davidaulloa/AmericanStories huggingface dataset:
Decorah-posten., 1903-08-14
Nrrb gnkotu.
Gtats6nshpLbninarn.

Observation-Disclosures. Staterls
Ginunier uiier iig at pore | en- beore
6erfatning, emo De bar p9ret paa
mango anr. ~@caro OF gquali3a-
ton bar uplig fuIoenbt lit gIrbeioe.
% oct fees, at belle cen ifatIa5te Jor.
nnle llogisr pon Get nnrmeiie III
Willior1er, en- 6orsseIie al Ia Wil.
liorcr imlmenlignet meb ifior. s bet
a~lnlifroeIige 5cno piI Der blire en-
SnotGet al $780, 900 ON slaret. I'll
ltlreprGmier blir Der $27, 900 narIig.
I'll Stntens 2eremitaIter et ser be.
pilset $t47, 900 ON aoret, og oct pil
fuHne boloe Gem | ubmprfet 5oriat.
ming | ale MaaSer. s Get aIminbe.
Iige 6onS err Ger for nGrpRren6e err
geboIoning al omfpins $4,000,
nof til at msee ale poaregnebe lis.
leg til aarets GHSe, ug oa bespnoe1
bette anrs Sfatter at fomme inb.
Ger err al ltsiigt til. at staten fcm.
mer til at iieee inbe meb ct ifsrre
eler minore SuerfiiS peo Soaarets
gnbe.
NaearOHi.Sp eSe err life til @Igoe
Tor De 5armere, iom bar oDrfet Den.
tiger ct Telegram fra Sarge. Sanot
en- bet, at cen giper fro 3 til 5 gu.
ibels mere poa Icren ero cen beoitc
6ife-Sbeoe; men glepntormGneene
bill nsoig fisbe ben, % &c giper ial-
faIo en- lauere Bris. Macaroni-Sos.
De inSbringer 5-6c minore pr. 9u.
ibel emo Np. 1 Hortbem % aloen
Stebe. &c, iom bar fisbt Dem. tiger,
at be life fan blipe al meb ben, OF
ben oil ianbipnIigois gaa neo meo 10
eaer 15c. Sele Saser er, at ben Ell
M og ufienot. S Sarge bar 6olt
prepet cen peo at baae 9rsb al Waca.
roii.aRel, o. be flyer, at be life bill
BRUCE aneet Srebemel for Sremtioeil.
Ntacaroni-Wel trpnger mirore BE,
Rambling, % grsb beraf bolber fla
lrngere ntDgt o. goot. Msnere
minneapolis bar blanSet Macaroni,
Wael meb aHbet Soeoemel, og 8Inn,
oinsen er meget e~fteripuret. De pil
blipe aobe aisbere at Maoaroni.
Spebe.
Gegn. - Sra 8rono SorfS ifrtpes
Den 13be., at &esu falbt oDer belt
0orboeiten, iaa SnObpitringen ianb'
ipnligpis pilbe bIibe foriinfet ct Sal
Gage. &egnet bespnote ON Otter.
mibbagen cen 12te | ben peitlige Sc
al Stoten og fom iii Hebriper bel
Iionnt. Sra ole &artter fom ii
benoe ON, at NeSbsren nar tlminhe
Zig, men life iaa iterf, at ben giorSt
ttogen Sfabe.
Decorah-posten., 1903-08-14

siIIurrt peS flsre al oanSetS @orut.
biertjobeSs. "a StrrforItatcr CT uof
Sps,rrrc of or,set. erS bpoS Oct bur-.
Sc ppre. gset iom set er, f,srep hi ON
So ,,~troPinite c5fnrhrIer Eo1b, / Sl,ot.
Fayssrp M observation-disclosures 0ae &c.
b,,ssIcs norn,Ieie SnirSpr nm sem
rrp,t onrsrprtSr moohc ~ nm, q, br,,.
.oIe sgi,nSmr.rS IN, S,r r,o, oi.
fie;ef 11rrSsrfercI5e I'll for az nisre sfI.
Decorah-posten., 1903-08-14
{ 9enminInania en- Der benilaet 81

