davidaulloa/AmericanStories huggingface dataset:
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

SWARTZELL. RHEEM HENSEY CO..
727 18th NV.
no28- -. tu.th.tf
FOR RENT-A SELECTED LIST FOR COLI
ORED TENANTS.
215 st. NV rooms and bath. -. $25. 40
$3.50 18th st. Sc, rooms and bath. 1880
1923 N. ]. ave. Sc, rooms and water. 1000
1923 Montello ave. me-, 6r. and bath. 1880
JAMES F. SHEA. 643 LA. AVE. NV.
no27-eO.3t
FOR RENT
drst-class condition. SIS 50
1915 9Th st. NV. 8 :. and b.......... IS. 80
1908 r. l. ave NV. 8 r and b. 27.6O
40 st. Sc r, and b............ $3.50
421 nth ST. sw.. 6 r................. 1000
4th and SITS Sc 2. and water. 80. 7.6O
D R. HARRfsoN JOHNSON,
Phone Main 1855. 300 7th ct. s.w.
nO28-6t
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01
A. b. FOX COMPANY.
ESTABLISHED 1915,
18TH AT NEW YORK AVE.
HEADQUARTERS FOR APARTMENTS.'

HEADQUARTERS FOR APARTMENTS"
WHY NOT LET US. RENT YOU THAT
,.pa YOU HAVE BEEN LOOKING
Us: We CAN SUPPLY YOUR WANTS.
THE xEw rsAT r zlss SHa AVE. NV
ROOMS { BATHi $50. So s.: &: g. SIS, ssfsS
THE Ia CORONA. 4es NJ ST. NV.
) ROOMS AND BATH. ....... $3.50. ST. 50
THE sos sSEro ok , ,.s3 IRVING ST NM; Z.
THE Al1.ENHuRsr." 1905 COLUMBIA RID.
ROOMS AND BATH. -. ss5. $3.50. sss
THE KENYON" 1879 KENYON ST NV
ROOMS AND BATH. $3.50
THE MANSFIELD" 1890 NJ ST. NV.
ROOMS AND BATH. ...... 5000. $3.50
THE LANIER.. 174s I.ANIER PLACE
k kSSMs A AND hA4H 5000 ' :ss g
TIE FuLFoED,.. 2sls 18TH ST: NV.
THE ch aSP Mpp sHsoA az NEE c,rF
II sS$S Gas a 5
Asa s5tE1H HsS G1SSkEaEs1 L e
s9SMs rIkkP sATns: 70: $40 $40 s
70 BE coMPIErED SovEMBln Is. '''
aLADLY SHOW ANY OF THE ABOVE
SE hkSSTahM,s Ar o oFF1oE. INFORMATION
cf sHsl ssH aYP h3 aaAFs aosD1 Hsr.
bo1o-sa tu.th.3t
THE DUNsMERK.
252a 18th ct. NV.
New nrepfoof building.
Convenient to downtown district.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

Furnished; $500 per month: II rooms
8 baths; open for inspection. Phone
Linen. 1850. oc1S-tf
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

$3.50. 1918 NJ NV, Orb
S35. so. zoos LIST NV. 81
S35. so. 1881 18th NV
36.50.012 LIST NV, 1Of,b
S35. 80. 1917 18th NV, Or, b
$3.50. 1886 p NV, Sr
$5. so. 1910 Newton, 7r.b
e35.. 1897 7th NV. 7r, b
$35. 1882 9th NV, 1Or. b
$685.. AT ID NV, Tor. b
&35.. 1895 18th NV, Or, b
$S6. ...1816 Cedar. Tor
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

THE COYwOOD. 1925 l. ST. N.W.-ONE VERY
desirable front Hat of rooms and bath, $40;
also 2room and bath. $3.50: every COM
fort; good service and elevator; close to Frank
lin Park and 18th st. cars; convenient to
downtown section. Apply at building.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

