davidaulloa/AmericanStories huggingface dataset:
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21
HUERTA SAILS
FOR JAMAICA
WITH FAMILY

PUERTO MEXICO. July IA
passenger on the German cruiser
Dresden. cx.presisent Huerta In on
his way 10 jamaica today.
With him are his vito and dangh-
,ers. Elena. Eva and Celia. and ex-
War Minister banquet and his wife
and daughter SporanxA
On tho British cruiser Bristol stili
In the harboY. are the ex-dic;asor's
sons. Jorge and Victor. and their
wives. Jorge's four children. and
Gen Fnentes and Francisco GIL and
their wives. both daughters OF tho
erprrsident
Tho refugees OF less importance
remained on shore. awaiting the ar.
rival Of tho steamship City OF Met
leo. chartered by cx-president Hner-
"a 10 take them TO places OF safety
The Dresden sailed at tao D. m.
Tho faithful 2sth regiment stood
af present arms on the wharf a. tho
cruiser steamed away.
VILLA GETS INTO PARADE
CHIHUAHUA. July 3i.--0en
villa expects 10 start south before
night. AZ the head OF 5000 troops. to
Join Gonzales and Obrcgon and
their men NJ Quere,aro. for a tri.
umphai entry into Mexico City.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21
GUN WAS NO T0I

CENTRALIA. July 2l.-HhR
playing with his brothers revolva'
which the child took from uneH
his pillow. Roland RardIn vas -
through the intestines. and u Lynn
at the point OF death.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21
WOODS BURNING

OLYMPIA, July 2l.--The Easlen
and Western lumber camp, ~
Kelso. is in the path Of . Fagl4
forest fire. and the company = pa
ing it's equipment out Of the won
to a place of safety.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21

only
Koors AL pulling the Secretary
State Howell 100000 hippodome.
Three four clerks could have done all the work legally the
bills Olympia But the
its the Of initiating laws this
Howell his level therefore,
600 appropriated by the last legislature for possible needs for initiative
in
the crowd Of $50 he employing check
sandpat game up expenses
legislation black finding
. to spend money-YOUR MONEY.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21

NEW YORK. July 21.--American
fathsrs-in-law are one OF the serious
obstacles 20 international marriages.
declared Miss Irma Kilgallen, the
former Countess Mourik dc Beau
fort, as she sailed on the Aquitania
for Paris to continue vocal studies.
THE American father.in-law can
not understand the foreigners view
point. and continual clash results. :"
she says. ANY girl OF this country
who desires to marry a foreigner
should spend at least two years
abroad. and any prospective bride
groom from Europe should live here
that length of time. Then there
would be chance of the union turn
Ing out happily"
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21
DR.. L. r. CLARK. o. o. 8.

When a store does a big business
there's a reason for II.
The fastest growing dental bust
ness In the Northwest Is done by
the Regal Dentists. 30 we must be
making good all our promises 70 DO
high-grade dentistry for one-haIf
the price that any dentist In the
Northwest has ever attempted.
Just think. we will make you n
regular extra heavy $40 Cold Crown
Tor "a, or a plate for SIS that yon
cannot duplicate any place else for
Teas than $40.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21

In the tavcrns OF
Merrie England.
so when some
valiant trencher.
man" wanted his
tankard OF ale re.
filled he "whis.
tied for it,; that
Ia. he blew the lit.
f1a uhiutfa -
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21

!. Or. 1. r. Clark, o. o. O., Manaoev
400 srd Ave-, N. w. Cor. Union e.
: Note; Bring this I'D with you.
The Seattle star. [volume] (Seattle, Wash.) 1899-1947, 1914-07-21
Whadda You Mean?
WHISTLE FOR iT"7

There were no electric bells and
no push buttons In the tavcrns of
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21

carried out neither for he has not the
coloring nor the design Of these art
lists. His coloring is not bright. but
cold and leaden, as one might en-
pect from man who when asked
which were the prettiest colors an
swered BLACK and white" Some of the
pictures painted by "Tintoretto" are
immense, several of them being fifty
feet high. His earlier pictures, of
which the Descent From the Cross"
Is one, are carefully finished. while
the later canvases are hastily dashed
of and not well colored. "Tinto-
retto" died in 1894. and his name has
gone down In history as the most
prolific of painters.
Peter Claessens.
The Academy of Arts is especially
rich in altar pieces with folding
wings. The most notable of these Is
a piece by Peter Claessens. who was
born at Burgess in 1919. Tho piece
is rare and Is richly colored. It Is
what Is known as a triptych. The
center picture shows Christ on the
cross with a stilted figure Of the Mag
dalen at its foot; Mary Iohp and the
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21

