Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1905-05-20

Prof Rubin Goldmolk explained IN
hls lecture ON the national clements IN
music hHt sunday night that the
bnas ~ such national elements whore
they did oylsl cump from the folk
songs the melodies OF the common
people, Some great composers have
ana gomo have not written IN such a
vein M 10 gtWnp their Individual come
positions with the nenuccablc imprint
Of nationality Rpbnsloin was u rus.
SIAN yet ha works never impress one
nv distinctive OF that nation, chopin
was a Pole, set IN playing Ma compo'
sitiona no one over thinks Of the Polish
people, The Same thing may be said
Of Tchaikowski, ana man other com.
poscrs Of various nulonalillcs, ON
the other hand, there are noted COM
positions which suggest nj once the
geographical source Of their origin
ana this In because the thcmatlC con.
ftwclon Of their compositions ndi.
Gates national folk SONGS Ns the IN
SEPARATION and the basis \ noticeable
example NJ This is the Hungarian Rhaps
eodlos Of LIe2t,Iho suggestions Of which
were taken from the songs ot the lluns
garlln people The national melodies
Of those folk are of special interest be-
cause NJ their intense originality they
are not uf mdo European oNgiu but
are TourouMn. and for hundreds ol
years formed "a grut defensive barrier
for the safety of Europe against the
ugRposaiyo nations of the east puuID'
uUry the rurta. Thoy lived In, Tor
ana by themselves, ana while such
parts ua lived ON The boldcrH ndlon.
INK the moro northern countries may
have been affected tO some uNtpnt by
the SONG influences of their neighbours,
set thlR NDH very SLIGHT Ihu lluua
gnriUnU hnyo buou very musical uop.
pie, ana the fertility of lhor uxuodl.
cuts IN vocal comuoutlou has been llko
grcut pDrrhou.o of patterns from
which noted COMPOSERS have taken
cues for uumberloss musical compost.
lions Special illusuht Iona of this
ARE included IN the Brahms Hungarian
dances, M woll as the LIs2t llhapso.
dies, and an through these ANA other
similar works there " always coming
up that peculiar quMk and turn OF
NOBODY and pthm the Vnlck ANA tulo
betrayal Of hungarian orIgm
IN the lWllnn music thOc are compo-
sItlons which Enthusiastically indicate
the nationality of sos oirini ana IN
gonornl Il may ho sUll Of all the music
of southern Europe, that n ~ essential
~ scnpulua and emotional I'm ChIruca
tor. while nv one Roos north this char.
aclcrlWlc Rwduully lessons ana "A vUlle,
vigorous underlying spirit becomes
moro ANA more pronounced until ~
Rcmo " reached I'm tho FOLK melodies
of the scandinavian wCos Tho music
Of love " precautionary italian Tho
Italians pro n music LOVING race, ana
thov popm tu be- born WIN song I'm
their lhro0ls. There " no dlllloully I'M
TRANSMITTING THEW songs into EnRlishi
while II N utterly Impossible 10 do This
with HUNGARIAN SOM melodies ana
preserve any ndolltv lo the original
pplrll IN fact, one Of the mnnWchs
VI Europe once remarked That If one
would use the, Language of love he must
speak Italian; " The luuguoHo " tho
hIplomnt, the French, II the
langungc Of oBs.commoroinl
transactions, the English " tho
military, the Oormun, while would
he gponk Ia the doyil he must have
recourse 10 the Hungarian The mons
nrch mIght have also included IN me
lntlor, the BASQUE Il SWISS iirRon ~
Rompnco ana slnvouio that NO one but
those who arc born 'n II cnn acquire
Tho Flcnch music payors strongly NJ
the intellectual, while the northern mu,
slc nrodomlnn,od with the lmaelnntN,
mud vigorous Strange 20 any tho Eng
llsh nude has no omlhtion with thC
scotch or the lrlsh, Tho 0rst ougIn'
ana moro primitive growlhs ~ FOLK
song can hardly ho traced, They sprong