davidaulloa/AmericanStories huggingface dataset:
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

Using. A number of DeFuniak firms
We're represented in. its pages.-De-
FuniaE Breeze
Its Big One
The Pensacola Journal of last Sun.
day was seventy-two pages, full of in.
terestfng matter. We haven't read 1t
all-wili take il in broken doses-but
went through enough of it to see that
Editor Mayes and the force deserve
credit, and Pensacola should feel
proud of the responsiveness of The
Journal. we extend q fraternal hand
with tulations.-Atmore (Ala-)-
Spectrum.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

Quite Overpowerinq.
The Christmas edition of The Pen
sacola Journal was SO big that it
makes some Of us small fry" out in
the country look small indeed.-De
Funiak Herald
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
Does us Proud.

Does US Proud.
A Christmas edition of 72 pages by
The. Pensacola Journal. is worthy of
that progressive up-to-date sheet and
should prove of great benefit to the
city as it depicts many advantages or
that coming deep water port--Foiey
(Ala.) Onlooker
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
Meridian Pleased Witt Il.

The Dispatch yesterday received
the Christmas edition of The Pensa-
cola Journal which was issued on Sun
day morning. II was magnificent
publication of 9 sections, containing
70 pages From a literary as well "a
. business standpoint, il was com
plete success and the publishers, cdr
tors and associates are to be congratu-
lated and by the way it wa the big
ges edition ever published In the
great state.-Meridian Dispatch.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
The journal Leads.

The journal Leads.
AS might have been supposed. The
Pensacola Journal was out in Christ
mas edition, and it required ~
pages, or 504 columns, to compile the
interesting matter concerning the
news OF the day, the affairs of the
state and nation, the merits of the
Deep Water City and the attractions
OF the numerous business people. 1t
is nothing new to say that Editor
Frank Mayes leads in the get-up of a
great newspaper.-St. Augustine Me-
teor.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
A Double Credit.

A Double Credit.
The Christmas edition of The PEN
sacola Journal, issued Dec. 20, con-
tanned ~ pages. q. credit not only to
the enterprise of the newspaper STAFF
there, but of the business men of Pen
sacola. who made such paper pos
sible.-Brooksville Argus.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

pENsAceLA TIoRIDA ruEsDAY moRNlNe pEgEMnER - leos
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
A Notable ExampI.

A Notable Example.
The Pensacola Journals Christmas
edition, which was published on Sun
day last, was a notable example of
newspaper enterprise. 1t was cram
med with advertisements. and its read
ing matter was of high and interest
ing character.--Panama City Plot
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
Good First to Last.

Good First to Last.
The Pensacola Journal and Tampa
Tribune have published their Christ
mas editions Both are excellent
from the first to the last page, full of
good reading matter and live adver-
tisements.-Miami Metropolis.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29
Decidedly Radical.

Decidedly Radical.
Make it capital offense to carry a
revolver, penitentiary offenSe to sell
one and then abolish the pardoning
board, and Womiscaous murders will
ceAse.-Perry Herald.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

A Popular Edition.
The demand for extra copies OF our
Christmas edition has been far great
er than we had any notion would be
the case. This Is very gratifying TO
us, but it makes as visa We had
printed about a million copies.-De-
Fu1iak Herald.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

means of inducing many to come to
locate and invest among us.-DeLsnd
Record.
The Pensacola journal. (Pensacola, Fla.) 1898-1985, 1908-12-29

Much Better-
A Florida editor has ceased publish
ing paper and embarked in the bust
ness of raising nuts. That's better
than remaining an editor long enough
to get "nutfy."--Sanford Herald.
New-York tribune., 1908-11-08

