davidaulloa/AmericanStories huggingface dataset:
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
BLOODsTAINED SUITS OF CLOTHES.

Two OF the exhibits in the Tanbaa Gabuo
been disposed Of They the clothes by Captain Jacobson
he murdered and the clothes by anbaa when the
committed Both thoroughly stained with blood.
The clothing by the dead captain Jacobson
yesterday the Alameda The widow clothes and
insisted that they be her when the closed AS
the unsettled they prosecution
would have been needed trial The prosecution quite
ready for trial had been Bckons having
track of sailor witnesses who left the islands,
The clothes by Tanbara also kept possibly necessary
hb be destroyed by Marshal Heny Deputy Winters
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
LUMBER YARD FIRE.

/ Asc vi
I SAN FRANCISCO Aug 29.-A fire in Scott Van Arsdaes
lumber yard here caused heavy loss
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29

Want ads in the Star bring quick re-
suits. Three lines three timeA ror ~
cents.
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29

Want ads in the Star bring quick re-
suits. Three lines three times for 70
cents,
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
lmpureBlood

Impure blood will always make you
sick. You suuor from headache, great
depression, Indigestion, slccplcssncss,
bad Skin, extreme exhaustion, and
you can hardly drag yourself about.
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
SUGAR FACTORS, COMMISSION AGENTS
AGENTS FOR THE
Oceanic Steamship Company of San
Francisco Cal
AGENTS FOR THE

Scottish Union National Insurance
Company Of Edinburgh.
Wilhelma of Magdeburg General IN
suruuCe Company.
Annotated Assurance Co., Ltd, of
Munich and Berlin.
Alliance Marine and General Assurance
Co., Ltd. of London.
Royal Insurance Company of Liver
pool.
alliance Assurance Company Of Lon
don
Rochester German Insurance Company.
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29

CLEVELAND Aug. 29- Joseph Hawortl the actor, is dead
Joseph Haworh the ends his the early
eight but his life has been busy and successful the He
supported Edwin Booth Laertes Cassie parts;
later with Lawrence Barrel and John MCuough and has
leading roles Hoodman Blind The Bells
and latterly has had his company
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
WASN'T KILLED AFTER ALL.



WASHINGTON Aug. 20 develops that Vice Consul Magels
killed reported An unknown assant fired him and
missed The mistake reading cphergam
Turkey promises full reparaon but the squadron has been
called
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
COMING SOON.

SAN FRANCISCO Aug 29-Judge Tstee will sail for Honolulu
Ion Senior berE
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29

# German Insurance Company.
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
v G. IRWIN ( CO.. LTD.

VIM. G. Irwin. President and Manager
Claus Spreckels...First Nice-President
". NJ. Giffard. Second Vice President
n. NJ. Whitney Jr..Secy and Treasurer
Geo. j. RIOS. Auditor
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
HOLD UP NEAR LOS ANGELES.



LOS ANGELES, Aug 20A San Pedro electric held up
during the night and the passengers robbed Five lost $IOo
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29

Associated Press. Morning Service.

Press. ornng Service
WASHINGTON, Aug 20-Presiden Roosevelt has instructed
Minister Conger the surrender Of the Chinese reform
Shanghai.
The Hawaiian star. [volume] (Honolulu [Oahu]) 1893-1912, 1903-08-29
TURKS MEET HEAVY LOSSES IN BATTLE.

Associated Morning Service
SOFIA Aug. 20-The situation at Adranope is alarming The
Turkish population is fleeing.
CONSTANTINOPLE Aug 20-There fierce fighting at
Passequa which Turks killed In other between
Turks and Bulgarans the Turks met heavy losses.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

mind. 1t proved a vindication of those
foreign critics who greeted the work as
a product of genuine genius The star.
Miss Eliscu. and her leading man, Mr..
Bosworth. were worthy Of their roles
which is high praise indeed. As . guide
To the future 1t viii be well TO watch for
subsequent new plays by Angel Guimera
and new enactments by Fernando Eliscu
and Hobart Bosworth. But we will hope,
all of us, that their later endeavors may
deal with a less erotic subject.
Anna Held's Nam selle Napoleon"
was a typical Ziegfeld enterprise great
display, a pleasurable diversion and
dramatic nonentity.
Enough is sal Of Sweet Kitty Bel
lairs' elsewhere
1t is pleasant TO anticipate the reap
Pearances Of Nj. Hawtrey and when
Johnny Comes Marching Home Both
offer delightful entertainments. The
former is a comedian after the type of
Charles Coghlan and proved himself
last year a worthy exponent of a fine
school. When Johnny Cones March
ing Home" is one OF the most diverting
studies in musical atmospf ere which
Washington has ever seen.
Better an embarrassment Of riches like
this than starvation IKE that of the
silver Slipper week.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

