davidaulloa/AmericanStories huggingface dataset:
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1912-07-12
PASSENGERS BOOKED

Per str. Mauna Kea, for EIilo, via
way ports, July 13.-Ernest Parker,
Miss M. B. Cassidy, Miss v. Jones,
Miss A. Jones, c. ID. Samson. A. Il.
Case, Bishop Kinney, Mrs. II. w. Kin
ney and son, NJ Kinney, M. Kinney
IF. A.. Beckwith, ]. II. Brown, Mrs. F,
Il. Brown, Miss Laura Haynes, Mr..
.Clayberg, Miss Clayberg. Mrs. Ween.
rich and two children, T. Osaki, Miss
&C. E. Mccarthy, Miss NJ Mccarthy,
John G. Curtis, Miss Clara Edgerton,
C. w. Edgerton, M. Jongeneel, P. M,
HOLSTER, E. B. Watson, G. E. Steph'
enson, Robt. NJ. Smith, E. a. Mott
Smith. Ernest Mott-Smith, Mrs. Mells,
Miss Mells, Miss X. Mcintyre. Miss J.
Mcintyre, Mrs. M. F. Murphy. Ed,
Fernandez, Miss Frances A. Brown,
Miss !. f. Hancock. Miss Anabella
Mundon, Mr.. and Mrs. j. j. Brown,
Mr.. and Mrs. J. E. Brown, Clayberg
and parties.
Per. str. CIaudine. for Hilo, via way
ports, July 12.-Miss E. Kalina, w.
H Crawford, wife and two children
Miss Z. Crawford, Mrs. G. w. Booth
and daughter, Miss Marion Brown,
Mrs. e. A. Turner, Arthur w. Brown,
Ed. Cockett, Mrs. B. Cockett, Miss
Stevens, Mrs. Stevens, Miss l.. John
son, Miss A. Johnson, Mrs. F. F..
Branco, Mary Caroline Branco, Mrs.
c. W. Booth and daughter, Miss Ka-
mesako, Lizzie Keaweiwi, Miss A. Ko-
bayashi, j. NJ. .Koko. Miss Morris, Mrs.
Morris, r. d. Morton, Geo. K. Timble
and wife, Mr.. and Mrs. Nakano. Mas.
Nakano.
Per. str. Mikahala, for Maui and
Molokai ports, July 16.-John G. Cur
tbs. Mrs. F. Gibson, Miss E. Farley,
Miss Swanzy, A NJ. Caulley, Sam Ka-
lai, Oboe, Miss Ahoe. Mas. Ahoe, Mrs.
J. Carlo, Mary Isaac, Miss E. Kalino,
Chas. F. Loomis, G. Kuhns, Miss
Mann, Mas. Mann, Miss Morse, Mrs.
Morse, Miss Ellicott, Mrs. Kingsbury
and daughter.
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1912-07-12
TRANSPORT SERVICE

Logan, sailed from San Francisco for
Manila; arrived Honolulu July ~.
Sherman, from Honolulu for San
Francisco, arrived July IL.
Sheridan from Honolulu for San Fran
cisco, Arrived April z.
Crook, at San Francisco.
Buford, stationed on Pacific Coast.
Warren. stationed at the Philippines.
Thomas, sailed from Honolulu for Ma
Mia, arrived July 2.
Supply, sailed from Honolulu for Seat
tie, June Is.
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1912-07-12
Oahu Railway Time Table
Outward.


FOR Waianae. waialua, Kahuku and
Way Stations-A9: Is a. m., q: 20 q. m.
For Pearl City, Eva Mill and Way
Stations-f7:S0 a. m, s9:I5 a. m.
au:S0 a. m, s2:15 p. m, 1920 o. m,
s5:15 p. m, 1880 p. M, t1f:I5 D. m.
For Wahiawa and Leilehua-.1o 30
a. m. '5:15 p. m, 1880 p. m, Hills
D. m.
Inward.
Arrive Honolulu from Kahuku, Wal
alua and Waianae-'8t36 a. m, s5:31
p. m.
Arrive Honolulu from Eva Mill and
Pearl City-f7:4h a. m, 1886 a. M.
'11:02 q. M, '1:40 p. M, '4:26 p. m,
'5:S1 p. n. $50 D. m
Arrive Honolulu from wahiawa and
Leilehua-9:15 a. M. f1:40 D. M.
1871 p. m, t10:iO p. m.
'rrhe Haleiwa Limited, two-boar
train (only first class tickets hon.
oTed;, leaves Honolulu every Sunday
at 1886 a. M; returning, arrives in
Honolulu at 1910 p. m. The Limited
stops only at Pearl City and Waianae
outward, and Waianae. Waipahu and
Pearl City inward.
daily. fSunday Excepted. tSun-
day Only.
G. P. DENISON, f. C. SMITH,
superintendent. G. P. A.
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1912-07-12
NAILS
Malls are due from the following

