davidaulloa/AmericanStories huggingface dataset:
Decorah-posten og ved arnen., 1910-08-02
smsbolssHae 9 einsser I no. "a,

Shens suic - SHerS grBggc. - Sieus Homuurebpgutua - SperEatss
tinsos fra Sheus airtddau. 49, Seteunrtsbrbgqsn Sheu - uSfat ohr Glen
fra "attoa". - Sarti fra 2aueefraO po 9mrpe. Rumrue at 6Gfnnan
GhrHrdushoIm ocb arihiausiarb. - SHpuS bO Sorpe Sdnanb - nnsrn
Sfs isubre SboIer, SeSsmnfsr. 49, Scier BtteIms GdSe til cbSa Sd1ors
Ger - SaemaubsboImen o9 Cboerseu nb SrfiarHnnS. Ora giouafosrs
9aub. - FRA Sbbd / Sdrounocr - gds aue mo 6enerqsfuruen. - FRA
Woiapauocu. - Fra gos. Rtnbesmrrtc obcr foIoue aripere. - gerr til Snl.
trm. @ois - RprhdI Station oo gerGeuSbduer -- TnIers SohI Scterdr,
ZEN Ora abirScn 5ekmnrtcu. - era rkhos Setehdrttu Sra QdurSaI
Sdemarhu 49, giSsbors atrtt Ssnmnrten. 49, aorneruobueu oeS Srdmmen.
- Sorrc SauteSaL - Bangs Strife gaGNrs - Sa S~rtrasirtrsus 8uS.
tarosoakr.
Decorah-posten og ved arnen., 1910-08-02
Zen itsrte g9peiul / geroen. en-

Zen itsrite g9peitOl ! Seroen. en-
Naaifinfubrif | 9bemtit3 bar / otsie
0ose til et 8rueri | RooeDiid le.
peret en- 99pitoI, Der er ben itsrite.
man fiHnoer. Den bar en- S9ng0e
al 90 Dieter, iaa oct bIioer ct betpoe.
Iist Stpffe Del. SfpttIerne ma I'll.
bogeIRsge Is ganse j Ssbet al I
Rinut. gGpitolen bar en- greboe al
4.5 Reter. en- Ssioe al 3 R.. og Seus
gGst uosisr $4,000 ailogrm
Decorah-posten og ved arnen., 1910-08-02
famiIiesGGsnina 10. "a.

stsr er ct NIT giuo fet til BEN LANCE RGHe at SoteFrHer, iom -2ecos
rab'Rofrn- unSer siaeu Semitic 2asuins" ieuer uD til fine abcunenhr
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s'rfer er til mcseu SNess os pnSeboprins uruSt Omhtu8 De nOrfamsri.
'aanfe Snm sc large Stuterhcne.
|afSrlenSe % marseartet SrSboo Tom be mange SrsiGrsGe. soaIeOcs er Der
.meo Nnnme Snterese al u8e % ernk. Ger r bhntt dnNst ben srbeuhe 81.
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iaa rsreHe Sortrums on. bao Be to samEc simbe for Sims sfpIb.
% la bar 81 DUMAS iprnSersc Sorrnfng fra NnpohoustSeu ON "SpIotns
gem" Soban Sanbergets coertariae Stforte ont "gu SuTstpetb paa
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Veter ao'esses frnssnSe STORYTELLING fra stfermart @Srsbreue" os gH'
REIN Nrd0s 6ortrntra ON en- Prrfctotsrs SpofucIcr for lin enrIe Gar. ~geb
stoppefteSet". sa r Der en- al cb SGefc Ntrence 6orrutus f ar'
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fomtf IOHr ennIis. os sara So6auue' fortrner 2atOb SHStt OF en-
.nra pahcr Sinrtptse. icr 2rrsbeu ie trhrSes al Sen 9wts Dos Shrtisb'
SiBet
|n Der c snsun Hesct nnSet ceunc 300. @i Hrnnsr iHrua en- arF:
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mnrtm o. en- Stfore ON grsrIanbf Cocrtro. Shbrtuger fra Srmdrteu, 8on
90 SfhNi5 % cnouu su BEL 2I Smaahhtrr
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tmt % @fneScr fra Sc fornisHhe gnaSer oa @cr Rome. stuatpt esr aooc
SntosroNsr, % &c fcHe az "Rofeu"s 9rire pI FH,rra Der frSe ct scr Hsr:
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Set er Senatcn odna icrsrc shb at Iperc Tme Ssrhr al TorsbI.
.foer, oG Re. ior er iad fcrrnfhas at eFume pan belle RrHeu al "SamfHtserss
ming. oI 'aaleees frart iurre Hafe ia ct belt uet @iueSedutrt fra Norge
Decorah-posten og ved arnen., 1910-08-02

