Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-11-09


toned boots are the autumn
fancy. and many women and
solored hose much better for the feet
than black hose, IN these days Of
narrow skirts the stockings, even
above the bttoned boot top IS much
in evidence, for II Is impossible to
Faise the skirt in crossing a street..
or sit on low chair without show
ing q little at least OF the limb above
.he boot top Silver gray and smoke
gray silk stockings arc IN favor
The shirtwaist girl Is now going IN
FOR suspenders, but they ars a glori-
4 cd version Of the idea, which she has
stolen from her brothers wardrobe.
In fact, 40 gorgeous are they that II
seems a pity that they must be Gov
cred with the MILDLY blouse which she
wears with her tennis and golfiBg
skirt. The straps are of dull gold or
silver lace. supplemented by jeweled
chains that hang from each shoulder
and in front fasten under golden
horseshoe with a scarab-set center.
There are many odd and beautiful
collars IN tho shops, They are in
queer shapes, made OF sort OF gauze
Ike mummy cloth, but thinner. They
are heavily embroidered with metallic
breads Of silk and wool IN rich
shades Of color.
The present hair ornaments are
very gorgeous. A delightful effect is
ne band OF gold tissue drawn tight
about the hair. To II are festooned
strings of gold beads looped up ir-
regularly with small enamel orna-
lnents IN peacock colorinss. A long
peacock feather IL fastened directly
IN the front
The latest idea In Paris is the Arti-
qcial flower which has no relation
whatever 20 nature. The PartsianS
nave always been celebrated for the
beauty Of their artificial flowers
They have brought the art to such
perfection that in many cases IT lie
very difficult 10 distinguish between
The real and the unreal. But the
attest fashion is the large mower
which lie frankly decorative and quite
as frankly artificial
The Iates. version OF the vanity veh
show, the patch so placed as to come
On ono cheek, thus enhancing the DOL
ortnv as the tiny court plaster patch
5id IN the days of long ago. In the
ena mesh and the various craquelle
effects wells are very generally be-
coming. even without the beauty spot
n tho way OF butterfly, family
woven flowers or the tiny groups of
-hsuills dots clustered in one spot
gaouDoss are quite as much fo@-
tur. Of the velvet trock as Of the
sneer tuile tango gown. Instead OF
velvet nounces. black MORE ribbon
nav be utilised, tho aounces begin
rrinE at tire waist line and marking
diagonal path across the skirt In
velvet, as well as IN cloth, the peg
,op formation OF the skirt is well
liked.
For dash and chic the vefvst or
duvetyn toques draped high at the
S1de or at the back can not be sur
passed. They require practically no
trimming, one very large pearl hatpin,
perhaps. though st Is not necessary,
but nothing else. The hand of an
artist must make them, however, for
they have horribly homemade air II
the drspins Is not Just right.
Among the novelties in gloves there
- good looking pair, which is sf
fective without being conspicuous.
Made from the nneEt white glace hid,
IL is piped in black, and has long cufrs
inset with pufflngs Of black silk and
edged with fine white Chantily lace
The backs are richly embroidered,
and two smoked pearl clasps fssten
The gloves at the wrist.
Transparencies Of all sorts are mod
sh Wired, fur-edged tunics. blouses