The Guthrie daily leader. [volume] (Guthrie, Okla.) 1893-1996, 1910-06-11


NV and early summer millinery
" looks queer to ouT unaccus-
w toned eyes, II ia at least a
becoming Queerness that borders on
ouaintness The general lines seem to
b. adapted from the winter favorites,
rlz. the oriental turban, the bicorne
and the Gainsborough. While the
summer hats in no way resemble the
winter hats. one can perceive their
basic principles. One characteristic
they have in common, however, that
4 labels them Immediately as this sea-
sons headgear. and that is tho gen
erHl line which they take In relation
TO the head. Invariably all slant up
ward and back, unless 1t be the wide
brimmed affair, and these fare very
little, some of them hanging in limp
undnlations about the face, while
Others droop slightly at either side,
giving q very eyasiye suggestion OF
fhe poke.
We had thought that Napoleon's
heroic heAdgear had undergone about
~ many surgical operations as its lit-
tie constitution could endure, but 10!
the very first models shown are ab-
solutely new variations of cutting this
universally becoming and very popu-
lar model; made Of every kind Of ma
terial and combination of materials,
the newest one being the Chanticleer,
no called from the one worn in Ros-
tand's new play Of that name recently
given In Paris.
Black velvet, satin and poluichon,
aeehorn tops faced with velvet OF
bissk, deep purple, claret, gray, bright
blue or elnerald-green velvet, and oc-
casionally with satin; its shiny sur
face, however, does not SO In so well
With the simple richness Of leghorn,
the combination resulting In rather
too harsh an effect. Ctten only the
rim is Of leghorn, the entire hat being
of shirred lace or chiffon.
As for hat trimmings, again ones
fancy may play havoc and still remain
within the very elastic pale OF fash
Ion. Algrettes of every kind there are,
natural or artificial. from long, grace
ful, undulating paradise feathers to
split quills and shavingbrush cock
Ades and pompoms. y. Others are
trimmed in fiat plaque Of double
faced satin ribbon pinned to the hat
with ieweled or onameled cabachon.
. Still others are trimmed with carved
beads, drapes of black jet and strands
OF cut Steel beads. The prettiest ones,
pu. Eaps, and certainly the more ele-
CANT In appearance, are those adorned
with pli1mes. either OF the same tone
or shade contrasting with the gown.
The hat must In all cases be Of the
same color, If not of the exact tone,
Of the gown. The trimmings are in
slight variation Of this rule, If at all;
what little contrast there is being
only touch, as In wreath of various
hued flowers, variegated plume or
touch Of contrasting velvet or straw.
As for flowers, the most eccentric
vagsry can be gratified Everything
that grows. from MOSES and grains
20 whole rose bushes and evergreen
trees. These, too, are exquisitely
natural IN appearance, beirg made Of
mousseline. silk velvet. lace and ribbon.
The small field flowers have come into
fhelr own again, and wreaths and gar
lands OF buttercupsY daisies, bluettes
and long grass are tangled about the
crown Of yelvetfaced leghorns. Gold
enrod. hops. maiden hair and aspara
gus ferns are much In evidence min
gled as a background for tiny rose.
buds. heliotrope, lilies OF the valley
sforget-me-nots and hyacinths. Daffo
dis. narcissus, hydrangias, phlo1
wistaria, both mauve and white. pan
sias and orchids are much In evidence
While violets are seen quite exten
sively. but not as a trimming as for
meriy. Rather ihey form whole hats
or bfirns, or are intermingled witt
4 pink roses or lilies of the valley
Another decided novelty is the inter
twintng OF tiny flowers into circlets
. to b used In place Of large buckle
= or nqt bow or chou. Velvet is USED
on eilrything. Ottoman and antique
mofH ,me next In favor for facings
aad | S. while plouichon or French
felt :. seen on many summer models
10 siraws the more dressy hats art
made Of Milan and Neapolitan braids
ba5xet straw, Japanese straw, horse
haI braid and Sax straw; while fol