The sun. [volume] (New York [N.Y.]) 1833-1916, 1900-05-20
AUTOMATIC MUSIC'S SWAY.
IT'S EDUCATIONAL VALVE LIES ~
TONE AND MARMONY CONSTRuC TiON.
with the Drudgery Of Digitsi Gymnastics
Eliminated Ono MAY study Real Mssi, and
Sound Its Emotional Depths The Calling
Of the Oid- Time Mu,ic Teacher Threatened.

iipliod ~ an astonishing rat" since the daN oil The
first music box, ana the evolution oi iI">e IN
strumpnis threatens the ola time muse teacher
with extinction. Nlthin the last ten ,rars il''S''
machines have tah.en on u new phI~', nnd haN"
gained the serious attention OF muSiciail- ana
music lovers. The Old-iasiionrd music buS,
PLAYING n limited number Of tunes with lukNng
sweetness, developed INTO The rlaboral'' hangi~
able cylinder boN, with cNtrusiN" r"I "riuiy
and beauty Of tone. such boxes ar" still sold,
their price, running INTO the thousands, bat tie
addition Of a new number To ihcIr r'l"'rip"ir.
means the preparation .; II new CNluud"r, aud
tlie cost Of a Cy udrr rui- ir,mE6lu ma r!pdp hrS
to 500 Ia an riaboral" and unIis}Hl boN. -
variety l. an cNpcu,N" lU&ury, II Nds ih> M
itatiun that led 10 tie invention IL iic l.urr
modern type Of music box, IN which u pcrl'r-
atrd paper or metal tuu" sheet "a, -uU~, luttd I"r
the cylinder. These tun" sheets c'n t." l"igll
tor about ~ cents each, and i = ID>~lilr 10
Obtain, Tor un"olil r popular boA"-, an ll,," #
mr..r Gr~ rcd. Ilr uidl'" II ton" iI- u'-u
been .mu"a>urab! Dnrro,rI and ,lr ,riy de-
alvAu)ag" e the nrW ri',,r bo,, - compared
wUI tn" old, l. li,ut al ~ mus" -. of u.osstl,
IilNrd Ia one key.
switzerland has H}&ayS been the home ~
Music box manufacture, anG. rN.nruw. most &c
~" purely auiuma'l" mg~'.l machines are
mad, l..clr. bat ia" hrn' ol lur modern boxes
D.. Of hurrlcan iuI"il,,u a.i nauUt1,uur",
rLuu-aui~o rlh,.- hpAr- arrr.p,rlrd annually
and ih. demand frr them ~ This cuuntrt is
,.,~,u,p. ,lu,- II r,,ry vrl ,riryr,l Yacht
nn,our. Scores uf them iayr been lUt INTO
jrNair ear. iirlru GoUld and other lhj'lu-
tlropl,,. Lave gwen hundreds of lhrm 10 char
ulllr. .>, %iu,I.n-. NaLs,or attachments, tney
flourish 20 al pa rI% 'J,'., although the manu-
,,,,u,.,y L..., r,l. .r,,, =, loon ,L. p L,.t
49,.
''' -" Wv 81 -I'' .''' "' " .-' ! '"~ Hl"irH &c
.,i' ,:"DuE rri\d'" nd ,il1l~.
IuI ..,t ;Ir L..r uIrJy u', ult.r mt, al
,r. -. 80, .I.,,,I
N''' ''" '" ''' "' 81. ~ nv '''' ~
lui.' making lh,r" ,ia- AWAY been among
rn,.,lan, q WcI-a#.nIrd aud yr,ltrt Irajud..e
AKA "~' h"I '' I'i''' I''' ''''. - meet ''''
, ir~ Ni Ur, o." W'l-Ir iuN '."H a l"h- leap, ana
r,v u.lu. l,'I 81. -,J.J p.rn rr..,ri purr-
,
" 'r'."'" borrower. " ''"' 'a'hN competent
Fl iu.-,. l'i.rUYua %. jN'a,,"rt,ou ard IN. -
: ,l,i :. NOW .pu-.. o...l.. r,rrr pIrur mari,
'"' ~
ih' ''!a iiIh- 81 d' '''''. I"~''-'"'''
~" market I~ Food. With -'Iu-iut' matte
/ +, .,r,r.r,. ,rf.l aim 10 ,,,g,o,u, ro,LuicuI
nI'. 'i'-' VIZ" ~l''l"- iI "lH we ~
d'IdH'llN ' ~" aver N'l,' "' - M
- 'Hei'~ a'l'ini' ln irvi,!u'" 'f'I' sra
D,,'rIllrn bat i'r late and mot lIn'lraI
arhl"'"0'"u'- are wr'Hd'I'i' a''ariln"lh- ~
Va d tiN pan" or oIE,l ia, W. n,'u az We
A.'r~-,t, 81 - uln-'''N 81 l"'h1'qn" !" ab"u~'rd
