New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1909-09-19

Paris. September :.
Nowadays few women are ugly in motoring cos
tunes. While shaped on loose, ample lines, their
long coats, built for grace well warmth and
comfort. worn with the snartest air imagina-
Bile.
For motor car wear. it is long. straight. sack
Ike garment, with enormous revers. so wide they
form a deep collar falling the tops OF the
arms, Narrowing in front, they cross on the bust
IN a warm, comfortable fashion, tapping widely, to
fasten finally with one great button OF white pearl
low side. To be turned up down IS an
inside collar OF gray The loose sleeve IS
snapped close the wrist by means Of cloth straps
snd fat buttons; unfsstened these serve as orna-
rnents. French homespun is the material used, and
the lining is soft pearl gray satin.
Another garment with a double breasted front
hip skirts and a three-seamed back is built on the
lines OF a mans coaching coat. II is Of thick. soft
sand colored cloth. with a wide band of black fur
SO the hem. There close, adjustable under
sleeves OF the fur inside the wide sleeves and
wide, triple cape collars OF the cloth finished
by fourth OF fur.
Effective headgear tops such garments some
times Il is "a scoop" of soft hairy felt bound with
a broad ribbon; or a directore bonnet Of pretty
silk shirred thickly the English cottage bonnet
with silk gathered large cords and tied under
the chin with wide ribbons. Newer ones Of
suede leather They hug the face closely, and have
turned back fronts. faced with toile de Jouy There
are. too. becoming hats In simple dish form, with
q long scarf veil. fastened al one end, ready TO
wind about the head and face. The new wells are
IN orange. khaid and dark gray shades
The unusual chill OF these first September days
makes 81 necessary TO resort to the demi-saison
costume OF autumn toned woods. few plaid cos
tunes IN fascinating mixtures Of orange
and brown. trimmed with faclngs CO black moire
and having soft black satin lining With such
costumes are worn large tOques Of black velvet;
for their clever folds they have no trimming
and smsrtened by hatpins OF large baroque
pearls In themselves these pins are lovely. and
their beauty Is enhanced by catching IN their
pe2rly depths tho OF the velvet they rest on
A fresh flower Is worn thrust into the belt or
pinned 20 the iappet OF the coat. The blooms OF
autumn sturdy. and the favorite dahlia
sster rernsins unchanged Throughout a half days
,sunting.
Worn with different skirts is a smart half long
coat OF Natter blue cloth. There are wide cuffs,
revers, and collar faced with black MORE silk
hemuec with a bias strip OF the cloth dotted with
raised black stitches Laid across the back at the
waist line. is q six-inch band OF black soutache
embroidery. IL drops on the hips TO form pockets
ending IN point hung with long tasseI OF black
sns: black satin lines 81 Elegant. well as prac-
teal Is such q coat, capable OF varying a ward
robe Indefinitely.
nice example OF the much liked black and
white combination IS a gown OF white silk striped
inch wide with black There are short close sleeves
and high pointed girdle OF the silk; for the rest
the cors3ge is composed OF white mousseine de
sole and black velvet ribbon Rdornment. over this
sovn is worn a easQuine OF black satin of extreme
softness and gloss ReVers, that start narrow AZ
the neck 70 widen the bust are faced with vvbita
MORE; they fan In soft jabOt folds low on the bust
and are held q little apart by a handsome orna-
nsnt OF black passementeTie Below this the fronts
Aops shsrply back pointing long the sides 20
shorten at the back half yard below the belt lin.
Fat pests are laid in the middle ana two largo
DuttSns top them. Wide cuffs faced with Ubita
MORE turn I'D IN. sleeves nearly 10 the elbows.
ehfy are held nat by black. satin covered buttons.