The Fairmont West Virginian. (Fairmont, W. Va.) 1904-1914, 1905-04-19
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Hints Fer the Housekeeper.
4 tByftAd a M. Krecker.)

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X Hints For the Housekeeper.
{ Il BY "A da NJ. Krecker.) i5
Not % express all one feels eth.
$erS by lool or speech is a necessary
saccomp lishment among polite people.
The person Of training and culture
4 learns 10 hold much In reserve, to re.
Train from calculations of surprise,
gIsd ismay I'M short, neither to wear
The rtsupon$ the sleeve nor to car.
rysabout3 "a telltale face.
ssmong the lower orders there Is
much less sself;control Of eye and lip
sttlian among thoseEwho have learned
That a ardinaI$point in good manners
respect for thesrights and feelings
,4sprS " hers.
The$ PRESSED manner is decorous
Srathert than vehement, leans toward
Me- calm of the statue rather than
4 t 4, BE Sraying of the actress, IS never
100 onounced, Is tranquil, gentle,
restfaf and always self.controlled.
The too easily mover face grows
pid AZ far ~ more rapidly than the one
@hislfs has fhabitually less play Of the
muscles. One does not find a smooth,
nnlined forehead in the woman of 40
~ from q I 98sle has been hnotting,
gs1rinkling and spuckerlng her brow
fssers every trifie,; wearing a labitual
froWn sfnrrowing perpendicular lines
bet@senS her eyes; and drawing deep
marks SaGollt$the upper lip and in The
place Which should be invisibly label
% t ForS dimples only"
Full Skirts.
Skirts continue fill, but are mostl,
sitherS stitched in fiat plats over The
hips or theIaseams gored heavily Il
do3 away with the extra material al
u The waist The circular skirt, made
With a seam down the front and an
stherg down the back, rejolces The
heart for y is one OF the most
grace f,il as also the most comforta
hiea styles; lit has no waist full
ness the ollme OF material that
lows around the feet being obtained
BY the soring and the curve of the
clottr round the hem. The same eff
fectSt secured in marrow width mn
teri ais Egbys the umbrella skirt.
4 contortions.
ows often is an otherwise charm
Ing or beautiful face deprived OF lis
aftractl yeness by 'sthe presence OF in
!! voluntary grimaces or spasms! These
sactat contortions appear TO be one
1fS tlle natural sequences Of progress
siye civilization, with its train of ner
Yousf affections and disease. The
more civilized and unnatural the con,
sditieEs Of life, the more common dc
n these IS nervous manifestations appear
85tDf be, *
s5a here Is hardly any variety OF
\ spasnls OF the muscles Of the face
Etiilfit, Is not5at some time or another
brought To- our8notice in the form OF
Az Involuntary grimace. Sometimes
US NE ebrows5 are Internationally Gle
waited; sometimes there is spasmod.
sgicS closure Of the eyeltds, which is
nothing more or less than wink
sonnet lines the corner OF the mouth
- ORA %n up, or the nostrils arc
ISsraised and Edilated, as II an effort
sReres being made to sniff or smell al
sons dfsagreeable or pungent vapor
IN 4 dor times the eyelld is affected
Wilt an almost invisible but uncom
III Portable Sspasmodic contraction Mos
these so;called tics originate Ii
childhood, rand occasionally they ap
III pear for the first time in adult lndi
yilna1ss In this latter case they ar,
seldom SO serious and are much cas-
Ter to cure. Actors and others VIII,
have great command over facial Ok
lpression and are constantly bringing
the muscles Of the face into use ar
more; likely to develop involuntar
4 grimaces Of this kind than are peapl
nf plegmatic disposition and EXPIRE!
alonless face.
Grimaces Of this kind when the
\ Alpear In srown.up people, are usua
" known technically as histrionl
tpasms. They can often be cured b
3S comp rest, tones, and nerve sed
Sirss, but the more usual form Of f
VI eiaI contortion, which originates
childhood, defies treatment TO a fl
VI greater extent.
II is, therefore, important I