poene, % ionoanne pasierer belle
Tagen. De orbinGre Tasiager %
@oostog er Der life mango al.
Sbog beisgte en- Horif.Imerifa.
ner. GIias Gbriitianien. mig. San
bar pGret % aar iom 6ormer ! Win.
neiota. San bill M til Bergen.
SiIien til gefieubtel
81. 8. Sppegaoro.
Den 17oe Sum- 1910.
Decorah-posten og ved arnen., 1910-08-02

SHor irnte ri Frrnhbearr uemns 20 a2 o. 81, BEN fsrnt en- mn BOG .5or uns'
BONNER. 7sns BOO uotom ka tent at bet par iorboosus fn, fom nj ben. bog bet
fprne Cplag sr ubioAt oa ct mt Cptae or uph. Sm man oil e uf reoenfaasuoe 3o'
borOsHhs err bette Ssr meart rst puu sO % imnO 2GsHtnG tRr ir unsoOmmeu, for
buHen ben r beusuet men pgGa for GRr.
Decorah-posten og ved arnen., 1910-08-02
SmobOro al Den noae mpe gramiebos 70. 81:

6rs. 9i9t al N. @ QarbfaS. GussetS ettc. Fortruina. TeS Gil.
shtr. On Ssrucbiapre. (@rsutmbF Cberro). - @aIseu unSNap ri bsase to-.
STORYTELLING. - Cm at na Rins. W SuIrnborf. mtS Sitter eHr Z. c. @uc.
Fsa. 5or Tins Stnlo. SorGGue - SinmarfSiwbuo. 49, suiubs Ssn. ~
GcranSer Dumas - IurpSus. gf R ! "pusmoSsru" - Somfsr lea lite
ste mtg iaien mco min g'nno. Otter set SpeuFc. - GIT Sulenefb pa
Spurefele. - On SrSsrsmans. W Barbra Riua - ssnbmsrRe sasn. Stn.
ter Som. Gf Cha anhr. - grsens hGFc gohbus. gf Raie Be 2tuSe -
vrscreus. On 6ouratng fra SteRrndrt al geer 8oseeacr 49, On gntsrafen
or Sousshne. geb stpppsHebst ~ @ibcIm arag. let snbe Ssnmasi. On
PgHsiaqo fra Nal SanrgNdL Gf G. a. GUerlauS. - SWeu fra gGisuaispI.ns
$anb. Stt 49, GiinbabS Hrm. Sortrutng nf gutordt. Sobitn. - Ssas
arrsenausea frtaIh. 5dar fra Spicssio. - Ten iate Sehen fem MATTE
~. - @uHmeIon % SshlOu. af Saob % @uu. Time ano the Ghisrrn".
@n @tn SaIpe in TIE temple 8dr. 5arpd 5uutbai. u. Cans anrrue. 49, On
Sootur aRunem ShwetS 1894. - 2au nj uusaaa areitP - cara Spbauns. VI
Sacpb SioWbL GdcHe. - 2uusebetgnoskus Sphuaru.
The Pacific commercial advertiser. [volume] (Honolulu, Hawaiian Islands) 1885-1921, 1910-02-20

