davidaulloa/AmericanStories huggingface dataset:
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

except as required by the action of the
play. AS result there is no confusion
behind the scenes in handling so large
number of people in the limited space
of 4Ox6O feet All the groupings.
movements, business and action are
planned to fit the music, bal, by bar,
or to suit the book, line by line, and
these are faithfully carried out with
mathematical precision at each per-
Torrance. Not one person in the or
ganization from the tiniest child to Joe
Cawthorn, who plays the title role,
is allowed to deviate from the manu-
script, either by voice or action, with
out the permission of the stage dlrec-
tor, from whose ruling there is no APP
rected by him without uttering word,
by system of signals. The entire
company and stage force are made to
understand his slightest wish. by the
simple raising or lowering of his hands.
Some idea Of the magnitude of an
organization like this may be obtained
when it is known that there are five
assistant stage managers, four call
boys, three ballet mistresses, and
working staff of twenty-five heads of
departments, all regular members of
the travelling company. 1t also re-
quires a special staff of stage hands to
handle the scenery in addition to those
of the theater in which the play IS
seen, numbering at least seventy-fve,
and there are nearly forty dressers and
maids employed, whose only duties are
to dress and attend the chorus people
and children, while each of the princi-
pals has an individual valet or maid.
The .playgoer who sits comfortably
watching the performance has no idea
of the wonderful organization neces..
sary to bring about the smoothness of
stage effects which seem to be purely
matter of course, but which, in real
ity, have required months of careful
! preparatiOn.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

next week in a double bill, in; which
MISS MISS stone will play t tT7 sharply con,
"Camille.''
Miss Stone has proved again and
again her pre-eminent right to be CON
sidered one of the great stock leading
women Of the country and in her de-
position Of leading lady at Dick Ferris ,
new theater, the best wishes of many
admirers here for her success, and the
hope that before many months she will
return to Minneapolis, accompany her.
The plays in which she has appeared
have included every sort Of dramatic
performance tragedy, comedy, meio-
drama and farce, and in none has she
been. found wanting. Among the few
great women characters Of the stage
which she has not portrayed, here are
the two which she will present next
week. "Thelma = and g Camille'' have
been chosen by the Lyceum manage
ment because they are as well suited
as any two feminine, parts in stage
literature could possibly be-, to show
opposite types of women, thus illus
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

An interesting story has recently
come to light of Rossini 8 "Stabat Ma
ter,'' which the Philharmonic club will
give at it's next concert, April 4, in
the Auditorium, and illustrates. how
often wrong is composers estimate
Of his own works. A few years after
Rossini had written his opera, "Bar-
Der of Seville,' when he was yet in
the twenties, he visited Madrid, and
while in the city was received like a
king by an archbishop, who lodged him
in his palace and treated him as SUI
perior being. When the maestro was
leaving, he said:
"Most reverend sir, what can I do
to prove my gratitude for your hospi-
tality?'
The priest pondered: zone thing
you, and you alone, can do for me-
"Impossible,' replied the composer
of "Il Barbiere. - "With the memory Of
Pergolesi before me, l cannot touch
sacred music.' He was Overpersuaded,
however, and before long returned with
the manuscript of "Stabat Mater. -
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
Observation-Disclosures Goose

.sMother Goose" the big Drury Lane
spectacle which will be seen for the
first time in this city at the Metropoll-
tan tomorrow night, is said to De q
dream of fairyland, and no fancy OF
childhood ever conJured up such ny n.y.
course, all the massing of pretty wom-
en-, superb gowns and ideal scenic en-
yironments is an intoxicant to the eye,
and the constant rattle of modern ]ests
and catchy airs to please the ear, does
divert the attention from the nursery
legend, but every now and then the
demon, the fairy queen. the good COIN
into evidence, and then it takes us back
to DAYS when cats and owls and all
sorts of things were controlled by
fairies.
Klaw & Erlanger, who bring all these
great English spectacles to this country,
Xrst presented Mother Goose' at the
New Amsterdam theater IN New York
all the cast and great ensemble of $50
comedians, singers, dancers, specialists,
and ballets which then appeared in the
original American presentment, Will be
seen here.
Regarding this dazzling extrava-
ganza from a spectacular viewpoint, 1T
Is said that Klaw & Erlanger have
reached the limit OF possibility IN the
way Of magnifcence, combined with
artistic taste in spectacular scenes and
gorgeous costuming, and all they can
Z now do is to maintain the level they
have gained in this, their climax
of beauty spectacles.
There is strong inclination to assert
: that the fancy and brilliance Of L'Art
Nouveau' has never been equa1ed,
while "The Land of Heartsease' and
the transformation scene, "Content-
ment,' with it's marvellous showers Of
glittering golden rain, are pictures that
will be hard to excel.
1t is not, however, on the gorgeous
ness or the grace of these three big acts
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
"BY SPECIAL REOUEST'


