davidaulloa/AmericanStories huggingface dataset:
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24
STATION BOYS FORFEIT.
Adams Team Winds Up Season with
BlOOdIess Victory.

Adams Express won yesterdays game
in the Railroad Y. NJ. C. A. League by
forfeit. Union Station being the trans
gressor. The Expressmen then won an
exhibition contest : 10 g. Score:
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24
FIFTH INNING FATAL.
Hygienic Laboratory Piles Up Four
Runs IN This Session.

Hygienic Laboratory defeated the Ches-
apeake and Potomac Telephone nine 5 TO
s. in the Marquette League. The winners
won the game In the fifth session, when
they annexed four Inns Scnre.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Two-hase hit-SuIlivan. Struck out-By soudsr. 8;
by Engle. 6. Left en- Congressional 4; Tau
rel T. Hit by pitcher-scott. Sacrifice hits-Sou-
der Bend Stolen bases-seott o. HissT, Fisher
Hayden. McGregor. Umpire-Eugene Deyouges.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24
WITH THE AMATEURS
Hamline Giving Ninth Hard
Fight for Pennant.
HOLMES OUTFIT IS HITTING

TIVE New Men, Heinrich and Brun-
ner, Brace Up Infield and Aid with
Willow - GeibeI and Robertson
Should Make Good with savannah.
Fan Roasts League Officials.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24
GAMES TOMORROW.

Capital City Leagae-Conen Company vs. Alloy
sius
Independence Disqualification IS. National
Onion.
Marquette League-Chesspeake and Potomac vs..
Columbia 49,
Olympia League ennallytSwn Olives
Southern Railway League-No game.
Suburban iRsgue-Silyer Spring FetWuTjh.
Sunday School League-Anscostia ss. Hamline.
Terminal Railroad Y. NJ. c. a. Leagie-Trainmea
IS. Station.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Struck out-By Curfain. z: b. lynch. Z ThTee,
base hits-Iynch Smithsoa. Two-base hit-Thomp-
son. Left on bases-Nativity. ); Marines. 5 Hit
By pitched ball-Smith. Bases on balls-Of Cur
tain 5: Of Lynch. 0. Tine Of game-l hour and 5
minutes.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

That gang of red hose in Boston is 60
20 make a great pacemaker for the Mack
men. With Donovan's daisies going along
at that clip the Athletics cannot stop
for an instant It's going to be a great
fight. with the chances a bit in the lee
of the pole horse.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Garrett. of Petworth. is also a member
of the Southern Railway nine. and should
these two teams land the pennants in
their respective leagues there will be a
merry old war between the rival mana
gers for this youngsters services. ''Bev"
is one Of the best little fingers in Wash
ington. and he Will be a big help to
either outfit in the post-season games.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

The games during the coming week
viii bear decidedly on the pennant hopes.
Hamline faces Anacostia tomorrow, and
Peck on Thursday, and must win both
TO take the lead for the pennant Ninth
win tackle Anacostia on Wednesday and
Sixth on Friday. and at the rate the
Christians are going they are booked to
take both. Should they drop one Of these.
place your money on Hamline. The lead
ing clubs have a postponed game to play
Off and this viii be scheduled one day
next week.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

The schedule Of postponed and tie
games In the Terminal Railroad Y. NJ. c.
A. League will be played of Just as soon
as the schedule runs out. The schedule
will begin the 18th of July. the day after
the regular season closes. Thursday, July
q. Trainmen VS.. Car Department; Friday.
July %, Southern Railway VS.. Trainmen:
Saturday, July 90 Southern Railway VS..
Car Department: Monday. August l.
Southern Railway vs. Shops Tuesday,
August ., Shops VS.. Southern Railway;
Wednesday. August 8. Shops VS.. Train
men, Thursday, August 4, Union Station
vs.. Trainmen.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

In the Petworth-TakoIaa game OF last
week. with the score standing to in
favor Of Petworth and "Bev." Garrett
pitching alright ball, Manager R. S.
Jones, of Petworth, took hts star finger
out of the box to try Thomas, a raw
recruit, in the sixth inning. Garrett had
allowed but one hit and had held his
opponents scoreless up to the time he
quit the game. and Manager Jones figured
that the Takoma tribe was easy picking.
but he was way OF in his dope, as the
result proved. In the seventh session
Takoma landed on Thomas for three
hits and he walked two batters, permit
ting Takoma to tie the score. The game
terminated in a tie-4 TO 4-but II was a
close shave for the Petworth tribe. Man
ager Jones is studying Esperanto, so that
he may properly express his feelings
when approached in regard to the above
mentioned contest. The boys think he
ought TO take a course in baseball and
natural history before he completes his
studies.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Peck has not won a game in nearly
three weeks. simply because the pitching
STAFF is on the decline. Quigley has been
doing nearly all the slab work of late.
and showed the effects of being over
worked when he was sent in 10 take
Powell's place during the first inning on
Friday, after having pitched a fun game
the day previous. Powell's firing arm
is out of whack. and Greer has a case of
''forget-me-quiek," as he has failed 10
show up since Langdon bumped him two
weeks ago.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

