davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05

David dangers, which was bought by national
subscription in 1887 and placed by the side of
Houdon's 'fVoltaire," but which in the early SOS
turned up one fine day in one of the gardens of
the Tuileries, with the name of the tragedian,
the signature of the sculptor and the date all
suppressed. that it passed among the igno-
rant for antique! But we cannot follow NJ
Dacier in all his entertaining "reminiscences.
We must glance rather, at the historical sig
nificance of the works he describes.
Obviously. they throw precious light on the
personalities of heroes of the stage in whom
students will always be Interested In the
painting by Mignard we may see Moliere as he.
appeared in the role of Cesar. in la Mort de
SimOnin we get the very walk and demeanor of
the great comedian, zen habit de SganarelIe"
We may judge of how Lekain triumphed over
his ugliness with the aid of costume and make
up by looking at LIE Nor's portrait of him as
Orosmane All OF the renowned fascination of
Adrienne LecOuvreur breathes from the beauti-
tul portrait of her by Coypel which NJ Dacier
reproduces; and the soul of true Coincidence
OF the Francaise is visible in portrait like
David's Mile. Jolly" But the most interesting
thing about Nj. Dacier's Illustrations is thar
they do so much TO help us realize the general
drift of what French playgoers saw when they
gazed entranced upon many brilliant actors
long since turned to dust
Ihey were often handsome, those shadows of
the stage, and they carried themselves with an
air which does as much anything else to ex-
PLAIN the potency of tradition unique in the
atrlcal records Could any audience have re-
sisted Mile Duclos when she appeared i'm tho
role of Ariane in 1114? Not If she moved across
Ihe stage With the elan" attributed to her i,
'he suhptuous portrait by Largilliere How The
audience must have rejoiced when Poisson or
iIe'Iie appeared upon the boards. if we may
pace any confidence in the portraits of them nv
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05

offer to replace the canvases with gooo copies
of authentic portraits, and in the mean tme /
beginning had been made. Lekain threw NM
self with ardor into the development or Il
scheme for bringing portraits of dramatists
and actors into the house of Moliere. and as
early as l7I3 the sculptor who had shown Il
bust of Piron i'm the Salon ten years before, Of
fered to execute it in marble and to give 1t to
the comedians in exchange for a life ticket to
their performances. HencefOrth the Coincide
FRANCHISE was in pretty constant receipt of
works of art suitable for its establishment.
Purchases We're made and gifts were often ac-
cepted. Quaint little histories are attached to
some of the latter. notably that statue of Vol
taire. by HoudOn, which is of the master
pieces of French sculpture. 1t belonged TO
Nine. Denis niece and 'legataire universelle
of the poet. and she had originally intended to
give it to the Academy. But when she heard
that divers irreverent remarks were emanating
from that source aDrcpOs of her marriage
with a man much younger than herself, she
turned in her fury to the comedians and gave
them the marble. There are other anecdotes
in the book equally amusing. One of them
refers to the statue of Talma III ''Sylla.' by
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05

MOnval, the iconography OF the historic
theatre of France. He tells how the artistic
possessions with which he deals have been slowly
accumulated; he chances at the history of
French portraiture as it has been allied TO the
Comedie-Francaise in successive periods down
to the present day; and in addition to a cata-
logue of the theatres collections provides an
invaluable document in the shape of an alpha
betical repertoire of the portraits of it's prin-
cipal actors and actresses. His pages are illus
trated with admirable reproductions.
NJ. Clarete quotes the younger Dumas as say
ing. LIE Theatre-Francase nest pas un
theatre CONNIE autre. Quand on apporte
un manuscrit, il a les Bustes qui vous re-
gardent." The busts of the ancestors, continues
the writer of the preface, seem to look down like
judges upon the new plays brought within those
historic portals. Thousands of travellers must
have felt this, lingering only in those parts of
the theatre which are accessible to the public
How much deeper must be the impression re-
ceived, as of the presences of the mighty dead
by those who are privileged to wander every
where in a building which, as NJ CIaretie re-
marks, is tout peupl6 de souvenirs" He by the
way, and NJ. Dacier. too, are keenIy DESTROYS of
seeing the collections about which they are so
enthusiastic installed in a veritable museum
where they would be safer than they are now
and where everybody might enjoy them The
present volume may happily serve to bring
about some such disposition of the hundreds of
paintings, prints, and statues scattered through
out the public and private corridors and cham
bers of the theatre Certainly it does much to
show the ACCESSIBILITY of establishing the works
of art in separate building, simply through
showing how valuable they are
1t was early in the second half of the eigh-
teenth century that the comedians of the King
voted to acquire certain portraits of Pierre Cor
nellie and his brother Thomas Neither of these
was an adequate representation of the subject.
but In due course the sculptor CafIieri was to
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05

