davidaulloa/AmericanStories huggingface dataset:
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
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The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16

"Are you quite sure" said Ludlow,
with a sheer, that you are able to
recognize a gentleman"
But. enraged as he was. Holcomb
was hardly prepared for Dora's re
mark.
do you think. Mr.. Holcomb," she
said. apparently as uncontrolled as he
was, that YOU could rehearse one in
the of a gentleman And
without another word she walked off
the stage.
Holcomb rushed through the stage
box and tried to pacify her.
Don't talk to me-" she said. ''In a
way | am glad that this has happened.
1t has shown me what | am to ex-
pect."
But. Dora. dear, you don't under
stand what you were doing. You don't
appreciate how 1t looked from the
front. This man Ludlow was pitching
things In a key that was absolutely
repulsive and vulgar"
Sand you expect me-" exclaimed the
girl. ito allow you to call me vulgar
In publicT'
my dear girl" began Holcomb, but
at this moment Mrs. Winthrop, Judge
Elliott and Graham made their way
back IN the stage. and, turning away
from the unfortunate young author,
she made for her dressing room and
closed the door on him with a bang.
Il think you made a lot of fuss over
nothing" said the two managers, who
had also come through the stage box.
but that isn't what | wanted, and
it's my play.
yes" said the senior partner, "but
you don't want to forget that it's our
money. and Ludlow is the best mar
in his line in America. and, while you
may be able to write a play, you can
hardly teach him how to act"
There were more words Of the same
nature, Ludlow standing by indiffer-
emily, and the act was concluded, the
stage manager reading Dora's part.
AS for Holcomb. he had Quarreled
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16

Mr. Ludlow said Mr.. Holcomb
wouldn't like u way of playing the
big scene. and he advised keepinG
il secret for the first performance to
night. but somehow or other we went
through ii last night. think Ludlow
unconsciously influenced me, and
well, | just can't forgive Mr. IIolcomb
for the things he said"
The old man leaned over and studied
her childish face.
you have told me everythingt"
The girl nodded
isn't there something more. my
dear?'
The girl hcsitated. and then. Il
just can't play in that company, that's
all"
"Why not that company"
"Oh. NJ Navin. YOU are my friend
| feel somehow that can tell you
was vulgar. but If that scene was vul
gar then there must be something in
this hereditary burden that ! am sup
posed to carry, for | liked the way
but you said something about the
company" hastily interrupted Vavin
"Ah, that's the worst part of It,"
said the girl. This man Ludlow-it Is
known by all stage people that a girl
In the company usually likes him. He
has an influence over women"
"And youF" said Vavin, leaning for
ward a~nXiously.
eyes. Ii begin to feel 1t, though |
hate him"
But 1t is only the influence" said
the old man, his voice trembling, 1T
Is only the fact that he made you play
this scene this way. That Is all, my
little Dora" He had taken both her
hands eagerly and was watching every
shade of color that came and went in
her face.
YES" said the girl simply. not I'M
Outstanding what had passed in his
mind.
"Ah!' said the old nan with great
relief. "And the sentiment that three
or four weeks ago you had for Mr..
HoIcomb-you still love himT'
TOO much to let him throw himself
away on Il girl Of my shallowness.
Tell me-what shall | doY"
81 promised to give my opinion in
the presence Of your friends. | am
ready to do So"
He went to the door and called Mrs.
Winthrop and Elliott.
81 am sorry. Judge" he said as the
latter entered, that you are not feel
ing quite we'll"
You said something like that in the
dining room" responded Elliott. II
don't know what you mean. | feel
all right"
81 am very glad that it is So" said
Vavin, "but your face is pale, and
your eyes-have you seen a doctor re
Gently"
(To be continuedD
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16

