Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1905-06-10

| Who WAS hc9 30 ono had over heard Of
| MN There WAS not even tho indication
or n teachers name TO help him
through, How many nrtlms nave spent
Two weeks In ono Of the famous schools
IN order TO call themselves pupils u
IRONY Robert Floury, or joan Paul
Jnur'nr, or BENJAMIN Constant, and by
TAXING such illustrious names IN vain
have rot into the Salon karllol hal
rosoried 10 no such subj crfugo. and his
fate seemed scaled IN advance, like
mat OF all who have no Influence, hut
something In these pictures spoke above
nomc on friends, II WAS art ono was
study IN black gray and gold, por.
lr0li OF woman Hnd child fun Of ma.
ternnl tenderness speaking lnon0blc
love Tho other was a study m brown
and yellow ruddyschookod aandys
h0irod boy seated with ono knle
crossed over the other and looking In.
quislllvoly out from the canvas with
big serious eyes,
Ana whereas the usual ihlug To DO
under the circumstances. almost tho
obligatory Ting, WAS lO pass over the
unknown artist who did not rely upOn
eomo teacher TO support hlmand Whore-
NJ more ihnn one picture IN never taken
from beginners because space must hp
left for the famous artists 60 scud each
six pr oight hufo Wnll'plastorH, which
ns often ms not are scarcely worth look.
PIX At the board promptly accepted
both NJ knrnO'N pictures ana pnNo
them place of honor M the salon
From that momoni kanora success
has pocn Uninterrupted his "porltall
Of "a WumW' was one " the most com,
montol pictures In the 1904 salon For
the 1905 Salon he huH painted what he
considers hls masterpiece, q little gir
eeNtc1 with Folded hands and her foct
drawn up on the runR ~ The chair Tho
rich tones Of some frult on ledge OF
wall az the rear contrast with the Aohl.
bre huos IN which the dnrk.hored child
" treated,
~ use portrait. or study or land.
scape 10 express my thought" Kar-
mol said 70 me when I asked him what
subjects no preferred ~ win paint
any subject In which see the beautiful
qualities Of color aud line which I mn
seeking aud | then paint 10 aypross
these with al that they moan Hut
whore these qualities do not oXIsl moth.
lng could induce me 10 paint What |
enjoy IN painting IL arranging Colors
ana lines 40 that they become wonder
ful ana peasuro'givhg"
IpllfINN NJ 'r'liODll'
These words explain tho young art.
lists remarkable Versatility lie has
treated with equal success portraits, al.
logorlral compositions, landscapes, city,
village ot country scenes and studies ~
all descriptions. fhN specific qualities
of the Individual subject before hhn,
whether man, beast or object, Nv the i'm.
portant consideration, ana not the Ah.
at a. % .lu ,.T
or that, Whatever he treats con,alns
the admirable arrangement Of tones,
the astonishing facility ~ execution,
the perfect maturity Of conception ana
tho extraordinary depth of thought
which critics have praised In his pl'.
lures And perhaps the greatest com.
pllmont which can be- paid 10 him "
that his work does NOT recall that ot
anyone, His admiration for Phidlai
I3ottlrclll Nolasquog aud Rembrandt,
Tor Whistler and DeRne, have certainly
Influenced his art but he could not b.
called u follower Of any OF them he
stands on his own merits M Il Riflal
artist who has studied the greatest
masters ana has prolltod by their teach.
ings while remaining true 10 himRolf,
karllol has many original thoughts
which throw leht on his ideals ana nro
well worth recording, The following
are wha, might be called the ayloms III
his art
III IN the many beautiful lines and |
the many beautiful color- which mako |
up the beautiful head aud not any ox- |
preston put IN II, When lino and |
color arc perfect tho expression IL
there"
"Only such cnnvaecs can excite mo
IN which every touch " full of insplr0,
tlon pnd unveils 10 me wonderful |
poul"
"fho arrangement Of oolora and lInea |
N like the arrangement Of letters. Az |
letters alone mean nothing, but have |
strength and beauty when arranged In |
words NO II II with colors and lines, tho |
man who nrrnngos them best finding |
the most expression, one color In moth.
ing, two already furnish nm opportunl.
~ for pleasing three are capable Of
bonding, 0tordlng posi-.
bli,los for tho highest rendering Of
art"
FRANCIS WARRINGTON DAWSON. |