The Sentinel=record., 1911-02-28
An1uSen1entS
At the Prlncess.

Virlertaanment seekers in Hot Sprin "a
 thls week; treat SO rare that to miss
 some performance during the first part
 or the Princess theaoer week is tc
 overlook an opportunity in the per.
 lection Of vaudeville seldom offered
 anywhere, Most of our people have witnessed the previous classy bills at this House of Quality in the yaude. vile world. and many of us have seen the best of vaudeville as offered by
 the circuits which cater to none. but
 the large city patronage. but none of
 us will dispute that rival of the i've
 numbers at the Princess this week Is
 rarely ever presented on any vaude-
 vile stage.
 Clinton Lloyd's company in Might
 With the Poets" is the big number of the evening, not greater than its sur rounding numbers in quality, however. for each in their varying lines are triple 4 in quality and tone. Tne scenic effects in this sketch are beau tlful beyond compare, Illustrating in living pictures under soft lights the characters drawn from the lines of the poets whose classics are recited in splendid voice and style. sAn Old Sweetheart of Minev is typical illus tIation of the sketch, for while Clin- ton Lloyd recites this favorite to h:s club fellows pictures emphasizes the beauty of the lines. There is music, too, in this offering for the three by the quartet were each heartily enoored. Seldom Is 1t that i've curtain calls are required to answer the enthusiasm of a Hot Springs au- 1ience but that is the compliment paid this offering last evening by the throng that filled every portion of the house.
 Clarence Oliver is about the neatest, sleanest, and most pleasing monoIo sist, that has offered himself here. He l sings three clever songs, which only 1anse the audience to glamour for nore, and his monologue is of a free comedy style, clean cut. and highly | lppreciatire. Iie is remembered as having been seen once before by Hot Spring audience. hut never in so pleas ng role as that he essayed last evening, and his success in the vaude- fille line Is assured.
 Cadieux, with a speciality of surner- 'aulting on a high wire. is the only novelty act on the bdll of an athletic | nature. his performance is thrilling in Is daring. He is one of tfe features # the country in work on the wire.
 sammy Burns and Alice Fulton are Iif'ect from am English music hall. and hey brought with them dance unex- 'elled and then a balrlesque on a lance, and then an aerial two o-step, md an aeroplane jig, and other spe- 'iaities in which the stage was only Ised as general foundation for their syrations. They have grace and won- Ierfsll ability. and even in song and mperscnations are clearly a big hit 'n amy stage before any audience.
 Then there Is Gal Stewart. Stewards [ anne as rural New England story eller proceeded him here. as 1t pre- 'eede aim everywhere. for who has lot heard his quaint drawl and his characteristic wit and humor from the | who draw famed stage | characters or the phonpgraph which | las carried his ssfssiirT into iiae homes i ,f many thousands of people Stew tff is the original stage justice of the | ,eace, whose story of his visit to New | York Is only rivaled in appreciation !! y the New England dittys he sings in 1 squally pleasing style.
 And as If to make even stronger his splendid evening of entertain alent, the Kinndrome offers this first part of the week one of the most l Imaginable picture films for many weeks, making tie whole perfor- nance that should have the same audiences at each successive performance that it's first day experi- eneed.