The evening world., 1911-03-18

study OF tho poor domentcd artist in
the Charenton nadhouse.
The Print Collectors Quarterly" ed
tied by TrtzRoy Darlington. and pub
llshed by the house or keppel. leaps
~full-armed. panoplied and plumed into
the arena. The fact that It g the Feb
fuary number. though blowing in on
the winds OF mld-Marc1. IS only one OF
a series of fIibernian paradoxes that
lend Timely Significance to tho date on
which this handsome new art-brochure
comes TO hand-St. Patrlck's Day. Thus,
whHo tho price IL fixed at ten cents per
copy. tho yearly subscription Is fifty
cents. And the explanation OF this fin
ancial phenomenon Is that the Quar-
terly" Will be issued five times n year,
maybe. For II Is more than likely, dye
see, that the sudden acquisition OF some
collection OF prints OF prime Importance
VIII make a special Summer number de-
siraole. No heads are going to be brok-
en- e this arrangement, we fancy
Indeed. the sight OF Quarterly No. 1,
with fts nifty or so reproductions OF farn-
Gus etchings by Whistler. HaeAen, Mcr-
yon, cameron. Claude the Lorrein, Mas
son and Zorn. Is calculated 10 make us
wish there we're a dozen quarters to the
twelvemonth.
A ROULL1ER. who II the
~ Keppel OF Chicago. with head
quarters in the Zine Arts Build
Ing on Michigan avenue. has been
slinpscd lately on Picture Line. Roui
Her Is Ike Antaeus OF old. whose
strength was redoubled every time he
set foot upon Mother Earth-he u n
over here to New York. then goes back
to the Windy City and publishes whole
series OF the most sumptuous cata-
logues. booklets. brochures about The
influence Which Art Has Had Upon
society and illustrated bulletins galore
nlied with seductive specimens OF the
painter-etchers OF all time. from REM
brandt down to Smith q. Andrea. and
laying ~commcndable stress upon sDrh
younger Americans At Ada Cation,
George c. Aid. George w. Chandler.
Charlcs X. Glceson, Lester G.. Hornby, |
John Marin. Donald s. MacLaughlan.
u. j. o. Nordfelt. Otto ]. Schneider. |
Everett l.. Warner. C~adwallader WASH
burn, Herman A. Webster and Charles
Henry White.
SCXVIlIY are they called Pos. I'm.
w prcssionists?' some ono
asked Charles de Kay. who
Is recently back from London. whore
he went 10 the mich-discussed Grafton
Gallery show.
We'll, there's a reason. no doubt"
the poet-crito replied. land / SUPPOSE
that Just as they have a Postum coffee
that isn't coffee at all. but only n SUBJ
stitute for II. so the postum Impression
lists are a kin OF antidote for real art"
A LBERT sTERNER. Who In hi, ad-
~ mirable full-length Portrait Of n
Young Lady IN the current
Academy exhibition has achieved the
artistic conquest of the hobble skirt. Of
fers a recherche exhibit all his WI at
the new gallery of the Berlin Photo
graphic Company. No. 3S Madison ave-
nue.. A dozen Autographs rare IN classic
beauty n learned line, and about
three times as nan monotypes (o!l
paintings on a zinc plate. OF hich a
single impression Is printed on moist
ened paper, reveal Mr.. Sterner as a
man whose versatility Is IS extraor-
binary as his ability IS compelling Of an |
ternational recognition.
Among the nudes, which are IN color, !
and magnihcently drawn. Is THE Model
Resting" She Is all inland no wonder.
having posed about half the pictures OF
the bunch, in the altogether.
A T the Powell Art Gallery. up,
~ Sixth avenue above %Fifty-hfth
street. an engaging miracle IS
wrought-nothing less than that of
spirtting the Grand Canyon OF the Colo
RADIO into a little room about the size
OF n telephone booth.
Seriously. there Is brilliant promise,
together with not a little of real
achievement, IN the dozen or so can
vases here shown by W. r. Leigh, one
OF tho younger native artists, n Viz
gin!an whose future work will be
watched with awakened interest. Mr..
Leigh has been to Arizona with Groll.
who claims no copyright on flying
clouds and lone desert lands But
there Is an individual color note in the
Leigh evocations OF storm and sunset
in the sublime chaos OF the canyon
OF the white cliffs. mysterious valleys
and enchanted mesas OF the Zuni coun-
try. This painter also contrasts his
conventional portrait OF a society lady
with q warm impression of a Mexican