FOR RENT
1887 Girard ct. NV. 10 rooms and bath. so. %
1853 Euclid ut. NV. 10 rooms and hath. 50. %
202S st. NV, 10 rooms and bath. -. 40. 90
1916 ct. NV. 10 rooms and bath. 37.5o
201S II 1T. NV, 10 rooms and bath. so
1928 10th ST. NV. rooms and bath. -. $3.50
1897 Wis. ave-. 10 rooms and bath. $500. "a. -
GOT n. J. ave. NV, 10 rooms and bath. 5000
l649 W st. Sc, 10 rooms and bath. 80. q. 50
1ll4 8Oth Ut. NV. rooms and bath. 80. $50
OFFICES.
LIST d.. 1918 14th st. NV. (physician). .15O.O0
1905 G It., I'd door. Observation-Disclosures 100. 90
718 18th st. NV. I'd door back. ........ 1000
STORES.
63S 1st st. Sc, store and apartment. IS. 90
WASHINGTON GROVE.
9 rooms and bath .................. $500
COLORED.
1l04 23d st. NV, rooms and bath. go. 10. 40
80 Decatur st. me-, rooms and bath. II 50
Gs7-tf WEAVER BROS. l416 NJ. ~.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01
WANTED-ACREAGE PROPERTY

I HAVE $4,000 TO $780, 600 IN CASH TO IN
vest in acreage property in any part of the
country. II you wish to do business quick
send full data to Box PSI. Star office. city.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01
- No. $50 Doth ct. NV.
8 rooms. bath; $500.
nO29-3ts Key next door.

st. me-: newly papered throughout; near three
lines. Key at 225 9th st. Inquire Room
$40, Washington Loan and Trust bldg. no29- St.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

BEFORE RENTING
ASK FOR OUR WEEKLY RENT BULLETIN.
Houses opened on % minutes notice.
WAGSTAFF WHITE. Inc. 90a s4th Nv.
Oc22-tf
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

TO East Cap. st., near q. s. Capitol and
Congressional Library; light brick front: large
cellar; hot,water heat: Rent, $50 PEE moath
entrance. bet/e and i2 mornings. or phone.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

Gee our list Of apartments under Apartmsnts
to Let. del tn "A TN ~
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

FOR LEAsE-lN THE EARLINo.
ton, on the east side Of 16th st., Just
above Columbia road; beautiful 1oca.
ton well arranged apartments Of
rooms and bath at $40 and $3.50
per month, and three rooms and bath
at $3.50 per month. Open for in
spection: Mount Pleasant cars pass
the door. Inquire Of janiter.
0WAkTZELL. RHEEM q HENSEY co.
727. 18th Ut. NV.
nols-eo.tf
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01

FOR PENTHOUSE, ROOMS AND BATH:
fine repair; near Iowa Circle: rent, $50 per
month IN advance Apply 1884 Vermont ave.
H. ". nO27-.t
Evening star. [volume] (Washington, D.C.) 1854-1972, 1910-12-01
TT. C0 7TH 4 r. M.

A humber Of houses for colored tenants. 50 up.
uo24-tf
New-York tribune., 1910-07-17

literary or artistic SOUL it may not matter 50 nuch b
the clothes revolution has become so general that ev
these ballowed beings have yielded to it. He NAV ws
flowing tie and long hair, if he be very brave or v
Young; but the clothes that go with them must be goJ
else he has far harder time to get on Even the artist
temperament has to recognize the business idea
az course one can be badly dressed without be;
shabby apart from taste. He can go in for eccent1
ties in material and design, under the impression thu,
they stand for individuality and distinction; but e
Give the impression that he IS at least two kinds Of m
Of which the advertising Of his foolishness the mon
serious
The youths whose sack-cOat tails and trousers cuff,
trv TO meet in the vicinity of their knees don't coup
as rule because these things usually 60 with an am
bitious nose and discouraged chin The worth wba
bovs will outgrow weaknesses that are an expression
the diosvncrasies Of youth. As for the Others The
clothes thev wear are about the last expiring gasp ~
dandvism. and at the worst they are an improvement
mon those curious creatures we used % cali dudes
who were vulgar limitations Of the dandies-
man who lives up 70 good cotha,
is worthy Of respect
New-York tribune., 1910-07-17
Under Watchfu1 Eyes

