davidaulloa/AmericanStories huggingface dataset:
The San Francisco call., 1904-07-21
NEW YORKER CHOSEN
ATTORNEY FOR CANAL ZONE
j. Marbourg Keedy, Who Served in
Porto Rico. VIII Be Located in
Panama

WASHINGTON. July POI. Mar
bourg Keedy, New York attorney
to-day was appointed prosecuting at,
torney for the Panama canal zone
Keedy served as prosecuting attorney
in Porto Rico during the Davis ad-
rninistration as military Governor
and prepared the code of laws after
ward adopted by the Legislature and
now in force.
The San Francisco call., 1904-07-21
President Is Notified.

OYSTER BAY. July 2o.-President
Roosevelt this afternoon received an
official dispatch sent him to notify
him Of the release Of Mrs. Maybrick.
The San Francisco call., 1904-07-21

REDDING. July 2O-Four freight cars ana
two oil tanks were piled up in wreckage a
EdgewoOd this morning, having left the rails
as a result of a broken fange No one was
injured in the wreck
The San Francisco call., 1904-07-21

Just plain, ordinary stubbornness
often masquerades as strength of char
acter.
The San Francisco call., 1904-07-21
ADVERTISEMENTS.
IN The SUMMER,

During the summer months
some member Of the family is sure
10 suffer from Cramps, Bowel
Complaint or Diarrhoea. ALWAYS
keep bottle of Hostetter's Storn-
ach Bitters in the house for such
cases. A dose at the first synp-
tom will afford prompt relief
Then 1t also cures Headache.
Belching, Poor Appetite, Nausea,
Indigestion, Dyspepsia and Ma
laria. Try one bottle. The gen
uine has our Private Stamp over
the neck.
The San Francisco call., 1904-07-21
MRS. MAVERICK FREE AFTER
LONG TERM OF SERWTUDE

Distinguished Prisoner Leaves Convent of the Sisters Of
the Epiphany in Truro England, and Goes to France
Where She Will Remain Until She Is Required in America
The San Francisco call., 1904-07-21
st. Paul. MINI.
521 Wabasha St.

Thousands suffer
and don't know FyOU feel tagged taking
Dr. Hzrmans PerU0a WU relieve your catarrhal
oil mH 6e restored heath Buy to-day
wW Immediately alleviate your
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16

ban merfe6e BET lite. San bapoe
fun Eanfe for ct - at naa Sfibet
= at gipre fin Sell goo igien, iaa
fam rolig fun6e gaa I lin @rap.
u&olt 2inen!" foman6ere0e fan.
San fit 6en og gioroe fait. @pcrne
f1,n6e bbert @iebltf fnuie 8au6en-
Sens Soft foman6ereoe, og Sc an-
0re lpltre0e> og 8arfens 8%eletning
blep frelIt.
@ele 8pen bar lamlet, 90 &e6-
ningsbaa6en noae6e in6, og ga gam-
lie Sens Soft iprang / 2ano, blotte6e
Sc ollie iammen &opeoet og gap bun1
ct iaa bunoren6e @urra, at Oct ODER.
bgbe6e @tormen og @gerne. --
Ggnnefonen bar baagnet be0 at
bgre Sen @omles &oman6oroob, Sum
fif / en- Gart tpn0t 2Ds og TOM ino
til bam.
@amle Sens Soft Lao itip og fol0~
men meo ct Ipffeligt emil poo fit
gomle, rD1fe6e Mniigt.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16
@eneralin6e @Iabu, @1fel1 c

