davidaulloa/AmericanStories huggingface dataset:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
VAUDEVILLE AND BURLEsQUE.
what IL TO Ne Seen In the Twice q
Day Theatres.

Nine. Bertha kalch Is appearing at the
Palace in Mariana" by Echagaray, the
spanish author. Other Acts include
Emma Caius, Jesse l.. Laskys latest
vaudeville Offering, called Beauties" with
large cast headed by Laura Lieb and
Stewart Baird: George White. ass sted
by Isabelle Jason. Lawrence Semon. the
cartoon.st. Hines ana FOX, the Great
Jungman Fanny and Herr Ergotti and
his Li!lputians.
The btu at Procsors Eth Avenue In.
cludes Louis Mann IN condens d ver-
sion of "Elevatng Husband in
which he Is ass sted by EMILY Ann
We.lman. Wellington Cross and Los
Josephine, Neil Mckinley. the Three
keatons. Joe Cook. Rose Marguerite.
Fetching and company. Myrtle and Daisy
and Proctor's feature films.
Joan Sawyer and John Jarrett are
heading the bill At thsyColonial Theatre
Fannie BfIce. B. a. Rolls musical pro-
duction. Arcadia and Foster Bah and
Ford West in Since the Days OF 81" are
other headiners. The remainder OF the
y. ogramme includes Hoey and Lee. Max
and Mabel Ford. Robbie Gordon. the
Three Hedders and Rafay,ttes Dogs.
The Aihambra Theatre has Anna Held
as principal feature. Other acts Include
Jack Deyreaux and company in playle'
by Edward Pope called The Girl
Claudus and Scarlet, Harry De coe
William Friend and Amy Lesser, Gold
smith and Hoppe, presenting The Man
ager and the Salesman. Berthe Heron
and Bonnie Gaylord. the -Four kasracs
and VERNE kaufman.
Virginia Harmed is the headlner al
the Bronx. She Is appearing with a
capable supporting cast in CONDENSED
| version OF Tolstoys famous novel Anna
Karenina" The balance OF the bill in
cludes Trixe Friganza. Master Gabrie
| and company In comedy paEi't
Little Kick: Dufry and Lorenzo. Aileei
Stanley. the Ishikawa Japs, Lancton
Lucier company. Lee and Cranston and
the Parslevs,
In addition 10 Lew Shank. whose act
is referred to elsewhere in this paper,
Hammerstein's Victoria has MA Cherie
a pantomime Elizabeth Murray, Winsor
! McCay, James j. Morton. THE BOY
! Comic" t; the Nine White Huasars. The
Flying Piano" Ashley and Garfield. the
Four Shapely Sylphs, Harry EMS. the
| Terrys, the Harvey Devote Trio and
( several others.
/ Gus Fay is appearing with the Gaiety
| Girls at the Columbia Theatre in n new
| two act satire called "SchmIdts Widows
| Between the two acts Of the Ourleslut
| there Is an olio of speciality acts In Mr.
Fay's support are Nellie florcde. Ada
I.um. Rae Williams. Eugene Gergc, B.lly
Kelly. Edyr Hamilton and Thomas
/ HodSeman
! Ed Lee Wro;he and the Ginger Girls
Is the attraction at the Murray Hin Thea
! tire In the supporting company are
Henry p. Nelson. owen Martin. Fay ST
/ Clair. Luella Temple and the Alpine
/ quartet.
The attraction al Miners Peoples The
atre on the iowery If the 'BroadW ay
Girls" with George +. Murphy as the
principal comedian. Among the other
entertainers are Jimmy Powers. Bill Arm
strong. Ruby Bailey, Pam Lawrence
Kathryn Howard and Powder and Cap
man.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
PAUL SWANS ANCES
PLEASE HIS FRIENDS
Lack Of Public Interest, Owing
to Craze for Modern
Steps.
lie SHOWS IMPROVEMENT
Possesses Grace, Lightness and
Ability to Impart
Eloquence.

