davidaulloa/AmericanStories huggingface dataset:
Evening journal., 1912-10-15
NEW YORK.
rIRST Inning. BOSTON-

INNING BOSTON-Hooper making
OF
time Hooper out MarQuard Mde to Fletcher
by the Rubes quick throw
Speaker Marquards
threw being out Of Meyers reach Lewis HE'D to De'ore No runs one
Mouard showed lot of smoke in his opening tryou and Chief Mey-
es had the greatest holding zzing
FIRST INNING.
s, ont slow rrouude to Yerkes Doyle made a blur seadshng
10 ars Cadys
second big lead oBens slow delivery and going into the
snodgrass famed with three
vas safe which the shortstop
lightning fast and made desperate ou VAN Try Doyle took third on
oe scored when Murray
oens bak was blum throw TO hs IN the making OF which he
osaned right The
Fg doubled down the scoring
on sn H D ns o1 caGy S~ Yes to catch Meyers and yeres
% SS 70 b s % and DO Meyers @ worked the a the Indian scoring
~ etcber hit down third base line Fletcher
The Giants held swatfes expense Buck opening
touching the Boston sps AN Tor SIX sS slams Two OF which
we're sEcoSS SSSG got Marquard
pulling down bouder bounced over the lot for couple OF minutes be
Texas Lacquer back of second base Wa
batting oBen Ense doubled left
Hooper to Meyers Two runs two hits one error
taking the three and
3neD wss ae on runs % six 5 in % Sa nns p nSa @ R2Sese out
THIRD INNING Speaker
made right No
INNING, NEW YORK flied
Merkle stealing.
INNING, out
which hissed
demonstration against an umpire made during the series
to
the fence the first
fielder during
cadys a shl going
SP' sr throwing to SoEe
FOIRTE INNING. YORK-Herzog flied Speaker Meyers
runner speaker throw cady chased
third after he had started for home The Indians play
speakers justly throwing
FIFTH INNING. BOSTON-Hooper Murray
landing the second without shifting his position Speaker @ to Her
No runs no n
INNING. dropped backo
Doyle Snodga hand for his
third
SIXTH INNING. BOsTON-Lews Gardner
famed stahl famed No runs no hits no errros
MaQuard had half OF
INNING YORK-Nurray to popped
foul flied Yerkes No hits
Collins control Gian2 the
chance his final smash out
B0ST0NWagner
to Collins
No hits,
INNING. YORK-Neyers Collins
flied Speaker No
Collins q
faced him during the six innings he was in the box
INNING B0ST0R-Hooper
o
Murray No runs one one hit no errors errors
out slow
Yerkes and died stealing cady to
NINTH RSING BosToN-Gardner ned to snodrrass
stshl flied to Murray Wagner Herzog No
hits,
Evening journal., 1912-10-15

Captain Malcolm Billsborough, of
the speedboat "Tech. Jr.,2 owned by
General 7. Coleman DUPONT, whose
speed of a mile at the rate of 5S.3
miles an hour is the fastest ever
made by a boat, has written for the
New York World Magazine a story
of the sensation of travelling over the
water at nearly a mile a minute
Captain Billsborough's article is as
follows:
I had never been in a real speed
boat until Mr.. DUPONT bought the
Tech, Jr." Mr.. DUPONT came to me
and said, Say. Billsborough, how'd
you like to drive that new boat?'
I'D been steamboating since ! was
si-teen, and didn't see any particular
reason why | shonld't be able to run
little twenty-five puff of noise like
the Tech, Jr.," and | told Mr. du-
pont so.
driver" .rf.s Alflt
.s.h.e that time the Tech. Jr" and
] have been through a good deal to-
gether She's caught FIRE under me
two or three times; smashed herself
up against sundry driftwood: trun
around occasionally In circles; and,
when things didn't exactly suit her,
stuck her nose into the water, and
gone TO the bottom. Altogether,
she's been a good deal less certain
than a woman. and considerably more
trouble than a transatlantic liner.
have not changed my conviction
that | can run anything that sails. but
the Tech doesn't sail. She flies.
When she doesn't fly. she bumps, and
when she doesn't bump. she dives II
she stops too quick. her propeller
shaft goes out through the bow. and
if rae starts too sudden. her EN-
gine falls into the gasoline tank. The
Tech. Jr" is only an excuse. When
you're in her. you're not in a boat AT
all, you're all a propeller The wood.
works just to give the judges some
thing to see"
The "Tech" is twenty feet long. six
feet wide and half-inch thick
Adolph APPEL of Atlantic City, who
designed and built her planned "a
get a boat that would plane. the wa
ter. He succeeded. She doesn't &c
through the water at all: she goes
over it, There isn't enough spray
TO get you wet
feels like to drive the Tech" at sixty
miles an hour There's only thrCf
comparisons that come to mind One
is that it's like riding on cast-iron
bubbles You see. the Tech" hav-
ing a conoave bottom. actually rides
90 a bubble, all the time II makes
the bubble as il goes. But II isn't
/ a light. genteel litti bubble like
4 those you hiox cut of q pine. Not BY
jugfull. It's a rough, corrugated
Icsst-iron bubble that Jars YOU from
head TO foot. and shakes the life out
Of you When come in from a fast
ride in the Tech I'm bruised ali
over. That's the kind of a bubble
1t is And that's part Of the exper.
4 fence that comes 10 anybody that
goes sixty miles an hour in a mono.
plane that calls ifself a boat
Next to the aforesaid. the Tech
when going at full speed reminds you
chiefly of a hucking horse in a high
sea I've never riden a bucking horse
but I've been on good many higf
seas, ard | know that none of them
Evening journal., 1912-10-15
EXPLANATION OF CURVES.
Professor Tells Why the Ball Eludes
the Batter.