A the Francois and the Od6on when a new play or
great production is to be given, little house with
floor roof and three walls is built out the OrCheS
ira stalls in the theater facing the stage. In it at table
sit the author the directors of the theater and any
other persons needing get perspective OF the re-
hearsing and other work of production it goes
The stage manager sits there and carefully notes down
a copy of the play the movements and positions
worked out the stage by actors and author, and
many other details affecting the that develop in
course of the composition of the stage representation
From that little house also studied the groupings
the light effects, etc From there the actors watched
and receive suggestions, critical or otherwise, from
author actors, other persons interested in the pro-
duction That point Of vantage also is useful to the
stage manager in his drilling of the crowds and all his
executive work in connection with the production.
That little house disappears for the last few rehear
sails, when the heavy OF details has been put IN
place and it necessary to the viewpoint the
back wall of the theater and Judge the work from every
part of the auditorium. The picture presented to the
gaze of the audience when the curtain draws back is
true creature of art and science.
The human passion portrayed in those scenes. the
of fate the dreams of beauty, the embodied wit
humor philosophical truth, belong a we'll bal
anced design from the point of view of production
but that conception in its entirety, based the authors
words and situations, came from the actors and ac-
tresses playing the chief parts in the work reiving
New-York tribune., 1910-07-17

A RECENT article described the system, at
\ of the most interesting theaters of New York, by
which the director the stage manager, the decorator
the designer of costumes the architect, and the
painter prepared in detail the production of Shakes
pearean play by the aid of little dolls, finally putting the
work perfected by marionetes into the hands of the
That article suggested that perhaps the Amer
public might be interested to read how have
great poetic and other dramatic works created (aS
the word isl by the most famous of French actors and
how such play is produced" at the world famous
national Theatre FranCas and the "OdeOn in Paris.
At the FranGas whatever the play, the actor and ac
tress who npersonate the parts that carry the
written project that IS the exponens of the chief roles
have the first say In consultation with the author they
work out the meaning OF their parts and OF the play The
who is to interpret the foremost character of ALL
working in harmony with the conceptions and wishes of
the actress PLAYING the chief woman part guides the
production for instance did Mounet-Sullv in Par
le Glave, Coquelin (GiN) in the French transa-
ton of Shakespeare's The Tanning of the ShreW.'
The leading actors and actresses, consultation with
the author compose the picture that is to be put before
the public. The actors have freedom concerning the
costumes they to wear, the whole being harmOnzed
by mutual arrangement the designer of costumes both
giving and taking ideas The period of the play is stud
led by expert designers decorators costume makers,
and scenic artists but they we'll the stage
ger do executive work along the lines indicated by the
requirements OF the author and the chief actor and
actress at whose disposal placed the result of all this
skill and research The usages in this connection are
not fixed and rigid the French actors authors and all
other individuals connected with the production full
OF ideas, and not only make suggestions freely but
accepted with the same simplicity that prompted them.
Many, L think most, actors Will tell that they
could not comfortably act a part unless they could
dress 1t and set 1t forth they feel it. AS for furn
New-York tribune., 1910-07-17
Clothes Get a Job

