Fort Pierce news. (Fort Pierce, Fla.) 190?-1920, 1911-04-07
AFAMOUS Picture
Rosa Bonheur'S Stirring Master
piece, "The Horse Fair"
A PRIZE THAT FRANCE LOST.


politan museum in New York is Rosa
Bonheur's stirring masterpiece, "Ihe
Horse Fair" a picture which for its
irresistible movement and living por'
traiture Of mans most useful friend
holds unique position in the annals
of art and the affections of lovers Of
paintings,
Few, however, are acquainted with
the intimate history Of that HotaDIe
canvas, and fewer still are aware that
there are no less than five horse fair
pictures in existence. The one in New
York is the original and, 1t will be re-
membered, was first the property OF a.
T. Stewart and then purchased for the
Metropolitan by Cornelius vanderbilt
for 100000 francs.
1t was painted in Paris, the models
used being the horses Of the Paris ON
nibus company and a few animals
studied at the horse market OF the
French capital. 1t was first exhibited
at the salon OF 1853, but went back to
the artist unsold.
A part of the further history of TIN
famous painting is recorded by Ernes'
Gambart in his manuscript memoirs
which have been freely drawn upon
| for the "Reminiscences Of Rosa Bon
heur:"
"After the closing of the 1858 Paris
salon The Horse Fair was intrusted
to the Society Of Artists of Client for
exhibition in that town, where it had
q greht success. but whence it alsc
came back unsod In the spring OF
1854 l expressed to Mile. Bonheur the
desire to buy it from her. At that time
1t was in Bordeaux, her native town.
"Her preference was that the munic-
ipality shOnld purchase 1t for the city
museum. and a price of 1900 francs
had been mentioned at which the town
authorities might acquire it. But she
said to me that If the canvas came
back to her again she would let me
have it. However, she could not let
it go to England for less than 10000
francs.
81 unhesitatingly accepted the bar
gain, and II was agreed that the pic
ture should be mine unless sold to
Bordeaux. AS the picture was back
in her studio again in the following
year told Mile. Bonheur that !
wished to take it at once in order to
have it in my 1856 exhibition and that
l should like to have it engraved b,
Thomas Landseer, the celebrated en-
graver and brother to the painter
"She was delighted at the idea of
the picture being engraved and said to
me: 4 have asked you 10000 francs
for my picture, although in France |
cannot get 1900, and am pleased at
your consentlng to my terms. On the
other hand. don't mean to take IN
due advantage of your liberality. How
can we arrange matters? Let us see.
Well. the picture is very large. and it
will be difficult to find place for it
In an engraver's studio. Besides. you
want to exhibit II. Wouldn't it be bet.
ter for me to paint you a smaller
copy"
That suggestion she carried out and
explains how the second canvas came
into existence. That smaller copy was
the one from which Landseer's well
known steel engraving was made and
is the picture which is in the British
National gallery.
When she heard that it had become
the property of the British nation
Mile. Bonheur decided to make thir
copy. thinking the second was no
good enough for the London collection;
hence The Horse Fair" No. 8. But
the National gallery authorities were
not able to accept the substitute, as
the painting which it was designed to
replace had been given to them as
trustees.
Besides these three, Mile. Bonheur
executed a water color replica and a
drawing based on large photograph.
OF all these. however, the picture in
the Metropolitan is by far the finest
work. which is only as 1t should be IN
view of the fact that the artist always
found her best public in America.
This was recalled to her detriment
when the rosette of the Legion of Hon
or was requested in her behalf. "She
has ceased exhibiting at the salon,
objected the president. ''and sells in
America everything she paints" The
complete answer to that was that the
French government had had the op-
portunity to buy "The Horse Fair
but had neglected It--Argonaut.