davidaulloa/AmericanStories huggingface dataset:
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06
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and Be Convinced That You Can
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The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06
CuOrTANk RIVER LINE.

N ting, daily except Sunday for Tilghman ana
0 lFords Easton, Double Mills, Bellevue,
Travers, Ktrby's, Cambridge, Oyster Shell.
r INT, Secretary Choptank and Windy Hill
Returning, Steamers will leave Windy Hill
at p II. for Baltimore daily except Satur.
tay, stopping st all the above points.
WILLARD THOMSON
General Manager
r..MUSnOCP
Gen PaRaon xsP Agent
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06

More cabbage. TO relieve the Sauer-
araut famine 81 )uld be available ere
long as there is soon to be Il law COM
polling the adequate labelling Of all
cigars.
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06

After paying the summer hotel bills
dad stai Is in to accumulate for Christ
mas.
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06
TREATMENT
SUCCESSFULLY used
II for 81 years.
RkMgTS All DESIRE ron 1RLKk:Ao1RL
6l2 NBRoAD SI.PHILADELPHIA.RA.

If you don't make fri. lis YOU can't
expect your friends to Elake you.
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06
S. E. STEVENS
DRUGGIST

Special attention given prescription
Only best and pnrest drugs kept in stock
Race Street Cambridge, N
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06
Baltimore, Chesapeake and At
lantic Railway Company
Railway Division
Schedule in effect Nov. Is, 1913.

Change in Passenger Train Service
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06

EAST BOUND.
all By cl c6 CO
pm. pm. am pm pm
800 40 Lv. Ratio Ar. 40
Z so 800 947 Hurlock $40 4?3
3 40 1l.0O IL 81 Ar. .. City Lv.62O 2l5
m pm. am. Am Nm.
(al Saturday only {b) Daily except Satur
day and Sunday (c) Daily except Sunday.
The daily banner. (Cambridge, Md.) 1897-2008, 1913-11-06

Banner ads bring results.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

movement just what that music says
to II.
The great educational value of clas-
steal dancing is that its expression
must evolve from il.
A toe dancer is very often merely a
brilliant machine Her dance is often
composed for her by her professors,
and her we'll trained muscles merely
respond like a perfect machine 20
their commands.
1t therefore follows that the educa-
tional value of such dances is prac-
tically nil Apart from that, the toe
dancer has had to learn muscle con-
troll, patience and endurance, all of
which are of great use. But at this
stage it must be clearly stated that
ALL DANCING HAS GREAT
VALUE. CLASSICAL DANCING.
HOW EVER. DOES MOST TO BRING
ABOUT THE PERFECT HARMONY
OF A BEAUTIFUL, PURE SOUL IN
A BEAUTIFUL, CLEAN BODY.
A child trained to classical dancing
in the right way will, l feel sure, by
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
Quickly Solved Difficulty.

Poor little Potts strained his head
in vain endeavors to see the stage
The immobile back and great head
of the man in front of him com
pletely hid his view
BY a most uncomfortable contor-
ton he just managed to see some
scenery occasionally by peeping over
the mans shoulder.
Suddenly the big man turned.
Whats the matter. matey; can't
you see anything?" he asked.
Cant even see a streak of the
Utage through YOU murmured little
POrrs pathetically.
The big man grinned sarcaStiCally:
All. Well son. just keep your eye
on me and laugh when l DO"
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
A Bachelor S Diary
Mrs. Spencer Laughs at His Solemn Lecture and
Tries to Kiss Him Again.
Aa ByMAX. .u

