The watchman and southron. [volume] (Sumter, S.C.) 1881-1930, 1901-08-07
MOVING PICTURES.
HOW THE SKETCHES ARE REPRO
DucEo UPON THE FILMS.
The Amount of Movement That May
he Crowded Into Fifty Seconds.
The Greatest Successes Are Okea
Brought About by Accident.

The Greatest Successes Are oxen
Brought About by Accident.
ga queer thing about moving pic
tures," said an expert operator in that
line to New Orleans Tines-Democrat
reporter. SIS the illusion they generally
produce as to the time they occupy
while on the screen. What is known
as the standard exhibition hlm' is so
feet long. It is used almost entirely
for comic scenes, trick pictures and
other effects that are got up in the
studios Of the experts who make them
q speciality. Every theater goer has
seen them, and I win venture the as
sertion that the average man will de-
clare they take at least three OF four
minutes in passing before the eye AS
a matter Of fact the picture is on the
screen less than one minute. You can
easily figure it out for yourself. The
ordinary 80 foot film OF the kind to
which / refer is put through the repro
ducing machine at the rate Of is pic
lures to the second. Each picture is
three-fourths of an inch broad, which
makes the Is measure exactly one
foot, edge to edge; in other words. the
film travels foot second-5o feet, 80
seconds. What gives it the erect OF
taking up so much more time is the
immense lot CT action that is usually
crowded into the brief period it is in
view. Until the moving picture was
invented I don't think anybody had
the least idea how much could be done
In so seconds It seemed hardly time
enough to turn around in, yet when
the experts began to study its possi-
bilities they found it was ample for
hundreds of little pictorial comedies
that have since delighted audiences all
over the world.
sIt is entirely a matter Of rehearsal.
a subject is selected, generally calling
for from three to four people, and ev-
cry detail sf the business or action is
carefully worked out in advance. Sup
pose, for illustration, that comic bur
glary IS the topic. The business, in
skeleton, might run something like
this: Old gentleman doing in parlor;;
enter burglar; old gentleman awakes;
burglar hides; enter policeman, search
es the room, collars old gent; they
fight and roll on the floor while bur-
glar suddenly emerges and leaps out
Of the window. That doesn't sound
particularly side splitting, but in the
hands Of intelligent comedians it can
be made really very funy. The all es-
sential thing is to crowd it into so Sec
onds, and to that end each bit Of ac-
ton is carefully timed and made to
fit into each other bit like so many
well geared cogwheels. The old gen.
tleman's startled yawn. the burglars
glance around the room and every
step, movement and gesture from be-
ginning to end is calculated with the
utmost nicely, and at last after dozens
OF rehearsals the act is attempted be-
fore the recording machine. If every
body is lucky, it goes through on sched-
ule time, but the slightest hitch is IA
tai, and if one occurs the film is spoil
ed, and they must try all over again.
No wonder it seems impossible to fu-
ture spectators that so much could
transpire in so seconds.
.'But some Of the most telling effects
in composition pictures" continued the
operator. ''have been the result Of acci-
dent and were entirely unpremeditat-
ed. That was the case with film that
I had q hand in preparing and that
afterward made tremendous hit and
proved to be one Of the best sellers
ever put on the market. In getting
up the picture our principal purpose
was TO introduce large and very in
telligent bulldog owned at the time.
and we sketched out simple little
scene in which q tramp steals pie
from a kitchen window, is pursued by
the dog and is last seen trying to scale
the back fence with the animal hang
ing to his coattails.
The training OF the dog was tne
main trouble. but finally taught him
to lay hold of anything red, and we
sowed a big piece of flannel as mark
to the back of our tramp's coat. Red
photographs black, so it couldn't be
seen in the pictures, and after a good
many rehearsals the dog learned to
dash out at exactly the right moment
and nail the narauder, whose cue was
then to rush for the fence and consume
the remaining time in making an ap-
parently desperate effort to scramble
over the top. At last we got every
thing all ready, gave the word and
started the record machine to take the
picture.
Immediately the little comedy be-
gan. The tramp appeared. locked
around stealthily, saw the pie. hooked
it and was having a feast when out
sprang the bulldog and seized him By
the coattails. He -hereupon sprinted
to the fence and was about to carry out
the rest Of The programme when, TO our
CONSERVATION. the boards gave way,