Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1901-05-18


could never write anything worth while
unless he wrote II with his own hand
and Of this fact he gave usyclolog-
ical explanation He claimed that In
writing with the pen there Is mu.b
more intimate connection between the
brain ana It's product than can bee ODE
tanned In any other way, because the
brain not only composJs but On The very
moment Of composition looks al the rec
suits through the medium of the eye.
and Is therefore simultaneously going
through the processes 40 once IN. pro.
cess OF creation and the process of crit.
icism. Furthermore, he said thlt ln doc
ing his own writing with the pen ha had
a feeling that he was actually putting
a part Of himself into his work. and
that in consequence the individuality
and the impress OF character iu what
he wrote were much more sharply
given,
Henrik Ibsen, the eminent Norwegian
writer, is fastidiously neat iH biz habits.
punctual. and painst3klng but never m
a hurry, says Current Literature lie
keeps on his table q small tray cone
tanning a number of grotasluo figures.
among them wooden bear. two or
three cats, and some rabbits lie as
reported TO have guid, 81 never write a
single line without having chat tray
and It's occupants before me ON my
table, ] could not write without them.
But why l use them is my own secret
once month during this year Har-
per Brothers publish one of twelve
American novels Intended 10 picture the
social life OF this country The fourth
one I'm this series rs "A Victim of CW-
cumstancgs' boy Geraldine Anthony
and tt is just issued. The three books
previously published were "Easlovpr
Court House by Henry Eur0ham
Boone and Kenneth Brown 'Thc = ntl-
mentalist' by Arthur Stanford Pier
and Martin Brook By Morgan Bates
"A Victim Of Circumstances" treats
Of the days In New York when de-
butanlos made their bows TO society
no afternoon teas iu low-necked dresses.
That was not SO very long agu-a scant
fourteen years Jerome Park was in
its glory and persons Of quality con-
sregaJed in front Of the Brunswick 90
watch the start OF the Pioneer coach
ON it's tri-Wecky trip to the new Cen
Nr,tp,i, To,,,shord .. an ala c,,b
,,n,l ,,,, ,,,i,, a,,, ia w.. 3 NJ,
uapbavs Tboee in b. bno, ,ybo III,
not r,yo,,c "roprd bi,,, arn ssto,lr,'s
M Madame Trevor tha ,.,,,i,n.,tbar NJ
no. ~ tho dr,.,,oii s ,,'r..,,a" ~, d,
a d,enotir social IIa I.r ,.,tb eir,nl,
,i,,,e as ,o ,.,o, as ,'.~r...., ana ,,i,i.I
,,,a,rios.y ,,, Col r..,.,,, I,,t das'..,..
her. b,,g, i,,di,onc.. sb. TO- tn.' o. f,,lI1
,,,1,,'a,, a., ,,,,i,. ~ "a ,'',
r.,nrat so ,nooii,. ,i,a, NJ , ,'...i' .r
- dnchoss ,'n,,i5 5,,a 80, a, Sha
vro,r, IL an ia L,sis t,at sha ls az,
An,arioa, du,bass
Maine ,Tr',.,, f., ,,o ,,,,,,o,,., ,.,1
r,o,hc, rblrlo, ~ ny, 500, oni
tbornnrbl, Jsliohtfn Ar,oriear grori.
lIia,,. "Clt," ,r,','.,. , ,,G ,'S,.,,,',,',,
tIa,,',,., .tl ,,,'..I. ,,i,h, st,o
Gorr. ,,.' ~ ~ 5r,gnn WIN wv
r,bo s,,.lii,os ~ ,bo ola l,d,. and ~
tba ola osrtl.p,,r fau a, ioye in criss-
cross f,sbjnn and nratty iodiecyi,n-
trat,i,
An in,ro,ts,t. character is Raoirol1
cn,,r,ana, .,n If ,ba 0f,b V{sgo,,ot
~ ,h,t nam. ,sbn bairg h,rl mn hae
I..v eo,'1aI l,,, bIs catEor ~ Ell nnt
40 ttn rlsb Iarrers and come ~ this
Cnpntrv In eoarCh of a zion vito
"'''' 49,
H.. A. ,,, .,.woi, 10, the hool, n tbera
3. nra hnt Me nv,n viliairv ronei.ts In
i9ot,ino lnr ~ rch yrife moi much NJ
~ f1nI' in Euronran owes Snrlgey
Tr.,,',,,t ,noo ~ tba Tr,vor grand.
1bicls and ricr, dazqlas hin,
AZ, ,,a Lo,,en ,a,tv a. Madame Tro.
v1''s tbey NH rayel in smart tall, and
r.r,r,a. tbo throa nanbews ~ old
T1wrsbond who arc Row Trevor a
,,,,ri, cb,r Dobhy FIoyd ec3ne.
" ''r",, vim a Mrs Portington tendency
Perciyal, a loVeslck youth. Ihen there
are feI'y IoNHShehu anu IL" o''''
mon
They ran IN love anna most IeIlghl,
tul SURROUNDINGS OF tennis poHuhB ana
driving. SpIlssy ana up nave per
feet surtelt or sWeethearls' Cout le,
nay Roy Trevor ana sidney ferolNdi
Dclhg the most aCtiNe VallPalsnoI
Percival taxes mp TO earlel 70
get some FENCING IONS ana ihciueh'aiIy
to propose