davidaulloa/AmericanStories huggingface dataset:
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1903-12-12

Fevers-Gall Stones Tumors-I,,c.,.
Goitre--GOut NarieoceIa WV
Gonorrhea- Wompnis D.a..
All diseases that begin with feyer-aIl ina,
nation all catairh-sl contagious d,sea.susnanhi,
the results OF Impure or poisoned blood Hn
In nervous debility LlquOzone acts ne a ,,,.,
izer, accomplishing what no drugs can do WA
Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1903-12-12
THE PHILIPPINES AT WORLDS FAIR.

ever 1000 Exhibits and $500 Exhibitors to Oe'e-He-
nort Of Exposition Board al Manila Shows How Dill
roulues Have Been surmountsd Adequate Show
ina OF Filipino Resources.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Fans Carried by Chinese Women.

The fans carried by Chinese ladies are of
the fiat, stiffy description, the foldable kind
being mainly used by men. When a lady's
fan Is of silk 1t is often beautifully painted.
Even now the best of the painters art is
at the fan makers service, but it consists
not in new and original designs, but in cop
les of the masterpieces of other days which
are still considered-at any rate in China
the most beautiful paintings on earth.
The puff box is a Chinese lady's constant
companion. and whenever she looks at her
self in the little mirror on it's lid she Is
sure to put on just touch more powder
For special occasions, such as a formal
call or wedding party. she often paints
her face with paste made of rice flour
This dries and imparts a deathlike white
ness which she finds charming. With a
wet cloth she removes the paste from her
eyes and lips. which are almost full and
pouting. and then she vets her finger and
draws 1t thrice down her throat She has
then finished all that custom could require
in the way of her makeup and Is as 1asc1-
mating she can make herself
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Washing Colored Curtains.

Many people afraid to wash colored
curtains because they think they will
run. A little color may come out but
not much. unless the material is of the very
cheapest.
To each gallon of water in which they
are washed allow a handful of bran. Tie
this up loosely in cloth and boil ii in the
water. You should allow enough water and
bran to provide a washing and rinsing
Water.
Let the bran actually boil in the water
for ten minutes Then take it out, and into
one tub put level tablespoonful of soap
jelly for every gallon of water. Pour half
the water on this and half in another tub,
without soap.
When the water Is cool enough put the
curtains into the one containing the soap.
Press well down under the water and leave
for ten minutes.
Souse up and down till all the dirt seems
to be out and then without wringing put
into the other bran water.
Empty your first tub meanwhile and
place 1t under the cold water tap. Lift the
curtains out of the bran water put them in
the cold and. sousing them up and down,
let the water run till it looks clear Then
without wringing, hang on the line pulling
them we'll into shape. Wringing makes
creaseS that 1t is almost impossible to after
ward remove. When they are about half
dry, get some one to help you give them
a good shaking.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Queen Draga and Dress.

To retain the boundless affection of her
royal consort was the life aim of the late
Queen Draga of Servia, and She left no
means untried to accomplish 1t. AS lady
in waiting to the queen mother, Natalie,
she was in the full flower of her beauty,
and it was then that Alexander first saw
and loved her Beauty is a sovereignty
which needs no auxiliaries. but in Draga
Mashin its force was already ON the wane,
and she was keenly, painfully conscious OF
the fact hence the aSSiduity with which
she studied cosmetics and all the other lit
tie arts of adjoining nature
Meanwhile her Paris dressmakers eff
fected all that human skill could accom-
plish in the way of making the lady look
every inch a queen, and the last and most
brilliant creation of the French modesto
was a dress known the robe soIeil,
which left Paris June 8 and reached
Belgrade the morning after the ill-starred
queen had been laid in her last resting
place. The color of the dress was ivory.
1t was abundantly trimmed with costly lace
and was spangled with big and little figures
of yellow suns scattering their rays as in
early morning. Only a woman in the full
flush of conquest and in the height OF
power could have chosen such a costume
from the large number of models submitted
to her. Yet before it was ready to be tried
on she had persisted
The Parish modiSteS who had the late
queens custom were among the few who
sincerely mourned her terrible end for she
was extremely popular with them all, mas
much as she gave large orders, was seldom
dissatisfied and paid regularly. Her taste,
on the whole, was good and whenever she
was in doubt she listended to the advice
of her French dressmakers.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

