Daily capital journal. (Salem, Oregon) 1903-1919, 1905-01-14

ser mas not done her part. With the
soft, undplating pompadour just shad-
owing the forehead and hat brims, al
most to one, rising abruptly from the
head at one side, if not around the en-
tire front, the arrangement of the
front hair is all important. When the
feat is a perfect success hair and hat
are one, the hat poising itself on an
airy, glossy bed of waves and rippIes.
Unless the hat stands out it turns
well out to the front-note the mil
liners way of putting her hand to the
back as she adjusts it to the head with
an art the future owner never can as
sumo. The front brims, consequently,
are long, but this does not mean that
they conceal the tresses under them.
On the contrary, the daintily poised
) hat recalls 'winged shallop" on
southern sea, $50 lightly does it rest
on the tresses under it.
The most stunning hats at this sea-
son are of fur. With a long stole
that cost small fortune and that
reaches nearly to the feet is worn a
marquise shape of sable. The only
trimming are a huge chou of brown
mirror velvet, and a big cluster of
white roses arranged on each peigne.
The gown worn with the getup is of
iron gray cloth made with long skirt
ruvhs hoo I'M.
Amazon coat opens to show q blouse
of apricot silk made up with the fin
est lingerie tucks. The only trimming
of the blouse is a set of ruby buttons
with rhinestone rims. The hat of
white felt decked with black feathers
with only single pink rose with TO-
liage at the front to give touch of
warmth, is an illustration of the con.
tinued vogue of fat hats in certain
quarters.
White and cream cloth costumes
have to a certain extent given place
TO those of delicate light shades, such
as heliotrope, dull rose with purplish
tint and pale soft resedas; besides the !
rich royal blue, eminence parole and |
ivy green which one sees in the hand |
some velvet and velveteen costumes
whose vogue seems rather on the in
crease than on the wane. The style of |
these costumes is so varied that one
is safe in saying that they have only
one thing in common, and that is the
promenade skirt. 1t is rare, indeed, to
see woman hold up a skirt today. |
For the rest, the correct costume is a
coat and skirt of one color, though not
always of one material, yet they most
evidently belong to each other. For
instance, with skirt of pale heliotrope |
cloth was worn a short coat of dark |
er velvet strapped with the cloth, |
with wide sleeves gathered into cuff |
of the cloth and finished with a fall
of cream lace over the hand. The coat |
back and was finished with tabs at the
back and was finished withtabs at the
front. A small triconer hat of sable |
trimmed with a wreath of dahlias was
worn with this costume. The large
bug shaped muf was also of the sable,
while the high collar and little guimpe |
of the fur seemed really part of the
vest. This latter was an unusual touch
after the very expensive fur collar
pieces we have become familiar with.
Another costume of heliotrope seen
recently was distinguished by its abso- |
Lutte simplicity Of outline. The plaits
of the skirt were stitched to gradu- |
ated knee depth and the graceful
three-quarter length coat was perfect
ly fitted and much strapped. With this
was worn stole cape and large muff
of dark Russian sable, and a tricorne
hat of purple beaver cloth, white
demi-plume on one side and a sable
skin twisted around the crown.
Such stunning things in the way of
suits as fashion has evolved for the
very young girl to wear. They re
neither childish nor pretentiously
grown up to the style, but instead have
an air of girlish dignity about them
that is irrestibly pretty. A new red
has come on the scene-red with a hint
Of coral, yet in good, strong deep
shades that are exquisite. And the
prettiest of these suits are made of it,
with plated skirts that fare out in a
hundred ways and half loose jackets
perhaps plain, perhaps touched Oh
in daring fashion with black.
These covert cloth suits with their
clear, stone-gray color, made with the
long, loose coat strapped and stitched
in thoroughly English way, are de-
mure and stunning in the same breath.
Al a .A....;.o. In n AoAnlI., dihar.