Bismarck daily tribune. [volume] (Bismarck, Dakota [N.D.]) 1881-1916, 1912-12-19

single line Of br1llialnts. = zen rose
of black velvet with brilllent crest
was posed on the corsage, where
velvet and black tulle net.
The very general use Of the trans
parent bodies has made necessary all
sorts Of versions of the bib skirt cor.
tinuation. A bodice of color and tex
ture contrasting with the skirt, the
line OF demarcation being directly at
top Is distinctly u%ngracefnl and in.
artistic. M tgt.
Broad back panels are extensively
used on dresses made of heavy weight
materials. The skirt of the dressy
model often shows a drapery sugges-
ton. These skirts have crossover
drapery tapering off to the back, where
it is sDshtly caught up and brought
under the back panel, near the skirt
edge.
Other models have a broad panel
effect in the back, the skirts having
pleated inserts at the side or the
suggestion of drapery produced by an
arrangement of pleats in the side front
seam and effected by drawing up the
heightened skirt. The sides of these
models are plain and finished off at
the back with a panel arrangement.
Some penals are pleated. They
generally run all the same way instead
o. being reversed toward the center.
They appear in the back or front, and
in some cases in a panel affect on one
side Of the skirt. Gathered panels are
also used, but in every case THIS
section Is stitched to the shirt all the
way down. The finish Isl more ne
coming to the average figure than the
perfectly plain back, and 1t also makes
a desirable finish when the drapery Is
of a material contrasting with the
dress fabric, as the pane: OF sedf
material makes a good finish for the
drapery at each side.
The old style corset cover has rDe.
cone almost unknown in fashionable
circles, for the woman who dresses
smartly realizes the necessity of a
frmer figure support under loose
gowns then the corset cover of yore.
Brassieres of linen and fine en-
broidery and perhaps an edge of Irish
or Clunny lace are worn with the
petticoat, owe the corset a searate
~culotte drawer being worn also over
the corset If desired. Most women,
However, dispense with this pretty
culotto drawer in the interests of
slenderness, and wear the corset over
IA combination chemiro.drawer OF
!batiste, or an ordinary combination
garment of glove silk which clings
closely to the figure. X
Lace is not used on p%etticoats now
except in the form of insertions above
the nounce of embroidery, and in
narrow frills under the edge of the
embroidery scallops.
The street petticoats Is of tub
material and has a six-inch flounce, no
deeper. set on under an embroidery
beading.
Dancing petticoats and those in.
tended FOR evening wear often have
fl0unces to the knees, the handsome
embroidery flounce not being gather.
ed where it joins the petticoat top,
but having a few groups of pin tucks
to lend fullness without lunpiness.
Velour hats are IN great favor and
milliners usually trim them with
picot.edged raille ribbon. M ,~a.
Canoes On Wedgrood blue and shell
pink are seen on hats and used for the
fastenings of evening c1oaKs.
Smart waists Of white voile have
groups Of fine tucks alternating with
rows of tiny rhinestone butt0.fs. "a.
The oriental influence is seen in
Persian.shapel toques and Persian
embrOideries.