great critic, but he has written in his Modern
Art a book that is often stimulating and nearly
always amusing In fact, this nominally sys-
tematic but really discursive collection OF essays
contains 50 much good reading that we wish II
could have been published in more convenient
form 1t was scarcely worth while to make two
cumbrous volumes out of the work, since the
numerous Illustrations are not really indispen-
sable If the book could he made over We would
also dispense with a number of chapters in
which the author takes some UnimpOrtant paint
ers and himself into the bargain, a shade too
serfOuslv But there would still be left guam
tty of that kind Of talk about art to which it is
a pleasure to listen.
1t is not necessary to pay much attention to
DR. Me r-Graefe as a contributor to a new
system Of aesthetics" His system is not made
very clear nor is it, i'll any case, a matter Of
consequence. The main point is that he grasps
the place of the artist in modern social
fabric, enters into the spirit Of the painters
task and interprets him with sympathy and
Justice 1t is his habit of mind that makes him
interesting; he has a gusto for his subject, and
he communicates to something of his emo
ton. The writer on art who do this is doing
a good deal Moreover the heart of this writer
is in the right place. He has a sense of values
and draw distinctions that are Illuminating
Above all, he can praise a great man for the
right thing. and praise him with exhiIarat ting
ardor His pages on Rembrandt, for example
are as shrewd as they are fervd and then he
can go on to discuss with the same penetration
and enthusiasm such as Ingres From
the essay the great cIasscist we take this
passage:
Il is strange that the Romanticists should have
New-York tribune., 1908-11-08

been so enthrailed bv Delacroix that tney 81 the
80 svep ace the intention Of the painter ss Vi 90
FyaudeIaire. Of course cOuIu lot
bo,,y negIigihIe own nticiSfn anu
nensahIc Ingres.s non -ldealism would soi1e IaS
to always harplhS on IL .t-at
T2a fdeIaire makes the amazing stiteIi sIEis, tbsf
inyrea had an ambition to shine "a colorIs, III III
he rad dreams of competing with 'eiaSlu.% ar or
I,wr,nce etc They depreciate MN TOT hot not '@ a.,
w. arcompshed what no reisohaDie p"I7D' g..
him eve have attempted IS q -
Tnsyres simply tinted his planes. thdt IS 20
ovsrIaid his mOdeIe with color III - p'a7LDls
th}s cnIor would very ugly il applied eise~heIe
Lave not the courage 70 sssert that u vas loI
,Ln ripht thing used he used IL IhBIeS o IL.
,na5a fine very profound remark that SIeit I., "a
an ALWAYS get the color that SUITS ms ~
PeTbaps some day his will be extoied to the SAiS
Tho pont raised here is obviously debataDie.
b,,t therein lies it's merit Dr. Meier-GraeIe at
reast thinks for himself. and offers thoughts I"r
consideration. not conventional vapiditIes- we
may, disagree with him. in his too laudatory
crsnters on Rodin. Beardsley and divers others.
b,,+ at least we find it worth while to hear what
he has to say II was a good idea 70 put his
essays into English
Tho author of "Sir Christopher Wren" has
,,.de in that book capital addition TO the use
frI ..I library of Art" The builder OF LondOn's
-ea+ cathedral was not only an architectural
penius but a rich personality, whose portrait 1t
is well to have painted for the general reader
Keeping that important parsonage constantly
New-York tribune., 1908-11-08

in mind. Miss AIilman has traced Wren 5 blOS-
raphy in just the right fashion, describing and
criticising his buildings fully enough. but taking
pains to show him forth : a man. 1t must al
ways be regretted that 81 little has come down
to us about the traits of this delightful English
man. We know just enough about him TO make
us wish that We knew more. Miss NIiIman at all
events we'll handles the material available, and
as she follows Wren from his earlier years as
scholar and astronomer to his amazing entrance
into the architectural profession she somehow
contriye. TO disguise the sparseness of her data
She gives US. indeed, almost vivid sense of
that aCle of youth John Evelyn
called him, Illustrating his extraordinary INTEL
lectuaI power. his geniality and his almost un-
canny gift for assimilating the things he wished
to know. The chapter his first visit TO Paris
is charming. L have busted myself he writes
in surveying the most esteemed Fabricks Of
Paris and the Country round" He meets Ber-
mini and Mansard, he collects engravings and
makes drawings. and. in a word. drinks deep
drafts of architectural inspiration. We must
reproduce a few of his impressions:
The Kings Houses I could not miss: Fontafna-
bleau has stately Wildness and Vastness suitaE
TO the Desert II stands in. The ANTIQUE Mass Of
the Castle of : Gcrmain and the Hanging Gar
denS are delightfully."- surprising q mean TO any
Man Of Judgment, for the Pleasures below vanish
away in the Breath that is spent in ascending.
The Palace or II you please. the Cabinet Of Yer
saiIIes Calrd me twice view it. the Mixtures of
Brick. Stone. blue tile and gold make it look like
a rich livery Not inch within but is crowned
with little Curiosities of Ornaments The Women.
as they make here the Language and Fashions and
reddle with PoIticks and Philosophy. So they
little Knacks in great Vogue, but Building GER
tainly ought 10 have the Att.ibute Of eternal
Miss Milman wisely does not press too far the
matter of the influence Of this French expert
New-York tribune., 1908-11-08
NEW ART BOOKS.
of Modern Men and OF me
old Masters.

