The Salt Lake tribune. [volume] (Salt Lake City, Utah) 1890-current, 1909-11-14
LATEST IN FASHION
FOR WOMEN
ny EDITH RAYMOND.

s-rgs as straight AS pipe stem, swift
u.s. in and around the feet with every
,rnoyemcDt of the BODY II the SKIRT is
NV or hanging without apparent flow
iees, is short. This Is what close fol
lars Of Paris are wearing here. But
-oM % .ycrare New York girl either lacks
lne ie straiebt figure demanded for such
'"es,vie or her own idea is out of ac-
81 with IT, More plated skirts, with
eoru ,0n flow at the foot, as the walk are
Zen than anything else on well-dressed
meo 80 The plated skirt is n dcServ-
vsIv Vnopular model and practical one,
saI large part of tho population al.
ss snr aiye their allegiance to it as soon
n."itbey sec it returning to vogue. SO
much M for the walking suit
Ia, the house the gown of reasonable
,.antiness with girdle Just Il trifle lifted
stoye the normal is the first faYoritc.
Somc persons are placing the girdle|
Ell down and some are accentuating
,%e waist length by q downward curve.
pnt the slight woman gives up with
,anctance the lifted girdle for her
ranso toilettes Women who wear a
rown more than one season are bring
Sng the girde near, If not quite. toI
normal depth, because OF the gradual
tendency TO such a style ana the proba-
biIity OF its general vogue few months
hence
The one-pieco gown continues, al
,honoh in many instances it is OF two
n;sce effect But the princess tunic
= sill favorite. A great many orig
nalities in draperies arc seen this sea
sou. a gown of silk cashmere is drapcd
With cross.over waist Fastening al the
raist line Oh one side with icweed !
,aboebou at each side, and these are
sonnccted by three dropping Jeweed |
ropes across the front which suggest q
d;p nj the waist. The waist and the |
frcnt panel of the skirt TO tlounce depth |
are of lace .dved TO match the cashmere. |
and the cross.over sides Of the waist /
are faced with wide bands of the silk. |
The open V is filled with a white lace |
Yoke. The sleeves arc OF half length.
Another drapcd princess robe. made |
fof fashionable dinner is of mother
d.near supple satin with Il waist OF
white silk voile Wide bands Of EN-
brOidery, done in brlliants and fine sill
,e7. loon the tunic up at the front, trim
h al the sides and make q garpisnment
icr ibe bodice The front looping of
The skirt gives n series OF graceful folds
Al the sides which are q marked fca
tore of the gown.
Fashion is emphasizing the tendency
II Of skirts to assume a clinging effect be-
iOw ;hc knees. While at first it seems
. trife extreme. the hurdle drapery. as
K is called, is, on the whole, graceful,
10 less 80 in fact than the long, un-
L laoken lines to which We have held with
saeh pcrsIsiencY. 1T is particularly well !
suited 10 the development Of soft ma
isrials and to yelling fabrics. where
\ tie daDhanouS chiffon cloth or silk Is
caught 10 foundation Only the clcv-
,nst of dressmakers know the methods
BY which some of the effects are pro,
daced FOR their appearance of simple
iIy is most deceptive.
There are two distinct kinds of " hur.
. DC drapery. that in which q separate
Or foundation sklrr figures, and the 9th
% IN which bands or straps are made
70 answer the purpose. The latter, of
nDrsc. are not TO be used where the
niteral is in any degree transparent,
Among some imported French COS,
tunes there is model built Of mahog
4 any mousscline over taifeta. The taf
feta foundation is plain and close fit
lns- The skirt meets the bodice in
lancliul inc below the bust There is
ashort skirt of mousschnc LAID in reg
ssT plaits and attached 10 the taifeta
Dundsion al trhc below knee depth,
Fhc.e they arc applied 10 the founda.
aatiou. The upper portion of The skirt
gored, so that there is scarcely any
inloesS al the top, Whatever fuincSs |
llere may be is folded in so that over
ue hips and above the SKIRT appears
Quitc smooth fitting The material is
sq,. however, so that il flares consider
sVE below The bIp line, and at the point
sec's i Is lolncd TO the plated sec
nOo II Is fairly voIumiuous. The width
men gathered TO the size of the |
ipandaioD at that point. which is mar.
w'rf tban u Is above. The effect is
.a-rmlng, While tho upper skirt falls
WI lNe lower IN slightly punchod
nlnnet, there seems TO be no sUogcs-
WV oi ohgglncss though only the cou.
MMnefc Who evolved the model knows
II e'ic' OF ITS management.
a design in which tho short skirt or
Sy.tse IS made plain. while The upper
,as,v sgvl laSeS an exaggerated fulncss, is
''u'e To an entirely different us
~ none. The less ATTRACTIVE. A dem
,iS.'g9 ~, Ss9 ol this IS An effective crca-
q black and white checked louis
4 NJ, -. ~ WHICH The ccnicrS of the checks
IL n. ,aHSPaeent and show The ccrisc of
NJ IIura Iera slip, over which it is made
/ f,ou 'vu''e ,, princess. Smooth-ftiinr
te,a :''uIu'r 10 hp line, and from
II g,Sa,u, emerges into fuIncss, which is
5tn1s 5ca at the lower part or at knee
n 70 puff over perfectly plain
II Its,, nounco Of the same material
/ Min are long, straight sleeves, finished
/ ssan,S piping OF black velvet and a
al ''u collar Of applique net over satin.
Voc may look for fur on any part
A kkeTo,MN Mo'nan wardrobe this season,
hieIt ta nc l9e most original drcssmakcr
% oo,'"s y" ic1 10 introduce it. All classes
hy i'm =, wraps aud hats are employ
tssdc6 Il me sturdy cloaks that will bc
iaaI e;ner a'er lor protection against ac-
Esd WIN gales are lined and furnish
II dsfy a" a" collars and cuffs that would
fnv M Arctic night And the rich.
LIZ op"ra "raps that are ready now for
l. rcu,IHy, IH,'a ,e are deckcd more or less gen
sy ~ %iih skins of bcasties. accord.
|, iLs,% y ,s,, sselr effect on the eye, if mot fo
Nj n. actual comfort ~
Ind v;n vS;anlFinc snit is banded and col.
II arss"i'a arass fur, and the afternoon tail.
vi s,l fis ,ee ene sumptuous evening Gown
u hdy Z '1s s;,3;u ,,13;anglng robe worn ONLY in mi,
JLE Tho ing ing room are all trimmed with
.sa. II Ihliilner, too. is not left be-