The sun. [volume] (New York [N.Y.]) 1833-1916, 1900-04-08
NEW PIANISTS THIS YEAR.
PERFORM ERs FOR THE
FIRST 1lME ~ NEW YORK.

hH'"D RON IKE
TA""A 1A"H " We" iohh'
v.,.. No.. y-----
III. A.,oc,.,.. ma n,..,. a., -. V,.,s
Nome Of IN. Wom.n pi.v.,.-Tn. r..
New yiol,u,st. sauna NJ s,n,...
rv.,v ,L,-. -. n -
r,l,,, . 80. -.
cnro h.,. 49, 49,. 49, mN"N
t.vo,o, ,h,. .,,." aa.,, ..s 49,. $3.50.
.,.-. - IN 80,
a.. "I,-.- ~ p'"ao' :.
,n.,. 60 ..,..," !, n"'o .-'e1
49,, -, ..'
am -. Nas n1"o' "
,a, ,.i,, - r
.,,,,..a. -
...r,.,u ;. s.,i A.. -. an NI
\. w.,..m.. -. -, -.
80. ,-". ~, -, --."
-..au.a ~. - - "" ."u
,,s,,ou. -. A.. -
N. clo.. -, ,h,. La,n -. - -.
.,r,..i.,o,
Nal U.unu A.. y,.. . -..u
e,., =, ~. $50. =, ~. -. -.
h,m..,, 49,. u,hn. ~. I'm Y....
.on 49,, 80 49,. a..
49,. .,a ~. $1,000 ps..u-..i
v.n ~, p..hw.nn .,,, ~. $50, 49,.
=, Cbonir,, mnsir ,hi. aun. $50 80 ~
,,r., ,nu...,a. Ins ,osh .nS
,,.m.ndo,. .nd u. h.u,,.... ~. 80.
~. ...,..u ~, 4. -. - 49,
., ~. ,au..-r.. .L. ,n.-- ~. n-.
.,,,,ss.' .o'N, HnA AA- -
go, ah,..na. AZ a., 49, 80. .r.".
-, ~ u.N ~
,rr TN. on.n,u =. nn,a,h,.s,. -. %.
,as.,,.d ~ h1s .nv,,,,I ,,...sM
r.n,.I va
meh'"' "nu e"ouon"' quoiiuc" VIM s's0 suca
charm TO the work Of pianists who arc not nearly
his equal in the merely technical side of thefs art
7, 4. ,.,.,,., q, u.u.-- ID, - 40
!. :" eo'ouu' u """o'uis ~ ee' pl"y "'~
the charm that comes with the Possession d .
poetic spirit Paderewski plays as he dos
ooo% Is" PN 10 We" a" pa"ss H"m'
bourg does not seem likely to acquire the pceoo
spirit al any time. And II 10 a question II th9s
nn."mnS,..n.. t.. nta." 80
~ Mis- ". i'une
In the wonderful virtlity. freshness and physical
h...r,.,n,r no......s T.. 49, - "m.t..-
neoe'"", p'~S~' . VI mig ~ unqus
degree Maturity and development may rob
him OF these wholly youthful CHARACTERISTICS
u,,,o,, or.,i,o IN ,h.;, La. ~, iu,.nar,u.,
".nou' o"'rDs ~ nv. la"e "0 '."
ana emohonai qualities mat are now lacking In
Hambou,o's touch mazda IL limos sibls for him
', nUV y W N
ever 70 acquire as iulS as some ohef payers
the sensuous quality that would supply what u
now ,o,rd % pa dsac,sp, in his wo,L
~ nH At
Ludwig b'ei'ne1' VINO 'hme second IN this
seasons series Of new pianists, was a complete
contrast 10 N Uambouyv lie f. An extremely
49,. -, -..iI..,- -. = 80. ~.