Is lost. and, vice versa, place your old
time "legit" in the drawing-roon NAV
and ne Is likewise unhappy in his art.
Greatest, NOblest, Most Exacting.n
If any doubt exists in any quarter
as 70 whether acting is an art 1 would
Ike to lift my voice to cry down the
mistrust To my mind acting is the
art OF arts. the greatest, noblest. most
eSacting Of them all. Leaving aside the
question Of the mission of the stage.
its present condition. and its tenden-
cies, and touching only on the actor
right to the title of artist. I cannot
comprehend how any thinking person
would for moment deny that 1t is
merited. What, if not art, is the pow
er Of portraying emotions. Of express.
ing phases Of thought and action. hu-
manizing the characters conceived by
an author, picturing man to himself in
the living semblance? It is because of
this vitality that the dramatic art ex-
erts a keener and more acute influence
than any other. It possesses actual life
and through this realism produces a
deeper and more powerful influence
than the sister arts An author de-
scribes a person, an event. but the
Imagination Of the reader must invest
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Past and Future.

week OF varied theatrical interests
gives way 10 another Of equal interest
and similar variety. Joe jefferson in his
characteristic repertoire. Marta of the
Lowlauds. and another Anna Held
show are succeeded by Henrietta
CTosman in a BelascO production.
Charles Hawtrey in The Man from
Blankley's." and When Johnny Comes
Marching Home" Many tastes are rep
resented and, for the ensuing week. all
the taste is good. Chases adds "A pro-
gram OF good vaudeville and the three
remaining theaters continue on the even
tenor OF their way.
Mr.. JenersOn's engagement evoked as
il must always, a demonstration Of the
deep affection entertained for him in
Washington. The reception given MIN
Monday night must live long IN the
memory of those who took part I'm il. To
that audience and to many others it will
be Of interest 20 know that the veteran
closed his fall tour with last nights en-
actment Of Caleb Plummer and Mr..
GOlightIy. For several months he VIII
now rest AZ Palm Beach He viii then
work his way northward for a summer
at Buzzards Bay.
Marta of the Lowlands" awoke the
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

effort for effect. I love to think of the
names we revere as great actors, but
sometimes ] am forced TO believe they
were rot I don't mean TO disparage
their work-far from it-but in most
Instances their acting would not ring
true today.
The reason for this is. perhaps. because
of a school of naturalness that has de-
veloped. 1 like TO feel TINT we progress
in our art as in all others. Stin, great
opponents OF the drama seem TO be
missing today. The best actor today. /
think, Is the one who combines all the
good OF the two schools. Many ultra
modern players in an effort Tor natu-
ra1ncss become monotonous and lose
effect while ON the other hand the old
school actor was essentially a reader,
who secured his effect by diction, action
and "a proper emphasis.
The lack Of any remnant of. this
school TO-DAY is very evident when one
attempts Shakespearoan productions.
There are not today twenty worthy
Shakespeerean players on the Ameri-
can stage Put your drawing-roon,
dress-suit actor in Shakespeare, and ne
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

these creatures. which he sees only in
black type with the color of life His
fancy must create the faces and the
environment.
A painter produces his figures on can
vas but here again imagination must
be called into play if we would see
more than the stnl colors A sculptor
creates beautiful forms. brt they are
cold and bloodless. But d amatic art
puts the breath of life into its charac-
tiers end makes them real.
To be able to portray character and
emotion on the stage is most certainly
an art, and a difficult one In the first
place, lively Imagination is required TO
conceive the character. Il close study
of mankind and an analysis Of external
effects. After this must come the gift
of representation. which requires Sng
and careful study in its development.
More Than Mimicry.
This gift might perhaps be called
.nimicry, though / should say il was
something far greater. Everybody las
raet persons who were clever mimics
Who could copy some marked trait OF
NC uliarity they had observed in an
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

