The Kimball graphic. (Kimball, Brule County, Dakota [S.D.]) 1883-1905, 1905-04-14
THOSE LATE CoMERs.


HOSE Ia CCMEhS.
Washington SJaf; II regard is at m'e'
ind fitting, even at Wis waning. period Of
INC ainue.rn.nt season r,ro.,,sed Tho
.,a.,.., -. la.
"i = '3.' ""Y "''' ''S'' 80
emerged from ''' th'"t'F' tAat 'he iis"'-
atiNe custiaatoHN barrel STAY" or meta
phor.c,l fence u,cEet should he APPLIED
y.t,b vino, .,d .,f,,sia s,o- ma mos, nor
-" NF'' "''
enc persons VINO max 81 Pi'N'' '"N
point OF care TO ARRIVE ut the sac" aitei
the curtain has ~ascond,d.
1T may not bc a mAtter 81 popular
knowledge or beliet ;hat The major MUM
her of these yearlera fur the s!,oil!sht VINO
noisIy cata,,ult into a th.alor i,al. or !ftur,l
minutes after the actors have begun -
worl. do The game on lurl 1S" ald uut u
malice and vanity afort thought
'flGt know it and b. iirVu 1t, all Iho
same.
lit = their deIibolato End carefully-
worked-oui desire and imtontion 10 give
tho greatest possible publicity, promotion
and exploitation To- their logs.
ut is their purpose. 20 tho execution Of
which they contribute Il species ot devil
ish ingenuity worthy q cau@, HAT might
fetch :hrin Something. TO 2:..t!aGt The All
temtion OF tho audience from the cuiaes On
the sage 10 their Own raimont.
the hsbitual latc a.livors at the The
alter arc 900 pin-hyaacd 10 perceive or
grasp the fact tina. the persons co,nplis-
ing an ayrraIe audience are natu"ally
moro Interested In the efforts of tho play
.rs Than in The aIpuaraucc i'm the auditor
ium of a dinky imitation er.mino-trimmoi
opera cloak. Il bow-knotteti green ,affcta
waist marked down TO IS cents the yard
and q hinc-pns ntcd ounpiro fam. ac-
compullied Ivy Il SO satoon-linul Tuxedo
suit.
"Tho most dismal characteristic of tho
chronic late ar.fv.r is his or hor ujte! and
complete lack of a sense of humur. The
roopic who vis.r these incassant outrac,s
anon their fellow men and women are
never able to soc what laughing stocks.
not to mention nuisauces. tiley make of
tlcinSclN,s.
'It is curious to note tho gloom which.
ove.snrcads thc co~untrnances OF tile late
arriycrs WHOM tllov and tl,at iheY have
aisle seats and that. i'm consequence. they
are "a lie deprived of 1he jnettai,lu iov of
forcing eight on ion prrsdns. most of them
IA. and wheoyv To stand M in their seats
N order to form a sanewav. aud. in stand
ing M. 10 crush ;a,lr hats. drop their
WRAPS aud opera glasses and programs on.
the door. n,llt oxcitedly with rpii1alod
wrath and over-cXertion, and otherwise
feel like galley SLAVES in the act OF being
scouree.l To their dungeons.
The habitual late arr.vors don't want
aislc seats, and they rarely obtain thcm.
What they want is 10 walk over folks.
thereby conlpuIsorilv engaging the alton
III lion of a hoIseful OF people.
The chronic late ar!iver. male or fe-
male. can uncoil ti,, words excuse mo or
'pah,on' or so sorry faster ,han a quick
lunch room i!apiack maker can turn out
Observation-Disclosures is TO saw. som. of
chem can.
But the .pahdon me- Of q climbing.
cla,nbcrin@. clumsy. clompifrs lac ar
river. as he BUMPS and bluuGrrs ,ast the
iuwardly cnra.ee people who have reach
cd the tnaa,al. on time out of cons:dera-
ton for the riphl. OF 1beir follow. h..i,,ss