davidaulloa/AmericanStories huggingface dataset:
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31

are religions. 1t is supposed to be pure
ly cult Of right living, but the most
bIoodthirsty zealots have been in its
ranks and to their influence must he as
cribed tho bitterest anti-Christian riots
of recent Years.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31

"r,rm products cost more than they
used to-
YES, replied Mr.. corntossel When
farmer is supposed to know the oo'ah'-
cal name of what he's rnisin an, the zo0-
loglc@l name OF the insect that .s1n ea1S Iii nj
and the chemical name OF WV W., shinotnn Mn
IL. somebody's got TO p"y' =" 's'''''7 WI
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31
Miscellany
Talking Money.

That "money talks is no news, yet
if we should hear it proclaim its gen
uineness in actual words we would
doubtless be astonished. This is pre-
cisely what \. e. Bawtree, an English
electro-chemical engineer, proposes to
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31

More than a thousand pairs, tans,
patent feathers, velvets, grlnmetals,
vtci kid; style variety galore, and
all sizes; shoes and oxfords for men
and women; mostly S4.0O values, a
matchless bargain group at Sl.9S.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31

Including well known makes in
every wanted leather, style or size,
You must see them TO appreciate the
wonderful values. Shoes positively
worth up TO $500 in this lot Out
with them in this sale at Sl.4s uair
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31

ALI feathers, all styles, all sizes. No
exaggerations. No disappointment
The values are here. Footwear worth
up TO $500. Three hundred pairs.
They II go in Il hurry at 98c pair.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1914-01-31
rniaininp tho II. G. Of i.

Fam products cost more than they
The Bennington evening banner. (Bennington, Vt.) 19??-1961, 1914-12-22
Sl.Is Kinlonas at CSC

DesIrabl. Style, full
length, made from pretty
heeced goods, floral and
other designs, blue. grey,
lavender, red and pink.
All sizes.
The Bennington evening banner. (Bennington, Vt.) 19??-1961, 1914-12-22

The Mems Store
OErs unlimited suggestions for Mems and Boys Gifts Prices
vondeuv aracve Notby the special values in Necke Shirts
Both Robes Pojamss, Hosiery, Underweor; Sweofers,
Mockinows and Footwear
The Bennington evening banner. (Bennington, Vt.) 19??-1961, 1914-12-22

Children's Pretty Dresses
$3.50
Ages 6 to IA years, made
from sturdy, warm Galatea,
new Russian Turic model.
ages 2 to 6 years. made
from reliable Ginehams.
Piaids and stripes. Dress
including boomers 10 match.
The Bennington evening banner. (Bennington, Vt.) 19??-1961, 1914-12-22

All remafr.na Csdaf
On fsss, udiftv BOXES.
Bamboo Stools. Smokers
Stands, etc. Severely
price loyyers d.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09
DAI-AATIC TUNIC COAT NOVELTY OF FALL FASHIONS
Wonderful Costumes Created by Paris Dessn1akers for
Deauve Race Week-.Skunk and Sable Bands Intro
duced on Lace and Silk Muslin Frocks

tassels. The short undcrdress. which
was made OF sapphire blue charmeuse,
looked rather like a petticoat, 1t was so
light and clinEing.
This beautiful race gown was accom-
panied by Princess de Lambelle hat
made of black taffeta with a crown. Of
shot gauze. At one side there was
cluster of shaded roses framed In black
silk leaves
Another charming gown OF the same
order was created by Roun for the
Comtesse dHautpoul. The materials
were rose de chine tafYeta and black
Chantilly lace. The corsase was 1880
In outline. tight fitting and laced down
the back The sleeves were long and
finished of with curved cuffs which
almost covered the hands. Then there
we're two wide nounces Of black Chan
tilly. These nounces did not reach all
the way round the taffeta skirt; they
allowed a wide panel Of silk TO Be seen
In front. There was a picturesque sash
OF black chiffon which had the ends
-, -, -,
''neu with large jet 'asse"'
rms was charming gown ana was
accompanied by Nat brimmed hat In
black satin straw lined with black chif-
fon velvet, The only trimming on the
-, 80 ia. - =, .,.,.. .,..,,.
'ne crown ana tas'eheo NJ tne 'eit "oe
! by a beautiful diamond buckle. There
were diamond buckles on the low. black
| kid shoes. and the s,ockinss we're in
-osa oo,o,.a .uL ,,.., .,,,h h,.c, lac.
-.
moths
This may be taken az an ideal eown
/ for the Deauville race week. II will
| be easily understood that such a dress
nigh, we'll h. worn a, n .mar, casino
r. ~. afternoon ~ .ysr,n~ In ssct q,
NAV no .a,d ,hs, ,ha,e /. nr,ct,csilv no
dis,aronc. h.,w..n IN. 80. .owr. "a
! ,ha oas,ro ,ou.,,s. n, to.day For
! avo,,ng wsa- tho ,attsr NAV he n.rba n.
a ,r,oa W.. aoooiIs,. hi, MANY =, IN.
-, ,,o,,ns no,. ,,nrn =, 80. .na a,
al a,,arnonn ,,,rc,,ons hav. cor,...,
,,..,os s,.nia,, ~. NIL. 20 IN. rscs
"a ,,,,ch ., ,ba aru. ,rhar. q. rs.iiy
-, i,,,,. a,o.r.nc. hs,w..n IN. tvo
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

