New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-14
F1srS tUorr1 i'm Paris.

and the plume may be long 70 the point OF ecce7-
trtcity- Hats are very large and the brim generally
rolls Up one side The draDed veil. which the
modistes here call Ia voilstte Americana 10
being enthusiastically adopted One form OF 4 IS
a straight fall Of dotted net from round. broad
turban. This is another fashion borrowed from the
sos. and goes nicely with shawis and big mufs-
So many historical features used now (rhs
Louis Nv modes are as much drawn as tn0ss
OF the time Of Louis PhiliDpel. that there is a
chance for great variety in head gear
The autumn frocks show a large proportion OK
fancy woods Black and white mixtures are pop
Ular, and nicely trimmed with straps OF
red cloth. ornamented with black An attractive
costume has a skirt close IN the upper part with
box psats set n to the knees Straps OF red cloth
make deep Greek key pattern from the top 20
the bottom Of the skirt This pattern is. naturaliy.
arranged and broken 20 suit the lines OF the skirt
and the same idea is carried the short.
pleated boero and the hign. shaped belt that
pIetes il The red cloth IS embroidered In black
braid
Another black and white mixture has a skirt
which is trying but nodish- II Is laid n small
box pIeats not over inch broad. all about even
across the front breadth AT the bottom Y -
trimmed with three deep folds taken IN the cloth
and graduating IN size II IS copied after the full
skirts worn BY certain orders OF nuns These
skirts ara finished AZ the bottom BY three deep
tucks stitched in the stuff. the lowest one perhaps
SIX TO eight inches deep. the second rw1 inches
less. and the third diminishing the rats
reaching 70 the waist behind with crossed shawl
fronts The suit is trimmed only with back stitch
ing There is a choker and little yoke which
passes through an ornament on the bust 20 end N
a rabat made OF gray linen. embroidered IN black
There IS some attempt to bring again into fashion
short jackets with straight loose fronts and fitted
backs Some Of these have been described II pre-
vfous letters as little outside garments OF cloth f
zibeline made with fitted back and box front IL -
are generally a deeper collar and big sleeves. and
often considerable ornameutation n the way Of
sst-in pieces OF lace or embroidery about the hips
This idea which appeared with the early autumn
models Is copied heavy zoelines and frs tor ths
winter.
VeIvsts Intended for gowns thin this
and can be : easily manipulated cloth Velves
suits quaint STYLES in vogue The ma1ufact-
urers and important Couturiers evidently believe n
IT, for large stocks are N the market
Ire prett1est examples are Vislring gowns % -
worn with form OF fur wrap. Costume q
very light velvet has a bOufa1r skirt snir-ei
over the hips and trimmed az The bottom with
fitted the waist line II -le back and 20 the hips.
has pointed pOmpadOur front. sTiffiy bOnec- II IA
with but Is CurlOusly loose under ma
arms. The silhouette OF the ugIre Is a ua- DUST
with long front and extremely deep curve az ths
waist line the sides The velvet inset win lace.
makes a shoulder cape. short over the Shoulders
ishing in siza. ornament the 'front.' OF the bodice-
The sleeves gather into uurn-up Guns OF ace orna-
ruented with fur
A haIf-I0us cloak OF brown velvet has big cs1s
pieces in place OF sleeves that fall IN slender points
the bottom OF the garment. front and back
These OrIar1enred over the shoulders win .
finishes the neck and makes stole pieces down thu
front On garments longer than the knees the
cape pieces are often fastened down with buttons.
StormCOats are made IN this way