managers who had the final say in all
matters had a different method. and
these, aided by costumers, a so called
expert on lights, the scene builder and
an officious consulting playwright.
dragged the first act along until !
o'clock.
There was a pause for coffee and
sandwiches before the tired company
and a few faithful auditors. scattered
about the darkened auditorium, enter
ed on the second act. At the conclu-
sion Of this part of the play Holcomb.
to add to his other troubles. saw that
Ludlow was giving an entirely differ
ent Interpretation of the part from that
which the author had intended. In
stead of making the young lover that
he played a fresh. romantic creature
of circumstance, Ludlow was endow.
ing him with all the sinister qualities
that made his own off the stage char
acter interesting If not healthy. He
had interrupted the actor time and
time again to esk him to get back
to the original key and had always
been answered with a polite and some.
times hooking Eyes, sir" but had sue.
ceeded In making no change. Dora,
too, he had been obliged to criticise,
for she seemed to be taking Ludlow's
cue.
When, therefore. the two came to
their "big lovemaking scene" In the
third act HOlcOmb cOmDletely lost con.
troll Of himself. AS he looked back at
1t afterward he knew that he had done
wrong. but he excused himself on the
ground Of the nervous tension under
which he had been working and the
fact that this particular scene as in
terpreted by Dora meant even more
to him than did his play.
Not only did they give the speeches
that they delivered a character that he
had never thought Of. but they intro
duced bits Of business" which were
to him repulsive interpretations.
"Stop itr he shouted in the middle
Of their scene. jumping from his seat
and rushing down the aisle. stop 1t.
for Gods sake! The whole thing is
damnably vulgar! What do you
meanT And then, directing his words
to Ludlow. he said:
III you can't play this part the way
/ rehearsed 1t ! don't want you to play
II at all. This man whom you are
playing 10 a gentlemen. and he acts
like a gentleman"
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
foreyer!'

decision there is nothing more to do"
81 hope" said Mrs. Winthrop, that
you will not endeavor to disturb that
decision"
"If the young lady should ask me for
advice / could hardly refuse It,"
~ do want your advice" said Dora.
The opposition party exchanged I'M
easy glances.
IF there is no objection, Mrs. Win
throp," said Vavin, II should like to
have Miss Fullerton tell me her YER
sion of the trouble alone"
"But | don't think it's fair for you
to advise" began Judge Elliott.
Pardon me. my dear judge. | said
that | should like to have Miss Dora
tell me her troubles alone. | promise
you that | shall give her no word of
advice except in the presence of you
three"
II don't think he really is a French
man." said Graham as Dora and her
friend went into the library and closed
the door behind them. 81 think he Is
Just q medieval German devil. What
was that he said TO you, judge, about
your not looking we'll? | think he has
the evil eye"
Now. my child" said Vavin when
the two were seated at the bay win
dow overlooking the avenue, tell me
everything as if-as If ! w%ere-your
father"
The girl took the hand that he Of
fered and clasped it tightly.
ut all seems so hopeless" she said,
but it's all just as Aunt Cornelia said
1t would be-"
LET us forget her." said the old
man. land let US be calm. This mo-
ment Is but one moment in a long life
time. Let us make this moment calm.
and we shall make life calm"
"I1l try" said the girl. and then,
relaxing under the benign influence
and gentle smile. you see, Mr.. Lud-
low. who is the leading man. is said to
be the best leading maD In America.
and everybody says that he knows
more about acting than Mr.. HOlcOmb.
At first | didn't like him. but ! was
80 anxious to please Mr.. Holcomb that
when he suggested that we have some
private rehearsals ! consented"
The old man. looked at her nneasily
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16

