New-York tribune., 1906-10-03
Literary .NesOs and Crfficirr,

hA nAaa
dent that We rejoice 70 hear -. .,,ss.
with cordial approval among co,,s...-- -,
OF Whon are generously ASSISTING ~ a.
or therA In the portfolio for the ,resa,4 -.a.s
there VIII be three examples ney.- 80.
produced from the collection ~ a., -
Portugal. Two more viii come Fror, .So - -
uon OF King Edward. Miss FIoadIo,, 80. -
american LADY living in London he. o,,o-.S
tie eleo 10 photograph her Mrs. Be+tasvror+, -,
- az DS Slr Joshua which has not hi+herto
even oeen mezzotinted. Other o,,n.-. -
80 1-io same goodwill The artists repre-
se1leu VIII Include Filipino Llppi. Nfon+arna
Titan Rubens. velaaquez. Wa,tsar s.
Aenlng, Jordaens and others
AooiIlc art Is not precisely on tha cras. ~
'i.e wave to-day. The young painter looks s,s.-
where for his inspiration; he would sso-,eo. a..
sFealest triunphs OF the Academy for o 1so, -.
1ne note book OF Degas, for exampla forge+,,r. :.
tl-at Degas himself is 20 this day devoted n the
genius OF lngres. at whose feet he SAT- vvba,
-1l1-s now 10 paint. Those who have not been
oAnoed by Impressionisrn yvhistlerfsn, s,a
O'HeF 4atter-oay isrns'' TO the rnagniAoent ouaIi
ties OF the painter Of la Source win raad WITH
interest the long paper on lie Balm Turc' d'rn-
gres' which NJ Jules AIonneta has contributed
20 the september number Of the ''Caze+ta das
beaux Arts" The main subject OF this ESSAY IS
&c famous picture, now in possession OF the
FT1nee Amadee de Broglie. which had its origin
Il NJ MommeJa's researches are exact, IN a note
OF Lady Wortley dontague's on the wonen's
oaths az Adrianople. A superb engraving OF II bv
NJ Cora bout is given, and there are tIustrat tions
showing the painters studies for the work. ana
other productions OF his in the same field The
essay throws. indeed. good deal OF light on
the whole question of Ingres and the nude. He
Da1Dr6N ~ md -1az~
purity OF sentiment equally important TO the IN
tegriry OF his art. These pages are full of Sig
hncance foE the modern painter OF the uude
We are glad TO see, by the way, Shat in its
fortnightly "Chronique des Arts the Gazette
throws all the weight OF its authority on the
side OF a conservative policy IN matter now
interesting Parisians. A group OF artists. writ
ers and collectors has been urging the early
transference OF Manet's Olympia" from the
Luxembourg to the Louvre II is pointed out
that, quite aside from the doubtful wisdom OF
prematurely depriving the Luxembourg OF an
important exhibit, it would be q mistake to have
the Olympia enter the Louvre alone, when.
with patience, II may enter accompanied by
works representing the entire irnpressionlst
group. There IS really no occasion for haste. II
VIII be better for AIanet himself. as well as for
his fellows IN the impressionistic movement, IL
they al come into the Louvre together at some
time IN the future when the group and its
principles have been more conclusiveIy fixed in
the historical perspective OF modern art.
Brentano's announces for publication this
autumn a new edition Of Cellinis Autobiography.
in symondss classical translation. 1t will appear
in two volumes, luxuriously printed at the Merry
mount Press, and illustrated with forty re-
productions in photogravure Of CellinPs own
c7E oS b-rT
persons mentioned IN the Autobiography. sy-
nonds's notes and his sketch Of the author Will
be included. and there will also be a special in
PRODUCTION on CelIini as an artist and as writer
prepared BY Royal CortissOz-
The best thing IN the current number OF ''The
international Studio" is a note by N. Henri
Frantz on the recent work Of Anders Zorn. who
has recently been holding an exhibition az the
Durand-Ruel galleries. IN Paris. The article is
accompanied by half dozen reproductions OF
etchings Of his. etchings which give peculiarly
vivid sense OF his prodigiously facile technique.
IN the text there IS an interesting quotation
from conversation with N. Dayot, IN which
Zorn describes his earliest artistic efforts. He
was q peasant lad tending his fathers focks
when he began 70 amuse himself by carving with
his knife images Of the animals in his care. He
says:
To make my sculptures more Itelike used TO
initiate antique sJaruGry by ttntng my work Ny
palette was the palm OF my hand, and made
mixture OF bilberry Juice and certain cOlOring sub
stances obtained from little wood flowers. The
hrs- work I sold represented-an enraged COW! !
received generous payment for IL, IN the shape OF
q sou and a little white loaf, from one CT my
friends, a shepherd. Even that day when the
Ducnesse d'Ossuua commissioned 70 paint her
portrait nv Joy not greater than when re-
ceived that sou and that little white loaf! often
return 10 look my great woods and my dear
Daleca-lian peasants IN their ttne striking COS
~-r-H nr77 TvNe I q
ewes the little shepherd boy Of other days-I spend
The hagpesr hours o1 my life. Il was during one
Of those trips that I carved. in brentwood as for
ulerly, the bust OF my old grandmother
The special summer number Of The Interna-
tionaI Studio" published in this country, ike