davidaulloa/AmericanStories huggingface dataset:
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

Down in Tennessee they are trying
to find out IL it is crime to kill an
editor. Going on the theory that no
human being could live the way edi-
tors have to. 1t would not be a crime.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

Sunday is good day, the very best
in the whole week, but It is not the
day on which to measure mans re-
ligion. That can be better done on
the days that follow.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
ALLEYS COMET Is
RAPIDLY BECOMING BRIGHTER
Now Easily Distinguished by the
Naked Eye.


Halley's comet Is approaching the
rth at tsz-.iiic speed and with each
cceeding night becomes brighter.
number of Occur d'Alene people
ye been early enough rlsers to see
comet and report that the celes-
visitor Is becoming an object
lily distinguished among the stars
the universe.
The observers at Mount Hamilton
bort that the brightness Of the
pet has increased to the fifth mag
nde. a little less than the bright
S OF the pole star or those eompos-
the Great Dipper. so that II
uld be found very easily. In the
T sky Of the LAX Observatory on
ant Hamilton 1t has been possible
trace the tail for a distance Of
2 degrees. about five moon dia.
ers but this would be impossible
Occur d'Alene, due to the eondi.
OF the atmosphere.
he seeing Is very good now in tbs
; morning. and 1t Is possible thai
tail can be seen for a distance Of
at = degree above the come
aiming from the starlike nucleus
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

We can work great many things
into our individual life, but character
is the only thing we can take with us
into the next world. Yet character is
almost the last thing some people
seem to care about.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
CLASSIFIED ADVERTISEMENTS

|. All advertisements under this
heading win be charged for at the
rate OF hve cents . line each inser-
ton. Copy for classified advertise
menta must be In he once before
noon 70 insure publiea.ion the same
day.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

What we need in this world often
times so cold and hard to indiyiduals,
is more of the sunshine of a cheerful
smile, kind word and useful deed.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

FOR SALE. AT SACRIFICE - Two
lots, new house, Woodlawn addi-
ton, two blocks from Electric
line station. Elm sire t. between
Tenth and Eleventh. For partlcu-
lars write to r. J. Ellis, 135 w.
Broadway, Grand Rapids, Mich.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
POT PoURRl
Things Of More or Less Local
Interest.

II has been recently studied out
that when a woman marries she
loses her good name.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

CoUER D'ALENE CAMP NO. S25s.
4. N. Of A. Meets the first and
third Friday afternoons OF each
month at Sander hall. at o'clock.
Visiting members are cordially In
yited. Matte May. Oracle; Carrie
B0rson, Recorder.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

For City Bond Elections. May ?. 1919.
Notice given BY Registrars to the
qualified electors. who are taxpayers
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
SECRET SOCIETIES.

NAOMI REBEKAR LODGE NO 1s,
l. 0. o. +. Meets second and
fourth Wednesdays Of each month,
Wright's hall. Visitors welcome.
Ella Varnum. N. c.; Bertha Pin
gel, Rec. Sec.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
SURVEYORS AND LAND LoCAToRs

AND LAND LoCAToRs
We are prepared to locate
homesteaders on the Occur d.
Alene Indian reservation. We are
the only surveyors who make 4
speciality Of this kind Of work. We
have checked the land In person
and know Its quality and adyant-
ages. Tamglin & Warren Room s,
land once block. Occur d'AIene.
Idaho
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
NOTICE TO ALL REAL ESTATE

Ny orchard tract in East Green
acres Is OF the market. L. B. Cleaves
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

FOR SALE OR TRADE-A GAso-
line launch, in good order. with
high grade seven horse power en-
CINE. Will sell at bargain or
trade for real estate. g.. Press
Office.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

ROBERT wHITE-TEACHER OF
plano. organ and harmony. Terms
reasonable. Residence 1921 n
First street. Phone. Int. 1O42.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
MISCELLANEOUS.

EMPLOYMENT oFFICE-RooM s,
WEIGH Block. Phone 2Os0 Int.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19
WANTED.

