Bisbee daily review., 1910-12-25

chnnna. C . peomisea will not msr tauon11y a1oc1 tAe siIhoutte: But the sAagsn0s C tAe narrow dresssA runaay . nscansity with aA skirts sAuvlAg the hoobleA effect. is said to bs AsaneA lt is to be suppasnted by sk1res sf greater length. even If fmn6sa GAsall not immediately TO twD e tsniAa
 TAo ennous makers in Paris ar~ slowing models of both the old and th> nsv style Some of the models follow the lines of the Grecian style. wiSA shoEt and simple skirts and tunsc sRects. while others initiate the sky,e Of Empress Josephines period, with its long sweeping lines ana approaching train effects.
 Soft brocade princess gowns, ar tistically draped. are exploited by one maker. who has always been an eatAssiasdc supporter of slender lines. These new brocades, by the way. are beautiful. combining the richness of old-time fabrics with the pliahSlity Of chiffon. Many skirts on evening dresses are showing opeaings ct one side over hand seme petticoat. There can be no eosbs that trains are again coming into favor. Parisian women are too paft1Al to grace and dignity to ovre- losk SAo probabilities of a long. sweeping train. Snort dresses are suitable enough for young gir,s. but Roa all women are young girls.
 m1feen. or hair-striped velvet. is very much in evidence for dresses oua in one piece. Straight. short and exceedingly simple are these garments. The cut must be perfect, however. and tho elegance traceable to color and just a touch of trim. ming. Ali accessories of these dresses arc chosen in a contrasting coier. With . brown rattan eos tune. for instance the gloves, hand bag stockings and cloth tops of the the shoes might be green: with Q gray seft. red is very popular.
 Street costumes may be artful,y simple in line and ornamentation but in evening gowns fashion has gene to the other extreme. Never wers evening toilettes more gorgeous and noro costly than at present Some of them are eccentric and daring in cut. color scheme and trim ming. but the overwhelming majority of fhese Epwns are extremely beauti- fui. While subscribing in a general way to ths accepted silhoutee. they bluS the outlines with shimmering yelling and gTacenll folds unu. all hardness disappears and keeps the prescribed eilhoutte.
 Materials for all sorts of wear are handsome enough and varied enough this winter. but if is when ere comes to evening dress that one finds bewildering beauty and variety. No brocade too glowing ant gorgeous for such use, no jewellet trimming too barbaric. no tissue tof diaphanous, no color scheme to' delicateiy poetic or too daring. Tn sEDunt sf gold and silver enterini into the fashionable materials an trimmings has much to do with tn effect of richnes sand extravaganza given by one prevailing modes fo evening, and al. the beaded an bugied and iewelled embroiderie add to the sumptuousness of ever ing toilsttes. Fur adds its rich touc and the laces are beautiful; but a of this eorgeousness is not abs duhely necessary to the achievir of evenig toilette smartness.
 It is worthy of record that som of the most delightful frocks wor st the opera and some of the tasl ionab'e evening functions had an a of extreme simplicity and not
 touch of the gorgeous. This effe' of apparent simplicity Is not easi' produced and requires greater ge IGs on the part of the maker tina the most elaborate and gorgeol costume
 White and gold brocades maf some of the most striking evenir gowns. with handsome gold lac embroideries of pearl and gold. ca, for trimming. Picturesque models mediaeval air are made up vii narrow tunics of such white ar gold or white and silver broca, failing straight in front and bac out open all the way up the sid over simple girdled robes of chiffs or tuiie Jewelled chains or cor, of gold or silver at the sides ho hack and front in place and usual some heavy metallic or jewell, embroidery borders the tunic.
 The chemise tunic of tuile or n' ffnely and exquisite y embroider
 in bugies ard beads falling over
 clinging robe of satin. is a gre faworite and the transparent tur is used in every possible form. O.
 surplice corsage of chiffon. the ls side fulled vertically and embroider
 around the decolletage, the oth softly draped across and bordered
 a narrow line of dark fur. Belt the gird,e the tunic is rather shs at the left side and slopes shari
 across the front almost to the six