davidaulloa/AmericanStories huggingface dataset:
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
XTORTiOA
eS Former
itz.

The district
nded down a
he judgment
Iayor Eugene
/ eXtortion in
cases. Abe
ruling by the
Ing TO its de-
| to an act that
the laws or
|pellate JUICES
h restaurants
lef was not a
# divided the
oint the court
,ainst Schmitz
acts constitut-
proved against
pleaded guilty
m the French
equally guilt
| ut the French
nding charges
mitz and Ruef
n are now en-
4. II they OBJ
5men tney can
such time as
on one of the
hem with re-
porations.
& against Ruef
ng bribery, on
$1,000, and
get bonds for
dictments that
secure his lib.
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16

lot 5. Block Is. Prior's First Addition. ........
lot 4. Block 49, Prors First Addition. .,.......
Lot g. Block 49, Prior's First Addition.
Lot O. Block 49, Prior's First Addition
South Is Of Lot 1, Block 49, Priors LIST Addition
North feet Of Lot Block 1s, Priors LIST Addition
Lot 49, Block 10, Priors First Addition
Lot Al. Block 10, Priors First Addition.
Lot 4s. Block 10. Priors First Addition.
IDt 40, Block 10, Priors First Addition.
Lot SO. Block 10. Priors First Addition .........
Lot 81, Block 10, Prior's First Addition.
Lot a. Prior's Addition to Blocks 49, 49, LIST Add:
lot b5 Prors Addition to Blocks Is. 10, First Add
Lot g. Block 4 Bush & Wander Horch Addition.
Lot g. Block 4, Bush & Wander Horch ADDITION
Lot O. Block 4. Bush & Wander Horch Addition
Lot l. Block T. Bush q Wander Horch Addition.
Lot A. Block 13 Leetch Addition. .................
Lot s, Block Is, Leetch Addition. .............
Lot g. Block Is, Leetch Addition.
Lot T. Block 49, Leetch Addition.
lot Block 49, Leetch Addition.
Lot 10 BLOCK 8 Bush & Wander Horch Addition.
ri III Block g. Bush e Wander Horck Addition.
Il ot ia block 8 Bush q Wander Horch Addition
Lot O. Block g. Bush & Wander Horch Addition. =.
Lot s. Block 8. Bush & Wander Horch Addition. =.
Lot z, Block 3, Bush n Wander Horch Addition.
Lot 9. BLOCK s. Bush & Wander I9orch Addition.
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
PANIC.
d Many In
Eng.

d Many In.
Eng.
The sense
of people ia
|llted in six
number of
crushed TO
orts of the
be building.
and all for
danger, no
BILE panic of
egress from
is own mum.
ormance for
tie. The nall
ost capacity
been refused
At the con-
ice an mex
lade for the
lat the fatal
[ker went to
ranpled to
Lives We're
re broken by
ey struggled
way TO the
haste. Order
would have
ct out OF the
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16

CARL MAHENBERG.
'IolIpnV HlID
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
Description.

West " OF Lots 10 and H. all Lot 10. Block
East u of Lots 13 Ia. Block s, Original Plat
Lot IL Block g. Original Plat NEUTRALITY-SUSPICIOUS.,
West ~ OF Lots is. 10, Block 3, Original Plat.
East n OF Lots IS, 10, Block g. Original Plat.
Lot and North 10 feet Lot .. Block 10. Origins
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
RUINS.

Loss of Half
block of five
IS extending
Ninety fourth
which has
DRY purposes
alf dozen en-
ed, causing a
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
NOTICE OF SEWER ASSESSMENT.

S$ ST. @ S ns e % e. $ $ Is s IS $ 4 ] 81 s$s
S %Efss msSh
Reporter and farmer. [volume] (Webster, Day County, Dakota [S.D.]) 188?-1946, 1908-01-16
Description.

Lots 4. 5, 6, Block 4 Wortleys Addition .........
Lots Z, S, 8, Block 4, Wortey's Addition .........
Lots /. 9. g. 10 IL. IL. Block 5. Wortleys addition.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
What Is Correct in England.
Fashion Points.

