The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913, 1908-11-08


begin to take on their usual
look of activity and life Dismantled
rooms are being rehabilitated, can
vases and easels are being brought out,
brushes are being sized and sorted,
and studies of summer work on hill
and in field are undergoing final
touches that will make completed
paintings of what are now but prom
Uses of things to come.
The next exhibition will be that of
John Gamble, who will send number
of paintings of the Santa Barbara oaks,
the desert and few of his inimitable
hill and meadow studies to Schussler
to be placed on view about the middle
Of this month He Will be followed
closely by Alice Chittenden, who will
exhibit work done while abroad, and
her salon picture. white roses in a
copper bowl. This second eXhibi4 will
also take place at Schussler's. and both
are expected to attract many visitors,
as the artists are popular and their
work much liked.
Inc mlQQle OIL the nOnlH Will see a
third exhibit that of the Sequoia club,
whose picture gallery opens November
"a with a notable array of canvases.
Chief among those who will have pic
lures on view are VIII Sparks. Theo-
dore Wores, Eda st. John Smitten,
Bertha Stringer Lee, and many others
well known. There viii be several
paintings by the lately arrived Italian
artist, NJ. Carlo Baron, whose work has
the merit Of freshness and novelty.
All work intended for this exhibit
must be sent in by November 10.
Cadenasso has been asked to send
number of his eucalyptus pictures
to The Little Art Shop" in Sacra-
mento, for the purpose of exhibition.
He viii probably do so. as the shop
itorious art treasures, and is quite
center for people of artistic tastes.
Joseph Greenbaum has returned to
Los Angeles after finishing the por-
traits of a number of society people
here.
Evelyn Mccormick has been idle
for the last month"; having left all her
summer studies and belongings at her
quaint old studio in Monterey when
she returned here. Il seldom finish a
picture" she says Il work always
direct from nature and never trust my
memory on lights or coloring. Then,
often, / repaint my studies the follow
ing year, changing the lighting and
sometimes the details. But really
seldom have anything that is absolute
ly finished"
Earl Cummings and Arthur Putnam
have moved their working quarters
from Montgomery street to the rear of
Cummings home, on Clay street, where
they have built themselves a studio.
Charley Dickman is negotiating for the
vacant studio, with view to utilizing
it for his own work.
The chief exhibition of the month
and one which should be joy TO every
lover of art will be the loan exhibition
of the work of famous European and
American painters to be held about No
vember u at the Studio building, I'M
der the auspices of Miss Heynemann.
This exhibition will be unique in that
it will include work by such men as
Carriere the noted French painter
who died recently, and who is known
by his figure painting, which is of a
singularly soft, dreamy, poetic quality:
Narcisse Diaz of the royal group of
1880, whose life proves that art was
no more appreciated in his day than
IL is now, since he once begged of a
public-that afterward crowned him
with honors for his brilliant figure
work, of which a fine example is the
splendid portrait of Alphonse Daudet
Like Dupres, Diaz underwent an an
premiership in a porcelain manufao-
tory, which gave to his paintings their
indescribable poreclainlike quality
and from which he was igncminiously