davidaulloa/AmericanStories huggingface dataset:
The Julesburg grit-advocate., 1911-08-03

ated now BY longer and longer pauses.
but still Jeanne waitsd.-''Very sure
Of the correctness Of my own
attitude then. Correct 10. perhaps, the
exact word for 1t. wouldn't turn q
hand to save q man-a man who had
been my friend. too-from living out
the rest Of his life in hell" He shud-
dsred little at that and she quickly
laid her hand upon his lips.
That was long ago." she said. You
can see now what q God. perha apps.
would have seen and done then And
II you did wrong. then it's you who
have suffered for it-you who have
paid the penalty. You have paid for
the thing you left undone as we'll as
for the thing he did. But vs must
not talk about 1t any more. now.
You're not strong enough. ought
not to have spoken Of 1t At all. but
somehow. couldn't wait any longer"
Just this much more, Jeanne, and
then We will lot It 60: You soc now,
don't ysu. dear. why l said never
could g back to the world, never clear
myself Of the old charge at Hunters
expense Perry Hunters s1pense-
new that he u dead: and don't you see
that that's % impossible now ~ II was
wAsl nrst said itf''
It was With half laugh and half
sob that she Kissed him.
"oh. my dear" she said. what docs
the werld mattsrf This u the world
here. You and I. The space Of this
great bearskin ws are lying on The
past can't esms bstvssa %. and what
else = tAsfs hat mattsrs? Come, It's
tiAo for you TO take another nap. Are
you warn enough cut hsss. Of shall ws
20 hack 70 the hutf"
TA warn, s0ul and body, thanks
70 y0a," he said.
But II vas Jea1ne who went to
sleep. samehew. sinos that last a.
The Julesburg grit-advocate., 1911-08-03

ron. rose asgin and completed IT. dr.
cult to the other side.
She sat there beside him. breath
less. almost lifeless with suspense
while that pencil traced its course
back and forth from horizon to hori-
son. stopped sometimes on the zenith.
to turn back upon ttsslf-somstimss
continuing through unchecked. At
last her breath burst forth from her
to him wildly
Philip" she said, 1T can't be that
1T can't-it can't!"
'Ten me-tell me what 1t looks like
what you think you see!"
She stayed Just where she was. cling
thing terrified her, her face pressed
down against his shoulder.
Signals" she gasped out. From .
light-from = search-light-"
He drew Z long deep breath or two.
and his good arm ushtened about
her.
Well" he said. his voice breaking
in . shaky laugh. IF We are mad. We
are mad together. Jeanne, dear. and
with the same madness; and II We are
dreaming. We are living In the same
Dream. Did you read what It said7
Oh, NO. Of course you oouldn't-but
did. It's the old army wig-was. and
It has besa saying all sorts Of thiAgs.
Spelling out your name most Of the
tf-A UhAt q f,,et satA ~aa sNns,p
ags. They are coming"
The Julesburg grit-advocate., 1911-08-03
0vysoNoaA

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| e.! 49, - -; ~! r, :
t.' :: :,:, E: E -! - :% -
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se - - zAes@
- ~ = fssss:.91S 6
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tsesC - eAe.leee1 hyt - tAseS 49,
neoeoSe 0oaolaleQ q 1aooea 3Ae S,sS.
p fstaens 70 tAs h4t 80 seas SeaeoA
. loAaoe - 0o4os. VAoa tAe pky.
- evo9po 14va - tho IyfA4a -
Yeoaae eat90 caZSsg hse 11&Aers $asy
00Ss llaa0 . s00taS1 II e .FsVsat91
{se..s.s se!z !hs4s z i 9ayisy: se
taPaat - yoAaAo 80 - fky-qAA. S0e.
IN ktlls Q Dslar bsAs. 0oGt - 1oAo .
- y ~ hSea9 49, e ~ seeseA
1eese = aaeyt = efAaek u q ~
y p go Asel1Q . tesser ~ ~ aeAA
6ss taksf = kPt1S d hst cayssy kIis
vsea4e1 poaAe eeAf 80 rssefvss tAe
Bse ias1aet3ea hat 1aoses Dseesso0
eeesns A Aeeafs u tAs - yisa4s -
0ovsQ ths dsAA 1aa's ss1A He Nesevsss
OAAe cAHt0y 70 human hsinG aal ~ Q
OGrt 4hS rufhan y baf1sl in bic Diaa
murder Cayley Whso the la8ter aAl
&eaaao take FofuSs II the cave whses >
Nno0s storm kespp them inDhoouel
As9 esalsae tAslf iove for saoh ekhss,
SAyley, rssSavtag 10 eoeA the rufnAa aAA
mi Hin. A0As Roscoe's cave but th0
6Ny = 9et th9s He Dseks up . fa-
- hes tAkSa AAvantAGe Of Cayisy's a.
ooooa t. foece his way late Wheee Jeanne
d CaItay roturns, anA . Aght sa0ass. In
SA1eA Ao0sso b killed.
The Julesburg grit-advocate., 1911-08-03
CHAPTER xxIl-csntinuod.

