davidaulloa/AmericanStories huggingface dataset:
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-06-11
MISCELLANEOUS
BUSINESS CHANCES

SI.2b PER WORD inserts classified
ads in SO leading papers in the u. s
Send for list. The Dake Advertising
Agency. 427 South Main street. Los
Angeles. Cal
FOR SALE-Bcst paying livery and
transfer business In New Mexico;
no competition. For terms address
101, Morning Journal.
WE ARE in position to offer issues
of stocks ana bonds for sale for
corporations. j. n. Sechrest & Co,
Brokers, $50 White Building. Buffalo.
N. Y.
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-06-11
st. Louis Spelter.

ST. Louis, June 10.-Lead firm. $4'
% IL. Spelter steady. $4,000 800
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-06-11
NOTICE.

LEGAL NOIttG.
In the matter of the estate of John
A.. Henry, deceased.
Notice is hereby given that the un-
dersigned has filed in h Probate
Court of Bernalillo county, New Mex
leo, her final account and report as
Administrative of the estate of John
A. Henry, deceased, and that the said
account and report will come up for
final hearing and an application for
the discharge of the undersigned as
such administrators Oh the first day
of August, 1910, befo-c said court, at
the county court house of Bernalillo
county, New Mexico.
MARTHA Il. HART,
AS Administrators of the Estate of
John A. Henry, Deceased.
M-2S-J-4-11-1S-25.
Territory Of New Mexico, County Of
Bernalillo, in the Probate Court,
In re estate Of Meta Behrens.
Notice is hereby given that the UNI
dersigned was. at a regular term OF
se'd court, held on the sixth day of
June. 1910, duly appointed executor
Of the last will and testament of the
said Meta Behrens, and that all per
sons having claims against said estate
shoul- present them within the time
prescribed by law. or they will be
barred.
OTTO DIECKMANN, Executor.
June11-1&-25-July2
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-06-11
CENTRAL
EMPLOYMENT AGENCY

And Parcel Delivery.
Mexican or coiored cook, chamber
maid, waitress. woman cook, woman
to work in kitchen.
Phone GO OBJ w. Gold
Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-06-11
FOR SALe--MlSCenaneous

HAHN'S White Lime, best for disin-
fecting ana withdrawing 90 cents
n snck. phnne OIL.
New-York tribune., 1910-07-24

ever, Froberger in all likelihood did visit Lon
don, and failing Of rehabilitation at the imperial
court of Germany his return 10 Vienna, went
to Mayence, where he perished miserabIy years
later. Obviously, he was brave rqeoHtew
who essayed to be as entertaining in his mUsi-
cal anecdotes in his verbal; for Nattheson.
who reports the London story, also tells Of hear
in one of Froberger's allemandes which pur-
ported to describe in musical tones incidents. 70
the number of twenty-six. of eventful Rhine
journey-arong others how passenger, IN at
tempting to hand his sword to the skipper, fell
overheard and was struck the head with a
pike while struggling in the water. We shall
hear more of this kind Of music presently
F'roberger was the first distinctively great Ger
man clavierist. In his other musical activities
he had colleague contemporary and compa-
triot in Johann Kaspar Kerl G625-169o or 1928
1899, who. like him, was sent by Ferdinand III
to Rome to study; but though it is suspected
that he, too, avaiIed himself of FrescObaldfs
skill and learning. his direct purpose was to
study under Carssimi- Some Of kerIs cornpo-
sitions have been preserved for the modern stu
dent. but to English readers his name is likely
to be best known as the author of the melody OF
Egypt was glad when they departed which
Handel borrowed for his Israel in Egypt from
one Of kerls toccatas. George Muffat died N
1704) spent six years IN Paris under the infu-
ence Of LuIly and Couperin, and is said To have
transplanted the Iatter's GgreHleHs 70 Germany
His son, Gottlieb Muffat (born about 1920, was
clavier teacher to the family Of Emperor
Charles VI and, like Kerl. an involuntary con-
tributor to Handers oratorios-
There now sprang up in the North OF Ger
many q group of organists who found inspira-
New-York tribune., 1910-07-24
q CHAMBER ORGAN OF FLEMISH MANU-.
FACTURE, DATED 1902.