8 Genmiplnnnia er Der beoil8et 6l9
MiIlioner 9oIIars til 6orbeoring al
2nuSepeiene, men Sotmeue brpSer JIG
life ON at iubienoe arbrogenbe ON
I'm Gel al &erserte, forbi ben rDe 2op
freezer, at 8eumee o. andre, ifaI be.
tale &eiifatten foHtant llSen at gioe
Dem anIebnins til at in6iri i'm 6or-
plietelie paa bette Smrau6e ! 6urm al
arbeibe. 0ette foleer life | Soils
Smas, % ho laber De bcler @eiar.
beioet bero. Oct CT Den imme Si.
ltorie ooernIt. Oct er oanIfeliJ al
faa inb / gepi0itbeoen bos bore SanN.
manb, at bet er llma8en pGrS at
giore en- gmlLe SpoireIie FOR at ira
beOre 2anGepeie.
Decorah-posten., 1903-08-14
ptarnnHit.
DEN mite Minnciutainnobe traobt

~" Avi'e ~S'"N ttaAptS
iammen oett t3Se bs. / So GrosIe til
lit to-aarige Msbe. Ger irenmpote
1870 9eleguter ira WinneIota, 8is-
eoniin, Wihigan oe begge Safotaer.
ne. Ger er omfring $50 Menigbeofr
meo tiliammen 10000 fonmunice.
renbe WeoIemmer reprPlentereoe.
Mseet oabnebes meb 1rp0ifen al
Rr9ies @auiefpis ira ct. Ball. )
acknowledgements bIep Der foretaget
8ale paa @mbeosm0nS meb fslgenbe
ltbfuIb: BrpieS Bait. 6. @uuiefuis,
ct. 8auI; gice 8rries, 8nit. 6. u.
2eberer, SuIine, Wtih. SefretPi,
8ait. @artin Gihmann, Ietomonie,
@is.; 8asierer, Bait. $. &ntttb,
WtInmifee.
2iSt Gumantif. = @m. 9elion ira
Neenob o. Wiiis Glen ID. 8affnep
fra 5ouo on Sac blep bemmeIig glfte
Sen lite sunni 1891, oa ! olle Oisla
~ @ar bar oeres 8eitner pGret hot.
oetoe cn @iftarmaalet, inotil Mrs.
0elion Der on Gasen pan ct Seisg
6cuo on 2ac forepiite i'm gielles'
atteit, iom err utberifrepen al BaIt,
Sobn 5apile, Brett for a~ongregatio.
ndliitfirfen Ger | ggen. SenoeS 8a'
Mile bar SatoIifer, % BET bar Ger
fornemite @runO iii at 8iiterm1alet
bleu bemneligbofbt. 2iBe efter giel'
fem tog grueen no paa 9eisg | Nora
Gafota. ienere giennemgif bum Ct
SIRIUS peo Sfolen / 8alparaiio.
SnS., % oenbtc ian tilbase til Som
on ooc | 1894. Si6en bar DC epsi
teIs | WilpanFee. GELS | @inneicta.
9sor n9roarenoe leper De life lanl'
men, men Mrs. Gelicn Tiger. at d
er @enner % bel iorli8te.
Tposfalo. - Gen. Gomar6 6
9rpant, iom iioItleoen Srni @foanes
traf iig tiIbage ira i'm Stilling ION
9efamls peS Statsuniperiitets Sop
fafl,Ietet, SsSe pliyoielig al Sierte'
Tag poa Sjempeien ira ct @eisg
@erront. Sam eiterlaSer gnfe OF
A borne 9srn iom ole err gifte.
Saafpn %. Slion bar IfreDet til e
9Iab | Wilnaufee meo 6cre'psr5lei
ON ncseu fam brirge fef Ga9en er
| RerIhlmspibe, iom ram iolgte Der
gneu for 36 stur itbet, ba ban ion
iattig norit @migrant reiite oeriaien
mem. San bar 6noer III fem Born
% Sisie bapSe ban meb Jig paa &eilen
8rupianten bar luppen op, % De-
par intet mere at fisbe for. Sliol
mnatte ea bibe | bet lure seble o.
i9lge lin WerIfumspibe, iom ban bar
Be iaaet al Stnten / Horge Tor Tor
tieniutlot grbeibe | oens SienRite
San iolete Sen or "a Goaars. Hl
nil hun gierne bare ben tilbase, on
han ifnIee betaIe 90 Cellars icr cen
Son peS life, boem ban ieIgte Gibe'
iii, men ser bar Ell SHlfripiion pat
cen | BET norite Spreg,
Sinerimasiabrifen | RbinelanSeI
blep Gen 12e D.. iuloitPnSig eeelaJ
REQ SIoebrano. Senpanist tomaEei
rimeIigpis til al bRIJe op igieu ial
mart, Sette IaSer iig sisre, Sa Dc baI
en- rinenee aii9tnins paa fine Bare.
! % bar morge SeitiIiHger lig9erbe.
Decorah-posten., 1903-08-14
Wrs. 2e!anS Stanfprb hur rnLid a

