davidaulloa/AmericanStories huggingface dataset:
The Holbrook news., 1913-01-24
Lists 3-2139. -214O. -2152.
RESTORATION TO ENTRY OF
 LANDS IN NATIONAL FOR


 LANDS IN NATIONAL FOR
 EST. Notice is hereby gwen that the lands described below, embracing 118.05 acres, within the Sitgreaves National Forest, Arizona, will be subject to set clement and entry under the provisions of the homestead laws of the United States and the act of June Il, 1906 GA Stat, 233), at the United States land office at Phoenix, Arizona, on March IT, 1913. Any settler who was actually and in good faith claim ing any of said lands for agricul- tural purposes prior to January l, 1906. and has not abandoned same, has a preference right to make homestead entry for the lands actually occupied. Said lands were listed upon the ap- plications of the persons men, toned below, who have prefer ence right subject to the prior right or any such settler, provid- ed such settler or applicant is qualified to make homestead en- try and the preference right is exercised prior to March IT, 1913, on which date the lands will be subject to settlement and entry by any qualified person. The lands are as follows: A tract of 28.3 acres within unsurveyed, but what will probably be, when surveyed, Sec. 35, T. Il N, R. Is E., G. & s, R. M., described by metes and bounds as follows: Beginning at corner No. 1, a cobble rock marked HI, whence the Forest Service Monument situated at the point where the old Camp Verde and Fort Apache Military Road crosses the West prong of Buckskin Wash, bears E. 10 chains, and N. Al chains; extending thence w. 2 chains; thence s. 34 deg. w. 13 chains; thence s. IS deg. E. IA chains; thence s. Fl deg. E. ' chains; thence N. 28 deg. E. 2 chains; thence N. 20 chains to corner No. 1, the place of beginning.
The Holbrook news., 1913-01-24
aio County.

ajo County.
 In the matter of the estate of
 Helen Breed, deceased.
 Notice is hereby given that J. E. Cox has filed in this Court Petition for Letters of Admins tration in the matter of the es- tate of Helen Breed, deceased and that the same will be heard on Saturday. the first day of February, A. D.. 1913, at 10 o'clock in the forenoon of said day, at the courtroom of said Court, in Holbrook, County of Navajo, State of Arizona, and all persons interested in said estate are notified then and there to ap- pear. and show cause, if they have, why the prayer of said pc titioner should not be granted.
 Dated January 15, 1913.
 w. B. WOODS. Clerk. First publication Jan. IT.
The Holbrook news., 1913-01-24
Lists 3-1635, 1866, 1867, 1882.
 f696.
RESTORATION TO ENTRY OF
 LANDS IN NATIONAL FOR

EST. Notice is hereby given that the lands described below, embracing 333. 25 acres, within the Sitgreaves National Forest, Arizona, will be subject to set clement and entry under the provisions of the homestead laws of the United States and the act of June II, 1906 GA Stat, 233)
 at the United States land office at Phoenix, Arizona, on March IF, 1913. Any settler who was actually and in good faith claim ing any of said lands for agricul- tural purposes prior to January 1, 1906, and has not abandoned same, has a preference right to make a homestead entry for the lands actually occupied. Said lands were listed upon the ap- plications of the persons men toned below, who have a pref erence right subject to the prior right of any such settler, provid- ed such settler or applicant is qualified to make homestead en- try and the preference right is exercised prior to March IT,
 1913, on which date the lands will be subject to settlement and entry by any qualified person.
 The lands are as follows: A tract within unsurveyed, but what will probably be, when surveyed, Sec.
The Holbrook news., 1913-01-24
Lists 3-2O11. -2O50, -2O75, -2O84. RESTORATION TO ENTRY OF
 LANDS IN NATIONAL FOR