Netscher and Van Loo. In the fun length OF.
Champmesle. painted by some artist ~ -
school Of Mignard, the intimate note Of a ~.
is expressed; and in picture Ike that bv Il.
cret of GrandvaI and three Of his colIeagus,.
a scene from "GlOrieux." we seen 20 catch =
SAVIOR of a social epoch The portrait OF Gran
val. standing in a garden, against a backa-o,,,
Of ornate sculpture, is a vivid page fron, =,
easy, elegant, decorative life Of the eightear,s
century. AS the years have gone on -
COmedie-FTancaise has kept pace with ~
tastes and fashions Of the times and this boog
is, in it's way, sort Of historical panorans
What we notice in all it's phases. unitfng -.
generations. is a certain unchangeab be eIar,a,.
of style. 1t endUTes TO this day. Modern dras,
and modern manners might seem TO bava
brought about positive transformation Of he
accent of the great theatre; but as a matte ~
fact there is a subtle bond between. saw yuls
Duclos. in her fiorid draperies, and the unforpst
table CrOiZette, seated on her horse as Caro1.v
Duran painted her in perhaps his most success
full canvas. 1t is the bond Of artistic dstinctjo,
Of temperament controlled and refined bv a
technical method which, for the French al an
events. has been sanctifed by time. II is With
a sense of having been in the company Of .,
extraordinarily polished race Of players that "a
relinquish this delightful book
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05
PORTRAITS OF PLAYERS.
The Iconography of the Coincide
FRANCHISE.

LIE MUSEE DE-; LA COMEDIE -FRANCAISE. 1850
1895. Par Emile Dacier. Archiviste-Pa Photographic
Attache a Ia BibliOtheque Rationale. Preface.
par Jules Carete de LAcademie FrancalSe
administrators General de In Comedie-Fran-
Caise. IlluStre. QuartO, PIP. xii, 3)3. Paris:
Librarie de Fart Ancen ct Moderne.
In a enthusiastically graceful preface to this
book, NJ Claretie recalls the panic into which he
thrown when, on the occasion of the fire at
the Coincide FRANCHISE in 1900, he asked
which of the marbles threatened with destruc
ton he would choose to have saved first. How
could he choose? The memory of many
treasures crowded upon him that for moment
he was in despair AS all the world knows
disaster to the collections of the theatre was at
the last moment averted. and it is possible for
NJ Dacier to traverse them to-day for our
benefit. He does in a charming volume
richer in some respects than either of those pub
iished by his predecessors, NM. DelOrrne and
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05

a successful publishers experiment in Paris
IS attracting much attention. NJ. A. Fayard
took it into his head about year ago to bring
out at % centimeS i volume, novels written by
competent authors and illustrated by competent
artists He began with an edition of NJ BOur-
gets "Cruee Engme,' for which NJ. \. Calbet
made seventy-five illustrations. The reception
accorded to this publication was such that NJ
Fayard felt that It was safe to print series of
twelve volumes along the same lines. AS time
went on he secured n reward beyond his fond
est dreams. Over a million copies of the books
published on this plan have already been sold,
and therefore he has resolved to continue the
enterprise. Indeed, he feels SO encoura ged that
he will not confine himself to reprints, but will
issue a certain number of works not before pub
IShed. Does the reader take it for granted
that this series is "cheap and nasty? AS
ma tier of fact, it is stated in THE Athenfpum'
that the volumes are beautifully printed on
fine paper. Now, if this sort of thing is possible
in France, why is it not possible in the United
States? Of course we know all about the diff
ferences involved in the whole question of man
ufacture No one would expect an American
series of cheap books to be quite rs cheap as the
series published by NJ. Fayard. But it is pos
sble that we might do something here pro
portfonately as cheap, and as successful, as
what he has done in Paris
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05
IN ET'ERNUM, DONNIE.
BY ARTHUR MUMMY.