other. but this accomplishment of itself
would not 1T them to be actors I once
knew man who could reproduce with
startling fidelity the roars and grunts
and wheezes Of animals. In this re-
speet he was a marvellous mimic, but
as an actor-and he tried TO be one-hs
was a sorry specimen. lie. might have
given mis- limitations on the vaudeville
stage, but should not cali that acting.
Mimicry. or the power of imitation,
may. perhaps. be an element Of dra-
matte work. as it IS in every other art.
for the actor copies from nature. But
he also creates. and the great dramatic
artist is an imitator only IN that he
borrows from real life the suggestion
for the character and emotion that
he portrays on the stage.
To one who is earnest in stage work
everything about him IS a subject OF
study and observation for his art. An
expression Of face seen BY chance in
a passing throng may offer suggestion
10 the actor; a type met in the street
or IN any public place may commend
itself as a model for makeup; and so
the dramatic artist gathers his ma
terial as he goes through the world.
This may be called nimicry, but tho
material thus obtained must be nodded
and applied. and here imagination and
the creative genius are esseptiai-
In fact, think no art makes a greater
demand on originality than does dra-
matte art. / am sure no art requires
longer and closer application TO study,
and I am certain no art calls for higher
talent
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

Julia Marlowe. E. II. sothern. and Mr..
Frohman-
The fret opens for those who appre-
ciate real acting q fine prospect--Miss
Rehan's Katherine and Mr.. Skinner's
Petruchio: Miss Rehans Portia and
Mr.. SINNERS Shylock, Miss Rehan's
Lady Teazle and Mr.. skinner $
Charles Surface. The second combi-
nation follows similar lines-Miss Mar
lowe as Juliet, Mr.. Sothern as 70
meo; Miss Marlowe as Ophelia. AIr.
Sothern as Hamlet: Miss Marlowe as
Cordelia, Mr.. Sothern as Lear.
How greatly this cooperation viii en-
hance the performance of such plays as
Tanning OF the Shrev." Merchant OF
Venice Romeo and Juliet. Hamlet
and King Lear How distinctly this
union of talents is the key 10 the whole
prospect. Yet not all the Miss Rehans.
Mr. SINNERS. Miss -AIarlOwes and Mr.
Sotherns in the world could produce
these plays worthily without the help
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

LEGATION of Mr.. Winters version was ar
ranged for and the adapter's name ap-
peared on the title page.
Mr. Winter did more than merely
translate the Heyse play. He changed
the German prose into scholarly and
beautiful English verse-that is, IN the
Opinies:= OF those qualified to speak-des-
tined to 1eSame classic. Several
changes in ri7s Plot We're also made that
enhanced IS dramatic value and better
fitted it for Presentation on the En-
gIfsh-spea kiIs., stage.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
William Winter. Adapter.

The recent announcement that WI
liam Winter was the author of the YER
sion Of Mary of Magdala' presented by
Mrs. Fiske, set at rest any speculations
as 10 the identity of the adapter of The
Heyse play. At Mr. Winters REQ lest
his name was kept secret all last sea-
son, the fact of his authorship being
known 90 not more than dozen per
sons. The work was attributed to many
men of eminence in the literary and dra-
matte world. but the secret was not re-
veaIed until this autumn. when the pub
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
The American Audience.
Charles Hawtrey's Conclusions From
His New York Experiences.