mand. They often encircle the crown as
with soft-shaded frill. A pure white hat
Of chenille has a fringe of tiny white os-
trich tips edging the brim. These tips fur
nish soft background for the face.
A black velvet hat, which is in one of the
seasons new shapes, has rather high
straight crown. The brim on the right side
is fiat and narrow, but at the left it widens
suddenly SO as to turn up in a great roll
The edge of the brim is finished by folds Of
black satin, and the high crown is encir-
cled by band of wide black velvet ribbon
tied in many loops under the turned-up
brim. But the main trimming of the hat is
a cascade of small black ostrich plumes
which Is held in place by the turned-up
brim. 1t starts from the edge of the crown
in front and extends over the hair in the
back. AS many as eight short plumes are
used.
These feather cascades are a great fea-
ture in winter millinery. They are es-
pecially pretty in shaded plumes.
What will be the correct thing for thea
ter wear this winter?" demanded one per-
picked shopper, bewildered by the multi
plicity of styles which had been presented
for her selection.
ut will be easier to say what you must
not wear" said the milliner. The hat
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

already felt in some evening frocks lately
imported Narrow silky ribbons ana
wreaths and garlands of small artificial
flowers are employed upon such OF these as
are fashioned in Giaphanous materials
With gowns in the stiff silks which are to
be again much worn. satin ribbons Will
form the wreaths and garlands, whose
courtly prettiness is much admired
An evening costume in pink and blue
nompadour silk displays these ornamental
lions in pale pink satin ribbon. The
wreaths which have tie classic tying and
short ends. are disposed upon white SILK
and chiffon skirt apron and upon the
bertha and cuffs of the sleeves The back
and side breadths of the skirt are very full
and are made to stand out with light in
teriining of crinolne.
similar stiffness is carried to the bod
ice, whose cut is below the shoulders, and
whose foundation begins with white silk,
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Hairdressing Styles Are Very
Ceremonious.
NEEDS ARTIFICIALHELP
INTRICATE MODES ARE ENCOUR-
AGED NOW.
New Materials and Ideas That Have
Come From Across the
Seas.

Special Correspondence of The Evening Star.
NEW YORK, October Is. 1908.
Merely to look upon the new styles i'll hair
dressing is to convince the beholder that
fashions have reached very ceremonious
stage Not since the days of recognized
wigs have coiffure effects been more stately
and not since the massive chSnon took its
poufs and side curls to the stoieroom OF
passe modes has so much false HAIR been
worn. Indeed, 1t is the lightly matched
woman who is now the best off, for only
meagerly lowered heads can lend them
selves to the numberless transformations
employed
A transformation is an artificial piece of
hair of any size. which may be put under
meath or over the natural hair. If disposed
outside it is attached to a fragment of net
which so nearly STIMULATES the human scalp
that il is difficult to discover the subterfuge.
If the hair at the top of the head is thin
elf-dividng and adaptable transformation
may be used. which permits of center or
side parting or pompadour effect. Again.
the maid of meager glory viii achieve her
pompddour through the medium OF a
frame" or through long fringe with a
cord finish. Either of these is fastened
across the top of the head from ear to ear,
the natural hair going over the artificial. or
the frame which is shell round comb and
bandeau combined.
For many heads the rat is all that Is nee
essary to raise the pompadour to. stylish
heights, though many maid will crepe or
French her locks besides.
This ruffiing of the hair, which Is done by
combing it toward the roots, is injurious in
the long run; but so many curative treat
ments are continually employed that, de-
spite the ruffling. the heat of the false piece
and the deadly crimping iron. the health of
the average head of hair Is rather toward
Improvement than decline.
Numberless are the expressions of the
modish pompadour, whose main tendency
is rather to mount at the middle of the
head than to spread at the temples. But
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
A Home-Made Clock Case.

