davidaulloa/AmericanStories huggingface dataset:
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02
Vegeiables and Frults,


10c per pound.
Vegetables and Fruits.
Fresh Fruit--Cherries, az @1Oc per
pound; apples, old $1.5O99 per box;
new, $15O@175 per box; peaches $50
75c per box; currants, $1.5O@1.75 per
blk; plums, 9Oc@$1.25 per box; pears,
$1.75@2 per box; apricots, $125 per
box; grapes, $3.50 per crate.
Berries - Raspberries, $1.50 per
crate; loganberries, $1.75Q1.9O per
crate; blackberries, $1@1.25 per crate.
Melons - Cantaloupes, 1926 per
crate; watermelons, 1c per pound.
Tropical Fruits - Oranges, navels,
$2.75@S; Valencias, 1925 per box;
Califo rnla grapefruit $S5O04; Flor
ida grapefruit, Sc; bananas, 5@5hC
per b.; lemons, $5@6.5O per box;
pomegranates, $3.50 per box.
Observation-Disclosures 65975c per
dozen; asparagus, $1@1.15 per dozen;
beans, 2@3c; cabbage, 1@1 hc per h.
cauliflower, S1.25 per dozen; celery
$500 per crate; cucumbers, $1,000
1.5O dozen; eggplant, 25c per pound
head lettuce, $1.75 per crate; hot
house lettuce, 75c&$1 per box; peas
.S@9c per pound; peppers, 12hc per
pound; radishes, 15@2Oc per dozen;
rhubarb, 2h @Sc per pound; spinach
4@5c per pound; tomatoes s1.25 per
box; garlic, S41Oc per pound.
Sack Vegetables = Turnips, $1.2t
per sack; beets, $3.50; rutabagas, 81
@1.10; carrots, $1.75.
Sweet Potatoes-S925 per crate.
Potatoes-Burbanks, $1Q125 pei
hundred; new, 1A@1%c.
onions-California, $1.25 per sack
Hops, Wool, Hides. Etc.
Hops-1912 crop, 2O@21hc pei
pound.
Wool-Eastern Oregon, 14919c pei
pound; Valley, 21Q2Sc.
Mohair-Choice 32c.
Hides-salted, 11%c per lb.; saltet
salt, zoe; salted kip, 12c; salted stays
6hc; green hides, &c; dry hides, 1Sc
dry calf, 19Q2Oc; dry stays, 12d
1870.
Provisions.
Hams-1O to IL pounds, 17@1Sc
IL to IA pounds. 17@1Sc: IA to 1,
pounds, 14@16c; 16 to IS pounds, L
G1Sc; skinned, 15c; plcnlcs, 12c
cottage roll, 13c.
Bacon-Fancy, 26@27c; standard
1sc; choice, 21c; English, Is h@16c.
Dry Salt Cured - Regular sbor
clears, dry salt, II hc; smoked, lac
short clear, backs, IL to l6 pounds, DIR,
salt, IL &c; smoked, 14c; short cleai
backs, 16 to 20 pounds, dry salt, II Nc
smoked, 1Sc; Oregon exports, dry salt
13c; smoked, lac.
Smoked Meats-Beei tongues. Csc
dried beef sets, 22c; outsldes. 20c IN
sides, 2Sc; knuckles, 21c.
Picked Goods-Barrels, plgs feet
$l4; regular trlpe, $40; honey coml
trlpe, s12: lunch tongues, $22; lambs
tongues, $40.
Lard--Kettle rendered, tlerces. lSc
tubs, II NC; standard, tierces, Ii he.
tubs, S%c.
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02

%. L. STIFF-New and secondhand
furniture, hardware and general
supplies. Best cash prices paid for
secondhand goods. Just received o
large shipment Of new llnoleums
carpets and rugs. Corner Court and
Liberty streets. Phone 941. 3-12-ti
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02
CEMENT wORK, ExCAYATING.

CARL TANDRUP, contractor for all
kinds OF cement work and excavat-
ing OF all kinds, Let us give you
figures. Satisfaction guaranteed
1906 Trade street. Phone 9S2.
4-29-tf
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02
s6AyENGER.

