davidaulloa/AmericanStories huggingface dataset:
Arizona republican., 1912-03-03
Deafness Cannot Be Cured

by local applications. they cannot reach the dis. eased portion Of the ear. There Is only one way to deafness and that is by constitutional remedies Deafness is caused by infamed condition Of the mucous lining of the Fustachian Tube. When this tube is inhamed you have q rumbling sound or i'm perfect hearing, and when Is entirely closed Deat- is the result. and unless the inflammation be taken out and this tube restored to its normal cond- ton, hearing will be destroyed forayer: nine cases out of ten caused by Catarrh which is nothing but ap infamed condition of the mucous surfaces
 We will give One Hundred Dollars for any case of Deafness tcaused by catarrh) that cannot be cured by Halls Catarrh Cure Send for circulars. free.
 r. J. CHENEY & CO., Toledo. O Sold by Druggists. 75c.
 Take Halls Family Pills for constipation
Arizona republican., 1912-03-03

Topped, B'Gosh.

The esteemed Gazette announced yesterday evening that henceforth and forever it is a democratic paper. It makes this announcement in double column pica, so it may be that it means what it says. At all events. So long as the "pickings" hold out on the democratic side rather than on the republican side the Gazette can be safely relied upon to be demo cratic
 But a good many people thought the Gazette had Topped" some months ago. It made practically the same announcement before the cleo tion. It seems, however, the paper did not think the people of Phoenix took 1t seriously, so that there may be no mistake about a matter of such overwhelming importance the Ga Zette tells its story all over again. It is for democracy pure and unde- filed. For the pee-pul as against the interests" No slimy octopus shall steal away the rights of the Drole- tariat so long as the Gazette has a leg 10 stand upon. It is for 'princi- ple" with the biggest P in the pot-at least as long as the patronage holds out
 But to tell the truth about this mat fer, the Gazette is unoonsciously as humorous as an intoxicated simian. It is for the pee-pul, the interests or for nothing at all. It is for what ever seems profitable and polite. However, there is no objection to it's party, the populist party the social ist party.-in William Jennings Bryan, Woodrow Wilson. the Sultan of Sulu or any other prince, potentate, or sovereignty.
 The funny thing about it all is that the Gazette should so suddenly have seen the light. So long as Arizona remained a republican territory, and had republican patronage at its dis paper Now, that Arizona has become a democratic state, the Gazette is, of course. d democratic paper. It reminds one of the gentleman describ ed in the Pickwick Papers who, on entering an English city on the eve of an election. inquired solicitously which party was in the majority and then declared allegiance to the side with the most votes.
 There is just one significant fea- 1 ture of the Gazette's announcement. ] It says it will remain democratic as long as the democratic party is dem | ocratic. In view of this funny I papers past course this is taken to mean that the Gazette will remain democratic just as long as the per quisites hold out.
 But now watch the real democrats 1 welcome the Gazette with open arms. Watch the Arizona Democrat, the 1 Tucson Star the Bisbee Review. and other real democratic papers enfold this twice converted brother in their arms. Watch for the Hon. Mark Smiths announcement. And for the announcement of Walter Brawner, Michael G. CInniff, and the rest of them. Watch them prepare the fat ted calf for this new disciple. And
Arizona republican., 1912-03-03
Winner of Third Special.

The greatest gain of votes secured and voted on new subscriptions from
Arizona republican., 1912-03-03
QUESTION FOR DEBATE.

Next question for the debating so- ciety: If it takes a dime to buy one egg. will it be proper to say that eggs are dear or money is cheap p?'-Wash- ington Star
Arizona republican., 1912-03-03
DOPING FATHER.

Blew his head off with dynamite to end life" says a headline in an af- ternoOn paper. Which leaves no room for the misapprehensio that he did it to amuse the baby-Cleveland Leader
Arizona republican., 1912-03-03
STOCKS.

