davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

"The greatest cost that every producing
manager has To face is paying the dencit
for his failures. BY this ! mean that lie
not only has to pay for scenery costumes
and other equipment that becomes use
less AZ the touch OF disaster. but he must
also pay his actors for time that mas pee''
wasted his. stage manager for time that
has brought I'm no monetary results anu
all Of his other employes for similar use
less expenditure Of energy lie must pay
not only what the show cost BEFORE inc
OPENING night but what 1t cost before ~
made the decision to close H. Ana ""a'
the show loses Is often actually iaIse'
factor than the original outlay
I'VE make many kinds OF productions
dramatic. musical. spectacular. we oe",
| In practically every known variety VI
| stage entertainment. We have the mp
podrome, which Is to-day the greates'
J home OF spectacle I'm the world. we nave
the Winter Garden. which is without
question the greatest playhouse FOR the
Americanized idea OF musical revue ana
we have numerous musical comedies as
well as dramatic offerings Of every nat
ure, ranging from farce TO realistic traS-
edy. The business OF an average year IN
wolves us in the handling OF approximate
~ fifty or sixty productions.
THE cost of these productions will vary
as much az the character OF the produc-
lions. The Hippodrome. for instance
means an original annual outlay tor pro-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
A TRYING SITUATION.

Here il letter. so we learn from that
soul Of integrity, the press agent NM
self. addressed 10 the functionary EN-
ployed by the llppodrome to reIuse
passes to the>multitude who demand them
on one pretext or another. TINS one al
most got by because Of the sheer nerve
displayed. but finally It's recipient became
himself again and dismissed the subject
bt writing the simple question. Why?
Ben H. Atwell. Director Of Publicity.
New York ilippodrome, city
my Dear Mr. Atwell: ] am about to
ask favor Of YOU which am aware be-
fore asking IS gross imposition. |
promised my stenOgrapher. most OK
mIisitely beautiful girl ito whom | must
Introduce YOU. that ! would take her to
see the performance. She has consented
to go. but | find myself. owing to poor
business. absolutely without funds This
is very trying situation, and one In
which you alone can assist me. II you
would be So kind az to aid me In ths adj
worse circumstancc | shall not forget you
when better times relieve me Of my pres
,nt dilemma. With all good wishes.
Faithfully yours.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
D'ANNUNzI0'S FRENCH PLAY
LIE Chevrefeuille, Electra Ex-
pressed in Terms of Hamlet.

lie Chevrcfcuille' C'The IloneysucklsD
is the first modern French lay which
d Aununzio has written. says The Lon
don Daily Chronicle Hitherto, in adopt
ing the French language a. mis- vehicsc.
he has chosen a French Of the Middle
Ages IN this play. produced AZ the Porte
st Martin Theatre the setting is mod
ern. though there is still an cir Of an
faulty about the form II expression. In
deed. for all his deliberate choice of
classic theme. there il here, as in all
d Aununzios work for the theatre, a Ger
tain preciousness which removes 1t from
the simplicity of great tragedy. The pla.
has fine passages-sccnss OF great spir-
itual dignity and of lyric beauty Though
the play is In prose-. But there is dc
libcrute abnormalty m the characters
and their development, as well as in the
situations
The plot of the play IS quite frank!
taken from the classics. Ii Is ElectTl
expressed in terms OF Hamlet. The ac-
ton passes in the old country house OF
distinguished French family The father
is dead, and the mother has married
again The son. who Is now the owner
OF the property. has repaired the broken
family fortunes by a ricn marriage. The
mothers second husband, who had been
her lover I'm the fathers lifetime, had
killed the father I'm order to make her his
wife lie has now become the lover OF
the young wife of the son. The Hamlet
Electra o, the situation is the unmarried
daughter OF the house, who carries ire
burden Of avenslng her fathers death
her mothers faithlessness and the treach-
cry of her sister-n-law.
The first act takes place IN the circular
hall OF the old home of the DE la Coidre
family-a beautiful Renaissance scene
with a fine sunset background seen
through the window and over the trees.
The unmarried daughter. Aude. is at first
a modern Cassandra, with { Tision of the
treachery and crime of her mother and
father-in-law. Then she feiSns madness
and becomes Hamlet, studiously con-
ciliatory and polite to her enemies, and
later she carries the Hamlet analogy fur
Their in scene with her mother very
like the great scene between mother and
son in Shakespeare.
Til. last act shows the elimination Of
the tragedy in the death OF Dagon. the
father-in-law, who Is actually killed by
his own wife. although Aude-the domi-
mating figure of retibution throughout
takes the responsibility Of the death
which she had indeed caused, and leaves
the dishonored wife and the young mis-
tress to mourn over the man who had
ruined them both.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
THE COST OF A PLAY
Lee Shubert Tells a Few Things
About the Shows We See
for Regular Prices.