lieve in Sunday school they call #
Reward of Merit.
Men" I went on, ARE only boys
grown up"
You are a good woman, and you
gave me that kiss in all the inno-
cence of your heart. I am a man,
and therefore not good. In giving
me that kiss you relied on your inno-
cence and my strength. Sally. dear,
l am not strong. No man is"
1T was just as if l kissed my
brother" she began
Now, don't let us have any eva
sions," l said angrily. Il am not
your brother; and it is silly to make
the pretense. l am your friend, and
your husbands friend. but l am not
his friend in the way / was before
you kissed me-
You are good woman, and am
trying to make you see the mischief
a good woman can do. l am trying
to make you realize that the good
ness of the woman doesn't put all
thought of mischief out of the mans
head"
She was crying, and I can't stand
It to see a woman cry.
Il don't mean to hurt you" l said
tenderly, for l felt as If l had been
a brute; Il Just want you to realize
that you are a very handsome wom-
an, very attractive woman, and al
together too lovable to go around
putting your arms around a mans
neck and expecting him to accept this
kiss you force on him as one that
came from a sister. / don't want to
hurt you, but, Sally, you have hurt
me-"
Now there was where l said the
I 70 har
sympathies. Instead of remaining in
her chair and saying she was sorry
and letting II go at that, she impul-
sively sprang up and came toward
me. l had risen and was starting for
the door, but she detained me by
putting a hand on my arm.
q am so sorry. Max" she said. Il
didn't realize it. had always
thought Of you as just Max, my
dearest friend"
She lifted her hands and patted me
on the cheeks. You know l love
Jack" she said, "and you must al
ways remember that. You are a
good man. and you have been pic
turing yourself as a bad one just to
frighten me. You silly boy you.
He Couldn't.
You are my brother-my big,
best, only brother-and l won't let
you say you are not, or that you ever
think of being anything else. Come"
lifting up her lips, give me a broth
erly kiss to prove it. you goose, you
For a moment / hesitated the lit
tie blue tickets were a pleasure, even
though / never accumulated enough
for a Reward of Merit. Then l
pushed her roughly aside and walked
out the door
There is no use, Diary, in any man
trying to influence a woman to pro-
tect him from herself.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

TUNE Al accused Sally Spencer
Of not being entirely guiltless of
- the transgressions Of my sex, and
for five minutes after I never wit
messed a finer display of indigna-
ton.
Her eyes flashed, and If honest and
just anger could have killed, l would
have persisted on the spot let her
talk till her vehemence and indigna-
ton had exhausted her, and she was
finding the usual woman's refuge in
tears. and then I resumed my attack,
deliberately and dispassionately.
was determined to show to one good
woman that the bad women are not
alone to blame.
Men are always forming laws to
protect women from the men; I felt
for the time being that there should
be laws TO protect the men from the
women.
You are like all women: you over
look the real charge in your defense
of yourself You remind me that
your girlhood was blameless; that you
have been a devoted wife, and that
no wife was ever truer.
The Old Subject.
II know all that. 1t is not your
treatment of Jack l would question.
If anything, you have been too le-
nient with him. 1t is your treatment
of-ME!"
A look of bewilderment came into
her eyes. "Of you, Max? Are you
crazy? Why, l have always treated
you as my best friend. If l have
ever offended you Cthere was a pitiful
note in her voice. you must forgive
me. l can't lose a friend like you.
Max. l can't lose a friend now"
You are not going to lose me as a
friend, now or at any other time, ="
taking her hands in mine and giving
them a pressure that seemed to re-
assure her, though the touch of her
hands had anything but a reassuring
effect on me. First and last l am
your friend, dear girl; so forget your
doubts on that question.
Sally" dropping her hands, for l
wanted to say my say dispassionate-
ly. you kissed me the other morn
Ing"
She laughed. "Of course, I did"
she said, her eyes twinkling. you
have such a kissable mouth / have
wanted to do 1t before. But what
about that? Are you giving me this
scolding just because l kissed my
dearest friend? You are growing more
like a boy every day. I've a good no
tion," laughing, ito kiss you once
more. You did look so surprised and
so funny, and you were so helpless
with Manette in your arms. Really,
am tempted to do II again"
I a m La
every day."
She nodded her head. And a silly
boy, too, Max"
"A boy" / resumed, gets little
blue tickets at Sunday school for
being good"
Not Strong.
THAT kiss" she interrupted, was a
little blue tickets at Sunday school
for being good"
But" I continued, gravely, "he
prizes the little blue tickets not for
| themselves, but because an accumu
lation means something more. l be-
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
Educational Dancing.