tue OuiifIs
The why" of baseball curve
should no longer be a mystery at
least to the students Of the Columbia
University summer school In lee
ture on the Science of Baseball
Curves Prof W. S Franklin ex-
planned il as follows
THE whole secret of the curve ball
lies in the relation of the pressure
TO the velocity and vice versa. each
ball creating its own pressure by the
velocity and the spin that the pitch
er gives IL as II leaves his hand
Daniel Bernouilli. a Swiss physi-
cisi, who died in 1882. was the man
who discovered the principle He
was observing a stream Of water that
flowed through wide pools and mar
row shoals In the pools he soon
found that the pressure was very
great while the velocity was almost
nothing: in the shoals he saw that
the velocity was very swift while the
pressure had almost disappeared
This is the principle that governs
the flight and curve Of a ball II the
ball saiis straight through the air
with no spin. the air is pushed aside
equally in all directions and the ball
if directly under the control of grav-
ity, so far as its cure is concerned,
and it soon falls TO the ground.
Whereas, if the front of the ball IS
given a downward spin there is in ad-
dition to the straight forcing aside of
the air circulation motion OF the air
around the ball This motion being
over and then under the ball. tends 10
increase the speed with which the air
passes beneath the bali and retards
IL above the ball"
Evening journal., 1912-10-15
WHAT HAPPENED TO ????
G. Roger Daniels, eth Spasm

Matty, Tesreau and the Rube.
That was the Giants dope;
And they took the last for a boob,
Have they changed, well / should
hope.
Tesreau was Wild and he blew,
The first and the fourth to Wood;
And Matty died and he flew.
To the realms of the might have
been good.
But the much despised Rube,
Just bit off a larger chew;
And he they had called the boob,
Walked off with game numbered
two.
Now there is a moral to this bum
rhyme.
Take heed you Gothamites wise;
If you weren't so sure, and had bided
your time,
You might have copped the prize.
Evening journal., 1912-10-15
Lef'S
Get
Together

The Boston Nationals want George
Stalings as manager. under a one
year contract. George wants a three
year contract. Hence the hitch
Nobody who saw Yerkes play dur
Ing his Southern league days ever ex-
pected he was slated to prove the
hero Of worlds series game.
Then, on the other hand. nobody
TO see George Robe bat these days
In a Southern league would ever
judge thae he once broke up a
worlds series with his swatstick.
The Athletics surely made hash OF
the Phillies in the post-season series
Wonder If Fogel is laying that to the
umpires, too.
Evening journal., 1912-10-15
PREDICTS SEVENTY MILES AN
HOUR.
BY AdOlph r. APPEL, Her Builder.