Paul Swan. the American dancer. rave
an exhibition OF his art yesterday after.
noon at the Longacre Theatre. Possibly
because there was no tango on the pro.
granme public interest in the proceedings
seemed slight. Men dancers who hip.
pen not to he the partners OF the dancing
iavorites OF the day In society" dances
must md the going hard. As to whether
they ind II worth while to 10 or hot
3 a personal matter. Mr.. Swans friends
ipplauded him yesterday. although his
exhibitions of dancing were remote from
the fashions OF the day.
Mr.. Swan labors. AS do all American
dancers. II ON the lack OF preparation In
early youth. when ballet dancers acquire
the most important physical preparation
or their work He combines the natural
dancing invented by Isadora Duncan with
some OF the classical ballet methods. He
shows undoubted Improvement since his
first divulgence here year ago at the
Lyceum Theatre.
One cause for his lack Of stronger ef-
feet on the public Is the composition OF
his dances Few OF them grow to q
climax. Some OF them are ridiculous.
such ms the Chinese lnterlude. Then the
syrian dance WAS too briof to have any
Significance when single dancer was
On the stage. Both these dances had
have been effective. Alone they possess
no significance.
Mr. Swan showed his Improvement
chiefly IN what Is called "a Greek Phan-
tasy." although II was danced to some
the ballet music from Ponchiellfs "Lu
Gioconda." In his sense OF rhythm tho
dancer was always exact, and he pos
stssed grace and lightness. In breadth
and certainty and In the power OF i'm
parting elpquence TO his gestures, as well
as In his increased variety of pose. Mr..
swan showed his talents at their best
yesterday. The episode called 'Narcis-
sus' revealed, by the pleasure II gave
the audience that the dancer has learned
to impart his meaning more clearly than
he could year ago. when much that he
did was meaningless The dancing here
was also descriptive and graceful Mr..
Swan shows undoubted Increase in the
control OF his technical means and the re-
sultng freedom of expression. OF course
his dancing labors under the difficulty OF
all so-called interpretative dancing In
that 1t employs symbols. which may
mean black to one person and white to
another. II seems. moreover. difficult
o name any field for his tllents. Yet
may be mis- fate some day to invent .
Castle walk or Sawyer glide. Then ~
can rest on his laure =.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
MRS. A. BELMONT THINKS
ACTING REFORMS BOYS
Explains Reason Of Dramatic
Leagues Aid to Child Ac-
tors at Booth Theatre.

After Mrs. August Belmont had told in
graceful little speech something about
the work Of the Educational Dramatic
League, Of which she Is president. and
Mrs. Douglas Robinson had reminded
everybody that good works do not live
by faith alone the curtain went up at
the Booth Theatre yesterday afternoon
and the audi, nee that filled the place was
treated to an object lesson In the league S
work.
Object lessons are not always pleasant.
but the one given the friends Of the leagus
yesterday was SO very much no that II Is
probable that the audience forgot that
there was n purpose back Of Il all
First came n dainty little miss who as
Prologue explained the action OF Mrs.
Edward R!ngwood Hewitts play THE
High Cost Of Living"
Prologue and those who followed her
are all members OF club from Public
School ~ in Tn, Bronx. one OF many
dramatic clubs with which the league is
cooperating. Next appeared Bread.
shelter and Dress Bread explained his
terror OF the many little incomes who
would devour him and all told their fear
OF the Giant High Cost OF Living. And
presently, after Thrift had done what she
could. the Giant himself appeared. greatly
to the terror OF the little Incomes with
whom Bread had become reconc!led.
travaGance and the Trusts. who boosted
OF their part in making him great He is
about to devour the little Incomes when
Legislation binds him with red tape.
This the Giant casts OF easily and he In
turn binds Suffrage In spite OF her threat
to talk him to death. Silence us more
helpful. but II Is Simple Lifo whose
presence causes the Giant to collapse
Mrs. Belmont in her speech before the
curtain went Up said that she believed
that much OF the badness OF bad boys was
due to misplaced dramatic instinct
which Is rightly trained might be produc
tive OF much good. She said tina, the
lea que would suggest 10 the Board OF
Education that course OF dramatic train
| ing b. required OF teachers and tina,
| future school buildings should contain
auditoriums suitable for dramatic pro.
auctions.
| Or. Edward A. S;itt speaking for tn.
Board OF Education. said that the board
was heartily in accord with the leagues
| work.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
THE KNEISEL QUARTET.
Bach and Brahms Music Heard IL
Extended Forms.

