davidaulloa/AmericanStories huggingface dataset:
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02

in the District Court Of the First Ju-
dcia District Of the State Of Nev-
ada, in and for the County of Or
shy
In the matter Of The estate Of Jacob
Weber, deceased, E5tice to credi-
tcre.
The undersigned having been duly
and regularly appointed administra
trix Of the estate Of Jacob Weber, de
ased, by an order duly made and en-
tered in heminutas cfthe district court
Of the First Judicial District CT The
State Of Nevada IN aud for the county
of Crmsby, On Jan. IS 1908, and hay
ing duly qualified as such aG-
ministratrix; notice is hereby
given to the creditors Of, and
an persons having claims against the
said deceased, to file them with the
proper vouchers and statutory ali
davits attached, with the Clerk Of
said Court, within three months from
the date of the first publication OF
this notice.
LAURA NJ. WEBER.
Administrators Of the estate OF Jacob
"rher. deceased.
/ Dataa FEB. ,. 1905
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02
AsSayi.ig.

Parties interested in assaying, pros
pecting, etc, can now have their as
says made without sending them
away. Ernest SWeetland has returned
from California and any samples left
with him will be properly and prompt
1y attended to.
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02

$65Sl SO $G5Si 3S
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02
ANIMAL EMENT

+G&@
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02

The annual election for City Trus-
tees Of Carson City, Nevada Will be
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02
ANNUAL STATEMENT.

Annual statement OF the Excelsior
Mining Con IIary. ST Utah doing bu-
sine=s in the State CT New ada, for the
year ending Dec. 81, 1909:
Receipts .. S56.34S Sc
Disbursements ..s5t.562 %
Balance net gain ..1-S6 81
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02
The DESIGNER for sc Ceuts.

From this date until June l. 1903,
subscriptions to the Designer will be
taken fer so cents for one year. Now
is the time to get a reliable maya
7ne ct very cheap rate. This ap
plies only to new subscribers.
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02
s5G,3tS So S56,34S Sc
ANNUAL STATEMENT.

Annual statement Of the Diamond
NininS Company, of Utah. doing bu-
the State Of N2Tada, for the year end
ing Dec. 81, 1902:
Receipts ...... ...... sc5S1 SO
Disbur5ci -. .S6t62 so
Balance. Let gain ....4l8 so
Morning appeal. [volume] (Carson City, Nev.) 1877-1906, 1903-04-02

OF the Supreme Hive, Ladies of Mac
ca5ees Of the Wori6:
Assets.
Honds. cash in bank and
other sources $500. s719,133 "A
Liabilities.
Claims resisted or in PRO
cess Of adjustment -. 67,OOo 90
Losses due and Unpaid =. so 90
Salaries. rents, expenses
etc. ........ =. 1868 81
Amuu.t due in 1908 on GO
accepted disability claims 1850 90
rota, liabilities ...... so,S29 81
Balance to protect con-
tracts ............ 62s,S04 II
Balance Sheet.
| Amount of net ledger as
| sets Dec 31st Of previ-
| Gus year ....... 49,. 42s,073 61
! Income During Year.
AS shown by books at
! home Office Dec. S1st,
1902, gross amount
paid members ........ ss9,S3s As
Interest ........ 1858 II
/ Total Income ........ 903,427 e
Total .......... 1881, 500 81
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12
AUTOMOBILE DODGE.
Pedestrians Seem to Have an Es-
pecial Intipathy to the Horse
less Vehicle.

Did. you ever watch a man dodge an
automobile? II not. It is an interesting
study" remarked a man who observes
things.
The average citizen will uncomplaining-
ly step out OF the way OF a trolley car that
grazes his coat tails and gaze admiringly
at the pair Of thoroushbreds which nearly
run him down. He win EVEN smile when
he Is bumped into by one of those nends
who persist In pushing a bicycle on the
sidewalk Man takes giee In running across
a railroad track In front Of a fast train
and then. turning around. with a pleased
smile and lingering to watch the flying en-
CINE and cars. But just let the chauffeur
make his unearthly whistle croak and
watch the face OF the citizen.
He will dance up and down and say
things that would cause an application OF
the blue pencil right here were they in
serted He will glare at the driver of the
automobile and make remarks derogatory
to the social status OF his ancestors back
to the dawn Of creation. Just why this
condition exists is hard to tell, but the man
with the disposition Of a friendly puppy be-
comes a slowering demon of hate when
ever he has to get out Of the way Of the
auto."-Auto Era
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

