The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1900-10-25

desperately waiting voiccs." Nature and
the gods have Joined hands with man 70
bring in the reign q chaos. In the words
like an ironic procession with thu laughter
of the gods In the background :.
what causes tragedy IL u not well
always 20 reduce play 60 one abstract
principle. As tho German critics used TO
do, but Il Is Interesting TO try TO account
for thu sad End Of tho tragic Hgurss. why
Ard 80 with all other suffc srs. Evidently
not because they have committed epme
sin. as philosophers like tho friends %
Job would have Us believe. suggest two
ways IL looking At such rsrobiems The
tragedy may come M the result 81 What
Hamlet calls chs dram 81 eaie' In ones
n, ,s. result ss ne certain rsr ~ .ss
tain defects that under certain condi@
lions will lead "a fatal results. the too
great tendency In Hamlet 70 think and
not TO. act; she excessive. emotional ma
snre Of Romeo or Juliet. the isch OF PEN
~trstton into meme treschsry IN Lear snd
oth~llo: the excessive pride o. Corr
may end the scurcs nf tragedy In the en-
vironmens. aa the world u constituted.
goodness and observation-disclosures Do not
and Juliet 90 out h~csuss they are star
crossed lovers and shsir great love
comes IN contact with An equally great
lets ,a fsals. bs, ths fault ~ his time. that
he cannot fnd opportunity for the eher.
riss ~ his sriendid powers. Lear IL opp
posed BY men and rods and ne seems
rie~ az tragedy has Eathsred much liter
sture. the truth In Al such disputes Il
frequently with both sides. and tn
when we consider the tragedies from
hath these etandpoints that we ret ~ che
truth, ana this IL why they are % trise
90 life. A. man ~ connsitutsd he has
esss ~ M, powers. With al Ma ncbie
faculties Re Il yet deficient in snaBy
things. hampesed by tbs Limitations ~
great men ON IN. other band she world
itsrif II responsible fnr many tragedies.
why b. all around ~ here ~ y sgsnc
not power 20 make II a. he weuidr'
Times are out ~ ioint sn1 evil ~ tri-
umphant
TasTs are i.o shsars THAT may bs lssI,i.
tnately ipfsrrsa frNn shs uszsdss q
ssprsnssd BY lanes lane Aiisa IL MS
"Tteien ~ Law frfax;1si suffering "a
the privilege ~ great nat9rss AamsrA
aursnae X sgfsrtnE The great Sufferers
are our brothers. and they Win Gsf gym
PATTY a. those who have not been
l s.rssess ss ~ hsana 4. saai,mss nsar.
shan pfoFnethess un5opnd Lear. Ham-
let pshelfa. Ophslis, CorGelis mean far
taers e ~ ~efsa iash fsnsy 80 x7es
ire suffering and cosslrt tss aohssF SAD
Nnsr slemenis * hasnsE nature are rs-
ysaies IL - tey ana strength % kna~
shaf human resolve car laaEh a. fsrrafa.
emx that human i0es Il stronger than
asmss~ Then. too. ffMfe<fY lfsAitx~A ard
sanrti1@s Cns feels she eafs@ klad ~
emotions n TIE ryesene. ~ the tomb -
Eoneen ara tuiiet tnas IL feit st Some
sn~rfys's sArfpe ~ IN the prexsner 81, the
crows
&H sst sh4as that ShAks.pp~sre a@enns
- believe IN - Kg1dnsss not fhs good.
ne@s tA@t hAs So reward han yiftae tsak
= 10 pMn frwara King Lear haa aftsr
h@en egaararrd - . fsrugEsfs In sbe nsid~t
~ he stern eaf ehs1s rag - rno1n.
tight hreakN through the slessds ani
shr9~s ite siiysfy saassnes an the agses-
~ figure N Card~its standing calm ana
saAfefsl IKE an saK2i ~ truth ard Parity
amtd the raging sssifs ~ q slnsvf aed
nia0f-ss aired weFld-' After All tAat may
~ sas1 siss2s ssil. The fact resnasns thai
Cordoba ard Kent Afss enc ~1n1eknw khe
clouds roll away. A. Edward pvwsIen
says Shakespeare does set sapriy ~
with doctrine. With ar INTERPRETATION.
w5sb a raVsiaiion- lie has no better slsg
20 h@zsow than the strength and soerags
90 varsue oar ewn p2sa, through p@ln ~
through JOY. with sissr ant resolution
T~s rfet - silence