The Montgomery advertiser., 1903-06-09

e0O coats WlIn WIhte NtSte' SA'AAaSNH NeNA. trousers, white stockings and white gloves. Their faces were blacked to per- lection. They werS inimitable and as they swayed and cut shines, and walled their eyes, the audience roared with laughter. Professionals could not nave done better and their acting showed the evidences of splendid training The'r Jokes were fine hits. One of them asked the leader if he knew what would hap pen H three Montgomery girls were left in the world alone. The answer was that two of them would get together and talk about the other. It brought down the house.
 The dancing was the quintesence of grace. The poetical motion of the dancers combined with the spectacular effect of the costumes made the scenes a success sion of brilliant effects.
 The first song was that of Miss Jeanet- ta Lobman who sang, T Didn't Know Loved Him So Until He Went Away.
 The little twins, Ruth and Bernice Loeb. next sang The Lady With the Angel Eyes"
 A coon song and dance. Susie, My susie," followed by William Jemison and Arnold Hirsch.
 Mabel Rainey sang I'm Wearing My Heart Away for You" Jette Aileen Farley sang Sammy.
 The next was song. Since First Met 1Ou, Dy In6 llllt stdi' oiNiiOS ~"S'N N'' Berkhart Klein and Sam Dreyfus sang and danced The Gambling Man" Ethel Sykes danced The Fishers Horn pipe"
 The eleventh number which was the end of Act 1, was a chorus, The way to Win a Womans Heart" by Penrose Stout Sidney Marcus, Jamie Forbes. Ed win Ragland, Julian Bodenheimer, Cecil Todd, Clara Ellen Forbes. Kathleen HaIap Reeves Clara Mason, Lila Bess Olin, Annie Big gio.
 There numbers were all interspersed with the entertaining jokes. which were real jokes, by the eight little minstrels.
 Act began with song. "Coo, Coo, Coo" by Carroll and Farley Dove in cos tunes of pink and white tights.
 Myron Lobman and Warren Brown danced sand dance."
 Little Elsie Mayer, in a costume of black tights and trunks, sang There Amt No Use to Keep On Hanging Around" with the following chorus: Ray Marcus. 1rma Wollner, Lucille Jackson, Mary Lucy Farley. Marguerite Klein. Mary Norman, Bernard Lobman. Stewart May, Nathan Kahn, Edwin Gassen- heimer, Farley Dove, Carroll Dove.
 Marie Perry did the umbrella dance in airy costume of pink and pale blue yelled In spangled tulle.
 Viola Koch next sang "A Pork Chop is the Sweetest Flower That Grows.'
 The following number was the aero battle display by Sidney Marcus. Penrose Stout Burk Klein Sam Dreyfus, Ar hold Hirsch, J. Bodenheimer. E. Gassen- heimer. Bernard Lobman, Myron Lob man.
 The work of these nine boys was truly revelation. To attempt to describe 1t would be impossible. They simply ap- peared to be made of rubber card and they twisted themselves Into all manner of shapes walked on their hands, turned themselves into wheels and rolled about, and did many acrobatic stunts which were marvellous.
 Ray Marcus was next in a skirt dance, dressed in pink and tinsel.
 Annie Sykes sang My Little Creole Baby" She was dressed in white tulle and ribbon, and a chorus assisted dressed In sunfower costumes.
 Miss Elsie Mayer sang Dolly Warden" in an eighteenth century costume and the following chorus were also thus pic turesquely attired: Ray Marcus, Lucille Jackson, Mary L. Farley. Allen V. Dove. Margaret Klein, Ruth Loeb, Bernice Loeb. Irma Wollner.
 Helen Reeves gave a dance in a cos tune of black and gold. and Irma WaLl- ner danced the pretty tambourine dance.
 The following number was one of the best on the program. Ethel Sykes, in a wonderful "Bowery' costume sang ''The Belle of Avenue A." and the chorus that assisted in the song and dance were fir Eesista ble in their character toilettes of the famous street.
 Viola Koch danced her well known Dutch Dance" in the wooden shoes, and Elsie Mayer gave an impersonation Of Lillian Russell In her song Come Down My Evening Star
 Marguerite Klein danced a toe dance in a Turkish costume, and Ruth and Bernice Loeb danced a ballet in pink dresses and tights.
 In the next scene, the curtain rose on Burkhart Klein who sang, while seated in chair. Then I'd be Satisfied Whh Life" Annie Sykes was his partner. and five more couples danced in and joined in the chorus.
 The next number was a sextette sung by the six couples. who were Mabel Rainey and Sam Dreyfus Jeanetta Lob man and Arnold Hirsch. Jette Aleen Farley and Myron Lobman. Anna Sykes and Burkhart Klein, Ethel Sykes and Warren Brown, Marie Perry and Will liam Jemison. The number was prettily
 
 summer dresses and the boys were in white suits and straw hats.
 The next was the buck dance of Berl Klein. Sam Dreyfus, William Jemson and Arnold Hirch.
 Annie Sykes gave her dance of tho antlers. and the performance closed with the song. "The Instrumental Man" sung by Jeanetta Lobman and Jette Aieen Farley in scarlet satin coats and trous- CTS. with the following chorus: Joseph Ketzky. Joe Hrscher, Robert Platt Stout, Dan Dove.
 The show was for the benefit of the children's ward of St Margaret's Hospi tai A fine sum was realized, for the thea tre was crowded at both performances.
 A pleasant feature to the children was the serving of a delicious supper to them between the afternoon and evening per formances