q time when instrumental music was struggling
to into existence than now, when it has
forced purely vocal music out of the churches
and suffers only the mixed form to stand beside
it the concert platform, is anomalous The
vast majority of these instruments however,
had not the slightest influence upon musical
composition and not designed for do
1nestc enjoyment. Pr;torius catalogues and
describes a hundred of them in his "Syntagma
Nusicum,' but it needs only a glance at his
! lat to see that most of them din pro-
duccrs. against which private doors had to be
smut. With all their number and variety more
over, they did nothing to advance the orchestral
art, which returned to the principle of
bination of kind C'consorts of viols' and the
like the instrumental language had
been freed from the vocal idom.
In a twofold manner the organ was the inter
r2edary between the music of ecclesiastical or
cCurtly functions and the home circle Con-
structed on small scale the instrument itself
under the names 'postif,' regal and "organo
picciolo," made it's way into cultured houses
It's keyboard being identical with that of the
clavier, music composed for it easily trans
ferred to that instrument. whereas the lutte
necessitated the employment of a notation be-
longing to it alone So it came by the OPERA
ton Of the law Of survival that the favorite do
mestc instrument of generations of musical
amateurs. on'HtHM tnstHnlcntOram Princeps
the nObiiissimO strOnicnfO, the Reqind in
struHentorHBt upon which, by the exercise of
incomprehensib!e skill, all the demands of
home music We're gratiied, was practically sun-
planted by the clavier when the time for clayer
music was come-that is to say, toward the
close of the sixteenth century. 1t remained in
use a century longer. but not as a potent in
fuence
There number of German names which
may be added TO the list Of church musicians
who became famous while the musical current
flowed out of Italy in all directions Hans Leo
Hasier 1564-16l2) won such renown in the
service of Rudolph ii that that emneror on
noblod him. Christian Erbach, Hieronymus Pra
torius Adam Gumpeitzhaimer Melchior Francl,
aud Samuel Scheidt may be written down
among the distinguished musicians of the
early Teriod on the testimony of their contem
poIaIies. Now we reach the first name of large
!nport-that of Johann Jakob Froberper Ire97-
New-York tribune., 1910-07-24

the church after the service met the orsanist-
it must have been Christopher Gibbons-Who
discovered him while locking the doors, and
hired him to blow the organ. At the wedding
of Charles II and Catherine of Portugal, so the
story goes, awed by the pomp of the function, ne
neglected his duty, and the organ stopped.
breathless. Dire were the imprecations poured
out upon the head of the luckless blower by the
organist who promptly disappeared into an ad-
joining apartment after he, too. was breathless-
Then Froberger saw his opportunity Filling the
bellows he rushed to the keyboard and began to
play. lady of Charles's court who had been
in Vienna recognized the artists manner. He
was summoned into the presence of the King.
told his story his knees, was hidden to rise,
a clavier was hurriedly brought, and for an
hour by the dial he improvised on the instru-
ment to the delight of king and court. Charles
gave him necklace, and he became the lion
New-York tribune., 1910-07-24

It is not easy to form clear idea OF what
the domestic element in instrumental music
the element which springs first to mind "heh
we think C pianoforte music today-Was IKE
in the Middle Ages. To US the pianoforte rep
resents the whole world Of music IN nnce; stage
an choir loft are charmed by it into the lhti-
macy of the home circle. But the claVler, IN us
two forms of tangental (ciavlchord) 10 quiiieo
(spnet, virginia. and harpsichord) instrument
cid not assume this position until long after the
work of developing an instrumental art had be-
gun. The pioneership of England in this work
has already received recognition in these
studes: it's significance lies chiefly in the TACT
that in that country the supremacy OF the lute
ps the domestic instrument of music par erect
1crce was overthrown by the virginia. before the
clavier had gained dominion on the Continent.
That there should have been greater num-
her and variety of instruments in popular use at
New-York tribune., 1910-07-24

to the accepted story which has only himself
for authority, he got leave of absence and set
out for England Uid France. The tale of his
adventures is worth telling. if for no other rea-
son than that it throws certain amount of light
on a kind of music which he and his contem-
porares cultivated in degree not appreciated
in this latter day. He says he was robbed be-
fore he reached Calais. There he set sail across
the Channel but fell into the hands of pirates
and had to save his life by swimming.
He reached the English shore and begged his
way to London. Tattered and torn he found
his way to Westminster Abbey, and lettering in
New-York tribune., 1910-07-24

