The Wichita daily eagle. [volume] (Wichita, Kan.) 1890-1906, 1902-05-04

| side of his bunk to keep his fingers and
/ wrists at the proper touch"
Allow me to thank the American people
/ for the splendid hospitality given my
humble talent" said the pianist. placing
his hand on his heart.
And tell them I admire Kubelik. He's
a wonderful artist. All that nonsense
published about me being jealous Of Ku-
belik was false"
+. II. Krehbeil, the critic. was another
friend to receive Paderewsds embrace.
Others in the farewell group were Mr.. and
Mrs Charles Steinway and Mr. and Mrs.
Gurnee. This was Paderewski's fifth sea-
son in America.
I The musical critic Of the Evening Post
the most conservative paper in New
York. gives the following account Of
Paderewsli's last recital there:
"Paderewski has not only donated So.
COO for the benefit OF American compos-
ers. but has also helped some Of them
who needed it TO a chance 10 appear be-
fore the public 1t IS owing 10 this that
there have been several so-caIled Pader-
ewsh farewell concerts lately. As FAR as
be was concerned he intended his fourth
recital in Carnegie han TO be his last:
but he was subsequently persuaded 70
take part in a concert given by Mr.. II.
II. Wetzler Then again last night in
one given by Mr. IT. K IIadley.
S.The New York public has shown clear
" on several occasions that IL prefers
to everything else Paderewski. the whole
OF Paderewski and nothing but PadeTeW-
ski Had ne given a recital last night
the Metropolitan opera house would have
been crowded. Even as 1t was. with the
public in doubt as 20 how much be would
play. there were people enough TO have
filed Carnegie hall 70 the doors lie had
not promised TO play any groups of solo
pieces. The announcements. however. led
the public 70 believe that there would be
two groups Of such pieces This angered
the pianist. and IL IS said that there vas
a scene behind the scenes. However.
the public was innocent IN the matter
and as the pianist knew that everybody
had come 70 hear him ard not 20 hear
Mr Haley conduct pieces by himself.
Tchaikovsky. and Edward German. h
generously added FIVE extra pieces 70 the
printed program
These pieces were all familiar ball
lad. an etude and nocturne by Chopin.
q Lsszt rhapscdy-wh aroused the aa-
dience 10 a frenzy q delight-and q night
piece fn = 5sy Schumann These he played
at once after the Chopin ? minor core
cert0. How be played al thesa things
need not De described again IN detail
lie PLAYED them wifh wealth ard ga-.-
cts % tone. q techrlcal brllancy. = free
dom of conception. q poetic depth = sen
tlGnent that 10 other pianist can equal
The secret q Eeui1s cau1ot - taught
Minor actors rnav hear SslTinl a dozen
times iu che role vithogt helaE able to
initiate and equal hIn There - Gre tee
son. however. Taught b. Padererssi -
which ether plarists may profit q is
The lesson mat tha sew {ns-nzchire sfTie
II piano rlarlng = rot TIRE bsrt- Nine
ont q every ten piarlsts Gay q piece
through ln 2 given tempe without s1e
sitFhrcE. raristfor- F's5sreEski varies
hls pace Constantly ard intro6ucze -h~f- +
orscal ssuses sn the right plsce- Thss -
ore q these f-a-;s Ehlrh s1ab!e bin. iise
a great orator. 60 sway fhe feelings =
81 ae1seucs To be sure. 81 s. ca1r or
4 ;heu- - Elac4ss fsrsz alI wszis re-
ousrr q ~csasae Ihere fs bgt ers fsatsr-
c-sxi Nsv ~ soon retsrz g. taers
shores = possible -sfh q 1ew oge-z
equal = zzerlt 81 Mara
.Mr HadlrT's oou1rsssfsa-s g re rrs-
gran o. aot can s7T deg-4sd eis-assie-- &
ne tssz - sar vas Tcaalsersfs = sszerh
SLAVIC march. TIE seleetsozs fsozz Ger
rlzrs 'Mueh Aeo Aho1i H9th.1g we're