Bisbee daily review., 1913-11-23
Wy Florence Fairbanksl ]

 in favor-for while at least. Con- sidering the fact that several seasons ago cne Of the noted designers In Paris made the daring attempt Co bring panniers into fash.bn, but failed, because woman did not take kindly 10 the innovation For a while, it is true, there was perfect craze for paniers. but it died out as suddenly as it had developed. A few montl3 ago another noted designer of fashions in Paris Introduced Persian styles styles into fashion. were copied jar and wide and the result of all this was that the Persian line became univer- sally popular From the Persian line to the pannier was but a short step Although the Persian tunic Is really quite unlike the ordinary pannier in detail, the general outline is very similar. in both cases the upper part of the dress stands away from the hips and accentuates the clingine folds of the skirt.
 Al the prcseu- moment ihe rule iE the world of fasEiCn seems 70 be that Tanriers effects are correct in the day iHe and Persian tUnic is unsuitable fer day wear.
 Some of the newest panniers are in reality formed from two wide gath cred flounces, which are attached to the skirt at both sides, giving a sort of quaint balloon appearance to the dress Another design is arranged in a single flounces gathered at the waist and again gathered halfway be- tween the waist and knee lines. These flounces are always made of very simple materials and they are inter lined with fine muslin in order that they may stand away from the hips in the desired manner. For evening wear the exaggerated Persian tunic is immensely popular. IL is made Of many different materials, but always richly embroidered and invariably stiTened at the hem.
 The alliance of diaphanous fabrics and furs seems to have made a great hit. Almost without exception the masterpieces created by the most famous designs strongly feature the combination of fur and transparent materials. Evening gowns lend them selves beautifully to this form Of dec oration. and the flounced skirt offers a wide opportunity for the use of fur bandings. Frequently skunk, mink, marten and sable fox are used in fin ger widths to border tunics and sheerest lace. chiffon, tulle or nous seline de soie. The use Of dyed fur in tones Of yellow, blue, purple and green has met with approval and such dyed furs in tones of yellow, blue' purple and green has met with approY- al and such dyed furs are often used on handsome models.
 The craze for fur trimmings has as- sumed such proportions that t Is scarcely surprising that fur has made it's appearance upon neckwear. The shops show many styles and designs of dainty neckwear in which fur is combined with lace or with some ma teriaI of delicate texture.
 Nut-bruwn Sawn, suede, chamOis cinnamon and cuir or leather-brown are among the favOrste shades for au tumn wear for tailored suits, also mordCrs or golden bronze, a warm mellow tint bordering somewhat upon chestnut, that looks charming with collar and parements Of some brown or gray fur. or even with the russet for skins all the rage for the moment although their vogue will probably not last very long.
 For afternoon dresses there art numerous improvements over the pop ular charmeuse and drap de soi oi last season. Softly supple and easy to drape. they are, moreover, accom- panied by delightful satin brocade' to correspond of which the tunic i' somtines made. In dark blue, veri Russet. mole, an unaggressiye ceris' color amethyst and a pale gray they are charming. while for those whC prefer nose strident coIors there arr pgirpies and crimsons, orange, yellow citron. absinthe and tango, eros H,etween the shade of flames and tan gerine. Brocades and brocatelle an' siIkeu gauzes embossed with velve are one and all the mode of the sea son. and made exquisite gowns whel properly thought out and combines with plain materials.
 Lace dresses are popular TOT pal gowns. and many have draperies o chiffon or charmeuse terminating a the back in immense butterfly winga butterflies are poises everywhere on hats. gowns and shoes one Q tbe bands.mest gowns recently dis pIaved by a noted Paris designer va of white beaded tulle over white sal i, Bapds of mink trimmed the eoi ssqa and reddish-brown tulle was use for tbe girdie, which was arrange to form a butterfly on the front the corsage. 1
 Sable. skunk or mink edges 'h bolero overdraperies of bodiees o many of the smallest afternoon froek' white caracul. ermine or fox IS fasbionabIe trimming for the tunle O black chiffon which appears on man gowns of white satin in brocaded Q