The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-09-04
SEEA m IHE WORLD o. ART
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partr.at ~ has ~as-s-si q, -s-s,rts p al
~ traits, ant - tr-s- No. rr-fer- ~. HaE
Nth ~ -hDr' 'hr'gis ant hlInt turns
Corut vent o'H .ash murnins h.ppv %
th- marriage q hs- p,"tur- mind stfb
IA b~lls nature Hniu-ssaI s-nt fHa
'nsro,E, unhappy 5000 wHh np H~w
p'cturs terms ~ sf.r unlv a hup.l.-s-
al acC~ptlng pass-ton Eyrry u-w .ssp.r'
AMI plaoe ~ntic-si harm. b.. saut.,l Co IA
ci'id. The inps--iblr 90 draw wupL.
ran 49, - mountains 'o 81 ,iowo o.. t1-
lnf,lsufla in Tho p1uds AMI ths ut.r
nckls~- asI~yts q country w~r~ .ur. q
hl. PAINFUL afrCtiun
Ia this chiu-ra cha o. - g.H,uuIrfs u.l .fIrs'
ku'l--"au ua- asso"iat.d at first ~tfp
rrtnarkabl" man ~ u wur.' hiuI-.f uut Iu
an deal q painting that -huuld giyr
Microscopic d'tah near ~ hand and a
suCc~-.tun Il mure general a-I..rf, a.
M" spectator WithdrrW I'm, man "a,
tharh'- I~lai-rs- u~i;-iSI, This mv--
uc IOrt,culari;y - dausd IS1 ~. lugic
- az worS hsrr that wrought later with
wider recognition m R,skIn aud HrI-
msH Hunt Rot---au t-.Cafn. fully ,uu.
calls aerial mo,i.lling This i-cau. fYr
I'm N" object 1t a semi u, hxtD0ls Sru-rl-
f'V a. b-Ing IN. universal element amt
L came 'n -h,nh that u matters nothing
what l. ~nwraprrd IN hght and ar ="
long ~ this universal medium - faith
fuiIy represented lie rI~s'- two Wpri-
10 mosi"lc' and IT. CcriVatiV-. ,. mu,i.
20 bring out his mraning MudeIing tu
n 10 school sense - ~ make put fg,Ir..
wAhout thinking % it, background e
the AERIAL Ensemble -I- mu-J.- - tu.
total envelup", gray. silver "r gol,iru
m which this particular rnu.irlhpg o.
wrapped he - expressing thus tuu-tH.
Die chiaro-Curo. IA other W,r,i-. yaI...-
and IN the phrases guot"d above d" InIa,'-
the version Il light and air more uur.-
-erVedly the whole - art than Cou-tADIa
himself; but when h. touches on what
he loves hest after all trees. h. allow -
full part 20 the j"ct and it, ass ,Ciatipn-.
No studio m pdellng then, Black uu.
rid- half tint the other. cutting th.iu
out. dragging them from the life uf their
mode; only thar very httl. part OF rh.
whole planitude ~ relief TIN, atmo-ph"r.
makes them a part ~ it. when ~"
one bothered him for virws upon pain.
ing. lnEr-s versus D-laCroIN ard IN.
rest, Rousseau replied that whom an s...-
phau' dies AZ the roo they sun &c a.i 70
- always something ! IN" ancient an
neIng dead. Ingres stuffed that W.
are no longer in the time ~ The O!ym-
plaus like Raphael bat our trpublr1
time has brought us this universal means
~ aspect
ON this side - his Ar Rousseau : an
ardent naturalist. a buchanan. Hob
h"ma lmTa~-ioned He a"mts Two
Processes. first. exact delIn.atIun. then
hrt the composition - e
scrIpulouS. modest putting ~ what y
IN us- into the tree entering the utmost
possible into 80 "Nbr'or reality 81 things
Their. - comppsItion when ~" objects
represented are not Their. for themselves
but with the ohJ~ct ~ containing und"r
"a natural appearance the '-rho'- they
have laid UP IN our mind
But there - another side ~ Rousseau
II lac was Hobh"na he was Hohbetna-
DelacroIN. there - a cheCk upon his pur"
Whc1 hc brought hiS study
HON" and shut himself into his painting
room IN" svrthetisi woke VI .,rd claimed
his freedom "a on" provInC" II m" pictur"
lie did not disturb ycry much ~ con
tRUratIun aud contents it, a rCumentury
strIctlon - dearly bought sttll
claimed his rSsT.Act, bat over tins -nrrlpI-
lous skeleton - perspective planes M
the ground. N. bun"S and L"rVrs aud
muscles of branches. he let his passion fpr
I"wel work ~ paint hnv" - fhug. mai
ing Ip hig tones - IN" nsarr-t that iui,.g'..
bark aud NOES will hear II IN" emerald
the topaz the amethyst and enhurriuE
thus lu-tr" 10y every drN io" Il paint cook
cry. solids. sCrapings glaze tunUm"rabI'..
and -carce IerCeptible dr"uCh-- II trcl,i.
"rous hi'umen and Nsrui-h Under tu.~..
progresses the picture cam. and went.
wrought up - Incredible glitter oU. day.
r"ze"n and returned - -ph.r
gray III. next Some - his pictiLr"- were
thus rpparnt"d. carc~s.d. regulated
broken up for yeRrs. on" nr two f'r ~
many a. fourteen. and M" lest chaur"
for picture was 70 h" -natcheI AWAY
by some friend AZ Happy crisis Il -
history.
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