The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1907-09-16

which are rows of the lace. The coat
falls about midway to the ground ana
would be in itself an appropriate wrap
for a different toilet as we'll Ihe
gown will be seen at some of the au-
tumn affairs doubtless, for 1t is too
striking to be passed by.
A dressy afternoon gown in the
Jumper effect. only more elaborate, is
of golden brown figured chiffon, with
a waist of the chiffon and embroidered
net deep fold of brown satin on
the skirt finishes it, and the bodice
is given a decidedly Frenchy touch
with a fold of light blue messaline
around the berthe and edging the short
sleeves.
salmon pink broadcloth suit has a
perfectly plain skirt and a waist COM
posed largely of cluny lace with straps
of the broadcloth between. The under
part of the waist is of heavy net, and
a mere tinge of the salmon pink fin
ishes the neck.
Jumper Has Departed.
The jumper has departed, but it has
left its effect on numerous gowns for
indoor wear. OF such a style is one
| of golden brown messaline. having a
pleated skirt with three folds of the
same goods running around it. The
waist has the popular kimono sleeve
( of the brown, with lace insertion ex-
! tending over a simulated bodice of fine
net. This is one of the few indoor
gowns shown with a skirt that clears
the ground.
| A threat of the old overskirt of the
grandmother period is found in one
princess gown of light blue messaline.
| The gown has a long panel down the
| front, and on either side of this are
/ slightly raised panniers, suggesting an
| overskirt. The back has long tabs of
/ the Old-fashioned kind, and the whole
/ is finished in eyelet embroidery. The
/ gown is quaint and individual enough
/ to suit an extreme taste.
A decidedly novel idea is the intro
duction of the fur over jacket on suits.
/ one made of the popular Atlantic blue
has a plain shirt of the broadcloth
with a panel of finely braided work
down the front. A short jacket of the
same cloth heavily braided is sur
mounted by an over Jacket of black
caracul, with sleeves and epaulets of
the fur really covering the cloth jacket.
Another distinctive street suit is of
! the new blOndine shade in fine broad
! cloth, made with a plain short skirt
and a long cutaway coat. The yellow
ish shade of the cloth is accumulated
and given a dash of style with just a
touch of black velvet at the collar and
cuffs, and two black velvet buttons on
! the front.
Another one of the peacock shade,
which is just what it's name implies
has the f1fty-inch coat also, but in
| stead of the cutaway it is the straight
long buttoned coat, fitted all the way
down. The skirt of this is the full
round style, so short as to be modish
in the extreme.
Gorgeous Evening Gowns.
Only a few real evening gowns have
come in as yet. but these few bespeak
a season whose extravaganza is I'M
heard of. A sample is shown in the
form of a gown of net over pale yellow
chiffon, with a twenty-inch fiounce OF
cOppery green sparsles extending from
about the knees to the floor Below this
on the train are two rows of greer
ribbon velvet, and the same thing is
used to form simple girdle around
| the waist. A smaller row of the span
giles heads the bodice, and just at the
left side, where the girdle fastens, /:
a huge bunch of crushed yellow roses
Wraps are of the two general classes
| the dressy evening wrap and the tai.
| lOred or fur coat. Some models of the
former are shown which would delight
the eye of an artist. One is of white
chiffon broadcloth, having a cape eff.
feet. Around the cape is a heavy banC
of white silk embroidery in the popular
Swastika pattern. and the collar par
is of Persian embroidery.
Another is of the soft suede shade
with a fitted body and a circular skin
effect. This long skirt effect ia
panel of the cloth with braid
terms cut over white broadcIo
lining is of a pompadour =
paler shades of blue and
An evening y