- @%enerolinbe @lob1, gllfel1 ef-
ter Sen mangeaartge SormanD for
Sci fobet Sc banife &aabenbrpore",
CT afgooet peo Dgoen efter le11gere
Clos 5pageligbeo. Sen Mfopbc,
lom bar fpOt Sepfartb, bar CIT olmil1>
0elig afbolot pg elitpnroig Game.
- @oitor enter. S. g. 2etb 9uls=
gooro, tioligere S%ogneprGlt / 90nms
@oobjcrg, er ofgooct peO 9pocn poo
Marquis &onn1,eboipitol efter cit Spc=
ration, 70 @or gommel. @on bar
cit al Sc gamle @run0tpigianerc, %
ban bar pel fie10t % aniet / grltl1Ot=
pigife &reoie, bpor ban bprte til Sen
fonlerpatipe SIDE. @on bor toget
n1egen Del napnlig pes 8ennen / Dis,
fl1slioner ON for fielltge Spprgsmool
fprifiellige 8lo0e. Sgloo fuultncri=
lfe Spprgsmool far bon bebo,nblct,
og fan far l,ogipet en- lille 8og ON
Molerflml item 1888. Smo0 Ml1tibcns
pontro 9fotl1rbetrogtning ifrep ban
1879 CT BOG: nStenene ruobc",
lom / i'm Sio pan0t megen Snogong.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16

6 II pIlnp. @iulmo-
ger S. s. 2ocf og Sui tru | Mpga0e,
Mobenraa, fan oet 80. 5eptember
tcjre 6eres @ul66rpllrp. @ul6brlt=
beporret forla0er bog til 1. Geptcln=
Der Mabenroa, bpor set far boet /
oper so Nar, og tager til Si11glep,
9nor set bor cit 9otter gift. Gc5lt,
ocn for Set golnlc &ar tire 9pr1 /
Nmcrifa, al bpilfe cit Spn er Yrrlt.
Gclu1c Ssn lGrtc efter cnot Sfoletio
0illln1aacrboanopnrfct, tjel1tc @iercrc
lem Splbat / Ma6e1roa og tog efter
cnot Gicncitetib til Mnerifo, bpo1
ban %ieltere ltll6eret til &rplt. San
CT o1lot peh cit TIFF Mcnigbe6. gn
o1oen Sb11, Ser fprlt bar @liffcn la
ger, ct It'll 8pmtsiionpr / @amborg.
Set sonlle @l1l6br116epor er ro1fe.
Set Gpn6er, Ser for,
y I der. 6orl1pltg blep ser
lagt &oano poo 9feobrpbningcn al SEN
gan1!e 6cbDericn'i fc @jcnopm poo
@jprlct al S%toreaooc og 2illcgooc.
9nli, Ser far prret / IcoOcrl lens
Ion1ilies Sic / 100 Mor, CT ppcr
200, cit Gel ocraf maolfe 800 Mor
gommclt. Set m,hct @jprncbus, sen
gounlc vSone6ol", ti>Eigere SEQ
los c1m". ionn ncobrpocs for CIT bolp
sn1S Nor iiocl1, bar forn1cr1tlig pp=
fprt 1899, og Sen ga1nlc 9cl of SEQ
b%erlcna @aorb, Scr pc,1oer l1o til
2%illc1ooe, CT bit minoit lige loo gon1=
met, hpao Set oal11lc Ggebinoingspurf
oa &c fltl1lti9t l>oru,reoc Setter ipnes
at robe. Ser finoes I'LL fun foo
9on(e @pg,il,9cr / @pe,, lom Gig=
]rene loolcrS @uorO / %eltcrgoDe %
cir / 2itergooc, Scr flort oflpejler CIT
fiGrn Siospcriooes @pgningsltil;;
men Ser fi1ocs 1pg cl1om1 11oglc
Stolo6p9lli1rgcr og Stl,nrpcr al goll1=
lie M'llre fit og fer / 9per, ion er /
Stono til at nGffe Sogfpn0iges @e=
gciltrina. 6orolr e1felte go1nlc Suite,
loalcoes 6c0Oer icns @oor0, fin0es
er1olu1 Den gon1lc 6ortopsbrolrg1ing
neo sc to &rffcr 2p6eitcnc, Sol1o=
ltc1sfliicr, Scr er lo9te poo S11co
meo &igr1crnc in1oh binon0cn.
Gen gol1le 2in0 foron 6c66ericns
8ooro CT ogloa en 2epni11g fra 8p=
ems Iortio, Scr nil forlpi11oe for ST.
oens &rop. S 0isic gon1le 2il16e=
trGer / Spel1s @ooer bDggeoe / i'm
Iio Sfop0lternc 6crcs Mc6er.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16
S5ru9t er goot for Gdnoerne.