MODERN ART, Being ContripntlWTp I1 We;eP e craefe
From the German by Florence Slntnohd11 1r,in fi
George w Chrystal In two V9Iunp7 n97 q p
trated Royal Sv0. pp. TX. go X "''' "
Putnams Sons.
SIR CHRISTOPHER WREN BY It.s Lena s't e;rrib
illustrated Svo- PIP. XVI 56'- CH'' " ~
ner'S Sons.
~ ,,,,ro>y rN ITALIAN ART. BY Grant Allen
EVIL iS e. 10 Orenroductions from photographs SVo
M 36S A. Vessels Company.
,p1,c AMI, CRAFTS IN THE MIDDLE AZ
Al NI6,ascrintion OF MEDIEVAL Workmanship IN 80
aroI of the Departments of Applie9 kLi, [.is,os t
,,et,er with Some Account OF Specih n ~ y1yni >
~ the EARLY Renaissance by Juid a.
Addison illustrated o'o' PP- 49,
ton: L. c. Page & Co
,Dr or NE,THERI.AND CALI CRIES
Nv David c. Preyer ILLUSTRATED ''' Tf
$50 Roston: l.. c Page & Co
,,r1-rEcrIANK By w H. Chesson.
GE0RGF- GE0Ftate ed i6mo pp. xii. 2S2. T. p Dutton
& Co
Dr 1uIus Meier-Graefe is German crtic
with a. arisianzed point of view. he Is ho' d
New-York tribune., 1908-11-08
4 SONG

BY HARTLEY COLERIDGE-
She is not fair to outward view
As many maidens be,
Her iovelincSS | never knew
Until she smiled on me.
O then | saw her eye was bright.
A well of love. a spring of light
But now her looks are coy and colu'
To mine they ne'er reply,
And yet | cease not to behold
The loVe-light in her eye:
Her very frOwns are fairer FAR
Than smiles OF other maidens are
New-York tribune., 1908-11-08

The Transactions of the gods themselves
could hardly escape at this date the influence OF
our modern passion for organization. The
writer of books is Il business man not simply
because he is careful about his contracts and
exploits his rights" in every country where
they may be recognized. He takes account of
times ami seasons. He is alert to seize upon the
topic" in which the public is at the moment
most interested In order to do this he does not
need to be a special writer contributing to
the magaZincs Even the creative artist
dwelling in his ivory tower and dedicating his
energies to imaginative art" is careful to
avoid ANYTHING ike conclusive isolation. His
novel or his poem is judiciOuSly framed to
demonstrate the fact that he is in touch" with
the movements of his time. Then the world is
full Of publishers waiting to give instant ana
wide circulation To his writings. Thousands of
critics are ready to review Them and. has
been noted above. the public rolls up in its
thousands to read" In short the whole fabric
of things literary is 50 nicely adjusted that
it puts one in mind Of a gigantic machine, eff
cicnt, unSlceping and neXorable. Contrast this
state of affairs with the conditions of day. not
after all 50 remote. when the man who wrote
boo. gave in some sort 4 hostage to fortune and
WAS marked out from amongst his fellows as
an essentially adventurous type. Decidedly
things have changed. Have they changed for
the worse? Why should assume that they
have done so? On the contrary it is good to
think that the man of genius is nowadays SUrer
than ever of prompt recognition and reward.
The only serious drawback to the creation of
the great machine TO which have alluded is
that it does more than anything else to make
mcdiocrity articulate-
New-York tribune., 1908-11-08
Gbe Nemillork gribmaas
SUNDAY, NOVEMBER s. 1903.


