davidaulloa/AmericanStories huggingface dataset:
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27

Furnished rooms are easily rented
Good boarders are easily found Good
help and good positions are secured
through Georgian Want Ads. Phone
Main 5000 or Atlanta 5000.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
THE WEATHER.

Forecast-Fair tonight and
Saturday Temperatures 8
o o'clock, 80; 10 o o'clock, So; 12
o'clock, 80; / o'clock, 81. Sun
rise, 4:28; sunset, 6:53.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
FEDERAL LEAGUE.
cAROLINALEAGUE.

-Ashevllle- Durham game of on account
OF rain.
Winston Salem, no game; rain.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
eAe eRAvEYARp For DOGS.

RIDGEFIELD. PA, June 27.--The
plan to establish burying ground for
logs in the residence section here was
quickly abandoned when citizens voiced
their objection
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27

Nearly everybody In Atlanta reads
The Sunday American. YOUR adVer.
tisement In the next Issue will sell goods.
Try It'll
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27

Good Boarding Houses and
Good BoarderS make Georgian
"Want Ads - their Clearing
House
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
THE re S T OF
CONGEN IALITY

LOW mech more one enjoys
4 1 the meals If eating among
congenial spirits with pleasant
environment and animated and
diverted conversation. This
is why folks who board
should be particular in selecting
boarding place. The character
Of this paper gives II circulation
among the people Of the most
intelligent and liberal-minded
class, and therefore the b ardins
houses advertised IN Our columns
find around their tables the sort
OF people who assure pleasant
oompanionship.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
AMERICAN ASSOCIATION
INTERNATIONAL LEAGUE.

Score: r. II. z.
Toronto 800 o1o 1905 8
Baltimore. o10 900 00o--1 2
Cav and BemIs; Roth, Danforth and
Egan. Umpres, Hayes and Carpenter.
Score: r. II. e.
Buffalo. O2o 01o 1f2-- 8 8 8
Providence 4o4 24o oo0-14 "a 8
FrilI, Mains, Lalonge and Gowdy; Bal
ley, Slime, Moran and J. Onsiow. Um-
pires, Bierhalter and Flnneran,
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
SOUTH ATLANTIC LEAGUE

SOUTH ATLANTIC LEAGUE
AT CHARLESTON
ALBANY
600 600 OIL .
CHARLESTON
O10 O10 600 j..
Eldrldge and White; Moses and Wells.
Umpire, Moran.
AT COLUMBUS
SAVANNAH
01O 600 o.. d.
COLUMBUS
001 COL o..
Poole and eelbel Morrow and krebs.
Umpire, Pender.
AT MACON
JACKSONVILLE
600 O5. -.
MACON
100 10. -.
Wilder and Hoiey; Voss and Rey.
nolds. Umpire, Barr.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27
EMPIRE LEAGUE

Day and FoNworth; VarnelI and Sci.
feTt. Umpire, McAfee.
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27

ANNAPOLIS, Mo-, JUNE 27.-THE BODY or ENSIGN {.
S. BlLLlNGSLY, KILLED IN AN AVIATION ACCIDENT LAST
FRIDAY WHEN LIEUTENANT j. H. TOWERS, or GE0R.
GA NARROWLY ESCAPED WAS RECOVERED FROM
SEVERN RIVER.
SAND0WN PARK, ENG. JUNE 27-LORD DERBY'S
YOUNG PEGASUS TO-DAY WON THE SANDRlNGHAM
STAKES OF $1,000
Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-06-27

