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The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-12-19

4-ROON MODERN FLAT. ELEGANTLY
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The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-12-19
FOR SALE
Miscellaneous.

OUR S-YEAR-OLD RYE AND
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The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-12-19
PATENT ATTORNEYS

'IO PATENT INVENTIONS, REGISTERS
trade mark or copyright, see j. NJ.
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terms reasonable 1851 Judge bldg:
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-12-19
CHIMNEY CLEANING

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The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
LIFE

life which plays
\ The different enacted the tragedies of heart
The is Father quick at hand
A old will and all will know
Tha Tiuen oul makes thc also
We
lc he speaks the and final
n the "hurly burly,' he's each call.
Applause the him, he laughs at all
A thing this life, but what
a il, unnakes, the biggest
filled
Tineca else the
You public life, too
And your passin he old leaves
Apothc o is sll and
: ever % 10 the command
The prima mn sh before tilted
iya who once all. mentioned hy
Tho who them now
Thus sadly and make weak final bow
Now This with their Cod
The sta isda nothing hnt a nod
Tho play Is
The Joy wash . 5 that quickly dies
And s. and meet to part
The selfaa TRACED day within the heart
When wear n
Blu utvhcnw scratched and bood from the cast
and bopes imply m the stnGs
And sand shocks
And plainly tel u ife's
svmpa thy is good.w charity, ahl
Is CIrr St. like for 5 pearl of human happiness
We bear in mind this word
Z mark % role preferred
No uccdo wonder what all this strife;
The an neasyo oneit Life, simply Life
j NJ, MADDERN
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

now own. Of course, il YOU see fit to
produce nv own play with this title,
| would like to make arrangements
with YOU, or ! will consider reasoua.
bic offer for the purchase of the title.
Otherwise ] will be compelled TO apply
for an Injunction to prevent infringe
ment of my copyright
Now, if five different people laid
claim to the same title. and each of
fered il for sale to this manager, il
was evident that some one was labor
ing under A mlsa apprehension. The
manager therefore undertook TO obtain
little light upon Just how it was pos.
sible for five different authors To Law
claim TO certain title, each asserting
that he owned the copyright on the
name selected,
And here the manager made a dis.
coverY. The information came direct
from Thorvald Solberg. the official Reg
lstrar of Copyrights at the Library of
Congress in Washing ton, and rs the de
ciSiou might possibly save many au-
thors and managers much worry and
leiter-writing, it is here given briefly.
When Emerson SmithJoncs. the emi-
nopt or aspiring playwright, completes
drama, has it neatly typewriter TO
conform to certain copyright rules, and
finally selects his title he forwards it
to Washington with one dollar, 10 the
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
Adde Dunlap Was in the Assessors Office in
Denver Ten Years Ago.

matte school For more than two years
she worked hard and earnestly and was
then pronounced ready to make her
debut by her instructors.
Thus it came about that ten years
ago Addie Dunlap added up her last
column of figures for the city Of Den
yer, folded up her apron AMI put il
away and reappeared before her fellow
towuspeople as Adeline Dunlap, star.
in short comedy called Confusion, -
which was put on at Glitch g Garden,
In the audience that witnessed that
first performance were Minnie Sehg.
man and Orrin Johnson. and they saw
in Miss Dunlap the making Of fine
comedienne. Both urged her TO Join
their company and she made her first
appearance with them in '"Lady Win
dermere's IS Fan.
This step proved to be the real
launching of the dramatic craft of this
talented daughter of Denver and, by
the hardest kind of work and the most
earnest application she has advanced
in ten years from a rollickiug girl play
ing comedy roles in Il local stock com
pany TO serious woman. who is today
intrusted with one Of the best dra-
matte roles on the American stage.
Miss Dunlap is the leading lady in
Henry W. Snvage's production Of
Alexandra Bisson IS MADAM X,n a
part that would tax to the utmost the
dramatic powers of any actress liv-
lnm
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

n TORE than twelve years ago, the
MI most popular employee in the
V office OF the assessor of Den
yer was a pretty, athletlc-look-
ing Young miss who answered to the
name of Addic Dunlap, She was not
only blessed with a wealth of copper.
colored hair. but had sunny smle ana
Jolly disposition that caused trouble
TO disappear in hcr, presence,
Assessor Ames used to watch her
busting around the office accomplish
ing the work Of two men and dispens-
ing good cheer OH every side and would
often remark to his crouies: THAT
girl is wonder. She has got ginger to
burn and some day you will hear OF
her doing things that will make the
people, not only Of Denver, but of a
good many other places as well, sit up
and take notice" And he was right.
Addie Dunlap had dreams above the
files and books of a municipal Job
and she determined to try and make
some OF her dreams come true. She
realized early in life that her sense of
humor was of more than ordinary pro.
portions and that there was some real
comedy in her makeup. Thinking over
these assets, she determined to cap
iialize on them and figured out that
the stage would be the best and most
lucrative field. So while still clerk
she began the work of preparing her
self for an histrionic career in a dra-
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

