davidaulloa/AmericanStories huggingface dataset:
The Intermountain Catholic. (Salt Lake City [Utah] ;) 1899-1920, 1910-05-14
THE DIFFERENCE.

Elder Sister-Come, Clarence, take
your powder like a man; you never
heard me make a complaint about a
little thing like that.
Clarence-Neither would if 1 could
daub 1t on my face. It's swallering it
that don't like.-M. A. p.
The Intermountain Catholic. (Salt Lake City [Utah] ;) 1899-1920, 1910-05-14

in which they discharge their domestic
duties A man cannot go to heaven
for being a good father if he has been
bad citizen. A closer touch on the
part of the people with civic govern
ment and cleaner politics. Too many
of our citizens are afraid of politics,
but they should come to think they
can discuss the subject without be-
coming either partisans or dema-
gogueS"
The Intermountain Catholic. (Salt Lake City [Utah] ;) 1899-1920, 1910-05-14
RELIGIONS PLACE IN POLITICS.

At the weekly meeting of the Pitts
burg Credit Mems association last
week, Rt. Rev. Bishop Canevin deliv-
cred notable address on the need of
religion in politics, says The Catholic
Transcript without religion there
is no true politics." declared the bish-
op. Men will be judged by the way
The Intermountain Catholic. (Salt Lake City [Utah] ;) 1899-1920, 1910-05-14

Just fair amount of persistence
half enough to win at most other things
and your classified advertising campaign
will sell your property.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

her place a. La4y T,asls was later filed
by Annie Russell
By the time this play was presented
10 the public IL had become clear that
there was a strong artistic force hack Of
tae New Theatre which had 10 he reck.
ohsd with. There vas more and more
a senss n certainty 10 he noted in the
peTioFmances. The actors ~ well a. the
directors were finding themselves and
Becoming morn and more accustomed 10
tho facilities II the neN house which they
bad been sIpeCted % learn within few
WEEKS after they had begun 20 share its
use
Twenty mine performances were pus
10 the credit OF SheridAn's comedy. which
attracted special attention TO the beAuiies
Of costume and misc on scene which Haniil-
ton Bell vas providing for every succeed-
ina play al the New Theatre.
Then there came q brief Interpretation
20 the chorus II praise which The per
iormanres had beg,n 10 evoke -lAz,
the Mother. an episode of Fast End Lon
don life an which a deserted wife tried to
exchange a dead baby for hive me. came
on the scene here 10 preCede Don .
comedy that achieved fifteen perform
ancss before the season ended and again
showed Maiheson Lang IN new and At
tractive exhibition II bis talents. But
Lag. the Mother was Withdrawn after
one representation and 10 never again
likely 10 he seen on tbs stage o. the New
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

she had struck the wrong note of color.
IN sunny room perhaps she had a
strong. blatant rod. when Il should have
been resttul color. Color Affects people
mons than they realize
The parlOr then may b. supposed % be
room facing tho south with q pllc
delicate plnkish gray on the wills either
paper Or other material For tho windows
use the same tone of gray ia silk. MORE
or whatever your purse can afford end
make the curtains long and straight
Down the front and across the bottom
place rose cOloFed border and loop
them back with a hand " the sane
For the portieres take a rose colored
material 1t the same shade. Then there
will be harmony. strength and contrast
II one room opens into another have
Z perspective eject. and d0a't use IN one
room a color that will clash with that in
the otheT or the elect will be rlinous 20
both.
Another room has a north light. which
10 cold and needs warming up. 4 rich
golden yellow would he a correct color
note here for walls and window hang
ngs. A golden brown valance would add
10 the effect Of tho curtains. The por-
there's could be made IT tho came brown
stun. they could he plain or eunlalhshed
WV AFiAsNAFf ~ NAA'IN az many ways "
treating them.
IN the stores are many tempting ma
terials that are ineN penaive. and q woman
n discrimination should b. able 20 salsct
the right thing
For a library lake a color that IL reatfi5I
for here tired and OverwrOught nerves
often need soothing Herr have no fancy
draperies or portIeres. but simple. uuaf
elegance alone
In bedrooms your fancy can run riot
for window curtains bus he sura az an
DrOpriatsneas and harmony. Tor that 4
essential When simplicity 10 required
India silk Or pOngee make pretty. soft
hanging Cretcnne - appropriate. and
linen tapestry with cut out chintz borders
10 not new but good. japanese cotton
oreps " light and airy. and fine unhlearhed
muslin with hands of CretOnne In lilac
pattern across the top and bottom and
down th1 front and edged with ball fringe
I 10 sKtrsmsly effective.
u hahter curtains still arc reoisired
q llne cream colored aCrim with a border
Of medallions AZ imitation vaienopnnas
lace under which pale col0red china all
IA PLACED and an edging n tn vaisnciennas
about four inches wide sswed nn htll
gives q jabot effect thai 10 very dainty
Tor q country h0uaa,
Many inexpensive lawns and nFEandisn
can b utilized 20 vel. with ruiled edgrs
~ lace Insertions iUu can Eet results
from dress gDnda ~ well ~ the regular
dFRpaFy mataHae.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

