Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1901-07-27

lola is IN snend hts vacation I'm gcot
land this summer re Is IN take a cv-
WIN De remembered. Drumtochty ana
the scenes or Beside the Bonnie Brler
| bush are lald' Here might be chance
lor ulVertlng Heal conversation IN
tne oFltlc between Aola, the autnor OF
LABOR and Posty, who liked nothing
| better IMAM TO 'Wrastle with carlyle
| but' unfortunately, Aola knows no
| English NJ meeting OF Journalists ID
LONDON some years ago, ne was hearc
TO say that ne had attempted once TO
| learn Enslish, but had FOUND the task
! beyond nm Moreover MS opinion OF
hnglsh does not seem TO pc very great
England mas certainty produced some
great writers, ne says IN an interview
Whlch appeared IN recent farlsiah
paper, and atter all II IS the writ
ers that make 2 language outl always
1eel that the hngllsh tongue Is harsn
v teunau'iei, aa,' ~eI ,''"u ase % @a
rlenon, Nilnou, " p .so.,l. ~ ,
piie vi t,ie s''gns,n ~, '"t III, ,,e. S.
w 49, ~ s.,.IysIp,t., ~ E.oraS a.,
% aui,il 10 eupen,"' ~ ,o a'',.in1i
wy nav vi 49, 700 ~, a,,ns,
W ~ as d uie'lu,n Va ps''. 1t,a q" ,,,t,,
~ 20 ~ w - ool,'p"i >, "'S' VIZ"
rie"'i "oi 'i""
Maud Howard Peterson, the author
Of The Potter and the Clay" just is
sued by Lothrop Publishing company,
comes of good literary stock. Her
grandfather was Charles j. Peterson,
editor and principal stakeholder Of Pet
erson's Magazine, and friend and pa
tron OF the leading literary men of the
iifties and sixties, her granduncle was
T. b. Peterson. the well known publish
er Of Philadelphia. Miss Peterson had
the literary habit from an early age,
but THE Potter and the Clay Is her
first complete book. II has been de-
scribed as one Of the strongest ana
most forceful OF recent novels. The mo-
tive is love versus loyalty. the charac-
tiers are unique, the plot is puzzling
and the action is remarkably vivid.
The lodge of LADY Anglesey's place,
which the Van Worst sisters have been
occupying for some months mast looks
out over the mark of the Trianon as
everything in Versailles must. 10 be
self-respectlng. This is where Bags
bv's Daughter was written. II is there
that Miss Marbury and Miss Elsie de
Wolfe spend their summers. Louis
XVI salon runs along the garden side
of the house. hung with dotted muslin
over mink the walls covered with old
nrln,s and colored engrayings of the
enoch Out ~ This lacking over the
garden onens large glass-enclosed
niazza Atted nm with chairs and tables
strewn with the latest reviews and |
hooks win nlants and box.seats II
was on the great table in the center |
that the fortnnes of Violet Ragsby were |
coneiened ~ manor A literary co-opera- |
lion between women is rare especially In |
fiction. and IL Is not common among
men The two Marguerltes Paul and |
collaborators In France Paul and Vic
tor Marguerite have reached such a
perfect unity in their habit Of thought |
and It's expression that they write on |
the same sheet Of paper. Bessie and |
Marie Van Worst each took certain
characters In the book and developed |
them separately. They oifer one OF
those rare examples o. friendship OF
women which disprcve the saying that
the feminine sex Is incapable OF deep
and lasting friendships. II was many
years ago that they met I'm Paris, and
Immediately developed that strong
sympathy one for the other which was
cemented lately when the one then
Miss Bessie McGinnis, married her
friends brother on his death-bed. Both
are strikingly handsome young women
gifted with particular magnetism and
charm. While their lives have been so
strongly united their tastes are quite
opposite Miss Van Worst Is poet
her sister-ln-law has always had a
special fancy for scientific and sociolo-
gical subjects. a book resulting from
the cooperation OF these two minds
cannot fail to be OF the greatest inter-
est.
7, is rather disturbing 10 notice that
., ne ioS authors whose names appear
e. a. Providence II. /. library's
s'poots NJ Power" only three are wo-
,,er"namelv sannho George Elliot
III NJ pyo,,rinr-and these have
h Snu sn,oo,od svIden,,v az the best REP.