his daily newspaper and then
thinks, instead of thinks and then
-doesn t read his daily newspa
per. The bomelike scene might as
well have been illustrative of
hvinc-room in 1899 and 1899, until
Mrs Rollo, lighting a cigarette,
strolls of TO her club, leaving Mr..
Rollo to crochet away a lonesome
evening at home It is surprising
then, with her $50 strong and
him "onlY a man, after all, - that
Florence. Mrs. Rollo' 8 ''best
friend, should find the neglected
husband easy prev? In All her
virile, worldly, radiant beauty, she
sweeps in upon the fearful Mr..
Rollo, diligently mending the ba
by's little undershirt. The wicked
woman paints tho fascinations Of
sunny languorous Venice to the
duty, his honor. everything; he
consents to n.y. But as Mr.. Rollo
is about 80 run away with the fas-
cinating Florence, his eyes fall up
on the eloquent undershirt. IT nm
does him, and, sinking on his
knees, he hurics his face IN it. The
SWagGeTlng floronce huS Just ABOUT
succeeded in kissing away the tears
when Mrs. Rollo, whistling a gay
tune and flickIng ashes from her
cigarette, swings in. Nehemently
she denounccs her false friend and
bitterly she scorns her fragile hus
band The only defense he can
frame is: 'Why. why should there
be one law for women aud another
law for men? Why should ! sit
at home and NOPE. while YOU 60
where You please, do what YOU
please, with never word of sean
dal?''
"'Why ipdccd2 rctorts the out
ragged Mrs. Rollo Because that
is the way of the world. Givillza-
ton demands It: custom DEGREES it.
Let woman do what she likes. man
must respect the sanctltv of the
home
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

MR. RoLLo pleads with his
lyl wife. but all to no avail. Flor
cncc. with withering snoer, lifts
him from the ground and leads
him trembling from the room. Mrs.
Rollo is alone. At first she is
glad-coidly. cruelty glad, as only
women can be. But presently her
eyes also fall on The baby's under
shirt. Slowly an awful. agonizing
thought overwhclms her; 1.-The
baby, she moans bitterly, in
great. throbbing doubt: the baby,
How can ! he sure that Rollo real
~ is its father. -
All of this is carried off delight.
fully by Florence Nash. whose sis
ter. Mary Nash, is playing the
chief role in the same De Mile s
serious coDtri button TO the metro
poIitan season. 1.-The Woman -;
and by Mlnctte Barrett, as Inc de-
boDair hotrayer, and Joseph JEFF
ferson, as the ill-treated husband.
The presence in vaudeville Of the
son AMI namesske of the late, great
dean Of the American stage, leads
ono Immediately to the fact that
another dazzling patrouymic has
similarly penetrated that field
pausing, however, to note the sig.
nificant fact that, before its pro-
fessioDal revelation, "ID 1890, -
was acted by and before the
Twelfth Night Club, the we'll
known organization OF actresses.
Dorothy Russell, daughter Of Lii
liam Russell and the late Edward
Solomon, has tried nothing quite
so unconventional as "In 1899 -
Indeed ambition is simply
natural descendant of such prolific
parents Of the contemporary
drama as "Nance Oldfield:D which
remained favorite with Ellen
Terry until she retired to the plat
form. and Of "Comedy and Ira
gedy,' which the late Sir ". S.
Gilbert devised to exhibit the vir.
tuosity Of Mary Anderson.
Miss Russell, a chic and pleas
ing woman. though graced with lit
tie of her mother S beauty. is sup.
posed to be an ambitious novice on
the stage, She applies, to a dra
matte author for the leading role
in his new play, and. without
hearing. is refused. However. an
irate military officer presently ap.
pearipg, she is hurried into an ad.
iaccnt room. He is none other than
tho father of n Young man who de
sircs TO make the embryo actress
his wife: and he declares her am
bitions arc mere bluff, her only
genuine purpose being to cnsnare
his own rich son. That young man.
coming on uncXpectedlv. Is con.
frontcd by a bent and elderly
italian woman. who claims to be
the divinity mother. However, the
three men. after revealing their sew
eral natures, are COMPOUNDED by the
removal Of false hair and dress and
wrinkles. and the concurrent reali.
zation that The supposed beldame
Is the ambitious novice herself.
Need | say that everything makes
for happiness in short order?
ONE GOOD JOB BRINGS TWO.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
DRAMATIC NEWS
AND COMMENT
Continued from preceding page)