Clan Gerolano SaYoldo was born at
Brescia in 1850, and seems to be one
or the few painters who was wealthy
enough to pursue the art for pleasure
Instead Of gain. lie was in Venice in
1921, where no went from Traviso to
finish an altar piece which had been
left incomplete by another artist. He
was especially fond of introducing
night effects into pictures of sacred
character, his "Bewailing Of Christ"
being one Of the best examples of this.
He painted under the influence of IT.
tan and his coloring resembles that
of tho great Venitian artist. In the
picture shown the face of Christ is
peaceful His body rests on the top
stone of the grave and is held by
Joseph OF Arimathea. The Magdalen,
who Is wiplng his left foot is perhaps
the weakest figure of the picture. The
face Of the mother Of Christ shows
her great sorrow and represents a
woman Of mature years. The figure OF
John is the mere shadow of sad
faced young man. The picture Is
highly commended by art connoisseurs
and is painted on poplar wood. At
ana tune it belonged to the Archduke
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21

Van der Goes was born at Client
about 1885, and in early life became
q pupil of the Van Eycks. He seems
to have had an artistic temperament
and at one time entered the cloister
near Brussels. He was allowed special
privileges, one of them being the en-
tertainment of any distinguished
guests who might come TO visit him.
on these occasions no drank 10 eX-
cess. Five or six years later he went
10 Cologne with some brother monks
ana on his return had an attack OF
madness. Later he seems to have
recovered from this and painted sew
eral pictures before he died in 1852,
still being lay brother in tho
| Rooden Cloister,
| Titan.
| The gem Of the entire gallery IS
The Fntombm ent of Christ" by Ii
tan. The picture has a charm of
, coloring and a wealth Of beauty in
the design Of the figures. The face
of the dead Christ shows wondeTtu!
technique. Tho figures of Joseph OF
Arimathea and Nicodemus, who are
depositing Christ in the tomb. are in
a position which shows oil that gen
tleness and tender feeling which they
are sure to have shown on that occa-
sion. The mourning Madonna and
the Magdalen are beautiful, hre-Iike
women-entirely different IN their
type. John stands in the background,
and here IS shown as much older
man than usual. The whole make up
of the picture il perfect from an ar
tistic standpoint, and is one of the
most valuable IN the gallery.
Titan or TiZlano VecelN, who
painted the picture, was one OF the
worlds greatest artists and the head
of tho Venitiau school. lie was born
in the year l477 at Capo del Cadore
in tho Fruilian Alps. Early In lfe
he had a prediction for drawing ano
when he was but ten years Of age MS
father sent him 10 Venice ito learn
70 paint His instructors were the
TWO Bellinis He soon learned to re-
produce the paintings OF these mer
with such fidelity that II seemed tha'
they must have copied his style. HI
soon became favorite with the kings
and Pope Leo Y. invited him to Rome
At the same time Francis !. was call
ing him 10 France but it seems the'
he declined both invitations. H'
painted ABOUT Sin HuuuitN hANtHiN'
which are scattered through the gal
leries Of Europe. He lived to h
ninety years Of age. and died o
the plague in 1876. He was note'
for his splendor in coloring and thu
bold drawing Of his figures. Hin
name in the art world is placed be
side that OF Raphael. da Vinci an'
Michael Angelo
This vast variety in the ideas o.
the Crucifxion as portrayed on can
vas may reflect the religious trend OF
the artists mind or may be his con
ception Of the historic fact, but what
ever the basis for the painting, al
the celebrated pictures upon Thu
great theme suggest some though
which lifts the soul away from earth
ly, fleeting things into those whicl
bear upon Immortality and life beyon,
the grave.
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21
HE celebrated painters of