wfs. Sflnno SInHfprp F1r if0llg Qts
oioet Ell @rtIrriatJ meo 9enipn til
Brciespr 8foiS' affeSigelie for s
Rur &ar it0en. Oct Da e~uInSrs, at
8poiesIor 8os ton / llHaaNe, i0rSi
ban reite ouTfring O8 forfpgteNc iocta-
Iifrtite Brircipcr iautt auIte iutoS bet
iapnrIffe S~rhouroring Ill GNcife.
itaterP. Rrs. StntiorS itger OF me.
Deas bun aIoeIes life oar siiuOe at 0if.
tere llniperiteteS 2arere, boob R IfaI
tGrrte, Irre og tale. biL0e bun ouie Oct
TOM Ell uLgfbe, ON De toe itg I'll al u6-
breOe SociaIisruen blart6t Seu iHtge
SlRgt oa blrn er Of ben WteHing, al
bette oilne tiene til at lu1oerminere oe
merEanIfe Suititutioner. Sun inc.
rsTHsuer ogiaa, Of 9ur ear 1 bet 8raS
fopurgct pna Rois, ior0i ban optrna0te
ioH GalSrunS Tor ~frit Sglo" % zig,
!nelSe &efprmer, life iuit fouoi ban
p1r SGomaro, men forSi BAN op.
traaole meO en- Soer % SbGpSiJ9eo
iom life ismmaoe iis en- ~llrioeritetS.
lGra. girs. StuHforo I9gBer ooer
Dcoaoet life SfiiG pna, al iaa Ianst
bun IeOer, er scr grlpoe iom er @err
% WieIter beo llniperiitetes tiItroo!
Decorah-posten., 1903-08-14

&opmorS. sra &~isbeubnpn meb-
oeles cen 22oe Sui. 1anite Moro
iUies oirteli9 al futile antase Ell epi'
oemiif Sarofter, Der minoer ON Dc
iioite Mars Iorokrier ! Sperigs.
Snat bar ct Scumor0 al oiitpeligiie
9lrt iumOet SteS | Siebeubapns umio.
oeIbape 9tRrboo nenIig / 9anbsbnen
llaeriip paa amager. Ser funotes
imOrJes Ell iDttiaarig Waub, Sonien,
tpalt | SenBen me6ens BET iorbolbs'
piS belhlSenbe Slis par bereDet aae
b reee &enge GA 9proipapirer. 80.
litiet er iorelsbis uSen oct miupite
peiIeoenbe Spor.
Decorah-posten., 1903-08-14
mtdJtenn.