make the man; but clothes have got good many men
good job If you have twenty-five dollars and want
Job it is better to spend twenty dollars for clothes,
four dollars for Shoes and the rest for haircut and
clean linen, and walk to the place than go with the
money in the pocket of a dingy suit.
That is certainly practical enough. Mr.. Vreeland
lived up to his theory personally and in employing
thousands of men, 1t is nothing than homely
illustration of the modern idea of business to advertise
what you have for sale.
And it is just as difficult to convince some indivdu-
ais of its wisdom it is to convince some business con-
OF course if a is down and out and there is very
little money in sight to the wants of the family, it
takes courage to spend that for the mans clothes so
that he present attractive appearance when he
goes forth to seek place. But it is good business,
because the neatly dressed has about chances
the shabby competitors l should say, other
things being approximately equal.
You can't keep good man down. Everybody knows
that. But he and some others likely to pretty
starving sometimes before they get chance to
show what they do. With the of real capacity,
New-York tribune., 1910-07-17
How Classics Are Put On

IN the revival Of the old classics. in the works Of
COrneille Racine, and MOliere which never leave the
repertory and are played relgOusly for the working
population on Sundays the methods OF production differ
somewhat though not essentially The chief eZpGnens
are still given the guidance Of the general scheme So that
their conceptions and interpretations may have harmon
io1s setting forth. There are, however many -- cOns
which to some extent modify the Interpretation u these
plays and of the several parts IN them B-- these
customary methods apply specially to the ordinary IL
terpreters work The creature Of genius is free and
creates new traditions His or her individua -ender
ing of those heroic parts is preciously treasured and
followed as we'll as may be. by those who come after
In the tragedies of COrnei6 and Racine the furniture
is generally limited a throne chair on one Of the
middle line of the stage and longer seat the other
The setting is wings painted to represent Greek or
Roman pillars with some view at the back OF land
The costumes az severe Greek or Roman drpe=s and
other garb of the classic period.
The first necessity IN the embodiment Of these char
acters IS as it should be with Shakespearean rDeen
tatons the correct speaking of the To t that
COEtigasG on page IS
New-York tribune., 1910-07-17

I'll
~ a good job, they will not
keep one. The man who spends
all his money for clothes, who is
seeking merely to crafty personal
vanity and hasn't much else IN his
equipment, rs a particularly tool1sh
idiot.
The advertising rule is a fairly
safe guide. The intelligent adver-
tiser knows the best advertising IS
that which tells, in the most at
tractive form, the truth about the
goods advertised, awakening con-
sciousness of a desire and then OF a
demand for them.
The best advertising campaign
ever carried out must fail IN the end
as business proposition, unless the
concern delivers the goods.
Clothes advertising, to be effect
i've, must be backed by accomplish
ment. This is as true of the man
who wears the clothes as OF the flrm
that makes them, and there isn't
any escape from it. The Individual
or the business concern that puts
all its thought, energy, and profits
into advertising. to the neglect OF
the plant and the output, IS sure to
fail.
If the man who wears an i'll fit
ting, rumpled coat and baggy trOu-
sers-and usually they go with
soiled 1inen-feels that his apparel
proclaims him for what he is and
what he would like to be, he has the
distinction of being honest, but not
practically intelligent. If he is a
New-York tribune., 1910-07-17

getting this chance is more than half the battle, and
the most difficult
pacitv or in a word, credit. And credit IS nothing
more than decision based upon past performances
The good clothes notion holds good up and down
the line from the aborer the highest saared en-
Dlovee For when it is possible for every man earning
regular income to be well dressed, and when 1T has
become the rule and not the exception for men to be
fetion Don the wearers intelligence if his capacity IS
already proved.
The employer who doesn't take pride in the appear
ance of those who work tor him. VINO doeSn Ieize i
that their good clothes advertise the business and IN
crease it's credit bel ngs the DID, conservative non
advertising school which is left far behind the modern
procession. There isn't any investment that pays
BIGGER dividends than a wise spending of money IN
clothes.
New-York tribune., 1910-07-17
Wear as Good as You Can Afso-4


