davidaulloa/AmericanStories huggingface dataset:
Arizona republican., 1910-12-15
STRIKING RESEMBLANCE.

Finally tbe taciturn boarder spoke up.
 These substitutes for cheese" he said. are like substitutes for religion. They are useful in one particular: they serve to show the excellence of the real thing''-ChicagO Tribnne
Arizona republican., 1910-12-15

to their home.
 When the sixty children were sent home they were given letters to their parents stating the condition of their eyes and advising immediate treatment. Later the truant officer endeavored to find how many had been treated. So far as he could find out. only eighteen had had the attention of d physician.
Arizona republican., 1910-12-15
RECORDERS OFFICE.

Charley Ford to Banner Ford deed. part SWH section 2l. township l north. range 4 east.
 c. O. McMurtry and wife tO John Northcutt deed. lots II and r.. block 3S. Mon,eOmery addition.
Arizona republican., 1910-12-15
ONE FOREST REDUCED.

Washington. Dec. 14-President Taft today signed proclamation eliminating from the Monterey Ma tional forest of California 21.521 acres of land and adding to the forest 7.G90 acres
Arizona republican., 1910-12-15

inches wide; for the long kmono 3 A short kmono yard 2 or H of long kicno will be needed yard tern d the entire set e7 cut will be mailed address by the Fashion Department send deivery)
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

He rose and struck the table sharply,
glowering down at her.
IF that is quite ALL she said. sweetly.
II will tell you something. What you
have said to me about my mother is not
what | expected from you. | know her
far better than YOU do, ard now that you
have discussed the matter so frankly on
your side-how absurd that we should
have taken sides.-I will be frank too.
and tell you that one of the reasons for
which / married you was to escape from
her. l thought. from your showing of re-
spect and affection for me. that | should
find in Col. Craighil a champion and a
friend. if not quite the ideal lover. And
now at the first sign of trouble, at the
first opportunity you had to prove my
confidence and faith. you not only threw
me aside to avoid showing me to your
critical acquaintance. but you would
wound me by fiinging al me my mother
my mother who has never been any
thing but hateful to me-who would have
made traffic of me and sunk me low for
her own ends.
The last words came from her slowly
tears were in her eyes as she rose to her
full height and faced him.
And now" she ended, II will say to
you that my .motner will not trouble YOU;
that she will not'-and Walsh'S words
came back to her and she felt secure and
comforted as she remembered him-'she
will not now. or at any other time honor
this house with her presence.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

she had wondered just how he would ap-
proach her on this subject.
II was very greatly embarrassed. need
hardly tell you. to have her looking me
up in that way. Very likely she has
written you of her call. You may be sure
that I was as courteous as possible. but
her manner was not just what l should
have liked TO have my wife's mother
manifest toward me 1 have rarely In
my life been so panied by any occur
renee"
Craighil was prepared.
II don't quite understand the spirit that
prompts you to speak to me Of my mother
/ in this way. She is mistress OF her own
| affairs and she does not go abroad or do
anything else merely to please me. 1t Is
necessary for me to remember that she is
my mother even though you are anxious
| to forget it,
But, my dear Adelaide. when the visit
| to the Brodericks was so important from
every standpoint. don't you see I'm what a
| position 1t placed me to have Mrs. Allen
| demanding at the door to see me- 1t
really spoiled what would otherwise have
| been a very delightful visit"
1T was unfortunate. as you say she
replied codiy. though her heart beat fast
| with the Joy Of her opportunity. 1T was
most unfortunate and / deeply regret II.
Nothing could have been sadder than for
| you to have been ashamed to take me to
visit the great Brodericks and then to
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18
CHAPTER XIV CONTINUED.

