New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1909-09-19
STAGE NOTES.

Sarah Bernhard is writing q play.
Justin Hunty Mccarthy has written a Dante and
Beatrice play for H. Z. Irving. The title is THE
God OF Love
Martin Harvey has found a Spanish play 20 his
liking Il Is Terra BoIa-" He will put ii on the
stage abou, six weeks hence.
Henri Bernstein's La Detour'' and Paul Bour-
gets la BarrIcade" plays soon 20 be
produced at the Vaudeville Theatre Paris
Harry Lauder is coming TO America with his
new song, They CAN Me Sandy" IN which he de-
scrbes how Sandy and shackIeton explored the
Antarctic in a quest for the South Pole
Pierre DecOurceIle. who has written melO-
drama for the Porte St. Martin. has translated
"Brewster's Millions into French. Brule. who was
the original Arsene LUpin in the play OF that name
Will have the leading character.
The most eminent OF English critics believes that
Miss Ethel Irving Is the subtIest Coincidence on
the London stage She Is playing as the Baroness
Won Fltzen In SutrOs new piece. Making Gen
tleman," under the management OF Arthur Bour-
CHER.
Viola Allen Minna Gale. James O'Nein and Will
fam Farnum Will appear in The White Sister at
Days Theatre September q The play Is taken.
OF course. from Marion CrawfOrd's novel OF the
same name. The story was In serial publication at
the time OF the authors death
Miss Bateman Mrs CrOwe) Is again on the stage,
slthough she is now far advanced in years She
has part in False Gods as they call j. B.
Fagan's translation OF NJ. BFieuX's la Fol"
False Gods Is BeerbohmITrees latest pFoduc-
Aiusley and Mrs Patrick Campbell.
The Master Key" by COsmo Hamilton, and
The Best People" by Frederick LOnsdale. are
new plays which will DO introduced shortly by
William A. Brady at the Bijou Theatre
Andrew Mack will appear In October in comedy
bv J. Hartley Manners with music by A. Baldwin
sloan
Forbes Robertson who VIII play "Ehe Passing
Of the Third Floor Back" at Maxine Elliotrs
Theatre. beginning October 4. will be supported
by Haidee wright Evelyn Weeden, Molly Pearson.
Madge Avery. Alison skinner. A O. Pouton Alden
Thomas and other London players.
Cecilia LOftus's clever representations are the
chief attraction at the American Music Hall this
week
The Tell Tale Heart" a one-act play by Robert
r. Kegereis precedes the performance or Billy
az Days The play is adapted from Poe's story
Writing OF King Lear at the Haymarket me
atre IN London a critic says in The Morning
Post. 'srhe Hayuarket tradition is comedy.
and one wonders whether King Lear has even
been seen there before. Some tragedies have been
II was at the Haymarket-not, or course, among
the Identical bricks and mortar OF to-day-that IN
1744 Foote OF all persons appeared as OtheAo the
Iago being Macklin More than century later
Sothern and Ruckstone repeated the absurd expert
ment Both performances must have been well
worth seeing Edmund Kean starred at the Hay
market in the first quarter OF the last century and
in 1857 Phelps there made his London debut as
ShyIock and did SO wei that Macready was most
unhappy In 1852 Barry Sullivan there made his
first appearance In London. as Shylock and three
years later Helen Fauct was TN possession OF the
boards II was. too at the Haymarket that Ed
win Booth first appeared IN England; TINS was III
1851 his character being Sir Giles OveTreach, in A
NaU, Way 10 Fay Old Debts In 1879 Adelaide
Nelson appeared as Juliet And doubtless the Hay
market has known other tragic rcOments- But the
Haymarkets renown has been earned by two cen
turtles OF almost unbTOken mirth.