fsreS gctcriOu / Smcod, iom por
anflaset for llnSerlGb al 1880 ire
II. e. grpreiS Co.. bleo iritienos !
Retieu iiSite llae. Srrpen par me-
A elmer. 8iSnesbDrbeue moo Better
ION bar life iploeitgisrenoe. gnfla'
eebe bar mango geuucr, ium reo
BAN sl9oer iig cuer llhioleet,
@rano Calumet. = S;biig on
M~oraenen Sen t2te bs. opitob BID.
lss i Soumeier printing Gcs. Srpt.
Teri | Calumet. 3rntferiet brPretc
oa en- finif apinSe hnpoe nv miItei
9iuet. Saet oeS Sraneeu auIlaacs
til $4,000.
Decorah-posten., 1903-08-14

SomnIbsaplinsem bcresres iaar til
11000O00 9aler / Sc 5oreueoe Stc'
ter. Gems @RrSi / 8enge er ufntreut
$500, 100000. 8omiISsooIen etper
nait MaisaoIen Oct itsrite l,Sbptte al
ale 2mS5rtgets @ebrifter Der ! San.
bet.
Decorah-posten., 1903-08-14

Spm befienot ipreipses | bisie Gage
SOrips meo bet at 8rpiesiur 9ansIep
Of SmitbIonion Snitituiiuu, @aibins'
Ton, 3. 6 ppfumbne % iouitruerebe
9uitItib. 8 Ilere Tiger bar en- Sam'
ling al acknowledgements" | &egierin'
gems Eiereite Iisset pmbOrb ct Damp
lib, Der bar Wpbelleu til 2uititibei pnts
bprb, % peutet pau suuitis Sinb for
Sprip9et. @pisiolt er iOrbuot Gp8an9,
% ben itprite SemmeligbebSiuiobeo bar
upret iaettaget. 2prbag bar Sinoen
cubelig iaaleoes, ipm Den antp8es pns'
icuoe, % 9uititibet blep iluppet los.
Get "isilGbs" npsle bunorere CARDS
9icunem 2uftsu % ialot iaa neo | 5lp'
ben % iauf. S~rpiesipr 9anslep bar
ieIp bUlbt iis borte pg iusen peo msS
8sitsmtbso, bpor ban opb6lper fig. men
bans Gsliitent erflGrer, at 5prisset bar
baut oct melt tilIrepsitiaenoe &ciuItat,
nogei, buurOm Meninserue bog er tem'
mrli9 bette. Den peo bette 5orips be'
nutteoe 1ob,l blsp pbelast, men oes
finbes moi ilsre, % besupen ct itpri
efib, Der tOitsr $4,000. % 5oripseat
oil iOrtiGttes.
Oct er en- COB Ting at Sutel Gam
bar 8suge INF; tbi bans "Sieenitabs'
mGuo" er fOitbure Serrer.
Decorah-posten., 1903-08-14
"geb arnen" ND. So.
Snbbplo: gtnner. - aboies sGateiGue.
- Denies rrieuter. - @aaoer.

Gr.Scngresmnib 5ranf M. GboD
bar erfIGret fis JON aipiratt til @u'
pernernominotioreu ! ben republic
fumfe Statsfonoentim ! Miueiota
/ 1904.
Decorah-posten., 1903-08-14
Nrhrnmq.

sne | slnsnit. ~ 8 bmaba jneese
bet cen 12te os. fIep elmer itrpf,
men Sneen inlelteoe itrnr cen ,aaeSe
Soroen.
Decorah-posten., 1903-08-14

inoeboIot. Notes til ct HanIpbenos
at $1,000, $3.50 Stamps % $1,000
Fl Gontnuter iaDnes. @ierninSsrnrn.
mrnoene CT ipcrIsit foriDuuoge.
Decorah-posten., 1903-08-14

6titeruc / 6inmartsn, Nuree, burbe
tonierere meb @uIbraub Sraa, @aibs
iHstOu, 3, g., isr be faiter iis ! Grme'
ne paG Ruslaub, -
Decorah-posten., 1903-08-14
GunTaa.

