Atlanta Georgian. [volume] (Atlanta, Ga.) 1912-1939, 1913-10-05

has a fuIl-length sleeve. could he in
one Of the finely figured Iaccs that are
used so much just nov. These Iaces
are often dipped and tinted slightly
to harmonic with the skirt or suit
Tor which they are intended.
! In their quest for something which
Will be now 10 this generation. sash
/ ribbon designers have fallen upon
and reproduced the patterns Of In
| dian shawis, the borders Of cashmere
scarfs and the conventionalized flow
| crs and leaves OF classic mural deco
! ratiOns. The woudrous tone blend
| ings Of Oriental weavers and Greek
painters are faithfully copied among
| the ribbons used for sashes which
are worn longer and broader as the
autumn days become shorter.
Although 10 wear more than one
neckchain is vulgar, there is as yet
no unwritten law against waist
chains; and now that every woman
who can afford to definitely divide her
figure At the waistline has a collec-
ton OF evening girdles. It IS not sur
prising that fair proportion OF these
accessories should consist almost en-
tirely Of jewels. Whether many Of
these jewels are genuine, matters
not Good imitation gems are suff-
ciently costly when used in quaint
ties
4 IS regularly as autumn arrives &C.
centric vsilings make their debut.
| They are In the shops because mer-
chants realize that many women i'm
agine that veilings Of eccentric pat
tern conceal complexion blemishcs in
stead OF drawing attention to them.
The halrline, filet. crsquele or plain
meshes are more hattcring. Harem
wells are among the few eccentrici-
ties which are valuable because they
protect the nose, chin and cheeks
without hlurring the sight.
Plaid materials of all kinds. which
We have not seen for many seasons.
viii have their run OF popularity this
fall Not only are there richly com
bined colors in worsteds for tailor
mades and street dresses, but novel
effects in silks, especially soft tar.
fetas. are produced for more drcssy
gowns. being used either to compose
the entire frock or as trimmings on
plain materials
II would seem that the artificill
flowers are perennials that know no
frost for they keep increasing in spite
Of the predictions OF a few who be-
lieved their popularity was on the
wane. The reason for their hold upon
/ IN shion Is easily found In the increas-
ing perfection of the art Of the arti-
/ fetal flower makers. Almost every
flower is initiated with marvellous r.
] deity The latest bouquet is big and
loose, with sprays Of forget me nots
miRnonette. fuchsia and their foliage
and tea rose. 1t looks very natural
and very much like a bouquet gath
cred at random from an old fashioned
garden. 1t is imported from France.
as are the wonderful rosebuds Of the
tiny garden variety.
Stenclled flowers upon charmeuse
and crepe de chine. respectively. req
resent one OF the features OF the ear
| ly autumn fashions in Paris. These
materials are SO pretty in design that
, they scarcely require any trimming.
Women order their patterns accor /
Ing TO fancy from well-known artists
| A fad Of the season is the upturned
/ hat That IS, the turning up IS lin
I tied To the back, where the hrlm
/ shoots up or the head in a most &C.
/ centric fashion. The effect Is aw-
| fully chic II you are the type that can
/ stand this fashion; but remember II
| YOU are large. either in face or form
/ that the upturned hat Is not for you
/ IL - the petite, dainty. fluffy woman
/ who wears the new fad TO perfection.
/ II you have a bit OF real lace tucked
/ away somewhere in your trea sure
/ box, get It out this season and drape
. il on waist or gown For lace. the
/ real fine. exquisite variety, yeuowed
/ with age is to be a feature of the
| season. and lucky is the girl who has
a bit OF such treasure stored away il
! her bureau drawer.
\ rival to the bimouo. which is -
convenient and which has SO long
. held sway among dressing gowns. has
been found in the seamless djibah. s.
well beloved by women artists Quite
as artistic az the kimouo, the new
. gown, which is a kind OF COver-aU Is