davidaulloa/AmericanStories huggingface dataset:
The Montgomery advertiser., 1903-11-13
Equity Division.

Judge A. D. Sayre, presiding over the City Court of Montgomery in equity yes- terday made the following decrees:
 Mary E. Norman vs. Edmund Milligan, decree of reference.
 F. J. Cranton vs. sallie M. Thornton, cause submitted for decree on demurrer to the original bill.
 F. J. Cramton vs. Sallie H. Thornton ct al. decree by consent setting aside decrees pro confesso heretofore passed original bill.
 John Lewis vs. Emeline Lewis, final de- cree.
 Lula R. Fields vs. John A. Fields, final decree.
 Corinne Burnett vs. Ed. Burnett. final decree.
The Montgomery advertiser., 1903-11-13
NArross in sleeping cars.

A good deal of comment was caused at the Union Station on the arrival of the Louisville and Nashville train from the north last night, due to number of ne- groes being in the Pullman sleeping car "FifKey" This sleeper was for the Att lantic Coast Line. and It's destination was Jacksonville. Fla.
 When the car had been transferred t-oro the Iouisville and Nashville train to the east-bound Coast Line train and u,as under the big arc lights of the train shed. a negro man with two negro wo- men were discovered sitting in one of the sections. while in berth just in front of that section. the curtain being raised. lay a negro woman.
 In Tennessee there Is a State law against negroes being in Pullman sleep
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Heinroth came to the church direct from M uhie'
wnere ne was studying under Hieber and t'ne.'
berger Before going abroad he had charge Oh 'ie
boy chor or St Paurs Protestant Episcopal Chut -
in brooklyn This his only position before ~
one he now holds His first teacher on the o's"
was the late John White. of his predecesso'
the Church or the Ascension. with whom nc S'
at the National Conservatory in this CITY -
Mr. He'll 9th is now instructor in organ haFi'i".y
and counterpoint Arthur .Friedheim taught III"
pianoforte, Max Spicker harmony. 1t IS MI
roths conviction that chorus music. as oPPo7
solo singing Is the higher and better ala 10 "es
ton. Solo singing is apt to draw the
of the worshippers to the person singing ana ''I9
stands in the way OF devotion. Aspiration anu e'i-
tertainment are incompatible. For TINS T-i9""' 'o
says. he Is willing to spare fine effect IN ms o.5
music II thereby he risks drawing attention 70 nm
self. Solo singing is. of course necessary III t',e
music performed. and for this ample provision ID
made; but the bulk of the churchs APPROPRIATE
for music is expended the chorus. HLAeN 80 -
Of vested adults. The services at the ChurcL oA t
Ascension are arranged that each mas us us
tinctve character and appeals to its own cohsi es
ton. The morning service one OF cohserVi'iFo
character. appeals to the regular congregation "a
the church The afternoon service is devoted chlely
10 music. The evening service is again dinerent
Continued eleventh page
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

OF an extremely simple character After MI
Wells came George Il. lie Jeune NOW of St Johns
Chapel. Trinity Parish) orgsnst and choir
master. He WIS succeeded by Samuel Jackson ana
a quartet choir was engaged for time. The next
two occupants of the post were Mr.. Williams ana
John Norman. During these incumbencies the
music choir and music varied in character as wei
excellence. and IL not until Mr.. RichaFu
Henry Warren came In 1881 that the music began
to attract attention. Mr.. Warren as choirmaster
and Mr.. Macfarlane worked together until 1893. the
choir being mixed quartet and chorus, and then
both positions united under Mr. Macfariane,
who held the position until May 1880. In 1883 the
congregation took occupancy of the present church
edhce at Sixty-sixth-st and Madison-ave.. and a
organ built. Mr. Macfarlane went TO st.
Thomas's in May. 1900 and was succeeded by the
present organist and choirmaster. Walter Z. Gale.
Mr.. Gale born in Cambridge. Mass, but has
lived in New-York ever since he was six years old.
He studied the pianoforte with w. X. Bassford and
August Sauret. and from them derived n valuable
grounding I'm finger technique. Then, his love for
the organ asserting itself. he began the study Of
that instrument with Eugene Thayer and continued
II for a long time with Samuel z. Warren. then
organist. Of Grace Church After playing for a
short time in q small suburban church he was APP
pointed assistant organist at ST. Bartholomew
under Mr. Warren. holding the position one year
He next went to the Brick Presbyterian Church
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
OF CHOIRS CALLED ANGELIC.
THE MUSIC At ST BARTHOLOMEW s, THE CHURCH
OF THE ASCENSION AND ALL SOULS.