@pem Ser for rejit / Spoen tam
life nofiaa bergmme oe u0mgrfe0e
&en6er, JON 6e Sn6fg6te / &egelen
ct / @e1i6oelie al, og Sc flelte er enige
ON, at Bette 1fDlbes Sen enfle G60e>
lom for en- ltor Del be1toar al Grugt.
Ogiaa bos oS far Trugtipilerne 60
Sc Genoer, % bette al flere glarla>
ger. Sor oct fprlte inbebol0er 6rug=
ten en- Sci al Sc 8eltono0ele, bporaf
Sen6erne 6arnes, og for oct an0et
ct 6rugt pao @run6 al lin SDrebol=
0igbe6 ct u6nnrfet Son0rensnings=
miooel. Sgloo @rprtlager bor e,t
beloig &irfniag pao Sunoerne.
SEQ lin Migbom poa Neringslaltc
CT Trltgt al Sen ltbrlte 9%etp0ning for
6%prnpellen al Snn0ernes Moteriel,
0iel1 fren1for alt ct Grugter meget
pirflom lom to11orenie 110e og 6esinfi=
ceren0e. Soar hi ipiicr ct sgble, Ell
Eure ellcr en- Grue, fon1mer ben fri
lfc 2ipsfroft, lorn gjenrmes / Grlt9,
ten, cller iom Commencement Dur
gjen1t til % 0crin6e, / @ergring meb
Ennoerne, ogiao Oercs melt afii0es,
@j6rncr og &roge, p1t6ier Sa1oc=
moillen blonf pg 1,0rcnler Sc Spg=
0omSlpircr, iom mootte fi16es mel
lem Snn6erne. Sg bbo6 Ser fife
mootte bige for Bette f9rlte @l1greb
ltbrenles neb Sc olfoliife Sprer, iom
befin6er Jig / Grltgten. 9iSle Gprer
CT oesl16en / StonD til at oplpie De1
&inlten, JON ofte ofiGtter Jig poo
Snnberncs Gmoille. SIT Gmoillen
life ielp o11gribes al SDrerne, 0erfor:
iprger Sen 9fotron, lom i%n0ebol0eS /
Snnoernes S1thltons, og iom bar oers
ggenifub, at Sen binder SDrer, 5. b.
I. ulfo0eliggipr Sem. Gcsl1ben iprger
Notltre11 ielp gjcnnem SDrernes fine
Gor0elil1g i Tr>1gtcn, for at 0isie life
hirfer ffa6eligt poo SGn0erne.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16
9am(e 9ens gott.
Gn @fitic fra @littcrmc.

