El Paso herald. (El Paso, Tex.) 1901-1931, 1913-05-17

an outcome Of this departure from
oraped STYLES and the introduction Of
flounces, there viii be a marked diff
ference in the silhouette. The long,
tubelike lines viii disappear TO be re-
placed by the moro bOuffanL But even
where this fulness about the hips ap-
pears, the gowns, being OF very sheer
materials, Will still retain much OF
their original slender characteristics
Another popularity of summer modes
viii be noticeable in the likeness that
exists between afternoon and evening
fTOcks. They viii be made of similar
materials, dotted, plain and embrOid-
cred net, chiffon and mousselile de
sole, whether the occasion be after
noon garden fete, tea at the Casino,
or an evening dance at a smart hotel.
Even though the gown be of gay,
printed silk, soft and supple, which
has recently been replacing fOulard.
the bodice IS finished about the upper
section with chiffon or mousseline in
white or in delicate contrast to the
fabric CT the gown The elbow sleeves
may be Of similar material, and either
lined or unlined. This arrangement
presents a much dressier appearance,
quite smart enough for informal eve
these stylish new skirts in sheer
fabrics are made Of two OF three
flOunces- The cOrsage is of material
similar to that Of the skirt. has a little
drOOp over the girdle back and front,
and, if for afternoon and evening, is
fashioned with slightly rounded or V
shaped neck and with elbow sleeves.
The entire gown is posed over q silk
or other fascinating shade
GirdIe Of Bright Hue.
With these attractive frocks a deep
giFdle Of bright hued ribbon is worn.
This may match in tone the foundation
slip, or be in pleasing contrast to it.
1t may be of monotone or many toned
ribbon and with picOt edge or raised
floral motif Sashes of chiffon in two
or more eOlors are also popular with
this dainty style of gown
The girdle finishing the frock of the 1
second Illustration shows effectively /
one method Of tying these sashes-tO I
girdle, many uptOdate features make .
this dress desirable, notably a low
turned collar, snug fitting lines Of I
waist and skirt, smart finish of the /
sleeves, and the attractive note of /
contrast in the materials employed. It 4
was developed in gray wolfe, aud Fu- /
turlst silk in purple tone, Shading into (
pink, green and gray was used for /
girdle and insert
When the froek is DEVELOPED in 4
sheer fabric it is advisable to wear it /
over silk foundation slip, but an at \
tractive combination petticOat and cor
set cover, especially If the frOck be OF Z
cotton, is equally suitable and much /
more practical, as it is easily laund /
cred These combinations are most ef-
fetciye when developed in shadow lace
and crepe de chine. They may be I
with ribbon or tiny rosebuds.
both about the flounces of the skirt
and about the bodice The shoulder
straps may be of ribbon OF lace.
Batiste, too, in white and pastel shades.
is much in favor for these petticoats
and equally in demand for the various
articles Of underwear. 1t is not a
strong pink THAI IS used, but 4 pink so
delicate it is almost like the rosy flush
of healthy skin. It, no doubt, owes its
popularity to .he Transparency Cf the
upper section Of the waist and frock
mes and point de Paris, and frequently
has broad ribbon run through a wide
hem.