being made up IN chalk white. IS also seen
in the new French shade. known as Co
guile d'oeuf," which is the shade OF an egg
shell, with just the suggestion Of a soft
pinkish tint, and also in champagne color,
beige and ecru.
IMPORTED ALLwHITE
GOWNS OF GRENADINE.
An odd combination which a number of i'm
ported all-white gowns show is white gTen-
adine. etamine or canvas combined with
some fine white lace, like point de Paris, and
also mousseline de sole.
And yet one Of the most fascinating
gowns OF the season displayed just such 4
combination.
The gown was OF white grenadine. with a
tucked skirt cut in a yoke over the hips.
The bodice emphasized the sloping shoul-
der and had a slight blouse effect.
A deep bertha of white mousseline de sole
gave a soft flmy look to the bodice.
1t was laid in fine tucks and edged with
point de Paris lace.
In front the lace extended in two long
stoles. which prettily yelled the blouse and
were drawn through the belt, showing in
tabs below it
The outline Of the sleeve was the fashion
able one Of the moment, with the long
shoulder. and the fullness below the elbow.
In this case It was a particularly pretty
sleeve. as the upper part showed the dra-
perry of the hlmy bertha and the fuIlness
below the elbow was laid in tucks, and then
caught into a deep lace cuff.
Sometimes. with this all-white gown, Just
a note of black is introduced.
It looks exceedingly smart in the form OF
a small bow of black tulle. with the long
ends tied in loose knots and finished with
white silk cord ball tassels caught at the
| corsage.
Ribbons are everywhere in the new fash
ions-where you wouId expect them and
where you wouldn't
They are used to form exquisite embroid-
cries. They are shaped as flowers to form
effective corsage decorations and lovely hair
ornaments.
They are used in loops, arranged in clus-
tiers to form NUTS, choux and the crown
of hats.
They trim the new gowns in narrow
bands. fssoted together in hounces and in
wide embroidered bands.
LACE DESIGNS THREADED
WITH SOFT RIBBONS.
Trimmings of latticed ribbons are new,
and lace designs are threaded with soft
ribbon over featherboned foundations. and
as for the ribbon saskes. belts and girdles.
there is no end to their variety.
Ribbon is not only used to decorate q
gown, but it is often so introduced that Il
forms part of the gown itself. not the trim
ming.
This idea Is artlstically developed in a
French frock of cream-white ChantiIly lace,
combined with bands Of ribbon the same
. shade.
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

They are sold separately or made as part
Of the gown.
Some are merely boleros: others are
blouses with b~asques. and stiIl others are
collarless Etons, with flowing sleeves.
a gown which combines many of the new
est fashion ideas is a soft flmy frock OF
champagne-colored crepe de Chine.
The skirt is plated, shirred and corded.
The crepe de Chine Is accordion-plaited.
Just below the hips. to emphasize the out
line OF the figure-which, by the way. can
be greatly improved by wearing a petticoat
Of mercerized sateen made with a demi-
yoke, as the demi-yoke insures a perfectly
close fit over the hips and abdomen-the
piaits are confined with rows OF shirred
cordings.
Over the crepe de Chine bodice. which Is
also plated and in the shape of a blouse.
there is a Jacket OF creamy-tinted Cluny
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12
IHOW 10 RULE YOUR FEELTNGS.A
Professor Lange'S New Theory.

The timid girl does not tremble and get
pale because she is afraid, but she Is afraid
because she trembles and gets pale.
The boy out OF chool does not hop. skip
and jump and whistle because he is happy.
but he is happy because he hops. skips.
jumps and whistles
These theories are advanced by p~sycholo-
gists who nave completed an analysis of
the emotions. and they have been explained
at length by Professor LANCE OF Denmark.
The theory hitherto held that physical
expression Of emotions follows the emotions
is reversed by these students. Still further
surprises are contained in the statements Of
Professor LANCE.
The emotional man Is the normal man. he
sfirms. To uppress the emotions is to
make an invalid of the individual. His
psychic life is impoverished.
Yet II II be desired to suppress an emo
tion-such as sadness or anger-the method
is q physical one. Stop the -outward mani
6estations Of the emotion to be Stunned and
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