~ perception came to him - .
0s0efy. and In memory It seemed TO
- JeaAAe's voice.
Now. uAlass his wits were wander
Ag. he hoard It again. and II called his
oa0e. He Was half inorslulous q its
s1ality. even = As answered II But
- Asxt monsat bsSoes As eouh q.
01eats himself non his planes. o.
svsn attempt to gst - his fsst, hs
hit he pressure of hse wv, - she
hnolt Sv0e him.
The Julesburg grit-advocate., 1911-08-03
CHAPTER xxIsI.
NOnais.

oi0nais.
1Aseo Weso . good many days aftse
0as-as< Aays as Ill. really. but N IN
tss13AAAae period Il nisht-wAisA
V0ee bs0ksa fer Jeanne By NO ray ot
AsDs whatever. She kept Philip and
AssssK alivs. from day to day. and this
1oeuDat1oa left her hardly time enough
- tAink whsthsr there was anything
- Aops for o. not.
Mech q he time Philip was 4olirl.
sas; sometimes violently 90. and yet
she eftsa - 70 lsavs him. Whsn she
"a %, Il vas With NO certainty at al
tAat she would Anl him alive upon her
return.
At last the conviction was forced
11sn her that Philip was actually on
~ Rad to recovery. His dslirium b.
cane lees violent and occurred At leas-
q intervals. The fr1ghtful coalition
q ~ wounds bssaA visibly to i'm
1rsvs. lnstastivsly she resisted this
osavietssa - long - she could. rstus-
Ing almost passioaatsiy 70 begin TO
AsDs-for the return se hope brought
- almost intelseabls pain with Il
Without hope tAsfs had been NO fear.
- approhensaoo-Sust - in Q fro.sa
nnb there = ~ pain. But - the POS
Abinty oe his rscevssy became plain
q, The slsnAsensss oe the thread ~
which his life was hanging became
Dlaanse. too. A thousand chances
w1ich shs could not guard against
AiSAt eat the thread and destroy the
AsDs newborn.
He was able, at last, after . long
ssesp and . really hearty meal Of sus-
tainias food-whieh sAs hardly dared
gfvs hin-to ut uD and walk out Il
0sir shelter 70 The sear.vaultsA beach.
my Daoss o. 20 was al he was equal
y; but 1t the end q The little prom
saa1s hs sxyrssssl Aisinclination to
- baek 10 he stu1y lftfls she'd which
~ bssa tAs sesns Il his long illAsss-
1As clean. wids. boanAlsss air was
bet1GinS hack he ssst for Mfs -
AtA- % Jeanne brought cut from
- Aat . Grsak bundle of fuSs and
nA6s Q nsst q tAs0 O. the beach.
- tAsfe Ao lay baek and she eat
lswn bss3ls In.
10 you rs0s0bsf. Jeanne" he
sail, the Arst tine ~ sat eat like
III, there On The ies-aoe beside the
A1rssa. and told you how had
lsarnsd = Tyr
~ locked her hand int his bstsPo
dAe answered.
Z couldn't believe that night that
vasat dreaming" sAs said softly.
Nse I. sitAse." - telA her: "aAl,
ss0sAov. can't bslisvs II nsw-ne<
illly:-not this part oe II, anyway"
H had Nftol tie had that Vao
The Julesburg grit-advocate., 1911-08-03

Herring Always In Lssd.
Hsarings form the grsAtsst haTvoa
Of the ocean. Moro herriass ars eakso
than any other AsA.
The Julesburg grit-advocate., 1911-08-03
CHAPTER XIV.
Unwin Rod.