With two cigar boxes 1t is easy to make
a pretty little case for clock. Make cir
cular aperture in one box for the face Of the
clock. and then nail it securely to the other
box. which must be in horizontal position.
Size both boxes and then enamel them
black. dark brown or bright red. Let them
dry and then paint them with quaint Japa-
nese looking figures. or merely dust gold
over them, In the style SO often seen on
trays which hail from the land of the chry-
santhemum. Varnish them again and you
will have a pretty ornament for your man
telpiece or one which would probably sell
well at q bazaar.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Fashions in Writing Paper.

Hieratica, which was the writing paper Of
old Egypt. Is actually reproduced at the
present day and is in all respects now what
1t was then, a vegetable parchment on
which were inscribed the writings OF what
Shakespeare calls ''the antique world" HI
eratica is absolutely prepared from the
papyrus. as Of old. and is now sold at a
price which makes 1t possible to the most
shy and modest income. It can be had in
all sorts of sizes. while for thoroughly sat
tsfactOry results 1t stands now, as in days
when the world waS young, quite alone.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
In Lace and Silver.

A second gown, which is almost too fairy
like for either verbal description or pic
torial illustration, is of white point d'esprit
spangled with silver and trimmed with
pink ribbon with silver reflections, artificial
flowers and French lace. This is disposed
in a skirt border between bands of the rib
bon, which. at the hips, in horizontal strips
shapes a pointed yoke. Between this and
the skirt border the pink wreaths, tied and
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
The Change.
From Puck.

r
There has been great change here.
since my last visit. ten years ago." said the
gentleman from New England.
You bet!' enthusiastically replied the
landlord Of the Atlantic and Pacific Hotel.
at Whoopopolis, Kan. Just about that
time this town was a regular stronghold OF
populism now It's got seven barber
shops!'
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

pass across from right to left and curl
gracefully over the brim on the left side.
Another lace applique hat has a sharply
rolling brim of black chenille. An inch
band of white 'panne velvet is inset a half
inch from the edge. Over this is laid the
lace applique. which extends partly over
the white velvet and partly over the black
chenille The same effect is repeated on
the crown. The hat is raised by a wide
bandeau on the left side. and black os-
trich plume droops over the hair.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Evening Costume of Pink and Blue Silk

and curled and caress!ng the neck in oblong
or round knots. shining with care and odor
Gus with delicate scents Sometimes natu
raj artificial flowers or ribbon rosettes
form part of the back arrangement, these
coming near the ears possible.
When dressed higher a wired bow or
osprey pompon may effect that artistic look
which any stand-up ornament gives the
head and those women accomplished In the
art of clothes carefully consider its ar
Management in the cut of the bodice
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

which is worn over the eyes will not be
correct for theater wear But any of these
and she pointed to the dazzling array
spread out on tables and chairs.
1t is not only that the color effects of the
season are startling. but also the shapes.
There hats oval, diamond shaped and
pointed, hats with lofty crowns and with
crowns like shallow basins, the renaissance
of our grandmothers' styles, and the in
ventions of daring minds.
They will all be worn. some by the many,
some by the few,
AS to fabrics. velvet and chenille vie for
supremacy with the long-haired felts. The
felts are about routed in the field of dress
hats. The velvetS, especially the panne
velvets. afford such opportunities for intrl-
cacies of treatment that the French MILL
ners cannot resist them Nor can Americans
who follow the dictates of the French mil
liners
So there are velvet hats pleated, shirred,
folded and ruched in marvellous fashions
It is because the hat itself is a thing of
such intricate handwork that the trimmings
are simple-a single plume, hattened bird
or velvet bow
Needlework in Plenty.
A hat of shirred white velvet has a high.
severe crown and a wide brim. which is
raised by a bandeau in the front and bent
slightly over the hair in the back. piece
of rich orange colored silk is folded stifiiy
around the crown, and in front gilt buckle
of just the height of the crown holds in
place snowy ostrich plume.
The pale blue hat of panne velvet has
similar shape as regards the brim, though
the crown is much lower Two shirred rolls
of the same shade of velvet are laid across
the brim in front and caught in place at
either side by metal clasps studded with
turquoises the velvet rolls then spread
out into fiat loops and ends, which, how
ever do not extend beyond the edge of the
brim.
Lace hats and hats appliqued with lace
will be largely worn. although they seem
an echo of summer glories. They are built
in new shapes, however. and so are robbed
of monotony. Many of the lace hats have
the brim edged by bands of solid color in
velvet or chenille. Black and white can
thus be combined with the usual good re-
suits.
Made of Lace.
white lace hat whose brim rolls off the
face has lace appliques as we'll as lace
foundation. The brim is effectively edged
by a two-inch band of black velvet. The
underbrim lace appliques extend out over
this. Almost the entire crown and upper
brim are covered by a cluster of snowy
ostrich plumes of graduated length. These
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Fancy Vests.

