The Union times. [volume] (Union, S.C.) 1894-1918, 1904-07-15

q More than that-she is the most be3t-
A ful woman I have seen in Amet,s,
I, with the exception, perhaps, of lr
John Jacob Astor, who is also ideal.
She is beautiful because everytip
~ is In proportion-I mean by that dch
OF Mrs. Morosini's body sugdts
lg the proportion Of :, other part aat
le1 was what our mastSsfsst the Greeks 4.
ID acted as pefection. @s,e.
y Her back, for instance one oftbe
l. rarest features woman may haW is
d well-nigh perfect. >.
ITO find a perfect back is as rara AZ
to find perfect. fo1tsEhe usual Ack
l. IS apt TO oestoo &C., round or bo.
curved or too,s&gSiar. "A white sk,T
. covers a multitude of sins, .and s1Gl|
times these fahts are not otff ,nsi
the casual person. .ssBnt IL ervah,e faI
g Greeks1Syed s1,a@ @ n0r1s 20 ,hs. ne
si9i %omsn j, s not m9s 11saa Mors Snss
. . & isss |
Mut Mr.. Hafl was quite as enthusias-
&c about the beauty of Mrs. Morosini's
entire figure as about any one feature.
"Ah," he said, there is full length
view of perfectly proportioned woman,
lbut the phntnaraphnr 100 somewhat dis
.,,1s -o-fon.inr hv the pec,,l;o- .>~-> ns
the gown, .R.
"He has done it obviously to make
This subject seem taller, because probably
his ideas of the perfect woman have be-
come perverted by the prevailing type
{ the tall, lank, angular, lank, hipless, so
n called Gibson girl.
l. DO admire her2 A woman should
!; have hips and curves just as Mrs Moro
sst tsine has here in this full-lepgth portrait.
}You can see for yourself that there is
not an abrupt or sndden line in heI
10 whole figure.
20 Symmetry is the secret of her beauty
IL Look at the way the neck here slopes
y into the shoulders. Then the arm itsel
g. seems made to Gt the shoulder and TIT
~ wrist and hand to fit the arm. That
WDdL we Cdil oSiShcPS'
lie The leugth of Mrs Morosini's fore
W. arm, for instance, foIetells exactly villa
at should be the length of her upper arm
and her upper avn ,ives up to this pre-
,r- portion exactly. These are characteri:
he tics that delight tie eye of an artist
TO- fthey are seldom lotRad;for, because the
,Sklare 80 rarely found" Mis-. Rutherfor
S,1 Stuyyesant, whose portrait I Ihinte
~ some time ago, might vie with MI
: Morosine in. the matter OF armr, but 81
- is perhaps the only one can think OF
ms Mr.. Richard Hall has lived ever
nd wherein Paris, where lie had a stud
es. at No. 43 Avenue Victor Hugo; IL, Ne'
,he port, where he painted our Americ'
nat fashionable beauties; in Russia, in Sw
Iell den, in Spain.
in 81 have Travelled in every part OF L
on. rope" ne said, but nowhere have L se
more beautiful women than in Amerlc
Frequently while abroad have fou
iie myself saying: What beautiful
aoe manp and Immediately have been
mes formed that she is All American. NJ
lter De la Mar was one whom | admired {
And from California l have seen inn
neral beauties.
,ox+ "The American wOman's great I'd
IN is that she in inclined to be to- bea
1t shows itself in thickness that is ia
roh to beauty.
"'' "Mrs. Morosin's figure is full with'
suggesting in any way this thickness
should say that she is the IDEAL beig
,r of She should measure eight times
ease length of her head, and that ideal me
long urement Mrs Morosini suggests as the
eeds travels from from the tip of her skirt
So the crown Of her head.
his "The FreDch women nave io'
,ses extremely beautiful. l have pain
conc among the haute noblesse, the Duel
de Rochefoucald, the Duchess DE b
sac. the Duchess d'Uzes, the COun
de Maille. have lived there in eN
,tro- quarter, studying the nation. L
,alks have beauty of figure as well as bea
cord of face, but they are not as well pro
,ople toned as American women.
man French woman's greatest fault Is
ither she is inclined to be too short from