Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-10-12
By NINE. HA UTE MONDE.

DATENT issthsr is brief occupant
Of the fashionable leId-brief
necessarily, for this glossy-sur-
fENed material soon outRcars its own
modishness. and very little Of #
seems 70 20 a long way. A natty
toQue, fashioned by weli-lnown
milltner. was Of black velvet and had
e soft cap crown and a narrow brim.
rising abruptly at ono side and point
ed outward to show lining Of patent
laathAr.
No oue can gainsay the popularity
Of velvet this season. It Is velvets
beTe velvsts there and velvets every
where The PariEienne seems to have
gene Wild over them, and her Ameri-
can cousins are only too anxious TO
follow suiL Velvets are combined in
the most effective manner with satins.
rboOna and lAoes
Marrow sashes are drawn across the
mont OF soma Of the newest gowns
and hang free from the hips They
are knottsd below the knees at the
back
Tho waist nne may be high or low.
The figure Is tightly corseted at and
bslOw thu waist line
To-Day n ts recognized that brides
vary grestly in age. and the wedding
gown tends TO take that fact into
consideration White satin, once con
ddered the only suitable fabric for n
wedding gown was probably suggest
ed more By the approaching dignity
OF matronhood rather than by it's
suitability to tho usually youthful
bride To-day. in spite Of its modern
softness Of weavA which has made
Of II really q new fabric. thero is
. tendency to leave II to the older
brides, and with lace and orange bios
SONS II offers possibilities that can
not be surpassed for this all import
ant occasion.
wHIf1s tho dressy tailored SUITS oans
for a blouse of crepe de chino, satin,
net or mousseline waists Of white
ffhen with picturesque Byronio collars
are worn with the simple models.
These waists are guilelesE OF tie and
fastened some inches below the throat
with link buttons Of colored enamel,
kortoisesheil, amber or coral
A new treatment Of the black satin
svening gown is spiendidly adapted
70 the rsmOdelinE of the old black
satin gown. Flounoes OF white lace
and white net may be laid on the satin
foundation so as to completely dis
guise the old fabric.
A dainty dancing frock ouite in the
newest Of fashions may be made OF
tiers or ruffles Of maline, inches
wide and one after the other from
the short pannier to the skirt edge.
The ideal material for these tierred
skirts. and least trouble FOR the home
dreSsmakeT, Is the houncing OF ma
chine embroidery. which nowadays Is
made as filmy and rs delicate as
chiffon, and more durable than ma
line, and which both in Paris and
America Is being put into the most
delightful OF dance frocks. combined
with lace mahne or chiffon
Some Of the collars are worn stand
ting. their slightly stifrened corners
turning over the fur collar OF jack
Sts.
The new collars constitute an ex-
t@nsive group. with q charm all their
own. There are simple, dainty ex-
Amplss OF linen and bastiste, orna-
mented with hand embroidery. AMI
there are the elaborate designs OF real
lace for those whose purses know no
limit. The revival of tho vest and
the vestee Is responsible for the nu-
merous smart models obtsinabie In
silks, satins, eto.. IN all colors and
many pretty combinations. The latest
French designs are OF lRoA chiffon
and net
Crepe de chine. always supple and
graceful, is especially so this year,