The daily palladium. [volume] (Richmond, Ind.) 1904-1905, 1904-12-05
ADJUSTMENTS
''Arizona.n

AhC AoiioWlHS PHEASANT eplSOQe
happened during "Arizona's" run
in London, last season.
The King and Queen, Princess Vic
torla and the Prince and Princess
Charles Of Denmark attended the per
Torrance On the second Monday Of
its performance. At the conclusion
Of the play, there was pleasant lit
tie ceremony; Bonita, the leading la
dy of The piece was summoned to the
royal box, where she presented to the
Queen a beautiful bouquet composed
Of lilies Of the valley, white orchids
and white heather, bound with a rib
bon in red, white and blue stripes,
the American colors. The bouquet
was presented on behalf of the
American company playing "Arizo-
ma" and Her Majesty expressed her
pleasure in accepting it, and said
the play was charming" His Ma
jesty said to Bonita, cit is a splen-
did play; we'll acted; l enjoyed it
very much" Their majesties shook
hands with the young actress, who
was overwhelmed at their gracious
ness. On the preceding evening, the
Prince and Princess of Wales wit
messed "Arizona. In presenting
the bouquet, Bonita said ~ wish the
fragrance of these flowers could con-
vey to your majesties the deep love
and respect felt for you by the
American people, The King smil-
ed and remarked, every pretty, very
pretty" "Arizona' will be seen at
the Gennett Theatre, for one per-
Torrance On Monday eTening, Dec.
5th.
1.-The Pit
Almost, if not quite as much inter-
est is being manifested by the ladies
in the New York fashion show gowns
worn in the production Of "The
Pit" which comes to the Gennett
Theatre, Tuesday evening, Deem
Der 9th as in the play itself. The
seven gowns that took first prize at
the fashion show are worn in the
first act Of the play by artists mod
els, whose figures display the dress
makers creations to the best ad-
vantage. These prize gowns are des-
cribed as follows: "a Paquin crea-
ton of blush print mousseline de
sole, princess effect, solidly shirred
from bodice to hips. On the shirt
three rows of circular shirring alter
nate with festoons Of Alecin lace. A
hand embroidered rose-leaf vine fol-
lows the curves Of the figure grace
fully. The sleeves are gathered frills
Of lace caught high on the shoulders
with pink rosebuds. Dresden blue
silk with trailing hand-painted APP
pie blossoms in brocade design. Bod
ice Of blouse effect with yoke of real
lace. Soft crushe girdle of chiffon
velour encircling the waist and full
skirt trimmed with arrow ruchings
and medallions of lace. A combina-
ton of hand embroidered white chif-
fon and taffeta silk the narrow back
ruchings. Shirt of white taffeta silk
with plated front panel. Over this
circular founces of embroidered chif
fon. White broadcloth trimmed with
Cluny lace and moelskin, made with
short semi-ftting coat and military
sleeves, strapped with heavy silk
cord. The lower part of the skirt is
made with folds and trimmed with
alternate rows of shirring and plaits
with two wide bands of Irish point
lace at the bottom. Plated girdle of
soft gay liberty satin. A simple gown
of white Louisine with bodice of
Vonice lace, fitted snugly to the fig
ure and extending in a panel down
the front Of the skirt, ending in a
frou-frou founce about twelve inches
deep. Black renaissance lace over a
foundation white liberty satin and
chiffon. Jet gown clings closely to the
figure, f1aring gracefully at the bot
tom.'
when Women Love-
As long as the world goes round
there will be conspiracies against
goodness and virtue. In the play
"When Women Love-" there is a sto
~ Of heart interest that commends
more than ordinary interest. A young
girl weighted with the care Of an in
valid mother and younger sister,
struggles against poverty and priva-
ton, is accused of crime, a man made
in the same old image persecutes, &C
cuses, and in the end finds the old