New-York tribune., 1900-07-22

e m s48Tps a are empng IL m enough o and 16o i Will not OF
One of the prettiest of the midsummer colors ls
called ana the name 1d well descrfbes it. Il is
pretty evening color. preter than are most shades
OF violet under an artificial light Such at
aCe shada dog g0%n IS m9de OF SIX r muslin @ % of this
ters of tucks flare at the bottom where it is
trimmed with several small rufles. edged with
yoke, front and back, made of alternate rows of
white ribbon and yellow lace. Framing this yoke
and knotting on he bust with long ends. This is
the elbow sleeves A fold of tucked muslin covers
the waist line in place OF belt
touch Of black on it-at Least, hardly wishes
every gown trimmed with the same velvet ribbon,
although it must be admitted that there are in
Vulnerable ways Of arranging this ribbon For In
black ribbon run through it, and is finished behind
with bunch Of loops and a long tassqi of ribbon
the choer and holding two long ends Of inch vide
yei Xeiyet that noat down on the back of the skirt
best replaced by fold of stuff 10 match the dress
what Pe new @ sum may x ff brn dsa
il G those e IN b@ fo ID is d Used
times the gold is used to form stripes and some
thin wool of electric blue. with large gold polka
dots II. This is to he used sleeves and TRIM
pg IS on os so~ 9 Re R RbR bac 6m ms hG Rq{
mings are gold gauzes perforated or With h la6e in
gray referred to above and various shades OF bright
and light blue
SOME AUTUMN FASHIONS
The following bunch OF gowns are made of the
stuffs and intended to be worn in the
autumn. The first is a crepon of a grayish blue.
The skirt IS plain the sides and has considera BILE
fulness thrown back. Down the sides of the skirt
panels OF blue lace picked with gold. The
bodice is laid in fine tucks and opens 10 show a
deep yoke and narrow vest of white silk laid in
lingerie tucks. This is framed in collar and revers
OF the blue and gold lace and the lace makes deep
cuffs TO the sleeves. The front Of the gown is
laced with black velvet and tiny gold buckles.
Much more elaborate is violet crepe trimmed
with Renaissance lace and narrow black velvet
ribbon. The front of the skirt TO the knees is laid
in tiny box pleats: below the faring fOunce is
cred with OF lace. Crossing and holding this
peated panel at the knees three Of
velvet twisting in and out OF the tiny box pleats
and making three rosettes the left side. The
back OF the skirt flares. but Is plain at the top. The
the velvet being through the tiny box pleats
in the way and tied with a series Of rosettes
the side. The sides OF the jacket are trimmed
with lace and there close lace sleeves TO meet
the loose elbow sleeves. Al the elbows the funess
of the sleeves Is arranged in the same fine box
peats with velvet ribbon. making rosettes on the
outside OF the
A light weight cloth IN pale green makes the next
gown About half down the front the skirt
opens TO show panel of pleated white chiffon. The
sides of the gown heavily embroidered with
white lace figures white silk braid and gold thread,
and this embroidery in smaller pattern extends
about the bottom of the skirt. The bodice Is Of
pleated chiffon partly covered by bOlerO or the
cloth embroidered to match the skirt. The sleeves
bell OUT below the elbows with embroidered
cuff. There is full undersleeve OF chiffon.