The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-10-30

Frederick Law Olm-tead who pEeeeuts
paper entitled street rrafic STUDIES
Another n-w Art ma gazins has appeared
az the same time 4rts dHd D~roruitoRs
monthly II announces that n - pub
ii-hed 80 an the need 81 A -tandard maya
.tna u moderate price % reflect rhe most
~ al and --s~ntIal .n'er~~rs u many
thousands Of people Most 81 the art
magazines are u rather high price The
|raft-nanshiD ~ Architecture The
Planning n Ideal Rnouns some Window
D~~p-atI1n=' The Work ~ American
Po'rs-s' and Personality in Interior
DN-u-atIon. among the table Of contents
"ISs~-' some = The lines which th~ ma ga
zrn- - planning 20 take ~
Roth ~ these new magazines are pub
lIshed in New YORK
4 collActor was chatting Of the MANY
clements which enter into the pursuit
He ~amA % the dirHcrltv which faces a
ooil~ctor who deals with the works ~ liv-
nS man o. deciding Just which men he
)pgh- 70 stick 10 which on~s NJ 0dght
% single out a. the ones who would live
For u course every collector who gathers
~" works - men who are still producing
lies - fancy that his Judgment IL going
80 - sustained nv time
I think said this collector that rler
make mistake when they .et OIL, n
Eat works = al the artists - a group
Thsv want - remember that SOM ~
those men Will become sign painters Or
-Csra PAINTERS or some q an may get
ti--t ard 90 live with their fath-rS-in-law
I rauanb~r once buying q naInrgnS from
A Young telloU thought might come on
ffer 4 while I heard u him out with A
-irrrI- We'll q course | knew then that
, had hl- masterpiece | tidn have %
watch him any more
I, ought % ~ aid that thus col@ctor
IA not acquire manv rnasterpiecs= 81
'lat sort He hanked his judgment on
-5n@ - the hest works II few men. and
40 FAR time mas Iusrhed his disc-rnment
Removal q the tariff on works ~ art
& a certain tor uncertain, age has had the
.-rAct not only ~ causing large Importa
lions by resident merchants but al-o %
ringing over here foreign tsller4 who
fetch along ART obIer.s from their e-tab-
-hmants New Workers and visitors u
zoe metropolis will not - confined -
the local dealers exhibitions and the
current shows n the season thls winter.
rut can see also sslectsons from foreign
.'ocks Already word comes 81 three
2 'h~aa enterprises. two from London
nd one from Paris. which will add u
the 0pportunIti~s II the sea-on. The .
all ~ American wealth, u seems - not
% be resisted
A aoy ~as riding in an elevated train
.-ateriav Who carried . roll % paper
which va uAd around hls neck
uas-auxer remarked To his companion
I've s~sn a number % boys from time 20
,irla With rolls sirnilar u that one over
here ,ied around their necks wonder
shat D., means. u anything
That nov works in an architects
ofio~ aid the companion. hims~h an
,-~hI-s.-' You u see Bows tied 20 bundles
lss thar all over town Il YOU keep your
-vs. pn.sl i0l 49,. a-~hi'Srts designs
a7d clans happsn 90 b. valuable. ard .
1--- anne 'rouhls h~~idss u thev are
~ 4ri "a N1vs are sonnet mes ~aree-s
~ 'e1v zr-.s<A and - themselves get
s@-r-l'rd from their oarkake-, pa-'ICrI-
r-.v r. na-s Or rams when 'hev are rad
NJ her gavori's and absorbing authors
- lrrrI'srrs hir upon the plan 0f wing
'Ga- yallaoie Il ~mbrvonl" works - A.
%. heir novs ne~ks 10 the bows Islia.lv
keen heir parcels even u hey Ion
6.--p heir heads
Harrison : Morris ~ Philadelphia .
Who - Commissioner General FOR The
Cnf,ed States 20 me International EKhI-
5i,.7n u ~ and History which - 20 b.
5r.n.-d A. Rome IN March - looking about
among he artists for works 20 ~ sect
over WORKS already veil known and
nas-.Ni upou ~ iIri-- ~ the standard sH-
NOTIONS ar. % - invited but on works
1-.--+ judgment - - - paA-~d ~
.r.stal ,lrv - artists The exhibition
= % .-al.tA paIntiaEs sculptures. an
gazing ard illustrations
Nr Morris has announced thai the
ur'e1 states Gove-nm~nt - t@-Irous
and that Ne himself grge- that 'he *
h.r.- q American ar shall 10 credit %
th.s country ard compete tay1rably E''h
The ar % other lAnis
,1uva-sa-lon among the nAInt@r- how
sv-~ --v~as more or less rehIcran-~ 20
.on.-i1.'A - this Italian eNh!u 70
,alse = The damages S.T~--d uy WORKS
- ar which went from ms country 90
Italy f1r ~ Venice ~JhIr''Ion las' wear
Inc tanak- Na- done % 80 return jour
g-- winch tls- not ArxIe w-I! ma arr
ia say FOR ne good tAItl q th0@e hAv-
az ne matter N charge Or for tE' care
Ara 4r's.llS enGe u ne lacAers e-uQloV~i
4 nun. no. u the paintings cane rAs<
,.0~ V..I - with their francs broken and
1'A.-wl-s damag-t and "a" artists dII
nj Ga- y not only ta- pAlnt~-- % 'ap-'
ar. lar ,an-as-s Uu' 'HeI % .ow-
VI Earned 81 80 happening l--a =
the --fo-. 80 tam hssg' ancy -atE.'r
'na1 Aacr'y 20 contribute 20 TINS eNnl-
a'..0
Ana ,nl. - IN spite - the tac- that TIE
Italian authorities guarantee 't~ -ale u =
vr-'l- svN -ttst 90 'he anpl mt - 500 go
ard -.-lds- otter I-y~- agzrsga' ~
IiN0nu - wnich the nlgn~-t - 1900"
r-. pr,re fund - extended 20 'h@ purH-
cation tspa r msnt. " ~ h~.ng 1F@r-a
'or 'r. -e-t -rl'tcai studies on the sXhl-
aI'.on rIniish~d IN Italian or foreign
nsT-nap~rs
Ne O.. painter ~ho Ias visited PARIS
moro than once and he sas telling ~
having ms memory plsasant.y refreshed
.n~r, la-t summer AZ 20 the proyenisnce
Z some u our antique furniture
I nat forgotten the sim Plic.ry and
tl-.crrs-s Z those dear p~op~. tr-
F-..,a na sad. i zUppo-~ because
-. usc.--ariy ICON immersed more or
.a.- 900 l..- methods - b4sln@s, over her"
N.r- - Nupwu ABOUT the hne an'Gg -
'r.' are rg.dn N Eovery lofts and sd
Ia toe ave. - SHOES a. precious ind