The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-05-05

p0' ,hout to burst into n po-
..l".odv: nOs | am simply ehIon- hIon
tif rhapsoa,yof yof the New York thea,
ps Every novelty Of a 'to"e sxeept
u Tss y 'sS and even in that some
3!nls,.lIo more Legitimate &C,
ile older s;r T lines right Justify
.ssMId ...,,Id - Se ca ccatalogued under the
! seula ss had uS Of music, from rag
'7sprvTs ToqS; rsio from High Life anna
= :, Iowly vaudevillians. from
e g. :. ,,d 'S" opulent Broadway bur.
p! sh' ~ serious, if somewhat
= iTSysnch grand opera; IN
NJ anything that eoulo sing u
aug
r,HE local weather man has come
Il realize that he no longer
n dcpend on atmospheric e1
csatiou 10 announce the sovens S
/, ,s''. a."ynsr-it is easier to watch
h;lIbosrds for the advertise
~ of the annual Casino SUN,
.lor This time II is called
~ Little Brides but more
,rtouriate title would be one
!Is lanes T. Powers, for that
.ns,hs;ved ,s comic is the ''whole
I've BE is not only the star
(; 4. niece, but figures among the
~ cf authors; named and not
Te,thr Mr.. Powers s part IN the
.t,ssr, Iabprs was writing out as
-..r other roles as he could
.,;i;rg them clear out of the play,
% ras. The whole matter began
n consistent and serviceabie
~ VI rade IN Germany, though the
M half Of il seems to have tai
4 oysrboard on the voyage to this
,,uri,y and been lost forever.
a RUSSIAN boarding school has
Abseu imagined aud endowed
.ph ssst Of comic opera rules. Any
al found talking with one of the
elslsis site. dark must lnme-
Ensly marry her. The handsome
81 (ss a matter Of fact, be is
Inisrlv plain. but the happy
'ausn authors don t know that
rin access 10 the school, where
presently becomes annoyed by
/. three 's.a.crowdncss of his IN.
rsats's cbum, who is continu-
h On hand. SO he halls IN q
-in3. passing in a motor-car.
IA tell YOU that said friend IS
.rM polycarp Iyanovitch. ] need
|riJ add he is the chief come
. Polycsrp is on bis way 10 be
alied 10 Corsican young womam
INsieau IN person and in temper.
tsufse, the comedian and the
" are caught in the company Of
chief girls and are forthwith
Entd 10 them. The bridegrooms
oeiisiey run away. That gives
re0ud act in which the two
k brides have lost the husbands
The audience has lost the plot;
'lTe is nothing loft whenever
s1ne can find Mr.. Powers nap
Walter Lawrence, who was
Tid INTO the leading tenor role
p secondary part so late that
rtdeeessor 5 name appeared on
ir.t night programme, sang
'7 pleasing songs. comnIotelv
'5lnded by girls. Leila Hughes,
should change her name 10
10 compliment to her vocal
,h, began by believing away
ry but presently calmej her
Gown TO tone OF far more
.piul singing than is generally
= hesrd In musical farce. and
fei cameron did her best sing
F!n her feet. She dances with
Fflousl vivacity and grace,
,nd Miss Hughes. impersonat
'se school girls who gave the
20 The piece. have two duets
!! are, perhaps. the best mum
~ The plsy. ore being the Joint
lg Of q love.letter. and the
occurring at the beginning OF
Reond act, being I" Are We
psi. Wives or What?' Be
,,omIng 10 She composer
. possibly mention that the
~ erl9lnai i bv \. II. Will
.aa julius Wilhelm. authors Of
Mqls glennese iibretti. includ.
Inc Spring Maid that Ar
anderson and Harold After
Ilsnre with Mr.. Powers as the
ns Of the American version
'Is' the eostumiue is mention
sol mat good taste. as we'll IA
saess, a, 10 the matter of coIors
s;I,. 'asrlss sI,Is which distinguishes
.al 1Ic hlils dressing al musical
%es from practically all 9th.
.sG .n lnnslc is by Gustav kerE
,pe',e OF New York" fame:
hsroiy 80 rich in invention
for S,s, ,h., scores il is still not
II. mat dasb and vigor viii
n = ,lms seems to be uniquely zap
Aea aualou,pg music of the frivol
= II sft. =,