The Washburn times. [volume] (Washburn, Wis.) 1896-1976, 1902-09-25
GEN. GRANT MEMORIAL
Exhibit Of Competitive Models
In Corcoran Art Gallery.
HOW FINAL CHOICE WILL BE MADE

low FINAL UHOlOE WILL BIZ MADE
Model OF Henry Hudson Kitson At
tracing the Most Attention--Fa-
xnous Soldiers Widow Particularly
Pleased With It--Noted Sculptor of
Indians Has a Striking Design.
Persons who have wondered how the
g250,OOO which congress appropriated
Cor the Grant memorial in Washington
was to be spent in statuary have their
question answered by visit to the
Corcoran Art gallery, where the COM
petitive models are exhibited, writes
ehe New York Posts special CORE
spondent. The idea which has appealed
to most sculptors is that of peristyle
OF generous proportions forming a
background for an equestrian statue Of
Grant. Perhaps half of the models are
ON this order Another class consists
of huge pedestals, with an equestrian
statue OF Grant at the top or perhaps
with an emblematical figure at the top
and Grant in front CT the base. Anoth-
or plan for giving an air Of elaboration
to the work is the construction Of a
huge platform, perhaps 800 feet long,
with group figures appropriately plac-
ed, and an equestrian statue Of Grant
overlooking it from the middle Of the
rear line. These designs have a parade
ground effect and are perhaps the most
warlike in their character Of any.
/ The models may again be divided In
to four classes: The first contains those
in which everything is subordinated to
some great ideal of Grants life, like
the reconciliation of the sections or the
peace and prosperity Of the united
country; the second consists Of those in
which the personality Of the hero is
chiefly emphasized; the third class is
the monumental, the personal and even
the ideal elements being subordinated
20 demand for great and impressive
structure; the fourth class may be
chara cterized as decorative. In these
| the personality of Grant is SO minimiZ-
ed that for the most part they would
apply as we'll to almost anybody else.
The model of Henry Hudson Kitsol.
OF Boston is attracting much attention.
Mrs. Grant and other members of the
| family who have visited the gallery
express themselves as particularly
| pleased with the representation it
makes of Grant himself To the gener-
oil yAr1h Il o. a c aufi0Y 10 Y.ix bn.
cause of its originality. The nervous
ness and impotence Of q beautiful
horse contrast with the calmness OF
the man, who has dismounted to view
| the scene of advance. He is standing
ON natural elevation which brings
him SO above the horse as not to be OBJ
| scured by it from any point Of observa-
ton. Grants freedom from ''frills" OF
all sorts. even his dislike for sword
and gloves, is exemplified in this rep
resentation of him. There is a roman
tic touch, too, about the figure which
influences strongly all beholders. The
colonnade by which it is half surround
ed affords an excellent chance for rep
resentation of the notable scenes of
Grants life where they may be stud
led by visitors free from the glare of
the sun. an important factor for one
| third Of the year in Washington.
Scenes in bas-relief in other designs are
unprotected in this way. The climatic
objection is also urged against the "pa-
rade ground designs, which would
look hot from the reflection of the sun
on the light colored stone for q greater
part of the year.
The niooel OF Mr.. j. Massey Rhind il
attracting a great deal Of attention
from the massive character Of it's repre-
Sentation Of the hero, wlsO Is astride an
enormous horse. The artist has sought
to produce a sphinxlike effect, impress
ing in the most emphatic manner the
heroic character Of the subject The
lower platform, or pedestal, resembles
the pavement of Greek temple in all
its details and approaches.
Scion Fl. Borglum, the Missouri artist
whose work in the west with the In
dams has attracted SO much attention,
contributes a model which is more
strictly ideal in it's design than any
other. He would not even put the
names of battles into view, but instead
has filed the spaces on two sides Of
the pedestal with the flag Of the Union.
| An emblematic figure holding up the
| standard Of the country surmounts the
| top, while Grant himself appears on
horseback under an arch at the front Of
the pedestal. The artist has thrown all
| the emphasis upon the ideals of fra
ternity, peace and prosperity, which
were the aims Of Grants career. The
quotation from the dying Grant ex-
pressing his faith that the country was
on the eve Of new era Of great har-
mony between the sections appears
prominently in the inscriptions and Is
clearly the thought which the artist
had most in mind. His splendid horse
studies in the west are shown to good
advantage here. Models are also exhib-
tied by Attic Piccivilli, L. Amateis and
| B. G. Miller.
/