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The citizen. (Frederick City, Md.) 1895-1923, 1913-04-18
JAPANESE PROTEST
At CALIFORNIA
Formal Representations 10 The
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The citizen. (Frederick City, Md.) 1895-1923, 1913-04-18

isonsfel.aw was 8 fuil-oiooe -sInt
lean poet he wrote me
Life"
The Sentinel=record., 1913-11-02
FOR BAeYs COUGHS AND colD Ds

Do not give that little baby cough syrup designed for older people. The tender organism requires something specially designed for it
 The very best remedy. we believe is Rexall Baby Cough Syrup There is nothing in it that can harm the most delicate infant although it is most efficient in the treatment of couehs hoafseness, whoopine cough, and sim liar diseases of the air passages.
 It is so pleasant to take and so pleasant in results that we know. once yoa use it for baby, you win be grat,, iui to us for having recommended it 10 you. We promise you that if you do not find it exactly what we have claimed for it, and if it does not ru. heye baby's cough and cod, the money you paid for it will be refunded imme- diately upon your telling us.
 Price 25 cents. Sold in this com. munity only at our stores, The Rexall Stores; R. c. Morris Drug Co. SOP Central avenue, and The Public Drug Co., 202 Ouachita avenue.
The Sentinel=record., 1913-11-02
NEW BR0CADES
 ADD BRILLIANCY
 TO SHOPPING BAG

T HE new metallic brocades, and oth- \ CT brocades in ribbons. exception ally rich in effect, are used in making up bits of splendor in bags. A great advantage lies in the fact that plain ribbons are used in conjunction with the broeaded patterns and the heavy texture of the brocades (especially those having metal threads) gives body as well as brilliance to this sea sons bags.
 These brocades are found in the me- dium and narrow widths. They com bine to advantage with plain soft satin ribbons for many reasons The plain ribbon is chosen in the color which is predominant in the brocaded ribbon. and becomes a background, which en- hances the beauty Of the latter.
 Three handsome bags are pictured here. They are easy to make and ele-
The Sentinel=record., 1913-11-02

sant enough for any one. Although the ribbons used are expensive, only small quantities are necessary. and there is hardly any other gift embody- ing so much elegance for as little money, as these luxurious bags.
 The bag at the left of the picture is made of rich brown satin ribbon. about five inches wide, stitched to a strip of gold and brown brocaded rib bon in which many shades of brown and tan appear, and there is a liberal mixture of gold flowers. The fiat de- sign of the cosmos blossom is cleverly handled in this ribbon. These brocad- ed ribbons are maryels of weaving In them artists use the loom and silk as other artists use the brush and paint. The plain ribbon used is a frame for the fabric picture.
 The three strips of ribbon, machine stitched together are cut in a length twice that of the bag, with an allow ance for turning back two inches at each end The ends with this two inch hem are machine stitched in two parallel rows forming a casing for the narrow ribbon of heavy satin that is run in to form the drawing string.
 A bolt of No. tor even a little
The Sentinel=record., 1913-11-02

D WAY Of variety some odd. new D trimmings placed in odd new posi- tions, have been devised for the latest of the new velvet hats Rich velvet in black and in colors holds its own as the overwhelming favorite of the season But, to keep from having too much Of even a very good thing, it has become necessary for millincrs to de. wise oddities in trimmings.
 soft and becoming hat has a dropping brim covered with velvet and laced with satin. A very full pufled crown, much larger than the average soft crown. is draped so that it falls over the brim at the back in the fa.h- ion of q cap, IL is a clever and effec. tive arrangement.
 The crown is supported at the front so that it stands quite high And here one of the oldest of feathers In fancy ostrich Is placed. It is jaunty affair of two standing sprays sprineing from fiat pompon of os- tFlch al the base. It is saucy look
The Sentinel=record., 1913-11-02

ing fancy which could not be better placed than on the sirlish shape which it adores.
 A sash Of black ribbon tied in a small flat bow at the front finishes tho hat.
 One of the few plain shapes with velvet fitted to it smoothly. is pictured tn the second hat It is one Of those having an eccentric brim, widening at the back and indented at the side. The shape, perfectly covered. is un. trimmed. except for a rose made of ribbon, mounted in millinery foliage. which marks the ndentation of the brim at the side. It rests against the crown, with foliage extending over the brim.
 There is a bridle extending from one side of the shape 10 the other. It fastens under the chin at the left with finishing of q fiat bow. which is pro. yided with a snap fastening Ali are exceedingly attractive.
 JULIA 9oTToMLEY.
The Sentinel=record., 1913-11-02
Some Pads and Fanees Of Dame 5asen c

