davidaulloa/AmericanStories huggingface dataset:
The times., 1898-02-06
Grand.

Charles Z. Blaney, whe has written
a number of successful farce comedies,
this year produces for the first time
what he calls a musical farce, and it is
said to be the best effort he has yet
made. 1t viii be seen tomorrow
night at the Grand Opera House. As
the title might indicate, "A Hired Girl
is q satire on the ways and whimS of
the autocrat of the kitchen. An out
line of the so-called plot of the story
shows the numerous possibilities for
fun-making.
A young German graduate of the Mu-
sieal Conservatory at Berlin, Herr Yer
BlotZ, comes to America and accepts q
position as instructor at Nassar. He
marries a poor American girl, and as
neither is yersed in the arts of house
keeping they are compelled to secure
the services of hired girl The lat
ter has ideas of her own, and, al
though her intentions are always the
best, in her efforts to. ecDnomize for her
employers she usually manages to mix
up everything she attempts.
The Professor. it appears, had been
rather wild in his younger days, and
had for a companion young American
who was also q student at Berlin. To
this comrade the Professor confided
all his secrets, ameng them the fact
that. unknown to his family, he had
married a young peasant girl. Fearing
an exposure, the Professor fled to
America and secured the position at
Vassar. and after hearing of his first
wife's death, he married again. His
former friend, hearing of his second
marriage. decides to hold the secret of
his former alliance over his head and
thereby. as a supposed English lord,
gain access to the society at VaSsar,
and be presented to one of the most
wealthy girls. The schemer presents
himself at the college as Lord Green
Goods. sees the Professor, and tells him
that the report of the death of his first
wife is false; and, fearing exposure, the
Professor is compelled to aid the bogus
lord in his scheme. The latter, how
ever. is not quite sure that he will sue
ceed in his plans. and when he hears
that the hired girl is about to receive
100000 for the death of her husband,
who was killed in stone quarry, he
begins to make love to her, when the
Professor receives proofs from Berlin
that his first wife is dead and that his
second marriage was legal. He exposes
Green Goods and has him arrested for
forgery.
The music of "a Hired Girl" is by
Harry James, and incidentally a large
number of topical songs and popular
selections from the latest operas are in
troduced. There are twenty-five peo-
The times., 1898-02-06

brother and, visiting his home, is sur
prised to find his wife flirting a little
on her own account. OF course, he
dare not disclose his identity, for fear
of getting into trouble himself, and so
has forced upon him a dose of his own
medicine. In this, Mr.. Beach plays the
gay deceiver; Mr.. Holland, the broth
er. and NJ A. Kennedy. who has large
fund of humor, Eza Bayoyrd, a bach
elor clubman. Marie Valleau, as AL
thea Leighter, prima donna of the
New Girl company; Lizzie Evans, as
the gay deceiver's gay wife; Harry
Mills and Emile Collins, are prominent
in the cast.
Preceding the farce Mr.. Chester
Bailey Fernauld's Chinese tragedy in
one act, THE Cat and the Cherub. will
be presented by the original New York
cast. Mr.. Fernaulds drama has been
presented through the Century Maga-
zine 1t is the China Of Chinatown, San
Francisco, seen and interpreted by an
Anglo Saxon mind. The life which Mr..
Fernauld shows in his brief play is that
of another race and civilization from
ours; its prime passions are the same
as ours; but all the outside, all the
garnish of manners and speech. all the
atmosphere is as remote from us as If
it belonged to the inhabitants of Mars.
The times., 1898-02-06
Columbia,

