Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1908-02-08

g. Mace of amusement, a
o,orv sense of the
thea.'i rrom the very first all
"oiu nlavs were nut upon its
ciassea ,,a.tca, romantic. domestic,
boaru' and vet IT was opened
i'i, aroycr lis every adobe. board
N"' as blessed by special invo-
"'u rho carly settlers of New Eng
IA have looked upon 1t as an
i"'u Ito ~ tho devil and yet il was
n. ~. nioneers religious pioneers,
D' ,ybo were to build new COM
,no.lth in the wilderness.
.srmav tell about this now his
,s hr,lding.-the happenings therein
,ha standpoint from which l saw
ar, On mixed with my own life
49,, =, Is lmpossible for me to write
',,hont nj least. a seeming show of
u-,, Vet the reader must please
4o, ,his for mean to follow in this
ii.uo task the lines of least resistance.
rbe first time that the writer of these
,,,,iniscences nut scene painters brush
,,,yos was under the tutelage of j.
Guido Methua. German artist and
tnsh,nd Of Madame schelIer the act
, Tbn scene itself was to be the
,,,o,i,g one IN the spectacular. fairy
drama of Cinderella. NV second mas
to, was George Tirrell of the Globe
,.,,,,, .,,t,i,, ,l,oos+ ous.
lHe"'cl' i'VS'''' =
tere man. and my last teacher III inc
scenic art, for in spite of the short time
ana Tho conditions under which / work.
"a, ,,,,,.;,la,, l,t,,,
cd WIN 'he man. "'i'' -"
one of my life teachers. was that era
,lc genius. that Bohemian of Bohem-
uorr,, r, T,,,op AZ The outset
aus 40
q THESE silBhl inoihoIics. leci eaiiSu
upon to mention these names.
while write there lies before me a
letter. dated from New York City and
4 ending with the autograph OF j. GUIDO
4 Nethua. The letter dwells upon the
.,bs,reral nature of tbe ene-painter's
., 49,. IT.. -. ~ 80. lie
laie anu ''i' "a 80
advises The present writer 10 apandon
4 fine art of the stage and go to Berlin
a, ,fpnicb ftbose, scbooIe we're tbe fad.
" -. s..,,,,,..> ~, ),
men, ior lahuscapo stuueii's' ana "
think OF Claude and Rosa, ana those
4 artists who. since their day. have loved
o,d a,o,ieaa r.,,,r. that is the kew
sN' s''' ',.,,,
Sene-paiiuhS Is itueeu an ephSii'efai
81 art and yet 1t is a difficult and eXaeting
4 me he who would no "A successful
scsne.nainter must have his art based
man sound knowIedge: no room for
0pnancv or make believe in him who
Would rule the scenic gallery. Those
and who belicve that scene-p aintin, Is a
sor of nlav-eround of arr are much
W nj,aken There are very stern prob-
Isl lens M lieht and shade color and ner-
81 speftive amont, the drons sets wings
81 flifs etc which the scene-paInter must
solysan6 generally Mt very short notice
n He's often ms IL were in the midst of
81 n attic
81
a THE BOHEMIAN TRYoN.
"a worked win rrvor ,hout saye,,
81 vsks Not ~, III, ,,o,nt liz, 80 tha
81 Sal Lake tbaatar b,t a., ono 90 o,,r
q Southern towns ubore NO I,o5 ,ailot, a
Contract t io,nti, w f we nhu .ahen u
of stoct s Sonm i1 Thd au,ii sa SCI
Il ,y.rs a',,o,,,, ~ -, So senIn "oS iS
u from tbo ort t 80 n -. ai'u
Of ' my w IT, a'' s.anupont, most prUhIaple
Il Civ aste,. ~ aiaiSeu III 9",t i-ahe
i sos ~ sca,,,a. io5 aiu St. sea
n az tho Toho,. cra1de' IS,.,,e anu
4 lately rageed and ,arniIass VIZ VIZ
4 fbat i,,a,,, H. ,sI.,s. I'LL no,
that ~ailg nv, tau u, , co9iu Ever torseI
hair tbot .p,oa,i a, ~ - ~, Az
the Inn enc antS,sias',, SIM
anger In Yhoso s.aaI 49,. ~,
How diet,nntI,, staS iish eyes'
supnresSed toSo 0 ~ 'ns iVw,
sparkle ~ thnse 81 ~ niS voiee anu .ile
confrontod ~ 80 S',iie eSes, as ne ol,ce
81 have ret,n,. " nv u ~. t.eso wolus,
oombativeness w M 'iie man Wilose
with nv our, ;, I1, uouiu not oseIeohie
bean we bo1e,,,a ~. ~ tiae may nays
ont s,,rro,,eo,. ~. i"at i,Ieiius anu Wills
side 10. ~ on eitner sue she ny
coursa 20 ,.usv aeFeIl Weeks ran the
r,Iv oul HNes' nor once ala they
We're va 'a it uepate--eVer debating
side or ~ ioin oui peus, one on each
sciepca ,e Ioolli; talk' tank tax! Art,
Iv,bnn' war, rellsloh, the tender sex
scorn1 ne auoreu put spoke OF with
Thiy ,, Nnese We're the themes.
yoar,r ma9 kept up untili from sheer
Nvo,,iI one or the other
Con,t, IAN asleep Ana so II
MIN, N.Y. WORK by day, debate at
~, untl me emu or the chapter
ahont uWelt upon this, not TO talk
sW,I myself but TO tell OF Tryon.
tho,,nJr DC mean" this was his code. l
sa aiU"hni mat the theatrical public Of
.i ~ Ldhe might Ike to hear a few facts
" ",, inc man who painted the drop
S NJ 9ln now In use-"RETURN OF A
tvhlpuS FLEET"
nus one word more; the last that
tbat o. me artist, except rumor