The Salt Lake herald-Republican. [volume] (Salt Lake City, Utah) 1909-1918, 1910-04-03

anthem Seek Ye the Lord" by Roberts,
with Walter Biehle taking the solo part.
Organist Berkhoel will pay as the Of
fertory Mendelssohn's Spring Song"
* X
Charles Kent and number of his pu-
pills will give a sacred song service Sun
day, April 8, under the auspices of the
State and First South streets. Follow
ing is the program:
Thy Win, Not Mine. Be Done Marston
Kent's Male Chorus.
Consider and Hear Me........... Wooler
Don Priestley.
Tell Mother I'll Be There. Alexander
F. H. Weight and Chorus.
Hear Us. o Lord. ..................M Willard
Alice Colhurst.
From Thy Lowest Depths. .Roeckel
Gilbert Savage.
Jesus, Pilot Observation-Disclosures. Gould
Kent's Male Chorus.
Home and Mother. Fillmore
Gus Backman.
The Earth Is the Lord .Lynns
Dot Mcmillan.
Where Is My Boy Tonight. ...... Lowry
Charles CroWton and Male Chorus.
Lillian Branning.
Abide With Me..................,...A Ashford
Carl Weenig.
Trio. To Thee. o Father. Verdi
Brannnig, Burton and Kent.
Kents Male Chorus.
4 X y
The musicale given at Gustav schuster's
studio Tuesday evening, March 20, by
nounced success. The large audience
greeted the young artists with rouI IS of
applause. and nothing but praise was
heard for the Tenditions of the rupils.
The program follows:
Irdumer6l ..........................S cnumann
Hedwig Schwendamann.
Violin duet, Berceuse. ...............G GODDARD
Arthur and Elmer Young.
Fifth Air Varie. ..:,,.,....,,, .Danela
Charles Hales.
Souvenir de Wieniawski. .......... Haesche
Mrs. H. Kern.
Spring Song. Mendelssohn
Edwin Ralph.
Gartenmalodie .Schumann
Duet from Norma. .Bellini
". r. Bills and Z. Ralph.
Cavatina ACKNOWLEDGEMENTS KAN
John Resell.
II Trovatore. OBSERVATION-DISCLOSURES. Verdi
Elmer Young.
- * x
The second Symphony concert at the
Colonial theatre this afternoon will give
lovers of good music an opportunity to
hear the work of the Salt Lake Sym
ton of Professor J. J. Mcclellan, has
been making great progress in the re-
hearsals of the past weeks. The organi-
cation includes s. instruments and its
composition is given below. The program
Is brilliant as well as popular, its varied
character furnishing music that appeals
10 the most critical taste. Mrs. Agatha
Berkhoef Siegel and Willard Flashman,
the soloists, are favorite musicians Of
the city, and their numbers will be high
" appreciated. Conductor Mcclellan
herewith presents a description OF the
principal orchestral numbers.
Second Symphony, Beethoven-The Lar
ghetto Second movement begins with
master Of symphony" tenderly sung
in the first violins, softly accompanied
BY the strings. Soon the clarinets and
bassoons join, added by the horns In a
repeated unison accompaniment. The main
theme is now superseded by the second
motif. given out by the viOlins, the same
leading I'D to a brilliant climax only
to die away again 10 variation OF the
beautiful theme In various divisions OF
the orchestra. The entire movement is
nspiration-cOmplete in contrasts, filled
with the tenderest and loftiest emotional
qualities; brilliant, strong, magnificent
Composed in 1902.
Poeme Symphonique, Benoit-The Bel
gian composer produced In this number
a work of poignant charm. Its rhythms
are startling the themes are refined. and
the orchestration lends strength and col
OF to a composition bristling with diIri-
Scenes Pittoresques, Massenet-Mas-
senet. a noted French opera and or
chestral composer, has produced IN the
fourth suite for orchestra" charming
and vivid tone painting showing aim 10
be one of the great men OF today. Love-
". soulful and dainty themes, now and
then a burst Of noble melody, quaint
rhythms and bold. as well as refined ct
fects, in the orchestra, characterize this
work OF genius.
Tfra contains
second. air de ballet. in which is heard
q really fine cello solo and the most de-
lightful work for the reeds and wood
wind; this, The Angelus. is fun OF
the spirit Of the cloister and the evening
hour. Here the horns declain the chimes
in a wonderful way while the hum OF
nature is perfectly initiated IN the
strings Of the orchestra. The monks are
heard to sing In the viotas ana pas
soons (unaccompanied), and mammoth
chorus in the refrain Is heard with
thrilling effect through the Drasses and
reeds. This magnificent motif dies away
to the most delightful echo effect IN
the string section, followed by a short
but delicious. theme for two flutes. soft
ly accompanied by the first vtolins. Then
the monks chant their song again ana.
amid the tenderest harmony or the even
ing in the Yiolins, this movement, Illled
with religious fervor. ends: fourth, "Fete
Boheme," is a wild, weird. wonderfully
brilliant and pleasing polonaise move
ment. filled with the crash and roar Of
the brass and the reeds, mad runs and
pizzicatti of the strings and the artiHery
of the tympani drums and cymbals.
For variety of mood, color, treatment
of the orchestra and expression. this
splendid work of Massenets will be hard
to surpass-
The composition Of the Salt Lake SYM
phony orchestra is as follows:
First violins-George z. SHELTON, con-
Willard Youngdale, Fred