lace. made with a basque and cap sleeves.
The front OF the lace Jacket Is decorated
with ~rosettes and tassels Of champagne
colored tulle. with q pearl framed In rhine
stones. forming the center OF each rosette-
For a less expensive trimming. the daint
and fashionable pearl button can be used
SOFT GIRDLE BELT
OF LIBERTY SILK
With this gown a soft girdle belt Is worn.
made OF shaded liberty silk, showing tints
OF the champagne color. brown. violet and
green.
The sleeve OF this costume Is wonderfully
effective. 1t consists of billowy frills of the
accordion-plaited crepe de Chine. coming
from beneath the ciose-htting lace cap
sleeve OF the Jacket
The lower part OF the sleeve is formed OF
the Ciuny lace designs
They are arranged in the shape OF a CUT.
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

trembles. To make another illustration
LANCE calls attention to the fright which a
sudden. violent roise will produce. Many
people dislike to hear q cannon fired. not
because they think there Is the least danger
IN II. but because the sound makes them
start or tremble. This is called fear. and yet
1t is in no way connected with the idea Of
danger. The symptoms Of fear occur imme-
diately after the sound without any trace
OF moral fear. This and other cases similar
represent emotional states Of a purely
physical nature.
II Is declared that there Is no emotion
without a corresponding physical change.
however slight II may be. An idea. says
LANCE. induces a bodily change. which may
be trembling or some other manifestation.
This change Is perceived by the emotions
and becomes the emotion which will follow.
not the idea. but the bodily change.
TO CONTROL THE EMOTIONS.
It is not less certain that the physical
manifestations of emotions are intimately
connected with them The best way of con-
trolling them Is to control the physical ex-
preston OF them. d..
Every one knows that fright a~sgravates
a panic and that despair or anger are aug
mented by yielding to the symptoms of
these passions. Every flow Of tears renders
sorrow more intense and induces a stu
more violent flood. until at last repose
comes with lassitude and apparent exhaus-
ton Of the machine.
In rage every one knows how a man rises
to a paroxysm by repeated explosions Of
expressions.
Refuse to express a passion. IL II said.
and 1t dies. Count ten before giving free
reign to your wrath and the occasion which
v birth to 1t will appear ridiculous.
Remain seated al day In a languishing
posture sigh. and reply TO every one with a
saddened voice and melancholy will per-
sist In education there IS nc precept of
greater value than this:
IL you wish TO make yourself the master
OF undesirable emotions and tendencies Ia
Dor ~assiduously to stop the exterior mani
festations OF them and cultivate the mani
festations of the opposite emotions.
Perseverance, will be accompanied infalli-
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

WRITTEN o THE SUNDAY REPUBLIc.
The flower OF fashion is in full bloom
Immediately after Easter.
Out from the ~cloister Of Lent fair woman
comes resplendent.
The chrysalis is forgotten. It is the butter
ny that is now in evidence.
There is no more uncertainty as to the
fashions.
The spring and summer modes are as
eured.
Fabrics are sheer, trimmings are works Of
art, shirrings are revived, the Dropping
shoulder, and ali sorts of novel shoulder
drsperies are the vogue.
Skirts are invariably shirred or plated.
The hip yoke and tablier effects are In
favor.
And. as for colors. It IS the delicate tints
h lead, with white at the head of the
list.
The best-dressed women have looked with
special favor upon the white gown as the
best medium for displaying the desired
venus-like form. which is the accepted
shape of this year.
There is no end to the charm and variety
Of the all-white costume.
It ranges In. design all the way from the
white embroidered linen shirt-waist suit to
the ball gown of. white crepe de Chine, lace
and silk embroideries-
There are white mohair and etamine skirt
and coat costumes, embroidered in white
braid, which are decidedly smart in style.
They are made with a plated skirt .or
merely a strapped seam skirt. and they
have the collarless Elton. the blouse with
a deep shoulder cape or a short boz coat.
PLAIN SUITS NOT TO BE
GENERALLY WORN.
These white suits are known as the plain
costumes, and in comparison with the more
elaborate white frocks will be but little
worn.
However the fashionable woman's ward
rope viii not be complete unless it contains
at least one white costume of this sort. The
white etamine and the white %grenadine
gowns are simply distractingly lovely.
They are becoming to every woman, and
their tendency is to make her look two or
three years younger than she really is.
The white Examines are effectively made
up. combined with richly embroidered laces.
One charming all-white etamine frock was
incrusted with transparent lace medalions.
Both the skirt and the slightly bIoused
bodice were ARRANGED In groups Of tucks
running vertically.
Between the groups Of tucks there were
lace designs, n also large lace motifs
were applioued to the lower part Of the
skirt, forming e head to the graduated
dounee.
A deep CAPE collar of the lace fell over
The shoulders. and the fullness OF the sleeve
was confined with q .close-fitting lace cum.
Tn blouse was finished with a feather
bcne-stirened girdle of tucked white silk.
This same style OF gown, in addition to
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

