davidaulloa/AmericanStories huggingface dataset:
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24
IcItern Wnrnlaub Giienbahn.

Ueptntteno %. Wooenber, perlnBf StuensStd..nE
fdlftdi.
i.t9 Vorqtns-S6nelpoft. SdgerstofpH. sR. q
@.s9abn." 8annesboro. 9bamhersbure nns
aIsaeuomuten Sonring. Saneod nnb Gum.
hcrtuno.
3.04 9iGtbn. - Accommodation nod uHion.
@rtnge. fu>uie tigtidh. dliseenommen Sonnfag,
gor.. Sauooer. GETTYSBURG uno y. uni 8.
1tniftpi Ruuften.
"4h6 Rdhm. - grpref. SdnptIiHie, Saaers.
tolpn, &uncud. Sbippeusburg ltuo. ausaenoin.
men Sonntag, 5reoerid uuo GnImitsbiire.
FurloltE uqaott.
SGalid, nnsatnummcu Spnntas.
6.th WorQeiS - Uorf y. uuo 8. Btoifion iino
Sdrrtltnie 6iilit bon GmorDsf3robe, fopte
gariisIe.
1850 Moroeus - gtfoul. uat SisbfisIo, fpipie
Commissioner.
1000 Roruens - Ne'teru Grpreb. 1eftmiufter,
Gep Binoiur. linton grioae. grueeoiGe (Sres
eerid). 3burront, g1anueSboro. Chambers.
hura Saperstumn Sancod. Cumberland ife
@iijns. Buffet Sbferbutious.gSaagon
5.23 Tudm. Accommodation nab Sduober.
6.25 Nbenos-Iffpm, mad linton grtbee.
Nnr TCuuertaas nHe samfaaS.
it.25 NbenoS - Nifum. uudh ttntoHsgrioae.
Wnr 5pRHtaaS.
go Demonstration nab uniortsVrihae uub
Snnoecc.
= 6dlt niht an @ennfb loan .lee. .stntion an.
". NoberttuH, q. ~. Nuuel,
sen. a9eftdftstiibrer. Sen. s8aff. .stsent.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24
WerdantS & Mincrs transport. So.
Tnmpfers2tuie.
Mrndt uno Vnfinnicrr.

Srddt unS GaHdgicre.
t9nt Vuitou uno benz Siten
Wtont, Sienit, Gpnnerit.. Snrtit, q lbr aboS.
+Nadt Groutoeuee mn benz Often
Sonutaa. Wittiuod. Srcitug. 0 ltbr gtbenos.
*9iah Geipp ort.9ieiue uuo Rurfoff
tdliid. @ ltbr 9tbeHb5.
fSrnht nuQetluHutei tdqlid bis 3 ubr Nad.,
thr S]etIleiesn Tue aDIGbrenoe 1anlpter'
SienftaA. Eonnerftug. Sdmitdg, q llbr IbetoS.
". y. 6urio, 9laert. Conc Tod.
SaEbt.ehteau: Wermats NIB 2tgBtsSttdne.
Gi3,S&S--l
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24

