The Guthrie daily leader. [volume] (Guthrie, Okla.) 1893-1996, 1911-05-30
Dancing Frocks IN
Soft Thin Stuffs = Col
ored Embroidery Worn
on Soft Lawns and Fine
Linens in Many Unique
Patterns.

soft and artistic effect. Ppmpadour
roses OF grayiah plpks and blush vel
lows are used 10 trim the iilmy gowns :
and one gown of this cloudy style seen
the other night at the theatre was pr
gray m0ussellne over q rather bright
yellow and all around the neck ana
sleeves. the high waist line and the
foot at the skirt were g2rlanded roses
of diminutive size In al soft tones o.
rose and gray and silvery blue and
pinkish yellow The effect was strik
ing and very pretty for III It's oddity
Lingerie gowns Of black and black
and-whlte are very much Ia vogue m
Paris and SOME NJ them are combined
with Voting or SILK gown OF fig
ured mousseiine with black ground
has a design Of figures and flowers,
somewhat hazy and blurred that Is
supposed to represent Old china II
IS trimmed with black chiffon bands en-
hroidered with rose tones These bands
outlined the neck and scevea, buH a
the foot Of the skirt was q broad hnpd
Of black yoile.-much more serviceable
than chiffon or mousselne would have
been Tho belt of this gown vas Of 4.
curious shade 0f rose-hued velvet. and
there WAS a big not Of transparent
straw 70 be worn with II which was
trimmed VITA q cloud of black malines
and some velvet wall flowers most
| sSilfully made and wonderfully col
ored
The same effect Of old china Is
shown IA blue and white and such q
gown would be amazingly becoming
worn by fair haired woman.
Linen gowns in white embroidered
TN black are very piquant and one
destined for fhe French racing senson
was made wita a boilers Of black and
white heavy lace and had an UNDER
skirt Of black satin. Incredible as it
sounds. and yet II was a linen gown
anG comes properly under the head II
lingerie meaning anything that may
be washed
Several kinds Of lace are used on
soEe Of tAe elaborate lingerie gowns
and lace and embroidery an the sama
gown = not considered a aH ineongru-
Gus. French gown Of cse2ln liaea
With iasets Of white lace. appilues Of
cream lace and dots cf black emf
broidefy. wss seeu the other aav in
atcoileetion of very smart g@Ung y
eyes
-'teiti Iiibt9flciN on gowns G. sol
lawns and fine linen 81 rluch IN ii or.
Blue end green and shades OF ruanlA
are tae rlcat fecn. although OFic III
combinations Of color are very effective.
sometime twothiids Of tho skirt H.
enriched with q large dehign III em-
hroidery and very ittla Il seen oil the
bodice Again It is the other way, and
the bodice viii be a mass Of needle
work, while the skirt win be almost
perfectly plain. A pretty fashion Is
70 have a little embroidery on the
neck and front Of the blouse running
y q point toward the waist Ilne The
waist Is then defined by embroidery
tnat Describes q point above and below
tne waist giving the effect Of corse-
let The skirt is similarly decorated
around the foot with point coming
up N the front gown Of white
Hhea elnamentsd IN this fashion was
seen recently and has q cachet ali its
own although It was made With
teliored simplicity and with scant.
pain .straight skirt and slirhtIy
pinn2ed bodiae fastened IN tho back.
without g frill or a furbelow