Barre evening telegram. (Barre, Vt.) 1898-19??, 1899-06-28
TRIALS OF A WOMAN.
SHE WHO TAKES THE TICKETS AT
THE PICTURE SHOWS.

Gus Phases of Human Nature That
at TIM 81 h-e on Dress Parade.
AS r. the young woman who
takes tickc,s ut the picture exhibition
is an art s,.,!pnt herself. The other
girls trying to earn money envy her
and think she has "soft thing" It
is apparently easy enough to be the
ticket taker at a picture show. All
there is to de-, apparently, is to sit in
a roomful Of pictures, take peoples
tickets as they come In and sell cata-
logues.
"You would be surprised to see how
much work 1t u.s." said girl who
takes tickets Mt one Of the big exhi-
billions. "You have to keep your eyes
open all the time, for there are large
number of people who try to run past
without tickets. l have to go after
people a dozen times day. calling
Ticket, please and they turn on me
with an indignant stare. Most Of
them then go and buy tickets. But
one we'll dressed woman the other day
took up her lorgnette, looked me over
from head to foot, and said In an Icy
tone: Ticket. | have no ticketv and
proceeded calmly on her way. ran
after h"r again.
"'Madame,' I said, I shall have to
trouble you for ticket
81 have already told you l had
none she said.
"'Im afraid you will have to get
one,' said L. | was beginning to be
afraid l should have to get 'Douncer'
to put her out, for | was determined
she should not go in without paying.
That Is what Pm here for and am
conscientious. Well, at last she tlounc-
ed out to the ticket office, bought her
ticket and put it down on my desk,
saying:
"'What an impositionv
"That is one sort Of the people have
to deal with. Then the other Is the
kind who wish to borrow a catalogue
for minute and keep it the whole aft
ernoon. | have to be very stern about
catalogues. The best way is to polite
ly look up whatever picture Is asked
for and to absolutely refuse to let any
one take catalogue for a moment
and ! really believe she asked me
every single number in the room. |
did more than Is cents worth Of work
for her, l can tell you. The worst Is
telling people the price Of pictures. Aft
ter about six weeks of 1t 1t CRATES on
ones nerves. This is what continually
happens: A threadbare old gentleman
comes to the desk:
"'Do you know the price Of pic
tures?' he asks.
Yes: would you like to know the
price of any?' reply.
""There is one in the other ROOM he
says.
"'What Is the number? ask.
"'l can't tell you the number. but it's
in the other ROOM
"rhen l have to send him for the
number.
"'No. 221.'
""That is $500.
"'WhyY asks my old gentleman.
"If it's early in the afternoon, ex-
plain to him that l suppose the artist
thinks it worth that; that he Is well
known. or what not; later ! say 4
don't know Not one person in so Of
those who ask the price have the
slightest iden Of buying. Some will
go through half an exhibition and in
sst on knowing the prices Of all.
get SO tired of being polite and affable
to all these people that by the time
get out in the evening | am ready to
insult my dearest friend for the sake
Of being rude to some one. It's so
hopeless telling the price Of a picture
over and over again and each time
having the people exclaim, What an
awful price"
"A great many people hold me per-
sonally responsible for the pictures.
Lots of people come and talk very dis
agreeably to me about them What
makes them have such bad shows?'
they ask me. Young men come up
and say. Isn't this awful trash?' in an
accusing sort Of way, as though l
had done it all myself. And one man
fairly shook his fist in my face and
demanded his money back. It's a
swindler he shouted at me. But it
really wasn't my fault
"At private exhibitions it's different.
There people come up to me and say,
What privilege to sit among the
works of the masters all day! l
don't tell them that If sat among
the works Of the masters much longer
| should go mad, but would like to.
1.-THE 9th : day friend Of mine
took my place. A man came up to her
and asked:
"'Miss, is your picture among these
works of artY
"'Why, no. she replied.
HE stood off q little way and
squinted at her. 1T should be-you
are worthy Of it. Did no one ever tell
you you had beautiful profile?
THAT was a little startling. coming
from an utter stranger. Later she
learned that her admirer was -. the
we'll known photographer. OF course
he had been looking at her through an
artists eyes and from a purely ar
tistic standpoint and had meant no
offense But 1t was trying" New
York Commercial Advertiser.
Fire at Weddings.