WOULD LIKE TO HAVE
some good man and wife come and
live with me and keep house. VIII
do the right thing by the parties
desiring a good home. Am alone
now and want some one for com
pany. Come and see me. Robert
White, 1921 First st.
Coeur d'Alene evening press. (Coeur d'Alene, Idaho) 1907-1929, 1910-04-19

WANTED-sECoND HAND 3 TO 4
II. p. marine gasoline engine. G.
Perrault, $40 Lakeside.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19

oil colors. they make the best company
Reporters 81 actually. they deal not with
theories but with the current happenings
Of human life They are q thirsty crew.
NOUNS after midnight is an excellent
place a. study tho artist whose work
keeps him IN town for tho hot weather:
also those who haven't the wherewithal
~ escape o. the green fields and dyspep,c
food ~ tho country You learn lot
about the esteem IN which each man ~
held by his fellow craftsmen. They love
each other In about the same key a. love
the musicians and poets. r. however
they any rauoou- things among thorn
selves they are all for solidarity when
thS enemy appears IN tho person " n
sirayed Acadamician II this hapless
wight il unluGky enough - carry with
him bundle OH tho gibes Oh! tho ieers
and japcs. the hountings and the rude
spepches But there has grown " late
an opposition corner 20 the -moderns-
n McQuins There assemble poets
~ well ~ painters. caricaturiHts. quaint
prose masters, sculptnrs with a aprinklinR
Of nondescript touch and GO chaps. a.
tho witty opigrammatist Hot Cross Bun
puts H. Bun scpres tho other crowd.
W. makes jokes about them. and once
after ~ had flashed out description ~
a Rumaninn poet ~ -cosmical cuspidor-
his place a. king - The table was assured
There arc many sentences. glistening like
a poisoned poniari. ~ this diabolic Bun
that We might quote. but forbear Tor fear
Of causing pain; besides II might he
robbing him ~ his preroRative.
After a weeks soiourn at McQuin's
YOU get tired n the blare and din Of
gabblr Art 10 all very we'll. hut II need
not he discussed 90 the tune of n zypsy
band. NJ IL equivalent in'noise making:
or In the conversational tones Of a German
mAnnerchor Down tho street further
there IL The Slate. a sylvan retreat
covered with honcysuckle and grapevine
it, title was bestowed upon II by the
grateful clientele which hangs up its
thirst with the same regularity that ne
pictures are not hung az the Academy
A retired spot. A plnce wherein you NAV
resi- YNWl spul uWllN IVY hlWuNh TemoNeu
his shoes during dinner where tho talk
is not loud tho drinking IL not shallow
either or the bills too hieh stany a poem
many picture. many a sonata. has been
criticised AZ The Slate There arr some
painters. American born ~ we'll ~ for.
eiEners. who prefer the national STYLE
Of taking liquid reireNhment They avoid
a cafe where there are music tables. the
fair sex Or shop talk 4 number 20 10
Pills WHOSE device. embroidered over
his door h. Give IN this day our daily
Brod up the avenue. Here IL tho most
democratic gathering ~ b. found In the
town. A handboH NJ q cafe a miniature
retreat before ~ polished har You meet
the engineer from the club hard nv. a
Justice II the supreme Court, q million
airo from Fiiih avenue. the nsighborlng
icoman. a Wall Htroot banker, all tha
butchers and bakers % tho vicinity, an
occasional aihloto. mon Of fashiqn. 3 lev
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19
SEEN IN THE WORLD OF ART
PILGRIM ACES or THE ARTIST
LOOKING FOR BOHEWIG
Present Day offerings af New NOTk
Militant Painters AZ NeQuins.
Democracy IN . BARdbsN. ResDeeta-
buIty IN Many Places Talk Gsu Hear