Sans @lts lao loa longt roe / Slit
terre, at molt, noar 5torr1e11 itob
lige poa> lful6e ITO, at 8ren6inger1
bilbe ilua set / Gtl1mper og 6tpf,
Men Sens Soft bar be6 at 50, 1aa
@ptten fin6e iagtens boIoe bans Sio
uo. Diitriftslegen, iom bar blepen
bentet, bab6e iagt til @gnnefone11, at
ben @omle bpiit fun0e lebe Matten
ODER.
&a1 1aa me6 luffe6e 9ine benne
/ 6en itore, bre6e Mlfobe og lptteoc
.efter Stormen, ser rale6e u6enfor.
2ngen, ser 1to6 be6 @i6en al bom
lp1trgte:
~Maa, bbor6on gaar 6et?"
Sen lin11eoe go6t> Mtfsturel1,
9oftoren gap mig / Torgoars>" ipa-
re0e bar. uDoftoren ifal ret ia
Sat for, at 9e ct iaa go5 inuo6 mig"
9iltriftslngen tog Sen @amles
&oal16.
set er 10 fun min forbon0eoe
Bligt, Sens Soft! sc 11l1> ON De fan
lobe list. @eres @biger6otter bIiper
bos Gem / Scat for at baage ODER
Gem. TarbeI!"
uMa> tep ct 9ieblif!" Sen Gam,
le rejlte fig mes 8elper list op
Sengen. Scr er noget, leg fac
gierne piI6e tale me6 Doftoren on
- UNDER fire 9ine."
2egen betpbeoe me6 en- &aan6be
oegelfe @biger6atteren> at bun iful
Sc lo6e 1em bere o1ene.
v&pa6 oil De mig .iaa, Senj
Eoft?" ipurgte ban> ga 'b1n bar goae
uo / @gffenet.
Sem @amle iatte Jig ODER @n6e
Genge1 ng iao Doftoren in6 9ine
ne.
v@n bor life longt igien> be1?"
2egen trof n%nopigen6e paa Sfltl
6eren.
uMeb," be6blep Sen @om1e, uie!
Tan go6t merfe, at BET 1affer mo:
@n6en. Naar man f6r1t er fomme'
op moo 6e frs, iaa er Ser 10 belle
life noget un6erligt | 6et."
r&na6 bar set, Sc bilbe mtg?"
so, ie!!" - San bi6ite life rig
tig, b%por6an ban fulbe begpnot
Ser er en- Sing, iom leg ditto tgr
lige poo. Set par Sen Gong, De
finffe 8arf forli1te en- &bartmil II
; ber no for og git UNDER meo Man
% Mus. Sa, set Tan bel bore en- fDl
retDbe Mar ii6er 1l1.~
4 n&borfor tenfer bon ditto pa
! set, Sens? Sci ct 10 6esberre fol
/ Iilt Iaa mango @fibe ii6en ben Gi6.
{ Sens Soft iaa neo moo 9Dnen, iol
. ON ian ifnmme6e fig, % iagoe Ian!
rIIomt:
$50, for set bar min SfDlb!"
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16
Dr.. Niles Anti-Pdin Pills.

st burtigt, iiffert % paalibe1igt Miboe1 tor leg eler
nerpps !5opeopine. &DgIntcrter, Mopep'ac. Teural9la.-
9lerppiitet. Srritabilitet, @snnlpseb, @igt, @ciatteo.
Snbebploer bperfett Spiua eaer Morfin og %efterlaoer
inse1t ileutme Gfterpirfninser. rs 9ofs Csc. 8aa
Mpptbefer eler feubes at ST. M:1es' Mebtca1
Co., Glf6art, %eeSnbtona.
St. Paul tidende. [volume] (St. Paul, Minn.) 1902-1928, 1904-09-16

en- Inreri g $ ii to-
l. / e. Sra Splt0cr 1fripes til
r6l@nsborg slpis": 6orleOen Sag
fpm cit 1,l1g 2o1on1al10 fer ira @g=
ncn / Soget / Sonrtole n1co cit frer1=
n1co Meilenoc % bal15 9nltrlt. Set
par GSpri tol,oerel1 for cit 2%on0brl1gs=
lfole / 9pbmlel1, Sofronef, Ser ogter
at foretoge en- 9}ejie gieltncm 9on-
mart for at gjbre fig befienbt meb
6anif 2an0brl1g og @eieripGlen .
8Io116t on6et bil6e fam operb9re ct
&>1rius / Molf,ing poo 2aoeluno
Sonobrltgsifole, leoet al 9prlGge
@egel11uo. s Spn0er bopoe Fan Ser
for lejet cit @%initgipers &jpretpi. og
bar fjprt mes lit Sltitru til 2d6e=
llt10, to Mil ip6pit for Sbnoer; men
| ser bar ser. notltrligbis tnge1t, Der
J fltnoe pi1e bom til Sa1obrugsifoler
cller fjcn6te 11ogen Dprlnge @ege.
: lltn0. Smii0er fit ban bos Meieri:
: lten SplDsning ON, at ban bar pao
: gale geie. 6oritanoeren bar mege1
: forbaplet oper, at Soft paa Dennt
) @gn fje,,ote iaa tibet til Sen Siege
lrn0'ife Molfemetbo6e, ia felipe 81
reftgren for 2an0br11gsi folen / 61e1s
borg baboe u6talt, at ban life fjenbt'
rtoget til &egelrmo, bborimoo ! 8gb
men enbper OBSERVATION-DISCLOSURES
eller %nogenIl1n6e oplpit 2anobfllge1
bar ngie @ienbifub til 6anife an16
9 brl1gsforbol6 og iior 30 Dprlpg
'Segelun6 % bans Molfemaaoe.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