SALEM sCAvENGER -Chas. soos
proprietor. Garbage and refuse Of
all kinds removed on monthly con-
tracts at reasonable rates, Yards
and cesspools cleaned. Telephone
Main 1919. 6-ll-tf
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02

want Ads" zrIns Results,
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02
LODGE DIRECTORY.

LOYAL ORDER OF MooSE-Cherry
City Lodge No 49S, meets every
Thursday evening at $3.50 in /.
o. o. f. Temple, corner Court and
High SITS. ID. r. Yantis, Dictator;
II. H. Turner, secretary, 1856 South
Commercial st.
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02
Capital journal "Want Ads" Bring
Quick Results

One cent a word for first Insertion.
One.half cent word for each insertion
thereafter. No advertisement taken for
less than 26c. Count six words to the
line.
Daily capital journal. (Salem, Oregon) 1903-1919, 1912-08-02

Journal Want Ads" Bring Results
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

of sash. The pannier opens at the
front to show the white chiffon petit
coat and at the front of the bodice there
Is little vest Of taffeta, small crystal
buttons going down the entire front of
the frock from the top of the vest to
the hem. The decolletage is square. folds
Of flesh pink chiffon being laid in the
square opening at the back and across
the top Of the taffeta vest In front.
Another pannier drapery, something
like that on the Worth gown. Is by Red
fern. In the Redfern gown the pannier
is looped up to show short train, and
the pannier effect is very moderate in
deed. the line of the hips being clearly
defined This gown is built Of beige
surah silk-an old-fashioned silken fab
ric revived this season-and the grace
full lace scarf which forms the bodice dra-
perry and sash, is caught at the waist
line with jeweled pin. The lace sash
ends are weighted with silver fringe
and they add much to the grace and in
dividuality of the costume. The hat in
deeper shades Of tan is echoed by tan
silk gloves embroidered in self-color.
This costume is designed for theater
and restaurant wear and Is refined and
distinguished as well as very modern.
Some Of the pannier draperies, looped
at the back and drawn away from the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

taneta trims the edge and there is a
rough collar, or shirred cape, also edged
with quilting The wrap is lined with
violet satin and the shirred cape collar
fs faced with this violet satin. giving the
effect of a collar turned back on the
wrap. These pannier wraps are artfully
cut and while giving the inpre ssion OF
great fuIiness about the shoulders, they
hug the figure closely at the bottom and
are looped up in front in graceful fash
ion.
Many dressmakers, not yet quite ready
to express the pannier in its entirety, are
craftily introducing pannier motifs In
their costumes to show that they are
abreast of the mode. A dancing gown OF
pale blue satin meteor has pannier motifs
of lace laid over violet chiffon. One OF
these pannier motifs shows plainly in the
photograph of this gown. The lace pam
niers fall over a straight tunic weighted
with crystal fringe. and festoon of tiny
pink and mauve roses is arranged on the
lace edgfng of the pannier. A lace drap-
cry at one side of the bodice Is also trim
med with these tiny roses. This dancing
gown has small rounded train which is
lifted for the dance. No petticoats are
worn beneath the soft skirt, but the boots
of light blue satin have high buttoned
tops that fit like glove.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Short Cuts for the Householder

and especially the garbage pail, which
should by all means be kept clean. A
lond-handled dishmop should be kept on
hand to be used when cleaning with I'VE.
as it is exceedingly injurious to the
hands
Pots, pans and plates which have be-
come rancid may also be effectively
cleaned with baking soda or wood ashes
and water. Fill the pots with the solu-
ton of cold water and soda ashes and
heat gradually to boiling, let boil a few
minutes cool, and then wash with soap
and water. Pans may be put into q dish
pan and treated in the same way. Alu-
minum ware Is cleaned with solution of
oXalic acid and water. Dissolve the OK
alic acid crystals into cold water and
gradually heat the solution to the boiling
point. Bright. clean utensils will be the
result. Faucets are easily frightened by
clean zinc, dip piece of flannel in paraf-
fin and rub the zinc thoroughly with it.
then wash with hot soap suds and polish
with dry soft cloth.
a.
As kitchen disinfectant salt has no
equal Pour the salt water from the ice
cream freezer into pipes to disinfect them.
Salt cleans iron. makes a good dentifrice.
brightens the carpets. removes egg stains
from silver spoons, will cause fruit stains
to be. more easily removed from linen.
combined with acids will clean brass. a
pinch added to coffee gives better flavor
and when used in boiling water will kill
weeds and all insect life in the house.
To enamel the inside of the refrigerator.
use white enamel paint II 1t is too thick,
thin with little turpentine Put on three
coats. Let each dry twenty-four hours
before putting on the next coat.
To utilize superfiuous furnace heat.
build around the edge on top of the fur
mace ring of bricks, two or three bricks
high, and fill the Enclosed space with
sand. This will check the immense
amount of heat directly above the fur
mace which otherwise goes to waste, and
will cause it to circulate up to the rooms
instead.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