SUMMARY:
BASES ON BALLS-0FF NEWTON /;
SACRIFICE HlTS-WElC H0NCE 2, BlSLAND.
DOUBLE PLAYS-ALPERMAN TO AGLER
STRUCK 0UT-BY NEWTON 3; BY BRADY z.
New-York tribune., 1913-12-28

is a bewitching statuette, and as strong
as 1t is bewitching. Mr.. Herbert Adams
sends lovely head in marble, ''Bac-
chante. Twentieth Century" its lowell
ness of feeling being matched by the
artists distinguished modelling. The
Faded Flowers" OF .Ir. Karl Bitter Is
New-York tribune., 1913-12-28

with what distinction he can invest
prosaic subject through painting it in
personal and really original way. me
suggestion Of boats I'm the background
is very happy. Here is a yeritable plct-
ure. made out of the simplest mate
rials. Emotion as well as technique
has gone to the production of it. Mr.
Hawthorne, we fear however, is IN
class by himself. Too many of the fig
ure pieces are merely clever studio eX-
ercises, which mean nothing save that
the painters Of them have worked very
hard. The play Of light on the nudes
i'm Mr.. Renwicks sylvan study, "A
Quiet Spot" the Jealous modelling in
Mr.. Richard +. Miller's Nude" the
facility of the promising Sdi0nHier, as
shown i'm Mr.. ]. c. Johansen's Wood
land Pool" scene with nude figures,
and the deliberately polished literalness
Of Mr.. w. NJ. Paxton's "The Morning
Paper"-all this is undeniably credita-
BILE but of only the mildest interest.
None Of these artists has achieved
quality. None of them has developed
a style. They mark time with all the
readiness and sophistication in the
word-but they only mark time. The
figure work, in short, does not begin 70
do what the landscape work does 10
make this exhibition worth while. AS
has been shown IT is not utterly negll-
giblc. Mr.. HawthOrne's piece is good
to see, and there are others by Messrs.
Frieseke. Olinsky, w. n. Foote and u.
O. Baker, which give us a little more
than lust sound workmanship. They
do not serve, however, to redress the
balance. The landscape men MAINTAIN
their pre-eminence. If a single indi-
vidual might be said TO challenge 1t IL ls
Mr.. w. W. Gilchrist with his night
picture. the studio interior called
shadows" That is most intriguing
little picture, capably painted and pos
sessing a spirit of its own.
The sculptors, who have the entrance
gallery practically TO themselves and
so appear TO better advantage than
New-York tribune., 1913-12-28

uses in his Interior" a room with a
single figure and some picturesque ac-
cessories, Is typical Of most Of the ont
standing compositions on the walls.
Now and then deeper, graver motive
Is studied to good purpose. Mr.. Haw-
thorne, in THE Widow" again shows
New-York tribune., 1913-12-28

found I'm Mr.. Walter Nettleton's Wal
desdammerung," where the bare forest
and its snowy floor are painted in
dim, almost ghostly, light. For a mo-
ment one is half inclined TO quarrel
with the manipulation Of that light.
1t falls upon the still scene with an
effect so romantic as TO suggest a
family theatrical point Of view. But
this scenic suggestion passes as one
yields 10 the spell which Mr.. Ncttleton
has wrought into his exquisite COM
position. 1t is the true spell Of the
woods I'm winter, interpreted with such
a breadth and such a simplicity that
in the long run ii is only Of nature that
We think. II is in this that the picture
is most a triumph for the artist and is
most representative Of the best work
done in the exhibition. Note. too, on
turning TO this matter Of the general
character Of the landscapes, that ele-
ment Of variety 10 which we have al
ready alluded. From the elegiac strain
Of the winter scene in question we pass
10 Mr.. Hassam's two coast scenes, both
New-York tribune., 1913-12-28

