The Montgomery advertiser., 1902-11-02

 est juggling Normans, Lyons and Crow ley. Edward Clark, Daniel Sullivan. Grace Dare. Thompson and Andrews and a chorus of thirty, they should all be catchy.
 Quainlan q Wall lCinstrels.
 Quinlan and Wall Imperial Minstrels that are to be at the Montgomery The atre Saturday matinee and night is pro- ncunced to be the bets ever put on by minstrel organization. It is refined, ar tistic and reaches out and wins the admi- ration and piaudits of the people. It is away beyond all previous efforts; 1t marks a distinct era in the annals of the min- strel world. The Charleston Gazette of October II says:
 ''The newest, neatest, brightest minstrel show seen in Charleston for number of seasons was that of Quinlan and Wall. which held the boards at the Burley last light and delighted a large and refined audience. From the beginning of the first cart to the last of the olio there was not , dull CT tedious thing in the perform ance and the expressions of pleasure on he part of the spectators were universal and unqualified. The singing was good. he dancing graceful and pleasing, the jokes new and well told, the speclalties
 I ntKu CnhTACtGT. tn0 EuStuiflhuB AACph and bright. the stage.setting original and picturesque. Where all the features are of such excellence 1t is hard to particu- larize in the extent of an article like this. but bits that struck the fancy of The Gazette with peculiar force were the sofo singing of Walter Bower and Joe Brock ell, the general chorus work, the mono- logue of Jimmy Wall the great balancing feats and tricks of dexterity of the Cas- pard brothers, and the tumbling of Null len and Corelli. The audience was very demonstrative in Its approval. and many If the best numbers were convincingiy encored.
 The following is a description of mat inee girls experience at performance of The Tyranny of Tears" which will be seen here next week:
 Well, I've seen Haddon Chambers's de- lightful comedy ''The Tyranny of Tears" I popped into the theatre, intending to pop right out again after an act or two. That is a merry little way have on my busy days. But I saw my finish before had been there ten minutes. I knew l would never leave till I was put out. And I didn't. The doors closed on the tail of my gown. You see had never seen Had don Chambers play. though I've read some of his books. had never seen Paul Gilmore either. I had no Idea of the feast of good things that was to be set before me. But I soon found out and no half starved dog ever stuck more closely to a nice. sweet bone than I. did to Paul Gilmore and The Tyranny of Tears" Fact, I assure you. There are four acts in the play. all short, crisp and right to the point. If knew a better word than fascinating. I would apply 1t to each or the four. I can only say that glue wouldn't be in 1t with any of them, for holding you to your chair. Each time the curtain fell I said to myself. Now here is where I make an exit" But bless you, I couldn't budge an inch. I found I had taken root right there. And I was thank ing my lucky stars, when the curtain fell on that noble finish to the last act. My, but Gilmore was good, and gentle and tender to that wife of his. I fell desper- ateIy in love with him. didn't know my own name and address after had chatted with him in the dressing room a little while. He's 'It' now. A short time ago. when he played that dashing hero D'Artagnan, who carves friend. kisses a girl, and deceives an aged parent with equal promptitude the critics insisted up- on thrusting Alexander Salvinis shoes upon Gilmore you know. Very excellent SnOeS they dEG, LOU, AuO IiOot WOA hAAAS would this young actor wear them. But after one has seen his fine performance of Clement Parbury in The Tyranny Of Tears. one sees his own shoes are all right and fit him well enough, and he can afford to stand firmly on his own sole leather. Nature has given Gilmore complete outfit for romantic hero. can't see that anything has been forgot ten. Let me think. There Is youth. What would Robert Mantell. James ONeill and a few other romantic actors not give for that blessed boon of youth? Then there Is figure No hunting around to find his own belt line for Paul Gilmore. Youth, figure, good looks, talent. voice. presence, fire artistic perception and poetic tenn perament What more would you have in this young actor? Just mention it. There's nothing lacking that can think of now. Name your gift and then keep your eye on Gilmore. He has 1t. He IS a fine manly and generous Parbury. ms performance being in the highest degree excellent. But oh, Miss Secretary Hya- cinth Woodward. There Is girl who would win the hearts of all business men who don't want fiighty-headed girl around and how Miss Epperly did play it, too. She was like mouse around ana Paul Gilmore never noticed how beauti-
 
 al to his interests she was than the wire whose teary temperament abstracts him from his labors and whose silent presence evoke memories, of prior domestic dis turbances. Miss Hanson as Paurs wife was beautifully gowned and she just let the tears we'll up Into those liquid eyes of hers in a cunning way. When she be- gan to get big-eyed all we girls in front counted eleven different and distinct methods of summoning tears before we lost the count watching Paul They were all cute. too. Then there was giddy old thing. the heroine's Pa, who was getting ready for another marriage but was will ing to give his daughter weight for age against her late lamented Ma, as a tear producer and poor George Cunning, the college chum, who tries to reconcile the fearful wife, and nice manly husband and got what for from both sides of the bouse simply because he meant well. and was a good object to vent their feelings on. Anybody that can't appreciate play and A performance such as this should retire to the furthest backward extremity of the Hall of Fame and be seated. Its delightful-take my word for 1t.
 The November Theatre.
 Tn The Theatre for November the i'm nortaut announcement is made that Ja ooh Adler-the eminent Hebrew actor who ia the idol of the Jewish masses Of -Lo.tl,y aoaaroa frnsx. b1