The Bridgeport evening farmer., 1910-08-03
|$25O STOCKINGS
 NO PETTICOATS
Fur, Chiffon, Embroidery, Bugles, Satin and Tulle
 Combined in One Gown

! its exquisite charm Is utterly destroyed if the drapery is not deftly handled. Developed in old-blue crepe m&t&ore over old-gold 1t is . captivating setting for either a blonde or brunette. The trimming Is of antique gold net embroidered in Roman key desigu of black jet. which gives very smart hnish to this otherwise rather too demtre gown. The bodice and sleeve are cut in one and softly draped from right shoulder around under the left arm across the back and up to the right shoulder again, twheTe it joins the front beneath . carved jet clasp, thus forming a softly daped little sleeve.
 The left arm Is quite sleeveless, the gold-co1ored tulle, which fills in the bodice, being held over the arm by q tjctted band.
 The skirt is practically hung around the body. beginning at the left side in a scantil1y draped graduated twnic effect; reaching just above the knees, 1t widens out into short clinging train, coutiuu- ing around and under to the center back
 The hem is finished in heavy twisted cord of antique gold.
 Rather more intricate of design fs the little frock at the left. It is made of Indian yellow mar Iquisette, delicate and transparent as sun- shine.
 A distinctive feature of this little frock is the odd slccve-one being of the material and the other of spangled Inet, which also forms one little corner of the bodice.
 The under bodice is simple princess slip, softly shirred about the bodice and hanging straight and supple about the feet, the lower edge from halfway be- low the knees being a wide band of tspangled Poison dor net banded on either side, as also is the scarfiikc tunic, with velvet ribbon of the shade known as golden-feece, embroidered in topaz land sapphire, and, of course, placed un- jderneath the rnarquisette.
 The scarhike tunic is securely fast ened to the bodice and then wound Iaround the body quite to the knees in front, continuing Up over the shoulder, tJapanese sleeve and then disappears be- meath choux of white charmeuse made Iaround a topaz plaque. The edge of the scarf is finished in band of tha jeweled velvet and Madena embroidery ] Every large eyelet) in white.
 The left side and sleeve of the dkcol~ letage Is of the spangied net, llrc ths band of the skirt, edged in the jewsied velvet and disappearing beneath choux of white and the shirred bodice.
 Of rich simplicity is the EUptiza gown at the right.
 Most Egyptian is its tone snd-tFhn- ming.
 Tie smoothly-6tting prineess s6p. As of glossy black Cluny lace, extending only to the ankles
 Of especially good line and bujld is the tunic of du1l-green changle voiie de soie of three tones. It Is cut in two sections, the front and back half of the sleeve being in one with each.
 It is laid in a wide panel down the front and shaped into the bust by means of three rows of shirring and hanging quite straight halfway below the knees. 1 The characteristic feature of this gown is in the line in which the trim ming is applied
 It appears from the folds at the side l just below the waist-line, crossing low in front forming a deep point over each knee and lip again and underneath the folds, being applied underneath the mz- Iterial The band is embroidered in vari- Jus shades of Egyptian hiercglyphies, and knee is wonderfully wrought plaque of Egyptian form in Lebanon enamel l The decolletage is finished with . band of the same trimming.
 Bronze slippers are worn
 Delightfully."- girlish is the gown on fhs third figure with its quaint hnes, and the color scheme is especially youthful- Gcru net over chiffon of a delicious watcrmelon-pin shade, this in turn be- ing covered with exquisitely transparent white silk lace that also forms the little coat-1ike t1nic. The net tunic is gath 2 cred into a band of Papillotte-pink l charmeuse satin swathed in Neptune- green messaline, being caught up into a , choux of the same, which also forms tho belt.