figured muslins. Touches of color by
means of embroidery are also used. The
dots In swisses are delicately embroidered
in pale blue, pink or lavender, and cross
bar muslins, and all-over laces, and ALL
over embroideries are often lightly out
lined with wash silk of a pale shade. This
touch Of color is seen on rufiles to draw
ers and petticoats. on yokes and sleeve
ruffies OF nightgowns, and sometimes an
entire corset cover is touched up, at
other times neck and sleeves are edged
with this trimming.
Open work medallion embroidery SO
often repeated that very little of the
background can be SEEN is a favorite
establishment of set of lingerie.
while two other sets Of rose pink
ninon are embroidered with little
birds and butterflies supporting a rope
Of tiny roses and forget-me-nots, all rem
dered in the finest silk embroidery. Still
another set is of very soft cream silk inset
with large squares of maline lace, which
is edged with hemstitched folds of the
silk. and two dainty little camisoles are
OF fine white cambria trimmed with me-
dallions Of baby Irish lace and fine silk
embroidery.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
NOTES AND NOTIONS.
Stockings Made Of Face Yelling

THREAD silk hose are not cobwebby
enough to suit the fair Parisienne.
This winter fesh-colored silk stockings OF
transparent f1neness were worn with the
neat buttoned boot of satin, suede or kid.
Now yelling stockings are being shown In
the Paris shops, and there is no differ
ence between the texture Of these stock
ings and the texture of Russian cross-
barred net face veil, except that the
stocking Is woven of stronger silk and
the mesh is elastic. with more stretch
ing quality than a veil usually possesses.
The foot of the yelling stocking is of
thread silk and there Is band Of thread
silk around the top for the accommoda-
ton Of the garter clasps
A Telling Touch Of Red.
THE Parisienne adores a dash of red
IN between-season time, when the
current fashions have become weari-
some and new ones have not yet arrived.
Just now the red touch Is added in the
form OF red silk vest in the cutaway
street suit of blue serge or whipcord,
and the echoing red note-for the Parish
enne skillfully manages her color touch
es-is added with drop earrings of the
rich red japanese coral that is much
darker and more vivid than the pink of
the coral in ordinary use. Curiously
enough. red parasols are not used to
produce the modish dash Of color, the
parasol Of changeable taffeta matching
the costume. or Of white taffeta striped
with black, being considered more chic
than one Of plain color.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

the foot. This tapering line from hip to
ankle. produced by Ipannier drapery over
the narrow petticoat, is usually very be-
coming to the figure and only. when the
pannier is actually punched out in lumpy
effect, making its wearer ungainly and
clumsy, is this new drapery unattra ctive.
The pannier may be located anywhere
between the waistline and the ankle, and
most OF the authoritative models show
ing this style have had panniers just
above the knee, the line being very grad
ual and graceful. Such panniers are
really nothing but tunics, gathered into
the belt at the waistline and looped under
at the bottom instead of being allowed to
fall loosely over the skirt. AS the skirt
Is always very narrow-much narrower
than the gathered tunic. the latter has
1t Is looped under, and this looping OF
the full material over the slim pettfcoat
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Pannier Draperies Foretell the Doom Of the Mar
row Silhouette Callot and PaQuin In
troduCe Pleated Skirts on the Pannier
WaVeIhe Vogue Of Black Taffeta.

way it can; and conservative dressmakers
are busy modifying the pannier lines ex-
plotted by Paris into effects that will
not be too radical change from estab-
lished forms to offend their customers.
Everybody remembers the agitation
caused when the "hobble'' skirt was first
launched; the fearful carfcatures printed
in the newspapers; the TRADES of those
who love to rave against sensationalism
in fashions. But the horrible hobble
after the first excitement was over set
tied down as a universally accepted fash
ion, and skirts that would have caused a
crowd to gather at the beginning of the
hobble era have since been worn in
trepidly by fastidious and conservative
women. So it may prove with the much
discussed pannier skirt, just making its
entrance bow, and in a twelvemonth's
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Modish Millinery.