hhlshed ana musclahiy pianist VINO lacks Ut
terly the qualities that made HembouIg's playing
,n,oue His technical couipment ia good And bis
-. - L--,.- u.,.ra., ia. 81 ,h-o.-I
manner Vi P'n'ihs uh'h"rcs''n oniy uhoosn
a. ank ~ NnrtAfp and tina m lGA n nf n HaAk
n, brillI,ncy To relley. i,s placid Hui All and ce-
gance' Good. taste and sound musicianship
are The most striking features Of M Breinus
art and they Are not The kind 10 create a lastin9
impression on the general pubic, Mr., Brett
ner's work seems TO I've pedngoglc, rather than
that Of a vir,uoso, and in that field he will doubt
less find success here. NJ. Hamburg has re.
pea,ed almost everywhere the Popular success
BE- made in New York. All ~rianists who selected
this year for a TIP TO the United States struggled
afways absorbs the pa uonage which the mbuo
is able TO give a pianist TO a degree which makes
grea. profits impossible. AIis,ie interest, Is
ances OF the distinguished Pole. For that reason
Hambourv s success was the more remnrkable.
Ernst Won Uobnanyi was the last Of the now
| PLAYERS TO come before a New York audience
| and he succeeded in winning success In a way
different from that Of any Of his predecessorA
II. is AZ Young ns Hamburg and ike him in
no nIbe, naTitnlar NJ Iohnanyi is very mn
like he average piano ,irtuoen His purpose
is evidently TO DO he fullest Justice 10 the COM
ppspr's work lie makes no attpmDt nj personal
| display and deyoies every resource Of his art 10
he reyelaiion Of The inuermo,t spirit Of The com.
nn.jtIon he is seeking 10 inIefpret His tone is
| large and his technique equal 10 any demands
unnn IL Nithout be{rV dry The ousliiy of his
riayirg ia dis,inctlv infeueciu,i in he hast senss
| ~ he word II WAS in his performances OF Bee.
,hoyanis mu.,c ,b,t no reached ,ha highast level
~ excellence here His nlevin0 III BraimSs
ysr,,inn. .bnued his conn iet, technical eouip.
nent al i,s hest and his reading az { hopin. while
nnssibiv moi The one mos, IN Ia nrefeIred. gave
tu,,La, ,,,,f 81 ,bo ,na,i.,,, yarsa,ili,v NJ
Uohnsuyi 10 a rrn;i of Lugen d'Albert and Lia
methods ara similar in many narticuiars Id
ia moi unikc SionnT Busoni in bis thorough must
,isnshin ana .eYious musical ch,rsc,er
"a gtn,, ~ unman risnis,s Includes FfhA
>excn,ra nunii ~ ic.rLi,i,sLv and one Of IN
most r,oniirr yonng nerio,meys hoard here Ia
several seasons vb" rI,ys With inteliieeDeH,
! taste and real mu,ical n1nreIetion and feeipRS
Fyieda Sier.ns whu was heard ior lie FIRST time
| SINCE she nnnoared as a child and proved
| Ia, her ,.lsn,e had hean Jevelnnei and hrourhl
nj Rbo Tor " wrmsn showed he possession a
nm unusueiIy robust .,vie, and JuNe Ceyer. who
at no, c"nIe,, Ias, veel denrnnstIated that she
WINS a rinni,, If fpe ,rnining' musical instincts
and ,,t.lligon,a 4, Iea., i've NJ ,hese performp
? - Ir,l, o., no Lonrd ~ i'm tho future
Amnr~ re yioIinists Who u.rc heard here fcs
Tho trSt ,n,e las, uin,er Yas ana who appealed
espariellv to he ,vmpatbies Of Americsn Cd
r rn., Nv T.. - 30 in,a,est uh,ch
islands bnd ,,or'ed in H., .,ud;ns sh,oad This
w,s enr"ro Jartsnn wbn re,,rned here Ate,
ssyernI ve,ts ~, s,udy In Iryore under Prof
Irscli,, NC I,cl sIn c,rrn, bn soid 10 baye
mo, ali ,bo nvp.c,oio,s ,,,u,sd by he renorts
81 b., ,.ior, q. a,,L ia s,o,io, q no, Immense s,,o
cesras oL,n.i Sic "a .l,w tbp nossessioo