The Miller press. [volume] (Miller, S.D.) 190?-current, 1912-09-12
COLUMN or Ul/ZY

seem at first glance to have been q
church piece, but 1t is only a mantle.
tation OF the religious feeling Of the
first proprietor, who placed on the
iron grating a holy infant with shep-
herds crook and a sheep or two DULY
gilded to this day.
1t Is the BARRIERS who use the golden
balls as a sign here, golden balls with
a magnificent switch Of h%orsehair
hanging down below and swinging
merrily to the breeze. The reason
for the horsehair Is obvious. but you
will likely puzzle long over the gold.
en- ball until you notice that some bar
bers do not use the ball but instead a
queerly shaped, almost fat piece Of
brass, which in time you decide must
be the BARRIERS bowl. The ball was
decorative than the bowl.
The jewellers Of Paris hang out
clocks as in America, but not one In
a hundred of them runs. In Paris, too,
the jewelers. little brother, the op-
tician, hangs out a pair of spectaclea
as in America. But here this sign is
quite conventionalized. the rim of the
glasses. the bridgepiece and all being
made Of brass tubing an inch thick and
the two eyepieces are Of red and blue
glass.
In the good old days thoughtful
American ~tobacconists used to pro-
vide wooden Indians for small boys to
wheel away on Halloween night, but
the tobacco trust eliminated that char.
ity. How the dissolution of that or
ganization has effected the wooden In.
dian business none of the American
periodicals which reach Paris has TAX.
en- the trouble to say. Here the sign
of the tobacco stores Is a convention.
allied red cigar, the result OF placing
two equal cones Of tin base TO base.
This sign is at once the trade sign Of
Paris, for, the sale Of tobacco being
a government monopoly, tobacco stores
are few and far between and, as one
American here remarked, The sight
of one Of those red tin cigars Is as
inspiring as a swinging latticed door
in the waste of a high license town on
u suululST d~IleIHOOu~
In Front Of the Hat Store.
The old fashioned hatters OF Paris
cling faithfully to a sidewalk sign In
the form of the glowing curves of the
high hat OF a century ago. This ar.
ticie of gents furnishings, painted
bright red, with a yellow band and a
yellow cockade, is to be found every.
where in Paris, the only variation be.
ing the red palmer's hat of the clergy
supply houses and attempts Of mod.
ern establishments to replace 1t with
models OF ugly up to date derbies OF
colossal size.
Another modernization Is seen now
and then In the way OF bootmakers'
signs. The conventional old style
sign Is a carved and gilded wooden
boot of classic lines. The modern trav.
esty is an up to the minute American
shoe OF the brogan type, also OF
carved wood or papier mache perhaps
gilded Till 1t shines again.
Glove stores and haberdashers and
notion shops generally their
puoihCoS W "Caho Vi 6Adht 6icNCb DUO
pended over their doors. These signs,
like all the rest, are either attached
to the signs directly over the doors OF
are suspended from iron supports ex.
tending from the second story wall.
Umbrella stores hang out tin umbrel
las. usually opened and painted red.
Immense gold scissors cut
lery stores, and giant pincers. over
grown planes and the druggists NOR
tar and pestle advertise their obvious
trades.
Paint stores hang out palettes with
brushes stuck through the thumb holes
or merely squares of sheet iron paint
! ed diagonally with bars Of brilliant
colors. Florists hang out a dilapidat
ed gilded wreath and the thousands OF
locksmiths are known by immense
golden keys. Usually the keys are OF
the typical French sort, which fee
quite as bulky al the signs look to be
but the modern touch Is found here
too. for some hang out keys Of tn.
fiat.