The times dispatch. [volume] (Richmond, Va.) 1903-1914, 1905-01-21


4 dos ton which should be left T. Atr'
Bit, to cease auibb Ing Wi .himI n II +:
asson does thG op1seI = "a
h M ss Written tsanl q BOOK which The learned
ma read with some prof nnd, Bthc lgn ''
rant with EIntcrest
DIs1sA SEES or s0t,1 EFT 6! ~. 3, F = Is
Iydston. NJ. G2s pa ges ): 81. 20. r, ni[;
Lippineot t8ttd compan ': y
This IS 4 1 IN. KLAUS tive II and Yer N ably
written stud " OF soc al tpartisG,
ularly IN relat nnaHt
this Day nd
tion that issat times us onlshin 81 ol sa,aIls&
matters which 1t would be we'll perhaa Pc {,s,5
we saw more often d ~ ~ :.
niiied and efreotvc way but i1ont hes g
itatlon1 Or undue mncing Of words e li /,
cons ers In detail the police criminal e.
the moral T, ana a. AZ
In Tara !, OF Offenders against the mora
ma ma ph , I aws hose ortenses le be-
You'd the reach. the eh,Soris
Ito ascertain the causes p near =
ISfruit of sins .naa thc
removal of them.
Ing chapters, that on enius Eand Dtssen,
era cyl one profonnely lkeiX % ls apsf fhe
authors discussions of heredlty y. q
lSinalty. DR. ston' g long 6. ~
physiclan nnd. aeh Pm g
Snrabis for SAINT readng book
While obviously not for promlscu0,n,s CIR
e costoh II It's S Subject ana should and
permanent place for III
|bcionglng to the middle ground pel%ieen
three scIen ccs--soc ogy,
and medicine aS
THE STORY OH ART TIIR +, ,s e =; "
t>tfI'fIIc IA GES. ne Translated by hFlorence
simnlonds from the French e Of u ltsinT
,ach. 1s Charles scrpbncr' s & Sons. New
York; Bell ook and Sta tlonery COM PR
pany, r diamond \, I, 8 ~ ~, y ~
! which there nre near SIX \,
der this work one Of great 70 ~, NV
and g, Il ~ r ,n. eyelop
m ran Ii IN Egypt, chaldaea and Persia; con- r
tlnulng the period 81 primitive art " t tnn
Greclan Archipelago down. i vs. au,
sits 'upljftnp influence are traced through !:
4 out ali countries and "a m on al IeopAe
M show the national
WITH d reference to the artist q the w sII
critical nsntt9n ~ tn y,
minds which seek fer 4l psGsslqh u
truth and beauty ar tnr a.t
paragraph o. gpegaatt 3.
tor dew oted to Fhldtas ana the 1i'aft1'e'
4 5no,,,n and says: Va = 7,h,1
cannot turn from the ,W, OH Oh ~
cnmenes- continued 70 work durlag IA, ,i,, 4
Arst ecndes fourth, cenI. WY Witfh o
h6oaxi a,and az e SeIos Though the
Of modarn arcllae VIZ Z, ~ -
work da5'ng trHn so,a tS IN cen M
I9| e oIder than thls and believe
4 be- d I masterpiece Of tile school of Phi
R0t WegtHs oH1 she
Of tns eft Ss sa
son SON give for Ills belief is tlat Wn ing
the qual!ttiHs that Fo 81 Ii,akf that
the EsnlYs Gt rh,a'Yys enus 81 Milo Is eI
r. the ~ ii giant nor dreamy nor VS., no
inpassIoned sha strong 4, nndI s9re a,
hef beauty; a. b nop!ef ho Parihonon
s AL ia asassXYt Ns 'nh' at tSs a fea
i son the statue has become nna mas VI Us Ier
mapsd 9o2ns Astaes
and feYcpisl, generations soc IN ~ tl q,
mess lack * hst serenity which q no1
Sps,tlhy b bat Tbs The eauanm'ty aea'as w.
Two Other Art Books.
A NV, Two her hooks that VII be read With
s than t,e FEW are bliss carmal'
q / 2 sHs G ia Hhre pSS.
4 lished bySthe same company and WI ten
by Jnlil de WOLF ddtsol y, . y q, i.
Garma u y ass fs' Verse
ina Ills prose. His book as q whole conf
nends itself most as being his,,.s q q,
sn sses az hoolsloyers. Under tie head Of
NBusncss and Beauty he W =, rltes; /, I.
ITO knox, to appreciata and a. ,is ~
is perhaps the whole business 3. 81 Z. llfe; ,to
ID do What rs beautiful is g tliree-i,o u
j TASK at5gnay well tax our mos persist
ent and unaG energies thEongh DON,
as IL the whole effort % { Tho universe
wore 10 ke that sonsnmm1 ~.