New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1900-03-18


rather than high effect. The regular pompadour
all about the head rarely The hair
is. as rule. very much pulled out on the sides,
with few short, irregular locks the forehead.
Some French women wearing bunch Of irreg-
ular curls coming from big puff that is placed
above the forehead II is pretty fashion if the
bunch is kept light and not too regular
The gowns that to be the success at Nice
show deal Of shirrng, not only on the bod
ice. but the skirt. For thin materials shirred
yoke the skirt is pretty and many gowns worn
on the Riviera of thin stuffs. The follow
ing gown attracted deal of attention at the
Casino evening. The material was a thin blue
wool, with a blue silk figure in 1t. The skirt with
the exception of the front breadth, shirred for
about six inches about the hips and fell in half
train The front breadth remained sort Of
panel. and embroidered at the bottom knee
thread in a conventionazed leaf pattern The
bodice draped with pouch front that crossed
decolletage made with a muslin kerchief that was
knotted on the bust This had rufifed ends that
made little jabot down the side covering the clos
ing of the bodice. The kerchief rested on double
embroidered du as Was the panel on the skirt A.
pretty finish to the elbow sleeve was little
Sleeves to these thin gowns. it should be noticed,
have not the tight simplicity that is expected
on cloth gowns.
DAINTY FICHU EFFECTS.
There is a great variety of fchu effects. A
bolero is certainly not a fchu, is fchu
jacket, but the two forms often meet For in
stance, a short jacket with scarf ends that tie on
the bust has fchu suggestion, while soft folds
about the shoulders that back and run around
under the arms in the form Of little ruffies GER
tang outline Jacket f effect gown of pah has
the usual pleated skirt stitched down only over
Of the ~'R he ons
the bodice are covered with Luxeuil lace The
bodice The jacket is short and ends on the bust
with a lace bow. This model would undoubtedly
lose its effectiveness If carried out in cheaper ma
terals
phs dsa IN he
e an eSw and 'a
terial of the gown is thin white wool. This TIL,
a gold ornament About the Shoulders is scarf
Of yellow gauze, dotted with terra Gotta, which
top Of the bolero The skirt is shirred in clusters
Long. fiat shoulder effects are again fashionable.
and are often obtained by the use of deep collars
ooed 0a fa soa Of psaf t na @b skirt
a four inch entredeux Of lace trims the train OF
6sR
sS JR3ss rs 5S5s ef's + INK
effect is. obtained a second gown by a deep
Of GpaTe of @ e
Is youthful IT., The he m 9d'G light blue eTepon is
Just below the bust and from here the material is
aa ba Is K
the belt. The belt is of the same color. The skirt
fails In soft Ths rd goWn spng v
ing suit has IS p o tS uns of dpa ar With
is much shorter on one side than the other. and
Gn the for This nS
VEIN ob bak 1se an o aeed ss with black
ranged in the same way. For the cape effect there
@ in Ras nd ramns
this is a six inch border of blue cloth. on which
are applications of black velvet.
FANCIFUL TUNES IN VOGUE.
he hest ma king tunics n is
wrong imagine them having gone out,
although they are by no means common
gowns for the daytime they Certainly
novel is a tunic Of guipure trimmed with pat
tern of flowers cut out OF red velvet and appiqued
the lace. This is with underskirt of
red moussene de sole. accordion pleated.
Here are two pretty examples of tunics that
appeared at a recent reception at the Elysee Rose
satin yelled with mousseline de sole OF the same
shade made underdress. Over this was a
princess tunc of bands of white satin, held to-
gether by gold laurel leaves The effect of this
lovely. The train and corsage were trimmed
with motifs OF white lace The elbow sleeves were
of lace embroidered with gold and from one
shoulder started trail OF For the other dress
the long train and half the corsage starting from
the right arm and sloping down TO the waist. A
ans followed the line ' Of the R velvet f rf he
de sole laid in soft folds. Crossing the bust was
a. band Of purple purple velvet which made bow hGla-
shoulder. The lett arm was bare The tunic was
trimmed on the SkiTt with lncrustatfonS of lace
and butterflies and opened in front a little
10 the side. TO show lace underskirt
Evening gowns to grow and more
elaborate. Satin is always yelled with mousse
line de sole or gauze to give softer effect and
even costly laces are embroidered and improved"
in countless ways The time has certainly passed
when handsome piece of satin velvet trimmed
with founce Of real lace made evening gown
Now, half dozen materials combined in the
same gown and even the richest and most beau
tlful stpffs are regarded simply as groundwork
gowns confusing. the effect is rarely so The
artistic French dressmaker has one single effect
in Sba
are simply means TO this end; she them as a
painter his palette