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Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24

Girls Fall-weight Refers. made dou.
bla-breasted style. of red and blue serge.
and cheviots and other attractive ma.
terials; some are finished with linen col
lars and cuffs; others with velvet COL
lars.
5000, $3.50 to $12.5o each.
Misses One-piece Dresses. in plain col
ors and rich. fancy effects; made tight
fitting: trimmed with buttons and finish
ed with deep-plaited founce; lace yoke
and collar.
5000, $4,000 to $32.5o each.
Girls Dresses. of percale gingham and
madras, in light and dark colors: made
long-waisted style. with high neck and
long sleeves: full-plaited skirt with deep
hem: sizes to IA.
SIPS, $I.75 to $3.50 each.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24

Sanford's, Staffords and Carter's, Sc.
| 1Oc, Csc and 35c jar.
The same in tubes-5c, 10c and 25c
tube.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24
New Coats for
Infants and Children.

OIL INFANTS Short Coats,
Hill made on yoke; double box
W plat down back; lined
throughout with sateen and
trimmed with silk braid and val
enclennes lace.
$500 each.
Infants Short Coats. made on yoke: double
box plat down back; large cape and collar lined
braid Each .a.o WIN fancy 81. So so
Children's Red and Blue Broadcloth Refers.
trimmed with stitching: turnover collar and
GUNS; finished With pocket and large e. m
pearl buttons Each. .................. pO.OO
Children's Serge Coats, in red, blue and brown
double breasted style; lined throughout with
sateen; turn lover collar and cuffs; trimmed with
stitching; finished with pocket and pearl G. ,O
buttons Each. -....;.....;;:..::...... %o'oo
lined throughout with flannel trimmed with
silt stitching and finished with hood and S2 ~
Third floor. Eleventh st.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24
Choice
Candies.

IN AlNTY, delicious, whole
~ J some and of the high
~ quality you expect to
find here.
Chocolates and Bonbons.
3oc to 8oc the pound.
Fancy Candies, of many colors
and sorts.
CSC to Coo the pound.
Freshly Sailed Almonds and Peanuts
Pecan. English Walnut and Black Wal
nut Meats.
Fifth door. Tenth st.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24
Tablets.

Tablets, ruled. sizes, sc each; so
dozen.
sizes, 1Oc each.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24

Waterproof School Bags. 35c, SOC and
| Toe each.
Cloth School Bags, Soc and 75c each.
Canvas and Leather School Bags, 81 to
| So each.
! Two Buckle Book Straps, 15c and 25e
each.
C~ron Pookc
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24
Pencil Boxes.

Pencil Boxes, with lock and key. 1Oc to
SOC each.
School Bags.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24

Burlap-covered. SOC. Toe and s5c each.
Cloth-covered. SOC to SIPS each.
Children's Scrap Books. Csc each.
Main floor, Eleventh st.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1909-09-24
Children's Fall and
Winter Footwear.

"mN1 E ARE now showing
II III III our complete line OF
NNAAl Children's Shoes for
fall and winter. We
New-York tribune., 1909-07-11