u DO mean It," she replied. "A man
cannot say that he loves a woman
WHrn he treats her in public in the
WAY YOU treated me last night"
- a~roiogiZe for my tone. | am sor
~ i..i J lost my head, but | simply
couldn't let the thing 20 on. You
d"oi understand Ludlow, You don't
understand the reputation he has.
Come to the theater tonight. and when
u Is all over and we are both calmer
VIII talk this matter over with YOU
more fully and explain to you what |
mean"
Il have decided" said the girl sud
denly that | don't want to appear
In the play"
IIo.comb dropped into a seat and
watched her steadily.
is it," he said finally-"is 1t this
man again, Graham Winthrop
Il have nothing more to say" re-
piled the girl.
Very WELL" said Holcomb, standing
up and taking his hat; "if that theater
Is dark tonight or some stock actress
goes on and plays the part you will
have set me back a good three years
In the fight | am making" And. look
Ing at his watch. he bowed to her and
hurried out.
AS he got out of the elevator he was
met by Vavin entering the apartment.
How goes the play, my young o n
frerei" asked the Frenchman cheerily.
1T doesn't 60" replied Holcomb bit
tcrly. ITS bad enough to have to
fight all the theatrical business to get
n start in this town, but her to have
to fight the girl hat one loves. her
family and her friendsr'
You at least take it with humor,"
said Vavin.
The young man briefly explained to
him the situation.
Navin had been away lecturing, but
had come back with the intention Of
seeing the opening production and
pora's appearance as a star.
Il was going to call on her." he said.
and my call will be decidedly oppor-
tune"
You are a veritable deus ex machi-
ma" said the young man gratefully
after the Frenchman had promised to
let him know mt his hotel the result of
his interview.
If his presence was welcome to Hol-
comb the appearance Of Vavin was
more than soothing to the troubled
Dora Judge Elliott had beer invited
to breakfast. and Vayin was shown
into the dining room and asked to join
them.
Rather late breakfast for Ameri-
cans" said the Erenchman. who had
decided that for the time being he
would conceal the fact that he had met
Uolcomb.
1--WE went TO a fierce old dress re
hearsal last night" exclaimed Graham,
land we're all Il little bit on the bum"
availlng himself Of a part of his vo-
cal.ulary of slang.
MIR. Holcomb's play"
Eyes" answered Mrs. Winthrop.
and | am glad TO say that Dora has
closed her connection with it and with
the author. She is finished with him
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
MISCELLANEOUS.

BROOkINGS COUNTY ABSTRACT
COMPANY - Abstracts Of Titles,
Conveyancing, Insurance. Room 206
First National Bank building.
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
RIRDsEYE VIEW OF BROCKINGs.

No Saloons
Two Bands.
One Bakery.
Three Hotels.
Three Dentists.
Six Physicians.
Two Laundries
one state Bank.
Eight Churches
Two Osteopaths.
one Music Store.
Big FIGURING Mill.
-Four Restaurants.
-Four Drug Stores.
One Machine Shop.
Two Meat Markets.
Two Cigar Factories
Fine Lake Near City.
Three Barber shops
Three Weekly Papers
Two National Banks.
Four Grain Elevators.
Three Lumber Yards.
Moving Picture Theatre.
city OF Beautiful Homes.
Best schools in the State.
Good Water Near Surface.
Marble and Granite Works,
-Four Thousand Inhabitants.
Glove and Mitten Factory.
Cement Block Mandatory.
SAC, 600 Brick School Building
$4,000 Grad School Building.
Municipal Telephone Exchange.
one Bonded Abstract Company.
One emf Monthly Farm Journal.
County Seat OF Brookings County.
United states Experiment Station.
Seven Hundred Students in College.
municipal Sewer and Waterworks.
finest Church Buildings in the State.
One Monthly Periodical, The Collegian.
Ftrst-class Opera House and Auditorium.
state College OF Agriculture and Mechanic
Arts.
over Nine Hundred Students in the CITY
Schools.
TWO Billiard Halls and Bowling Alley an
places OF amusement.
Electric Light and Heating Plant Owned
and Controlled by City.
Brictsor Manufacturing Companv maLsr.
OF the Brictson Tire Tread.
surrounded by the best farming land In
tne state, where crops are sure and bountiful.
Beautiful trees line the streets and the
city presents a fine appearance. matted n.
IL ls In the midst OF a fine growth of shade
ana ornamental trees. Her citizens are will
ing ana ready to encourage and assist every
industry.
Home OF the Brictson Tread.
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
CHAPTER Y.