world have differed in their
conception Of the scenes of the
Va Cruciixion. Some have por-
frayed the facial expression of Christ
hs one of intense agony with a sug
Bestion Of angelic sweetness, whilst
others have made the divine glory
pvershadow the human suffering.
There have been differences in the
relative prominence of those around
he cross at the time of the crucifxion
hnd at the time OF the descent from
he cross. The mother of Christ va
fies from woman of youth to one of
bld age, although the general concep-
ion makes her much younger than
she must have been at the time of
His death, for she was probably sixty
years of age when the crucifiXion took
place.
Mary Magdalen is sometimes given
prominence next TO Christ himself,
Ind In some instances the Roman sol
Tiers whilst present in nearly all are
portrayed as fierce and indifferent and
n others as interested and sympa-
hetic. st. John, too, finds a place
hear the cross in many of the pic
ures, and in some Of them he Is given
IN almost feminine face. In the older
part and hundreds of small figures
ire painted IN to give an idea of tho
Fabble which surrounded the cross.
rhe greatest attention is paid to tho
foloring of the clothing of the people
who followed Christ to Calvary and
heir facial expressions. The draw
ng of the old masters has never been
Fxcelled, and In the pictures Of the
,ruci1xion II ia seen at its hest
Each country boasts of Its own par
ocular art treasures of scenes in the
fs Of Christ, and each and every one
has some especially famous picture Of
Ills death on the cross. a number Of
UGH paintings on this subject are to
be eeen in the Imperial Academy of
Arts In Vienna This splendid gallery
vas founded In 1892 by Leopold l..
nd frequently reorganized. The
reatest part of this collection was
presented by Count Anton Lamberg
Bprinzenstein in 1921, and the re-
ernainder consists of purchases by
Government and presentations by the
Emperor Ferdinand in 1898, Almost
very school Of painting is represent
d in the big building and among
hem are a number Of beautiful pic
ures depicting the Crucifxion.
AltomoDtc.
A large canvas by Martin Hohen-
erg, known In the art world as AL
omonte, Is one OF tho most striking
we'll as beautiful pictures of the
[allery. 1t hangs just where the soft
avs of the sun fall upon two figures
Christ on the cross and the Mag
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21

holy women appear. and soldiers are
all about. The questioning EXPIRES
sion on the face of one of the sol
dier5 and the splendid perspective are
perhaps the best features of the pic
lure. The two wings represent the
four donors as angels with lnstru-
ments of the Passion. Claessens was
fond of painting allegorical pictures
and portraits and became a master
of the Guild of st. Luke at Burgess
in 1870. and dean from 1887 TO 1906.
L'Orbetto.
Christ on the Cross" by Alessan-
dro Turchi. known in the art world
as IL Orbetto." is one OF the most
remarkable pictures in the gallery. as
it Is done on copper and contains more
than hundred figures, all of which
are perfect in every respect. The
! figure of Christ on the cross Is par
! ticularly beautiful. In the distance.
away up in the clouds. the Father is
seen on the Throne. In each corner
is the coat of arms of the Archduke
Leopold, who owned the picture.
Down in the corner is a tablet in
Church Latin containing the tenth
and eleventh verses of the fourth
Chapter of Acts:
BE 1t known unto you all,
and to all the people of Is
| rael, that by the name Of
Jesus Christ of Nazareth,
whom We cruciAed, whom
God raised from the dead,
even by Him doth this man
stand here before you whole.
This is the stone which
was set at naught OF you
builders, which is become the
head Of the corner"
LOrbetto was born in Verona in
1882. He is said to have acquired
his name from having been employed
when boy as conductor to a blind
beggar. Another reason given is that
| the name came from the fact that he
| had defect in his eyes He was pit
| fully poor and unable to pay for a
teacher, although he showed great
talent. Finally Rlccio took him un-
der his protection and gave him his
| first lessons. Later he went to Venice,
where he worked for time and then
went to Rome His work as a church
painter was remarkable and they are
found in many of the finest churches
in Italy. Several OF his church pic
lures are painted on black marble.
lie died at Rome in 1850.
lingo Van der Goes.
The Bewailing Of Christ" by Hugo
Van der Goes is an example of the
Meth erlands school, and has both
strong and weak points. The picture
of Christ Is thin. and the face one OF
sorrow and pain. The Virgin is per-
! haps the best figure of the group, as
she leans over the dead Christ. The
Magdalen is homely, with her fiat face
and ungainly figure, while the holy
women are fairly good. on the whole,
the painting Is attractive more on ac-
count of It's brilliant colcring than of
the drawing of the figures. The pic
ture is very large and is painted on
oak.
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21
Leopold Wilhelm collection.
Tintorctto.

