The sun. [volume] (New York [N.Y.]) 1833-1916, 1899-10-22
THE ARCHITECTS REVENGE.
LESSON FOR 4 BOSTON YOUNG WOMIN
EICKLE OF HEART.


EICKLE OF HEART.
She Talked Architecture During the
Counting and Her Father Had to
Pay tho BIZ when She Tilted Her
Teacher Annie Russell Likes Com
EDDY 80 New Yorks Mnlo Dressmakers.
There was an odd SEQUEL to the breaking OF the
engagement ~ Boston young woman recently.
The young wumans friends thought that she
was deserving Of ms good a man as there was to
he had. Her hance was young and handsome
and above all came from New York. That adj
vantage is appreciated even in Boston. SO tho
Boston maiden seemed to have done we'll but
after six months she concluded that she did not
care enough for him to marry him
The break was arranged well bred people do
such Ihings. |, was only to the family and few
friends that the subsequent proceedings became
known. The brtrothed was an architect During
the days Of thcit engagement the young woman
discussed with him the alterations she wanted to
make in her father house. The girl was deeply
Interested in tllcm and some persons were ma
licous enough to say that this link was tho prin
cpal bond between them. and that its completion
opened the giils eyes 10 her indifference 10 him.
At ali events, soon nftcrword the parting came
In the letters that passed between the young pco
Pile regarding the rupture there was no reference
To- one written to the father With only few
words nf explanation, II enclosed hill for tho
architeC s services in rcmndclling certain parts
ofhtshousr. The charge made was $4,000 That
was a fair price for lhr work although The lll was
q tribe surprising The h was paid. though. and
the last word in This engagement was the receipt
sent from \cw York The subject is naturally
on" to which the young woman never refers. Her
friends have sometimes wondered II IL done
In revenge Others have sometimes thought that
she may have been Interested unconsciously in
tic architecture md not in the architect and Ibis
fact did not escape him after they had finished
the work. lie found some compensated for his
disappoin tmcut in hat case But nobody really
knows the emotions and motives Of these Two
young persons
"Somcbodv asked me the other day" said Annie
Russell II nkel TO play light roles after having
been associated for so many years with serious
roles ! said that certainly did. The person
who asked the question is himself an actor who
has become almost equally famous in both lines
of work. | told him that enjoyed every moment
of relief from expressing on the stage some part
OF tho misery and suffering that have had in my
own life Any woman who plays tragic paris has
got do that If she is really going to the best
she can. feel in a sad or tragic situation, ,hat
| am showing the public part Of some experience
that have gone through in my own life. Every
| actress who is confronted with the necessity Of
| representing a certain mood. il very likely to
| look into her own experience for model
| which she can follow. In the scenes that dcpc,
| unhappinoss and misery, shc is likely TO look
| back some moment in her own life 10 find tlle
| prototype for IL That naturally Is not agree
t, ,.;,.. ot ,a,,... ,,,,i, ,a, ~
nui' "Npo'e"'o' VI course 'oH"''' 'eAscis u'e
effect Of these rccolcc,ions but only to q certain
extent The effect Of playing such scenes is
| In hay ia
pounu W ,'a'o '@ ',nos,on". nSIiS .''m nv
| fore am slways delighted at ,hc rcicf OF acting
comedy p,r,s They touch only m, erreeohl,
experiences oi life, anu the strain oil representing
them is never serious think this is the expert
ence OF every man ana woman on The stage WHO
takes his or her art seriously
| The intrusion Of the man tailor into the f1elC
nj the drrssuakrr used Ia be explained in this
oarn,,, h,, s.rire- ,bo, no conrrod h ,rso,f +,
| the work for which he was best ht'cd. AbrOac
| the man drcssmakcr needed no such justfca ton
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