The White Pine news. [volume] (Treasure City, Nev.) 1868-1906, 1901-03-28
DEVIL DANCERS OF cEYLoN.
Earn a Good Living by Exercising De-
mons from the Sick.

E<aI u OOOu " G4oEClhlnk DC-
mons from the Sick.
The real Singhalese devil dancers In
Ceylon are most ferocious and savage
fellows. Their dances are revolving
and horrible. But their profession Is
popular and affords a royal living for
the men who go into 1t.
There Is a superstition among the
Singhalese that when a man falls sick
he is supposed to be afflicted with
a devil. In order to rid him of the
disease the devil dancers are called in
to propitlate the demon.
Two or more of them go by night to
the sick mans house, in front Of which
small, square Enclosure, about six
feet high, has been made of grasses
and palm leaves. This answers the
purpose of the green room at a thea
ter. The men appear at first without
masks and with long yellow grass
streamers hanging from their heads
and waists. The only light cast on
the scene Is by torches made of sticks,
around which pieces of cloth are wrap
| p1hf dABEth III OAls ~ tut lhhaAA VI
tom-tom, kept up on one note, the
dangers sing peculiar, wild, funeral
dlrge, in which the spectators often
Join.
The dancers begin by slowly moving
about, stretching the right foot and
bringing the left up to IT, and appear
as II they were searching for some
thing, during which the singing sounds
like crying. They are then asking the
devil to appear. There are twenty-four
different sorts of devils. and, after the
first part, the dancers are constantly
changing their clothes to represent the
entire species; some wear masks, some
don jaws and terrible teeth reaching
TO the ears; the jaws open and close
In a very realistic manner
A dance lasts over two nights, as the
whole twenty-four devils have all to be
personated before the particular de-
mon who is affecting the sick man is
pitched ON. When he gives signs of
his presence the dancers go into a sort
of frenzy, which increases as he takes
possession of them; the tom-tom beats
faster and faster, the chanting grows
Into yells, the men whirl and stamp,
the bells fastened by bracelets on 10
their ankles jingle and clash.
At this stage the dancers appear TO
be looking for some object TO give the
devil in sacrifice, and into which he
may pass. A chicken is usually offered
by the friend of the sick man, and this
unfortunate bird is seized upon, twist
ed and tormented and bitten between
the false teeth, until the dancers, worn
out, move slower and slower, and the
chicken sinks into a sort of trance,
which is a sign that the devil has ac-
cepted the sacrifice, and Is willing to
pass from the man into the bird. Now
and then the bird Is revived by some
charmed water being thrown on Its
head, and then the torture of it begins
again. After this the men don sheep
skin petticoats and capes, and in the
torchlight look more and more diabol-
lcal and frenzied in their thanks to
the devil for consenting to leave the
sick man.
When the bird dies it is sign that
the devil has left the man, and he will
be cured The bird is then thrown into
the river. to be carried TO the sea. 1t is
never killed. and never eaten after dy-
| ing. About an hour of this sort of
thing is quite enough; it is really hor-
rible and revolving, and one is thank
full when the men leave off TO 90 to
drink the toddy prepared for them,
and make a night of it.-New York
Journal.