The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-24

aecaall Nstsee.

seasons had proved too tempting for ssn-
timental couples. Now Monday II gala
day. and you may note well known artists
In the crowds. II IN wonderful how bad
news spreads. The usual groups OF art
studsnts stand sneering before the really
beautiful academic canvass. but smile
complacently at the danbs that disfigurs
the collsction. Youth IL - heartless.
! President John W AlexAnders Tenth
Muse comes in for a lot of attention. Why
this picture should puzzle any one h In
, itself a puzzle. Painted with mastery.
tact. cnveloped in his we'll known atmoe-
pheric manner. his self-portrait IN wholly
admirable: that % his companion. q prom
inent academician. not named in the cata-
logue. IL equally satisfactory In a psychic
logic sense. Every one admits that the
anonymous hut easily recognized face
In a capital Likeness. therefore ne fail 70
So the point 81 the joke over which 80
many are smiling. Certainly Mr.. Alex
Ander was serious enough when he painted
these two portraits.
What is . genuine joke 10 the placing
in tho Academy room ~ Robert Henrt's
charming portrait of Miss Patricia Rob
1 erts Not much moro than a sketch.
wrought with boldness and sympathy.
this haby's well modelled head ought 20
h hanging on the north wall 20 the Van
derbilt gallery or near the John Sargent.
Possibly II might have proved tho dam
serous paint for its sleek neighhors. hence
| its RELOCATION To the dissecting room.
lot M gently 70 through tho various
galleries. discreetly lodging the master
pieces ~ nediocrity and from time 70
; time paIIsing before n bad" modern pic
ture We sha MT stop long near Howard
Russell Buffers contribution. No. IN the
catalogue. though IL may b. accepted a.
n keynote or a symbol CeithSr one. accord
ing n you arr bugler or a cymbalist) of
this exhibitions quality Tho y. l.. Henry
hangs below tho Broken Column Of
schreyvogel X. q. Tanners The Re-
! turn ~ tho Holy Women" h unusually
weak in design and structure That h a
uioe hit % Emma Iampert Cooper. Side
Street. Beauvais &. 7. OrIpps's -Old
Treasures II worth looking At twice. Mr..
Lows sYmbolical Interpretation 81 Mil
waukee We have writtan II: and In the
presence Of Sergeant KendaIl's a VAL
kyre- one becomes cad. This artist h
verv unequal The Landscapes ~ Scho-
field and Ro~en are a relief. and % are the
cows ~ Daniel CARRIER The cleverness
~ Rlumensrhein's old actor was noted
IN previous article. There are good
harmonias in Eugene Speicher's Green
Hat PotthAst. Crane. Woodbury.. q trio
Of familiar names. are on this wall Mr..
Dufnsr IL decorative. hut somehow in
cifectnal Hitchcock . Calypso is here.
and IN good company With the prettiness
~ earle Rlenner ReutsrdAhl's boats and
water arr not very convincing. despite
certain DRAWINGS; the -Adagio' Of Lil-
Ian Genth Was recently shown NJ the Fol-
Hom Galleries Mr.. CARRIERS -Quarries AZ
Byam- n a striking work. The portrait
nv Victor Hecht % James p. Townssnd IL
no, only an excellent likeness hut an eH-
c.llent piece 81 craftsmanship. IN advance
~ this artists previous accomplishment.
The Approaching Storm by Eliot Clark
~ marked sold Some one has shown good
taste in the matter Of sincere. unpreten-
tious art Pearson's "Geese' h hkable.
Simple in theme and treatment IN "A June
Evening by W 4. Conn The sane can
not be said Of Hugo Bailin's "A kiss
In the centre gallery Mr.. Kendall just
misses II in a lads portrait, though u
10 stronger than his girl with the horse.
Groli'a Enchanted Meea' In another
version Of his New Mexican picture,
this time In the moonlight and another
view Paul Kings horAes are still drink
ing. and in the Breezy Day Of Worth
inxton whittredge there In only lacking
the breeze r. n. Bridgman was once
upon a time n name 90 conjure with.
We wonder Why His second hand Orr
entalisrns a IA Gerome are now faded:
the pastel -R"posH- ~ = fair speci-
men ~ his unreal rtvle NJ William NJ
Chass, has several landscapes very attrac-
tive in color Tn. little school Steps
az Jerome Myers IL in his hest vein. Ever
good BlaAhki's canvas IL warm in tone
and feeling Carlsen's Moonlight has
heen praised IN the-a columns. The most
brilliant portrait IN the gallery h nv
Irving Wilss. that 81 a handsome young
woman Mr. Wiies was evidently On his
nattlr. no le' himself GO and the result
~ gratifying His br1ishwork recalls
Sargent r. hur the pose and coloring arr
hts own -~hsms The young lady IL a
daughter ~ Wiltsm NJ Chase Albert
Stsrner- ON the Terraca- IN in his acc'is-
tnr,s-I graceful kew We admired p W
Re,ideld.s The odd Bridge and W T.
Ia,hrops Edgs ~ Marsh Mr. I.a'hror
can distiI poetry from = stone fence
A,her' Hertsr has large production.
wore interesting than Ballin's efforts
Rahn - here. and , Ballard Williams
Charles Warren Ea'on Van Bo~kerck
Blak.lock Gardner Symons- not q strik-
ing canvas al-o a capital self portrait
nv Tanner who ought to give Biblical
-iIbIects = rest and stick ~ realism) and
a depressing portrait nv George De
FOREST Brush In this shadowy mother
and child the artist has reached his
stencil period " ~ M longer brush
hut pattern Clifford Real seems 70 ad.
nire Glackens and Sloan in his At the
Circus The Green BIs- IL the offer.
ing this wear ~ Mr. Glackena II 10
hosnely. sincere real Nv " W Oil
christ IT. ~ Philadelphia. n an accom
pliulhed painter ~ surfaces. But hi
Fur Jacket recalls Whistler too much
Harry " Watrous n, ~ ever. chic. though
hrs title h ambiguous Smillie. Smetley
Sborey We pas~.
Irving Coma orsna the hall IN the Van