Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1908-09-05

than any actor. In this way is'ii Il 'hdan
TO give freer scope both to the draw gpSs
atist and to the art of acting. The
plia wv VIII be enabled to bring
his idea to the-sullest possible deveioms
ment. irrespective of the personal am am.
abition of any member or the c a'.'7
while every actor, however humble NJ S5
station, will be allowed to develop H.
performance = to its utmost artistic pos.
will give way to the art of impersn,nss
alton and Interpretations, Under s,,nh
q system even actors of the first SOL
lar magnitude will gain freedom ~
their art; for It is one of the worst
condemns its votaries to a lifetime n
similar--in effect identical--roles. TN
ideal of the New Theater in any nrn ~
duction is well-balanced whole. n
a word, Its company is to be a stool.
COMPANY. TO America in the present
generation, the stock company Is n
| novelty. In the drama as a world
art, 1t is one Of the most yenerahia
antiquities. The living model OF ths
New Theater is the artistic colnpan.
les OF the Continent-whlch them.
selves are historically derived FROM
the Comedie Franchise. But the housa
of Moliere has nowhere heen truer ~
| It's great traditions than in conserv,ns
Moliere,s organization as a stock com.
| pany. The company of which Shakes.
peare had been a mernb Der in the nre,
eeding, century was almost Identical in
| orGanizatton. AS for the New Theater
Mr.. Ames has expressed the hope that
one-third of Its repertory will al
| ways be classical--and he defines q
classic as play that after a. hundred
years Is still alive and welcome to tho
| pubic, IN order to qualify under this
| definition n play requires to have su-
| perlatlvc vitality. 10 u public of in.
tclligent plaxgoers, therefore, il
| should bring the deepest satisfaction
other two-thirds of the repeltory is tn
consist of revivals OF recent artistic
| successes Continental, English, and
American, and of new plays, prefer
ably American. What such plays lack
of appeal, they make up for in mod.
ernity-the appeal to our actual lives
und our personal feeling. The utility
Of the classics Is to set high the stand
ards of the playgolng public, that OF
more modern plays to bring the inhu.
| to us, The classics are the severely
| structural skeleton of this dramatic in.
| Stitution, the modern plays its flesh
| and blood For his first season Mr.,
Ames hopes to produce fifteen plays
varying widely not only in the coun.
tries and the ages from which they
come. but also in their genre. Strong,
| popular drama Will be welcome, as
we'll as the severest tragedy, intel-
| sent farce or remote, fantastic com.
| cdy, as we'll as the comedy of man.
| ners. only--the classics will be kept
| alive on the stage, and it Is hoped that
| in the long run they will sink deep
into the minds and the hearts of thu
| Public As the Coincide Franchise Is
| tho house of Moliere. SO the New
. mr. oh hn al
| MISREPRESENTATION Corbln In Harp.
\ cl's Weekly.
Sublime What varied record Of
In Storm tragedy or of disaster. Of
Or In Calm. natural beauty or of rare
and unfamiliar forms
either thrown UP from the, hidden
chambers OF the deep or carried on ocean
current from distant lands, does the
shore-llne ever present. Aud more
especially IS this SO after a great Storm
| when the curling olive-green, foam
crested rollers, driven In fury by tha
tempest almost to the very foot Of the
ing to recede, after having thrown up
and left high and dry. perhaps in clefts
and assures OF the rock, perhaps on the
/ line of high-water mark, these spoils OF
| the deep, revealing openly some OF
j the dread secrets of the great ocean.
Here a quantity of spars and othe.
i wreckage, apparently OF some gallant
bark foundered III the hurricane, hei
crew going to a watery grave uncof-
find and unkneeld; here a faded pho.
tograph Of a lovely girl, inscribed with
| love- message in faded script-but
alas! she will probably never again
clasp the hand OF him who had climb,
ed her heart, and to whom she mad
I perhaps plighted her troth: and who
with a last fond look at the likeness Of
/ her whom lie loved so we'll, was ruth.
lessly engulfed in tho relentless storm
tossed pillows and sepulchred IN ths
abysm sim Of o the t dfHp Or wa hiFs
fronds of sea-wrack, torn UP by the
/ root from the rock to which 1t had ad-
hered, or with quantity of the bladder
sea-weed, also dislodged by the vio'
ence of the waves. are still further
evidences of some melancholy disaster
/ when perhaps breadwinners have been
torn away from their homes, and whole
families plunged in grief and rendins
sorrow, Aye, though from time to time
the watery waists may claim her Wa
tins; and although there may be, and
| ever will be, sorrow on the sea, yet tnd
great ocean is ever sublime ever bea,
utful; whether in her angrlest and
most wrathfui moods or whether IN
! more reposeful and more placid humor
The dawn lights 1t up In splendour; the
sunset paints it in many hued glory;
the breeze and the sunlight deck II
with diamonds and rubes; while lti
perfumed and delicious aroma engendet
both health and energy, And when
contemplating the slittering and
sparkling expanse, perhaps the
thoughts may revert to that flgurativa
sea of glass before the Throne O. thf
Majesty Of Heaven. But whatever that
may be. we k4nw TINT that wondrQua
Realm is sublime and beautiful be.
You'd the Infinite power of the mind O.
man to conceive. And whosoeyer VIII
may obtain certain inheritance IN
that Realm If only they will, by never
refused Divine aid, abstain from giv.
ing offenso to their Creator. and al
the same time appropriate to them-
selves tho Great Atonement made 70!
them by the Redeemer of the world al
full satisfaction for their misdeeds-A
/ Banker.