EST. Notice is hereby given
 that the lands described below,
 embracing 387 acres, within the
 Sitgreaves National Forest, Ari- zona, will be subject to settle ment and entry under the pro- visions of the homestead laws of the United States and the act of June II. 1906 GA Stat, 233), at the United States land office at Phoenix, Arizona. on March IF, 1913. Any settler who was ac- tually and in good faith claiming any of said lands for agricultural purposes prior to January 1, 1906, and has not abandoned same, has a preference right to make homestead entry for the lands actually occupied. Said lands were listed upon the ap- plications of the persons men, toned below, who have a pref erence right subject to the prior right of any such settler, pro vided such settler or applicant is qualified to make homestead en- try and the preference right is exerclsed prior to March, IF, 1913, on which date the lands will be subject to settlement and entry by any qualified person. The lands are as follows: The n 1-2 of ne IA, the sw IA of ne IA, the w 1-2 of SC IA of ne IA, and the n 2 of nv IA of SC IA. Sec. 26, T. 12 N, R. Is E., G. & IS. R. M., containing 16O acres, application of F. H. Owens,
 Woodruff, Arizona: List 3-2011
 The ne IA of nv 1 4 of ne IA.
 the n 1-2 of SC IA of nv IA of ne IA, the nv IA of ne IA of ne IA, the n 1-2 of sw IA of ne IA -of ne IA, and the W 1-2 of ne IA of ne IA of ne IA, Sec. S4, T. g h., r. 23 e., containing 35 acres, application of George E. Beck stead. Pinetop, Arizona; List 3 2O50. The 1-2 of n 1-2 of ne IA, Sec. p, T. 9n., r. 22 e., containing 40 acres, application of Daniel McNeil, Lakeside, Ari- zona; List 3,2075. The 1-2 of ne IA. and the n 1-2 of nv IA, sec. 26, t. 10 h., r. 22 e., except a strip 33 feet wide off the west, north, and east sides, and also off the south side of the n 1-2 of ne IA. said sec. 26; the net area being 152 acres. Said tract was listed upon the application of Chas. A. Johnson, Lakeside, Arizona; List 3-2084. Approved December 13, 1912, s. V. PROUD FIT, Assistant Commissioner of the General Land Office.
 First pub. Jan. IT; last, Feb. '.
The Holbrook news., 1913-01-24
Notice For Publication. United States Land Office, Phoenix, Arizona December 18th, 1912.
Serial No. O2O5O2

Serial No. O205O2
 Notice is hereby given that Charles J. Rabbit, of Flagstaff, county of Coconino, State or Ar izona, the legal assignee of Anna Perkins, widow of George w. Perkins, deceased, has filed in this office his application to en- ter under the provisions of Sec
The Holbrook news., 1913-01-24
Lists 3-19O3, 1908, 1852, -2O37. RESTORATION TO ENTRY OF LANDS IN NATIONAL FOR

hCO l OhAl HUN 1O GN h UT
 LANDS IN NATIONAL FOR
 EST. Notice is hereby given that the lsnds described below. embracing 384.9 acres, within the Sitgreaves National Forest. Arizona, will be subject to set clement and entry under the pro- visions of the homestead laws of the United States and the act of June II, 1906 GA Stat, 233), at the United States land office at Phoenix, Arizona. on March IT, 1913. Any settler who was ac- tually and in good faith claiming any of said lands for agricultural purposes prior to January 1, 1906, and has not abandoned same, has a preference right to make homestead entry for the lands actually occupied. Said lands were listed upon the ap- plications of the persons men toned below, who have a prefer ence right subject to the prior right of any such settler, pro- vided such settler or applicant is qualified to make homestead en- try and the preference right is exercised prior to March IT, 1913, on which date the lands will be subject to settlement and entry by any qualified person. The lands are as follows: The SW IA. Sec. 34, T. 12 N, R. 19 E.. G. & s. R. M., containing 16O acres, application of J. A. Allen, Taylor. Arizona; List g. 1903. The NV IA, Sec. 1, T. Il N. R. 19 E., containing 160 acres, application of Ira Wake field, Taylor, Arizona; List g. 1908. A tract of "A acres with in unsurveyed. but what will probably be, when surveyed, Sec. 27, T. 13 N, R. 16 E., described by metes and bounds as follows. Beginning at corner No. 1. which is identical with corner No. 5 of the original claim of s. A. Spon- seller (iist 3-1024); extending thence N. 20 deg. E. 15.15. chains; thence N. 72 deg. B. 2.50 chains; theuce s. 2 deg. w. 16: .97 chains; thence N. 75 deg. 30 min. w. 7.20 chains to corner No. 1, the place of beginning. Said tract was listed upon the application of $ A. Sponseller, Showlow. Arizona; List 3-1952. The SW IA of SW IA of NE IA, the w 1-2 of SEE IA of SW IA of NE IA. the w 1-2 of NV IA of SW 1.4 of NE IA, u e N 1-2 of NV IA of NV IA of SEE IA, the NV IA of NE IA of NV IA of SEE IA, the SEE IA of SEE IA of NV IA, the NE IA of SEE IA of NV IA, the N 1-2 of NE IA of NE IA of SW IA. and the s 1-2 of SEE IA of NE IA of NV IA, Sec. 25. T. 10 N. R. 21 E., containing 57 1-2 acres, applica- tion of Ben McNeil, Showlow, Arizona; List 3-2037. Approved December 13, 1912. s. V. PROUD FIT, Assistant Commissioner of the General Land Office.
 First pub., Jan. IF; last,. Feb. 2.
The Holbrook news., 1913-01-24

