davidaulloa/AmericanStories huggingface dataset:
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05

Work. which has been in progress
- several months on the Union Dis
03ct Consolidated High school ut
oherrard. has practically been com
yleted and the new building II now
belne occupied. the move from Gar
v1n'e hall into the new quarters hav-
ne been made yesterday and the nrst
eeesion Of school was held I'm the aft
srnoon- The building. which In one
Of he finest and most modern In the
state. 10 centrally situated In the dis
trtct and n located on the principal
street Of Sherrard. IL vas erected at
an approximate cost of $4,000.
The building Is OF Doric archi-
lecture. presenting a plain. but neat
and substantial appearance. and 10 a
two-story structure with a modern,
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05
|DAEDRUFF AND
ITCHING SCALP


A CSC trial sise n q special offer for
you to test his treatment and 80
for yourself how quickly they relieve
an irritatsd skin or scalp a. well m
cure dandruK and prevent falling hair.
One shampoo with ZEMO SOAP
and an application Of zEMO stops
the itching instantly, cleanses the
scalp and rids Il OF all dandruR and
scurf.
We know that zEMo and zEMo
SOAP have no rivals for the prompt
relief and permanent cure Of all skin
and scalp objections.
Frequently the trial package will
entirely eradicate q minor case OF
itching scalp or dandruf and IL al
ways sufficient 10 demonstrate the
curative powers OF ZEMO and ZEMO
Soap for every form OF skin or
scalp eruptions. A twenty-five cent
package will convince you.
Chas. r. Goethe q Co., Wheeling.
W. Va: Selby & Reed. Bridgeport
and Martins Ferry. o.: Dankworth
Bros Pharmacy. Bellsire. o.: o. d.
Gates. Benwood. w. Va: Werlich
Drug Co. Wellsburg. w. Va: Harry
l.. Myers. McMechen. W. Va; VIII
Peabody, Moundsville. W. Va.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05

/. The basement 10 sanitary and has
all the convenience Of the most up
to-date school building In any city.
Two rooms are 10 arranged that the
branches Of domestic science and
manual training may be taught. Al
the building II. heated by the hot air
system n forced ventilation Is used.
ventilation plant are installed in the
basement. The roof Of the building
is nat and Of tile. making II as nearly
1reproof as possible..
Corner stone Laid.
The building has been under course
OF construction for nearly eight
months Wien appropriate exercises
the corner stone was placed In posi-
ton Saturday. Aug. IL, 1912. While NO
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05


11ta A. 49, FL $780,
n r Il 80 RI 30 $500 =
Hrr wr - o. - er
TT 60 Ha HnI - 1875 rrn
fHE ri rH o. go HrrarnT 7
a1tlrrr ra e. H rf 80
g. 60 rnfIrr go go So
ri Harw NHrT go fa ua en-
80 90 HT m d
g. ar c1ca Hsrrrr Ersrd 1.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05
"6aby Mine"

The International comedy success,
BABY Nine" after a solid years run
at Days theater. New York city. will
be presented by William A. Brady.
Ltd. at the Court theater next We'd
nesday evening. March 9Th. and IL is
safe to predict abe production one OF
the best things OF the current season.
Baby Mine" is the funniest play ever
produced on the American stage. All
critics agree OF IL being an extremely
clever comedy. containing good,
healthy laughter brom start to finish.
IT, is row playing to capacity houses
at Sir Charles Wyndham's Criterion
theater, London, and is in prepare
ton In Paris. Viena, Berlin, st. Peters
burg and Australia.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05


Nunn a.ruAM II Na Mrrrf e
.1aww E 49, H. 80
uerH aNw r. waluusI ~
49, 80 A. rs~ Il F~.s o.
$500 ~ $780, =
$500 49, 90 rrrr
60 Im Nnwr 49, rrl ~ I
aT 49, Eewa E 81 49,
81 us - na
ra go 49, En.s s a
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05
The Country Boy

The Country Boy" Edgar Selwyn's
comedy. which has zen one OF the
greatest successes " recent seasons.
will be the attraction at the Court
Saturday. matinee and night. March
9Th. Mr.. Selwyn has written a play
which appeals 10 all classes OF play.
goers. II II "a wildly realistic In its
character drawings that n you be city
wise or only versed in the personal
tiles Of the countryside you will nnd
familiar folk on the other side % the
foO'lights when you 80 this play. Mr.
Harris has cast and staged the piees
with the same eare that marks al M.
productions
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05
MUSICAL COMEDY
Naughty Marietta" Comes to the
Court Tonight With Clever
Florence. Weber.

