The Mitchell capital. (Mitchell, Dakota [S.D.]) 1879-1918, 1906-04-06


beauties of the gay French capital nave
q nerve that is growing stronger daily.
They think they have the right to live
Tree. rot only on the admiring public,
but on all kinds of tradesmen and fur
nishers, dressmakers. milliners, fur
dealers, photographers, livery stables,
automobile garages and their own land
lords.
They have learned to claim the earth
and get it-even from Paris judges.
This is why Carriers salary has been
raised since she acquired her sable
Jacket without money. and why being
sued for 1,730 francs worth of pictorial
posters has doomed lane Derval's re-
nown.
Jane Derval is THE Midnight Sun of
reference being to her yes
of fire, her darkly glowing brunette
beauty and her 60-ampere dash. Well,
eight months g the Scala put her at
the head of a Review"
The Scala did it's usual lavish adver-
Using. Jane Derval was in it at the
top; but that was not enough for Jane.
she went her way and had 5000 spe-
c1al posters of her own voluptuous per-
son pasted on the walls of Paris. The
designer was a we'll known artist, the
color printer the dearest of his kind.
Eight months elaIse. The scene
w tiiC ~ GISlI CllDUlltll vi
the Seine, where the color printer sues
Jane Derval for 1,730 francs.
The Artist Adored Her.
II do not w it," says the Midnight
Sun. "Why?" asks the judge. The
posters We're a gift, a tribute "From
Mhom?" asks the color printers lawyer.
From the artist. He adored me, and
he begged to be allowed to do me and L
let him." answer Jane. But where
do 1 come n?'' inquiries the color print
or. Arrange with the artist" came
the answer, and in the absence of writ
ten evidence the very Partisan judge
declared his inability to find a promise
to pay on the part of Beauty.
a whole Jurisprudence is growing u
rlers had created" a new sable jacket,
and desired to show it to the world. At
the Odeon theater he knew a delightful
young actress. Suzanne Cartier is, i'm
deed, a charming creature, dazzling in
her person, wearing her clothes to per-
lection. Thus it came about that
suzanne earlier was soon wearing the
sable jacket on the the stage and in
some photographs that appeared in
fashionable weeklies of Paris, London
n Vienna.
The delighted furrier sent Suzanne
proofs of the photographs with a note
calamity conveived: THE house of NJ
~ AGlly W llloS III elOD
the most delicious baby of Paris"
HIS reference. of course, was to the
e~nNeloping qualities of the jacket-and
m the photograph only, as he later tes-
tli1ed; and when, in course of time, Su-
zanne did not return the Jacket and he
disagreed. The jacket is already
mine" she said, for acknowledgement
she put in his letter as Exhibit A.,
IT was a notable trial by reason of
the dazzling string of witnesses for the
defense.
We all do it," testified the fair Me
gard.
1T is the way we mount our toll
ettes," testified Delvair of the Theater
Francais.
Whenever I am photographed i'm a
costume, coat or hat the object becomes
mine deposed Valentine Page of the
Odeon.
And the photographer pays us ALSO
affirmed Karville.
II have had the use of an automo-
bile free for six months at a time. pay
Ing only the chauffeur's salary" vol
unteered the baby-faced Guerrita.
.For a hat or even a costume, very
vel. objected h %furrier. but here is
a S2,4o0 jacket of valuable sables.."
But you seem to acknowledge a VAIL
uaple advertisement" said the Judge.
Think the 'Loveliest Baby of PARISH
And In your letter you express delight
that 1t envelop her. Let 1t go on en-
veloping her!"
How Lutece Started.
He decided that the Lovely Baby
Keep the Jack et-by custom of Paris. II
was the sprightly little Lutece who
maze the success of the sitting by first
using this phrase, They are our per-
qu1sltes by custom Of Paris" And.
really, when n thinks of the begin
mngs OF Lutece, n sees how Beauty
in Paris. Wv
She was e poor little artists model.
One day q heartless joker gave her the
address Of Gustave Courtois, saying he
desired her presence instantly.
The great painter was out when Luz
tece arrived. I'll wait" she said; and
the servant, habituated to such APP
pointments. let her. The studio was
empty IN the sunlight. Tapestries hung
on the walls. rugs and cushions Uttered
the floors. With a sigh the tired girl
sunk on a couch and, waiting, went to
sleep.
Suddenly she awoke with a start. A
man was sitting near her, calmly
~sketchtng. Hold that pose!!" he x
claimed sharply. Then, half an hour
later, he looked up and said: .Perhans
will now tell me what you are do
ing here?"
Lettuce explained.
Hunt" said the painter. Someone
has been fooling YOU" Twin tear drops
rolled down her lovely cheeks. Hum.
hunt" he continued. You have unaf-
grace. Suppose you take YOUR
off 2"
Thus Lettuce became Gustave Cour-
tots favorite model, at high pay as paw
goes in the world of models. But:
There is no money in high art" she
unused one day: and a luminous idea
struck her. She had been posing i'm
Gallo-Roman draperies, her gold brown
hair bound with ribbons, her arms and
bare-a Gallo-Roman ANA
ryllis calling to her Tityrus on the pam
pipes. With poses of three such poses
IN her hand, she went to a foremost
photographer.
1t was oward tho beginning o. ttc
craZe. The photographer-
who has since made q fortune in it
saw that the girl had found a geure
He offered her the Usual terms. per-
haps a $50 bill per pose; but those post
cards were the beginning Of the for
u OF Lutece. The Paris public came
revel in her dainty prettiness. She
appeared in classic poses'' on the
and today they have her on
whenever they need a~rtless, unaffected