The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-07-17
asEING The ACTORS MOVE ON
nm RIIITO RILED m 4 NEW
OIICENiN'S WAYS.
~. -. stage Terms To Keep the 10000
tor, ~ pprr broadway From
IIiarhIng the ~Idrw ak. and They
ortrrt Too Humorous. They say.

ltrtst IN "A group alonk Nne fhTD
a. ...... way m the heart Of the theat
,... strict. disintsgrated a. a grinning
conan came along with remark
OIL. dictated that he had come to clear
@. sax"
49, To left centre. boys. and exit.
a. .e.v called the policeman few min
IT,. lr.r when he ran into a group Of
,..H,. iIlaus who were discussing the
Ia. uuoulng ct the theatrical season at
4. newt corner The men knew the
q. ..ar,an and had evidently heard the
remark before. as they instantly crossed
r. street and resumed their earnest dis
G .srnr outside his post.
o. broadway and down again patrolled
Gorge Move. them-on, the hurry up Kid
~ tIe Dulice force. as the actors have
r,w,d hum. smart dapper. blond
rsstachrd policeman, evidently new 60
'a- force. to Judge by the enthusiastic
Wv he has gone about his business
Sl,rs think Ne was once an actor or per
hans stage super. To judge by the number
- '.rhnical stage terms he throws at the
ACTORS Others think that IL he ever was
Al ,.,nr h. now sees his chance Ia get
even Nth the big men OF the profession
Who orcr snubbed him. for he moves
every uua On with a smile and Joke,
though -umetimes the joke stings.
Here's where you get the hook. boys
= On" # h.- fAvorite remarks which in
v,-ArIv rr."s the actors.
Ten minutes Is too long for this turn.
b,vs IN" audience won't stand IT, 20
vprt better change your act quick =
i.anrrr-.r cutting bit which elicits wither-
ins looks from the players az they move
on to other folds
Han hours ha"n called, boys; better
NOV" on. = another stock expression
Al other 'r..s 'H" muve-on cop uses one
81 these following "Ni ressions:
Your maD.ups had. Bo. better get
some now crat-' paint down the street
lime 20 change for the second act
CO.. hurry up
'u.u' n",.u rar stage waiting. boys 90
on lui ln you turn and give some one
.... r...uyn az 'nrs corner
~rus-'- Thus - the well known stage
hands cry. meaning clear the stage
Rms down the curtain. bows; ring
down
Don't Llock tho line in front 81 the
49, nd" boys l,'' th. women and chil-
.-.r .t
.u JH.v and August there are ten thou
send = 80 actor in the vicinity Of the
I..tI'u looking for engagements. and IN
80. natural course Of events they meet
% f.' street and exchange condolences
70 , therefore very CALLING for Mamie
',-'I-toe tn meet Harry de Rotor ON the
,lrn.r Ut Broadway and Fortv-second
-'r.r' and 10 IN the. midst Of an exciting
narrative % how tho manager treated
'-r Ike a perfect brute when she Wa out
with t1a Bue bhun Burlesguers aud
'goy ,.1yn,l Oshkosh in snowstorm
nj
Ih.u limos all cancelled here. book /
o Now route CRIES the move-on cop
Well wouidn that just sNasperate /
HsTy q" EDtt'r enough 10 make hiTn
., Mann" Mistlato,, into the nearest
-.t..-. "u'rauo"- for a soothing summer /
rms. T. wouli only Harry Is broke. I
.T' '..~ July n mid season dulne-s 7
." ul.r..y '.p, A.- hat ami they move l
.. Do 1u.p-.,. directions
..- move On cop has been the subject I
& -.r.r.a.ur ~ Police Headquarters. hut 4
lar o.. .g- naS succeeded in getting
B.. rr4l-'"r--d He has only been on
..-' .r rr" laaltn for a month or so. but /,
... ...' boo made DE Wolf Hopper !
......n Do. I'D Francis Wilson 20 cross /
p stage and exit lauRhInGly.- and hr I
'E.E H'u dispute with Lew Fields. I
D. .r.s.ng has identity. when Fields /
l.a-.. t.m a bunch Of Dutch dialect I
o. long asked - move on.
i..- rafIs'd point blank and the ,
r.. coop smillngly replied
A. 'H-" your choice. Move on
."r' Vl'h me 20 the place that'll
"a 'hlnk you're living in q one
s.' .'-' hotel
I.- 'Err Pc - one night stand hotels
80 fi.t- -rIdd"r and he moved on.
N'' rf.'..-- while the policeman -
.-'a.-I '.r '..- -p""ial Broadway duty.
49, 'Ei' 'lr sidewalks are kept clear
~ .t--'..-.v. his humorous way Of
''"a..as D.. aH'urs has riled them. He
- originality detailed at the request
s..ia"'.H.-- along Broadway. In
3" D .l'' .- hat he has pafrolled the
"a. Poo o." .-'..r' %. has picked up much
~" 'h.t'- lang. II he really WASH
g. .." 'iT-t place.
~ harm are We doing on Broad
N$' I~.'~s''i one actor last week
wen '.' '| move on. We ars not
mage 90 any rIptous demonstration,
'' .4.t orderly. and we are dis
.'-'i .-'.-, n the only spot We can
.'"4."l' IA crowded neighbor-
'.r thousand or moro actors
.Id down Broadway daily
.. e. ..r'l-um. or belligerent
''.- . after day passes without
ari e row or a night.
....I .fHu- protection for the
-.u.' most 81 the actors
...u. r.'a-"d. happy, harm
... '.IrLing only of the time
.r.. w.rk and enjoying o. |
..r little visit % Broadway.
Cpu.- AZ time when
and work - sCarcsr. ,
...r- travel on ths road
... months every year and
'.t' time they return ~
,.ur"f- their plans for
..rK They meet a friend
street which seems big .
a!l and while they are
''UH, this smart police =
tui tolls ~ IN a CALLING {
'.. On. q
.. % 900 where va can :
Nu-' - ~ live in board a
..' There isu't even a front
rl"-'- IN Moreover. W. :
'.N" ~ ~" inclination u y
..-'r o.. each other a
.s .t-' w"'k. sad another
.r standing ~ the corner ~
-i.i I.r'v NINTH street with a