so handsome dover? Figaro had pressed such
fattering JUNCTION 10 his soul but recalls, with
not little jealous perturbation. that the Count had
planned 10 take him with him TO London, where he
was go q mission Of state: HE as ambassa-
dor. Figaro asa courier. and Susanna ambassa-
dress in secret Is that your game. my lord? Then
I'll ser the pace for your dancing with my guitar:
CCavatna "Se yuol ballare").
Almaviva-s obedent valet disa ppears. and presto!
III his place we see old friend the cunning.
sourceful barber and toWn factotum of TIE earlier
days. who shall hatch plot to confound his
master and shield his love from persecution First
Of all he hasten the wedding He sets about
this al once, but ali unconscious OF tie tact that
Dr. Rartolo has never forgiven forgotten the
part he played in robbiiIs him of his ward Rosna,
lie comes now let know that he is seeking re
venge against Figaro anu the same time. he
hopes rid himself Of his old housekeepcr. Marcel
lima 20 whom he is bound by obligation that IS
becoming irksome. TIE old duenns has been cast
ing amstory elsnces in Fisaro's direction, and has
hold on him in the shs pc Of written obligation
marry her in default Of repay yment Of sum OF
money borrowed in time Of need She enlists
Bsrtolo adviser and he agrees to lsy tho matter
before The Z, Somewhat early but naturally
enough IN the Of tte oonceited dotard he soats
over his vengeance which seems as GOOD ss accom-
plished. and celebrates his triumph in air CIs
Vendetta As she Is about 10 losye the room
Nsrcellin2 meets Susanna and the tho mako
forced effort TO conceal their mutual hatred and
jealousy amusing dretiLao t''Va rcsti servita
msdams- bTillonte -. fulI Of satirica compliments
aud curtsies. Marcelna IS bowed ont Of the room
with extrayasant politeness, and Susanna turns her
attention 10 Eer MISTRESS wardrobe only be in
terrdpted by the entrance of Cherubinc the Counts
rage. Though mere STRIPPING. Cherubho is al
ready budding voluptGary animated with a wish
something like that Of Byrons hero that all
womanknd had bat single mouth and lie the
privilege of kissing H. lie adores the Countess but
not her alone Susanna has a ribbon in her hand
with which she tells him. she binds up her mis-
tress's tresses at nighs. Happy Susanna, TIapuy
ribbon. cherubno seizes 1t. refuses to give II nm
and offers In exchange his latest ballad what
shall do with the song?' asks Susanna 'Sino 81
10 tho Contest Sing /: yourself. Sing il to T;ar
barina TO Marceilina. to sil the ladies in the nal
ace" lie tells Susanna (air: ''Non so pin COS,
son') OF the torments which lie endures The iad,s
mind is. indeed. IN parlous state: he fools. bts
body alternately burning and freezing: ti,e mare
sight OF a maiden sends the blood 10 his cteel,s
and he needs must sigh whenever he hears her
voice; sleeping au1 waking. by lakeside. I'm the
Shadow Of the woods. the mountain iu bv stream
End forntain. his thoughts only OF love niJ its
sweet paics. II is quite Impossible to describe rae
eioquence NJ Ia which Mezarts music expresses tn
fe1 eTish unrest. the turmoil and the longing which
New-York tribune., 1909-07-11

allies at hand. in the persons OF Marcellina.
Bartolo and Basilio who appear with the accusing
contract. signed by Figaro. The Count takes the
case under advisement and the act ends with
Figaro's enemies of triumph and his friends
6ismayed.
The third act plays in a large hall OF the palace
decorated for the wedding. In a duet CCrudel!
perche f1nora0 the Count renews his addresses to
Susanna. She, to help along the plot to unmask
him, consents TO meet him in the garden won
derful grace rests upon the music OF the duet.
which Mozart's genius makes iuminative
than the words Is it Sussnna's native candor or
goodness. Observation-Disclosures, her embarrAss-,
ment which prompts her 20 answer yes" when
mo- was expected and no when the Count had
already received an affirmative? We can think as
please: the musical effect is delicious. FIgaros
coming interrupts further conv versation. and Su-
ssnna leaves the room with her she drops a remark
TO Figaro which the Count overhesrs: Hush. We
have won our without a lawyer" What does
II mean? 1reachtry. OF course Possibly Marcel
hna's silence has been purchased But whence the
money The Counts amour propre is deeply
wounded at the thought that his meniAls should
outst him and he fail of his conquest He svears
that he will be avenged upon both. Apparently he
has not long TO wait. FOR Martellins Don crirrio
and Bartolo enter. followed by Figaro Don tursio
announces the decision OF the court In the dusnnas
suit against Figaro. He must pay or marry ac-
cording to the bond But Figaro refuses TO abids
by the decision. He is gentleman by birth a.
him when he recovered from some robbers who
stole him when babe and he must have the con-
sent of his parents. He has diligently sought them
and will prove hts identity by mark upon his arm
"A spatula on the right eIbow7" anxiously INQUIRIES
Marcellina Yes" And now BartoIo and the du-
emma, who moment ago would fain have made hin,
an Gdipus. recognize their son, born out Of
wedlock. in Figaro. He rushes TO their arms and is
found embracing his mother most tenderlv nv SUI
sanna. who comes with a purse repay the loan
She flies into passion and boxes Ffgaro's ears
before the situation is explained and she is mads
happy by the unexpected denouement as the
Count and Don Curzio miserable Bartolo re-
solves that there shall be double wedding: he will
do tardy justice to Marcellina. Now We see the
Countess again in her lamentabIe mood mourning
the loss of her husbands love- (Aria: Dove sono ~
Susanna comes TO tell OF her appointment with ,bs
Count. The place. 'in the garden" seems to he
lacking I'm cearness, and the Countess proposes that
IL be made more definite and certain (as the law
yers say) by means or letter which shall take
the form of Song to the Zephyr" This is the
occasion OF the exquisite duet which was surely in
the mind of the composers father when writing to
his daughter from Vienna after third perform
OF the opera, he said: One little duet had to
be sung three trSSs" Vas there ever such sxouis-
New-York tribune., 1909-07-11

