Americus times-recorder. [volume] (Americus, Ga.) 1891-current, 1901-10-10
CHEAP STATUETTES
HOW THEY ARE MADE, HARDENED
FINISHED AND COLORED.

| comes From Our Schools.
While it is not difficult to secure good
American Workmen for carving oui
schemes of interior decorations, it Is
impossible yet to get native born mel
| capable Of modelling statuettes and
| busts such as are sold on the street
| corners and in many Of the art shops
| All the Workmen employed in factories
that produce these are Italians, chiefly
from tuscany. This is equally true of
those who follow this trade III Ger.
many and France. The Tuscans al.
| pear to have a natural ability for that
sort OF work that has given them the
monopoly Of it.
| The great majority Of these busts and
statuettes are copied directly from the
| originals wherever they happen to be,
and then the molds are made from that
| copy and sent to all parts Of the world,
the statues being cast in the place
where they are to be sold. In the lar
ger shops in New York city, however,
a certain amount Of original work is
done in order to keep pace with tie
| popular demand for representations Of
the hero Of the hour. great many Of
our most distinguished poets, authors
and statesmen whose busts are exposed
| for sale on the street corners never sat
for these portraits. Some workman
modelled the head after a photograph
| and occasionally has produced such
good work that ft is almost a pity the
| sculptOrs name should remain IN
| known.
The chief purchasers of these casts
| from the larger makers are the high
| schools all over the country. They de-
mand, of course, not only classical sub
| jects and copies of ancient bas-reliefs
and architectural details, but also busts
of famous men and women from every
period Of the worlds history. Such
wide range Of subjects is covered by
I'this demand that seven and eight thou
sand titles are included in some of the
| catalogues issued. The factories where
| these figures are turned out exhibit in
| their shoWroOms an assortment and
confusion Of time, place and nature be-
| wildering to look at.
The process Of casting these statu-
! cites is a comparatively simple one
when the mold is once completed. The
material used, plaster of paris, is
cheap, and a very excellent quality is
produced in this country. When the
| statuette comes ont it is pure white
and covered with ridges made by the
| different sections Of the mold. These
| ridges are carefully removed, and then
| the cast is placed in an oven heated at
| about $50 degrees. After it has been
| baked for certin length Of time it is
plunged into a solution of stearic acid
and kept there until thoroughly satu-
rated, Then, when it has dried. the
! yellow color is gained by applying to
the surface solution Of beeswax, tur-
| pentine and coloring matter. This color
will not wash off, and, Of course, any
| shade can be produced at will
"The demand for nude statues in the
art schools is growing less every year,"
said one Of the largest makers Of these
casts. "That is because people are
realizing more and more that artists
| must draw from the human figure it.
self If they wish to understand the
human form. We get more orders now
for draped figures in the art schools
and for busts in the high schools I'm
til very recently the busts of most of
the celebrated Americans which we
sell had been made in Italy from pho
tographs sent over from this country,
and many mistakes occurred in mat
ters of detail, like the cut of the coats
and collars. We are trying to do these
now in q moro YINO5o1.T1 on1 bo no
tic way and occasionally have been
furnished with photographs by their
families"
The statuettes which are carried
about the streets wrapped in harmoni-
Gus yellow tissue paper or are display
ed on the sidewalks or on the steps Of
unoccupied houses are made by quite
a different set Of manufacturers. The
larger dealers do not sell to these street
peddlers at all. The peddlers have their
own little workrooms, which furnish
them with their stock at a much lower
rate than the regular dealers charge.
No originals are made in these ateliers,
and most of the molds are gained by
taking them from a cast bought from
some other firm. The stearic acid bath
is left out Of the process, and conse-
Quently the color of these cheaper
works washes off.
The peddlers of these statuettes stand
in about the same relation to sculptors
and sculpture that the hand organ play
ers do to music and musicians. They
reflect fairly accurately the popular
taste, and, according to their testi-
mony, it is the Tanagra figurines that
in the long run sell the best of all their
stock. From time to time there is a
market for the bust Of some particular
man, and those sales are always tenn
porary. Grotesque figures are always
in demand and copies of the various
models of Venus with which the public
are familiar. Rows of Cupids and Of
monks heads, winged Victories and
| busts of Wagner come and go as pop
ular favorites, but the Tanagra fgur-
| ines have a steady sale that insures
IN hi c+A Of nj