The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1900-01-21

-. ,-, r,, -. 4. ,a>t
~ e. =. 49, a.,
..,. 49,, esn So' ~. - IL
ne "vu.u 70 ap'e 70 'e'. ms '
nAn .'as .oou."ea Ao''o"' w. ~
u ruiheu inc o,het
one eiter inc other ne hao ni'su 'no
canvases. ana now the cnest $1,000 pare.
inc carving on II. after the viviu neahsrn
OF the paintings was IKE cam aitef uo
| frenzy. II caught his eye and led MIN
| back into the days before Fawcett had
crossed his life-those rare days when Rip
pah had sat to him as model. The MEN,
he anguish Of he @ mrst nrnah came again
! to him. IL was thai noble sadness that had
s,epested the scheme he had carved on
| the chest. Her strong patience had i'm
| nressea him He dwe,, an tho memory
! mil no forge, tho wouar wbose ohtrusive
| chear,,,noss hod a.,rargaa rim
.sha a,as a. 1910, critic IN t,,ose
| aa,.,a 80. -, ,,,anr.a,,, ).
eass, : soa,u ai"ays rus, nei JUS 80,
s .s ,, asN ~, ~ :.
'rv "vu,u N"om :, :. was al .'a
| me iuea se'.eu MN e. sue "o'is
hnow' = S"a'i pe apie " '.h Wy "oi ta.o
"hen sac sees them AZ viii ne certain
| test. IN IeVcr or has'e ne began vi.
! ranging the canvases around the room. uil
/ the four walls were covered, and easel ana
curtain and frame stood laden.
He stepped into the middle OF the room
| and turned slowly around. AS he looked
| the flush OF excitement passed and left
his face stricken. He was In a circle.
hemmed In by the multiplied horror OF his
imagination. The thing was around
him--everywhere, everywhere! He couid
not escape from II. II leaped out from
| innumerable eyes on the walls; II sneered
! at him from the easels; II Knocked at MIN
from the frames: II lurked In the folds
or the curtains. There was no escape
| from 1t. His glance was moth shrtv-
eling IN fre dashing user INTO the name
that ournt ana ala not consume IL.
"
"ark 'eq"es. mat she snou'u co"e 10
tne STUDIO at cloek struck g,eam OF
surprise across ihe uarkhess on ni1pan
race ~ was aimost the mrs. woro ne
nau spoheh 70 mer Ior uays. ms INVITA- WA.
uon 10 inc stuuio meant ina. ne nao ohiy
eHciuoeu her whiie ne WORKED. NOW .nat
ms picture was nn,sheu ne wou'u 'ake
her paeh in.o ms me. me oioou swung
III her Nr, , Inc ".n'er was over anu
gone. me .ime OF 'he singing Oh 'he
oi,us ,au oo",e.
MarA Was .oo aosoroeo 70 hotce heI
rae; re was nv. Even cohscIous .nat
Snc ,e,. nun aeei iuhc" whiic she put Oh
n"huay aress
20 .ras. u"y, sne sa'u " net SET
S.n..ins' mus .ake OH my saeKcioth'
my uoor sloou Daily opsl'' que pusheo
=, ,, Woe anu en'ereu. pu. she saw no one;
WIN gshue happiness she looked around
nSs. seThins tor ,ne picture y, .ne anger OF
LHe- iheh the o'ooo surseo 10 ner lace.
leI prsan 'iiaue strange sMsins NOISE
~ nel .nioa. Sne put out hei nanus as J
~ push soi"e'hng iio'l her. an no. no!
~ was 100 hoIripie. rawee'' eyes met
ner from every part OF the room. Inc
piaee was ~" y, fawIe''-aiio fa"cett-
ana rawcet'' one couio not get away
t,oilI 'ne ,'' .es eses " .ne oeau mat
ne ,,,oeheu i'ei uiess heI oiioaI WIN MARI
Marh uoscneo' ~ was useiess 10 niue her
iace w 'ie .oi9s Vi ner gown; .ne pictures
pressed upoh aer' shutehg ne. III aiohe
WIN .n.i SUI .., Her one saspeo
long tram cinging 10 ner rect hlnoereu her.
no her eHclteo fancy IL seemed hke a SYM
Dol OIL her marriage Win MARX Ihen
came tne s'ao OF keeh-eoeeo thougnt.
one hao iorceo herseii On MARX. sne nan
confessed lhe giauhess Win wnich sne had
regaineo her ireeooii' anu TINS was the
way nc nau choseh 10 prins ner SIN nome
70 her' one w,uhs ner aanus ies. she
nad peeh near.iess' put IL she toio marx