The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1907-06-23
NEW YORK FASHIONS.
(BY EDYTH RAYMoNDD

hips or even below. Just now there is
every appearance that the former will
be quite out of the run next season.
That is what prophets are predicting
Linen color is being more selected
than for several seasons. 1t doubt
less rode in on the wave of the vogue
for brown. Tan color, leather, khaki,
oatmeal shade (as the English call
certain soft gray brown, mahogany
red and all the other fancies of the
year are out in the linens. The girls
are standing pat for the plated skirts
with two or three wide stitched bands
above the hens. They ara certainly
becoming to slender girlishness AID, in
fact, to almost everybody. But the
fashion has been accepted too general
ly to make it stable style
Full length tight bodice sleeves
of tucked chiffon of lace I'LL in the
break between the short Japanese
sleeves and the wrists in many smart
costumes. This is an economical solu-
ton of the eXtTavagant long glove
question, but it does not mean the ex-
tinction of the elbow sleeve. Another
expedient is the adjustable half-sleeve
of lace or tucked chiffon or net which
has an elastic on the TOT, and which
can be put on quickly when short
gloves are used. Some of the new
gloves have just come in with the iace
tops which have a similar appearance
Automobiles nave taken an interest
In the new chasubla coat with open
SIDES, which fall absolutely straight at
back and front like the ecclesiastical
robe for which it is named 1t is made
of heavy linen or pongoe, and so far
has been finished with bands of heavy
lace around the entire garment. On
the fronts and sleeves it is usually fin
1shed with cotton passamenterie and
brandenburgs. The first qualification
OF this coat for summer use is the read
mess with which it clasps
y great dressmaker has come out,
with paletOts which have sleeves that
extend from shoulder to wrists. and
which are much the same ample width
all the way. something in the shape of
nuns sleeves.
For motoring sand-colored linen is
faVOrite where a shelter from dust is
the main requisite. Such coats are
often trimmed with lace dyed to match
them in tone and with cord. buttons
and tassels of the same shade.
The reaction from short sleeves is ev-
identity under way.
With a very Ella bOrate lingerie gown
of white lawn incrusted with lace and
embroidery and worn over a Natter
blue slip is worn a hip length coat of
Natter blue and black below which
fall undersleeves of white silk embroi-
dered with roses. Below them all fall
fall lace frills. The crossover waist
coat is also of the embroidered white
silk.
The overskirt, as it is called today
the tunic, is an important feature of all
displays of fashionable gowns With
d white chiffon gown shown at a dress
makers the other day there was a
tunic bordered with apinted roses and
plain blue stripe on the edge. The
sides fell separately and straight at
about knee height. The skirt was
tucked TO deep founce depth. The
bodice had cross-Over arrangement
of the painted chiffon.
A smart white linen frock has a Der-
fectly plain plated skirt trimmed with
three bands stitched to the skirt at the
upper edge and left loose below. The
blouse is shirtwaist pure and simple,
buttoning down the front of eemiddIe
box plat But at the side of each front
there is wide band of square meshed
open embroidery edged with plain linen
and extending from shoulder to girdle.
the back edge just meeting at the arm
hole seam. Under this at the top of
the sleeve is another band of the same
kind falling over the tops of the arms
and shaped to curve under the first
band just below where the sleeve
leaves the waist. The sleeves are of
more than three-quarters DEPTH but
are not full length and have turn-back
cuffs Of the linen banded embroidery.
Another linen gown has a similar
trimming. although of more elaborate
design. 1t is of princess cut and the
long full skirt is trimmed at deep hem
depth with coarse filet in diamond
shapes. over the shoulders and to the
waist line there are wide bands of the
filet placed well back from the front TO
meet the shoulder seam and extending
10 the bottom of the skirt, forming
frame for a wide front panel The cir
die ends at the bands in short tabs The
skirt is shaped i'm at the waist lines
by fine tucks A curved band of the
lace outlines the deep yoke which is of
Nalenciennes lace.
One of the pretty accessories in this
season of whimsical shoulder cover
ings is long scarf of the same ma
teFial as the gown gathered in at the
back. fitting snugiy over the shoulders
and the arms and knotted carefully at
the front where it terminates in long
fringed ends.
For the very latest veil that can be
made at home with small expense get
round piece of sprigged net about a
yard in diameter matching it TO the
hat in color and finish the edge with
three narrow bands of velvet or with
q piece of lace edge. Dampen 1t and
press the edges so they will lie nice
". just undulating the least bit. Then
throw the veil over the hat so that it
hangs the same length back and front,
and catch 1t in plaits at the back with
fancy pins. letting it come close TO the
face. This is the very latest Partisan
veil. Such wells are also made OF tuIle
in the color of the hat.
The French eye for blending colors
was never In greater demand than at
this moment An imported gown seen
last week, one which made no pretense
of anything else besides a simple little
CONNECTION, mingled white green. blue
cherry color and black, all in about the
same ratio. The white wolfe gown was
spotted with green and the skeleton
bodice was bOrdered all around the
edges OF a Greek key pattern in blue,
white and black. There was an en-
broidered batiste guimpe with which
cherry-colOred bow was worn at the
throat. The sash was black and was
embroidered on the ends with punches
of cherries in natural tones.
One OF the features of all fashiona BILE
DAYTIME affairs whether morning or