wider) satin ribbon of firstclass quaI- ity is required to make the hanger, the rosettes and pendant ends which decorate the bag at each side.
 In shades of purple, lavender and light green. with a touch of white. the second bag is also made of three strips of ribbon, machine stitched together The brocaded strip shows a pale gray ground with white border and a blurred design of flower petals and foliage in heliotrope, lavender and green.
 The bottom of the bag is made Of dish Of cardboard covered with the figured ribbon. It is five inches in di- ameter The length of ribbon made of three strips (two plain and one fig ured) runs around the bag. and the edge of one strip is gathered to the covered dish. At the top of the bag two-inch hem, with parallel rows of stitching, to form casing, accommo- dates a small length of round elastic This forms the mouth of the bag. Heavy satin ribbon an inch wide, in the same shade as that of the plain satin ribbon in the bag, is used for 1 the hangers or handles Narrower sat | in ribbon in the same color and shade, provides the rosettes at the side. This is a lovely opera bag, suitable, too, to be worn with a visiting gown. 1t is less expensive than bags in which brocaded ribbons are used, for the fig ured ribbon may be either a printed or "Woyen-in' design
 The third bag is a splendid bit of finery in which plain gold-colored sat in ribbon and q narrow gold brocade (showing a surface almost entirely of metal threadsl are combined to make an opera bag The cord is of gold col ored satin-coyered cable cord and might be effectively replaced with the regular metallic cords which are shown for this and similar purposes.
 The narrow brocaded ribbon is cut in the required lengths (euough for both sides of the bag), and joined by pipngs of the plain gold colored satin. A bottom for the bag is made by coy ering an oblong piece of cardboard about two and q quarter inches wide with the plain ribbon. A mirror in- serted here adds to the attractiveness of the bag.
 Both top and bottom of the bag are l bound with the brocaded ribbon, ma ! chine stitched to place. Machine stitching is factor in the shapeliness of these bags The covered bottom is ! finally sewed in and the cord hangers ! sewed 10 position.
 This is one of the most fascinating 1 of the new designs. any one of which will make a beautiful gift for Christ l mas time
 JULIA BOTTOMLEY.
The Sentinel=record., 1913-11-02

embroidery is improred by washing and ironing.
 And for the home keeper who must or should run out to market in the morning this blouse with a plain tai lored skirt and jacket is just the proper wear
 A strong, firmly woven cotton yoile is the fabric that it is made Of. French knots and two sprays Of small flowers in embroidery adorn the front. Plain crocheted insertion, home made, and about one inch wide, with enough edging to match to finish the sleeves are required for thls plain and elegant waist.
 Side plaits a half inch wide are stitched in at each side of the front portion and reach 10 the bust line. There are six in each group and they appear on the back Of the waist. but not in the same position They are midway between the fastening and the arms at the back and extend the length of the waist.
 The sleeves are moderately long and roomy enough to slip up away from the wrist. They are decorated with two little groups of pin tucks five in number) on either side the elbow.
 Two rows of the lace insertion are let in near the wrist, with the lace edging whipped to the last one. The neck is not provided with the edging because tas it is so firm it would be somewhat "scEatchy" in this position. The neck is close fitting, hence a plain band of the voile provides it's finish.
 This waist will stand washing every week and outlast a season.
 JULIA BOTTOMLEY.
The Sentinel=record., 1913-11-02

short length is doubled and plated in at the raw edges. The plaits are sewed down After the petals--say ten or eleven in all-have been made. they are fastened about the center oi the rose already formed. tied to the stem with thread or tie-wire. Finally the corners are curled back on some of the petals and blind-stltched down. Shape the petals, cupping them with the fingers. Wind the stem with mar. row green ribbon, winding in a spray or two of millinery rose foliage.
 These roses made of velvet ribbon about two inches wide in deep gold color are mounted with velvet foliage
 Besides satin and velvet ribbon the heavier gauge ribbons are used and the gold and silver tissue. Roses of this sort are expensive bits of luxury when bought ready made-from about two to five dollars each The value is placed upon the time consumed in making them. and the workmanship. far more than in the material used
 For less dress-up times, the little rosegay of rosebGds made of several different colors of narrow satin ribbon. is still a great fayorite. These small roses are made of a length of satin ribbon folded lengthwise along the center) or of separate petals made Of narrow ribbon. They are mounted on little stems of small green covered wire. Sprays of fine millinery foliage of maidenhair fern usually are used with them by way of variety. Marrow velvet ribbon in green or purple winds the stems together and finish the nosegay with a little bow These small nosegays are scented, aud form the daintiest of accessories worn on inc coat or furs for the street Small bits of ribbon or silk will make them. They are always appreciated, bound 10 please those who possess q sense of the value of such finishing touches to the toilet It would be difficult Co think up a better Christmas gift for ones friends JULIA eoTToMLEY
The Sentinel=record., 1913-11-02
HEAD DRESSES OF THE SEASON
 ARE ELABORATE

