The Ogden standard. [volume] (Ogden City, Utah) 1902-1910, 1910-06-18
BEAUTIFUL DRESSES FOR THE
BRIDE AND HER BRIDESMAIDS
Wedding Gowns Suit All Tastes Preparing the Chest
Just as Important Wardrobe
THO is not Immediately

NJ terestcd and alert al the
WV mere montion ola trousseau,
and what keen delight It is
10 revel In the great cedar chest
among the fun of laces and web~like
linens. To pat this great soft bow
and smooth out that tucked ruff1e.
One never tires OF handling such dain.
ties and the bride to be is In her
+ fifth heaven OF delight
Then the table and bed linen is no
longer a matter OF minor Importance.
for my lady's bod is quite as elabor.
ate as hor dresser, sheets not only
hemetitched but inaorted with rare
! Clunies and other Irish lacog that
J wear we'll, such as torchon and often
embroidery, although she prefers hav-
! Ing the embroidery worked into the
sheet itself. or course. tho pillows
are frllled and furbelowed to cores,
/ pond.
While -somo, people are superstitious
| regarding the wedding gown, 1t ap-
I pcals to many toakeep the gown intact
to hand down to ones children, which
certainly ie a delightful sentiment
Others believe that good fortune will
{ not continue nor come until the wed
, ding gown IL worn to shreds. Be that
i
made of such materials and in such
fashion as would make 1t impractic-
able for other occasions, and these
Z models.were chosen with that in mind
The illustrations.
TheTf1rst gown in the illustration is
OF deep cream liberty satin made over
princess slip. Of soft Sorenta silk,
made very plain with no ruf1les, only
four rows OF inch wide ruchings edged
gin Valenoiennes lace, the idea OF this
being TO keep the lines soft and nat.
y The three piece skirt is drawn loosely
/. over tho hips wrinkllng slightly be-
< low the waist and ia adorned with
: the bands Of Irish lace and seven
! chous made of cream satin ribbon,
I from the center OF which spring
afsprays OF myrtle. The bodice has a
fchu OF the satin bordered with
band OF the lace and disappearing be-
meath a corslet of the satin Two
chous like those In the skirt are
placed either side Of the plaStron which
is made of the lace and half inch
folds of the satin The stock Is quite
high coming we'll up beneath the hair.
The close fitting sleeves of lece are
finished with frills OF satin. The veil,
which hangs TO the floor, Is of ivory
white silk tulle arranged in series
of puffs caught with myrtle blooms.
An Elaborate Dress.
The second drawing ia of more or
nate design. il is made Of pure white
liborty and trimmed with Venise in.
sertion- The bodice is elaborately
tucked being cut away beneath the
Insertions. The yoke is formed of
lace, laid over a narrow fitted piece
OF the tucks which are Intercepted
by two inch bias folds slightly laid
on like tucks over a band of lace
which, in turn overlaps another inch
tuck, these last two fitting down
smoothly over the shoulder The
sleeves are tucked smoothly 10 the
elbow where they are bound by a
band of lace which releases IL into
little puff finished with an inch wide
heading, beneath which are long
tucked sleeves The girdle is OF soft
satin finished with a chou of ribbon
and white wisteria. The three piece
skirt is arranged In graduated puff
Ing held in place by a band of the
lace and four chous OF the ribbon and
wisteria. The tunic is finished with
deep hem OF the goods The under
dress Is cut TO hang In full masses
with long narrow train. The bridal
veil reaches TO the end of the train
and Is arranged in two three inch
headings massed behind crown OF
wisteria sprays.