New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1906-01-22
LONDON ART
The international Erhibitiou-o
american Work.

-
work can be properly seen. II fz Nasss ~
ton House in gray academic g.. sEsls,
New Gallery, where light mas 80 -ls At Z,
csii'I@i nan Dy structural changes Z, 20 !,
ana then tempered by canvas 60 s ~
uriDpi1Hs HOue fountain has been rsr-. =
the balcony railing converted ip.o 90 4
FREEZE and there is nothing in the za,,... ara
environment 70 detract from the divn,.- Z
sculpture AS the International soote.- = -,
feature OF sculpture in its annual a.,-sss
these alterations are justified BIZ n. ~-S,
the work NJ Robins "Klss.a ub,.s 80
at the Paris Exposition, is the dor,,.-., "a ~
q marble embodiment OF love. With ..-1s ~
woman ciinging tenderIy TO the sero-. .-'s-f
man. II Is lent by Dir E p -
Americans are hoping that 1t win uI,t.-.r Z
placed in the Boston Museum. n pfs
mes colossal Adam and Eve" with a.. e.-.'as
ful modelling. Is perhaps too big 4o-
central hall; but his young girl s,..,,- y
one knee and toying with her has-
small work, An Bord de Ran z,.s
resting on her hands in shsuo, 8
are graceful works cuu Of rsnns-.-.
Robins 'PaoIo and Francesca ss - I
them clinging together f the whirl,,v y. y
conTasted with roughly hewn rnarb,s -
bronzes. figures. heads and reliefs by =. -
g1an sculptor Constantin Meunier. srn-..- .
quiet realism the hard prose Of toils.,,.- !. =
in mines. fields and dockyards. Pan, N -
lett, an American sculptor. has an - -
collection Of vases, heads and staens,..-
itated so closely that they rni9ht - =
where as antiques: and with thez. a.,
ern pieces Of creative power. Havs-s -
whose ''Lycidas'' brought him notor;.sv -
than fame last year. now has a mods. =
low relief, ''The CamomIle Gathersrsa. ". :.
son 'Pieta," for the private cha7ai !. ,- =
beck Abbey Alfred Dru-y q poetis a=,,-.
the Night" and BourdeIe and Other -
French and English. a series OF ,nt..,---,
works n marble and bronze
The three large galleries and tbs nj
spaces are filed with OIL paintings. str., :.
water colors, pasteIs and black and wh,,. -
In which American exhibitors ara srna....
excel, are reserved for 4 second SHOW A..
February. Among these is q series o. pss-s,,
lent BY the Pennsylvania Academy OF Fin. =,
which reveals new aspects OF American A. =,
Of them. Deforest Brush's Mother and Chrsss
composition, drawing and color, is psrhaus .,
most notable work of the exhibition s.a /.
praised BY al English critics. Mr.. Ts-ss-,
People at Breakfast" Mr.. Rangers -ss..
Pasture" Mr.. De Camps Little Hutsl' Y.
WinElow Homers Signal OF Distrszs- U.
Eakins's Pathetic Song and two pertain
by Nj Wiles are among The other An..
can works. The National Gallery a. Bsta
has lent Gustav weddings spirited Ven
from the Sea- and there ara contributions nm
Munich and Dusseldorf studios; thsrs
characteristic work by the veteran pai1tz, 4
The Hague, Josef Israels, with 2 SchsTsainsa
beach scene by Mesdag snd 'Aattns sspts
bre." by Buysse; one OF BoldinPs most hiIlz,.
"swagger'' portraits, Mrs SalaInan, has slrr-z
assertfve noIe OF character apart from tas IN
mony OF tone and perfection OF vorkmzns1Gl
there Is a group Of Besnards-mar1nss and hs.a'
ing pieces, with fine effects from clouds 0Fss u
water and beautiful blends OF blue: and sl-s
with a mixed lot Of modern French T0rks tn
is q fairly complete representation Of zpE-
sionist painters, living and dead. from TIE 5s-'
he'n collection as we'll as from Paris Ent.A
Some OF the examples might have been vss9
rejected as Inadequate; but series OF For1 2
Boudin. Manet, Rsnoir. Morisot Pisssro' seq
lie Grand. Degas, Forain Carriere, MONET C
zanue and WILLARD ara well worthy o. s'il-z
study. 4 strong Segantini. Early Spring Is
been lent By Mr.. Fisher Irwin and thsFa II
pfctures from studios IN Madrid Veniea. Blia'
pest and Rome. The society fully vindi'l's
its position as an international body q ari2@
and its exhibitions are conspicuous tO- frss1asa
and variety.
The Scottish group OF painters. which Ts'zEa
=
force at the New Gallery. Sir James G1ns
presents the Marquis OF Tulhhardtns 4 =
glory OF South African khaki and makes ann
impressive figure OF him M LsvsT =
painted Bishop Gore in purple cassoek Enas
so much more becoming than ths usual sca1F
asticaI costume that II may set new sos
episcopal portraits A more fascinating 80
he has found IN the Ladies Evelyn ana W.
HeIy-Hutchinson, and apart from the WYE
Of the work and the charm and dis-L2'-
which ne has impaired 10 Il, he has sIoo-
in arranging a most 5eauriIul color schszas =
and dark blues blending with white A-'-
Scottish portrait, Mr. BroUgh's Gigni1sa =
sentatton OF Lord Justice Vaughan Wliiillz.
a fresh reminder Of the loss sustained y .
art through the painters Unrinely dean -
works are not challenged BY c. H ST.
portrait OF Mrs. Goldman. 1Ir. GrenLsll's ..
likeness OF his wife, Mr.. Towards IT,
alert portrait OF Mrs. Pousonby. and ne -
ter-woldan from Muaich-an artless hEls 7.
so much as by Nj DeIorest Br1shs ~
and Child" and the brilliant BoldinL
two Carrieres certainly are inferior
American work, which hangs near tasl
the Aman-Jean at the end OF the same 81
merely eccentric in comparison with L -
the most promising works from L7" =
Mr. Lambert's "Alethea." IN which - -
woman without hat but with ions -, -
skirt, is awaiting the coming storm on : 4.
hillside. Mr.. Furse might have painIs1
ure like this when he was beginning IA
but brilliant career.
This exhibition is remarkable Tor lns
OF its landscapes and marines The rs =
pressionists were. and stin ara So -
shippers. The cold glitter Of VIII. 4