New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1904-02-22

to nothing. There is an inside vest OF tomato red
cloth.
These touches Of a bright red and pink a
marked feature OF the spring modes It is impos-
sihie 20 fnu an exact name for all the new shades
There is certain intense shade Of salmon that IS
used and there is the softer old pink and differ
en- SHADES Of tomato and brick red
4aILeia IS much IN vogue for gowns. but II comes
i! IN 81 s3tt quality that IS not brilliant Gowns OF
eo.1I- he skirts are trimmed with volents or with
tp.lii.,lnE Iucles or with a lot u Jour work
natural folds ar the waist line with several rows
on -alrr.ns az the TOP of deep hounce. The ful-
behind Tie fo1nc il --iSr,e5 with inCrstafions
OF black cloth and brilliant narrow braid. The
bodice has q high. soft belt and deep pelerine
lower eIEe Of The collar are trimmed Ike the bot
tom OF the skirt with the trimming separated by
shaped band Of purple velvet crossing on the bust
with curved. embroidered edges \ tiny bow OF
chin same '''''' color iS'e"S 'i7 '''Afr u"as' '''
a NEW SLEEVE.
The sleeves are made in one big. unstifTened pun
to the elbow. where they shrred and fall in
a rufle that is trimmed with the cloth and braid
embroidery. This sleeve has underseeve and Is
worn with long gloves Ii is the sleeve that f. ex-
peeted 10 be popular this spring
rufies y ruch Cuch ia the sense that one ruff
III" turns up and the other fails over the hands, OF
the lace makes a close wristband. and above the
RULES mount almost To- the elbow. gradually In
a pretty form Of trimming often employed is a
line OF narrow. tight little bows down the front OF
bodice on gown Of wood color wolfe these
bows of black velvet with gold knots in the
centres. The bodice f. made with a deep collar and
a high draped belt The little bows begin at the
top OF the choker In front and extend to where the
collar ends on the bust From here a twist Of
velvet ribbon runs 20 the top Of the belt which
fastCus under O. line Of these bows.
In spite Of the tendency for closer effects than
appear in the spring models. the gowns seen to-day
especially those worn I'm the evening. eXtrava-
Eautly bouffant. Skirts not only shrred about
shrrugs But thing is certain, the yoke ef-
feet IS coming back again. model that IS very
popular has the entire skirt front breadth and ALL
laid in side peats that stitched down to
form a short yoke Many OF the shirred skirts now
hung from small yokes they were when
first introduced. Hung this way. they are much
more becoming to short figure Another new
skirt IS laid I'm side pleats. which are not stitched
at all. In the back and directly in front hangs
cluster Of three box plaits In front these are
stitched FOR a distance. A large proportion Of the
spring skirts hang in a double box pleat In the
back.
Belts are becoming prominent and the exagger-
the wolfe gowns made with this form OF belt
and n surplice front Women are perhaps growing
a little tired Of the baggy blouse which has been
so generally pretty idea on a surpHce
basque IS to have the belt OF cloth velvet in
a strong contrasting color and this repeated In the
inner line OF folds which make UP the surphce
front.
Deep pelernes and all shawl effects much
used. a pretty of lace a light cloth gown
shows a peleriue Of lace that rounds up over the
shoulders whore 10 IS attached with two fancy
buttons. The lace makes the chOker and a yoke In
front which is shaped into a narrow point by tho
surpllce folds OF the cloth.