York; Mrs, George sherman, New
Nott
Cl-ss C-Nrs. d. Rice, Boston; Mrs,
Robert Burdette, Los Angeles; ]. Fl.
Adams. Boston.
Horse Floats Mrs. f. Fogg. Port
land: Mrs +. T. Walton. Minneapolis;
j : Bailey. Chicago.
Auto Floats Mrs. !. II. Adams, Bos-
ton: Mrs. ]. :. Reilly. Chicago: II,
Fogg. Portland
Bicyc'e- Tbo~. CadwaDader. New
York: Mr.. Lambert. New York; \. :,
Nackje. New York,
officers of the Parade.
The officers of the parade are as fol
lows:
Harold e. Dillingham; general djrec-
tor: +. H. Trent. treasurer; /. ;. Con
ness. secretary: J. f. Gait, finance; {.
r. Frazier, float, and fire department;
Walter F. Dillingham;, automobiles. SID
nev H. Ballou, army and navy: Albert
f. Along. prize, and decorations; Ralph
:. Ho-mer schools: T. t. Nteere,
grounds; Miss Rose Dawson. Inter Is
land Princcs-cs. Charlie, F. Chilling
worth. pau riders; VI. F. Peter hiey
Giles; l.. :. CONFESS. police; VIII 4
Love- night ceremonies: Harry ~ DEM
son. marshal Of the day; +. :. Gault
afternoon sports; James Dougberty
carniraI. James Lynch carnival sec
tion, ! Inn Hughes. constructions; Mai
:. ". DnnnlnL. military marsha.
The Iopurv mar>hai- are as follows
! Holm titrIse. Robert Clarke, Ben Clarke
+ T. d. CoN, Ralph Lyons. G. f. Chilling
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10
"DIED-A-BORNIN'

THE attempt OF George Nixon to
raise a question OF veracity
between himself and George
Kilborn of the Journal has, in the
language OF the day. died a born
ing"
He stated that Mr.. Kilborn asked
him to secure for him the Republican
party nomination for the u. ). Senate.
Kilborn denies this silly charge BY
a sworn statement.
1t was not necessary for a man of
kilborn's reputation to make his
statement a sworn one. His veracity
is unimpeachable.
Nixon makes no counter affidavit
in reply but intimates that he can get
another mar to do it and the other
man happens to be a discharged m
ployee Of the Journal.
Why don't Nixon swear to his
statement and get the other man to
corroborate it.
Every DciiloCldt VI 'hls stdtS
knows that Mr.. kilborn was rendered
the nomination for the same place or
the Democratic ticket and declined il
over and over again on plea OF IL
health and furthermore he said oveI
and over again that he would moi
consider it an honor to be United
States Senator from Nevada with +.
purchased certificate of the seat.
Nixon has scattered his gold ovel
the state and bought the seat.
Kilborn, who is a millionaire, nigh
do the same but he seeks no such du
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10
JAS. T. N

bious honor.
Key Pittman, who is a poor man,
is making a fight on principle and
putting his principles against Nix
on's money.
Nixon cannot shift the fight from
Pittman to Kilborn. He has made
an attempt to do SO and failed.
He seems to want to fight a man
who is not on the ticket. 1t is a con-
fession of weakness and meanwhile
Pittman is carrying the battle into
Nixon's corner and the people are
with him.
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10
FOR VOC

Sealed proposals will be received
by the Board of Prison Commission
ers for furnishing and delivering at
the Nevada State Prison on or before
November 18th of 200 cords best
quality, first growth split pine wood
The Board reserves the right 10
reject any and all bids.
Bids to be received up to II m.
October Is, 1910, and marked, Pro
posals for Wood at Nevada State
Prison. "A c. PRATT,
Clerk Of Board Of Prison Commits
sioners.
FOR ..SALE--Gentle horse-rlde
and drives, single or double Alst
buggy and harness. A bargain
Enquire at this office.
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10
JOB PRINTING

For your job work and printed sta
tionery f any and all description, call
1t The Appeal office. We are better
cquipp than ever to handle the
work in good shape. Give us a call
when you need printing of anv kind
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10
Call at

Call at BARKLEY,S,
If you love the goods that's old
Call at BARKLEY'S.
'Taint no use to sit and blink
If you really need a drink,
Just make a sign or ring a bell,
And you bet they'll treat you right
Up at BARKLEY'S
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10


