The sun., 1910-07-10
SEEN IN fHE WORLD OF ART
SoNE VIEWS o. FEDERarED
ARI N FMS C0t NTRH.

NSass aaa CSa.s~~ss o. Shs CsaseaatsA
N WasAhngtSa-N NscA - NMhae n Ne
AaAsre~sr~N Haa ss@<shnE LArAh8
arsaRs Sf the Put@SarS ReNAEsalbs@-
Art ssS ~ ,prsa.. q uaAgAzlns vsaelisA~A
racathlv ~ tn Am<rScAn feS1~ratsoa a
Arts = excelsrntfy eSais~d and the Jshy
uauib~r coasAina mach intereStSnE read-
inS EiiEAheth lath~r CAry hAA Ah artscbe>
written ~1th AlathOEity. On -NOslnS Aner-
S,u-SaGs Abo1t AhS~Epcan AEtSsas a. Rou,e>
IA~E~ are nhs<sra'iOas, the hs~s esSng
Inchidcd N . httAe study q the r~~tair
Aoaes~rny. savannah. Ca. by William p.
SILVA Ths EAth~Ting of Pi~taEe~- The
acAsaeuay Vas Established twSaty-tve
years contains Ernest LA~-oas
-SsUyv~~&nt square N MiAser.' . por-
trait Of G~OrE~ HHchcoe& ey , SAAn-
noa. Arr~d smiths Porte d. ROra~anx.' :
'The BROOK IN Winter by Ed~Ard W
Rs~i,i~ld. among osher~ With the cur
rent nuutrT j. . siPVbem~Ot. h~anS the
prOsvSsiings cf the tirst annual coav~0-
tsOn ~ the Anerican TeNieratSoa % Arts.
h~hi AZ Na-htnGtUn. ID. Z AAy u, u and
10 laSt psleSAi-e, savp the sShaor. frurn
ahoGt 100 affiliated organiratScne wer~
IN a't-adAnce The territory covered
by irrErsentAsiVn WAs EAtSon NSee,
eAtendtng fron san frAnci~No ~ hosion
AMI from ChicacO 10 New ort~an-, Win
e-lt fen eNc~pslons the programme WAS
earned cut a. announced. only ,hr~~ q
the pronais~d spe~k~Ts Disappointing and
their placyS heing sipplieh Indeed
the prOgramr,e was - t0ll that httle time
vas available for Open discussion. too
httle perhaps, though opg-oTtunliN for the
exchAIaee Cf oEanFon wA- g'Ven 81 the -
Cepslcn tender-d the d-aegAtcs by Mr.
and Mrs. A Parsons amt the trustees
Of the Corcoran Gallery % Ar
From hrst TO last a spin, of unanimlty
and harmony characterized the meetings,
and potable hke~use was the ca,holicaVy
% interest," dISp lAy~d Possibly the ara
prcd,lct of our Age may not surPass that
of past Akes. but certainly never before
has the interest," IN art beSsn IN the country
a. ~ideSpE~ad nor the d-Sire 10 make it
a universal poSs-ssson bes-n a. grneEaliy
f~l; I; this. as Secretary Wayne
NacVeSsh sAgHeSt~d in HE Addrr~- -
~el,oue. that will I>Ad 20 an era u pro-
C.ssCticn AN az Of the spir;t unTivalled
upon this optimistic patriotic olthurst
% the American FeSteratlon ot Arts
ChArle- /. Hutchinson. president. vlcs~-
presidents Hertert Adams. John W
Alexander. 7. ILnd-<y RlAyn-y. George
" Cable, Mitchell Carroll. Ralph Adams
Cram. Robert Fletcher Cas- Gilhert, Mary
NJ Newport. Mrs + " PAtttson. Henry
Read Mrs CkArle~ Scheuber, treasurer
Martin = ScAif-, secretary, p d Millet,
assistant secretary. Leila Mschlin
Turning the page u the pToc~~dinGs
We note address such a. Modern Art
Development by George de- Forest
n ush. The Relation oi Archit ecture
70 the People hy Ralph Adams Cram
Report 10 the Committee on Sculpture,
by Herbert Adams, The CIVlc Theatre,
by Percy MAckAy~. Civic Art by J.
Horace Mcfarland: The National Gallery
of Art by ChAri~@ u NAlcctt. SECRETARY
~ th,. Smithsonian Institution. The Dim
cul'I~s and Trials II Congr~s-m~n Con-
c~rnlnx Art Matters by JAm-s l. Stay
den. member of ConSr~~s from TexAs,
The Ethic- and Politics oS Mural Paint
ing by Edwin VI Blashheld; How 20
Reach the People by Edward I Hart
man. industrial Ar nv Dr James Par
ton Han~y. director oi art IN the high
schools. New York city. Municipal Art
IN Chicago hy Jams- william Pai,ison,
-Ih. Art D-veloym-ni Of Smaller Ci,i-,s. :
by Frank Won d-f lAnck-n. What the
Arts and Crafts Novemsnt HAs Accom-
pli~h,-d- ~ Frederick Alien Whiting
The Iut--n,tional Congres~.-S IN Ar
Education hy Jarn-s FreSisrICk Hopkins.
-Th. E-ta hlTshm~nt ~ Art Museums.
bv Robert Underwood johnson. edito-
~ th.. srfsry MdscHEs Art HS a National
Asset ~ the Hon Francis q Ne~lands
United States S-nator from Nevada. The
History of Art in IN" Collee~ Curriculum.
Nv Lind-cy Blaynsy. Museum Pos-
sibllitl.- by Arthur Fairbanks. dir@ctor
of th- Museum of Pms Arts. Rcston:
Archaeology a. an Educational Factor
N the Popular Appreciated Of Art by
Mitchell carroll. ami Art Ed1cation.- hy
n \ Bush Brown
II cannot - denied that in this hatch
- address there vas much of practical
value plenty ~ variety. and While there
~a- some empty ora,ory the experts kept
,.lo-ss. Ia their theme hut the mAs~ed
i'm prc~slon - not particularly reA~suring
The~e gentlemen many of them leaders
N thor ~hl-en rid. seemed gwen over
"a the d,dacuc We recall few stimu-
latIng suggestive eHpre>~aoos uttered
throughout the m>ettnks. Academic for
maltsn prsVai.,. Tue spiIit % creativs
art Was al-~nt Curinusiy enough one
of th, most entertaining addresses ~as
tha, mad. 'he first day by George de
Forest Rr,lsh We say enter tain Ia z
because Mr. Brush - never afraid to speak
up IN meeting Rl-o because his practices
dos not coincide wi,A this theory. He
IN. eclectic scademician whose name
Nv Brush the PAINTER vould have filled
blackberry With JOY actually pitched IN.
>, the Academy ard academic methods
He prcts~ed 4, all nv q statement that
',a.re vSi. much need nt criticism w thi,
World An af'erno"n = good work - worth
1. nfe = Criurlsm and then cTtticised
with might and main his alma mater. the
ASad~G'v We agrc" With neNrly every
tnuS D.. said ard whevs 40 doHt agres
iae-n't rnu,h matter VI hush ah,l=et
tho study of the al.tl..o - praC thzsd hy