Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1908-06-20

tIx,nn,isn From cultural View
~ ~ ",,r, noint suggestive thcra-
ME-, 49, neuiirs must stand the
higher Tho more sharp
=. a. e. .o,,,,.ted crnrn sneciaI philu-
" =. - ,niisto,,s dnctrinne NO
,,'l, - t,ea asd ~ God ought to
main authority over the mind through
enrh an external motive rs the BELIEF
ia its curative effects Frcest from
s,icb Implications is certainly the
strict hypnotic method OF the physi-
clan who docs not need the strong re-
uuious reinforcement of the suggcs-
tinn, bcrniise he rc-cnforces instead
The s,ipgestibilitv Of the patient How
that is done Is a secondary question,
II has been known for long time
that certain slight stimuli and impress
siVe movements produce the increase
of suggeytibility which we call hypno-
tim, slight Unconditional suggestion
works. in such a hypnotic state, Just
MS well AS the overstrong emotional
and religious suggestion might work
in the normal state. Yet, there is
hardly Il doubt that many OF the
mental cures of today ana many of
the miracle cures of the past had q
hypnotic state as a prcsupposition on
the other hand, physicians have learn
ed today that they do not all reach
their strongest and most surprising re-
sleep but that the most lasting cures
are often effected when "A very slight
and superficial degree of hypnotism
Is produced, - From 'Hypnotism and
Freedom" hy Hugo Munsterberg, in
July Metropolitan Magazine.
pc,so,,ii,>, A ,,ic+,trn TO exert nos
>nao.s,,,., itiva inn,tence must be
H., ,,.,t',i,,,, moro than a mere rec
:" ia - facts Ialsa a color-
,,.-,,.o, n,e ,b,rocter and ner-
.ga1'at,,,. ,i,n oytiyt no emotional
,,a',5s III ,in nat,,re under fine
i,,,no,t 90 chat DO sees These oual-
liz ~ n o,.,,att,.,, .,,,i,, drd utterance
u, tbo .,,hiect ma IN tbc design of his
,'ict,,es tbet, reintions Of line and
mass, the depth and luminosity of
their color, the habitual but not mere
~ formal or routine strokes OF the
brush over the canvas. These ana
other factors reveal the artists per-
sonality, and they are just as much
part of him es his vocal timbre and
infections when he speaks. or his
characteristic way of forming the let
tiers when he writes. or as his step in
walking. Clever mimics, for amuse-
ment or gain, can often simulate one
or half q dozen of these typical modes
of expression. but to those familiar
ances are mere feats OF virtuosity and
do not deceive for long. If at All. Nv
erv original work of a good artist
shows a netvous force. an outspoken
treatment OF his material, a boldness
of handling that a copyist. no matter
how slxjlrul can hardly ever attain.
'rhe creative ,.ieor becomes in the inn
itation tjmid conformity. Beautiful in
some degree, the conv or the spurious |
VOL, NO. no Int n cannot have tha
frne(lou and energy of the pictorial |
,,ttero,,ca II seelss "a renroduce. Aud |
h,. i,,st ca ,rucb like an insincere |
,,1,,, NV. ,,,ot,o, tho untrne work win |
i'' "a, III ,,,,,,, those ,,,l,n bn,,a |
IA re- or,,,,aintance samuel Su,ift |
g., ~, ,t,o,,,s yy,aeisl,,
-
4 Successor The latest sample of the |
OF the late rise of a religious faker |
John Dowic. occurs in Chicago. where |
the ghost of the defunct |
DSwie has arisen i'm the person of his |
brother, The late JohnAleXander Dowie, |
who called himself Elijah IL, died dis
graced. but there are still some peo-
pie who believe in him. and now his
brother comes. calling himself Moses
II. He says that he Is a brother OF
Elijah and that the spirit of the dead
prophet has descended upon him and
mat an other claimants TO the divine
,rs frs,,gs and i,,f,.in,,e,,. On Eii oS;.n
jivjnitv ''' ''''
rbs ne,v nro,,bo, so,,s +bo+ ho ma
his dead hrnthar 1vcrc bo,, a., Srnt
and ana that bo,b ,vare hn,.r. ,.i,h Tho
,irt of divine heoline The nreset,t