Many Of the newest hats are fashioned
Of petal straw. SO called on account of
Its fineness and suppleness. and are bor-
dered with q ribbon Of straw or lined
completely with velvet. legal, Of course,
keeps its place In favor. and is often
lined with jedda or manila straw in a
contracting color.
The natural shade Of legal. lined with
cerise or parma violet jedda, violet OF
and black legal lined with chamois are IN
favorite combinations Of color In the
spring millinery. And In order to har-
monixe with the shot tafketas Of the sea.
son there are many hats in mingled
fancy straw. while legal Is often plated
with very fine straw in q contrasting
color arranged in squares. diamonds OF
lozenges. thus forming border of bright
color on a foundation Of dark legal
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

ing the flesh. They merely define the
lines of the silhouette. 1t Is the shape of
the corset and the strong hose support
ers that do the business.
With the busted corset loose from
the waist up. a brassiere is worn to give
firm, trim lines under loosely fitting bod
ice. These brassieres have grown to be
adorably dainty affairs, and most women
wear them In place OF ordinary corset
covers under sheer blouses. Two very
pretty brassieres are illustrated: one an
eyelet-embroidered affair for wear under
summer frocks. and the other a special
brassiere for use with evening gowns. The
empire straps over the shoulders are very
narrow. and when the brassiere is in POI
sition they may be unfastened and tuck
ed inside the corset II desired.
The petticoat worn with the eyelet-
embroidered brassiere illustrates the care
taken nowadays to have all garments
of lingerie on the slenderest, narrowest
lines. This petticoat OF fine lawn is cut
without the least flare and is finished
with nounce OF embroidery attached
almost without gathering The fiounce al
the foot measures only two yards. and II
Is slashed to the knee at one side to give
room for walking. Chemises are also GU,
in the narrowest proportions. and the GU
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Feather Mounts.

Feather showers" belong to the new.
est hats and run the modistes' bills up as
merrily as ever. That they should be
worn with a difference is. however, only
to be expected. because, while they will
have all the elegance to be desired as q
feature Of picture hats. feather busby
types are obviously not to be considered
as ideal either when the spring winds
ARE playing their pranks or when the
summer sun Is blazing. A recent hat
meant for immediate wear was carried
out In q white ottoman silk ribbed with
pink slightly draped over the crown and
gathered into bow at one side. Over
this and quite yelling the crown and the
trimming were showered the black knot
ted fronds of wide thick feather mount
caught cleyerly here and there so that
1t should not toss too untidily In such
breeses as 1t might meet these spring
days.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Dainty Lingerie Styles
for Spring and Summer

ing back and revealing the upper arm.
Sometimes these night robes are made of q
strong quality of chiffon. the under layer
being OF the palest shell pink. The finest
pocket handkerchief lawn is another ma
terial that Is favored, in all instances
deliberately trimmed with lace.
Some of the newest princess slips have
the upper portion made Of spun silk with
a ribbon across the shoulder instead of
the customary strap. The hens are sup
plemented with a deep fiounce put on all
most fiat, composed Of alternate rows of
ribbon and lace, or the fiounce may be
entirely of lace. trimmed with trails of
small flowers.
Other novelties In underwear are the
printed cambrics. lawns and charming
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Z16w C0roegeLp d1uBrHc@Gde1e
GIe eHDo@<z tIueeZ Lines

ard for ones height. clever corset fit
ter can trick one out to suggest the lines
of Venus or a Diana-or at least endue
one with the stately proportions of a
Juno or Minerva.
Some of these supple natural figure"
corsets are made of elastic webbing,
others of coutil, still others of dainty
Powered silk, but the most flexible models
are of tricot, an open-mesh fabric, strong
and unresisting, yet exquisitely pliable
and with a knack Of clinging to the fig
ure like the skin itself. The soft, strong
material extends down beyond the ends
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

lotte drawer. fitting the limb closely and
fastened at the knee with ribbon run
through beading, Is also resorted to, In
order that there may not be the least ex-
cess Of material to give bulk beneath
the narrow outer skirt.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