The Post-ofiee team certainly has Sc
cured good lead. and with the strong
lineup which they are now using they
are hard 10 beat It looks like Manager
Parker is going TO fulfill his promise 70
carry home the flag.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

LitchheId. last seasons premier slab
man for Bethany, has assumed a new
role Failing to keep up HIS good work
in the box for Sixth this season. he has
donned the mask during the past two
games, and is doing remarkably well.
He has not made an error in sixteen
chances. and is keeping down the stolen
sack column by nipping them regularly
on the cushions.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

A freak occurrence happened Friday
when O'Nen who played shortstop for
Adams Express. did not have a single
chance during the entire game. A posi-
ton at shortstOp. outside of the battery,
is one OF the most busy positions on a
team. Jewett allowed only two hits. but
the batters hit the ball quite often and hit
it hard, though it was either to the cut
field or third, and never to short.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

That was some game between Bureau
end Government Printing Office on July
a. The game went nine innings, and
Bureau barely nosed the Printers out
to 2-due TO the effective pitching of
Reynolds and simms' work behind the
bat.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Forest Thompson. who recently Joined
the Montgomery club in the Southern
League, has been farmed out from that
nine TO the Valdosta (Ga.) club. Re-
Gently Thompson pitched a no-hit game
against Cairo. and won his battle l to 0.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Langdon is going 10 protest the game
il lost to Ninth on Tuesday last The
Christians, it is reported, played an in
eligible man when Carroll was sent in TO
bat for Broome. The loss of this game
will seriously impair Ninth's pennant
chances.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24
BY n. t. woRLEY.

Hamiine is giving Ninth a hard run
in the Sunday School League, and is
rapidly coming to the fore on its con-
sistent stick work Two new men.
Heinrich and Drummer. have been tackled
on to the inheld, and are progressing
splendidly with the bat The first named,
in two games. is batting 400, while
Drummer. in three games. has willow
percentage Of .364. The other Hamlin-
ties are hitting as follows: Sabins, 1855;
Goodman, $50; Sheaffer, 97S; spaulding,
s24; McMorris. .S21; Stuckert. .Sl2;
Miller, SO2: Davis. -2S6; WynkOOp. .2S4:
,wheatley. .2le; Gordon. PA; Rogers, .21S;
Birch, ia. and Dore, .14S.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Harvey, OF the Adams Express team,
made an enviable record last week when
he struck out twenty-one men In game
in the Terminal Railroad Y. NJ. c. A
League against the Car Department
nine, allowing only five hits. Harvey is
now tied with Forest Thompson for first
honors in strike outs. as his feat equaled
the league record. made by Thompson
last season. This years record. until
Hanvey's feat. was eighteen strike outs,
made by McMahn, Of Adams.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

Dore. of Hamline, and Gavonetti. of
Ninth. have been transferred to Peck.
This viii greatly benefit the Memorial
clubs crippled pitching staff.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

This afternoon, at Capital City Park,
Navy Yard viii clash with Aloysius in a
regular scheduled game The teams will
line up at 2:S0 O'Clock.
The Washington herald. [volume] (Washington, D.C.) 1906-1939, 1910-07-24

In this same game Campbell caught a
ball of the bat Of wiIkerson that was
one Of the best catches made this season.
The ball was hit between right and CEN
ter. and looked good for three bases, but
Campbell nailed II on the run.
New-York tribune., 1910-07-17