who draws his sword unlocks the door and COM
mands the page to stand forth. Susanna confronts
the pair with grave unconsciousness upon her
features The Countess Is no less amazed than
her lord
The Count goes into the chamber to search for
the page giving Susanna a chance to explain,
and the ninnble witted women ready for him
when he comes back confused. confounded and
ready 70 ask forgiveness Of his wife. who becomes
fearful and accusing, telling him at length that the
story OF the pages presence all an invention
to test him. But the letter giving word OF the
assienst ton? written by Figaro. He then shall be
punished Forgiveness is deserved only by those will
ing to forgive. All is we'll and the Countess gives
her hand to be kissed by her lord Enters Figaro
with joyous music TO announce that all's ready
for the wedding; trumpets sounding. pipes tootns.
peasants singing and dancing. The Count throws
= dsmper upon his exubersnt spirits. How about
the letter which he had received! In spite OF the
efforts Of the Countess and Susanna to make him
confess its authorship. Figaro stouty insists that
hs knows nothing of it. The Count summons Mar
celina but before she arrives the drunken gardener
Antonio appears to tell the Count that some one
had leaped out OF tine salon window and damaged
his plants and pots. Confusion overvhclns the
women. But FiGaro's wits are at work Ie
laughs loudly and accuses Antonio Of being too
tipsy TO know what had happened. The gardener
sticks TO his story and about to describe the man
eho came like a bolt from the window, when FL
saro says it was he made the leap. He wait
he heard the Counts footsteps. and fearing to meet
him because Of the decoy letter. he had jumped
from the window and got sprained ankle. which
he offers in evidence. The orchestra changes key
and tempo and begins a new inqulsition with pitt
less reiteraton;
New-York tribune., 1909-07-11
TO LINK STUDY AND MANUAL WORK

With a present endowment of Wildcats anu ui'-
tain lions but with the hope OF getting ConsIs
to give one hundred thousand acres OF puoho 81
the Rev Richard W Lewis. a retired evans -,
will omen an industrial and domestic scnOo' = -
fall at Cumberland, Y. NJ. The school VII % = -
the benefit of young people who are unso.e U 80
bizh prices for education. and the tesenns - =
will consist OF intellectual exiles forcsd 70 -.
the Nsv Mexican climate for their hsatn. =.
elevation of Cumberland, which is ten mics -. =.
RosuAu the nearest town OF any size Is thI1 y -
hundred feet While waiting for Congress -
ON the 100 cno-acre eiIl. which vas tntroeeo tntroe..-,
thu House by Mr.. Andrews recently tHo ---s
has the support Of Senator Bailey Cn Cnna <-,s
College win get along with the 10 seres OF 81
which II alresdy possesses ...~s
Ths students who viii pay only 80 yea s-.-x ss
are expected to work out their board ana Oss ss-x
and other expenses In IN. intervals of s1I -s..,.r
arts and sciences they will work on en - :,
we'll to irrigate the college farm. ana WI - -
construct the main college building ci :, ,,~.
blocks in mission style. Meanwhts tney W ..s.s
In tents a ten-room house and an un =, =.
church The climate is such thst IL -
practicable 20 use tents for dOrmitories 'No -.
round No football or other games VIII n-S--,v n1se
in the curriculum since the students VII Ee' - -.
of exercise at useful tasks outside OF stuay s.s
The founder of Cumberland College Is IN .-s.r- me
az present and hopes 70 get assistance on ms -
r,rfea
New-York tribune., 1909-07-11
=, G.
z:zE5FF7==E f =;=53:j5zT=ez#e8E@s
tS=--f---E EF--t I---i-L--l-~>-
p1,st TY7'c Z 20.

which tlc vions echo if in mockeIy. But on
the whole The overture does not ask for analysis
or interpre tation. it is satisfied To express un-
trammelled joy ia existence.
The curtain is Withdrawn and discover the
lovers preparing for their wedding. Figaro is
taking the dimensions of room and the first mo-
tive of duet illustrates his measured PAGES: Su
ssnna is trimming hat ana her happiness and her
coHlplaCent satisfaction with her handiwork are
published the second motive whose innocent
joy oxpodos in scintillant semi-quavers in the fid
dies at the third measure. His labors ended FL
garo joins Susanna I'm her Uttarances of JOY. But
there is o 1y In tho ointment. Why has Figaro
been 50 husilv measuring tho room? To test its
fitness as their chamber for the Count has assigned
it them though IL is of the best rooms in the
palace. lie points out its convenient location
tduer 'Se Insdama'D: near the room Of
The Countess that her maid easily answer the
din din Of her hell. and enough TO the room
of The Count that his don don would never sound
in vain should he wish 70 send his valet on
rand. Altogether too convenient, explains Susan
ns some fine day the Counts don don might
mean three mile journey for tho valet. and then
the devil would fetch thc dear Count 10 her side in
three PAGES Has 10 not been making love vio-
lently 10 her for space sending Don Basio 70
give her singing lessons and to urge her 10 accept
his suit? DID Figaro imagine II was because of fE
own ~Dtty face that the Count had promised hef
New-York tribune., 1909-07-11