Theatre. Il II also likely that no other
playhouse will ever accept IT, that none
will be a. accommodating - the New
Theatre was in those days Of ice eXistenos.
Twelfth Night which was more
successful in lie pictorial than in lie his
trionic details, came along neat and lived
for twsnty-one representations. With
Annie Russell IN the Lending feminine
role. There vas sumo strange misCasting
in this play. for the part Of Oliyia vas
given to young Leah Bateman- Hunter
Who IN one Of the mOst promising II the
New Theatres discoveries. but by no
means sufficiently mature for such a
part. She looked a. much like little girl
acting in her mothers skirts in amateur
theatrcals as Ethel Barrymore used 90
when she played in Alice sit by the Fire. >
But there was an admirable perform.
anos by John Wendell. another New
Theatre product. Annie Russell sur
pTissd by her delicate comedy as IlOli
There must have been merit in any per-
Torrance ~ a play u Shakespeare .
that could last ~ long without the assist
ancs Of some very popular union ~ starr
Gloom in the New Theatre repertoire
again asserted itself in The Witch .
which was an adaptation 20 New England
life ~ a Danish play Of witchcraft that
set the SPECTATORS testh on edge by the
sheer horror Of lie opening act and kept
them In deep detection by tho accumula-
ton Of gloomy incident that followed
Bertha Kalich made her appearance With
the company and showed that her knoul.
edge Of tho English language has much
improved. hut there vas nothing else in
the whole play ~ we'll worth while a. Ham,
ilton Bell's beautiful view ~ a stretch u
New England seashore with the apple
trees in bloom. Il must have been owing
20 that bsautiful tree scene that such a
gloomy piece a. The Witch succeeded
in putting a. many A. ten representa- tons
& It's credit.
The first act 81 lhsen's Brand which
was = curious essay la sccentricity Of i'm
prusarioship, had eight performances,
Wide the beautiful Sister Bsatrics' of
Maetsrlinck Was given ten times. Now
tho season was drawing 20 IL close and
The Winters Tale which was given in
sO-called shakespearian fashion, had
time for only seven behring's, although il
struck twelve for the resources oE tho
theatre.
Edith Matthison. who made her first
appearance as a member q the company
in Sister Beatrice was the heroine Of
the ShakespeariAn drama and added
further proof 10 her right 20 remain In
such distinguished artistic society. Most
Of the actors Of the New Theatre company
had gone away acting In other cities when
Rene FauChois's dramatic biography
called Beethoven was produced and had
tWsnty-siH hearings.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

