The sun. [volume] (New York [N.Y.]) 1833-1916, 1902-11-10

sciously nearing the end Of his laborsI
Al least. we can gather from the picture
under what intensity of feeling il must
have been created.
Mention should also be made Of the Gains
borough landscape mo. So, in the fore
ground OF which a man is crossing over
The stepping stones in brook toward "a
hank, on which are two cows and two fig
ures sitting under the shade of clump
OF willow trees. while a view appears be-
yond Of winding valley. with a flock of
sheep IN the middle distance and stone
arched bridge farther on. There il some
trace Of Wilson in the composition of the
picture. perhaps also in tlIe sentiment
yet IN its gracefully idyllic rendering Of a
scene tha, at least in the foreground IL
typical Of rural England one can feel rh"
tru" Influence Of GdinSboro CHS Own
spirit Again the example # Turner b..
an exceedingly good one, well preserved
and thoroughly characteristic. l. Is Tho
Mr"rkers, a vista of sand reaching 20 The
Mount ~. Michael. that towers up in IN"
hay distance. phantom and IN with
sunlight. while the SEA below heayeS and
iningle- with the lowering storm clouds.
ship in the ot'ing is driving ON TO the
treacherous shore; close al hand lies "A
wreck and the band II wreckerS forms "A
strong patch of color in the foreground.
u Is a. true rs beautiful in its symphonic
scheine of color, while the reality OF at
fnoSphere and the stir Of the ocean are
Interpreted with wonderful felicity III
some 81 these quali' ie-. and cert ainiv ~ the
Nividness of Us impres-oni,m, We may
compare with II thai supremacy beautiful
picture Of Monet's, Dawn At Antilles.
lent 10y Mr.. William " Fuller Beyond "A
group OF trees that sp-inkl" their loose
foliage against a sky. quivering with fresh
lig1t, one looks across the water dlmpled
with the opale>cenc" Of pearl Ia the distant
town. nest ing rosy ani creamy beneath ia"
falnt dove-gray pink mountain. Scarcely
shan "" mad more exquisite rendering II
IA" "n"haut'l"nt If early hight IN TN lend
u sunshine. l. Sht l. fairly oNhaird, and
luIu'd 10 tins manifestation of IuWir, Sly
diIi ir"shucsr l. an extraordinary suhi'ty
ia the dcllueajiun e i's effect upon ~,
objects AZ various distances Indeed, TO
ma an equal sub. le'Y f truth, allied TO
such l"vcilurss Of expression, one would
nave 70 search tar even among the works f
Monet let We shall trd II "a n" Whistler
"\octuruo," lent nv Mr. John G.. johnson.
where a velvely blur of sooty bluc.-tl.
pros" of docks translated into poetry
parts the tremuous blue Of the night skv
from the slightly deeper blue If water.
What a siiritua!,zed Impression il convey.
and VT how Iutrlu-lcaIy tru" to nature
II represents, like MJhet picture, the final
word in the scar, h for the subtle mystery
If light, bat with the difference again that
exists in the ego Of each uf IN" artists.
the me 20 patiently determined 10 view
nature effectively, the other pCssoSSru
Of IN" personal asCeodeuCv that draws from
nature the Inspiration for al INDEPENDENT
creation If his own
II has been possible to touch upon a
few only Of tho many fine pictures that
throng the exhibition, but possibly with
sufficient enumeration 10 prove that the
display is one 81 extraordinary interest.