OF the hour. He returned to Vienna loaded with
gifts and distinctions: but calumny had pre-
ceded him, and he vainy sought an audience
with the Emperor, whose mind had been poi
Soned against him
rms Is the story, and it is surely worthy of a
modern theatrical press agent. An organist
playing long enough with a single imitation of
the bellows to impress his individual STYLE upon
casual listener, that detail might have served
to arouse suspicion; but if it did not why have
not the English critics called attention to the
TACT that Charles III was not married in state In
London, but privately at Portsmouth? How
New-York tribune., 1910-07-24

ton in the Protestant Church service akin to
that which had so long come from Rome IN
this service there had existed from an carry
period element of romanticsm borrower
from the folksong which had bound itself up
intimately with German hymnology- Luther
though far from being an iconOclast was de-
sirous from the beginning of the movement
which he led to give a national trend to the
music of the Church-to have all the feat
ures of the service German in spirit and Ger
man in manner. 1t was a tendency embodied
in him which brought it to pass that IN Ger
many contrapuntal music based on popular
tunes. like that of the Netherland school soon
developed into the chorale in which the melody
and not the contrapuntal integUment was the
essential thing. In the hymns and psalms
which Luther himself sang and heard the Dor
rowed secular melody was almost as completely
buried in the masses which the books "ouiu
have believe scandalized the Church before
the coming of Palestrina- The people were III
vited to sing the paraphrases, Ii IS true anu u
sing them to familiar tunes Uater IN FRANCE
they did so. and with vengeance, sometimes
using the melodies of popular dances WITH the
versifed psalms of Marot. but the choH
polyphony practically stihed the melody
Soon, however. the free spirit so p"werluil'
promoted by the Reformation prompted man
ody lifted into relief. Now the monophone
style entered SO that the congregation mish'
join in the singing distinctly romantic step
The musicians who fell under this influence
were the direct predecessors of the great baeh
i'm whom the polyphonic style eliminated ple"-
rich Buxtehude was Dane who attracted 50
much attention with series OF concerts th"'
he gave for years at Lubbock that Bach theh
nineteen years old. walked from ArIstadt 10
Lubeck-more than two hundred mileS-to hear
them. When Buxtehude grew old both Matthe-
son and Handel went from Hamburg and re-
ported themselves as candidates for his posi-
ton as organist; they fled incontineutly. how
ever. when they learned that one of the condl-
tions attached to the post was that the new
organist must marry the daughter OF his prede-
cessor- Some of Buxtehudes organ music may
yet be heard, but what were probably the best
OF his clavier compositions seem 10 be irrevOca-
New-York tribune., 1910-07-24
THE PIfNOFORTE md ITS MUSIC
Domestic the Middle AgeOrgan and LuteRsc Of the
German SchooI-The Strange Tale Of Frobergr-Infuence
of the Protestant Church Ser1ice- Kuhnau and
Programmatc S0natas
Copyright, 1910, by II. E. Krehbiel)

$50. He carried his fame and activities as far
westward DR.. Bull had done toward the
East. AS youth he sent by the Emperor
Ferdinand III to Rome to receive instruction
from Frescobaldi. He remained three years in
the Holy City, went thence to Paris. thence to
Dresden and then returned to the service of
the Emperor of Germany. In 1862, according
New-York tribune., 1910-07-24
LONG SANG tt
CHINESE CUR1O CO.
f9s Fifth Ave-. bet. soth and stst


Iheir booklet (rl. illustrating the history OF OrentM
Art anu stones to be worn for good luck dcsEeHl
days ready.
New-York tribune., 1910-07-24

Continued on eighth page.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1910-12-04
RIBBONS ON THE RANGES