What does IL cost 10 produce play on
Broadway? In THE Theatre Magazine
Lee Shubert says:
Without a doubt the theatre offers fine
speculative possibilities. II this were not
the case men would aot devote so much
time and energy to the business. But the
fact that Il successful theatrical spocula-
ton offers returns altogether ont OF pro-
portion to the original investment IS only
halfway compensation for the numerous
failures with which the producer is con
fronted. If theatrical producer could
be absolutely sure Of making genuine
success one time out OF every four pro-
ductions he would k ow that ne was on
-the high road to fortune and the future
would have in store for him no terrors
at all
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
IRVING PLACE.

The repertory Of the German Stock
COMPANY at the Irving Place Theatre ~
az follows Monday night "Kasernen-
Inf: Tuesday. Wednesday, Thursday
and Saturday evenings. "Kyritz Pyritz," a
farce with song and dance; Friday,
Faust" Every afternoon at 3 o'clock,
ohildren's matinee. "Aschenbroedel
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
A FAT PART.

Fine" said Dickey Now ri tel! you
about II. We've got a part that calls for
man to play nut This nut thlnNs
he's Napoleon. You're jul
Hey" shouted Sylvester. Il SAID yes
but mean no. Yo-'--
But
You're the only man vino can do II
right, Frank" Dickey insisted.
What" Sylvester howled. rs theie
anything in my life that gives you any
reason 10 make that charge? Haven
always lived a decent. straight lifeF Dlo
ever burn an orphan asylum or tnro''''
blind beggar? ] admit I've done SOM
pretty low-down things On me S'ase, '.'''
Blowing I'D trains and wreck'ng pr'oses
and robbing cripples but didn't mean l.
had 10 eat"
I'm satisfied" said Dickey. Win s's"'
although think you're passing UP soii'e
thing really good. It's the one Br"i'u
chance 10 break big on Broadway. but
Won't press YOU. All l want If your
promise that you won't close coHtiac'
Nth arv other show until you hear from
me. ! may find another part IN the l'idS
for you; may write one IN. Inc sho"
doesn't 70 into rehearsal for seVera'
weeks Youll promise?'
NV hand on IT," said sylvester
Dickey went his way ana oyINeS''' ~
his apartment, on West 10th street
At4 o'clock the next morning SyNe'''
was drawn TO the telephone ne a."
swered II and something that soufiHeu
inst likt this 20 him came over INC WI. -,
Observation-Disclosures, nun
What" shouted sylvester.
The same variety OF Conversations
vienerwurst popped through the 'e,e
phone sylvester tried to nibbie INTO 'he
meaning but each attempt only brought
forth more spaghetti and he gave ~
Il must have cold in my heau' II"
said and returned 20 bed
Ten minutes later the telephone proue"'
him out OF bed 10 listen 10 soihep0"'
who seemed 10 be trying TO tank anu cav
bedspring with one operation
There were I'VE more calls that morning
before o'clock. Sylvester didn't get any
sleep. There were seven calls at unsea-
sonable hours the next morning. SylVes-
Ter didn't get any sleep He wehi ~
DIckey's hotel and handed the CLERK NE
lard. The clerk, looking at the caru' s"'u
that Mr. Dickey had gone 10 Atian'lc |i's
Tor few days. lie had not left worn
When he would return.
Sylvester was kept from sumner inc
next morning by the same sort OF thihe'
He wanted TO get in touch with Dlckey
and tell him about g. but he couldn ma
him He sought DIckey's friends TO learn
where the author was. They didh
Know. One Of the friends asked sylvester
to dinner at the friends hotel sylvester
went He ordered his food and then the
friend asked 10 be excused for fe" MN
utes. He returned before dinner war
served. The waiter appeared ana piaceo
a steak, fried potatoes and glass OF MIX
IN front OF Sylvester. The latter iooKeo
at ,be waiter in surprise.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
JARCIN DE DANSE.