nIo, of letters" series has been prepared by
Mr. Alfred NoyeS who has himself some pre-
tent:ops as a minor poet. He thinks concerning
Morris that there is perhaps no poet "hoSe
york is so marvellOusv sustained III quliiI9'
We shall wait with patience, OF COURSE u see
how Mr. Noyes undertakes to prove the Justioe
Of this opinion Meanwhile. we may point out
that the time is ripe for good book on MOTIFS
Rossetti and their group. English Pre-Raphaei-
itcism has already a fairly extensive literature
of IFS own. and in addition to the formal DOCKS
ON the subject there must be countless fu%ltNe
ESSAYS scattered about Everybody mas hhd HIS
say But nobody has produced an aDSeiutei9
dispa sSionate analysis of the entire meVohleilt'
So rich in interesting manifestations OF art ana
poetry and so strangely intertWned WIN all
manner of meretricous second-rate Things 1t
is easy To say that we are too near the men Ill
ouastion to cet Mt the truth about them. but
this is amiable nonsense. Their very detach-
ment from modern life makes it the simpler
t,sl, to estimate the value Of what they dld.
Nforris'S blend of romantic medipvalISm ana
lattprI:ly socialism is not. when all is SAID, 50
terribly complicated No single member OF the
group is really an eSotcric mystery. The trnth
is that The critics nave been too solemn and TOO
difldcnt What is needed is Il writer possessing
Lot only sympathy but common sense, humor'
and Il certain ruthleSsnesS. Such Il writer
frankly refusing 20 adjust DllnSeII 10 the ttII
perature Of Il hothouSe hut studying the Pre-
Raphaetcs from a healthy. human point OF
view. would give us a stimulating book.
Is il crime in the literary man to publish
IS many books in the course of year as he can
csutrfve to put together: \ satiricaI c0mmenti-
tor on one portentously yoluminous author OF
the day plays ugcnioUsIy round the proud
attitude of Il man who says that what is good
enough for him To take the trouble of writing is
good enough for the confounded public to read
r'here is profit in this attitude The public
rolls up in its thousands to read Then is not
the prolific author justified of his Iabors: The
huiuorist Will continue to have his little jokes on
the Subiect-and with COOL reaSon-bUt the
curious situation that exists to-day invites a
more serious reflection. It is symptomatic Of
the extraordinary change which has come over
literature within 4 comparatively short period,
d change 80 subtle in its development that it is
not perhaps. generally realized. People talk in
a vague way about the commercialization of
letters Quite apart from that books are con-
ce,ed and written in Il fashion which would
have bewildered the authors who dOuriShed
only a generation or two ago. They are more
eaiphatically than ever before the product of
strictly professional activity Would even
masterpiece if it turned up to-day, be an abso-
lutely spontaneous Gift from the gods:
New-York tribune., 1908-11-08

To the Popular Library Of Art. Mr W. +
r,rss.on has contributed an interesting essay
George Crufkshank-" He reveals at SOY
pofnts disposition 10 see more in the work '-
the famous caricaturist than IS visible % n
uDprefJ.!iced eve After showing very clever,
how Crufkshank 'journaIized and exhorted Be
goes on 10 show us THE talent be- poured ni
journalism AMI exhortation refined ly his his
toricaI sense and expressing itself In shapes q
+reasur-lbIa beauty With the best VIII u N
world to svmpathize with Nr. Ch-SS71- We an
,,a,errhefess constrained To protest that he iFs
not anywhere make it manifest that his hsr
knew how 10 cypress his ideas iC terms
beauty. Grace Of line. felicity 1s design. az
tistic qualities L enjoyed in a-i for ther
selves. rarely strayed into CruikSna1NS Wo1
one may ACCEPT this fact. however. ana stiI r.
stuff for admiration in his hunor. his tscUDd b.
ventiou and his prodiEioUs sincerity Th1u-
Nr Che. sons essay may ue t-t-t- wanting
balance. the bulk of IL is welcome
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

6efeBes 80 g. 80 Sabmaner
hermit SeuerSDeru Gpnntp
bemiben
g angegeben Die ab Der Gents ebem
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

,llsealt hit linb onaeorbnsi Dle tlrn.
s1orfbak 3o1brnd iR Qsid5loiIen iDpr.
osn. Sn 9boltpeil. 3arilh. Mari III
4iter bon 68 Sahren 81. Sui. 4go6ier.
0intermeiiitr. lpdbre B bislen s hren
Director Der isirma Robert SGwarifn.
bad q 60. Der 0emsinbe BAT e fben.
fdlls merttUoQe Dienfat 9slsinet. IN
Marbuy9. Dtutl1lnnb. III ber 9lrc.
feltor ber borti9sn Mnotcntie, prcfsffor
Dr. 3umiein. 47idbrig, 9sRorben.
3umhein. Elm Berner. mar aebiiriia
bon Mieolisbo6. no er Die G9ule be.
funte; Ct iiuoirte in Bern Mebiain,
ipirtte bofelbf aud ols MltiRent unb
uuroe bor eirea Is Sabren nod Mar-
burg a. b. Qahn berufen. Ct mar Der.
mdblt nit gmllle Nu9inbnhl aus 3d3i.
.upl. - Sn Snterlaten III 0err Soiepb
6ofmeber. 0otelier uno Bronersibelber
ur 8auaria". TN Utter BON SO .sSab.
gen einem ihmeren Qeiosn erlegen.
Deutidlanb 3eiat fih nobel oenn Die
3eppelin. .Gpsnoe III iton iiber 6 wQiI.
lionen Dart aeiticgen. ct.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