Amalgamated Copper. 6S; Smelting 7S9s: Atchison, 1O47s; St. Paul. 101ls New York Central, 111IA: Pennsyl- vania. 1227s Reading. 154&: South ern Pacific, 1092s; Union Pacific. 165; Steel, 61h; Steel pfd., 1OS1s. Silver, 5S7sc
Arizona republican., 1912-03-03
BOSTON COPPER MARKET

CThe following report of the Boston copper market is furnished exclusive ly for The Republican by Logan & Bryan. Los AngeleS)
New-York tribune., 1912-04-28

az to the exact meaning Of Its SUBJECT.
II NAV be noted also that the Bott-
cellian origin of both pictures has peeh
questioned, but this has not prevented
Sfgnor Giacomo de Nicola from pro-
nouncing the name of the great painter
before a third work belonging to Prince
Pallavicini In La Revue de Fart An
Glen ct Moderne," he reproduces and de-
scribes q TRANSPORTATION" which, it
must be admitted, is strongly character
lied by Botticelian traits. The types
represented individually recall the
painter and evidences of his style arc
clearly perceptble in the forms and dra-
peres. Sgnor de Nicola Is perhaps
shade too confident. We would like to
hear. for example, what Mr.. Horne
might have TO say on this picture. But
so far as one may Judge from the re-
production the discoverer's argument is
pretty conclusive. and it would seem rea-
sonabIe enough 70 add this "Transfg-
uration" to the list Of Botticelifs WORKS.
It 's certainly a beautiful and interesting
rn,nroeitiou u. -
New-York tribune., 1912-04-28
ART IN PITTSBURGH.

The international exhibition at tho
Carnegie Institlto IN Pittsburgh was
opened last Thursday afternoon. follow
ing the usual Founders Day exercises.
T'hrrn wcro so paintings scnt r., but
only $40 werc accepted These repre-
sent artists of the United States. Eng
land. France. Germany. Holland. Italy.
NORWAY. Russia. Scotland Spain.
sweden and Switzerland.
The FIRST prize. $500 accompanied by
n gold medal was awarded to charles
Sims. Of London. for his painting en-
titled "Pastorella." The second prize.
81 ONO. with n silver medal. went 10 Paul
Douchortv, Of New York. for n sea pict-
urc. ~ Frcshcning Gale" Henri Mar
tin. ~ Paris, won the third prize. SOM.
and bronze medal. with his Portrait
~ NV Son" The six Honorable Men
iions were bestowed upon the following
PAINTERS. the titles OF whose pictures are
giycn With their names william Rits-
chel of New York winter Morning:
East River: Tlrich Hubner, Of Travc-
munde Germany. summer Day; Laura
Knight. Of Ncwlyn. England, The Green
Feather: Rertram pri"stman. Of Lon
don. The Fish Market. Lydia Field
Emmett. Of New York. OLIVIA: John G.
rohansen. ~ New York. THE village
Rider
New-York tribune., 1912-04-28
ton is in harmony with the gay senti-
ment of the spring.
FRANK MlllET.

TWO or three years ago, on his return
from a visit TO Japan, made in the In
terests Of the commission OF the Toxic
Exposition. Frank Millet lent TO the
present writer a book Of pictures that
he had brought from the East, explain
ing how it had come into his hands, He
had met Of course. a number Of Japa-
nese artists and, he said. they were very
kind. Not content with the many cour-
tesies they showed 10 him from day to
day they wound up by preparing this
album for him. each artist making
sketch in It. He had brought it home
2s a personal souvenir and he spoke OF
It as such, in his gentle. modest way.
with pride and gratitude. But he
hastened to lay stress upon the interest
and value of the book as showing the
kind Of work that contemporary Japa-
nese artists We're doing, and as he
turned the pages he would pause to
speak with warm appreciation Of this
or that individual. The whole episode
was intensely characteristic Of Frank
Millet II was like him to make those
artists his friends and It was like him
y praise them in his own country. to
show the book everywhere and to do
what he could t. increase public inter-
est in the men who had made 1t. He had
been doing Just these things all his life.
winning the sympathy Of his fellow
workers and rendering them service.
When he went down with the Titanic
he gave up a life that had been en-
traordnarily useful TO others, helping
them in practical ways and adding TO
their happiness.
This is the reflection that must first
come home 10 every one who knew him.
Unselfshness was, with him. kind ot
energizinc force He played many parts
in the simple process Of earning his liV-
ing. but somehow. no matter what his
employment. he labored always with
the gusto that speaks of the man who
New-York tribune., 1912-04-28