AT the Craighill house happiness was
not so legibly written on the two faces
at the breakfast table. Col. Craighill was
clearly olibled, and the urbanity with
which he asked as TO his wife's health
and the state of household affairs did not
conceal the vexed undercurrert of his
thoughts.
What has Wayne been doing?" he IN
auired. with a directness that for mo-
ment disconnected her.
"Oh. he has been in and out about as
usual. I have not seen much of him. 1t
was lonely in the house. so I asked Miss
Morley TO stay with me. She's an Art
Institute student that l met at Fanny's.
Fanny has been called south, you know.
by the illness of Mr.. Blairs mother"
"Ah. I'm very sorry to hear that. Sc
Fanny's not at home
He finished his breakfast in silence and
then. after a moments elaboration. be-
gan:
I'm obliged, my dear Adelaide. to speak
Of a very unpleasant matter. Your
mother persisted in calling on me at the
Brodericks'. very greatly to my annoy
ance / was amazed that she should be
in Boston; 1 thought she had gone
abroad
She was silent. wishing him to 60 on
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

have my mother tumbling in on you.
creating, no doubt. an embarrassing en-
counter with the servant at the sacred
door.
Adelaide, I don't understand YOU
YOU can't be aware of what you are say
ing
said. You had every expectation of tax
ing me to Boston with you. And l had
every expectation of going. But when the
Brodericks wrote and asked you to their
house. wholly ignoring me, you made it
very easy for me to stay at home. Inc
whole thing was as plain is that coffee
pot
You are most unjust! I didn't believe
you capable of harbOring such thoughts
of me-.
Il had to harbor them when they sailed
so boldly into port 1t was all perfectly
obvious"
You are not only unfair to me-. but to
the Brodericks as well. They had just
returned after long absence and the
cards announcing our marriage had failed
TO reach them
And you took advantage of their ig-
norance to accept an invitation for your
self without daring to suggest that there
was a wife to consider. There wasn't a
wife to considerable didn't have to be
considered.-that all there is TO that
Il explained all that to you-that night
when the letter came-that l didn't know
them well eCOugh 10 suggest tnat they
include another guest: and that. more
over, 1 was invited rather impersonally.
and I thought that 1t was to give me a
chance to meet Senator Tarleton and
have an opportunity, Impossible else
where, to interest him in our reform
work.
We'll. did you meet the SENATOR" she
asked. her arms folded on the table and
her head bent forward a trihe. She was
amused to frd his anger against her
mother for her invasion of the Brodericks'
diverted to herself, and she willingly &C
cepted the situation. Her husband was
not used to answering questions pro-
pounded in this impertinent fashion. and
his resentment Increased.
Yes, certainly the senator was there.
he answered with asperity.
'And-Mrs. Tarleton?" she asked. with
an infection that did not fail of its in
tention.
''Well-yes she was there. very greatly
TO my astonishment But that has moth
in. to do with this matter OF my going
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

the Office And, browning irritation. the
president of the Hercules National Bank.
i'm which he was director. and the
cashier of the Greater City Trust Com
pany called him by telephone and begged
his early attendance at their offices.
In his perturbation Col. Craighill mar
rowIy escaped referring his own cashier
to Walsh. and the fact that Walsh would.
Just at this moment, have been sub
stantiaI reed to lean upon did not ease
Col. Craighill's burdens. ASK Walsh.
had been, in old times. before the Wayne
Craighill Mercantile Company passed INTO
Walsh's hards, the commonest phrase OF
the office: and Walshs successor could
not. in the nature of things, know the
inner history of the many Craighill inter
ests as Tom Walsh had Several times
within the past month. ASK wayne had
been heard in the outer offices: and tbis
was not more remarkable than that when
the appeal had been made il was found
that Wayne knew,
Wayne was busy at his desk when MS
father entered and closed the door oenifh
him. He had been checking an estimate
of his fathers Liabilities and he knew
that Roger Craighill owed large sum or
money-a very large sum, indeed-and In
December the fog of the OCTOBER scare
still lay upon the land.
Wayne, / want to see you for few
minutes. and Wayne started guilty at
the sound of his fathers voice and thrust
his memorandum out of sight in drawer.
You may nor be aware. began Col.
Craighill, that the general financial con-
ditions are serious.
Wayne's resentment rose on the instant.
as always. at these implications that lie
was unacquainted with the affairs of tie
business world. \ sharp retort was on
his lips; the morning papers had con-
tanned the latest of his fathers reassur-
ire statements as to the Frightening out
look, but he answered.:
well. it's been on for some time, hasn't
it? L thought everybody began to get to
cover last spring.
Things frightened up in the fall but L
had expected the trouble to be over by
this time but the pinch has grown sharp
er than I expected. The conditions are
very unusual, bat they ought to ADJUST
themselves My anticipations have all
been correct, though our financial meCn-
anism is still slightly out of adjustment
in vital quarters. My own affairs are, or
course subject to general laws like every
one elSeS.
(To be continued tomorrow
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

