The sun. [volume] (New York [N.Y.]) 1833-1916, 1902-10-26

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o'' ''',u W, "hP''se,Nei,eS, o' ',e ense'ho'e
uns"'ns h'enS'neu ny ,h' ue''ous
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:" W va! vi ''P'h AZ wen "S VI "Adui-"e
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Na',re VI '''o Mr'','oo.a' INA, mo-
..o'""'' 'o''''i''on vi '"e 'a''.H Vi '"i',
Tvs, eAe,,neo a'''r ''e oea'' OF pe'oN'u
"'o'""r "na' use are wings, "ha' wof'n
VI" crown Oh nays W"h' aVa'l- II 10 ouilu'
20 measure TO leNel' 10 "eiSh. 70 soi'e
''op'e'is vi mathematics aichei'y OF
l,,liosophF' wheh the only ehd Is ho'hihg
Nish' al" e.er'iai Sleep u al that 'hahkl'iu
nae 10 fooh FORWARD 10 In 'h's hie' IN
.he oid' perehhiaiIy recurring cry OF 'he
human SOUL even "' IN" rehSious man as
Lur 'r was IN the nrst bitterness OF loss
Particular mention should also he MADE
Oh choic" impression OF 'he 'oa' OF Arms
WIN the |ocR' 20 vigorously briilaht IN
the oiacks ana eAu Isiteiy DAINTY IN its nm
i'no WORK 'ha' one can ENJOY 10 we tu'i
not ohIy the extraordinary SKIN ana iree-
oonh OF the dIa"iu3' pu' also lhe iiarFei'
ious hoehty WIN "hich 'he onereh' TEX
lures Oh the lonage' the oirus piuhase
anu INC oa'teitu n'etdi vi ,he he'i'ie' are
represented ma! h"e"so Single GU,
,"o Iohi's rnn'"i,'N "e'e' Vi ing 'o'"s"'
sou anu 'he virgin N'o"'''u ny Oio
Hhkci'
Al "l''ieH'aI 'i'e'e7, Of the c"nio''oh
nv 't'"i'e" VI 'oi"idi his 'h.' ne'''" ''''''
I ,,Nu"s WV" ,..oN' VI ''.e III "ei' 'i'7'7'
'""',' "",' ""'S'''f' ihe i"'' i
sV''' mann! "S So,''' VI ~ '"'N "" ''aN
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as'' Iu e." '"''''
"'a' w. VI ''''''" ''sS'0
araV" ptlhl ai'i u very '"N'tl one II Nha'oi
weary, lady lynC back Ia chair.
profusion of hair shower,.d round her face
a., .;,l,, I,,i lai, Iar,,;u,. ,,,.,, ~, s,n,
Z A.. - # ~,
% '"' 'u"n al" Az ''"'i l'"'' VI ,''e s.''
merely Indicated. INV win complete SUM
Cheney Tor the rendering If tho motive.
The hitter is Al, expression # luxurious
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B '''' 80 """'''' va '''
h.us'''s' ana 81 "hJoNhoc 'fn'rNa''oh.
TIL" rendering i - dainty ard "van"scent
that il seems :. her 70 haze been hrcathed
M ON the ploir han bitten in. ON In.
w.
I W W. utiltl, NV ~ a. iipl'' w I'i'i
/ ley hcad Is broad aho 'h'isN"' the strokes
/ - few that one could count thnr,. and vet
, the ne. result 80 vital and com, Y, Iens!v,.
u d;sor.,,t ,b.so ,or,r,i,. IRON, tho
-"
'id' 81 "''u "heN Nv h''"''" '"
/ diferetc" Tor when the resl ectiNe STINT
! 81 M" aGe j. very largely res, o, sihc
Agaiu., the inexbsustib,e ra,ieuce of IN.
! n,,,oh "a ,h., ,l,r;o,. o,,a,,r.,,, i,
~" Vt" '''' vi" A'' ''''' ~
| u'r i'Io"> ana surroundings on III" Du'ch
! artists of the seventeenth century. set the
| .ager1les- for rapid realizations and the
| h,yhlv cul,iya,,d ecl.c, icisr, Of tho rooor,,
E:, -. .,,,. =, a. ,,r
si'h"' anu u" ~ '''''' r''7' w vac oh
terence III the Ioli, OF VIE" ana III the
! methods of these two masters Each is IA
supcrlatiye product Of his time
II l. the WapproaChable way IN which
, Whistler represents this modern genius
that makes his N"' eta. series az ~ CO 70
3
! pa i-on more vtally n creation than the
earlier Thames prlits wherein he rather
| proves hi right To RANK with he masters
! OF the pas' than establishes his claim To
! b" recog Hei A. emurI'ly the muster
/ Of the present. For this very reason some
/ may prefer h- earlier work. hd' perhaps
, 'hdt J. olIN 70 rrs'it me 'tIn"h'N ~ age
'NTtdMly II must !" dflchi 10 REFRAIN
from admiration IL Srch a pIlrt a.
-Irkcvr, or The "Il'i." Na'u'", IA which
. IN" II f'u"nc" 81 Jaial"." ar has been 20
! bewifchhgIN Interpreted.
Among IN" Hld"n examples are some
very nm" prints 81 MS -tud"s IN ireland:
I A Bv,koad in Iipperary SUNSET IN
Ireland ana RIVER 4" Ire laLn. IN thesc
APPEAR thd' genuine, >ingI"-h"ar'ed loNe
Of nature, a preference i1r hatHI" rather
2 man pl"tur"-naklng, whIch '-TclaIN us
tnguishes IN" English a'ti-'s. ~ com
p1rison Rembrandt L. concerned with a
pl"'ure-qu" foreground, and adds the
. distant laudscap" to plac" his nnportAn'
! objects and 10 give them 'h" relationship Of
! environment. He - not CONCERNED with
: the character Of special Kind Of tree. VII.
IT." varying chatact"rl ic- OF wafer and
seldom with the tXpressiy"n"-S of skv.
! II j. in these points that ia" modern master