New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1913-03-26

he lnterprets the more effectively since
he does nothing 10 emphasize that pictu-
residences. on tie contrary. the painting
is one OF quiet statement. relying Tor the
success OF its aim upon delicate drawing
and beauty OF tone. II g. bit OF true
painters painting Mr. -. y. Cameron
landscapes ana studies ~ urban themes
might perhaps be- described as examples
OF etcher's painting. because they gam 50
much from the play of line in them. but
the characterization would not be quite
fair. Cameron HIS quality. the quaIlty
which only a painter can secure. lie mas
lovely color and h. has the note OF style
Roth I'M his figure subjects and IN his
LANDSCAPES he bears an important part IN
this show. With hts works We would as
soclate the two exquisite marines by
Henry Moore. the animal subject b'
Swan. which Is also noble lahuscApe'
the brilliant Moorish coast scene by Johh
I,avcry (who is also represented ny
,ap,tal portraiD and the cnarminSly com
uos.d "Moonlit Common" by Il. Edstake
Leader.
There are three paintings by T.. ;. Hor-
mol beruil,ng i'm their pretty expression
of the sentiment of childhood ana WIN
some grace OF landscape IN then' out OH
the whole a little repellcnt in thelr na'u
imnasto The single illustration OF the
ar, of William Arpen. "On the Beach
MIDDAY" wins attention through its eN-
colIent luminosity. but in design II Is not
very felicitous. There are some othe'
good studies OF light out OF dooIS ny
Frank Bramley and r. G.. HUTCHINSON
and there is an interesting Interior large
In scale. by Harold Speed ]. T.. MostEh
yppcars in 1 dual capacity as tue palh'ci'
in '"The Casket." of an ordinarily cleNe'
conventional portrait, and as the pai'le''
i'm three or four other canvases, OF strange
romantic visions These recall both III
substance and I'm style the paintings OF
the late Marcus Simons. though they are
not so brittle in tone. Mr.. Mostyns CON
ceptions make an authentic appeal ne
Domair 90 Arnhaim' mas in It something
like poetry. But his tone needs 10 DC
purified and, In fact. his whole techhical
method cries aloud for simplincauon
Several other club exhibitions are open
inst now. At Grace House the annual
show made by the Catherine Lorillard
Volfe Art club may he seen day and
evening until March 81. Among the well
known artists exhibiting are 'eciIla
Beaux. Ellen Emmett RAND, Helen VI
Armstrong. Margaret w. Huhtihstoi'
Martha Walter and Catherine Day. frl|eS
have been awarded to Florence MIX Tor
rortraiture Mary T.. Tuthill for land
scape Louise Hanford for applied design
and Josephine Richey for work III pla'N
and white. At the National Arts 'l"'
there may he seen an cXhioition OF the dP-
plied arts of Germany. rms ihstitulioh
announces, by the way. FOR the month ol
Nav an exhibition of small marbles ana
hropzcs The Salmagundi Club Is hold
ing an exhibition OF ~ paintings by mem
hors The Samuel r. Shaw prize OF $50
has been awarded To the landscape "Alohs
the River" by w. Granville smith EVER
cit Warner has taken the w. +. Evans
landscape prize with his December fii'I-
side" and the Isidor prize Tor the pes'
nortrait has gone to Eugene Speicher'
This show. open all this week. VIII con-
,,,uo through Sunday. Pictures by a
croup of Boston artists. Messrs. Pepper
Prendergast. Cutler and Hopkinson' are
ON view at the city Club. over at ARDS
lev House. in Brooklyn. there IL an exhi-
hilton of recent paintings by Miss Agnes
pel,on. and at the same place there may
be seen quantity OF japanese prints ana
paintings belonging to the estate OF fran
els Iathrop.
There opens to-day at the American Art
Galleries an exhibition Of the American
nsIntIngs collected by Mr.. William !.
Evans which are to be sold next week
The collection of Mr. Nestor Sanborn'
composed of Oriental porcelalrs ana otner
objects, is on view at the same tine.
IL. Y.