The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-20

cylnGor ana THIS STUDY NleNeu - s1cn
reveals plenty Of clsverness and research.
In the meantime the picture has van
ishei. like the OF d saying az the hospita
The operation was successful but the pa
tent died. The entire new movement.
il csthetic. 10 based on the avoidance OF
the picturesque. OF the picture. OF the
lyric Interpretation OF nature. Courbct
called himself a reAlist Was ha2 No
mors than Zola He Was az heart blus-
tering romantic, accepted many studio
conventions. and consider his horrible
rusty blacksl NIAnst vent far. bat Halls
and velAsquez hooked him in the end.
The break with the past must be radical.
Que IN which the present practice Of form
and color will be superseded by an abso-
mtely Tin a relative sense. touiours. mes
enfantsD truthful rendering OF nature.
CsEAnns 10 the path breaker. Monet.
with his oolorcd shadows. 10 a. old fash
toned al Turner OF Whistler. This Max
Weber in hls s,ilI life has some good color.
and his treatment Of volumes OF tone a
Ia Cezanns must he praised. Ste,chen
In represented by several portraits. classic
in comparison with the snOrts OF his as
SOCRATES. One. thAS Of woman SITTING
felt. In technique 10 10 strong.
A. le= shadows. they are antique studio
baggage. These young Peter Schlemils
Of paint have shed their shadows.
garden scene with tea table by Alfred
Maurer 10 another vivid piece. Il 10 vital
paint this. and II u h not in the misty poetic
hey Of Le SidAner who u fond OF just
such stunts with oontrasted lights. lamp
light against moonlight). it u very indi-
viduAl all tho same Marsden Hartley
makes you catch your breath. yet . noun
tAinside Of his has q touch OF the grandios
and no doubt looked that way TO the
young artist. sincerity u the keynote.
even the Interpretation Of the ugly. or
What 10 called ugly. for it's all q matter
OF degree. Monet. now a rosewater
idealist in landscape. WAs declared hid.
eous thirty years ago. The fact n the
opticians and Aurists tell IN that the
capacity for optical and aurAl -accommo-
dation' ot the human eye and ear IL very
great. Therefore do not he surprised
Il some OF these chaps. Brinley. Carries.
Arthur love. Fellows. Hartley. John
Marin. Alfred Maurer. Steichen and Weber
loom up a. pontids OF the Futurists We
confess ne went up TO the Academy in
q chastsned mood and sought the compost
tons Of Gilbert Gaul. Henry mot -Ohl'
Henry, but T. L. and dear old J. q. .
Bro. an ancsiynss
The MAtisse controversy proceeds apAce |
in Paris some German admirers sent /
the artist q gold Crown. This moved /
Charles Morice-himscf once = leader Of /
les Jeunes-to make sarcastic Comment ,
in the columns of the Paris Journal He ,
finds Maltese on the wrong track. q VIC Z
tim TO his fanAtical admirers. 20 hrs native /
bad taste. On his research % the bizarre. /
the morbid. the horrible ,sOunds like
uAst iron indictment 81 Richard Garnbuuus !
StraussD and also TO a MISREPRESENTATION
e Cezanne We would not mention this !
OAnAl accusation Il u had not been made
~ Morice the same Morce Who defended
Paul GOuguin. He concludes by declaring
hat every epoch has its Bonnat and IL
IIatisse Yes. and ita Max NordAl.
There u no evading the logic 81 Mr.
.IAther. who. after a study of the Maiisse
drawings, summed up thus. 'rhcy are IN
he high tradition Of fine draughtsnAn-
mp OF the figure n ON sufficient &C
,lIaintanoe they still ~eem merely eccen-
nc TO any one. let him rest assured that
he lack ~ cenrrahty - not with them
,ut with himself Pregnant sentences!
md Mr. Mather did not fear TO mention
he august nance ~ Pollojulo and H.
Iusai IN connection with Mstisse. But
We mustn't forget that the followers Of
,IAtIase. Ike the followers Of N net and
yhistlsr. should ~ regarded with a Gus
,icious eye.
Quite OF sound lineage - the work 81
'harlas II FrOgmuth. whose pastC.s are
n bs seen At the Folsom Galleries. 80
18TH avenue. until March "a Frohmuth
ras formerly a pupil Of Thomas Eas,ns
!, the Pennsylvania Academy Phla-
elphia the was born there fsoiI. tie
ias been abroad for twenty years and Is
veil known in London. Paris. Berlin.
iunich. being tho recipient of many
Medals of honor His rreclalt vie marines.
r d the forty-four examples Ia this s1hi-
ti ton are paint ings Ct CorcarT eau. FIN
,thre. Franc. They are Of srn Rularly
Ugh excellence Mr. Frohmuth vision
exact realistic. hs color ricn and r'p-
lantic We have praised his work at the
nnual exhibition 81 the Pennsylvania
.caderny. bur this u the fret time We have
tewad u en mass>. Tie 10 bound L. d.
drnlrsd in New York 4 man 81 such
srsat!lity. accomplished craftsmanship
nd an eve for both character and tie
will not he lot 20 view IN the
uck Of metropolitan picture shows HIS
AndIing oG his medium - resourcefui
COX az those drawn - there are two or
hree--foT they proclaim the ART ist
At the schaus Galleries tier" - a novel
srie- of paintings sixteen N nurnh@r
v Alexis Jean FDurrl"r emitted The
ZONES 81 the Men of IssO W need nof
well upon the artistic ms-i'~ 81 these
" il tho association ~ great
ame- that interests We ar" shown she
ONES ~ DaubiRny. Daz. Corot " 'et.
,upre Jacaue. DauTnie- Rousseau and
ann There j. also a picture 81 PArs
'ann-s Inn ~ BaTbizon. q WHICH volumes
ave hs~n written
Henry VOLTS latest achievement
God engraving - 'h~ Interpretation
~ lf-tle Nazo sIYl AZ tho HispSric Society
aiiery ny Vela-au"z. l. - Citing ~aul-