PTesrnt Day DWeTtnEs NJ New N0rk
Militant Painters AZ NcQuins.
Democracy N . BARdbsN. RssDecta-
bTtty IN Many Places Taik 0su Hear
But complains the visitor from
Paris. -Whsrs 10 your b,hemiG In NeW
York; I moan. where do your painters
20 N Amuss themselves after a hard day .
work. Monsieur. you solemnly answer
they do not Amuss themselves after thGsr
daily toll Art 10 their solitary mistress
and they remain trus IN her even IN
thsir dreams '-Ah!- CSiRnihcAnt silsnoe ,
very we'll. II you care 10 put II in that
IDEAL fashion but ! know better. !. a
Partisan. " DO have not lived here long:
tell you that many ara thu attempts N
make tho life bohemian in your city.
but they all fail. and WHY? Because tho
spirit IL too weak and ths flesh TN willing
II you we're more Epirituells- what a
lingering ovsr this sweet vocable your
bohemia would Immediately appear
With MEMORIES Of tho real Bohemia 81
Paris and Beriin the mention Of -spiritr-
ellie seemed a nOckery; yet the French
artist was not altogether wrong There
10 an Immense amount ~ tWAddls written
about our local bohsmias pAtroniEed by
drummegs and full Of tho pink wine and
.awduat 81 life Your genuine artist will
have mons Of them and seeks bic spiritual
consultations elsewhere; but somswhe-e
be does 90 20 and II he does not hock ~
gsthsr 10 talk shop In any particular
lokAl nevertheless HE pilgrimagss may be
traced and recorded
That transosndsntal spinster Vernon
Lee. who has lived ~ lOnG In Italy that
she writes English free from the fOga
Of London. once spoke Of the impOssibility
for a great writer not % h. a great man
A painter. though he had the technlc
Of a FOrtuny. need not be q great man;
the highly specialized talent n the
viOlinist may not include tho person.
atty Of q great character. sculptOrs and
architects have bcep acclaimed great
yet were great rOgues. Mas Ice has a
pretty way Of eHolaiming: Poor Nictiluhel
POor D'Annunziol Poor FlAubertl Poor
BaudslaiFel' All 81 which shows her
preohldinR any notion u grandeur % he
associated with thess writer's. Her stand
ard must be high indeed. for IL would
put "a the map such names a. Michel
Angclo. Ia vinci DelaoroiE. Beethoven.
LiSEt and a few Others. all distinctly great
mon a. we'll ~ great artists IN theas
base and degenerate days there are no
doubt painters VIM possesses only he
ITO Of T's-talent. temperament and
isdhnio-an ths rest leavs munh
h 10 desired a. moral example Then
thsre h Edgar Allan Pos--pooF Poe.
PITY hs drinks.' a. they said long ego
IN PhlladslphiA-ho vas q great writer.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19
LADY FIVE PORTRAITS At ER SHOW FAIR V IN LONDON

though nOt a great man D'Annunzio
n writer and a hrtlc nAn II ever There
was one Vernon Is-e almost taunts him
with his physical sire and FlAubert.
on" ~ me glOries n France. a. a writer
was a splendid old chap. but ha-,ily -
heroic mould IN the sense u character
Now rhere II Boldini there IL John Sar-
gent. there is Whistler The latter was
a wildcat at times and mast Of the time,
while Sargent h a gentle. manly. modest
man u the world devoid u eccentricity
Any one who has had TIE pleasure u
spending an hour IN Boldinis company
would be- fain D confess that he IL not
q great man All three II these men
are great artists No. Vernon Lees ar
gnment will not hold She knows a
lot about art but seemingly little about
men
You will not discover many great men
among the painters Of this city. though
II you are lucky enough 10 meet them.
plenty Of intellectual and charming men;
but Il will he diTicIlt 20 localize them
VhAAAAN W AiANW WV w "NFHW NV NbN ~
was smaller and printers fewer there were
several well known resorts where Of an
evening you would he sure 20 meet men
whose names to-day hang high In the
pantheon Of American art Nor IL II
necessary 10 20 hack a. far A. PfaTs. the
rallying point Of bohemia half century
ago. Now painters are for the most part
fashionable and belong 20 well known
clubs. Naturally. the quality II paint n
more genteel. manners more refined
clothes Of modish cut. but somehow the
elusive, artistic atmosphere has
vanished. Perhaps II II because of our
oosmopolitanism. developed by tho easa
With which you may land In Paris or
Berlin or Florence The late Caf6 Francis
let no speak appropriately Of tho deadi)
harbOred the younger group ~ militant
painters. who since that glittering abode
Of art and vet goods CLOSED ita doors
have for the maj portion been haunting
Moouin's (sO-callsd by thoss who can't
twist out the real pronunciation). Here
the Division Of Tones men do oonRTeRats
after hours and here the talk II fast and
furious. Sometimes ~ Jacques. the
oelebratsd conbOisseur they call him a
-cannounper- down therel intercepta a
k=rtis royal between a beisted 'Pelntii-
liste.' whose canvas looks like a dotted
sponge. and an 'expresaiOnist. who will
persist In portraying the exterior world
in terms Of woodwork ~. Jacques
spreads a benson on the troubled waters
with other ingredientsl and IA Airily
Indifferent IN schools For him there IL
but one. che American school. now lpaint-
Ing: and Of that school hut one painter.
Bullyboy. tho great interpreter II the
West Side AlAsl Bullyboy has beoome
rioh and famous and faoa painter. lie
drives IN tho park oi afternoons behind
his swift going tandem. ApolinAris and
Ginger Ale, and M0qudn's knows him
no longsF A painter prohibltionistl
wat an anomaly
Tha illustrators are here m inros and.
thrios az human az their hFsthron %
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19
NINA