Little fancy vests are prepared to make
large bid for popular approval allied to
sack or banded boleros These are fash
Toned in a long range of materials and
styles. A plain cloth coat is transformed
by their able assistance into quite dressy
genre. at the same time preserving Its
strictly tailor aspect
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

over which chiffon is placed. Upon these is
put double bias of the pompadour silk,
the two forming jacket and bertha look.
At the front of the waist puff of the plain
white shows. and it is girdled high with
panne velvet in a delicate azure. The
sleeves are short puffs with elbow falls of
killed chiffon.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Takes an Artist.

Heads properly dressed for evening func-
tons have exactly the polished finish Of the
wax craniums in the coiffures window.
Needless TO say, their magnificence Is often
est really due 10 this artists skill, for not
all amateur fingers can coax locks into the
studied loneliness necessary.
Dressed completely, the party going girl
awaits the coming of the prestidigitator of
beauty. who begins proceedings by cover
ing over the fineries of his client with
huge towel. Then, calling the ladys comb
and brush TO his aid. he begins, with his
own bags and boxes open. The transfer
nation may even be toupet. a wig In the
germ stage. but invisible and visible hair
pins soon about him. straight locks rip
Pile, and presto, change the charming Wis
ion rises from her chair. delicately coaxes
her eyebrows to droop at the outer cor
ners. and says coolly: DO you think I'm
rouged enough for that effect?'
The cut OF the bodice is not the only
thing 10 be considered with a stylish hair
arrangement. But think how times have
changed when woman dareS admit she
uses the boughten blush.
Stately Clothes, Too.
With heads getting more and more pre-
tentious in their dressing, 1t follows that
costumes. too must. in a measure, turn to
stately effects. The influence of the days
q pulled. curled and powdered W1gD u
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

garlanded together with ribbon and lace,
are placed above row of separate scat
tered ones. A deep bertha of the spangled
esprit. decked as is the skirt, and girdle
Of pink louiSine are the features Of the low
sleeveless bodice.
For gowns in these reminiscent styles
there are details which accentuate their
courtly suggestion-sati tin and kid slippers.
whose high heels, which are even occa-
Sionally red; stockings which may show
stiff floral vases, and all the tiny fans of
the Louis epochs. The embroidery, OPEN
work or lace of the stockings is confined to
the front of the leg, as side trimmings are
apt to disigure that member. Tiny oval
mirrors frequently enhance feminine appre-
citation Of the fans, and their spangled and
painted glories are framed In mother of-
pearl.
A choice design in any Of these Louis
fans costs anywhere from $25 to $50.
Many are even dearer in price, but quite
reasonable limitations are seen in silk,
gauze and even paper, which are astonish
ingly pretty.
Revivals Everywhere.
Conventional evening fashions are, Of
course, everywhere seen, but the taste of
the fastidious Is running more and more
toward REVEALS. Anything which creates
an effect quaint to the majority Is seized
upon. Il wonder" said an old fashioned
soul the other day, whether return to
ancient stateliness will effect an improve
ment in our manners. With shepherds
piping to their mistresseS upon fans, with
red heels, garlands, stiff silks and coiffures
like wigs, the women of today certainly
should acquire some of that department
which made women of the long ago such
breakers of hearts Since the tailor ma de
girl was born, with her mannish stride,
stiff lines and hearty 'ha, ha!' the soft
nesses of American womankind have all
but disappeared"
An indescribable number of textiles, in
Producing gilt and silver motives appear
among the new evening materials. These,
when sufficiently simple, permit Of very
girlish effects, for all the lines of fashion
strive for the narrow hips and delicate
shoulders of youth. Many of the most de-
Hghtful of the French gowns in fact are
so treated at these points as to exaggerate
their slimness, and with the really thin
maiden a paper-dol look is the result.
However, she is usually very charming
paper doll. and when the founcing bottom
of her outside skirt is lifted it is seen that
the elaborate shaping of the petticoat
founces has much to do with it's set
A new petticoat with splendid stick out''
qualities at the bottom has plain shaped
f1ounce bordered with bias Cut at the ton
in deep shadows that form a garland line
this Is hung over three narrow frills. two
edging the widest. At the top of the petit
coat a new method Of cutting achieves a
closely fitting look without the discomfort
OF the ordinary snug fit. MARY DEAN.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17

