Rock Island Argus. (Rock Island, Ill.) 1893-1920, 1899-07-19

As n rule the young woman WHO
takes tickets at the picture exhibition
is an art student herself. The other
girls trying to earn money envy her
and think she has n soft thing 1t
is apparently easy enough to be the
ticket taker at a picture show. All
there is to do, apparently. is to sit in
a roomful of pictures, take peoples
| tickets as they come in and sell cata-
| logues.
You would be surprised to see how
much work it is" said a girl who
takes tickets At one of the big exhi-
billions. You have to keep your eyes
open all the time. for there are a large
number of people who try to run past
without tickets. l have to go after
people n dozen times n day, calling
| Ticket, please and they turn on me
with an indignant stare. Most of
them then go and buy tickets. But
one well dressed woman the other day
took up her lorgnette. looked me over
| from head to foot, and said in an icy
| tone: Ticket, / have no ticketr and
proceeded calmly on her way. i ran
| after her again.
Madame / said, 4 shall have to
trouble you for ticket
81 have already told you 1 had
| none she said.
I'm afraid you will have to get
| one said J. i was beginning TO be
afraid l should have to get 'bouncer'
| to put her out, for l was determined
she should not so in without paying.
That is what I'm here for. and | am
conscientious. Well at last she fiounc-
ed out to the ticket Office, bought her
ticket and put it down on my desk,
| saying:
what an imposition"
''That is one sort of the people have
TO deal with. Then the other is the
kind who wish to borrow n catalogue
for minute and keep it the whole aft
ernoon. 1 have to be very stern about
catalogues. The best way is to polite
ly look up whatever picture is asked
for and to absolutely refuse to let any
one take a catalogue for n moment.
One nice old lady took me at my word,
and / really believe she asked me
every single number in the room.
did more than % cents worth of work
for her. 1 can tell you. The worst is
telling people the price of pictures. Aft
ter about six weeks of it it CRATES on
ones nerves. This is what continually
happens: a threadbare old gentleman
comes to the desk:
do you know the price of pic
lures? he asks.
Yes; would you like to know the
price of any?' l reply.
There is one in the other ROOM he
says.
what is the NUMBER 1 ask.
81 can't tell you the number, but it's
in the other ROOM
Then l have to send him for the
number.
"'No. 221.'
THAT is $500.
"'WhyT asks my old gentleman.
eff it's early in the afternoon, 1 eX-
plain to him that l suppose the artist
thinks it worth that; that lie is well
known, or what not; later / say, L
don't know Not one person in 90 of
those who ask the price have the
slightest idea of buying. Some will
go through half an exhibition and in
sist on knowing the prices of all l
get so tired of being polite and affable
to all these people that by the time L |
get out in the evening l am ready to |
insult my dearest friend for the sake |
of being rude to some one It's so |
hopeless telling the price OF n picture |
over and over again and each time |
having the people eXclaim, What an |
awful price"
"a great many people hold me per- |
sonally responsible for the pictures. |
Lots of people come and talk very dis |
agreeably to me about them What |
makes them have such bad shows? |
they ask me. Young men come up |
and say, Isn't this awful trash? in an |
accusing sort of way. as though 1
had done it all myself. And one man |
fairly shook his fist in my face and |
demanded his money back It's a |
swindlev he shouted at me. But it /
really wasn't my fault
'At private exhibitions it's different. |
There people come up to me and say, |
What n privilege to sit among the |
works of the masters all day. l /
don't tell chem that if l sat among |
the works of the masters much longer /
should go mad, but / would like to.
1.-The other day a friend of mine
took my place a man came up to her
and asked:
Miss, is your picture among these
works of artY
"'Why. no. she replied.
He stood or little way ana
squinted at her. 1t should be-you
are worthy of it. Did no one ever tell
You you had a beautiful profile?
THAT was little startling, coming
from an utter stranger. Later she
learned that her admirer was -, the
well known photographer OF course
be bad been looking at her through an
artists eyes and from a purely ar
offense- But IL was trying."-New
York Commercial Advertiser.
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