IN THE DISTRICT COURT OF
THE FIRST JUDICIAL DIS
TRICT OF THE STATE OF NE
VADA, IN AND FOR HE COUN
TY OF ORMSBY
NOTICE TO CREDITORS AND
APPOINTMENT OF EXECUTOR
In the Matter OF the Estate of
FRANCES EULER
Deceased.
Notice is hereby given that the TN
dersigned has this day been duly ap-
pointed and qualified by the District
Court Of the First Judicial District of
the State Of Nevada, in and for the
County of Ormsby, as Executor of
the estate of Frances euler, deceased.
All creditors having claims against
said estate are required to file the
same with proper vouchers and stat
utory affidavit attached, with the
Clerk Of Said Court, within three
months after he first publication of
this notice, if not they will be barred
by the statute.
Dated this I'D day of August, A. d.
1910.
JOSEPH E. MULLER,
Executor Of the Last Will and Tesla
ment Of Frances euler, deceased.
Dated this I'D day of August A. D.
t9l0.
'Seal.) E. o. PATTERSON,
Clerk.
By GEO.LW. COWING,
Deputy-Clerk.
LEONARD B. FOWLER,
Attorney for Executor.
Carson City daily appeal. [volume] (Carson City, Nev.) 1907-1930, 1910-10-10

BARKLEY KEEPS THE BEST
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

Ferdinand Stark. for instance. and
Bernat Jaulus, Isadore Fenster and
Valentine Huber. not TO forget Dyonis
Romandy, who was the concert master
of the orchestra and who subsequently
went to Los Angeles to assume the
leadership of the Orpheum orchestra in
the southern city.
He died about nine years ago." said
Rosner. and he was fine musician
and composer and arranger.
There was another feature on that
opening night OF the Orpheum which
oldtimers will remember very well. We
had special number wherein the or
chestra on the stage was reinforced by
an electrical apparatus which my
brother, Sander Rosner, manipulated
from the stage. He was my partner
| in those days Bells, xyIophones.
clarinets, tambourines, castinets and
other instruments were scattered over
the house and were operated by my
brother. who had invented the ap-
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

myself and so I took the leadership of
the Budapest Orpheum-y
That was Rosner's first Orpheum ex-
perience and it was nearly % years
ago.
IN 1887 it was that Rosner heard
from Gustave Walter; or rather. when
Walter heard OF Rosner. Rosner's
skill as leader had somehow been
echoed in this country and so Walter
made him an offer to open the old
Orpheum theater.
do 1 remember the date?" asked
Rosner. I certainly do. 1t was on
a Saturday night, June so. 1887. 1
still encounter friends who say to me:
Rosner, 1 was there on the opening
night when you AMI your Hungarian
orchestra played on the orpheum
stage"
In that organization were a number
of potential leaders. whom Rosner had
brought here all the way from Buda-
pest and who stiIl remain. There was
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

man composer But IL I were TO have
long vacation-if could afford such
a Iuxury-then would compose. sees''
and he sat himself al his harmonious
again
By the way. haven't told you OF thas
organ He has Just received 1t from
Paris. Alexander made it for him, and
it stands under the stage at the Or
pheum. mute and locked. except when
Rosner comes in TO steal a quiet hour
away in imprOvising He had intend
ed. he tells me. 10 replace the present
organ with the new one. but when II
came and he tried il out he found il
was too quiet and sUbdued and musi-
cal 10 take the place Of the other and
older and more positive organ So Ros-
ner uses the new harmonium merely as
a beguiler of his musical moments. and
it will not appear in the Orpheum or
chestra- Meantime. IL you happen TO
know Rosner and catch him in front
OF the Orpheum any afternoon, just
ask him il he viii give you the chance
20 hear that French harnonium, and he
will consent. Musicians are phiIanthro-
pists. and in giving are twice blessed
He will play for you. OF that you may
be sure. Just tell him you adore music.
and then don't interrupt him when he
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