regt Elm idorfcr Inariii, mcld)en Die
.goiiiide 3citung" ac9cn Ocn Solo
niul-G ireftor riftet. Sic bdlt iid)
iiber oas iclbIt6emtBte Nuftrcten beS
,nclen WanneS" ouf, f%ritiiirt iein
bGufigeS Rooen uno modt ibm 5unl
@ornurt ooB CT iif biniid)tIid) Der
aolonien in Shoni0rbcrcicrl er9ebe.
Gle 0GoiiiIde 8%eitlng" idliebt ibre
Gbilippifa NIT Ben @orten, BOB
Gernbur9 lernen miiIie, beiheiOen SIT
iein.
6 r.M II / tier M0ller fonntc
mid trcocn.
Inter Sen llnbilocn Der @a6lauf.
rcqltng, Die icbt Sen SiGOcprnft err
reidt bat, bot olth Ser olanQc Wtol.
Ter" Der cbcn1oli0c @onoclSminiiter,
3u Ieioen. Gr lit in icincm 9ielefeIs
Ser @oblfrciie ciiri9 ouf OemStump,
unb ais er ioCben IN Scr ltmgebung
ser Staot 9icIefelo cine @obIrc0e
bielt, lpllrbe er BON io5iaIoemofruti.
id)en RoooubriiOern 0crort gcitort,
urto iniulttrt, Dob er einfo6 Sdlub
nlad)en mllBte. Gle 8oli5ei lDItc bic
&erinmmlung nuf un0 inter polI5ei'
IiAem Sd)ube perlicb MoQcr oaS SO.
tal.
Angrif gegcn Noeren.
Hoeren, '0eiien HcOeoucll nit benz
aolonial = Iireftor Ecrnbltr9 Oa3
&oripiel gum 9lft ser Heidatags-gluf,
l0iunq biloete. bot in oieiem @obls
fanpf augenideinlid eincn idperen
StonO. Gr miro uieliod oui oaS
Scitigitc ongcgriifcn. Gie ySambur
ger Nodridtcn" Itcacn obermola ci.
men GcrtrolIcnSbru6 Goercn's bios.
Gns 9lott tbcilt nit, Nocrcn babe
2lngobcn, Die @iltltba ibu pertroulid)
gemodt, an Die ~n8ermonio," Dos
Gcntrumsorgon mcitcr 0cgehcn.
Captain 9runSmiQ cntlas
Itct.
Son after S6ulo cntloitet cribeint
jcbt Gopit0n 9rlrnspig, Der unglilds
lid)c Siibrer oeS @opug Erod)toonls
piers rYriu5eiiin &iftorio 2ouiie,"
mclder ont is. 0e5ember SelbltnlorO
beging. ais iein Shiff unlpcit Sing
Iton 0cltron0ct mar. Sontburger
9I0ttcr conItatiren, ooB Die Giniobrt
in bcn Soieu bon ain0iton ihon Dor
Dem Grobeben pcrGubcrt mar, 10 oob
0en Captain fein &orlpuri trcifen
fon,tc. 9tohtrdglid miro nod oors
ouf oufmerfiom gcnloft, bob 9runS.
mig fltr5 porber, che er @ano an iid]
lcgtc, erfldrte, Die Secfartcn mieIen
fein cin5igcS Hiff an Scr Steue oltI
no oic Stronoung crfolgte.
sSn Sanblrg merOen 9egeniudrtig
Sprbereitungen fir cine im~poianie
yrallcrieierIidfcit 9~etroffen oic ons
ldBlid ser 9eitnttltng Der iterbliden
&iiue bCs n1li 10 trogiide @eiie &C.
cnOctcn SecnnannS itottfin0cn ioll.
8ertrag NIT 9Gncmarf.
sir Die 5lutiden IelltihIon0 uno
GGnenlarf gegenm6rtig obrpoItenocll
gllte1 S~e5iebungen gilt Der Nbi6lllB
zines loeben bcfonlt gcgcbenen Ser
TRACES ais @eludhr. Gr beleitigt Die
oft gcriigten llnebenbeiten in ser BE.
bnnOllng bon Sptanten.ainoern oltf
GrunO Don Nrtitel iiini ocS Ero9Cr
sSrieoens pom %. M1gltit 1866, Der
ntnmebr omcn0irt lit.
u nj erifoner in Der Gefilirs
Gour.
Sm fonigIiden Sd,loiic follb &c.
tern abcno Die 1eiilir. Gour 1tott.
McDr Mmerifoner oils gepobnlid
pltrbe1 bent aoiicr llno Der &aiicrill
por9eitellt. sluBcr Srou So9n y.
WiIier, 8otti1 oeS fitr5lif ernalltten
VtilitGrz Mttofcs bel Der arlerifnni.
iden 9otidoft, befonOen lid) inter
belt 8elabenen ole nodbetonnten
Nmcrifoner: 6rou SSpbn Z. Grerel
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24

Robert mer's
U1 a n 81 an . a. ~ . % d . ~

ACKNOWLEDGEMENTS,
Rr. t92i--f923, Grlenns.etrube.
6nupiluuriter oeS nWio5art ; 0tdnrers
docs" Gingitunoe ieoen Gorneriiag
gtbenh. Der DlRD8cri @Gu' ino gelDs
&erein" %bcriaminelt f6 ieoen WcntoI
bier, eDefapeafe : Ielep9on Wolle
Si4 =. (Aprilf,1O
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24
Snngc Samem! Wadt GndJ bieie
Sffcrtc III Wtt,c.

