Bismarck daily tribune. [volume] (Bismarck, Dakota [N.D.]) 1881-1916, 1907-08-11
THE GREAT WRITERS.
Ideas and Inspiration Taken by
al One Author From Another.
BUT GENIUS BORRoWs NoBLY.

l 3
The Crude Ore Is Refined and the Raw
Material Fashioned Into Thing OF
Beauty-Shakespeare as a Most Bril-
liant Example.
Our great writer's are not great rob-
bers. Literature Is not a repository of
stolen goods. What seem like steal
ings by the steel pen are rather the
output Of the lapidary or reissue Of
the mint or, better still, the borrow
ings from a bank repaid with interest.
"It Is wonderful says Charles
Reade, chow genius can borrow" "All
literature" remarks Oliver Wendell
Holmes, elves by borrowing and lend
ing" and, he adds, "a good image is
like diamond, which may be set a
hundred times in as many generations
and gain new beauties with every
change" This is not q question Of
originality 1.-THE lighting candle
at a neighbours fire." observes Dean
Swift, "does not affect our property in
the wick and fame" Genius Dor
rows nobly.'' The transference Is
often transmutation. For brass, the
borrower brings gold, and for iron,
silver, and for wood, brass, and for
stones, iron. The crude ore is refined
and the raw material fashioned into
thing of beauty.
1t has been pointed out by Mr.. HUH
in his Life of Buckle" that there is
kind of pedigree in literature. Dante
avows his Indebtedness to Virgil, as
the latter himself was under obliga-
tons to Homer. E@.
Ariosto owes much to Virgil, and
Spenser borrows frequently from
Ariosto. Sponsors "Faerie Queene"
gave birth to Fletcher's Purple Is
land" and this to Demands isle Of
Man." and this in turn to Defoe's
Robinson Crusoe" and Bunyan's
"Pilgrim's Progress"-all like so many
blossoms rising from the one stem.
Shakespeare has been called "the
great Warwickshire thief" so inveter-
ate is his borrowing habit. He invaded
literature like a Napoleon and brought
back the rarest art treasures to enrich
and beautify his verse. One is sur
prised to learn that our dramatist has
no original plots, that he has given to
! poetry no new rhythm or stanza and
that che ran not only In the old road,
but in the old ruts." His GAS You
Like 1t" Is taken from an old romance.
The characters of his Julius Caesar"
are old Romans taken from Plutarch.
But what borrowing! Dry bones are
turned into living men. The common
est materials are taken into the lam
bent fame of his genius and transmit
ed into airy beauty. 5nJz
Milton, too, is free borrower. It Is
this fact, indeed, that makes his verse
SO rich In learned "Reminiscences and SO
gorgeous with "barbaric pearl and
gold" He owes much to Shakespeare
Some critics think Millions Eve is bor>
rowed from Shakespeare's Miranda. In
the flaming Of the Shrew'' occurs the
line: .. ..,--.~,.-. .........
AS morning roses newly washed in dew.
While Milton in 'sL'AIlegro'' speaks
Of
Fresh blown roses washed in dew.
Milton is very mine to many. Pops
is his debtor. Milton's Smoky Scr
ceress'-a woman to the waist and
fair, but lending foul In many scaly
fold voluminous and vast'-is made to
say, 'They call me sin and for a sign
portentous hold me; but, familiar
grown, pleased and with attractive
graces won the most averse." Pops
sings: 49,. %&
Vice Is monster Of so frightful mien
AS to be hated needs but to be seen;
But seen too oft, familiar with her face,
We first endure, then pity, then embrace
Tennyson must have had In mind
Milton's
Hanging in q golden chain
This pendent world
when he wrote: ES.
The whole round world is every way
Bound by gold chains about the feet O
| God e-.-
Tennyson, indeed, derives much Of hi
exquisite imagery and felicitous phras
ing from authors whose names, even
: many literary men DO not know. -
Pope borrows his "Vital Spark" ide'
from an old poem by Thomas Flatmar
| Byron gets his Eagle Feather" i'm
. dSS LII LIS 4GuS1lSa bhEUS HEu tSCotCi
Reviewers" from Aeschylus, who -four
: ished in the, fifth century before on
era. 49, %a
Coleridge owes his lode to Mon
Blanc" to German poem by Friedric
Brown. .".
Bishop Ken is indebted for hi
thought in 'gThe Evening Hymn" {
Sir Thomas Browne In his "Colloqu
With God"
In his own characteristic manns
h Rudyard Kipling has met the que
ton Of unconscious thieyery with
bit Of verse which commences:
Z When 'Omer smote ia bloou1in' Tyre
ED card men sing by land and sea.
1 And wot e thought e might require
ID went an took the same rs ma.
Let shakespeare's lines close th
: paper:
; I'll example you with thievery:
The SUMS a thief, and with his great q
rs traction - "a X
Robs the vast sea; the moons an ARA
thief,
i a - a