The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1913-10-26
as Musical
)sbhere Her Oun

sphere Her Oun
and comprehensive discus
|heme "a National School o
.rescnted last Tuesday after
I'd T. Hand In n paper rea'
ansic section OF the LAdie
n the unique and not gen
Ia View that music rs o
.rnal intelligent force ant
. man docs not create, bu
.is Mr Hand said. In part:
III school OF music may be
4 few words IA musical
\ having It's oUn idDntity.
lis influence and charac-
nrot,rl, lis musical orga n
,,uIc dwells in the atmos-
.iaces of nature. We speak
4 atmosphere OF the air OF
az the mountains. Of tho
the soil. OF the waters, or
n forces OF nature with
n comes IN contact. AS
tune with the elements IN
|ces. he catches no the
a OF conditions, he sees.
oroduces the 81 mo organ
.rc extant IN these realms.
and Power.
is a substance radiatinr
nlsms. II Is the body s
.achlng out and Joining It.
other life. influence may
ken OF as organal appen-
-h go out 10 reveal their
ID the world. portraying as
u do the true conditions
al the very heart OF the
rom which they radiate.
IN, whether animate or in
mates an influence. and
1Ingly dead are productive
\ There IS no such thing
.|utely dead body Of mat
|ough the seeming life be
q the apparently lifeless
|I a living organism. The
uattsr which constitutes
. OF as the dead body. re-
of i;s own Individual ele-
never. no never. can be
They may be disorganized,
ling invisible TO the NOR
Id their component parts
nd go back 10 the chaotic
which they were once or
~ 20 be brought into the
1anism of other bodies.
the case, our universe
Iar as a mass OF radiating
Ono may turn 10 any To-
tny direction and find life
u its substance.
n, resting aerenely Sin all
>ss of natures protecting
then, shaken and torn by
Elements of disturbance,
hives Into shreds. beat
rs mouth, gnashing teeth
nE voices upon the groan-
ng shores which, though
be ever so stern. must at
md absolve themselves on
D OF their ever conouering
produce influences. The
Exception. The European
to plant IN the hearts Of
'3cf n certain amount Of
and subservience. In
}ery son born 10 her feels
kpand and even to burst
Iorfous beautiful freedom
1Es and chants from the
NC must sing itself from
all atmosphcrical condi-
RIn IL dwelleth continual
N must catch II up, hear
and songs and then or
n 10 that others may sing.
thought at the outset that
q nation has all It's OWE
nd when properly devel-
jnderstood, will indeed be
paradise OF earth,
4 Nature.
road to real power, real
- Ia drawing close TO ma
rloser to nature one
<be greater he becomes.
rlts himself in tune with,
: fa. feels and understands
, laws and forces. and
~ can do as Beethoven
heart to the earth, tune
( nature, he organizes that
LILY great and Will be az
/, World stands, an !nspira-
I nifty.
? that TO DO born gifted is
h eeded. Thia is necessary
rlp, but the battle Is then
Tho question whether
Z uyafe the godgiyen tai
4 Feiop the Unborn instinct.
une yourself to the beau
D 4rround you, even to tho
this chaotic atnospher-
) 70 the Inspiration Of
=. whether you Will permit
~ genius TO lie dormant,
gmotherng In a lazy
iies for Individual solu-
Hmony, counterpoint, etc,
\ composition are indeed
<he composer must be a
;. tier OF these in order IN
ronceptions from nature
= ~ neRrd in nature By tho
y Vaid seem mythical and
I'D many. lying beyond tho
" s1nillation by the masses.
" amples OF this. the mu-
~ y Richard Wagner arc
3it itloSl vi lllf
" as uses the themes Of
Pc. He not alone en-
Y mythical subjects, but
2 ruequaled mastery OF nu-
y IN he pierces SO com
-. ne mysteries OF the mu-
Irr /1ere and takes his dis
o. ounds and themes that
10 ~ them we are wont to
4 NATURAL" But when We
appreciation Of his organ
,s the entire civilized mu-
RstinE upon this unyeil-
g ms which have been out
OF hidden from. the
~ Tor so long a time.
y hools of Music.
n odey three we'll defined