New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1904-03-20
MUSIC.
7-Ls Rosfon Orchestra and Mr.
.JOsefH

.-4r.. she audience that heard the
g. - r5~s+o- symphony Orchcstra's last con
lasl pa ,----eete Han yesterday afternoon "'r"
CT a. Rafael J0eefy u came aoo-l 1-'o-b1
90 ~ Miss Ngrl5l Foster. WHO was 20 nay
tfe -.-- comes tv Elear and Brahms. Nj 90
fr-g t.'-' .-7 ,rtb NJ Ge-icks and his men
coy - 49, ~ she evening before. and 70 him the
y D. .,---ss when confronted with TIE d.
clf1-- ..,s 4r tfe irllepositlon q Miss osier'
49, --irrcd announcement OF ne cha'-s7 -il
Nl-. ,---~r7e described rs serious. a vas
'-' ..,.-- o. TlvappoiUt0rorf 10 many HoI 10
- r-o1sh singer, OF whom ioIe-5" -, -
ne -,-., rfrrf-. but Mr. JosefIy BE- so much ao-
fqo-,- - .v---l, shat the audience seemed 10
fl.Ie- ed, e..f.g.-tutIon ss being more tnan
l-lN -.-, lie was rartIrolsly greeted "fen
"-.r on the platform, and cameo o@eA O.
ie t.. 90 see and hear the signs % enthdslas-
-.-.-t. evoked by his performance on --.71'
'- "a -fa--ofortc concerto. II De neeae- To 80,
fo-o-- go 81. has cartaiIed tho enjoyment q tAe
h'a -. OF ,-evr-York hy his seif--usosec re-
i'~ -re laeeon must have been tauehl
49, ste-4-, u had been i've years
ssu weeks since AIr Josehy mao ias'
49, ~ New-Io-il, and before ihal JOY rs
- I. -ssrs De had been heard only inleifnl''
90 20. ne memory o. his ART unique ana MAJ
5' ~ - ro- bero permitted 10 grow din, and
49, .r.reos row 20 resume ne acDNlly "i--'
D 60 his Iaho-s in our concert rooms lFe'i.S
tel- rs ,-fr1 not want opportunities. his pun
go = ready ever eppreciatiTe, ever eIe'S-u''
pc -, al the old and characteristics chd-fil u
,.,,-r o. the List pieces X mas teoell g
N' L5.- and more robust treatment II o'-'e'
- .rfs rea~or but breadth ana ro-~s'-'es' s.
A.'.. .-.5i-r elements in Mr. Jcsehys rfoclafla-
ho' 80 -. wore FTis IS the land or bright
w. 49,. s,--s1.t-e fovcry felcs ana sweet
-. h-so-es Tlfs tones 90 NOT snlle' --e'
-, even when compounded i1to he1olo pm es
IS they seem 10 foat in Pollo e---e- -
80 20 Tie land where The senses q -,
49, 49,, ,-o.rre5 into Joyous activity. there
= ~, --e4~,-r-e-t about The Concerto
= Il, NOT know that there can be one "-.aoI- oa---
ID .--,.rrt-r IKE hollow rhetoric ana poIHoas''
= I. --ss eur-srg and winning e-ocaen'e new.
49,. which made q moving pea -oi ---1-
music. --.,-i-- - .r. rro-
-l-. Incident compelled revision Of '.e ~
,.----s and Ar Gericke struck out beelio'.-
ss.-t-.,..,.. overture as well rs the songs. -Ae
-. ,-s-s Nozart's symphony IN rat. a
-. ,ys---r-e" ty Gustav Stru5e zone q the
- violin --azc-e1 and the overture 10 Iha-
-, ..c-ra-r-1.ne.' The symphony received a
.,-,--slv uniting performance. which -L'eo INTO
,o.-. the golden quality 81 al me oIches''"
,.-,-ss A memory az them came Back Win d cum
,osfo-v and refreshing touch a-ieT Dle NIUE
60. IN which The instruments praclsea tnen-
-, ~ -r,s Zo,rrsk. which rms become the or
,As.-sl tongue % all our younger writers. AZ,
o---oe's c7--0--itI--. which yearued end stTalHeo
,,o,soo-a hlv IN the trdez. and seemed sing -aIIy
can almost from beginning 20 end, was striking
case AZ poirt There viii he no natural tone le-I
- or hands Z this s03hisIcati0n q voice Is not
arrested soon. Richard strauss has raInI1ea
wooden plugs TITO all the hraas Instruments IN
,,,si-g +l,s e-etv-a..e oro-uld tuba. and his ex-
annie Is becoming as infectious as & is per-icous
W stube lad disclosed himself as a musician a
rreet rs-ts IN some earlier works but 4 seemed
a. Il he was 80 DESTROYS TO realize his qualifying
tide m this case that 10 had little tine for The
Invention OF themes q real pregnancy or beauty.
or their orderly and beautiful development There
uns 20 much fantastic caperng BY The instruments
hat Il was not surprising that the trumpet once
uttered q panied and painful protest