French people, and few of his compositions
for the harpsichord have come over INTO 1"e
pianoforte repertory of to-day He Is lhueeu'
oftener heard than COuperin, who is geheIdly
set down in the books as the mead Oh Ihe oiu
French school Rubinstein paid much higher
tribute to Rameau than to Couperln IN MS his
torical lecture recitals given in St petersburg
in 1888 and 1889. In fact, Rublnstein was olS-
posed to value the Couperin who IS caLeu I"e
Great" less highly than the Couper1n MS Iiiicle'
who was nIain Louis Rameau is more modern
than Couperin-much more modern tildh 10 III
1icated in the difference between their birth and
death dates Coupertn's pieces are preoofflI-
nantly two-voiced; Rameau's predomlnanuy
+hrea Rameau. moreover INDUCES freely IN
chords and arpeggios and betrays an apprecla-
tion OF broad effects MANY of his modulations
are as profoundly conceived those OF Bee
tboven and Schurnann," says Rubinsteln Con-
scious of the awakening demand for sonorlty
and richness of tone, he sought to supply IL even
at the cost of pure consonance
COMPARATIVELY small number of compositions
written by the French clavecinists other than
Couperin are open to the study of ordinary anna
teurs Among those which have lived IN the
affections of musical antiquaries because OF
their puissant beauty are Rameaus LIE Rap
pel des Oiseaux" La Poule' Ga fascinatngly
ingenious piece built theme which initiates
the cackling of a hem, Les tendres PIalntes
(nost gracious and winning in its melody)
"L'Egyptienne," La Timide,'' Les Souplrs,
La Livri'' and Les Cvclops," Dandrieu's Les
tendres Reproches' and Daquin's dainty LIE
Coucou" and 'L'Hirondelle.' Couperin IS IN
vastly different case. Between 1il3 and LOU
he published four books of Pieces de Clavecin,"
containing no less than 236 compositions; and
all but a trifing fraction of these have been
edited with painstaking by Brahms and
Chrysander and published in London (Augener)
as well as in Germany. Couperin did not call
New-York tribune., 1910-07-17

ans, the tambourine and fageolet for the
Provencals and the bagpipe for the people of
Poitou
Here we have a picture of French music and
manners to place face to face with our English
picture. The French school of clavecinsts which
grew up under the influences of the court of
Louis XIV reflected the spirit and tn manners
Of that court. 1t was characterized by the gay
ETY., the grace and the rhythmical incisiveness of
the dance. 1t led to the perfection of the suite,
the highest formal expression of the clavier art
down to the close of the old regime by the Ger
man giants Bach and Handel. 1t came a full
century after the English school, and reached
its elimination within a single generation
whereas the English school compassed over a
hundred years. 1t marked the climax of a ten
dency without illustrating the steps in its de-
velupment. 1t gentle gracious and affected
where the English rugged virile and
straightforward. For our purposes it NAV be
said to have begun with Jacques Champion,
called de Chambonneres, after the estate owned
by his Wife and eliminated in Couperln sur
named "the Great" and Rameau. It's fashions
were followed by Francois Dandrieu Q6S4-
lao, Jacques Andre Dagincourt Q6S4- 175-?)
and Louis Claude Daquin Q6W-1773 Chambon-
meres was clavecin player to Louis XIV; So
too, was FRANCOIS Coupern Q6GS-1 1889 whose
father, Charles tded 1860 and uncles, Louis
Q63o-16S5) and FRANCOIS Q631-17O), had pre-
ceded him In the post of organist at the Church
of st. Gervais
The chief Importance of Jean Philippe Rameau
16o3-li6i) rests on his having laid the founda-
tions of the modern system of harmony; but his
operas and ballets made him the idol of the
New-York tribune., 1910-07-17

by allegores and paraphrases of the beautiful
fables of classical antiquity. In these enter
tainments music played an important part; but
for long it music which in form and spirit
failed to meet any requirement of the dramatic
art to echo a single sound from the voice Of
:omanticism which spoke in the songs and
dances of the plain people.
The predominant position which the dance oc-
cupied among the polite diversions of the arts-
tocracy of Italy and France during the six
teenth, seventeenth and eighteenth centuries
must be kept in view if the significance Of the
French school of clavecinists and it's successors
in Germany is to be understood. Three hun
dred years ago nobody thought the dance be-
meath his dignity. The most august members
of the Council of Trent the princes Of the
church, cardinals, bishops abbots and priests
danced at the ball given in honor of Philip II Of
Spain, in 1862. Dancing in the churches "a GUS
tom of vast antiquity endured in France until
prohibited by decree of the Paris Parliament, In
1861. 1t still survives in Seville. 1t was
New-York tribune., 1910-07-17

with the movement or mood Of the music
even a scarf with flying ends de Bdrelet q
tGHD.
The court aIlegories and ballets provide hr
for further bits of musical delineation, as &,
instance. in Les F'oIies FRANCHISES on
Dorninos," where we find impersonatiOns :
Maidenhood, Shame, Ardor. Hope, Fidelity, p
severance. Languor, Coquetry, Jealousy, Frsn
and Despair dancing in dominos Of approprz
coIors-a premonition of the "CarnavaI" wh.-
was to come with Schumann- But. however, =
little piece might be intituled, it was dance
form and movernent-its periods and sectG
vigorously measured off, its melody and bz
moving along in gracious union and with M
a pretty courtesy. one to other, linked tOgettz
by an occasional chord. Adorned ike the lads
of Louis's court are these pieces, OvercroV1z
with embellishments, full Of mods and betE
and wreathed smiIes''; and when the harmOns
spread out at I, cadences we cannot but ys
to the fA0c1ed image Of a grGHde dame :
Louis's court s.lking low with fneffable ga
as she receive tie congo Of the King:
New-York tribune., 1910-07-17

