Los Angeles herald. [microfilm reel] (Los Angeles [Calif.]) 1900-1911, 1909-01-10
MUSIC
n HE great faul of British music and
British performance of music has

of emotion. At least that is what Brit
ish critics say. No doubt there is sone-
thing in this, yet on the other hand the
English are quick to appreciate an
artist, who f1outs this national stoicism
and gives free play to his or her feel
ings This is illustrated in the case of
Katharine Goodson, an English woman,
who comes to Los Angeles for one pi
ano recital next Friday evening, Janu-
airy Is, at Simpson auditorium. In her
own country she has been hailed as an
artist of irresistible impulses, and last
year she convinced the American public
that new and bright pionistic star
had arisen on the horizon.
Besides giving successful recitals Miss
Goodson played last season with the
leading orcheStras of the country, in
Guiding the New York Philharmonic,
and proved to the American critics that
England had at last turned out a pi
aniste equal in temperamental warmth
to the artists of Poland or Hungary.
Miss Goodson has just finished a most
successful tour of India, Japan and
Australia, in the latter country receiv
ing very fiattering appreciation. She
afterward made a tour Of the islands,
stopping at Honolulu, and is now in the
northwest, playing with the Seattle
Symphony orchestra.
Miss Goodson is a player of individu-
ality and power and she always gives
a most generous program.
The complete program follows:
Senate, c sharp minor, Op. q, No. ?,
adagio sostenuto, allegro trio, presto
agitato ............-....: Beethoven
Three etudes, A fiat, Op. rs, No. L;
fat Oeuvre Posthume, No. 2; G
fat, Op. %, No 8; two valses G fiat,
Op. 70; A fiat, Op. AZ; Ballade,
nat, OPP. a.. Chopin
Senate minor, Op. 7, allegro moderate,
andante motto, ALA menuetto ma
POGO piu lento, finale motto allegro.
.-...----.--- S......--- Greig
Romance OPP. "a, No. 9............ .Sibelius
Rigaudon, Op 49, No. 1.........-.... Hinton
Aeolus, Op SO, No. 5........... .Gernsheim
I7ts.q .''-''.''''' IschalKoW SKY
Rhapsodie' No 2....:....,........-- List
1t is reassuring to learn from all re-
ports in the east that Nine. Gadski is
singing better than ever before, that
her tour has been a most triumphant
one, and that she returns to the Met
rCpolitan for an additional four weeks
contract. For four years Nine. Gadski
has been favorably known to the music
lovers of Los Angeles, and is coming
again.
Mime. Gadski, queen of song" won
the hearts of the Los Angeles public
years ago. She is a true artist, her
taste. is so exquisite, her interpreta-
tions so natural and unaffected, her
varied that there is a beauty in every
thing she does. Withal, her person
atty is charming, and is in a large
measure responsible for the effective
ness of her singing.
The Gadski programs show a wide
versatility, containing a Wagnerian
aria, classical songs, songs of American
composers, and always tribute in the
shape o3 a group of La Forge compo-
sitions, in recognition of the splendid
work of Frank La Forge, her accom-
PIANIST and pianist
AS to the Gadski gowns, they are al
ways exquisite and beautiful and she
promises something unique this season
in the nlodiste's art The concert at
Simpson auditorium next Tuesday
evening will be the only one she will
sing in Los Angeles.
The program follows:
My Mother Bids Me Bind My Hair. Haydn
When the Roses Bloom. ......... .Reichardt
Menuet d'Evaudet, Printemps ........
Observation-Disclosures. XVIII Century
P Phi Has Such Charming Graoes- Young
Nine. Nordica.
Piano solo, Scherzo in sharp minor.
.......-..... -........--.'..'.. CHOPIN
Mr.. La Forge.
PART II
Die Junge Nome. ............... Schubert
The Message Observation-Disclosures. Brahms
With the Water Lily. ................ Greig
In der Abenstille. Expectancy. Mr.. La Forge
zueigung r. Strauss
Nine Nordica.
Piano solo, nocturne in G minor. Chopin
Mr.. La Forge.
PART Ill
Eisa's Dream Lohengrin) ..-...... Wagner
Dich theure Halle (Tannhauser) Wagner
s
The third chamber concert to be
given by the Lott-KrauSs chamber con-
cert. quartet takes place at Simpson
To
uary IA. The management in offering
this concert has arranged to give a
lighter series than heretofore. The
opening number is Beethoven's Quar-
tet, OPP. IS, No. g." in four movements.
Harry Lott, by request, will sing Han
dePs Hear Me Ye Winds and Waves
and give something entirely new in a
group of Beethoven's songs from the
old Scotch, with violin, piano and cello
accompaniment. A trio of numbers by
the quartet will follow with selections
from Victor Herbert, Bunker and
Boccherini. The Paine quartet with
strings in five movements by Schutt
will complete program which is con-
sidered by the musicians who have
glanced at the numbers to be the most
novel yet presented in this city.
s.
A recital will be given by the pupils
Of Miss Jessie Weimar next Saturday
Hight, 10, at TIE CTdIluC CIuD
auditorium, 1044 South Hope street.
Miss Anabelle Jones, pianist, and Miss
Nancy E. Grail, violinist, will assist.
The following program will be given:
(a) At Nightfall Observation-Disclosures etcalf
CD Angus Macdonald. .Roeckel
Co Ave Maria ACKNOWLEDGEMENTS uzzi
Mrs. N. NJ. Barton.
Sacred is the Weeping (violin obligato)
OBSERVATION-DISCLOSURES. Fl. Won Suppe
Mrs. Hettie Murphy.
(a) The Pine Tree. Mary Turner Salter
Cb) The Woodpigeon, (c) The Yellow
Mrs. Gazzola Love.
(a) Romance ..............-.- Beethoven
OBJ Serenade ACKNOWLEDGEMENTS. Drdla
Miss Nancy E. Grail.
(a) Who Is Sylvia. .............. Schubert
OBJ My Little Love. .Hawley
Miss Amy r. Swanson.
ta( ava Mara .......''.'-. 'Bach-Gounod
(b) Sc saran Rose .Arditi
Mrs Gazzola Love-
Aria from the opera "Mitrane" .Rossi
Mrs. N. M. Barton.
Etude OF Concert. ............ .MacDowell
Miss Annabel1e Jones.
''The Secrets of the Heart" a musical
dialogue by Liza Lehman. Scene an old
fashioned garden. Characters: Ninette, Miss
Drury Rector; Ninon, Miss Dorothy Smart
s.
Nine. Johanna Gadskis gowns have
ever been the inspiration of reportorial
rhapsody, and it is safe to say that the
prima donna's attire at her recital next
Tuesday evening at Simpson auditori-
UNI will share attention with her glori-
GUS voice. Commenting upon Nine.
Gadski's tremendous success on the oc-
casion of her New York recital. the
metropolitan critics devoted not a little
of their space to expatiating on the