sets them, save in those rare cases Wnere
the painter is lowered at his birth witt
all the gifts Of a master. Here Frank
Millet was at disadvantage. He mad
TO pay something for the very versatility
which made his career so rich In eHec-
five work. He had a sound and adequate
technique, adequate. that is. 10 the ac-
curate representation Of a given object,
and, go far as they go, his skilfully iilu'
minated interiors. with the picturesque
y pes OF the comedies they illustrate. are
workmanlike and pleasing But a GER
tain polish that not infrequently lapsed
into a sort of hardness arrested his
method at too early stage of develop
ncnj. BrushwCrk more elastic and color
more transparent, a broader and NOR"
charm of his art. In these matters
and I'm these alone he remained unaf
fected by the artistic movements of his
Zine. Yet Will" We note his detachment
from newer technical ideas we recognize
In Il but another aspect OF his profound
sincerity. Il@ had to he true to himself
His way OF painting was. NJ any rate. his
own. He spared no effort 10 strengthen
IL n tim" won't "u. ana IN a." mural doc
orations which chiefly occupied his
brush IN his last years there are signs
# simpler aud larger outlook. Of
genuine artistic growth n is hard 10
cay farewell 10 that strong and tender
spirit. that steadfast worker and that
friend who was al loving kindness.
New-York tribune., 1912-04-28

to do Imagination boggles at the Idea
Of Frank Millets doing anything merely
to win a material reward. When he
was a war correspondent he was moved
by the high disinterested ambition
which marks the pure journalist. When
he filled an official position In the ad-
ministration Of one great exhibition or
another his whole soul was bent upon
making the exhibition success. Count
less committees and art juries found
him Indispensable He always knew
what 10 do, and in the doing OF 1t he
was anxious that he and his colleagues
should show common sense. Never was
an artist more human, more synpa-
tnetic. more reasonable. Nothing in the
world could ever have persuaded him TO
sacrifice a principle = eXpediency. but
neither did he believe that his art re-
CURED him to raise q barrier Of esoteric
mystery between himself and his fellow
men. He painted what are commonly
known as costume pictures often
finding his themes in old English lifc or
going even further back for them, TO the
classic period But | can remember IA
tGlk with him in which his enthusiasm
as an artist was ali for the character
and interesting modelling that he had
observed in the heads Of a number OF
captains of industry" with whom he
had just been foregdtherng. The reader
OF his biography who wants to know
why Millet was so much in demand
when matters of art having public in
terest were toward is easily answered.
1t was because he was so open minded
so sure TO see clearly and to act without
prejudice.
Considering the immense amount OF
work that he did as an executive 1t Is
not unnatural 10 wonder how he got
over the ground. The explanation lies
In his work as a painter. 1t is careful.
deliberate work. The temperament re-
flected in it Is plainly that Of man who
would not he hurried. Such man, sys
tematic and thorough, accomplisheS
New-York tribune., 1912-04-28

reconnaissance" are inscribed In large
letters at the foot of the pedestal
crowned by headless bust An oil
study Of a poor, worn out hack, Win
ribs protruding, is admirably drawn.
This old white horse stands near
.'couIotte" In one of the lowly suburbs OF
Paris. Behind is seen broken cart ara
a mongrel dog, while above these words
are inscribed on a board: ITO sell. horse
and cart. in good condition. by tie
artist. +. Puechmagre."
canvas Of consldo -abIe actuality'
painted by Formis"n, represents banf
collector in cooked hat and uniform.
wearing a complacent smile: he LEADS
ferocious looking bulldog with a chain
and in the other hand he carries a life
preserver. Bv his side hangs holster
containing, no doubt, a huge revolver.
Thus formidably armed he exclaimed:
81 am safe. I snap my fingers at them.
Some of the works, such as that painted
New-York tribune., 1912-04-28
PARTISAN HUMOR
Examples of It in q Salon or
Craftsmen.