To erect a platform of observation which NJ
prove useful it can now be said. broadly IN
down to the beginning of the eighteenth ee
tury all comp TOsers for keyed stringed instr
ments We're church musicians. The traditN-
of the fifteenth century were enduring until 2
emancipation of instrumental music from =
vocal style was complete. 1t is, therefore.
surprising that when We take up the story
Italian clavier music where it was left Vhz
the English school appeared upon the scene
find ourselves back again among the great
ganists of the land that has been called Z
cradle of music The most brilliant achie77
ments of the old Organists Of St Marks :
Venice. were eclipsed by GirOlamo Frescoba-
Q5SS-1645?). native of Ferrara who, after :
had studied in his native land and practised D
art in Antwerp, found that SO wCndrous r
nowu had preceded him to Rome that twenty
five thousand persons attended his first perfOFn
ance in ST Peters. This was in 1914. and =
next year he was appointed organ.st at =
great church.
In the course OF the twenty years follows
several collections of his works were pubhSlS
in Rome and Venice. They were, like the WOE
that had preceded them. ricGrCGre. CGHz0hG' IN
tdsie, eGpricei, etc, and some Of them We
New-York tribune., 1910-07-17
THE PIANOFORTE AND ITS MUSIC
Influence of the Cauecin Muso0 Cardinals
Princes Danced Louis XIV and HIS Daily
Dancing LesaOn-The Dances Become artistic Music
Couperin nandR ACKNOWLEDGEMENTS Musc
ItnLon Uyrers
Italian Writers.

portion of their genius to the invention of bal
lets, a species of entertainment popular, even
before female dancers had been admitted to the
stage, that no fewer than eighty of them were
brought out at the opera in the year 1910
Catherine de Medici not only introduced heroic,
comic gallant and allegorical ballets in which
the princes and mobiles of the French court
masqueraded apes, bears, Ostriches and par
rots; she also supplemented the grave and SOL
emn low dances (ddnses bdsSes), like the pavan
and branle, with brisk Italian dances, like the
gaard and volta. In the old dances modesty
of apparel was paired with decorum in bearing,
but in the the gentlemen had to caper,
the ladies wear skirts short enough to permit
nit themselves to be swung bodily over the
hips of their partners.
A love for variety of movement rhythm, mel
ody and color having been created, it stim-
on the stage of the peoples dances. The sara
band was imported from Spain, the passepied
from Bas Bretagne, the bourree from Auvergne,
the tambourin and rigaudon from Provence the
formed in the costumes habitual to the various
provinces and to the music of provincial instru-
ments. At one of GATHERINGS balls hautbOys
played for the dances of Burgundy and Cham
payne. vfolins for those of Brittany, the large
Basque drum marked the time for the Biscay-
New-York tribune., 1910-07-17

his sets of pieces suites, but ordres. He did not
confine himself to the conventional sequence
|, allemande; III, courante; III, saraband; W
gigue, with the occasional interjection of q ga
Vote, passeped, branle. mnuet, bourree etc
but preserving key relationship changing from
major to relative or parallel minor and rice
rerSdD, as an external tie between the members
of his SETS he cultivated contrast and inter-
change of mood.
Mixed in with pieces bearing the simple names
of the different orders of dances were others to
which he gave all manner of fanciful titles
Here. for instance. is the list of pieces which
make up the first Ordre of his first book: Allie
mande fAuguste, premiere Courante seconde
Courante, Sarabande le Majestueuse Gavotte
Clique Ia Mylordine, Menuet Les Sylvains. Les
Abeilles. La Nanette Sarabande des Sentiments
La Pastoreile Les Nonnettes. Gavotte In Bour-
bohholse La Manon. L'Enchanteresse. La
Fleurie. Les Piaisirs de St. Germain en- Lave.
he mas whole gallery of portraits of Nanette
Manon' Antoinine, Babet, AngeIique. La Cou-
perrin; another of temperaments moods and
characters; La Prude. La Diligente La Vo-
luptueuse, La Tenebreuse La Flateuse La
Danseureuse LInsinuante, La SeduIsante: an
oIymplan stageful of NEUROLOGICAL creatures.
SyiVaihs' Bacchantes. Graces, Corybantes
Diane, Ierpsichore, Hymen Amor; bees and
gnats buzz and hum in some pieces butterflies
nutter and birds sing. even an amphibian drags
MS SLOW length through a solemn passacaile:
nuns shepherds, pilgrims. sailors, harvesters
and spinners are delineated, SO far as may be
by initiative hints at the sounds made by them
IN the pursuit of their vocations Nothing In
fact' is too Insignificant SO its name awaken
an image III the fancy which may be associated
New-York tribune., 1910-07-17
Copyright. 1910, by FL. E. Krehbiel.)

