The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-27
CAKBYALK AND SKYSCRAPER
0ERMANY'S IDEA OF PAINTING
~ TIE UNITED STATES.
Win the kalsers Help we're Tsytng 90
Cndeeeivs Bsr-Ths Empercr ksen
Tor Latin AmerteA-Ne,tns's hAalan
Opera % Noticed nuDena paseOvePy.

lndecetVe Ber-The emperor Aeen
Tor Latin AmerteA-Ne,tnsp hAaaan
Opera Do Noticed RuDens DasoOSePy,
spscta, case Dssp4ea 70 TMs son.
BERLN. March 2e-While the Kaiser
does not in the least relax his interest In
promoting the friendship Of the United
States and Germany. he loseskno oppor-
runity for manifesting his interest in the
Latin American republics. Il is reported
that he intends TO commemorate the cen
tenary Of Mexican Independence next
autumn by presenting the city Of Mexico
with "A heroic statue OF the German ex-
plorer Won Humboldt.
The Emperor also has despatched Cen.
won Dergoltz 10 Buenos Ayres to partici-
pate IN the celebration ~ the centenary
81 the independence OF the Argentine
Confederation. The Td0obIan says the
Argentinians ought Co cultivate closer
commercial relations with Uernany. he
cause IL England adopts the protective
,ar1n policy il Gill mean preference for
Australian and Canadian products. par
ticularly cattle. ~Ool and grain. 20 the
disadvantaga Of Argentine exporters.
England alone SURPRISES Germany IN
the value 81 goods exported by Argen-
tina Germany buys from Argentina
SIi2 90 $50 worth Of merchandise every
year which - approximately the same
amount that Germany buys from France
The American art exhibition 10 not
proving the financial success ii the old
English and French Renaissance exhibit
tons which preceded II in the same gal
leriea Now that the Kaiser has fired
a gun booming the exhibition, however.
IL - expected that the attendance will
increase
Tn. lack of German patronage may be
explained by the cynical disbelief OF
Berlners in the ability 81 American artists
70 produce pictures worth an admission
fee. Hugo ReisIngar the organizer OF
the. exhibition. said 20 The Sun CORE
spondenI to-day that the people Of Europe
seem 10 have preconceived idea o'
what American art ought 20 be. They
believe that American art ought 10 rep
resent skyscrapers and cakewalk dancing
such art. Mr. Reisinger said. finds no
admirers or purchasers in America.
MIR. RAisinGer has served his country by
proving convincingly the excellence OF
Amer1cn art, an excellence hitherto IN
suspected in Germany.
-ihe indian VINO shot a Bear. by
Henry r Fanny. the Cincinnati artist.
which IL the property of Emperor William.
vas sent by him u the American art ex-
hibition after his visit last Thursday. II
il hung beside another Indian picture by
the same artist. The Song Of the Taking
Wire hich Is the property Of Charles =.
Taft Of Concinnau
A sensation has hs.en created In the art
world 81 Germany by a discovery Of the
ner director Of the art galleries ~ Munich.
Herr Won Tschudi While experimenting
the rearrangement Of pictures In the
Old Pinakothek Herr Won Tschudi re-
duc"d IN size one 81 the most famous
works 81 Ruhens in the world, -Meleager
and AtalantA" He deleted many o. the
u CURES and left MeleagSr With only one
hound instead of. a PACK Inc director
EXPLAINS that he did not cut the canvas.
but licked in parts 81 the picture. which.
he alleges. was not painted by Rubens.
hut hy artists Of later period.
Ambassador and Mrs Hill gave a din !
ner in honor Of Judge Alton r. Parker and
his wife this week Admiral Won Mueller.
Prince Henrys companion during his
visit 20 America. and nov the chief OF
the Kaiser's marine cabinet, Mra. Daniel |
and others we're present.
Nine keder played and sang. and the
party surrounding the piano united IN
singing American national airs
Arthur Nevlns American Indian opera. /
-PoIa.- - 20 be produced soon. IL 10 a
constant topic in musical circles. Walter
NcClintock 81 BlAc kfoot Indian fame, who /
supplies Mr. Nevlns With the theme Of
the opera. delivered a lecture on Thurs- |
day 70 the directors and artises Of the
Royal Opera. in which he described the !
scenery and costumes ~ the Indians and
the country. in order 20 get accurate
realism in the production