Paris April II.
The growth Of humorous artists IS
so great that they have split into TWO
,,ro,,ps the Society of Humorist Drafts
men" and the "Humorist Artists. nc
latter are preparing their annua' Sfloh
I'm the Champs -Elysees. and the former
rro,Ip. which includes Willette, Foran.
Loan Vfber. Cheret. Steirlen. Hermann
Paul. Louis NORM. Jane DespreH ana
Others. have opened their yearly SprlnE
exhibition in the gallery in the Hue -
Ho,,.ie. Most Of the "Humorist Drafts
men are also journalists, ANA ther
works are seen in the daily newspapers.
But all mediums come handy TO them'
and their lively and amusing freaks OF
imagination are expressed In charcoal,
chalk. water color. gouache and OIL Whi'e
the humorist sculptors make use OF ct3N'
wax. lead, ivory and wood. The SUD-
iects are chosen among all grades "t
social life. from the Apache and his fem
inine counterpart Of the outer po"lt-
wards to the princes Of literature. arr
fashion and finance. TO the queens OF fHe
select faubourg and TO the Leading
artists Of the theatres.
The Mutt de, Reveillon' represents q
genial old gentleman sleeping beniGnly
near a street lamp with bottle of wine
beside him. An aged chilfOnnler lears
over him with a lantern and exclaims;
"Hullo. It's Father Christmas' This
work. in which the drawing and tech
nigue are better than the "humOr.' is b.
Weiluc. The president Of the society.
Leandre exhibits a characteristic char
New-York tribune., 1912-04-28

longings piled on a handcart. There IS
red, with her child. accused Of vagrancy
in law court. by Forain. Steinlen
makes a severe hit at the French Judges
who are examining a condemned crimi-
nal The doctor remarks after exam
ining his lungs: Il do not advise la
Guyane." The Alsatian artist Zislin
shows slumbering bespectacled Teuton
who, in the horror OF a nightmare, feels
huge Gallo cock treading on his
stomach with little Alsatian riding
comic side Of life while Robert Nolr
presents us with a group OF sordid char
acters that haunt the low quarters Of
the city. A fortune teller has just
drawn the cards for a damsel OF the
outer houevards, whose scowling pro-
tector looks on contemptuously. Jean
Weber has imagined fantastic process.
sion of all the phantom characters OF a
Wagner opera rising from the chords OF
n piano, called into being by the vir-
luOSO Wnlc lie pays, lHe SAME artist
offers us rather grewsome subject,
showing skeleton soldiers rising from
their graves on the old battlefield TO at
tack once more, while the skeleton
drummer beats the charge.
There Is well modelled female torso
in warm flesh tlnts by III. Calot. The
new boxing mania is eXemplifed by
set-to between huge negro and a
smaller white man. A lively bohemian
banquet scene. entitled I'm coin du
diner des II 'oristes, Is contributed by
Denis Valverine. There is movement
and child nature In the line OF young
sters playing at soldiers and striving to
capture a sand heap over which floats a
small Tricolor flag, by Paulbot. Some
very suggestive drawings are contrib
uted by Willette, such as La Soif." 4
nymph giving water to Styar In her
Joined palms: or the dragoon and the
wet nurse Tantalus and others. The
series OF street characters by Edward
Bernard show plenty OF humor. Ami
mails are especially well drawn In the
salon. Jean Malet's Pet dogs and VANS
horses with heads having human ex-
pressions. are greatly admired. An
New-York tribune., 1912-04-28

