Pine Bluff daily graphic., 1907-06-02

velvet loops through which threaeis a pale blue ribbon scarf. The mushroon. hat of natural straw has q big bow which eEatiH matches this scarf. The bow arc scarf are arranged to be eas:f~ taken off and before this suit Go@5 to the country fer the season there are to be two other sets. one " black and the other in rose color. to give variety to Q costinna that is expected to give hard and long service.
 RT)berized pongee is the th;li~ for smart practical lnotor aaa traveling wraps. Outside garner is ordinary fine quality silk pons@n in natural color. Inside is a @oa of fine rubber that makes tho ola- terial absolutely waterproof. I'm price is s1.4S yard
 The ali-white fr0ck is put in tHe background somewhat by the ten- deney to give everything toaa of color. Some of the handson1 ass embroidered white gowns are trim med with narrow bands of colorea linen, which appear on the hens of the skirts and on the coats. These colored bands are now and then striped With white to add to tan conpleXity Yellow, green, pi9,. and blue are used in this way. Tn colored material often makes r: the collar and cuffs on gowns tha are otherwise plain. Right in line with idea lis the dainty fashion for embroidered collar and cuff set; of thin colored lawn worked with white and edged with tiny knife plaitings of the materials. Son}e- times these sets are plain. but for the hemstitched edges or a sprink- ling of tiny embroidered dots Mar TOW black taffeta scarfs are worn with the colors. The scarf of an attractive set seen lately passed through crocheted rings and ended in silk tassels.
 The new long redingote is bein made by the best houses and worn more every day by the fashion ables. The material is gray lainage, threaded with gray of a darker tone, cut both plain and on the bias. The skirt is made without bit of stiffening about the henl-as has been the mode in finishing skirts for so many seasons-the aim be ing to produce a clinging appear ance A binding of velvet is put around the redingote and the rev- CTS are also of velvet. just below the shoulders ill the back the full ness begins, finished both back and front with little curved pieces. The hat worn with the redingote is a real bell shape or heavy rice straw. white garnished with band an.! a big bow of black taffeta. Wit three huge colored roses at the side. A narrow handeau is placed under the brim in the front to lift it slightly from the head. The vel is black point d'esprit, with bor- der of delicate black lace. The veil Is cut to fit the hat and is made curved in the upper part, wider in the back than in the front. Thi; done so it may lie in pretty folds about the face, just the dress all around.
 A trimming that is seen very much in millinery and has had great success in the very long and much curled ostrich feather, which begins at the right side of the crown of the hat and winds across the brim to the left side. there falling in shower at the back Of the hat. The narrow front and wide back brin make most of the big chapeau rather picturesque.
 The passing of the big handeau is a great point in favor of the new milliners. Never has ther been a style more ungainly or un- becoming than the tilting of the hat to an alarming degree at the side. back of the head. and dowr over the brow If 1t exists at all, the new bandeau is low, round. modest and barely lifts the ha4 from the head, and tilts it not at all. It is wound with lit of il- lusion.
 Styles both for hats and dresses are undergoing chance already. very gradual, but noticeable. Gowns are becoming more graceful, the big ShaDeless Japanese sleeve is