For two hundred years after dancing had be-
come the most polite of polite arts it was
swayed by the gay and gallant court of France.
When Catherine de Medici came to Paris the
influence of her native Italy,-splendOr loving,
pleasure loving Italy,-was already at work 1t
had long been nourished by the sun of the
Renaissance, which had revived the pantomimes
and spectacular shows of the ancient Romans
Hith all their gaudy paraphernalia. At the
courts of the great ones of Italy of the Estes
and Medicis in the palaces of popes and card1-
nails, there had grown up and been humored
with extravagant generosity those pantomimlc
and musical entertainments in which the Writ
res of the noble patrons of art were celebrated
New-York tribune., 1910-07-17

priest, Jehan Tabourot, who wrote that famous
treatise on the dances of the sixteenth century
known Arbeau's "Orchesographie" Cardinal
Richeleu tricked himself out like Merry An
drew. with green velvet breeches and bells on
shoes and ratified his castanets he danced
a saraband for the delectation of Anne of Aus
tria. 1t is written that for twenty years Louis
XIV took daily dance lesson from Beau
champs. Under a ministerial decree issued in
his reign Q66O, members Of the nobility were
permitted to perform at the opera for hire
without loss of dignity, and even to follow
dancing means of livelihood.
Don Juan of Austria, when Viceroy of the
Netherlands went incOgnit0 from Brussels to
Paris to see Marguerite of Valois dance a
mlnuet. Moliere. Lully and Quinaut devoted a
New-York tribune., 1910-07-17

stated TO be equally adapted for voice or ins'-
ment or to be played on the organ or cerioS-
The meaning of this is that they preceded :
invention of a real clavier style. This began
disclose itself in the compositions Of Befh'r.
Pasquini Q63T-1T1OD. Tuscan He had stuu
with Antonio Cesti. an opera writer. ana
effect of the monodic schools use of the As'
stringed instruments in the harmouic suPp~
of the airs in the drGmE.G per BlHSicG may y
had something to do with his advancenlen.
the art OF clavier composition Ruo'hSS
thought that Pasquini's significance Was ho'
than that of Couperin's and Rameaus
was the recipient OF great honOrs IN Flore
Vienna and Paris. and the classic legend "a
O. r." was carved on his tombstone to te'
New-York tribune., 1910-07-17

Continued en eighth page.
The Wisconsin tobacco reporter. (Edgerton, Wis.) 1877-1950, 1910-01-14
.yILLALOBAR is
SENT TO LISBON
SPANS Minister to Washington
Given New Post.
NEWS SURPRISES The MARQUIS

Has Reen Happy Here and Every Re.
Iation with This Governm~-t Was
Nest Observation-Disclosures as Tn.
true the Story That He Had Been
the Leading Figure in an Unpleasant
Episode at the White House on New
Years Day.
Washington, Jan. LA cabiegram
from Madrid announces that Marquis
de Villalobar, Spanish minister to the
United States, has Eeen transferred to
Lisbon. A newspaper man carried the
information to the marquis.
'You greatly surprise me-" he said.
Il do not understand it at all, and
there must be some mistake. Don't
you think it likely that your correspon.
dent at Madrid is in error"
Assured that the news was apparent.
ly authentic, he continued: about a
month and half ago my government
asked me if would go to Lisbon and
take up number of important matters
between Spain and Portugal. / re-
piled that preferred to remain as min.
lister to the United States. While
would be glad to go if my government
required, l informed the king, I had
been happy here and every relation
with this government was most pleas
ant. Since that time, | have heard
nothing further in the matter and sup.
posed that it had been dropped"
The minister was asked if anything
had occurred here which might have
led to his transfer. In reply Marquis
de Villalobar denounced as absolutely
untrue the story published to the ef-
feet that he had been the leading fig.
ure in an unpleasant episode at the
New Years diplomatic reception at
the White House.
On this occasion, the story ran, the
Spanish minister was separated with
the other ministers from the foreign
ambassadors and that he resented this
classification.