The Houston daily post. [volume] (Houston, Tex.) 1886-1903, 1902-05-18
Some Points
About Music
in Hou S ton
and Elsewhere


debtedncss to the influence Of the music
loving Germans. This writer has lively rec
elections ~ n learned Germans pathetic \
description Of the low state into which his l
soul fell soon after he came 20 live In I
America, all because he heard 50 little mu-
Side. ''''
There Is no more deservediy popular mu-
sIcIan In Texas than Prof y. Lindenberg. |
who directed the orchestra during the late |
Sacugcrfcst. on last Thursday the mem.
hers Of the orchestra, through Mr. Frank |
Herb, evinced their high appreciation OF |
Prof Liudcnberg's muslcianshin, their 70 |
spcct FOR him as a leader and their love for 1
him as man by presentl,' him with a
handsome gold badge haV. he form OF a |
Tyre set With diamonds am cs.
The present prospect s-r,en In It's prom
isc Of much music in the mir through the
long summer season here In Houston. The
olympia Opera company az the Auditorium.
the nightly performances of the Goehel re.
male orchr stra on the roof garden at tho
/ Rice lOtcl aud the regular summer niu Il
( concerts az the Turuycrelu should ipt ouy
, reconcile one Go remaining ~ home hut
/ goes far toward making some Of US sorry
I ihat we have planned and mmltted our
| selves to going away.
! ~
Tho following arc excerpts from an Inter
] view with Emil Paur In the April issue
Of the Theatre:
you hear much about the so.cGllcl star
system, but people are mistaken. The stars
are not oycrpaid, nor Is toe much money
spent on the opcra On the contrary, the
appropriation should be much larger, so
that the best choruses and orchestra could
be secured to offset tho stars thus YOU
would have your ensemble. 1t isn't enough
must Keen the whole organization nm Rut
unu opc,n is RIM NV tho state. MS In
Europe. II VIII never ne. irulnfu'y speak
ine, q real artistic success HeNldes ,HS
mon, ",,,., Az, tt'ir, ,H, ..7,..trl aim
ION ia Injured We should bayc opera thlcc
nights and two AFTERNOONS no motTr1
~, tnG musical g',Sl'bl'4 "' ,opnl w.,
onora New York Xiii never be- mu-iraug
strong until >hc has permanent ogyhcstrt
S ,,l 'hilSh'H ON me- s.l.Ns'el W.. 9'!l ,HS',
~, nords ~, bt,,r $ sly,'n run,h.r OF ,on
ccrts Is no, enough There should ba ruu.
slant oppn.lomjI oh1.d'l ~, slu9'nl oh
nnd Cr,i, ~ "''' gu" -''"' "7''
AND the New York Musical Courier makes
this cdltnrial comment
me SiaI NAHiGm MISUNDERSTANDING NY
ayr '',ID.n', ~ q ~ 'l.''' VIXEN
u DESTROYS ihe 'E'eWn.r lhc NelN iAlhE ".
wants aud aShs i0r How can ihnfc hc "n
49, y. mad ,rh,, t g. tor.u az, 20 r,fc 4
ana Er,,"rd hot ~, n.i,iir ltsNs si,1f ~
@ynr,ttiuv c'sc rvreo. no ".tars am
wcrrIr Coo to thn 6noW 10 helr ihe
Stars IhaI " the very lIlhE Whl
: / makes I'm chEtWn'. Nt in"t WIS pul 7,
cart nctore 'hr Morse l,r7}I"N lur SIT
4 sSa, en- ona men we WI. n"D' rp'tg Un
A mike II impossible for people properly ia
- I appreciate g. So as 90 cultivate the On
~
Certainly thcre Is no lack Of local color
I'm the following dgsrrlptlon Of one Of III,
many scenes Of ike character vhirh marked
u,a ,oto tr,n,,,b,i nrorros. or ,,r,,on Ne
& ,',d, ,hror~h bor n.,iyc STAT.
Tho amin ,.htcn bod bsen hc,d for NOR,
than ten minutes. then moved on. The chii
~ a.,, ,,.,,.d tb.ir o,gs md ninnd out tbcj
,,,, t,, ,i,ill,yt, +r,.rio ora tb, bI,, ,pir,ai.
chefrS IN culidlHh UtuIe Emu 'h' "iS HtH''