The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-10-23

narrow skirt shows no fur. hut IN. con,
which il 81 Russian suggestion hAs
hand of sal around the neck. Just A. The
base ~ the throat and running down u.
left front half way Ia tho waist line.
The coat ~ straight and ,m h. lted acy a.
the front hut has acru-s the hack a To-.
belt ~ handsome dull gold gallon whoss
ends are rounded tabs of sal. faH,an A.,
Tn tho coat at each side of the front wiz
handsome dull gold buttons. Cuns are
81 seal and there are . few Of the g,'t
buttons on the sleeves and on tho ~,
front inside % the fur hand
White Woollen costumes WON with black
velvet or velours hats trimmed IN wh,,a
are popular this fall and Il Ia Aaid tn.,
they will be seen throughout the winter
The use 81 velvet for trimming IN.
creases day by day and velvet costume.
are numerous wherever imported models
are shown. Little frooks 81 velvet eEc..d.
ingly modish in line hut aImo~, uth,,r
trimming are made mp for afternoon
wear and are eminentIy youthful ana
Incoming 4 very little emhroiderv .,
a heavy, held kind ~ perhaps the mos.
elective trimming for these froCks and
cords 81 satin or silk are sonnet me-
and used for trimming. while hutton.
and narrow lines Of fur are TRIMMING
enough for other froeks. Never Wa a
season more favorable tn the rnaklns
over Of old frocks and the usiag 81 old
materials, for all sorts Of materials are
combined, aud the rage for yelling q,
fects makes possible the hiding II any
signs ot soil or wear upon old satin.
crepe. &c.
10th and satin. cloth and velvet. cloth
and crepe. cloth and chiffon. oil are 10.
sirable combinations. Silk ~ any kind
may he combined with velvet Plain
silk may be combined With hrooada or
plain velvet may Ia used with brocada
or fancy velvet
Panels are popular. and skirts opened
ticoat are distinctly modish. while daep
bottom hands or fat founce- in material
contrasting with that Of the upper mar,
OF the skirt are repeated again and again
among the hest models.
A. il Is with the skirts 90 u - with tho
bodice~ One may make yoke and sleAves
~ one material and the rest Of tho bodice
NJ another material Sleeves may match
the lower part Of the skirt and ali the
rest Of the bodice he OF the material used
for the upper part Of the skirt Or
perhaps the skirt material may And a
place only in the cuffs 81 the bodice tho
rest ~ the bodice being fashioned entirely
from fabrics which have no place IN n.
skirt lace. chin on. embroidered net &c
SupI'os" tIs satin for tho foundation
robe - a trihs soiled arounn tho bottom
That need not be bothersome Uso y
down TO the line where a yelling tunt.
stops. Below that put q deep hand N
some rich brocade and let finishing Inc
OF fur or other trimming on the tunic
bottom hide the line OF demarcation
between plain and brocade. Introduce a
note OF the brocade somewhere on the
bodice say in the upper part Of the deep
girdle
Velvet too short for a whole frock or
skirt may make a tunic over a narrow
skirt Of crepe o. brocade or cloth or heavy
laco laid over soft elk.
Don throw away any scraps q good
old lace advised "a drsssnlaker You
can piece almost any laces together and
vel them and got good effects nowAdavs
Apropo~ ~ Yelling. gOo,l, simple blouse
are made 81 black deep toned or neutral
Chi1on over white OF seH COloi with
huge satin bows % some contrasting
rather daring color posed on the bodice
front bene1th the Yelling material
The hl pche ono tone cTepee IN soft
tones y blue. nauVe, gray, gold, h
arc continued with plain creme, velvet
Or chiffon and fashlonsd into distinguished
afternoon froCNs and one tone brocads
Nelvci~ upon yeTy Crinkly crepe grounds
are mad" mp into stunning fur trimmsd
gowns and coats. but for some reason
or 'lIl'l American NOmlon are SLOW N
accepting the wonderful brocades. though
th"y show moro enthusiasm over the
Idei than they did llst year and are APP
parrntly quite converted TO brocads
a. an evening coat mltertal.
some Of the rose and red tones in bro
Cade elyet are peculiarly sumptuous and
beautiful for this Use and the opera season
this year will bring out a more wonderful
display Of sv@nin & coats than has been
seen ~ the foyer IN the memory Of this
generation. We have seen one coat in the
making velvet brocade in soft. exquisite
rose OF. a ground 81 changeable mauvs
and rose satin. lining 81 mauve and
great collar IT chinchlla.
Another velvet brooade coat for opAra
wear - ~ the softened old rel known a.
IepIer~, with enormous collar and hand
around the bOttom 20 dark fur and a
third coat N plain velvet Of rose tone u
heavily embroidered IN silver. trimmed m
heavy silver ace and IN dark fur
These are only hints Of what the ever lrg
coat designers ara achieving Beau'i'.
result are obtained with cheaper fabrirs
and even here one finds an oppoTrunItE
Tor made over effects
An old cloth coat al some good hg''
shade. for example. might he cleaned and
cut on AZ the knees or above and have
very deep hand ~ velvet in self tone -
deeper shade 81 the cloth color jonsi
70 he cloth under n narrow band 81 fg'
Add q huge collar running down m nar.
rowing reverS IN front until IL meets 'hA
vAlvet hand and falls in big square
collar IN n" back Edge this with the fy-
and giv~ the sleeves cuffs ~ valvsf Dor
dsred 10y fur such model was turnst
out hV orc ~ tho best houses in Paris ard
a similar model from another ho,i-s VS.
WORKED out N black satin. black and Eolt