Waterbury Democrat., 1903-01-10

Sarah Bernhardt announces that her memoirs, which she has been writing during the past four years, will be pub lished in English, German, Italian and French. The work will make three volumes.
 :Il:
 Aubrey Boucicault has been commis- stoned by London publisher to com pile the memoirs of his father, the late Dion Boucicault for immediate publi- cation in book form. MT Boucicault, ST. left a large number of critical es- says and articles regarding hls person al experiences on the stage which will be included in the book.
 Fl:
 Charles Fl. Day, the well known writer and theatrical manager. has written a book called New Haven After Dark which is full of interest, Because that town, the home of Yale college, has much to account for after dark. MT Day has written in his us- ual vigorous style and in consequence has produced an attractive book.
 Fl:
 On Monday next, January 12, Charles Frohman will present at the Bijou theater. New York. Clyde Fitch, s latest play, ''The Bird in the Cage" in which Sandol Milliken, Grace Hen derson, Jennie Satterlee, Guy Bates Post, Arnold Daly, Charles Mackay and Edward Harrigan have important roles. Tn this play, Ed Harrigan, who for so many years delighted New Workers, will return to legitimate work on Broadway.
 :II:
 Quincy Adams Sawyer, whose name is taken for the title of that popular country play, makes the champion stage record for kissing. Ris kissing opportunities in the first and second acts are rather limited. but with his ] osculations of the third and fourth acts he evens up very we'll. He kisses sixteen girls in the third act-that is I in the famous husking bee scene, when he finds red ear and has to pay the penalty. Tn the fourth act he has \ four kisses. Tn real life young peo- ole kiss and make up, but Quincy Ad- ans Sawyer makes up first and kisses afterwards Stage kissing is always interesting to an audience. There are some theater- goers, principally of the weaker sex, who would not give the snap of finger for a play in which they could not see the hero make love fo one or more pretty women and in dulge in osculatory exercises as often as the story of the play may permit.
 :II:
 Miss Rose Coghlan has decided an- fipathy to bores and can administer a merited snub in fashion which causes the recipient, if not too obtuse, to recognize at once the committal of q faux pas and exit quickly. One of the best exemplifications of this fac ulty of Miss Coghlan is related by her business manager Richard Oboe. It occurred in Memphis, Tenn. Miss Coghlan had played matinee and night performance and was seated in the parlor of the hotel with her maid, waiting for carriage to convey her to the depot She was very tired. An { angular female entered, and without the formality of an introduction com menced series of questions to which Miss Coghlan replied with her usual courtesy until her tormentor blurted out: q should have attended your performance to-day, but was afraid the play you produced was too immor- al. Is 1t really?" Now, if that lady had known 1t, "The Second Mrs Tan queray" is about the finest portrayal of suffering woman Miss Coghlan has given in a career distinguished by admirable performances of some not able classic and modern parts, and the Iplay is dear to her in more ways than lone She is one of the only five &C., tresses to whom that oft used word ''great" can be applied whom the au- thor has permitted to appear as Paula Tanqueray, in consideration of a roy atty that means small fortune in a season of thirty weeks. and when "Is lit, really?' reached her astonished ears, fully expected quick retort. but, in the calmest possible manner. Miss Coghlan replied languidly: q really don't know. Ask my maid She's awfully good at that sort of thing Curtain.