Daily inter mountain. [volume] (Butte, Mont.) 1881-1901, 1901-04-27

| that none of the design was lost in
! the gathered folds of the t1ounce.
| The corsage was Il blouse laid in M
! mute tucks from the top of the collar
! to the waist band. Over this We're laid
| three box plaits, back and front of the
| embroidered chamhray. The two at the
| sides came from the shoulder sear,s.
| while the middle plat commenced just
! at tbs bust-line. leaving the tucks to
| give square. yoke effect. The sleeves
( We're be,l-shaped and scalloped at the
l lower edge, Where there was a band Of
| the embroidery. This fiared over puff
OF tucked chambray. caught into a mar
! row embroidered cuff.
Pink is surely favored shade among
the new summer models. Pink in all its
divers shades, bosterous watermelon
pink, rose pink, with a chilly little blue
ness in the shadows, salmon pink, pastel
pink, the paler shades of apricot, sing
ing coral. and hosts of others hardly
| as distinctive.
fouard gown in a soft shade Of
crushed strawberry had an attractive
skirt made on the new pointed yoke
lines that finds much favor with the
grown ups. The material was stamped
with an all over design in a deeper sha lie
yoke plain silk of the paler shade of
i crushed strawberry was employed. This
| was Elaid in narrow bias folds that de-
scrbed a single long point at the front
and shorter points at the sides and
! back. On to this the material was tucked
full for several inches and then allowed
to are. The apron was perfectly plain.
/ The corsage had yoke of the plain
material laid in bias folds that described
an Elongated at the front. Down the
center 1t was Ornamented with small sill
Yer studs. The figured silk was gathered
full into the under arm seams and d"ap-
ed 10 the front Of the cOrsage where the
shirring was eclipsed by the v. The
material at the back of the corsaye was
seWei on to the yoke in tiny tucks and
caught down loosely into a pointed belt
of the plain silk. The sleeves were
draped ard finished with a high cuff Of
the plain silk lad in folds. At the top
they were capped by the folds. that had
the effect of being a continuation Of the
yoke.
One couturiere, who deignad to chat
With me on the practicalites Of summer
dressmaking. gave me a hint that's worth
repeating. She assured me that the five
gored skirt pattern was the only one
| j
for wash gown. She meant the wash
gown that was fashioned with the old
idea of treating it to soap and wafer
ducking when it's freshness become uues-
tionable.
A model that was warranted a great
success for washable gowns was made
of pink plaid bingham. The skirt hal
five cores and was gathered rather scan
| tily on the Waistband. Down the left
| Seam Of the apron there was trimming
Of half diamonds in plain pink cloth,
tucked and edged with embroidery.
The blouse, like the waist was male on
the bias and fastened down the front
with a row of small white pearl buttons
Over the blouse was worn a detachable
bolefo wrought Of three diamond shape i
pieces of solid pink Bingham tucked and
lined with wash silk. These diamonds
were each outlined with frills of white
embroidery and We're tied over the
shoulders with butterfly bows OF white
taffeta ribbon. The same ribbon was
employed for the narrow ceinture. The
sleeves were cut on the bias and were
bishop shaped, falling loosely over a
narrow cuff Of the solid tucked Bingham
Wee girls. growing girls and grown
girls, all will have a great many Of theil
summer frOcks closing down the bacl
with small pearl buttons, sewed very
near together.
Wash buttons are used lavishly on tn,
new summer models, and often In sucl
a way that they may not escape tn,
washtub.
Lace has only a secondary place as
trimming this summer, even the sheeres