Continued from preceding page)
known authors, obiecting TO the use OF
the name be had announced,
''I beg tn inform YOU. wrote one
of the unknowns. "that you can not
use the name YOU have selected. be-
cause five years ago ! copyrighted tins
same title for n melodrama which !
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
EEr and Felds's 'Hokey Pokey'' Is Screaming
Tnvesty on "Bunty Pulls the Strings"
Collier in Role Of Scotch Elder
By Vanderheyden Fyles

HER F0RK, Feb. 24.-Wha
"Hosey Pokey, - the enter
iainneut devised for the re-
s,icn of Jos. NJ. Weber and
" Yields in an cudeavor 10
ae laleties of the greatest
s company within living
y nss been like on subse-
Fsnlngs Can only be sur-
q the first night it was
q E0't Of a riot of cnthusi,
4 ! 'esns safe to say that no
sA9n'iratiOD ever has re-
= Though an American au-
4 except at q presidential
The audience had paid
~ rs seats and il WAS
@@ TO get its money 5
nj was NOT the name Of
hclds guarantee enough3
'1@'ef'alnment proved 10 be
4 NF 10 Of many Of the fun.
!, s.e Of other days and sew
is old songs welded In.
a y y Edgar Smith (librcttist
M ", Music Hall), and musi-
rsoea out BY A. Baldwin
a' William I. Francis.
~, Sh'lmcnt being the or
" evening, The late John
agreeable tunes were
nh a tbrob and a choke
y, Sspal; Gone Down. Nv
s;,s HaI called forth tremu-
'uSlicns !. of the composers g
4, = !. Which Miss Lillian Rus.
!. !. = and her present intro
! ! " Was applaudcd as
bb" WAS a Tosti chef
y evening was one of oros+
- :, 'iee;slve expression of
49, " might have been ex.
~ 0s an opuleut audience
M ,.'s~gn!pally ~ Of the lead
~ q Broadway nieht.iife
q, ,,os ,,oss1ment Of police held
i,s 1Osds ps, of sightsecrs on
q. ,,a ,sa'slng 2 way for tho
81, 10 i motor cars to dis.
.,oo.y occupants, more
n h',s's4 .'s,4 up the Iobbics
hss,l 10 many an emper-
as Il ~ The stage; and tho
n ,:..;, ;s'ery old-time favor.
b !; sed with veritnblo
- i /, Applause, rrequentIv ,snfIv
V Stamping and cheer
when the end 80 a.
'.s a''l az was in sight and
kIisISssd left 10 raise q
ssisuas,lo about, Dayid
i.ssss.1a INTO M the middle Of
ss,s * weber and Fields,
l,p,, ,,aa.eFeypon treated fo
Ia"ass I"asi'aiion as bardIy "
l,,ry spse s,,s for if, hand IN
"a Lang, Edwin Booth
e %es. Warfield had
gsf,s v alrty clothes and
g1,S q, beard Of his old
s0f1hlot Al. 'fe- Weber
geitsS Ss,sly suy nonplussed by
Mlisa entrance, bur F'iel6,
MI lae return of Pc
lpcse and bedlam wa,
n n.,. Lest quiet eve,
l,esa'ss.,a David Belasc,
y L. hiSrsa' reg though wbs,
asisn iad "a with a wsbor "s
ppsnsssn ~ not clsar. II; ri,
ty y'.sa NED limltless posi-
sste@p.e e@p.e'rymahing' o
,Saarles " Mase .ake
,,y 70 ',tase ~. by coming ~ -,
'A rnissova @ultlutde! An,
s,.~eo a great chance
s h. 1''l act was div;ao,
,sS ma scenes, both =. s.,ua' ..,",
'saniteIy colorfuI
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