I built the Tech Jr' for speed. H
has justified it's construction.
The bottom is concave and is pro-
vided with side keelsons. This holds
the air below The Tech Jr." runs
on air. Its propeller uses the water
TO push it along The entire principle
of motor-boat speed may be explained
IN TINS way.
My great effort in. building the
Tech Jr." was TO minimize the water
resistance. II was necessary that I
construct a boat which would plane"
the surface. All hydroplanes are
constructed on this principle; the
difference in the Tech Ir" is that
she planes from bow to stern. The
concave bottom does this. II any
thing else will do II. ! don't know
what It is
When we get a propeller blade
which will withstand the tremendous
friction Of 2 500 revolutions minute
The Tech Jr.' will establish a record
of 40 miles an b.
Evening journal., 1912-10-15

game at the Polo grounds. when in
the ninth inning with two men on
bases, one out and the Giant rooters
yelling like mad. he famed Fletcher
and Crandall and saved the game.
The picture shows Joe waiting his
turn at bat and the way in which
he holds the ball for a sharp break
ing out drop. In the second game
in New York, Joe pitched only ninety
eight balls In nine innings. Thirty
three were strikes and only twenty
five we're balls.
Evening journal., 1912-10-15
OLYMPIA TEAM
.WORkS0UTT0NiGHT

Manager Cole calls all the Olympia
football players to practice tonight
and Friday night at Front and Union
streets for their big game on Satur-
day with Riverton-Palmyra This
will be the biggest game of the sea-
son here. The Olympia team is cham
pion of Delaware, while Riverton is
the champion of New Jersey, not hav-
ing been beaten in four years. A
large attendance is looked for at the
Saturday game.
Evening journal., 1912-10-15
$1,000 FOR HITTING SIGN.

At Fenway Park, Boston. there is q
large sign erected by Thomas W. Law
son, which if hit by batted ball. viii
net the lucky batsman $3.50. or IL a
slate on the sign is hit the player
making the hit viii receive $1,000 Of
Mr.. Lawson's coin. The sign reads as
follows: Thomas W. Lawson Of
fers $3.50 to any batter who hits this
sign and $1,000 to the first man who
smashes the systems slate" On the
sign was a picture of a slate four
feet long by three feet wide As luck
would1have il the two-base hit made
by Snodgrass In the first inning Of
Wednesdays game fell short of tho
mark by only a few yards.
Evening journal., 1912-10-15
FLAG FOR sT. GEORGE Sons.

Members Of the Windsor Lodge, No.
80, Order Sons of st. George. are
making great preparations for next
Thursday evening, when Vice-Presi-
dent Robert Sandarrs, of Philadelphia,
will officially present to the lodge an
American and an English flag.
Evening journal., 1912-10-15
O'BRIEN GOES SKYWARD
ALLOWING GIANTS TO WIN
GAME IN FIRST INNING
By The United Press.

F
15.The all
the
the e
York; had ar hits.
scoring Collins pitch
Boston n q
tendan
Evening journal., 1912-10-15
MAPLE LEAF WANTS GAME.

The Maple Leaf Football team
would like to arrange games with
any 100 to 125 pound teams in or
out of the city. They would like 10
have a game for Saturday next Send
all challenges to John P. Ruth at
Newport
Evening journal., 1912-10-15

year was decided frost. Last year
he pitched very fair ball, but this sea-
son the little speed merchant has
outdone himself, mixing his fast one
with a fine collection of quick break
ing curves. Furthermore, Wood has
head, as was shown in the first
Evening journal., 1912-10-15

o edro areno
onehfh ep NJ
OF
a ge?
ANSWER TO PULLING MATCH STICKS.
The accompanying diagram match
sumed
! o fee
Paralleogram our N Udt by onefo in
Evening journal., 1912-10-15

BOSTON, Oct. Smoky Joe
Wood. the Boston Red Sox star slab
man, who won the first and third
games of the worlds series by won
derful pitching. is only twenty-five
years old and has been In the major
leagues only three years. His first
Evening journal., 1912-10-15

Jack Murray organized a Wilson
club just before the worlds series
started and got twelve members. II
he keeps his present clip he ought TO
get a million Immediately after, II he
asked for them.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-11-24

