The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1904-06-26

that for q brief space the future OF
Weber & Fields was trembling in the
balance
Then Joe and Lew dropped their
hands and turned toward the looking
glasses again.
mo-" they both said in unison.
IT'S too late" said Lew.
Things have gone too far. The pa
pers are signed and the matter is out
of our hands. The lawyers have it
now added Joe.
So the opportunity of a reconciliation
passed by.
Weber and Fields agree that their
cause for separation is q disagreement
as 10 policy. Fields wanted 10 branch
out and to change the presence style
Of entertainment. which, he COntended,
the people were firing Of Weber was
equally anxious to let well enough
alone, and wanted TO stick to the
form of comedy that had gained for
them both fame and riches
1Ime. Schumann-Heink, By her whole
some geuuineuess quite as wen as by her
hearts on the Pacific coast. And. bless
the little mothers heart, she again giOr-
led in her possession Of eight healthy
protests against race suicide IN Ger
And when Ashton Stevens suggested
that IL was q biz strange that she should
have more children than all the other
noted opera singers together, the mad
'.They don't know what to be a mann
ma means
Bad for the voice?"
That's what they think-fO0iish.'
ga silly superstition, ELI, Nine schu-
maun-Heink?'
Nothing but nonsense. Children are
for the siHging,-well when 1 had no
children ] could sing just two ocJaves-
and noW that ] have eight I sing all but
one note Of three octaves. See?
She went 20 the ebony piano and struck
the ID of Che bass Clef and then herself
iut0ued the note TO make the rumble OF
the piano wires sound thIn. following it
with trumpet like l. on the TOP line Of
the treble clet-
.That was my original register" she
said "Dut now -slfd she went up me
scale from the ~ sl's ~ t4sff $500.
Lightly she took che note ana it was
high Ct Albouis record for range was
smashed to smithereeEs.
"a new note Tor every baby she COM
u2ented.
.You could be q soprano and sing the
Bruuhildas and Isolde calculated.
certainly she returned. with a wink
Of one OF the genial dark eyes shat focus
at slightly different angles. But WHY
be "a number fifteen soprano when yOu
can Doe a number one contractor
ITO be- sure. madame, L appreciate the
rarity Of the coutraito voice.
And why i5 Dc raTet 10 you know
on such short notice j did not.
'I viii ten you why. mas dear sir, she
said. without tha least or c0udesCensiOn.
'iIt ls because c0ntralt0s Haut 90 be So
prauOs and sing leading roles. and be-
cause foolish singing teachers help them
20 raise their voice. So they are ruined
as cOutr8lt0s and spoiled for sopranos.
OH. the singing teacher IS an awful fell
low when you GET the wrong kind.
###
when The Babes 90 Toyland was at
the Majestic theatre, iu New York COM
ediar Norris discovered among the scene
Shutters one named Harry who interested
him particularly.
Harry has q weakness for strong ian-
gueEe Scene shutters as genus are not
famous for the deiiCaCy Of their dicrton,
bur most of them hesitate at certain
times 10 express themselves violently,
particularly when members OF the cast
are near. With Harry however. IL seems
such q natural and vivid means Of eN-
naive iu has manner oL de-ifetlllE u. ti5 Z
cus= words that would be Objectionable
with some people are regarded ln aim an
ordinary ana legitimate matter of Iact.
one day. however. when barry became
tangled with "a drop and tne lights went
out for the illumination scene there were
verbal pyrotechnics behind the spectacle
that made the flaming castle ana faillns
walls seem like the ulld sputteriAg 81 q
piuWheel When Harry stopped, Wiiiiali
Norris, feeling me limit had been passed,
walked up TO the now calm ana lnous-
trlous Harry and said seVerei}-
SAY. where 40 SOU learn th8r soFt or
/ language Don't sou know there are Ia
dies arQEndF''
Learn it, said Hsrry with great sur