The sun. [volume] (New York [N.Y.]) 1833-1916, 1900-11-25

igh' ming in IL carlicss, ard SIC cricd, ort:
oM9'he,' Te r,I, ,,Il' q .h Lad ,va fhssyTd ,imrs.
getting into his l%Ie>ence, AID wren one use
she stood painting with t~Glrle-s fear Sne
dneSnt tnow how she n1erhed ner caG,@' n ngt
historical Interview. lie. tells Ter, than Size
fell nn her kne"- and sobhed out her stoTy.
hurr .hle darkness unless he took he- IN hand.
Il often think." she writes, that to courage
t INA i ny ,'G24d n, S5gIs + F,I NO . .'I'ee y 90 NV
and ancient ancestor" Sic - also imr rCy>ed
tia, elc was a trembling leaf carried on a
viii pool" The Nllrliool Ie't No ."af In
awi / c]ommG'ion That /, ,o.ay' W. briosfo
5os, ' i, ,rn n,SIy 70 for ,b Mt force ."t u fich t II. idndi y
call Air. Dave. FOR carrying her through ter.
years q intense mental ard IhI siCal strain;.
cxe ises Il eNtren Violence. but the IUi.l,
in ier M~ororgntan article, does NJ 9teH
OF common elise narrative. Sic t"!S, Va,
however. that she went 70 ,unocCUi led ais
and iheatre-. and rra ti-cdr6'c- On Nare ,N'arfs
during these solitary Iehcerst,s Sc WOMB
di,..rn q fsure IN tn" iurthr,t cCrrer 81 re
Sometimes grew discouraged. md n" wonder.
as six wears passed before Size got before an
saa tntG yo y y s .,GS Il seems HST ,ira%sc ,tat %
long ~ q a'duuuS a tra'n'rr vac 'o'c5.ar' 70
work her w to the Trori.ing Vet stu 'ruc'
condition which shs disclosed at her cGnul in
re,t Mr, Carriers article for diversion than Tor
fcE WHO see a play well performed have
anv idea Il tho careful pr~uargii'n given To- II.
The work done by actors and Ter orr ,'tH
way in q new book entitled The theatre and
L. Pco'l e The first thing r-uoliy done is
to call lie con.pany together ~ Lem ,Le tleGe
II except the portions COutrln.d IN il"lr NeI ARA"
roles. By courtesy tie author !. ssked 70 Ce
II re stage director. Tai, meeting i held
In any handy room, IN a tl.eatrr or el>'wner"
The director makes Us" II hs best el"cGiiHi,,
meaning Of the scenes M they lit teiore mn,
like any other audience bach pays e,ncoial
heed to u" PASSAGE ~ whlci ne l. 70 Lure
He i ANXIOUS about tie ,%re!atloll1 w,l't ne i
to boar TO tisothcr-. and he ~ Y also be Jealous
about his comparative Importance Tie read
ins includes all tie directions a. well as lie
dialogue. aud occupies nhout two hours, on
the anne time that q Performance Il tt- Sanlc
play will take, aside from tie iuter1IIs-lons
Aftsr tie rcadinr is over each actor receives
q tyrewri!ten COPY q his .fart The whole
announce. TIC time qpd, p!ace Il Il. fri re-
hearSal, which ! IL ALLY held the ne morning
on stage Bltin the ,tG,nn, Th"r ulincroi'
con pauic- pra being drilled In Nrw York.
sm..I halls have" To- hc used instead IT, p,alc r
con. IN EVERYDAY street attire, and 4 = . place
(, none 300 vel warmed. they keep Ueir over
coat. wH4p- and hot, IN II IL J., In q theatre.
the tagc Is nearly bare II ~ocrrry. and 1. diwlv
!ightei by a bad blend # punched Ca9 jos
iislt /. better. hut the harrenres- T. worse
Tie -tage i reGresepted 10y a cha ned sIIoc
on the floor. The things that will Ivy and by
give llia'ion and glamour II" not 50 much
Tive reality of a frat rel earsal. as described
by the author - tt" lheItre and It. People
l. IL tpc widr-t ~contrr>t .aEl the ueIfunutuc~
which II il intended 10 load 70 On nc ir-t
morning tuc opening act only /, taken NJ
The PLAYERS hay" not YET been r"Vhir"i 20
mc,nor.Ic tAeir part In"y are T. earn IN"
tiOn~ AMI movements ~ written gown hN tua
author and explained hy IT," atre,t,r Doors
and window, are, indicated by '.girS Fdi-
comics. stairway. frnce>, gate, ..oIinS, banks,
windiuy paths, hural hDwcr,-oli arc locnted
by wake.nift. The aim Is tn fliUiliari7e tie
ACTORS NJ the outset vltl the arfanS"n ent
tier movement, with reference TO ono another
arc learned slowly and carefully While ttev
are doing til, they read the words. without
naca aticmr, az eNLr"ssi,n On D,r cairss
with At. tic end Of the day, work. v.'ch
doc not ~ tle eafly ~tage- ln'!''' ne even
ing, the director say Ton "',l.'k to-rnor-
part. lie means that tho actor are %.
prctci to learn their part, in that portion. -
tie play 80 as 70 recitc them without referring
white Others fail and have 20 keep their manu-
soriut In hand. on the I iri day they VIII
be rel,rimandcd If still gnrrcpared with the
second act Tor the ensuing day, ynen the third
act may be taken up Thus the actors are
Ry the end Of n week ,icy have learned both
the anguaGe and action NOR" or les, rom
plcte,y. They are much like pupils IN q
soho9l Some are aiick and as.idlons ntnsrs
best and some do not. The brainy actor who
is careless may b. harder 70 set along with