davidaulloa/AmericanStories huggingface dataset:
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18
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aeihdft.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

SagltdDe' 1ollrtltef Sdlatmaaen
nab Californian. ebenIo nah ct.
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einen 9idet . Igentert tpeeen oieles
neuen 9ienites ooer an s. g, Sur.
rer, Generals 8aiiaaier. Geent, 0al.
fas. 3eraS.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

.8prp $ Tprntalin" (Gimer &
Mmenb) antiieptii6es Wiittef gegen
8ranbnunben, @unoen, 6autauss
lblag Dber dbnlibe 2eioen. Sn
alien Muuthefen Al hQben.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18
ghredItdber Ranpf.

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aoolpb 9,reis uno 81. Raltener &
Sohn. 80 Gents bic sslaIbe.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18
GpanReitfna : i~ntberttdse ct. Spbaus
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Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

80 RaIt. cement. SaaD, Bad
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Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18
SIomeitteraS witmht Sud

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Snn NntOnio. Teroa.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

Der in unierm 2anoe eeIans
t1lelte 9~iilfsfono8 fiir bic ruifiihen
Suoen belduft itd auf $1,672, $3.50.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

8eiuht Shpls's Saloun, ala.
mn : Rlaaa. Stets .friibes Bier az
2apf.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

Spart @elb uno tauft Cure
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IL 8 0. 122 SDleoao.S trase.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

Wtmd's 5 Gents Dapana. gisarre.
Freie Presse fuÌˆr Texas. [volume] (San Antonio, Tex.) 1865-1945, 1905-12-18

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The San Francisco call., 1905-05-07

the Columbia Theater. 1t is many
years since the play has been ade-
quately produced here, and probably
the best cast the Shakespearean stage
now affords will be seen in the play
tomorrow evening. Miss Julia Mar
lowe has been long famous as Juliet,
achievement. Mr.. Sothern's Romeo
will be new to us. 1t is only season
old. but is said to be a finished and
highly sympathetic performance.
From Mr.. Sothern's previous artistic
history his Romeo should fail Moth
ing of poetry. of romance. the chief
essentials, and the reading of the lines
will in any case be a sheer pleasure.
Physically Mr.. Sothern should again
satisfy. and altogether a delightful
performance may confidently be
looked for. The supporting company
has shown itself unusually adequate,
and the concerted work-one instinc-
lively uses the musical term in the
connection-has been distinguished by
rare smoothness. point and balance.
The setting will be of the most pic
turesque and splendid order and ex-
trsoSdinary interest has been mani
tested in the whole production.
The California has also bill of dis
tinguished interest, for the farewell
week of Margaret Anglins notable
season. Tomorrow evening will be
played Mariana" the play by the
noted Spanish dramatist Echegaray.
produced so successfully last week by
Miss Anglin; Tuesday evening will be
devoted to Frou Frou'; on Wednes-
day. "Zira": on Thursday and Friday
evenings and at the Saturday matinee.
THE Second Mrs. Tanqueray," in
which Miss Anglin will appear for the
first time; and for Saturday, the last
night of the season, The Marriage Of
The San Francisco call., 1905-05-07

for six weeks in a modern play, Fools
of Nature But people somehow did
not care for me in that kind of thing,
and I did not care for myself. 1 have
always done the picturesque, primitive
sort of thing; dealt with the larger, or
at least more freely manifested emo
tions.'
Have you ever played in the 'Antig-
one?" ! asked
"How-you are rather surprising. :"
Miss Marlowe had for this. mo, [
have not played Antigone. But l have
always wished TO play the part. and
this will amuse you-whenever 1 want
to look very noble on the stage 1 al
ways think of Antigone."
Were there any of the modern plays
that Miss Marlowe found grateful, any
of the Ibsen plays in particular?
The Dolls House., she replied
without hesitation, Nora, should
much enjoy trying. I've never wanted
to play 'Hedda Gabler,' I must con-
fess.'' and generally Miss Marlowe de-
plored the essential lack of beauty in
the Ibsen genre Magda, Mrs. Wood
ward reminded her that she had al
ways llheu, ana the actress eagerly as
sented to this. Another of the Suder-
mann plays. new. "Johannis'-I be-
lieve, she mentioned. and Hauptmann's s
"Sunken Bell"
But rarely see modern plays, read
modern books, continued Miss Mar
lowe, who has one of the finest Ii
braries, most exhaustively read,
among the actor folk. She explained:
II am too busy. Take these Shake
spearean productions. We, Mr.. Soth-
ern and 1, mark even the emphasis in
every line of every small part right
throughout the cast One must to
get the ensemble; one must to make
things converge to an effective center,
to have every actor working toward
the high lights of the story so to
The San Francisco call., 1905-05-07

