The Montgomery advertiser., 1907-10-06
An1uSen7enfS
'I'iaying the Poniesv at Montrom.r

'T'iaying the Ponieso at Moptrom.rv
 Theatre.
 ., oont De shine pal. Get on A steer what k a steer. This for kesns the little beauty can let Tippy play two thousand points of pinochle, eat a crop or hay, break three legs and then cop same as if she was loaded on the baggage coach ahead. Don't pike but get down hook, line and sinker."
 That's the lines you hear. Do you know them? Do the listen familiar? If they do you appreciate all the more the great; horse play of Yorke and Adams. It is a horse play both ways from the inner circumference. but it's good fun. ali the same. Sounds well all the way through, looks we'll and stirs up "A lew idle laughs that one does not realize Is in his system.
 They show you the rail bird, better known to some of those in the know as "the clockers," the wiser one with the sure thing who Is always a phil anIhropist until after the finish-then he can't be found, the young man al- ways in tough luck, the flashy person who is always entangled in track intrigue .etc. But the best of all Mir E. z. Mark, or rather two MT. E. 2. Marks, for they could not provide a single barrel line of fun for these two inimitable comedians. .,
 Gus Yorke and Nick Adams are not new to Montgomery theatregoers. They have been here before and at that time we predicted that they would come back to more tin (please observe that we are strictly in accord with the line they represenD, than on a previous en- try And they did. They deserved 1t. They havn't confined their musical melange to a bunch of junk thrown together and named something. They have a real plot, some real humor and character parts that are full of calibre for the price. They dress up, they work all the time. they use the spot necessarily, they watch the lazy misses in <the chorus, and see that the ones in the back row work even harder than those in front. That's why we believe Yorke and Adams will make a success. even greater than that which they now enjoy.
 The blase rounders laughed. for all of the crudeness and exaggeration Of some of the humor. The piece hit the ,not that was aimed at Old Aldricn Libbey, a friend of our youth hasn :. lost his voice calling for the same. He hasn't lost a shade in the efforts 10 sound them all pure and clear ne stiII has the strength that made ms "A fter the Ball" famous, and It was pIeasure to see him meander down h. C. throw out his chest ana "ai ole' He received the kind comforts to which he was entitled, and then came pack with a warmer mur1n.
 There must be few kind words, for this is a jolly crew. Bobby "Harring- ion which we still believe Is Bobby Carrington, added something 10 the versatility of George Gohan when he sought to imitlte that well known character. Bobby IS working his way from stable boy to high class mount so to speak. He sings we'll. reads well and can do a great deal better class of comedy than Is assigned to him now
 Maude campbell was very clever, ran true to form, was we'll up with the bunch all the way and never in trou- ble.
 Grace Childers made the pace most of the way, but faltered in the stretch It was never too warm for her. but she quit when the lines got tangled
 Katherine Trayer was not ID the running at the finish. Chased as a auitter, she went through her role. She's a handsome filly. and will do better in faster company.
 Vale, Gus, au revoir, Nick.
 Al Filds and his miustrels will ap- pear at the theatre Monday matinee ''' G. M. G.