The programme OF the Attn concert OF
the knesel Quartet at Aeolian Hall last
evening contained three numbers, Of which
only one was quartet. and this the
familiar one in ID minor Of Schubert
This composition, which includes the
matchsss variations on Death and the
Maiden" belongs to what may be called
with precision popular chamber music,
because its appeal to the uninstructed ear
8 as swift and Irresistible as that which
II makes TO the most profound student of
artistic structure and organization.
Before 1t the audience heard the fourth
of Bach's Brandenburg concertos and
after II the great Il fiat string sextet of
Brahms The Brandenburg concertos
serve we'll either as chamber music or
as orchestral pieces, but they are at
their best when presented on the COM
paratively small scale according to which
their creator conceived them. This scale
may be DESIGNATED as small when con-
trasted with the orchestral plans OF the
present time. albeit the band of the
Margravs Of Brandenburg was not
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
Ex.spuos SEE OLD DANCES.
Example, 81 Hsw the Modern STEPS
Came From the Ancient.

EHa0p1eo 81 HOw the Modern SteDs
Came Froa the Ancient.
A large audience Of erstwhiie spugs.
now mere members Of the Vacation Saw
ings Fund, laughed and ciapped and finally
shouted over an exhibition history OF
dancing through the centuries In the
Metropolitan Building last evening.
The demonstration was given by cour-
tesy OF the Sharks. dramatic club. The
pavane, It's deep courtesies gracefully done
by two young women In gold gowns and
slippers, with high pointed caps. met with
stately minuet by another pair with pam
niers and powdered wigs.
But when a lady In hoop skirt ruined
to the waist and a gentleman wearing a
collar that threatened his ears. fastened
with a strip Of orange silk tied In a gen.
erous bow and wearing a blue waistcoat,
appeared and did a polka with many
sprightly hops the applause became up
roarious The dance bore more than q
passing resemblance to some OF the modern
steps.
1T was bitterly criticised after its In.
vention by a Bohemian peasant girl. An |
London hostesses used to say In their In
vitations whether or not II would be per-
mitted." said Herbert Adams. who ex.
planned the numbers,
The development OF the waltz down &c
the modern hesitation was shown In Q
single dance. and the same couple re-
sponded 20 an encore with graceful
rendering OF the Brazilian maxixe.
Among those who were present wer,
Miss Anne Morgan. Miss Caroline Shipper
and Miss Gertrude Robinson Smith.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
NEXT WEEK AT THE OPERA.
Program m. Of wide Variety, with
Two Matinees.

