Bismarck daily tribune. [volume] (Bismarck, Dakota [N.D.]) 1881-1916, 1912-07-29

Of a pannierf movement. Long close
unlined sleeves of the lace FIN.
ished at the bands with trills. and a
frill ran around the back ana siue:|
of the slightly low neck, while across
the front there was only the straight
line OF white satin finished by a cord
Of the satin. lhere was no other trim.
ming, but worn with a big low black
hat partly faced with rose taffeta and
with pearls about the throat the Co.'S
tune was unusually attractive.
Often the black and white fr0ck,s
show several layers-white satin,
partly yelled in black mousseline de
sole embroidered in white. with a Sec
ond tunic drapery Of white mousse,
line de sole embroidery in black, or
a close skirt of black satin showing
but a little below a tunic of white
satin with white satin waistcoat and
lace frills. Simpler effects are ex-
plotted in the useful and popular m
piece frOck Of supple black satin.
Some of these fr0cks are as straight
down the front and tight long sleeves,
but with a becoming suggestion Of
GOODNESS in some sort of smart big
collar arrangement of fine hand en-
b%roidered muslin or muslin and lace,
leaving the throat bare.
The gay bead embroideries on bags
and reticules have become familiar,
.ut bead embroidery on a handsome
evening frock Is something of a nov
city. Paquin has used this colored
beading with good effect upon q din
ner gown of plum and gold shot tat
feta. Huge beaded motifs done in q
pattern resembling the cross-stitch
embroidery so fashionable now, deco
rate the skirt and one front of the
bodice. The beads are in exquisitely
blended shades of violet, amethyst,
mauve, rose and white, and the EN-.
broidery harmonizes pleasingly with
the shot plum and gold of the taffeta.
The draped fchu of pale violet chit
fon, with the selvage used at the
edge, gives a demure look to this bead
embroidered gown, and the costume is
completed by satin slippers ornament.
ed on the toe with bead embroidery.
lac 4uoAllSlCo VI ACI uSCU III
tucked effects, frills and flounces
make debutante dancing gowns espe-
cially airy. and youthful. Little white
chiffon gowns are seen also and some |
of these have pipings Of white satin
applied to ,scant ruflles of the chiffon.
The satin piping along the edge
makes the rufle stand out in stiff
whorls which are considered very
Most of the net dancing
1rocks are made still more babyish
w the addition of sashes with long
ends at the back.
The new chiffons are wonderful.
Not only do they come in the most
exquisite shades of coral, fame, jade
corn color, amethyst, and other subtle
on the three primary COL
ors of red, blue and yellow, but there
are also lovely Jouy chifons with
softly tinted floral designs s%prinkled
over a white or pale colored ground.
Those JOuy chi1fons are draped
above trailing satin skirts in modi.
fed pannier effects which are ideally !
graceful, and usually there is a touch
solid color concentrating the shades
in the Jouy pattern, the color toucn
the form of a rose tucked
the corsage or a series of tiny,
fiat velvet bows used like buttons
down a bodice front or a sleeve.
The high Robespierre collar, which
hides the nape of the neck
and leaves the front of the neck bare,
Is being worn by smart dressers. Two
revers turn back from the front with
square n edged with a pleating
Of Valenciennes lace.