Parasols of cretonne are most effective
when finished at each point with tas-
sci. These tassels must be of the strong
est note of the color scheme, or to match
the ground work of the cretonne. II or
the former the same note is introduced
somewhere on the hat as we'll. The tas-
sells themselves are simple as we'll as
fanciful. having sometimes an ornament
of braided silk or soutache at the top.
and again with innumerable little SILK
balls hung among the fringe of the tas-
sci.
Effective belts of woven gold tissue
have leather pieces in front, which serve
as a support to the buckle.
The latest hat for auto riding is or soit
green straw in the old-fashiOned scuttle
shape, and comes down we'll over the
nape of the neck. 1t is trimmed with
soft ribbon bows and ends which tie I'M
der the chin.
White tulle blouses for half mourning
have jabots of the same. with an edg-
ing Of black tulle about two inches wide.
Colors are used very strikingly IN the
trimming of white bloUses and linen
dresses. A handsome blouse OF white
crepe de chine has an embroidered yoke,
collar and deep cuffs of vivid green and
embroidered bands placed at intervals
down the sleeves. which have no fullness
on the shoulders.
Small gold purses. large enough to con-
tain several dollars in coin. to carry at
reunions of bridge, are made OF tiny links,
the rim which holds them In place, Is HEX
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
ARRAYING THE NECK.

While the swathed neck Is un fat ac-
compli. some Of the leading couturieres
are doing their utmost to bring in the
bare throat. and when such as the great
Redfern smile upon a vogue IT is not at
all likely to be completely overlooked.
But the unclad throat, alike with the
Charlotte Corday chapeau, is entirely for
the young and fair; older women find the
opposite extreme far and away more be-
coming. For the two leading neck vogues
are as the poles asunder, the one de-
handing a high, swathed aspect, and the
other an almost decollette cut, or, at any
rate, bodice that terminates well below
the base of the throat
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

side OF the front. while a little ruching
under the brim adds much to the effect.
Wash dresses ere growing IL popularity.
There is unlimited number of styles.
weaves and designs shown In materials
that will launder. large variety OF which
ar suitable for skirt and jacket suits. as
well as shirt waist costumes and princess
frocks.
Yamagata. a japanese fabric Of msr--r-
liz ed linen OF coarse thread. somewhat like
the birmingham used a season or two
ago. and rep cloth. which Is similar to
fine corded pique. are among the newest
desirable materials.
Linens. ducks. percales. ginghams. linen
cheviot. chambray and cotton panama ar,
all much used For more dressy gowns
for afternoon and evening wear the soft
clinging materials. of which there are q
great number. will be in vogue.
Plain fabrics are profusely trimmed
with insertion. edsing and hand work
All-over effects in embroidered lawns
swiss and batiste are popular.
Frenchwomen always include In their
outfits several gowns that are known rs
simple little frocks. These same are SIM
PIE in name only. for. while guiltless OF
even elaboration of style and trimming.
they are perfect in detail and ara inva-
r,ably we'll cut and perfectly fitted. But
they need not be made of expensive mate
rial. and II dressmaker has the heaven
given talent OF being able to follow a pat
tern or design they can easily he con-
wool. wash materials. chiffon. all are suit
able so there is a wide choice Of color TO
be had. The check. plaid and stripe eff
fects are good. and a charming model for
this style of gown is shown in the checked
foulard. with a band Of the plain color.
the foulard in cerise and white or two
shades Of mauve. At first glance this
model might seem suitable only for
young girl. but 1t is equally appropriate
and effective made for an older woman.
There is nothing new in blue and white
geratedly simple design carried out In the
always popular black and white shep-
herds plaid makes most satisfactory
and smart gown and a most useful one as
well. With 1t can be worn a black silk.
a black satin or a black cloth coat. and
the costume is then complete.
Slipper Bows.
One of the most attractive Of the slipper
bows now in fashion Is made of very
soft. thin silk with three loops on each
side. The silk satin Is of such a soft
quality that it does not. when loop>-
stand out at all. but Is arranged IL -
quite fiat and so manipulated as to ilg1S
like the petals of a flower. The lo,pS a-e
graduated in size that the lowest o:Ies
come out the farthest. Tiny gold beads
are sewed on the ends Of each loop and
there are three or four strands OF these
beads across the center Of the bow
Red slippers will be worn a good deal
during the summer. and for some of these
there are bows of velvet ribbon to match
the slipper exactly.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
w .SHE1NzEgDEeSS MT

