The citizen. (Honesdale, Pa.) 1908-1914, 1912-01-17
Was 1t Geniiusp
By JOHN c. WlNsLOW
Copyright by American Press Asso-
citation, 1911

| Nt student In Paris. lie was consid
cred very promising by connoisseurs,
and number of his chumB looked
upon him as a coming genius Crook
lived just such n life as other artists
lived In the Latin quarter at that time.
which was a bohemian one, mingling
only with those who were either art
lists, artists models or grisettes. He
had bed in his studio. where he slept
and got his own breakfast, dining
usually at a restaurant, where he met
other artists and the women they as
focinted with, including models. They
would usually get together at the same
table, and a merrier lot were not to be
found In all Paris
There was a girl who belonged to
this set who seemed out Of place
There was refined purity about her
that none OF the others possessed. She
made her living as an artists model,
but especially for her head and shoul-
ders. She had posed for more Madon-
ma pictures than would ell one of the
rooms in the Louvre. Crook, being
the most prominent artist of the set,
considered that any one Of the girls he
chose to smile upon should smile upon
him in return. He took a fancy to
Cecile Boyer-"the Madonna" as she
was familiarly referred to-and was
very much put out that she did not
return his admiration.
The truth is Cecile had given her
heart to David Forbes, one OF the least
prominent Of the young artists study
Ing in Paris. He, too, was an Ameri-
can. Why he tried to make an artist
OF himself no one could conjecture, for
he had no idea Of any of those matters
which pertain to art. He undertook
to paint a scene ms revealed through
a window and devoted two-thirds of
his space to the curtain. As to per
spective, he would paint house and
q pump, showing the pump larger
than the house. When his chums
ridiculed his work Cecile defended
him. Indeed, the only cause they
could assign for her affection for him
was pity. Crook could paint excellent
pictures, but Cecile did not love him.
Forbes couldn't paint anything Of
value, and he was hers heart and
| soul
OF all the young women who met at
the B. cafe Cecile was the only one who
never posed except completely dressed.
/ oh yol
ly for her head and shoulders, nudity
was unnecessary. The singular fea-
ture OF her association with the others
was that she did not in any way as
sumo to be better than they.
Unfortunately for Forbes, he could
not afford to spend his time trying to
learn what seemed impossible for him
to learn, for he was poor. But the less
money he had in his pocket the more
determined he became to make an art
ist Of himself Whether Cecile en-
| couraged him in his purpose no one
knew, though all understood she stuck
by him. About the time his last franc
was spent and no remittance to come
from America his health broke down.
and that finished all work for him, at
least for the present.
His artist friends went to see him
and asked If they could do anything
for him, but he shook his head and
said that he was getting on very well.
Sometimes they would nnd Cecile
there, ministering to him. Indeed, she
was providing for him, but at that
time no one dreamed Of such q thing.
During Forbes illness Paul Crook
attempted TO gain some foothold with
Cecile. She neither encouraged nor
repelled him. Indeed, she continued to
be Indifferent to him. He offered her
large sum TO pose to him for a picture
requiring model for ths whole figure
For a time he believeA she would
consent. She wanted tho money for
David Forbes She wtnt to David,
told him Of the offer ana said that II
he would accept Of the sacrifice she
would accept Crooks proposition.
BY this she gave him a dose that
took away his malady And called out
an artistic ability that no Que knew
was in him. He spurned the PROPOSE
ton with horror, saying:
Had / such model could produce
q wonder"
That was the origin of Forbes pic
ture Of Eve, which was hung in the
Paris salon the next year. None Of
he set OF which Paul Crook was the
shining light recognized Cecile as the
model for Eve. Forbes put Just enough
change in the features to prevent he!
being recognized. He shrank from her
appearing before the world as his
model more than she. She was shield
ed by his love and her sacrifice.
What a singular bouleversement.
Crook was expected TO give the world
at least one great work. So he did.
But how7 BY stirring the poison OF
jealousy in a man who it was bellev-
ed had not single artistic instinct,
Crook called out a latent, unexpected
ability. Crook himself seldom rose
above mediocrity and after awhile
seemed 70 race1a from hta hast work