oer oemotratiibe @anoioat fur 2anb.
meher. 1T Elm iuneer Mann. Der litb
aus eiaener 2raft empor 9earbeitet uno
bente als @ioil=Sngenieur als tii9ti9er
Gadmann aqgemein anertannt miro.
Als Nllifent in Der Office bes Gano.
meners bat ct @rfabrunaen aeiammelt,
bic ibm in Wusiibun9 ieines Mmtss for.
berlia iein ueroen uno Beton. Brifen
in etonec,eet, Mineral @itp, Wiopate.
Barnbi0 &c. leaen bon ieiner 3l9tig.
teit 3eugnib ab. Srob ieiner Su9enb
bat er au4 i&on idriftfteQeriid in lei.
mem Ga4e 9earbeitet uno feline Wrtitel
wuroen i'm Engineering @ecoro" in
Nem Dort ber0fentli1t uno anoere
Tahl1riften baben oieielben i'm Na@.
orud publi3irt. 1err @tin9el 1T tti9.
tig in ieinem Sad unb ,uiro als 2anb.
meier beitrebt iein. tiiGtiae Mrbeit Jul
liefern uno benz @ountp babel 8elo au
iparen uno oarum loute ct aud e..
udblt tueroen.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
S,utid)en S,tmntel nno Groe

giebt es gar mandae 9inge. BON benen Guere d)ul=
gent iuelde bur bre Gffenbornna oos grbbte eritau.
nen erregen, gehOren bic oltbetpdbrten ct 8ernarb
&rauterpi1en. SauIsnbe unb Nbertauienbe babem be=
reits btsie @riabrnng eelnod3t Sreenb cine nnpor-
5a dDeren 2eiben Damn farten beiien er1te Mn3ei-
den, mte Appetitlcfgfeit, itbletbter @eidmod i'm
gRunbe 8ppfibmersen. Gpdter iolg,en Wattgceit
Ser5flopfen. SdpinbeIonfdlle Sbnmodbten, Sebft6.
runsen 9allenper9iftung uub Sulebt tbonbe &ebcr=
nno Observation-Disclosures B. b. tbotlibe tuenn nidt Sur
retbten Set elm git9es SeItbt bic arnen Gatienten
Die ppn Der ar5tlihen StbumeiSpeit feline ilie mebr
3n eranaen permotbteu ben beilfrdftsen St BERNARD
&rdnterpilen ansefihrt hdtten. llnb bann fam bic
punberpone Cffenbarune, oaB ene pilleu. melhe aus
ben reiniten Yfanseni6ften Der gatur pbne iealtde
dbenhe, metaaifdbe getmtldune bergeiteat iperben
peB9ab ie aucs feiner lhersuderten Sile bcbiirfen
oue in ben idlmmitcn sS11len nod npllit6nbiee Se=
lung perofier. Sn alien Npobefen iiltb biee pinen
fir nur 25 Gents 5u bahen.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
cine eeimmoe Gatntlte.

runfere 0an3e 6amilie erfreut ii4
better @eiunbbeit. felt mir Dor orei Sab.
rem nit benz @ebrou@ bon Or. Rings
Rem 2ife pillen be9onnen. iast 8. v.
Bartlett bon poifroute /. Guilforb,
Naine. Sic puben aus uno fdrten
bas spiiem in milosr Weile uno tbun
CUTE Dienite. Is Gents. Sn %. q.
peter's apotbete. Sn peters Mpot1ete
wirD beuti@ aeipro@en.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

