The Bridgeport evening farmer., 1911-07-27

flowers on velvet girdles or on sum-
 mer fabrics.
 White serge has come into it's own again for suits. but 1t Is now very smooth with twill that is barely per- ceptible
 Parasols and umbrellas are dome like in shape-Paris says the change in shape is due to the aeroplane and balloon craze; ;4t-r,--s9- 4=,,-.e s Broderie anglaise, of English eye- Let embroidery, has returned to fashion
 after a short rest and is a greater favorite than ever.
 Fringes and galloons are used to weight down tunics ..-..s Boleros are Oriental in styIe-tfe Greek, Byzsantfne, Egyptian eEhbroid- eries-are used to simulate the bolero line in many dresses. :
 Beads worked in designs are very effective on evening costumes and are used as we'll on afternoon blouses and simple little dresses.
 Hair '.Swirls" have come in again. held in place by tortoise and amber combs, sometimes studded and azfn of metal set with mock gems.
 There is growing tendency to- ward the Norfolk jacket style of coat, which means extra length and a belt that slips well down below the waist.
 Little coats of net are used to finish afternoon costumes. They hang over veils of tulle and gave suit effect without any uncomfortable warmth.
 Flowers of small varieties. such as forget t-me-nots, lilacs and violets, are cobined with tulle to form cabocf1ons at the fastenings of a bodice or skirt !
 Eyelet embroidery in all possible phases is used on the midsummer hats. Bows, brirns, facings, entire shapes are made of white and colored eyelet work.
 ,a,x, oo;ef,re rasay,,T,Ieo |. <sfff1 XVI style, It is of rows or puffs, very soft indeed, placed over the sides and front of the head, running from front to back
 A new wrinkle on mourning vsils is to have the veil of fine Brussels - net accompanied by a set of collars ! and cuffs of the same material, edged with French crepe.
 Woolen flowNs on the sheeTest frocks have come into unusual import |. ance. They are circular discs of cro- cheted work, gathered into center. and in many sizes.
 Black satin and a vivid color is the most authentic trimming comos- nation one can adopt on the new black and white striped cotfton voiles, mar quisettes, scrims. and etamines.
 The vogue of the fichu and surplice neck has brought out an unusual number of corset-covers and combi-
 
 finish and some of them are very pretty.
 The pagoda sleeves have become 2 universal rule that allows few excep- tions. The only changes that are pos sibie to ring on it are in the matter of it's trimming and it's undersleeves.
 Adjustable chemisettes and under sleeves accompany many gowns and s. suits to be worn on cool days. They are of net, Brussels lace and lingerie material, with lace and9hand .er1broid- cry.
 Many bright-hued petticoats are shown, and for use with lined frocks are delightful little tub skirts of white dotted or striped in color and with edge of the color in the scant f1ounce.
 The three-quarter sacque of net, . lace or batiste, worn with a. pettjccat of thin colored silk, is one of the fa- vored negligee conceits. The skirt Is founced to the knees and the sacque is variously cut and developed.
 Lingerie of the present fashions is probably the daintiest ever shown, as the modish woman, who wears fewer . than formerly. makes up the difference in the fneness. of the few necessary.
 For smart evening frocks requiring ! slip and for many afternoon frocks Z IS we'll a princess slip of soft white satin is the most satisfactory thi7S, and there are few summer outfits this season that do not hold one of these.
 The more pretentious negiigee robes ! show yelled effects-and for this there s nothing prettier than silk mousse inc or batiste, with a China or Jap- q lnese silk in some rather well-defined . .olor, such as mulberry, raspberry, old ; ,lue or sage green, underneath.
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