At the Columbia tomorrow evening,
and continuing throughout the week,
with matinee Saturday only, local the
atergoers will have another opportun-
ity of witnessing the best-advertised
cafe chanteuse in America. what,
with her milk baths. her bicycle res
cues, her deeds of charity, her runaway
in Central Park, her acting In the
streets on Christmas Day for the bene-
fit of the poor and her other acts OF
eccentricity or kindness, Anna Held IN
one season has become as well known
as any woman who ever appeared on
the American stage. Miss Held VIII
this week sing all those songs that
have made her famous, besides which
she will introduce her original ammat-
ed music sheet.
The vehicle which will serve to intro
duce Miss Held to Washington this
season viii be the farcical comedy in
three acts, "A Gay Deceiver," by PAU
Wilstach and Joseph Grismer. The
story of the farce. briefly told, is: Ho-
mer Lovejoy, a gay young married
man, who has sentimental regard Tor
Il prima donna, masquerades as his
The times., 1898-02-06

sell made a lasting impression two
seasons ago. This viii be followed by
magnificent production of THE Tam
ing of the Shrew," Mr.. Russell taking
the part of Petruchio, and Miss Edith
Crane, appearing as Katherine. The
concluding play of this bin win be j.
Madison Morton's roaring comedy in
two acts called The Spitfire." Mr..
Russell, it is said, has been most lib
eral in the expenditure of money for
the proper mounting of these plays. as
he has provided complete and original
scenery. appropriate furniture, proper
ties, and beautiful new costumes.
On Saturday night a performance of
Sheridan's sterling old comedy, THE
Rivals" will be given, Mr.. Russell ap-
pearing as Bob Acres. This will also
be the bill for the Saturday matinee.
1t is quite safe to say that no theat-
rical attraction of the season is antic-
ipated with a liyelier degree of inter-
est than the engagement of Mr.. Sol
Smith Russell.
The times., 1898-02-06

al clio of features. The opening piece
is from the pen of Frank Dumont, and
is entitled Americans in London" The
interest and fun begins early, and new
er iags; complications arise in quick
succession, and the comedy becomes
furious. The musical numbers are pop
ular and catchy, The olie is made up
of Larry Smith and Mamie Champion.
the comedy entertainers; Wagner and
Arnim, in their novel speciality, enti-
tied Opera in a Kitchen" Miss Nellie
Sylvester, assisted by her Alabama
cake walkers: Barton and Ashley, the
comedy boomers; Miss Kittie Wells.
in q selection of new songs; Emery and
NARROW, in an original. creation, and
Miss kittie Clements, the Bowery girl.
The performance concludes with an
extrayagants burlesque, entitled "a
Night in Paris There will he matt
nees Tuesday, Thursday and Saturday.
The times., 1898-02-06
Bijoui

The announcement in the New York
papers of the adoption of the stage by
Miss Hyberta Pryme, who claims to
be the niece of President Mckinley, is
TO be verified by her appearance at
the Biiou Theater, this week, appear
ing at tomOrrow's matinee. The ad-
vertising effect of relationship to the
President of the United States, will be
seen at a glance. yet with all this, the
New York critics seem to Share in the
opinion that Miss Pryme's natural tall
The times., 1898-02-06
kernnnsS.

The attraction at the Lyceum next
week will be Jermon's Black Crook Ex-
travaganza Company, a vaudeville and
burlesque organization superior and up
to date in every department, thorough
ly equipped as to scenery costumes
and electrical effects. The entertain
ment to be presented consists of two
original burlesQues and an exception
The times., 1898-02-06

pie in the company. including seven
teen handsome women. Prominent
members of the company are Thomas
j. Ryan, Willis p. Sweatnam, Fanny
Fields, Rose Switzerland, Stella Bon
heur Almoira Ealiam. and the four
Sisters Du Held, in their French quad
rifle dance.
The times., 1898-02-06

IAN artist may be in any line so
long as he excels. My property man is
an artist" This sentence is credited
to no less a person than Sir Henry Iry-
ing, and, in a certain sense, the great
English actor is undoubtedly right
Taking the word in that way il can be
used to no better advantage than in de-
scribing the comicalities of the colored
comedians. Williams and Walker. last
week at the Grand Opera House. This
pair have been on the road now for some
years and have put in the time accu-
mulated to the best possible advantage,
judging from their work. Ii is doubt
ful If even the unctUOus May Irwin can
warble 'coon" Songs as vel! as do VIII
Iiams and Walker. and, certainly. some
Of the best examples of rag time" ex
tant have come from their versatile
brains. Both know how to be funny
without Yulgarity in word or action,
and the height of neatness and physical
grace is reached in their cake walk. at
the close Of their portion Of the per-
formance. This was accomplished so
cleverly, in fact. that one began to
wonder where the claims of Billy Far
rel and his wife to the championship
came in at all. And speaking of cake
walks, this particular one was made
doubIy inspiriting by the remarkable
work of Charles Walton, the manipula-
tor of the drums at the Grand. Mr..
Walton is one of the best end men for
an orchestra in the country. and his
quick time on the sheepskin last week
merited praises as high as that given
any of the performers in Manager
Hyde's company.
The times., 1898-02-06
FRIENDS OF LAST WEEK.

