The sun., 1910-07-10

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Ihea tisSre an th~ twS cp~sa ec-,-rs 81
sAe RivSeSa waA SAeSr sAors ~r~srn er
he FT~ocA rro~incsl Opera hco 49,
ar~ r.or~or-w 49, arnthTtrNszs N a-raHc'e-
unrnt ara srcf-e thAn -a-,fear 'srr-sssN
essasass'ae Ihe s@- sS s.Jsss, .,n,,
ns<0t and there - krss - - dOoe ~AEse
The saAg<rs a-s - ~Vrk
4 Iss Hanc~. asskcalSA I; - . le~S ad-
vansA<~oss. tead for AD<xrcAn ~tne~~
thAn G~rraAny = sa.'<e a>trtei teAn NNs
lNalts ApAxt tro<a waAi wa NAV -aA'tF
thew AID Ma, tn llAhsr Il tA~ go a,
ers nav -, tA-re has b~ea N reS~n'
r~rars ~rAry~ty an ArnerpcSz ~'Hc>- Mo
kAs horEn h~T carver IN Italy Ant Aonr~Ved
| Aay dl>;iaxaisAed S,sr>--S> ~ Tar a. tn
| r en- are r~IaCsru~i there - bat tAe IN lGS
y Sg-,re Of EccAr4o Martin hN>oanrA
/ o. CtSn<rss has Al>c n~sG Sasiac IN itSN
With considerable sa~SrSs and rENAv -
>Ald - haNc hegua her oi~r@uc career
/ &C the number % ssase-s ~hO usAde thesr
be<lnninSS IN Gern.Aay
/ .J'a~ ~ the CsA~r great AdvantASes %
/ Rerhn - = Ceatre tor sfudy, s1Ai
\ teacher Who SOeS tAsre every ye@r %
work W hIS specially Aad pus hir.-eN
/ IN tossch NTH the newest methods % tn-
sfrNsctiOg. - the grrat amount of MUSIC
I ySu nav hear tAere No, AL ~ u "a eosd
nntrSsc but tAs-S Sre more Coacerts than
! N Aay OSAe- city IN ,A~ world
-Take for Instance the usAao S'orrert<
I and the inStrurentah~,S thAt are - -
I heard th~-e IN the c0Crse OF a Ninter-
| That T1o>s OF tAe-e arS 10 - heArd tr>'e
| 90 ch-rSr nv the Stud~ats y MT draw
I NNAak lIE elnAluA u NA-S 49,
- a. tad a. mcsi German slns'nS % The
l dSy 70 Nad thew are fev ~ the of@rN
| -in.rerS there Who cNH ~ held ~ A.
psncdels but whatever they may u tAeS
Are IN the hong run TnucA superior 20 the
singers to - heard IN the tao fNrtS
| oE~ra hoE.-~~
! Thea tAers are 81 rnSnv aaore or--,Stlc
I p~rforurances n tho CotrSa of Sr>-
sca 20 - heard AL the ssAr> ~ Tn Be-,
In 20 sinE either N concert or opera Nhi
. . A.N - q a fan
/ them. Pew tor~iga sanCers Are ever
I heard IN tha freaca CaritNl t--sAnse
/ the puhhc tsks>s No lnserNsi IN th-'W- II
NaS not until the k,st veNr - tSo that
| thew NaS even .Sny lnt~r'~f N PAr's IN
the tAnso,s~ ltAilNn ssnseT~ a. the dty
-Evea tire Preach stars srAve lsris A.
l som a thew have a regutathon elsewhere
and sinE only OsCasl,lnaiiy ~ nome
/ Thea the repertoire Of the Grsnc oy~rs
/ an Pans has bscorn~ the most dlsAesrt-l-
l ing ali~ruAticn 90 Gounod, Sal;Ii-S@ :
! and the oOutemJorATy uOnlpc-erS Ntfh
their works that must te Acc-pasd in
HcCordanc~ with the requirements oi the
The O,,~ra Cou,iaue j. a much more
| Interesting and to the pObltc entertaining
-ort 90 theatre but | do not know that
/, Sre-s - much Of advantage to the
stucent a. the GERMAN cH-ra houses,
OT onurse the opportunities to hear or
| ohe.tral coacertS In Paris are nolhtu
! a. compared with The cth~E cities of the
same Importance. ami rev rau-lc Eaase<
very slcw prnSrrS>. lss'i1s'nshFi w
tucsi appear there rarely and the pul h
suprort ~ their concerts y sc slight that
ths-~ ssems no d~saTe to hear thena any
Taor-.
I a. its musical character KOss. - only
I srsiitionAl There are few ViTtuosi ot the
first rank among the teachers ct insiru-
I naeutAl music and few famous teachers,
I 10 not. ~ courSe. include L-gs IN this
criticism Nth such te~chers a. Thomson
and NsAye. hut there are leSions OF me
piano and violin teachers IN Berlin com
pared to one in PARIS.
-Prcof of this difference is found in the
small number ~ French Virtuo~i Who are
known nowatAy~ m the work. ~ music
1here are from France JAC1ues 1hibaud
. - vioinlst aud RAoul PuRno - a pianist.
That n practically all that France ON
tributes 10 the concert stage 70 -day
.In Rerlin there 10 great activity among
the students 81 mtrsic who come from all
lands There are scrne famous ts>AcherS
! and a. many frauds a. there are anywhere
else out of Italy and an atmosphere ot
musical work that dos not exist In any
other city of the world. Then for the
opera singers there are the numerous
theatres OF Germany, Ia which they may
succ~..i IN getting q hearing - q u not
to he wondered at that Berlin has bscNu'e
The Mecca % all the music studeats of the
world to-day
The old time objection that the fac, of
b~ing compelled 10 sing IN the German Ian
guage was . drawback 20 an apprentice
ship in a German op~ra hou-e no Longer
holds good, As sngcrs now rrAlne that
they must b. prepared 60 sing ia three
tongues II they would stand IN the front
rank anywhere Geraldine Farrar, who
h an American trained In Germany.
sings with equal huency IN German.
French and ltahAn and her French has
hsen rrAisrd IN Psrls. OhN~ fr~rnstat 4
sings with equal freedom IN German ami
Italian and also sings IN French Lucille
Marcel n equally az home IN any cf the
thr~a speecbcs and began u slus German
after abe had h.'en On the stage Tor several
years, tssne ia the two other tongues.
Mary Garden. who ~ a product cf The
French school - the only singer who ever
achicVedtsuch uNton~ty WITH but IA" Ian
g,Iagc IN her pOsscssiOn Among the men
thew u equal familiarity with Other
tongues, although they Wrrr trained IN
Germany ClArrn,e Mhitehlll sings VA
German, which he learned after ~ hAd
made hs hrst Appearance M fr~uch
sHssSinE s-suntIV aud ltAlAn The other
slng~rs who have ~achct prominence
have the same accomplishments and the
a a L.. -. A. a