IyEADDRESSE which are quite as AZ large as small hats, and consider ably more conspicuous, appear in the displays Of gowns and cloaks designed for full dress. Gold and silver laces. pearls. bands, set with much jewels, laces. gorgeous brocaded silks and the metallic fabrics. all figure in the construction ofNhe caps which form a support for ostrich pumes. aigrettes and fancy ornaments and feathers of many birds
 Rhinestones and pearls are the favorite mock jewels in the construc- tion of these elaborate headpieces. Some of them support long strands Of pearls, which extend from the headpiece to the neck and form a neck strand falling to the waistline.
 Some of the caps are almost exactly Itch Dutch bonnets in shape The shapes are supported by wire. and these headpieces are not as soft as small millinery shapes.
 Nadine is employed in some of the hseddreases, and black qulls of ostrich appear as a decoration on numbers of them.
 Jeweled sprays and butterflies make finish for some Of these fanciful headdresses, but the greater number is garnished with showy feathers.
 The eoiffure becomes matter of secondary importance to the wearer of such elaborate headdresses. They are immensely becoming, but it is not likely that they will meet with very general adoption The chances are that less striking designs will appear and will prove more to the liking Of conservative dresses.
 For designs in shape all ages and countries have been drawn upon for ideas. Old Egypt lives again, with is wonderful headdresses remem. hered and in a measure, repeated, Modern developments of many an old. fashioned cap glorifies its prototype b. exceeding it in splendor thousand ibid.
The Sentinel=record., 1913-11-02

MYTH soft lace drapery which forms W their bodices, gowns for evening ur for afternoon functions are com pictcd by draped skirts meeting the bodice with a girdle or sash. Often the top of the skirt extends itself into the waist line drapery and often a separate girdle in contrasting color Is employed
 But whatever the finish at the waist line for these gowns for high occa- sions, the splendid corsage rose is rarely left out This is a rose made of ribbon or velvet, mounted with or without millinery foliage and having a ribbon-Wrapped stem.
 Such a rose is posed at the front Of the gown, usually a little toward the left side and just under the bust. 1t is a splendid factor in the costume; it is in fact 'featured,' given the star part in the composition of the pie ture.
 The roses of satin or velvet are made in all the fashionable new col. ors. Certain yellow and strong light green shades, also deep orange and black. have been fayorites These corsage roses-in passing will trans form a plain skirt and dressy blouse into quite formal dress. They are large and are made of ribbon about three inches wide. or wider. The rib bon is cut into lengths to form the petals, each length being twice that of required petal plus an inch extra for plating in at the base of the pet al and winding in at the stem.
 A wire provides the stem. A little ball of cotton is wound about one end, the size Of thimble, and over this a bit of ribbon is placed and fastened 10 the stem by winding 1t with a thread or tie-wire. About this center q short length of ribbon (folded lengthwise) is wrapped to initiate the small petals, still unopened, at the heart of the rose.
 After the center has been made in this way the petals are made. Each
The Sentinel=record., 1913-11-02
Ethereal corsane Linners.

The corsage of the afternoon dresses are very like those of the tailor mades for they are all chiffon, lace and fur with wide belts or dainty coatees which can quite we'll be called waist coats. Then over these one may wear little mantelet, draped and pulled up in a cozy way to suit oneself The mantelet can be in vivid figured vel vet, or in any material the wearer may choose. so that it harmonizes or clashes properly with the gown Big shawl collars of fur make the little cloaks important, and their linings must be chosen with care.
The Sentinel=record., 1913-11-02

