The Daily Ardmoreite. [volume] (Ardmore, Okla.) 1893-current, 1903-07-14
MASTERS OF MUSIC.
rhs GREAT COMPOSERS ANo THzls
PECULIAR METHODS OF WORK.

Linked with This Phnse of Genius.
Hnydn's Dress suit and sapphire
Ring and Beethoven's Wild walks.
All the great musical composers bad
their own peculiar ideas and manner
OF working. They had their peculiar
traits, their moods. their eccentric hnh.
Its. such as are generally said to mark
the genius. In Musical Education" NJ
Lavignac tells of their peculiarties.
| Haydn was a very early riser lac
writes, "and yet he never worked ex
cept in full dress, in which he was
like Button. lie began by shaving
himself carefully, powdered himself
and put on his finger a certain ring. a
sapphire. believe. surrounded with
brilliants, which had been given him
by the great Frederick unless It wus
Prince Esterhazy That done, be shut
himself up IN quiet room and wrote
for several consecutive hours. five or
six, without stopping.
Mozart. the gentle and pious Mo
zart, was sometimes less particular
and composed little everywhere aud
under all conditions Happily Tie
|
him even into the restaurants of Wien.
ma, Prague and Munich. where he was
very fond Of playing billiards and
smoking a pipe aud composing In his
head
"Rossini composed almost constantly
and IN all ways, rarely at the plano.
most often in the evening or Mt night
and, like Mozart. often found inspirn-
ton In carriage or post chaisc. In
the irregular joltings of these vehicles
he perceived rhythm. and of these
rhythms melodies were born. There is
no doubt that he would have found
them In the trepidation of the railroad
IL he had dared to try. but he had such
dread of this mode of locomotion that
no one was ever able to induce him to
set foot in a car.
"Gluck composed violently gesticu-
lating. walking up and down and act
ing all his characters, often in the open
air, on the lawn. In a garden.
Beethoven also undoubtedly found
; a powerful auxiliary to inspiration I'm
motion and walking. Whatever the
season. every day after dinner, which
was at o'clock, according TO the Wen
nese custom, he set out for walk.
and with big strides twice made the
circuit of the city of Vienna. Neither
cold nor heat nor rain nor hail was able
to stop him. Then II was that his heat
OF fancy attained its full ardor. He
would enter a restaurant, sit down for
> IN instant and ask the stupefied waiter
D g. NA
anything. His clumsiness was pro
digious. He usually broke everything
he touched. Not a single piece of fur
niture In his house, and any article of
value less than anything else. was safe
from his attacks, and many times his
ick pot fell into the piano by which he
was working, which. rellgiously pre-
served in the museum at Bonn. still
retains its indelible traces. Although
J he had always lived in the midst of the
, high Viennese aristocracy. in which
a drawing room dances were held In
high honor, he never succeeded In dane
ing In time.
"Herold composed while walking
c humming or singing. often in the
Champs Elysees, and often passed his
best friends by without recognizing
them.
o "Gounod composed especially at the
table, or at least in his head. When he
wrote everything was absolutely clear
in his brain, His manuscripts prove
this
"Wagner liked to write standing up
!. before a large table desk like the cash
desks in the shops. His scores were
written without erasures, in a superb
' calligraphic hand, admirable for its
. clearness and firmness and worthy of
professional copyist.
"Berlioz, who played no instruments
but the guitar, flute and fiageolet nee
essarily worked at the table.
"Franck. who was the head OF a
school, scarcely composed at all till
n after o'clock In the evening.
"Meyerbeer wrote in a regular man
ner in the evening and his servant had
orders TO drag him away from the
piano at the stroke of midnight Schu-
mann would not admit that any one
could write otherwise than at table.
Mendelssohn made much use of the
Q plano and preferred to work in the
d morning. Auber generally worked at
night and very late. till 2 or 3 o'clock
in the morning, in order to avoid out
side noises.
"Halevy had table piano that had
been made for him by Pleyel. From
time to time he would draw out his key
board. strike a few chords on II, and
j, then push it back like a simple drawer
7 and continue TO write,
"Boieldieu also wrote at the plano,
Felicien David. not being much of a
pianist, sometimes sought the aid Of
his violin. Adolphe Adam almost al
ways worked at his grand piano, the
right hand side of whose keyboard
was stained with innumerable splashes
Of Ink He played eight, ten or twelve
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