. class just next 70 these that is very
difficult % provide for
In Europe there are numerous smaller
artists who 60 from one town 70 another
armed with letter.. cards and similar
means u intrOd ICtion and make a hOuse
% house propaganda before they attempt
20 give concert. The receipts will carry
them on 20 some other town. and when they
come back the ueTt season they try the
same scheme on. Well. that h impossible
20 work in this city or IN any other In tho
Cnited States.
When a Woman's club or some musical
organization will not guarantee the
artists a certain sum the nnanager has TO
1--WE the concert on his own responsibility
Usually he gets 10 per cent Of the grose
receipts OF plays on shares With the local
manager Unless Il n very popular
artist who has a strong draught, or one
who is satisfied with a small return there
is not likely 70 be much satisfaction with
the outcome Of that concert
The best plan for the manager az we'll
AZ for the artist is 20 sell the services Of tho
artist 20 soma society which will pay
anywhere from 500 70 500 for them
The manager gets his 10 per cent the
They are likely 70 b very much happier.
moreover. than IN the case IN which a
concert h given on the joint responsibility
Of the artist. his manager and The local
ma naRer. In which there IL not likely 20
BE- much left for any Of them,
1t was amusing 20 read the other day
that q singer at the Metropolitan had
con- planned that she could not get q re-
lease from her contract on the ground
that she could earn 20 much more In con-
cert than she could in opera. and that
a famous soprano IN London was bswail-
ing the expense Of giving concerts IN this
country.
1t 10 true that the expense Of a con-
! cert tour IN this country for an artist Of
the lirEt rank Il enormous. II has been
estimated by authorities that az least
/ half Of the gross receipts must 20
/ for expenses Railroads. the cost Of
assisting artists, the pay q Managers and
representatives thesa itsms amount 10
q veCy large proportion ol the taking
"Oi cOurBe only the artists Who earn very
high sums can aRcrd % travel about In
this way. and clly FOR thsm is 10 really
necessary. The more sensible of these
artists take whatever there is in any town
that may happen % IL on their route
II. for instance, the artist Z lee b. cav, A 10
and there ~ a town directly on the route
thai offers only q 80 the reasonable
artist viii take that, siuof n h directly
on the line and without extra cost
When several Of the large plano hrms
united in IN agreement not 20 import
any artists n play their instruments n
wAa thought that the ovevauDply ~ con.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01
SPRING TIE TINE ron Lawn.
Even the Old Jews. Greeks and Romans
HAD the spring Lamb Habu.

Lamb from the very earliest days has
always been highly appreciated a. this
time Of year. apart from the traditions
Of the early Church. OF course with the
Jews Il wAs very significant az the Pass
over. but the Romans and Greeks also
quite realized its particular delicacy
early IN the season.
There 10 the house lamb which IL
ready very much earlier In the year.
for this can be obtained from about Christ
mAa till the end II March. when the out
door or gTass fed lamb makes It's APP
pearance 1n the table The house lamb
u particularly delicate. Tor Il n DrSe-
tically reared on milk When the lamb
IL still quite small and tender about
Elk weeks Old is besil u ~ often served
roasted whole
When serving roast lamb bot mint
sauce odera q welcome change 70 the
everlasting cold mint sauce We asa on
every occasion. For this, says the Queen
put into a pan ave OF siK sprays Of fresh
mint. one sliced onion, two bay leaves
one fresh mushroom washed and chopped,
raw sliced tomato. a teaspOonful OF
glaBe, q pinch Of caster sugar one pint
OF rich brown gravy and the whites Of
two raw eEgs; hring II Al % tho boil
then simmer for nftesn minutes After
which strain through = soup cloth INTO
clean pan; reheaf the sauca In this. ana
Whan u COMES % the boil STIR IN hnlf 4
tsaspoonful 81 cornhowar. previously
rubbed smooth With q few dropi N zataT:
bring h 30 the boil uncs more. then IA
a teagponnful n finely chopped Fau tween
mint and uss.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01
NEcRO CADDIES DOWN SOuTH
ObliginE ami Cheerful IIeils the VISIT
ING Golfer TInds Thew
" Wo'or l-Fali Yorss

The winter resort golf player mees
a refreshing novelty in the negro caddy
Sometimes the boy is grizzled old
fellow rising 50. who totes the bag Of clubs
ab'1it with the alacrity Of youth
Tho caddies come in N sizes from ~
feet or more with the muscular bulls
N prize fighter down 70 lads lust abou.
able 10 handle the Dag. but no matter
What his age or size. the negro caddy has
infinite ability 10 be cheerful He dozen
adopt the somewhat cynical manner Il
the white caddy, and his manners are
better.
For another thing the black lad ord.
narily has the eye " hawk and traces
the balls with marvellous sureness. one
daddy said he hadn't Loot a hall In the Two
years he had been caddying which " a
remarkable record
The negro caddy comes into his work
with an smiable idea that he 10 the pr
ner of his employer. The hall ~ ours
Whose hall 10 that near the piny' aska
the golfer. That's ours. sir. the caddy
says
When the golfer gets 81 a good long
ball from the tee, the Caddy does l1t N
quiet roofing. Ride on, ball. ride IN
he calls much ~ N he were rolling
the bones and roofing Tor hs number
10 come no. We does his hest 10 cnsE
the hall INTO the cup ton, in much tho
same way hut his SENSE 81 exquisite is
too strong 10 permit him b make snv
noise Whils the play IL actually being
made
No matter how much 81 duh ~
has Tor q boss st tho time. he d0esn
sheer or say anything Impairment. whirh
is relic, % the PLAYER from no North
who knows the unpleasant habits ~
some % the white caddies. The only
had habit the boy has h. Co Ramh'.
ot the result of the match he's accom-
panying. II can he seen what a test "
cheertulneas II 10 for him when his player
~ duh and misses an easy shot for the
hole and 70 throws away the bet
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01
PORTIERES AND CURTAINS.
suggestions for . Farior. . LIbFary and
a neslPOem,

