The Saint Paul globe., 1904-06-12

place with evening dress. 1t is not usual
to stand on your head in the 81 so seats
or to sit on the edges Of private boxes.
Gymnastic performances of this sort are
calculated to distract the attention of the
audience from the play.
1t is considered bad form to throw
things at the actors. A well bred man
who does not like a play either drops
quietly asleep or else goes outside to see
q man about a dog.
If you have paid for one seat, don't oc-
cupy half dozen by ostentatiously dis
tributfng your hat coat, stick, gloves and
other personal property over the other
five. This shows greediness and may lead
to blows.
Occupants of the first row Of the dress
circle should not put their feet on the
edge of the tier. Behavior, of this sort is
calculated to disturb the actors and to
obstruct the vision of the other occupants
of the rows Immediately behind. 1t Is
bad form to play leapfrog in the foyer.
There is plenty of room in the street out,
side.
q q q
RICHARD MANsFIELD's BIC REPER-
TORE
"Ivan the Terrible is the twenty fifth
role which Richard Mansfield has play
ed. Here is a summary of the distin-
6UAoHCU . giving Cu6TdCl0T,
play and place and date Of first produc-
ton:
Baron Chevrial in "a Partisan Ro-
nance" Union Square theater, Jan. 10,
1883. Karl in Prince Karl" Boston
museum, April g. 1885, DR.. Jekyl and
Mr.. Hyde in "Dr. Jekyl and
Mr.. Hyde" Boston museum, May
9, 1887. Andre Rossini Marie de
Jadet in Monsieur" Madison Square
theater, July II, 1887 King Richard in
King Richard ILL.," Globe theater, Lon
don, March 16. 1889. Humpy Logan IN
Master and Man, Palmer's theater,
Feb. 5, 1890. George Brummel in Beau
Brummel," Madison Square theater, May
IL, 1890. Don Juan in Don Juan" Gar
den theater, May 18, 1891. Emperor Nero
in Nero" Garden theater, Sept. 81, 1891.
Tittlebat Titmouse in "Ten Thousand a
Year" Garden 'theater, Feb. %, 1892. Ar
thur Dimmesdale, in 1.-The Scarlet Letter. y
Daly's theater Sept. 10, 1892. Shylock In
The Merchant Of Venice" Hermann's
theater, Oct. %, 1893. Capt. Bluntschli
in Arms and the Man." Herald Square
theater, Sept IL, 1894. Napoleon in
Scenes From the Life of Napoleon Bona
parte," Herald Square theater, Nov 26,
1894. Don Pedro XIV. in 1.-THE King of
Peru" Harrick theater May 8, 1895. Rodi-
on in THE Story of Rodion the Student .
Garrick theater, Dec. g. 1895. Sir John
Sombras in Castle Sombras," Grand
opera house, Chicago. Nov. 10, 1896 Dick
Dudgeon in 1.-THE Devil,s Disciple" Her
| manus Bleeker hail. Albany, Oct. 4. 1897.
Eugen Courvoisier in ''The First Violin, =
Hollis Street theater, Boston, April IS,
1898. Cyrano de Bergerac in "Cyrano de
Bergerac,'. Garden theater, Oct. 8, 1898.
King Harry in King Henry W. Garden
theateri Oct. 3, 1900. Monsieur Beaucaire
In 'Beaucaire@ Garrick theater, Phila-
delphia, Oct. 7, 1901. Brutus in Julius
Caesar" Grand opera house, Chicago,
Oct. IA, 1902. Prince Karl Heinrich In
Old Heidelberg" Lyric theater, New
York, Oct. IL, 1903. Tzar Ivan in 'Ivan
the Terrible New Amsterdam theater,
New York, March /, 1904.
q q. q
PRESS AGENT is ALSO THE CRITIC
Next to the expedient Of carrying ones
own critics about the country on salary
Viola Allen believes that In the condition
| of theatrical affairs existing in certain
| sections of Illinois she has found the most
attractive system of dramatic criticism
| that America has thus far devised, says
the New York Globe.
AS fond as she is of Broadway and as
kindly as have been the metropolitan
critics to her, Miss Allen declares that
| humble little one-night stand Peoria Is
the very center of the players paradise.
Bert i. Heylman, Of that city, unknown