The sun. [volume] (New York [N.Y.]) 1833-1916, 1900-11-25
A SINGERS LIFE ABROAD.
CHANCES ron AwERUAN AIMS ~
OrtRt ~ ~ ROpb,
nisnis rrsce,'s Career IN . Ance ordeal OF
Artists at wsr,eiiies Pleasant tne !" he
eroxInc IaI InMn. The neslre 20 sins Icte,

S,.. $500 o.a.., NJ
A,,..- :. ..-.,n.. AT. -. ~. n, Oh,
-. me-, 4, .,,. Here,
go, -
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'o'o'o N''n S'l-- M'nhl" Ifn''F' oWN w.,
wv w 'n'"' l"'I9 hi''r a VIM" ~ F" '' WIN
'se '" com" n"cN ana sing Tor h't own I''l,
' nn'' p'eh nearly every wear -''''n '" VIZ
-n",' "'s"n a. I'anlnr soprano W '""' WV
" wv '''"hs frhch opera h"''"-' WI" ~
"oo, Npo ,mhHs 'hh' such q career conh"' "
s'''"' " "n a'"S' "'n'T s''l' "'
=" VIM. TOT instance ! sang 'or i've ,n''.",
"" " ""' ~ p"t"'auA h'o u "'ns",','
wv. "'""'"""' .ne'e. u graz "'"l '"S"
80 "' :" 'o ivy N"'"'N' VIM" w.
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~ nv 1--WE Gnu d nan months u ,n'
- "a : a"N ~ ms ~
u 'e"ul"S a"'" '''.'' " A.. ~.
o.a"'" .'on a 'p-
-"N w Vi ' -is.'s 'oioo'' IL W.
49,. '
80. ~ y .H' oAp1.eee u'o y
49, oe"u"' 80
% Nno'e company was maue Wy
W Wv g f'encn al"sus VINO "e'e" o' '"sh'S
" .,a "u'sIu u r'a'e f..
The public there Ia most critical. as II IL
In oil French cities The standards may be-
RIGHT or wrong hu, Tho neon,e arc verv eyoctinr
W.
as 10 'her lniflment Last w'n''r one "'
the beSt-known tenors in the opera cam" to
D. - - 49,. ~, -,
ne had a very bad cola out the seats han an
been sold for his first performance and the
manager though, +, necessary n bav. him
-" ~ - a. ..,
appear IL he possibly couid lie oid sing ana
the role was Raoui in Les Hugenots Before
90" ,h", ,tn,,
mouse was IN an nproar' ana from WA. 'H"e
until the curtain fell he was received with
hIao. III. H. 49,, aa,i, no.,hIy
orso, a"u "a. ans 'V Va, w o,r iw,s,ns
what nv foe,ins. we're in appear,nv with INN,
~" - -,
particularly in the last duet Inc pnoic was
Disguised because he had q cold. and the fact
that he CAM from the Grand OpAra In Paris
VIC, ,',o ,o'' "sv 80 aa
h'auo NOT 'ne le'St "'h'I'Hce !" 'c i''P"
They expected to hear a good tenor and with
tho srarL,a.. chorac,.rs,ic of ali French
~
AUDIENCES oppressed thelr dls'Pp"Ihthci"
however Illuminating il was to the man.
"Th. ,b.,tr. i, po,ds,uX vas huil, ny Iouis
-, :,
NV ana l. one oil me best specimens NJ 'ha'
period Of architecture still existing in France
/, bas ,ecer,Iv boon res,o-cd AND 4, l. a nerfcct
~ u"
dellRht 10 any american HHI WIN ar'i9'lc 'aH''
to appear in such n theatre and enjoy success
a,o .nr,ourai,,s tho, = ca ,,u,b n ,,r,
"i''"S ''.o""''"N' ""' =" i'
oil the Ola World
after my first year al Geneva was askepi
u n.l,., - To-. -. e..
10 so u""" W "''S''"'H ~ ''"s INV NV
at the opera house To see II would succeed IN
getting an engagemcnt You know that is
-. - IL,
NV 'eS' 'h"' 'Nr' N"s'l " "" S' 'W', gu
lie or she must sing IN three operas BEFORE
tho inst me-, of tho third ,erforp,ap,e Tie .tare
manager comes oel"re curtain 'c'iii "i"'"
by one of the officials of the city. and asks The
raorl, ube,ber an ma, ,b.v ayo .ro,yh .a,is-
p','' "'' W wv ~
Ned WIN me artist 10 nave MN or ler III me
companv II the artist has pleased. the public
II a.. - f,iiod a., ,n.unr i,s, ~.
,oos, y,i Il, r.rt ;, ~ ,, a." IN vL,i,I, tbis n,W
IN cx",o, ,a' d.Iioh,a d .t : ha - a.
,uni,y Io'ou,a a. 49, ~ SS".Iia. s'rr,
'NtlNlA wv hNsf NV vi IL ~ sNttAT v INV - Wv