The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-18
The MUSICAL ART SOCIETY
rs NEIOND CONCERT CIV ~
wen PLEASI re.
rai..lr,naS ''RIsbat Mater" Tor rhree
hoirs veil sung Z tleaaaiful pas
,iaO song ~ s~hr~Vk kAsIer seDiFII
lITeathed tn Much af the Music.

ssAaDhml MAlRE'" ImR Three
ne,r. veil SuaR ueAaaITuI pas.
ian Soum n, s~Nr~,.k -ka.,er s.,,r,,
urraIned gn Much sG the Music.
80 second concert ot We MUSICAL Art
80 Al 'i'n~E'- nan Ast night
''ih'1 me spnu "' the approaching
's'-r SEASON he programme con
'~d nuno"'H '"mp"ss-i WHO re'-reh'~
''" s"oiinhe "\'"' "t 'he christian I"-
100" Shh was m"-I'ahN "nc "i Va"
wn'' satisfying programmes which the
Sani1atI"n mas rec~ntly offered u
. ned With one "i fai's'rina -tNo set
- a" the eTeA' "'-i' "NaI hN'1n' Stahat
'H'"r ms was th" settling tor triple
r.'r "l '""lN" Voices
p" haste character "i Pa'"sirinas
900 - 'Ain',lar ." MUSICAL Art Society
tnN"h. - ana - ~" 'ha' TINS ~ 50.
'"' me -'mPnc"N, 'hr'|'n''~S and conNIc-
40 'i fH'"-'r'hA- S'Ni" ar" united with
" ''"iNndi'N "' ln"S''1ansh'p winch even
"Nnl'n o'h discern. Nh"n heard ~
.'"-' dn'h" "h'ch also contains same
a. 'h' complies ann Vet superficial essays
OF w'd"rn composers IN" music ~ the
-''' " I've h"m"n 'hur"h speaks With
f"|''uri''f el"Si"enc".
"" ""rs heard last night Is 90" which
Doe a.Ns'- 'nJoN"d IN" enthusiastic adj
"ra'." r Vt musicians That u did not
"a q" max" deep impression on the
concert audieno" spoke we'll for the taste
AMI sympathy vt the listeners. u should
p" added that II vas eNc~llently sung.
W" solemn and affecting 'crIcihNus-
~ iniu. which followed. was aiso adj
r,r-h'N presented. and it, b-auty and
"N0r"~~iN"n"s- hll"d TN" mind a. well
'h" "'r u was interesting To- note
To 'udt"n rncIrsion "t modern dIS~o-
nance m the -MlsericorClias Dumini'
81 tranc"sr" Durant". the next number
On he list hut dissonsnce of this type
vas used With moderation The ancient
HYMN AVA Trinita B"ata, with DIR
Blruev = scholarly and interesting har-
inonl1Auou. delighted the audienc" 80
greatly that IA" number had e. be re-
psa,e1
lHa next number was = Pa s-ion--
Essang- with German text by Gu-tave
S,hr"Cs whose music IL not known -
Ioyai Cuncertgoers Schreck s>csndei
the -"a' ~ Bach A. cantor 81 the l.eip~,c
homas church IN 1877. and u would
10 no eNszgeration To ~ay that the work
heard last night showed him to he a de
v"ui ds,irle Of his immortal predecessor
= va no slavish imitation oG RaCh's
s'yi- hut decidsdly modern compo-,-
{ 20. dramatic IA the later sense II that
term. W. net fur.gn to IN" atmosphere
90 m" bunch leautfIl and touching
Imposition. n sang it, little story Of
t-th-emana t"nd~rly and Nith exquisite
a.
III" 1r-t part II the concert was hruught
. su end with the uld German Easter
Ing Vow christ. the Lord. - R~..n /
90 Nigh The central numi~r WI.
-U"r Ne'hs der Nacht.' 10y Siegruuni
'ru Hsus~gEer. for chorus anS "rrh-.
80 hau>aggeT ~ conductor ~ the
inIharmonc concerts 1T Hamburg ana
10 Uas formerly IN" of the ardent sdy'- I
'a's- u Wagner miI~i'
There was SOM eNiU"nc" 90 Last might
imposition ~ ms devotion - 90" at
"rrk 80 ~" future. hut only M r".tua
Hdnu'sI-'"- Ih'' ,''u!H-l't'n slowed
nG"nUu, and mu'' am I..'u uu' hut''
rsal laspIrlrlHl lh' N.lr'-- - 'rrl' 30.
sSiIcal 'n"Si" sc""ulf ii-I"d much u"-" .
's IN simpler pIsar'i.r. Mil. h''l-r g-'r
ego. NagDc', demonstrated IN malt =
~ ~ -Psrsi'al- n"' o." -"'~l' OF re-
-i'iS d"No'ion could D." VOICED ~ Hlitn
ms With the background of AN The
'Ittd "'l"nnS AT ~" ""mm1"i IT
I-.tay's musicians
n ~ the custom at concerts 81 -"