The evening world., 1911-12-13

ladies Of to-day seems TO BE- 70
Danish all expression. 70 wear .
cold, unchanGin6 mask OF dslicsts
hautsur. Some English lady re-
Gently saia that the beautiful
woman must not even smile Tor
fear OF giving her . wr1uklsI
But It 10 ver1tablo ~nonsense!' and
the auburn head went back In q toss or
pure defiance. IT II were true. then a
cold. frozen statue would be lovelicr
than tho beautiful woman from whom II
was modelled. Now. II 70 not monotony.
tho fxed gaze. which 10 lovely. II 10
the change. the flicker. the sunlight on
the water. the cloud In h sky, the
sw1ft interplay of thought n feeling
In the wcman's face-thesc are beauty"
But perhaps the fashionable beau
ties don't show their emotions. because
Troy have none" I ~vsntured.
FIRST IN HER HEART, THEN IN
HER FACE.
"Ahi" sighed tho little dancer tragic
ally. "Ths poor peopisl Never could
they learn TO dance.
'9o5 the danosf-Aud ! think for
ne woman who would oharm-at IL
nsesssssy Arst 70 feel In her heart
ana thsn 70 SHOW In her face. She
mast really love and haze, weep
ana laugh. Ana she must not try
- ride ana control these things,
M i've them fun Play. Why mott
= not Nstufe heAuttfui because
- a~jtsyna4es storms ana sunshine,
era Glvso fsss ssln - Zach Will
- iasssfw
And would you ave the beautiful
woman express her emotions by ges-
turs a. we'll ~ by facial sxprsssonT r.
] asked,
MOT uatsss sts hes studied how 70 "a
IT," dscvssd MAdsmoisells. Even then
tho body should remain osim In com
ing, Beauty depends Sa contrast, you
know, shadow and Isn't, stiffness and
storm,
"Besides, the wOnaA who does MOI
know runs u serious risk OF marring ths
natural y Of her body BY over.
mach gesticuistt0R. Sue breaks and dss,
troys the nstuSsi curves Of the figure
she should not hS sti0, but she should
cultivate simplicity and unstudied cas-
Of bearing.
ia standing . woman wac would b.
RrAGefui must thNe c8be " aNVlu tnt
military pose, feet together and weigh.
evenly distributed, One Of the fee
should always be behind the other o.
" ons side, and most Of he weight
shoyld rest on one foot.
"Op the other hand, II Is very awSu
" slouohL thtrk that IL your Enxlisi
word. A woman standing or walkin,
should give the impression Of buoyancy
Of movement upward. Head and Shout
ders and eyes should all pe carried wei
up, and In fact NO part OF the bod.
shoud be allowed u droop. Notice III.
way IN which httle children stand an,
walk during play hours, unless the lock
step has ruined their natural grace. TIL,
woman may ave 70 study to gain q,
equal beauty Of carriage, but she mus
take care that the result docs not al
pear studied.
ext So good TO begin with little
sirln n train them not 70 wear
corGots. ] have rover worn one,
stthsr on the stage or Oh 81.
."O course the corset cannot well b.
discarded Wy the woman WHO has &C
cuptomod herself to IT. use. But II iron
childhood the abdominal muscles ar
kept strong aud not allowed TO Deepen,
on supports there wiz be small neces
slty for thO,e later IN life. Any cora,
or tight garlnent destroys the natura
limo Of the figure and hampers 4,
grace
Which last IL perfectly good phi,ose
phy for the sprite-liSe Mile. Geltxer, b,
may b taken with q pinch OF salt b
the most OF w.