To become good classical dancer,
II is not only necessary to take child
and instruct ii in the art of moving
gracefully. but all the rest of the
Child's education must assist in the
teaching of classical dancing.
From earliest infancy It must be
taught to observe. to concentrate, to
realize the beautiful in line and color,
and to have the ugly and repulsive
kept away from II; II must be en-
couraged to copy beautiful poses and
eventually to express to music in
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
How to Acquire Beautiful Figure Through Dancing
By Lady Constance Stewart Richardson
Beauty md Classical nav

entail, and by twisting the arms in the
shoulder sockets, and flexing the
forearm at elbow and wrist, the
whole arm will become plant, lightly
poising the body on the ball of each
foot alternately while the other leg
is lifted from the hip and bent from
the knee. This arches the feet and
gives an elastic spring to the step.
From these three sources, the
classic, the Oriental and the French
ballet. I develop my ideal of classical
dancing. And in the course of my
talks ! am going to try to show you
how through rhythm, through the
beautiful expression of the classic
dance, we may train the growing
generations land ourselves as well
as our children) to have beautifully
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
No Temptation.

Mrs. Mcwhuskey watching a couple
spooning)-Ets juist disgustin'. I'm
vera glad We didna max sic a fool O.
Sandy.
Mr.. McWhusky-Ye mauna Judge,
wife. l hadna the same provocation.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

short time daily to its practice instead
of the many hours and years of ardu-
GUS work that a toe dancer has to go
through before becoming a finished
exponent of the art.
one is an accomplishment that we
all ought to be able to enjoy, the
other is only possible for the woman
who means to make 1t a profession,
and give the best years of her life
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

faithful copy of the antique; but the
general public does not know this
and all the poses and dances look
much alike"
After good deal Of sincere study
and thought on the subject l came
to the conclusion that to a great eX-
tent these criticisms were right. What
was lacking was the absence Of any
real joyousness-Of any feeling of
pulsating life to the dancing. Lack
ing the splendid joyousness of Miss
Duncan's work, the dancing of most
Of the classical dancers was curious
~ dead and heavy-and so II defeat
ed the real aim and end Of true Clas-
steal dancing.
For real classical dancing the poses
must be good, the arms and body
graceful and trained, the legs and
feet under perfect control, and the
muscles in the prime of healthy, firm
condition. Add to this the splendid
joyousness of young life, thrilling and
pulsing with rhythm-and you have
real classical dancing. Rhythm is
perfectly natural to the child until
we spoil him by self conscious teach
ings. The primitive expression of
poetry came through rhythm, a sway
ing in time to music and a bubOiing
up OF song to accompany the print
tive rhythm from which the dance has
grown.
In the three drawings that accom-
pany my article the artist has shown
you three types of grace from which
/ develop my dancing, and from them
we can all learn a vast amount of
beauty to bring into our lives,
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

Copyright, 1913, by international News
Service)
TOR many years ! have been a
most ardent admirer Of Miss
Isadore Duncan. and there is no
doubt that in the revival Of classical
barefoot dancing she stands out with
great brilliancy. All praise is due
her as a creator Of this school OF
dancing, and there are many OF MS
who are proud to follow in her foot
steps. But she should have ever more
and more followers, for. as all sin
Cere classical dancers know, this
school Of dancing has a great educa-
tional value In the upbringing Of all
children.
one OF the greatest advantages
classical dancing holds over the toe
dancing school is that it IS possible
to become proficient in 1t by giving a
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
More Trouble.