Handel Mendelssohn. Beethoven Schubert etc.
Next there followed a movement which brings back
memories Of the attack on Trinity's changed as
lated here last July, Tor several sundays the sing
ers placed in the chancel for the afternoon,
and. after the novelty had worn off, the experiment
became fixed fact. II now decided to rebuild
and enlarge the organ well the chancel. and
while this was ia progress The choir Was placed in
the chancel FOR all services and the present form
Of vestment was adopted. The men wear the usual
ecclesiastical cassock and Gotta; the women a black
skirt and purple waist, over which is thrown
flowing white garment, resembling the traditional
Gotta, but fuller. They also wear a email purple
cap. The garb OF the choir of All Souls is the
same. The original angelic choirs in Australia
wore mortar-boards, and Sc does the choir of the
Church of the Ascension.
During the season the choir rehearses two even
ings week, and in addition for about three months
each voice is taken separately and given distinct
training in solfeggio and general exercises. Mr..
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

as organist and choirmaster. which post he held
three years. His next term OF service was five
years at Holy Trinity. in Harlem. during part OF
which time he was assistant to George William
Warren at St Thomas's. The choir at AL Souls
consists Of thirty and women. who are vested
In the manner described In the account OF the music
at St. Bartholomew. Every member OF the choir
Is paid, and the requirements for admission
voice OF good quality and strength ability to read
music at sight and. OF course. obedience TO the
usual discipline. When he came to All Souls Mr..
Gale was compelled organize a choir alb
inito, Mr. Macfarlane having carried off the entire
choir over which he presided TO st. Thomas's. Mr..
Gale insists tho best class OF music. abrures all
arrangements of operatio other secular pieces,
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

plicants for choir positions. No volunteers
cented in 81. Bartholomews; all the singers are
paid though some OF the stipends little more
than nominal.
All Souls Church was started as mission OF st.
Marks and its first meetings were held in hall
over the Sxth-aye. stables. In 1861 the church
built for the mission in Forty-eighth-st. but,
the congregation soon becoming self-supporting II
purchased the building and was organized as
parish Edward Anthem being The first rector. DR..
Henry Anthem was rector of St. Marks when the
mission was established. and he dying just the
church was incorporated. IL was called the Anthem
Memorial All Souls being added subsequently.
Mr.. Wells the first organst OF the church.
the choir was mixed OF adults, and the ger
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

and wants OF tho popular sacred songs so
called. HIS own statement OF his aim In training
his singers Is: "First-To combine purity and
beauty OF tone with proper attention to metricaI
and rhythmcal values singing in tune and distinct
enunciation of the words forming part OF this;
then. give proper shading and those subtle ac-
cents (and unaccents) and nuances which give
life to the work; and last but not least 20 nfuse
into the Interpretation the spirit OF the text as
expressed by the music that it shall convey mes
sage to all"
At the Church OF the Ascension, where Charles
Heinroth ia organst and chOirmaster. and has been
since 1885, solos subordinated TO tho singing of
the chorus. and the afternoon services largely
devoted TO the production Of sacred centRtas. Mr..
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Warren believes IN work and plenty OF it. he thinks
the training OF women's voices for choir purposes
quite important the training Of boys. He
hold that the great drawback Of the average choir
OF men and women is that the women come into
the choir with fixed ideas TO tone production and
singing. When. then. the choirmaster allows each
20 sing IN her own way there is not that unity OF
tone and temperament that should enter into the
performance OF choral music. About 80 per cent Of
the members OF the choir at St. Bartholomew's
belong 20 the Church Choral Society. which Mr..
werren revived last spring. and which is In
fuental factor in the choral culture OF the city.
This society useful feeder for the choir.
It enables Mr.. Warren TO learn the merits OF
many choristers. who sooner later become ap-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

