The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1913-09-14

tachable to crepe de chine skirt so
that it can be dry cleaned. Ribbon run
through beading at the edge of the
brassiere and the top of the skiFt OF
the chemise join the two.
The new shaped chemise is often cut
in one piece in kimono shape. The gar
ment is shaped bv the goring under the
arm. Ribbon threaded through en-
broidered eyelets hold the fullness in
place around the neck
A strenuous effort is made to design
all undergarments so as TO eliminate
every wrinkle and the manufacturers
are ever on the alert to incorporate new
ideas in the clinging petticoat.
Corset covers have graduated to un-
der bodices, The under bodice fills
long felt want with evening gowns and
fl lace waists. Crepe de chine, net,
lace, silk, embellished with laces and
ribbon or tulle shoulder bands often
adorned with adorable ribbon or chiffon
flowers are certainly attractive fancies.
NEGLIGEES.
The busy woman (and who is not
busy these daysO welcomes the idea Of
resting in quilted silk jacket embel-
lished with embroidered flowers, and
wears it in preference to a tea gown, as
it gives q charming appearance when
worn with a dainty silk skirt to match,
and boudoir cap Of the same shade
called the "Mad Cap" completes this
dainty outfit, The array Of elaborate
negligees worn with extra little man
ties are almost endless.
The clever woman will recognize the
possibility Of Transforming discarded
evening gown into a gorgeous house
| robe by the addition of new silk or
chiffon coat. The gowns are undeniably
wider and show many novel draped eff
| fecte
Bedroom slippers and boudoir caps
usually match the negligee. Every
woman needs a perfectly comfortable
rest robe and it is easy to differentiate
it from the commonplace, if little
thought is given to the fabric and
style, and attention to creating such
variations are flowing sleeves, fancy
sashes, deep cape collars, old cut reveres
and fluffy frills.
CORSETs.
To be perfectly comfortable and un-
conscious of being corseted, and still
wear a good fitting corset is something
to be thankful for. In every way arti-
fetal lines are giving way to natural
effects, and the general tendency is for
supple figure to appear uncorseted.
Never since the Directoire period have
there been so many examples of natural
| effects Pliability is considered a de.
sirable feature in the new corsets, and
tho essential points are slightly
rounded front, straight hips, and very
fat back. Corsets are longer below ihc
hips and only few inches above the
waist line. There are many surprises
in boneless and seamless corsets, which
produce the right figure line, Square
elastic sections help the lower portions
to tit closely.
Materials used are tricote. coutil, la
tiste, elastic and coutil, elastic and tri.
cote and fancy brocade, A desirable
finish is silk button holed edge at
the top. Owing to the fancy for deli
cate colored lingerie pink and blue
| seamless corsets are desirable, \ good
| model has long skirt fitted closely at
| the bottom with elastic fastepngs in
| the back, and comes just above the
| waist line
Needless to remark the large waist
continues fashionable so that one usual
lv takes a large size model. The belt
top corsets bring ont tho natural figure
line well and comes both IN front and
back lace models.
BRASSIERES.
II Brassicres arc necessity and no ma
terial is too elegant TO make them of
II The models are more elaborate thar
ever. Those of silk aud lace are rcally
sufficiently handsome to form a hand
sonic lining for the waist and at thu
same time arc so shaped as TO serve tn,
necessary purpose. They are boil
fastened in the back and front models
| Extremely new are the brassieres will
IL slightly bloused portion below anc
II fitted section at the top Both mex
pensive and better grade brasserc,
come with slip-out bones, brassiere OF
cluny lace and strong net cut low back
and front aud boncd just enough tc
keep its shape has net puffings around
the top and over tho shoulders through