The Montgomery advertiser., 1905-05-25
FIFTH ANNUAL RECITAL
MUSICAL PROGRAM AT
 THE THEATRE.
Pupils of Eilcnberx studio of Music Charmed Large Audience--Mr. Etlenberg Presented with A
 Laurel Wreath

Elienberg Presented with a Laurel Wreath. The Montgomery Theatre was filled last evening" by an enthusiastic audi- ence gathered to attend the fifSh annual Studio of Music. There were ninety-five Irpils on the joyed from that of the tiniest little one | to the most advanced, because Of the fact that each composition on the pro dered' in an artistic manner. No pupil undertook work beyond her capacity and the result was that every number There had been i,50o tickets of .invi- tation applied for and the fact that go many availed themselves of the cppnr- Snss oS fb own or n IFS i ,d music be 1t that of an artist or that of we'll trained and instructed pupil who is do- ing the thing undertaken ken, wsil sfsr the an- pearance from the publishers 0f MT. Eilenberg's forty page Theme and Va riations" which some of the great art- ists of the day have pronounced mas terpiece, was one in which more than ordinary interest was taken. i, During an intermission spiend,' wreath of magnolias was presented = Mir. Eilenberg by Mir. Phares Colem :.l from the pupils of the Eilenberg Studio
 MT: Coleman in presenting the MT. Eiienberg, Ladies and Ger c mem Excellence In achievement Is .le de- of fife we all strive and long for the plaudit of well done We have seen this manifested at all times; in all agone. there was ever a struggle for ascendency. The desire was ever for success; to attain reward of merit; the struggle was made and achieve ments attempted with the hope of wearing the laurel wreath of victory As 1t was in days of yore, so 1t is now; in each profession there Is ever pres ent the endeavor to achieve success and receive the encomium incident thereto. "It must be gratifying in the extreme to you to be made to realiez that in your profession, by your own struggles, efforts and achievements. you have at tained a position In the musical world that calls forth the praise and admira- ton, not only of your own people, but the critics of our country and Of foreign lands.
 T am charged with the pleasant duty of presenting you this laurel wreath Of victory from your pupils, who love you so well and cherish your teaching so much, as a slight testimonial of their esteem of and their pride in their challenged the admiration of the music ment. your Variations, are pronounced and for your pupils and the citizens of Montgomery, all of whom are your ad- mirers, I ask you to accept this laurel should lend It's lustre to a victor and to him who has plucked success from the rugged path of lifes struggles and achievements.
 When Mir. Eilenberg left the stage bearing his wreath of victory, he re- ceived tremendous applause that con tinued until he returned, and first stat ing that speaking was not in his line. expressed his thanks to MT. Coleman. to the pupils and tJ the Montgomery public for the evident appreeiatlon si, Of that he knew of no place in the world he would rather reside than in Mont
 The program for last evening was as
 Hungarian Dance. Engelman--Helen
 Dream Fairies. Ducelle-opheIia Mo-
 Tyrolean Melody. vanGael--Isabei
 Duct 'wreath of Roses" sartorio-- Fife and Marion Lee.
 Marguerite, nge-Gladys Hudson.
 Auf Capri, sartorio-Kathryn John-
 Trio. Rondo. streabog- Thomas nic- ponough. Lionel Well. Carroll Dowe Mazurka. baek-Lee Marks. ,o..,
 1diiio. LacR-Phedora Randolph
 Four Pianos--ouadruple Trio, Walt5,
 
 piano, Isabel Norwood. Phyllis Ga1le. Annie Tyson; third pian,o1: Maud lSalaS: shay: fourth piano, Nellie Bowdoin. Alice Pelzer. Irma Wollner.
 At Twilight, Eilenberg-Myrtle Gar
 Spanish Dance. sartorio-Anita
 Duo@senate. c Major {frst mov.- ment), Mozart-Grleg; First hiano, Laura Jones: second plano, Mr. Eilen-
 Fiuttering Leaves. Kolling-Frances
 Frolic of the Freezes. Lusini--Fior-
 Hungarian Dance. stiehl-willie Ker-
 Four Pianos--Double Quartet. The | Chase, Gurlitt: First piano, Ruby | Richardson, Florence Harris: second
 piia plano, Eliza EiiHabeth % and and Alice Pelzer; fourth piano. Jette Aileen Farley. Mar garet Coleman.
 Callirhoe, Chaminade-Kate Durr.. Dorothy. Gavote. Smith--christine Four Piaaos-Double Quartet. Tyro- Motion, Annie Sykes: second piano, | Marcelia Sabel. Jeanne Well; third | piano, Willie Thompson. Clyde Crosson; fourth piano. Bertic Well. Irene Bern
 Avalanche. HeIler--Miss Mary Sis trunk.
 Alhambra. schnecker-Miss Annie Chandler.
 Duo-Sonate. G. Major (first move | ment), art-Grieg-First piano, Miss Hazel Weaver; second plano, Mrs. Eilenberg.
 Rococo, Aletter-Miss Belle Anderson. Arabesque. Chaminade--Miss Genie
 Gpndolier, E. Nevin-Miss Cecile Loeb.
 Quartet, Evening at the Inn in the Wood" Gurlitt--First piano, Loranal Cain, Emma Lulu Thomas; second piano, Bessie Clarke, Marie Newman.
 Air de Ballet. Chaminade-Miss Julia May Henderson.
 Venetian Love Song. E. Nevin-Misi
 Waltz. A Minor. Chopin-Miss Heleh Armstrong. Quartet. Spanish Dance, Moszkowsti First plano. Misses Cantey and GlaS; second piano, Misses Marks and Lodo. Menuet. Paderewski-Miss Annie May Waltz. A Flat Major. Moszkowsk- Miss Ella Klein.
 Military PoIonaise. ChOpin-Miss Fay
 Double Quartet. Parade Review, En- l gelman-First piano. Misses AndeFon and Sistrunk; second piano, Mltses l Weaver and Boothe; third piano, Misses
 Leslie and Cornwall; fourth pihno
 Misses Christine and Louise Glass
 Romance, Rubenstein-Mlss late
 Spinning Song, wagner-LIszt-OI Miss Sadie JacobL
 waldesrauschen. Liszt--Miss Helen Metcalf.
 l (a) Grand Waltz. A flat; (b) Bitter
 fly Etude. Chopin-Miss Lou Ella {rom-
 well.
 Double Quartet. Tannhauser Over
 ture, Wagner Burchard-First piano, l Too nd farfar . s.f,.