Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1910-03-22

lett IN which Ben Redman plays am
the characters including lions. ele-
plants tigers, etc I'm Sorry" by a.
y. kisselberg; Mrs. Corinne Hammer
VIII render two solos How'd We Like
TO be Dog" and "Wearin' kits" viii
be given by Eddie Penrose, and many
other numbers follow
ORPHEUM Julius Stcecr. whose
musical playlets stand I'm "a class by
themselves In vaudeville, is the head
liner al the Orpheum this week Sup
ported by an excellent little company
his Offering stands head and shoulders
above the balance Of the bill Excel
lently one could say deliberately stag
ed The Way 10 the Heart" tells the
story Of two brothers, one pleading for
the workers In n manufacturing plant
ana the other standing as adamant
whose god Is the dollar Some Of the
dialogue carries cheap sentiment. but
throughout the story is followed with
interest. Mr. Stegers song. composed
By Paul Lincke, has a haunting refrain
and one Involuntary desires TO hear
more OF the unseen harpist and his in
strument who adds SO much TO the
success Of tho playlet While the
sketch Is uudOubtedlv.good II is hard
~ up TO The Fifth Commandment"
In which Mr. Steger made his first APP
pearance I'm Salt Lake
An act Of a different stripe is that
presented by Gus Edwards Country
Kids. Rural Romp" with the usual
Edwards trimmings. There is not
dull moment. The eight boys and girls
work hard and are dancing and sing
ing all the time. Arthur Whitelaw is
another energetic worker who hands
Irish songs and stories over the foot
lights, sandwiChing some aged samples
with others hot from the griddle.
The bill opens with Altus brothers. a
couple OF club Jugglcrs who ocCa-
sionaly get away from the stereotyped
turn with some surprisingly good
matter Sullivan and Pasquelena have
comedy sketch In three scenes
which made a hit upstairs, and Allen
Whghtman later on In the evening.
models In clay and does a pastel land
scape In the accepted fashion ass0ciat-
ed with vaudeville.
August PratO's Simian novelty cirque
comprising four panic stricken mon
keys astride OF as many boar hounds
wearing ponies heads and tails while
two whips are In evidence. gets some
what dreary after the hrst five min
utes The hnodrome offers the usual
comics one Of which. the baby la
the sack incident. ought TO be censored
Weihe's orchestra acquitted itself in
its well known form Suppe's FRANZ
Schubert" being responsible for a well
deserved hand" A fairly good house
witnessed last nights bill
COLONIAIt-'The Great Divide"
was given at the Colonial last night
by Henry MilleTs Company of
Players" with all the attention 10
scenic effect and precise detail which
have helped heretofore TO make the
play notable The name on the pro-
CRANE opposite stephen Client. the
part hitherto filled by Henry Miller
stood as Edgar Jones. and but for a
noticeable difference in cast Of profile
star himself There Is however
noticeable difference in enunciation
and personal method. between the
actors. Mr. MilleTs quiet and re-
pressed style being notably IN contrast
to the freer methods OF the present
leading man. The latter makes a very
Substitute however for the popular
actor and owner OF the "Great Divide
and the leading lady, Ina Brooks. az
Ruth Jordan the role created by Miss
Anglis Is an excellent companion