The Meeker herald. [volume] (Meeker, Colo.) 1885-current, 1901-07-06


Pierre worked. He arose steaitliily
like robber to write without ARGUS
ing suspicion. He fe}t that It was
his last chance to write something
worth while.
Several days later Pierre and his
wife Went back to the city. He was
loath TO leave. but Martha was hap
py in anticipation of new triumphs.
Her devoted count had promised to
open new, and yet more Fashionable,
houses TO her.
eve will push your husband" he
said. in protecting tone.
"Work. Pierre," added Martha.
1.-THE Endorsement Of the count is val
liable. Don't throw away the chance"
Pierre Dubrcuil did not answer.
Nowadays he appeared to be indif-
ferent to nj that went on around him.
One day at the end OF melan-
choly dinner tetc-a-tete with Martha
he said:
"By the way, the Gymnase will pre-
sent play of mine in few weeks.
The newspapers made the announce
ment this morning"
what" exclaimed his wife. Curl
ously .lou have said nothing of it
to mel"
what was the use? / have always
had such bad luck with my work that
1 have not mentioned this one even to
you"
Martha was satisfied and the
thought Of play by her husband
pleased her vanity. She liked to inn
ngine herself in box on the opening
night.
She kissed her husband on both
cheeks. SIX
"Are you content?" he asked. anx-
iously.
Eyes indeed. my husband" she
answered.
When the time approached for the
representation Martha was happy.
For the newspapers contained many
advance notices and most of them
spoke of the play ms excellent.
The plny presented Mt the Gymnase
was not comedy, but n drama of
great depth and emotional strength
representing drama of the strong
est human emotions. The blase pub
lie was delighted. 1t was a triumph
with few presidents in the enthusi-
usms it aroused. It was masters
work that people said would place
the author among the rank of the
worlds foremost dramatists. j.
Martha, charmirgly dressed in
mauve, was in box with crowd
of friends. among who was the per-
sistent count. From the first words
of the play she was surprised. The
story acted on the stage was familiar
10 her. 1t seemed as IL she had Ind
the same experiences in the days Of
her courtship. She clapped her little
hands in applause, proud to listen to
the clever words and charmed to see
the dead days revived. She sought to
glance in the eyes OF her husband hid
den behind curtain Of the box.
In the second net the action grew
quicker. A crisis came between, tho
man and wife. The words they spoke
were those thnt hAd pasAed between
Martha and Pierre. Evidently he had
put his own experience ssto the play.
1t was interesting. but what would
come next? Martha had been SO in
different to Pierre that she could not
gues. lI-
The third act was admirable, In
the drama the suffering Of her hus-
band was annlyzed with q masters
hand, cruel in his resignation. tor
ture and tenderness. The role of the
woman was studied with psycholo-
gy delicate and mocking. 1t was
masterpiece.
Martha listened with benting heart.
Each phrase spoken by the comedi-
ans was for her like the stab of
dagger. Was it possible that she had
made Pierre suffer like that? For by
this time she knew that her true his
tory was being told on the stage.
Bravo" shouted the count. who did
not understand the real meaning of
the play. "My friend. your husband.
Is clever fellow, and we will make
something of him."
But Martha did not answer. She
stifed her emotion.
Take my arm" said the count, at
the end.
mot to-day" she answered. 81
shall be proud to go on the arm of my
husband.'
Pierre followed her with difficulty,
making passage through the admir-
ing crowd. When in the street his
friends crowded to congratulate them.
They wished to give them a supper
When the supper had ended and they
reached home in that house where
Pierre had experienced so much hap
piness and grief, Martha fell on her
knees before him and broke into tears
/ Thirteen Not . HooAoo.