las returned to New-York and can again be found
at her studio in the Hotel Martha Washington.
Emil c. Werner the vlolinist has opened a studio
at NO. rs West Thirty-ifth-st Mr.. Werner teaches
the methods adopted by European conservatories
Edwin H. Lockhart, the basso has opened his
studio at the Hotel San Reno Central Park west
Seventy fourth and Seventy-hfth SITS
signor Ffloteo Greco has removed his vocal studio
TO No. 81 East Thirty -fourth-st
MISS Georgine schumann, pianist and accom-
PIANIST makes a speciality OF teaching sight reading
ear training and Interpretation. Miss Schumann
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

will organize childrsn's class. Tor which applies-
lions will be received at her studio, No s7 Eighth
Edmund Severn has resumed teaching at his
studio No. 1s1 West Fifty-sixth-st.
Albert Mildenberg pianist and instructor. has re-
turned 10 his work at his studio IN Carnegfs Hall
after successful summer season IN Detroit and
Thunder Bay Island. Mich. where he conducted his
summer classes.
william A wesefsr tenor Is ousily engaged pre-
pairing the leading volumes Of THE Return OF the
to be given at the Manhattan theatre az matnse
performances next month";
Mrs. Bessie Hester. whose studio is at No. "a
Bradhurst-ave. is busy coaching pupils for French
dictlon. Her plano class is rapidly filing with both
beginners and advanced pupils
Miss Adelaide C. oken. the pianist and teacher
and her assistant, Mis-, Myrtle Quimby. have re-
turned from Europe. where the~ spent four months
in musical work Miss okej: has reopened her
Carl v Lachmund's first faculty concert viii taks
place Monday evening October u, az o'clock, at
the parIors OF the Lachmu-d Conservatory. No 1s2
West Eighty-nfth-st Among those who viii take
pare Miss Cecilia Braens. Miss Helen Burr, Miss
Alma Bennett. Tor Van PIX. Carl Dienstoach and
Carl LAchmund.
It's Religion an Essent.hY Element OF Education7"
ia the subject OF address 10 be given wednesday
evening October H. by DR.. 81 Zolotarof. under the
auspices Of the Liberal art Society, Jererson-st
and EasttBroadway. Professor Platon Brunor.
chairman Of the society, has arranged attractive
musical programme.
The Guilnan. Organ School viii reopen to-nor-
row with O large enrolment Of pupils. Special
classes in harmony. coInterpoint and musical
knowledge will be fernsi during the week under
the direction OF Clement r Gale. The organ work
win be. as heretofore Under the tutorshp OF Will
lam c. Carl
Professor and Mrs. AItrsse. formerly OF Colura-
eus-ave-, after absence OF two years. have re-
turned and are occupying studios at No. a. West
nehundred-and- twenty -1fth-st Professor Aifregs
until recently was principal OF the American School
OF Music. Rochester, y. Y.
d. N. Levett, Of ths New-York College OF Music
and late professor ot sterns Conservatorirrn Ber-
lin. announces that hs has resumed in piano
and theory, the same method as that used by
Lescheuzky, at lis studio residence, No. 127 East
Seventy-sixth-ss-
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
STUDIO NOTES.

Miss LILA Eunice Smelling. the contralto who
made her first appearance at the Waldorf last May.
has engagements IN Brooklyn, n. Y; Salem and
Newton, Mass, and Norwich. Conn. Miss Smelling
is a pupil of Mrs. Laura F. Morrill, OF the Chelsea.
Lillian Vera Harris. who IS said to possess a hne
soprano voice. has begun studying for the operatio
stage under the tuition OF the barytone and vocal
teacher N. r. de Dor, at his studio in Carnegie
Hall.
Miss Nora Maynard Green announces the removal
Miss Harriette Brewer. the pianist and teacher.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
THE PANACEA.

Tell me. Angelina" her lover exclaimed 10
you ever have G yearning for something you
cannot exactly def1ne-an Irresistible longing OF
the heart for that which IS not yours7 Can YOU
guess the object Of your desire7"
YES" replied the young woman from Boston.
coyly, "when 1 get that way always eat Die"
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
4 NEW EXPLANATION.

The Prodgal Son explaining matters to
his father.
you're way behind the times. dad" he ex-
claimed. Il have merely been q sociologist on q
little stunning trip"
Overjoyed ct this view OF the matter the old
man took him to his arms
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
HASTE IN CITY BUILDING.

