The Houston daily post. [volume] (Houston, Tex.) 1886-1903, 1902-02-16
BeautiEuI EfEects in Evening ToiIets.
GNaaNANN NNNNlNN NNlNNNNANNNN,NNNN 1890

skirts Of lace or chiffon, yelling the ta1fcta
foundation. IL IS easv to fancy what Ok
quislte harmonics may bp obtained by tho
artistic handling OF such textures and
EASE AND GRACE CONFINED.
IN the Paquin house gown here portrayed |
We see charming combination OF mousse
llne dc sole crepe de chine and lace While /
suggesting ease and comfort the model re- /
ians good lines, vt the same time making
the most OF its long graceful train Creme
de chine Of a beautiful pastel blue Is coy
cred with satin striped mouSHelnN lie Sole +
Of the same shade.
From the cut ont neck the mou-.eue is ,
laid In plalts so that only be satin stripe I
SHOWS, These plaits are continued tg tn" /
waist, and from under narrow .ildle are /
allowed to fan straight u 81 long, graceful /
sweep. panel Of blue ycjltd with apul'.a- /
tlon lace is set In the front gud extends .
7 from bust to hem hcbU effect Of lace /
outlines the rounded neck aud, coming 10
the Sides " the front panel, tine lace Is
here permitted TO fall en- cascade down each
Trfde quite to the bottom OF the gown.
There the jabots mingle Nth the frius OF
panel.
A deep 1ounce of acc starts at the SIDE,
of this panel and edges an. loug sweeping
| train OF the gown. Whur. this Is set on
the mousselne there Is . fH rreh ug W
double edged lace and thi. mn trim ming
! Is used 10 conceal the jolnia- o. the cascade
TO the gown
The sleeves are the prattas, and at the
hNHse gown they are m.d entirely Of
lace TO match the panel Nut Instead OF lo-
Ing put over a foundatlou aG pastel alue.
they are made up without Ur.us. Go show
the soft pink OF the pun from .le shout
ter. and Is gathered into e.I. H-1J-G'tlaz
cuG. also OF lace. The faiH4, ut fdc
/ shoulder is concealed uuiN f.. lace FIRM,
, gracefully finishing the u,Hk
( There is a curious and t0e.ii,s trimming
/ on this gown, In addition .o 10 hen triI'
/ uouucas and ruches. mi. .s...-f. rf borl-
/ gontaI etronni,,rs ~ ,iI.i 10.
/ gpthpr down anrh side Of ,... .....t ,,nal ~
/ Er. T,"sta 'I i,,n5 5i". ~, pI'r ,t,
/ rrsfe1 hiro y,bilo th, frr.. ,, NOW.
/ nsf tbn co3pad, Of l8ra &. f t.,uL MIN
/ . n tI - ~
9tm!" """'"h "i RUM 'l III ~"
! me ta,,,,ir,,, .,,,oo.,. .., r..tl. ,,4
/ fasinos an "a rt,,,'t,tII '',,5' ~
/ 1888 Gu 'iNtu',' "'. Au" WI" III
nl1ue or lhe SOFTLY m"p8Sellne
Tt P'gduvr uc,Iu,U' I.,'., "A" G 1a.
insor,ttrt liz of ''' .'a, '",hN
/ .ltE ia ny ~, ~ gul" IVY
,nroag alu ono occaSlon' I.F catches Gimp
ga ,~v," ni9"u3 W." i"Ge 4IN
,,,,o '0 vi ,'iu s,'r ~. f"slel "'ot
1l"G t"Hou' W3loh I'l from Knot ar
"lG hust
a., ~. Io"u !, y U"nF LNlRHOen. boih
,p i9oI.'s ana 9clen. or aI' Lh7t apHeals
2l,U1sy L" lpf mum" ,"Nc on beauty ANA
rlI'g Lace or HmtNd lRluou and lihhons
1Ie '4e accented enra''nro Tor. gowns ot
,"l f5, ie' ana s!I re holt, r'loElng ma
,e"al, arc bronghi INTO use 30 render them
4S attractive amt theet'rc a2 possible
TEAGOWNS ON NEW LINES
-rcouo,ros ore b,.lr+ ,,r..,, ,..r.. ,.. ,i..o.
.,n,1t,,l,,,s ~ IA 1T i, Wv nutN'
ceas tritSS Xxx W.. taie l'sW. Als'uE pILn
~is IN 49,, ~ ~. eity. " AtrteL en-
49,, an sud ~ - w., In VNt-tArS FI Guy
Ergrn, mo tr,i l.,1s 10 ,1" s.ehae5
t6,. ue - 4ly R'l N2.F. I'nG az
* 49, w. s'ta. IeM or trimming around
~ 1871 u SOW
cue garment MODE UrHn these Now lne5
yuoNsA ne otAs "nlailbn Whatever on the
,oWet portion rms was or cream guipur
~, over cream SIX, and tho bolero. with
lts DAINTY lace trimmings, was quite a slim
PIE IN design as ine long sweeping robe
iAce. Inete was hchutke arrangement Of
| lace, whlch was caught to the SILK hoef.
with fancy gold buttons
Another gown ot Irish lace had an undcr
robe OF chiffon and r found0ti n { SIX m,
fronts opened over n plated name, Of mons
sellue ana there was a round o'lar Of IN.