The Anaconda standard. [volume] (Anaconda, Mont.) 1889-1970, 1899-05-21
airy roll began to take on proportions
like her own abundant physical charms.

airy roll began 10 take on proportions
like her own abundant physical charms
Coauelin's father was a baker in
Boulogne, and his highest ambition was
to see his sons honest tra1esmen like
himself. Coqueln was made q secre-t
taire two years after he gained his con
servatoire prize, and first made himself
unpopular in the Coincide Franchise
by his extreme industry. He would
insist on giving Special performances
in the provinces and once when he had
announced a Sunday evening appear
ance at Rouen a matinee was given at
the Franchise in order to thWart him
But he acted in Paris took the express
for Rouen, and kept his engagement
there that night.
Jacob Lift, who has accepted Edwin
Arden's play on q Russian subject
which was Originally called THE Chill
dren of Israel" has decided to rename
it, as it suggests The Children of the
Ghetto" which the I.eber company is
to produce. Mr.. Ardens play will re-
qulre very elaborate production. One
scene will represent a mine in Russia
and 1t is intended that it shall have an
extremely weird aspect. thanks largely
to the introduction Of the pale blue
calcium light. 1t will terminate with
an explosion which may send some of
the supers several feet in the air MI
Arden is to play the leading role.
An indication of he desire on the
part of the. New York theater-going
public to see Miss Maude Adams in her
production of "Romeo and Juliet" was
shown by the call for boxes There are
six of these in the Empire theater, but
when the mail orders for seats were
opened there We're found to be by actu-
al count more that 40 applications for
boxes. That is to say, the people who
wanted to sit in boxes on the opening
night were enough in number to fill the
whole theater twice.
Sarah Bernhard has recently ac-
cepted fairy spectacle for her theater
and explained to a Paris reporter how
she happened to get the play A poet
| read to her drama in which the verse
was beautiful in sentiment and execu-
ton. But his play was inconsistent
and undramatic and had to be refused
| Shortly after that a librettist brought
| her a well made scenario damaged by
| the wretched verse in which the speech
es were written. She remembered the
| undramatic poet. brought the two to-
| gether. and now has what she con-
| siders an admirable play
| Liberty was taken with the supper
| scene of "a Partisan Romance as per
formed on the closing night of a ST.
Louis stock company. The principal
| actors toasted one another, praised
the management and complimented the
audience in fifteen minutes of interpo-
lation. Then the aged roue had his
usual fit and died as horribly as ever.
| Anna Belmont, formerly a bump
| tious sOubrette with John Drew, Sol
/ Smith Russell and What Happened to
Jones' has married, and says she will
act no more. She was one of four sis
ters, all of whom made their first the
atrical appearance in Hands Across
| tie Sea"
The management of the Madison
| Square roof garden and Matthews and
| Bulger are endeavoring to come to
| terms over a scheme to have those
comedians present on the roof this sum
mer burlesque written by MI. Matt
| heWs.
An elaborate revival of Shakespeare
tragedy of Macbeth" will be the fea t.
ure of Frederick Warde's repertoire
Roland Reed will be at the Grand
with The Wf9hg Mr.. Wright on