RYDER, Mr.. Edward Potthast and others.
which are as engaging in style as they
are interesting in substance. And the
small casual notes" done by wood and
field and along the shore, and offered
not as painstaking records but as happy
impressions, are both numerous and at
tractive. The shrewdly balanced picture
is abundantly welcome, as in the case OF
Mr.. Hopkinson Smiths several excellent
contributions, but we would pay special
tribute on this occasion TO tie many al
most artless bits Of painting which have
the merit Of being merely fresh and true
and clever. Cleverness by itself, in some
mediums at all events, is often futile
enough, but in water color il is half the
battle.
This fact comes out effectively i'm The
figure subjects that are shown, in MIR.
Kellers rather romantic studio interior,
in Miss Belcher's winning portrait OF a
child, in Mr.. Blumenschien's decorative
composition, in Mr.. Hassam's capital
study of dancers In costume and in half
a dozen other bright. well painted things.
The flower studies, which usually count
for so much in an exhibition Of water
colors, are not, as it happens, particu-
larly beguiling on this occasion, but at
least one Of them IS really beautiful
performance The picture Of chrysan-
themums by Mr.. A. II. Amman is tech
nically a strong and interesting bit OF
work, and the handling Of the darker
tones show that this artist IS colorist
In the best sense. There are other pict-
ures here and there which one is tempted
10 cite-the circus impressions by Mr.
Clifford Beal, the crisply drawn head by
Mr.. Barse and the picturesque ships by
Mr.. Chapman. but In a show Of the sort
paintings Of a notable, outstanding char
acter are rare. 1t is enough that one
nnds everywhere work that Is meri.
, torious and amusing. This Is just the
period for the American water Color
Society to come into view. Its exhibit
New-York tribune., 1912-04-28

ago Whistler characterized "the big
plate" as an offence, and though there
are etchings by Haden, Brangwyn and
Bauer to contradict the dictum. it has.
on the whole. undeniable weight The
water colorist may successfully use, 1t
IS true. a scale that is inimical TO good
etching, but 1t is better for him TO paint
within modest boundaries, for then he IS
a little surer OF getting what Whistler
was driving at, spontaneity and sugges-
ton. rather than full, literal statement.
It is delightful TO observe in the present
exhibition quantities Of things done free
" and easily, with the light touch that
is inseparable from a just exploitation
of one Of the most delicate of artistic
mediums.
If there is any field in which the water
colorist may grant himself a measure OF
deliberation it is in the field Of land
scape, but even here we are glad to see
that the prevailing manner is one Of real
fexibility. There are some lovely open
air studies at the show, landscapes by
Mr.. Alexander Schillng. Mr.. Chauncey
New-York tribune., 1912-04-28

by widhopT, illustrate the vice or Paris
in its shadiest aspects. Frisky dancers
Of the Montmartre type are represented
by Cheret In graceful choregraphic at
titudes: these little studies are brushed
with a sure, firm touch and are dell
cately tinted. Steinlen is responsible
for some vigorous charcoal drawings
more sad than humorous. such as poor
outcasts, weary tramps sleeping by the
roadside and a homeless family. the man
carving a s!ckly child, while the woman
strives 10 drag their few wretched be-
New-York tribune., 1912-04-28

And in the course Of all his activities he
was forever accumulatng knowledge
There is certain mansion not Il thou
sand miles from New York which Is re
markable for the beauty and general
perfection Of the old furniture with
which It IS filled. furniture dating from
an historic period. The collection was
got together 10y Frank Millot. II hap
pened on that occasion 10 be furniture.
but II might have been almost anything
else. If Milet undertook To deal with
n subject he made himself its master.
At the forthcoming convention in Wash
ington Of the American Federation of
Ar:s - was to have delivered an adj
.,r>s on historical costume. II would
hI,o nccn, we may be sure, an authori-
tati." announcement. once. in his
st.rjjo. where he was raintng mural
decoration for the Capitol n 81. Paul.
decoration COMMUNICATING one Of our
treaties with the Indians, he explained
f. a friend how no had prepared him
self for the task. studying Indian types.
exploring the literature Of the subject
and getting first hand evidence in re-
spect To costumes and accessories. The
studio was crowded with properties
which he was using, but before he took
up his brush he had made every effort
10 ascertain the right way of using
them. It was not enough TO acquire an
Indian blanket he wanted also TO get
the hang" OF it as it was drawn over
the shoulders OF an Indian brave.
Art Is an exacting mistress. She de-
mands Of the painter a devotion know
ing no bounds and an active service
broken by few II any interruptions. 1t
is only thus that her votaries can hope
New-York tribune., 1912-04-28
THE SECRET.

