The Kalispell bee. [volume] (Kalispell, Mont.) 1900-192?, 1902-09-26
FAMOUS ILLUSIONS.
BONE SECRETS OF PROFESSIONAL
coNJuRERS REVEALED.

nous illusions with which conjurers
have mystified and delighted genera
lion after generation has peculiar fasci-
nations. There are few of us who
value our own childish illusions so
highly that we will not part with them
for the fun of seeing how we have been
fooled
Here are examples of some of the
best known tricks:
The box trick is as clever as well
known and as old as any. 4 heavy,
brass bound chest is exhibited. An as
sistant is placed in a large canvas bag,
the mouth of which is securely fas-
tened, and the bag is placed in the
chest, which is locked and roped
The box is concealed for few sec
onds, and when it is revealed the occu-
pant is sitting upon it, the closed and
sealed bag beside him. The cords and
seals on the box are intact.
This astonishing feat is accomplished
thus: The occupant Of the bag has in
serted a wooden plug in the mouth
while the tying is being done When
! the chest is locked he pulls it out. slips
out his hand pulls Off the cords, gets
out and replaces the cords over the top
| of the sack.
! BY the time the chest is rOped he is
free The chest has a secret opening,
usually at the end, and while it is hid
den he crawls out. A slim man is
usually employed to do the trick
The vanity fair trick is one of the
most battling in the repert0ry of the
black art. A woman stands before 4
| large mirror about ten feet high and
placed in q heavy frame. About three
| feet from the floor is small shelf
! placed against the mirror. the bottom
| of which is about eighteen inches from
the floor. The glass having been duly
! inspected, the young woman mounts
! the shelf. She then turns to arrange
| her hair by the mirror. She is asked to
face the audience. but again and again
| turns her back, hence the name of the
trick.
Finally, losing patience, the perform
| er thrusts a small screen in front OF
her, fires pistol at the spot where
she was standing, snatches away the
The top, bottom and sides of the mir
ror have been in view all the time and
| only the center has been hidden for a
few seconds.
The secret lies in the fact that the
| lower part of the mirror is made
| double, the bottom of the upper part
! being concealed by a second sheet of
silvered glass placed in front of it.
The shelf fits against the line of
junction, and enables the mirror to be
examined by the audience As soon as
the screen is placed the mirror slides
| up about foot into the top of the
| frame. The bottom of this mirror is
cut away in the middle, leaving a hole
| about eighteen inches square, which
was previously concealed from view
| by the double glass at the base.
Through this hole the lady instantly
slips, and escapes by a board which
has been pushed forward from behind
the scenes while the vanity fair by
play was going on. The glass then
slides down again, the screen is re
moved. and the mirror appears just
as solid as it was before
Another of the most astounding feats
of modern magic is that of making a
person or object apparently float in the
air. A couple of ordinary chairs are
placed on the stage-well toward the
| back, which is draped with black cloth
and upon these is laid broad, thick
plank. A young lady is then intro
duced and is assisted to place herself
in recumbent position on the plank.
He then draws aside the chairs, and
| the plank, with the lady on it, remains
| apparently suspended in the air. To
prove that the plank is not supported,
the exhibitor takes large hoop and
passes it backward and forward over
and around the plank.
Yet there is an attachment AS soon
as the lady is placed in position on
the board a carriage, placed behind the
black curtain and supporting a strong
iron bar twice bent upon itself, is
pushed forward by an assistant so that
the iron bar, which is covered with
black cloth, comes out through a slit
in the curtain while the exhibitor is
| pretending to mesmerize the lady. The
bar has at its end very strong clip,
| and the performer, while making his
hypnotic passes, guides this on to the
board. The chairs are then removed,
and the board remains suspended by
the invisible iron bar.
The hoop is passed along from one
end until it reaches the bend where
the bar passes through the curtain.
The performer passes it round the end
of the board and himself walks be-
| hind, passing the ring along in the OPP
posite direction. Next it is brought
back again, and the effect is such that
the average spectator is convinced that
the hoop has really been passed over
the lady and the board from end to
end.
Another very effective illusion, ar
ranged upon the same principle, shows
| nd Ofo Io1