- In the Superior Court. State of Arizona,in and for Nav
The Holbrook news., 1913-01-24

1912. s. V. PRoUDFIT. Assist ant Commissioner of the Gener- al Land Office.
 First pub, Jan. IT; last, Feb. '
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15
Why Villains Are Always Dark
And All AnqeLs Are Blondes

them on the stage, he made them dark
simply because he followed the ancient
line Of thought.
But, says the Professor. it is also true
that there are more wicked brunettes
than blondes, The brunette is chemically
different from the blonde. His liver does
not functionate so we'll and he is more
a victim of autotoxins. These auto
toxins disturb his or her brain and lead
them to wickedness.
Fer exactly the same reason that Satan
was made a brunette and the Prince of
Darkness, the angels have been always
pictured as blondes and vessels full of
light There can be, are and ought to
be good brunette angels, says the Pro
fessOr, for some of the greatest villains
and weaknesses" in the world have been
blondes.
in my opinion" concludes the Profes-
sor, "the really fatal women are fair
women. I do not mean the fair-haired
woman, with a complexion of milk and
roses and pretty blue eyes. but the blonde
thin, sharp, and acid looking"
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15

them. Never, never have | kissed by order!
Never, never have I made love as the director
pulled his string! Pouf! It would be i'm
possible
1t is not the directors idea that we give
our public; it is our own idea.
/ do fully believe that the majority of men
would rather spend fifteen days at Deauville
with the Mile Chic that portray than with
Phedre or Camille They are much more
interested in the sprightly love making of
the little Mile. Chic than in the wooden suf-
ferings of Phedre and Camille. The men
look at me and sigh, and say: There, that
is the way /, too could be happy" There
fore, I fiatter this interior dream ! make
each man feel, as he watches me playing my
part on the stage, that he is alone with me
at Deauville and for the half hour he is
supremacy happy.
Is this not art? Making myself so like the
real character that each man thinks that I
live for and love him alone? It is this art OF
the music hall artistic that makes her sought
in marriage by the wealthy and titled men
of england.
What can there be more futile from an
artistic viewpoint than the modern matinee
idol Pouf! He is nothing but a rack on
which the costumer hangs his wares. and his
head a vacuum in which the director pours
his own ideas. A man of straw mentally.
Yet all the feminine theatregoers fall down
and worship him.
A few actors and actresses make a great
deal Of money. A few of them because like
Mrs. Fiske they are really great artists; the
others because the public cannot tell the diff
ference between puppets and real people,
The lesser actresses and workers earn only
enough to live on, not enough for the Injuries
without which woman is unhappy. These
women TO have their own money, must all
look to some man for It. Wrong, wrong
There is no economic difference between
any women who have to look to a man for
support. But oh, what a difference be-
tween these two and the artistic who makes
enough of herself to earn her own Jewels
and motors And yet we are despised Of
other women Pouf'
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15

] talked myself over with myself. l decided
that | could never approach the great parts
the Phedres. the Celimenes, that | could
never rival Bernhard or Brandes "Will I
be satisfied l asked myself. ito play the
small frog in the big pool?" Non, non"
| answered, 81 will be the big frog in the
little pool; | will be myself Gaby Deslys of
the music hall"
1t was the cold, calculating nature that
inherited from my bourgeoise father that
helped me in my decision.
The actress, Tor Instance, who learns by
rote how to take the part of an ingenue is
invariably given that part, even after she
has become a grand mother! The artistic Of
the music hall never plays the same part
for more than a week at a time, and perhaps
does not play that part twice the same way
And yet each presentation must be one that
wins her audience.
There are many sides to the question as to
which is the greater actress, the music hall
artistic or the flesh and blood puppet of the
stage. The actress, so called, looks down on
the actress of the music nall. She considers
herself more important in every way, and
alas, the world agrees with her as a rule.
The music hall artistic is considered declasse.
! admit that the legitimate actress may have
more responsibility, but we of the halls have
more art, and Of the two I prefer the last
| pity the Legitimate actress
The artistic of the halls has a greater charm
and fascination for the masculine sex than
the ordinary actress of the stage. Look at
the ease with which these artistes have
walked away with the dukes and lords OF
England The merry little sprite of the
small stage makes the stiff-iointed puppet of
the large stage look liSe-er-what you
would call thirty cents, one franc and a half!
And why? Is it because we make much
money? Non, non. 1t is because we are such
thorough artistes. We know how to inter
2ret a mans moods as well as our parts
We know how to portray emotion because
we make ourselves feel emotion. We do not
weep crocodile tears, but real salt tears.
We are not artificial. We are not given our
parts by a director and told how to play
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15
~ ROFESSOR WILHELM Won LIGHT
ENSTEIN, of the University Of Der