CCARVES and mufis of ample propor- D lions are made up in plain. fiat de signs, with little decorations, in the handsomest furs. The perfect match ing and shading of skins. and their clever joining, affords the furrier his opportunity to show what workman ship can accomplish. By sewing small skins, like ermine. moleskin and mink SC that they are matched together in patterns, variety is given to the sur face as well as lines of direction, in muffs and neckpieces. It is a patch work problem worked out in fur which appears in the best of the season s sets.
 Designs are more beautiful this year than we have ever had in fur sets. There is a fancy for pure ermine that in which the black tips appear only as a trimming, and the body of the garment Is all white. Moleskin is fashionable and is trimmed with other furs. Chinchilla is cut in small pieces and matched in a pattern in the manner already mentioned. Mink, cut in narrow strips in which the dark streak of the back covers nearly all the surface, is sewed into indescriba- bly, beautiful effects
 Fur garments are rich and luxuri- ous, with a wealth of fine skins in evi- denee. which conyinces one that the supply must be diminishing rapidly. A good fur should be cared for, as it amounts to good investment. The supply is falling behind the demand constantly. Every year a handsome piece represents more money.
 In the picture wide scarf and big ilat huff are shown in pure ermine, The huff shows the skins sewed so that the lines of direction are diago. nal There is a fringe of tails across the bottom Of the muff. with five of the tails let into the surface Two large flat cabochons of the fur are added by way of further decoration
The Sentinel=record., 1913-11-02
JULIA BOTTOMLEY.
Using Old Tableoloths and Napkins

Using Old Tablecloths and Napkins.
 Old tablecloths of fine linen may be made into napkins, but napkins made of heavy table linen are neither good looking nor pleasant to use. but an old table cloth made of heavy linen in fair condition will make hemstitched GOV CTS for the sideboard and serving ta- be, or for bedrooms. If it is fairly heavy, the odds and ends can be used for plate and tumbler doilies, either scalloped on the edges or finished with linen lace or lace braid.
The Sentinel=record., 1913-11-02
FOR BUSINESS
 WEAR OR HOME
 IS THIS BLOUSE

WHETHER the business be that
 w which calls the girl away from home. or the business of hOusekeep' ing, here is a blouse that is pretty and serviceable. If one must go to husi- ness q fresh. clean blouse is inspiring to begin the day with and it is a com fort to know that when it begins to get grimy and slimpsy it can be con. signed to the wash and come out as good as new; perhaps better. as some
The Sentinel=record., 1913-11-02
IMPORTANT NOTICE.

Your records would have been net fectly preserved had they been in SAFE-CABINET-l9l3 model. whirl IS approved by the National Board e Fire Underwriters. The day of .h iron safe has passed. Ask for test and proof
 WILLIAMS & DEWOODY.
 State Agents. Pine BlHrf. Ark
The Sentinel=record., 1913-11-02
Hint for the Bride.

In all the linen sales, especially those called manufacturers sam. ples, which are found so often at this time Of year. one finds ends Of fine towels in both huclt and damask. that appear to have been cut with too short border to hem These can be scalloppd and make beautiful tow els. at generally half the original price
The Sentinel=record., 1913-11-02

Just what has brought about such 8 revival of elaborate headwear, it is difficult 10 tell And just how strong the fashion will grow to be, remains 10 be seen But if you contemplate attending the opera. or fashionable concerts or occasions of state, the matter of your headdress would bet ter be under consideration. When such magnificent pieces are worn by those who can carry off the extremes of the
The Sentinel=record., 1913-11-02

The majority of muffs show the flat oblong shape. Some are rounded at the bottom. all are large There Is an occasional large barrel-shaped design. sign
 Fitch fur makes up into very effec- tive sets and is immensely fashion able. It is more governed by fashion than other of the popular furs and is not really as valuable as the admirable hard furs. like mink and martin.
 Fox Is fashionable but not a dura. ble fur An innovation this season ap- pears in fox dyed in strange new col ors--sulphur and curious coppery shades among them. These eccentrici- l ties in furs are luXuries to be in- dulged in only by people who do not need to consider economy. They are ! among the fads made especially for those favored of fortune. The natural red fox has been devel. oped more attractively this season than ever before. Undyed furs-it may be said in passing will outlast dyed ones, as a rule Also they may be dyed after seasons wear. But few furs will stand re-dying after be- ing worn.
 Furs properly cared for and made up in the designs now fashionable will give many years service They should be considered as jewels are. Every whim of fashion in the matter of size and shape should not be con- sidered with reference to them A flat scarf and q large soft muf are never out of style, and neither is a good fur cape,
 Besides these ample pieces, several odd neckpieces made of what may be called semi precious" furs, are much liked this season.
 At the present rate of increasing de- mand furs will soar out of reach of the average income in a few years. As it is, one wonders where the supply comes from. JULIA BoTToMLEY.
The Sentinel=record., 1913-11-02

mode, less pronounced ones are sure to follow and to become a part of the play in which society indulges in it's new clothes each season
 A good example is shown here, in which cap of gold lace studded with pearls supports immense aigrettes All the hair except fringe about the face and coil at the back, is covered. Altogether. this headdress must be conceded to be very chic. Just what it portends-w whether it preserves fad that will last through out the winter or not-these Il is im- possible to foreteH
 JULIA soTToMLEY.