the second most populous of the American
states This is a story CT man starting
at the bottom socially. financially anu
politically. a virtually name;ess waii
taken under the wing of friendly po-
liceman and adopted into his home. Rob
ert McAdoo is an interesting type. HARD
uncompromising. ruthless. selfish. ne
rises by sheer force Of will and ahiiiiE'
sweeping aside rivals. building upon their
ruin, dominating relentIessiy. grating
freely. until finer influences begin to pay
upon him and civic conscience Is await
ened. The spectacle of this man. sau
uate CT the Sums ard Of SUM oii.ics'
turning reformer is interesting. MI NH
Ter does not strain the credulity CT ms
readers in thus presenting BOD NJ
Adoo. The evolution of TIE Statesman.
the official with a real regard fer popuiaI
rights, is not abnormal The influence
of women plays upon this rugged chaf-
acter and .softens It. but by peculiar
process. The heat interest does no'
obtruGe itself to the sacr tice or the
stronger clements OF fiotiCnal construc-
ton. Mr.. Miller is a craftsman OF apihtH
and he has produced a story which ranges
high among tie moves of modern ire.
He has indeed written a remarkab: e
beck. which may have good results III
showing effectively the contrast between
two schools Ct political thought.
THE PRINCE AND HIS ANTS (Cion-
dolino). BY Wanda Luigi Bertello)
Translated from the fourth ltailan
edition by s. F. Woodruff, and edit
ed by Vernon l.. Kellogg. author OF
Insect Stories" etc. illustrated
New York: Henry Holt & Company
Under the pen name of Namba, Luigi
Bertello has been writing for the Italian
children a series of delightful tales which
have no exact counterpart in American
juvenile fiction. These stories are high
int, oI,,oa q
reader to an intimate knowledge OF in
sect life and enable him to understand
much of the economy of the microscopic
world. The first of the tales has now
been translated by Miss Woodruff and
edited by Mr.. Kellogg. 1t is given an
American publication in exceptionally
handsome form. with great profusion
of clever and Instructive pictures, many
of them in full color. This story tells
how little Italian boy who did not like
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18
CHAPTER XVI.
Col. Craighill Scores a Point.

Col. Craighill reached his Office in any
thing but an amiable state of mind. AS
he disappeared into his own room and
closed the door the chief bookkeeper eX-
changed a wink with the prettiest stenog-
rapher and the messenger turned up the
collar of his coat to signify falling tenn
perature.
At his own desk COL Craishiii scanned
the summarized reports that were so suffi-
cient to his executive sense but this in
spection gave him no pleasure, and his
personal mail disclosed matters that did
not please him. And against all prece-
dents the cashier entered unbidden, bear
ing memoranda that deepened the annoy
ance that Col Craishill had carried TO
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18
20 k5E4 REAIGy< L{TERHIyREo 9azA&E -

tural affiliations 1t bears evidences of
this painstaking thoroughness on every
page. Its range is complete, reference
being made to every known garden mower
In each case there is brief descriptive
statement under classified heads, followed
in many instances with an appropriate
line of classical text. the sketch conclud-
ing with matter of general descriptive
character ranging rom n few lines to
couple of pages The text is accompanied
by a rich profusion of Illustrations, both
from line drawings and from photographs.
The half tones are exec puonaily beauti-
ful. This is altogether one o. the nost
satisfactory garden books ever produced
THE CATHEDRAL CHURCHES OF
England: Their Architecture,
History and Antiquities. with Bib
biography, Itinerary and Glossary.
\ practical handbook for students
and travellers. By Helen Marshall
Pratt. illustrated. New York: Duf-
field & Co.
Miss Pratt has been studying the cathe-
drals of England and the continent OF
Europe for number of years dividing
her time between the buildings them
selves and the literature OF their history
and archaeology in the museums and Ii
braries She now SETS forth the result Of
her researches in vol;tme which will be
Of the utmost interest and advantage to
any tourist who desires to specialize in
English cathedrals or who in passing
wishes to know something Of the history
and the architectural significance of
these great piles. Miss Pratt's purpose is
not simply to present anew the array OF
well known facts concerning the cathe-
drals, but to give hint of the meaning
CT eacE the reason why it was built 1t a
pa rticuiar time and something also of the
nel*o nality of the men and women whose
names are connected with the fabric or
who sleep within the walls. To facilitate
such an understanding che has appended
a photography of cathedral study, which
will afford reading matter for the diiigent
student fer an indefinite period. A
popular glossary enables the unearned
reader to understand all references. The
work Is opened with a chapter on the
"a thedral establishment and its officers.
followed by another the cathedral
fabric with an admirable discussion of
architectural styles and stained glass.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

