Omaha daily bee., 1905-12-10

put suffering soul into the fated girls
body. The wearing of a dark wig was a
significant symbol of what she intended to
90 with the whole part. When Madame
cave comes to Omaha next Saturday
night we will have a chance to see whether
she Is versatile enough to reap success in
concert work, without the accessories which
nave meant so much to her in her art
Following is the program:
PART !.
/. Violin, flute and piano. Raoh
MISS Vermorel Messrs. Fleury and Decre,Is
& Aria-O MILO Piccolo Tavalo," Zaza
AR. Won Nordien. ohoSV@iio
o. violin solo-Zigeunerweisen.. e. .Sarasate
Mile Vermorel.
& Stanzas-"Sapho" ........,... Go,Inod
Ar,. ct Nine. Emma Calve.
Mr.. Bouxmann-
INTERMIssIoN.
(a)-"Since My Love" Old English
plE"Ieh Ref i'm Wald". .Boehm
lgato by Mons. Fleury) David
Nine. Emma Calve
.. Violin solo-"Romance'' d. Ambrosio
Mile VermoreL 07-0
o. Chant Hurdon" .Bemberg
"a Mr.. Bouxmann.
10. Habanera from Carmen" Bizet
Nine. Emma Calve.
Alice Nielsen, who is booked to sing at
the Auditorium on December is, comes back
to America with the stamp of European
approval her opera work in London being
especially well spoken Of She has risen
to an enviable place, and we who admired
her when she was with The Bostonians
and saw greater things for her than light
opera, win find much interest in her pro-
fessional temperance.
Harold Rauer, who plays a recital at the
Lyric December 10, has been steadily grow
ing In the solid affection of the American
public since his sensational debutaat the
Worcester festival in September. In Europe
and South America his name is already a
magic one. The criticisms lay particular
stress upon his Chopin and schumann
Happy augury for our delight!
-
This clipping from the Chicago Leader
shows in what affection our veteran towns
man. Jules Hubbard and his still beautiful
voice are held in the city Of winds. How
many OF us carry the strains of Are Ye
sleepn' Maggie?" affectionately In our
Hemories2 Who OF us would not walk a
considerable way to hear the song again?
me venerable basso, Jules G. Lunbard.
OF Omaha, sang at an Iowa convention
SSHree or -FOUR years ago, Are Ye Sleepin' .
aassleF and an agricultural editor. in
the speculative vein common to his profes-
SION wrote that In the singing OF the Sc
lecuon MIR Lumbard's voice was as reson-
ont ana sweet as when he first sang the
song as lullaby TO his sweetheart ON
AMOUNT Ararat. That may have been cor
rect as TO the voice. but the truth about
the song was that Mr. Lumbard has been
singing II for only half century When
the veteran singer rendered the same Sc
iectlon IN the testimonial concert given
MIN by VIII j. Davis in the Illinois theater-
Shlcsso, November 70, fifty-four years and
SIX days had elapsed since his first public
appearance IN Chicago. Mr.. Lumbard
year In testimonial concert to his brother.
FRANK Hubbard, then teacher OF singinR
IN the public schools. The concert was
billed for November Is, 1851, but on account
OF storm was postponed and given No
NemDer u. The concert given last week
OF much agreeable talent and was most
interesting through Mr.. Lumbard's own
participation. He sang PinsutFs Il Fear
NO roe, and IN duet with the fine tenor.
wallace Moody The LarbOard Watch, %
by 4. Williams; also the late George +.
which was sung here by Mr.. Lumbar
on the evening OF its composition, following
the defeat OF the Union army al Bull Run
In 1861. Mr.. Lumbard's four score years OF
age and his hfty-fOur years eXperie nee
as singer are comparatively fruitless OF
erect, and his voice Is pleasing 10 hear.
One knows that the voice must have been
a very nne one In it's prime, though only
the lowest tones show themselves less re-
sE0nsiye now.
MARY LEARNED.