Evening star., 1906-03-25

back was shaped band of white satin
embroidered in silver. with "A silver butter
fly IN the center The elbow length sleeves
Of putu, applique were formed of hounces OF
the lace. the outer edges Of which were
brought together at the outer side of the
arms and gathered TO form a double ruihe
effect from shoulders to elbows. Between
tie ruffied edges. which were turned back
Tor The purpose, were perched several white
butterflies.
The robe was bordered about the bottom
and also around the round train with
an eight-iuch fiounce of lace showing tiny
bowknois at the edge The robe, which fell
IN scaut folds from the empire girdle, was
80 tlmN as to show the outlines OF the fig
ure In the cIose-fftting satin understip. The
tulie of fine. plain Brussels net. II real y
was had at intervals OF every eight-or nine
inches white chiffon butterflies embroidered
At their edges in white SILK appIlqued on TO
tie jullo. The long tulle veil also had sew
cral butterflies scattered here and there on
it's surface.
The butterfly motif emblesnatic OF Easter
was not used because Of this The bride has
"A peuchuut fOr butterflies and they are en-
hlOideFsd or appliqUed on almost everything
she wears,
Butterflies appeared-great. transparent
ones iu gOld-cu the golden yellow hats
that topped the long empire robes of vel
low chiffon over yellow satin These robes
had little yellow moire boleros. with bands
underneath. Stimulating waistcoats, of yell
low velvet. The maid OF honor, Miss Mar
garet Hall Behr. wore similar costume
10 those of the bridesmaids. but it was III
white chiffon and noire.
The bridesmaids were Miss Olive Schley,
a cousin of the bride: Miss Aileen Lawson,
Miss Katharine Lefens, Miss Lloyd Thomas
and Miss Edith Rossiter.
In detail the froeks were follows: The
empire girdles were narrow shaped bands
OF moire, and around the bottoms OF the
skirts were two simple bias ruffies OF fnoire
an inch apart. the lower being perhaps six
inches wide and the upper an inch mar
rover The material was chiffon cloth,
and the MORE used matched II exactly in
shade. The short sleeves and YoiSes were
nf yellowish lace, and the little boleros with
sleeves ending just above the elbows had
turued-back cuffs, deeper at the outside of
the arms than at the inside seams, being
three inches wide at the deepest; they had
ppings of yellow velvet set in under the
edge and projecting as folds. All around
each tiHy coat WAS fold of the velvet let
in underneath. and giving at the front =
where they were a little wlder-a waistcoat
effect Twists OF the material ended each
side OF the center back in single butterfly
tabs. caught with rhinestone cabochons at
both top and bottom.
The hats were great large picture
shapes, with low. round crowns, brinls of
row bandeaus covered with yellow tulle.
The entire hats were of the yellow moire.
Including the facing of the brfms. where
knots of yellow at one side near the back
formed the Underneath trimming Bands
OF yellow went around the crown and at
the left center of each band a great but
terfiy in gold lace was poised with out
stretched wings as II Il We're about to take
hight; from under the crown trimming at
the right two very wide and long yellow
ustrich rlumes swept out and over the
Sfiuus. The wide biilns We're OF equal width