TintOrctto.
Jacopo Robusti, known in art as
Tintoretto, painted one picture after
another with the greatest rapidly,
and every gallery in Europe of any
size has some example Of his art. His
Descent from the Cross" in the Vi
emma gallery Is one of his best. 1t
shows the body of Christ lying on
Mary's lap, who droops fainting;
Magdalen is stretching out her arms;
Joseph of Arimathea supports the
Body; Nicodemus is standing In the
foreground to the right. This is one
of the few pictures of the Crucifxion
In which the figure OF John does not
appear. The coloring is fiat but the
drawing good. The picture Is we'll
hung and the light brings out Its best
points.
Jacopo Robust. nicknamed "Tin-
toretto" from the fact that his father
was dyer, was born in 1912. He
studied for a short time under Titiar,
but appears to have been for the most
part self taught. His motto was the
design OF Michael Angelo and the c D.
oring of Titan" but he seems to have
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21
AHsory of Some Of the Noted Pictures Of the Death
Of Christ Which Hang On the Walls Of the In
perial Academy Of Arts At Vienna and
Short Sketch Of the Great Artists Whose
Brushes Produced Them.

dalen at the foot Of It. The face of
Christ shows peace and resignation,
while the faint halo and crown OF
thorns add even more softness to the
delicate flesh tints OF the face and body
the Magdalen, half kneeling at the
foot of the cross, is one OF rare beauty
and is regarded as perhaps the best
female lace ever put upon canvas by
this artist, There is something fas-
cinating about the loneliness Of the
picture, for the cross stands out
against cloudy Sky with Jerusalem
in the background, and only the two
figures-the Magdalen in her sorrow
and the crucifled Saviour.
Altomonte was born Of German
parents in Naples in 1867. When he
was about fifteen years of age he en-
tered the studio of Baciccio at Rome
and remained there for FIVE years.
Later he studied under Maratte and
In the Roman Academy of Arts. In
1854 he Italiani2ed his name and was
appointed painter to John ILL.,, King
of Poland, where he painted at War
saw pictures of the exploits of the
Polish soldiers against the Turks. In
| 1903 he went to Vienna and four
years later became a member of the
Academy of Arts. He died at Linz in
17i5.
o"9eph Hci'A'
iu1 mn" Wy Joseph h'ih|
gives Christ a jewish cast Of counte-
nance. and groups the Virgin. Mag
dalen ana ST. John about the cross,
Burlington weekly free press. [volume] (Burlington, Vt.) 1866-1928, 1914-05-21

THE Bewailng of Christ" by Sa-
Voldo occupies prominent place
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19
NAPOLEON'S FAREWELL TO THE
OLD GUARD.
Soldiers Of the Old Guard:

Soldiers OF the Old Guard:
| bid you farewell. During twenty
Years you have been my constant COM
ranions in the paths Of honor and
glory. In our late disasters, as we'll
as in the days OF our prosperity, you
proved yourselves models Of courage
and fidelity. With such men as you
our cause could not have been lost. but
Trotracted civil war would have en-
sued and the miseries Of France would
have been augmented. | have, there
fore, sacrificed my interests to those
of the country.
depart; you, my friends, will con-
'inue 10 serve France, whose happi-
ness has ever been the only object OF
my thoughts, and still will be the sole
object Of my wishes. Do not deplore
my faith. II consent 10 leave, il is
rnat | may still contribute 10 your
glory. | will record the great achieve
mems We have performed together.
Farewell, my comrades! ] should
wish to press you all TO my bosom; let
ne at least embrace your standard.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