Tonight Oscar Hammerstein will
present Miss Florence Weber in
Naughty Marietta at the Court the
alter. The new comic opera Is by
Victor Herbert and Rida Johnson
Young. n is said to be brim full or
melodious music and has been staged
more deliberately than the usual at
traction OF its class e e here.
Naughty Marietta" has gained
the strong commendation of New
York audiences as was shown by it's
long and successful run OF six months
at the New York theater last season.
Besides Miss Florence Weber in
the cast are to be seen such well
known favorites as Madame Clara
Crendelli. Blanche LatelE, Billy Wood.
Fayles Hilton. Edith Booth, Viola
Garrick. Mr.. Juan Cardo. Edouard
Beck. Sid Braham. George Scott. John
Horn. Sillvio VIII. Billy West, Dan
Morrison, Walter p. Hearne, Willard
Reynolds and II. J. Mulligan.
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05

Many sufferers from rheumatism
have been surprised and delighted
Nth fhep prompt relief Afforded b. 80.
plying Chamberiains Liniment Not
one case % rheumatism IN ten -.
guires any internal treatment What.
ever This nnimenf b. for sale b. en-
dealer
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05

Morgantown: George c. Brand. who
lives on the home place. and w. C..
Brand. OF Usage. . Several g~randchii-
dren and Observation-Disclosures also
survive.S
The Wheeling intelligencer. [volume] (Wheeling, W. Va.) 1903-1961, 1912-03-05
"Sman Set"

This season the famous Smart
Set company win feature S. II. Dud-
ley. the clever colored comedian and
fun-maker. I'm a live and up-to-the-
minute musical comedy in three acts.
entitled Doctor Beans from Boston"
The e play will be the attraction
at the Court theater Friday night.
March sth. MI. Dudley will be sup
ported by a company OF so people.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01
FRENCH FASHION NOTES

ground Of gray. brown. black or navy
blue is decidedly artistic.
Evening gowns are more interesting
than ever. and many show tunics of
colored tulle. Bright blue was used
over a foundation of yellow and sui
phur color over white. Gray tulle eff
fectively combined with strawberry-pink
brocaded crepe de chine was used for
another model.
Deep chenille fringe from twelve to
eighteen inches in width Is extensively
used to trim evening gowns.
Jewel-spangled flowers of black tulle
and girdles of black velvet with long
sash ends appear on many smart
models.
The small turbans of white fox are
being worn by many Parisiennes. These
are simply trimmed with a single flower.
an ornament of braid a small bunch
OF colored aigrettes.
Square buttons of pearl or ivory are
used on street frocks of velvet and
cloth.
Children's hats are trimmed with
pleated bands of velvet in several tones
or fantasies of plumage. ELOISE
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

This ecru is matched in silk
chiffon, which are large green
coinspots Pipings of green silk are
used on the sleeves and little vest in
front A pleated frill forms turned
back cuffs and outlines the yoke and
vest
In d charming dark gray costume
we have a very clever exploitation
of color and trimming on both
jacket and blouse. The skirt is
trimmed with flaps of gray silk inset
at the side of the panels. Cords and
silk disks trim the panels. On the
blouse of dark gray mousseline de
sole over ecru the yoke is of silk. to
match the silk on the suit. 1t drops
down in straight tai, which is trim
med with cords and buttons. A similar
treatment is given to each sleeve and
an ecru lace frill trims each tab. Com
spots in dark gray chenille are put on
by hand to complete the charming
costume.
A lavender suiting with a pale
lavender stripe has row of buttons
IN the two tones on the front flap of
the skirt. The blouse is carried out in
the exact shades of purple. A soft
liberty silk is made in simple pat
tern, with tucked sleeves. Revers and
button trimmed. Needless to say that
the bag, the hat trimming and the
jeWelry are in shades of lavender.
In this season of stripes there
should be striped blouses for the
suits. The simple model is trimmed
with black braid and tiny black but
tons on the yoke and sleeves. \
chemisette and subcuffs are of white
lace. There is an indisputable charm
of completeness in this idea.
Plafds, checks, certain We2ves and
textures can be matched in blouse
materials. BY making the suit and
bodice contributing factors to the
whole costume. you will attain success
and beauty
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