OnWon0oo.
10r awhile she stayed Just whore
she was. her head sraAlsd against his
shoulder. bat presently. she stood
erect once more. pulled Of one o6 her
hoayy GAunlsts. and with her hare
The Julesburg grit-advocate., 1911-08-03

NO. not long ago-within the last few
hours. Come. shall We 20 back to tho
fire! l suppose We had better wait
for another moonriss before We try to
get to tho Aurora"
1t was six months later, a blazing.
blue July day. when the gunboat York
town lifted North Head. the northern
portal Of the Golden Gate. Tom Fan
shaw and his father had gone to the
bridge. but Philip and Jeanne, the
other two passengers. remained un-
moved by the announcement, seated
as far aft as possible. the ensign, limp
over their heads.
Looking up. they saw one Of the
junior oficers standing close beside
them. He was = dark-haired. dark
eyed. goodlooking youngster, whose
frank alteration Of Jeanne ever since
they had come aboard had amused the
Fanshaws and secretly pleased and
touched Philip. although he pretended
to bs amused. too.
They both rose and lounged back
against the rail A. hs came UP.
Glad to be nearly home. Mr.. Cald-
wslli" said Jeanne. You navy people
regard any port in the States ~ home,
don't your"
"oh, I'd bs glad enough Of . months
shers leave he said. II It wsrsn't
this particular voyage. I msan-f It
didn't mean that We are going to lose
you"
She gave him . friendly little slsils,
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
Garments That Express Temperament Nine.
Bernhardts Gorgeous Chinchilla Cloak Billie
Burke the Daintiest Actress Personality
Evidenced by Fabric and Frills.

Che 1s-not merely pretends to be, but Is,
If she Is good actress-a dozen different
personalities In as many seasons. IT she
Is member Of a stock company, she may
easily be the dozen different personalities
in as many nights. This versatility has,
Of course, direct influence on her own
personality. The great actress has usu-
ally several sides to her nature, while the
ordinary woman has but one, and that
often not a particularly broad one. The
spectacle Of a little, dumpy woman try
ing to live up to La Tosca costume copied
rom a superb affair worn by Madame
Eames Is scarcely more distressing than
that Of tall and angular maiden in her
th1rttes dressing like and endeavoring to
initiate the kittenish sauciness Of Billie
Burke.
Actresses Who Delight In Statu-
esque Effects.
Between the tragedy garments Of Miss
Julia Marlowe, who dearly loves a role
In which she may be emotional In sack
cloth-like, shapeless garments and with
her hair let down, and the airy petticoats
Of Genee who wrinkles through her part
in tulle sprinkled with lilies Of the valley,
there are tnnumerable types Of costume.
Even the more or less conventional garb
Of modern dress is made to take on new
meanings when expressing the different
personalities of the actresses who play
modern society roles. But there are two
general types of dress under which the
lesser classifcations are arranged. These
two types are the statuesque and the win
some styles Of costume. Some women look
better in one than in the other. Some
may wear only one type with safety.
An actress whom the statuesque type
Of costume greatly becomes Is Miss Ber-
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14

