New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1899-11-04
ART EXHIBITIONS.
THE NETWORK WATER c0Ion c,r
MEzzOTINTs AND DRAWINGS
MAXFtELD PARRISH

thing ICES than 30 numbers. incluai,g -
lures 80 that the Hanging Committee b,.
able 10 avoid overcrowding an0 fo produce =.
orderly attractive effect There a.. s
creditabe centre" pictures Mr. Albert tor,
at one end Of the first gallery. strikes b, =.
seated figure. draped In red. Patricia" a h~f'
liant note OF color. and shows some good d.
ing. The brliancy rs a little hard bu, ,s no..
/ the loss pleasing. chiefly hecalee II does -,
/ signify oudty. Nj Horter Is clear and ,,,
ough. though he lacks suavlty nhere ,,..
quality would have improved hts work ~
" Eaton, at the other end ~ fhe gallery q,
/ hibits several interesting studies - Mage.
/ Falls. The vaoorous oraescence Of the g,s.,
waters is fairly well rendered and While ~.
/ miss the sense of power and movement viii,
/ should be- conveyed We are glad 20 testify N -.
/ restraint and taste with which The artist Ia,
treated difficult theme. 40 H. June Mo-,
rise. Niagara is perhaps the most success,,
in this group Of pictures. In abiding 10 wors,
conspicuously hung We may venture 70 lnqu,.
why the three water colore contributed by n.
q. II. Clements are not among them Here n.
generally judicious committee has hlunderr
The largest Of these pictures "A Red rmoreu..
lust falls snort ~ the point 20 which ms vg,,.
carried. but it IS still a clever piece ~ gort
and it's two small companions. AZ sea" ana
"New-Orleane." have a vivaci;y and or.gns
flavor which should have caused them to b,
put anywhere save in the rather obscure 81,
rers they fiji The exhibition is not SO sir'rr
that it can afford to have the effect q two .
the best things In it mining
The freedom and the fresh point O., Yer
which make Mr.. Clements interesting arc vs |
lie also in the work II Mr Charles Agg,
Needham. There is delicate color In this 70,
tlenan's mysterious landscape. entitled. viz
some Alteration. A Dress - Amber Satin.
and in all the things he sends We recognize
sensitive temperament on the other hand q.
fear that his generalization Of landscape form,
does not conceal knowledge. bat hides the ls..
Of it, His work is good. II nigh, be hettsrg
IT did not contain SO many obscuri'es There.
less character but a good deal more ability |,
MI Morgan McIhennys Two large painting. q
which the sunlight and Shadow" Is particular.
is admirable Tor its luminous quality. II.
oak" by Mr.. Frederick f. Williams. is trutt.
full and persuasive landscape over which We ar
the more disposed 70 linger since r MARKS 81
Improvement in the art OF a man who has Z
/ late years come upon the scene. Ho paints nov
in holder and frmer style taking broad,
view Of nature. This picture rai0eS the beis
created by its predecessors that ID time he Ill
| go far Another artist in whom We observe
/ development for the better is Mr. L. Ear.
whose Along the Canal suggests that he ,
acquiring a manner moro refined and SUPP
The Rendezvous By Mr.. \ T. Van Laer .
| likewise better than most recent things ty thai
artist. The tone Is fresher tho color purer ami
brighter the whole work more Spontaneous ar.
charming Mr. McCord's Afternoon Coast y
Maine" IS sound I'm design and unuslsiy sweet
in atmosphere From Mr.. Jules Guern " ~.
pected better work than ne sends
Among the remaining landscapes no b. \,
La Fargo stand pre-eminent; and si~s ss
Venetian scere by Mr.. Bunce irifle srerrs'y
and stereotyped in IT'S method. but full II lovely
color The few good figure pieces no' 80, n'r'
toned are most satisfying when they are 'se
ambitious The Portrait" by Miss Parrish ID.
st Sebastian" by Mr.. Locke. the Orirud By
Mr. A. J. Keller. the Portrait" hy Miss Con-
stance Curtis. and he two big portraits Of CHI
dren by Miss Lydia F. Emmett are all woTs
manlike productions in which. however ne 10
not find any great charm. The ttlo theatre
study. The Gallery" by Mr. y VI Rosenberg
and the sketches by Miss Davidson and Mia
Noteworthy, are slight. unrre;ertious Fragments
tut they have life and new, elastic qualify
which is refreshing. Miss Curtis in her open
air Portrait Sketch" surpasses her other coz
tribution to the show, and offers indeed, capf
tai Illustration Of the brief, rapid, artistic sug
gcstion combined with a degree Of sohdly
Mr. Rosenmeyer's smooth and expressive por
trait OF a lady. Mr.. Parshalls cattle study MI
Palmers winter landscape. Miss Siities p'e'V
Gray Day Glimpse" and tho landscape VIZ
sheep. by Mr.. J. a. s Monks from the group
pictures with which we conclude our note on u
exhibition. AS in so many Of those that hs'
gone before ii. the average is Respectable a.
the visitor is mildly rewarded for his pains. ia
doors will be open 10 the public tomorrow si''''
noon and the exhibition Will continue un'i ~
yember -.
At the Wunderlich Gallery there may be ser
en- extensive collection u English mezzou''
of the last century. numbers Of them being
portfolios but fair proportion appearing
the walls Some respondent impressions are
cluded Reynods's engraving after opies }"
length OF Fox Sir William Beecheys po'"'
OF Lord CORVALLIS. in the plate by d va
and G. Turner'S engraving - SIR InohHs -"
renCe's "Willidm PluIner may 'F ''fN
noted An ANONYMOUS engraving after pr
trait OF William III No. 3iO). IS shown ~ :"
proof and three other plates may he nam''
that by c. Turner after Raeburns port""
| Mr. Robson that by W. Say. after Lanes
/ Ramsden" and Valentine Green's mace ~"
Chamberlain's quaint portrait of '"."
Fielder. Fruit Broker" Some ~ these N'''.
and luminous masterpieces Of the 'ns'''''
art are familiar. but the periodical dsi'a's
mezzotints which We have are always W..
! Like classics OF literature. these cAss'' 10
productive art never lose th@r pea'N
vitality. Mr. Roger Rordan sas prepare, 4,
pamphlet on mezzo,in,s Tor the exhibitor WIN
should be ~ service 70 the Student ana '"'
| lector.
The only fault We have 70 ma VIZ
Maxneld Parrish's exhibition 81 MS ',
ings at the Keppel Gallery Is thar u las
,,r~ ,o,,irC I, fe NOW SeAeIdl -