reasons might be accepted as the real
cause: but the cream of the question
seems to be embodied in all three state
ments generally. After al. actors and
managers have no relish for educating
the public and If it had not been con
sidered that a happy time had arrived
when theatergoers would generously
support Shakespearean REVEALS il is
more than likely that the greatest OF
PLAYS would have remained undusted on
the managerial shelf.
Nat c Goodwin's late failure as Bot
tom in "A Midsummer Nights Dream"
lent color to that trite old maxim that
Shakespeare spells ruin in the theater."
A modern author can meet with discom-
fort and dismay. and naught is said OF it.
When the modern Lope lie Vega, Clyde
Fitch, failed to win applause with his
Major Andre il was not said that
Fitch spells ruin In the theater." He
went right ahead and produced Her
Own Way" and won success. The fact
is that there are certain plays which
the public enjoys-whether they be by
Shakespeare or by Fitch-and certain
others, which they won't have at all.
This truth is proved rather conclu-
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

tina. in their William Tell exhibition:
George II. Wood, The Somewhat DIFF
ferent Comedian" Herbert Lloyd. i'm
The King $ Jester, assisted by Lillian
Lilyan; the Misses Carmen, women ban
Joists, and the American vitagraph mo-
ton pictures entitled The Poachers >,
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Coming Attractions.
Maxine Elliott in .,Her Own wax.,

Maxine Elliott wiz make her first ap-
pearance in this city as an Individual
star Monday evening. January %. at the
New National Theater. when she will be
seen rs Georgiana Carley in Ciyde
Fitch's latest and best comedy. Her
Own Way" Miss Elliott has frequent
~ appeared here as a co-star with n. c.
Goodwin, but this season she is at the
head OF her own company, under the
management Of Charles 3. Dillingham;.
She has just closed a unique engage
ment i'm New York, in the course OF
which she appeared at four different
New York theaters inside OF four
months. in order that her run might not
be interrupted Mr.. Fitch's new comedy
has been pronounced his best play. II
Is a story Of smart society life of the
present day, and the central figure is a
beautiful young American girl, who in
sistg upon having her own way in her
own love affair. In the supporting COM
pany are William Courtlelgh. Charles
Cherry, r. G. Herr, George Lawrence,
Ncliic Thorne, Eva Vincent, and two
clever children. Donald Gallaher and
Frances Clinton.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

slVeiy by the fact that Goodwin as Bot
tom failed with THE Dream. and Viola
allen has met with financial and arts
nc success as Viola in Twelfth Night -
Nor should the general favor with which
MISS Rehan and Mr.. Skinner have been
received in The Tanning of the Shrew'
and The Mercaant OF Venice be over
looked E. II. Sothern and Julia Mar
iowe are preparing enthusiastically for
their Shakespearean revivais for next
season, ana the same is true Of Mrs.
tlske and her revival of Macbeth
which is taking shape. Certain of the
plays of Shakespeare have always been
popular for the reason that they appeal
TO ali shades Of intellect. the untuiOred
as well as the ultra-refined. OF his come
dles Twelfth Night has never failed
70 delight. while his tragedies such as
Hamlet" and Macbeth, have ever at
tracted the attention, and been given
the warm support of the public.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Stage Kissing.