Good work is not as generally to be
expected from good people as poor
work is from poor people, and.
therefore perhaps We were all a little
surprised last week at the excellent
acting of that invariably capable gen
tleman, Otis Skinner. Romantic COM
edy has, for so long time, meant
nothing beyond handsome dressing for
the stage and cast that Mr.. SINNERS S
announcement of the nature of his play
made us all a trihe wary. 1t was,
therefore, more than agreeable to at
tend a performance Of Prince Rudolph
at the National Theater last week and
find that, contrary TO inward prOphe
cies, il was an earnest drama earnestly
acted. The simple, yet perfect, con-
struction of the piece, the detailed busi-
ness, the dramatic power often brought
out and still more often limited at, made
The performance one to be remember
ed. And the author-actor carried
part that might easily have been exag-
Grated without the suspicion of clown
ishness or histrionic pyrotecnnlcs OF any
sort. As a result Rudolph became not
only a character to be admired, but.
from it's very realness, one 10 be loved
as well.
Mr.. Skinner had also the good for
tune to be we'll supported by an excel
lent cast. including such weil-known
people as Maud Durbin. Frank l.. Syl-
vester, Frederick MesIey, and Ethel
Browning, the last named of whom did
a brief bit of character work that could
hardly be surpassed. As Minna, Farm
er Leopolds daughter, she had, first
the true yokeT's simplicity and even iS-
norance, unlimited by her shifting SYM
pathies; second, the excellent concep-
ton of every word and action natural 10
a girl Of that eharacte placed between
loyalty to her Prince and love for her
family, and, lastly, the proud gratifi-
cation of a woman who has found that
in acting up to the letter of her con-
yictions she has done what pleased both
sides equally. The manner in which
Miss Browning worked up to that dra-
matte little line in the first act of the
play, Father, this is the Prince" even
in her fear of that dignitary and her
sense of honor to him. was nothing less
than remarkable. And many in Mr..
SINNERS cast were nearly as capable.
Altogether I enjoyed no evening last
week more than that spent in the Ma
tional Theater.
The times., 1898-02-06

Our adaptation of StevenSOn's novel
is really q perverSion," said Mr. Otis
Skinner to a Times man in his dress
ing-room last evening The novel.
originally, was a too-eVident satire on
the smaller German states. the Prin-
cess was a bad woman and the Prince
deSpicable character. without force
or intellect. That the book would make
good play was first suggested To me
by newspaper man, a friend of mine
He leaned me the book and 1 read it.
but did not see a thing in il out of
which TO make a play. The whole thing
was so satiricaI that it did not seem
possible to arrange il. Finally. I dis
regarded the VerbiaEe-which is
beautiful in the extreme, as no other
writer. in my humble estimation. can
use the Kings English as does Steven
- 7~i 9torta7 tn write the play.
Well, rewrote II as much as four
uil-es anu stn 1t does not altogether
suit me. 1t is good deal harder for
me to write than it is TO act The one
requires great effort and the other
comes natural TO me. This may be con-
sidered my first success in the way Of
dramatic compoSition-that is. if YOU
consider Prince Rudolph a success.
My brother and / were collaborators in
writing The VagabOnd.' in which I
starred some three or four years ago.
Then | once wrote a play. very melO-
dramatic called The Red Light which
was an unqualified failure. and my
brother and / worked together on an
other play. the scene of which was laid
in Tennessee. Strange to say. this val
liable effort has never seen the light OF
dav and / suppose never viii unless
something remarkable happens.
''You would be surprised at the nGn-
Der of dramas which l receive. and
think all actors have a similar expert
ence. There are too many wouId-be
are as thick as
cranberries in a swamp. Some OF the
come in typewriting and
others in manuscript As a rule we
never bother with these last at all But
one play in manuscript was the indi-
rect means of making me a very dear
and congenial friend. a Washington
man by the way. 1t came TO me with
the usual request to read and criticise
and as friend of mine knew the au-
thor. / took the trouble to comply
found il contained some things I
liked and others that I did not.
wrote the author. telling him of the err
rors of the play and received a note
thanking me for my criticism.
The times., 1898-02-06

