The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1904-01-03

THE great musical event of the year
is the Pats concert at the taber-
pacle tomorrow evening. Every
thing points towards a most cordial re-
eeption for the great singer, and musf-
clans and music lovers throughout the
state are looking anxioIsIy forward TO
the occasion. Despite the fact that in
terest centres, Of course. in the one
singer. a music-lcving public has not
lost sight Of the fact that Patti has
with her a number OF artists who stand
near the head of their profession.
Wherever the present tour has taken
her. Patti has shared the hOnors very
graciously with the musicians accom-
panying her. Among the artists who
are with the great diva are Miss Vera
MargOlies, pianist: Miss ROza. Zemeis,
violiRiste; Mr.. Wilfred Virgo, principal
tenor Of the London Philharmonic; Mr..
Claude A Cunningham, baritone. An
ton Hegner, Cello-ViFtuos0; Sig. ROmu-
aldo Sapio. Following is the complete
programme:
Part I.
Serenade for violin, cello and piano.
--.,-.---..-..--.. ..--.-.--- &. NJ. WiGor
.,..-. CgiFst time)
Miss Roza Zamels, Anton HegneF and
Miss Vera Margoiies.
Air. LEND Me Your Aid ebe 'Queen
Wilfred Virgo.
Violin solo, Airs Russes -. ). Wieniawski
Miss Roza Zamels
Piano solo, Rhapsodie Hongroise y. r.
Miss Vera Marroiies. ''''o1'
Air; Vol che sapite" lie Nozze de
FlgaFol mozart
Metette. Banedie Lad, 49,. R2ndegger
Tabernacle choir. Prof. Evan Stephens,
director.
Part II.
Cello solos
a. leente du Concerto ..--......-...-.Laio
~ 1dNOt'e u. - .--'-.-..--,.- Hegner
tel Dance Of the Fairies --.-,...., Pepper
Anton Heguer.
Prologue G Paglisccn .-...-.- LeoncaxaiIo
Claude A. Cunningham
violin HI-,I solo, "Preisiied aus Die Mel
Miss Roza Zameis
Air des Bisoux (Faust) ....,-.,-. Gounod
Nine Adelina Patti
Duet for tenor and baritone (AlessaR-
dro stFadelial .,...-,,-.--. FiotOw
MeEsrs. Virgo and Cunningham.
very important meeting OF the
Philharmonic Guarantee society will be
held this afternoon at 4:S0 at Clayton's
music store.
The following programme will be rem
1ered by Held's band at the Grand to-
night:
March. Hands Across the Sea-. .sousa
tai iFatTQl OF the GnOmss ...,.. tsilenbeTg
tb) ROYAL jubilee march The O5-
Played at the coronation of King EDWARD S5i'ti
Sornet selo, i'The Conquering Hero,
William Leslie lie mar 'ii'''ii
Grand selection, Prince of Pnsen ....
Clarinet solo, Pas DIES Fleurs', -.
Soprano SOLO
ca Could T. ........................ Tosti
Miss Ruth Wilson.
Waitz-capriCio. 'sspagna' w aidteHfal
Prison scene from I'll TrovotoTe Verdi
AeSsFs. stevens and IiE1U erman.
Grand overture, Yves Wanderers ZieI'
-.---- ...---. -.---- ..--.. H...... .Suppe
.
Mrs. ", II. Sherwood has some inter
esting "reminiscences Of Rubinstein in
the December number of the Boston
Musical World:
No matter how near I sat when he
was playing. his most tremendous for
tiSsimO was never harsh. once re-
marked to him that his eyes contin-
ualiy changed color. He seemed aware
Of the fact, for he replied. Yes, l
know. When / am sad they are gray;
when ! feel happy they are blue; when
aroused, fiery they are black, and if
] am angry and furious, they become
green
But how I enjoyed those hours when
he seated himself at the piano and
permitted me TO. listen to his practice.
What tones and what depth of ex-
preston ne brought out Of the instrtl-
meHt as his white hands swept over
The keyboard, and how excited he
would become. His breathing grew
1F.HHrI Z hen n
flashed with passionate FIRE. until il
seemed as II he would cry out I'm de-
SPAR that he could not make the piano
more responsive 10 his touch. II never
half satisfied him. He longed for more
than IL could give. + remember that
Ludwig Deppe once said that Rubin
stein was the only one who understood
All the secrets Of piano playing and
So II would seem. He cared for no
ones opinion: he hungered and
thirsted for far more than most people
dreamed His playing was not only
passi0nately splendid, ii was fearful:
there was an unmeasured sorrow in it,
had never heard anything ike IL be-
fore. and / never have since Some
times have thought that the state of
affairs IN his country. which he loved
ferNentiy, and for whose oppression his
heart ached, affected him very deepIy.
and helped to make him melancholy:
but be would never talk about Russia
and ] could not extract an opinion
from him. He would sigh and shake
his head, and not a word would escape
him on the subject
The spirit Of vandalism which chops
down old and rare trees in California
10 supersed6 them by blistering cement.
pavements, under the guise of "im-
prOvement," is at work also in Vienna
where modern streets and new houses
are taking the places of the histori-
licences Of the old town The
-SChwarzsanier- haus." which is So in
timately associated with Beethoven. is
doomed. and this fact leads a writer
10 comment on the fact that but little
is known Of the many habitations of
the master, except about this house in
which he died. There Is but little Wis
ibie. tangible, personal evidence OF his
existence IN the great city in which he
spent the greater part OF his life 81
Is not even known in how many houses
he lived. for he moved often. as the inn
pulse seized him. whether 10 get away
from imp0rtunate visitors, because he
was otherwise disturbed, because ne
wanted a good view, breaking a hole
through wall 10 secure Il. or because
ne had been told that in another place
there was a heavy oaken table which
some one had found helpful as sopo-
riflc. sleep coming from rolling Il about
on the floor Beethoven. the artist. was
IN everybOdy's mouth in the early part
Of the century in Vienna. but OF Bee
fhnVara the man and v--f,as.e b., g.,,..-.-.s