Albuquerque morning journal. [volume] (Albuquerque, N.M.) 1903-1926, 1910-07-06
Las UItimaS ModaS

How tile Summer Girl Wears tIis
sash.
The sash has been raised to heights
OF Importance. and Is lowered "a
points that best emphasize the lines
OF the figure. II Is one OF the. most
generally used accessories OF the sum-
mer gown, and is a successful trio OF
characteristics, rs 1t appears in in
Unite variety of color, material and
adjustment. The summer girl is
wearing the sash in many ways, and
very successfully. A seSIes Of Illus
trations before me suggest some
charming and easily copied sugges-
lions Tor sash arrangements, which
hints properly conveyed may be prof
itably used.
The fish sash is OF black net worn
on a delightfully."- simple gown of pale
rose batiste, the full skirt Of which
has its folds held at he knees by a
wide band of lace, The sash is folded
around the waist tied in q small bow
al the back, the long ends brought
towards the front and the ends slip
ped through the lace band on the
skirt In u most unusual way.
Another very effective sash IL
made Of mousseline de sole, hat sup
pie material that lends itself to easy
adaptation by deft fingers. The ends
extend from openings on the sides Of
the bodice just under the arms. cross
and fold around the waist to the
back where Il is arranged in soft
loops. a sash OF liberty silk has a
single end depending from the left
side. A pleated bow weighted with
silk tassels Is IN the end, which eX-
tends a bit past the knees, while two
gItE nnffnnu saFaf tho lfpa Of -fuuf.ra-I
ing on the gfrdle. In another model
the sash has eircled 70 the back and
itself In a butterfly bow with
long ends. A buckle of a paste-but
any colorcd form can be brought to
the light by fortunate oWners-holds
the loops. TIVE rows OF stirring are
the ends near the lower edges.
are used in obtaining the gath
effect az the knees, which is
seen on most Of the summer gowns.
As a departure from the ribbons
silks commonly used, mousselines
and chiffons are the favored mater
ais for the summer sashes and are
worm in vivid shades on the white
lingerie gowns which hold their own
n every warm weather season. Some
u the contrasting shades are rather
tartling as a a OF deep lavender
- - iAht ~ - AftH tItNt on NHllts 4
nd countless other combinations
lone Of which should be indiscrimin-
tely used. A safe choice is to choose
darker shade OF the color of the
own, rs a golden brown with yellow,
dul blue with lighter. dark greens
Nth any OF the leaf green's and yio-
e with lavender. So we are to have
ashes all the summer and none of
Che simple sash of ribbon tied
\ "A careless bow in the back. Speak Z
lg Of simplicity, one is reminded Of
he frlnges and ftills which are so I
.bundantly used, and effectually de-
that desirable quality of good I
ressing. {
Fringe, deep or shallow, is much !
1 favor for these sashes, and may q
e OF the same color or in some
harply contrasting shade, \
An edging oil quilted black satin {
It's Off tho bows at either end of a
ing white silk sash. |
Another sash, ending in two long c
Tx %tassels. is piped with narrow I
lack silk, which outlines the girdle q
nd shows off to advantage its grace r
II Lines. Q
The waist knots are most elabor- b
ely tied. Here is ono In dragon-fIy S
feet, with a long gilt body and in r
imerable little silk puffs on either
de OF 1t to serve as wings. c
Then there is the flower bow, s
lged with French dots and with the L
'urth petal tucked through the n
Tired half-moun buckle. And the n
rye rosette In quilted circles. like Il
Ie great bouquets Of our grandfath- "
$. ~
Altogether it is a sash season. and Z,
e sashes are as odd as they are .,
city, La