The evening world. [volume] (New York, N.Y.) 1887-1931, 1914-02-09
claim Joy noisily.

Ruth Deyo was the ooloist ct the
Philharmonic Society's concert IN
Carnegie Hall yesterday afternoon.
She was heard In Schumann's piano
concerto in A minor. Her playing
was especially admirable for its dell
oacy and crispness, II something Of
bigness we're missed In the climax Of
the last movement. Mr.. Stransky
and his orchestra played the Bach
prelude. choral and fusus. arranged
By Albert; the entr'acte and ballet
and Tschaihowskys fourth sym.
phony to the manifest enjoyment Of
Q large audience.
David -Sapirstein gave the second
Of his series Of four plano recitals at
the Princess Theatre yesterday after
noon. His programme comprised Bee
thoven's sonata, opus III; nine pre-
ludes. four etudes, q ballade and q
nocturne BY Chopin; Hosskowskf:
Caprice Espagnol" and three Lisst
numbers. the second Hungarian rhap.
sody at the end. Mr.. Sapirstein 10 a
with musical intelligence and UNDER
standing and without airs or a6ecta-
lions. Could he be induced to change
the hour Of his recitals from . to Z
o'clockf Usually both. and always
one. Of our symphony orcheetras
give concerts on sunday afternoons
at 3 o'clock. and one can't be In two
or three places at the same time.
Il was q wagnorian programme at
the Metropolitan Opera House last
Martin ana Putnam 0riswold - the
soloista and Richard Hageman direct.
ing the orchestra. Nine. Fremstad
sang Isoide's "Liebestod" from Iris
tan and Isolde" and q duet from "Goet-
erdaemmerung' with Mr.. Martin.
The latter's solo number was the
| "spring Song" from die Walkuere."
while Mr.. Griswold sang two numbers
from Die Meistersinger." The or
chestral numbers were the overture
from 'Tannhauser." "eiegfrteds
meruns." the prelude TO "Die Meie-
tersinger" and the "Huldigungs-
Morgan Kingston. at last nl0hcs
popular concert at the Century Opera
House. sang Lohengrin's narrative
with grace and charm. Tho garden
scene from Faust" with Ivy Scott,
Walter Wheatley, Alfred Kaufman.
Kathleen Howard and Cordelia La
them. pleased the audience greatly
Mary Carson. Merle Alcock and Nor
ton Adkins also sang. The principal
, orchestral numbers were the varia-
lions by Ochs. initiating the great
composers, and tho Ballet OF the
Hours" from la 0ioconda."
Walter Damrosch's Symphony Con.
cert for Young People at Carnegie
Hall on Saturday afternoon illus.
and bassoon, the functions Of which
ne explained In q preliminary talk
Harold Bauer. the English pianist
was heard in the Schumann concerto
q programme that included Mendels.
| sohn's Midsummer Nights Dream
Beethoven's "I-eonore" overture. No. 3
bits Of Tschaikowsky's "Nutcracker'
suite, and the funeral march from
terdaemmerung." Karl Heinrich
trumpet; Samuel Tilken. trombone;
and Ugo Savolini. bassoon. were the
other solo illustrators.
"L'Amore Def Ire Re" drew to thu
Metropolitan Opera House on Satur.
day afternoon an audience that ex-
hausted Its capacity. Montemssxi'i
It was superbly presented by the nov
familiar cast of Lucrex1a Bort
EIdoardo Ferrari-Fpntana, Amato
Didur and the rest. under the direc.
ton Of Mr.. Toscanini. In the evenins
there was q fine performance Of
Aida" under the direction Of Mr.
Polacco. that a large audience en-
Joyed. with Johanna Gadski. Mar.
Rarete Ober. Ricardo Martin. DIM
Oily and Leon Rothier In the princi-
pal parts.