Mails are due from the folloWins
points as follows:
San Francisco-H onolulan, July H..
Victoria- Zealandia, July II.
Colonies Mariana, July Is.
Yokohama Shfnyo Maru. July IS.
Mails will depart Tor the following
points as follows:
Yokohama Nippon Maru, July II.
Vancouver-Marama, July Is.
Colonies Zealandia, July IT,.
San -Shinyo Maru. July Is
Honolulu star-bulletin. [volume] (Honolulu [Oahu, Hawaii]) 1912-2010, 1912-07-12
PASSENGERS DEPARTED

Per str. w. G. Hall, for Kauai ports.
July 11.-K. Iskida. H. Robinson and
party, Prof. s. Shiga, Miss l. Opunui.
Miss A. opunui. Miss e. Wunchele,
Mrs. Kiesei, C.. Bush, Rev. A. 8.
Baker, F. All You, wife and three
children, Mrs. w. Wilmington, Mrs.
Abbie Akoni, Miss Akana. Willie Kar
wal, L. Bake, C. Bake, Miss Ander-
son, Rev. Dodge.
The Washington herald., 1912-10-13

7 slightly moving.
Outside a part Of the vail fell With 4
mufied thud.
oh" exclaimed spontaneously
doesn't Il depress you TO live and wori
| here. where 20 much beauty 10 being de-
stroyed. Don't. you hate to have thes4
fne Ole buildings 60. even II your nich4
Is pre<erred?-
your auntie could have bitten Ter tongue
with annoyance after she'd said that
for all her intuiuons told her that u
, Rodin didn't like IL. and. anyway. how
could he look the government stft horsa
In the mouth As II were. and condde ir
re that he preferred more cheerful quar-.
| ters?
A QUESTION UNANSWERED.
So wasn't at AL surprised when he
slurred over that question Just sssins
ben.gnandy At me through his half
closed eyes and saying. quite unenouon.
ally:
I'm vefy happy here hsve my
work and my people," and the slight
wave Of his startungiy delicate hand
seemed to include all the eraped AsuSes,
the assistants IN the room beyood. ths
man servant, the maid servant and the
vorkmen oufside-
pair TIE error. and also trying to con
ssruce for myself . v1s.oa Of . younger
Rodin Who osed TO 90 20 LAvenres WITH
Whistler and Ids IN. and who vss .
mad and merry s,trft among the brother
hood. but II Wouldn't eorse- An I could
sc Vas the Grave. tmmosile Buddha In
his armchair
DO you think AT is deseaerarng-' i
asked
Ar can never degenerate and u rever
deeeae-afe.- answered the sculptor. sud
eealy unbood.nS his eyesL Y think. ho1-
ever. that - dne things are not pro
dsced to-day ~ In tho past. and that II
teeanse the ttsepses q AT. her ssndant1,
vtu not work fhey rrsh On and fan
into any school Uhieh 10 the eas1ese school
sor them So you can't expect . enod
result lis Ike thia Years aSo . shoe-
maker had 70 Doaei . shoe ffom ths
foot and therefers made . seautifzI
one- Novaaays psopis put thsar fs<t
into reAAy-maAs sAoea. whether thsJ -
q not ny mould thetr fose 10 the
shoea II sesns - b thaf v.y ts noss
thfrss IN Ese- and art b tainted vfth
th.s sptrft What ths artist gives. de
p1hHc aeespeA 6e new schools sps1ng up.
flourish. fed a exelfeDeHs- tA0 aia 0gf
IL ignoranes@ q ths p1bk;e vhers art
ID concerned = one q The mOss a0az1ng
theags fn H. veslA-
F9haps n = IL naAsE1aAstie sDlxit q
today vAaeA - 02sse1ng 01U1a1O 911
app<ee1sx3ea q art. I 0sesa ssaaA-
ttvesy.
To q certain Gxnene that . n1e.-
agreed u Ho11A. - - uDDsess1ai
voice IAN a. aoe11nezy. tA1s essA
E suan e.ahe - -. Rsspas nyD
- 1n1b = - - - 0ne1A1
The Washington herald., 1912-10-13

