The Arvada enterprise. (Arvada, Colo.) 1908-1970, 1913-07-24

Girlhood' who have the temerity to hint she
handsome in her day" She's beauty right now.
thank you!
Mother and grandmother owe their idealstic
regeneration to the New York whose stock
in trade is feminine loyencss-the artists who
paint and etch and model They've taken us
down bit, those of us who rave of fair hair. be-
witchlng eyes peachbloom tints and aquiline
features For this single point they are
unison:
a woman can be beautiful at fifty.
Harken to what Harrison Fisher. Irwin Wlles
Edwin Blashheld and Victor d. Bremen say.
This galaxy of illustrator. painter mural deco
rator and sculptor has to the defense of
physical beauty in a past the middle span
of life. They've all seen matrons and splnsters
who were handsome when the halfcentury post
had faded on the tenyear distant horizon.
Cheer up. mothers, Erandmothers. aunts and
cousins-you whose sIlyersprinked tresses
droop over sylvan folds OF face and BROW What
matters It II nature rebels at the strain OF busy
life and sears your velvet checks with the in
evitabe wrinkles of motherly devotion? You're
handsome stilll
Tho fair debutante may appeal to the eye for
beauty no than her mother from whom tho
color OF buoyant youth has flown; whose flesh
has lost the satin gloss Of girhood days whose
tender lips have compressed in the irmness that
comes OF mental strength and mature character
None the less IL the artistic eye today apprc-
clative OF vvacious girlhood with it's luminous
another quarter for a type OF beauty that has
survived from the birth OF man but never shono
rcsplondent in the light Of public approval
Tho mature woman-she who has the funoss
OF life, the mental development and the strong
force OF character written in every age line OF
her couutenanco- has been called beautiful She
has been striving for this verdict for centuries
and centuries, but only now has her day OF rcCk-
onug with youth come. Sho can match her
charms with her sex in its teens and stand be.
fIs v7,Ea IA FatIFt ~ Wi I,tft To-
favor. The middle and the past mIddlengcd
women Of New York have heard the verdict You
are beautiful,
Victor d Bremen sculptor who knows tho
soft and pleasing lines Of figure as we'll as he
knows the face Is to the fore ms tho most out
spoken and uncompromislnE indurscr Of this new
viewpoint in art An women arc to be ad-
mIrod" he put It generally. and declares that
fomininity in every condition OF servitudo and
age has points for artistic admiration.
The poetic has It's place In Sculptor Bronuors
reasoning ms much as the hard and fast rules
FOR physical perfection He prrsouiGes the time
worn udaEr: "Rcauty ia only skin deep" Re-
meath the flesh beneath ,ho wallis OF muscle and
the frame OF bone goes Sculptor Rrcnucr for his
ideals. Mentality morality and warmth OF heart
are all his prescribed Iugrcdouces for the most
beautiful woman.
Beauty all depends upon tho viewpoint Of the
Individual sculptor" declares Mr. Rrrnurr "IIo
IS Influenced by the nature of his subject by the
task he has before him, II beauty Of childhood
Is his theme then his whole heart and soul urc
wrapped in the Infinite lines OF tenderness and
delight to be found IN early youth
III the sculptor seeks the poetry Of spring.
time. he pcrchaucc acquisitions beauty OF an age
from eighteen TO twenty He none tho less appre.
GATES this bloom OF early life and It can't HELM
but draw forth his admiration
Prom twenty-five TO thirty might classify as
nnother type Of benuty. a beauty that is begin.
ming to bloom in all It's radiance fully developed