Arizona republican., 1913-11-30
MUSIC

and where the Rev. Mir. Meggs can Iray for twenty minutes without calling the Lord by the same name twice" Inez has been married but for excellent reasons left her hus- band. She refuses to even consider the idea of being legally tied again and she and her lover are merely aiting for a favorable opportunity to tell his mother what they intend their future life to be.
 In the meantime her lovers uncle, Vho is the village Don Juan, tries to make love to her and a number of the village women make discoveries about her. They have heard of free lCve" and charge her with it. Skc, in splendid=l- de- fends herself, confounds-and abash es them. Then when she is about to tell the truth to the mother, the lat ter's simplicity, gentleness and faith work a change in her. The vast diff ference in the viewpoint, the at mosphere of the little town, all have their effect not only upon her but upon her lover They still love each other and there is no bitterness but there is a consciousness of cloud tetween them. Incz still believes the other path would lead to happi- ness but she realizes the perfection of self-sacrifice and so, to her lovers surprise, instead of making revela- tion she comes forward and pleads with the mother to see them quietly married in church
 Miss Ferguson as Inez has scored a tremendous success. Not since she played Dolly Madison has she had SD fine an opportunity to show her worth and she rose to it like real artist. MT. Adolph Klauber in the Times says, She is exceptionally 1 brilliant, true and pleasing. Convey ing, to begin with, a completely i- l lusory suggestion of Inez de Pierre | fond's foreign environment, with a delightful suggestion of real ac- cent, Miss Ferguson sounds every note in the character completely and In her clashes With the 1 women who are her interiors men tally and socially she never once u anscends the limits of good taste l there is the suggestion of breeding, authority, and the compre- hending mind"
 With two such plays as Ourselves" IAu York has something of real depth to think about.
 Last week Mathilde de C. Marchesl Gied at the ripe old age of ST.
 Possibly Mime. Marchesi was not the greatest singing teacher who ever lived: but she certainly was the most famous and widely known of all the great teachers and, like all the truly great her works will not die with her.
 Mme. Mathilde de Castrone Mar 1 cnesi was born at Frankfort on Main l and her maiden name was Mathilde Graumann She was originally con | cert singer but jo:nEd- the Vienna ] Conservatory of Mustc-as- teacher | in 1854. She afterwafd taught in l Paris, then in Cologne, and later re- | turned to Vienna, but in 1881 re turned to Paris where she had since | made her home.
 Her husband, Salvatore Cavalieri de Castrone, Marchese della Rajata, was also a singer and made his debut in New York in 1S48. Her daughter, Blanche Marchesi, is a concert singer who has appeared frequently in Can aoa, and the United States; but has more recently taken up her mothers work of teaching.
 Marchesi spoke many languages and gave her lessons in French, Ger man, English, Italian or Russian. She was an intimate friend of GOunod. 1 Massenet, Meyerbeer, ROssini, Ruben stein and many other great com | posers.
 In 1899 Mime. Marchesi celebrated l the fiftieth anniversary of her debut in Paris A firm believer in hard i work she told her pupils that though l God might make the most wonderful l throat in the world, only steady care | and study could develop it to perfec | ton.
 In a recent interview she said: | There are beautiful voices in all American women are ad- nIrabIe and I am devoted to them have but one reproach to make them, and that is not of