The first oldtImer 10 appear
was frankie Bailey, recently en-
gagged in travelling burlesque shows
OF the cheaper grade. The princi-
pal items of her costume were vel
low tights and a conscious smile,
but she might as well have been
Ada Rehan, for the applause that
greeted her. John T. Kelly had
the sort Of "entrauce song with
which he always used TO get the
entertainment under way, Lillian
Russell, wearing a bewildering
costume and carrying her fifty
wears very we'll. was the next Web
erfelds favorite TO appear; and,
after new first song, reverted TO
the Evening STAR ballad.
The Minstrel Parade with a
substitute for May Mackenzie, had
lost nothing by being transferred
from the absent Fritz Williams to
William Collier, who. later, aroused
great laughter over his old bur
lesque Of stage eXpedients-with
its 90 IN going away from here
having his sister. Helena Collier
Garrick, as his assistant, In place
Of his first wife. the late Loise
Allen Collier. in the barroom in
cidcnt--iu which Fields has only
nickel, and therefore rehearscs
Weber in saying he does not care
for drink. only to be staggered
by the stupid little German actu-
ally replying, No, nothing 10
drink: ! III take a cigar. and iu
other scenes, together the old team
were AS fnnny as ever; which is to
say, Just about as uproariously
laughabIe as anything Of the sort
can be, However, as their best
scenes need to engage o third com
ediap-eitber Sam Bernard or Da-
vid Warfield--thcy hardly could be
said to supply az much amusement
as they used to. Of course, the
latter actor could not have been
induced TO return to burlcsque, but
Bernard must have been available,
Indeed, q report is current that he
and DeWolf Hopper presently will
Join the reorganized company III
an effort to make it more like the
old days. The void left by the
death Of Peter F, Daley. which no
living actor could attempt TO fill.
is the most serious hole in the re
woven fabric. Bpt Bessie Clayton,
showing no signs of the passage Of
eight years, dances as wonderfully
AS ever; and. best OF all, Fay Tenn
pleton has not been overlooked.
Having grown so stout as to pre-
cludc the hope of reviving her old
chic gorgcousness OF aspect, she
now plays back number looking
for work. But as this impersoDa
ton EXCUSES the introduction Of
Rosie and of other old songs,
it matters very little. For her
voice is as glorious as ever and her
art still Incompatible in any bur
lesque tbeater III the world.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

Subscribe for The Tribune one month
in advance and get an oiled enlarge
ment from your own pboto-
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

"THE Opera Ball" which was
y introduced TO New York
IN German earlier this season. ad-
here's to that form, even to the
point of binding American eyes
with hIdeously Teutonlc scenery.
The rooms and furniture look like
Wagncrlan score expressed in col
ors. However. If one closes one s
eyes, much pleasure can he derived
from the operetta-a iudicious pro.
ccdure in any case as Miss Cahill,
never notable for pulchritude,
seems to have done everything to
make herself look worse. Indeed.
her unbelievable Iirst-act dress and
the things she has done to her hair
throw one into a quandary as TO
whether one Is supposed to greet
her appearance with OUTLAWS of
laughter and hail her MS \ second
MAY Robson. But this aside. she
carries off p slender little play to
agreeable success and reveals her
self again as Fay Templeton 5 ONLY
rival in lifting musical comedy to
place among the fine arts. II
those women had come TO us from
France. we would have been bored
to death by effete raptures over
them; for. indeed, Yvette Guilbert
is the only artist Of their school
who can bear comparison with
them. Although not endowed with
so beautiful a natural voice as Miss
Tcmpleton $, Miss Cahil uses hers
so superhlv as to make her singing
sheer delight; and her subtle
comedy may be said to place her on
\ plane with Mrs. Fiske and Ethel
BARRYMORE
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

A s FOR the afterpicce-a bur
n lesque of Bunty Pulls the
Strings ''-I prefer TO withhold my
description until II shall have prof
tied By the improvements Edgar
Smith and the brilliant company
may he relied upon to make in IT.
Miss Templeton is the Bunty; Mr.
Collier quite sinks himself into the
personality OF the Scotch elder;
Mr.. Weber worries about his High
land accent. lest be he mistaken For
an Irish player and have things
hurled al him; and Ada Lewis, who
is not in the first part, adds to the
amusement. However, Hokey
Pokcy' is great big show In 1T,
self that an afterpiece might well
be dispensed with altogether. Moth
ing half so good, of it's kind. has
been seen since Weber and Fields
separated,
And still another reason for de-
light: Marie Cahill is in town. Con
triying to elude Weber & Field 's
octopu5-like reach for all the best
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

ONE GOOD JOB BRINGS TWO.
That s why the Century continues 70
grow Century Printing Co, 55.57 Post
Office place.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
ID ICHARD HEUBERGER is nm.