WIN was greatly surprised
at Mrs. Winthrop's declara-
ton. Finally he said:
"Of course If that Is her
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16

Sectional Maps BrookingD county,
7x8h, at the Register once.
The Brookings register. [volume] (Brookings, Brookings County, S.D.) 1903-1971, 1911-02-16
Professional Cards.
PHYSICIANS,
Home Of the Brictson Tread.

q. 7. GREEN-Physician and surgeon
Ofiice, Binford Block, Room /. Phone
1919. Hours 9 a. m. to IL m. l D.
m. to B p. II. Residence 715 9th
Ave, Phone 293. Hours 8 p. m. to
3 a. M, IL m, to 1 p. IN. Calls
answered at all hours.
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02

publ C at so cents a bottle, and is
recon- 1mended and sold by all drug
glStS Special Agent, j. C. Perry
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02
FOUR GRAY
HAIRS WILL
QUICKLY VANISH

A feeling of sadness accompanies
ina disco very of the first gray hairs,
W hich unfortunately, are looked
ulzOon as heralds of advancing age
GnH-ay hairs, however, are not always
am indica tiOn of advancing age, for
M any people have gray hairs quite
ca 4 rly in life. OF course, it is unnat-
ur-al and indicates that there is
so methlng wrong with the Individual
an d that Nature needs assistance in
co rreCting the trouble The same is
ruH1e Of hair that is constantly falling
OIL - and becoming thinner every day
II everything is right with Nature,
the hair, even in comparatively elder
F people, should be long, thick and
without even a streak of gray
The IDEAL assistant to Nature in re-
StoO ring and preserving the hair is
wy eth's Sage and Sulphur Hair Rem
.edSy, clean and wholesome dressing
for daily use. 1t not only removes
.da"druif, but strengthens weak, thin
'm9 falling hair and promotes it's
goD with A few applications will re-
Sto re faded or gray hair to it's nat
mnl color.
Get bottle today and let it do for
Vol what it has done for thousands
Of Others.
I his preparation is offered to the
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02

Women make society simply because
women will talk.
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02
MUSICAL PLAY PROVES
POPULAR AT SEATTLE


Three Twins first made known
here as straight farce, "Incog by
CHARLES Dickson himself and then
seen as musical comedy for two sea-
sons at the high-p riced houses, is now
making its first local visit as a pop
ular-priced attracti 1t was shown
at the Seattle yesterday before we'll
pleased audiences. The management
has passed from Joe Gates to F. A.
wade, and the cast is almost wholly
new, but the piece has not been al
10 wed to deteriorate, except in the
m after of price, and its tuneful music,
it's clever staging and the genuine
comedy of its plot made their old
time hits.
Three Twins" is different from the
average musical comedy in that it
lacks inanity; in the fact that it is a
re Sular play with the best of musical
innings. 1t doesn't have to pull
that threadbare line about being
framed for the tired business man, for
it tells an Ineligible story and will
stand analysis Together with this
Agreeable plot there has been put some
music that was turned out by Karl
Hoschna before he wrote the score of
M adame Sherry" and "Cudde Up
Little Closer" and "The Yama Yama
Man may be rene mbered as long as
every Little Move ment," at that
"A trio of good people head the cast.
George Elmer, who is we'll known
here, gets lot of jolly fun out of
the masquerading Tom Stanhope and
his speciality of the second act in
which he introduces limitations. got
over nicely. Gertrude Hutcheson, the
prima donna, improves with evers ap-
pea rance here She is pretty and wears
etchng gowns, and her high and clear
sop rano voice won for her solos nu-
merous encores.
ESstelle Colbert is a worthy success
sor to the two Bessies, Mccoy and
Clifford.
TINS great production will be at the
Grand opera house December %.
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02
WILL PLAY
''CFIECKERS"
At GRAND

There is no gainsaying the fact that
"CheckerS- is to the liking of the
playgoers OF this city. 1t will be pre-
sented at the Grand opera house,
Monday, D eCember 4.
Checker )" has proved to be a de-
lightfu play, and moreover, is played
practically by the original company
The character sketches are numerous
and are CA pitally drawn. The story
of the play is too familiar to need
repetition Suffice it to say that it is
a simple n7tural tale of love and luck
of the pres ent day. 1t is unstrained
There is nothing forced in it. The
various par Is of the play fit naturally
in to one aEz1Oher and follow with the
well-ordere6 sequence which can come
from the IN and of an experienced
craftsman only 1t is a play, more
over, which pleases all classes of peo
pie, the casual playgoer, the habitut
OF the thea GtTe, the one who goes fol
entertainments only; the one who goes
with a critical sense the one whit
like no play Of suggestive character
and also the one who can stand any
thing, no matter how highly spiced
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02

i, Though maxi -ng a success is enough
to keep two men busy, it is frequent
ly but one Of them who gets credit.
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02
LIE TO
YOUR WIFE
TONIGHT
FINE PLAY FULL OF FUN AND
ABOUNDIN G IN LAUGHS-PUT UP
BY A STRONG COMPANY At THE
GRAND TO NIGHT.