and keep a sharp LOOKOUT hlrnseIt lest
the carriage lose It's place in the line
and 30 make the ladies' wait for an UNI
due length OF time.
For a large and formal theatre party
Il is usual TO invite the guests TO dinner
or to supper after tho play or opera
In either case they assemble Mt the
house Of the hostess, who provides an
omnibus automobile or other convey
ance to take them 10 and from the play
house She must name an hour early
enough to enable the party 10 reach the
opera house or theatre In good season.
II she asks her friends to dine with her
she should for the same reason avoid a
long bill OF fare. The guests should be
careful to come punctually. Should any
OF them be detained they should tele-
phone and ask the hostess not to wait
for them. To fail 10 keep an engage
ment for dinner IL considered one Of the
gravest social sins. How much worse
It IL TO spoil theatre party in addition
by remaining away after promising TO
come!
The affair is more likely to go of well
II the hostess introduces those guests
who do not already know one another.
Wholesale introductions are now
thought awkward and undesirable;
hence IL Is better TO make the presenta-
tons gradually, one or two al a time.
Those who are TO sit next each
other should certainly be intro
duced. II is well TO plan before hand the
seating OF the guests. II the hostess has
a party of young people, and Is quite at
loss as TO their preferences she ma y
like to consult one Of them beforehand
on this important matter. To each man
should be handed two tickets. These
may be enclosed In an envelope, with a
card bearing the name OF the lady who
Is TO sit next him at the theatre. She
| also receives an envelope containing the
name of her theatre partner. This ar
| rangement Is convenient where many
people go together. n the party were IA
sit In a private box II would he unneces-
: sary. There the ladies sit In front, the
gentlemen behind The older women are
offered the best seats but usually prefer
to let the younger ones take the places
where they can see and he seen. At the
close Of the performance the theatre car
rage conveys all to their homes, leav-
ing the women guests first, the hostess
next. the men last of all, although the
, latter often choose to wam,
II there IL to he a supper II may he
either at the house OF the hostess or at
a restaurant OF unblemlshed reputation
| The meal may he simple or elaborate. A
/ course supper IL very much like din
ner or luncheon, except that II IL less
formal and the hill Of fare is lighter and
| daintler. Few people care to eat heavy
meal late in the evening Raw oysters
or little neck CLAIMS, boulllon In cups, an
entree OF some sort, salad with or with
out game, ices fruit honbons and black
coffee may be served in the order named
BY those who care for full menu. Fol
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

gowns together with great deal Of
Jewelry, although, as We have said else
where, this Is by no means a universal
custom. All who sit either In the boxes
ar in the orchestra seats appear. in
handsome toiettes and wear long white
or black Kid gloves. a long evening
wrap made OF silk. satin or other ex-
pensive material forms an important
part Of opera costume. One SEES only
sprlnkling OF low necked gowns at the
theatre, American ladies' usually pre-
ferring To appear there in dresses either
high necked or only slightly cut down
Many wear pretty, light colored
dressy waist with dark skirt since the
latter shows little. unless one Is sitting
In a private box.
Good form demands that We should
always be mindful Of the rights, com
fort and pleasure OF other people when
We attend a theatrical or a musical per-
Torrance, The persons composing the
audience have paid for their seats in
the great majority Of cases at least, and
1t Is extremely III bred 10 interfere with
their pleasure hy IA king or laughing,
The men and women who fancy that Il
is smart 10 do so show themselves lack
ing in true politsnsss. one should en-.
deavor TO be punctual, In order not to
disturb ones neiShbors after the curtain
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09
HINTS FOR THE
RESTAURANT AND ROOF GARDEN