paratus. Besides that he shot OF fire.
works from the balcony to make a
realistic war scene, and thunder and
lightning added to the entertainment
Ny brother, by the way. is being
booked again in America and 1 expect
to see him in 1911"
FTER Il weeks of playing at the
II Orpheum Rosner was offered the
position as leader OF the orches-
ira by walter Up to that time the
Hungarian musicians had been fea-
tured on the stage as special num-
ber From that time on the players
became the Orpheun orchestra and
the familiar faces that we see week
in and week out have been character
istic of the orpheum for many. many
years
There is w kadIetz. for example
who plays the clarinet Everybody
who goes 10 the Orpbeum knows him.
at least by sight or sound. He joined
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03
improvises. You viii get a treat be-
lieve me-

improvises. You viii get a treat be-
lieve me-
APPROPRIATIONS are ROsner's strong
suit He was pleased when I re-
called to him the opening night,
many years ago. Of Richard Jose when
the top tenor sang ~Goodby. Dolly
Gray"
DO you remember that nighte'' Ros-
ner asked.
Jose became so interested in the en-
broidery that ROsner was weaving
around the little melody that he forgot
his words and stopped 10 listen At
the end he walked TO the footlights
and leaning over, said. ~ROsner, you're
a wonder
Out OF such episodes the Orpheum
orchestra leader extracts some COM
pensating Joy for the pleasures that
might have been his if his father hadn't
insisted on making a doctor out OF a
lad whose soul was crammed fun OF
music.
This pleasure that Rosner finds IN
the approval OF some OF his associates
was a mystery 70 me-
Why should you be proud TO have
the recommendation OF Grace Van
Scuddiford. or Jessie BARTLETT Davis or
Camille d'ArvilIez'' I asked
Oh said Rosner. 1T is pleasant 70
reflect that the spark Of music in your
own soul has bIazed brighter because
OF the kindIing OF another's- Camille
d'Arviile wrote on her pieture-see.
there it is. It is a rare treat 10 find a
musicianIy leader in vaudeville Any
body likes praise. you know he con-
GUIDED And I guess he's right
But after 1857 there were a great
many ups and downs in the Orpheum
business. says ROSner. until after the
nnfdwinter fair Then with Morris
Meyerfeld at the helm and a public
educated to vaudeville, straight sailing
was the rule
Il used to take outside engagements -
says RCsner. in order 10 exc out the
necessities 1 even did society work
Once l had a wedding engagement. and
took along string quintet We made
a hit. and later I was approached by
play. Did you furnish the music2 the
lady asked me I did, said I. Well
she replied. I'm going TO have a little
party at my residence. and I'd like for
you to supply me with a string quintet
j such as You had at the wedding, only
just want three players
Another time the society lady want
ed me TO supply the music and have
/ the men there in time TO move the
piano downstairs.
In those days musicians were not
( thought much OF. you see On another
occasion the wife Of prominent Judge
| wanted me 10 get the musicians. but
/ thought the price was too high. so she
suggested that we wait at the tables
between numbers
Those hard times are now forgotten.
/ however Also the sting Of regret Is
assuag somewhat BY present success.
/ n,rf down deep in his heart ROsner
-. g. IL
( and excellent musician. and regrets
that a stubborn father turned his
youthful steps away from the concert
platform.
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

in life. But he isn't He told me So
lie should have been a concert pianist
L would have been either one OF the
greatest pianists in the world" said
ne. ~or a merchant, If my father had
not INTERVIEWED As was the case with
Schumann and other great composers
and executantS. Rosners father blocked
his progress. schumann's father wanted
him 70 be a great lawyer. Rosner's
fsther wanted him 70 be a great ply
stefan. Parental interference disturbed
career, and the time that Rosner
4 aould have been spending at the key
board OF q grand piano was devoted
20 the study OF anatomy, physiology and
nateria medics.
But way underneath Rosner cherishes
memory. He thinks about It when
he fmprovises obIigato support 70 pop
uIzr melodies sung al the orpheum; he
dreams about it when an occasional
SINGER Of eminence like Nine. Mori-
chirf comes along the circuit and gives
EnEneL EldlLE 70 pay LLlt AAu1lC AA-dl
his soul loves and understands. he
remembers the time when he and Ra-
fael Josefv. students in the same Leip-
zig conservatory. went on a concert
tour together and made big success.
Moreover ROsner declares that in those
DAVIS he was better player than Jo-
ssav. We played duets and solos.
saws Rosner. Il thought my career was
begun, until my father, who wouldn't
LET any OF his boys pick their vocation,
made ne go and study 10 be doctor.
FOR eight years / worked at the doc
toriug stuff, and hated it all the time.
Then I got my certificate Of maturity
and went 70 the Budapest college for
two years more. / had either 10 neglect
nv music or my studies. and as a re-
suit. OF course, I neglected both. ]
~erss in trouble all the time, and Sc
wen the Bosnia and Herzegovina war
broke out I made believe that 1 was
going 10 the front. Instead 1 skipped
10 Vienna and took an engagement as
leader OF a small opera company
Thus ended Rosner's dual dreams OF
fame as concert pianist or as physician
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