Alexander was laying out his city.
But" they a9ked. what's your hurry7-
Hurry enOugn." returned the toiling monarch
IT want to getHhis done before the Municipal Art
Committee gives any hints on Identifying"
Seeing the need OF haste. they helped him with
a Will.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11
Sleek
PIANO.
PIANO..

There is always a fixed value for
a STICK Piano. Why? Because
there's almost half century OF ex-
cellent Reputation behind it, Under
all conditions and circumstances the
"OLD RELIABLE" has qualified
among the Best of the few really de-
pendable Pianos now being made
Send for Catalogue.
Warerooms, 1856 9Th Ave. N. !.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Albert Mildenberg pianist and Instructor. has re
turned 10 HIS work at his studio IN Carnegis Ha
after a successful summer season IN Detroit an
Thunder Bay Island. Mich. where he conducted al
summer classes.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

william A wesefsr, tenor Is ousily engaged pI
pairing the leading volumes Of The Return OF Z
Roaner" one act opera by Felix Mendelssoh
to be given at the Manhattan Theatre at mattn
performances next month.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Mrs. Bessie Hester. whose studio Is at No.
Bradhurst-ave.. is busy coaching pupils for Fren
dictlon. Her plano class IS rapidly filing with DO
beginners and advanced pupils.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Edmund Severn has resumed teaching at MS
studio. No 1s1 West Fifty-sixth-st.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

viii organize a chilGren's class FOR which apphcs-
tons will be received at her studio No si Elgn'h
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Continued on eleventh page.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1903-10-11

Miss Adelaide c. Ckell. the pianist and teaches
and her assistant, Miss Myrtle Quimby. have re
turned from Europe, where theE spent four month
in musical work Miss Okei. has reopened Re
studio at No 81 West Eighty-fourth-st.
The Fulton County news. [volume] (McConnellsburg, Pa.) 1899-current, 1903-08-26
Tlhe Art of Life.

"The Art of Life" was the subject of a
recent sermon by the Rev. John White
Chadwick, minister of the Second Unitar.
ian Church. He began with definition OF
the artist spirit as that which seeks and
strives to make ones work as excellent as
possible, apart from the concrete reward.
incidentally, he considered the deprecia.
ton OF our own time as failing grossly on
the side of art, and repudiated the charge.
He then proceeded to ask: How is it with
the art OF life among us, the spirit and re.
solve TO make life as excellent as possible,
let come what will! Continuing. he said:
Consider life as fine art and see what
comes OF such an attitude OF mind. The
artistic spirit is the spirit which compes
a man to do his best for best's sake. The
shoemaker--l begin where | began--works
in this spirit when he works up to his ideal
OF a good shoe, not down to his half pay.
| dare believe that my dear father and |
worked in that spirit when in the hard
times of 1857, month in and month out.
we made twenty-five pairs of good chill.
dren's ankle ties day, all for one dollar.
The. painter works in this spirit when he
works up to his idea of a good picture,
not down to Jones commercial offer. or
TO Robinson's commercial taste. j. w.
Champney,. that bright. joyous spirit, who
Just slipped away so suddenly, said that he
would rather paint pictures for nothing
than work private mine of gold The
man whose private life appeals to him as
fine art will not work down to any praise
OF men or pay, to any standard of the
churches or of good society, so called, but
up to his own personal ideal of justice,
truth and good. BY this test we put to
shame every system OF religion which seeks
to fasten a mans eye not on his work but
on some reward which has no vital and
generic relation thereunto.
The beauty of holiness. of wholeness, is
not only the beauty of the wholeness of
mans nature in itself, each part consent
ing with the rest; but also the Wilderness
of man with all his fellow men, white men
and yellow, black men and brown; no
lower aim than that of the Buddhist saint
who said 'Never will | accept private in.
dividual salvation, never will | enter into
final peace alone There is nothing so
unlovely as selfish isolated life because
1t is the fundamental necessity of our so.
cial living that we should help each other.
The man who does not yield himself to this
necessity makes himself wart a wen, a
miserable eXcresence on the face OF human
life. My lady's charms may ravsh every
sensual eye, and to the eye OF reason she
is naked to her bones Just in proportion
as her life fails OF obedience to its primary
and central law"
The Fulton County news. [volume] (McConnellsburg, Pa.) 1899-current, 1903-08-26
WORDS OF WlSOCN.