the long loose pun thus raised has many
phases, topping over the forehead in what
ever way becoming to the wearer, and pro-
ducing in numberless instances the couture
now recognized as distinctive OF the theat-
fical show girl.
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
Lovelocks Again.

Maids and matrons of moro moderate
tastes are content with a modified topple
and since the unbroken puff is becoming
only to the most classic features, light
partings and lovelocks have come to glorify
others.
For everyday life and the high-necked
street gown, there Is not much scope for
elaborate coifYure effects. The majority of
hats requiring high dressing. soft round
knot fianked by round and side combs the
color of the hair Is most frequently seen.
Shell slides hold up the loose hairs, and
when the tat is removed nine times out
Of ten q black taffeta or velvet bow is re-
yealed above the left side Of the knot.
1t is only with the evening costume OF
low cut that the set elegance OF the pres
emit couture is fully displayed. Then an
impression is received of superbly rippled
front locks of back ones braided, puffed
Evening star. [volume] (Washington, D.C.) 1854-1972, 1903-10-17
He Cuts It Out.

But the SO man sweeps all the luxuries
of life off the board If he determines to
pay his way. He has to eat. This Is one
of the needs that goes with being a man.
Eating is secondary consideration with
the girl who economies. What she must
have is a chiffon parasol.
The silver messenger. (Challis, Idaho) 1890-1912, 1903-02-24
The LUNGS Of Farm Animals.


Stockmen and others seldom stop TO
ponder the relation of the lungs of
farm animals to the services they
render. Yet it is believed that size
of the lungs has much to do with the
laying on of fat, as we'll as of the
consuming of fat In the exercise of
the animal The greatest conserver OF
fat is the hog, and he has the small.
est lungs. We find 1t cheaper TO turn
food into fat by way of the hog than
by the use of any other farm animal.
The smaller the lungs the less car
bonic acid gas they throw of. and the
less carbonic acid gas they throw off
the less fat do they consume in the
creation of that gas. The hog is a
fat producer, because he has no need
of exercising much and therefore no
need of using up much energy. 1t
would perhaps be better to say that
he has no need of creating that en-
ergy, which would simply go to waste.
We could not, II we would, produce
fat cheaply by using the racehorse
as an instrument. He has very large
lungs, and those lungs change fat into
carbonic acid gas very rapidly. The
racer, Of all animals. requires we'll
balanced ration, and his allowance Of
carbohydrates must not be reduced
below certain amount, for out Of
this part of the ration he must create
energy. The proteins are indeed neces-
sary to repair the wasted muscles, but
the carbohydrates are the coal from
which is created the heat to drive the
machine. Oats are, therefore. O most
excellent ration for horses, as they
supply protein and carbohydrate ma
terial In about the right proportion.
The dairy cow and the beef steer
differ In their lung capacity or should
differ The beef does not need lungs
correspondingly large with the dairy
COW. She must transform her car
bonaceous foods into milk and butter
fat. while the steer has only to store
up the surplus fat he can get out Of
his food He does not therefore
change fat into carbonic acid gas as
rapidly as does the COW. Some cows
with very large lung capacity remain
poor all the days of their lives. but
are most excellent machines for turn
ing food into valuable dairy products.
Farmers Review.