Grace Van Studdiford. the star in De
Koven's new opera, RED Feather" talk
ed entertainingly recently Of stage
kissing and other matters connected
with her profession. Her dressing table
was strewn with an array of dainty
little belongings. and as she chatted
she put the finishing touches to her
makeup for the first act
Some comment on the character OF
the Countess Hilda-the part Miss Van
Studdiford plays in the opera-turned
the conversation TO the love scenes in
the opera and incidentally to stage
love making in general. That's the
part that is always distasteful to me-
she said. and never can do anything
with II at rehearsals. It's so silly, i
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Lafayette-"The Show Girl"

B. G. Whitney's production of THE
Show Girl or The Magic Cap will
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

further reason that the royalties upon
recent successes, if desired for stock
presentation, are so excessive that a
stock manager cannot afford to employ
competent actors and at the same time
pay the playwright's heavy demands.
IT was this state of things that termi-
mated the long and successful stock
career Of II. g. DOnnelly. of the Muir
ray Hill Theater. New York city. where
for FIVE years he produced a new play
every week and afforded a large COM
pany Of actors and actresses the most
desirable experience possible IL is very
much &C be regretted that the life Of
the stock system has been so short. but
short as It was. IT has done much TO
maintain the artistic level OF the Ameri-
can stage.
A Ticket and a Label
For myself. I don't like the present
day neutrality-suspicious. process man
ayers employ in considering actors for
their plays. but there is no appeal from
their method Of doing business. If they
conclude that a man is no more than
a character comedian, such he must
remain so long as he hopes for employ
ment. and should he ever express the
wish or the power to play a different
line OF parts. he IS either laughed at or
ignored. When a character comedy part
Is TO be given out he may be offered il.
but that IS as far as he can claim the
managers attention. It is CALLING to
the artist who feels that his talent COW
ers a wider field and. for myself. am
glad 1 have taken the final step out of
st.
I an in vaudeville now for good and
all, 1 hope, and here the only REQUIRE
ment is that shall please or amuse the
audience as 8 comedian. The vaudeville
managers look 10 me as the responsible
factor in my own success, and, as a
consequence, am given a latitude pos
sible IN no other dramatic sphere. OF
course, / must not mistake the real
scope Of my ability. like poor Burton.
the Philadelphia comedian, who essayed
tragedy that provoked his audience to
tears - laughter. For my first venture
IN Washington 1 have condensed Ny
Awful Dad. the English comedy in
which I was most successful in that
. city a number Of years ago"
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

Empire-'Tn the Shadow of the CAL
lows"
In the Shadow Of the GalIows" is
: the play which will be offered at the
Empire Theater during the week OF
January >. Lillian Mortimer and a
large supporting company will be seen
in the production.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

and fast IN certain grooves of effort
with hardly n possibility OF gaining that
amplitude OF experience in the portrayal
OF widely different roles so necessary to
the artistic rounding and development
of ability
"Of course. the recent prevalence Of
the stock company system was most
beneficial. but that appears TO be dying
out now simply for the lack Of more
plays suitable to such work and for the
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Why Shakespeare?
A Tesss Discussion of a Modern Stage
Teaching.
By FRANK WITsTACH.

The present dash into Shakespeare by
certain Of our prominent players has
been due TO one Of three reasons: First
a dearth Of suitable plays: second. gen
eral disgust for the hodge-podge book
made play; or. third, the ambition Of
performers 10 present plays distinctly
noble and worthy. Any one Of these
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Elsie De We're.