IT don't see how II IS" jenkins began.
ewing the tramp and his performing dcs
with frank envy. Here IS this mongre!
Of yours doing all these tricks. and the''
IS my dog. with pedigree yard long,
that can't be taught a single thing ~.
hammered al II till I'm tired. and he can
even hc trusted on 10 roll over When ns'
told to- -.
tramp replied. confidently. you have .
know rore'n he does, or you cant lesf'
him ANYTHING. The Youths Companion
New-York tribune., 1912-04-28
Matters of Art
Water CoIors-The Late Frank
MiIIet-A New BOttiCel|i.

The American Water Color Society has
never made a better exhibition than the
one now open at the Fine Arts Build
ing. Two rooms there have been filed
hut not overcrowded. In fact, one Of the
best things about the show is the good
arrangement Of the pictures in it. An
other circumstance to be noted with ap-
preciation is the absence Of work Of too
ambitious an order. II Is in water color
much as it is in etchings-the artist
is known by what he leaves out. Long
New-York tribune., 1912-04-28
q NEW BOTTICELLI.

The collection Of Prince Pallavictni in
Pome has been fruitful ground OF re-
search for students OF the most poeticai
Of Florentine painters. II is some years
since VI. Muntz found therein fondo
which he proceeded 70 attribute TO Botti-
celli and later another painting in the
same collection was associated with the
same master by a number OF different
critics though the latter could not agree
New-York tribune., 1912-04-28

coal sketch Of a corpulent old person, at
whose expense some impish youngsters
play tricks while he peacefully slumbers.
Another study by the same artist IA
quite topical. An orator is declaiminG
Officially at the Inauguration OF a mon
ument raised TO some great citizen de-
cea sed The words La Republlque
New-York tribune., 1912-04-28

Gimpel & Widenstein
Galleries........,... ,Palntlngs ana eculpt.
ures by Henry
CIews. r.; ending
I3ahIo Ca;Iery Rronzes marbles ana
medalions by VIC
tor D: Brenner;
ending May !.
Katz Gallery. Paintings by Eliot
Clark: ending May
Kennedy Gallery Etchings BY WILLIAM
Strang and Q. 7.
Cameron.
Knoeller Galleries......L a d capes BY
Charles " Dewey;
ending May I; and
miniatures pastes
and eramels By
Pierre TartouA;
ending April %
Kraushaar Gallery. .... Paintings by Henri
lie Sidarer and
Frank Brangwyn:
ending ADril %.
NscDovAIl Club. Paintings by Charle,
Bayley Cook, Wal.
ter Goltz. Justus
Pefren and Others;
ending April ~
Moulton 4 Ricketts,
Gallery Original modern
etchings
National Arts Club Exhibition Of oriy.
nal Dickens draw.
Ing by Harry F!r.
Mss. ending MAY
New York Public II
hrary japanese prints from
the collection 0.
Charles stewart
Smith. ending NAY
:. and book-plates
end engrayings By
the late Charles ".
Sherccrr, ending
April -
New York School ~
W6rnen n.......'........L Loan exhibition Il
paintings bv ths
late George Inress;
ending May 8. Ad-
mission sc Sun.
days nee.
Scott Fovles Gal
Ierv. Tamburinls
portrait u Card.
nal valley.
snedecor "aintinCs oy Leon
ard " Davis. end
ing May I.
White. Allom & co. =,
masters. IN aid *
the Dickens Car.
tenary Fund