Evening star. [volume] (Washington, D.C.) 1854-1972, 1913-09-21

IOuHQ DcCIlHS
My name must have been called out several times
before 1 became actually that 1 being adj
dressed.
q sivery white hair showing from beneath the
rim of his sombrero. smiling down at me from the
driving seat of the automobile 1t puzzled me little to
that clad in jacket of stained and weather.
buckskin adorned with much fringe and embellsh
with we'll weighted cartridge belt The blue-eyed
beside him also clad in a much-frnged gar
ment Of buckskin with colored handkerchief knoted
loosely about her plump throat. and a dp-uted SOM
brero pinned back on her head.
These two extraordinarily clad figures would have
startled more suppose thoughts had not gone
promptly back to the mornings panorama OF the MIN
actors their antics
HE doesn't know u.s. cried the lady In DUCK
skin, with a half humorous wall
stood up turned the sound OF that
voice. for there was something startingly familiar In it.
I stared benignant sunburned face of the man
with the nlvery hair showing under his sombrero
with asssn * oc ssnsss that Osnsnant figure
ss besde HIM sas his Wafs Inc
oyer Over TO he ms 80 Hf nd n
that ny og9 a at the %
heartedness of that Laughter. <, 49,. ,oo,u,
AND s s s ans 5sr sss Es
@ :" 80 1''s s :. 49,, ~. .ry weakly, H.
qus a as n sG S
mot so
the rat A1 a.r as So mind Of ne seemed 10 DC
.oh. that's only part Of our equipment" laughed
blinking up into his wind
0s fsesre a only some our props wife
se ws s two happy
them n It t., was or hard to for was the last
Ism f. he a1 sas
the back the on ed I0ed
Deerng seemed little hurt by my incieduious in
the he. mosie;2 o he demanded na
ing hsa to sesss ssss S t e
eha1ds been the character man for the susn
S5s'1
the m in ne o 5s x5 id
s to a9 % h s arm S the
anissyeS his side did mot,
the s hood Rns Of the car
new car up And their duet Of happy iaSsfer as the
his Hf s dns a and
ns hspns Then e 1 d
up ss the ss a be- Called out ~ there's
dsgo up there who makes five dollars , an
setups And now I've got him his home
H s'h ss 5 as old ID He He sss
so n w 9s @ aSs him. And now they can
down the autos running board I and stared
path burro heels. How did it happen?'
behring's 5ovial ehTrup donkey trotfins
The in the stared after the chirruDns
thing seemed be hopeless. 1 going a Brooklyn
studio a super in the mob scenes Richard found
and came to take me away. The studios like
stages you know. with and drops all
that, with of tackled down to where
action must take place-to get in the lens you
know. We rehearsdng, and Richard right IN
a at thought
en aSa 5 as as she he osd around there
managers he took Richard to one side
and him. He told him he have to pay for a
Who he'd spoiled and work
l looked at the woman She stopped again
the elms the low October shone across
celestial ruddied and child
chn. She seemed, in that light. little than a
girl.
pretended O But it like stage work
because he been a better when saw hin,
working another setup understood He was lking
it. Against his will he liking very
faults, actor, We're at last help to him. Those
were just what they wanted for film work Ii didn't
matter. either. that his voice wasn't strong
aren't needed"
She stopped again. and for absurd reason be-
softly and contentedly Then, she caught
sight of her husband striding farm path
she hurriedly wiped her eyes.
You must come along with for dinner"
said, Richard will feel hurt
along where?' / asked. still watching the approach
ing figure 1t swung down toward batIed in that
why a little a mile the other side
of the film studio And garden. dear. and white
and cherry blossoms spring. She lifted
life for isn't it?''
1T sounds like Indian summer said.
Yes, it's our Indian summer, she echoed through
her happy tears.