Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-10-08

7 4 81 D. { u ) Z Il =
bcr;,nt but do not mistake intoxi-
eating excitement, ~ Utilization of the
nerves. for happiness. Real happiness
is as calm as Il summer sea; 1t Is deep.
quiet serene. 1t works noiselessly, ST.
lent but powerful when most perfectly
poised, when most serene. Happiness
is u great stimulator of gowth. Moth
ing grows when discordant. When Wa
shall have learned how to conserve our
energies by getting our minds into har-
mony, even tho hardest days work will
not tire us. 1t Is nerve exhaustion,
wasted energy through unnatural. dis
corlant conditions. that makes us jad-
ed and tired out, the result of friction
In our machinery. II we could keep
ourselves in u happy condition all day.
we should be fresh at night. 1t is by
Keeping ourselves In perfect harmony
that we become more efficient and get
tho most out oflife.s-Orison Swctt Mar
den in Success Magazine $Fs
Interest There once lived a boy in
Your Boy a family where three
Iii Music. members had gained mus
ical recognition. who grew
to DO nineteen. without evincins any in
terest in the refining art, beyond a mild
pride In MS relatives achievements.
Golden opportunities to1take lessons on
the already much-abuscd piano had
boen tossed aside. Then he went away
to college. and ono evening dropped III
at orchestra rehearsal. 1t CHANGED on
that fatcful night that the student who
played tho snare drum was absent, and
tho boy was asked to try his hand. In
a moment he found himself In the cen-
ter Of rising. vibrating tones and melo-
dies. he himself a vital part, cndeavor-
Ing to mark their rhythm and swell
their volume, and his own heart swellcu
in response. From then on he became
the most enthusiastic member of the
orchestra. He began to board himself
that he might save money for lessons
In drumming, and he washed his socks
and handkerchiefs to buy II metronome.
The family heard of these rumors with
amusement and awaited his homecom-.
ing with some CONSERVATION. In due
time he arrived and practiscd drum.
ming In the attic, and, moreover, taught
II younger brother all he knew. lie. In
turn. became drummer in the high
school orchestra. but soon the boys
came the owner of clarionct. The
younger brother began to throw long,
ing eyes on the cello, procured one and
In Il short time tho clarinet and cello
began to sing duets In the attic and.
later, trios with the piano, in the par
tlor. for company. Now these boys did
not grow up and become renowned mu-
slcnns. but they acquired proficiency
that enabled them to play with pleas
llre for themselves and others. Through
their awakened Interest and under
standing of music, they gained one OF
lifo's greatest assets. from Il very
small and unusual beginnnE-Con-
stance Osborn III Woman's Home Com
panion for October.
Pcc,lliur Some Of the difficulties in
African Bible translation are OF
Tongue. a curious nature. being
concerned solely with the
form of the proper names of indlvi-
sduals. places, etc. occurring In the
Old and New Testament. In translate
Ing tho New Testament into the
Mama or Hottentot language Of South
Africa, the very name of Jesus creates
n difficulty from which no escape
Is possible save by strict conforlni-
4 y with the grammatical and morpho-
logical pcculiarities OF this somewhat
primitive form of human speech. Tho
device, so commonly rcsorted to by
Biblical translators. Of simply trans
planting the Latin Jesus and Christus
Cor Greek Christos) will not avail
here. For in the 1iottentot tongues Is
n suffiX sindicatng the Female" and
Jesus or Ghristus. would really
signify that tho principal figure In
the New Testament story was q
woman" a view that would certainly
nntagOnize completely modern Chris
tlan theological doctrine. The Hot