The sun. [volume] (New York [N.Y.]) 1833-1916, 1907-09-22

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whv, ne~,,sr ,h~v sac real d,,vs and
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and ssussrs an tbs ssase and pecnt~ that
were alm,s, r~I sco vho ,slhed .i,po.,
real lanss.ss and had almost real .mo-
,,ors Thsn Al lsss ,ns audiences began
"a hsv. .lrc.t r..i ~ccssons ala, They
bssan 90 s.psrt tbss the sssr. ,,ss~,d u
being sometiins sp.r, from lif~. could he
a picsur, az s,d cospm~usarv ,pon n. Tn.
hung power vrasedisn heard his death
kpell. Audience had bs~un to us- ,h~sr
braius. Didn'e Irvios himse,s though be
arose with the tsrch Of Macrradv have 90
fnd for himself a 80 ssvle Of express,oo 10
ne tbs new ideas vhul he almost r,vivihed
lead dramas bv h. living v.v OF PLAYING
thcmt No. cir: a. s,nn a. the public beean
20 reflect on the manner of telling the ssorv
was like turning Darwin loose IN an old
time camp nesting.
And the mod vorh h.s soo. steadily
and hopefuIfv on. TO-DAY a fair portion
OF the public not only rs6.cts on thsm manner
OF telling A story but s,co on tia mattsr
OF IL. some Of us are setuns almo~t crown
IN. Sometimes the seorv sotu.llv interests
US lee than the psople In h. than the idea
behind IL. What do thea people think
and fesl. wbv DO thCv act ssthev do, First
We insIst hat 20 win our svmpathiss AZ
all thev shall speak In our idiom. I'VE and
move in the understandable stmosphere Of
our time. be real 10 IN a life iss.if IN real
60 us. And after that. after We have ao-
cepted them an human beine whom wa
can comprehend. whose doubts and fears
and ioys and sorrovs are ike our own. or
what our own might conosivabfy he-after.
in short. We have been out In a state where
the communication of emotion from the
actors to mn IN possible. ve watch their
dsvelopment through the drama. We watch
and feel with them n We would with our
friends. Il Ia not % muoh now what thev
are doing a how they are doing II, and how
they arc dsvelopins under the strain for
better or worse that holds our attention
and makes the playwrisht's fame q an
author worthy OF sarjous attention. No
false hsroics, NO strut and platform elo-
qusncs. 10 world Of the theatre unlike
ANYTHING In NE 10 possible today n the
drsmatist would win the vorthis.t u.rs
Of the uubhc. he can make No false steps
fnterieCt no soHloouiss 70 halo his tale
along. rely on no vocal spluress. no trite
o-ouventions. He mus BE- u~nrelentinslv
true 10 the MO and idess Of his timeL The
hero TO-DAY n not thu 6s,ro IN = tun,c ar
eIitterinr mail Who can rsise 4 ohses tons
Ia the eslleres and .h.ttsr a -ch.ndaEsr
He h the man Who. Ike one Of us In voice