Spitsn. saa mango sAser
Decorah-posten., 1903-08-14

Tenbfcmne giummere al '2Seo
Grnerr" Ian erbploeS ior 25e
fgtra.
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07

pieces such as those offered by the
Rogers Brothers, Anna Held and other
money-making stars has served to con-
vince managers that no matter what
happens TO the book or the story, the
stage must bloom at frequent intervals,
with lovely girls in expensive raiment,
and the songs; no matter, by what pre-
text brought into the piece, must re-
ceive that loud and emphatic applause
which is a sure indication of a hit
And though critics may rave, the as
tute manager defends his policy by
producing the box Office statement.
When I started to write The Sultan of
Sulu about two years ago, l had an
ambition to follow the methods en-
ployed by Mr.. Gilbert, without imi-
tating any one of his works 1t SEEM
ed to me that at least portion of the
theater going public might be willing
to pay for a performance in which
there was a story of cumulative inter-
est, the dialogue free from slang, gags
and, local illusions, and in which the
musical numbers should fit the situa-
lions and be made an integral part Of
the dramatic construction. There was
no provision for 'ad lib scenes, In
which the comedians were to draw
laughter. 1T must be confessed that
since rthe. performance of the piece
the rGilbertian model has been more or
less patched up, The song and dance,
with Tight effects, is very dear to the
public of today, and an occasional spice
of slang is demanded by the manager,
and the ambitious comedian, who base
the demand on the just plea that the
people in front want it."
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07

as being a successor to Lackaye,s great
hit as Svengali khe EoIe being some
what like 1t In that hypnotism figured
as prominently Ia the one play as it
did in the other. but here the iikeness
ceased
AS Lackaye tells It. he was touring
through the South and playing to very
small audiences, but. the managers al
ways assured hirdEtRat the gatherings
were very select. ssIn an Alabama town
climax was reached when the local
manager dropped back into the stars
dressing room to tell him that it was
the most fashionable audience he shad
ever seen in the3 theater. The audi
ence.. numerically. speaking, was about
eight strong, and Ls.ckaye was heard
to whisper that he did not care if they
were coal beavers if the house had only
been filed. However, he would have
his joke at any expense, and during, the
next scene in which DR.. BeIlgraff is
alone in his Office. the veteran Joseph
Allen entered, and reading his intro
ductory line, looked at Lackaye and
inquired: n
Are you alone?" 1850
Lac6aye, with one quick glance at
the entire audience, nodded his head
and replied:
Eyes, comparatively alone."-Cincin-
natl Enquirer "a t,,-5ouYs
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07

interesting ruins, churches, palaces
and famous works of art. While in
Rome Miss Caulfield secured a private
audience with Pope Leo and in her
lecture she tells of y the interesting
event. gear1e,
In Golden Age Of italian Art the
lecturer traces the influence of the art
of the Renaissance on the art, and
architecture of Rome, Florence and
Venice and shoWsN that the Renais-
sance was the wedding of the old with
the new, the classics fWith the modern.
This lecture, was delivered before
President and Mrs, Mckinley and won
their warmest praise, Miss Caulfield's
treatment OF the theme, Paris, Liter
airy, and Artistic,s INCLUDES in it's va
rious forms the painting, sculpture,
architecture, tapestries, dress, music
literature and the drama as seen in
the gay French capital. Among the
fine collection of col6red slides which
illustrate this lecture are several
showing the rarest Gobelin tapestries
and Sevres porcelain in their original
colorS.
Miss Caulfield Is the daughter, Of "a
retired wholesale merchant of Grand
Rapids, Mich, where she received her
common school education and where
she still has her home. She was sent
to Detroit school where she was
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07
AudItorIums In New York Bridge.