chronologically. Al the first of the series
are placed two portraits Of the eminent
surgeon etcher-one etched by Lantelle and
the other by Leopold Flameng. Both pic
ture Sir Seymour Haden as an elderly
man of fine physique, clear-cut features
and apparent strong character.
His work has been described by a
critical writer possessing in equal
measure virility and eXquisiteness. and
these same haracteristios must have dis
tinguished the etcher. Etching is not a
medium for faltering expression. nor
does il respond to clumsy touch. Haden' :
work from first to last shows direct
treatment and at the same time keen
appre ciation of beauty. People evidently
interested him comparatively little; land
scape the trees. the fields, the sky, very
much. And this seems natural when one
recalls that the greater part OF this
gifted artists life was devoted to the
service of his fellowman.
There are to be sure, some instances OF
portrait work in the collection at the LII
brary of Congress-for example. portraits
of Thomas Haden of Derby and of Sarah
and Ann Haden. members of the etcher
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

without you; the two cases are not COM
parable
You mean. Roger; that the lady and
are not compaTable?'
Il mean nothing of the kind, Addie
you pain me more than you can know.
had never expected YOU would speak to
me in the tone you are using
well, | have spoken to you in this tone
because / have right to maintain my
own dignity under this attack you make
upon me. / married you with some idea
that l was to be your wife. but it seems
that that understanding was on my part
only. AS to my mother. just what is ii
YOU wish me TO do with herr"
He was very angry now and his voice
rose from its usual calm. assured tone.
Il want you to keep your mother away
from here: She is an impossible person
She threatens to make you visit. merely
me for not having forced her upon the
Brodericks.'
But you didn't force her upon them
YOU maraged very cleverly to get rid OF
her without letting them know she was
your mother-in-laW. You had asked her
to make "a visit here when you thought
she was going abroad for an indefinite
stay. but now that she is on-the way to
your house you ask me most inhospitably
to shut the door in her face-my own
mother.
Il ask YOU, after her conduct at the
BroderickS'. to tell Ter she cannot come
here. not at this time.
Yes. / see; it's to punish her for not
being good.
she asked me for a loan of money: l
had hoped to spare you that. but you
force me to tell you in my own de-
Tense"
DO you know she replied. with the
most delicate shading Of insolence in tone
and manner, that I had never under
stood before the geographical difference
between Boston and Pittsburg? 1t seems
that 1 can be your wife here. but that 1
am not quite equal to that lofty station
among the elite Of Boston. It's little
hard on Pittsburg. isn't it,
You are outrageous-and unreasonable.
had never understood that you were SO
devoted to your mother-l had thought
you superior to her: and now YOU take a
stand with her as against me. 1t srieves
me to be obliged to say to my own VINE
that l am disappointed in her Bring
YOUR mother here if you like; humiliate
me In my house If you want to. | shall
have nothing mare to say in the matter" "
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18