EOR purely business reasons # fr
L no other, most men should yea
clothes as good as they can afford. and
possibly a little better than shev thirt
thew can afford. For one hing. +
means a little intelligent inquiry into
their expenditures. Most Of us tb-ov
away an absurdly large percentage n
our incomes on things that have N
earthly value, either for present en-
1ovment or future use, and the nonev
spent on these is pure waste. Il would
be much better spent upon clothes.
but only up 70 the point where a nan
IS really well dressed.
It's certain that foolish Youths with
peacock brains viii see in this article
onlv i,,stincation for the exploitation
of their extravagant vanity. Anv man
who makes clothes the end Of his lie
and is willing to sacrifice eve-vtaing
to make himself look as much Ike q
circus as possible, isn't worth bother
ing about
After all, clothes are mere con.
veniences. 1t IS more important
for a man to have his thoughts well
dressed than to have his body well
dressed, to be clean inside as well as
outside.
A man who respects his clothes and
makes his clothes respect him Is pretty
sure to command respect from the
world.
New-York tribune., 1910-07-17

IMAGINATION the authors creations and making them live
to the public by giving the words with The actors at
of voice tone look, gesture, and whole physical and
spiritual means of projecting passion and idea
At the national French theater It IS sometimes seen
that actors who play leading parts IN some plays take
small parts in other pieces adding to the perfection
of the whole. But, when such IS the case those actors
remain in tone with the general picture and keep the
plane of their Importance often contributing their ex
celIent art to mere atmosphere or background They
are in the effect they personally create as loyal 70 the
main scheme OF the author and the CHIEF expo1ents Of
the work as are the accessory figures 70 the main
scheme in masterpiece of Velasquez- It IS worthy
remark that those actors virtual shareholders IN the
company and entitled to pension upon retirement
New-York tribune., 1910-07-17
By Eleanor Calhoun
Princess Lazarovich-Hr

ture the stage setting the entrances and exits they are
requirements primarily of the author and the actors
responsible for the production, and adjuncts of
their individual methods of portrayal and representa-
ton. They evolve or are fixed during rehearsal
New-York tribune., 1910-07-17

struggle for some women TO TO
keep their husbands well
dressed, even when money
isn't the most serious factor.
We can't help assoclat1ng
good clothes with prosperity
and, unless the wealth is IN
herited, with capacity. / hat
always has been so, and 1t al
ways will be 50.
Ill fitting, shabby clothing
doesn't kill a mans chances;
it merely handicaps them. 1t
NAV take a lot of energy to
overcome the handicap, ener-
gv that would be more wisely
expended in getting ahead.
You remember that in Eng
land the serfs used to wear an
iron collar about their necks.
If the badge of slavery was re-
moved, the serf was recog-
nized as a free man, and meas
ured by an entirely different
standard. The badly dressed
man looking for a job or for a
better one is likely to be re-
garded as an economic slave.
Clothes Get a Job
II H. VREELAND, former
L. president of the street
car trust in New York, who
began his business career as a
railroad brakeman, once put
# this wav. CLOTHES don't
New-York tribune., 1910-07-17
But They Won't Keep 1t

IN the other hand. while good clothes may get
New-York tribune., 1910-07-17

s worthy Of respect.
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-09-24

step OF the beast. There are camels
loaded with alfalfa. the grass so cover
ing them that they look like miniature
haystacks walking along. There are
donkeys with boxes and bags and mules
and bullocks carrying freight of one
kind or other out In the fields one
now and then sees a buffalo with
half-naked boy sitting on Il, and at
nightfall the paths are lined with men
coming from the fields riding these un-
calmly beasts, and balancing their one
handed plows in front OF them as they
move slowly on
THE CITY OF THE CAT,
II was here in Goshen that the Is
raelites worked after they were en-
shaved by the Egyptians. They went
from here also TO build cities and towns
In various parts OF the Nile valley.
The psychologists who are now eXca-
waiting in Egypt tell me that they fire.
quently find bricks which we're prob
ably made by them, and assert that
the sun-dried bricks Of today are prac-
tically the same as those which the
children Of Israel nodded under the
lash Of their taskmasters.
This Is the case In the ruins OF Blu
bastis. or the city OF the worship OF
the cat This town was situated within
a stones throw ~ the Zsgazig OF today.
and It's ruins are still 20 be seen. Its
many buildings OF mud brick have
crumbled almost to dust but here and
there the walls are plainly visible.
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-09-24