BY ARTHUR MUMMY.
9HfS woman's soul and mine are one;
One spirit, one career;
Not only till the days are done
OF our communion here;
But after though singly brave
The passage perilOuS,
That small Seclusion of the grave
Has room for both of
One may go first, and one remain
To hail a second call;
But nothing now can make us twain,
Whatever may befall:
For we have long since pass'd the bounds
OF Self, of Time, of Space,
And felt the freedom that surrounds
Loves final dwelling place
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05
Che Nenn'Nork Gribaroaes
ILLUSTRATED SUPPLEMENT.
SUNDAY, MARCH 3, 1905.


casionally develop a kink in his critical faculty
is amusing We have always admired Major
Martin Hume as an historian, and shall con-
tinue so to do for his knowledge of the Eliza
bethan era is extensive and peculiar But we
wonder what he by talking about
Dumas in his new book, Spanish Influence
on English Literature" in this fashion:
He was half Negro with Spanish blood in
his veins. fiamboyant as a Spaniard OF OLD
himself, and the romantic school of fiction and
drama under his vivid pen seized hold of France
and thence spread to England. THE Three
Musketeers" Monte Cristo.' and the whole
series of slashing, Wanting, ford stories, and
the plays made from them are old Spanish to
the core and entirely untrue to French nature
in general for even the Gascon, though a great
talker, really loves his ease better than swash-
buckling adventure.
We rub our eyes in amazement Nothing that
we can recall in Spanish literature justifes so
sweeping an assertion, and we shall continue
to regard those immortal rOmanceS of Dumas,
with much else written by cOuntrymen of his,
as essentially products of the French SOIL 1t
is just possible that Major Hume has been
tempted by his enthusiasm over the germinal
quality of Spanish literature TO fall into the
common error of the specialist, and to claim
everything for the race he has set out to honor.
In a letter to the London Standard" Mr..
American Publishers Copyright League is well
known on both sides of the Atlantic makes
some interesting contributions to the debate on
the copyright question which has been going
forward in that newspaper He admits that
authors writing in foreign languages have
grievance but contends that the difficulties
obtaining at this time with the authors of
England in connection with the American
editions of their works may more properly be
described as an inconvenience than 4 serious
business disadvantage" a conclusion well borne
out by his elaborate analysis. He hopes that
such inconvenience as is now suffered may ulti-
mately be removed, adding that the Authors
Copyright League and the Publishers Copy
right League are working over a plan for the
revision of our copyright statute by means of
4 commission to be appointed under an act of
Congress. at is intended he says, that this
commission shall comprise from eleven to thir-
teen members, and shall include, in addition to
representatives from both houses of Congress,
representatives of the authors, the artists, the
and the other interests that have direct con-
Germ with copyright" Meanwhile, he notes that
American books of the lesser degree of inn
pOrtance are not easily placed in England;
that the increase of English interest in our
books is much slower than had been hoped
for, and that there is, in short, no occasion for
alarm amongst English authors. Their home
market is not being "swamped" by the works
Of their transatlantic rivals.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1905-03-05
A COLONIAL COURTSHIP.
Hoo John Smith WOOed the LOreIy
Hannah Logan.

