The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1909-06-13
Latest tNeWYOrk fashions
BY EDITH RAYMOND.

Ia BOND.
: inches below the hips; but in many IN
| stances it is seen well down TO the
: knees. In the former case il is sure
, to fit like glove from the top TO the
hem. But when it is long it becomes
somewhat flowing in line; otherwise
there would be no possibility Of walk
ing in or sitting in IT..
A handsome evening gown has one
Of the modified bodices of the kind.
; The gown is of black net cut with a
low decolletage filed in with white
tullc. Across the bust. and, in fact.
around the decollotage, there is wide
band of exquisite Jet embroidery on
net From the sides of the dccolletage
there extends sort of plain pannier
; OF nccdlework and Jet in a very elabo-
rate pattern and It's edges arc out
lined with the banding. The bottom
OF the cuirass or tunic falls in point
ut the front within ten inches Of the
floor. At the sides it has the appear
ance of being slightly draped under the
pannlers. The bottom of this cuirass
tunic is deep with the elaborate Jet
and necdlework. The skirt is long and
! perfectly plain over white satin. White
tulle drapes the shoulder and sleeve
less arms. The handsome satin with
long plain skirts given n slightly flow
ing line at the floor, in accord with
present styles, and cuirass of let arc
among the most distinguished looking
gowns which the season is bringing out.
Broeades and other rich silks are well
used with this style. of gown.
There is a veritable craze for let.
1t is used in several sizes for spatter-
ing and embroidering gauzes: il comes
in bands of many kinds and prices, in
allover trimmings or made-up garni-
lures and in all kinds of jewelry. At
the ]ewelry counter one Is reminded of
long past days by the huge carved jet
brooches and belt pins and buckles,
the Jet neckpieccs. Jet combs, Jet brace
lets and Jet ornaments generally. One
OF the handsomest ornaments in let is
| the thin necklace with carved pendant
finished with drops that CLEAN and
| CLINT with every movement Of their
wearer. jet is often mixed with soft
tones IN choice trimmings. a French
gray satin gown had the bodice clabo-
rated with great raised circles Of let
on foundation of black silk hlet
Above the waist line there was an odd
drapery of black fiet lace which ended
In sash, and dropping over the skirt
was the only touch Of elaboration given
TO 1T.
There are frills and bouffancv. but
also there are straight lines and an
'alr of slmplicitv.' This combination
is seen at IFS best in models that have
been created for summer evening wear
Not this season viii one be able to
mlngle among the guests at resort ho
tells III lingerie waists and linen skirts
Instead. there must be a stock Of pret-
ty organdies and printed muslins from
which TO draw, made IN one piece, so
that If Will be no more of an effort TO
get INTO evening attire than to hook
skirt TO shirt waist,
Two of the prettest gowns in a col
lection that became famous recently
were evening creations Of organdie, one
OF blue roses with much foliage scat
tered over a plain white made up with
ribbon and lace insertion, The former
had full skirt. plain. with short pau
niers and pointed girdIe. The waist
was drawn full over n square yoke of
Irish lace and above the girdle Of blue
silk, which was shaped and made on
a foundation, there was a second CIR
die of softly folded organdie. knotted
at the left with the slashed ends falling
below the hip line. Sleeves were tucked
and close fitting and reached Just above
the elbow.
The second frocl, of white organdie.
eXquIsltcly fine Of texture, was fash
ioued in a semblance Of Greek mode. It'll
was decolletc, and at the top there was
Il section Of the orIandic shirred very
full TO a circular neck band and again
below where. at the line of the bust, ii
joined the body portion Of the gown.
with n narrow band of insertion, with
choux Of hcbcs ribbon fixing the ends.
The lower part was plain, save that
across the front il was slashed mt the
sides. The little shoulder sleeves were
cut in one. with the shirrcd top por.
tion and, like it., wero gathered closely.
This frock had excellent points for
Reproduction aside from the cnsem-
bic effect. which WAS stunning i'm lis
extreme simplicity, Dotted and striped
materials are turned into fetching af-
tcrnoon gowns. combined or moi with
Il plain material of the same weave.
the most frequent method being the
skirt and tunic or some one Of the
many coat designs.
or all the novel departures, scarf
coats which accompany the majority Of
gowns ave the most striking. Even the
morning gowns Of pcrcalc or chambrav
are frequently accompanied by a scarf
mantle Of some sort, in one Of the
coarse cotton nets. These wraps arc
almost as yariouslv shaped as the
gowns Of the season. materials are ny
no means limited 10 sheer, gauzy stulIs
although those that are of "drcssv"
order arc. When they are destined for
separate wear the coats may be Of
different color than the frock but MS m
adjunct Of any one gown they echo the
color note of it,.
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