Cube: 0aft Du bic petition fisr
eine Mbitimmung unter benz &ole-@s.
feb unterihrieben !?
6rg: Nod nidt. Sd fragte ben
Rarl. Der mir Die pstition binbielt. oh
er's nidt erlt eiilmal aufieben t6nnte
uno feitber babe i'd bon oem Me ni1tn
nibts mebr eeieben.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

unier Staatsanualt. bemirbt fib um
einen sDeiten 3ermin. Sroboem er
noD Elm junger Mann 1T, bat Qerr
Wilfin ndhreno Den brei Sabren. oa
ct oas 9lmt zines staatsanmalts be-
tleioet. lih als iabie uno tiihtis ers
wieien. gr III ebrlid, sriinolih. uno
bat bel alien ieinen Sransattionen oas
Snterelie oes 9ountp i'm Nuse. gr bat
iib ourd feline 9tmtsfiibruna oas Ber=
trauen leiner @onitituenten ertporbsll
uno er miro lih oleies gertrauens in
leinem slueiten Nmtstermin ipiiroig er=
iueilen. Wir smeifeln ni6t baran, oab
er nit GROCER Mebrbeit tuieoer seudblt
niro.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22

Dos Derddtli1e 9re,beu unierer
Semperen3fanaiitter unb @abbatbeife.
rer erinnert an ben Musiprn1 bes enq.
lil4en 6atprifers Sonatban epift !:
.Wir babrn gerabe senua aeligion.
um chamber au bahen. absr ni1t 9e.
mug, um einanber su liehn."
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
@egriinbet 1870.

We9fMnDet 1S7U.
Sd babe oen einsieen pnMHdnotgen MbHratt oer
seauftttet bon sdnoereten uno 2ots, Der jeaaIS
bon oem Mecoros BON suscaratuaS Gomntp,
Obto. geutadbt uoroen TT.
Nienals iau @runoanbum oo ebnt 8b auf Ohes. be
gu Elm oo0fdnoa tbipies Nbract beg Bebtels pOes
meldes ig Der gaentbhmr it, uno nit peeu gbnolid-
ten oa1ebe bea1e it, mie borerpdbnten Mbratt dt9
it, MGe porfiaerG GduIer iol mel o ou Qppotbeten
ausIebnn peranan o Nustun goadnoiae unb tbilm Mb-
lrat gfbiteu. geribunsn Ydnoeren uno 8runo-
snbn in sdon, pruiuneen uno Nbfhren Recobs
ben oeIer Office esfert Gnubrie Gonat Supotbefen
padtuertrda Nnprhe fir Mrbet oman no ancere Dotu=
n,ente forqdig aus9rist gs befnoet id INNER Noar in
Der Office. aren fdoibss @runoeisenum gu pauisn
Sobn ~. S3tttcS,
ome Spbon &c. 81 1913 gDef gar ST., Nem PHILADELPHIA ..
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
Waroe oaS Gut beIattem.

Gin Qanbmirib an pofiroute 2. gm.
pire, Ga., W. u. islopO init Namen,
ia9t: .Budlen's Mrhica 6albe btilie
Die 3pei idlimmtten Dunbsn. bic in
lemols lab. zine an Der Danb. bic an.
Dere am 1ein. Sic If mebr tpert6 ale
ibr @euidt in @olo. Sd m6nte fist
niGt entbsbren, iuenn Id mein Wsfib-
tbum belalfen miiBte. Nur 25e. Snl
peters 4potbeie.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
So5n NageiD 2lintbtr G0ttp !.
Ren Ybilabelpbia, ..
8anboIs auer Mrt,

satebfenfer, Gtnferrabmtn, Ebhren, eaten, 0tfmfe.
6Dl3formen, 9acuHen, ,burdser, S9nbeIn Il. ftts n
grocer Answablan 6ant. Guntraft perben Yrpmp aus-
sefabrt. qger eintn gauplas BAT btfOmmt sanftss
3ablunss- -8ebiusungtn.
S9reinerarbeit jeDer Mrt prompt 4 biQig beisrBt
Sn ber stabt psrOen absraubin Ireiselrr
epre9t be uns 9elepbsn Rs. 4s.
~ Die Office IN aud abenss pan bs MIR sFen.
gna,t a1npel,1 & s#nltn. Gisentthmer.
Der Deutsche beobachter. [volume] (New Philadelphia, Ohio) 1869-1911, 1908-10-22
&oti5 at 6teuer5a6ler,
Stemern fiir 1905.

Ghatmsferss Office, Inscaramns Gonnh.
Nen Yb.aheipbia, Cbn g. cftnber 1908.
Dollars
aenonntm
rpttn wede Steneraefesen