regiment Figaro playfuIly inducts him into the
existence
The air Non piu andrai." in which this is done.
is in vigorous march rhythm. Benucci' the orisiha
Figaro in Vienna had a supeTbiy sonofous VOICE
and Michael Kelly the English tenor tWho sang ''e
two roles Of Don Baslo and Don Curzio) teiis US
how thrillingIy he sang the song AZ t'e HiS'
hearsal with the full band. Mozart was On 'l
stage in a crimson pesse and cooked nat ui'iii'V"
with gold lace. giving the time TO the orchestra
Figaro gave the song with the greatest animate"
and mower of voice Il was standing close 70 MO
zart" says Kelly. who. sotto voce, was repeat-
ing: Bravo bravo BenucCi" and When ,benucDi
came to the fine passage, 'Cherubino ala Nii'oria
ALA gloria mltar, which he gave ou' VIZ" =
tortan lungs. the effect was electricity itself Tor
tbo vboIe of the performers on the stage and those
in the orchestra II actusted " ono feehne on ue
light vociferatcd: Bravo, bravo Haestro' '''0
viva grande Mozart" Those in the orcheS''a
thought would never have ceased applanding ny
heating the bows of their violins against the musiC
desks The little man acknowledged by repeS'eu
obeisances his thanks for the distinguished mar
Of enthusiastic applause bestowed upon hlrh.
This ends the first act. At the opening OF the
second the Countess asks our sympathy hecaus' vi
the 1nhappiness caused by her errant husband.
U,avatina: 'Poref amor'O She prays the god OF
love TO restore her to his affections. Susanna en-
teriug the Countess asks her to continue her 'sie
or the Counts pursuit of her. There is nothing 70
add, saws the maid the Count ~ooed as hope-
men WOO women OF hNF 'iaSs--"I'i "''ieS-
appears 10 tell that the Count is aiding Marcallna
IN her scheme and Of the trick which he has de-
yisad 10 circumvent him. He had sent Basilio 10
his lnrdshp with letter warning him that the
Countess had made appointment to meet lover
al the bail TO be given I'm the evening. This would
fan the fires Of his jealousy and so enraSe him that
he would forget his designs against Susanna until
she vas safely married. when he would discover
that he had been outwitted. Meanwhile, while ne
was rejecting on the fact that two could play ~
the game Susanna is to apprise the Count that she
viii meet him In tho garden In the evening. Cheru-
bino whose departure to Seville had been delayed
for the nurpose is To meet the Count disguised
Susanna and the Countess. appearing on the scene,
Is 10 unmask him. The Count is supposed 10 have
gone a-huntine. and the plotters have t~o hours
for preparation. Figaro leaves them to md Cheru-
hno, that he may be put into petticoets. When the
New-York tribune., 1909-07-11