Nationalist Smith Russell.
Lafayette-Thomas w. Keene.
Columbia-Anna Held and Company
Academy Sowing the Wind"
Grand-Blaney's "A Hired Girl"
Bijou-Marie Stuart and Vaudeville.
Kernan's-Jermon'S Black Crook.
The times., 1898-02-06

trying hard to discomfit the team all
through the afternoon and had sue
ceeded as far as the lady was con-
cerned Seeing this, her partner fin
ally turned on his tormentors. We
get 81 week for making fools of our
Selves he said. How much do you
get2', And the silence in that quarter.
all during the rest of the performance,
could have been heard.
The various theaters in this city were
lucky in doing an exceptionally big
business last week, as well as having
nearly equal shares in the good things
John Drew, at the Lafayette, had the
best audiences of the week. that conf
modious house being crowded at every
performance. while Hyde's Comedians
brought the Grand Opera House in
an easy second Manager Rapley's two
theaters, the National and Academy.
profited about equally, Otis Skinner
at the first and w. H Powers, in
Shannon of the SIXTH at the second,
doing remarkably well. Mrs. Feigfs
new farce "a Paris Model" shared
the general patronage at the Column
bia, while the vaudeville show. at the
Bijou, and the Gay Masqueraders. at
Kernans, brought to both places OF
amusement their usual crowds
The times., 1898-02-06

Sam J. Adams, wfzo was at the Bijou
last week, came much nearer living up
to his advertising than anyone else on
the bill. Mr.. Adams is not only both
original and unique but ne under
stands the points Of humor that need
emphasis in mOnologue and treats
them with considerable regard fer the
opportunities offered. Last year Mr.
Adams featured the famous sugar
story and told it in a way at once hu-
morous and inimitable His very Dan
Daily like appearance-long. lean, lanll
and cadaverous-aids him in his fun
making and altogether it looks very
much as though there might be a
brilliant future for him.
The times., 1898-02-06

More than ene-half of "A Paris Mod
eI'' Is the acting of Maud Hasiam and,
what is more, Maud Hasiam would be.
the better half of any play in which
she was cast II does not matter
whether the piece happened to be COM
The times., 1898-02-06

And speaking of this class of enter
tainment it may be said that in no
class of stage people is the instinct of
quick wit so finely developed as with
these taudevillians. Perhaps long ex-
perience with the over-bright ehappie
in the first row and the bad boy in the
gallery has done this and perhaps, as 1
have often suspected. the artist" has
a table of Ready Replies which he
uses at his convenience. but in either
case the sallies that often take place
over the footlights are highly interest
ing and amusing.
At the Bijou last week a pair of very
bad comedians made a decidedly hu-
morous retort to the impudent re-
marks. Of some caliow youths in the
orchestra. This select crowd had been
The times., 1898-02-06

AL Weston, who claims to have in
troduced the laughing song took his
now famous specially to Kernan's last
week and proved, to his entire salts
faction, that no disease in the world
is as contagious as laughter 1t was
really laughable to listen to the alb
surd refrain of his song until he reach
ed the fnirthful portion and broke into
prolonged and assumed laughter The
black faces of the galieryites caught
it at once and capacious smiles, that
displayed long rows of glistening teeth
and red gums, gave way to spasms of
mirth that echoed in walls, that might
as easily have been taken for signs of
sorrow as anything else. Downstairs
the more reticent only gave up after a
struggle against the contagion. Very
gradually the muscles relaxed and the
eyes began to twinkle. Then q pleas
ed expression was succeeded by an
amused smile and that. in turn, fol-
lowed by a decided grin. Then came
the climax, old gentlemen leaning back
and young ones forward in their seats
both joining in hearty laughing
chorus. Indeed mirth is contagious
More than ene-half of "A Paris Mod
The times., 1898-02-06

