The sun., 1910-07-10

kaxA N H. p~~s e q tAhsro>rae, n !,
prScs~e(y tAp Ns1ray - socssV wAs
unAkes tAs gr~NsssG ArsA4a- IhssA knsS
tAAAA We coafsss 80 Aro "a cApovAee4
VIA tAs -upSna sf uaAnlEassy and AAr-
unSnys hat cAArAcsexSBeA tAs~s p~scee1-
hr. OsnsacSus saga, wAAs hnkeA ~as
q hix etarrena q hreaA AR. aSs tks prohas
t~aAds Ahout at tsr tAs uaAN~rs-wAieA
a. nos wAna Art-or ths dsvoasonAl spSEsa
of tAs Ga-al pAiassr AAtre6 Md srsra
81 iaASvAaiSa. tros sigas Sf tie a~oNssass
- readily Impased - new tAheatsA ArN n
sviAsacs. Nati&~s Aad re~SAsrs1Ary
osoee Uo,lla stir up tAs s.AEnAaf swAnP
in wAieA % ckOkiAg AuusricAA Art.
And tAs coatiaaal caokls oVer h~Auty
witA . cApsll n What H~auayi Nhaa
nAtiOa Aas . rsoAopcly q Rp NhAa n
divsaSlals Th~cN .. ~ absolute h~Alsy.
No artist. critic. king - eao~a c@a saAAd
CAnuesUr-e Aad oEys~r th~ Oo>suniaS
sras % art - resE~Aa. lnsip&drsy, the rule
q thumb % 0reek Art misaIna-rstccd. /.
ohAracterinas the coaVsatiOAAl art - car
Land FIghtAx al this Are the a~~ ua~A.
and thy are damned .. h~rearSAn.s-
EnaecSrn. sn unsafe rlide IN an. ~As rtghs
"A The call - l-esislatAr~.' and thS- :. tie
v~ry rock whicA the American F~a~rNstca
% Arts must avoid elSs AaoSher AcA1~nny
We do not Agree With Mr. fredcrsc Ali~n
Whiting in his prAi-s ,Sf the William No--
r.-Ro~sesti usoVeueat- The Pre- hApA-
a@liss~ we're. with . singss exc~pston.
~runghe@d~d rs~dsccritieS; Rsroe-JSas-s
the ususl unnatural ~ the lo', TIE hor-
rors ~ hAAdicrAft fAhr1.'si~d by tn, NsyrSs
set siIl hng~r IN uns~th-,ie IN gland We
prefer the hAirclosh sof&s, trIm tAtics
and AntiuaaraasArs 20 Darkest Mid-Nie-
toriAn. 10 the prec,nls rAgbASS and fan
tAstie s~~gA~s - the alleged aesthetic
movement 4, lsAst the Mid HISTORIANS
we're stnc~re
Mr. Johnson's address Vas charged
With god seoss. bu, ne todd q story
On kenyoa Coz that prrVed starting
I r~usemb--r. said Mr. Johnson. -keayOn
Cor saying 20 me once that he could re-
memb-r the time when h. thought THAI
the chrOalo waS the high~s; AShseVeTneot
Esosslhls in art The temptation 10 praise
the pr~sens vivid memory % Mr. Cox -
almost irresistible. h'lt ne refrain In
Thomas Love PsAcSokis -HeAdloag Hall
IAnd you have missed Eayety n yOa
hAvssnr rad the tale ard also Nightmare
Ahhsy.. by the fa;her-in-lAw of George
Neredithl there occurs ths following
musical criticism by ons Mr.. Mcl-Aurel.
wAo rep~imAAdsd his antagonist thus,
Ia there oay scnnd MAR nlrsaAhle an
p->c.ifu' than the scTape q a f~edle when
u dces nA touch Ony chord i the human
sensoriumi 10 there oay mar divine
than the deep not. o a bAxpspe. When t
hreA,h-- the ancient melodies o l~eb~rty
an IoVef'
John " Beatty. director Of the fine
arts. Carnegie Institute. announces the
close ot the fourte<nth annual inter
national exhibition % paintings. he'd
az the lnstirste. Pittsburg. Tho ca
hihition was IN several resp~S-ts the
nost successful ever held IN the in
saiultion The standard this year was
higher Christian Brnton. author ot
Modern Arttsts.- wrote; IT u broader
in scope. more discriminating IN choscs
and more truly representative % inter
national artistic activity than any Of its
predecessors, the~e yearly diaplays IN
s.lection and Installation suTpAsa any
thing on the side of the Atlantic and
compete on even terms with the hesa that
- b-.ins done The total attendance was
Ia.sis The total number % painting
sold was saxteen. iDchlding the following
works: The Tourists 10y W. Davies
Adams: Day IN Winter by Nicholas
ChimonA Flood Tide by Paul Dough
erty: Sunshine After Ram by Alfred
East. portraits by Nicolas feschin: WAN
dering Mins;rels.' by c X Hplford,
-Chhs.- Treport. Alexander Harrison;
The Picnic. Pas do CALAIS by n Hughes
stanton small. -Corners % NIllAg~.- Ivy
Mods~- Huys. a Noonlit Ccmnon.' by
n EaStiake Leader. -Breton PeA<Ants
Dancing by John MuirhsAd; LAndrrap~,
hy Francis Murphy, portrait of the
ArtIst Nv william Orpen the moss w.
mark Able of the lot and The Mill Yard
and "A Pittsburgh Mill by George "
softer The Carnegie Institute purchased
FOR its permanent collection three of the
IA ntinRs Nv Adams. pcugherty and the
priSe winner Of the year. William Orpen.
an In-huAn Both Mr. Beatty and
PIttshsaTs are To be congratulztsd
There has been opened IN Gallery D
on the second hoor of the Carnegie In
Stitute building q summer loan exhibition
of ~iahty-tuo paintsngr Thl- wIll cen
tinua until S~r,rrnb~r ~. The Friday
club of London recently held an ~xhibi-
ton ~ memterswork and thirty drawings
hy Pivi- d. Che vann.-~ lent ~ Durand-
Ruel and Will Roihenrtein. There was
a Manet exposition in Paris At the gallery
81 Rarnh-im Some of the great arts, =
h~-, work was shown Al Durand huel's.
Paris. Monet. Pisaarro and Slsiey ar~ on
view The society of French Arts, lltko-
SrApher. also exhibited at Durand Ruel's
The nance ~ Caus~ret. Sauvase.
Homer. Lerenchu. Martus Martin. Maurou.
Peyr1, Raoul and " illette figure In the
catalogue On~ gallery vas oons~crated
90 the works Of Daumier and Hervier