Gilpin observer., 1913-07-03
CHAPTER ".
Box Five.

long period OF his co-management that
we may well ask II he ever found time
to attend to the affairs OF the opera |
otherwise than by telling what went |
on there. NJ Moncharmin did not |
know note OF music, but he called |
the minister of education and fine |
arts by his Christian name. had dab
bled little in society journalism and |
enjoyed considerable private In
come. Lastly, he was a charming fell
low and showed that he was not lack
ing in Intelligence, for, as soon as he
made up his mind to be sleeping
partner In the opera. he selected the
best possible active manager and
went straight to F1rmin Richard.
F1rmin Richard was very distin-
guished composer, who had published
a number OF successful pieces OF all
kinds and who liked nearly every form
OF music and every sort OF musician
Clearly. therefore, 1t was the duty OF
every sort of musician to like M Fir
min Richard. The only things to be
said against him were that he was
rather masterful In his ways and en-
dowed with very hasty temper.
The first few days which the part
ners spent at the opera were given
over to the delight Of finding them
selves the head OF SO magnificent an
enterprise; and they had forgotten ali
about that furious. fantastic story OF
| the ghost, when an incident occurred
that proved to them that the Joke
II joke It were-was not over. M.
Firmin Richard reached his office that
morning at eleven o'clock. His secre-
tary, M. Remy, showed him half
dozen letters which he had not opened
because they we're marked private.
| One of the letters had at once at
tracted Richards attention not only
because the envelope was addressed
in red ink, but because he seemed to
have seen the writing before. He soon
remembered that 1t was the red hand
writing in which the memorandum
book had been SO curiously completed
He recognized the clumsy childish
hand He opened the letter and read:
Dear Mr.. Manager:
II am sorry to have to trouble you
at time when you must be SO very
busy, renewing important engage
| ments. signing fresh ones and gen.
orally displaying your excellent taste.
| know what you have done for Car
lotta. Sorelli and little Jammes and
for few others whose admirable
qualities OF talent or genius you have
suspected.
"Of course, when use these words.
| do not mean to apply them to La
Carlotta, who sings like squirt and
who ought never to have been al
lowed to leave the Ambassadors and
the Cafe Joaquin: nor to La Soreiii.
who owes her success mainly to the
coach-buIlders; nor to little Jammes.
who dances like calf in a Held. And
am not speaking OF Christine Daae
either. though her genius is certain,
whereas your jealousy prevents her
! from creating any important part
When all is said, you are free to con-
duct your little business as you think
best, are you not?
"All the same, | should like to take
advantage OF the fact that you have
not yet turned Christine Daae out OF
doors by hearing her this evening in
the part OF Siebel. as that OF Mar
garita has been forbidden her since
her triumph OF the other evening; ano
| will ask you not to dispose OF my
box today nor on the following days
J for | cannot end this letter without
telling you how Nisagreeably sur
, prised l have been once or twice, tc
, hear, on arriving at the opera. thai
my box had been sold. at the. box
Office. by your orders
, ''I did not protest first. because
dislike scandal. and. second. because
. thought that your predecessors
: NM. Debienne and Poligny, who were
, always charming to me. had neglect
ed before leaving. to mention my lit
tie fads to you. | have now received
a reply from those gentlemen to my
, letter asking for an explanation, ant
, this reply proves that you know al
, about my memorandum-book and. con
sequently, that you are treating IN,
with outrageous contempt. II you wisi
: to live In peace. you must not begir
by taking away my private box.
believe me to be, dear Mr.. Man
ager, without prejudice to these iitti,
observations,
Your Most Humble and Obedien
Servant.
OPERA GHOST"
, The letter was accompanied ny
cutting from the agony-column OF tn,
: Revue Theatrale, which ran:
5 20. G.-There is no excuse for X
! and. Nj. We told them and left you
memorandum-book in their hands
Kind regards"
: M. Firmin Richard had hardly I'm
r ished reading this letter when M. Al
mand Moncharmin entered carryini