theatre party II IL not necessary to
offer such an elaborate bill OF fare. Oys-
ters cold chicken, with salad and ices
are quite enough for tho hostess 70 pro-
vide. A chatting dish supper produces
much fun and jolity among young
people. or among those who know one
another well. 1t 10 not to be recon-
mended for all sorts and conditions Of
men, however. An informal meal OF this
sort would Jar upon the taste Of those
persons who like to have everything
done according TO conventional methods
and in a stereotyped fashion. The
channg dish sets and stands now
furnish every convenience for pre-
pairing readily one or more hot
dishes. Welsh rabbit. oysters. lob
ster, eggs and mushrooms are all excel
lent cooked In this way, to say nothing
OF the more complicated dishes witch
require an expert TO handle successfully.
Where the supper Is given at tho house
OF the hostess their maids call for the
young ladies there, and II Ia not neces-
sary for her to send them home.
II a bachelor wishes to give a theatre
party and 10 invite young women 10 be
his guests he must engage some married
lady OF good social position and Of GER
tain age to act as chaperon. A young
married woman IL sometimes as full Of
fun and high spirits as a girl. No one
objects to her natural gayety II she
keeps II within due bounds. But Il 10
not considered quite the thing for a
woman Of this sort to matronize young
girls. A chaperon should have the dig
nifty which years and experience bestow.
though she need not be duh and stupid
The guests all meet at the residence OF
this lady. the bachelor host arriving a
little earlier than the rest in order TO
receive his friends, 10 introduce them
IN the chaperon and to make such other
introductions as the occasion demands.
People Of moderate means go TO the the
atre in the street cars II the evening Is
pleasant. The more elegant method IL
to provide theatre carriage, but not
. every bachelor can afford so much ex-
ense as this would involve. He should.
however, pay his guests fare. and for
this purpose II is well to buy car tickets
beforehand, Otherwise another man of
the party may reach the ticket booth
first and purchase them before the host
has an opportunity 10 do So
At the theatre or concert hall the la
dies are permitted to pass through the
wicket first, the host standing on one
side and showing the tickets. He pre-
codes the rest OF the party going down
the aisle 10 the seats. in order to point
out TO all where they are to sit. II may
he arranged to have the chaperon go In
first and take the innermost seat or she
may be placed next the host. who sits
nearest the aisle.
our bachelor may take the party 10 a
restaurant for supper, to his club II this
posseesss . dining room for ladies. or TO
| his own apartment or studio. should this
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

be large enough and conveniently To-
Gated, In either of the first two cases
the table should be engaged and the
menu made out beforehand. II supper
Ia to be given in his own rooms he
should have one or more competent
persons To set the table do any cook
ing that may he necessary and have all
In readiness on the arrival OF the party.
There should also lie ono or more SER
wants to walt on the table. unless the
affair Ia an extremely informal one. The
host leads the way 10 the dining room,
all following without ceremony, The
chaperon sits at his right or on the
opposite side OF the table. when supper
Is over he may escort her, together with
the young women, to her house or the
theatre carriage may leave them nj their
houses. provided the matron Of the
occasion In Of the party and remains
with It until all the young girls have
been taken to their respective resi-
dences The host gets out first, as
sists each OF his fair guests in turn
to alight, opens the door for her with
the latchkey or rings the bell and
does not leave her until she has been
admitted 10 the house. Where the the
atre party Ia given by lady the
gentleman sitting nearest the door Of
the conveyance performs this service.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

unless there is a footman In attendance
Evening dress IL the proper costume
for men at all performances at the
opera, theatre and concert hall that
take place in the evening. This Is de
rigucur for theatre party and at the
grand opera under ali circumstances.
For English opera and informal excur-
sions to the theatre the dinner Jacket is
often worn. Indeed, our countrymen
are very independent In these matters
and claim the right to dress AS they
please. In Europe the rules are stricter.
gentleman Of my acquaintance once
went to the opera in Paris in the days
Of the old regime wearing an ordinary
black coat, He was refused admission
on the ground that evening dress was
necessary. Being Yankee OF an in
genious turn OF mind he went out, pro-
cured paper of pins, fastened up the
offending coattails into the required
shape and again presented himself at
the opera house. The authorities, argu-
ing doubtless that he had fulfilled the
letter of the law. admitted him. so
admirable is the logic OF he French
man
The proper costume for women az the
theatre and opera Is evening dress. At
the grand opera In New York and other
large cities many ladies wear decollete
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

