The evening times. [volume] (Grand Forks, N.D.) 1906-1914, 1912-07-16

tOuCn Oh COlOT III d W0oS0s
shaped motif set just above tho waist
line at the front Of the bodice. The
bodice drapery apparently divides be.
low the bust to show this bit Of color.
and sometimes the skirt drapery be-
low the knee divides in h same way,
the color appearing again at this
point. A gown OF this type by Fran.
taupe satin buttoned boots and q
gorgeous hat of taupe colored, hemp
trimmed with two taupe colored
plumes. The color Is one single splash
of vivid American beauty rose, intro
duced just above the waistline where
the taupe chiffon drapery of the boz
dice divides and passes to III back to
who wore this beautiful taupe gray
costume lifted her long skirt, crossing
a wet pavement to step into her motor
car. and above the heat buttoned boots
OF demure taupe satin caught a
fitting glimpse Of American beauty silk
hose-just a glimpse which revealed
n fact that the stockings had been
selected. to match the bit of rose color
IN the bodice.
Some women match the parasol and
stockings-others Is less subtle style,
h boots and parasol. A black and
white spotted foulard, made in panier
style, was noted at the Newport Ca.
SssAO OsAO oASS lASOI loSI WICK duO ln0
gown itself. very. modest and incon-
spicuous IN style. was rendered strik.
ing by a brilliant green parasol, a
black hat with brilliant green plumes
and silk stockings of. the same green
above smart little buttoned, Oxfords Of
black satin. Green satin boots would
have been awful-no Newport woman
would have worn them-but the green
stockings above the snappy little black
satin Oxfords. matched by the green
parasol with an ebony handle, were, IL
striking and a bit bizarre, no more
h daring and chic.
Coral Much in Vogue.
Coral is another strong color that is
much in vogue at the moment
though coral is seen now only by gas
light and not on the street s it was
last summer. A stunning coral satin
gown by Cheruit was worn at Tuxedo
this month. The draped skirt Of coral
colored satin was softened by a deep
founce Of cream Mechlin lace slanted
down from knee-height to the train at
back. Around the top Of the lace
went a festoon Of small silk roses in
shades OF peacock blue and deep pink.
crossed surplice fronts that extended
around to the back to form a small
postiillion. caught under a diamante
ornament. The sleeves of lace fell over
the elbow. but the lace separated lust
below the shoulder, leaving the arm
hare. a cluster of the little flowers
catching the lace folds together again
at the elbow. Though extremely decol-
lette at the back and front-the decol-
letage at the back almost touching the
diamante ornament Of the postillion-
the gown was accompanied by a high
stock collar Of white tulle edged at the
top with h little blue and pink roses
This wearing of a tall stock about the
neck with a decollette gown is a trick
OF the sunmer-though a trick af-
fected mainly by women whose necks
are too thin. or too withered to meet
beauty standards.
Craze Touches the Gloves.
The craze for colors is shown also in
the fashionable glove which is Of silk
with small embroideries on the long
wrist. Conservative women prefer the
s~elf-colored embroideries. which are
very handsome or the rich, silken fab
ric OF the glove. but all sorts of BIZ
zarre effects are noted-white gloves
embroidered with green. blue or rose.
lilac gloves embroidered with pink,
tan gloves embroidered with blue. and
so on. These gloves are considered
very chic with gowns including two
colors In their makeup; but one can
not say that the. effect Is pleasing. Very
beautiful. on the contrary, are the tan
silk gloves embroidered in tan, or the
white ones with white embroideries;
n for evening wear. there are pastel
tinted gloves with dainty embroideries
IN softly blending pastel colors.