up a few books. while he watches A-Big-
Foot. When the auditorium is quiet the
assistant goes TO a door and signals TO
the actors that all is ready for their en-
trance. In his later plays q. i. Shaw
brings his principal characters on the
stage at the beginning, but for the pur-
noses OF the London theatre he has them
sit o. stand i'm silence for space OF sew
cral minutes.
During the entr'acte 1t al goes on I'VE"
again with the exception Of the d,srobing
scene. As soon as the curtain begins to
fan the popping Of opera hats is heard
al over the house. and A-Big-Foot starts
TO scramble lie cant leave his seat
without having his hat Oh the back Of his
head. and il he should take his hat Off on
entering the auditorium he would wander
about all the evening hclpiessiy searching
for a place to sit down.
There are three points especially worthy
OF notice ABOUT this cXtrasccuc,. one is
his man9uvre when the bell rings IN tnn
,obby and the lacEey declares: "curtain's
up. gentlemen" A-RiC-Footl marches In
a body 10 the glass doors opening from
the lobby into the auditorium aud waits
there until he sees thai the curtain has
actually risen. II IL happens that there
is a curtain over the glass. he will opeH
the door from time to time and look In TO
be sure that he does not enter until the
curtain IS up and ;he performance in
progress.
The second is that he must wear his
rat TO his seat and he must stand Jp
and hold Il little conversation with his
n -izbbor before sitting down, ana after
sitting down he must look all around the
theatre and nod 10 several acquu ntances
before removing his hat
Tho third is that 20 per cent of him Is
accompanied by lady. lie does not
enter the theatre with her, FOR on his FIRST
appearance and when climbing over the
people dozen seats from her he says;
"Oh. here you are, dear" That seems TO
he the accepted formula. If you are In a
London theatre and there is vacant
seat beside you and You hear In the dis
lance the declaration, "Oh, here you are
dear"' YOU know that YOU must prepare
for the onslaught If A-BiG-Foo;.
The query Is, what does the lady think?
The answer seems to lie in the periinaclty
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-11-24

Entertain first. and then add all the
art YOU can aftcrward.'
Tina. sentence is the motto formulated
BY william Faversham. actor-mlnaser. in
his productions of the plays Of Shake
speare. The result as shown by nm III
his presentation of Julius Cesar mas
bce- something with a new idea IN H. an
idea which Mr.. Faversham thinks VIII
make a Shakespearian play something to
he seen by the majority OF theatregoers
for the keen enjoyment in ii and not from
"A sense Of intellectual duty.
with Julius Cesar Nr. Faversham has
in measure at least, set new standard
in the production Of Shakespeare's plays
First. hc has assembled IN exceptional
group Of actors I'm q play that, while not
exactly sombrc. is yet portentously tragic
lie has done this without great elaborate
ucss OF scenery, although what lie has
used is not only adequate, but artistic
Above all. he has Swallowed forth now
spirit 81 production that may go far TO
make Shl kespeare popular" and at the
same time make him spell something quite
different from the proverbisl failure on
the stage.
As yet Mr. Faversham explains that his
attitude to the presentation of Shake
speare and to its general and financial
success is largely experimental
Il am trying the temper OF the public
he expressed it 10 an interviewer In his
dressing room al the Lyric Theatre the
other evening. II want to find what
plays the public wants 10 see and what
sort OF production our modern audiences
like"
He has found out enough of the general
attitude. however. to believe he is work
ing i'm the right direction. II is this
which has led to the presentation Of one
particular scene in Julius Cesar" that
makes AN altogether new impression. II
is the scene In the first act, in which the
minor character Of Casca recounts the
o,fer Of a crown TO Cgc.a" and his reluct-
ant refusal Of Il. In place Of a BIZ which
has hitherto passed umoiced in the
playing the scene as gwen by Berton
Churchill becomes one OF the most spon-
;aneously applauded and interesting in
the play. 1t is now played humanity.
without pretcnce OF an effort To achieve
elocutionary effects.
II believe in the 'hesh-and- blood pres
cntation OF Shakespeare, is the way in
which the actor-producer explains his
attitude toward this and other human
lstic" moments in the play. 81 believe
there is a growing public appreciation
for the plays OF Shakespeare. provided he
Is we'll aud interestingly played, instead
OF heavily, sogglly The plays are eN-
pensvc to produce in the best fashion.
but !f they are so produced | believe
they will not spell ruin, but will prove
a financial success to any manager wEo
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-11-24
LOUIS CALVERT ON IMAGINATION

IN. connection with the possibilities in
i;ase furniture, suggested by the gift OF
the carved chimney piece, The Standard
dd3 Leca obtaining some opinions. Louis
Calvert is hostile 10 tie development.
81 the habit o. having ga! things on
the stage. we are going wrong every
day he said, simply because the more
scenic effects and effects OF lighting and
80 ~ arc used the more the art OF the
actor is pushed into tho background II
seems To me that anythHs in Che way OF
scenery and dresses that calls for COM
ment from the audience OF that strikes
Z peculiar note is detrimental TO the art
of acting. The author aud the actor are
the two people who count when one is
producing L play. IL the author can de-
liver the goods and the actor can act
them the paraphc,nalla may bc prac-
tiCally left cut sitoscther II we arc 10
have real man ,clpicccs and so on. why
not build ZIP real houses with bricks and
mortar? Personally, think u producer
should rOly OF the Imagination OF his
audience. But IL decoration by the artist
can be used in a quite subsidiary way
after one has go; the author and actor
right, well and good The fault now. IS
that we are making the decorative artists
princpalsN am nfIaid that Mr.. Gordon
Crais has, with all lis ability, been large
~ responsible for tho present confusion.
Mr.. Craie's scheme has soothing To DO
with tie art vi acting at ALL and what
visa this rdni.ab!o designer would do
is to establish his own theatrical art
quite separately, and allow actors and the
current art Of the drama to go on IN
their own historic fashion. The Stase.
London.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-11-24
THE, NEW" SHAKESPEARE
Flesh and Blood Performances Of the Great Dramatlst
Men and Women Are What William
Favershan Would Have.

