Devils Lake inter-ocean. (Devils Lake, N.D.) 1909-1915, 1911-10-13

"A" Miss Anderson. ~
VI - F.. E..ss.: -, III. l;*
Andante and Allegro Vivance, from Vi
4 olin Concerto ...... .Mendelssohn
.s5% .s$ +: ~ Mr.. Charles A. Lambert. s,
III ' r s -" w.. tE5% - '' y
q. Sublime Sweet Evening Star.
-. Wagner-Llszt
Legend Of the Forest ...:....:.....
Carnival Scenes ....... .1rlee
n Miss Hurlburd. .a
s2ss-, 5ffs...a ~ 5-25~ ". &. y. s~SsE
Piano solo, selected. Miss Marie sloss
Il '.= -. vi. ~
Monologue-The Book Agent ......
Miss Anne M. Often
Humorrske ...... ......... D'oiosh
Menuet .... .........' ooo'no'oAA
n T.; Mr.. Lampert.
MIR. Rowland's. rendering of -Cho-
pins famous Polonaise in A Flat was
worthy of comment. The Slavonic Ty-;
thm is difficult for most artists OF 9TH
er races to master. Mr.. Rowland's n IA
terpretation was vivid indeed and
brought the pageant of the Pollsh
court sweeping across the stage IN all
the stateliness Of gold embroidered
robes, not failing either to add hint
:t,of the gloom to come upon it through
political intrigue and selfish ambition.
Miss Anderson's fresh soprano was
pleasing and restful. She took her
hearers into her confidence. She sang,
not at them, but to them, and they
felt with her the pathos of Butterfly s
trust and the grace Of the m marchlo- l1c'
ness's dancing. ~ .=@5 s<& 4 's: n, "
one Of the surprises Of the evening IN
was Miss Sloss's playing. As she
self stated in her prefactory remarks, 2
she played some Of the most difficult ffec
Of all piano compositions. Her techni- lll
Que was brilliant indeed and under per-
feet control. AS with one exception 10 !
ali her numbers were Of the X kind to
display technique principally, one felt
adesire for something of a deeper ma
5:?t,1lre 5?ture and wondered If in such work
her Interpretation would be as salts
factory. One might Judge that 1t
would be, from the vivid suggestive
ness Of her Interpretation Of Liszfs
Tarantelle and her sympathetic treat
ment Of the chopin preludes.
OF an entirely different style was
Miss Hulburd's playing. One could en- n
Joy especially Raff's Legend OF the
forest and Grieg's Carnival Scenes.
These selections are particularly we'll
adapted to- Miss Hulburd's style. NJ The p
term Conversations might be applied
/ to her style MOTTO reflect IN the least
on its quality, but to suggest a5scerta1n n afal
remarkable lightness, accuracy AZ and q
distinctness with which she plays, 8, 50
that one feels that the COMPOSER whom q 3 y
gne 1nrerprers Is rrs.iiy usi
the audience about things familiar al and a. I'D
commonplace, but none the less dear.
one Of the audience remarked ::S'' 4 !
don't care for the violin, but Mr.. LAM ~ /;
{ pert certainly can play it," No doubt
his encore .Traume erei'' gave the most 20 I;
pleasure FOR into Dreaming each lis i
4 tener may weave his own feelings. MT.
I Lampert,s appr alton Of his audi aud
/ ence was surely justified by their
| appreciation Of his playing.
Last, but not least. by any means,
We must give a word of commend e \ tion y
to Miss Often, whose monologue aThe
Book Agent, 81 portrayed "A situation q
which We can all unde stand. Both the
selection and its srend lion were de.
cidedly clever
It looks AS II North p akota boys and md
girls need not so far from home for
musical advantages. When we have for
Instructors ia our uniy yersity at Grand m
Forks and our ormal school at Val
! ley City, such artists as app eared We'd
nesday evening we may well have Il con, Ht,
fidence in our home schools
Il The commits tee I'D charge of the con. a;
cert are to be cons atulated and thank. Il.
Ssed for their effo Devils AXE can
appreciate the best and wants more of
The state deration meeting here ere