The Bridgeport evening farmer., 1909-10-15


 l-...-a = of the models.-sAslassa-aElll be. sssisss sas s2s sa 1a5s: a6ss strongly than. ever this-s.ssx.----has beer really. only gallery. play. ,EyerY year, of ss s Bg ll|@ sheto shes5 graphs which have for your c,saIaimatiafl, the ehanass tnKear m mer nerssisss ssIssa "a a.Ga iaet Whiss fssso long eadcasafessIsstaoe impress Berr ous fiat the absoliise fhs dap-ssssassker is at aaISasd a aq ns ot ofht aIsss as.fs @llin ni ine CTS asd 1faiiors but make these obey their own tEstess oTday individuality couats for fsaoTs mi fashiolable dressing l fhaR4aHy other fastor.ssa.I sna
 z That stke,. style outll1aac chenges neces- sa-ily from tine to time is true, hEf !! saas M sliIIp lasS E te s's qpIs is but natural that we shor1d-seek variety i: our clothing. change is the law of t.s tsss basEs ee ebanses. hoWstef shs vbesti dressed i, woins s,s b4iId Is. sbs 9s sl,ow.. really by OUT illustrations. The exsFeq,es. the oaditiesgI thy bizarre i qsie1 oI many oa fs sp1ihg ges Sfylrs a9s
 ly simple and plain. AdeFame,,t is- wherej it should be- il ornamentation 1oi Hugerthe sia gularity of outline IS thel cfief attraction In other words, the wn5aans off sense need no longer fatly r4faises fo COT forrr. to the -nillirser's rsgu-. 1ations: those gertryr rnets with such signal failure in their attsFRffto impose t.freak styles, that theN b &k& returneds| to standard models.
 c1,A c11a lions fromvParis. I shall gd8sEibe them iii the order of their prEskhfation.s Two Fabrics in combinatio6Ithe Fad j.
 Z Linens with fou1ard. silk, have been used through the strnmer, and now appear fall models showing cloth and satin in reverse combination that issthe cletha used ,asesa tririiilaaf satin This coat aid froek rsshows the trimmed clothsfoll fai over cloth skirt. The satin coat has the ex- aggerated pocket flaps of the moment, and these flaps as we'll as collar and cuffs are banded with cloth. The cos tune is expressed iii the new black brown which is fashIjQnable in Paris .l,s : r...sa rsss.... ..s, AssSsS sSS7A, S7A,sss,,..y
 The topcoataissa fad'Sin Paris just now, and throughout the fsAg6nh winter over mornflpistr bss9NSSeEs. and zfor travelling akds shorfsMN<M runss,s This. coat of melsnge H<y weave h2s: peculiar yst attras astIgE aFheS fargel jet buttons set in 1etasMHare notiee7d ably new. NszzSNSs TYelveteen Returns to FaysfxHsN@
 The French dressn1xN&fter tenn porarily leaving yelxet M the shelf have taken them xup g&a5zsasto, tand many of the new fa&3#NNames forI idressy wear show Ee1FH2#zxa combin- i ation with other fabrfE heavy. 1 This graceful frock by 3z#kRpffs fs4is of voilc ninon in deep wine Color. shaded and the heavy hounce of velveteen+ adds 1 dignity as well as richness to the cos- tune. \ New Fall Suit and Hat tTf l
 All the new coats are extremely long, | normal normal waistline is. delH1d. A p print mt zess suit of dark gray serge IS shown I here, the coat and skiFt having the extreme trig, tailor frash that marks | aif The. smart printzess nde1s. A pretty | hat of gray veMet hirIef over big ! toSkb0AS oAA0 IitCt suit. ..S T 'ssst Redfern Adheres to Noyenaasstyles
 Monsieur Redfern hasa been true to l his first love-, thea MeyeiAse costume which he originated flor afi isRfay which
 made this style of .eostufha fanous. The long, slender lines of 8thes Moyenne mode &are expressed in this frock of | catawba mohair, in the, ,.lustrous perme- finished weave. E The ernbEpidery on the panels matches the catawba shade:sof the Dressing for Winter on Dollars-and ssnsea
 FeKhaES sscause fer thaakfulness that thetparrsr st5rseS are ovef, oFlitxmay l, that ffsssnfnan who. isesssihg Yon her he q a a' senss snoGtlEc coasfd as we1isa ]: q ttt- F l. ;