Tristan und Isolde" will open the sew
enteenth week OF the Metropolitan opera
season next Monday. with MINES. Gadski
and Homer and Messrs. Berger. Amato,
witherspoon. Murphy. schlesel and
Bayer. Mr.. Toscanini conducting.
Puccinl's "Manon Lescaut" will be sung
next Wednesday evening by Miss Bori
and Nine. Duchene and M.ssrs. Caruso.
Scotti De Seguroia, Bada. Anan!an. Rossi
and Audisio. Mr.. Polacco conducting.
Other operas next week will be as fol
lows:
"Madama Butterfly" as n special mat
inee on Thursday. with Miss Farrar and
Mime. Fornia and Mersrs Martin. Scott,
Begue Bada, Reschiglian and Audisio.
Mr.. Toscanini conducting.
Les Contes d'Hoffmann" on Thursday
evening. with Mines. Hempel. Aida. Bori,
Duchene and Maubourg and Messrs. Jorn
Gilly. Didur. Rothier. De Segurola, Reiss.
Ruysdael. Rossi. Ananian, Bada. Begue
and Audisio. Mr.. Polacco conducting.
"Goetterd iemmerung on Friday eve-
ming. with Mines. Fren,stad. Fornia. ober
Alien and Sparkes and Messrs. Berger.
Well. Goritz and Ruysdael. Mr.. Hertz con-
Quoting.
THE Girl Of the Golden West" at the
Saturday matinee. with Mines. Destinn
and hatfield and Messrs. Caruso. Amato
Oily. DE Segurola. Didur. Reiss. Rossi,
Ananian. Reschiglian. Bada. Begue, Au-
disio and Murphy. Mr.. Polacco conduct
ing.
Tho opera 10 be given At popular prices
on Saturday evening Of next week will
be announced later
Carl F1esch. the Austrian violinlst. will
play at next Sunday nights opera concert
Miss Sorhie Braslau and Messrs, Ricardo
Martin and Dinh Gilly will sing. The en-
tire Metropolitan Opera orchestra will
play. under the direction OF Richard
Hageman.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
WIFE SUES SEEKER OF PAL"
"oabie when stOrk Won't Drins
Roy Even for $4,000.

blue diamond weighing lls carats and
valued at 100000 figured yesterday in
we trlal OF a separation suit brought by
ar, mrS Emma L. Hall against Augustus H.
nan formerly interested In q tooth DOW
ger concern and now a Wall Street specu-
'a,pr and dealer In diamonds.
', Mfs' Grace II. Dempsey testified that
nan told her he tried to sell the l<3 carat
diamond to George J. Gould for $500, OO0
a. the time his daughter Vivian was beina
soutted by Lord Decies. but Mr. Gould
wouldn't buy It.
Mrs Dempsey testified that Hall said he
wanted younger PAL than his wife
ana bought for Miss Sherwood q $4,000
n'aliiere and gave AN automobile to her.
Charles p. Wagner, a Jersey City con.
Tractor. said that Hall told him he would
give Mrs. Hall $50, 900 II the stork brought
a boy 10 their home and $4,000 for . girl
Neither came
The case was not finished.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
ALDERMEN WANT TO KNOW.
Ask Why "Hushsaa In Love VIII
His wife" Couldn't De Played.

\ resolution was offered In the Board
.. aldermen yesterday asking the Po-
ere Commissioner to nnd out why the
dftss rehearsal Of lie Mari Amoureux Dc
~ Femme" was stopped ast Sunday
night at the Garrick Theatre.
The resolution was introduced by AL
aernan Kochendorfer and was referred to
ue Committee on Police and Fire Depart.
ments, Co.nmissioner Mckay was asked
20 tell the Aldermen why THE Husband
N Lave With His Wife, couldn't bs
played.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
aLYNN EXPECTS HARMONY.
Sees IL In the Election Of Osborn
a. state Chairman.

ALBANY, March 3.-"Y' sterday was q
great day for the Democratic party In
New York State. 1t was stormy out
side. but within the party all was har-
mony.''
This was the only comment Gov. Glynn
would make tonight upon the reorgani-
zation of the party as effected by the
election of william Church Osborn as
chairman OF the State committee.
That Gov. Glynn believes that all fac
lions Of the Democracy will now come
into the fold was the substance Of state
ments made by close friends OF the Gov
ernor tonight.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
ALL STAR DIPLOMACY"
FrohmRn Closes Contracts with GIL
lette, Miss Bates and Miss Doro.

