The sun., 1910-05-15

The hchu and oversleeves were finished
with lrills. undersleevss and guimpe we're
Of lace and the only dash OF contrasting
color was a huge Liberty rose thrust
into the wide soft girdle. This IL pretty
model for any soft sheer summer fabric
and more chic than many a more pre-
tentiOus frOck.
When hot weather brings foulards
into general wear We shall probably see
much of mousssline and chidon in combi-
nation with this silk. for all Paris letters
tell Of many such models In the work
rooms. FoulaFd will b. combined with
one tone silks too and with plain saiins
You may have a plain tailor made coat
and skirt costume IN fOuhrd or a coz.
Of foulard ASSOCIATED with a frook whose
bodice and upper skirt are Of chiffon
In the fOulard color yelling white. while
the bottom Ol the skirt and certain touches
oi trimming on the bodice are OF the
foulard. or q costume of taheta and fou-
lard. the coat and skirt hand Of tafeta
and the bodice and upper skirt Of the
fOulani.
40 for the Foulard frOcks without coats
they are legion and the effects are aston
ish.ngly varied Tuill. plain satin finish.
brOchS. crepe finish fOuhrd. foulards
heavy and light. plain or printed. fOu-
lards In every imaginable oOlnrinG:
there Ii no end 10 the variations upon
this popular and practical Hilk.
Blue h very prOminent among the fou-
ards. as IL is everywhere throughout
faahiOn's realm. Never has there been
such a season of blue. and the list Of
modish blues is long. though for
that matter there seems 10 be no shade
Il blue which is not worn. Navy and
kindred shades are much worn for tail
Ored costumes of the moro severe sort,
but the blues most peculiariy Of this
season are the brilliant. glowing shades,
such a. Bleriot radium. kings blue,
nag blue. &c.
Perwinkle is immensely popular and
the Natter, oanard aud sea blues are
much used; but II IL the brilliant blue
Of which radium II perhaps the latest and
most vivid example. that IL the protni-
nently smart shade of the Partisan mo-
mrnt Though 30 vivid II IL not crude.
hut none tho less IL is trying to many
cOmpleNiohs and like all the brilliant
blues will be still more mllecoming
as summer heat brings nushed faocs;
80 have a care. me@dames. These blues
are usually toned down by black and
are at their best when 30 used
blue and white foulards in a host Of
designs are. a. has been intimated. much
favored. and almost every house worth
mentioning has turned out good looking
models in this cOloring. though the dotted
ioulard has lost caste, and little cubes.
squares oCtagons. &c. with an occazional
striped design are preferred.
A clever dark blue and white model was
made Of reversible fOulard. the reverse
side taking Of course a much lighter tone
: han the right side The idea was worked
out on the lines indicated in the sketch
and the result was admirable.
DARK blue chiffon filled in the low cut
front being laid over cream ac.. whirh
formed q little Euimpe airove the chiffon
Draped aorus- One side Of the front. start
ing under the surplce folds 0f f0ulard.
vas a scarf ~ soitrst satin ia q deep rich
vioiine. the newest purple The color
note WAS perfect With the blue. and vet
ihe importer said with sn impatient shrIg
n his shoulders
It's an inspiration that touch 81 purple F.
bat most ~ my custum4s when I shUw the !
model wonder why Drseoll pat that hor- .
Id purple thing with the blue Il is dis
We don Z understand color over
lere. dOn feel &C. and will never rival the
french a. fashion artists until American
'Omsn educate their color sense
Attractive fOuiard models are shown
n the popular black aud whit. colOring.
he fOulard often combined more or less
reely Nith plain black satin 4 black
attn coat and skirt band With bodice aud
PIPER skirt u fOulard make q practical
nd modish ~ rOtting suit. and there are
numerous models On the saIns general
nes ~ that illustrated Ia the central
roup. frocks Of ioulard merely relieved
v plain black The graceful handling Of
black satin drapsry 10 the original ele-
lent In this frOck the drapery. like q very
Iid- scarf starting narrowly from under
uckls 40 the left side " the waist liue n
he back aud neing drawn car-lezaly around
D the right side ncar the hem. where Il is
aught up under folds u the fOulard
'nly an artist Ia drapery could have given
lis curious arrRngemsnt Just the right
lT, but it was really extraordinarily sue
rssfll.
The lovely golden yellows are con
idsred particularly good IN foulard. aud
lOugh combined with white they are
pol and pretty The yellow and black
,ulards are newer aud have been eH-
loited by. several Of the most famous
lakers. the fOuIsrd being combined
ith plain black satin. OF IN some cases
sil@d in black chiffon or mousseline. Z
The third sketch Of the large cut re-
reduces a frock Of which mention was
iade several weeks ago. over a clinging
,undation Of satin in an exquisite shade .
cornAOwer blue falls q Russian tunic ,
blue chiffon several shades deeper ,
his tunic ~ embroidered all over IN :
Dutaohe VI the lighter blue shade rep /.
scented in the skirt. Long undersleeves :
nd a guimpe are Of plain blue chiffon
! the shade Of the satin and the braid. !
he uss 0f the two tones gives character .
} the model without introducing any
Iolsnr contrast. and the effect Of the
Arksr chiffon with braid Of the lighter
lade used for foundation is excellent
Linen frOcks and coat and skirt suits
10 selling bTiskly despite the fact that