The Minneapolis journal., 1903-04-11
while a young woman on the right holds
her hand to her cheek so Enid cannot
hear what she is saying TO an elderly wo-
man close to her.
THE e. C. GALE PICTURES.

The pictures in the e. G.. Gale residence
convey a story beside that Of beauty and
refinement. They tell of two thoughtful
young people who are following the noble
example set by their parents in recog-
nizing the deserving talent in their own
city and country, as we'll as the foreign
masters.
Miss Emily Mcmillan recently completed
a bust length portrait of the late Gov
ernor J. s.. Pilsbury which hangs in the
Gale home. Although painted from a.
photograph it is a remarkably good like
ness. Miss Mcmillan has succeeded SO
we'll in bringing out the strong individual
ity of the governor that the picture is the .
source of great satisfaction to his family
and friends.
Miss Mcmillan is putting the finishing
touches on a charming picture OF Mrs.
Gale and her son Richard. It represents
Mrs. Gale wearing light gauzy evening
dress, seated in an arm chair with her
fair haired little son standing on her
left.
Her left arm rests on his shoulder, while
his small appraised hand is held by hers.
Mrs Gales dress is decollete and the flesh
tints in her beautiful neck and rounded
arms are well brought out. Miss McMil-s
Ian has the faculty of making her por-
traits wonderfully life-like. -
"a Scene in Normandy by Alexis
Fournier, is a soothing, peaceful picture
of street of red-roofed fishermen's cot
tages; bit of the sea showing at the end
of the street with some sail boats in the
distance.
A bright little landscape by Florence
Wales shows the soft, rich coloring of
autumn, while water color from the
brush of Lionel Walden is a delicately
painted marine showing full-masted
ship on a, calm sea in an early morning
mist.
| Another water color by Miss F. James
| is an attractive scene on Cape Cod. A
number of fishing boats are moored along
| the brown sand on the right; on the left.
| looking over the small bay the roof of a.
| fishermans cottage Is seen on the low
hill. ~ E, !. &
Evening by r. Course, was pur-
chased at the last exhibition of the Fine
Arts society held here. It is full Of light
and color A tired sheep and lamb
wearily wend their way up the hill to
the red-roofed cottage. The blue sky
peeps through the clouds.
A pleasant landscape. by Phelan, pic
lures a flock of sheep on a grassy hill.
| A charming canvas Of Curran's is in
the light coloring sought by connoisseurs.
1t portrays young mother seated at a
| table with writing material before her,
sealing a letter. The light from the
candle sheds soft, warm light over the,
nurse seated on the opposite side of the
table and the round faced infant in her
lap
I. A canvas of o. c. Wigan's is like Julian
/ Dupre's compositions. Standing in the
1 foreground on well-worn path in "a
/ meadow is a young peasant girl with a
large basket. Straight, bare trees, loom
ing up against the sky, make an effective
background.
A delightful, harmonious landscape by
4 Harpignes is one, Of the recent additions
4 in the Gale home. It pictures the fanil-
4 lar bend in the. river this artist is so
fond 81. painting. The foliage is in soft
browns and olive green's, while the sky
and water of early evening are in the
soft, mellow shades Of gold. 5
"Taking Care of Baby by Kever, is
a. new water color Its composition is
especially effective and like all of this
artists work, it is homely Dutch scene
picturing a little girl watching in low
ing, maternal way, the infant sleeping
in the low cradle. On the left a boy sits
. on a. stool peeling an APPLE :.