Mile. Pillar r-Morin. is, without doubt.
bright little woman and a good ac-
tress, but anyone who thinks he appre-
ciates her without having seen the bits
of pantomime she introduced during
the last half of the week, in "A Paris
Model" is greatly mistaken. In that
particular and difficult line she is near
Iy, if not quite, the equal of BradfieId,
who will be remembered for his hat pin
pantomime in George E,dwardes' In
Town Anyone who saw Mile. Pillar
Morins silent way of explaining the
delight of a voluptuary over a bottle
of wine SHOULD have no difficulty in un-
derstanding why she is popular in Par
is and well liked everywhere else.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
yICTORIA-PoRT TOWNSEND.

yICTORIA-PoRr TOyHsEND.
PUGET Sound & British Columbia Steamship
Sompanys
STEAMER NORTH PACIFIC.
Leaving City Dock daily except Sunday.
Sunday.
s.sas m.lr.vl.... Seattle .....iA-f e:Gar1
! - p. n, LvI. PIT. Townsend tL.v.Il 20 D N.
an .. m Ar. Victoria ....l Lv 8; 90 D. n
s. r. RCRTTNr, Agent
Basement Mutual Life Building. phone
Main a.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
sKAGIT RIVER ROUTE steamer CIV

~k AtsEl M ' FIX hui ] y -TEAFneE t-ttV
81 Champaign weeAiy time card:
Teaves Seatt}e-Juae q at - a. III Jyna
- AT Ii a. ~ JuEe - a. Il noou
T@ayss Mount Esrnon--Iane - at 2 = IN
Zane = al p m june = a. : a II eaE--
3~g At Tu alp. SfansQod. Pr, skaEfE CRY
Mount Vernon ars Avon
Fer passengers and freight rates apply
.. (,stv saes.A Telephone. Man - w =
T3stkesnga. manager. Ii. IL. Mcdonald mas
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
wHATCoM. SEATTLE AND TACOMA

Freight Steamer NEPTUNE for Ana
c-crtes rairhsven Or Whatc0m I<aves
Commercial dock. Tacoma p n. city
dock (f3ot AZ Main street,, Seattle, \ r. m.
Tues Thurs. ard Sal Returning saves
WnafccEa p. III: Falrhaven sIs o. m.
and AnacoFtes % p. IN. sun. Wetnas and
fri Until further notice.
W. II. ELLA
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
SAN JUAN ISy.sSDs

SAN JUAN ISy.aSDs
STEAMER LYDIA THOMPSON.
sTpaYTs STEAMSHIP COMPANY
carving United States mail leaves citv
sSrk fott n Main street. Sunday. Ts,es
Ssv ara Thursday az l2 o'clock rntantrh,
o. rnYt Townsend San Juan .star4~ ara
NJ WSascoyn. Returning leasps New
vshaYra-r1 TUESDAY. Thursday and ssi,.r
ssv a. q u. J Il Thompson manager
curer -E}orsr1ts ca. aggnrs
f~.y Dock Telephone. Main s.
PORT oRcHARD AND PORT WASH
TSGTON ROUTE
STEAMER MARY F. PERr.rY
rsavs. C;aihrai.h 6cck foot o. Wses,,r.
~ street. far syiyan Grove Port Write
Ysr@-r@~tc. l. :. Dry Dock. C-hariestor,
Ssarax Tracyton. 5sIvsstaie dalay exe~Ft
sa..rslaya ard Sundays 81 3 ~ o n. SAL.
ursav4 a. I'D p. n, Sundays a, D
~ R.furnxg. leaves S3iVeT3ale az 74a 4
n DRY Dock 50 g. n. Saturday niEnt=
leaves slIvetaRie So 2 m. Dry DOCK
.sna % ~, Telephone. Red IL.
FOR BETsIJSGYAM RAY ASACOR-
TE.- AND EI-AI%E
Steamer George = sSars caves Central
Tga-k. ses stie a. p. ~ Maug4y- Xras-
re@sav An5 Friday Re$GTn}z9 iaawes
Ess4r< T. n and EsAateeTn Z o. "a
Ts.esslay. Thursday ar1 Saturday.
IA 145<%FG TRsUf<G AND TgASS-
PORTATf0S CO.
Tet MAJ 81 CenJrzl DOCK. Seattle.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
popT ORCHARD AND PORT wAsH-
fNGTf1N R0lrTE
Or BEL.tdNcgAM RAY. ANAcoR-


