New-York tribune., 1908-10-11
TULLE DRAPED GOWNS.

lOLEE DrHFCD SS"NS'
The fad for covering the trimming scheme with
tulle has quickly taken hold; It is enchant-
ing. this glimpse here and there OF gold silver
lace. hint of color, the fash OF a jewelled
button clasp For evening there IS a charming
gown sheath tight OF blue satin covered thick
ly with blue spangles. Over this is draped blue
tulle in graceful artistic folds; at the back the
folds are fastened low down the skirt IN large
soft knot leaving ends 10 ningle with the train
Strfkingly elegant the long redingotes that
appear be a speciality of house. They shape
the entire gown; other IS with It The
fronts are loose and doube-breasted, closing from
bust TO hem with large buttons OF black passe-
menterie hanging little ornaments. There are
triple collars. the lower one just touching the
edge OF the armhOle carefully preserving the long
narrow silhouette sought. a Directoire col
lar turns back the neck. and there wide cuffs
TO the long. close sleeves. The opening IN front
Of the collar is filed with high folded stock OF
soft. unstarChed null, with pleated Jabot There
is funess the back. concealed under inward
turning pleats held fiat by large buttons. and the
side buttoned their whole length.
Evening sleeves are nearly always long, with
square-cut necks, Ia F1orentine round.
Ia Vierge Some theatre wraps lately shown are
OF dark red cloth, in really charming contrast TO
the light tinted gowns. They affect the Spanish
cloak form and the Dalmatian the loose folds
pfctUresquely handled. Their picturesqueness is
enhanced by the witching Capuchin hoods that
have quite displaced any other sort OF evening
head covering A Rue de la Pax house shows
enchanting group Of these "nothngs" One built
in a prim, Quaker-like bonnet form is OF sky blue
silk and velvet edged with bands OF zibeline; the
stifened fronts OF the silk. the soft
OF the velvet: this hugs the face closely.
Another IS large. like a circle: the edges are
run reeds, with double frill, that IT
stands out loosely about the face. framing It
This is violet satin lined with rose-colored orepe
de Chine; Il is tied with wide rose ribbon.
ADDITEONaI HAIR
This same house has shown to private customers
delightful small hats in toque and turbau
form. They sit low the head, and are trimmed
with low-lying wings, quilts and closely arranged
feathers. For wintry days is a turban Of pearl
gray felt, softly bordered with white plush; It is
trimmed with a great bow of emerald green vel
Vet, q little side front with
long loops and one vide slanted end falling toward
back. While these small in
parison with the immense ones still in high favor.
they need quantities OF hair give them the cor
rect adjustment. All the world now frankly
additional hair.
Absolutely petticoats allowed with long
skirts. With short skirts enc. extremely limp, is
worn, Just prevent the ugly Singing IN that
would otherwise inevitable This must be
OF the softest silk, and over-full. Attached TO
jersey fitting top is pleated founce OF sheerest
mousseline de sole that may be under long
skirts: It IS extremely short. reaching barely
the ankles and designed aesthetic finish IN
case the long limp skirt IS thrown from its grace
ful folds After old fashion the long, loose
wristed gloves, pulled up the long tight
sleeves. NJ. r