Charles Frohman has closed contracts
with william Gillette. Blanche Bates and
Marie Doro for an all star production OF
Sardou's Diplomacy next season.
Mr. Gillette will play Henry Bcouc'erc
Miss Bates Countess Ztcka and Miss
Doro Dora. 1t will be Mr. Gillette's
hrst appearance on New York stage In
more than three years.
Miss Doro IL now playing Dord In the
production OF diplomacy" now In Its
second year at Wyndhams Theatre. Lon
dom Several Of those In the English cast
will come here
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04

Mile. Boris second number, which
opened the third part OF the programme.
was Minis aria from the nrst act of La
Boheme." Again she had to wait. but for
longer time, for the applause to end.
cini's "Manon Lescaut' being the selec-
ton. and again the applause at her ap-
pearance and at the end of the number
was repeated.
Between the sopranos last two numbers
the orchestra played the Dance OF the
Hours from "GiOconda," and for the
windup OF the programme IL played
Tschaikowsky's Marche say
The Brooklyn Choral Union had a
mishap, which probably was not known
TO many in the audience The organizs
ton comprises 500 men and women. OF
whom 500 had been counted on to take
part last night. When Mr. GLEASON
took his place at the conductors stand
and raised his baton for the orchestra
to begin there were only $50 OF these In
front Of him. The d, cimated union went
on and sang its number. and as II sang
the $50 tardy members filed in. They
had been delayed BY stormbound traffic
conditions In their native borough.
T.e Russian Symphony Orchestra will
play again at the concert tonight and al
all the other concerts OF the festival
The Washington Irving II gh School
Chorus Will do the choral work tonight
The soloists will be Miss Sophie Bras
lau the Metropolitan Opera Company
contralto. and Miss Valentine Crespi an
Italian violnist
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
LEFT DAUGHTER $4,000, 900.
A, @. Hall, Oaes Consul to Argos
tina, Made Fortune There.

CoroRADo SPRINGS, March 3.-AllonSon
c. Hall. TO, iner American Consul TO the
Argentine Republic. who died In this city
a week ago. left his entire estate. esti'
mated At S1O,000.00o. to his daughter,
Mrs. Carolyn Hall SturTS Of this city,
she Is tho wife of Prof William c. stur-
iii. dean Of forestry at Colorado College
and II named ~ executrix Of the estate
Mr.. Hall was American Consul at RIOS
sario, Argentina, for several years. He
made HE fortune In the lumber and wood
business in South America. At one timt
he owned the largest ranch OF IT, kind
in the Argentine Rspublio-aS.ooo acres
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04
"stroasheart" IN the Movies Now.

The fourth Klaw 4 Erianger photo play
production will be ''Strongheart" In three
parts, to be shown for the frst time at
Marcus LOews American Theatre next
Monday. Mr. Loew believes that this pic
turo win be the biggest drawing card OF
the series. Mr.. Loew found that big fea-
ture pictures are popular. Clothes" by
The Famous Players Film Company. and
other big productions have also been
bought by Marcus Loew.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-03-04

William Faversham announces the fol.
lowing cast for his one act production Of
THE Spuaw Man" in Keith vaudeville 1t
the Colon al Theatre next Monday: Frank
Brownlee. p. j. Maccord. Arthur Elliott,
Elise Oldham and Ynez S-abury. Mr..
Faversham will play his old role Of Jim
Curstor.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1914-12-24
Judge Show Bird by Laying
Ability, Says College Man

JUDGE a hen by the meat and egg
u standard as well as by her size,
shape and color.
This was the keynote of an address
by j. G. Halpin, of the College Of
Agriculture, University Of Wisconsin,
before the annual meeting of the
American Poultry Association held at
Chicago. Mr.. Halpin's remarks were
aimed chiefly at the poultry fanciers
who have failed to give sufficient at
tention to egg production and have
put undue emphasis on exterior
points"
Il am positive that many of the top
notchers in the business are on the
wrong track in this matter" said Mr.,
Halpin. II have heard some of the
leading fanciers state that they did
not care for Winter eggs, but If they
are going to ignore egg production,
they cannot furnish the type Of fowl
demanded by the great majority of
their customers-the farmers. The
farmer wants results both in eggs and
meat, no matter how well the stock
may score, and no poultry breeder
should be satisfied until his birds give
satisfaction In the hands of less ex-
pert men"
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1914-12-24
Special Feeding; Poultry
Fattening for Market
EN-FATTENING methods are best

