Eagle River review. [volume] (Eagle River, Wis.) 1890-1927, 1913-01-24

do than any other with the PRONUNCIATION OF this
error was the famous hunt given by Charlemagne
to the ambassadors of MISUNDERSTANDING IN the
dank Hercyian woods that surrounded his nunt-
Ing lodge, Heristallum. According to the Original
account by the monk Eginhard of st. Gall, the
aurochs were of such terrornstilling appearance
to the men from the east that they couio not
even bear the sight of them, and fled from the
emperor's side. The latter, attacked by the nero
est of these monsters, missed the vital spot,
with the result that before brave Isambart could
slay it the emperor slightly wounded in the
thigh and had his neither garment torn into
shreds Rushing to his side, the assembled cour-
tiers offered to divert themselves of their own
hose but the emperor laughingly rejected their
offers declaring that he intended to show him
self in his sorry plight to the fair Hildegarde,
who was great huntress herself. Needless to
say this adventure proved medieval scoop"
of the gaudiest kind, but in the course OF I'M
i numbered retellings the aurochs became wi
sent as was called the European bison, and since
that time perplexing confusion has regned be-
tween these two animals. That the true aurochs,
which became extinct three hundred years ago,
was an entirely different animal from the bison,
whose name, alas is also the list of animals
about to share the auroch's fate. is now fact
known to all scientific men To the writer the
poor old bsons pathetic fate appeals more par
ticuarly for when shooting in the Rockies in
the seventies Of last century he still them In
herds of ten thousand. But the men who can
claim to have seen the same marvellous sight
will before long follow these lordly inhabitants
of the wilds to the happy hunting grounds, the
study of the past history of these two species
has for some people unusual attractions And
not the least interesting phase of it is the col
Iecting of pictures made at time when both
beasts were still roaming over the wastes OF
the EARTH" or had but recently disappeared.
OF the earliest of all pictures of what was prob
ably meant to be the bison, an interesting arti-
ole yUhi illustrated
ly, in which the roof pictures in the Altamira
Cave were reproduced, ave one a capital idea
After a gap of untold centuries we reach the
various pictorial records left to us by the CHS
els gravers or brushes of the classic ages.
Among those who have made important discov-
cries respecting the distribution of the aurochs.
Professor Conrad Keller the well-known Zurich
Zoologst, occupies a prominent place. His dis
coveries in the ruins of the ancient palace OF
King Mnos in Crete of no fewer than sixteen
horn cores and one skull of what unquestionably
was the original wild OK of Europe, or aurochs,
show that it lived there at one period, and that
the famous legend of the mnotaur has sub
stratum of truth. From his pages we borrow an
illustration of important fresco in Knossos de-
plotting an aurochs in the act of impaling help
lesslooking victim, while a bold bull-fghter is
actually turning a somersault the back of
the beast third, possibly female, looker-on at
tempting to seize the bulls TAIL the scene being
probably enacted in an arena. 1t is possible that
the TheSeuS story came from the slaughter or
captives in such exhibitions. Several other pic
lures have been recently discovered which be-
long to the Minos period, i. e., between 1000 and
1900 B. C. Professor Keller's highly instructive
writings. contain many other illustrations Of Bos
primifenius.
Skipping tens Of centuries, reach the Bes-
tiaries, the most ancient of which originated in
the period we touched at the outset when speak
ing of Charemagne's aurochshunt. These ex-
ceedingly primitive pictorial records do not add
much to our information: "the choice hurts one,
as Germans describe that state of uncertainty in
regard to what the monastic artists meant to
represent by their crude attempts Skipping
few more centuries, at last reach in the be-
ginning of the fifteenth century fairly intelligent
accounts of the animals habitat, and are fur
nished with drawings presenting features suff1-
GENTLY distinct to indicate, even to eyes accus-
toned to Photographic accuracy, the Identity OF
the ANNA the picture means to represent!
Very curious is the circumstance, to which,
by the way nobody has SO far drawn attention,
that none of the French sporting books OF the
fourteenth and fifteenth centuries. such as Roy
Modus," castor Phoebus." "Gace de la Buigne"
and "Fonta. es-Guerin." mentions either the