severely at his finger nails." this
laughing. But you would not mind
even being a modern actor with an
eye to your finger nails to be laughed
at So"
1 asked her then where she got it.
the laugh, the voice, warm as Schu-
mann-Heink and flexible as Sem
brich's.
she sang in Colonel Miles juvenile
opera company for four years. though
'infantile experience is practically
useless" The seven years after
this were spent under the care
of Miss Ada Dow. who took
the friendless little Sarah Frost
her real name-to her heart and
home. Here is where Miss Marlowe
learned the love of Shakespeare,
which is her dearest faith. From
Welshman, pupil of Garcia's and
teacher of Edwin Booth, she learned
the secret of proper use of the voice.
Above all this is the exercise she COM
mends to the dramatic student Very
proud her master is of her. she told
me, with charming archness; proud
that she can co. as she has this sea-
son, through thirty-two weeks with
out missing night or hurting sim
gle fiber of her throat. OF one of her.
Ingomars she quantity told me, with
four notes only in his voice, quite
enough for the barbarian" de-
cided, mimickin~ the four notes,
but when he came to play
Malvolio with it's delicate shades,
its fantastic variety, it was like a
piano with half the notes missing
This must the student study most
ardently," Miss Marlowe advised.
Nay, but tbs a hard life, the stage.
If girl has the heart to stick TO
it for months it almost means that
there is something in her. High-class
gypsies we are, with our private cars,
The San Francisco call., 1905-05-07

speak, to have each one-say where
Beatrice leads-led to help her scene.
Not the skillfullest actor, she de-
cided then, but the most pliable. is
the most useful in minor roles. LAS
you know" her white hand weaving
effective illustration, las a piece of
furniture too fine for room stands
out unpleasantly.. so will too big an
actor in a too small part. The effect
is crooked, things get on the bias.
One can easily imagine a personality
too potent to fit into small role. You
don't often get it,, the eyes twinkled
quizzically, they commonly rattle
around in the parts
/ wondered if the greatest men
could not most successfully obscure
their personalities. Not so, Miss Mar
lowe decided Henry Irving came up
apropos of this. Three churchmen,
Miss Marlowe said she had seen him
play within a brief space of time.
Beckett, the Vicar of Wakefield and
Wolsey. .All of these were Irving
unmistaka bly," she put it, yet each
SO different-not from the outside.
but, if you like, the mental processes
were so different, so characteristic in
each of the cases, that you felt in the
presence of three wholly different per-
sons. / don't think it is SO necessary to
change the shell, the makeup" she
added, so radically as say the Ger
mans think. One must change the
mental makeup, rouge and wrinkle
the. brain. so to speak.
The greatest men shave not always
been the most versatile" something
then evoked Take Irving again
here Or take Mounet-Sully, in mod
ern stuff quite pitiably ineffective. The
man needs the large planes, the large
lines of the classic drama. He abso-
lutely cannot think in little. Fancy
Mounet-SuIly, like some modern ac-
tors, gaining a reputation by looking
The San Francisco call., 1905-05-07

Some women there are who remind
irresistibly Of flowers, of their lift and
sway in the wind. their sudden beauty
among the green. their pregnant fra
grances. There are orchid women. as
Mrs. Campbell. children of perilous
heights and rare suns, strange, subtly-
moving, disquieting. Lily women there
are. as Ethel Barrymore, slim. proud
and cleaning pale, as on sacrihcial al
tars. Julia Marlowel could think
only Of a garden Of roses bursting into
bloom as Miss Marlowe came into the
room to me the other day. Like nothing
more than a great rose she is, sweet
and radiant. flushed with health, sing
ing Of the sun, of my sister the rain,"
Of dewy mornings.
A laugh like the trill Of a thrush her
aided her coming. 1t was TO Mr.. Soth
ern's room at the ST. Francis that she
came, as had previously come
Guests owned Miss Marlowe's own
quarters and Mr.. Sothern had been
good enough to offer his. 1 had had
time TO note q rare edition Of The
Merchant Of Venice" under the student
lamp. the pleasant green of carpet and
wall when Miss Marlowe came in TO
sdorn ii. Her friend. Mrs. Woodward.
the accompanying friend, quite signifi
cantly. Of Miss Marlowe's visit here
nine years ago. came with her.
Something the actress said, looking
round the room, of its being AN inva-
sion," OF Mr.. Sothern's kindness, of its
seeming only like yesterday since she
The San Francisco call., 1905-05-07
MUSICAL SEASON WILL
HAVE BRILLIANT END