HANNAH LOGAN'S COURTSHIP- \ True Nara
tive The WoOing of the Daughter Of James
Logan. as Related in the Diary OF her Lover
the Honorable John Smith Edited BY Albert
Cook Myers Illustrated Emo, PIP SD Ferris
& Leach.
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05

El sstrecho acionalismo que ha.
ce eecir a muchos i6venes irtelectus.
les que ya el Jap6n NADIA tlene que
s,rerd der de Europa, comienza & preo.
eur ar q les que mas jastos y mas Sc.
rios, saben que fuera del arte, fuera
de la elegancia, fuera de la moral,
fuera del heroismo los orientales tie
men ain mucho que buscar en- O:ci
dents. El doctor Anezak', director dc
una revissa importsnte, ataea con
erergis a los que desean bssar 10 fu.
sura grsndeza nacional en- el cllhvo
de las cualidades cabal!ere seas do Ia
rszs. A 81 modo dc YER, ademas del
bushtdo, 40 nsces.ta algo moderno y
pl aclico. Con solo si heroism !, el
de. .prtcio de 10 muerse, el amor de las
&, res y oil gsnio de 10 bello, ua pueblo
dsgeners sin rsmedio.
La vida actual exige, arts todo,
lab r actual. Otro escrltcr, en- Ia re-.
vista Shinkor6n, aiaca igualments q
los antieurGpsos. <Hay ensre n0so.
sros dice -un parttdo muy numeroso
que, embrisgado por el trlunfo d.
nuestras armas, desea cerrar nuestras
pusrtss al progrsso occidental. Ese
pariido olvida que nuessros triunfos
los debemos ssos pr, g'e,os.
Nuestro heroismo, on stecso, no
habrfa baAtadu para triuntar Ga Is que
ira con,rs Rusia. Y dlgase 10 que 90
quiera, en- el p0rvsnir no pooremos
hacer adslantos verdadsros sino on
case de que sepsmos a.lmiia iarros 10
eiyilizac!6n europsa, pues al el smpleo
oe srmss y metodos exranjsrOs nos
han permttido SER grandes Gu To- gus
rfa, maqulnss y metOdos extcanieros
EOS son ahora Leeesarlos para ser
Crane es en- Ia paz.
De 10 coatrario, nuestro trlurfo
aetpa al sera comu los que Auth a. logr2
ron los negros contra co amer leanos.
Or hsblsr do eats modo, no es frs
eueate en- Tok o. Los mismos caro-
peizados parsoen Greer, por 10 gere-
raj, que la asimil Sc On, dAl y adn ne
eesar1s, no cs Indispensable para QUE
oil pals siga su ru.a asceudente. Lo
adqulrido va part:e's hastar para
Que nurca Ia barbaris oriental, Ia
rutinn china, Ia rer "a indica, cen
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05
SRA. IDA CALDWELL.


Miles de mujeres deben sus vidas 4
la Peruna. Cientos de miles 1eben la
salud q la Peruna. Miles de miles
elogian la ef1caz Peruna en- todos los
estados de la Union.
Nosotros tenemos miles de cartas
de mujeres agradecidas, y estamos
autorizados publicarlas, 10 'ual
es impossible por falta de espacio en- los
peri6dicos.
Ell catarro no fendrfa tai curse en-
este pais 81 d pueblo c0noCiera com.
piefamenfe So nafuralexa. Debe re.
currirse d aIgo Embellishments para
evltar que invsda los 6rganos whales.
81 v. padece del catarro, compre
Peruna Embellishments, pues un dia
que le game al catarro enemigo, es up
dia mas cerca al restablecimiento de su
salud.
No hay otro medico en- el mundo que
haya recibido un volumen igual de tan
entusiastas cartas, dando pruebas de
gratitud por Peruna, como el Dr.
Hartman.
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05
ST: vENDE

Una mAqN'ua ds vspor de bslan
Gin de seis colurnas, con cllindro de
Is pulgadas dianatro y "A pulgadas
curso, con su ejs y volanse, todo en-
b1eu estadn, repreSentaudo 80 csballos
nominales de tderEa.
Tn ens~sasis de hierro tundido
con su CAsa.lns mayor de 40 pulgs-
das dISmet o y msnor d. 81 pulgadss,
con sus cureaas, crapoiinas bsrco,
todo en- buea estaio y de Ia fabrica de
Nirrlses, Fait & Watson de Glasgow.
Cipco EvsDorsdorss Wetzsl De
eobre, 5 de elias iogsss ds tubos
dlai males J . franeesGs de tubos ree-
toI.
Psra INF rmec dirijrse { Ia IA.
clends BocAchlca, D 4 don Jaaa @.
PTAtI, sn Pones.
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05
EN- EI> JAPONI
LOS PART|DAR|OS De EUROPA