what might happen. had sneaked away
to remain secluded in Ney's residence
and await results. As was natural UNI
der all the surrounding circumstances.
tau!lncourt acted as representative Of
| the Emperor and as spokesman.
As Caulincourt proceeded with mas
torfu argument To unfold the situation
Al.Nandcr's doubts increased as to
IN" wisdom Of Bourbon restoration
France as nation, and not only her
army stll und.V idod and loyal, desired,
YES. practically demanded the regency
The troops and the popuace were at
| one in this ana as he listened the Car
realized that his own purposes for Rus
STA would better Ice served by re-
goncy than by Bourbon restoration
For two hours the conference lasted
and the car listened. while the am
lassadors especially, impressed upon
Alexander the mnm,utous fact that
Nap"icon's troops Were stll loyal to the
Empire, st!ll mistaken, and never to
he won over.
VI this moment, at nearly o'clock
in the morning. an a.de-de- camp sud
denly entered, and ut a sign from the
car rapidly spoke a few sentences In
Russian. over the cars face fitted
dcr"d the aid TO repeat what he had
jus, said. Then the car turned to
Caui.ncourt, Ney and Macdonald
Gentlemen" he said in grave tones,
! "you base your claim on the mistaken
| attachment Of the army 10 the Impe-
| rial Government. The vanguard of Ma
po,oon's army has jus, deserted, 1t is
| AZ this moment within our Ines"
|
| thousand men, with munitions and sup
| plies. the entire SiNth Corps. were pris-
| onors within the Austrian lines. They
had been deceived Icy Marmont, who led
them straight to their capture during
| a midnight march. when he told them
| they We're going 10 fight beside the
| Austr.ans in defence Of the Empire.
convinced Of the truth Macdonald
and caulncuurt and Ncv Withdrew.
| They had no further argument To make.
! Tn" entire Sixth Corps deserted and
! gone over Ia the enemy,
They departed IN silence. the Car.
not without omharras smrnt, promis-
ing 10 send them an answer on the
morrow To their petition for a regency.
| Eut what that answer would he all
Row knew. Marmont was present
| when III" ambassadors passed from the
! presence of the car They walked Ivy
him in dignity, and without a glance
| OF recognition.
Realizing even better than his am
bassadorS how far the spirit of dis
loyalty and intrigue had spread, how
many of his great Generals We're turn
ing against him aud how deep was the
| popular feeling that anything was bet
ter than a continuance II war. Ma
| polcon probably had little real hope
| that Alexander would accept his offer
t. ahdicato, coupled VITA the condition
"f establishing tn" Emprcss's regency.
As soon as he had s.gn,d the paper
and delivered il into the hands Of his
ambassadors bidding them Ia proceed
To- the car, Napoleon lost no time in
preparing for an outcome based on the
Cars refusal of his proposition.
without loss If an hour he sent a
courier speeding away with despatche
addressed to the Empress. requesting
her to have Champaeny start at once
for Dion in the capacity Of ambas-
| Continued on Fourth PAGE.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

Egypt. And yet Napoleon dared not
choose Marmont. who might be infiu-
enced by selfish considerations. There
fore Macdonald was named.
The embassy. however. was to pro-
coed to Paris by way Of Essonnes. and
IL Marmont felt strongly about going
as a member he could send back to
Napoleon for his credentials as am
bassador. Caulincourt and Ney and
Macdonald arrived at Marmont's head
quarters late in the afternoon and pre-
scented their case. Napoleon would alb
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

dictate. but on condition that a regency
be established And with regency
what would become OF Marmont and his
ambitious dreams of power? suppose
the Car should consent to the regency?
Farewell then to Marmont's dreams
Suppose. again, that Napoleon should
learn of Marmont's disloyalty? Mar
mont shuddered Death, sudden and
sure, would come to him ere the sun
rose again on the morrow.
only one thing remained To be done.
Marmont confessed all his actions, and
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

when his brief story Of treason To- the
Emperor brought forth cries of horror
he swore that he had merely been CON
sdering such plans. that he had done
nothing as yet. had not determined
fully what to do and with stunning
audacity demanded the right to join
the embassy. In a last hope to remove
Marmont from temptation to carry out
his confessed intentions, and also. per-
haps. as measure Of protection by
keeping him under their eye, the
three ambassadors accepted him. al
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

ence. informed him of what Schwar-
zenherg had learned through Marmont's
trcachery. and protested with all his
might against the proposed regency.
He was listened to in silence and Dis
missed with contempt: and then. just
before midnight, Alexander was in
formed that ambassadors from the En-
peror had arrived and sought audience
with him.
liy this time there were aG1.n only
three-f"r Marmont. almost ch"lcd with
knowledge of his guilt, Not knowing
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-04-19

though even after that Marmont by
some means was able 10 communicate
with Schwarzenbcrg and hetray the
situation to him. warning him that Ma
poleon had agreed to abdicate should
the Car see the Empress established
in the regency.
That the Car Alexander knew an
embassy was on its way from Napo-
leon is not improbable. In fact it is
almost certain. for not long after :?
o'clock that night Talleyrand, terror
stricken, FASTENED to the Cars pres