- HE essential difference between the
actress and the ordinary woman,
as far as clothes are concerned, Is
~ that the actress allows her gar
ments to express her personality
while the ordinary Woman-in most In
stances-tries to live up to her clothes.
How many of us have not come out of
a theater under the spell of strong and
brilliant personality on the stage think
ing: I'll have gown just like that.
I'll look like that. I'll act like that I'll
be like that" But alas! though good
memory and little trouble may, indeed,
duplicate for us the gown, it will never
seem to have the same meaning, the same
indescribable charm that made the real
gown part Of the woman who wore 1t.
Every actress, If she Is a great enough
actress, sets a fashion at some time or
other In her career. There are actresses
who set many fashions, and they are not
always the actresses with the most vivid
personalities either. Some little detail of
dress, like collar, a necktie, a belt, the
way hat Is tipped, or a parasol Is car
ried, II essentially charming and becom-
ing, will be seized upon and initiated
until, behold it appears almost overnight
in the department stores, ticketed 1.-THE
Elsie Janis belt" the Marie Cahill DOLL"
the "Peter Pan shirtwaist," the "Ethel
Barrymore earring" the MARY Manner
ing curl" and becomes fashion.
The Great Actress All Things to
All Costumes.
One reason Of the charm and meaning
In the actress clothes as contrasted with
those Of the ordinary woman is that the
actress IS forever being different woman
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
NzxwZzw G2ZS4ZHCZZ2Es&S
Is ou9Z 4 H6lX4x
Blanche Enjoys Most Life Upon Her
ENJOYS Most Her Domestic Life Up0

Brick. He certainly has proved a gold
brick. would not part with him, though.
for many times his weight in gold.'
The dog seated beside Miss Bates in the
automobile is Peggy. Peggy is growing
old now and is allowed to take life leis-
urely and luxuriously. She is the dog
who played with Miss Bates in THE Girl
Of the Golden West" But it is Peter
Pike, with mien calculated to terrify
any potential burglar hanging around
the farmhouse. but heart as soft as
ever was q dogs, who Is her especial
favorite.
To photograph of herself along with
Peter, Miss Bates took exception.
Look at that facet" complained she.
do you mean to tell me''-appealing to
friend who stood near by in her cosy
dressing room at the Hudson Theater.
do you mean to tell me ever have a
face like that? III do she added.
merrily, 1T is on the first of the month,
when the bills come In. It's the way the
owner of the farm looks when she plants
her elbow on her knee and her chin In
her hands"-suiting the action to the
word in an inimitable bit of unconscious
acting-'and demands aggressively of her
we paid all that for hay!' or "'For good
ness sakes, who ate up all those oats?'"
But It's Neutrality-suspicious." whis-
pered Miss Blanche Bates as she slipped
into her. furs and, made ready to go
down the winding stair outside her cosy
little dressing-room to the waiting auto;
"and love it. I love It best of any
place on earth!'' '7',
And: then the big touring car whisked
her away northward, out of the clamor
and the glamour of Broadway into the
white quiet Of, the snow bordered roads
aud the white brilliance Of the star
spangled night on the way to Ossining-
and home. Z b
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
Farm At Ossj11j1,q.

place where grandma used to keep the
cookie jar and the homemade apple pies.
Some concessions have been made to
latter-day habits of luxury. For one thing,
a bathroom has been put in. Miss Bates
admitted this apologetically. 1T did
seem a shame,'' she declared, Ito allow
such an Inconsistency, but living Us l
do all my working hours in heaps Of
dirt'-she flung out expressive hands at
the disorder of the theater-"I simply
have to have my bathroom. Why, 1t kept
three men busy all the time at the farm
carrying the water I needed!'
In addition to the very luxurious bath
room there are beautiful rugs, rare old
bits Of tapestry, brasses, photographs
and knick-knacks Of all sorts collected
of course, the books which are much
more than fad with Miss Bates. as you
know the moment you step into her splen-
did library.
And this ideal farmhouse, mind you, is
no mere lazy loafing spot for idle hours.
1t stands in the midst Of 70 acres Of
good farm land and the farm is run-its
owner is proud to assure you-on q splen-
did paying basis,
"You just ought to taste my corn and
my tomatoes and peas" says this ardent
farmer, enthusiastically. "And you
wouldn't believe how many barrels Of
apples got from my orchard this fall.
There's garden, too-full Of real old
country posies, sweet peas. and china u.s.
tefs, and lovely blue bachelors buttons.
and, oh, yes, four o'clocks and holly
hooks, and I don't know what ALL"
Miss Bates is very fond Of her horses,
and once when a friend gave her
photograph Of herself and two Of them,
she exclaimed: "Oh, my dear babies!
How do love them. This one pointing
to the horse on her right hand. lis But
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14

