New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1910-03-29
ART EXHIBITIONS
.G2scr Neic Pictures By ne Tcs:
imcr3c0g Painters.

.H,e ert,st who = In love with tho ma
,.la. I'M which he worlks-and yyitho,,, he
en- 81. absorbed he is only half an artist
4. f.' like the musician who returns 10
,auo NicC" i'm his rcpcrory over and over
t.r 1ul keeps il always now To me
rl.,sr0d ear viriuosity Of this sort means
fe.lc moro Imam the repetition 81 ia
....., d,sisu. but TO tho connoisse,lr each
.ro1lanc. reveals beauties fresh ana
= rsur IIe observes UNEXPECTED accents
t.fi's oi tone, Of phrasing. that he can
ro. hst attribute 70 longer reflection or 20
.o,ar sudden mood of inspiration. So tho
,...r.,l s,io uses his uledilm "a the r,l,,si-
..-r us"s las instrument IS forever in pur-
-vt oI snothcr apanCe, another Subtletv ~
Hor 1v %. lighi. II has been their peculiar
.1Uou 20 this pursuit THAT has given 10
.-a eurHai exhibitions OF the Ten American
Ta .u-s place apart, and now, in the thir-
-r-- yes~ Of their existence as an orcan;-
--,'o- Fl stll determines tho nature Of their
smss' q. the public giving them distinc
,.or n" rIoir own.
Surveying the collection OF some thirty
.a. i.euros which they are showing al th,.
,Io--roS- Gallery, one Is moved 10 refec:.
500 .uoa tAe singular authenticity and So
h- o ;heir claim. When they withdrew
..n,.t Nv themselves they hoistod what
rs.. . some sort flag Of rebellion, bur
rsnr Nrre 'SereSsionists" more whole
.ansg free from the ecceutriclties which
sa-r up6s. As a rulo, are wont 10 exploit
: na0 100 new theories TO expound There
v.~ nothing violent O. bizarre In Their
.url taey we've not The upholders OF q
0r.Hsrt' They were simply men wNo
feHe.sd good painting, and there has
.-r over since they took their decisive
STOPS comfortable sanity about an Their
..e ings The thing that gives thc,-
.,-f..u.n ssliouce to-day is just honest
--,rs ship dedicated TO simple ideal
r.s.... and informed, al least as ra-
SOM" ~ The members Of lie .Sroup. d.
and charm Of personality.
.s they are understood by the his
r. student Of Ito, the dramatist
and a ou. la.e their validity IN art; hut
.--t nu,s ion 81 paiuJ Is. iu The right
ie '=flf an tdo&, IL il !tself Il matter
,1not oua' ~ imaginative significance, a
-.rr which fart - explains the Vitality 81
I.r Us finest flower Is. perhaps 10
'' Identified an Tho present occasion IN "A
~ Hslsiar" Ito single picture representing
~ I,NIuE i1c. Al all events. like Yer
.ari.s tuo cult Of tie uuance TO its
.-..' Horc'usion. tusterely dsdsiuing all
There Is something in mis- work analo-
-s.. rn .ce charm To which Keats gave ,X-
-~.un IN Tire familiar lines:
le--a melodies are sweet, out those IN
card
>re -vee,er: therefore, - soft pipes,
g.. To- The sensual ear. bur. more endear-d.
'r' fo The spirit ditties Of no tone
translated .nto the terms 81 painting, that
simply enough, iuSt reality rem
-.'I exquisite. fact OF life turned into
essence OF beauty. II does not occur
that the girl I'm Mr. Dewings picture
r..-- eonceVahly have used the cello
.H.r se supports. her occupation is be-
-rt point. ~ we note the musical in
nsr- a. all il is only because il is in
..-.-r~shle TO the artists pattern. bear
.ertain relation 10 the placing Of the
thin the frame II il the pattern
'.. counts with IFS dependence upon the
.n... --aCe achieved m the portrayal of
-.. .nl a, The lovely color IN the dress and
Hsr hair and the soft diffusion OF
Nature IS there. but far more do
rt ...r upon re artists use Of the Ian
~ paint his nurincatiou Of it. and
H.s -r-aration of IL in his own tenn
~s.t. - own special point or view.
not So much beauty observed as
beauty invented. and existing for its
.". --h- That. we repeat Is the leading
rIre NJ -ls Ten
interesting % remark however, tho
-.-r. with which fuis hypothesis may
no .s-rrded Tor it is. 81 course. one in no
-. -E.IudinS anything that = painter may
a-r 90 say. Take. for example the paint
Nj. Nejr lie, too. has FIRST and
'.-f harmony - tone iu mind and into
|-r Blower Girl" NJ imports no human
continent, bun his is q homelier sense
az nature tnar rs Mr. peViEg's perhaps be
,-.-, 10 rs SO constantly occupied in TIC
~'~r 80 landscape. and so his con
...r..a NJ rrutt is not 50 rsrcfcd. so super
sensitive. But. an IT'S roouster Vein. how
..ertuUg beautiful II IS, only once In
long time Is = picture ike this pro-
Mr.. N.r himself has done rotning
81. fr. since The pink Bodice 81
Gears ego Tiere again. as ln Mr.
a.,iar'. painted surface brims
sin" personality. or pehsrs We might
Fay rnat I'm me- quiet and reserved
.r personality ICES hidden IN tho grain
.o~k There rs not ans where al
Hr"rn passage. The f-l ana tender
,f l.y aas "a kind of rounded per
t." 4, .u,or 'k- this tat spells
the expression o. individuality wtt1
.....Hs.ir freshness ard r.EHmass. 'ir.
f .n.s large in ;lr eNl. billion, for be-
..s au,ah.r insure study Ia mas Gai
good .aroseaps. Two at ;ner'. IN"
rr ..aw iH the ~re,g,Net and
Er.rar-- SIoDu.'- r.os-essiug rNt.aor-
..a. nI-rir aIe n~-i 81 tEo Two pIrt-
~, .s,.t.l .s Hory complies sIIans--
T-e - - green a:6 tavuy nu.-. The other,
.l.ca most OF t.c sulec on IN, RAIL-
given iu q Qeap toned Sky IS
D.. Iauarka8l. C5r the aeiiuacy 81 its
...-.a e.rtf --st.. and t.s- rich bot S.utIE