quisten de nuevo las almas. La nota
que en- ell concerto de 10 prensa do el
Shinkoron, puele, puss, o3nsilerarse
como representation de uu circulO es.
trscho. Ora meta mas gete.al es Ia
del termiuo medic. que quiere unir,
6 mejor dicho, combinar los e!ementos
occidsntales y los elementos orients.
les en- un mssodo que poarfa liam srse
mixto iapores. FL Edai Shincho ,6rga.
no de ests part'do, hace aotiaImsnte
una campaila muy activa ca fav r do
sus ideas.
<Es indspansabts dice rscurrir
al extranisro para TODD 10 que es pro-
greso material, y reeurrir nuestras
tradiciones para todo 10 que es gran
deza moral, Esto es un punto en- que
todos estan de scasrdo: los europeos
son iuferiorss mor&lments & los jspo.
neses, Y 20 me pregunto con sincsri.
dad 81 los qua en- Paris, Ga Londres,
8 en- Berlin, Sc ri N de tales pretensio. }.
| nes no comett una iniusticia que SOLO
la ignorancla excusa. Ua frances ~.
bio, el protesor Michel Ravon. ha he
cho en la Serb ma una confsrencia q
que sus compatriotas debieran conocsr
y en- 10 cual, sin smbajes, declara QUE
desde el punto da Vista moral, la su.
perioridad iaponesa ss evideats.
sEl japones dice Ravon --ha G Of.
do sismp pre- que ell hombre moral 20 oil
que, stgdo los insslotJs espontansos
de gu 'raz6o, es decir, Ia woe de gu
coacIeocis, obedscla sin esfderzos 4
las leyes de Ia raz6n, y, al cootrario,
ei hombre immoral era oil hombre o.
COZ, el ser incapas do goberparss q al
mismo; por 10 ta1to, Ia moral japone.
SO consists senciilamente en practtoar
oil deber tai y c)mo puede concebirlo
lura cls, g inteligsncia., Muro K uso
sl Socrates del vieio Jsp6n, dscFs;
ella flosotia dlsoierne Ia rsz5n meior
que un bebador ell guato del Vino, Y
tssa % la moral intuittva one 90 enee.
Ina & los nihos en las eacue a. de <sx ,e'
i.n.es maoualess, escritos hace mas
do mil amos.
fsi, puef los isponeses, desds el
pucto de vissa de la moral indspan.
diente, ss'aa mas adelansados qoe po,.
Intrna. Gpretenderamos nor ver tura
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05
EDTCTO

En- Ia Corts municip pal del distrito mu.
nicipal de Carolina P. R. Estados
Upidns de America. El Presiden-
t,ds los E.ts lbs Unido.: 8. 8.
Pauline Cine 'ez Qliflonez, deman.
dapt, VS.. Sue wi6n de Nicolas
Rivera Tlrado, demandado.
Emolazamiento Ell Pueblo de Puerto
Rico q Sucssi6n de N icolas Rivera
Tirsdo, 6 sea el demandado antes
mencIonado:
Por 10 pressnte 90 notifica q usted
cue % he presentado en- la o6cica del
Sscretario de la Corte municipal del
distrito judicial municipal de Csroli-
M, Puerto. Rico, ls demsnda del actor
antes citado On la cual pide una sen.
tencia dednitlva condenando al deman.
dsdo Sucesi6n Nicolas Rivera Tirado
{ otorgarle escritura de nueve cuer-
das de tsrrenos y cuya sInlica dice:
Sc sirva toner por presentada esta de
msnda , an su oportunidad, con 81
rssultado dc las pruebas que al efecto
% prsctiq uen, estimsrla con lugar,
condeaando { Ia suces zion demand ada
81 otorgsmiento de 10 Escritura en-
question, asf como al psgo de las COS.
tss = gastos que origine esta reclama.
ci6n. Y So notitiea q ustsd que de no
comparecsr & contestar la demanda
dentro de los cuarenta dfss despues de
notifcada, Ia dcmandsnte podrA obts
mar previs dsclaratoria de rebeldfs y
de 10 prueba de 10 publcaci6u de ests
edscso uns sentencia de co coaformidad
con las resultancias del juicio. y para
~ p1blicaci6n una vez por semsna eo
el peri6dico LA DEMoCRACIA que se
publlca en- San Juan de Puerto Rico,
por an t6rmino de cuarenta dfas q los
etsctos de 10 notification 4 dlcha de-
manda.
De orden del Hon. Jose G. r 'drl.
gusz Cab ollero, Jdsz Municipal da 10
C1rts Municipsl del DiArto Judicial
Muutcioa d. c aro ina. P. Il libro la
presents que fcmo an Carollus, P. r.
kl9 de O,mbre de 1905.
NAN JEL ..BENIT1Z SANTANA.
Secretario de la Corte Municipal.
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05

