The sun. [volume] (New York [N.Y.]) 1833-1916, 1903-03-15

this Same ofios. 20 the general sleeve effect
u bouffant In spite Of the oloseness OF the
sleeve proper at the top.
One slesve, repeated often In the best
models In yelling and crepe, has Q ugns
closs outer sleeve or cape Of the drees ma
terial, usually tucked or trimmed In some
way, extending half way to the elbow
whore II gives place to q voluminous under
sleeve Of chifionette laid In inch-deep hori-
soptal tucks. This bouffant sleeve u
fulIed below the elbow into long close
cuff Of lace extending down over the hand.
mittenwise. The wrinkled mousquetaire
CUT 10 again finding favor In soft materials.
On evening frocks the merest excuses
for sleeves are enough. and when long
towing sleeves Of tulle, gauss. &o., are
used they leave the upper arm bare.
These flowing sleeves are IN exceedingly
artistic note 10 the diaphanous evening
gowns, and even the moro sold materials,
such Is silk wolfe and crepe Do chine. iend
themselves to such treatment.
There 10 temptation to linger over the
discussion OF evening gowns. for each OF
the new models shown seems lovelier
than the last The skirts are almost all
given over to increasing fulness. though
still keeping the fat hip line BY means OF
cmningly managed tucks. shirrings and
plaitings.
Lace is first and foremost among the
trimmings, but the flowers that hint at
the Louis XVI. period are favored. and
paillettes, appliques, ribbon embroideries
and tiny ruchin gs are all much used. Black
velvet ribbon plays an important part here,
as Il does all through fashions province
at present. Graduated bands OF black
velvet ribbon trim gsuzy skirts and bodices.
as in the case Of the cream dotted net
evening rock pictured here. LAces are
threaded with black velvet baby ribbon.
Marguerites or rosettes Of black velvet
baby ribbon with rhinestone ornaDents
In their centres are used on cloaln, day.
time froci<s, evening frocks. Bow knots
Of black velvet ribbon are apphqued On
thin materials. Black velvet u used for
high girdles fastening With big jewelled
buttons and for sashes whose snds are
weighted by heavy bullion or iswelled
taesek.
Jewels. or rathsr Imitation jevsla are
lavishly used In the tassels. buttons, buckles
and other ornaments that are striking feat
ures Of the smartest gowns and rhine'
stones are a. plentiful a. June blaokberrtsa.
Many OF these ornaments mount In price 10
impressive sums. even though thsir jewels
make no pretence Of being real; and the
fashionable woman may put any sum
she IL willing 10 spend into the long curving
buckle for her high Girdle or the big buttons
for II, into the taAssls for her sash or era
vat ends. the clasps for her pelsrins. the
buckles for her shoes. Many Of the frtnges.
too, are exceedingly expensive. especially
thoss In crystal and n pesrl.
But the models chosen for nlustratioa to-
day are comparatively simple even In
thelr details. An evening gown Of cream
silk wolfe. for example. makes no sdort
after elaboration. yet In distinctly charm.
ins With i,s bands Of guipurs edged by tiny
white roses and the nush Of the s0ftsst
Of pink silk hninss warming the cream Of
the wolfe.
There In Q s,ill more simple little frock
! " silk wolfe. In pale lilac thls time. with .
.hirred skir and blouse and line Of lsos
applique bordering the v-shsped dsmi-
deoollssAse. Lilac. mauve, lavender have
come To the front again after many seasons
| of disseputs and are prominent In tho
galaut u spuns ooiors. but only 10 tlslr
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