Tho "riF" Na,ab.IaT\ ol ,hi'"A and atm verb
roots U', boon ~, juI,lrd ~ i'nil'E 'h'.t new
rnn,,' mas"r-, ara one ga" oN\ p'a""o "'tH any
some "t lhrs" -%lIuin"nl, are good SIlne
az" "Ne'iahlr ~ n,r baN'a npHiI VI" r., '.hl
piano rlHylhI hh' b''oln" a lnp"r 'hat ,nr
public render.hs oi piano muse ,o-day l,i'n
success on' OF We question !9r any save IN"
ph"n"menalIy nit'd and MAJ IN prlvn'r
piano study, the r'-uIis DO not JUSTLY IL"
AMOUNT OF ior"' ana nine rNpellrd
Tn" number Of unhapr! younrot"rs doomed
tohve hncer EXERCISES aud h''ar-eo t technical
difficulties, aclirNlnG n"thlI'S save me agony
nerve force. has a, last appealed to q tender
hearted public Perhaps The suffering in;
Tjr 1Hid.i " IEsI l nave i FAD .omn qfhhigi 1 ,o do e'T Tilf
mendous agitation for the study OF mmsica,
s y mn"t,ics anu The nT'i new must1 teacher /. t" fav.
an antoinanc piano aiIa, ninr'h tVr a no,Sy
silent partner. lie VIII rraIn hs pupil 70 M,
drrstand mYs,cni 10TH Gld i saT T H. waK "
the student tamilar WIN lhc Worh "i NE srea
masters, without renus1nv lnote ol tnr nnfsr'
than, a management ~ simple SLOPES ana slid"'
regulating tempo and dynamiI ,hadlhg IN
number or Door teilorHeIN VIII urcI'osr lu'
number o. lh'rlIE'nt lu'erlh""I7 Itnu Hpprr
Gators VIII ih'rea" 80 Say 'hr oel'eNefS IL
tHe ne" IRA ~
The proeranlnlr sounH' a'ua,uNe II mWniC
DriH peacr 70 imr 'r ~ "a Nv NT, ,r noo,Sin
h"Ht-door ne.khuors IA HoHl t,'tn, ~ ooniu'n
house are now speuIihs rlgnl ho4is u gay o,
scales ana nNe-hnSer tN",.lsts ~ "ouIu rot
chlchood ol some % is murroIs nnu v,ve ~ I
clance OF oeihg Wna' uauIIIon cansL' une nv
rirst pe1cd OF ne y wUd,u srate snians'
mortals the torture OF ,s,ehlhR 10 n,islo eye
cradle both In spirit ana techiicur. ne com
mencement EXERCISES ~ thr ouhE laules
boarding schools wonIa rose haI .hrr te.r0rs
Even II the erls Ieroe anh n1nory .aae'
the work correc,ly and The aSon,,ing rauil
and halr-raisine isiiurs on the SWEEP Er' graz
uale would be done away WIN.
Best OF AL me, concert stage WHuIo be 10
the MAJ WIN music II! hls SOUL 70, iNI we MAJ
who through sheer Lehaoi'y oi Enrrosa, Gal
deAterlty. Inc funeral kneI oi nhe .irtuos
would be to!led ana he would follow we sa'
eyed nursery governess and ,te ho,ow-cteeAe'
music professor OF the sentlinental noyel. mt
OBLIVION. part OF the PUBIC woYlo muuri
l"r MN. HOW - PIE 70 hiiow Mncth"i q NJ
is playing well Y he doesn't Ipounce upon IN
piano and round throttle ana tckleu VIVA
Is one 10 do In musical convsrsalon II on
can't talk about, vlrthnstyE Nrtuoslly an
coloratura are the, shlbpo!e,hs " CONVEX
sation upon musical topics. by luolClous W.
or them any novice can make n reSpectaDI
impression; ana, y soolety shouip lose them
the calamity would be as great as 'hnuHn value
ana ChlarosCuro were sltu,h out 81 AIRY lhtSl
lectnal conversation WOULD laneMlsn unn Wou'
have 10 depend upon lnsel ana the leclueNur
But II, "a the prophets iore'el. Nlrtuoslt'
must go. the piartSts halr AT fdst may D
lett intact There's comfort l2r the mu,,i
tlde. 4 PLAYER may be quite as sum ana poetl
and .unkenne, when he II rllIIhe stols an.
pushing Niiues ~ u nv Wt.e i'"InIltti ,uS ~
| miami IN IFlHaEf IFS nllAteT fDNElnR DHfk