Sir 6iihen iepi cine aIaffc fir itnec gamen
In %unfetfr Electric EamenIfuetoer : snitcn,.
sdlnfe. Giner her giortbei!e an oel g'ei6eilts
gura oiefer alaiie 1T Der. onS ShitIerinnen
bciteu. 9icfe d'aiie fpiro nni I. Tnnrar 1901
Wiummeu treteti cDesiede @orIefurntn 3tpei
uno orei anal bic ggp6e. 9raeno zine iine2
Den piinTtt. foute it6 oiefe Gfferte 5u Euten
nader.
STIR meiiere s~tpsfnnft fhreibe oSrr nenbe
man lid an arf. ~. Sphers, Gr. 900. Welt.
saraiosa.. 6de 9aiuaro.str. (27e--)
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24
| IagllU, aueBen0muteu Sonntag.
9tur SUlIttug.

gSodentagen 100 Born. bis 800 glberos.
6riibere gbfubrt bon Der Nit. 5tonalsS tntiol.
&nibingtun, h~erlaiict Wit, Ropal Citation
900, *G.45, NO, 1850, ts.55, +V.55, 1851,
1853, 2it,55 gorn., tl2.t3. IT.. 80, li.5b,
+2.43, 1850, +41G. Abi. !5.55 9td6it., 900,
1905, 500 t2imiteb), *i0.55. *i1.23 SOeuos,
/ 1920. 1900. $500, 5000. 1000, ul.00 UJrJi.
1900 Dr.. 1900. *12.22, 400. 2t.05, 200
800, 1905, "a 90. *4.30 1900. 1905. 1886
Tabm., 1000, +G.16. 1920. !7.0C, $500, 1910
(Gtlntteol. 1000. 1905, ttit0, *li.32 Ibos.
Nnhapolis 4it. NopaIsz Cation. 1850 uno
1885 Sornt, !1.d6 ino !5.b5 ytadm. 9anloetls
Statipn, 800 UNI 79.00 Nrrm, 1900 miiiiags.
300. rs 50 gddlm. ltrb 1900 Nbenos.
Ireberif. 6nutoc1 Gtuit0u. l7.35 uHo 1910
8ornt. II 20, 1880 uuo +5.20 Gddnl.
Nindeiter. Wit, alnHal. no Borm., 1913.
1870 "11ni; GdntoeEs SiatiOu, I7.20 BORN.
1900, 1880 lHo 400 giudH.
9o2rrctuiui, ut Jl0pHlsS z tntioH. ITO BORN
1880 gatni. GamocnsS tattoa. 1920. 1885
8orut., 1850. 400 Hndbm.
GHicutt'6itD rHo VT. 4irb, 9am0ensS tatton,
!7.35, 20.t5 &Urnt, !i.2J. 1850, 800 IiG6m..
ESQ. *f1.4h 4benbs.
auran, Ot. Hpbdts1tation. *2.43 Gnhm.:
Gumoei, 800 9tudNm.
9iernl Elur Sine
nam Ybtiabfipbia uuo Ven .glurt.
Eeuer Terminus an Der Eretunn3pun5ipfteH
Strafe. Nensyort. beaIem nab 9oiels. 1bediers
uHf 3efbdtt5sI tfirltt.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1907-01-24
MarDfano e ErnnInlpan;a 81. 81.
8nar Derfnfcn Rprth.s tut nue. Citation.

