.. N..
charm for him. the play OF .. -,
shade is unnnticed and ton. .,.
thought Of. Hence tn. PhilistI .l.
cules impressiOnism.
The rendering of colors into .tr,
the right shades of mono, hrpn.. ...f..
of tone that will. so to speak. .....
the original colors is quite the o.. ... OBJ.
iicult problem that the pictorial ..
rapher has 10 face.
IF he had only to select n ,'.. md
photograph II accurately. Wi. r-t
shade of graduation rendered tp ID. .'t.
ton, his task would he simple. ha
only to make a faithful transDr.r 't
tones of nature the panchromIt.. .,a.
and color screen would enabl. h.u q
render his tones and color value, .li
lcssly.
OF course the ordinary pho'o.,aY'
plate renders the Culurs wruug. l. ID.
come far too light in tint and ta, On
and yellows far too dark. or ,......
panchromatlc pla.e. exposed h,.
good strong color screen. " 20 .
every tint of the landscape. from tl, .e
pf the sky to the yellow of th, III
Johns wort in the foreground
almost faultless truthfulness. ", Or
| that.
But given first class rapid plat. u.
| IN ample exposure and "A soft drl. .,
| ment that will prevent the sky from .
coming too dense in the NEGATIVE "
| may get false cOlors, but the sky IS
simple. the distance will be simp'
The foreground will be simple w...
| with the most scientifically DO,
| panchromatic plate exposed honl. .
| perfectly determined color screen
| single lone in every single color 81. 4
] recorded, until We can &c, NJ g.. n
reason Of the multitude of the .unys.
With a first class ordinary plat. ~
know that the sky and the o. O.,
bracken in the foreground VIII b., ID
most devoid Of detail ami graddtlpn a,
! that the wealth of tones will be f..
: in the grays and blush greens. ". Of.
know that by varying the eNpu~ur. 90
Development We can 81 h'r render .
sky n light gray and the forrgrouus
/ dark gray. or We can rem Ter tn" II
whit" and the crown hrackeu hla,',
. other words, thai We can hJN, aus D
/ gree of con ,rast at Will. on the ,'h
/ hand. with "A color sensitive pate. T.. .
! oriy exposed. all the gradatiuns W.
accurately recorded ami all the ..
trasts will be accurately registered. 4.
we must develop up the fun strcng'h
the ZONES, lest the result should b, w,.
and an@mic.
7 am strongly inclined to think III
artistic expression, with fully CORE. %
chromatic photography, begins and ,n
with the selection of the suhiec. 40
station point and that the eXp.-g
should be determined by the dark,nl
| If the exposure meter and the d-y'It
mrnt lined by the dark room c',.i
whereas artistic expression with uri