embarrassment, had hastily concealed him the
Counts entrance. The Counts philandering in turn
is interrupted by Basilio whose voice is heard long
enough before his entrance to permit the Count
also seek a hiding place. lie, too. gets behind
the chair, while Cherubino, screened by Sussnnas
skirts. ensconces himself IN the seat OF the chair.
and huds under one of the Countess's gowns
which had been thrown over it. Don Basilio comes
in search OF the Count, but promptly begins his
pleas in behalf Of his master. Receiving nothing
but indignant reioinders he twits Susanna with
loving the lad, and more than intimates that Cheru-
bino is in love with the Countess. Why else does
he devour her with his eyes when serving her at
table? And lad he not composed a cahzonetta for
her? Far be il from him. however. to add word
80 what everybody says" Everybody says
" hat - demands the Count, discovering himself. 4
trio follows C'Cosa semto!'D The Count though in
q rage. preserves q dignided behavior orders
the instant dismissal OF the pago from the pal5ca
Susanna is helmed with confusion and plainly
betrays her agitation. She sWoons. and her com
panicns are about 10 place her In the armchair
Nhcn slc realizes danger and recovers conscious
ness Don Basiiio crinees before the Count. but is
ma lic"usl~ delighted the turn which affairs
have taken.
The Count is stern Cherubino mad once before
incurred his displeasure h. poacling in his pre-
ser~es He has visited Baroo rina. the pretty
daughte- Of his gardener and found the door bolt
Cd The maid appeared confused and he seeking
an explans ton. drew the from the table and
found tho poge Iiding under. He illustrates his
and there is the page again This, then. is the
reason OF Susannas seeming prudery the page,
her lover. He Susanna who asserts her
innocence. and truthfuliy says that Cherubno had
come to ask her to procure the COuntess's inter
cession in his behalf when his entrance had thrown
them both into such confusion that Cherubino had
concealed himself Where? Behind tho armchair
But the Count himself had hidden there. True,
but q moment before the page had slipped around
and into the chair. Then ne had heard all that
the Count had said TO Susanna? Cherubino says
he had tried his best not to overhesr anything
Figaro is for and enters with the villagers, who
hymn the virtues of their lord. To the Counts
question as TO the meaning of the demonstration
Figaro explains that ii is an expression of their
gratitude for the Counts surrender OF seignoriaI
rights and that his subjects wished him to celebrate
the occasion bv bestOwing the hand OF Susanna
on Figaro at once ana himself placing the bridal
veil upon her brow. The Count through FL
saros trick but believing it Will be frustrated by
Msrcellinas appeal, he promises to honor the bride
requested in due season. CherIbno has begged
for tha Counts forgiveness and Susanna has urged
his youth in extenuation of his fault Reminded
that the lad knows OF his pursuit of Susanna. the
Count nodiies mis- sentence Of dismissal from his
service to banisilInent Seville officer in his
New-York tribune., 1909-07-11
WHATS IN A NAMEf

Al old c.srmsn wearing a faded blue cosI =
a campaign hat lImped into the ONCE OF So
tial dog and horse hospital. bequeathed oy
name millionaire to the town OF y
II wish to be admitted to dis hospital s..rt
nounced TO the superintendent. I've got
trouble I'm G. A. r. man. und can pf''' .oa
But you can't enter this institution NY
man -, rot
sure can. I hght at Getty sburg. bar "
a weak heart efer sence. 1 can prove IT.
YES but YOU can't enter this hospital; hs .a
Cant huh? Why not? l vas soleher'
prove it,"
But this is veterinary hospital RI
II know dot. Ain'd cnoost telan you ~
a acknowledgements
New-York tribune., 1909-07-11
fill the lads soul Jahn has attempted It. and I
u,Iofo mis- effCrt.

fill the lads soul. Jahn has attempted Il. and
shall quote mis- effCrt:
The vibration of sentiment. never amounting 70
actual passioI. the mingled anguish and delight o.
the longing which can never be satisfied. are eN-
pressed with a power of beauty raising them out
of the domain of mere SenSuality. Very remark-
able is the simplicity of the means by which TINS
extraordinary effect is attained. A violin accom-
panimen passage unusual in itself keeps up the
restless movement: the harmonies, making no srik-
ing progreSsionS: strong emphasis and accents are
sparingIy used. and yet the soft flow of tho music
is made suggestive OF the consuming glow Of pas
sion The Instrumentation is here of very peculiar
effect and quite novel coloring; the strnSed m
str'ImantS are muted and Clartnets occur for the
first time and very prom ncntly, both alone and In
combination with the horns and hassoons
Cherubinos phlanderng with Susanna Is inter
rupted by the Count who comes with protestations
of love which the page hears from hiding place
behind large armchair, where Susanna, in her
New-York tribune., 1909-07-11

stsed by traditional gesture (the singers fore
1insers pointing upward from his forehesd). com
fslete his meaning. pity that the air is often
omitted fer 1t is eloquent ia the exposition OF the
FT;rit Of the comedy.
he fnerT1est OF opera oveTtunes Introduces 'sT,
Eozze 81 Figaro and puts the listener AT once into
frolacsome mood II to be the most careless
of ltftie pieces drawing Of its material from,
the snssic OF The play making light Of some OF tho
formulas which demanded respect the time (tFere
Is go free fantasa), laughing and singing its inno
cent life out n less than I've minutes as II it were
Breathing an atmosphere OF pure oxygen II ronps:
a. docs not reflect feel Motion IS its business
Dot emotion It has 10 concern with the deep and
gentle feelings OF the play. but only with its frolic
.r1,e spirit OF playful torment. the disposition OF
pretty tease. speaks out OF its second sub ect
sel<3 Sss.pes