The Wichita daily eagle. [volume] (Wichita, Kan.) 1890-1906, 1904-01-03
The Eagles Studio

PIES noses-for do rot study or aim at
any originaiity.-Etude.
THE ACCoMPaNIST.
II often happens that pupils where BE-
ginning the stedy OF -ausie. consde "a
their teacher that they Jast wish to
learn to Play well enough 10 be able 20
;Iay church music and accomplishments.
The truth is that when one learns that
much. they have learned a great deal
They have learned 70 phrase and 20 real
lie the value OF rhythm besides many
other items for secular work. The ae-
companist nus. ixrow how 20 subordinate
the accompaniment. that II may at no
time cbtr1rle Itself or drown tho Efforts Of
the singer; be quick and alert at all tines
10 supplement and assist in many 6itser-
en; vays. Above al else remember To
follow the singer Every melody rot -
part OF some chord ard is net completes
until the other members Of the chord are
added 10 Il. BIZ; the rote sung IS the I'M
portant ca. Ire esS subordinate IL -
not always desirsbla 70, Se Sn aeoompan-
ist, for singers sometimes take al sorts
81 liberties si;h the tempe. and arc care
less in regard 70 phraslaE. Some one has
said that IL is easier for tie camel 10 per-
form his famous feat % passing through
TIE needles exc than for singer II re-
l;naaisE a high note. ard while TIE vocal
ist Is reveilsag IN the upper register. tho
pianist must bc on the eui vive 10 render
assistance "a Just the exact moment. Or
woe be 10 that u2fortuuats. Many fne
pianists are utter failures as accompanies
while ca the othc. hand. know some
fine accompanies Hhe sire very inferior
r.anists. 10 those who viii give Il tbs
proper study and have the exhibition 20 -
superior acconpauizt am SURE VIII
find L lucrative and pleasant chat IS,
most OF the tirne9 vocation.
The higher forms OF music. particularly
the works CT the masters. are STAMPED by
a strong Intellectually. revealing a world
os culture which WI bear comparison
wi;h the masterpieces 81 science. phi,oso-
ply and literature.
Music Is not an independent faculty IN
our nature hut IS In sympathetic cooper
alton with ali the powers co-inSpiring
whole II IS idle therefore 20 speak ef
music as a spec,aliy-E- w Gowen-
THE TREM0T.o AND VIBRATo.
There is a distinction 20 be made be-
tween tremolo and vihra.e. although they
are frequently confounded. The tremelo
is caused b. the shaking OF the larynx-
II Is possible that that strain may be tbs
opposition 10 too great breath pressure.
and that the difficulty causing all tho
troaE,le for the trerno'o IL realty n uoissis
and should not be employed by the singer
under arg circumstance. must be attack
ed a. this source. The vibra,o - quite
another matter. although many persons
considering themselves wise in Judgment
acc use singers Who have the vihra;o. OF
possessing the sremolo The vinrato II
caused by the production OF air waves.
which coming 50 regularly futter IN their
struggle FOR liberation II is present only
when a beautiful quality of tone r. OBJ
tanned IA never causes changing from tho
key. 1ts counterpart Is found in the Violin
lists shake. which ne gives 90 bis tone.
by thu trembling NJ his anger on the
strIng-Fraak r. Tubha IN Musician
THgREsE RYAN.