New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1898-05-29

white mousssns de sole The skirt 3 Of xhlte
and is trimmed about the hem by latticework pat
tern Of cloth folds. Another costume OF the same
less guipure overblouse that descends on the skirt
In the form OF tight-fttlng apron. ,-,..
II consists OF colored lines Of different widths run
ming through the material and the effect may
folds Of mousseiine de- sole over plain color;
cream-white poplln with spasnes OF blue on
OF an inch to mere harline. is an example OF the
first, and for the second there Is white satin I'm
black being arranged in folds of varying depth to
give much the same effect
PRETTY FOULARD SUIT.
Here Is a description OF elaborate foulard
gown shown by a Rue de In Palx couturiere: Inc
silk IS a turquoise blue with a black lace pattern
running over IT, Tiny ruchings OF black moussene
de sole are extensively used in the trimming The
skirt has a high runic of the silk trimmed with
three ruchngs and headed by another. ana the
ends OF the long sash are heavy WIN sun NOR nf
Jacket. and from under the shirrings escape ueeI
rufies that fall almost to the Waist are o
green satin embroidered with BLACK. ineSr az az
NJ t Ts" in mar biz bow on tho bust The sleeves
are shrred. with rufies FORMING WHY'S "' "'
Redfern shows a charming evening dress OF
craquele black tulle over an emerald green on
It, well the crnked pattern. and heavy eiaG
lace makes a deep founce about the bottom or tne
dragging skirt The corsage Is blouse. with IN
lined. shirred sleeves, and Is trimmed by bertha
rufies to match the hounce OF the skirt. -, -, ,wo
shades OF green mousseline de sole This starts
with bow and diamond ornament on on o ~ the
waistline where It meets the SASH ~ & I"
sends in long ends on the skirt a tailor, mane
gown from the same establishment Is OF oisc nv,
jacket Is in the form OF triple bolero; trimmed
buttons and with the side-po!nis or me iowesr
from n fitted empieccment that makes deep point
on tho side, thus carrying out the idea OF the
| bolero
BERNHARDTs GOWNS.
The new play ut the Renaissance presents some
nice toilets In spite Of the fact that Sarah Bern
hardt even in modern costume. clings 10 the long
WASTED effects and robeke apparel with which she
| has become Identified. A beautiful negilgfe has =
pleated undergarment Of mauve mousscline fe sole
and over this sleeveless robe OF heavy white lace"
| this robe being left open for some distance Under
tho arms Tho gown Is trimmed with chains OF
| pearls and with artificial volets. \ dainty fro'k
| worn by tho great actress I: OF some thin gray
stuff deliberately embroidered IN gray chenille. th'
| embroidery apparently forming IA sheath whlct
holds the blouse bodice behind and on the sides and
| dcscends in 4 deep point the skirt
An evening gown worn by one Of the actresses oi
the company IS OF skyhlue mousselin. de sole. ON
hroldcred with fuchsias and gold beads. The cow
| Is made over a Parme violet-color"d founGatlon
The skirt IS plain. with the exception Of small ruf
corsage II finished BY puns OF mauve tullr an'
| bands OF jet. The sleeves ar" finished nt the 'l
bows with naring pointed CUFFS Of mauye velvet
4 delicious little gown Is Of crepe SILK IN rose
pink. with the skirt ciose about the hips nut Ions
! and ample AZ the foot Three rows 81 wid" guipur'
cntredeux. framed I'm scroll pattern done IN mar
row black ribbon surround The sklr, piHrg,i at a.
| equal distances Nitle jncket Il torm"i or ~
entredeux and strips % tho SILK. on which Is AZ
closed in front hy three bis bows OF rose iue. win
| black velvet centres.