afternoon gown in which there Is no
note of exaggeration. II is gown
which might be worn by woman of
party. The material OF the long tunic
was black tulle soutache and embroid-
cred with dull silver threads. The tunic
was bordered with skunk Of a fine quail
ity and the draped skirt was composed
OF ivory white charmeuse. Then there
was strong note OF color in the folded
sash, finished with n large bow in front,
which was made Of gcranium pink chlf-
fon velvet.
The Partisan dressmakers continue to
compose costumes in which there is an
effective play Of white upon black or
black upon white. In. a recent article
spoke Of the popular idea OF mounting
white lace tunics over black taffeta or
chsrmeuse skirts; and equally popular
IN exclusive circles is the loose garment
In black lace, chiffon or tulle. thrown
over an underdress OF white satin.
The hat which accompanied the model
have just described was one OF the
new picture shapes 1t was covered
entirely with white satin and the ostrich
feathers were softly shaded from pearl
! gray TO pastel pink.
The second figure in this group shows
an extremely original Drecoll model
created for the Deauville race week.
| Here you have indicated one Of the
striking novelties OF the fall season.
the dslmatic ;unic coat. which reaches
! almost to the hem OF the skirt, This Ia
a curious 'lgne," but It is hatterng TO
| tall, slender women.
The model shown In my drawing was
made OF japanese red linen and the
upper part OF the dalnatic tunic was
richly embroidered and braided with sill,
soutache in several shades OF powder
blue, touched with black. The wide sash
was made OF soft black silk and the
curious garment was sleeveless, rucket
sleeves OF the tulle blouse underneath
showing up to the point OF the shoulder
One OF the new fiat brlmmed blacl
velvet hats accompanied this gown; 1
was trimmed with large aisrettes mad,
OF fine black horse hair.
have lately seen some very new snt
original race dresses which we're ere
ated for we'll known Partisan societ,
women. Some Of these gowns exploited
TUNES OF unexpected outline. For ex
ample. a Cheruit model created for tn
Comtesse de Casteta was composed o
shot gauze and sapphire blue charmeuse
The gauze showed various shades o
blue. purple and dun pink. and tn
supple material was set in fne pleat
from waist TO hem. Then there wer
pieated hounces introduced on tn,
pleated tunic. At the hem there wa
} one nounce and another appeared jus
below the hip line. The material wa
30 fne and so cleverly pleated that tn
! tunic hung In long straight lines.
There was curious little coatee mad
J OF sapphire blue Venetian gupure en-
riched with dull silver threads, and thi
coatee was confined at the waist by
long sash OF black taffeia. The ends o
the sash were finished with dull silve
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

has gone up or the music has bseus.
Some one has to come last, OF course.
and the earlier arrivals should stand UP
and allow the seats OF their chairs TO
fold back in order TO allow people TO
pass by'them with as litt!s discomfort
as possible. A man sitting next the
aisle should step into II whom . lady
Is about TO pass In. II is courteous but
not obligatory for the latter 10 DO tho
same thing. Those who arrive after the
performance has begun should remove
their wraps before they 20 to thsir seats
in order not to obscure their neIshhors
view Of The stage while they are DOING
so. They must also he careful NOT 10
disturb the latter by rising or busting
about toward the end Of the play. The
going In and out between the acts Ia
rather trying to those who are obliged
to rise constantly in order 10 let othAgs
pass by Hence unless one has IN oselo
seat II is best TO go out only once In the
course Of the evening Where Q large
number OF the audience do 30, as AZ tbs
opera, the case IL different The walk
ing up and down the foyer and the cor
rldors, the consuming of ices and lsInon-
ade are often q part Of the regular pro.
gramme, One should b careful - ~
turn to ones SEAT when the wASAiSS
bell ringA
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

