The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1913-12-28

and fur. meet III lulS Gus
tune. The skin IS very sup
pie and drapes exquisitely.
The sash end Is Of satin, the darker
shade Of orange, finished with black
silk tassel. The bodice and the tiny
sleeves are OF the same fragile lace
as the tunic drapery.-
To carry out the barbaric note, the
bead dress Is remarkable affair or
tcpazes and pearls.
Just the costume for a brides
trousseau Is the tobacco brown char
meuse and velvet OF which I am also
sending you a picture. The cutaway
coat Is OF brown velvet, lowered with
large brown and tan pansies. The in
teresting surplioe collar, turned back
to show the neck, Is OF the brown
charmeuse. There are the long sleeves
and the sloppy effect under the arms
which Dame Fashion inexorably de-
mands just now
particularly like the brown velvet
hat worn with costume. The hlgh
aigrettes and the wreath round the
edge OF the brim are brown osprey
feathers.
And now 1 may sing my song OF
ribbons. and / am sure that you Will
agree with me when I tell you that
glorious" and gorgeous are the only
words to describe them.
They are interviewer and broid-
cred as with gold and silver and
further and frequently brocaded
with half dozen different and dar
ingly contrasted colours. And OF
course, all this increase OF beauty,
fits in well with the new schemes
for their use and display.
In fact 1t was just because Of their
fore-ordained and frequent appear
ance as long ended sashes, deeply
swathed waist bands drawn into a
big bow in front; encirol1ng band
ings about the knees and any num-
Der of other new and decorated
devices, that ribbons have arrived at
their present pitch of perfection.
They are not only fair to outward
view, but, positively, just as at
tractive-in a stylishly different way
when, for purposes OF looping, or
draping. or just mere contrast they
are, literally, turned inside out.
OF such two-sided decorativeness
is one typical twelve-inch.wide
satin sash ribbon, where great
golden flowers blaze out on a back
ground of other blurred blossoms
in rose and cerise, soft blue and
green, orange and fame, vivid sap
phire and emerald, purple and am
Der, final half-inch edging OF gold
tissue at either side still further In
creasing the richness of effect.
In this case the gold device ia
suggestive Of an additional embroid-
cry. but In another new ribbon Il
Is an inseparable and interviewer
part Of the brocade Of the device
OF big, closely clustered chrysanthe-
NUNS. But through some of the
shimmering petals there also comes
a flash OF color-here the most brill
liant Of blues, there q warmth of
rose, now a gleam Of green, while
In the weird and distinctly "impres-
sionist" background black and white
and orange and fame. Each has
It's part and you might even dis
cover, too, on closer scrutiny, a soft
gray and palest tea-rose yellow!
Truly a wonderful amount Of ar
tiStic ingenuity, as well as skill, goes
TO the making Of one ribbon nova.
days.
Another thing of beauty and OF
ribbon is OF distinctly and decora-
lively Oriental effect, a scheme of
color In, say. tawny browns, deep
orange, pale amber and soft blues,
with Just feeting suggestion
of mauve and gray and white. be-
ing it'erwoven with shining gold