THE visitor from the East Wa g-aacly IN
L terested in all phases Of lite OF he big
Arizona ranch: but her Interesr 1ecame
panied when she saw how the calves were
sometimes treated
1T was positively brutal the way one
poor little calf was treated YESTERDAY. shs
said TO the proprietor at breakfasc the second
morning OF her visit. They vau--- nm 10
come to the corral. and he dIdn want 20 Go
1t. They put a big coarse rope round Us
neck. and in spite OF MS struggles gosItIvely
dragged him over the ground al the .--scancs
of several hundred yards / must nave
bruised his poor legs, and Yet no one showed
him any sympathy
We'll. III have 70 look INTO that, de-
Clared the ranChnan- Il l @ known they
were treating him that way l should have
made them get big basket and carry him"
But on the afternoon OF that very Cav the
visitor saw even more narrowing sights, and
the next morning related her grlrEanceS 70
the proprietor again.
They took redhot irons and branded
the calves. and 1t was So terrible . sight that
| had 10 go away, she SAID . ~ course
understand that yCu must have some marks
10 identify them by. but why Is r. Necessary
to treat them 50 cruelty CoUi-u you
adopt certain COlOrS for your cattle. and re
ribbons on their horns or ears
We'll. ma am. We did rrv that once. ne
assured her We tied pink ribbons on the
ears Of all the calves; but. do YOU know. Il
created all kinds of bad feeling on The ranch
Why. as soon as the older cattle. winch had
been branded and didn't need any ribbons.
saw how pretty the calves looked. -leY were
so Jealous that they collected around and
tried TO chew the ribbons of their ears In
order 70 avoid serious trouble We had 70
take all the ribbons of and g TO branding
again"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1910-12-04

s+f,dv. Likewise. nv early professional -.
rerience was on the European stage
/ look back with great affection to ~.
life in Germany; yet | am and always baya
been an American IN spirit. GERMANY All
the Germans were always kind % me. I oma
them priceless things; vet / frankly saw fba,
7 have never been happy in Europe. Vie
I returned TO America after many wears, a.
cence and caught the first sight Of the Sta+ra
of Liberty burst out crying. I knew that
u,aS returning to nv own land, 70 ueoola
whose spirits / could understand
Vet there are many things IN Germans
that an opera singer cannot ind IN Americs
In foreign opera houses there Is d deligh+f,I
;rtirnacv between singers and audience an
intimacy that amounts to personal affectior
T remember well one night after an onA-a
,arfo-nance IN Munich when. after I RAJ
entered nv carriage, the crowd took Inc
horses from the shafts and number Of an
4busiasts, led by two OF the royal Princes
5-ayv me through the streets 20 nv hofeI
S1,cb delightful experiences would be i-nDoc-
c;ble in America. The audiences are too
diverse. In European cities practically the
Same public comes to hear you night IN and
Then again, IN the case Of the Young SIN
dent. there IS IN Europe more incentive IN
study. At home lite IS TOO intense. There e
TOO much pushing and striving 4 student
needs above all things concentration. and
artistic concentration IS very hard II our IN
dustrial civilization
If has often been urged that 10 student
should 90 TO Europe unless 15era..F supDied
With money: vet. excellent as money Is :
has It's drawbacks Struggle Is c=eded n,
develop the artistic faculties, and money
often Obviates the necessity C- scrugyIe
Then. if a girl has money. she has less ueed
of European training She can ge- reacherv
and artistic atmosphere in her Own e0untrv
If she has not the money. she can get them
much more cheaply abroad
| know what struggle and atva-sity did
for me. I was a stubborn CIR. and when
left home nv mother said. " iCs win come
back when YOU are hungry b.. Ought
on. and II was that fight that der=.1 Ded nv
art. ANY girl that has It IN her 81. ---unph,
whether she sings first II Europe r- m Amer
ica. Let her begin as q musician and after
ward take I'D singing. Let her sing --st the
LIGHTER operas. IF she wishes 70 SIR Wagner
let that come later. There Is n --ed Of a
Wagnerian role iniuring the VOlc1 -r1vidiug
the voice IS properly trained b-- Wagner
needs culture. thought, develOpUeu-. both
Of the intellect ard Of the heart -. his re-
Quires time
So. whether OF not an opera singer should
begin IN Europe or Anerica depends upon
circumstances. If the singer has r. in her
success will come anywhere Blu zuccess
often means adversely, suffering, -- always
means unfaltering, tireless energy.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1910-12-04
BY OLIVE FREMSTAD

