Evening star. [volume] (Washington, D.C.) 1854-1972, 1906-05-20

ribbon was deep duil red, and the pfcot
edge was in cream almost bun. Tbs
lower edge OF the ribbon ruehing was much
wider than the upper and extended out on
the hrtm nearly an inch and . half. the
upper edge stood out In box piaits from the
upper edge Of the crown an inch. The
backs Of the plaits were. Of course. caught
to the top Of the crown. but invisibly 70
From between these upper plaits and the
upper edge Of the crown at the left side to-
ward the back came two wide but not very
long ostrich pfumes in rich cream or bun,
the edges shading first into pale pink and
then into deep red, the shade color OF the
red In the ribbon. Both of these curie1
under the brim and rested against the hair.
one at the left side back Of the ear and the
other directly In the back
Under the brim at the left and back and
forming a catchepeigne were masses OF
pale yellow roses nesting against duh red
tulie and shaded red and brown foliage.
A.
Miss Campbell's maid of honor. her cous-
In Miss Martha Feltus Townsend, wore
white embroidered and tucked null frock
over a white slip topped by large white
hat trimmed with white plumes; she car
ried pink roses. The bridesmaids, Misses
Dorothy Q. Roosevelt, Isabella Wetherill-
now Mrs. Barent Lefferts-Dorothy Ed
wards Elizabeth Auchincloss and Gladys
Smith, the latter a cousin of the bride and
a sister OF Dudley Dupignac, wore white
null robes over rose pink silk slips, topped
by lingerie or garden hats of embroidered
white null, trimmed with pink ribbon. All
these white null robes had panel effects In
the fronts, with flounced sides and backs.
and those of the bridesmaids had boleros
OF null and lace. There were four or five
lace insertions down the front extending
from the Jokes to the hens. These fnser-
Tons t1> la a mr.
tapered In at the waist line and out again
at the bust and the feet, the panel being
plain otherwise, the null between being. of
course, embroidered like the rest, and also
tucked bit. At the sides anu lack the
robes were formed of four or FIVE gradu
ated hounces of the null. tucked at the
tops and fiaring out at the bottom and
edged with lace. These were. apparently.
SO that despite the lounce effect. there
was but one thickness of the embroidery
over the pink silk.
The tops were little boleros, square
across both the bottom Of the back and the
front. formed of insertions Of null and
narrow lace rufles. The elbow sleeves were
full puffs of null and lace.
The hats were fiat, rather oval than
round. and placed straight on the head.
Each brim was formed of narrow founce or
embroidered null, edged with lace over the
lace framework, and the crown was the
same null. with ruff1ed edges at the top
falling over the brim. "A SaSH-l1ke arrange
ment of rose-pink ribbons was wound
around the crowns and tied in soft, short
ended bows at the back. Each girl carried
a big handful of pink roses.
The mother of the bride Mrs. Parsons,
wore a heavy white satin crepe de chine,
topped by a small white lace toque, trim
med with a white agrette. a piping OF
black showing at the edge near the hair.
This costume had a bolero of white lace,
under which the bodice was shirred quite
full. The skirt had a deep insertion--some
nine or ten inches wide-of heavy white
lace matching the bolero around 1t, some
ten inches from its edge, the deep hem
coming up to the lower edge of the lace.
And If the writer remembers correctly,
this lace went UP the side front forming
panel.
The skirt was divided into panel effects
by folds of the crepe de chine about four
inches deep set on like tucks, fastened at
their upper edges only. These outlined sec
tions some twenty or twentyfour inches
long by ten inches wide. open at the top.
the edges OF the folds of each open-topped
panel almost meeting. The effect was really
very smart. and the costume charming in
Its rich simplicity
One of the elaborate black-and-white CO.'S
tunes at one of the church weddings was
a black chiffon cloth combined with white