tina Kalish One Of the costumes she wore
last season-a long. sinuous satin gown
loaded and encrusted with embroideries
and jewels, was veritable Cleopatra at
fair, and huge emeralds swinging from
her ears and over her brow in the thick
waves Of her dark hair increased this
effect Of magnlticence. Nine. Emma Eames
Is always statuesque-even when CARRIED
as simple Marguerite. Bernhardt Is one
Of the few gifted actresses who may be
statuesque petite, piquant, mignonne or
simple as it pleases her. Bernhardt is
no longer thin Though she will never be
other than slender woman, that excess
sive leanness-of which she was clever
enough to make a feature-has disap-
peared, but Bernhardt,. as this latest pho
tograph shows, still affects the voluminous
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
Miss Blanche Bates

- AR dearer than her success as one
OK the greatest emotional actresses
IN the world Is to Miss Blanche
Bates the little refuge to which
she flies after her triumphs are
over--the old farmhouse up at Ossining,
New York, where she works as we'll as
plays, studies as we'll as loafs and is, in
short, just happy, natural, w1nsome
woman.
BY the time the big front doors of the
Hudson Theater have been closed and
locked and the last member of the or
chestra has covered his instrument for
the night, and while on the dimfy lit
stage back of the great curtain carpet
cross-barred strips of canvas that look
from the other side Of the footlights ex-
actly like a handsome parquet flooring;
and while the grand plano is being hustled
into place ready for the first act of to-
morrow's performance of "Nobody's
Widow" the slender, dark-eyed sprfte of
a woman who Is the meaning and the
soul Of all this hustle and preparation,
is speeding northward in her big touring
car-toward home.
And this home is a real home-the sort
Of home you read about; or maybe re-
member, II you are lucky enough to have
ancestors worth remembering. For this
home Of Miss Blanche Bates is a farm
house, bona-hde. old-time farmhouse
with broad clapboards and deep, shady
caves; with delightful open hreplaces and
windows whose shining cross barred panes
are struggled between comfortable green
shutters There Is q huge chimney, around
which the house is built, in the sturdy
fashion Of our forefathers before, any
body knew anything about wind-resisting
steel Orders and eyebeams. There Is,
If you please, even a ''butt'ry," and II
you have ever been in New England you
know that butt'ry Is the delectable
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
. There Is & Charm
about Even the Costumes
= Of Elsie Ferguson

upper bodice above the tunic being of
chiffon over Valenciennes lace. The en-
broidefy done on net is as soft, c)ingin.
and supple In texture as the gown ma
terial and the whole costume seems to
follow the wearers lovely figure In soft
and subtly defining curves. The oriental
necklace Of coral and dull silver Is
striking detail of this costume.
Miss Jane Cowl. in THE Gamblers"
wears a most beautiful chiffon gown in
the first act This is a dinner costume
Of canary yellow, the bottom Of the skirt
being bordered with black marten fur.
With Miss Cowl's dark hair and vivid
coloring this gown Is most effective. In
the same act Miss Edith Barker wears
green satin yelled with chocolate chiffon.
Thousands of Yards of Chiffon In
the "Blue Bird"
Though individual personalities count
for nothing in the cast Of the blue
Bird" the costumes are certainly wonder
full, and tremendous must have been the
bill for chiffons. Yards and yards of
this flmy and expensive stuff float about
in wonderful color effects. The gown Of
Might all in shades Of the ineffable
greenish- blue against which the young
moon comes out on an autumn evening,
is an achievement in Dress So are the
floating, elusive draperies Of the II
hours, the almost liquid folds of fabric
that flow from "Water's" slim Shout
ders, and the lovely, indescribable blue
draperies Of the Little Unborn Chill
dren'' through which their yellow curls
and round pink limbs CLEAN exquisitely.
Opera Costumes Rarely Express
- Personality.
The grand opera star wears her telling
costumes in concert work, and not In
operate productions. The music-the
voice Is the particular interest at the
opera-never the costumes. One scarcely
remembers, after hearing Butterfly.
what Clio Clio Sans kimonos were like.
OF course, "Aida' wore something splen-
did and barbaric, but just what was 1t!
Traviata' may expire in ever SO wonderful
q Paris negligee, but no one pays much
attention to it, listening to her song:
Even of Calves costumes in Carmen"
one seems to carry away but recollection
beyond that Of fringe on her shawl.
But in her concert costumes, built by
Partisan couturiers, the opera star Is
very splendid Miss Geraldine Farrar has
a most lovely gown, designed by Paquin,
In which she has sung at several private
entertainments this winter. This gown
is Of palette embroidered pink chiffon
over which is draped a scarflike drapery
Of pink satin meteor. The bodice of pink
chiffon over lace reveals the contour Of
the shoulders and arms and around one
arm, edging the diminutive lace sleeve, Is
a band Of dark fur-the only fur that
appears on the entire costume.
Madame Fremstadt Is another opera
star who dresses rather simply of the
stage. This singer has a charming per-
sonality, sympathetic face and neat
little figure rather inclining to embon-
point
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14

