The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-12-24

| Paul Hing. Edward F,ilda's Meal Time.
In the Israsls key; Bogsrt. Horattc
| Walker. not NJ his best: J. .. shannon. a
strong portrait: ID. W. Tryon-thrse end
, the list Of this gallery.
In Gallery ID the portrait Of lady by
George De Forest Brush et once arrests
ths attention. IL 10 rich In quality. almost
luscious. though the grain OF the eesh
tones suggests goosefe&h. The shoulders
and bust are bare. the head shows three
quarters. the textures are very well tndi-
Gated. the modelling and decorative ar
rangement il Brush at his best. Lillian
westcott's -Celia's Arbour' mo. 1909 IL
stunning. The faded richness OF Kenneth
Hays Millsr's The Nesting a nude hold
ing n little bird. IL agreeable. The por-
trait OF DR.. W. II. Howell. dean OF the
Johns Hopkins University. reveals this
accomplished artist at her happiest. The
anstere color scheme Ii keyed up by a
fash OF scarlet. the head and one hand
are broadly painted. the pose solid and
dignified. There are nice values In The
Japanese Print. by Alice Ruggles and In
the still life OF Helen Watson Phelps. Jules
Guerin. Emma Lampert Cooper. Joseph
Do Camp. The Fur Jacket are old ac-
auaintances. Sergeant Kendall's 'Cicada'
liz nothing but good modelling The
flesh tones arc. as 10 the case with this
otherwise satisfying painter. chilly and
shiny. This -Cicada" draws the biggest
crowd in the gallery. Miss Beaux's lyric
Tho Banner Bearer and 7. W. Dewings
distinguished Lady Listening are in this
gallery: also Childe Hassam's prize win
ner. -Springtime. which shows US . little
stretch OF park. under trees; nurse with
children. the canvas vibrating with green
and gold. Philip l.. Hale has q girl In
loose draperies. very effective and piotur-
esque. and Mary Foote shows n portrait
OF Frederick MacAionnies.
Gallery 4 contains q Kenneth Hays
Miller. Mother and Child with q touch
OF the Primitive school. The Red White
and Blue OF Thomas r. Anschufz 10 as
solid rs usual. and with q bold note not
missing. The decorative character Of the
talent Of W. w. 6ilchrist. Jr. 10 to be seen
in The Girl and the News with subtle
light effect and well painted drapsry. The
Negro Children OF W. r. Leigh are
funny. a. the artist intended them to be.
Carl Mclchers's The smithy' 10 . sturdy
compost ion. Schofieid's Early Morn
ing. Boulogne Harbor.- and Ernest Law
sons Early Moonlight. Harlem River
are familiar. So are Marion Powers BIZ
zarre Encore and W. NJ. Chass's Liter
airy Critics We have seen and admired
c. c. Campbells Grand Central Station. :
and William Sartain's On the Campagna
What brilliant still life 10 that Of l. NJ.
Gaugengigl Of Roston But there are in
this gallery some pictures that are neg
I.s.,k Ia Ia, nAh 4. i f,lI l.
love with Robert MacC ameron's por-
trait OF President Taft. which is essen
TALLY n commonplace conception and
performance Augustus Vincent Tack
shows a portrait of the late John La
Fargo. Carl Melchers a very human
Mother Morris Molarsky a Gray
Gown and Elliot Daingerfield an explo-
sivs view OF solar phenomena. Mr. Mo-
larsky Is also in Gallery q. represe nted by
A Womai. in Black" containing distinc-
tive blacks and grays. The portrait OF
Mrs. Anthony Hope Hawkins is 10y Mau-
rice fromkes The red coronal Of hair
Is very well done. In the Foothills il
an T.. W. Redfeld offering. The names 81
Cecilia Beaux, Paul Dougherty. John ".
Alexander Sunlight -Flasg. Ochtman
A. A. Wigand. J. Francis Murphy. J. =.
Carlson. Emil Garrison. CARRIER. W. l..
Lathrop. +. ID. Millet. Irving Wile-. Ken
dali. Dufner. Arthur Wesley Dow and
Paul Cornoyer are to bs found here
The Student by Irving r. Wiles. por-
trays a charming girl. brush and palette
in hand. finely modelled. though the color
scheme is not 40 satisfactory. Ii is at
tracing much comment and IL already
the property Of the Corcoran Gallery.
Charles Reiffel has painted AN a,mos-
pheric scene. Railway Yards OF Winter
Evening" Allison. by Sergeant Kendall,
is glaring. green; Adolphe Bori shows
The White Hat and Paul Cornoyer his
Afternoon in Madison square
Robert Reds The Hill Top brilliant
and luminous: Edward ". Redfield's Hill
Country a snow effect. and his Brook in
Sunlight" both mast erly efforts: Mat Ida
Browne. Thomas Eakins and Irving wfes
are in Gallery II The Garden Parasol" !
by Frederick Carl Frieseke is one Of his
Diet onating affairs; Japanese in spirit.
neo-imprsssionissic in technique II re-
sembles in style the same subjec, by him
now on view al the Madison Art Gallery
Henry Salem Hubbcll's The Departure
il decorative scheme. a lady about to
Hubbell 10 thus far this season o,hins il
not di.t inguished The Gardner Symons
landscape is rather empty Of content
We singled out the work Of Arthur Clifton
Elizabeth Sparhawk Jones,
whose point Of view 10 charming: Brrck-
enridge. Philip l.. Hale. a gay Garden
Party; Myron Barlow and Mary Fair
child Low for special COMMUNICATION In
the atrium 10 a picture by Will II Low
The Sylvan SWING" in which he art emp.s
with indifferent rec ats feah tones dapplec |
by sun. the pet scheme of Lillian Genth |
Louis kronberg. Henry Reuterdahl. J |
Campbell Phillips. Mace amerons Jour |
de Fete.- Waugh. Gilchrist. Johannson. |
George II Hailowell. who makes you sit |
up with his vivid light con, rasss; BALM. !
Steich.n. Keith. Charles Rosen. Dewey
Arthur Hoeber. a delicately conceived |
landscape Charles Vein. w 4 Collins !
June Evening a poetic nocturne and |
Jerome Myers's Wharf at Sunset are |
among those in the corridor and easily |
seen. Altogether an exhibition that de- |
monsr RAT 90 th. ircreasinG aiIt hort v and |