Go out there and make that band get
away from this portfolio" shouted War
ren, trying to make his voice heard
above the rub adub-dub Of the bass
drum. "Gf they've got to play. make
them go to the other end of the deckE
Pm afraid / can't, sir That's where
they always play"
"Well, they're not going 10 play there
now! I'm sick. and I'm not going TO
stand that internal racket Send the
chief steward here"
But the chief steward sent back word
that he could not come just then, and
that It would be impossible to have the
band moved. as they played there so
the second class passengers could also
hear the music
I'm see about that! I'll take this up
with the captain. I'll see II a sick man
has 20 put up with that din"
But, dear. they won't play long I
wouldn't complain about it to the cap
tain"
"Well. / WOULD Think I'm going TO
have that ear splitting brass band right
here every morning? l want TO rest up
on this trip. Suppose | want to sleep
late Now you get out Of here while
dress. I'm going TO have this thing set
tied RIGHT NOW"
Are you sure you feel well enough?
anxiously, Don't you want me to help
you get your things"
AN I want is for you to GET OUT"
he shouted. as the band, after a few
moments interval, struck up again.
I'M s,f tr,t- TWIN
She dreaded WaTen's going TO the cap
tain with a complaint on the very first
day Of the trip. She felt It would pref
udice every officer Of the ship against
them On the voyage last year he was
constantly embarrassing her by com
planning about something. He seemed to
think the whole ship should be regu-
lated TO suit his convenience,
All Right.
It was half hour later that War
rem strobe on deck with his most self
confident, lordly air.
We'll, it's all right They've come
across in fine shape"
Did you see the captain" anxiously
Didn't have to The chief steward
was afraid | would. and he gave us a
room on the other side. one Of the
best on the ship-with a private bath
He's having our things moved over
now"
with a private bath" echoed Helen,
to whom a stateroom with a private
| bath seemed the late note Of luxury.
Want to see It? Here. it's through
this way"
Plainly the getting up and out and the
exercising OF his combativeness had
made Warren feel better, for there was
now no trace OF Illness in his swagger-
| ing attitude.
| The stateroom was larger and much
more luxuriously fitted than the other,
and the tiny white bath room was q
| model OF convenience.
| "Oh, it's wonderful" exclaimed Helen,
1 Enthusiastically. Dear. l think II was
awfully nice OF the chief steward to do
| this"
| Nothing more than he should do
But now that we're so comfortably
| fixed pleadingly, lets try not to make
| another complaint
| Huh, well wen put up good stiff
| kick whenever there's anything to kick
! about. Come on now. I feel like break
| fast"
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
The Figures.

Figure l shows you the classical
Greek type. This movement brings
lightness and buoyancy of step and
gives the whole torso flexibility. Fig
ure 2 comes from the Orient. 1t is
a favorite arm movement of the ORR
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
Their Married Life
Warrens Arrogant Unreasonabeness for Once Works
for Helens Comfort.
By MABEL HERBERT URNER
or Helen's Comfort.

10 take one Of The water bottles from
its rack in the washstand. Thought
you were so ALFRED particular You're
always spouting about things being
sanitary That's not ft 10 drink-stood
there all night"
Although It had been covered with an
upturned glass and was perfectly fresh
Helen rang for the steward and sent
for another bottle.
TEL him to bring me the juice Of a
grapefruit with cracked ice"
Would YOU like a little toast, too
dear?"
mo. I wouldn't 1 can ask for what
1 want What I WOULD like Is for you
to get dressed and out Of here I'm GO
Ing to sleep again-not going to get up
TIL I feel better"
Helen drew the curtains before War
ren's berth and dressed as quickly as
she could. while Warren lay there FUN
ing at one thing after another.
NOW whatre you trying to dor" he
rasped irritably, as she climbed up on
the edge Of his berth to get something
from the rack overhead
MY veil, dear, ! put It up here last
night"
We'll. hurry and get OUTr
Just then the ships band. which
played every morning on deck, struck up
with a deafeninE crash Just outside their
portfolio
THE devili" roared Warren, sitting up
with such force that he hit his head
on the edge Of the upper berth
While he rubbed his head and NUT
tered strenuous maledictions on the
whole line, the steward came with the
ora no fruit fttfra
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
Things Worth Remembering

