The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1905-10-29

that enveioped her completely, dfaped
her head and lrailed on the ground.
Nine Kalish might. without indecorous
exposure OF herself, have torn off few
yards Of her more than ample cloak 10
cover the bare back of Emma Calve,
who was an open exhibit in a stage box.
Mrs. Fiske assisted her husband in
making as artistic production as ever
was seen in New York. IL is not re-
maTka bic for costliness, in these days
OF lavish expenditure. but IN beauty Of
coioring, in accuracy of detail and in
suggestion where reality would be
ruinous the Fishes here equal Irving
and DAILY at their best. a commapd-
ingly beautiful figure amidst the Ital-
ian splendors is Bertha Kalish, first in
a gorgeous gown of pale violet en-
broidered with pearls. but more glori-
Gus still, a very goddess of tragedy, in
deep purple mantle that falls in
heavy classic folds. l have seen moth
ing more picturesque since Eleonora
Drse IN THE Dead City" Nine. Kalish
has been proclaimed in the Polish Jew
quarter of the city, where drama IS
acted i'm Yiddish, as new Bernhardt.
Ia this, her second role in English. she
leaves the claim unDrOVen to uptown
audiences. She lacks the beauty of
voice and especially the repose of man
ner necessary to dramatic greatness.
But even with those defects she stands
far above nearly all our star actresses,
She suggests Bernhard in richness of
resource, In experienced sense of pro-
portion and in regal sweep of trage-
dy. | can name no American woman
who could surpass Kalish's Wanna;
and If her asS0ciateS-Wh0. all but
Frederick Perry, are hardly adequate
20 their difficult tasks-gave the requl-
site assistance, Norma Wanna" would
be still greater triumph than it is.
1t is fact already in full publicity
that Lloyd Bingham is a-well, TO put
IL colloquially, he is a scrapper His
exploits with his fists haEe been set
down in the annals of theatrical dress
ing rooms and Hobbies. Now his fight
ing disposition is dramatized by one
woman, Corinne Jordan, and stage-di-
Fected by another, Amelia Bingham, so
that he may act the hit 'em hero in a
new Irish play. Bingham may not
knock out OlcOtt and Mack, but he is
squared off for them, and. bedad an
begorra, there's power in tn brogue av
his spaehe, tn Tollick av his song, tn
frOlic aV his dance an ESPECIALLY in tn
strhroke av his fist. Amelia, the bonny
and buxom Bingham, is Lloyd's wife
business and professional management.
Those We're reasons enough for going
twelve miles TO a suburban theatre to
see "Ireiand-f79S.
Chauncey Olcott and Andrew Mack
have not thriVed in Broadway and
Lloyd won't, but he may do as well as
they elsewhere. by and by, after the
people who know them have got ac-
quainted with him. But they will find
L l. L.
les and more wonderful. Chauncey
and Andrew cuff an Irish process serv-
er. or kick an English soldier, but usu-
ally in the way of pleasantly, and it,
once In a while, they hit a principal
villain in earnest, the odds are not UNI
reasonably heavy against them. Lloyd
buiiyrags a campful of British army
officers where he is a captive. compels
the pFivates 10 fetch supplies to him
castle where his sweetheart is i'm
INJURED. throws her abductor to death
through a tower window beats a gen.
eral TO the ground with a Flagstaff de-
spite numerous bodyguaTd, and led
me TO expect that. history bedamn, he
is going TO set old Ireland free-for at
the final sight of him he is waving the
green flag above the red, PROSTATE ene-
mics of Erin are strewn all around him
and the band is playing the air Of THE
Irish Minstrel" who sang that he
would never live in slavery"