Nothing could be more fitting for the
close Of musical season. brilliant in
its every phase. than the Kneisel Quar-
tet concerts of this week. The best of
opera, three seasons of il. we have had:
pianists. the best the world affords:
song recitals of the finest. Fritz Kreis-
Ter as the violin apostle and next week
Ysaye; even a good symphony concert
under Signor POlacco; the lovely
ancient music of the DoImetsches:
and now the best of chamber music.
We are indeed favored
For many years the KneiseI Quartet
has been the same quartet with but
one change several years ago. in the
second violin. The ensemble of their
work is said TO be of the miraculous
order. and no musician of any kind
save perhaps those piano. violin. singing
teachers as opposed to the teachers OF
music-will dream Of negIecting this
chance to hear such work There are to
be four concerts. three at Lyric Hall, on
Tuesday and Friday evenings and on
Saturday afternoon. and at the Sc.
Francis under the auspices of the st.
Francis Musical Society. fourth con-
cert on Thursday evening.
The quartet promises many novelties.
Tuesdays concert will have the De-
busy quartet. one of the most notable
of the modern French examples of
chamber music. On Friday evening the
Bach double concerto will be the event.
Schroeder. the 'celist of the quartet.
will play the Locatelli Sonata on Sat-
urday afternoon. and at the. same con-
cert the Italian Serenade" by that
brilliant eccentric. Hugo Wolf will be
done for the first time here. A novelty
of the first order will be the Bach
quartet only recently discovered by the
Bach Society of London. which will be
one of the attractions of the ST. Francis
concert II is TO be noted that the St.
Francis concert is open to the public.
at the ordinary concert rates. The
Bach quartet has never been done
here. nor indeed anywhere until two
years ago.
The San Francisco call., 1905-05-07

tue'-oh. we all know the Blanca
kind
In effective staccato Mrs. Woodward
put it: "Cat,"
Miss Marlowe added delightedly then
that next year she will be playing
Katherine to Sothern's Petruchio,
that she is to have three years of
Shakespearean drama, and that for
three years therefore she will have the
artistic happiness that she has long
hoped would be hers. For Shakespeare
is the Marlowe faith, her creed, her
gospel. her love, the Bible of her art,
and she has worked, fought, tasted and
prayed for it without ceasing. And the
thing she has waited for has come to
her, happily in her full and splendid
prime.
That she has never seen Katharine
played the actress told me. "On the
whole l think it is best not TO before
one plays such parts. After all il is
the personal point of view that counts
so heavily here. The plays are known,
it is the personal conception of the
characters that alone constitutes any
new value in the performances, and one
cannot help being more or less infiu-
enced by seeing another conception OF
course, if there are holes in your i'm
personation there is plenty Of time then
TO find out what others have done. 1t
would be entirely foolish to ignore it
in such case. But first l eel it is best
to go as far as one can oneself"
OF the comparative difficulty of play
ing new parts and the Juliets and Por-
tias in which you pit yourself against
the famous players of all time she
spoke then. Imogen, of all Shake
speare's women. she best likes to play.
The difficult, delicate complexities of
the character particularly appeal to
her, though "all Shakespeare's women
are fascinatingly complex she de-
cided
.'JuIiet?" 1 hazard
Juliet was very young" Miss Mar
lowe laughed.
Imogen, Juliet, Beatrice, Rosalfnd,
Viola, Portia and Ophelia she has
played, and best loves to play among
these. If she had ever played in any
modern plays 1 asked her then.
Il have never worn a gown on the
stage more modern than that of 1863, -
she put it, that was in Barbara
Frietchie.' Oh-last year, yes, played
The San Francisco call., 1905-05-07

ment fame has just evolved 1t will
be seen tomorrow evening for the first
time on any stage. and will certainly
be an Event.
Emmett Corrigan, whose clever
sketch Jockey Jones' made such a
hit at the Orpheum last year. viii re-
appear there in the same sI<it this
afternoon. The fifteen bird-power So
prano, Nine. SlaDoffski, who Was one
of the discoveries of the Orpheum Iast
year, will also be on the bill.
John T. Chick and company will
present "All is Fair in Love and War;
at the Chutes Theater this week
Cleopatra Up to Date" will be given
for the last time this afternoon and
evening
The San Francisco call., 1905-05-07