T0R those who know but need con-
hdence the book by Florence
Howe Hall on good form at res
Nurants and roof gardens and pub
ished by Harper a Bros. will prove an
invaluable asset
An Informal theatre party may be an
lmpromptu affair got UP at short notice.
II may either be a Dutch treat where
every one pays for himself. or one or
more persons may &C, AZ hosts and in
vite the others TO go at their expense.
II gentleman and his wife ask another
lady n accompany them they should
either call FOR her or invite her TO dine
with them. At the conclusion OF the
Performance they should take her home,
Or the husband alone could do so. 1t
is not necessary TO have a carriage II
me street cars are near at hand. II
two ladies' living In tho same house are
invited the tickets may be sent to them,
asking them 10 meet their hosts at the
theatre Unless they are very young
women. II would be proper for them to
20 together whereas for a lady alone II
would not he quito pleasant TO do so
when thu concert OF pay is over the
most viii see them to their carriage or
10 the street car. II the hour Ia late he
Will offer 10 escort them home. II they
assure him that they are not afraid TO
- alone, ne will not insist upon doing
60 unless he believes this necessary for
heir protection, Two young and pretty
women ara liable 10 annoyance from
rude psssersby at q late hour in the
evening.
II man wishes 20 take a young lady
" the theatre he must invite her mother
other chaperon TO be OF the party.
tnis Is safe and excellent rule to fol-
low and few exceptions should bs made
70 1t. In the case Of cousins or old
friends II IL sometimes broken. espe-
eslly II the lady is not in her first
YOUTH But young women should re-
member that, as tho world is very CEN
so'ous, ono who broke this rule often
would he the subject OF unfavorable COM
neht girl may, OF course, go to the
maa're with her brother. The gentle
man may invite married lady to
HAuonl1H the party or he may ask the
sn1 70 choose her own chaperon. He
as Tor both his guests; first for the
m4Uon' then for the young lady, At
ma close ~ the performance he escorts
Nem both 70 their houses. leaving the
!ounser woman FIRST at her residence
aaq men The elder one at hers Where
Ne 'hhperon has been provided by the
.'' N" man may II he prefers send
a'm mo tickets and meet them at the
Nrf or concert hall. waiting for them
Ae 'ob5y, lie would certainly offer
as' 10 escort them home unless they
.''e eo'GG In carriage, In this case
w would content himself with asking
-. man At 'he door to call II or going
"nn1 y himself 4 this should be neces-
ara putting them safely into their
~. conveyance He should endeavor
nhd sheltered place for them to
'"u pending the arrival Of the vehicle
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09
n, Claude CHERYs.

N rnr,ERN Paauin and Drecoll
- have boen doing some wonder
II Phi things for tho Deauville
race week. Of course the other
..,, ,r,sn ,ailors and dressmakers OF
p.-ts have also created beautiful models
D., Trouvillc Dcauviile, but the three
..,,,d seen IN make a speciality OF race
sauna. the exquisite dresses which arc
=, ono of the most picturesque
.,-,s-s NJ France the Deauville race
course.
Worth IS another notable artistwhose
,,.a.ons are very much in evidence
:, Tronvi'le. Deauville, but Worth's
,.,onRest point. in my opinion. Is his
,,rerh dinner or reception gown. Hero
\. has no rival He has the power to
.rr,-, something Of regal grace TO an
n-dlrarv fEure; there Is something In
,ss Worth l,gne. when velvet or bro
, ,sded satin Ia the chosen material.
which haflcs competition.
A very famous Partisan grande dame
-e,en,lv told me that she had had the
,onor - an interview with the Empress
Eusenle while that unhappy lady was in
Paris few weeks ago, and that the
rnpress sad many interesting things
about modern dress and modern life
generally. In the course OF the con-
yersation the Empress mentioned that
me of her neces always got her eve
ming gowns from Worth. and added that
she was gratiAed TO find that the ira
dtions Of the famous firm had not
lost thel- influence. Tho remark 10
especially interesting when one remem-
be-s that It was the Empress herself
vho practically created the Maison
Worth. 4, least II was for her and her
brilliant coi-t that the nrst Worth
created his most notable models.
But N return to the toilettes destined
for the Deauville race week. At this
moment while am writing the Trou-
v.lle.Dcauville season Ia opening brill
,an'ly This week and next II will be al
ia height and then will come the climax
in the guise Of the races After that
clever maids will have TO pack the huge
trunks and tout le monde" will &c
south In the direction OF Biarritz.
notable feature Of tho Paquir
models created for the Deauville races
% the discreet and effective introduction
Of skunk and sable bands on gown.
composed OF lace or silk muslin. This
a.. iss delightful fashion. II Is not a genu.
Inc novelty. since the old masters made
constant use OF II. but II Is a novelty ir
the sense that for ordinary wear tn,
combination of fur and muslin at mid
simmer was almost unknown until las
season.
There are few things moro effective
.han a fragile. seni-transparent gowr
trimmed with narrow bands Of dark fur
One 81 the leading Paris milliners hal
applied this idea 10 summer hats ant
with considerable success in picture
hats made Of chiffon or lace borderet
with skunk or with ermine.
The Paquin model have sketchet
iris week shows q rarely beautiful
The sun. [volume] (New York [N.Y.]) 1833-1916, 1914-08-09

p ar
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city
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| eluc-
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Tho
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