although some people find that they feel
uncomfortable. There was a time when
such gloves were made without buttons
but nowadays they are finished with large
pearl ones or with the latest design in
patent clasps.
The shortest. which reaches only to the
wrist. is called one button, half way to
the elbow is called eight button, just to
elbow is called twelve button, while the
usual long glove. which extends above the
elbow. leaving room for becoming wrin-
kles in the forearm. Is called eighteen but
ton. The fifth size is extremely long
made for very full dress occasions: these
are called thirty-two button and are gen.
orally used for court functions.
Cool Negliges.
Fascinating kimonos are made in dainty
printed organdies and lawns, and there are
others made of that pretty dotted swiss
which always falls in such graceful lines
and wears for so long a time. Many of
them are trimmed with bands of material
of contrasting color. There are others of
beautiful silks and even embroidered sat-
ms. which form the most graceful loung-
Ing gowns imaginable. There are pretty
matinees. made of wash ribbon and valen-
ciennes edsing. which are becoming and
practical. for they wash like rags. They
are not very expensive, for the strips are
sewn together by machine, while, of
course. the edges of both lace and ribbon
are finished OFF so that there are no rough
places which are likely to raveI
Women now find the entire costume.
coat. skirt and waist to correspond. the
most practical, but the gown made with
separate waist and skirt is by far the
most popular, for thep waists of different
texture may be worn. and in travelling it
fs necessary to be provided against
changes Of temperature. The check
stripe or fancy material in the skirt and
the plain coat is extremely popular this
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

pale "old Lace shade incrusted with
motifs of maltese gives a lovely effect
when worn over a clnging robe of she'll
pink crepe de chine ivory filet over
sea green mousseline. There is also a
peculiar charm attached to tea gown
Of palest beige lace worn over ivory crepe
or India muslin. All shades of beige are
In high favor this season. and these neu-
trail tints look delightfully."- cool when
combined with mat white and surmounted
by black hat trimmed with inky wings
or with feathers of the same EBONY tint
A rarely exquisite tea gown which I saw
recently in the atelier of a we'll known
designer of exclusive modes opened up
great possibilities for any one possessed
of clever fingers. 1t was developed en-
tirely in tints of white oyster. ivory and
a pale cream. The overdress. or mantle
was composed of ivory point d. esprit. and
all around the hem it was embroidered in
white floss silk, with a design showing
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

rough the material may be. A coat in a
pale shade of electric blue frieze Is sup
piled with buttons and belt in tan leather
and is most modish garment. Another
rough tweed in wide eerise and white
stripes is a distinct novelty and one by
no means to be despised. With the
necessity for shade of some sort and the
impossibility of using parasol while In
swift motion. those who motor are wear
ing hats with very wide brims. and these
are given a downward inclination SO that
they may be kept on the head. One de-
sign has a brim of straw with big mob
crown of taffeta surrounded by killing
Of the same, which lies fiat upon the
brim. At each side of the front soft
rosette of satin ribbon catches the veil
down in place. Some of the bordered
wells one sees look very we'll, especially
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

of the thinnest and most supple descrip-
tion-crossed In front, with the draperles
confined at one side by q handsome orna-
ment Of passementerie. 1t may be OBJ
jected that the general effect of a gown
Of this genre is untidy, but when worn
by the right woman and in the right way
1t Is by no means without charm. AS for
the tea gowns. especially successful are
those which show a draped underdress of
pale tinted crepe de chine with the flow
ing mantle-already spoken of-of point
d'esprit. This lace Is incrusted with silk
guipure and enriched with embroideries
in silver or gold threads. These embroid-
cries are for the most part only delicate
outlinings. Certain parts of the lace are
lightly worked over with single silver
threads. and the effect Is fairylike and
most attractive. Point d'esprit net, In a
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

ible instead of stiff. and allows the urse
to be folded to the size of a five-cer&ime
piece.
chiffon. silk and lace have no sleeves
al ALL
Ribbon girdles are quite out of date.
they having been supplanted by the wide
soft silk sashes with long fringed ends.
tied on the side. two knots, one at the
waist line and one half way down the
skirt.
A fascinating coat is Of ecru filet. so
coarse that it resembles heavy Irvine.
richly embroidered in white silk in a
striking design. The coat, three-quarter
length. is bordered by a four-inch band Of
soutached braids, divided by coarse ecru
fagoting.
used in combination with thin organizes
and summer silks. The yokes and long
mousquetaire sleeves are entirely made
of the net closely tucked.-Vogue.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
Midsummer Weekly Record of Paris Fashion News

