New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1901-10-03
MANY BOUFFANT EFFECTS.
SKIRTS ARE GRADUALLY TAKING ON
GARNITURES MORE OR LESS
FLABORATE-SLEEVE IN
CREASING IN SIZE.
Paris. September 20

Paris. September 20
Everything about the gowns seems ample.
60 houtfant! Skirts are gathered close about the
hips, TO De sure, but ever so much cloth is con-
euned in building them providing for the ampii-
tude of peats and for the llyike fulness that sug
sests the modish hem. Bodces take the lines Of
the full blouse OF the coat with the boufant
skirts; sleeves may be close at the top and at the
wrists but spread out into ample puff between
and collars flare well out beyond the shoulders.
Chokers are simple and it Is quite of date to
nprison the head to the choker up far
behind the II the shoulders stand an
garniture il comes in the shape OF boa FOR
the
II one we're 10 gather fashion notes only from
the promenaders the uptown streets from
those who drive Of a morning in the Bots,
would imagine boas 70 be the most important feat
in the wardrobe. They of every
style and description. perhaps those of black and
white tulle being the most modtsh. These have one
half Of the ruche. the part the face, Of
white and the of black tue.
II is perhaps these large neck ruches and the
large hats generally that make the width
Of the skirt appear comparatively small but
really It is a long time since skirts have been
elaborate. Skirts made in several founces will
evidently divide popularity with peated skirts and
there will be few puffed skirts. This last idea
is oddly carried out in costume OF tan cashmere
The bottom Of the skirt for about the depth of
foot is trimmed with lines OF dark blue and
black braid. Above this skirt. laid in
pleats four inches deep. IL puffed ''bloused'
correspond with the bodice. which is a pleated
blouse falling over a high belt, embroidered TO
match the bottom OF the skirt The blouse has
small yoke of tucked red silk surrounded by en-
broidery OF the fancy braid and the long close cuffs
10 the sleeves embroidered with little set-n
pieces the outside Of the arms. The sleeves are
a form much in evidence now; close at the shoulders
and Increasing to bag the elbows, where they
meet the long cuff.
ODD LITTLE TOUCHES.
There are other equally odd ways OF making the
SKIRT and top Of suit correspond. a house gown
OF pale yellow crepe, for example. has the bottom
OF the skirt trimmed with half a dozen
shaped ruffies. The bodice has deep yoke extend
ing over the tops OF the sleeves, Of gold lace
mounted over white silk and below this the bodice
enc sleeves are made Of four five rufies
OF the crepe. The belt, which is merely fold OF
me stuff. hardly shows
Inc most noticeable item on blouses is the deep
orcuiar collar which in some instances reaches
almost TO the waist Another idea characteristic
o. ms season is the Capuchn arrangement about
me shoulders. which often takes the place of col
er ana reVers on some little fancy jacket effect.
a i"ta Is Wen carried out on a gown of pale blue
ihousseine de sole. which a heavy lace pattern
"ohe IN white silk braid is used as trimming There
j deep band Of this heading the shaned founce
" the skirt, and the lace is used over close lining
~ FORM elbow sleeves and a little blouse which
'alis partly over belt Of black velvet The blouse
'"o ia place Of revers is this Capuchin arrange
Nei''' done in white mousseline de sole. with the
mus coming down in front TO make the This
= iaced across with narrow black velvet, the
facing finishing with a bunch of loops
me winter suits show extensive use of fur,
not only for collars. but as trimming The deep.
'ouho collar coming from the top OF the choker
VIII be fashionable in fur. Cloth and velvet coats
nave reVers Of FUR which In embroid-
efea with braid lace applications. Although
so'd anc silver, generally speaking. less worn
man last winter they used both in braid and
&c on furs. The for automobiles is respon-
Die LOT a genre OF loose, comfortable, gar
iiiehts IN getting up these furs are, of course.
sstseIy called upon. although the smartest idea OF
suloinoblie coat is entirely made of fur.
s '1st tailor who is generally accepted first
rn-tit99Iity IN Paris shows his ideal of auto
o.oDIIe coat is loose coat. much like mans
SeIcoat. made of cloth. with collar and reYers
Lesep CUTS and ten inch band of sable about the
- The loose front fastens with three tabs
anu large cloth buttons.
COATS FOR DRESS OCCASIONS.
ne majority of dressy coats conform the
-Ouis XVI idea with gOdet hip pieces. that give
Hle prettiest kind of a flare below the waist There
Wa De any amount of velvet made up this
@s' with lace rufes falling the hands and
49,, ISIS OF handsome brocade There IS another
eee..g MODEL in dressy haf-long coat that sug-
ca he Empire. This garment OF a black pro
ttSHaaght from the bust. lines just suggesting
OH, Hsure- There Is little bolero of heavy black
90 lace with d high. turnover collar of black
csnasas,, The sleeves sufficiently roomy to De