The sun. [volume] (New York [N.Y.]) 1833-1916, 1902-07-13

,hsrs In 4 fasliarc,.. ~hieh L~@oncsvallo
u 20 60 10 fars Tn procure.
II l. iiriguli fp 49, shv -,ch an Opara.
should have t--n ~-rl.st~i for tho opera
when 10 style j. 80 much letter suited 20
The Opera Comilu- bat u L. mor~ dirhrult
20 imagine Lsn b. Rake In tho ROE ~
CdH.o anVvhsrv. Their" ~sems now M
doubt that he oJ-ra y - -. giv~n In PARE.
The role - Media y 10 h. undertaken bv
Mile. Ackt-. while Jean Delu.- y To h. the
Tosio. L~soncaValln viii conduct The hrsi
performa uce
The fsrultv ~ IN. Ro--iui observatory
q, Pe~aro j. said 10 have thrratsn.-i 20 dis
mis- ptrtro Nasrsgni from his poet n he
comes TO this country for a tour next year.
The same dispute has hs"n going on be-
tw-en the composer and the Colleg" ever
since 10 went there Hts tour In Germany
last spring caused IA" sam" ohl'ct,ons.
but Ia" was allowed TO make II.
II 10 said that thre % M~a-cagui's operas.
Iris. -L'Amico Fritz and -CavaleriA
Rusticana,- will hN produced by the COM
pany that - 90 travel through N. country
With him
An,o.net,e Sterling Is to max. q ,ar--
we'll tour through the British provinces
next inter and will then retire from the
stage. Shs sang first in Iondo In 1879
9lI Nlt' y iNIA = AAh A'AAN bPaAs' y
She is a natiy, Of this State. however.
and was born at Sterlingsvtlle 81 years
ago. She studied in Europe with Nine.
Marchesi, Nine Visrdot Garcia and Manuel
Garcia. For q while she was In the choir
OF Henry Ward Beecher's church Ia
Brooklyn.
Richard Strauss has he~n talking about
his plans In Vienna. where he went 20 CON
duct some concerts. He was ASKED h
his nett now COMPOSITIONS were a. 10
Il am writing now. : he said. "a ballade
for chorus. -olo.-ts and a large orchestra.
II Ia the 'raillef"r' ~ INLAND | wonder
that such a fresh. teautifl poem has not
already been set 10 music, at least, | have
never heard that II has t+en
Il have also the material FOR two sym
phonic poems. But | do not know which
Of the two | will finish, II inde-,d II goes
that far with either 81 them
Il always need from one 20 two years
before a composition with me takes form
An idea, a theme. occurs to me. II lee
In me for months think Of entirely
different things and occupy myself with
quito other thing
however, nv it-elf Sometimes ] take u
out. examine II TO -ae how II has thrved,
let IL 20 through INV head. play II on the
piano-hnally ! start 20 COMPLETE Il.
In that lies the art Of the 'rratorI'to
know exactly when an idea u ripe 20 be
developed. when u mus, te Developed.
| telievc ever NOR frmlv that We CON
sriouA men have ~ power over the creetlNe
principle that l. In uS
In he evening viii worry mv-"lt vt'ha
melody. com. 10 n poin' h'vond whtCh lean
not 20. however hard ] may Try The next
morning the difficulty J. overcome Without
trouble II l. ~ II u creative pr'nciNle,
In me-. quite ~independen' Of me. had worked
over night Tor itself alone.
.Som-' INES a th"me occu~ ~ me rr~'
and | s%fterwart find the poe'ir dress for II
Sometimes the poetic idea comes Nr~l ana
the musical form Iftervari
perhaps | NAV soon compos" another
onera. 4 Young Niennrzr author has
j,i-, submitted to me a '"V hat ~ul'- m"
very well nm also engaged in writing a
text nay III
The festival performance. ~ Munich
this year ara 10 t.giu -r Aus q and con
tlnu- until SPIT - Twenty performances
will 10 given
Seven - hose will no devoted =" IN"
Nai-tc~inger.- IN whl"h the TrnctTa!
singers vii. ~ NM Br'rar. F"inhaIs
and RsirhmRrn I'm The rol" = Hans S0ohs:
NM Walter. Knote and An'h"s a. Walter
ron ~Sioirrg. ami Nine, fu'zi Shelf,
Torirk and kototh a. FtI
In tho Ave performances ~ Tristan
und Isolde 'he rol-- vii IT, taken hv NM
Forrhamrn.r. Crrhaur-er. B'rtrain and
Wolf VA Nur- ~frrwd-tadt and ~'audIsl.
There will n. ~" i.nifo'. nrdcv"rv rcpr"-
ser'atiuu vii otter q different "i" lN'v
ara 20 - Mines I%.rriun. Nnrllc' Plai-.IH.
ger, R.'taque and Won M"liarturg Then"
ara "a - tlr,ss nor. Tmtitsf- = Damn
3 Al-.r-, 20 - sung lv NM R"r' ram, Reic1-
mann, kro'", SI.IAk and kluUt"r and
MINES Tcrri0a. Mnr"ua and H.t'nJu'
In IN. four performance ~ -lst"u griu,
there will b." an Elsa fur every -"Ilrat"
I. prrscriatiou hey 40" 20 10" Nu'~
Nuriict. Iurdek. hah''h and br"r'
The women 'u sirz Or'ruf Ar" =" - Mines
T.ruira. Vln MIdrubmrh. kobp'h and
R.ttauur NM kru'". Af'Nrs and Waiter
Ar. to ~ 2 ~" rtl" rh'a, Will" -" u'h"rs
IN the performances NUl l-' NM Reich
mann, b'r'raM and fuoH-
Arthur Niki>ch has -urcrr lri Carl Rel
necke ~ director 81 IA" ROYAL Conservatory
At Ieiu-iC Or Rrtr""k" va- fur more
than forty wears ac'iv" m 10" poet In
iSsS Niki-ch succ~-,dcd him A. tito dir'c'or
81 the Gewandhaus coronr's R-if"cke.
who Was regarded Uv pas generations
a. a wonderful PLAYER = Mozart , music
on the piano. Is nov = years old
Tgnacr Pad"rw-Ai has boon PLAYING
In Madrid, but l. now In London. Nh"r"
h. will play during the coronation .,'r"-
monies. Josef HufTRuu. who VA an
nounC-d for several concerts in'r", hRs l@en
al and va, coni-ll"d To gi,o them up.
Vladimir de p~achmaun'- piano rCi.Als
have t"com" mon" ht" l"c'ur"- With a
musical accom- auIm"t'. In" other day
be asked hi- auii"uo' ~ "A London recital
20 y" serious wnil" %" PLAYED a sonata.
and he CuL'iuu-d A. h" played 20 attract
the attention - ht- h"lr"r- 'u the murc
beautiful parts Il he music hy gesture
and grinau-
Ada Gro s-lcy, Who ~ vol known NJ a
contralto In England, will 10 heard here
next winter iu cluc-rt under 10" direction
Of LoudonI Charlton She II IA regular solol-t
at the great musical festivals and Ia IA"
London concerts She cumcs here for the
frs, time.
Daniel Frohman. Jan Kubclis and Ossip
Gahriluwi'-ch will form on" - the parties
nj Bayrcuth toward tho middle 81 thus
month MIR. Fruhran l. now IN PARIS.
where he L. iu negotiation with a pToUauent /