The sun. [volume] (New York [N.Y.]) 1833-1916, 1907-10-16

~ A@wfst<s - s<&t4~t $3.50 10 -
s<A ss--s<sss<N 80 qSs<1s ~ r~sy s-srn<s@sfs
svtssssss 80 q ~ ~s>ssss~s ~ $50 49,
A~.s~a~ ~ srsts~~ = ~ . s4s~sss $1,000
. s~s~ss y ss~ssrs s<ssnss<ss ss~st~sss
- <'s
sN4 ~us~<~rrse~s 40 - tsr~st
ss<~t r-s~ssys~s 60 s<'~<N~s<y s-.~<rsrss
ss<s 90 ~hs~s ltnr<|srsAst So se~srsss w.
.~~-tss spe.-~t . . sssr.rsss'ss SO tAs
zoos 80 ~ s~v rS~t~s~ssNHsfrr-s@s 49,
&c sve% n~f = fs~H. est~s>-s ~ svs.eref
t-rsHfAs~ xNe*r% y rss~s
~<~s go ~ ~ 30 y<ss<-~
us~ eR~s~s-rssss sNr rt~~tpw <sssS>~ 10Y
ss-ssts*tst~s~~ ftsssrsnS<fy Hs<~f-es
s~'y-~ e~s y ~ rs"* y vs~~
-Fsssv. sHssss ssss'-ss s.s'rr,s~~rve we
hsft . st<sssfNtsv 1889 FHtsss tsSsrN-r
N"t' t<RsNt thSys~s N~f-W~
80 sney We sste ss0f svs
10 N~s'srx " se~ H.s~t - ~-ss,'s-ys s~'N
ist ts<tpssss tsfwst ses S-~~e I've
t-'srh trsr rtt~* No rs~rr sfsrsrrp'rp"
~ ssr~srsNvts~s ssrs~~ws we rss~s
sFh Ff f~8rs~f H<rts enrsss"< ervF~
Th~ ~<sss rss~'svs -u"ts'r WV hss .
h@si-~sssN'ke Ssvr
Fh"sHs< I~~'ws r~yf-~rwsst ~
ihfrs rs-ys~-s N~-tsstSsn| w
tfs'ss~rs~ swd 'tssv vfsvtss s"s o
Wt~*~ Fh~y ace ~'Hrstv~d sns esrs
etgt~sf 9Th he srttssf-s>.f sss~ft ~ t"'srh
sns lr-vissel~ s-nss ~ v~ev~s ~ ps'N'-
-ss sr- ~ n~e'v s~ss- ~ ~ s~-"rsssve
hsssne~ 80 rspr~~~rs w hsrsas"'sos -
u~wtne We et~v~vtv skssts rsw~~f
~ NE s~see ~ css"sSsse TVS
10 hesf r~~"gssspf " ne .Isdv end pssvce-
which ~c'ssd 10 IN ssd hss~M ~~r~ " s"t
Tor ths ssvskstsssus evvsn M ~sw to
rlnrrsss ~ N bssd. W -ksrssessss"' "
q arxs s~srfsr~. rsshsV ~uspsy s~rs " n"s
for the s,sunspss~rtc quality md unity nv
'"n~ " wss pssnset IN ~ snd q '"s'ssr
In handing than the uewsns VI i@s Ne
A~ah~spue- 10 q vsr'sston IN p~sr' = q
t~ors- guibrrs hsssd ~ . SRI 10 not 'n the
sccusscm~f later Fultrs sty'e. " . = pro-
flo clearly. fv~sniy psfnsssf, ~sssesss c hs"s NJ
The vei-d ny ~hich we know him to-day.
Chikie Hsssam 10 ~ bss passn hvse. fcv pasnn
he is In his ioyous richness % time and vintty.
-Madison Square In Sprinetimsr n q cross
srction ~ fifth the hotel just show
ing. the clock clearly espo~-d and the tower
and old Hotel Brunswick vel In vtew. Ah
IL hustle. And not . motor car In sight What
q picture for croes Magistrates with a mania
Tor lecturing lsmblike chauneurs. a bevy
Of cafs II clustered near tho curb. Ihey all
wear m unfamiliar look. like old squsrerigsed
sailing vessels with thu Lusitania hard by.
The same artists Newport picture In one OF
the most significant that he has vouchsafed
W. for some time. II In rather crowded In the
background. just - In Newport when seen
from the water. the old church q white note.
and in the middle distances two boats at anchor.
The water is sparkling. There In an air OF
festal brilliancy within the frame Of this very
chromatic Offering. Students Of impression
ism may see In this example q mastery OF
tonal graduation, Of decomposition. and withal
nothing that suggests q sacrifice OF tho whole
To the parts. The composition Ia synthetic.
IL In atmospheric. II Ii Childe Haseam-to
sum up its qualities. Walter Griffin 10 aso
an impressionist. His -Birches In Early
Spring" IL an effective bit. the tender blossoms.
the vernal green foreground, and revealing
observation and sympathy. An early George
Inness. The Home Of the Heron claims
the attention. Tho motive. one beloved
by Diaz. is a huge and solitary tree
trunk. Near it IL perohed q white heron.
Another voice from the past is an Eastman
johnson, a small affair showing two children
disporting themselves on q barn beam; they
are absolutely happy. a. happy as David
Wilkes boys on a fence gate. The veteran
John Lafarge has a strongly felt. strongly
rendered reproduction Of Bishop Berxeley's
Rock at Newport. 80 massive and solid that
even DIR. johnson would not have dared to
kick it as he onoe kicked a rock in refutation
OF the good Bishops philosophy.
II Chiide Hassam is a pagan W. L. Lathrop
is a Puritan in temperament. His land
scape, a mere expanse OF lean brown hills.
q small stretch of water and a Luminous
sky. is the very expression OF the autumnal
mot the rich. but the reserved), OF the bleak,
though not OF repeIlant d~eoaying nature.
Lathrop is very sane Of vision. He has his
bias. 1t leads him TO articulations, to half
tones, to mother earth when she 10 putting
on the livery OF remuneration. II Lathrop
went TO Italy he would bring back no lus-
cious color schemss. He would eco and
sympathize with the Italy the Primitives
saw and rejoioed in; not Ruslin's. put tho