The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1911-05-14

70 us or a ball is under way,
~. ,sic can Z be heard for
=, 1u @f the train. And how
AZ AZ couples look turning
md round in the EN-
Il q silent waltz, Pas
" ,st brief sights of re-
he theatrical companies.
u vyesferday | saw without
the allnring woman and
's;Idered lover at the waltz
" crazed the world with
Merry Widow. y In the in
hsforc l identified the
ssd while it had no sentl-
meaning, it might as we'll
IN q bout i'll dancing con-
\, prize, or catch-as'
"a wrestling match.
{. Dryed," the new play l
4 nv way to, had Adelaide
for a heroine seen, not
and / tried TO imagine
= she could tell her story
.;bIy TO deaf persons. |
mol. London IS pet dancer
md fairy in this piece, with
-Sera to sing his love to her.
-;r.up of melodic wooing and
response made a novelty.
Kas a dryad who broke out
urison tree, and danced for
H Of liberty. She picked wild
q admired her beauty as she
Il mirorcd in pool, and
the shepherd gazing raptly
She was loo naive to be
,ud too really modest to know
kcr scant and slea2y tunic
tuycr her arms or legs.
hslic Disillusion.
minute they we're lovers,
dsueing. t'other singing, and
upsrhumauly ecstatic. When
dFad had 10 20 back into the
she made a date with the
but when he took TO the
4 timber again he brought "a
tapt girl whom he was 10
.y: and the grievous sight
a the poor fairy. This play
/ peOpled by English rustics,
y spared much time from farm
. ior morris dancing and glee-
sanboling in the greensward.
- had spells of beautiful but
slphined feats as a ballet pre-
httrcsting disillusion was Wis
. through aperlures at the sides
|rsdium size scenes set on an
.snnonly big stage, including
e neu in shirt sleeves making
tremendous storm of thunder,
ti1ing. wind and rain by strik-
. q sheet of copper, touching the
= Of an electric wire, pulling Il
% Of silk over a rough surface
staklng shot III a pan. Then
q Sas most unpoetic orchcs-
lsader, who personated a man
: I'll when Gcnce was most
1.sfol, aud of a pcrturbed
,'tfOS during that outbreak Of
.lsaenis.
1guai Faker,
ils musical conductor is initiated
'H BY comedians, but no mimic
afleature him in his throes Of
aee. In SOME Of our rcstau.
h ne Is posed at the front
a balcony--not facing the
slcars whom he is supposed to
.llol. but gesticulating for the
elaIcrS with wafturc of his
~ ioF soft passages and wild
S, az with a sword, at times
a90ouo- Gypsy Rigio, who
"a aotorlonsly with Princess
ray, was hired last summer as
aalDlilou in i beer garden, to
Trough with the motions OF a
'emperamental conductor,
ss zoe real leader operated the
q nom an obscure corner. The
slsst or the baton Juggling
@llonlsts. an adept in music,
sagh 4 fakcr, too, has gone
a VHe restaurant to q second
- ,Ilrd for doubling OF
HIS antics always Gt the
ne wipes his eyes when the
-. = saa and arius when it is
-. and be is as popular a fa-
~ Broadway as any idol
|,',;sa ,S1syer there is singing or
4 IN THE Prince S Love a
alsIsal comedy, a tai! figure
q ~ between the bright stage
q assil In silhouette. His
a. ~ S.,i long and lean, and his
|,a,.,s sOla no baton, but each
al :; ::erpentlne finger is a
;,s,.t VI ,!,el itself that squirms and
4 al mo a section OF u snake
a ga' gyal'; at the Gddlers at one
.lsmn une ouglers at the other,
~, from them the right
81 He suggests a SyenaaIi,
S,;,s frore OF Trilbys. He is
III mat l don't laugh-un-
=" ~ a Jerk Of one thumb he
D rfsI .Samol!ng of the bass viol.
3 b.. 5l ,ne other a booming of
Princes Love"
4 tlat rtlnee'S Love- is another
',ses ''e . tuneful pieces from
IN, g. 'Ist ma takes its sweet.
- if r. farls- The prince goes
! d, ! ho the gaycty there is what
lb. 0vel told ii is. The answer
y ylps auu Tie hideous nIien OF
81 = tho hn,onster needs but 10 be
tT ne ,T poet wrote. to be EN-.
y sooa inat G rs 10 say, he forget:
"a S;~, German girl he left he.
Ireh boS b dhd has III mind only d
3 on one. The frauIeiu fol
- l., pN one Of those dis
y o. tbo bo'elnie III reality, but
inlo NV stage. she turns her
stsdcr ,h" man zcjle prettier anG
s him 'non her rival. SO as tt
Ry; and amay from the oihe,
a feveals "avIus infatuated him
eaed ne Eer Identity, and II,
@nt 10 u his, his folly, Ii doesu /
s'sr at Terrors.
'es mpsic u,