His New York Experiences.
'One's preconceived idea OF the Ameri-
can temperament" said Charles Haw-
trey recently, lis that it is essentially
quick, but cold and International A
visit TO the theater or music hall proves
this view to be entirely erroneous. The
American temperament gagged by OBJ
servation of the demeanor OF an audi-
ence at any of the places of amusement
in New York. is curiously emotional.
If this is true Of the New Yorker, il is
probably equally true of the people Of
this city.
AS a consequence of this tempera-
mental difference. a New York audience
is not so self-contained, and. perhaps,
more tolerant. than the public on tho
other side. The people OF New York
are essentially theatergOers. and seem
to me very catholic in their tastes Any
form of entertainment-drama farce,
musical comedy or vaudeville-they viii
patronize all so long as they are amused
or interested.
The public of New York pour into
the theater or music hall when tho
doors open, and take their seats en-
trely sympathetic and receptive ready
to b. amused If possible, 10 admit what
is good, and to forgive what is not.
They are not extreme TO mark what is
done amiss.
Sympathetic, But Not Critical.
An English audience enters the thea
ter in London with an open mind. bus
with feelings and sympathies under Sc
we're control; not ready to be amused
unless their critical sense be also salts
ned; not prepared to accept fragmentary
entertainment. nor 10 forgive a play
which IS bad as whole for the sake
Of inspiration on the part of author and
artists. The play must satisfy their
sense Of the fitness OF things. dramatic
ally, whether il be drama. farce, or
w udevi,Ie
The sense OF humor is possibly more
subtle in an American than in an Eng
lish audience. but the essential differ
ence between the two publcs lies in the
reader response of an American audi
ence, and their eagerness to enjoy the
entertainment put before them. which
eagerness may possibly rob them. ia
some measure. of the critical sense
There can 0e no doubt. 1 think. that
the London public has extended a gem
erOus welcome TO all those American ae-
tors who have visited our country. and
to those who have brought with them
good plays and adequate support, a very
hearty and consistent patronage Where
pS.lUlar favorite in tais country has
/ failed 20 meet with the appreciation he,
very naturally. expected TO receive from
/ the English public, the reason has not
I been far to seek He has taken over
with him play which has failed TO at
/ tract II has not been his failure but
/ the plays.
"Of the art of the American actor I
am unable to speak with the intimate
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Good American Songs.
Three Numbers From 'when Johnny
Comes Marching Home

Comes Marching Home"
At least three songs IN the new STANCE
and E,dwarles' comic comic opera,
when Johnny Comes Marching Home,'a
have achieved wide popularity.
One is a patriotic number, Ny Own
United States" which has been taken
up in many of the public schools of the
country, and sung by the children every
day. These are the words.
The poet sings of sunny France. fair, Olive-ladea
The Grecian isles. Italia's smiles. and India's
OF Egypt, countless ages old; dark Afric'a
palms and dates
Let me acclaim the land I nane-ny own
United States
The poet sings Of Switzerland. Draw scotland's
heathered moor.
The shirnmering sheen Of Ireland's green, old
England's rockbound shore:
Quaint Holland, and the Fatherland, their chorus
in verse relates
Let me acclaim the land name-my own
United States
Refrain
I love every inch Of her prairie land, each stons
on her mountain side;
I love ev'ry drop Of her water clear that flows
in her rivers wide
love ey'ry tree, ev'ry blade Of gras, within
Columbia's gatesf
The queen Of earth IS the land Of my birth-Zny
own United States
Mr. Edwardes has also succeeded IN
writing a coon song that has genuine.
old-fashioned, darky melody in It, and
Mr. STANCE has been rather happy with
his words. It runs in this way;
When de humble bee was hummin' az de SKY
grew very bright
On nah banjo stin a-strummin, We was sittin'
Down By de river aO~in', till de sun rose up
.sYo' heah dat rooster crowin'T's said de yaIles
gal ! Tub
she's sweet as honeysuekle, nah precious eolOrea
PEARL
Again at de golden sun, vii nah honeys5skls
girl
katie. Ny Southern Rose IS a sentl-
mental ballad that has had a very large
sale. It is sung by Johnny. assisted by
about twenty young chorus women and
the refrain goes
Katie, my heart so gayly sings, and follows her
where'er she goes:
Katie sunshine ever brings; Katie, Katie, yours
my Southern
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
At the TheateTs.
Lafayette-Henrietta Crosman.

David Belasco has promised his friends
and family TO take a prolonged rest
after Henrietta Crosman is safely estab-
ushed at the Belasco Theater, New York
next month in his new play. Sweet
Kitty Bellairs" For the past few
months he has been working at a more
furious pace than usual even for him.
Miss Crosman's rehearsals We're only
fairly under way when he was Obliged
TO run down TO Philadelphia to rehearse
Mrs. Leslie Carter and her company in
their revival Of ''Zaza, which opened
a weeks engagement at the Belasco
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

