New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1912-10-13
New and Beautiful Fabrics
.<.r" in Evening Gowns

gestion OF color glimmering enticingly
through the lace embroidered with silver
Sometimes a broad panel OF lace wilt
give distinguished slE to the back OF
the frock This lace may be draped IN
fon in the front, over which fell an
oyerskirt panel Of old yellow lace. me
bodice was mounted over flesh eplQr, and
the effect, although at first .bir surpr!s-
various ways, sometimes falling Into the
train, again being brought well toward
| the front On gown OF gold and SILVER
and crystal there was g9net Ss Plea 2I,ss
drapery, and which was outlined With
rhinestoneS On one 81 Paqahn's moso
attractive evening gowns in cream GQt+
the pannier !drapery in the back The
front dyaperies were cut long and turned
back showing a facing OF white satinS
The long points Of these revers were
tied under the pannier drapeTX Ing
the the Shoulder. fhere was Marie styars
collar of lace, and band Of unspotteq
ermine finishing In tails. -"
There are innumerable ways.in which the
fascinating brocaded fabrics are ocmpiped
with chiffon One OF the simplest -
shown in the illustration. Here. a sott
tan chiffon is used on an imported modsls
combined with g. soft, dull, blue brqcadd
embroidered in gold. The oYerdEess OF
the gown in the sketch Is of green chinoH
embroidered in gold. This tpRc talls ~
slightly draped ersSS ana MS rs n nnisaa
is OF the chiffon. combined, with ShiGop, IN
the same shade layishly embroldeIed WHY
the gold beads on the inpor,teed tn9 p,,S
the metallic flowers were used. with chafm-
lag effects In fact flowers OF yariou9I
INSCRIPTIONS are salient features OF many
OF the evening frocks. The black velvet
poppy tucked into the girdle 10 one OF the
newest conceits, but this IS not by am
means the only unnatural bloom hs
fashions garden. ~
Some OF the most yinsome OF the even.
ing gowns display little that ts actuall2
new other than in the material, as was
stated in the introduction. One partlc-
ularly charming model OF white SATIN, OF
one OF It's allies, was given this chaInl, oX
tunlc OF white net with moral iI iu ueS ~
inv formal little bouquets OF long ago.
apd which was carried out In the same
vivid colorings The tunic was irreSulaE
in shape and fell in drsped effect In 'he
O" The lace founces are another, feature
of MANY of the evening frocks and herald.
so Il Is said, vigorous use OF Ii9uI, rs,
In embroideries for The spring s oTapes
nm in " shane in the front. Several or
| TIE white crepe charmeuse models haVe
been enhanced by three hounces OF ine
black Chantilly lace. Anotner oIsunCtiC ~
tur that finds its way on 10 so many OF
| the evening costumes. II Will often lo9p
up the chiffon overdress very hucm ~
the same way that the flowers are USED
on the evening gown shown IN the sKe ero,:
On a delightfui little creation or gray
cbitron. embroidered in steel beads, op0s-
sum FUR was used a strikiDg color
scheme was developed by mounting d 1hi ;
tunic over yellow charmeuse and adding
a girdle OF emerald green. ,,. =.
| x5arbans the simplest expression OF
aransry is found I'm the frocks which show
an oyerdress slightly looping up, as Is liz
Illustrated by the yellow froek Tor aa sRe
| 49,. ct which IS so delightfully."- gtrlish,
I and is caught with varicolored chiffon
flowers over an underskirt Of pleated yell vel,
| low chiffon Flowers are. likewise used
to catch the draperies OF the Gorsase,
mas ~ white accordion pleated chiffon
| hung over white charmeuse. with tunic
| ~ bright green chiffon scintillsting with
hands of crystal