Years elapsed, and the good priest died.
In looking over his papers the executors
found this manuscript. and took it at
once to Paris publisher to see if it
was worth anything, ;, -,
publishers; "why,. it is an original com
position Of Rossini's and here is his
signature!
So he bought it and advertised it.
Rossini saw the notice and sent law
yer to the publisher to threaten an ac-
ton for defamation of character.
"But it is his said the publisher.
in answer to the declaration that Ross-
SIM had never written such a compost
ton. ~ have the manuscript in his
own writing.'
Then came Rossini, and. on seeing
it, said, "Ah, yes, [ see it is mine.
Please give me the rights of the au-
thor
On being asked by friend if this
was true, Rossini said, eyes, | quite
forgot it; you cannot remember all the
foolish acts Of your youth. -
He received $4,000 for his author s
right.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

New York audience, and the great eli
max to act third, which will bring the
people to their feet.
Of the prodcton is the cas Of thrtv
well-known players, prominent among
whom are King Baggat, William Elliot,
Harry MARKHAM, Charles Sutton, Wal
ter Wilson, George Ovey, Walter Dale,
Lydia Powell, Berthe Robson, Louise
Horner, Queenie Abbott, Mrs. John
Duel, Leo Mordaunt, June Dechamp,
Ethel Ross, Maize Harrison, Bessie Da-
Wis, Nellie Hayden, Alice Macdonald
and Anna Brennan.
Florence Stones remarkable series of
performances as leading lady of the
Ferris Stock company, comes to a close
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

chanical lady, when she adds Waiting
to her other feats. Suddenly the sup
posed dummy comes to life and runs
from the stage with an agility that
reveals to the audience the hoax. There
is invariably shout of surprise that
shows how the great majority have been
fooled.
Minneapolis audiences, however, have
not been quite so completely deceived
as some others Heretofore Yer Vain
has simply allowed the mechanical
lady, to walk off the stage without
betraying that she is flesh and blood,
and thousands have never guessed that
she was not really an automaton.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
HIS TWO WORLD TOURS
Luther D. Wishard Will Describe Them
Tomorrow.

Luther D. Wishard of Chicago, 8
world traveller and lecturer. will give
an address at the Y. M. C. A. hall to-
morrow at $3.50 pm, on the subject,
"Observations from a Trip Around the
World.'' The Westminster quartet will
give a program of music especially pre-
pared for the occasion, and Kennv's or
chestra will open the meeting with sa-
cred concert.
Mr.. Wishard is a speaker of ability
and power, and as former interna-
tional secretary of the Young Mems
Christian association. he made two
world tours to establish the associa-
ton work in foreign fields. An invita-
ton is given to all the men of the city
to attend his lecture.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

acrobatics of Simon so absurd as to
keep the audience in an uproar.
An odd creation is the sketch by
Greene & Werner called "Babes in, a
Jungle, - in which special scenic effects
are used to reproduce an African
jungle in which the actor and actress
appear in Hottentot "makeup,' and
indulge in song and dialogue appro-
pirate to the setting.
From an artistic standpoint the mu-
steal fantasy, GA Wax Doll,' by the
Columbians, will doubtless meet with
the greatest favor. The kinodrome IS
animated pictures will take the spec
tators on a tour of New York.
Bijou-" more to Be Pitied than
Scorned.''
"More to Be Pitied than .Scorned, -
a story of the church and the stage,
by Charles E: Blaney, is said to be
the dramatic sensation Of the season,
and the patrons of the Bijou, where
the play will be seen next week, will
unanimously agree that the play, at
least, has the merit Of originality
The play, while melodramatic, does
not run riot with sensationalism, yet
it is promised that there will be thrills
enough to please the most ardent lover
of melodrama. The plot is a simple
one, of the humiliations heaped upon
Julian Lorraine, leading man of the
Amphion stock company, and Viola
Keith, the daughter of a minister, who
has fallen in love and secretly mar
ried Julian. Vincent Grant and Julia
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