policemen, newspaper men and painters.
The latter drop in from their studios.
which are dotted all over the surrounding
landscape They are a. a rule grave sig
nOrs who are well hung at the Academy
well regarded az their bank and altogether
honest members Of society. They are not
a. good sports a. the McQuin crowd
hut mora restful II they ever rage il 10
~ the imPeriinenOes Of the young up
starts. Their fathers and arandfathers
hung in the Academy. vet these insolsnt
whippersnappers dare to twiddIs their
fingers az them and call their highly
respectable mixture Of colOrs furniture
polish'' II 10 TO shudder! ON one point
they agree with the Mcouinnites
in their hatred Of sorOlla Bastida
They pronounce his surname in a wnv 90
give your ears a jolt. He can't paint
His pictures are panoramAs His tech
nique Il a delusion. His sales ali. there's
the rub He sells Neither the McOuinnites
nor the Academicians sell Thus envy Of
The spaniard's Success makes strange
bedfellOws.
attitude who visits 'Phil's' II 10 BoskV
No Paints marines; still ha adlnires SO.
rollo. We shall never forgot the evsntf,Il
night Whsn Mulsy swan in and the con-
versation veered 20 SorollA. Mulev IA
an impressionist. but 81 the -precio,,s'
school; a large canvas % him Ia what the
epic poem was 20 Poo. an Inflated horror
Pretty soon II was hammer and tonR.
but Bosky held his own and proved
SOrOlla 10 be tho most impreasioni-tio
impressiOnist Of them all And he
lervently concluded. 4 despiss the whole
lot Of thsm." Under the Sherwood studio.
there is cafe where you are sure 70 meet
tho painting gang. They are nearly
all Of kind. and a. a rule exhibit AZ the
Academy. Heavy or rapid hrs IL not
10 bs eKpectsd in such company. Near
Washington Square there 10 French
hotsl and cafe and the Warrington square
school and MacdOuEal Alley school vislt
w. Of easygOinR bohemiAnism there
u no longer a Vestigo. ladies with their
husbands from rich Philistia come riding
down IN their motor cars and eat dainty
dishes. Artists with money drift In.
All Ia reapeCtability and Wits linen. and
tho best u taste prevails.
We prefer tie hosiery Of Louis IN.
vocalist lso named because he cant aing,
up IN Fourth avenue. Every afternoon
a. $50 precisely the door h sharply OPENED
and tho owner Of the August Hat appaara
II h He. Il IA Il. The hrim IL wide ana
fat. tho Eyeglasses behind which n..y
quizzical eyes ara held in place by heavv
ribbon. What In the rear there Il The
old fashioned summer gArdsn Where the
-dsaT dad days % nighta Of iron. q
vanoeD sat Anton Seidl. William Chsss
Victor Herbert and . motley sst Of actor.
painters. poets and politicians Louia's
10 still LOuiu's and tho summer rarrlsn /,
cool and a. cosey a.. Il was twenty yasra
ago. Painten from the nearby stu.
doe pop h end Que aRd a. lntsrvals YOU
mag catch q live one philosophiEing on
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19

