The Guthrie daily leader. [volume] (Guthrie, Okla.) 1893-1996, 1911-06-05
INDIVIDUALITY is =
NOW THEIR CHARM
Costumes to Suit the Psychology Of the Wearer With
Elaborate Accessories

conventional fashions, that are at once
simple, pretty and becoming II ls far
safer to adhere 70 these, unless size IN
tends 10 seek the aid Of spccialist in
chara eteristic goWning, which is Or
necessity a most expensive extrava-
gance. inasmuch as even nigh -cl1as
designer OF robes II quito iiRdeqAaie
for this special phase Ol drsgsine II
requires a person with tho ability ana
intGltiye knowledge 0f a painter epg
competent TO Judge OF light and sAnGc,
mass line and color, In relation 10 mo
personality OF the particular perscI
who Is to wear Il, and how many
dressiuGkefs even consider the iigix
am shade Of 4 persoH? Their en9 con- f,
cern Is to turn uIt something fasntG@-
able, nr al most they cons!de. ofiiy
size and gonoeal color; that Is. wnetaer
a person be oifler coGpuleRt or slender,
tall o. short b.uu1e or brunette. and
possibly the color Ok tho eyes although
ivory rarely does one and an * thesN
"details considered by one lras mekrc
Occasionally one viii eensldeT texti;e,
nut most frequently one thinks enly ~
the general color OF tAe Goth eaunsi3ix
lWhntever material harpcn. IA na lac
novelty Of the hour Or, X ~ sn eco
lnonicai turn Of mind wnAtprer e ins
tGfoateSt bargain regardless 81 texture,
weave or becoming quality.
| As Mme Cheruit, tGe g eat French
Designer or artistic gowns. naa SAT-,
E'ldeaiize your iiiscs,' "5tgtv the
fwomeli roiIatea by tiie N,J INA stars ard
/ fof drapsties contcinplate the ,iles ~
sculpture, the draper. rniphAsiziug
land revt aling the beatty o1 tla hgu~
lrather than concealil.s 81. lss3cAa,Y
lescelient N this aixiss v'hci lups@h
- ttgAsr
may take unconventional lheriies that
lalthough very beautiful Ncn.d hs olt
of place in a formal toie.ta
| DELIGHTFULLY."- girlish liz the little sroae
| depicted In the first drawing al the ef,.
lIt is developed in rose eolored l-ers a.
lchffon cloth, combined with bands II
lFilet lace and an under slip bailt ~
lWhite silk mousseline in simple Em-
lpre style The tunic is especially gnsd
FIN line aud is decidedly new ia ty,e,
lcut short in front and curving down in
| 2 long graceful line to q little square
Icoat tail In the back reaching nearly
Ito the hem OF the skirt. The sleeves
Fare cut IN one with the upper portion
Tor the tunic and the front 81 the bodice
Ills caught together by three Rhinestone
lclasps, Five strands Of silver rope grd
lin the tInic. disappearing beneath the
larrps aud fastening witls a~-fhinestone
lbuckle In front
| Many Of us remember with regret our
departed school days with their lovely
| little frocks OF challis and cashmere,
and 1t Will be a delight TO know that
this lttle reminder Of the quiet period
Of our lives has again come into It's own
and that some of the smartest frotbys
are developed Ia thasa long forgotten
! fahrics, more soft ln color and texture
than of yore
\ One very stunning model that has
4 just arrived from over the seas Is shown
/ in the second sketch II was a lovely
/ treatment of shades of topaz The
tunic-like outer dress was of deep
topaz cashmere. embroidered in that
long loose stitchery In shades OK p1une
and topaz and brownish green. picked
out here and there with tiny notes Of
coral Nero suggestions 80 az to be In
i ucscernible, The under dress was of
1 pale topaz chiffon gathered In many
/ soft fine lines over o slip or pale coral
lgatin The whole gown gave one the
feeling Of peace that comes of COM
plete harmony and perfect simplicity
This gown was of such excellence
that have had our artist make
two sketches of It 50 you may obtain
complete idea Of the back as well as
IiE AA9H1. ne I0lftn and NTH
Sketches are of an especially good
model for the woman who desires
lnlre ornate type of drasH III sha.s only
iRst cume from the magic fingers of
Paul Poiret, and is notable FOR the
clever combination Of materials, silver
tissue of moonlight blue chiffon for the
panels and bodice combined With gelvet
~ lighter tone and fnishea Nstb 4
AhlRy fringe.