The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-13

about him a cascade Of nudes; the setting
was an interior; tho present example
mo. I In the oatalogusJ has q landscape
background. There 10 excellent brush
work In sChsz Elles': The Crinolins'
h ugly. while 'RembrandtesQus' reveals
cadAVorous nesh. Summer" NO. - 10
graceful but airlean: the ma joriey Of his
PistR air thence suffer for want OF an
atmospheric envelope. Munich still re-
tains her grip on the man from Budapest.
The Venetian u not Venetian II tonal
richness he implicated by the title. The
large nude and lady in costume mo. 13l
contains much excellent modelling. though
the nsnh tints are cold.
Be.aS Magyar. We had expected more
warmth and brio from Marks. Before
the Mir1pr' mo. sOl shows the painter
at his bsst. inspired though he 10 by the
French school. The textures. the science
displayed Ia the pose and the general
brilliancy OF the color schems>And sure.
swift execution prove him 60 bs IL not
inspired &C least an exceedingly clever
craftsman. He knows how "a set on lie legs
vital figure. and for this same vitality
hs must bs pardonsd shortcomings.
An imprsssionist no 10, In the broad sense
sionist Of the sunshine school he u not
The color 10 too often hot. hard. ltlstreless.
and the Gun surely never appears to him
In his dreams. However let M cry Ellen"
and welcome the new conner. n he hadnt
staggered in with drums and trTmpsts
our expectations might not have been
keyed 30 high. Europe ESPECIALLY dear
old London) still believes that America
is . naiioa Of Barnum worshippsrs. and
Mr.. Marks 10 q sufferer because Of this
misapprehensiOn.
After tho Ovsremphasis Of the MARKS
pictures Il IL a pleasure 60 reveI in the
cooling fiuidities Of the Emil Garrison
marines. His exhibition az the Poison
Galleries. Ssa Fifth a venue. has teen
very SUCCESSFUL; better than the sue.
cess IL the fact that Garrison has greatly
improved since he exhibited ia these gal
leries a year ago. You realize the pres.
snce 81 a structural sense that has been
missing at times. aud his water - Wetter.
The color key h mounting: lf there IN less
repOss. there 10 more smotiOn. Carissn
10 horn a Dane; with the exception of he
VeDetiEn and Maine subjects all his new
pictures were painted IN Denmark. Hts
poetic feeling grows apacs The Path
TO the Pool and The Road to the Sea
are charged with delicate feeling The
Foothills canvas has been seen az an
Academy show. II 10 always good To
gaze upon. The bag white cloud boulclens
Iazily rearing their thunder heads IN a
misty blue SAY over low hills evoke q
sense OF eternal summer. II we can point
out asy particular influence that has mad.
itself apparent in the Garrison landscapes
80 might say IL was that Of }. Alden
Weir: hut the Garrison waters are all
his own. Midsummer storm in truly
Carlsenian in it- weller OF creamy seas.
he'll broth and flying scud. It's human note. 2
above all. it, inspiring shy. An eloquent
picturei Among the Venstian bits are
ia 0iudecca- and the Market az Venice
rich notations and shrowdly observed. /.
Very English u From New Bridge
Boats on the sand ne admired least.
despite it, sturdy brush work. Garrison I
ought 20 20 far. We wished for one Of I
his still hfes AZ this exhibition which ,
ought to be kept open a week longer
Though the exhibition Of book plates .
in the LenoX Library building clossd .
March I. they may be seen in the print .
room In the main gallery second hoor. /
Curator Frank Wsitenkampf has ar
ranged an interesting exhibit OF etching-
by Leopold Flameng. selected from tire .
:. p. Avery collection. which possesses
The largest number Of specimens from
this artist in any gallery. The show 10
we'll worth Visiting. FlaTneng was not
4 creative talent. but m an interpretative
etcher he had fen superiors. The series
in the casss ranged along the wall -
called Disappearing Paris. but does not
reveal the artist at hts strongest. How
ever. u will prove attractive tn lovers Of
4 PARIS no longer IN existence. a quaint.
impossible PARIS. Mr.. WeitenkAmpf has
grouped the etched portraits and repro
iuct IONS from various masters In an agree
able manner The -Hundrs.d GuiIder.-
after Rembrandt - shown in several states.
,lso the Blue Bow 81 GainSborough,
The names Of Halls. Hobbema. Reynolds.
Bonhsur Meissonier. Gustave MORGAN.
hts -Giipus which gives fair notion
u the original. Cahanel Rubens InEres
With portraits OF Molisre. Shakespeare.
Nine de Pompadour. Rachel in one
" her roles. and n positively depressing
Drssentment ~ the unhappy etcher
IIeryon. Who looks half mad a. he sta
lunched mp in = sgualid bod: Huxley.
Darwin. Sir Seymour Haden The latter
soaring that air ~ ssrsue and British
that enraged HE irritable
brother in-laW Whistler and other