costume effects. the wrist and throat
swathings which suggest the extreme of
pathetic thinness
Miss Billie Burke Sets Debutante
.tFashiOns.
Quite the antithesis of Madame Bern
hardt's sumptuous and stately gowns are
the dainty frocks. of little Miss Billie
Burke, who divides honors with Miss
Elsie Janis as the debutantes idol. Miss
Burke's costumes are copied and re-
copied; SO are her postures, her vigorous
little mannerisms, the way she does her
hair and poises her head and opens her
big, babyish eyes. {:
Billie Burke's frocks are always exquis-
itely feminine and exquisitely young
She seems the incarnation of youth and
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14

Joy and the spring time Of happiness.
Her wilful, petulant, enhancing little
ways are expressed by her charming
frocks, and though her followers may not
hope to possess her saucy new retrousse,
her dimples or the winsome way Of her,
they faithfully copy her curls and her
costumes.
The photograph shows Miss Burke in
one of the dainty frocks she wears in
Mrs. Dot" chiffon affair draped over
white lace and bordered at the feet with
skunk fur The bodice is a simple sur
plice that folds softly across the bosom,
the v Of the chiffon revealing quaint
little vest Of white lace. Below the
girdle the chiffon overdress parts again
and shows the petticoat of chiffon shirred
over lace. On her head, combining the
The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-01-14
SILVER JEWELRY.

TN the collection Of ornaments pos
sesssed by the well-dressed woman.
. silver jewelry has been raised to an
important position. Silver forms good
setting for all precious stones, and it
gives richness without the appearance Of
appalling expense. Filigree and ancient
Bohemian ornaments are now being much
worn, and many of the semi barbaric Rus
sian designs occupy places In the jewel
casket. Silver jewelry is beautifully
blended with rich velvets, and often 1t
takes but the touch Of a silver ornament
to make an evening gown create
The Birmingham age-herald., 1911-01-08
THE WILDERNESS-By J. C. Hiden,

gation; but l must confess that curiosity to hear the preacher of such a wilder ness was not the least of my motives. On entering I was struck with his preter- natural appearance. He was tall and very spare old man. His head, which was covered with a white cap, his shriv- eled hands, and his voice, were all shak- ing under the influence of palsy; and few moments ascertained to me that he was perfectly blind.
 .'The first, emotions which touched my breast were those of mingled pity and veneration. But ahl sacred Godl how soon were all my feelings changed! The lips of Plato were never more worthy of prognostic swarm of bees than were the lips of this holy man. It was day of the administration of the sacrament; and his subject, of course,f was the pas sion of our Savior. I had heard the sub ject handled a thousand times. l had thought it exhausted long ago. Little did I suppose that in the wild woods of America I was to meet with man whose eloquence would give to this topic a new and more sublime pathos than 1 had ever before witnessed?
 As he descended from the pulpit to dis tribute symbols, there was a peculiar, a more than human solemnity in his air and manner, which made my blood run cold, and my whole frame shiver. He then