modes this winter. A lovely model by
Beer fashioned of gray velours de iaine
had long close-fitting sleeves Of deep
purple and rose-pink brocaded chiffon.
A pointed cap the continuation of the
shoulder line, extended over the top.
Fur appears on every garment, and
the most expensive varieties are used
with extravaganza.
Blue fox stands high on the list OF
fashionable peltry, closely followed by
tailless ermine, sable and sealskin.
A luxurious scarf and a large fat
muf of ermine were trimmed with huge
bows of sapphire-blue velvet.
Mantlets of sealskin are worn by
smart women over afternoon frocks OF
velvet and cloth. The fur is looped
about the arms and crosses over to the
left side, where it is held in place with
single button. Cream satin forms the
lining. An elaborate wrap for evening
wear is made of sulphur-colored velvet.
Over one shoulder and at the bottom Of
the wrap are arranged triangular in
sets of oriental embroidery upon
background of bronze net. Other hand
some wraps are of black velvet trim
med with deep silver lace and bands Of
fur.
One of the loveliest afternoon frocks
recently displayed at Worth's was of
Paisley silk in the dull, rich coloring
appearing in the delicately tinted
shawls Pale yellow charmeuse draped
gracefully over the skirt had one point
extending over the bodice front. To-
bacco- brown velvet was used for the
collar and sash.
Hats of white plush adorned with
black coz plumes are being much worn.
Frequently these are arranged nat
about the base of the crown.
The beret hat appears in many phases
and is trimmed with aigrettes. plumes
or fur.
On many the crowns are extremely
broad, and when adorned with plumes
produce the effect of the popular pic
ture hat. Bronze velvet combined with
ostrich plumes Of the same color made
an extremely picturesque beret hat.
The compact bunch of red berries Is
much worn as a corsage bouquet. This
vivid spot Of color against a back
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

PARIS, Nov. q.
"HIS season Fashion has turned
back leaf after leaf of the book
Il in which her fancies are recorded
and paused at the end Of the eighteenth
century. At this period the horrors OF
the revolution We're perpetrated. when
the monarchy. Robespierre. the direc-
tory, each played its part, finally yield
ing to the power of Napoleon and the
first empire.
Fashion however, fingers longest
where the chapters are headed direc-
toire and Robespierre, and from these
picturesque periods most of the winter
nodes are developed.
The grace of the slim silhouette seems
to have found renewed favor. Skirts
continue rat Their scant and clinging. but
there are many innovations in line and
trimming.
Ribbed velvet in tones of black and
eray was used for stunning coat suit.
The skirt, slightly draped at the left
side, was caught in place with nat
ornament of plain black velvet. Inc
coat was longer than finger length, ana
had a shawl collar. turned-back cults
and buttons of black velvet.
A charming model OF Seal-Dro"n Fei-
vet had trimmings of old-gold plush
and skunk fur.
Paul Poiret who is always closely as
ISOLATED with color, is favoring rich
shades. He shows number OF cos
tunes combining dark blue with white
or silver, and then as a final touch uses
pipings of cerise. orange or canary.
Many of the popular colors are named
from vegetables-radish pink, artichoke
and lettuce greens, potato brown, egg
plant purple, tomato red and carrot
yellow are all extensively used.
Cabot is partial TO pale tone. of
bright blue called madonna blue since
it appears in the old paintings of the
Madonna.
corning the peacock, Cheruit uses tones
of blue and green appearing in the
plumage of that kingly bird. Paquin
favors peculiar shades Of red, coral and
yellow.
Sleeves which are of a contrasting
color and material from that used for
the gown are a feature of the new
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01
BlOuSeS That Match

NFORE emphatically this season
tW than in former times IS the gem
A'A eral harmony Of a cos ne con-
sidered by the well-dressed woman. She
chooses each accessory or part of her
costume with an eye to the resultant
ensemble. If color. trimming and gen.
eral treatment be carried out in the diff
ferent parts of a gown or suit, the
combination will be one OF modish
charm.
The monotone idea is very strong in
the tailored suits. With stunning skirts
and coats there are worn blouses that
carry out the prevailing color scheme
Indeed. to be strictly up to date the
blouse must match the suit, and here
are some valuable and charming proofs
of the latest dictum OF fashion
,modish button-trimmed suit of a
rough diagonal is of golden brown.
There are pleats at the side, and a row
OF buttons extend down the edge of the
overskirt. To continue this Ielieni
ldea a supple Drown taffeta is used for
the blouse. F'ne .lcks are used to give
fu!!ness at the yoke line and at the ell
bows of the sleeves Buttons are placed
on the pointed yoke and the inner line
ecru lace. The high waist line of the
skirt fits over the blouse without any
extra girdle.
In directo.re blouse of blue silk there
is exact match In colors between 1t
and the suit. With this costume is worn
a large lace frill that is made of the
same iacc as he collar on the blouse:
The Jacket IS lined with the same red
silk that Lipes the bodice. and fiat but
tons are used in straight lines as they
are on the jacket and skirt.
If a color be too dark for the face
and yet the monotone idea Is to be car
ried out, material with a pattern in
the shade on a lighter background can
be used.
green suit has its accompanying
blouse made on these lines. There are
inset cuffs and panels OF ecru cloth.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01
SapphireS Popular