The poor man from the crowded East
side Of this borough, and Of a like sec
ton near the Brooklyn water front, NAV
ind a blessing in the new East River
bridge, the anchorage of which is In Pike
street. Manhattan. Built at either termi-
nal Will be vast auditorium, in which the
public may find recreation ami benefit by
the pure air which circulates at that eIe-
walton. If the scheme goes through. +
- The anchorageS will be pierced by arch
es, and over these will be CONSTITUENCIES
the auditor1ums The idea had not been
developed when the plan for the new
bridge was accepted. but it was found
later that the. plan was feasible without
interfering with the architectural beauty
AND strength of the bridge.
AS projected, the. auditoriums will be
ABOUT l28 feet long. 80 feet in width and
2S feet high. Access will be had to them
DV means OF stairwayS and elevators The
plan has. found hearty Endorsement from
persons interested and engaged in set
tlement work, and broad-minded CITY
oh1clalS who aim to make New York one
OF the grandest cities in the world. not
alone in its architectural aspect, but in its
humane attitude toward the lowly thou
sands of its population.
!. AS the city grows and other bridges
span the East and North rivers, it Is not
unlikely that similar Places better in con-
venience and appointments, will 60 with
each Of these bridges. The pictures pre-
Sented herewith are from the tentative
plans of the architects, and give some
idea of the beauty and size Of the audito-
rlums.-New York Herald.
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07
BRONSON HoWARD,s TRIBUTE TO
ROBSON.

Writing of the late Stuart Robson
In the June issue. of the Theater Mag
aZine, Bronson Howard, the well known
playwright, says:
My personal acquaintance with Rob-
son began In 1885, when I met him and
Mr.. Crane to. arrange for writing them
new comedy. / recognized at once
In that first interview that was deal
ing with two men of the highest art
tstic instinct Months afterwards, at
another meeting to read the. scheme of
the comedy, both of these men were
deeply sf1ockeds YIboth reminded me
most earnestly that they were strictly
comedians. Mr.. Crane said that his
proposed character reached, at one
point, the purlieus of tragedy. I thought
'puri1eus' was a very good word, and
bowed my acknowledgment Mr. Rob-
son said that I was ending the second
act with a pathetic scene for him, al
most calling for slow music, while nei-
Their of them, in their whole career as
partners, had ever done anything but
the broadest comedy work, even in
Shakespeare. Well I said, If Shake
speare were here he would agree with
me; and he'd give you much harder
work than / cam They both gasped,
but yielded TO my determined persist
ence. The position assumed by these
men in this Interview illustrated a pc
culiarity of nearly all great artists
that have ever known Unlike a COM
monpiace actor. they know their pow
ers, because their ideals of art are
always above whatsthey. or anyone else
can possibly reach. No one in the au-
dience witnessing The Henrietta ever
doubted the. power Of Crane, when he
sprang at his sons throat, nor the
pathetic subtlety and deep feeling of
Robson, when Berthe the Lamb sacri-
bundles. of letters, discriminating his
brother, into the fire at the end of Act
Ii. Here was another point like in
Led AStray, where Robson by en-
tfrely different methods, showed how
every great comic actor can reach the
deeply pathetic On the stage. His comic
voice, not lending itself to this stu
alton, as in the former play, was elm
mated, for not word was Spok en-: the
author of the play ceased to be in evil
deRces soto speak; and Robson. in
perfect silence, held the audience
GREATNESS, master of the situation, and
OF those who were watching him.
write this with that peculiar gratitude
which an author feels when he him.
seir retires from situation, leaving
an actor alone with his audience to Sc
cure his own personal triumph. Are
actors cFeators2 I have always an
swered yes to that question. Two
incidents, connected with the ante-pro-
duction history of this comedy, carry
a lesson from great artists to their sue
cessors on the stage. After finishing
the third act I received a letter from
Mr.. Robson, written on behalf of his
partner, Mr.. Crane, as well as for him.
self, urging me not to make their parts
so prominent In the last act as to take
interest from the other characters or
to fnjure the general artistic balance
Of the play. Authors are seldom bur-
dened with letters like this, even from
great actors; they never receive them
from little ones.'
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07
COMIC OPERA BASED ON CIVIL
WAR.