Several surprises are being planned for
the New Years Eve festivities at the
Jardn de Danse, on the New York roof.
where Carlos Sebastian. Mae Murray.
Beatrice Allen, Enrico Muris and Jen-
nette McIlwane continue on the cabaret
programme. Miss Edwards. the contralto.
makes brief return. and many other
headliners will contribute. The afternoon
tea dances are now under the conduct OF
NJ Sebastian and Miss Mcllwaine.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
COLONIAL.

Bessie Wynn will come 10 tn. Colonial
Theatre during the New Year week with
repertory OF new songs. Others here
will include lie Roy. ralma and Bosco.
The European Mysteries Myrtle Clay
ton or Wrong from the Start" bur
lesque melerdrammcr" Jack T.. Gard
ner in songs and Rotations; Sam Mann
and his players. presenting The New
Leader; Walter De Leon and 'Mugglns"
Davies. In song hits: the Gardiner Trio
Offering modern dances; the Grazers. In a
dancing and musical specially. and the
Shelvey Bows ncrobatS
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

Owing to the popularity of Bert VIII
isms last week at the Palace Iheatre
the management has retained him Tor
another week. Surrounding Mr.. Williams
is good holiday programme, including
many headliners. Exclusive views oil
Vernon and Irene Castle, executing their
dances before the camera, VIII be shown
and owen McGiveney, the protean actor
will appear In a tabloid version Of oil
yer Twist" in which he acts the part on
five characters himself Another feature
is Belle Blanche. the operate soprano
4 spectacular offering is the French pam
tomimc. The Darling OF Paris, includ-
ing seventeen persons. Others ere
Johnny and Emma Ray, in new farce
by JUNE McCree. ION the Rio Grande !;
Chris Baker. one Of England's best come
dams. called The Purveyor OF Comedy
Character Songs; "A Love Lozenger
in which Tony Hunting and Corinne
Francis appear; the Asahi troupe OF Jap
anese magicians and others still 10 be
announced.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

day evening, January 3, under the man
agement Of Joseph Brooks. The vehicle
selected for them is a comedy by Rachel
Crothers, Young Wisdom" Although
the Misses Taliferro have previously APP
pcared in the same company, this is the
first time they have shared honors In a
joint starring engagement. young Wis
dom" is modern play, based upon timely
topics. and Miss Crothers has given each
of the sister stars a role Of equal promi-
neHce.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

Also one must count the expense Of re-
hearsals which is often very great. for
although the salaries Of the actors do not
begin until the opening night the stage
hands. electricians and other members OF
the me ,hanical staff must be paid from
day 10 day, certain number OF people
must he employed about the theatre itself,
and the theatre must, Of course, be heat
ed. lighted and I'm fit condition for occu-
parcy. Moreover, If il is necessary to
close theatre for these rehearsals the
rental OF the theatre during the period
when il is closed should properly become
charge to the list OF general costs for
making the production. In the case OF the
big entertainments at the Winter Garden.
for instance. II is practically impossible TO
get the productions into shape without
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
FRANK SYLVESTER'S FALL
How Two Playwrights Imposed Upon a High Princpled
Actor-Dastardy Plot His Undoing and Makes
Nut Part His Only Refuge.

