The Princeton union., 1909-06-17
CLEVER ART FORG[RS'
They Flood the Markets Abroad
With Their Wares.

They Flood the Markets Abroad
With Their Wares.
PARIS THE. CLEARING HOUSE.
The French Capital Is the Chief Mart
For the Disposal Of Imitation An
tiques-ItaIy Leads In the Production
of the Spurious Articles.
Italy has always been the classic soil
for fabrtcations, but in some depart
ments Holland and Paris run her close.
Vienna has speciality for rock crys-
tai and thirteenth century gold work,
Florence and Lucca for fourteenth
century armor, London initiates the
pate tendre Of Sevres, Constantinople
makes oriental weapons, Madrid Da-
mascus swords, Dresden sculptured
1vories, Aix-la-Chapelle pewter plate,
Berlin Roman potteries, Amsterdam
wrought iron, Rotterdam Indian porce-
lains, Odessa tiaras and antique jew
elry. while Paris is the chief mart and
clearing house for all these products.
Italian bronze statuettes, now so
much sought, are turned out with dex-
terity and taste in Tuscany. It is said
that 1t was from one Of these foun-
dries there issued the group Of virtue
expressing vice, assigned to Clan Bo-
logna, which is now the choice treas
ure of celebrated French collection.
Switzerland makes speciality of Louis
XIV. repousse work.
AS for renaissance and medieval
1ewelry. hardly bit is real except
what is in museums. 1t is not to be
bought. In the disturbed epochs that
followed the renaissance precious
stones were broken from their set.
t1ngs and sold to meet urgent needs
The same need for extreme diffidence
applies to the pretty bibelots of the
eighteenth century, watches, chate-
LANES, bonbonnieres. OF modern fabri-
cation. too, is the enameled jewelry Of
the sixteenth century. Vienna turns it
out to perfection. And so cunning are
the makers that, for example, they
take care that the ring on which a
locket is suspended should show signs
Of friction, we'll aware that the buyer
who thinks himself cute will look for
this indication
AS for the peasant jewelry, now so
much bought and sought in Florence
on the old bridge and elsewhere, the
genuine is long ago exhausted, for,
after all, peasants own but a limited
stock. 1t all consists of clever copies
or more often tasteful combinations of
old designs. The stones, too, despite
their fine designations. are rarely any
thing else but those marvelously clev-
er tinted rock crystals so ingeniously
made in Switzerland and sold by the
ton if desired.
Venice is the great depot for ebony
1nlaid with ivory, and cabinets incrust-
ed with tortoise shell, once it's glory
and now in their decadence, are still
the Joy Of travelling Americans on the
lookout for bargains. Buy If the OBJ
ject pleases you, but do not when you
pay your dollars imagine you are ex-
changing new lamps for DID, AS for
old clocks, grandfather or other, there
is not one genuine in hundred. Ware
worries! They are generally bone or
worse still. celluloid aged by the help
of tobacco or of that invaluable hand
maiden. licorice juice.
Nor does even glass defy the artif-
icer. In the Museum Of St. German
can be seen Roman goblets, their out
sides incrusted with dirt, whose iri-
descence has been obtained by fish
scales fixed upon their surface. Some
times real bits of iridescent glass film
are transferred upon a modern frame
work. Cologne turns out lachrymatory
vases by the gross, not even troubling
to copy the old shapes, but using the
long narrow bottles in which cheap
sweets are sold. These are buried in
dung after being smeared with some
concoction Of which the secret is
guarded and in little time they issue
from retirement patinated and rides
cent. Old German and Bohemian glass
is also excellently copied in Hamburg
and Paris. Venice, too, has not for
gotten it's traditions and turns out its
own old wares.
Sevres and Dresden innocently help
ed the counterfeiter by selling their
not yet decorated pieces, if imperfect,
for a trifle. On this genuine ground
the forger worked with ease. This
traffic has been stopped. Still the
forger knows no obstacles or over
comes them, and false Sevres and
Dresden are supplied by all dealers,
and the purchaser rarely has the mi
mute knowledge that will save him. In
the eighteenth century oriental porce-
lains were openly made in England
and Holland and sent to China for
decoration, when they returned as real
China porcelain, or the reverse proc
ess obtained. The porcelain was made
in China and decorated in what was
presumed to be the Chinese style in
Europe. Paris at the present moment
makes and exports old China porce-