as well and is easier to manipulate being
made of softer cotton.
The Tea Gown de Luxe.
The propriety or nen-propriety of the
new directoire gowns may possibly re-
main a moot point. but 1t is not less the
fact that in general effect there is
marked resemblance between them and
the seasons tea gown. The directofre
costumes are draped across the front and
swathed in folds of supple satin arranged
in sash form, and over this a mantle of
transparent embroidered muslin or lace is
thrown carelessly. 1t is this loose mantle
which gives the tea gown effect. and If
such a garment were put on over almost
any of the most modern of our summer
afternoon dresses we should have an ideal
tea or bridge gown. The Parisiennes have
accepted these draped gowns with fervor.
One of the most notable models is that
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

while motoring. They would be charm
ing in violet. old rose and capri blue
colors which look so we'll in kid belts. For
the facings on collar and cuffs down the
front of the dust coat there seems to be
d perfect rage for black and white striped
silk. A tussoge coat thus trimmed Is very
neat and fetching. The silk glorias are
being made in exquisite and most luxu-
rose color. with a bloom on it like that
of the petals of a flower. This was also
faced with the inevitable magpie stripe.
and the result was smart indeed. An
other wrap of white gloria was relieved
in silk facings in mole color and natter
blue stripes. while third one was in
parma violet. faced with soft pink and
white striped silk. This was exquisite,
but it seemed rather fragile for outdoor
use. When tweed coats are worn there
is the same tendency to employ light,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

left side or back according to taste or
fancy.
These ruffles look equally well in white.
black or some pretty color. in which lat
ter case. however. they demand an alli-
ance with hat or costume. A colored ruf.
file. donned regardless Of its colleagues.
loses all chic and reason, whereas used
to augment some artistic color scheme II
gives every promise of complete success.
A chic example of the pierrette ruffle
is made of close ruchings of net hemmed
with fine valenciennes lace, black with
white or white net with black lace prov
ing eminently attractive. the concluding
note being found in the inevitable ribbon
bow.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
FRILLS AND RUFFLES.

Slowly but surely the plfsse frill has
been developed until today it has assumed
the proportions of a pierrettes ruff1e.
Some of the prttiest examples are fash
toned of a full up-and-down frill of
plisse net or chiffon, centered by band
of ribbon tied into large bow at the
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
CORRECT COSTUMES
FOR OCEAN TRAVELLERS

For girl travelling alone In Europe the
simplest costumes but smart ones. should
be chosen. 1t is always matter for COM
ment among Europeans that young Amer
lean women go about the world unaccom-
panied, and when they make themselves
further conspicuous by any elaborateness
of dress, undesirable criticism is called
forth. According to European standards
all Americans overdress, except in the
evening. when the fact that. as rule,
calls out comment.
To wear on board ship cloth suit of
plain skirt and jacket is correct and serv-
iceable. Waists may be either flannel or
linen. but those worn during the day must
be plain. For dinner a lingerie waist is
quite permissible. but better than that
have a simple silk frock for change.
Crepe de chimes are not practical. but
surah is serviceable. Even In summer q
heavy cape or coat will be required. and
thick flannel dressing gown is essen
tial No one should go on board ship
without such a garment. 1t Is necessary
to wear to the bath in the morning. and
In case of sehsickness, or prolonged bad
weather and fog, may be used during the
night. The fashion Of wearing ones old
est frocks on board ship is gone and
land save that certain materials easily
affected by dampness are not to be con-
Sidered.
For travelling both on ship end on land.
small hats are better than large ones, and
ostrich tips or plumes should not be
chosen as trimming. Stiff quilts or wings.
with ribbon. are much better and look
smarter at such times.
What Is Correct in England.
Frocks to be worn on the other side
should be simple. Certain articles which
are matter of course here are the worst
possible form in English cities. White
canvas shoes, for example. more strictly,
white shoes of any kind. are undesirable
White frocks are worn there only in the
country or at the sea; never in the streets
of a city. In marked contradiction tc
this strictness English women and CONT
nentals wear far more jewelry In the
street than we do here, and much Of 1t Is
imitation.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

