The Richmond Virginian. (Richmond, Va.) 1910-1920, 1913-08-24

vet and covered tightly with toile de
Jouy, the artistic cretonne of which the
Parisiennes are so fond. The only trim
ming is border. at the extreme edge OF
the brim, of small roses made entirely OF
chiffon The harmony of color IN this
particular cretonne was highly artistic.
The ground was pale gray and the printed
design was carried out in several shades
of dull rose and heliotrope, The roses
on the border were in various shades
of duh rose and the strings III black vel
vet.
The Duchess wore this hat in conjunc-
ton with a very smart tailored suit OF
pearl gray linen. and the coat opened
over a low cut waistcoat of the same
toile as that covering the hat This
waistcoat had small knobby buttons OF
dull red enamel and the rose Dubarry
parasol had long handle 10 match 1t
was simple but charming costume,
eminently suitable for the Cowes regatta
week
II has been remarked this season that
the Duchess is following her sister s
example and is wearing distinctly
picturesque style of dress. floating wells
in delicate colors, Empire soarts thrown
on over dainty muslin gowns and SO on
Princess Pless has always been pic
turesaue dresser She is almost as de-
voted to I.eghorn hats trimmed with pale
or blue or white feathers as Is queen
Ena of Spain.
Some OF the new hatpins are very beau
tiful. They are as rule rather large
and they invariably match the hat with
which they are worn. Nothing marks the
woman of cultivated taste more certainly
than her care of the details of her toilet.
There are many Partisan society women
who think nothing of having costly hat
made specially to accompany certain
very artistic pair of hatpins. and for the
latter they are willing to pay extravagant
prices.
Nine. Paul Tribe. wife of the well known
designer, was one Of the first to bring hat
pins into prominence. She showed by
practical demonstration that an ahso-
!utely untrimmed hat may be made to
look beautiful and elegant by the intro
duction Of really lovely pins. In fact it
il true that the modern Parisienne uses
Ter hatpins as a more ordinary person
might use a cluster OF flowers or a large
bow OF ribbon; she uses them 70 trim her
hat.
For morning wear at the fashionable
seaside resorts these elaborate hatpins
will play leading parts in combination with
floating veils in chiffon or shadow lace.
Pink quartz pins trimmed with old paste
look lovely on large white linen hat when
a floating veil in pale pink chiffon has been
thrown over the crown. and the same may
be said of fiat headed pins studded with
turuuoises and inset WITH f0ss diamonds.
with a long veil in pale blue silk muslin.
This style OF hat is ideal for wearing with
severely plain tailored suits Of linen in
the early morning.
With toile de Jouy hats. when the de-
signs are carried out in brilliant colors.
cut Jet hatpins give good effects. and with
these long. thin jet earrings are very much
worn. In London ultra long earrings are
all the rage. The Parisiennes have also
accepted them. but little tentatively.
Cut Jet earrings. when the design 10
thin and graceful. are wonderfully be-
coming. They have the effect Of making
thin faces look round and fat faces look
thin, For morning wear cut Jet earrings
are considered specially correct and they
arc worn. - I have aEndy said. IN con-