Bisbee daily review., 1911-01-17
DOUGLAS DAILY BUDGET

%(<< $<<<<%<<&% selections one has but to close their eyes and fell themselves transported from Arizonas commercial soil to some great concert hall in an artis- tic center with the artist actually present
 Mrs French inteiligenly and most interest ngly prefaced each selection with a little description of the com poser and composition which made the music Of vastly more meaning to the auditors and then as MT. French inserted the rolls and the lights were subdued, to allow the motor full play, there fioated out through the charmingly appointed home those beautiful harmonies of master minds played by master fin gers and the very atmosphere was redolent with the artistic and shall I've not say almost the divine. It was an evening long to be remem- bered by the members of the Lieb- ling club who were thereby enthus- ed to greater activity in their own study and a greater desire to be able to interpret the best in the world of music. As an evidence of their inter est in the Plano club both Mir. and Mrs. French have consented to be- come and the club has gladly made them honorary members of the or ganization and with Judge Sames, Dr. Wright and Rev Simonson. now form a quintette on whom the club have bestowed that distinction on ac- count of their eyissnced% interest. The club members present were:
 Mesdames Wylie. Schmeiding. Hof- Ter. Clark, Hayward. Misses Rebecca i 2 chhaum. Eileen Reasonover, Jos ephine Cloutier, Nina Mayo, Lii Mae and Analyn Clinton, Ira Vaughn, Layona Adamson, Alice Penry- -Grah- ana, Adelaide Hatcher, Jeanette and Ruth Gray Olive Wright. Barbara i Wohlgemuth, Hazel Vestry, Anna Kline. Susie Elder, Marjory Norton. Fern Johnson. Viola Maclay, Mabel Scott, Elise and Myrtle War, Mar garet Fast, Collie and Florence Bell, Merle Magee. Esther Curry, Vera Beebe. Ruth Tucker. Kathryn and Frances Ormond, Lois Fisher, Ruby Dukes. Dor-s Conley, Lorene Colds bury. Margaret Moody, Edith Rees, Frances Daley, Minnie Rice. Isabel ! Stuthers, Reua Iverson, Marion Nel- son. Cora and Mabel Ross. Sophia Peschlle, Ora Parsons, Margaret Ken yon, Mary Inglis, Anna and Jessie Curlee, Robbie Daniels, eGorgia Frost, Grace Bull. Lucille Savage, Garnet Riley. Jessie Hall, Rosalie , Waters. Willie Day S. Mabel Kelly, Marguerite Poiser, May Wilson, Ella
 Wright. Alta Morgan, Bertha Thom- ason Messrs Dr. Wright, Clarence F. Krinbin, Normal Mayo, Howard
 Wylie. Horace Kenyon, Leslie and James Fisher, eBrt Ryan William Porter, Donald Rice. Malvin Parsons,
 Richard Merbeth. Harold Hrst, Al.
 bert Zeitlan. Other guests were
 Mrs. Geo. F. Krinbiu, of Bisbee;
 Miss Vietch, of Peeos, New Mexico;
 Miss owens, Pennsylvania: Mrs. Hen ".
 The opening number: 1-WaId stein Sonata (Parts I and ID is al
 so known as The Aurora Sonata l because it is description of the
 chang ng lights of the North known
 .s the Aurora BoreaIis. The name
 IaldsteiD comes through the piecs
 1aying been dedicated to Count Wald lein, who was a very influential
 an in Germany and a great friend
 Beethoven. lie was a firm believ
 in the influence of the Aurora
 orealis upon life and always kept
 astrologer whom he consulted on the subject.
 .ho Sonata opens with a calm gaceful movement which seems tC before cur eyes the quiet beautI D eAO8F A4SLt WAAA AAS haI -AAg
 Shts of the Aurora BoTealis in ths - clear sky.
 } This andante movement is follow i d by a rondo, the theme of whicl { sntinually changes from one kes | to another and typifies the goins ? and coming of the lights in the sky 3 This number was played by Madame
 Theresa Carreno, who, though some g what advanced in years, is still on' ? of the greatest women pianists VI - have ever had. 2-Nocturne ( - Major, Chopin This Nocturne fl t G. Opus g, was written during hii f sojourn in France while Chopin wa l visiting George Sand, the novelist
 and is one of his most genial ans :. attractive compositions.
 L. The word uOcturne correspond