The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-10-09
COATS RICH AND SUMPTUOUS
tIy,iNII THI RIIg ~ THI
\IH uTIuN URIPN
t,=u. 81 velvet aWd tur ~tnnnlnS
N,brIs la HrSWH I stud, Ice niarG
n suu white Gssts To eco WITH irorks
seauI, In the t'sat Materials.


uhr'h hts supplied t)-dlv's
p. i,naui story all their Own
.. ...r,. word, will quite farl Ia do
... . ., thar attractions Not within
.., ...np-y ~ "a" old ~ Inhahitant
..... r.rlIag coats. carriage coats and
o.. ..tr. ~ visiting costumes taken on
.uptuo'I- elegance A. they show
"a ..r1 have b,ssl working up To It
.a,rS past. zach season bringing
y-.l..- "Nt-avaganor along this line
.rf '.a.s have b-sn models in fur and IN
.. F,.- md lac''s as costly - any Of the
coat. -..,wn thus fall hut never have 81
r.t.. OIL. i~lS ~ regal air be~n offered IA
o.. -",-pn
... rl:,I- Of velvet aud fur has much
g. lr 9Th thus The two materials give
=. ..lrs--lon 81 richness which no other
r,.,rflls achisve, and velvet and fur
80 me keynotes OF the handSo NEST
~rpts- coats such marvellous velvets
-, with all the beauty Of color and de
sE- known IN the famous old velvet
iav~ and with an added charm Of light
u.vss and -oftns>s which opens up the
uay for such clever and graceful handling
- velvet never before knew.
mo embossed velvet designs on chiffon
irIniItions. which are one Of the seasons
-yp~nsIv- fad~. drape and cling as softly
A. 'hs plain chiffon, more softly indeed.
~ 'hs added weight Of the velvet draws
ma chiffon down and moulds II into more
,,vging lines. Almost a. supple are the
,nivst designs on crepe or satin or on
SILVER NJ gold tissue; and while monotone
.norinRs are n the majority the most
,alutiful II these materials show change
ado grounds with the velvet design IN
one ~ the Colors or perhaps in third
,nlor blending perfectly With the others.
49, m black. 4 ground of gold or silv' Z
srot with color and embossed IN velvet
- the color or of black j. remarkably
effective
Naturally these vevets are a. expensive
A. they ara beautiful hut they are fairly
vide and they are usually made mp upon
simple and clinging lines 80 that no great
amount Is required and they call for little
thinning. though IN. fur which the de-
-lgners love To- combine with them -
Appallingly expensive n used freely and
n good quality.
Among the models displayed IL was bard
:. pick and choos. for illustration. Many
g the handsomet owed their beauty 50
.a-g-ly 10 texture and coloring that black
aud white sketches 1T them would l."
, ..".-ly Inadequate Those which are
...vn her" lu.e IN the same way hut /
nothing Of their individuality remains .
e."H ~ ~" black and white
OBJ" black and whit" model does not
I" .rg 90 IN" velvet class and l. a gar
r".. "u-" pra' teal and bette suited To-
80. -"r- al utIh,y purpu-". 81 the average
.tr than were moot IT IT. peers Not
4
.....n model II was shockingly eX-
"...." by reason ~ the maker from
~..u. % came. hut given the idea less
','...i- make might build up such a coat
..- p-,.- tar lower and n" woman
~. ..'lld pas bv the superb valvei gar
Mort without -lEh might vol c"v~'
'... ..apk and hit. coat
I." material was a ialutIful black
saw -ott. rich lust-ou- and the lines
We" .lnple though eN, ~~dingly clever
80 -.ll.d band about the bottom giving
81 "rr lines and IN" prouer narrow
eco 80 bottom without stiffness nr any
...r-lrs.~ above 4
ne. deep shawl collar 81 satin fell low
.r~- ne shoulders and the tons OF the
I1ssa sleeves, and along it, outer edge
vs-a H.O-Alv set small buttons covered
u..r white satin and simulated button
s-..-~ If white satin cord one ing white
ss'r ..l''on held the coat little below
POO aaI-thne. br the opening was not
.-~rw'nrrably low. for over the wide
ss'0 n1Ilar fell a huge collar ~ white
'rv ero~- hufine-s covered the chest
rr-.F
~ rand cuffs Of the white foV were
NJ no sleeves and there was no other
'r~'g.ng The lining was white hut
80 same model ~ seen lined with the
ro' purple which II so Insistent a.
-sHarng color.
'.- purple would asem rather too
esd 'n blend with many ColorlnRs. and
'r- wornan 81 few frock- ard coats Will
r-ei~- ss- uncompromIsinR coat lining
'' 'n" shade - a lovely one and It -
.-"d s.r~e~sfully with a surprising mum
20. .f ~ulors
'u" - the richest coats seen Wa
'-.'r '-p"ad. velvet. wonderful rich
'-.vr d"aV. vet warm. the satin ground
'a-..E q lighter tone than the velvet
e'- 81 and h.inR IN fact a shade or Two ,
E.'., iris velvet was trimmed 90 Is
.. H. euurfnoiI- collar and cuffs Of '4r ,
''.t.i x through the deep warm browns .
3 3D. .".'uvtsh fawn. and " was lined WIN
2 ..... ATTN. which when on. saw the
'.. cation seemed the on" perfect g. Tor
: ..' uroVn.
..'. no" gravs too u - beautiful
- b. .r'" and n - used with su-prlsInE
.-- u cDnnsction with various orris...
".-. tri cyclamen tones and with Ger.
o.. .r- =
..- Ieen SAID some ~ m. most
% y"lv-' coats ar" IN brown In" D
F-.-t"d model sketChed here - a =
',-. ."in' the mater1apbeing a deep. :
'... .,rvn velvet 81 exquisite quality 1
n'Irse used with u. bat only ~
,.nuud the neck the -e-, - and
nHt'"in the rest ~ the trimming
... .'.-h"'i bv Transparent net richly
.."'i 10 soft hin" greens and duh
zoo. .uto M" velvet m odd little
'tf - velvet edged With tar
".ai b, IN" bird IA lrId'scent
.m.HauI"~ ~" coat
..'- ~ rru'"ss''d y"ly - q re made
30 r.. 'h- - ,hncn Or crepe
rmHu" som" touch u trimming /
- Boo IA a all fha ,,I,vtpu