I plored. but can be understood. The world
10 too busy with other thinss"
There vas . simplicity and safaes.
about these words
They seemed to come from an oniooke,
one who vas in the world but not o!
! II: one who saw. vas gTteved. but judged
/, not.
You're not thinking Of giving up you,
work are your / asked the quiet fsure
because = note Of discouraeehent had
| crept into the last words.
The. heavily ndded eyes opened and
| flashed At me.
'I.' exclaimed " Rodin. almost shaken
| out Of his impassive unpenetrahtrcy. y
give up ny work? No, no, not yet.
Why should give II up. tust when I an
erovning my Iite's tot? I've lived all my
years struggling and working and I have
accomplished something. but an ve-
rac!ous in my appetite for aehievsmsn,
want to do more. AT still calls NE
and only when my hand will no longer
answer my inspiration shah know tha,
I am tired and must take my rest Blu,
NOT TIL thenr.
And he shock lis head At ne IN the
slow, deliberate way OF q porcelain Chi
nese mandarin
He - % much more Oriental than
French somehow. There - none Of the
ightness Of the Frenchnan- II seemed to
M be should have been clothed in rich
flowing robes and have been famed By
black slaves. instead Of being In . much
worn and spotted blue suit
AMERICA TOO NEW FOR HIM.
DO you think yo1'u ever come over to
Ams1fcaT I aaked
No." he said soseznnty. u An too old
for anything % new
IAen . dim hint Of the youthful Roc.n
came back TO him IN q sofr Of rcgztsh
look. a. he added. I'm SIRE there would
he beautiful sete1 and t.nnera-
Tn positive there would agreed ~
can assure you you'd be feted from, tss
day yo7 arrived TN yo7 sailed a1ay fron
IA"
All muTmured TIE Old nan almost to
himself Once All that vou,A have At
traeted De-thtrty years age. peTfapa
But noV'-and he made . vearJ nt;ie
gestzrs-'TD vesy Old Tn ssvenfy-svo.
yog kr0w1-
But thas INT Old nsvsAays.- ex,os-
tulafedL
He sE1sa Afnsiy. Thea - suaAeaiy
unhoeae1 HI ey1s again acA tAey s5aaDAc
MJysesso1.ey - be shook h.s arSer ~ ne
sDd exe1atusd.
Bzt Tn noe too cd for my AT ny
vork eosa'e DIRE Ee- Tsszes no change
sAare- I've bsea dct.G l. al NY ma ssc
rs Part q ms-She vGJ bsss rast of
~
yU0g oendEa4D ~ h Das1Br -
Gh@r
psct He Dssly nd
-. 11e1n1D - 0eng - Uk
- 80 2.
The Washington herald., 1912-10-13
Kate carsw Findk ths Great Sculptor IN IN Ex
Convent, Surrounded BY Hs Chosay Crsa-
tons, and Marvels Over His Hooded
Eyes and Buddha-esque Presence.

