New-York tribune., 1901-01-13

Programme of signor Enrico Toselli's pianoforte
recital at Carnegie Hall next Tuesday evening:
Musette and Gavotte MaTsHsG1 gein
Soc5urne. op, 8. No ! Chopin
Poionaise in A nat ,.
TSSs19es Togs4ts oP on 81 a. Ne 30 .Maruooi
The Musical Times OF London. now in its
hfty-seventh year opens its January number with
a salutatory in which it tells Of what England oid
not have one hundred years ago that 1t has now.
Here is the list:
abroad before the year 1900. No Beethoven's sym
phonies (lo first issued at the end OF g i9EI?.
No compositions by Mendelssohn, Chopin, Schu-
mann Brahms or Wagner Ghey were not perm ~
S9 Siev Ph9arRS9l3 Mo Roga Academy Of Music nor its
younger brothers Cor sistersl; the Royal College Of
5iroTes MTS5S s pictionary 40 Conductors No must
cal examinations thappy days9 No Tonic sofia, }t
or vocal recitals No lady alto chorus singers. No
female fddlers No surpced ehoirs no ,n"r tou!
mder'i nais! organs 40 ''''p ''''7'~
The third and last Of Mr.. Sam Frankos concerts
OF archaic music will take place in the Lyceum
Theatre next Tuesday afternoon. Its principal
feature will be the "Sinfonia Concertante, sup
posedly by Mozart. which was mentioned in The
Tribune some days ago. The solo instruments will
be played by Alfred Doucet oboe; Emil scheok'
clarinet; Xaver Reter. horn. and Henry Toede.
bassoOn.
Attention was called to this work not long ago
by performance OF II in Berlin by the Meiningen
Orchestra. Concerning its history are left in
the dark by jain. Mozart's greatest bioGrapher.
and also by K0chel the compiler OF the authori-
tative catalogue of Mozarts works. Breitkopf
& H;irtel who first published the symphony in
their complete edition Of Mozarts works. include
II in their twenty-fourth series. which is composed
of works which left incomplete, like the
REQUIEM: ARRANGEMENTS like the orchestral part
of HandeIs Messiah" and works recently recov-
cred or whose authenticity is not established. This
symphony belongs in the latter category, but the
publishers in their catalogue and by note on the
score suggest its identity with a "Snfonia Con-
certante" which Mozart wrote in Paris in 17SS for
the Concert Spirtuel." OF which lie Gros was
director Its performance was defeated by an
intrigue OF which Mozart gives an account In a
letter TO his father Subsequently he sold the score
TO lie Gros and kept no copy. Jahn considered
It lost beyond recovery. The Identification might
be considered complete 1t not for the fact
that Mozart mentions having written the work for
his friends Vending. Ramm, Ritter and Punto
The first OF these a flute player, and the con-
clusion is obvious that the 'Sinfonia Concertante
to which jain refers for flute Wendling),
oboe Ramm). horn (Punto) and bassoon (Ritter);
whereas the work before is for oboe, clarinet.
horn and bassoon. In both cases there is an or
chestral accompaniment It is possible. OF course.
that the present work which Bretkopf & Hartel
fonia Concertante" in another, is the work com
posed the Concert Spirtuel with the solo parts
rearranged. Certain it is that the spirit OF the
work is Mozartian The theme OF variations which
make up the last movement, moreover, save in Its
rhythm, is Identical with the theme Of the minuet
of a quintet in E fat composed by Mozart four or
FIVE years before his vist to Paris Breitkopf
HarteI printed the from manuscript copy
preserved in the Royal Library Berlin found
among the posthumous papers of jain. If Jahn
7cFt tha vyhe he rOtA
great biography OF Mozart II is obvious that he
entertained doubts touching the authenticity OF the
composition This fact, however has nothing TO
do with the Inherent beauty OF the composition.
The other numbers Of Mr.. Franko's interesting
programme are Cherubinrs overture to 'LHotel-
lerie portugaise" a series Of dances from Gretrys
"Cephale ct Procrs." and saint-Saenss suite IN D
major, op 4s.
Programme Of to-nights concert at the Metro
poltan Opera House, under the direction OF NJ
Floa:
In diesen heiIgen Faen' Mozart
sung Miss susan Strong.
NJ, MI !Inbsrt de la Tour. co...
-' niTae, Suzanne Adams. -
Air from lie Roi de Lahore. -....-.... .mas"enet
Nine. schumann- Heink.
Rhapsody Hongrolse No. List
Nine. suzanne Adams and MI Imbart a Tour,
Mr. scott
Violin solo M Nahan Franko
scherzo from Midsummer Nights Dream Mendelssohn
Nine. schumann-Heink
Programme of the song recital to be given by
Mr.. Bispham in Mendelssohn Hall next Tuesday
afternoon:
Let the dreadful Engines OBSERVATION-DISCLOSURES. Purcell
N5in Ms5eIl Brahms
Aus meinen grossen schmerzen''
standchen ................. Franz
Der Mnller'' hrst time e........H H. wetzler
The Joyful Widower''
Lend Lend ne ne. Thy anet, love Broelway
20. swallow. swallow 5
How deep the foods ............ Ioewe
Mr., Arlington, mis- manager spent Christmas
with NJ. Padercwsk who Will start early in March
for tour Of dozen concerts in England and
Scotland, beginning Birmingham March
and ending at BOurnemOuth March 16 Thence
he will direct TO Spain, giving two
orchestral concerts and savera recitals in Madrid
and other cities. on April 10 NJ Paderewski. with
a concert organized by the Philharmonic Society OF
Copenhagen, will start a Scandinavian tour,
which Will include the principal towns of Den
mark. Sweden and Norway, the trip ending
May In the autumn it is probable he will under
take a short tour of Italy for ten twelve
certs.
The Bendix String Quartet announces a series of
three subscription concerts to be given the
Waldorf-Astoria Monday evenings. January 2s
February is and March Is. The quartet will have
the assistance Of Ludwig Breitner pianist at the