n 1
ENSTEIN, of the University Of Der
lin, has discovered why villains and
"villainesses' on the stage and in fiction
are always dark complexioned. with lus-
trous raven tresses and why In art all
angels are blonde.
Professor Won Lichtenstein starts right
out by saying that there is gruond for the
first belief but none for the second. All
angels may be blonde, but all blondes are
not angels.
In the earliest ages man associated all
malign powers with darkness, says the
Professor 1t was in darkness that the
cave tiger sprang upon him and in the
darkness that the enemy sought him in
his rocky lair. And so he gradually grew
to think OF evil as darkness. Conversely
1t was in daylight that he was most Sc
cure. The yellow sun, blonde luminary,
brought him warmth, comfort and life.
So the primitive mind shaped the belief
that evil things were dark-brunettes, and
that good things were light-blondes.
When man began to personify evil. 10
write of evil men and women and put
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15

NY good friend George Bernard Shaw
MI and l nave oh, so many heart talks
= over the stage as 1t is to-day. He
is a very great cynic. He says to me that
the modern play is no good. Then to prove
his point he writes a play that I say is no
good, the public pulls it to pieces, but goes
to see it just the same. / do not know which
is the funniest, the public or my friend Der
nard Shaw.
l do not agree with the temperamental
Monsieur Shaw, as We French call him.
Non, non, it is not the play but the players
who are wrong. l sure that | am right,
and | am sure that you will agree with me
and not my cynical friend. / speak not from
cynicism, not from bad digestion, but from
an intimate knowledge of the stage and its
people.
We have never gotten away, you see, from
the marOnette age. Our first actors were
wooden puppets, who were pulled and jerked
about by strings. They were the jumping
jacks, the Punch and Judys, of the stage
They wept, danced, smiled and kissed to
order. How CHASTITY! Think of making love
to order. Pouf, never could | do it.
And yet the actor and actress, most Of
them, have never gotten away from this
puppet age. The manager pipes and his men
dance and his women sing to his piping
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15

Actresses and Thinks the Music Hall Artists Has So
Much the Better of Them.
late her part to the public She is simply living, breath
ing maronette, and that is all The only difference be-
tween the wooden puppe and this modern actress that
the latter is flesh and blood
Mrs. Fiske who is one of the really great artists of
America, tells that the hardest thing she encounters
is to find actress who play the part being lady
on the stage! Yet lady is always lady!
How common is it to hear American girl who has
speaking part say: Il do my part just like Maude
Adams Ethel Barrymore"
In France l hear girls say "Oh, that I might be
second Rachel Sarah BemhardI This is all wrong
Let these girls say Il will be myself Marie Felice
the hrst Mary Jones the first not second any one
hope that make myself plain to you. better to
be ones self than to be monkey parrot actress
made by
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15

"IlNSI SaEuSIJ NC" 'N'N'J
There is an absolute lack of originality among
the stage people to-day. Understand me,
please, l except of course, the few great
artists who translate their own ideas, who
think for themselves; 1t is just the sharp
contrast they make with the average of
their colleagues that makes the latter show
up so brainless, unoriginal.
The stage is overrun with a race of people
who do not think for themelves; they would
not be allowed to do so if they could, for
only the director is allowed that privilege
1t is, / think, what you Americans would call
the man higher up" who is responsible
for the sad state of affairs And yet the
actors are also to blame. Think for minute.
Nothing is more easy than to play a small
part at the theatre. The person, the most
stupid in the world, has only to obtain her
part; she studies it; the stage manager
teaches her how to speak every word how
to make every gesture; she can rehearse
until, like the parrot, she can reel 1t all Off
word by word. She calls herself and the
world also calls her an actress. But I say
she is not an artistic. And there is much
Wilderness between those two terms
The actress, taught parrot like puts moth
ing of herself in her part; she does. not know
how to. Most often she has nothing to put
in. She has no impression, no emotion, no
idea. She exerts herself not at all to trans
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-03-15
''Just Word-Stuffed, Gesture-Dri1led
Automatons. They Don't Think,
Cant Think--How Much Greater
the Music Hall Artistic ISL Exc1aims
the Girl Whose Toes Kicked the
Throne From Under Manuel
By GABY DESLYS