the proceedings at the Armory, that
something had 10 be done" The eX-
CeIent show now open at the Fine
arts Building offers sufficient evidence
Of this change Of heart, and, we may
add, the evidence is not only adequate
hut is Of precisely the right nature. 1t
is plain here that the freaNshness
which had its chance at the Armory
has properly failed 10 make any i'm
preston, while, on the other hand, the
saner liberalism which gave last
winters exhibition its justification has
worked its lesson.
This collection Of about three hun
dred and fifty pieces Of painting and
SCULPTURE may not abound I'm master
pieces. but il is perhaps worth while TO
remind those observers who are always
ready 10 damn the Academy out Of
hand that masterpieces are not very
frequent these days anywhere, and the
important thing TO note on this oCCa-
sion is not so much the presence Of
great works of art as the absence Of
that awful quantity Of utterly medi-
ocre stuff which has so often made the
Academy ridiculous. The offerings
sent in have been sifted little more
vigorously than usual. Dulness, Of
course, creeps in, but that is to be ex-
pected, we suppose. until the millennium
is announced. II is a great pity that
certain of the independents" are miss
ing, and there are other omissions
which, Il they could only have been
repaired, would have lifted the show
to a much higher level. on the other
hand it is foolish TO expect drastic re-
forms to be accomplished over night,
and fairness dictates that some recog-
milton should be made Of the smallest
step in the right direction The Acad-
emy is still the Academy, and its char
acterlstic atmosphere still prevails.
But it is catching giimmerings Of the
light.
New-York tribune., 1913-12-28
The American Artist at Work
Out of Doors.

This is a landscape exhibition. The
salient body OF work in IL is the body
of work done out OF doors. and what
makes this interesting is not only its
intrinsic merit but its variety. One re-
source most Of the painters have I'm
common-they make much Of light
but for the rest 1t is delightful to see
how one man after another, having
something to say. says 1t in a way Of
his own. And this way, you feel IS de-
termined not by caprice but by an in
s.inctively personal and generally
sound way of looking at nature. Has
not the open air some curious invigo-
rating effect upon the mind as well as
upon the body? Take, for example,
the case OF Mr.. Sargent. His Water
fall" perfectly illustrates all the stories
about this painters WEAKNESS with
portraiture and his eager attack upon
q thousand themes outside his studio.
He cannot jump off his own shadow.
He cannot stop being Sargent, the
wonder worker, the wizard who can
make e brush do anything that he
wants IL 10 do. II is fascinating 10
trace inch by inch through this canvas
the powerful functioning Of a technical
dexterity which is not in the slightest
degree mechanical, but necessarily
tingles with what we can only describe
as a high artistic intelligence. But
over and above all that is the pictorial
New-York tribune., 1913-12-28

anything. There is another instance or
rich. constructive development pro-
vided by Mr.. +. Luis Mora, who sends
i'm his Mrs. Ray Stafford the best
piece Of painting we have ever seen
from his hand. II is not simply that
the dark hair Of the sitter and the
white fabric she wears are treated with
a technical finesse which must have
been made doubly difficult by the nat
ure of the problem attacked. II is that
Mr. Mora has made a beautiful har-
mony out Of his simple tones and in his
characterization has been no less
spirituelle than direct. 1t is a good.
strong piece Of portraiture from tech
rical point of view, and it vibrates
with feeling. These two canvases. Mrs.
Rand's and MIR. Mora's. rank high in
New-York tribune., 1913-12-28

into vogue. 1t has been evolved, In
measure, out of a distrust OF those
more sober harmonies, often char
acteristic of the studio rather than of
the open air, which may so easily lure
an artist into artfciality and even
mannerism STILL the danger can al
ways be escaped if the painter will
paint with really seeing eyes and with
an open mind.
The proof is ready to hand in this
exhibition. Look at the pale tones
i'm Mr.. John f. Carlson's Snowy
Stretches" pale but true. Look at Mr..
w. :. Robinson's luminous Vista" or
the skilfully defined New England
Hills Of Mr.. George VI. Bruestle, or
the daintiness I'm The Dunes of Mr..
j. Joseph. or the poetry I'm Mr.. Bruce
New-York tribune., 1913-12-28
P, rtraits, Figure Compositions
and Sculpture.