undertakes them. And without that sue
cess no man, unless he has millions PACK
Of him. can give Shakespeare
The great English dramatist repre-
sents the highest goal of the most am
bilious actor. His plays are great ones,
with great tests for the actor. ] believe
the stage is the most potent factor to-
day in the education Of men and women.
But the majority OF people want 10 be
entertained. and believe they should be.
II the actor can raise standards Of art
and taste, while at the same time anus
ing. so much the better. But let him en-
terrain first
THE liking for Shakespeare, it seems TO
ME. is certain 10 grow. The school teach
ers arc responsible for this in great part;
i'm fact. they arc doing more TO cultivate
taste fog the great dramatist by teach
ing his plays in the schools than all the
actors combined In addition. the tremen-
dous amount Of theatrcsoing is bound To
develop n growth In taste for theatrical
things. The fun-makins of fifteen years
ago wouldn't cause smile to-day. The
public has been unconsciously educated IN
larly educated to a better appreciation
OF Shakespeare provided his plays are
well DONE
II have wanted to do them FOR years.
But 7 felt they must be enjoyably done,
not deprcssingly | started my venture
by getting the best actors that | could.
ard Julius Cesar is the first result.
We have tried to make the play interest
ing. \ gloomy, depressed man cannot
hold your interest. 4 lighting, flesh and
blood man will So we have tried to in
fuse spirit. the fighting spirit, into the
play, to make its characters living ones.
not merely speakers of blank verse in
measured tones.
In the same fashion | am working on
my production Of Hamlet which ] shall
Ina,:c. probably with one other play. next
year TIC dine OF the play is inc ten;h
century. .icn were pretty much baJ-
bariaRs IN those days, with good. red
blood and Gcry passions. want to
catch that spirit in the play instead Of
making IT something gloomy and tire
some And if | do believe Shapespesre
will no longer spell ruin.
1T certainly has not done so thus far.
can only speak for my own part but
our present engagement has been sue
cess financially, in spite of the heavy cost
, for salaries and the cost of production.
and believe it will make money enough
/ to go on with the venture. IL can main
/ tain n company Of fine actors and give
! living. breathing performances that will
be source of enjoyment. | have no fear
, tor the success OF any Shsksspearian or
gan!zadon such as have tried to lay
| the foundations for In Julius Cesar"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-11-24

ms". Charles Weber IN specially
Tricks and Humor'; Wartcnburg Broth
CTS in foot Juggling. Bissctt and Scott
in a dancing tC:n and Cha les Lcdesa'
IN his number The German on the
Wire" will complete the bin which Nan
acrr keith plans rs the Inauguration 90
the winter season Of yaudeyilb.
PRocTC7'S FIFTH AVENUE.
At Proctors IlftH Avenue Theatre
Madame .. an opera singer, who IS con-
ccal!ug her IDENTITY behind mask. IS
the foremost attr.., lion. The diva. who
VIII sing arias from Italian, German and
French operas. with other numbers IN
English, Is said To be a famous Europ2
artist. For tie remainder Of The EI-
gramme the following performers have
been casa,cG. Master Gabriel aud com
Bauy On a Childhood fantasy little
Kick: Hart and Johnson, colOicd come
dams. Conl.n, steele and CAR IN musical
mcrriucut. Una gl.il tot ana cJ@rany m
n comedy. ~ I.itde oIh1 SEal Lead
Thcn". chadwick THO including Ida
MAJ Chadwick, ia FOR Sai.--N Weighs 5
Farm. Hal stephens IN the protean
pageant. Famous Scenes from tamous
PLAYS" Dave Ferguson, the whimsical
comedian, and the Sayton Trio In con-
toI,tignictIc feats