Barre evening telegram. (Barre, Vt.) 1898-19??, 1901-05-25
PAINTING BIG SIGNS.
ARTISTS WHO DEVOTE THEIR TALL
EMIT TO ADVERTISING PURPOSES.

Training In Drawing and Color
Work. and some Have studied In
Famous Old World Ateliers.
Although the vivid advertisements Of
the excellences of foods, ointments,
clothing, all mechanical appliances
known to man and a thousand other
things never dreamed of in the philoso-
ply of a hundred years ago are contin-
ually catching the eye and possibly
shocking the artistic sensibilities Of the
beholder, few of the ordinary observers
| give a moments question to the max
ers of advertisements. The advertis-
ing craze has grown Of late to such
huge and unlovely proportions that any
brief account fails to explain its work
ings. The office Of a large advertising
town. Artists are constantly appear
ing with designs for the firm, a small
army of men with paint pots and brush
es are lowering about waiting to be
sent out, and everywhere are gay evil
dences of the results of all this labor.
''Who are the men that paint these
heroic pictures one sees OH unused
/. walls and lofty fences?" asked a re-
porter of one Of the men who keeps
these s~ubordinates busy.
"They are no the people you think
them, l fancy" was the answer. "In-
stead of being daubers, with about the
ability necessary to WELD a whitewash
brush, our best men are real artists.
BY this l mean that many of them
have had years of training in drawing
and color work. Several Of them have
studied abroad in the ateliers of well
known men. A man whom I saw paint
ing q head on a wall yesterday is a
night instructor in n Brooklyn art
school. Recently one Of our men paint
ed on n large wall the biggest portrait
aver attempted. He had studied five
years in the Paris art schools"
"Why do they take up this work?"
"The other doesn't pay. It's a case
of 'commercialism in art They find
that they can't make the real thing
pay, so they come to this common
calling. There's money in it. Why,
our star paiKters get 500 a week. The
daubers, who put in backgrounds,
don't earn more than $40 or $50 a
week"
The men who paint the designs in
various inaccessible and conspicuous
places have with them small copies
Of the designs to be reproduced. Long
experience makes them expert in ac-
%curately tracing the design upon the
chosen surface. Although the familiar
advertisements scattered over the city
seem exactly alike and one face seems
the exact counterpart Of another, yet
closer inspection will show various
points of difference. In the cas- of a
very familiar picture which is display
ed from one end of the United States
to the other, when it was first brought
out one man was hired for the sole
purpose of painting that n design,
and to 90 this he Travelled from Maine
to California.
"Not the least of our difficulties"
said the advertising man, sis finding
places to put our signs. We hire men
who do nothing else but go about and
obtain permission from owners to put
up billboards on their premises, use
q vacant wall or decorate a fence or a
roof. 1t needs great tact to do this.
When there are objections, they must
be overcome, and after this is done
the owner often gets the idea that his
available space is worth thousands OF
dollars to us and to him. The expe-
riences of advertising men among
farmers and tralrps would make a
mighty interesting book"
"Why do you say tramps"
ooh, the tramps are u worst e
mics. They build fires behind our
billboards and burn them or else tear
them down out of sheer w~antonness."
When asked about the price a blank
brick wall in a conspicuous part OF
New York would bring to it's owner If
he let it for advertising purposes, the
advertising mar laughed and said he
could not tell that, but he did not mind
saying that he was now paying $4,000
a year ent for a wall in the middle of
the shopping district. This is not an
unusual sum to pay" he added, for
such prominent positions"
Advertising firms are liberal SUBJ
scribers to all art magazines, particu-
larly to those French art periodicals
which display the newest drawings of
the still popular poster. The ideas of
the foreign artists are taken freely and
converted into gaudy designs for ad-
vertising the latest song Or u new cigar
without the least compensation, since,
as the advertisers assert, American
ideas are assimilated abroad just as
unceremoniously.
Not all the large reproductions of fig
ures and faces on our streets and along |
the roof tops are handwork. Many Of
them are machine made. By a process
akin to that of making Autographs ma
chimes have been invented to lay the
colors automatically. The finished
product, quite devoid Of personality,
presents accurately a copy of the work
Ing design.-New York Post.