Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1914-03-15
ALlITLe CHILD
SHAll LEAD THEf7

Va 40 ~ without money ana Wltl-
Nf " price, see and hear the
Y panorama and the story
OF mans hfe on earth. lie may learn
fnroueh-lhe medium Of his eyes and
his ears how through all the ages one
Increasing purpose runs"
The moving Picture film. beginning
with the far-on days when chaos lay on
the waters, is depicting for us how God
called the earth into being from the
void and how lie has upheld It and |
sustained II and carried II onward |
and upward toward It's divinely APP
pointed goal All this IS done while
machinery. reproducing Simultaneously
the tones OF tie human voice. helps IN
entertaining. enlightening and instruct
Ing the auditor
An this IS being accomplished and
win be accomplished by the marvellous
photo-drana OF Creation" produced
by the international Bible students
Association. This body of earnest and
active supporters and disseminators
OF Gods Word is planning to place IN
many large cities the photo-drama,
which tells IN interesting. easily un-
derstandable picture and word the sto-
ry OF the carth's creation, progress and
Developments
First Production In New York.
a start was made in New York city,
whore large theater building was
opened TO the public. free OF charge.
Men. women and children are throng-
Ing to hear and see the story OF their
ancestors and themselves. Before
them pass the pictures which tell how
The earth began and how II has strug-
eled and is struggling upward TO the
light They sit entranced. for. as the
drama Of dramas unfolds. the voice of
the hidden. mechanical lecturer, speak
Ing IN tones Of eloqueuce and might,
explains clearly each picture. il re-
quires an effort OF the mind TO believe
that no actual. unseen man IS speak.
ing. for the Illusion Is perfect In
absorbing interest the pictures and
lectures surposs the wild west" dra-
mas and the crude comedies which
hold the moving picture stage so often
And the drama OF Creation" is Offer
ed free 10 the public. to stimulate in
terest IN the story OF mans redemp-
ton by his Snviour's grace The pic
lures begin with the creation and con-
tlnue down 10 the present day. show
Ing creation scenes and all important
subsequent political, social. financial
and religious events.
Famous Men on the Canvas.
Here one may see. moving on the
canvas with every semblance OF real
lty. the outstanding figures with whom
reading and reflection have made ua
familiar Philosophers, statesmen.
warriors. princes and potentates, schol-
ars and artists pass IA fascinating sue
Gessi0n across the screen acting the
parts which they played when they
were on the earthly stage IN the flesh.
We see the Garden OF Eden es an IN
genious and Inventive imagination
figures II for us We see the stately
cities of antiquity and taeir modern
successors. We sweep over the world
with ever increasing interest the dlm
and tie Photographic record taking Us
back 10 the times OF our remotest an
eestora carrying us on. ever onward
as tho scroll OF history unrois. And
when we rise from our seats. satisfied
with the Intellectual BANQUET which
has been spread before us. We foel aue
know that history has been made fol
us a living reality instead OF the driet
bones OF historical chronicle.
Most interesting OF all perhaps IS th'
depletion and description OF BIbiea
scenes. Wc trembie with Isaac IN fea
as We behold ais father Abraham abou
% sacrifice hifn. an Offering TO the Nos
ITCH. wo stand with Moses at IN,
court OF Pharaoh ana see the 70,
changed into tho serpent we look viii
The prophets longing eyes at th'
Promised Land. and we enter therein
with Joshua and his warriors
So through the eras Of Scripture W
pass until we come TO the days OF IN
saviour, when lie walked IN meek hu
mility on earth and worked tho mir
acles which atiested His power We se
Him lonely IN Gethsemane and ente
with Him triumphantly into Jerusa
lell We suffer with Him on Col
gotha's hin and stand vigil with III
mother at the tomb II Is all most tas
elaating. thrilling and satisfying 10 ID
religious sense. FOR It IS In part real
A@tson Of our desires to stand wher