The Calhoun chronicle. [volume] (Grantsville, W. Va.) 1883-1984, 1906-11-27
A DANGEROUS PRACTICE.
Burning on Paint Makes Insurance
Void

VOID.
IL seems that considerable danger
70 property exists in the practice OF
burning on old paint before re-paint-
ing The question has long been a
subject or debate In the technical
Journals, and now house-holders and
the newspapers have begun to discuss
II. Those OF us who. with trembling.
nave watched the painters blow a
merry blast from their lamps against
our houses. and have looked sadly at
the size OF our painting bill because
OF the time wasted on this prelimin-
airy work, are Interested in the in
vestigation by the Greenfield (Mass.)
Gazette and Courier, which gives
considerable space to the reasons for
the practice, questions its necessity
and suggests ways to prevent the risk
otsburning down ones house in order
to get the old paint of. II says:
There is good deal of discussion
among house-holders as to the desir-
ability In painting houses, OF burning
on the old paint. practice that has
grown very common OF late in
Greenfield and elsewhere. Insurance.
men are strongly opposed TO this
method. 1t makes void insurance
policies for fires caused in this man
ner. Several houses in Greenfield
have gotten afre as the result of this
method, and in some places houses
nave burned as result.
1T is undoubtedly true that when
house has been painted over and
over again there comes to be an &C
emulation of paint in punches. II
new paint is put on top OF these ao-
cumulations 1t is almost sure to blis-
ter. To burn It OF is the quickest
and cheapest and perhaps the surest
method Of getting rid of this old
paint"
The Gazette and Courier quotes
certain old patrons to the effect that
accumulations of paint are unneces-
sary. These old-timers lay the blame
partly on the painter who fails to
brush his paint I'm well. partly on the
custom Of painting III damp weather
or not allowing sufficient time for
drying between coats. and partly to
the use OF adulterated paints instead
OF old-fashioned linseed oil and pure
white lead. The paper says:
Many OF the older house-holders
say that II care is taken at all these
points, 1t is absolutely unnecessary,
to tGTc paint burned of. They adj
wise that people who have houses
painted should buy their own materi-
ais, and to have them put on by the
day, so as to be sure to get good lead
and oil. OF course the burning OF
OF paint greatly increases the cost
Of the Job"
The trouble house-holders every
where have with paint is pretty we'll
summed up by our contemporary, and
the causes are about the same every
where. BY far the most frequent
cause Of the necessity for the danger
Gus practice of burning old paint is
the use OF poor material. The oil
should be pure linseed and the white
lead should be real white lead. The
latter is more often tempered with
than the oil. Earthly substances, and
pulverized rock and quartz, are FREE
quently used as cheapeners, to the
great detriment OF the paint.
Painters rarely adulterate white
lead themselves and they very seldom
use ready prepared paints-the most
frequent causes OF paint trouble. But
they do often buy adulterated white
lead because the property owner in-
sists on low price and the painter
has to economic somewhere. The
suggestion is therefore a good one
that the property owner investigate
the subject a little, find out the name
of some reliable brand OF white lead,
and see that the keg is marked with
that brand
The linseed oil is more difficult to
be sure Of, as IL Is usually sold In
bulk when the quantity is small; but
reliable makers OF linseed oil can be
learned on inquiry and. If your dealer
is reliable, you Will get what you
want.
Pure white lead and linseed oil are
so necessary to good paint that the
little trouble necessary to get them
we'll repays the house owner in dol
lars and cents saved.