The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-27

dsaciency not peculiar 90 AmsricA. Bua
subtlety in observation. feeling for char
acter - well ~ Tor decoration. raoimsas
OF atmosphere. together witt fnishsd
craftsmanship. are prasent In the wOrk az
Benson. Chass. De Camp. Dewing. Has,
aam. MstoAf. Reid. Summons. TArbsll
and Weir. IL h q pleasing coinoiAsnoe
that the hrsa appearsnce Of thu Ten In the
new galleries should also be the occasion
for a particularly fine showing On their
part, Zach man gives n capital account
% himself Childs Haaassn has painted
the facade Of some Chinese merchants
houses in Portland. Ore. He has never
done anything more original. newer hAa
has hrtHAh displs yed such hns@as. The
subject - hOpelessly commonplace. but
the magic Of color can transf0rm town
pump into a meteor. ThS tonahties are
simp,y indssoribs BILE. and there are pas
ssGes u blue that must have l00ssnsd
from some Italian sky end sn rOuts over
taken . robins egg. Therein the artist
dipped his brush. A fsw 0vientals are
ssen lounginR on the steps and q cynical
cat u p@rohed over q doorway.
A angular bait beautiful picture. Lst
w whiaper discrOstly that We prefer it 20
the Spring Garland one u Hassam's
pet. long hmbed nudea. wearing fesaoon
of flowers Acrons hsr aAcrsoGs nesh. ahs
10 presented panelwiss. The summer
sea won q medal a. the Penneyivania
Academy.
Wsirs Hunters MOon- was praised
in THK Sun when shown a. the las; Penn
sylvAnia Academy exhibition. but it looks
better here than in Philadelphia Another
WORK that 10 ceviare to the crowd. vet
delights the eye and Imagination of tho art
lover His Flower Girl 10 the best figure
painting ne have had from Mr.. Weir in
years. Few men would dare the dangerous
sonalities he has oombtned IN the ssar5
and the flowers. the skin, eyes and hair
belonging TO this damsel. Edward Slim
mone shows q vigorously modelled woman
with blond hair aud pls1ty Of physiqus.
Robert Reid has never before been 20 90
ducaive in his management Of his palstss.
~ The she'll will prove. And the
iTidssceRt hArmoniea at thu she'll. OF tsx-
turea. Of the girls face and her graceful
hat are not merely wrought into = deco
Tatiss ,sasssrn; the figure 70 ia tangible
relief; character il not missing. Tar
bells Josephine and Mercie- is lent ny
the Corcorah Gallery. Washington. Ito
liberalism u tempered by the exquisite
Wit Of this painter. Benson 10 brilliant.
breezy aud BansoDiAn. az IxHal Mr..
Chase sends some fresh ooIored laI.dsCaps
bits. views Of HE Florentsns villa the gar
der. slope ~ Fiesnls and a bg oleancier
bush. His fish. not ia the cAtalogI,e. are
mastsriy. Joseph In Camps The Fur
JacRet- was On tho Pennsylvania Academy.
4.
Roses il q charming canvas. fun % hight
aud air: the d~~in.ss al the flowers coI-
tra~t- we'll with the dry, shiny browns az
that violoncello bark ct the Riri. Drew
InG's "A Musician- IL one ~ his d@lciOsssiy
wrought gems. 4 Young woman holds
with outstTetchsd arm a cello. The in
stTunsent n l'hstTele~s. vet the whols Pic
TURF glows internally. Willard Metcalf
power in his -Froseu Pool The
scene IL au-t~r-, vet i- the promise VI
spring in tine air. The harmOni~s VI color
IN the ldrch and cedar. which mOduiAts
at the sky hne are Metralf al hi- alIhs l~si.
The Red Maple gives an inspiFitinR
stretch II water. and tlse shadow n the
lake ~ Itle Tree ~ captivating Mr. Met
cGM marches sn. Altogether a nota.,le
exhibition.
What n we ~srs asks.l Ia RAnl@ the
difference betWsen the work of the
younger American painters flor the most
part Partisan in artistic lineagel and that
- such French artists as MaufTs. Loiseau.
MOret. Andre and D'Espagnat' WOuldn Z
De probably change the subject? At
Rusl's Galleries these FIVE paint |
,r- are cell represented. and IL 10 instF1ic- !
live a. we'll a. entertaining 10 disentanSle !
the aforesaid differences For one thing !
there 10 more solidarity. more eyidsnce !
~ n school. "a tradition even though IL ?
be youthful one in The paintings Of {,
hess Frenchmsn than - evident. say. al
The MontrOSs exhibition OF the Ten The )
american group 10 anaTchic. versatile /,
v ithout any disposition to paint en- mAss~
they may have learned 90 NIX their /
roiors and WELD their brushes ia Paris !
bat they have emancipated themselves ,
Irom any particular method II nj times I
Tarbell recalls V.rmesr on Hassam. or I
Monet. where does Dew'nE come from? /!
Not exactly Whistler The Frsnnhmrn !
have -temnsed from the first impression /
i-ts; vet MauTra 10 not Monet: NOrst |
paints water on a totally different plan. !
v hile Andre is neither Ike None, nor |
henoir he latter his master We ron !
,.-- "a much admiration for the Hvs
They are not sxtraVAxant. ~ il the I
NIatisse school. and they each record I
On the original theme played !
nv Monet Mr. Georges Dura0d-Ruel !
has been generous in his allotment IL ,
space to these gifted artists. I,ois-su's !
-L~- Rive- te rEure' has n peculiarly /
dreamy qua. ity: IN fact. quality il the !
ksyword so all the cauvases. There 10 /
morp poetry enclosed within this raint |
than can he found among the Americans. |
We are brilliant. a. indiV' dual az the /
Frenchmen. but nO, as sweet.y compelling. |
Il IT a question Of temperament or per-
hatvs - climate,
Maufra'a la Je'Se- usos, contains |
some striking passages ~ water: such I
liquid green's A rather startling De |
IDaEnat is n mother with her children |
sitting at the edge ~ Lake d'Annenoy
1870, lt - boldly planned. largely |
executed composition Andres Avenue |
thI Bois De Boulo9ne' 10 real without be- |
ing literal; the same may be said 10 his !
TuileFieu Garden and Hyde Park LOissan |