Don't Lie to Your Wife" a farce
in three acts by Campbell B. Casad,
and produced by Rowland and Clifford
with Dave Lewis starred Will be seen
at The Grand opera house tonight
The story of the piece in brief con-
Germs the ram bling from the straight
and marrow path by three congenial
spirits, who are supposed never to
step from the main highrOad of travel.
Amos DOub edea, played by Dave
Lewis the inimitable, is the principal
character He, the man from the flat
upstairs and the young man engaged
to Doubledea's daughter, are first seen
in Doubledea'S apartment discussing
the result of their white light VEN
ture. 1t seems that the three women
nearest to themy Mrs. DOubledoa, the
wife of the man upstairs and the fl
ance of the young man, had departed
for a visit to Atlantic City. Inmedi-
ately after their departure the men
upstairs had suggested bit of gay
life for a change. Doubledea had
fallen in with this plan and likewise
the engaged chap, Together they start
out in their ma hine, stop long enough
to pick up three frivolous young
women of the chorus, and make a
night of 1t at Coney Island. On the
return their au tomobile feels the dis
slpation and hits up a speed very
much out of accord with the traffic
regulations Of the city. The jolly party
is arrested, but bribes the policeman
and is allowed to go free. The open
ing Of the first act, as mentioned,
finds the three men in the Doubledea
apartment, headachy and remorseful.
Their plight is added to by the sud-
den recollection that Amos has in
vited the three coryphees to his apart
ment for the day. On top of this the
press agent seeming a good adver-
tisement. discovers the yarn and both
ers the three, FIarried thus the three
solemnly swear: "NevermOre!
AS they utter the word the door
opens and three women supposed to
be in Atlantic City enter. They de-
mand an explanation of the vow and
1T is explained that it is the name of
a racehorse, a sure thing. The chorus
girls enter and are passed off as
nieces. After while the two wives
and fiance leave the house to bet on
the horse, are arrested for speeding
by the same traffic cop and the farce
is brought to an end with mutual ex-
plantations, forgiveness and happiness.
Daily capital journal. (Salem, Oregon) 1903-1919, 1911-12-02

too powerful nor shed its sacred liz ht
too far; only remember that all
physical freedom cannot produce
beauty without a corresponding free
dom of heart"
By freedom of heart is meant the
courage Of right thinking and free
dom from WEAKNESS. You cannot
make the girl too happy and lgh
Of spirit for happiness Is the Onl y
natural tonic We can give the nerves.
They respond so beautifully to it
that the wonder is we haven't school S
the wide world over for teaching, a
happy mind can work out almost an Y
difficulty while a weary and despon-
dent one makes the difficulty appea +
much worse than II Is.
Concerning habit I'm matter physi-
cal, we come by nothing naturally
For example, take the musician No
matter how talented he is he must
train the muscles of his fingers to
play as he should. And thus in ev-
erything we are creatures Of train -
ing. That in which we are religiOusly
trained becomes habit and habit
becomes second nature. Thoughts
and emotions are so closely connect
ed with the physical that fear Chills
| the blood; love and E0r" warm it.
Fear and worry contract the chest.
compress he lungs and retard the
actiC I of the heart lring ng a thou
sand physica! ills love, courage and
hope exrHnd the chcs,, n ke the ac-
tion of the heart and lun S vigorous
and bring health.
More often than not, worry Is
cult vated habit, so why not Culti-
yate happiness. 1t is a scientific law
that nothing remains in certain
state. It either grows or decays.
Worry brings decay and happiness
brings growth.
Yours for charming wOmanknd.
MADAME QUIVILLA,