I seen one lone. startled female of uness.
tain aga
But no one seemed to b In the least
interested in the bell. outside or inside
the building. and was Just beginning TO
| wonder whether I'd better face the nerve
racking ordeal Of disturbing moro deep
ing echoes. when q man suddenly and
| silently opened the door.
A HOUSE OF SILENCE.
He was dressed in Q long workman's
blouse or tunic. and the hits Of white
adhering to his hair and hands made me
place him a. one Of the great sculptors
assistants.
He didn't waste any words on me, mere.
ly pointed to q sort Of lodge. and walked
over to II and asked . pleasant-faced
concierge how to ind N. Rodin.
She. too. seemed to be affected by the
prevailing silence. for she only directed
me to the nearest way to fn6 the studio
and went back to her work without In
dulging in any OF the smiling volubility
Of the French woman.
Really. dear ones. I began to feel just
like pilgrim on . quest.
Ny sketchbook became my burden. my
fountain pen . stan.
walked through the cloistsrs a. II In
. dream. and fully expected to hear the
deep tones Of long silent organ and
the chanting OF fresh and fervent young
voices.
All about mo were workmen. silently.
remorselessly Staying stone and mortar.
Dust was flying In clouds. and now and
then some tortured. hacked and ham
mered part Of the building would fall With
q heavy. groaning thud.
At last reached the spot LIFT sacred
to Art and fingered thsrs In the great
entrance hall
1t was like q cathedral. and the same
hush pervaded It.
Several young sculptors or assistants
passed me. but they paid no moro stten-
tion to me than had the woSirmsn outside.
They spoke to each other in whispers and
went on their way.
''oh. dear" murmursd. pinching my
Did really go to Paauin's this morning.
and am tea-ins At Rumplemeysrs later
this afternoon? It can't be. That's all
fantastic. This 10 real I'm back In the
fifteenth century. where I belong. and I'm
going to consult q hermit. . wise man"
Then q gentle-footed. soft-votced maid
came and ushered me into the presence.
BY that time. girls. don't mind telling
you I was forming the whispering habit
myself. and really believe II u. Rodin |
hadn't spoken out loud I'd have g1Gsled |
The Washington herald., 1912-10-13

hysterseally or done some other foolish
feminine thing
But he did
He welcomed me n . nice. fatherly way
and in Q kind. full-toned voice
His studio 10 in a high Empire room
rather sparsely furnished. but with here
and there . fne old cabinet or table o,
settle
There's an atmosphere Of asceticisr
about II somehow, and all round every
busts.
A bit morsue-Iike in effect. you know
dears: whichever way your eyes turn
there's the human form divine, or a par,
Of II. under . sort of shrovd-
You must have this chair" said N.
Red;n pleasantly. and he waved 10 one
that feel sure IL his own Pet and par
ticular resting place.
.-oh. no." I protested I'd like one Of
those high-baeked stools. IL you'u let me
have il. and you take that one please"
So he -, down without any more ado.
and perehed myself on . seat which re-
minded me Of my school days
Then we surveyed each other
I've never In an my LIFE seen any ore
sit % absolutely and fmmovabiy ssiu n
n Auguste Rodin- I'm sure be never
winked or tuitched n those seconds when
be Vas waiting for me to begin talking.
Perhaps scuiptors borrow q sort Of i'm
mobility from their statues. anyhow, In
positive II Isn't In mans estate to Be quite
% rigid a. Rodtn-
IA PAIR OF ASTONISHING EYES,
He - short. but th,ekset and stocxy.
BE has the high. round eheekbones s.d
ths slightly coarse features Of the peasant
Of Normandy. HIS hair 10 gray and he
rears . long beard. which b cray also.
and - in pleasing contrast to the Pink
Of his slightly vt,hered eheeksL
His eJes are renaxkahe They are
VIZ fan a1d half closed. hooded IKE an
saSie'A In f.et. he seems 70 peer OUT ar
you Aum undef h,s Eds With dt6cu,sy.
then an Of . sodcen they ~ vide Open
and there's . strange. assortshtng esear
fn the htfie ewtnk;tag eySa. astonishing
hseanse yea're noe in tie least prepared
tor II q for anything 50 rem.n.acerS Of
youth and vt0Dr. {. the haasy. tired face
Do yo1 know what he remsnded oe of
a. h 1T thers.
a esrsain naMfve Buddka. Nth foa6ea
axnD ao4 s1a1ee. u1ses1Hg expre05on.
which has press3sd over my nanfelp1scs
for many yeAxx
Tea he lsekea % NM that Bstdha that
- oseDsa IN ead frSe14- and rE sure
tA90 v1s warmth in NJ taoe as I sasd-
n - 0ssa sf yoa % les Ne eo0s
- - - Il Ho1h.
0oaA q Dsr - G00e1a1ad haaS1y.
\ o0t unARsemA hat n = q pspae-
- - - b hare pssp1e eoE3o AaRs
ss0eeaDaR O. Rnsx net afv1ys vurk.
- A94. - II afsa11 thafs vsas =
shsvn - = seraunnAy ny fseDas a.
- - - - - 49,
~NR RAUnGlaa - - 1nn0DOaoaU1
The Washington herald., 1912-10-13
N Kate csrw.

