Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1905-11-11
MARLOWE AND SOTHERNS SUCCESS

uine tender and sincere love, so that
It was but a filling in OF the picture,
when he kisses her pathetic little
muddy white slippers and silk stock
lngs and thus takes the audience into
his confidence,
In a word, to my mind Sothern ana
Miss Marlowe present the most realls-
tic, sincere and convincing production
Of this play that / ever saw. II Nils
my ideal full, II satisfies. 1t contents
Ada Rehan made Katherine more
genuinely a shrew Her portrayal was
that of a vixen. But to my mind. 1t
would have served equity we'll for
two characters synonymous.
But Julia Marlowe is the ideal Kath-
crime and no one can afford to miss see
ing her conception Of the part. or. 20.
that matter Of any part she chooses
10 create
1t Is a Joy to see these two radiant
stars act with each other. They never
were more brilliant; never more charm
ing. Each seems to inspire the Other
20 do his best And truly they do IL.
| II Is not possible To think Of jealousy
between the t.o. Each profits by the
others fine work, and the apparent har-
| mony between them as workers in
fuses itself into the audience.
In his own way Mr.. Sothern posses
ses a charm equally as compelling az
| Miss Marlowe's. Both artists enjoy
/ that most elusive quality known us
| magnetism, subtle, ineXpllcable, but
| uumistakeable, there Is a force In their
| artist natures which reaches out ana
| grapples with the highest sense OF ap-
| probation every audience possesses.
Even a dull audience would be stirred
out Of It's native phlegm. In an intel
lectual audience the appreciation these
two arouse, becomes almost pain, Nor
q glance, not a gesture, not a breath
but has It's meaning, ANA we sit en-
tranced by the periectness and beauty
and the intelligence OF II all.
We love them, we do! And il sure
ly must sound well and seem good 70
them 10 come back home 70 the wei
come and the applause which greeted
them-to come back where tho rose
| mary and the laurel await them In tho
hearts Of their own.
Arnold DAILY is reapiug the reward Of
his courage ana perspicaclty IN foresee-
ing that tho public was waiting for
something new ana I'm Eiyins Il 10 them
In Bernard ShaWs plays
Ii was only last week that he cut
lhbtI AlN|W NAII lllAllH @ lllNlNN 'l lalfhlfl
& Company and became hl, own man
ugcr. ana now comes the announcement
that the Shubort- are after him
Which n you know much about the
wheels which are within wheels OF the
mysterious mechanism known as the
atrical Heterogeneous means something.
Well. why should they not be after
him?
when we saw John Bulls other Is
land someone was heard TO say, Not
much action I'M the play" The answer
To- that is that all the action OF the play
takes place IN the brain Of the audience.
OF how many other plays now ON the
modern stage can YOU say as much?
But the Shaw plays have queer au.
dlences Many people 80 just to geh
what all the row Va about These
never come again. Then, among the
usual attendants, what freaks you see
scattered about Long haired men and
short haired women. shabby coats from
Bohemia and velvet from Fifth avenue.
thin-teatured cleverness, cheek by fowl
with fat Jewish determination 10 share
everything good; the keen eyes Of men
tol appreciation close by the calculating
eyes ~ the box office. But only thu
curious drop out OF the ranks The rest
are faithful and go night after night.
never wearvinc of such bits OF brilll-
ancy as "the Englishman 40 clever In
his foolishness ana the lrishman 20
foolish IN his cleyerness," with the
browning bonnie bouche. this saving Of
Matt HoGlran, After an excited half
hour NJ orNune IN which the English.
man has completely exasperated him his
rage melts. LET him talk tho poor
fool IL woul7 be n waste Of time to
mUzzlc sheep!"
Lillian BELL.