thsy are unoeTtain what they really want
% do.
william stEung b ons 81 thoss Who
are never weak. never undecided. He
u often haFsh. soms q his black and white
drawings might even b called brutal.
but thsn thsy are intentionally 90. and
everything ~ dOes h interesting. HIS
portrait a Ms Norisr Is certainly en-
titlsd 70 Ia plAcs among tn Fair WOMEN
and proves that hs can when the subtect
dsmands Il paint a picture that h both
charming and Rorcsful The color of
the assh b vel found against The vivid
GrSsn % ths CLOAK. the right hand only
being perhaps a httlc TOO lOW IN tone.
Ths i've DOrtrnies By J 3. Sargent have
all been seen before exospt the Ons Of
Mrs. Matthias. Asher WeFthsimoE's dauGh-
Ter. in fancy drsaS with thu fancy title
of 'Almina' The RwaGgsring brush
worh seems appropriate 20 tn Turkish
costume. and the color scheme n de-
liRhtful, a. in an Of his WORK. but ths PIC
tuFe h not - PLEASING a. the portrait
Il Mrs. Barnard. an early work without
the least trace Of superficial olevernesI.
rhs rich rcd background. the nsah tones
and thu mellow color Of tho soft white
dress make a very COmplets and har-
monious whole.
Az . fOil TO the modern work some old
masters are shown These are neither
very good nor very numerous. The Por-
trnita by Daniel Gardner. q pupil Of
Reynolds. who affected a meiange Of
pastel and wateTcOlor - q medium. are
more cunoWs than beautiful. and the
portrait Of MAnanna Of Austria. second
wife Of Philip ~. Of Spain. 10 more prob
ably by q pupil than by VelaSqusH himself.
o. the painters Of the lat century two
have special prOminsncs. One Ia Frans
. German artist who had
q great vogue and painted most Of tho
European courts and personalities. His
color 10 dry and hard and HE technique
formal. but there 10 a certain distinction
in the figure and larGSnoss Of compoaitiOn
in the background In the full length
Dicture Of Harriet. Duchess Of Sutherland.
who vas one Of Queen ViotOFia's most
Intimate friends. The other painter 10
Louis RicaFd. a man whose Fstinng and
sensitive disposition prevented him in his
lifetime from obtaining the recognition he
deserved
OF the portraits exhibited here the most
charming IA that Of Mn. Stephenson and
her little son. A most fascinating piece
l.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19

1sthstios over . pot ~ P,ls~nsr -.,,.
organized eliqls patronizes the r.,,s
Ths time whsn painters wenr %. .r...
Brubacher' .. Weber . and Lnch1u f. -.
They ARE ell too far down rsa- H..
and more ~ the Cafe DipIrrr,, =
Bryant Square. where MUSIC and -.
prevail. or over n Jobs. Wher- th. -.
ful olsment Il out IN strong r.-,..
Thess are In their dBecgnt sry.. -.
fairly representative New Yur. ~.
mana Neither the haut TN and -.
prices Of the one nor the tsrrHr raaa 49,
scintillation Of the other appeal b. L.
In Harlem. the Eternal lamp ID sad :.
hold many shining lights. hut f..
have never personally verified A, "a.
Ring and the Book scholars d. c0rgr.,,..
there 10 drink cooling waters u.ib d.
without Welsh rabbits (which they ,,r
-Rrebits-). How the two walton. 49,.
thsml Al the sight Of a visiting arr..
the establishment Is thrown in', r4nro.
ton. Eveh q dr1HnkArd a ua.-r,,.
though the motto hanging over 'H- a.,
runs: much thirst. little thrift
Since the oOns1lship u Grpftrs- IA.
passed Third avenue. there has 1..,
no meeting place for Inst SIDE b 1.-,n
uptown. We need not pausa al tho r.r-
derella Club In Eighty-siIth strr., ID,
at the Musical Union flor the neigh ,-.
hood chiefly unmusical and dsl1it.il
a. both are exclusively musical orcari,,.
tons. In the una nickname
q few conservative painters n tho bass.l-
dOrf school forsgatheF. The talk In mn.
comfortable rail- V chiefly Of Arhenbasp
though betimes you hear tho naDs,
Of Van SchadoW. Kanlbach ard Rascs.
lin: but this last IL too modern. m.
Germany Of the So. with hs muddy
paint. hard bad drawing and alleRoric,l
subjects ruAes the conversation. We con.
fees 20 finding the place relief After
the hot gas and swifter drinking Of down.
town artistic resorts The names n
Manet. Monet. Degas. Rodin have never
penetrated the portals of the Una
Happy mansion Of dslectabe food. Do.
lectabls drink. where somnolency he,
Ia placs Of honor and HoGarths -Maras,
4 IA Mode h strung across the walls
One summer night We brought Bullvhoy
70 the Una but In fear and trembling.
moving his faculty for CHINA smashing
in the symbolic sense. To our surpr@
he won every trick Of the game Hs
began by COnfessing 70 the Old fashioned
artists that he had studied IN DOsssl.
dori and had been acquainted with Achen.
bach. What cordial th6mps in the sds
and back he received: what a Sect II
stems he was forced mot unwillinelyl,
10 swallow Il was before the day Of The
tandem team. ApollinAris and ginger
ale. We confess that with the years ths
'UfiE' In more 20 our way oG living
than the smarter. more brilliant cafes;
but ell serve their turn. There an,
flashes struck from midnights. thsr,
are fire flames mondays kindle. sings
Browning. and many a time free urrh
has proved the best stat 70 a young
aspiring artist Otherwise. New Y1ra
has no longer a bohemia.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1910-06-19
PORTRAITS OF FAIR WOMEN
SNOW % THE INTERNATIONAL
SOCIETY m LONDON.