Irish lace vests, Jokes and appliqueH
pieces for gowns are now set with stoneA.
imitation pearls, turquoises. olivines. toN
paz. jade and pale coral. giving very
dazzling effect-particularly on some on
the deeply dyed laces.-Vogue.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
C52CZ zNlEZ rae ARLXEzZL

deep facing Of the jacket material This
is cut according to the pattern Of the
front and is stitched to the edge on the
outside.
The seam should be trimmed off and
notched at all curves to prevent drawing;
then the facing is turned inside and the
edge of the front basted firmly. This
should be finished with two or three rows
of stitching.
The inner edge is slip-stitched down to
the material. or IL the mode OF trimming
permits it may be stitched to the jacket
by the machine.
When strapped bands are used as a
trimming and follow the outer line of the
neck the edges of the garment and the
facing are turned out to the right side
edge to edge with the trimming bands
and stitched In position. The trimming
bands are then turned back on the right
side, basted in place and stitched.
When hand embroidery is used as a
trimming. heavily buttonholed scallops
finish the edges.
This form of finish makes it necessary
edges to be worked in order to give ma
terial enough to use the embroidery
hoops.
A New Hat.
A new shape for the summer hat is
known as the violet for it is copied
from the leaves of that modest little
flower. The straw is formed like heart
shaped plateau, but at the wide end the
two semi-circles are curled under. and the
angle of the heart falls directly in the
back The bonnet when finished has a
point at the top of the head while the
straw curves up and then down in
point in the middle Of the front. leaving
room for the rather wide pompadour at
each side of the head. The trimming can
consist of only a wreath of plurnes or
flowers. ending in tiny punches at each
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
A Pretty Hat.

A very individual hat was made Of q
warm mauvish straw. loosely woven, the
crown and brim were entirely smothered
in an artistic tangle Of the most exquis
itely shaded sweet peas.-Vogue.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

those in which the border contrasts with
the body of the veil. One l saw recently
was Of black gauze bordered with shade
of dull wine red. which was also the
color of the toque.
CATHERINE TALBOT.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

small roses and jasmine. The work re-
sembled that on a fine India shawl.
Some Modes for Motoring.
Descriptions Of wearing apparel de-
signed for exclusive use when motoring
are not, as a rule. overdone when one
considers the universally of the sport.
I saw a very smart little suit recently
which impressed me with a profound
sense Of it's worthiness. 1t was developed
in tobacco brown leather, with gloves
and hat to match. The distinctive note
was given by the little knotted tie worn
with the linen collar. 1t was also of
leather, or. more properly. kid, as it had
every appearance of softness. The who.e
effect was SO clever and smart that one
could not help wishing these ties could
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

The illustration shows very chic little summer gown,
made semprincess style White embroidered linen buttons
used down the sides of the front panel and three buttons
placed either side the waist line in the back The
back of the gown had panel 'front.' except that there
suggestion of suplce The little pastron OF white
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

season. and good color effects can be OBJ
tanned by the combination. There are
cloths and silks. too, for that matter.
and, of course. voiles that have border.
one or mora straight bands woven into
the material, and these make up effect
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18

lively in the new, or, rather, complicated,
plated skirts that measure SO much in
width around the hem and fit SO close
around the hips.
Seams of Etons boleros and Jackets
that are not to be decorated are bound
Evening star. [volume] (Washington, D.C.) 1854-1972, 1908-07-18
MZ51m

n THOUGH models of fall head
~ wear are not yet exhibited in the
. retail establishments. they are
now arriving from Partisan
The Chickasha daily express. (Chickasha, Indian Territory [Okla.]) 1899-current, 1908-07-30

Bentley, the Greek scholar, always
had his pockets stuffed with editions
Of the ancient classics. Once, while
travelling, he met a stranger who in.
sisted on showing on his familiarity
with Greek and Latin. Presently the
man referred to a passage in Homer.
Bentley denied that such q verse ex.
listed. The stranger insisted, and Bent.
ley pulled a Homer from his pocket
and asked bis acquaintance to find the
disputed line, The stranger falling,
changed the topic to Euripides. Bent,
lty corrected him. and proved himself
right by consulting a pocket Euripides.
The conversation shifting to Aeschy-
lus, Bentley produced a three-volume
Aeschylus from his overcoat pocket,
when his antagonist collapsed. Great
heavens!" he cried. whoever expect.
ed to find man with the whole Bod
leian library in his nocket?'