front Of the skirt, are reminiscent Of the
polonaises worn in the seventies; and
also OF the sacques. lifted over quilted
petticoats. which belong to an earlier
day The polonaiee, one French dress
maker asserts, Is bound to come, and the
stcmacher Of silver lace and draped
panniers sIoping In polonafse fashion to-
ward the back, 81 very much like the old
style colonial costume. An afternoon
costume, displayed at one Of the open
ings, showed a polonaise OF red and
black Powered chiffon looped over a skirt
Of black permo fabrtc-a worsted and mo-
hair mixture that resembles silk poplin
I'm texture. The red and black Powered
stun formed the bodice and polonaise
draped up in pannier style, and there
was a little 'pannier' wrap Of the black
permo lined with red silk and trimmed
around the edge with a pinked ruche of
black taffeta
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

HE prophecy of
the pannier was
first regarded as a
joke; then when
the pannier cloud
on the horizon be-
gan to assume
sizable proportions
women began to
hope that it was
but another sensa-
tional effort of the
couturiers to in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28
Kitchen Aids.

THE kitchen entrance Of a house
should be as attractive as the
front entrance. A back porch
with mops. brooms. buckets and scrub
bling outfit scattered about is mex
cusable. A large box, painted any de-
sired color. could be used as a receptacle.
Plant boxes placed along the porch edge
and filled with flowers will add beauty.
Vines over a door, where there is no
porch, will prove bright and cheerful.
If the cellarway is dark, paint the lower
step white, SO that it can be easily seen.
Every cook knows the patience and
time wasted in hunting holders. which
seem to have a way Of disappearing
just at the moment that they are most
needed. All this may be avoided by
sewing two holders at the end of inch
tapes, which are suspended from a tape
band. which fastens around the waist,
just as the apron band does. Let them
reach to the bottom of the dress, one
at each side Of the waist line. They
will always be ready when needed.
When things are put into or are
taken out of very hot stove the backs
of the hands need protection almost as
much as the palms. SO it is we'll to
have some of your kitchen holders made
of double size, and stitched together
on three sides, so that the hand can
be thrust into them almost as into
mitten. This will save the hands from
getting red and rough.
/; A very satisfactory dishrag Is made
from white mosquito bar. To make it
fold the bar six or eight times, cut the
required size, then stitch on the machine
backward and forward three or four
times with a good long stitch. These
dishrags are light, durable. easily kept
clean, as we'll as inexpensive. To keep
them odorless have a solution Of soda In
stone marmalade jar near the sink. and
place them in this when they are not IN
use.
When about to blacken the stove first
rub soap on the hands and allow 1t to
dry on them. This prevents polish from
getting into the pores, and after backing
the stove the hands are easily washed
clean. A little soap dissolved in water
and added to the stove polish will pre-
vent grease from sticking to the stove.
and will also give gloss to the polish.
A handful of zinc shavingS burned in
the stove when the fire Is very hot will
prevent the pipe from becoming clogged'
with SCOT Small pieces of zinc can be
obtained from stovemaker.
-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

the hose supporter is called so now only
by courtesy, 1t is really a flesh confiner,
in that 1t serves to hold the softly built
corset In proper position. The corset
bones have little to do now with confin-
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

crease business with a new and unusual
sartoriaf effect. Now the 'pannier has
been accepted philosophically as con-
dition, not theory-to be met the best
Evening star. [volume] (Washington, D.C.) 1854-1972, 1912-04-28

@HE first requirement of the
fashionable form divine now
is that 1t shall be natural.
Small waists have been ruth
lessly sacrificed to this cult Of
the classic, and the nearer woman can
approach to the uncorseted yet discreetly
draped effect the higher is she in fash
ions good graces. But. alas. few won1-
en- have been endowed by nature so kind
~ that they can afford to follow the
mandate Of the natural figure literally.
Some of the actresses this winter have
accomplished the feat of being both un-
corseted and supremely graceful. but their
gowns have been built with infinite skill
and beauty, and who knows what hours
of exercise, what self-denials in the way
of edibles and drinkables. have been be-
hind the grace and symmetry envied by
every woman in the audience?
The slender figure, uncorseted, is apt
to be too angular. too fiat, for grace,
and the stout figure uncorseted is too
dreadful to contemplate even in magma