The first OF the portraits TO attract
attention at the Academy has a double
interest. The figure in white, seated i'm
a chintZ-covered chair, in Mrs. Ellen
Emmett Rands June" would In any
case invite favorable comment This
is a capital interior, well composed,
well lighted. and with n charming sem
timent enveloping the sitter. But what
especially strikes us is the success
with which Mrs. Rand has at last done
that which year after year we have
hoped she would do. She has reor-
ganized her fdctnrc. Repeatedly we
have found her canvases too OPAQUE.
too brittle, and have pointed out the
immense difference ii would make To
her art II she would but give more
quality TO her surfaces. Now the thing
Is done. Her color is color, not a thin
and specious substitute for color. Her
work has become more serious; 1t sug-
gests closer research and altogether
more thoughtful. more judIclous touch.
An artist capable Of such growth as Is
here manifested should be capable of
New-York tribune., 1913-12-28

done in the widest possible light. we
are disappointed a little in the figure
introduced into "Diana's Bath but
over the background we cannot but re-
ioice. il is so feliCitously composed ana
il is so lovely in color As for The
South Ledges. Appledorc." the figure in
white strikes just the right note and
here. i'm what really makes the picture.
the bold scheme of rock and sea, Mr.
Hassam gathers up all of his wonted
fervor into perhaps the purcst and
richest chord that he has ever struck.
1t palpitates with the living blue of the
sea. with its life and with its beauty.
Here and there a few other artists give
themselves something Of the same
buoyant freedom, seeking the same
plangent effect. MIR. Ernest Lawson
supplies a case in point with his "Hud-
son River and Palisades" painting
delightfully."- combining an almost bru-
tai force in the execution with an opa-
lesccnt glow Of color and real dehcacy
Of observation. In a kindred vein Of
sparkling freshness, but unfortunately
q little hard i'm tone. is MIR Clifford
Pears Hudson River Holiday This
&c an engaging picture. The very pro-
portione of the long panel urge the
s,actst,r IN moot if half way. so to
GOV, ord tho v.bole conception is charm
ine. II only Mr. BeaI had "A suavcr
,ouc, and wouId give his color little
subfIar quality,
.,..
NV - ''0' ' -, a.
nNo '"Sp.''' '-'' -.
'oH' 1t - NV ''''"7
III 'i'' Iais' "'' WY ''''
painted WIN 40" III 'e"'
10 he aus'eie ls not "e''SS''''' ~
10 beautiful H'l'r SUI" i"'" 80 '''''
is developed in 'oh''iipiduo" "' wv
BIG November 10y Mr. 'dIu''I
Symons. we are posi'NeN b'"'''"'
Tor TINS sincere 'Iuthi'' 'dI'H rs "u-
mlrabl\ deSlsh'u ana pd'I''u WIN W"
mlstakable kno"l"d6e ana "uthor''F'
Yet we vince before the harsh s'ioh's
OF TINS painters bIdsh ana 'he "''"N
ness Of his tones. SuI'l! 'h's sen
same picture could nave ueeh i'au'
shade more b"guillng We may say as
New-York tribune., 1913-12-28

Cranes Grey Morning and Golden
Afternoon" or the lovely blues and
whites IN Mr.. Emil Carlsens SKY and
Ocean" at once the weishtiest and the
finest marine that has yet come from
his firm, sensitive hand. The lesson OF
all these things, and of others which
might be cited. is that with a fastidi-
Gus taste and a genuine sympathy for
nature, "A canvas is not weakened and
left conventional, but preserves a spon-
taneous bloom and beauty. II is only
when color as color becomes an obses-
sion, as I'm the mysteriously green
Peace" which we take TO be "A forest
scene, by Mr.. Charles :. Chapman, that
refinement Of taste turns to Il peril
The middle course is always open
Fortunately that is the course trav-
elled by many Of our painters. Wit
ness the landscapes here by Mrs
Conan, Mr.. Shurtlef, Mr.. Lathrop
Mr.. Hoeber, Mr.. Ochtman. Mr.. Groll,
and SO on through long list. IL Is very
long, and one regrets the impossibility
Cf pausing upon everything that il CON
tains There are pictures. like Mr..
Collins End Of the Shower" like Miss
Howards North Country. Ireland"
like Miss Stoddards "Equnoctial."
which IL would be interesting TO dis
cuss in detail. But we must leave the
painters of landscape and the sea for
their fellow workers in other fields.
painters out OF doors play part I'm
this exhibition for which they cannot
be too cordially applauded.
New-York tribune., 1913-12-28