vhAn Frank sylvester decided-iifteen
wars ago-to heed the popular de-
r.n6. made by himself. that he go on
N. stage he wrote a letter TO Lawrence
psrrett. who was living in the Hotel
windsor, on Fifth avenue. asking for
,oh Two days later he received re-
nly. but the only thing in the communi-
cation he could decipher was the figure
40" He vent over the letter several
times using both magnifying and d.
,rinishine glasses. but nothing save the
40 was clear. He showed II 10 friends.
10 men drunk and men sober, but moth
ing ayailed.
Il don't know what he means" Syl-
yester unused. 1t may be the date. the
salary. the time or the name Of play.
"Or the sentence he thinks you de-
,erve" friend remarked.
I'll 90 around and ask him about
e." said Sylvester. He saw Barrett and
Barrett gave him a job.
The Windsor was burned 10 the
ground shortly afterward.
Cndismayed. Sylvester stuck 20 the
stage and the stage reciprocated. lie
ploughed through everything from
Shakespeare 20 Theodore Kremer and
hit Few way stations. Nothing un-
toward happened except stock en-
sagement in Columbus. Ohio. once IN
a while he mixed himself up in vaude-
vile. lie was villain and hero and man
about the stage. one week he cut
threats and the next mended broken
hearts: kidnapped the g-u-r-r-l for seven
days and seven nights and eloped with
the heroine for seven more.
he thought he'd done everything tha'
the drama demands until he met PAU
Dickey several months ago. lie ana
Dickey had worked together.
Frank. said Dickey Goddard ana !
have just finished q play. We've named
it The Misleading Lady and there's a
fat part in IT for you. ] want YOU 70
play it,
Certainly" said sylvester.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
AtHAM 3 RA,

The Alhambra Theatre for the New
Year week will have Bert Clark and
Mabel Hamilton, In "A Hayward Con-
ceit': Lillian Shaw. Americas premier
dialect singing comedienne"; la Brooks
Hunt and company, In The Singing
Countess" by Edgar Allan Woolf; Dainty
Marie. who Is mot what she seems to
be-; Ball and West. playing "Since the
Daystof 81; Prince Lai Mon Kim, the
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
THE, WEEK IN VAUDEVILLE
The Castles Dances on the Film-Ross and Fenton-Sam
and Kitty Moron-New Year Programmes
Feature Many Headliners.

Chinese tenor; Duffy and Lorenz, in
"Springtime"; Delmore and Lee, "a
Study I'm Black and White and Ernie
and Ernie, offering Three Feet OF Com
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
A QUALIFIED "NUI

..p.,,i,, said sylvester slowly ana WIN
A.. 1aon.et interest, lis that part In your
show still open|' ,a
Dickey sat back and CLOSED ms nam
over his mouth. He remained sheht io'
q fev minutes. The third man turned hiS
face away. n,,,,ov
..t am NOT positive about it. Dickey
IA .,oddard said he thought he'd DE
able 20 round up somebody by inns Aiu'
noor III 20 out and telephone TO MN.
IIo cane back and announced that GOD
dard had not been successful
..vyeu then. IN take It," said sylvester
eagerly ..,, ..id n,cu-
"oh. but you're too nervous" SAID DICK
o., az # to sweep the idea from al iu'-
,her consideration. You're III ITO s"ape
to- --- ..1,-.
e.,,.os,er hanged the table TO interrupt
..ror the love u Venus" he shouted
-, that lust the kind OF man you
,,an,9 You want man TO De o'pp' vi
,be stage? You want man VINO ''hae
,,ee he's Napoleon? I'm just that hut'S
-. couId be convinced I'm Napoleon
- ,i,,la Eva. Show me anybody VINO
or -, more Of a delight 10 the alien
| lists" .,...,,. .i, may
"tyell." said pickey. hesitantly' II may
No wo,th while. Study OF the part WIN
So,n YOU I guess I'll let you Try come
round to the ONCE and III let you 100"
d" And that, Mr.. Dickey confessed yester-
dsv before Mr.. sylvester, in the latter
drsss,ng room at the Fulton Theatre Is
nov ne tricked his friend into the sreat-
49,, .,ccess OF a twenty-year career
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
FIFTH AVENUE.