There are several hundred acres Of
such ruins and spent an hour or so
today driving through them.
Bubastis dates back to the times
When the pyramids were young II is
supposed to have been built BY the Ia
iaelltes, and was a great city until IT
was captured by the Persians bout $50
Is. {. Buhastis was noted for its tenn
pies devoted to the cat-headed goddess.
This lady had the form OF a ioness
with the head OF a cat and she held
in one hand a lotus leaf as a scepter
Herodotus speaks OF her and this city.
saying that the temples were gorgeous
ana That the stone road leading to them
was 100 feet long. He SAYS that the
people came In crowds here to Worship
and at the annual festivals something
Ike 100000 strangers We're present He
relates that many of the worshipers
were women who often danced and act
ed otherwise lin an unsecmly manner"
leading us TO believe that they were
by no means so good as they should
be,
EGYPTIAN BRICK MAKERS OF 1910
Riding out TO Bubastis. | found there
a bricSyard In full swing II was sit
uated right on the edge OF the ruins
and the Fellahecn OF today were mold
ing the clay used by the Israelltes of
the past into building material for 1910
As ! looked at them my mind went
back TO the days OF the Pharaohs when
Moses was still living and saw his peo-
pie laboring under the lash These
men and women were working under
taskmasters or overseers. Their half
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-09-24

clad persons were burnt black by tho
tropical sun overhead and they looked
not unlike slaves. Here they were
grinding the mud. there they were
holding II into bricks and further over
they were piing up the bricks which
had been dried I'm the sun The car
rying Of the bricks was largely done By
young girls, who labored under q burly
negro with a stick In his hand. At
his direction the girls took the bricks
on their heads and carried them Off on
the trot ] got a photograph Of this
scene by bribing the negro, and /
doubt not my picture was "A fair type
Of that which went on in those long
ago days. when Pharaoh drove the Is
rae,ites to similar work without straw.
WITH THE VIRGIN MARY IN
EGYPT.
IL was down through Goshen that Jo-
seph ana Mary came with the infant
Savior when they fled from the horrid
Herod who slaughtered the innocents.
This was then the chief highway from
Palestine into Egypt. and there Is no
doubt that they stopped at Bubastis az
they went on TO Hehopolis. whore the
temple and college stil existed at the
time Christ was born. There IS a tree
not far from the Obelisk OF Helopolis
under which Mary and Joseph and the
young Jesus are said TO have rested. It
Is about five miles from Cairo and guide
books speak of IL as one Of the stock
sights of Egypt. I doubt the reliability
Of their statements The tree may be
the descendant OF one which stood there
In the time Of Christ II is an old
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-09-24

Joseph was married 20 Asenatb mi.
Piato philosophical and where M NneI.
played, within plain sight ~ ''S
pS Iarnlus ana near enough aluos, u-
near the whisper OF the Sphinx %
SaiVu n9'hlhg Tor them He was iil
fore the pitchers. oatcbers go lhere'
stops OF the great American =, snort.
were worth more to him thar ', .n
stories of history a~., rIl H.. al he
mics Of the museum, Ana ~, y, mum
FRANK GARpEN-ry,.aal'e
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-09-24
WHEN "ERIT WINS

When the medicine you take o...
your disease, tones up your s sare'
and makes YOU feel better st,'en
and more vigorous than before Tss
Is what Foley kidney Pills A. aai
you in all cases OF backache 10 pgT
ache. nervousness, loss OF anns,1.t
sleepiessness and general weakn.'t
tnst IS caused by any disorder OF ~
son Drug Co. 'onh'