New-York tribune., 1910-03-08
ART EXHIBITIONS
Not4bIc Collection Of Nod
crH Paintings.

- he lanes 6 InEsis, ana, sGrNeNlh
=, s,.,,-a-srs Of rs taste. one reflects o
80 fartci-v with which that iast
.es pin w..b his partner. the late Danlf
T--s, were in business together q
and sellers Of pictures. As designer
'' ..,s-s or r,.erior decoration, but tic
,sssss,s tie disin;cTested enthusiasm
v-hf~h its a man for ii'e stud
.ts- for Tie shc7 Their firm du
f,,e .-o-L similar 10 that Of the LAT
= avery. u TIE importation e
- ,,frrr,-ee and they Ce.-s.opcd b-
,,-ss something Ike cult Tor th'
=. ,,orricelH c1d certain Of the mod
-. -.sf7,e-s. like tao ALsrises Bu
i ,e.ra1v DISTINGUISHED t-en bot
4 - for tie good canvas. 10 matter
=, source For one or .Vo capita
.-s - the 6isce-nuent Tl.:cf
.+ei- CALLER 50 much that vas iine
.rr,. Violin by Francois BonV n
-, -sfe r--l.t' by J Alden Weir
& co-zs+no." by Roybet- You see
.,s- what they vere driving a.
--a merely fashionable name or
- -,,-srv -oolIs- subject Nhat they
a-z rad 2 delightful way of finding.
y-se tgs- good pG-ntins
,-rfbf, NJ Is full Of T. number
-- ...----7r-srt' items are shown and
q. - - noted in passing. are all
- -. -as17-- count. but one can hardly
- ,,o.-f-y -=rst a. tl1e numerous pieces.
/ .,,, s-,sU IN scale which represent
.. o,z-sI and. spontaneous impulses on
- this or that brilliant tempera-
--rs-a "a the Characteristic water
& -, r-- re-ee After the Bath ugly n
A..-+ F--+ naau-51u'l~ drawn. There i
.---se.-z 'S-fl Life" aforesaid. by NJ
r..4- ore n -tc --cSr deHcateiy individual
.t,-es Re ever produced There are
- ~ a kindred richness h~ the late ).
: -v--7----ar bv A =. Ryder, hy the
-. E-,rr-- Martin. or hv William Gedrey
4 r--,e --6 there <. finally. group Of four
1 .-e .rcorpa aably romantic f"1pTovisa-
-.-s NJ N71ts-e.E. Seldom. indeed. IS the
=. salient Eie o. AT exhibition 50 well
--.5 --i-- fr~--rste works of a. as n this
..-.e As For the works q a more
,--io-slv Outstanding character, they, 700.
-cs- attention in an uncor-1onlE be
-.4,- manner. Reference was made in
- ,rsce some tine ago 70 the Alfred
3 ----srs owned by Mr. Inglis. the picture
- 9 7-o-1a- i he- drawing room called
q ---.i-i7s for the Carriage" Il = a privi-
.-s 10 see this painting again and 70 eX-
& --s-s o1ce more appreciation of its beau
..., ,o17-. t-s pure surfaces. and its in
F -..,rs accent Of style. The great Belgian
E sc vas trivial in his motives, II you
r-s s.-- IN The manipulation Of pigment
1 - usS ar extrao-dinary master
re-hs-S +ha nohiest picture in the coilec-
.,- 4-crr The point - view Of imaginative
- is -o-or- : famous Dance des Amours.
~ rsT canvas which appeared ir the Dana
h ss's -r -SsS = Is one of the painters most
4 -s-efrH- 7ordered compositions. 2 design
Il = rosi-i-e s-sreliness. but il is also satu-
-s-ed fr poetic feeling. a work as lyrical
/ essence as one OF his IiEhtest notes @.
rsGsr landscape A good companion
nee % THIS IN its EraveIv beautiful inter
/ -rstsrior or nature = DautiEnys subtle
-l5v II E-svs The Open sea" These
| NO rf----ez alone would make an auction
4 -auo-ab'e Bur there are other similsr'-
II r7osirE performances here, among them
fo1- panels br De1acroiX. Illustrating
4 ts SEASONS IN motives drawn from pagan
4 rtho'ocv Su1-ndid1E PIT together are
4 groups po-rrav ved in these designs and
4 ss- case the shrevdlv devised pattern
4 eHe--ized and made potent'y appealing
! she masters robust sense of form and
4 r -rd his kiudlinE emotion. We might
h NJ Indefinitely. srr77arhetiCaIy exam
/ z ore picture after another 5u this col
il s-o---re unconventional Isahey. the fine
4 fe -r ri Chase. the susve Raeburr.
| -a paintings hr Ribot and NesdaC. and
| s. on down ~ the end of the list There
scarce e picture IN the lot which Is
| .to1- ex-e0-fousl merit. The sale. which
70 10 dlric.d into -Uo sessions. one At
American a-- Galleries on Wednesday
| s-.-- and -rA other - NeudeTssohn Hall
| T1--S5-- e-cuing. ought 70 excite keen
--7srito-
4 A. '1e American Ar Galleries there may
4 80 7e seen q quantity of paintings and
r-s- artistic property left by the late
eds-cE r. Hewitt OF Owego. and the I
'.' irstce Charles =. Truax Old and /.
-z- s-us-5 figure ia this part Of the .
'-or neither with uniform brilIiance .
/ 10Th ~ occasionally very interesting
mon Judge Tr1-sxs three large Da1I-
'7Es are Ter- handsome affairs. Of value
-s''a1i-g --e PAINTER fr an unfamiliar
very bod mood. Rihot. Zamacois.
| larFs ar HarpiGnies are also well
| resented. Tie old masters. mostly po--
a" English origin, with one or two
and Spanish pieces. are not verv
f' TIT they include some plausible
'7nFases- IN addition - the
iHs-s are some good bits o. Ori-
8 ana -srcIs-=. .adoz. rugs. Persian pot
-7a fireek a0l Roman glass.
Il 1'spEta'-- shown ir our local ~
3 artists from abroad ought. as 2
e - observed with aruiab.e eaua-
II II = TOO f~e1Ieutlv t-Hfc-s uDon. rs
Z -. ''-e7 higher IN cost and much
Z Q-s-',F 'Aa1 rbose which men Of
II sno1l can produce. i; also serves
{ r... as acquainted win European
+ - -9l otherwise 70 be got a. by the
s.-oe-' + IS 10 he hoped. how
I ~ as f.5se exhibitions or foreign
4 ease - number they may nor .
ne p.oT.1- alis7n. iarterIy -amrant {
- f-er'er=. - assuming a am 7
a., Us necessarily % high .n.Do--
vas 211l - have The exhibitions
1 aa1 Z-i0zga a the Hispa-ic I
&C mat O. modern German art
eia-. Slc1 enterprises are ,
e--1a.olal Blk po.t-eness tou- s
surely does not release US !
4 o---sa'.o1 70 .3ok with discrir1i-
4 p1t "rat they do The Sorolla
''- fairly hyster.caI aspects.
1 49,. '.i,l en50-ius E'c gndenlabie
Il observers dec!ain1ed oyer his
4 a.-,e 1-'-ea he Here one OF The great .
l. TsHt.-E Criticism has ffs Z
N si,- iaese matters. as las the .
Ii Na-- uru-s the foreign A. F. F.
ID --s -. a1- hence Ne trust that I =
II ss-o., ---- Seem ID be anything uni
II --s sy-.+-- te| words expressive OF
II ss- emmett over TIE ezrfgf-Eo,, nav