"HE sapphire is consi0e. ed beauty's
chief adornmenl this winter. Blue
- has prevailed so long In the af
fections OF the well-habited woman. and
the sapphire reflects that wonderful b.ue
which hints of Italian skies at night.
When we'll chosen. the sapphire may be
worn morning, noon AID night. 1t har-
monies perfectly with the severely tai
lored suit or the exquisite dinner gown.
The correct s-pp.iire must not be OF 50
deep shade as to res NILE a chip Of
coal, nor must II be a was led-out blue
which is absolutely characteriess. When
it's a perfect blue the black frock needs
no other adornment than a lovely sdY-
phire drop attached to A small chain.
Co plete sc s Of sa4 phi;e orna nents are
being worn after the fashion OF fifty
years ago. These Sc 3 include a neck
lace, two bracelets and brooch or two.
If the sets are intended for evening
wear. they include band for the threat.
a barrette. ornamental combs and fire.
quentlv tiara
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

~ ARTS IS sirdle mad. Scarcely a
- gown appears without its acL
c0mpanyins sash. Such design
ers ~ Beer Cheruit. Drecoll and
Redfern'are featuring the girdle. max
ing t the dominant note of every gown.
II seems almost impossible to imagine
tie many variations of form this Access
so-E assumes under the deft fingers OF
SAGA artists. bat there are scarcely two
alike
Tle watteau sash is attached to the
shoulders and hangs in a straight
panel 70 within SIX or eight inches Of
sho hem waere It is Iooped up. The
Dre.ate sash encircles the waist. and
one end Is tarown over in stock fasn-
ION, 70 aaus IN a straight line nearly 10
the knees There are broad sashes,
lCgestnS the Japanese obi, which are
tied IL d tat butterfly bow at the back.
with long ends extending nearly - the
hem
Other sashes have 4 fat pump bow
or buckle 10 clasp them at the back.
Direc;oire g.riles define high waist
lines. and turkish sashes swathe the
asIra terminating in knot with
t9.nGed ENDS below the hips. White
Gowns arc adorned with sashes of vivid
LES. and soa4e show duplicates of the
Gov ered-ribbol sashes worn over the
mai frocks n our grandmothers.
The modij-l note Of contrast IS shown
at its best when exploited by the
sash-g,rS}le.
SATIN, velvet and mOuSseline de sole
are extensively used 10 fashion girdles
which adorn frocks OF crepe de chine.
satin. cashmere de sole. charmeuse and
IOusseline de sole.
The model with the muR wears a
stunning frock showing a phase of the
pre.ate sash II Is fashioned of cor
beau-biue velvet. the bodice crossing
sIrplice fashion over a yoke OF cream
eol0red lace. The wide-mouthed sleeves
extend Over the undersIeeves OF lace.
The skirt hangs H. straight lines from
,enestt1 a sl-dle of purple satin, one end
~ which : ornamented with fagot!ng.
The smart beret hat & OF skunk fur
yith brisn and DOW of white plush.
Fandy ke-brOHn velvet Is used for the
farming froek worn by the model car
ins The black handbag. The severely
Pain bodice mas long. close-htflng
sleeves. About the vast IS drawn a gir-
Gle of magenta satin finished with silk
cords OF the same color. The large hat
IS OF brown velvet. with loops OF ma
senta satin adjoining the side
Most unusual is the model which fas-
tens far 20 the left SIDE. ii IS OF prune-
colored cloth. With collar. girdle, under
siis't ana buttons of navy blue satin.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

