Washington standard. [volume] (Olympia, Wash. Territory) 1860-1921, 1903-11-06
OLD STAGE EFFECTS.
SCENES THAT USED TO THRILL
AUDIENCES YEARS AGO.

n
Floored Frank Mayo In the Gil
max In "Dnvy Crockett"-A Crude
Fire Scene That WINS Very Popular.
Great Scott, how a modern audi
ence would gibe ut the stage effects
that used to thrill folks thirty or SO
years ago. said an old theatrical man
ager who was in the city recently en-
route To Frisco. Take the famous
wolf scene in 'Davy Crockett for in
stance, that made a fortune for dear
old Frank Mayo. That was consid-
cred one of the most realistic things Of
its day, and it stirred audiences to alb
solutely frantic excitement. You re-
member how it went: Davy and the
heroine have taken refuge in a noun
tain cabin, and suddenly they hear
a long drawn wall Ow-o-o-O-o!
Ow-o-o-o-o-o. 1t sounded like TOM
cat on a moonlit fence and was emitted
by the prop man, standing In the
wings. Davy springs to his feet. He
listens with his hand to his ear. The
orchestra plays tremOlo. The wolves!
he cries, and the house begins to hold
its breath.
Meanwhile the prop man puts on
more steam. The beasts are nearing.
Davy glares around distractedly. Mer-
ciful hevings. He has burned up the
door bar for fuel! The prop man
bowls at the top Of his voice. Davy
dashes up his sleeve. He springs to
the door, rams his bare arm through
the empty staples, and two stuffed
wolves heads are poked suddenly
through q hole at the bottom! Then
the curtain drops, there is more tremo-
10, and it rises again to discover Davy
fainting at the portal with a couple Of
streaks of red paint around his good
right arm to show where the staples
pinched. That scene would excite de-
rision today, but 1t kept the wolf from
Mayo's own door for many long year.
Incidentally it was responsible for
some ludicrOus mishaps.
"On one occasion, while touring
through Iowa, the special scenery was
delayed by n railroad wreck and local
stage carpenter undertook to fake up
the cabin interior. BY some mistake
he made the staples several inches too
small. and when Mayo. who was
rather portly, rushed to the rescue he
was horritied to discover that he could
not get his arm through the irons. He
pushed and sQuirmed and sweat blood,
but 1t was no so, and as the wolves
were supposed to be advancing on a
dead lope the situation was decidedly
critical. 1t SO happened that the
actress who played the heroine that
season was very spirituelle, not to say
scrawny, and while poor Davy was
still wriggling at the door some gallery
god suddenly piped out: Break away,
fatty, and let de lady try The audi
ence roared and Mayo signaled for a
quick curtain.
"Fire effects are regarded with dis
favor nowadays" continued the man.
ager, because If too realistic they are
apt to create n panic In crowded thea
ter. but in the old melodramas there
was no danger Of mistaking them for
the real thing, and they were great
drawing cards. Back In the early
seventies Joe Murphy, the Irish come
dian, toured the country in a play
called Help which contained fire
scene that was regarded as. the most
remarkable ever produced on the road
THE curtain rose on q barnlike in
terror. supposed to represent an opium
den in San Francisco. Presently a
Chinaman passed an open door In the
back, carrying a lamp, and a moment
later n crash was heard, indicating that
he had dropped 1t. A red glow imme-
diately came through the chinks in the
rear wall and grew rapidly brighter
and brighter. while there was n sound
Of excited footsteps, indistinct shouting
and furniture being dragged across the
floor. All that, occurring out OF sight.
worked the audience to high pitch of
nervous tension. Then smoke began
to Ooze through the cracks, the red
glow continued to increase, and all of
sudden the entire back wall tottered
and sank forward ON the stage, dis
closing a dim perspective. with flames
shooting up here and there and firemen
rushing pellmell In every direction.
THAT spectacle created a tremendous
sensation wherever 1t was put on. yet
the entire effect was produced by a
few shovelfuls Of red fire burned in
the wings and little lycopodium pow
der, which flashes into a big, harmless
blaze and was concealed in tin boxes
attached to different parts of the set
ting. The back wall was let down on
couple OF piano wires, which used to
get stuck occasionally and suspend 1t
In midair. There was q celebrated fire
scene In Chanfrau's play of Nose but
1t was admitted to be inferior to the
one have described, and the crudities
OF both are very laughable when COM
pared to modern attempts along the
! same line.
THE last thing of that kind saw was
In London a few years ago. 1t repre-
sented the burning Of a tenement.
Smoke and flames poured out of the
easements; immense beams crashed
down. scattering showers Of sparks;
walls crumbled, people leaped from the
windows and were caught In nets. and
fremen sent streams of real water in
to the blazing ruins. AS watched the
mimic confagration my mind reverted
to the days Of Chanfrau and Murphy,
and / smOle several smiles a yard wide
and all teeth."-New Orleans Times
Democrat.
A Detroit business man says that die
tating to stenographer has ruined his
spelling. He cannot write an ordinary
letter now, he says, without making
gross errors In photography.
The marble keeps merely cold and
sad memory Of man who else would
be forgotten. No man who needs q
monument ever ought to have one.
CASTORIA
For Infanta and Childrau