The sun. [volume] (New York [N.Y.]) 1833-1916, 1907-05-05

j aqponp4ntD1At th1f0 vii ~ q wAf1t5
ycsqaae q eqpla y1lping the hlgh9ft fstlI
q oonefegadehAi music In vofDhip thai
The Friday afternoon organ .ooncerI
WHICH Mr. Warren VIII give win include tn
pfot1ot IN u minor and choral preludee or
the. chQralea IN the Passion. Theee win b.
etvtded into three parts and VIII c0neiet q
Sc fs sssss sl s1osn g 3 2.i Ms' Ssh. S't ss.
scEsldi6 and HsraEiek ahsd MIA SsTIaaesn.
It Will 2ose with the R~aeaAcRglta In @ minor
Th18 pgehfded ~ one % the dozen great pre-
ludeg Of Bach for The organ. and was cotn,
poped when he was at his gfoatast mental
poyet One Of ne beat known critics ~
y strIhtnely maisstts character
and ~ruligiouaiy mpTeeave, Massive bar:
nlcnieN (choedO Rternate with extended
fScttonA, fusal and elAb0fate In treatnent,
AZ whole it ed9gestst as doee 90 much
music xAtiety In unity-a tonai cathedTal.
The saturday afternoon oeryice VII b
notable no only for the appearances az Nine
Homer, who win eng Strike, o Strike,
Long Looked For Hour but b0Oeuoe 2
chime Of bells viii be used In the instFu-
mental parts Of the oantata. 1t h q oantata
for q eingle voice, an ode OF mourning, and
ite style b that Of = sImple hymn,
At this ecrvice also the stFinged orchestra
VIII play the concerto Crosse No. . inq. II
y Q OF o Get Of eix compooed b. Bach for
the MargFaVe on B~Fandenburg, Who maln.
extrWvaGanc6. In ,thiB concerto ainGle solo
instrunents are replaced by two or more
INSTRUMENTS. Describing the work Of these
ithAe been sud.
The yioltns. violss and ~violoncsllos
Pp iss 8 sn s@os STes sBss;us sIaestir Ssmes RSS;
PolyphonicaIly With each other. and ct
times oombtning in q peculiarly musical
The Sunday assernooa service Of ohOralee
snd motets begins With the Bach csntata
FORTRESS, and called By Aoine afhe
MarseHlalse Of the Reformation-H It was
OF that hymn that Heine wrote.
"A true war song wae that defiant lay
with which he ILntherl entered Worms
with he companions The old cAthedrai
trembled at such unyonted strains. and
the ravens were terrified In their Obscure
nesta up Ia the church towera.
IL 10 Of this work that o critic has written.
IT = grand fugue, built on . eubject
which is variation q the melody Of the
melody 10 heard from the wind Instruments
Of the orchestra. Tia second number h a
duet for soprsno and bass. The coprano
sings The a6oohd sfanxa Of the hymn TO q
horid form Of the fundamental melody.
y wn1ls t sSs S sSs s sss s es~S9issaFPG aSe 70 s.a |:
NaAN ~ u NNakUs~ ~&@@~&S1 Ztte 4oN
ron Got SeborpR., The most original and
picturesque number h the 6fth, which
sounds as n Each had indulged Ia some
OF the delinAattve devices OF which he vas
particularly fond. The words Of the third
stlesa e > hymn, :ynssh ~Pzopcnnce soch
hurle9 out in q stout unison and ootaves
BY unitAd yoicAa, one stT0nhe ct . time,
MeAntsnna the orchestra snTges ana heaves,
dashin8 agninst b choral melody like q
SEA IN a storm, but leaving Il unshaken.s
The @otet .slegy - e tns Lord. Which
Bach composed for q New Ysaria servtoe.
II Is one Of the pisces that Mozart Nss
carried away with when he visited Leipsic
In l7so and heard it for the first time.
II 10 for two choirs OF four parts zach.
The chotra are independent, but they sup
theme from time TO tim and finally unite
In O juhilant fugue OF four parte-
The seEvice win conclude with the great
ohorale: snow thank We all our God. which
has been termed the German Te Deum.
eatherinF in Germany. It's words were
written BY Martin Rinkart, a t~heologian,
who died In ie49.
The melody l. found in Crueer's 'Praxis'
Of 1G4s. but its real authorship has not been
Bach's chorale calls for the
congregation with the a~ssiatance OF the
and trombones. Ita performances
a mighty finale to q eefiaB OF Bach
and orchestral masterpieces
The entire Bach esrviCes viii DO under
the supervision Of the two ministers, the
Frederick B. Carter. DT. Bradford Is |
one Of he noted orators Of the Con-
church and has been pastor
81 the MontclAir church practically from
The beginning. As q tribute TO his long
IL 10 known that he regards these .
Bach rcnditions ~ a OF the most inn
forms Of real religious worship |
conferring wat dignity and honor upon
his work.
The conductor Of the musical parts Of
the services win be Frank Taft.. The colo
lists will be: Narrator, Nicholas pouty; |
Words Of Christ, DR.. Carl E Dufft: Judas,
John c. Dempsey; Peter, Clifford Cairns.
The other soloists win be: Soprano, Mrs.
Nav Hinnem De Moss; oontfalto, Mrs.
Gertrude Stein Bailey tenor, Daniel Beddos;
bass. Julian Walker. In the second part
q the passion music where uda and
he High Prisst. Mf. Cairns the First
md George olnsy the second Priest
PLATE Ell be sung br Conrad kinthall
and The First Maid viii be Hrs. AnneW Wilson
comstock and the Second Maid Mrs.
make the address on Sunday afternoon
and Marx Andrewe WIN preside at the
The othsr orEanists n the passion
mneIo Win be 8. Arches Gibson and Diem w.
Kennedy. TfsNfe win be Is0 choir sihgdfa. ,
Ecatclair and surrounding for
ne forty-four nnssciars Of the Nss York
philharmonic 6oeaesy Of New York VII
well the number Of what mSy be called
usuEicians 10 fully 3Se persona
These win be s~upplemaenssa by from 800
10 f,600 einkufs ID the oonRreSatlou, al
making mighty chorus In strictly religious
such ~ probably hnB been |
IN or near New Yofk. 4
The Aontoaair poOpls Wieh II understood
iketancf1y that b no e4nse ne theso musical
,erformanOes % be considered a. eA0red
Thsy 0FN 10 be deepfy naaigioua