hAce'ios zanzibar de religion ?, pre-.
gunsa Rsvon. rssporde: eiNn hsy
que suponsrlo!s hoy sl iapo1Ss no
pusde tanner, como antes, asuells DO.
Utica europea, que uu ssbio indfp,ns
ressumfa asf: <Dsme tu paf, y to dare
m! EvArg lio.s El modsrno japones
sonrfs arts ess lejano peligro.
Ell criatlanismo pareceie un smou.
ton de supsrssic'ones vulgarss ' a
espanta de que los occicsntalss, con
tods ~ cisncia, pusdan sperm ansesr
afsrrados a dogmas tan rsncios Hacs
"a doscisntos ados que el fl6sofo Arsi
Hakuseki decis hsblando do un misio.
nero issuits; <Ea Csc extranjero hay
dos hombrss; cuando hsbla do oisn.
ciss, es admirable; psro cuando trsta
de relig ion, dssrszons y ~ eonvsrss.
ci6n vue vese pueril. Es como si oyd.
ramos hablsr primsro uu sablo , {
continuation { un loco.s
Hoy esta msneca de YER es gems.
raj O. citar6 un caso: un europso
, regrss6 del Jsp6a Oocldents con to.
dos sua cri sd % indigsnas; pooos dias
dsspues solIcitaba de ellos que 10 di.
jean con todA franq que era 10
! que mas les habls llamado On Europa
Ia ateuci6n. sEn nuestra opini6n-ls
contsstaron-los tres prinoipalss ras-
gos de vuestrJ carAetsr son 10 sucie.
dad, Ia psrezs y Ia superstici6n,, En-
tales condiciones, comprender9is 10
inutllidad de los esfusrzos de los mi.
sioneros.
Es cisrto que snt 1880 slgunos
hombres polftieos propusisron sdop-
tar ofcis lmsnte el oristiapismo, parx
facilisar las relaoiones con las uacIo.
mes cciden,ales; pe,o ssa opinion no
SO tom6 en- serio, de modo one en- rsli.
gifn, On moral, niaguna acci6n nota.
table han eiercido los occidsntalss.
Los escrltores que colaboran On oil
Jidat Shmcho 10 vans glorian do clio.
pero, en- esmblo, insisten para que sI
pats todo adopts 10 civilizaci6n mate.
rial do Occidsrte; esa civiizasi6n & la
cual 10 debea "a los ferrocarrilles,
los t,legrafos, 10 electricidsd y los
nesodos d. G Terra y de ,rabajo.
E. Gomez CarlIIo.
La democracia. (Ponce, P.R.) 1890-1948, 1905-12-05
Para se6oTas, nihos Y n
has, IoDa hecha

mo ha visto usted los magoihsos
trajes, blusBs, kimonss, sscos, guar.
do polvos, enaguas, camisas, cubrs
corssts, trajes para niHas y n.hos.
etc., ETC., de telss hilo, hechos en- nues
ros tslleresf Aunque los sgecios q
que vendemos son MUY M0DICOS,
no haesmos NADIA de pacottlla.
Nuestro extenso surlido ccmpren.
de desde la blusa mas sencilla, hasts
los ricos trajes adornados con fnos
oncajss de hilo, cslsdos, bordados,
etC.
The Porto Il CO Drawn Work &
Embroidery CO.
10 Forta'eGa, SsN Jnsn