Theater last night. For days he travel
cd forth and back, rehearsinR the new
play in New York one day. and his
older work in Philadelphia the next
Even the past week was crowded TO
overlooking. Monday night he was on
hand to witness Mrs. Carriers first night
al his own theater. AT -.zanight he
took the train for Boston where ne re-
hearsed The Darling of the Gods in
preparation OF the first performance of
his Japanese play there Tuesday night
He returned in time to resume Miss
Crosman's rehearsaIs iu Sweet Kitty
Bellairs" and came with her COM
pany OF 20 people TO the Capital yes
terday.
Although the first performance at the
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22

of some such men as Mr.. Tyler and Mr.
Frohman.
In art, as in the days work, many
hancs make light work. 1t is too many
cooks not too many helpers who spoil
the broth. The full measure of right
cooperation on the stage-the stock
company OF high-grade actors-seems to
be Impractical. Perhaps such partner
ships as these are Father Times devel-
opment beyond the oh stock company
a. y. A.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Columbia = "When
Marching Home"

when Johnny Comes Marching
Home" which viii be the attraction at
the Columbia Theater this week, was
here last season. It then proved itself
comic opera, with a strong. well-iehned
military theme running through both
the book and the music, and of the
period of a generation ago. when the
one distinctive form of feminine fashion
was the enormous crinOline hoopskirt
AT frequent intervals Throughout the
opera these hoOpskirts are in evidence,
and the girls who wear them are pretty
The exhilarating spectacle Of a comic
opera with pretty girls who do not
wear tights seems to have been most
welcome to the country at large, for
the piece has had an unusual share Of
financial success.
The company. under the banner Of the
Whitney Opera Company. is. with
few exceptions. the same as that which
presented the piece an Washington last
spring. and includes Miss Lucille saun-
ders. William T Carleton. Miss Lou
Harlow. Miss Florence Hayward. W.
II. Thompson, Maurice Darcy, Albert
McGuckin. J. Francis. and a large
chorus of young women.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Acting as an Art.
A Stray 81 Nature, Selected, Empha-
sized, and Deepened.
BY HENRIETTA CROsMAN.

BY HENRIETTA CROSMAN.
Are the actors OF today better than
those Of Yesterday / can answer that
question with yes and no" IN
many wass they are better and in some
ways ttey are not so good
For instance. the old school most al
ways rang true, while we today often
force an unnatural key. BY this 1 mean
that we sometimes make too great an
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Gov. Bob Taylor's Lecture.

Monday evening Gov Bob Taylor, Of
Tennessee. viii deliver h1s new lecture.
Castles in the Air" in the hall OF the
National Rifles Armory. The personal
popularity Of Mr.. Taylor, added to his
enviable reputation as a platform sue
cess, Is expected to bring together a
very large audience. 1t has been some
years since he lectured here, and IS he
has a new lecture this year. the desire
to hear him viii be unusual
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
chase's-Thanksgiving Vaudeville.

Shase' 81 thanksgiving vaudeville.
Thanksgiving cheer and jollity will
be manifest in the polite vaudeville bill
prepared for Chase's Theater next week,
when there viii appear James j. Nor
ton. La Basque Quartet. M and Mrs.
Perkins Fisher. the Watson Hutchings-
Edwards Company, Raymon Finiay. and
Lottie burke. Miss Anna Caldwell. Al
Lawson and Frances Namon. and the
vitagraph pictures of thrilling incidents
in the life of an American fire-fghter
James J. Morton. has been dubbed by
critics the fellow Of infinite Jest" La
Basque Quartet is composed Of four
well-knOwn Partisan singers. and they
are credited with giving an artistic and
applaudable vocal Offering Mr. and Mrs.
Fisher. two Of the most legitimate of
vaudeville players. who have gained a
large personal following here, will fur
Their distinguish the festal features of
the week by their presentation Of 'eIhe
HALFWAY House" This sketch IS the
work Of Ezra Kendall.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Academy-"The Fatal wedding"

Academy-"The Fatal Wedding"
The Fatal Wedding" will open for
a week s run at the Academy tomor-
row. Baby Keife and Cora ouinten will
alternate as the little mother and a
special feature viii be Gertrude Haines
and her choir celestial" with Roy
Charles. soloist, and twenty-five choir
boys.
The Washington times. [volume] (Washington [D.C.]) 1902-1939, 1903-11-22
Empire-"The Little Church Around til,

Empire-"The Little Church Around the
Corner"
The Little Church Around the Cor
ner' Will be played at the Empire this
week. The play is said to Tell a strong
heart story, showing heroic sacrifice and
devotion on the part OF young wife
who has been unjustly accused of inf
deity by vnlainous lawyer. 1t is said
that there has rarely been a more
wholesome lesson taught over the foot
lights than is found in this play.