ed on exhibition at the Library
of Congress this week. Seymour Hadeh
will always be ranked with the greatest
etchers of all time; his etching was, how
ever done as recreation in hours
Of essential relaxation in the career OF
a practicing surgeon. He himself once
said. This short and delightful life of
an artist is only very small episode
in long and laborious career.
He was born in London in 1918, the
son of a physician Determining to
adopt his fathers profession he went
first TO the University of London and
later to the Serbonne in Paris. For a
time he held a position in the hospital
at Grenoble. and finally in 1872 he was
made a member of the College of Sur
geons in London. While at Grenoble he
urged upon the students who We're par
TALLY under his tutelage the necessity of
learning to draw. not as an accomplish
ment. put as metnod Oh tdklhs idphiC
notes.
II was not however. until a year or
so later when travelling In Italy TO re-
gain his health. that he attempted pic
torial transcription. He then etched SIX
plates which were we'll worth preserva-
ton, but have. il Is understood, beeh
lost After making this short excursion
into the field of art the young surgeon
turned his whole attention to his pro-
fession and fourteen years elapsed before
he again tried etching. Curiously enough
without practice during this period ne
gained a.n.,y so that his second ef-
forts were far in advance of his first,
much more mature and skillful. OF
course. Seymour Haden had inherent
talent artistic instinct and feeling. but
he constantly trained his perceptlve rae
ulties and he surrounded himself with
owl of
etchers, especially Rembrandt, of whose
work he made thorough study.
Another factor conducting to this result
was his intimacy with Whistler. Mrs.
Uaden was Whistler's half-sister and
with the Hadens for several years ne
made his home. 1t was while whistler
was member of his household that
Haden returned to etching and In 1913 he
and Whistler frequently worked together,
etching ofttimes the same subject Their
methods were however, very different.
though upon certain points they must
have been in hearty agreement. Both
abhorred the academy and believed IN IN
dividuality of expression.
Despite the fact that Haden was a de-
vote student of Rembrandt his etchings
show comparatively little trace or the
Rembrandt influence. He etched that
which interested him. He expressed him
ness He made no great EFFORT TO sue
1 coed other than that which ne naturally
would have employed to do well anything
he undertook In the years of his early
manhood he won distinction as surgeon.
hence etching 10 him was invariably play
/ work At first he published nothing,
merely giving impressions from has plates
To his friends These, however got into
circulation and some few reached Paris
where they were seen by Philippe BurtH
an eminent critic. who, realizing thelI
worth. hunted up the etcher and per
shaded him to publish twenty-five of his
plates in France. Instantly from an I'M
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18
Not a Caruso.

CARCSO, standing with the members
~ Of the Metropolitan Opera Company
on the promenade deck OF the Kaiser
Wilhelm ii, conversed with the reporters
geniaIIy.
Il call this boat the High c Express f"
he said. What? Will the grand opera
combine affect my salary? Oh, / hope
not. l am rather a hish-prced man, you
know. l am not like young De We're, the
French tenor.
DE We're said the other day:
'Jove. I'm hard al it-working for all
I'm worth
That's just De Vere's way of ex-
planning. said friend. that he is earn
ing eighteen dollars week.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

thermore the foliage has a leafiness
which is unusual: suggestive of ligntness
and possibility of motion even in mass.
Sir Seymour Haden's sky effects. more
over, are peculiarly charming; for in
stance. his we'll known plate. most noted
perhaps of all, Sunset in Ireland -
There is also the Sunset on the Thames
and others, wherein clouds give additional
cause for the play of light and shade.
AS has been said before. the etchings
Haden produced in 1857 and 1853. when
he was forty years old. which, with the
exception of those made in Italy thirteen
years earlier. were his first. ranked with
the best that he produced. Suddenly.
almost unexpectedly. he arrived on high
plane of accomplishment above which,
save in matters of technicality, he rarely
rose. Thus. in examining the collection
now on view at the Library of Congress.
one is struck with the evenness OF the
work in regard to merit. progression only
being manifested by increased facility
and power of elimination.
The work done during the latter part
of Hadens middle period is. perhaps,
strongest in line and displays more in
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-06-18

method of etching, which Sir Seymour
Haden strongly advocated. are set forth.
One of these. The Amstel, was pro-
duced during a lecture al the ROYAL In
stitute, and is specially attractive. Whist
iers house at Old Chelsea is the subject
of one of the etchingS and Battersea
Reach another. There are some rugged
etchings of fir trees. and some carefully
studied and finely wrought etchinss of
hands. both idle and busy. The famous
Calais pier is in the collection, and to
be seen in four stateS-a great piate.- but
less interesting, save as an achievement,
than some of the simpler ones.
Interesting not only because of merit
and pictorial composition. but as evidence
OF the etcher's versatility, is The Mouth
of the Thames a meZZotint after Tur-
ner. produced for the Duke Of Westmin-
ster. who still owns the plate. There Is
something very ineligible about Haden's
work-something very tangible and i'm
pressive-a significance equally patent to
layman and professional.
Sir Seymour Haden." William B. Boui-
ton has said, lis the apostle of the
etched line, the unalterage. uncompromis-