The Hope pioneer. [volume] (Hope, N.D.) 1882-1964, 1907-08-01
IRISH CHURCH BELLS
THE EARLIEST ONES WEIGHED
ONLY A FEW OUNCES.
First Adopted About the Time Of st.
Patrick In tho Fifth Century
-Were Made Of Ham,
mered Iron.

It was about the time of st. Pat.
rick, in the fifth century, that bells
began to be adopted in the Christian
church, though their Use in other d.
rections was long anterior to Chris
tianity, as Mr.. Layard records having
found some in the palace of Nimrod.
Tho first Christian bells, like st. Pat
sack's, weighed only a few ounces, and
1rom that they gradually increased
till the greatest weight was reached
at Moscow with 1913 tons Of beautiful
ly enriched work, a strange contrast
to humble "Clog-an-eadhaehta Petra
ic," or "bell of Patrick's WELL" some
times referred to as the bell Of Ar
magh, with its diminutive dimensions
Of six inches deep, made of thin sheets
Of hammered iron, bent into a four
sided form, fastened with rivets and
brazed or bronzed. This bell is at
once the most authentic and the old
est Irish relic Of Christian metal work
that has descended to us, and is men
toned in the "Annals" under the date
of 552.
Such as this were the bells of the
early apostles of Ireland, but the age
was a progressive one, and advancing
art soon claimed the bells to work on,
and the hammered iron gave way to
bronze castings, more skillful work
manship and to more perfect reson-
ance. We are fortunate enough to
have on loan the finest example in
the Bangor bell of what the craft of
bell making had advanced to by the
time the tenth century had dawned.
For 500 years the iron bell of Patrick
had done it's duty, and now it had to
be laid by.
The same story applies to many
other famous bells of Ireland and
their shrines, but the church loved
these ancient bells, and their associa-
lions rendered them most precious
relics. They must be preserved, and
the far famous gold workers of Ire.
land came to the rescue and brought
the national art, then in the zenith of
it's perfection, to bear On the Cases
to hold them called "shrines" and by
far the most beautiful Of all was that
for the bell of the great patron saint
of Ireland.
The early church builders and
artificers of Ireland were sk1llful and
bold and fearless in their creations;
with an independence Of thought, they
struck out original lines to work on.
We see it in the ~stone-roofed
churches, the stately round towers
the great crosses-a model of one, the
finest cross on earth, stands near the
case containing the bells-and by the
preservation of the bells themselves
we see in the reliquaries or shrines
another master thought, repeated no
where else, and these remain a purely
Irish characteristic. A few found
resting place in Scotland, but a great
authority says "they are attributed tc
Irish saints, and we naturally turn tc
Ireland in search Of the parent
group"
The Shrine" was made to inclose
the rude iron bell. This fine example
of the goldsmith's work must have
been executed between the years 1901
and 1105, when Donell McAuley
whose name is given in the inscrip
ton, filled the see of Armagh. The
shrine is made of brass, on which the
ornamented parts are fastened dowr
with rivets. The front is adorned will
silver gilt plated. and knot work II
golden fligree. The silver work il
partly covered with scrolls, some IL
%alto-relievo and some in bas-relief. II
Is also decorated with gems and crys
tails, and on the sides are ANNA
forms, elongated and twisted into in
terlaced scrolls. Since the origina
shrine was made, in 1901, it has never
been lost sight of, but has been hand
ed down from custodian to custodian
generally of the same family.