They are so ranged that they give the
becoming length OF line to the skirt and
also form a graceful lattice effect at the
bottom
The bodice shows the ribbon introduced
in bands on the sleeves and also on the
blouse.
The deep shoulder cape gives a distinctive
touch TO this exquisite gown.
II is mace of fine lace. with the design
traced in tiny mother-of-pearl sequins. This
sequin-fecked lace also forms the deep.
close-ftting cuff OF the sleeve.
To add to the charm OF the gown, II Is
trimmed at the front of the bodice and down
the front OF the skirt with cream-white
chenille pendants dangling from soft ro-
settles of chenille.
This costume Is also seen in all-black,
with the lace fiecked with either Jet, gold,
steel or silver sequIns.
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

Many Of the all-whit costumes. especial
ly those Of canvas. grenadines and Examines.
are trimmed with the heavier laces, such as
craponne, which is the new name for the
altar lace; Irish crochet. yak. filet. Russian
and point Venise. Any of these laces are
effective. forming the front panel OF a skirt,
which is sometimes combined with a hip
yoke and sometimes not.
They look well forming the stole front of
a tussah silk or black tafteta coat. and hey
make charmingIy effective shoulder capes
for both coats and gowns
In separate motifs they are also In de-
mand. and often when they are used in this
way the material is cut away beneath. so
that the silk lining OF the gown may show
through the open-work meshes Of the lace.
Jackets OF any OF these laces are quite
the smar thing.
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

slightly stirened with feathernone to give
It the desired effect.
In millinery 1t Is the white hat versus
the black hat as many OF the millinery
openings. white at others It Is the flower
hat and the fruit hat that are rivalS
Many Of the aIi-black hats are In the
picture shapes. such as the Gainsborough
and the Rembrandt, and are trimmed with
very long and very expensive black ostrich
plumes-
Other big black picture shapes are COM
blnations Of black lace and fine straw craid,
with charming under-brim trimmings.
Turbsns Of foamy folds Of maline are
trimmed with lace a~pplidues, and one up
standing feathery white aigrette. which II
generally caught to the brim Of the turban
with some Jewel-eiect buckle.
Copyright. 1919. by the Economist csmera-
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

and to consider only the impassIvs cslcu-
lator for whom every impression is only
the point OF departure for a train OF rea-
oning
What a strange conception of the rela-
tive Importance Of the mental forces-to
make an accident of a phenomenon which
in the lives OF most men plpays a much
more decisive role than reason and which
much more than the intellect rules the des-
tiny Of individuals. Of nations, Of humanity.
TO CURE DISEASES OF THE SOUL
who would wish to cure the disease of
the soul II the cure would deprive man of
those emotions which make him sympathize
with others. share the Joy and sorrows or
his fellows, admire or hate them? No one.
surely.
"a man capable only OF thinking. Of
knowing. OF judging, who cannot experience
JOY. sadness or fear. certainly would be alb
normal"
To experience an emotion. to feel glad or
sorrowfui or angry. Is to be conscious OF
notifications produced in the organism.
Professor LANCE explains A mother Weeps
for her son who Is dead. Here are the
three stages In the production Of the phe-
nomenon Of her weeping. as usually under
stood:
An emotion over the loss.
The expression OF the emotion In her face
and throughout her body.
LANCE says that this sequence Is false. He
reverses the process and makes II thus: The
mother has learned OF the death Of her son:
she Is shocked: she is sad. Sadness. then.
Is simply the more or less clear conscious
ness in the brain of psychological changes
which have taken place in the body.
AFRAID BECAUSE HE TREMRLEs.
Taking another instance. Lange puts the
matter thus: Suppose at an unexpected mo-
ment a mad dog should rush out on a man.
According to temperament the man becomes
pale, runs, trembles, tries to defend him
self; his heart beats violently: he feels
shocked.
TIE popular psychological theory Is that
the man trembies because he Is afraid Doc
tor LANCE says he Is afraid because he
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

