The labor world. [volume] (Duluth, Minn.) 1896-current, 1911-10-07


the left side and a downward peak
back Of the right ear. The feather is
fluffy affair in shaded tones of tan
and rose.
A Few M1lliners Favor Low Crowned
Hats.
In contrast to the towering hats,
loaded with waving plumes there are
few low crowned models from mill
liners authoritative enough to be de-
pended on as certain style makers; for
these millinerS have q following who
wear their creations no matter what
other artists may dictate. One of these
authorities Is Po1ret, who makes up
what he chooses in the sartorial line,
sure that 1t will be worn and ac-
copied because Poiret is indisputably
the fashion. Poiret is dressmaker.
not nnilliner, but some smart milli-
merry models are always displayed
along with the interesting frocks and
wraps which he turns out. Accom-
panying trailing, clinging gown Of
taupe gray satin trimmed with quanti-
ties OF small gun metal buttons set in
rows, like beads. was broad brimmed
taupe gray satin hat, rolling up the
least bit at the sides, and this hat had
low; conical crown. One splendid
shaded taupe-to-oream split ostrich
feather trailed from the center Of the
front over this low crown and hung
down at the back. 4 gun metal
buckle. laid over; a. fold Of taupe col
ored velvet held the plume to the
front Of the brina. i It was the dash
land grace Of line that made this sim
plo hat distinguished
~. One Of todays hats shows a mod
erately low crown and this hat, also,
comes from an indisputable nilliner.
Silver: lace IL shirred over pale gray
chiffon. bands of gray fox being set
at the edge of the brim and base and
top Of the crown. A huge rose, made
Of silver lace and chiffon Is poised at
one side Of the crown. This hat ac-
companies q beautiful evening frook
with wrap to match In shades of gray
and violet with silver trimming.
Dainty Hats Matched BY Nun and
,,~ Re&1cule. g
f. Almost every Paris milliner has,
brought out some novelty in the way
Of matching hat, mum and bag, which
Ia duplicated In different colors and
materials but which in special style
To disttncttvely that particular MILL
ners own-and woe be to the house
which dares to copy the speciality of
another. No matching set shown this
fall IL more strikingly handsome than
that Of the Maison Maurice which in
cludes wonderfully convenient reti-
Guile with hosts Of fascinating pockets
each drawn up with separate ribbon.
q mammoth muff, soft as q pocket
handkerchief, and quaint bonnet
which may be turned around on the
mead and made into a cosy winter
motoring Gap. This stunning Maurice
set was developed in sealslin, change
able blue and gold tissue and velvet
In the same shade Of blue, a@ bright,
soft Mandarin blue that blended at
tractavely with the sealskin. The bon
net was an early nineteenth century
AFFAIR with deep, scoop brim Of the,
sealskin and q little round. gathered
back Of the blue velvet. For motor:
Ing wear the cap-like velvet portion
nts over the head. the SCOOP brim Of
sealskin falling over neck and ears at
the back. The muir matching this
bonnet II made mostly Of the blue and
gold tissue with narrow border Of
the seal and strapptngs Of plain blue
velvet. It IL enormous IN size but
has literally no weight ct all for the
lining = merely chiffon ove.. thinnest
silk. The reticule d almost % large
O. the mum E,lllfl and hangs 4 from long