Shar perinHen WprthsHut nue.G tattuu:
7.30 Sprni. nab gotf liaIt6, ouSgenommea
Snnutngs.
$50 Gurrt. rnd TfI'd. mr. GonutGG5.
$50 Eornt. rad 9eldtr tdelid, anS9enons
men Gnnniags.
1.2n giadbin. nat @eicir. rur Samfra9s.
SEQ gidfnl. nab Uurf tdaiit, uus9ei,ornmeu
Souutua5.
4O5 ylafm. nab 3efta. nur sonniaas
i45 9'adm. nd1 g"'Gir iiglid, ausgenom.
men Eouniags.
600 @benos nan Delta tiaItd, au8eenouts
men SountnpS.
II 40 atberhs mad 4eItd. MIR Scnntdgs.
t.30 Ghenos nab Nelair, 9Pittpo1 II. Game
ftno
New-York tribune., 1907-11-17

preston. His book Florence and other Tus-
can cities is no doubt the expression OF sincere
interest. yet he is so literary in his tone.
disposed to dithyrambic preciosity. that for all
his good will the secret of Italy seems somehow
to escape him. When. in Florence, he must al
lude 10 Michael Angelo. he says. cit is with
sort OF surprise one comes face TO face with that
sOrrowful. heroic figure. as though. following
among the flowers had come upon some
tragic precipice. some immense cavern too deep
for sight. How. after the delight the delicate
charm of the fifteenth century, can I speak of
this beautiful. strong and tragic soul?" How in
deed! Mr.. Hutton. with his Picturesque and
swooning prettinesses. could scarcely hope to
speak of Michael Angelo and speak to the point.
He raises the same doubt almost everywhere in
his book which, we repeat. is pity, because he
is a jealous traveller a sympathetic observer.
and a man of reading into the bargain. With
his resources he ought to be able to write capti-
vatingly about Italy. if only he would think
more of Italy and less of his graceful periods.
In pleasant contrast to Mr. HuttOn's fine writ
ing is the simplicity, both of feeling and of
manner. which find In Miss Leess Scenes
and Shrines in Tuscany" This young English
woman went about the gathering of her italian
impressions in the right way. She entered as
boarder the household OF Florentine family
and thus enjoyed the privilege OF apprehending
the ways of the country from the inside Her
book is light in substance. She describes ordi-
nary types and customs and when she turns to
the painting Of things out of doors. in city or
country. she is not too ambitious. Her notes on
Florentine streets. on harvest and vintage
scenes. a hunt for mushrooms or pine cones.
are wholly unpretentous. Such illusions as she
makes to matters of history or art are of the
most casual description. But the total result Of
her labors is a book contsIning the Italian at
mosphere. living record of simple human
things. With this delightful little volume we
may bracket Miss Ciprianfs autobiographical
fragment. a Tuscan Childhood" The author
who has been Il teacher of languages in this
New-York tribune., 1907-11-17

country. was brought up In Italy under Eng.
lish and German governesses but her peopls
were italian. and all her childish experiences
were typical OF the South. Her account Of
nursery days makes perhaps rather tenuous ma
terial for mature readers. and. in fact. the book
as a whole may well appeal to children. but no
one. no matter what his age. could help enjoy
ing Miss CiprianiS anecdotes OF her parents
her fellow youngsters and the family servants
There is a capital tale OF one Gigi. old butler.
who was questioned by the police when burg
lars broke into the Cipriani villa
did you hear anything during the night?" asked
the police inspector.
YES" was the respectful but guarded answer
What did you hear2"
81 heard as though somebody were opening and
closing drawers
What did you think II was?-'
II thought it the cat
His explanation of his answer was characteristic
II did not wish To compromise myself" He thougM
that throwing the responsibility on the cat WAS ths
safest way.
This is absolutely true to type and we may
say as much OF all the other little stories told
by Miss Cipriani. Her picture Of a gay and
innocently mischievous childhood Is wen and
most persuasively drawn
Among the new books about Venice a lead
ing place must be given to an old one, that 3
New-York tribune., 1907-11-17