~ nv ~-oSOWe
Paris. September q.
n r oNsIEUR RoDIN Will BE- pleased
NJ TO r:ssiv. Nile: ...s.ss,s Kate Care" !. at
That vas all the card said.
sit II was to the point anyway. and
o the clock saw your little auntie prowi-
S.ag siong the rue rUniversite. to the
sdcte Nrru. where Auguste Rodin has
hss studio
B. .syep know. dears. IT'S Q funny thing.
bar rHerybody steals silently down that
street I b-liess myself IT'S the only
really au.et corner IN Paris.
Gab irfvers don't crack their whips,
mo eformsH stiil the footing Of their horns
and Ie their engines fretful pufins.
the Ubiquitous postman. the whistling
butcher boy and the shriil voiced working
woman all subdue their natural ten
dencies. II their way lies there.
can't tell you the whyness Of this. but
I thinket's just something they all feel a.
felt Il myself.
Perhaps it's In the shadows cast by the
high walls OF the Biron. behind which
abbesses and nuns lived and prayed till.
In spite Of agonized entreaties. they were
turned out Of house and home by govern
ment decree, and their habitation was
condemned to be razed to the ground
al but one small portion OF II, which
Rodin was allowed to have as q studio
and dwelling place.
A CREATOR AMID DESTRUCTION.
And there he works. while walls to the
right Of him. walls to the left Of him. are
being torn down!
There he creates in an atmosphere Of
destruction.
was the only living thing In that
street. and paused = moment before the
door to assure myself that really was
in Paris and not IN some buried city OF
the past.
Then pulled the bell. the old. changing.
convent bell. not yet removed and re-
placed by the neat electric button Of to-
day.
only gave q gentle pull. but I've
never encountered = more spontaneous,
ready tell. I guess in the days II was
put there they wanted every one in the
neishborhood to know when any one came
to call.
It changed and II changed and II echoed.
till I thought any habitants Of the street
might well put their heads out Of their
windows and expect to see . Louis XIV
hslberdier banging on the door with his
sword and shouting:
Open In the Kings nameT''
Instead Of which they would have just
The Washington herald., 1912-10-13
Much Prowng Partisan Ways Reveals House
"Ast Cen Nsvss Dsgsassaas and b Nsvsr D..
ssnssats," He Says. and ADD That Levsef
Woman Doss Not Inspire an Artst
Since Love Il Destructive

But vhst shout thsss ba1asFs aaA fnap
tastic schools which spring upf Dew
they do any harmr'
Il think not. Possibly they ssrve Q
good purpose. They drive the big men
back to the simplicity Of seeding and lss,-
Ing. They make them turn again %
classic art
How do you think our Ansrican artists
compare with those over hersr.
Il am afraid do not know much Of
the newer ones" he pleaded. ''You So. I
am old and snsrossed IN work. But Of
Sargent and Whistler I can speak.
think they compare with any In the world
Whistler's portrait Of his mother-whas
an achievement! Painted with genius. tn
dustry and soul.''
"LovE 10 DISTINCTIVE
And love-" ventured to add. Don't
you think love . great Inspiration to an
artist?'
NO" replied ". Rodin. with another
slow shake Of the head. mo. love Of Q
woman does not inspire an artist to draw
or paint. In the case Of whistier's
mother. yes. no doubt: but passion ate love
10 destructive The more q man feels the
colder his pictures are. ss . rule. II 10
only work which enables an artist to put
life on his canvas-not emotion. Later
be able to express the love he could not
in the first flush Of its fervor.''
The afternoon shadows were beginning
to drape the ghostiv figures in msnties Of
gloom. The workmen had left thstr tasks.
An ancient. silent servitor came TO the
door and looked In At Us n We sat IN the
twilight. and I knew must 60. % rose,
and n. Rodin walked with me to the en-
trance hall.
Once he paused and showed me Q won
dsrful bust Of Mozart. and once stopped
spellbound before . colossal pair Of hands
folded asf In prayer. l cannot tell you
how impressive they were. those sreat.
beautiful hands on . tall pedestal. the
sort Of impressiveness that makes . lump
come into your throat and your heart
give q leap.
You Ike nT' asked the sculptor. a.
simply A. q peasant would ask his neigh
Dor . casual question.
More than l can tell said earnestly.
To me II signifies. not Just hands IN
prayer. but a great church. a place Of
worship. supported by columns meeting
IN the centre
N. Rod!n was pleased BY my admira-
tion. as pleased az an unconscious child.
That's what IT should mean he said
simply. I'm glad you got its message"
Then he patted the hand held out to
him with a gentle. fatheriy goodby. and
left him standing there in the silence
and gloom. like some deserted Viking
alone in his yaIhaIla, with images and
shadows Of the past
went through the spacious hall and
out into the clo!sters. deserted now. Iefs
TO q brief peace
The silent concierge opened the eass for
me. and its closing resounded through the
street
I made my way back to my frivolous.
worldly Paris. but somehow I couldn't
help thinking Of that great. wonderful old
man with the simplicity Of child and
the dignity OF genius and achievement.
alone amid ruins. working. creating. while
walls crumbIe around him. Indifferent.
unconscious even. OF the outside world
and It's ways
tce7yr1sst. 1914 Hsv-Yest TrtsunsJ
The Washington herald., 1912-10-13

