Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1909-10-02

advantageous only If tho strain is re-
HcVed by considerable intervals of rest
and recuperatiou. This is the condl-
ton under which the artist works pre-
fcrably, and is the most favorable
one FOR creative work. But the girl
paced by the machine has no consider
able interval and Is doomed To- break
down, or To be pushed to lower econ
omic level Her only other chance is
marriage. The machine i- the most
effective device for speeding up he
cause IL puts more strain Ou the work
er than he can put on himself without
II, but in all piece work. the opera
tor is under heavy strain There are
factories in Chicago where the rate OF
pay per hundred pieces is one cent. OF
course, the work passes through many
hands. and each operation is simple,
but hundred operations of any kind
for one cent rs a great deal \ humane
employer iu Chicago recently looked
into the case OF a girl who had quit
work In his factory. and found that She
had been earning 9S cents "a week And
machine or no machine, our treatmD II
of the working girl particularly tho
factory girl, is sCandaluusly out ot
harmony not only with our romantic
ism but with olr plain human senu-
mcnts
In L. states OF the Union married
women have no separate property
rights Ia these ~ states a husband
controls his Wifr'a estate, without the
consent OF the courts.
In seven states the gcntcr sex is
denied the privilege of praCticing be-
fore the bar These and other sur
prising facts as 10 what women arc
denied and legally prohibited from do
ing are set forth boy Rhota Childe Durr
In Hamptons Magazine for October.
s..H 4
often exaggerated complaints about the
proverbial mans injustice TO women"
II may surprise many TO find an ar
raignment made. and substautiated by
facts embodied i'm the laws OF the ma
ton This is what Mrs. Dorr has done
IN her striking article.
The cry Of the uItra-smart last year
was all for satins and satiu-hnished
cashmcros and broddcloths. satin-strip-
"a prunelas and authenticated silks,
SAYS Helen Beryeley Lloyd in The De
hnoator. Everything shoue and glist-
cned with "a brilliancy that gave
jewel-like luster 10 beautiful gowns
and produced au effect of almost bar
barrie splendor This season the glistcn
and glow have been passed Oh TO the
general public More s8tins and satiu-
surfaced materials win be worn this
year than last. but their very popular
ity signs their death,warrant once
widely accepted they win lose their
eXcmsiVoucss and the ultra chic woman
win drop them for something else II
Is only another instance OF the need of
adopting a thing when 10 is new If one
wants Ia law claim To the distinction
OF being really we'll dressed
Instead of s7tins. this year win wit-
ness the daWnng star of an dull
finished crcpe-surfaccd materials one
finds the first promonition OF the
change IN the heavy Shantung silks
that win be worn in dresses, suits ANA
wraps until well into November The
new raw silks are woven with "a rough
finish that makes them look az first
glance like some new genre Of crepe
de- Chine They are very beautiful, and
will be wonderfully effective in re-
ccption gowns and thoatcr dresses for
the early fan For evening gowns one
may expect 10 see the crepe Weavcs OF
sink usurpng the place of satin
Plated skirts are showing "a most
amazing amount Of vitality. In most
cases. IL Is true. they make some con-
cesslon 60 the demand for slenderness
bv disappearing at intervals 10 make
way for am occasional plain gore or
bv stopping just short of the hips and
attaching themselves 90 yoke. Many
of the new princess dresses are clever
ly constructed, with "a sc-ntting
cuirass body. beautiful braided. often
in soutache cor rat-tall braid, which rs
cut of abruptly well above the knees
and b. completed with "a plated Sec
ton that b. neither skirt nor nounce.
Il is tremendously smart. however ana
"a STYLE that De- neither difficult 90 make
nor 90 Wharf.-The Delincator