IN a singers operate career the personal
equation must always be first and fore
most. No singer can set a rule that all other
singers must follow. Perhaps, if the singer
herself had had other experiences, she would
think otherwise.
In speaking of grand opera, l can give
only my own experience as that experience
has affected nv own mind | studied in
Europe. and feel that l profted by that
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1910-12-04
SUNDAY MAGAZINE FOR DECEMbEK y

ianized by the management into KicoSiio'''
and Ricardo have been ever Silics Amor
In France and Italy as well as III Ln,;,1.
lea. there seems to be a PreJudlce de- &C. ~
American An, men singers This may be Que ;aa %
the fact that the American male opera and sin the
is product of only recent years, o ar,q him
public has not as yet learned to acco'u II 'i Is
its full confidence and appreciation ,,,;ri not
to be hoped that this state Of affairs soo Will co Ds
continue, and that the day, VIII soon Oo nd
when American tenors, baryto1rlt:s' an
BASES will be lust as welcome as their EURO
bean colleagues or our own American prirna
donnaS. 800. o., En-
The number of Americans who go 70 ~ Lu.
zone TO study for opera is appalling Most
of them never get an engagement ooIlle
buy their debut, and after one performance
are never heard Of .-,o-;ca
There are many good teachers IN America t,.
and before student goes TO Europe l pe
lieve that ne should be well grounded III MS
art. Yet student should sooner or la l,5 %
tn E,,rone for his debut. and, better sun re-
main there until his reputation Is established
The county record. [volume] (Kingstree, S.C.) 1885-1975, 1910-10-20

get over in one of our wagons, but
had to get out and hobble on; my
crutches caused my arms to become
so sore | began to think | would
have to give up and be captured,
as the cavalry came dashing by
saying the Yankees were crossing
the river. The houses along the
street Of the town were filled with
wounC ed Confederates some of them
called to me from windows above
and said: old fellow, You had as
well give up; You can't 60 They
s,w that | was about done. About
that time | saw an old, broken-down
gray horse with bride on without
reins and managed by some means
to get hold Of the old horse. A reg
iment Of soldiers was marching by
and one Of them helped rle on the
horse and rode him until night in
the direction of Winchester. |
guided the horse with one crutch on
one side and the other on the other
side. | was along by the troops as
they were marching and many funny
remarks We're made about ne and
the old horse. Anyhow, | got to
Winchester the next day, it being 80
miles from Shepherdstown.
| perhaps may continue more of
this story after awhile, as wish to
write something about the old men
of Sumter, Clarendon and Williams
burg, their sayings, doings and
jokes, some are living now. Some Of
them loved "toddy" quite well.I saw
a good deal of service in the Civil
war, was quite healthy and with my
command nearly all the time. | can
talk and tell many things about the
Civil war much better than | can
write and will say that it would be
much better for the old veterans to
meet about every three or four
months at the county seat and take
turns in telling the war stories. |
could make what Iwould relate more
amusing. Poor CONRAD.
Kingstree, October -.
The county record. [volume] (Kingstree, S.C.) 1885-1975, 1910-10-20
Forced 10 Leave Home.

Every year a large number of
poor sufferers whose lungs are sore
and racked with coughs are urged
to go to another climate. But this is
costly and not always sure. There S
better way. Let DR. Kings New
Discovery cure YOU at home. 1t
cured me of lung trouble writes
W K Nelson Of Calrmine, Ark, when
all else failed and gained 47pounds
in weight. It's surely the King of
all cough and lung cures Thou
sands owe their lives and health to
it. It's positively guaranteed for
Coughs, Colds, LaGrippe, Asthma,
ell Throat and Lung troubles. soc
and S1.O0. Trial bottle free at NJ L
Aliens.
The county record. [volume] (Kingstree, S.C.) 1885-1975, 1910-10-20
Arrival of Passenger TrainA at
kingStree.

The Atlantic Coast Line railroad
has promulgated the following sched-
ule, which became effective Sunday,
May Is, 1910:
The county record. [volume] (Kingstree, S.C.) 1885-1975, 1910-10-20
COUNTY'S TAXABLE PROPERTY
Shows Nearly Third of Million
Increase This Year over Last.

In many counties of the State We
have noticed that the returns of
real estate and personal property
show very little increase and in some
there appears to be an actual
shrinkage in values. So marked has
been this falling off as to provoke
discussion in some of the daily pa
pers of the State.
In response to request from The
Record our courteous and capable
auditor, Hon j j B Montgomery,
has given US some data compiled
from his books, showing that there
has been no retrogression in Will
liamsburg county as to property val
ues, but, on the contrary, very
gratifying increase is shown. In
view of the very low percentage of
basic valuation permitted under the
present system of making returns,
the prosperity of our county is indi
c tied by these figures in no uncertain
way.
The following is a comparative
statement showing the property
valuation for the years 1909 and
1910. The figures speak for them
calyac.