The Detroit times. [volume] (Detroit, Mich.) 1903-1920, 1914-09-21

ample OF dramatic UNDERSTANDINGS ~
~ Father Kelley, Beth Hamilton, II
/ke dual characters OF Lesura Wat
<1ns and her unhappy sister, Alice
S1oo gives striking performance
@he rest OF the company maintain
k1eh standard and the comedy roles
~ In hands that bring out the bes
~ them.
The beautiful wording OF the song
|IeThe Rosary Is used as theme, AND
y y rosary plays its part In the unfold
~ OF the drama Faith Is renewed
Ioye that was lost regained and nap
11ness comes with understanding.
AVENUE. a9 -..,..
There's o veritable riot--of nun. o.
horse--in the Avenue theater. where
he Permanent players have revived
Gam'selle." sparkling. o,a cr,sSs,,
nod farce-comedy. In which verona
arbeau starred some years ago. Ine
ocond act Is perhaps one OF the mos
nconventional and startling scenes
5ser attempted on any stage, TOT y!
&ctures the stage OF p Care Cnantsh'
nth various members OF the company
appearing In the boxes or on the par
bet OF the house and induiging ~ 9
rons-fire with their fellow players on
~ stage. Even the orchestra ana
<nnaxer Frank Drew contribute 10
- amusement. the latter when ne al
mpts to eject one OF his trouble
me patrons, who turns out to De
ne other than Milton Mobiles, j.,
nomber OF the company. who Is I'M
1rrsonating Bob Pritchard. lawyers
1ork. who II jealous.
Niss Corinne Cantwell, the dashing
- leading woman Of the Perma-
80 Mayors, made her debut as
nndovillian when she contributed her
- number ION zee Boulevard" q
r1Iber reminiscent OF the Latin quar-
before the war. Miss Cantwell
ruved ! veritable hit In this new
she takes the dual parts OF Toi-
kfo. ! French modiste. and the
80 Fieur de Lys. Ruth Amos sang
snw 1 VIII Have to Call Him Faith
- the course OF the second act.
- ncored honors second only to the
1ncdpal Al. w. Stanton also con-
1huted q speciality Of an eccentric
10 return to the farce. II served
vohicle to display the talents for
o comic muse Of Roy Walling, as
1901 Leslie; Ralph Ravencroft, as
Tarleton Topper; Russell Brady,
Fraucois: C. Nick Stark, as Col.
Ir1m Poster, theatrical manager;
orre Earle. as q theatrical patron,
I.Snoa Earle, AZ Mrs. Louisa Tup
fh4 wife who caused all the trou
oonically. the production Is vel
rnfad and the outlook is good for {
nnDer0us weeks business.
Only shop Girl" 10 promised 10
- coming week.
CAYETY.
In Howes 'Lovemakers" compan,
- the Gayety thts week. with
"a new burlesQue, In which thi
lille comedian appears as tn
~ ~ Russia, surrounded by gram
bomb throwers, Circassial
49, and ballet dancers, all o
cm q their part In producing q
n6hg medley Of nonsense. must
&nnc1nE.
~ = masse dancing OF the choI
- obovo the average, although tn
r nomewhat weak on the mus
- The costumes and scener.
new ana well worked out.
- Rossi a. the Princess Un
- ~ much applause. but the hi
- nhow was found In the tang
- u Have. who demonstrated tn
- -xnxx- Win some OF the NOR
xhoruB Rfrls % partners. Hi
rrnnafsdfy recalled, each new
1c1Inrean twist being greeted witt
~ oDcurea-
- Rcsa received her usua
Innnrs 81 applause IN her sing
- dancing number
FOLLY.
- Bdx Sensation or 1914 which
20 N the Folly. Sunday after
~. - q pleasing sensation because
ruroDenfs q strong argument IN
unr q the fact that buriesQue can
= on4erfaining without being full OF
TIE show wins Just as many
1870 and draws fully as manv
- N the suggestive buriesque
- What's more. II puts over some
no1cal features that SAVIOR OF big
- vaudeville
Harmony Bay" sung. by Lydia
10y and the rest OF the cor1pany.
1ust q clean and dreamy bit OF
ou1c, but II ,'knocksd Zen -out Of
6olr seats" Electrically speaking
orSy Smith n the German comedian
the company. and the inevitable
rogan OF burlesque IL impersonated
Charles w. Douglass. The chorus
|prosents q variety OF architecture
g and beauty Besides. It's a goot
nGlng and dancing chorus.
BROADWAY.
The Holden players are reviving tn
)ofi0us days OF romance and chivair.
they are supposed .toobe an tn
Dinctpality OF Graustark. with all II
Nal traditions and grandeur. In :.
Illiant production OF the Georg