When the ArmOry show was running
its cxhilarating course last February
one of the interesting questions IL
raised was a question as to what its
effect would be upon American art in
general and upon the Academy cXhibi-
tions i'm particular. No one supposed
that il would exercise any sudden
Transforming influence, but that it
would make some little difference
seemed inevitable. II has made this
little difference, not as regards Ameri-
can art in general, but as regards the
Academy exhibitions in particular.
Consciously or unCOnsciously, the men
who organize the latter have recog-
nized the fact. so clearly enforced by
New-York tribune., 1913-12-28

handsome little black bronze. The.
are good busts by Edmond T. Quinn
Frances Grimes, F. NJ. l.. Tonetti y
Jewett, Cartaino Scarpitta and Rer.
nice Langton. The fountain figures h.
Janet Scudder and Sherry T.. Fry a.,
well done, and there is a Characters
tically graceful nude by Chester Beac,
"The Unfolding Of Life" Charles r.
Rumsey's boldly modelled "Boyhoods
Victor d. Salvatore's nude girl. Fly.
ure for Rose Garden" and Brend,
Putnam's group, "The Parting" "a,
also be favorably mentioned. Nevs,
theless, the sculpture exhibit in II.
length and breadth can hardly be sa,,
New-York tribune., 1913-12-28
MATTERS Of ART
gu9g<, gu9ga7;aSSz s2;l>R.3 V III ~ G4assfRa assfRa 3
Ss2aIzzsJ s S
The Winter Academy-A Triumph for the
Landscape Painters-A Few Good Por-
taits-Some Figure Compositions OF Or
dinary Mert-Works Of Sculpture
That Just Pass Muster.
BY ROYAL CORTISSOZ.

the zestful seizure of heavy
ground forms, the quick sympathetic
notation of moving water. with
sigh one reflects on what this painting
might have been made if Sargent were
as fine colorist as he is a brushman'
if only he could add a tender sensitive
quality to that sharp vision of his and
that incomparable mdCStJid. We would
have great picture then.
1t is in color. by the way, that our
school Of landscape painters often
shows peculiar strength. Sometimes
it is intensely vivid, sometimes it is
kept i'm a low key. but always ii is
delicately sensuous. one of the best
bits of color here, for example, is to be
New-York tribune., 1913-12-28
THE LEADER.

Don't take that man for "A leader"
The speaker was Representative Hob
son; the occasion, a banquet in Washing.
ton.
Don't take that man for leader" he
repeated, "or you will be as badly of as
Mrs. Exc
Mrs. Exc stood on a crowded corne.
when the traffic was at It's height, star
ing at the thick. tangled come-and-go OF
motorCars and drays and cabs, and no;
daring to venture in among the dangers
OF that moving mass.
May | cross the street with yoC
madam?
She turned and saw an elderly strang.
er with lifted hat and gallant smile.
"'Oh. thank you" said Mrs. Exc. and
the stranger grasped her arm with firm
grip. and together they plunged boldly
into the wild crush of vehicles.
In and out. right and left up and
down. they zigzagged. at imminent peril
Of life and limb. Pedestrians on the side
walk stopped and looked at them. Driy-
ers and chauffeurs shouted and swore al
them. II was plain to all that they were
I'm unusual danger.
The escort Of Mrs. Exc. still wearing
his gallant smile. still grasping her arm
firmly. seemed 10 make no effort TO avol
the oncoming vehicles. lie darted errat-
caly and yet calmly this way and that.
AT last. by a miracle. the other SIDE
was reached Mrs. Exc then Jerked her
arm away from her escorts grasp and
with a look OF scorn she said:
IT'S no thanks to you that We weren't
both killed. Why. the way you positively
courted danger one would think YOU were
blind,
Madam. | am blind he replied.
That's why I asked II could cross WIN
YOU
New-York tribune., 1913-12-28

