The times dispatch. [volume] (Richmond, Va.) 1903-1914, 1907-10-13
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Revival Of a Quaint
Shoulder Drapery.

Along With draped bodices. tunic skirts
and dolnAn sieeyes.--reyivals OF other
tlays.-concs this quaint little shoulder
scarf. modelled By earlier of Paris. Its
material is tobacco brown marquisette
and the trimmings deep brown silk
fringe. 1t Is a charming accessory to
the dressy afternoon costume and may
be developed In any color which harmo-
mixes. well with TINT of the gown. Brown
harrnonfzes we'll with almost any color.
and perhaps this is the reason. aside
from the fact that brown is extremely
fashionable. that the maker choose this
color for his model. About four yards
OF material are required for its making.
which is SO ample that 1t could be easily
copied from the illustration. The shirred
belt which is visible In the front extends
around the back describing the empire
waistIIne, and into this ara pieatel the
shoulder draperies. the fronts OF which
extend several Inches below tho knees.
Fringe edges the scarf ends and the arm
drapery. In the center OF the back Is
butterfly bow Of brown tatfeta, but
the fronts are simply fastened with a
fancy jewsled pin.
An Adaptation From the Old
Time Circular.
Al, exquisite evening wrap Of pearl gray
chiffon velvet, very much on the lines OF
the "circular." fashionable outer gar
rient OF twenty years ago. The new
model Is much fuller and infinitely more
graceful than the old. Here tho cape
which cuts away from the straight fronts
is p!eated over the arlns to give the effect
of drapcd sleeve. each pleat stitched
hat and trimmed with large crochet but
tons. There is a deep yoke OF handsome
white lace and the pointed shoulder cape
and getaway arm opening Ia accented
with this same trimming. A fat roll
collar OF the velvet Is embroidered In
shades OF gray silk and silver threads.
and handsome cord ornaments with long
knotted ends falling below the knees are
set on tho fronts at the bustiine. The
wrap is lined with white satin draped
with chiffon OF q delicate pink shade.
Paris styles Thi. the "Judiclnry
Robe"
We have had the japanese kimono and
adaptations OF priestly robes Of the Ro-
man church, and now comes the Judi.
ciary," an adaptation OF the judges robe.
a very simple and artistic wrap appealing
to the taste and fame; of the ultra fash.
ionables. The formation of this garment
Is huge square OF petunia taffetas bor-
dered with deep band OF panne velvet 4
In the same shade and lined with white
satin. Two sides of the square are so
drapcd as to form the beautiful sleeves,
giving tile garment the graceful lines OF
the dolman. Around the neck and e1-
tending down to the bustline are three
rows Of inch-wide pleatings OF the silk
set one over the other, the top row head
ed with double heavy silk cords which.
knotted below the bustline and finished
with huge tasses, hang almost to the
hem of the costume.
Acknowledging Opera Wrap OF
Rose Velvet.
Velvet and Its first cousin, veveteen,
In the soft chiffon quality of the silk vel
vets and the same rich tones. are finding
extensive use In the winters opera gar
ments. Opera gatherings OF fashionably
dressed women will present scenes OF
varied colorings, for the colored evening
wrap, In all the light pastel shades, IL
the derner cri Of fashion. Half cape
aud half n coat, this rose colored velvet
wrap hanging in long lowing lines from
shoulders to skirt hem is cut In cores to
give the smooth TT over the shoulder
with Athe@necessary yoluminousness about
the feet Each gore is set or with
band divide noyelty braid In self color,
ana the sleeyes which are very full and
.ktmono.llk ARE banded with the same
trimming. two large fancy gilt buttons
being set on thegbrald band trimming the
una1rarm seam, a broad yoke-llke collar
is Of rose colored coarse filet net with ap.
piications of white Irish crochet and
EARNINGS 9of deep rose silk. Above this
portion Of the collar Is rose satin with
appliques OF the Irish lace. HEAVY white
cord ornaments with Irish crochet pend.
ants finish the fronts, and the lining 10
white satin with q draining Of whitD
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