to say 70 Mr.. Howells'S Venetian Life" which
he has revised and enlarged for a holiday edl-
tlon' brought out with twenty clever ulustra-
tionS in color by Mr. r H Garrett There IS
a new preface. an autobiographical essay in the
authors pleasantest vein. He tells how he
came to write the book and what its fortunes
have been. The first English edition brought
him from his London publishers the prodigi1us
sum of eleven shillings and ninepeuce. But.
he says lin view of the friendly acceptance OF
the book on both shores of the Atlantic
counted my loss all gain That was a long
time ago. Mr. Howells began to write this
book when he was consul at Venice in 1851
Throughout its career it has been increasing
the number OF his readers. Some Of these it Is
true. have amused and exasperated him by
funny practice of calling the book out OF its
name. Once he was wrought upon in the ex-
treme' by lady who insisted upon speaking
of the volume as Venetian Days" and when
he ventured to correct her she exclaimed. on
but it's Venetian Days. I assure YOU that my
copy is Venetian Days. Fortunately most OF
Gir. HowelS's readers are more attentive. They
have good reason to be. This book is saturated
in the spirit of Venice II is light and HmpId;
in entertaining fashion il takes the reader close
to the human side OF Venice We rejoice to see
it in this new edition. beautifully printed and
made. There could not be more welcome
holiday publication.
There could not be. either a more wecoms
guide book than Mr.. Douglass Venice on
Foot 4 convenient pocket volume into whleh
the author has packed an astonishing amount OF
interesting and helpful information Great a'
are the delights of going about in a gondoS' 4
there are delights only TO be got at in Nenlcel
by the pedestrian He. however. must have
lived long in the city II he is not 20 so aStrly
or to miss the significance OF much that he
passes. The stranger might founder for months
without enjoying a tithe OF what this book
places within his reach. Mr.. Douglas outlines
ten walks OF about two hours each. Affixed
to each itinerary there is an admirable map
New-York tribune., 1907-11-17

rather literal and even nerveless method OF the
old-fashioned English water colorist. We have
seen paintings of Italian gardens greatly supe-
rior to his. considered simply paintings; but
have rarely seen any works OF art in this
field more truthful than his painstaking studies.
more faithful to that spirit of drowsy loveliness
which broods over the stately gardens OF the
south. He knows how to reproduce the pictu-
resqueness Of massive hedges, ancient oaks and
Crumbling marbles. He knows how to transfer
to his pictures that note OF dark and almost
sombre green which belongs to the italian gar
den, and at the same time he Is deft in seizing
the splendid hues OF the southern flowers 1t is
natural for the writer this subject to lay
stress on its more formal aspects but too often
the claims of the flowers are neglected. Mr.. FL
good gives them their full value. He has a gift
for selecting Just the right episode to sketch; he
gives you always the broad vista or the striking
detail which will best to illustrate the ex-
quisitely romantic character OF given villa In
so far as the sunlit fairyland TO which we have
alluded be brought within the covers Of a
book it is brought within the covers of this one.
Mr.. Edward Hutton. busy writer on Italy.
once more leaves his reader with mixed i'm
New-York tribune., 1907-11-17
ITALY.
Neso Books about Her Treasures
Of Nature and of 4rt.

ITALIAN GARDENS After drawings by George
$ EgoOd. With notes by the artist. Folio PIP
X l51. LOngmans. Green & Co.
FLORENCE AND THE CITIES OF NORTHERN
TUSCANY, WITH GENOA. by Edward Hut
ton with sixteen Illustrations in color by Will
lam Parkinson and sixteen other Illustrations
limo X, 1876. The Macmillan Company.
Dorothy Neville Lees Emo, PIP. Us. T. p
Dutton & Co.
4 TUSCAN CHILDHOOD. BY Iisi Cipriani
12mO PIP 26S The Century Company
VENETIAN LIFE. BY William Dean Howells
Revised and enlarged edition. with twenty IL
lustrations in color by Edmund H. Garrett
SvO. PIP xxi 423 Houghton, Miin & Co.
VENICE ON FOOT. With the Itinerary of the
Grand Canal and Several Direct Routes 10
Useful Places BY Hugh A Douglas. With
seventy-tiye Illustrations and eleven maps
ners Sons.
THE SEA-CHARM OF VENICE. BY Stopford A
Brooke. l6mO. PIP. l13 L. Z. Dutton & Co.
New-York tribune., 1907-11-17