(The Partisan Star Of the Winter Garden New York;
The Olneyville times. (Olneyville [Providence, R.I.]) 1887-1917, 1913-05-09
There With the Nerve"

The conversation led to the beauty
OF having abundant nerve the other
evening, when Senator Clapp of Min
nesota told OF man who went into
fashionable restaurant. accompanied
by a couple OF children. and after
ordering lemon soda, asked the
waiter TO bring him three plates
This. according TO Senator Clapp, the
waiter did, but when he saw the man
take some sandwiches from his
pocket, put them on the plates, and
pass them around TO the kids, he re
ported the matter TO the boss. What
are you doing?" Indignantly cried the
manager, rushing over TO the sand
wich party. Don't you know that
this isn't free picnic ground, where
you bring your own food?" "Is that
SOP" was the calm rejoinder OF the
man, passing along another sandwich.
who are you?" IL am the manager, "
clustered the boss, with rising heat.
4" Just the very person that
/ have been looking for" interjected
the imperturbed party. why isn't
the orchestra playing"
The Olneyville times. (Olneyville [Providence, R.I.]) 1887-1917, 1913-05-09
DANDRUFF 20 YEARS

74S Third Ave. New York, n. Y
Having been troubled with dandruff
for twenty years and trying numerous
lotions, washes, etc, without any ef-
feet, | thought | would give Cuticura
Soap and Ointment n trial. The scalp
always had dry skin on IL which did
not itch as | gave il good brushing
every morning and evening, but
through the day the dandruff would
show badly on my coat collar. ! used
the Cuticura Soap TO shampoo my hair
and rubbed in a little Cuticura Oint-
ment. After few treatments | found
the head clean and healthy, free from
all dry scales. Cuticura Soap and
Ointment cured the dandruff and now
Il use Cuticura TO keep II from return.
ing" (Signed) w. Dyke, Jan. 2. 1912.
Cuticura Soap and Ointment sold
throughout the world. Sample OF each
free. with 32-p. Skin Book. Address
postcard "Cuticura. Dept l.. Boston
Adv.
The Olneyville times. (Olneyville [Providence, R.I.]) 1887-1917, 1913-05-09
Il came from there originally

Il came from there originally.
so did l." said Ira Lathrop. esn-
ing closer. and beaming like a big
sun; Il don't suppose you remember
Ira Lathrop?"
The old maid stared az the bachelor
as II she were trying 10 see the boy
she had known. through the mask that
time had modelled on his face. And
then she was girl again, and her
voice chimed as she cried:
Why. Ira,-Mr. LathroP.-is II
you?"
She gave him her hand-both her
hands, and he smothered them in one
big paw and laid the other on for
extra warmth. as he nodded his saw
age head and roared as gentle as a
sucking dove:
Cattle! What do you think OF that?"
They gossiped across the chasm or
of years about people and things, ana
knew nothing OF the excitement so
close TO them, saw nothing OF Chicago
slipping back into the distance. with
windows like'hurled torches.
Suddenly a twinge OF ancient jeal-
ousy shot through the mans heart.
recurring 10 old emotions.
so you're not married. Annie.
Whatever became of that fellow who
used TO hang round you all the
timer"
Charlie Selby?" She blushed at the
name, and thrilled at the luxury OF
meeting jealousy "Oh, he entered
the church. He's minister out in
ogden, Utah"
Il always knew he'd never amount
10 much" was Lathrop's epitaph on
his old rival. Then he started with
a new twinge: You bound for Ogden,
too?"
"Oh, no." she smiled. enraptured
at the new sensation OF making a man
anxious, and understanding all in a
flash the motives that make coquettes.
Then she told him her destination.
I'm on my way 20 China"
"China!" he exclaimed. Som IT,
She stared at him with a new
thought. and gushed: "Oh, Ira-are
you a missionary. too?'
Missionary? Hell, no." he roared.
Excuse me-I'm an mporter-Anne.
II"
But the sonorous swear reverberat-
ed in their ears like a smitten bell,
and he bmshed for it, but could not
recall Il.