NsTk % AFtluls e the PFessai Tiuae ana
q EarilrF Palnisrs ENhlblled-Flns
PirtuErs by Sargent hSdnS sCulp-
ture Ia CatheaiFnAe'' AlsS On VleW.
LONDON. June 7-FolloNing ths preo-
edsnt u the tWO foregoing seasons ths
InteFnatiOnai SOciety q SSulptors.
Painters and GrAvers has formed the
second half q ia exhibition with . SHOW
of Fair WOmsn- Ths hFst We q brilliant
siCoess. Il required httls eHoft b make
t -. ample material Wa- forthcoming
The seeond Il the SERIES bad m longer
the charm u novelty: besides the best
pictures had most Of them been requiai-
toned. Tbs year Out ot IA exhibits
fair women are in the minority.
How dos Robins piece II SCULPTURE
explain IL presenoe in such . show Il
y cAlled Ia Cathedral Il u two CO.
lo~sal hands ClAsDihS and enclosing .
seOtion q q small column. the position q
ths hands being such A. % remind of
mAkinG shadow rabbits on q val The
tisls h not ellcidnted by the words
nN.MH ANA huNAAHHs NuANN AZ NUAAuD
penciIled on ths column. However. ROdin
% ROdin-'il q su simposeT
The hrst picture n attract attention
IL Mr. IAverys portrait of his wife. Ms
LAveFy q standing With palette and
bFeshsa before a sketohing easel In the
dAppleA shadow of q sunlit landscape
TIE picture b happy In composition and
color: IN fact the artist has found himself
oonfronted with q natural picture and has
rendered Il felicitOualy.
The portrait % Mr. LAvery daughter.
which hangs merit, 10 equally charming.
and looking 81 thsss two works you won.
der why Mr.. LAvery has not made more
Of a mark than he has. He has not yet
received any titls from the Royal Acad.
smy: many younger men have passed
him in the rAcs for that honor. for IL is
sill considered an honor 20 become an
r. A. in spite Of tho adverse criticism
heaped on that august body. In oon-
.idsrinG Mr. LAVoYis work a. . whole /.
ron feel that when hs MAKES a SUCCESS
4 IL q happy accident. that in some way
art is HE master instead Of be himself
bsinR thoroughly master Of hts art
There are many others in the same case
Fake. for instance. Mr. GreihenhaEen.
A. q student hs vas the best of his time.
A good colOrist ard an admirable
irAuGhtsman. . Grsat deal was eH-