The sun. [volume] (New York [N.Y.]) 1833-1916, 1899-01-29
THE oRIG1N or THE WAITE.
An Evolution from n Religious Dance-How
It Became Fashionable In Germany.
I,.a.. u. p,.,..,.

From the Pdriddn.
The opinion most generally conceded is tha'
france received the waltz from derman'
toward the close Of the eighteenth century
and among many beliefs this contains the mos
truth; put the Justice OF attrioutink 10 Ger
manic Influence the renaissance OF the waltz
..... -, =, -, "NI. o.-...
statement that IL mad It's origin In dermany
Like everything else that touches humanity,
Iii ~. 49,, - ,a.a..n..
III " noi =, y. q" ~.
present form from the Drain OF a dancing mas
~. - -. ,zon - "a 4.
FIRST mentioned under this name. its graceful
curves and cadences were displayed on the
village greens as well as in the golden salons
OF palaces: II had its alternatives OF vogue and
neglect. it's supporters and detractors.
Tho wilt lilo many Other secul,r tbinps
II M"'t". "he many o'het socu'ai '"ihss'
we find INST in the Church, where. in the midst
Un,am ho,n'oon anaion. ni,iIiaotfo, and tbo. aI
IN. miIdlIs nuss She sncrsI donce ~ the M.
saIs ~ pitseLNeu w. ueI.n,n ipilie u Snl.s-
."a ar.eS, n, ~ Sram e % u series %, Jen o
:, isiiGore "u SrcbbSisb%n nf saviITe Ih nrn ahnnt
H.. ~ ~ Was intIus,eu ~ the I1umsn OF i9,
,rno M NV ~ tv, i ~ ~, u ~ 10 ~
which there da%S Wa s a lam IAN DGmrlne dance Ihe
H'uhT'G nG.iuea - !, ~. ~ -, ", ~ ntuiE.
in az Snalni and It uttered but dittie from Th
Ne" ~ $500 ~ 'nnJ my LII
rrte, He,ep Te arlt T. 90, nHs elgnfn Gen'utEE;
% nis ,ae M"9rS mts5 ~ Lnfuden 7pn'n, was SUI,
GhnrGheS o. l9iedo; WHICH me Moors apan.
of,ar bn ~ NV Z III H GaS'1 NJ N SSn ~ g'yi anu was
This was known and employed in Provence
i ~ az = ~ u na ~ 49, w ~ ~ uSG ~ ~
ds'o ovS n nnpr v AMI Ina avideSSti ~ c 1sa moit 10
H. r"n,n, IN "a 40 ~, nueue9
S.o ins'ruiien, WILL, u Sme ancient saSpeu
nine inyonted Two centuries r. q And this
al Al the reiRlous lance Oh me middle ages is
ia H nn e W. ~ If tbbis raIiainis Ia IN bswiinS
is sn St tRrnneh M many .nys c feIlG,esS b e ! ar n1v '
at IT'S present lorm n.rtrrv w,on .ho c,ooor
ian IN rit me sn Tr1Eentmd c the i, NIgor %her rit tne tb mTSg anre
uaSappenriq ffnpm so t9e ,nurfn: ~ anpeareI
very luichIy IN S"cigty uhuer me name Oh
siterward Under that Of ' basse; dance amen in n" whish
T unt ffTi an II rt re nnSH Xix ang a y ga
fUo I Ynrv slo NO J snh c com p meea i, ~ fnree parts'
The peopie"and. at this time. ali who were
not OF the clergy or royalty were the people
which Igh'St ana a, mere iiVety. appealed to
tneHt: Hhu' nsule ny nus, J.. n9canle cnanEeu
under the name OF romagesca. and from there
!. paSseu ob y tfo tSaea anu sJu SUI 10 ueinianS'
t a. III an Gac u v 70! Ine1Ge ,c onrtrre = T fbbss 1iversi-
'cI ol nme peol'ei uou.-,
~ ,bhLso ,ence H. Soon peSamS Ine gaitaru.
ana this name inuicales the character OF the
tra~nstormation: ~ 49,
voI,te vhiinh w ~ ' in ,,r Ia'e = rrnp e uaneer tns
the gaiiiard; The measure was ,ernary Ike
me latter, anu mig pc deslGnated technically
III W seei9, q strp' ieeL t1Getheri pause,
IN Ip',eu on u ,eit 'ooe. aurn,hR fne le,s sn0ul-
ger toWarG mem repsa,ihE TINS iour tines;
bracIng as tightly AS possible the neck OF her
S" As cnn be seen at once. this dance resemblcd
three time, it was the aIst dance in which a
M " T. hrn a nj" his n n tme 4 tn ~ WIN INC aahSef
nor touGn nd tne Er23H n the cavalier held her
the 'Snmm u rm%oWsmen d Ia IEn q sh ne eAecuUeu
Al tme courI 3i EaIois NE vote was Z tayor-
iYg LaI Henr esifeiH was VIZ r oa.dhe ni,h f fho AiPe Sn,;
which Clement Marot set to an air {. the
tbb a c tnlnEhIn sLd perIha ge tn ma what 6 SamEe n IRON
Inc VoIte; Us ana later the waltz. turned the
fe" \ = va y rr Sni S.ife ~ ne queen: marGuerI1e
AlIer ne cotrupt court o. Nnlols had been
I IvspS Of fbe p Tre me ,, aGGs2ne' I'm on" rsItan nI a. the
hn,tc u 1"gnueI Tncnnemt; tnis dnnSe dlshn-
!ISn5er IoF it sTea lfgm s@nrtjl sI'y ybe sn IaI psof the
lalIer diu not descend from u directly, but was
ratnef tne HounHer sistcr ~ IT.
have ia i said, tn tnf pr T% y and t6nfSppTn Garm as we
aGEeTPneu Ia these countries very diner
49, ~.
chahHcd the romahesca into the german and
me Eolte succumbed. while young. to OBJ
larIoh; ~ tne siXteenth century. bv very rea-
son OF rs excess, nut the german lived long
Hn Ibn pp4dIgle si ' me Wilt poido which reiGns today. GirE
tendeu TO TX deInitely the waltz among Ger
IT In nigh society and max Ing 1t known
to iorelGners; This was its Introduction In an
nl,eri Py hlnceht Martin una Cosa Nara;"
%mlchb' ~ ! uuSz; IethEoned' at Vienna, the III
EURO 81 MoIart. four characters in this
pIerh' Lu'uU' lL'd; una ana Ltln. dressed IN
nihck anu rose Color. danred on the stage the
rrSt waitH.
" Ire dTew aaf fhr att. neGiept no OF od me 9nerG natural
ana unaerthe ntine OF c9sa yara II Immediately
necame me Iasnioh; ana shortly aterward as
= Iuien tne naine ot waltz by which 1t mas been
knl3%n ever since
inus, from me tonrdion OF the nrlstocratic
t an tInnSlormgd py tme people was born
Ine ronpaneIcn, Whlch became. IN Franco. the
shIilaru unu Nolte' phd IN Germhny,, through
various STAGES. emerged At las, into the waltz.
ma Ini5 lust hNathr OF the old dance OF the
Eleventh century seems to be Installed definite
~ y i, T 4 %sI '5z,f w. "nS aIx sSs hsd; n q az air @%.'1 Yin
Hum aissdieV over ali 1n and d't io.duy h en m u h%I