bly, by the disappearance OF the emotion
sought to be Stunned and the appearance
Of the emotion courted. Sadness will be
succeeded by gayety. Assume q Joyful air.
give a lively expression to the eye. walk
e~rectely. not bent over. speak in a cheerful
tone, pay pleasant compliments and the
heart OF necessity becomes glad.
The St. Louis Republic. [volume] (St. Louis, Mo.) 1888-1919, 1903-04-12

Numerically opposite. says the Chicago
Tribune.
EMOTIONS FOLLOW
MANIFESTATIONS.
II you are sad force your features 10 as
sumo the lines of joy, II you are angry
force the lines OF your mouth to a smile
The emotions will follow the manifesto
ton.
Professor Langs holds that the Individual
should know how to rule his feelings and
should not be deprived OF them. The mod
ern psychologists, as ~exempltied by the
Danish professor. are not stoics. They do
not agree with the Horatian ideal OF the
man whom nothing amused and nothing
grieved.
Sadness. Joy. pride, timidity. anger and
pity are not symptoms OF disease. Older
philosophers held that they were. The
moderns assert that to be without them Is
TO be diseased.
1T is impoverishing our psychic life"
says Professor LANCE. ito make an invalid
OF the man who admires greatness. who en-
4Ss beauty, who is troubled by suffering.
The daily morning journal and courier., 1903-02-25
PROTESTS
From Cigar Manufacturers ard Tobac-
 co Dealers.

From Cigar Manufacturers and Tobac-
 co Dealers.
 Washington, Feb. 24.-All the mem- bers of the Connecticut delegation are in receipt of protests from cigar manu- lecturers and tobacco dealers against the Otjen bill which provides that no premiums shall be given for tags or la- bels on tobacco, cigars or cigarettes. The protest states that theA proposition would do away with trademarks of to- bacco and cigars and would greatly in jure the trade. On the other hand, the tobacco growers and the labor unions are in favor of the bill and are urging its passage.
 A Washington dispatch says: There seems to be a misapprehension as to the scope of the measure. It is true that the bill prohibits offering premi- ums and prizes for tags on tobacco, ci- gars and cigarettes, but there is noth- ing in it to prevent using a tag or wrapper with trademark or name on it. Hence it is hard to see how the bill would in any way interfere with the names of any particular brands. A petition has been circulated in the house to take this measure up, and it has been largely signed by the members. It is hardly probable, however, that there will be time to take it up at this session of congress.
The daily morning journal and courier., 1903-02-25
COMMITTEE ON SEWERS AND
 SQUARES.

The Committee on Sewers and Squares will meet in Rooms 10 and il, City Hall, Friday, February P. 1903, at p. m., when the following matters will he considered: Petition of E. M. Ufford ct al. for sewer in Harriet Street, between Winchester Avenue and Newhall Street.
 Petition of W. $. Compton ct al. for sewer in Atwater Street, between Grand Avenue and Grafton Street..
 Petition for sewer in Rock Street, be- tween Grace and State Streets, and in State Street, between Rock and Grace Streets.
 Communication of the Department of Public Works recommending an overflow for the Chestnut Street sewer
 Petition for sewer in the proposed eX- tension of Mansfield Street to the proposed extension of Starr Street. and in the pro- posed extension of Starr Street from High iand Street to the proposed extension of Mansfield Street.
 Petition for sewer in Ann Street to West Street and through West Street to Kossuth Street. and a remonstrancp against same.
 Petition for a sewer in River Street. be- tween Poplar Street and the east side of Ferry Street, and in Ferry Street, between River Street and Chapel Street.
 All persons interested in the foregoing are notified to attend and be heard in refer epce thereto without further notice.
 Per order,
 JAMES P McGILL, Chairman
 Attest: JAMES B. MARTIN,
 f25 3t Asst. City Clerk.