In former times poFti4rss and curtains
we're used more with the idea II keeping
out drauEhts than for decorative effect.
which 10 their chief purpose to-day
About the time Of Henri II N France
the window treatments began to assume
a style that added beauty 10 the room in
which they were hung. and each succeed
ing French period had q style Of ita own.
usually elaborate. sspeciallyin the re-
Gime Of the LOUIS which was the climax
Of the decorative periods in hanRinRs.
tapestries, furniture. Aubusson carpets.
&c. In England a much heavier STYLE
was IN vogue
Those who can afford 10 do 40 often rely
upon the high class decorators for the
selection and arrangement OF their HOUSE
draDeries. Quite AZ good results can \.
secured IN Hoat cases BY tha exercise Of
individual good taste. Here are thrss
thing TO b rsmSmhsrsd by thoss who
hike artistic thing yet cannot pay an
eKuSvagant decorators price:
!. Period styles Of haaghEs belong only
IN room where everything else IL IN Keep
ing
q Don't make the mistake 90 srmmon Of
using French draperiss In nondescript
room no matter how much hey may appeal
20 woman's taste they are ncOngFuous
J. Go 40 far away from them o. possible
no matter what an upholstereT. Hho often
calls himself an Interior decorator. may tel
you, for the effect Il you take his come.
times erroneous advice. will he inharmoni.
Gus
Have harmony by ell means IN The
ensemble. and 40 curtains and poFtiAFe,
add much 10 the decorative scheme. hav,
them right and insist upon Il.
A. an indication Of a proper deooFativ,
scheme take a paFlor for instance. Firs
select a material that 10 in perfect aceorr
with the walls and he sure Il 10 tho riRhl
color Tor thu light whether north. south
eas, ~ west. That IL = matter ~ vita
Importance, 80 color inhusnces YOU
senses - a very great degree. One colo,
10 rssflul and another aggressive Ever,
one will recall beng in FaoHna which syer
tho occupant said worried her. she did
not know Why. but they rot on hol
serves. The reason pas simple annalaf
70 The asiiled decoatyT. Who knew IA,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

The lack Of financial SUCCESS Of the Chicago
season Of the Metropolitan Opera com
pany this year .s aid 70 be due in part 70
the FAC, thai the organization Is making
lie headquarters IN Chicago and giving
performances IN nearby cities which
formerly sent their visiting contingencies
70 Chicago 70 hear the opera.
Impresag.Os find u difficult 20 under
stand that there u an end % the interest
aud the money opera will produce. yet
the experience Of the last season seems 70
demonstrate The fact that there are few
cities that have ample financial support
for a second company after a local con-
pany has boen giving performances for
N1 months And the interest in opera
always proves too great 70 permit con
oerts 70 have the same degree Of SUCCESS
they bad when fres from the competition
Of opera.
So Chicago will also be removed from
the Managers map next year a. 4 city
certain 70 yield large audiences 20 con-
cert artists. Musical interest there will
Be centred N the opera. But the saIna
number OF singers pianists and violinista
viii undoubtedly 60 there 20 appeal for
public support.
They viii also swarm further westward.
and IN most towns there will be a. least
twios a. many artists a. the populations
Of the cities can support. Those artists
who are familiar with New Yorks great
uenerositv IN the matter OF sIpporting
riuaic are disappointed In the way 10 which
other towns receive them. Il 10 dificult
10 ovsrdo the matter in New York. sincs
its music loving public 70 very large,
but there are many concerts given 10
this city that do not pay.
The orchestral situation e fairly we'll
understood Walter Damrosch Was de.
lighted that hs could keep the dshdt
Of the New York symphony Orchestra
this year down 20 81. 900. and Whit the
Philharmonic society Loot h q matter Of
conjecture 10 even New York can have
~ oversupply n music.
There Ia bound 10 he a very important
change 10 the management Of the concert
business said an agent ths other DAY.
The supply 0f musicians sent nov 10
the cities m this country b larusly In
excess Of the demand There arr two or
three Big people In the business who do
not suffer and are able 20 make no lArgs
receirts they always did, hlt there "
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

