The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-03-25
BOSTON ORCHESTRA CONCERT
TEE "SYMPHONIA DOWESTIC. A.
Once .MORE.
Also Heetho, ems 'Corielan' Overture
ana aennmann'S y FlaI syTnphsnS
OrehessFa's PiaSinG Net ~ smooth
as q suaI- NINE. seulbrirh the sOlelNi

I, must have required no small amount
r. ingenuity 70 arrange 50 clumsy and
lrcongRuous a programme a. that ~ thu
sfth and last evening concert 81 the
BOSTON symphony Society. which took
+ ace at Carnegie Hall last night The
snlolSt was Mn" Sembrich. whose dom o.
.-am@d entirely apart from IN" rest Of
~, concert, while the entertainment a.
vhola MAS altogether too long.
It's conclusion was r-.'ch"d by means
# Nv. songs with panofOrte Rccompani-
mont sung by Mm". SsmLriCh. III. So
snngs Wer" admirahl" IN thefns .lvys and
pFored opportunity for the display oT
'r' singers beautiful art. but following
ip, tremendous orch. stration OF the last
lr.trum-ntal number they sc-m..d mis-
TiFc'h
Inc first number IN the list WIS
Tsc'hoven's "Cnriplan- OVertur. 10
Md he interesting t. know why Con
G4cryr NAV Fielder regarded Il IS es-
sortIll that thus composition should he
rs5form~d Il certainly was not because
h. thought New York needed ~ hear IL
r. - one ~ the most familiar of WORKS
and has already been played this season
~ tho Philha -monic society and quite
a. Vsll AZ n was played Lost evening.
This - 4 SChumann year and therefore
vas not unnatural that Mr. Fielder
saruli wish tn pay ma tribute tn the great
manifest The n IA, symphony has
tssn also played here this winter in order
commemorate the Schumqnn ami
verssry. hut lst IA forgive t- repetition
because the others have been played too
he third orchestral number was Rich
40 strauss tone poem. symphonic
rore-tlca To- v INCH We nave sometimes
i~-svsFsntly referred NJ the composers
rymn 30 papa mamma and the hshy
Wha' more fitting than a pEan in praise
~ iamhy hfe' How beautiful too II
v1s 20 make me central picture thai ~
Esac~Tul evening. the hle~-ad baby asleep
D. MS Grub. mamma knitting by the fire-
si1e the shadows AickerlnG on cslhng
and vail and the great Mr. strauss sea ed
N ,he centre Vt ~ things making I'M
mortal MUSIC
Le, rs rejoice and 10 exceeding glad
that the MUSIC - - opulent N orchestral
color 81 gorgeous IA polyphonic lnst .'-
msnr2tion Douh'ieFs II ~ not feCund
A. thematic invention. vet 10 who has
few ideas and none 81 them hsave seal
ing hat who can mako thorn sound -
II 'nev were IL after ali a musician worth
meeting
The slow n"vsman' which follows
the hist str KING - the clock - indeed
good 20 her Let Mr. Strs,I@s sii often
IN he middle II ihirgs a-d COMPOSE
thus l,R' HIM forgot the maJderirg
/ ood thirst ~ E'st'r1 and tho hrse
rrssions - a S7lowc md reflect upon
the JOYS ~ home swee, home let him
hos home. svAe' home on h's bag hga-
soon On a. MANY horns ~ he en- Tnd
ir 'he town. on trumpcjs md tr,nbones.
or sackhut ard rsAferv Fts song IS
e. -ncr~ he It'fu 'h1n tho shrieks end
ErNs0s nd signs - the daughter Of
{ gf6m-ss'rq
And the allegro which follows the strik-
nS II The clock N the morning. That
= hing 20 RENE inter- Whit mP xnifi-
cent poiyphcnic nr1vura, What = .nea X
ms " rnvrisd voices ~ no orrh.-.Jr.
l. he excellent Mr. strauss en- f-d
% hose things hv h.s herrrn why docs
ha save his hlppv HON. for sncien,
G-asoe translated into modern GermF n
~ SIN?
superb piac' Of scoring - this allegro.
a. i Il thu coda - a lit'l" ov-rions with
~ EssY,ng brass and iJs numerous final
"ld'r,-s Vhi~h srN not final 90 us forgive
L~ F.r'HrE w''h tins csntirls Of hona.
sv rrrr. % -u1h hon. we'd sorrow that
a poor no~go, must ~ PRINTED ~
sh, q f"w vrt-Imontsl tears over the
.rI
Mr. Fed - throughout tho = -asun
row ~ Us clos - xht 20 -vok" from the
Boston Svraprorv Orcha~tra . ,argyr
md NOR lr'ii-u' ton" thsn u hitherto
mud n r ~ rude Lhupd"rs IA
80 nlgh' coucSr1 such ~ " have not
hon wont 20 hear from the ciscr ana
Al rrv hrman.rt 81 thus orxsn 70 ton
Do.1'lfSS some music lovers ar. troubled
v'h 1IestIorlnRS - ~ VIII n tins ~
~ grther for tn. best
iL~lsn' Horace emitted this TrlnKput
Inc VS. cnnslI sIpers mole ruit sua
1-'s = a truth worth ppnderTng The ing
80 hadn't - alul"sr - had for arrhestras
- - "a FOR singefs Tho Boston SYMPHONY
Orchestra Las .onR b-en f~uownsd for
- aNluIste fnisl - IT. performances
there Nere moments m the symphony
= ~~humann La; nignt uh@u "ns Won
coed vhsth~r sornsthlnE = this mad no,
r@-n sicrihced 20 other things not -
assEa'ls
ne strauss work ost's- sndu--s the
- = sound, vet even % nus there ars
lasstz's vhI~a would haze b~-n better
o.. uf'l@ rolIshIuz NAvr-1 aelsss taere
~ - N brilliancv NJ style IN the plsyinx
o. -otn rorks. AID " Fielder produced
80" spisnGid dramotic ~Bmavss
Inc >embrich SANG with orchestra
;. zp' familiar ar Deb Vlsni- and
t' ir Sing- da-n ,-;Iichen rrup~ht~n-
& r 'sraUr Der Tod JssI Her sJnIgs
49, rlsno were Braamss -Di- Mach
rs.. ~'rTnann Widmous. Firds-rs
" 's'rIsd and strauss "SeTenAd"
H-. 1etIr-r- of the Mozart uuslr dis
t"~d BE-" unfaillnS at IN the t--1t-
r"r' { THIS masters melody. while
.- Old azadling Of Grams diaicult
frre Aroused the enthusiasm ~ the
.EIAura
Prin~etcus AciOrs ~ Washington.
NA.HINurr Marco - The TriAnge