Clifford concoct scheme to separate
the lovers, and produce a forged mar
riage certificate to prove that Lorraine
is bigamist. In order to shield her
husband, Viola declares that she is not
his wife. This is only one Of many
original and startling, which,
with quick action and clever comedy,
singing and dancing specialties, make
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
Unique-Vaudeville.

Unique-Vaudeville.
It is noticeable that the standard of
the entertainments presented at the
Unique theater has of late been con-
siderably raised and speciality that
does not win warm approval is becoming
quite a rarity. The bill for the pres:
ent week is one Of uniform excellence
and while no act is featured in the an
nouncement for the coming week, it is
safe to conjecture that as whole the
program will be satisfactory. The en-
tertainers who make their appearance
with Monday afternoon s performances
are all new to Minneapolis and, include:
Emma Cortreley, a juggler; the Misses
Jackson and Douglas, condolences; Won
Golfre, equilibrist; Laird, Rupert and
Fife, comedy sketch artists; Eddie
Mack, eccentric comedian; Miss Eloie
Foster, singing soubrette, and Eddie
Cannon, dancer. Illustrated songs and
interesting moving pictures will be in
cluded in the bill as usual.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
$32.9O-To California-S32. 90.

Sunny California is not far away, and
the Crock Island' can get you there
quicker than any other line. The tour
ist rate is but 1890 and you can 90 in
through tourist. car every Tuesday.
For full information apply to A. L.
Steece, City Passenger Agent, 1922
Nicollet Ave-, Minneapolis, MINI.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

the play popular one. The principal
scenes are laid in and around the Am
phion theater, and the characters are
real.
It is promised that there will be a
rehearsal n scene en- in Which over fifty peo,
pie participate; the scene in the lobby
of the theater on the opening night
Of new play, showing the life, color
and brilliancy Of a typical frst-night
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
Dewey-Knickerbo Burlesquers.

Among the features to be seen with
Robes big show, the Knickerbocker
Burlesquers, next week, at the Dewey
theater, are ''La Danse de Surprise, -
F." Musical Babies'' and the "Jewish
Ballet.' The entertainment mainly
consists Of a two-act musical comedy,
,u:Riley's Speech, - ,interspersed with
The story is.as follows. Riley after
having secured His election assa alderman,
is requested to make speech. All
kinds of difficulties present themselves
to the alderman elect, as it is his first
effort. He gets hold of a book Of
"Parlor REGULATIONS" and is heard de-
liVering extracts. Patrick Henry, Marc
Anthony and Daniel Webster are shak-
en- up until a potpourri of the whole is
produced. However. he: is finally
thwarted from mounting the rostrum
by coincidence which, it is said, is no
less funny than peculiar.
In the second act the fun is trans
ferred to the council chamber, where
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

Shaw will again play Britta, the maid
of Thelma, a delightful ECCENTRIC
comedy part in which she made her
pany. a..
"Thelma will be given Sunday
afternoon and evening, Monday even
ing, Tuesday afternoon and evening
and Saturday evening. "Camille'
will be the bill Wednesday evening,
Thursday afternoon and evening, Fri
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