The New Year bill ut the Firth Avenue
Theatre features twelve numbers. and all
of them promise good fun. Ross ana
Fenton viii appear i'm their travesty OF
Antony and Cleopatra; Belle storey,
now on her way TO Dillingham; musical
comedy. will sing half score Of new
songs, and another Sirl number will lie
the initial presentation Of THE Mermaid
and the Man" a singing and dancing
spectacle An extra feature is the APP
pearance OF Ad. Hoyts Minstrels. Others
are Wood and Wydc. in the little musical
skit. Good Night: Mijares, the Cuban
on the bounding wire; the Hickey BROTH
ers, dancing acrobats: Lazwell and Raw
land, tangoists: Lancton, Lucier and
company. Chapele and Muse. colored en-
tertainers. and the Whirling ErfOrds, per-
formers i'm rnidair
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
"YOUNG WISDOM

Mabel and Edith Taiiaferfo are " mar
their f,rst New York appearance as -.
s,.ys AZ the Criterion Theatre on "e""''
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
HAM M e RSTEIN'S.

\ bill with lots of comedy will greet
Hammerstein's patrons next week Sam
and Kitty Morton, whose appearance IS
always received with laughter. will cJn-
tribute a new version Of Back TO Where
They Started" presenting Mr.. Morton as
happy Go-lucky Irishmsu. "'rhe Matt
nee Girls" onc-act musical comedy.
representing the latest OF Gus Edwards
efforts will make its debut, headed by
VIII II. Ward. Fifteen minutes of fun
will be provided By the Avon Comedy
-Four. and Mrs. Gene Hughes and com
pany will appear I'm Youth" by Edgar
Allen Woof, Bert Enrol, a female in-
personator, and Diero, with the piano-ac-
cordeon. will add To the novelty OF the
programme. Others are THE Lure Of
Paris" a photo play; Sherman, Van and
Lyman, cabaret entertainers; :rary Eliz-
abeth, Barry and Wolford, O'Brieu.
flavel and company. Eva Shirley, Con-
way and Leland Lew Rose, Williams
brothers and the CrOttons
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
UNION SQUARE.

A bill that fairly brstles with fun is
scheduled at the Union Square Theatre
during the coming week Lee Harrison
and Harry Kelly. who are well known
comedians, have an original idea in the
form OF a sklt. and still more comedy
may be found In the Offering. The
Actress and the Bell Boy which will be
presented By Arthur Dunn and katherine
Nelson, who arc oldtime favorites Two
sisters, who call themselves the Farbci
Girls, Will make their first appearance
downtown. in n little novelty called
Dainty Bits OF Vaudeville" which con-
tains some singing, a little dancing and
bright patter Vlna Bailey, the singing
coincidence, and Fred Fischer Americas
foremost melodlst. will offer some enter
tainmcnt. Others are those entertainers.
Jed and Ethel Dooley, who do a little of
everything. Kid Gabriel. i'm a novelty
posing act: Freeman and Durham, who
are manufacturers and distributors OF
ragtime. the Two Afreds, I'm an aero
battle exhibition. and Belle Onri, In now
surprise novelty.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28
DCuelAs fAiecAnkc &S
pAIRioA CoLLNoE RI
I've NV HEhuE TIA
~ lie ilAICGRBOGIK

Z.
/ keeping the Winter Garden closed FOR scv-
! eral days I'm order that final rehearsals
/ may be made on the very stage where the
/ production II to be offered before tn. pub
/ lie
~ few iigures for Winter Garden pro-
ductlon. given in Ike rough would he
about as follows
/ ros,,,r,c. 81. COZ
J s..sn@r, Observation-Disclosures. % 900
/ cost Of rehearsals and preparing ma 49,,
] trriAls including orchestra rcheafsals.. IV'VV'
! Incidental expenses inevitable but hard "a,
to classify. AT least oVV
rho ,o,,I - ............ $50. Oco
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

