The evening times. [volume] (Grand Forks, N.D.) 1906-1914, 1912-02-06

little black velvet or covered satin but
tons arc added to emphasize the chic
black touch. A blouse Of this sort by
Sebillon is Of deep cream net with in
sertions Of Bohemian lace in the same
tint. the blouse having been designed
to accompany a Riviera travelling suit
of ian and cream osmos mixture worn
with a taffeta turban of the am col
or and a boots with the new gaiter
tops of tan cloth. Every tailored CO.'S
tune now. by the by. has its accom-
panying boots of dainty type and most
OF the Parisienne's little boots have
these pretty saiter tops with fiat but
little leather visible at the toe. below
the deep cloth top. that the foot looks
particularly tiny and trim.
Distinction by Touch of Black
To return to the smart Sebillon
blouse worn with the tan costume. the
interesting thing about thsi simple lit
tie cream net nod was it's distinc.
tive black trimming. The cuffs we're
made of the Bohemian lace with bands
Of black malines laid under the seal
Hoped edge. and the collar Of the
ner. Below the high collar, all around
fell a narrow pleating of black ma
lines with a pert bow of black silk at
the front; an dali the way down the
front of the blouse We're small black
velvet buttons. As these cream net
blouses mus pay a visit to the clean
ers' when renovating is necessary. the
velvet buttons inc malines trimming
do not matter, as they would on a
washable lingerie waist.
Travelling Blouscs
For wear with spring tailored suits
there are also practical travelling
blouses of the new chiffon taffeta in
changeable effects. One Of these
blouses in peacock shades of blue and
green was shown with an imported
tailored suit of blue mohair at an
opening last week. The taffeta blouse
was quite simple in line but it was
braided deliberately with narrow black
soutachc, the braided pattern encir-
cling the round neck, in which was set
a net yoke, trimming the lower edge Of
the sleeve and also outlining the
armhoc. which Vas an early Victor
ian affair-dropped half way down the
arm between the shoulder and elbow.
armhole, which was an early Victor
shoulders Of the sloping type should
attempt this style of blouse with its
elongated shoulder and sleeve pulled
out at the chow. On a square shoul-
dered. athletic such a blouse
is %atrocious.
III AusOVer Lace .
So-called lingerie" blouses. very
popular with Parisians Just now, arc
made entirely of lace. One shudders
to thing what would be the result II
n of these lingerie" affairs e WIS.,
tied an ordinary laundress with a
strong right arm and a scrubbing
board. -All-over valenciennes in a
creamy tone is the favorite material
and sometimes this lace Is mounted on
fine cream net-and sometimes 1t. is
mounted on nothing at all. the decol-
lete effect being very striking indeed
since the bare arms and shoulders
above a low cut corset cover show
very plainly through the lace. A blouse
of this type by Callot accompanied
a trig little navy blue tailored suit
recently exhibited in New York. Be-.
meath the cream valenciennes in this
case was a cream chiffon lining and
on this rose irregular sections Of blue
satin. matching the blue of the serge
suit: so that blouse and skirt were
entirely in harmony. In front, this
Callot blouse had a new and interest
ing trimming. for there was a grace
full jabot of lace which fell In two
long pointed ends almost to the hips,
the lacct ends showing quite plainly
beneath the short cutaway coat Of the
suit. This Callot blouse had also a
new neck arrangement, a compromise