EN-FATTENING methods are best
~ adapted for use on farms where
1t is beyond reason to crate-fatten.
"Milk-fed" chickens are the most
popular on the markets, and are fed
for IA days, but recent results indi-
cate that a more profitable gain may
be secured In ever shorter time, pro-
vided the same price per pound is to
be obtained for the finished product.
Practically all special feeding de-
mands the use Of milk, thus produc-
Ing the popular "milk-fed" chickens.
On the farm, milk Is the least ex-
pensive, as the %butter-fat has already
been separated, and a portion given
to the hogs and a sufficient amount
reserved for the poultry pen. 1t is a
most essential ration constituent, and
when a feeder does not get milk in
some form he does not attempt to
produce stock for market.
Fresh buttermilk, condensed but
termilk, and skim-milk are preferred
in their relative order. The feed is
mixed to the consistency Of thick
cream, or so that 1t will drip from
the tip of a spoon.
Rations of SO per cent, corn meal
40 per cent, low-grade wheat flour
and 10 per cent fine shorts, IS per
cent corn meal, SO per cent oat flour,
and 6 per cent tallow, by weight,
give very good results, producing
gains which cost from 6.45 to TIA
cents per pound. Low-grade wheat
flour Is a more economical feed than
oat flour at the present prices of
grain.-Earl W. Gage, New York.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1914-12-24

tie Of colds and roup may have to be
fought.
Musty, sour food gives a chance
for aspergilosis or indigestion. Sort
ing out the culls, sports and those
which are disqualified and sent to
market or used on the table is much
better than to catch haphazard and
Gull late in the Fall.
Good scree doors are necessary to
provide for ventilation and yet keep
out the rats, skunks and minks. Aft
err the chicks are matured there Is
still another varmint that is as measly
and willy as a louise or mite and
worse than a skunk that gets off
with a fraction Of the years work.
He uses a sack or other receptacle
that Is convenient to move ~full-grown
fowls from one house to another. To
all outward appearances he resembles
a man but in reality he is a varmint
Of the worst type. A good paddock
and we'll bolted doors will make his
visits cease.
These are some of the things we
must guard against and that keep us
on the firing line, and, when the bat
tie is over and the blue ribbon hangs
on our coop or that of our customer
1t causes us to feel that we are In a
business that is really worth while.
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1914-12-24
Guarding Against
Losses in Poultry
BY MRS. LEON ]. A


IF every egg Matched and every
chick matured and developed into
a prize winner, what a calamity
there would be. No effort, no work,
no specializing, no science. But the
chicken business Is an occupation, a
real one and our success depends on
the manner in which we have con-
Quoted it. 1t savors of battle from
beginning to end. 1t means a hard
fight to win.
After the chick Is Matched, the
mighty mite Is in the coop and runs
ready to get busy, and needs to be
met with some pure kerosene. The
willy head louise is not to be forgotten
and an application of head louise oint-
ment, or exterminator, will soon make
him surrender.
The coop, with ample accommoda-
tons for the old hen and her brood
of tiny chicks, does not have the
happy faculty Of charging as do the
chicks; the air is foul and the heat
too intense during the night and when
given their liberty in the cool morn
ing they are apt to chill and the bat
The gazette-times. [volume] (Heppner, Or.) 1912-1925, 1914-12-24

Where the Italian skies
Arch with their azure span,
Silent Of lip he lies
There In the Vatican.
What of his high estate?
That does not make him greati
Prelates and popes and kings.
They are but petty things
Unless in the mortal urn
The fires immortal burn;
sympathy, charity, faith,
The simpler, larger trust;
Love that mounts like a wrath
Over the grosser dust!
Place and pomp and power.
They are If little worth;
Creeds abide for an hour;
Deeds, they sweeten the earth;
Not for the robes he wore,
Not for his churchly ties,
But that his fair life bore,
All that Is good In man,
Do we honor him who lies
There in the Vatican.
Scollard, in New York Sun.