forces with Rosner SIS years ago and
came to America in 1887 when he was
"A years of age. His English is some
what broken. but his command OF the
universal language of tone is quite
secure and serene. Then there is
Francis Spi1ler. who plays the ~dou-
BILE bass" and stands up in the cor
ner OF the orchestra while he draws
the bow over the thick strings He
has been drawing now with Rosner
for more than so years. As a student
OF harmony he has had time TO go to
war. Il played tuba and double bass
in the army" says Spiller. until the
war broke out in 1864. then I put
away the tuba and double bass and
went out in the line TO fight with
Prussia Spiller was Al years old
when Rosner kidnapped him for the
local Orpheum-
Anton Logar is the fiutist of the or
chestra and has been so ever since
the band of Hungarian musicians
headed by Rosner. Stark. Fenster. ct
al arrived in this land OF ours. Lo-
gar was a member of the Hungarian
infantry after having enlisted as a
musician.
"Rosner." said 1, appears TO have
been the only one OF you who escaped
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

HOWEVER. il was in Vienna that
II Rosner saw d harmonium for the
first time II struck him as an
appropriate instrument 10 employ in
small orchestras TO Ill up the funda-
mental bass tones that scarcity of
brass would disclose. u induced the
manager OF the company to get a har-
monium and we took it along with US.
That was the first time that an instru-
ment OF this kind was ever used in an
orchestra so far as I know. Well,
travelled through Germany, Austria,
ROumauia, Russia. Turkey, Egypt and
Italy with that harmonium and an or
chestra OF Is players. When I was %
years old I found myself in Turin with
this operate combination, and there
met Luigi del Ora, who was giving
concerts or q concertina. There were
three players in the company. the faith
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

Jaw THEN 1 came back to Budapest
NJ my father. who ran the Cafe
Rosner. which was famous all
over Europe, induced me to assume
charge of the institution
we do not have places like that
over here. Mothers and fathers. with
their family following, would repair to
the place between s and Il in the
evening. They would have a light
lunch and the women folk would bring
along their knitting or their embroid-
cry. Sitting around the tables they
would chat and enjoy themselves while
the orchestra was playing for them
the best OF music. Friday nights were
devoted TO classical compositions. and
always on Friday nights I would direct.
We would have symphonies arranged
for small orchestras from the great
composers like Beethoven, Haydn and
Mozart. There was no fashion about
the place, only a comfortable, good time,
in which the middle classes mingled
with the aristocrats and all enjoyed
themselves with the good programs we
used to give
IF stranger came to Budapest one
of the first things he would be asked
was this: Have you been to the Cafe
Rosner?
It was through his mothers inter-
vention that Rosner assumed the di-
reetorship of his fathers profitable in
stitution- And I brought the place.
says Rosner. ito its highest point OF
prosperity But there came another
disagreement between my father and
The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1910-04-03

CT and the uncle of Del Ora. They had
q little harmonium and the father
played it so marvelousIy that I was
inspired with confidence in the value
OF the instrument as an orchestral fac
tor. and so I began to practice as
never had before. If I couldn't be a
great pianist like Rafael Josefy, at
least I could be a good harmonium
player. and so I worked and practiced.
It took. this harmonium did, and soon
small orchestras everywhere were en-
ploying it TO sustain the harmony and
add bottom bass to the music.