THE RIVIERA. Painted and described by William
Scott. Svo, pp 235. The Macmillan Company.
THE LAKES OF NORTHERN ITALY. BY Rich
ard Bagot Illustrated. l6mo. pp. aS. The
Macmillan Company.
vILLANETs Ms CHRoHJCLE, Being Selections from
tine of Giovanni ViIiani. Translated by Rose e
Selfe and edited by Philip II. WickSted. NJ A
12mo PIP. Xviii. Bl. b. Z. DuttOn & Co.
This sheaf of new books about Italy contains
great deal that is charming and useful. The
writing of such books is as often an industry
as 1t is art, but there is something in the
very air of the South which will lift an author
out of himself and help him. though he may be
ever SO humble. to prepare pages not unworthy
of his theme We have more than once had Oc-
cason to deplore the invasion OF Italy by the
professional book maker. Practically all of the
volumes before us to-day are free from the taint
of that dubious type. The first on our list Mr.
ElgoOd's italian Gardens" is indeed work of
disinterested enthusiasm, If ever there was one
This writer is also artist, and both in pict-
ure and text he shows true feeling for his sub
ject.
For the student of Italian gardens on what we
may call their technical side the best available
work is Mr.. Trigg's monumental folio, but for
the layman who wishes merely to be introduced
into the italian fairyland Mr.. Elgood is the
ideal guide. He has known his subject for twen-
ty-ive years. and he treats it with loving SYM
pathy. In this companion volume to the one on
Some English Gardens" which he published in
1904. he celebrates the great villas of Rome
those which lie comparatively near at hand at
Frascati and Viterbo. half a dozen of the Flor
entine villas and a few in Northern Italy. In
his descriptions of these he sketches their plans
and gives some notes on their history. He has
too. something to say about their beauty, but
for his fuller impressions on this score he refers
to his numerous Illustrations. we'll reproduced
in color.
1t would be difficult to exaggerate the value OF
these pictures. Mr.. Elgood is not an artist of
brilliant individuality, and his method is the
New-York tribune., 1907-11-17

Those who pin their faith upon the civilizing
influence of periodical literature will watch
with keen interest the fortunes of the new
monthly magazine which is presently to be
launched by Mr.. Fisher Unwin, the London pub
Usher. 1t will be called "The International: A
Review of the Worlds Progress" The editor
is Dr. ROdOlphe Broda Of Paris. He has been
travelling for several years in the interests of
this magazine, and, according to 1.-The Athen-
Tum,' has secured a permanent staff of about
two hundred and fifty correspondents in all
countries. Their reports will embrace political
progress of science, and all that is new and
significant in art, literature and religion The
object Will be to form 4 record of contemporary
history, and mirror Of vital facts and ten
dencies in social evolution" The review will
appear simultaneously in English French and
German, in London, Paris and Berlin Since
DIR. BrOda has made point of securing really
representative writer's his miscellany Is bound
TO carry a certain weight Whether il will
meet with popular favor and support itself COM
ment was made some years ago with a magazine
called "COsmOpoliS." We have pleasant recoI-
lectiOns of that venture, but for some reason
or other it failed to score any great success
and in a comparatively short time ceased to
exist. 1t is to- be hoped that the new scheme
will at least be given a fair trial. for il en-
bodies 4 good idea
New-York tribune., 1907-11-17
Gbe Nem21nrk gribaarls.
SUNDAY. NOVEMBER II. 1907.