Language is n solemn thing: it grows
cut Of lile-Out OF itS agOnies and ecsta.
cies. its wants and its wcHriGeSs. Every
language is temple in which the soul
of those who speak it is cnshrined.
1t is necessary to hope. though hope
should always be deluded. for hope
itself is happiness, and its Illustrations
however frequent. are yet less dreadful
than its extinction.
When you find yourself overpowered,
as 1t We're, by melancholy, the best way
is to 20 out and do something kind to
somebody.
Young man. the world may possibly
think less of You than you do of your
self. but it certainly won't think more.
The men called great who have risen
to distinction are not always men of
brains; they are men'of aptitude.
1t is better to sacrifice ones love OF
sarcasm than to indulge it at the cE-
pense of friend.
He alone Is an acute observer who
can observe minutlly without being
observed.
The most completely lost of nj. days
is the one on which we have not
laughed.
He who will not take advice gets
knowledge when trouble overtakes
him.
1t is not your posterity. but your
actions, that will perpetuatc your MEM
ory.
The more one speaks OF himself. the
less he likes to hear another talked of,
Seltishness Is poverty: it is the most
utter destitutlon Of human being.
Failure is success If there is grow
ing intelligence in II.
More people try TO learn by talking
than by listening.
He who foresecs calamitics suffers
them twice over.
What the fool cannot appreciate H.
dcpreclatcs.
The Fulton County news. [volume] (McConnellsburg, Pa.) 1899-current, 1903-08-26
" "HOme-Welluess.t'

How often we hear it said. at is worth
while to travel to have the joy of getting
home again. One never realizes how good
home is till one has been away from it for
some time" How seldom we comprehend
the disgrace involved in that remark! For
IT is our business to understand the joys of
home. 1t is our business to appreciate it
while we are at home, and while our appre.
cation can do our dear ones and the pre-.
cious home life some good, and not wait
TIL we go away or till some confused re.
turn, whose transient emotions are so
speedily forgotten. Home-wellness thinks
every morning as we rise: How good it is
to be a member of this household How
blitheiv the sun shines in at my window!
How l bless God for this good homel"
Home-wellness looks around at the break.
fast table upon all the dear ones there,
and shines out its gratitude from beaming
eyes, and carols it out with CHEEKY laugh
and loving praises. Home-welness goes
through the entire day with a song in the
heart. 1t irradiates the whole family with
its satisfaction, for home-wellness is very
contagious. 1t makes every one work bet
ter and play better. And when the even.
ing comes, and the sacred night takes the
home in its keeping. it is home of thanks.
giving and peace that it broods under its
ebon wings. Homesickness is said to pro.
duce, very often, physical results as serious
as genuine disease; indeed, it deserves 10
be ranked with the diseases of the body as
well as the maladies of the soul. But
home-wellness is the opposite of disease;
it is the household health.-Christian En-.
deayor World.
The Fulton County news. [volume] (McConnellsburg, Pa.) 1899-current, 1903-08-26
A True Christian,

Children enjoy music long before they
understand the color, scale and the laws
OF harmony. Indeed, millions 60 through
life enjoying the beautiful in nature and
ert without ever knowing anything about
the laws by which colors complement each
other. Also millions go through life as
Christians without ever stopping to work
out philosophcally their ideas about the
bible or the church or the creed And yet
they are Christians, because they are loyal
to Christ. History tells of young paint.
grinder in the studio of ltaly's great mas.
ter who developed striking evidences of
artistic skill. When an enemy of the great
teacher came to the boy and urged him to
found n school OF his own. saying that
wealth and honors and invitations to kings
palaces might be his, the youth answered
in effect: Il am not ambitious to found
school or dwell in a palace, but am am.
bilious to catch Raphaevs spirit and repro.
duce in myself his ideals" Now, that sim.
pie thought condenses in a word the es-
sence of the Christian life. 1t is an ambi-
ton to rise to the level of Christ's
thoughts, to feel His throb of sympathy
toward the poor and weak, to abhor evil
as He abhorred it. to hunger for righteous.
ness as He hungered for it and to walk
with our Father as Christ walked with
His. He is a Christian who is loyal to
Christ in thoughts, sympathes, friend
ships, purposes and ideals.-Newell Dwight
Hills.