ply thsmesivss o. ~ ma. Thsy DON'T
tsis hand and study II. thsn Q foot and
study that. They are too restless. too
impatient for coneentratiou. and only BY
eoucsutYation can any worthy result b
oStatosd.''
with Rodin. you see. my dsars. ail
roads lead to work II II the obssssaon
Of his life. and he cannot think or talk
but in it, language.
What 10 your opinion Of Jacob Ep-
stsin's work and ideasr asked.
Poor Rodin looked puzsled. and he shook
his gray head.
rs he . painter or . sculptor! can
not seem to remember him.
He has 1ust completed the monument
for Oscar wilde's tomb" prompted.
Rodin's' face cleared. "oh. yes. Oh
course: for one foolish moment had fof-
rotten. OF that would rather not TAX
at present He II now IN trouble because
ths authorities hare have horror Of any
7 always thought France was 50
brood minded" vouchsafed.
.Ah, ha," laughed Rodin. Il cannot say
that, though there 10 IN advance. They
allow here now what they would not
have done years ago"
well. in America. you know. We drspe
our statues II they offend us-
u. Rodin INDUCED In a strange. silent
laugh. which only evtneed itself in tbs
shaking Of his broad shoulders and VI
bration Of his gray beard
II remember" he said. "A statue of
Barnard's was draped. vas It not? All.
no doubt. in thirty years the ehemise
that was 20 carefully and modestly put
on will b. removed. II shocks people
now to So . complete nude. They've
been 20 accustomed TO viewing their
friends IN portraits. faces, hands. busts.
that they do not know or acknowledge
the rest Of the body. but In time their
eyes win get used to all The public is
dull. II is blind. II recognizes only the
familiar. to which It pays no attention.
How many people see the luminosity Of
the heavens? The Gods choir IN the gray
sky? DID you yourself notice the sky a.
you crossed the Seine to-dayr'
He DEFINES ART.
NO." confessed. like . guilty child
before . stern master.
There. you see." exclaimed the sculp-
tor. what say II true. Is II not.
mademoiseller
I'm afraid II is.' admitted. and Al
lowed him q few seconds to enjoy his tn
umph. Then asked tinidIy:
Don't you think that the tendency to
giorify ugiiness In art is . fatal indu-
encs?'
u don't know exactly what you mean"
answered Rodin. carefully hooding his
eyes again If you have an idea. you will
carry It through No influence can AZ
feet you II II IL well done It will have
beauty. The Phtiistine public eonfounds
the subject with the expression. EIpres-
sioh 70 the art. and that 10 TO be admired
when II 10 faithfully executed Beauty
Of form. Of grace, Of Accomplishment.
. pselsct creation. whether Of color or
marble or motion or song. Ii . Joy. What
inspired 1t u Of no consequence There IL
no immortality in Art II is Truth. Every
fact Of life is beautiful Why not see
beauty In them all? All. mademoiselle.
IL grisves me that even We In France %
often wish~to assume the ehenise. We
cannot openly accept LIE and admire its
phases"