Pretty girls In fetching costumes,
fascinating music and the attraction Of
handsome men in uniforms of Amer
lean soldiers make when Johnny
Comes Marching Home" an ideal en-
tertainment. The STANCE Edwards
opera is running at McVicker's theater
Chicago, and has made an almost un-
precedented success there, for although
1T has encountered much hot weather,
1T has steadily kept the house crowd
ed to the doors, and on the big"
nights of the week, standing room has
been at premium. The idea of the
opera Is distinct novelty, for 1t is
the first time the Civil war has been
used as the background for any must
cal production.
Into the stories of love which rim
through the opera there steals the hur-
ried note of war and the martial strains
of army songs ring through the
hnaies. The most picturesque things
about Johnny" ore the enormous
hoopskirts which the girls wear
throughout the play. At first they
appear in evening gowns, with their
founces and furbelows, and afterwards
the beauties are seen in street dresses
of the war time--great crinolines, puf-
fly looking coats and queer poke" bon
nets. Johnny will remain encamped
ut McVicker's for some weeks to come.
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07


graduated and then to Radcliffe college
In Boston, where she gained the no.
tice of her teachers by her artistic
talent On their earnest recommends
ton, she spent four years in Europe
studying art in the. different capitals.
She was appointed "a member of the
Department of Fine Arts of the Paris
exposition by the United States gov
eminent while in Paris. She has lee
tured in Paris, and was invited by.
the French ambassador to give her
lecture on Paris, Literary and Arts
tic" al the French embassy at WASH
ington, D. c., and by the president OF
the General Federation of Women's
clubs, at the Denver centennial, and
the closing address Of the Art Congress
for the Trans Mississippi exposition at
Omaha. She Is at present an instruc-
tor In the Chicago Art Institute, - 80
Her lectures in st. Paul are to be
given at the morning sessions of the
Chautauqua July and 8, and the eve.
ming session July 10.
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07
work with E. H. Sothern in IF Were
King" on utiw

Rumor has 1t that Francis Wilson
has determined to abandon comic OPP
era and the stage entirety He has
made much money in the past and Is
in the comfortable position of being
able to live in luxury for theoTest Of
his life. The impossibiiity of getting
a suitable production for next season
Is, 1t is said, to large degree respon-
sible for his decision. The same fact
has handicapped him during the past
year, and he wishes to leave the foot
lights without being credited with a
failure. Mr.. Wilson is silent upon the
subject for publication, but to- many
or his intimate friends he has expressed
himself as determined neveru tel act
again.
One of the lightning dramatists is at
work on a play, the feature Of which
is Mrs. Colgate Hoyt's $4,000 pearl
necklace, A real 500 bill, an exact
counterpart of the one the young work.
ing girl received from Mr.. Hoyt in
place of the $4,000 she had expected
will be on exhibition at every perform
ance, under safeguard, Of course. The
$4,000 reward will also be exposed to
pubic view, and, true to life, will be
In stage money. 1t is too bad that
the title, "A Working Girls Wrongs"
is already in use.-Cincinnati Enquirer.
Mrs. Patrick Campbell closed her
American tour recently and sailed for
England last week. In view of the
many stories that have been going the
rounds regarding her many troubles
with her managers, one is told of late
that is quite interesting: On a train
coming from Boston to New York Ed
Jack, the Well known agent, ran across
The Saint Paul globe. (St. Paul, Minn.) 1896-1905, 1903-06-07
GEORGE ABE ON LIsRETTo WRIT.
ING.

George AIDE, in the Theater Maya
zine for June, gives what is probably
the true reason for the poor quality Of
light opera seen nowadays on the
stage. Mr.. Ade says:
Gilbert and Sullivan did not labor
TO invoke boisterous encores or dazzle
the public with catchy song hits They
were not compelled to provide scenes
for the pulchritudinous show girls
Neither did they feel impelled to alter
the construction SO AS to give mere
fat, TO the Unsuitable Broadway come
dlans.' There are several reasons why
the Gilbert and Sullivan kind of light
opera does not appeal to majority of
our managers and comedians todav.
The first rule in the making OF an up-
to-date musical comedy seems to be
That 1t shall be capable OF q gorgeous
production The Immense success OF