The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-11-20

quasi pupil ~ Bnudin and We recall
som" ranvaSa- Of his that suggested the
Hont."ur painter
Monet, 10y the vay, hasn't painted for
Two wears He complains of his general
heal h which Is sup.Tb when you re-
collect thai h- was born IN lsm and If
h.s "y"I. vrIch uughr 10 show Signs of
fatlGtl.. aff-- De. Ipr"us.. travail Of Il life
i'm" H." has a robust appetite" = no'
afraid II good clHr"r. bat he sw-ar- hat
h" ~-.- cye-ythlng blue. therefor. hc
N"u. tsirh h:~ brushes until his optical
r..-vp - NsStcd How many painters are
th"r"-vSrJ % ould stop for such u legit.mat.
r-arps" Perhaps two-rhirds 81 the crazy
drawing and color We get IN modern art
re~ur from dafeCtlN. vision. Dad RI
Greco really So. normally, Monet won =
pant blue world for us. "a he Is wl-.
enough - suspect some profound dis
,urbanc" ii his oversight tur.ou-ly
enough. lie never looks at other men =
pictures lie j. personally fond 81 John
: Sargent and enjoys has visits. but the
pair u..rr discuss art. nor will Monet
speak Of Sargent = achievements Wise
men both. IL Was Beethoven who re-
:Is,.d 80 discuss three IhIng~ Religion
pulI-,c~. counr.Tpoin' Paint and the
ak thereof has ruined more friendships
than IN. divorce courts Now pegas
thinks otherwis s He paradoxicaily sr-
Toys prai-lnE men whom he personally
d-rasts lie says thai Renoir IL the great
est Of living painters. vet he hasn' / spoken
10 him for a couple OF decades nor with
Monet either. He makes sarcastic re-
marks about Mary Csssatr. which she re-
turns with interest. but they pay sweet
compliments 10 each others arr You
recall Bernard Shaw = clever novel Love
Among the Artists rs for age. THIS
crowd beats the Barblzons How Old IS
Harpignies' Nearly W. at least HIS
daily record year III year out il q bottle
II absinth.. and he thriVss on ~. paints
nn IL. and only a few wears ago married
They say Mathy- MARS IN. greatest of
tn. trio VI painting hru thers of thar name
and the sol. survivor. puts aw ay BOTTLE
II Scotch daily and H. none the u .rS. for
~ Ind any one. ever keep tally on Gus
tAye CourDet's beer drinking, A. III"
old guard drinks, bat Lever ~urrsnd.rS
until death presents III" reckoning
At Bernheim = Gallery. PARIS ther. D.,
an exhibition of Theodore r. Butler
pa lntIng1. landscape, figures interiors
marines MIR Butler an American. l-
At home IN Gty"rnv. N"w N.rH
Paris Tie - the on-Iu-law II Monet
and u II SAID that although hts studio
- at GIverny hts ilius'TIDu- p..aI I,.".
has newer Rnzed upon any II the Burl"r
pictures ,aud he paints ~ ia. Mont color
gamIr
There are indications that 'u.. H.lr,
Matls-. Graz" - batting N Paris among
French amateurs. They SAY that Md'l-~...
talks NOR" than he performs. frat b" r-
zen roo much On th" boulevard ~ ~,
cli.-, AZ IN" opera. theatre. -.ri"tv. rr,.
fact any plac" hur on tt~ar"lt-r WORKING
Ard when ~ - The" tte place. - crowned
with hi- admirers. chiefly young student,
who listen r"hgioI-ly to- m" theories Of
IA" master MATHS" - brilliant tIIk,r
He talked ms way into w" affections II
Bernard B"r"nson TO whom most. modern
arr. with the exception II p"gas "a genius
in hi- manipulation of line, II q matter ~
Indifference In Germany. M Russia
there are fanatics who would die for
MatIss- They club together TO buy
his chea peat ard poorest -tur and then
cart IL on 10 their hprno- Their" 10 copy IT
patiently. "Nll' ing of course ~ irnp"rfac-
IONS and manu.rIsmS Al "A recent Ma
ti-sH exhibition IN Paris the galleries were
fli"u with i"roCiou- young Slavs and
Trut"n- q both --N"s. armed anarchS
\ -rnIl" on tlIe face Of "a philisrrn. would
nav" pr"cIpIrated u row. laughter might
have proved fatal Ip the tIctl.-- offender
There's art for art with v"ng.ance'
Ih"-" young folk take art ~ they takn
prIIt -. r"riOu-ly. How ~" roles are
r"v"r-"d with IN" wears When Nanei
aud The others exhibited on their own hook
n a visitor didn't laugh nj tn" "D"I"tIncr
sur h"rh". or at that - Inny Cour,r-au
"Dlvnp" ~ before tn" nonsirou-Iv
d"bduoh"d flowers and carrots Of g..
Z.tuUc. Do" wiz suspected nf b.,inR IN sym
pnthy with I'm" ruHhIiVII artist. and Inc.
wn- l"-'i"i and hustled by III" mob until
he disappeared Poor Claude Iaufl.r
IN Zoln IITNr-" wa d"rtd.a b.r.,ri-..
- h+ first picture. year. aft"rward t,.
Iong"d for thai rough -p"'Ie, If inverted
admiration But .'v"n m ~" r,eychulogy
~ Inll 'h"r" W., not ~" notion Of q,
M1is--.. crowd N"ny"un"" IT, rrIn. 18th
IN" I"'fg"'-t Ard N 1910 you must mot
-mil" ~ "NI~avaglnC"- IN paint winch
earlier would nav" tIcSl"d IN" rnr,lr,r
~ all Paris NJ" Rah"l,,~ran laughter
m. paint mill. pf the god grind ,.uf,r..
,IpUsiv
For me r"-' H"rr Natl-s.. H. sad ~ I.
IL gentleman who doe not 20 n oct bohemian
attire hntr pr t"tdg"Ir How sincere.
b" o. IL hi- d"vntrr"nz from normal draw
IuR Dwhtt pr"'I-'-ly ~ normal ,lrnwlngy
Kenyon COX alone could tell and M.
WON'T "" dare not Sav he IL a man