Il didn't order this stuff" he exclaimed
Il told you wanted lamb chops, a baked
potato and pot of coffee. You've got the
order mixed. Take IL away"
The waiter gazed upon Sylvester and
smiled indulgently. He didn't move.
why don't you do as tell YOU" 5yl-
vester demanded.
The waiter smiled and looked at syl-
yester's host.
Don't. Frank" said his friend This
poor man is right lie brought just what
you ordered"
Il ordered that" Sylvester exclaimed
why, you're crazy"
Now, Frank" said his friend. sooth-
ingy, don't get excited. What makes
me certain that you ordered just what
you have there we're your instructions
10 the waiter. You told him you wanted
the steak medium. the potato we'll done
and the milk In a tall, thin glass
Sylvester gasped and slid back into his
chair
81 give it up" he said. Maybe you're
right. Something's wrong with me, I'm
positive. l haven't been able 10 sleep:
can't understand people over the tele-
phone except in the daytime. and my
friends look at me with doubt every time
say anything"
Just then a page entered and told Syl-
vester's companion he was wanted ON
the telephone. He went out 10 the switch
board. There Dickey was waiting for
him.
How is it going" asked Dickey.
Fine" said Sylvcster's host. FRANK
really thinks he's gone think he's
about ripe now
go back to him said Dickey, and
! III be In later"
Dickey entered the dining room several
minutes later. Sylvester and his friends
were in mournful discussion OF Sylves-
ter's troubles.
Hello. Frank" said Dickey, efrusively.
Then he stopped.
WHATS the matter with you. Frank
he asked.
Sylvester was ready to collapse. He re-
viewed the events Of the preceding DAYS.
Djckey was very attentive and very very
sympathetic.
II mass" said Dickey. 81 can't make 1t
out. Have YOU seen a specialist?
NO" said sylvester. i've been watt
ing to have a talk with you. what DO
you advise
NO il hasn't gone into rehearsal yet'
il will I'm 2 few days" said Dickey.
what are you talking about" sylVes'
ter demanded.
81 was answering your question
Dickey responded. You asked mt II We
were rehearsing The Misleading Lady
4 cold sweat appeared on sylyesters
forehead, and his hands slipped down Oh
the chair -,,.1
"I'm afraid I'm done he remarheo
hopelessly. Dickey leaned across the
table. ...,,o,,.,-
you're simply suffering from nervous
moss" he said. You haven't got any
,hine, real TO turn your mind TO- hou
need woodwork. It's the best cure any
body can suggest, no matter how inuc'
vol, MAY nav for advice. You need some
hing that will make you concentrate
why don't YOU rehearse with something
heavy? Thatll do the trick
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-12-28

Fine" said Dickey. Now I'll tel! you
about II. We've got a part that calls Tor
q man 10 MAY nut This nut thinks
he's Napoleon. You're jul
Hey" shouted Sylvester. Il SAID yes
Pine Bluff daily graphic. (Pine Bluff, Ark.) 1893-1942, 1913-09-03
FARMERS SOLD FINE PEARL
AT NEWPORT FOR S1.5CG

Batesville, Sept. al j. Scott and
Aft Leonard have returned from New
port, where they sold pearl found
by them last week for $500. They
were offered $1,000 for the gem within
an hour after they found it. but de-
clined the offer. 1t is very seldom
that a pearl is sold at the river, and
those who find them nearly always
go to some market.
These two men are not regular
pearlers. They had only spent three
days hunting pearls this season. and
Mr.. Leonard had never hunted them
before. He is farmer who came here
about a year ago and bought small
farm. The lucky find will pay the
balance he owes on the farm and
'eave him some cash besides. Mr. Scott
is ferryman at Aliens Ferry and
has spent some time. at the river
hunting, but had not been out before
This season. This is the best find OF
he season in White river.