The recent utterances of Sir Caspar
Purdon Clarke, the newly elected di-
ector Of the Metropolitan Museum of
Art, have made the thoughtful among
American artists double up on their
thinking.
He has even made the artists out
here in the West do a little quick
mental work, and what do you sup
pose IL can be?
It's all about their drawing-the
basis of worthy work.
Now, here is what hits hard in San
Francisco.
A sense of color Western artists
possess. a deep sympathy and under
standing, besides vast yirility and
originality of presentment. But as for
drawing-well, herein lies their sin.
And this is not surprising to those
The San Francisco call., 1905-05-07

who share with the artist his ecstasy
and sense of intoxication when seized
with desire to put on canvas bit
OF landscape, or an arresting figure.
He sees the thing in color, and he
is not schooled-the most of him isn't
to stay his impetuous paint brush
until he has done his drawing to the
very best of his ken, and even better.
This comes only with self-inastery
this plodding, cold, careful, critical
work in charcoal.
This is what makes for success, and
what has been the basis of every great
reputation in the art world.
To be sure, there are men who draw
well. but who lack the soul, the sensi-
tiveness of the artist. and who of
course can never rise above the level
of intelligent draughtsmen. But the
The San Francisco call., 1905-05-07
BY L.AUR.A BRIDE PO WEBS

Most of the canvases l have been
permitted to see breathed not of the
studio, but of the fragrant meadow or
the copse by the roadside.
This gives virility and sense of con-
viction to his pictures that will surely
bring him into the front rank of Amer
lean watercolorists.
And for painstaking work I beg to
commend hinl-him and his fellow wa
tercolorist Neilson-to some awfully
good fellows / know who could paint.
and paint rather creditably If they
could only buckle down to hard work
and take their art seriously while
they're at their easels.
What's the matter with Thad Welsh
he's not living up to the best he can
do. He turned out some rather bad
The San Francisco call., 1905-05-07

Kitty will be put on. The bin Is
throughout exceptionally attractive
and is worthy as it is sure of large
patronage
THE Stubbornness of Geraldine"
the Clyde Fitch comedy which Mary
Mannering recently brought here, will
be the attractive bin at the Alcazar this
week. The scenic arrangements are
on an unusually ambitious scale, the
first act demanding the representation
of the deck of an ocean liner in full
sail. Miss Lawrence as Geraldine and
Mr.. Craig as her fetching Hungarian
lover should be happy in their oppor-
tunities.
Florence Stone, with the Ferris
stock company ar the Grand Opera
house, will be seen this week IN Joan
OF Arc" in which Fanny Davenport
was wont 60 appear. The version ss-a--
will be the Fanny Davenport one
The Tivolfs production Of The
Mikado" will be one of the events Of
comic opera history. 1t is some three
years ago since this delicious Gilbert
and Sullivan opera was heard here,
and the production will doubtless be
most popular
Central frequenters will have a
brand new play this week. terrifcally
titled The Criminal of the Century"
which Mr.. Winch of Central manage
The San Francisco call., 1905-05-07

things few months ago-mere pano-
ramas-then he hit upon that crude
but exquisitely poetic thing, Morning
in Marin" and now he's gone back to
the sign painters art, and more's the
pity-for the Welsh hand is cunning
And it cannot be that a man of his
years has lost it Carelessness, proba-
bly,, tells the tale
William Keith is doing a glacier-a
mighty glacier in which the power of
nature awes.
And such q skyl-it is as luminous as
that blue dome over your head-and
when he caught that quality the great
artist sat him down before it and smiled
like child finding a toy.
This is the joy that the artist knows,
and a goodly part of all he gets down
here below.
The San Francisco call., 1905-05-07

dear, old gentleman. He said to me
one day when we were talking of The
Tanning of the Shrew,' Always remem-
Der. my dear Julia'"-up went the
Marlowe eyebrow. always remember
that Blanca is the shrew.' And she isl
The Marlowe laugh confirmed this.
She is a mealy-mouthed shrew. al
ways slyly exciting the quick tempered
Katharine. Don't you remember in
the first act? Her father asks Kath-
arine why she treats her weak sister
so. Her silence flouts me, Katharine
shrieks. Then you remember in the
last act. Eugene. where Blanca says:
More fool you TO wager upon my vir-