STEAMER DELTA
f~avsS Ga ogassa lock. foot II Washing
tar street. TE4xsays. Th4rs6sys ard sA.-
Eresys a. o'cirek z m for aIrxs:an.
Per; sz1sxssse. S@aAerk ErSrx0rA Holly,
Tsewatt0 TzIEwa1p Falls. Hoe4spoy. ard
CEs1n CaEy. Returns ssfsrasgs aayA
u. TES1ETAAS. Aasssr.
Ieieph1uA E.A III
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22

PACIFIC NAVIGATION co.
ssa,,ls Tvers;t 4 wastco,n Rant.

Seattle Everett d WastcoSn Rcute
SAFE Of Washington leaves sea ale daily
err@ggt saturday AZ II , n.
sssttae. Everett: and Ia Conner Rem.
St4ams- Fatshavsn caves S@ass9s aassw
sxeep; Sunday at 4. n. al Ing a; e.
sS%tt gems n@rth I.sesa.Y InaTseay ard
Ssy ard Frsdsy.
TslspAons. Man S7- Yesaer Dock.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
STEAMER NORTH PACIFIC.

eayiug City Dock daily except Sunday.
Sunday
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
STEAMERS.
-
STRS GARLAND AND EyANGEIA

Seattle and Towusene-Neah Bay Route
Steamer Garland leaves Yesler dock Sun.
DAYS. Tuesdays and Thursdays at II n
=. m. for PORT Townsend. Port Williams.
Dungeness Port Angeles Port Crescent.
Cettyshurg. Pysht, Ciailam Bay and Neah
raw: returning arrives at Seattle D. m.
on opposite days Steamer Evangei leaves
ys,slar dock for Port Townsend Port
Angeles and Victoria Mondays. weslnes-
says ana Fridays at $50 p. m: arrives
Sca,tie alternate days at 2.s1 .. m. Tel
STR CITY OF ABERDEEN
LEAVES FOR TACOMA AND CLYPMIA
AT 80 A. NJ
DAILY EXCEPT SUNDAY.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22
STEAMERS.

STEAMERS.
FLY ON THE FLYER
SEATTLE TO TACOMA.
Four round trips daily. except Sunday.
In one hour and twenty-five minutes
THE STEAMER Fly ER
Regular daily trips Seattle-Tacoma
route as follows:
TAKING EFFECT TUESDAY. MAY g.
TIME CARD
Leave Sea,tie-7.&5. Ills q. H.: 2:A5. s:is
.. n.
Leave Tacoma-a:7n a. m: l. 40 2. n.
SUNDAYS.
Leave Seattle-7.s0 a. m; IL m: 5 p. H.
Leave Tacoma--a:So a. m: 80. 80 p m
Landing az Northern Pacific WHARF. fa-
coma and Commercial dock. foot OF Ma
ron street. Seattle.
Sundays. steamers Flyer and State OF
Washington.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1898-06-22

PORT ORCHARD AND PORT WASH.
1SGToS ROUTE
STEAMER A r ROBINSON
Carrying L. g. Mail
Or Per. Orchard ard Port Washington
r1ate leaves Cry G9rk seof Of Man
strset SD g. ~. calling az SGsara B~sra
ps-cheii. sr1ek Tara Brerns~ien T. &
Navy Yzra Sidney. CHARLESTON Tracytor
Cairo sgvsrtass. Leaves Port Orchard
Navy Staten at p III. ARRIVES S@at1ss
al = "a K n. gsstnsoa. raAxsr LAZY.
Regards + ca. SSsaA TsssSAeas