usual. can hardly be said 10 have made
the best Of their opportunity out Of
more than one hundred pieces that they
show there are lamentably few disclos
ing individual authority. Mr.. Manship.
who presents again the little bronzes
which we recently discussed at some
length. shows also an unfamiliar work,
a Portrait Statuette," in which ne
models a woman in modern dress in the
same spirit that marks his more classi-
cal compositions. The risky expert
ment has marvellously succeeded. THIS
New-York tribune., 1913-12-28

the exhibition as a whole. The other
good things m their category are the
decorative sophie Kerr" by Mary
Green BIumcnschein. the solidly
painted Miss Matilda Brownell." by
Mary Foote; the crisp profile with a
good black and gold background, Leo
pold Stowkowski," by Leopold Seyfeert.
and the brilliant portrait of his wife
painted by Irving r. Wiles with a good
deal Of vrtuosity and even more of a
spontaneous sympathy.
The light. deft touch which Mr.. Wiles
New-York tribune., 1913-12-28

to come off. There is not enough sub.
stance behind it, not enough original.
inventive inspiration. Much as we ap-
preciate the creditable modelling every
where visible the general movement II.
lustrated leayes us cold.
The Ronan pioneer. [volume] (Ronan, Mont.) 1910-1970, 1913-03-14
CANDIDATES LINING Up
FOR ROMAN TOWN JOBS

There seems to be good reason
to believe that candidates for
town offices are about to come out
OF concealment, according to de-
velopments this week. Some Sc
cret caucussing has been report
ed and apparently has had effect.
Several have expressed a Willing-
ness to be in the hands of their
friends and some available ma
tcrial is now in the field for the
voters to select from.
DIR. Hall is mentioned as a cam
didate for mayor, and E. e. Healey
has friends who urge him to al
low his name to be placed on the
ballot. From the First ward the
names of A. A. Dix and J. d.
Glathart are presented for alder
men; in the Second ward w, G.
Brown and Frank Menager, and
in the Third ward Stanley
Scearce and DR.. Fuhrer are men
toned.
Whether this ticket will be in
the field is only conjecture as it
not known that all will consent to
run. Other names mentioned are
Cash Coulter to succeed himself
from the Third; G.. f. Foster is
mentioned for the same position
and also for mayor. In the Sec
ond ward Abe Meilleur would be
acceptable to a good many as an
alderman and DR.. Suiter has
friends in the First who would be
pleased to see him in the council.
1t will be a free for all race and
the voters will undoubtedly select
wisely when the time comes.
The Ronan pioneer. [volume] (Ronan, Mont.) 1910-1970, 1913-03-14
Passion Week Services

At the M. E. church beginning
Wednesday evening, the 18th,
there will be a series of special
services for ten successive nights,
(excepting Saturday,, Passion
week services will begin on Nor =
day evening.
The church has been fortunate
in securing DR.. Edward Laird
Mills, district superintendent Of
the Butte district for these SER
vices. His Passion week SER
mons have been delivered in diff
ferent parts of the state and the
churches favored look back with
interest to his most helpful SER
mons.
DR.. Mills is a most thoughtful
and popular preacher. The peo-
pie Of Roman and vicinity should
not fail to hear him.
Good music will be special
feature.
The Ronan pioneer. [volume] (Ronan, Mont.) 1910-1970, 1913-03-14

it was a welcoming home seldom
given a returning legislator.
Among the others who re-
sponded to toasts were A. X.
Lusk and Geo. H. Beckwith of
st. Ignatius, Rev. Ross, l. M.
Brandjord, Stanley Scearce, F.
j. White, A. Sutherland. E. e.
Healey and c. F. Rathbone.
Among the entertaining fea-
lures of the evening was the
song by the male quartette and
the solo by Rev. Ross.
After listening to the toasts,
the party dispersed, imbued with
the idea that Roman as always
standing unanimous for the best
of the town and united
Tor man or men who represent
US, in whatever capacity he may
be called upon. 1t will mean
much to the town in the future
should the same spirit prevail in
all things which confront the
towns welfare.