Strife John GSlwoFthyIS play Of
labor IN England. WaS Amerioanissd
and did not, IN the opinion Of many, gain
through the change. especially az the
conditions depicted IN II did not always
conform 70 natural OF social char
ac,eristics IN this country. Vet the
production Of tho play. which was acted
N all seventeen times. proved the first
approach 70 q popular success that the
New Theatre had known and inspired
still further conhdsnes IN the artistic
resources Of lts director.
Then came The Niger by Edward
sheldon, which was . very daring eRor,
Tor a theatre that had been bull by rich
men IN the most lavish style that money
and architectural talent could accom-
plish. In spite Of the unusual character
q The Niger the play met With sue
cesS and attained the large number OF
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

in this particular. The foremost works
Of the modern English plAywrights are
nearly al pledged in advance TO the well
known commercial managers. and what
such an institution ~ the New Theatre
can get has generally been refused by the
managers of the other theatres. The
sane 10 true Of the American dranatists
% a certain extent. and 10 the French
and German phywrights the manage
ment can turn only when ths CONNER
Cial managers have first had the refusal
u their works 10 there il practically
a very limited ield from which Gney can
draw at present Nobody can doubt
that there will soon be a time IN which
the dEamatists Of every nation will he
glad to submit their work 70 the directors
q the New Theatre
last season the performances labored
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

In an ordinary theatre directed by CON-
mercial principles Il would BE- possible
10 tell just how profitable a play had been
by the number Of representation, but the
situation IL not the same at the New
Theatre. There were other influences
at work in determining the repertoire.
but II Is possible TO draw certain cOnclu-
SONS from the result OF the frat season
Of this theatre.
Ten full plays had Iss performances
The authors represented were two Ameri.
cans. one contemporaneous English
dramatist. q Belgian and a Frenchman
aud sheridan and Shakespeare besides
the Dane who wrote The Witch in is
original form.
When one oonsiders the dificulty
In selecting plays with which the New
Theatre must struggle there can be little
ground for criticising its achievements
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

fully equipped for its purpose, and THIS
taot waa ~ true Of the New Theatre as 81
anY ether institution.
HaW wei e served Us ends a already
eAe~o. ho~ mVeh more may be eE-
po~tao N me tufure . also moderately
esgtain. mat ts subscribers possess
oomPleis oonnaence IN tne future nom
~ Past achisVementa "a iully evidsnttrom
90 sxt@nt 70 which the subscriptions are
hsAG renewed Tor the second year HE
EsSSsars % ne tnesire val moreover
haSe ne facilities OF me playhouse wholly
- thsir own disposal hereafter. Last
season they hao 70 share u with the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

cert musician might not he 10 great
but they are still coming over IN droves
The result 10 that the less famous Of them
must make up their minds 10 he satisfied
with much less than they used 20 Get
while the best known even must take
whatever offers rather than stand out
for an unyielding minimum
so far a. ! can foresee there 10 no
chance Of a decrease o. the supply Of
concert artists They fare 80 much better
over here. whatever they NAV get. than
they do abroad that they will continus
70 come over 10 long az there are agents
20 lure them.
-Of couras the agent does not lose in
any case Whatever his singers or pianists
or viOhnists may do he gsts bis 10 per cent
20 II he has artists on his stan in sun
GENTLY large numbers he will be- sure Of
iaunE moderately well He h not hheiy
70 discourage any artists that want 70
come here
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-05-01

template the removal u tha bOxss from
the rear q the orchestra stalls 10 ths
balcony which wall be put in In place Of the
present foyer stalls and tho placing u
seats at the rear q ne orchestra Whsrs
the founders boxes are az present. The
ceiling Of the theatre IL 10 be lowered
fifteen feet. thus doing away with he
top gallery which has been found quit
too remote for use in dramatic perform.
anoes. There will also be a reduction r
the brilliancy Of the color scheme Of tho
decorations. which was planned with the
IDEA that the theatre would not be W
well lighted.
There has 40 far been no announcement
a. TO the personnel of the company, AL
though Il IL settled that Annie Russell
will not he able to remain. since she was
under contract with Charles FrOhman