The chemisette IS of ecru net finished
with high close-itting collar.
a toque Of blue velvet trimmed with
white aigrette completes this costume.
Extremely smart is the design with
The modified Turkish sash. This is de-
Veloped in gray cashmere de sole. with
deep yoke ard pleated iabot OF white
mousse,ine de sole The collar and band
finishing the hem OF the skirt are Of
sapphire blue velvet
Perfectly plain. long sleeves. finished
with a frill of white nncusselIne de sole,
complete the bodice.
Sa pphire-blue Inousseline de sole is
used for the sirdle which IS knotted
over the hips. The long sash ends ex-
tend nearly 70 the hem. This model is
equally effective IL duplicated In white.
blue or amethyst charmeuse. using a
contrasting color TO trim 1t. The large
picture hat is OF gray velvet. with a
broad bow of dark blue velvet trimming
the side. This is a charming afternoon
costume for the debutante.
Amber is numbered among the leading
colors this winter, and cashmere de soie
OF this tone is used for the lovely model
with the trimmed sleeves. To
those who admire simplicity IN clothes
this design will make a strong appeal.
The wide cape collar is relieved by
touches of emerald-green satin. and but
tons covered with the same material
adorn the sleeves and bodice front
Long, ught-ftting sleevs are set in the
dropped shoulder seam with a narrow
piping of green. The skirt is slightly
full and is cut away in front TO disclose
a plain undersklrt. Defining the raised
waist line is a sash-girdle OF the CASH
mere de sole, with trimmings of emerald
green satin. Velvet, satin. charmeuse or
cloth can be used successfully TO copy
this design.
The modish beret hat is of dark brown
velvet adorned with two white cross
aigrettes.
These fascinating girdled frocks should
offer inhLmerable suggestions TO the
home dressmaker. Your gown is not
strictly following the dictates OF fashion
II IL lacks d girdle.
A season-old frock may be made TO
appear new by Introducing Few
touches of contrasting color.
There is a wealth of possibilities in
the. girdle. which, heretofore, you have
tailed to realize
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

II you are making a new frock or re-
modelling the old one. let the g1rdle be
featured.
One grdle can be worn with several
gowns, If the proper color is selected.
Bear this in mind when choosing the
material.
These models have an individuality
which should awaken admiration in any
womans heart. Why not be the first
wear one?
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01
FASHIONS AND FADS.

white suits are trimmed with fur in
dark colors.
he plain Il Ooks of black. dark blue or
srsy c5arnleI Sc are Caarmingly relieved
~ cuffs and collars OF venetian and bo-
Get2i2n rsAf1.
COmhina Ions triumph in evening gowns.
tH &, f5... Z viii he cream tulIe
and tic other of raspberry velvet.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

suits are made of velvet or velour
de laine in shades of red
For lovers OF outdoor sports the knit
ted jacket is much worn
Bolero coats of plain velvet in odd
colors are still holding their place in
fashions favor
The characteristic of nantes this
season is that few of them reach the
hem of the skirt
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

Dainty and chic walking dresses are
made Of fine navy biue serge or of
brown and black striped tweed.
One of the most attractive new cos
tunes is of sapphire blue velvet TRIM
med with chinchilla or fox fur.
Hats made entirely of fur are very
much in fashion. They are made OF mole
skin erfnine, caracul and ermine POM
pons or marabou are used as trimming
on these.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01
Eggplant Oysters.

For this purpose leftover eggplant is
ordinarily used. Add to the pulp equal
quantity of fresh. sweet corn grated
from the cob, or canned corn that has
been well drained. To each pint of the
mixture allow one egg. white and yoll
beaten separately, sal.spoonful of salt,
dash of white pepper. a half tablespoon
full of flour and scant Tablespoonful
of sweet cream. Add the stiffiy beaten
white of the egg last. Drop by the ia
blespoonful in boiling hot oil and cook l.
golden brown. This is very nice TO-
breakfast or luncheon with watercress
and slices OF lemon.
Scalloped Oysters.
BY the way, do you realize that, with
meat prices so very high. oysters really
made cheaper piece de resistance for
the Sunday dinner or hot supper?
Butter a rather deep casserole or pud-
ding dish and cover the bottom with a
thin layer of cracker crumbs. Season
with salt and pepper and bits of butter
and over this place layer of oysters
which have been rinsed in cold water and
drained Season these also with salt
pepper and buffer. Then repeat the
cracker crumbs and oysters until the dish
is nearly fun, having the buttered crumbs
on top. over all pour the juice of tho
oysters with a cup OF milk or cream that
has been heated. II milk is used. more
butter will be required. Cover and bake
half an hour in hot oven. When nearly
done uncover and brown.
Oyster and Potato Scallop.
Drain two dozen oysters. saving the
liquor, parboil six potatoes and slice thin
Upon this pace a layer of sliced po-
Butter a baking dish and cover the bot
tom with a thin layer of breadcrumbs.
tatoes and upon the potatoes arrange
a Iayer of oysters. sprinkling them with
minced parsley, pepper and salt. Repeat
this operation, arranging the three ay-
ers-breadcrumbs. potatoes and oysters
and conclude with top layer of crumbs
EYu the dish almost to the top with a
miyture of milk and oyster liquor, In
EQUAL proportions. but pour it in in such
a manner that il will not soak the TOP
aver of crumbs. Dot the top with bits of
butter and bake for about thirty minute Il
in q hot oven.
EMMA PADDOCK RELFoBu
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-12-01

Very chic collarettes and muffs are
made by combining tulle, lace, velvet
and ribbon.