ID 1CHARD HEUBERGER is un-
IN derstood to have composed
the score Of .''T The Opera Ball" in
order TO prove that strictly opcratic
methods of descriptive musical ac-
compartment may be applied to
which, TO the ignorant.
does not sound at all revolutionary.
Anyway. the effect is both ludic-
rous and delightful, On the latter
count, it produces dainty and
consistent flow of suitable tuneful.
ness. though the story Of common.
place, Incredible rce-iutricuc
hardly can be called inspiring
volatile Young widow sows
marital suspicion in the hearts of
two brides, and nurtures it in the
bosom Of their domiueering mother,
IT having been planted there many
years before. Putting the three
husbands-and her own fiance-to
the trouble of inveuting lot of
perfectly obvious excuses. she lures
them into such an discriminating
escapade as going to the Opera
ball. In the second act the three
wives and the widow, wearing or
chlds and mauve dominoes (ob-
80 ~" t'ih'S nave FldDIeu. J,
follow frlvilous masculinity; the
last act, I need hardly say, being
devoted TO more lies and general
reconciliation. A great deal of all
Of this is sung-railway journeys,
kilograms, suit cases, underclothcs
and what not being warblcd about
in solos, dnos. trios and every other
10. Much Of it carries the effect Of
the English translation Of ".Ma.
dame Butterfly, in which the mix
ing Of a mghball becomes the occa-
sion OF tenor solo. However, my
levity over a singing butler NAV
simply bo shameful evidence that
[ am not opera broken. With
Harry Conor 10 help out in the
fun; with Maymc Gchrue and
Frank Tierncy TO dance; and with
Alice Gentle. formerly Of grand
opera; Olive Ulrich, wearing an
lpdescribablc blue satin dress that
looked as though il had been de.
signed by confectioner and "exe-
cuted = in a deicatesseu shop:
Harry fairleigh and George Ly.
decker to sing admirably; Miss Ca
hill has no trouble in CARRYING off
the evening TO assured success.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25

TAKING cue from J. NJ. Bar.
IL rie, whose Barrymore bur
lesque called "a Slice of Life" is
the merriest laugh in town, the
young De Miles have dashed off
giddy breyitles Just TO show they
arc not always quite so serious as
"The Woman and "Tbe Return
Of Peter Grimm might make us
fancy. And Yet IN each case the
frivolity shows the same mental
tendency so admirably worked out
in their longer plays. enjoying the
stamp Of David Belasco, mcmora.
BILE as their fathers co-worker in
such favorite old plays as "The
Wife, "Bord Chumley'' and
"The Charity Ball. Cecil Blount
de Mile, who lays no more claim
10 "Peter Grimm - than the sug
;restion Of it's theme to Mr.. Belss
20, is caught treating resurrection
in 3 very different way In "The
Antique Girl.
Hardly anybody Interested in the
theater needs to be told that the
"Grimm play concerns itself
with the spiritual, unseen return of
a kindly old man to the house he
died in, there TO prevent unhappl
ness due 20 4 stern. wellDicsnt, but
mistaken. command of bis material
days and that the struggle hes III
his effort TO convey his message
from the grave. Nothing of that
sort wonld be welcome in nusi
cal comedy--even so brief an
one IS "The Antique Girl Rut
the metropolitan buck about whom
that merry entertainment ewirls
believes he hears u voice from the
ages. cmanating from an ancient
vase which he has discovered in
New York antique shop. so in the
dark Of night he breaks in. and,
smashing the mysterious vase 10
atoms, discovers that the voice
came from no greater or more su-
pernatural distance than the far
side Of a screen, and that its owner
is the lovely daughter of the shop
keeper.
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
HxYILLIAM G. DE MILE, as

w Indicated by "The Won
an, is as keeuly interested in the
natural as Is his brother in the SUI
pernatural; so it is not surprising
Ia find this same distinction in
their playful moods. Purely friy
oIous as it is, "1n 1899 is obvi-
ously tho fancy Of mau who reads
The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1912-02-25
TRIBUNE, SUNDAY MORNING FEBRUARY 25 1912

froth artists Of the day. she ap.
pears as sole star Of her company.
And that is well, for the only
times when Marie Cabill comes into
hailing distance with failure is
when called upon TO adjust her
methods to some one else's Her
new piece is "Thc Opera Ball, -
translated from the German by
Claire Hummer, Of egypt,
Dearle' and other melodious
memories, and Sydney RoscnfeId.
One of it's authors. Victor Leon,
wrote "The Great Name and
1.-The Girl in the Train and WAS
partly responsible for "The Mer-
ry Widow; but | feel sure I am
not mistaken in believing he took
the plot of this piece from the
French farce which, as "Piuk
Dominoes, was considered very,
very naughty by our fathers and
the success of which, oddly
enough. formed the foundation for
the dignified and solid regulations
gained hy Sir Charles Wvndham
and Mary Moore. whose husband,
by the way, wrote the English vcr.
sion