The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-07-31

dep1rta q lanttafnp@ Ntth q ri mn " -
. large. bright. be- canvas. v~ry much ~
/ the same oryisr you me-, IN the Louvre
Al Clausl-- are not m-llow a fine noon-
7 hight By OsorE~- michel . brilliant
Nichetti aud two admirable Oeorgs Nor
lands are nsSt in order The MoShhda
show . Mypey ~ncampment and cottage
door. true English rustic hfe Victor
N-hhg'a Indian bride 10 FOE thoas who like
that kind ~ art Ths Roman ruins ~
PannIni are good: Pannini did not pna-~-a
the Imagination % the greater PiraneSi.
zee he vas q concentrations interpreter of
architecture Ealwar, Penney. Oaspard
Pous~in Mary MaEdalsn' Matthew
Pratt. Rembrandt. Peals. John Quidor
u W Ranger. Rnaueplan. three Salvador
hOsas q charactsriatic Theodore Rousseau.
David Rykasrt. william ShAysr. John
Smybsrt, Abraham Stork and ADRIAN
van de velda a combination canvas
Thomas Sully. a portrait % Rembrandt
by this gentle artist Of Philadelphia and
two unknownz of the early American
school are all Chapmans His too a
Madonna Of the Flemish srhool anotlisr
u the Italian school. both about the If
tseuth century; Also a PETER van Bloeman.
two Jan van Ooyens, thre" Philip Machs-
rens. ono Frans van Misris a genre piece
and Rembrandt Van Ryn. The Adora-
tion ~ the Mag an important picture.
interesting In spots the handling az times
undoubtedly Rembrandt nevertheless
. painting before which We kept on our
hat. Perhaps memories OF The Hague
and Amsterdam are still too fresh. though
We are willing To confess that At the Rijks
Museum We saw far les authoritative
Rembrandts. All that is gold and gloom
is not Rembrandt Mr. Chapman's ex
! ample IL well supplied with a pedigree
With the Joseph Vennets. three IN
number. the two voets n still life by
Anton Nollon mastery in creation the
Ferdinand Wagner. the Watts. Virgins.
the David Wilkie- highly characteristic
the two Richard Wilson's. John Wooten.
Zuccanelli and Anton Zwengauer the
Chapman contributions end. A mighty
strong showing. Would that more col
lectors would strive 10 educate the public
IN this manner ehavs purposely laid
stress on Ithese particular loans with the
hope that IL the same should meet the eye
a. they asy in the Perfect Letter Writer.
Of other but t,mid picture gatherers they
viii follow the example % Henry 7
Chapman
Naturally the ciOu Of the modern gallery
- an the antechAmber. la which are hung
the water colors 10y John Singer Sargent
There the pilgrim from New York may
repair and weep over the loss their pur-
chase by Brooklyn has Insured our Aictro-
politAn Museum. They are wonderful.
and almost as wonderful as the taste
that secured them 70 be shown under
the same roof A. the tinted twaddle u
James TIssot There il much stupid
art in the Brookly Institute. but the ao-
called sacred sketches OF Tissot are
positively comic IN their medioCrity and
banal pretentiousness: and there was
a time when Tissot was regarded in Paris
a. "A future celebrity Well. he IL cele-
hrated nov Brooklyn barely gazes az
the beautiful Sargents. relegated IN an
unfair position. yet crowds about the
bourgeois stun % Tlssoi
Of interest chronological Father than
artistic are the Arctic and Antarctic
pictures 10y = W Stokes This does not
mean TO impuzn the talent audacious as
to color. % the painter. but simply he
cause the novelty Of the subjects and the
boldne-s Of the decorative pattern waylay
your attention 20 the exclusion Of Criti-
cism What joyful pictures over fifty
they are On a July day How much more
realistic seems the Stokes snow than
ysre-tchagin in his Resting Place 81
Prisnners- generaliz-d statement Of
snow The aurora borea,is with its
chromatic swirl - extraordinary To gaze
upon and mus, fll with consuming envy
any ambitious pyrotechnist Such scin-
tillating tones. such aerial serpsntiningl
To employ a brOmidic expression. these
stokes tabl.aux Ars alone worth making
"A trip Ia Brooklyn for.
There are many other sights in this
museum. pictures and art objects lent
by distinguished collectors or donated
by the museum: but we fOrbeAr writing
Of them until after our neat biennial
excursion The copies Of antique Greek |
and medieval Italian statuhry are
excellent and exccllsntly disposed in the |
rotunda Upon them. with few excep- !
tions. the usual dissertation IL not prac- |
tised az Is the case in most museums |
Why not supply binders for proper per
sons visiting our halls Of art, Back va
went a. We came. not forgetting to stop /
at the spot where revolves tho little Dutch /
windmill where the great god il not Pan. |
but Gambrinus: also not forgetting TO /
audibiy remark ufon the weather as We
umbled out On the platform az Park /
Place