Eagle River review. [volume] (Eagle River, Wis.) 1890-1927, 1908-12-04
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Did you ever come out of moving
picture show with the feeling that you
had been dreaming dreams?
There is nothing that so thoroughly
combines absolute mathematical exact
ness with fantastic unreality as the
| modern entertainment known as q
moving picture show. There is moth
ing that requires more scientific and
artistic skill In the making or more
care and dexterity in the reproducing
than the pictures shown by the kline
toscope, and there is nothing more
| mystifying to the beholder than these
same pictures, when they are thrown
on the screen in the theater. In the
same afternoon, perhaps, you will see
a thrilling train robbery, a prize fight
| dainty little domestic comedy, q
scene during a trip of one of the pres.
idential candidates, fairy tale OF
your childhood, and some Of the magi
cal pictures in which stones roll rap
idly up hill, saws and hammers work
without human assistance, or a skele-
ton gradually develops flesh and cloth,
ing The commonplace is 80 mixed
with the impossible that while you
are looking at the pictures you find
yourself believing it is all perfectly
real and natural, and it is only after
you have left the theater that you
realize it Is a trick, an optical illu.
sion, and you wonder how it is done
The effect upon your mind is much
like that produced by a dream you
have had, only in the case Of the cine.
matograph you try to analyge the
process.
Behind the Scenes.
But the process Is unanalyZable, I'm.
less you are permitted a peep behind
the scenes Of the business Of film max
ing. Once in the film makers studio
however, you find the making Of the
pictures far more interesting than the
pictures themselves. One moment you
laugh at your own stupidity in not
guessing chow it worked" The next
you are lost in admiration of the clev-
erness of the film makers In being able
to arrange the natural and ordinary
traOrdinary results. And you never
see moving picture afterwards with
out remembering how it, or one like it,
was made.
Art, the drama, nature, mechanical
forces, all have part in the produc-
ton of the pictures that are repro
duced all over the civilized world, for
the moving picture show has become
the most universal Of all amusements.
Every manufacturer of motion picture
films maintains a large company of
actors, theater of his own with an
immense stage fitted with traps, tanks,
lift and other usual scenic accessories,
and larger corps Of stage carpenters
scene painters, scene shutters and
property men than is thought neces-
sary in any of the frst-class theaters
in Europe or America. All sorts of
ingenious methods of producing un-
usual effects, all the devices for Gre
ating realistic illusions known to the
stage and many that are impossible on
the real stage, are employed. Every
kind Of scenery and stage setting are
used. People Of all ages, sizes and con-
ditions, 1.-The lame, the halt and the
blind" as well as the physically per-
feet, take part in the various scenes
Sometimes the actors play their parts
on real stage, sometimes they act in
woods &ho
streets Of a city, and sometimes they
go partly through a performance in
the midst of natural surroundings and
complete the play on the stage Of the
alter, or vice versa. It all depends on
the subject of the picture and the way
the idea is worked out.
Dramatic ability of a high order is
necessary in the actors who pose be-
fore the speeding kaleidoscope, for act
ing alone must tell the story Of the
play they are presenting, and many OF
the subjects are too artistic to admit
of their meaning
Trick Pictures from France.
The kaleidoscope is not French in
vention, but it's development along ar
tistic lines is due almost entirely to
French ingenuity. In England, and in
America till quite recently, it was
used merely to record events as they
occurred, such as the unwilling of q
monument, the inauguration of a pres
ident of the United States, a boat
race, a prize fight, championship
baseball game, or a great parade. No
attempt was made to create subjects
for the machine to photograph, and all
fanciful pictures, color pictures, or
others that were out Of the ordinary
were left for the French film makers
to produce, and the result has been
three distinctively characteristic class
es of motion pictures.
England produces the current
ovonfcn films She sends her kinptO-