Elsie de We're. who. 7Gas specially en-
gagged to support Grace Van Studdiford
in Red Feather" is a Partisan beauty
Continued on Page 5-This s,ction.)
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

be seen at the Lafayette week of jan
uary % The book is by r A Bar
nett. who is responsible fer such sue
cesses as 1892. "Evangeline," THE
Girl From Paris" THE Corsair," and
other successes. The music is by E. w
Corliss and H. L. Hearth
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Chase's-vaudeqilie

Chase's promises FOR next week, com
Dencing 1T tho Monday matinee. Janu-
airy =. a varied. divertlrg. and novel
program I'm which the following features
win figure: The DaviS- Macauley Com
pany. in Pals" Raymond and Caver-
j.. German comedians: the Sander Trio
Of European gymnasts; Loris and AL
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

DANCING-Mrs. Agnes Ciarlson's Private Dane.
ing Academy at Confederate Veterans Hall, 18th
and E SITS. every Friday evening. Residence,
625 I'd az. NV It
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17

always want to lauSiL And IL always
takes me a week or two after the play
has been on before i can really get
into that part of IT,.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17


always want TO laus,iL And IL always
takes me week or two after the play
has been on before ! can really get
into that part of IT,"
kissing and Makeup.
Kissing" she said, in response to
a question: there never any necessity
for it in light opera 1T might be re-
quired in some forms of dramatic work.
but ordinarily there's little or no kissing
on the stage. Why see how it would
spoil ones makeup SuIting the ac-
/ ton to the word, she pressed her lips
on her hand, leaving there a vivid i'm
preston of them in carmine.
There was pretty little love scene
in Maid Marian she continued. ''but
there was no actual kiss Instead. the
tenor touched my cheek lightly with his
hands. and both of us turned our faces
up stage, and the effect was given.
and that was all that was necessary.
But don't believe in promiscuous
kissing at any rate. I think it's all
right to kiss your husband. or your
mother, or your sister. but I don't be-
lieve in kissing the world in general"
Just here the black paste with which
she was tipping her eyelashes began 20
stiffen and she asked her maid to re-
heat the stuff over the gas Jet back Of
the table The maid put down the scar
let-lined jacket she had been sewing
on-the little jacket was to be worn
later as part of the countess equip
ment as Red Feather-and in a minute
the process of making-up was con-
tinued.
French Realism and Kissing.
Elsie de We're. the French coincidence.
from the Theatre M1figny. at Paris
who makes her bow here as Fifine
in The Red Feather" also gave her
views on the ethics of stage kissing.
Mademoiselle speaks English like a ma
tive. and with much greater auency
than hosts of folk who know no other
language, and the pretty little accent
that favors her speech only adds to its
piquancy
1T is all right to kiss in a play
she said why. when / am in a play
1 am not Mile. De We're; l am not
myself at all. I am only the part 1
am acting. And am perfectly willing
to do whatever will add to the reality
1t would make no difference to me If
the man were ugly or personally OBJ
jecticnable to me. If the part demanded
that l kiss him l would do my best to
do it-but it would be very hard if he
were dirty! this with a fascinating
expression of disgust. and long-drawn-
cut emphasis on the "dirtee"
Putting aside such obnoxious posi-
bility with an expressive gesture. and
considering only the other phase of the
subject. she said:
What would it natter I would not
! be kissing the MAJ himself II would
be simply kissing him in the part he
/ plays-not as the individual Why. look
how one IS sweet and gracious on the
stage"-holdingf out her hand as though
she were greeting an imaginary guest
ito people one would not have anything
to do with off the stage, because they
might not be the people you would care
to have among your friends. you know
Why. then. shouldn't you kiss anybody.
if it is necessary? 1t is only in play
that is all
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
"The Earl of Pswtucket. y

One of the most pronounced successes
OF recent years. .'rhe Earl OF Paw
tucset." will be the Offering at the Co
lumbia the week 81 January IS
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1904-01-17
Academy-4The white Slave, ,,

A cast of new faces, new scenery
properties. and electrical effects are ex-
pected TO make '"rhe White Slave seem
novelty when it comes to the Acad-
envy for the week beginning Monday
January 25