The late LafcadiO Hearn could be, in the mat
ter of literary criticism. as wrons-headed as any
half trained boy; but and again he set
down in his letters bit of illuminating opinion
In letter just published in England he wrote
concerning anthology of recent French
poetry, "the new poetry is simply rotten moral
ly and otherwise" The letter continues as
follows
There is joy in this new world-and
scarcely any tenderness: the language is the
language of art, but the spirit is of Holbein and
the Gothic ages Of religious madness. do not
know that poetry ought TO he joyous. in a gen
eral way; there is beauty in pain and sorrow
Only-is uglincss pain, without beauty. a
subject worthy of poetry? q not including
subjects of cosmic emotion in the question)
"lonica-a rare English example OF exquisite
grace ana lovelincss in mclanCholy-Contains a
dozen little pieces any one Of which is worth
all the pieces in "POcteS dAujourdhu / think
II illustrates what | mean What has neither
JOY nor beauty. nor the power of bcstirring any
great quality or volume or emoton--any Cosmic
feeling or generous feelinS-ouGht not such q
matter 10 be excluded from poetry7
These are good words and they are the more
interesting in view Of their source Iafcadlo
lIearn is remembered. when all is said as
man Of letters of the rather decadent order 4
collector Of literary sensations, upon whose
imagination the claims of art as art, made a
deep impression. Yet there was enough of the
poet in him, and Of the wise critic TO sae that
poetry must Justify itself on very high grounds
II 1t is to treat of uglincSS or pain
New-York tribune., 1907-11-17
A SONG.

BY HERBERT TRENCH
Her my own sad love divine
Did pierce as with a knife,
Stabbed with words that seemed not mine
Her more dear to me than life.
And she raised. she raised her head,
Slow that smile, pale to the brow:
Lovely songs when | am dead
You Will make for me; but how
Shall | hear them them" she said
Make them now, o make them now
New-York tribune., 1907-11-17

About month ago referred with warm
approval TO the vigorous protest made by a
writer in the London "Bo0kman' against ..tbo
feshiy school of fiction" In the same pcriodi
cal there now appear a number Of commcnda-
tory letters on the subject The writer's of one
or two of these are very anxious that art should
not be put in irons. Il am against coarSpncss
In English fiction says Mr.. Robert S. IIichpns.
'but | hope the day will never come when Ia
teune file, or the mother OF la jeune file. will
rule over our authors and publishers" Miss
Beatrice llarradcn somewhat pOrtentously OBJ
serves. that it is impossible for realistic writ
ers to ignore the mysterious workings Of nature
the claims of sex, the demands of passion
But both these authors are nevertheless against
the printing Of mere dirt. Mr.. Theodore Watts
DuntOn justly asCrbeS the whole disgusting
movement which has caused the discussion TO
the spread of Cynicism. at is the dry-rot of
cynicism," he remarks, that, as the twentieth
century opens, is killing the itcratures of the
modern Western world" Miss Marie CorplIi
speaks to the point In paying her compliments
to the complaisant critics of the new school of
pornographc fiction. "One commonly sees the
most enthusiastic praise" she says. "awarded
by reviewers to books, which, plainly speaking.
are not fit to be admitted into any decent house-
hold. Miss COrelli has been more amusing
than impressive in some Of her fleers at the
press, but in this instance she is absolutely
right. There are reviewers who think il "broad-
minded" to commend stuff which they must
know perfectly well is sure to be harmful Criti-
cism cannot evade the responsibility laid upon
It's shoulders in this matter.
Bismarck daily tribune. [volume] (Bismarck, Dakota [N.D.]) 1881-1916, 1907-07-31

imperial family who have attained
their majority; all princes and mar
quises woh are above TWENTY-FIVE
years of age; counts, visconnts and
barons of the empire, elected by their
peers for a term of seven years;
members nominated for life by the
emperor, and, finally, fifteen mem
bers elected nby the taxpayers, and
confirmed by the emperor in their
power for seven years. : s,,-s.>t o. :
The strength of the japanese army
on war footing is estimated at 40.
900; officers and 1,125,300 non-com.
missioned officers a nd men.
Electors-300 members of the
chamber of representatives-are re-
stricted to males at least twenty-five
years of age and paying at least SIS
a year in taxes. No one is eligible
who has not paid his district poll
tax far at least one year.
Executive power is exercised, by
delegation of the emperor and under
his high directiont by the ministers
of the interior, of justice, of finance,