Wood County reporter. [volume] (Grand Rapids [i.e. Wisconsin Rapids], Wis.) 1857-1923, 1913-03-20

in VI. Maniera's right earl" asked n.
Noncharmin. with a gravity which he
thought exceedingly humorous.
No, sir, it was M. Maniera him
self. So"
But YOU have spoken to the ghost,
my good Lady,"
As I'm speaking to you now. my
good sir" Name CRY replied.
And when the ghost speaks to you.
what does he say"
Well. he tells me to bring him
footstooi:"
This time. Richard burst out laugh
ing, as did Moncharmin and Remy,
the secretary Only the inspector
warned by experience, was careful not
to laugh, while Name CRY ventured
TO adopt an attitude that was positive
~ threatening.
Instead OF laughing" she cried in
dignantly, you'd do better to do as NJ.
Pongny did. who found out for him
self"
Found out about what" asked
Moncharmin. who had never been so
much amused in his life.
About the ghost, of course!
Look here :"
She suddenly Gained herself, feel
ing that this was a solemn moment in
her life:
Look here" she repeated. They
were playing La Juive. NJ PoIigny
thought ne would watch the perform
ance from the ghosts box Well,
when Leopold cries. Let US fy,-you
know-and Eleazer stops them and
says, Whittier go ye? well,
NJ, Poligny-I was watching him from
the back of the next box, which was
eInpty-M. Poligny got up and walked
out quite stifiy, like statue, and be-
fore l had time to ask him, Whittier
go ye?' like EleaZer, he was down the
staircase, but without breaking his
leg
Still, that doesn't let us know how
the opera ghost came to ask you for
footstocI," insisted NJ Moncharmin.
We'll, from that evening. no one
tried to take the ghosts private box
from him. The manager gave orders
that he was TO have it at each per
rormaGce And. whenever he came.
he asked me for footstooi.'
Tut. tut! A ghost asking for a
footstool, Then this ghost of yours
is a woman"
No, the ghost is a man.
How do you know"
He has a mans voice, oh. such a
lovely mans voice. This Is what
happens: When he comes to the
opera, it's usually in the middle OF
the first act He gives three little
taps on the door of Box Five The
first time I heard those three taps,
when | knew there was no one in
the box, you can think how puzzled
was! l opened the door, listened,
looked; nobodyi And then | heard a
voice say. Name Jules'-my poor
husbands name was Jules-'a foot
stool, please Saving your presence,
gentlemen, it made me feel all-oVer-
ish like. But the voice went on,
Don't be frightened, Name jules, I'm
the opera ghost!' And the voice was
frightened. The voice was sitting in
the corner chair, on the right, in the
front row"
Was there any one In the box on
the right OF Box Five?" asked Mon.
charmin.
No; Box Seven. and Box Three, the
enc on the left. were both empty. The
curtain had only just gone up
And what did you do?"
Well, l brought the footstool Ot
course, it wasn't for himself he want
ed it, but for his lady, But l never
heard her nor saw her"
Eli? What? So now the ghost is
married." The eyes of the two man
ayers travelled from Name CRY to
the inspector, who, standing behind
the hox-keeper, was waving his arms
10 attract their attention. He tapped
his forehead with distressful fore
finger, to convey his opinion that the
widow Jules CRY was most certainly
mad, a piece of pantomime which
confirmed NJ Richard IN his determi-
nation to get rid of an inspector who
kept a lunatic in his service.
AT the end of the performance. he
always gives me two francs, some
times five. sometimes even ten, when
he has been many days without com
ing. Only, since people have begun
TO annoy him again, he gives me
nothing at all.
Excuse me, my good woman" said
Moncharmin, while Name CRY tossed
the feathers in her dingy hat at this
persistent familiarity, excuse me,
how does the ghost manage to give
you your two francS?"
Why, he leaves them on the little
shelf in the box, of course. | find
them with the program, which l al
ways give him. Some evenings,
find flowers in the box, rose that
must have dropped from his lady's
bodice for he brings lady
with him sometimes; one day, they
left a fan behind them"
"Oh. the ghost left a fan, did he?
And what did you do with it?'
We'll, | brought it back to the box
next night"
Here the inspectors voice was
raised
You've broken the rules; | shall
have to fine you, Name CRY
Held your tongue, you fool" NUT
tered NJ F1rmin Richard.
You brought back the fan And
| them"
Well, then, they took it away with
| them, sir; it was not there at the end
of the performance; and in It's place
| they left me a box of English sweets
| which I'm very fond of. That's one OF
| the ghosts pretty thoughts
That will do, Name CRY. You car
go"
When Name CRY had bowed her
| self out, with the dignity that never
| deserted her, the manager told the
I