that success depends. With the hun
tdreds Of beautiful women lavishly at
tired, their, graceful ballets, tableaux,
marches and professions, with the clever
specialties and hosts of comedians, with
their prime funsters, Joseph Cawthorn
in character that brings all that spon-
taneous humor that this comedian has
become famous for, with his amusing
icolleagues, Harry Kelly, w. H. Macart,
Clifton Crawford, Neva Aymar, Corinne,
Edith Sinclair, Edith Hutchins, Walter
stanton and Dawes and Seymour, who
constantly add to the revel Of fun and
with the marvellous aerialists, the
!. Grigolatis, whose premiere at the end
of the second act causes the audience
to hold it's breath in stupefaction when
ishe makes the remarkable flight seventy
feet above them clear to the gallery
scattering carnations to those below,
Is' Mother Goose' comes near, being the
limit.
! For this engagement the curtain will
rise at O'Clock sharp in the evening
and at 'clock at the matinees.
orpheum- "Town Hall Tonight
Clown Hall Tonight" is to be pre-
sented at the Orph cum as the headline
attraction for next week. The play
wright and producer whose triumph
"Town Hall Tonight is, bears the
name of Will Cressy, name so famous
in the higher circles of vaudevilledom
1 that it's connection with any sketch is
accepted by managers the country over
as a guarantee Of success. Cressy has
written eight successful vaudeville
sketches, six of which he plays with
4 the assistance of Blanche Dayne, a
coincidence whose fame is almost CO.
& extensive with that of her talented
: husband.
fSSTown Hall Toni ht'' pictures the
arrival of the Elite Repertoire company,
played by Miss Dayne, at the New Eng
land village, whose "opery house, is
presided over by Hip Filters, dramatic
poohbah. Mr.. Cressy, in the role of
Hip Filters, has contributed to the
stage a character study that has fairly
set Chicago wild and has been tfC talk
of the town in San Francisco, Los An
geles and all over the circuit
Even those who laugh the loudest and
longest and who go to the Orpheum
with that intention, will not complain
for lack of fun next week; for nearly
every number was built for laughing
purposes. There will be the Great
Thereses in a comedy hypnotic act, used
as a vehicle for the performance Of
!. astonishing athletic feats; Happy Jack
Gardner, musical monologist and sing
ing comedian, whose, humor is. conta;,
]. gious; Herbert Brooks, a fancy card
manipulation and exponent Of the Euro
spean trunk mystery, and Louis Simon
and Grace Gardner and company in
/" The New Coachman.' The action in
this latter sketch is so rapid and the.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25
AT THE TTIEATERS
BILLS or THE WEEK.

METROPOLITAN
Goose the big Drury spectacle All the
with matinees Wednesday and Saturday.
ORPHEUM-
Modern vaudeville with Crown Hall Tonight, comedy
the headiner All the week with daily matinees.
BIJoU-
More Pitied Than Scorned scenic meodrama All
week with matnees Sunday, Wednesday and Saturday.
LYCEUM-
Florence Stone in Thema'' Sunday Monday Tuesday and
Saturday. with manees Sunday and Tuesday; in "Camie
Wednesday, Thursday and Friday with matinees Thursday
and Saturday. Farewell appearances.
UNIQUE
Continuous Vaudeville Bill changes Monday Performances
daily at 2, $3.50, s and 9:30 pm
DEWEY .....-..
KnckerbocEer Burlesquers in Reys Speech with vaude
vile Interruptions Daily matnees. Special ladies' perfor
mances Friday afternoon and evening.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

Riley has entered upon his official
duties. The plot teens with humorous
situations and ludicrous happenings.
The cast includes the following we'll
known artists: Oscar Lewis, Sam
Green, William Patton, Church City
quartet, Marie Richmond, Anna Wilson
and Marguerite Wagner.
AS a special attraction, moving pic
lures of the Inauguration of President
Roosevelt will be shown.
The Minneapolis journal. [volume] (Minneapolis, Minn.) 1888-1939, 1905-03-25

See StocI1well Soon-That life insur-
ance-The Penn Mutual. Andrus bldg.
Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

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~~-@~ ~~--
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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30
MarDlano Gbattcl 2uan I]iIuciatiun.

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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

STE 3. uilo SoratsG trabe. Sa%uptunnttt.r
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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

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Der Deutsche correspondent. [volume] (Baltimore, Md.) 1841-1918, 1905-10-30

VT. 20 bis il22, 9nrtorSsNbtrle.
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deIerbou - Dt. Rsr1uu 8769 \.