tom prevails of serving the guests
with a stirrup cup Of this excellent
beverage, made from a recipe dating
back $50 years, the secret of which is
as jealousy guarded by successive
Imperial cellarmen as is that of the
English hook cup.
The British Museum has been open
1874 years last January.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

the time ii reaches full growth, dance
as we were all meant to dance; every
muscle in control, and the mind en-
veloped in the glory of expressing
beauty by perfect rhythmical move
ments.
Adverse Criticism.
At the beginning Of my career /
was greatly saddened by the adverse
criticism Of classical dancing that
heard on all sides; the two most Sc
we're criticisms were general same
ness and general dullness. People
said to me: Classical dancing is very
pretty-yes: but when it is seen once
that is sufficient. 1t may be inter
esting to painters and sculptors who
know when a pose is pure, and a
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30
The Vibration.

"Seaslck' with a sheer. When It's
been like pond ever since we started?
It's this Internal vibration! That's
what It Is, You insisted on this out
side room-now you see it's right over
the engines This devllish vibrations
enough 10 upset anybody Just watch
those curtains shako'"
II was true that this stateroom was
directly over the engines and that the
vibration was very bad. Helen watched
the shaking curtains with sinking
heart
Constant jlggle like that's enough to
make anybody sick" he growled IF
we'd taken that other room we'd been
Up fore instead Of back here over this
COMPOUNDED machinery. But that was
an inside room, and you set up howl
about air
Dear I'm so SORRY Can't get you
something? Where does It hurt you
most"
"Oh. feel rocky all over"
maybe II you'd get on deck-,he air
might help"
There YOU go again. The air! The
air! It's because you've gone clean
dairy on the air question that we're
over these blasted engines"
Helen knew that whatever suggestion
she might make would only provoke
him further He was always particu-
larry irritable when he was IN.
Here, take away some OF these oon-
founded pillows. will your They've got
about dozen in here-hard as bricks"
She took one OF the offending pillows
from under his head and adjusted the
others more comfortably.
Dear. don't you want the steward TO
bring you an orange? Perhaps II you'd
eat something"
More Grumbling.
But Warren only grunted his disap-
+ proval while he pulled angrily at the
covers in their sheet encasement
Get this thing straight herel I'm
cold Why on earth do they sew up
their covers in a bag. anyhow About
as unwieldy as a board"
That's to protect the blankets, dear."
as she tucked him IN. This way your 70
sure Of not getting next to you blan-
ket that's been over some one else
It's much more sanitary"
But Warren was not in a mood 10 ap-
prove OF anything With a fretful flop
he turned over and demanded a drink
Of water
NO not out Of that" as Helen started
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-30

The walls Of Mansfield Work
house England, are covered with
paintings. the work of casual in
mates. \ proposal to obliterate the
pictures was made by a guardian
recently, but was defeated One of
the artistic casuals is man seventy
wears of age. At one end Of the
dining hall are three large panels
Illustrating Biblical subjects, and
each occupied week in painting.
Half of another wall is covered with
one painting alone on other walls
are numerous sea views and land
scapes, haronial castles. churches and
scrolls. The inhrmary walls have
been similarly treated, the pictures
being copies Of English, Welsh, Scot
fish and Irish picture post cards.
For the longest sentence on record
We must 90 10 the French In Les
Miserables" Victor Hugo has one
sentence that runs through a hundred
lines and earlier in the book, in
one Of the chapters descriptive Of
Waterloo, there are over nifty lines
without a full stop. England's rec
ord rests under official patronage,
for IL would appear to be the seventh
section of the Foreign Enlistment
Act, which does not stop until il
has very nearly reached its six hun
dredth word
The famous Hook Cup, which is
feature of all court festivities at
Buckingham Palace. has its counter
part in the equally celebrated "Hohen-
zollern punch" After such entertain
ments as state balls and receptions
at the Phussian court, the genial Gus