New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-11-08
MUSIC.
The Boston Symphony Orchestra.


r.. Ge-iclze enli-enea THE a-st q THIS seasons
afternoon concerts at Carnegie Hall yesterday
afternoon with two works never before hearc 10
New-Yo-k- They were syuphoaic legend GO
quote The composers Gelnito1l. entitled IA 1-e0
Enchartee.~ by Vincent d'Indv, and a symphony
IL Z aaL tbs composers fourth WORK OF us k-ll-,
hv Crlazou-ow. The solo features wtre ctntrio1te-
nv Nine Gadski who sang the familiar drai,la l'1
sce-a from Weber's ''Freiscnltz ana l"o so-'@-
~ Schubert Gretchen am S1-nnraoe' VIII 'l'-
s-te.ral uianoforte acco-lTani1lt Is u@IisC4l'
orchestra TIE singer was in hne voice and sp1-lls
,-a EN- extremely well pouring out her voice
most generously and hllng the operate AR ana
tbe songs with warm fee-ing Here were youth
f-oe--eee u,selhsh zeal and P,enltlce q pow
md their eject was bracing and stimulating bo.h
sones have been sung here with greater ora-.,a~lo
power and variety q expression 'the qca- l- =
which they invite but not often WIKI more P'-es
musical beauty OF vocal oDuience
II DTndy's CON position is one q the oescrptife
--ieccs ir which the French musicians who grow VI
under the influence Of cesar F-auck delight ITS
-,os-f-al foundation is Uh-snd-s Harold ballad
which gives one Of many versions OF az ole ic2eilc
which has entered into the stories OF Odn Arthur
Charle-ragne. Ogier panske. olaf TTyggVess'n,
Don Sebastian. Boabdl Merlin. barnarossa sI-1
other ancient heroes,-a knight tals ui-ceE d sie-
q encharcreut and sleeps for ages. suTroGhaeo
-y- the scenes and creatures CT supernatura.is--l
its nearest companion in modern French music Is
-hausSor-s -K-iv1ane-' which IS also u Nj.
f-r-f-kefe Ffe- Il their treatment Of themes o.
-r5s character composers ere generally fascinated
v The romantic theatre CT the story and the mood
which Il ard its fairy derizens con5ure Up. and 50
T'Trzv Modern haruonies and orchestral effects
are capital deirearive mediums. and WIKI skill in
Characterization charming results arc easily at
faInabIe D-In1y-s music depicts the exrsruals e.
--ancrglv but leaves TIE poeticsl depths the real
l.e--el OF the old myth untouched. and therefore
s--ae-s from T-cnoco-y. The strong man bound 3
forgotten IN the 5eFic-ion q the magic Of the
woods the woven PAGES and the waving arms OF
-he e-charters. But il IS moody music, pleasant
10 the ear and stimulating 10 the Imagination
The symphony recalled memories Of Glazounow :
ffth 70 5 Eat. which was brought forward by the
Philharmonic Society in March. 1855. rather than
ihat 10 minor, which has Won greater popularity
Ike The work In fat. il suggests On us lnJToGle
sfoz more particgIarly) t1at Ore1tallsn when lie
composer either frbfbed from his master Rir1sky-
Eorsskou. o. acquired by racial Inheritance Il
does not snow the claws Of the bearike music o.
Porozire. which has beer herd here II Is per
suasire. not ru6ely compelling
There IS sGch ample provision for The apFr-Ne1-F
great things ia orchestral music 81 the season s
PROMISES that novelties like those provided by N.Y.
t-e-i.ke car be accepted in profoundly grateful
Shirt even though they 90 net seen likely % enter
-e---a-eutlv into our concert lists one i--n- -
-s-tsfr-tbev could not be more invitinelE and In
..-a-fsti-ely presented than they were yesterday
Ike The .Szizu-tala' overture. hy Cfoidrns-h NT-h
one-ed lie concert. they glowed WITH coloG ana
--tr--rs with eager life