La Junta tribune., 1898-10-19
MISS GOODWIN'S FASHION TALK


The lace scarfs that were so much in
favor years ago arc worn again. Some
OF them that 1 noticed psst.cuiar!y were
made of the finest net and were trimmed
around the edges and ends with appllaues
of lace. All Of the popular laces. bith
heavy and delicate, being used.
They are unusually long this year, and
are a trthe broader at the ends for they
are supposed TO be knotted into a short
bow at the throat while the ends fail
nearly 20 the bottom OF the gown. The
addition OF a, wired lace Medlcis at the
back OF the scarf gives a touch OF chic to
scarf.
Tho Jackets.
Tho cutaway jackets OF this season es-
pecialiy adapt themselves to the scarf
and boa effects: while with the close fit
ting jacket. the round collar shapes Of
neck trimming suit best.
Just now the shops exhibit such a va
iiety OF models. from the simplest spang-
led butterfly bow to the most elaborate
collets- Even the simplest among them
demands a pretty price. a price that the
frugal minded woman f-owns over when
she counts up the cost OF materials Her
efforts at duplicating these models at
home so often proves disastrous though
for knack that amounts almost to
talent must be Possessed by woman
who fashions successfully these confec-
tions.
A simple ribbon tie that was particu-
iariy smart worn with a plain black cloth
gown was made OF white moire 1t was
carried twice around the neck. knotted
In four-in-hand fashion, and the ends
were brought down into the narrow cein-
fure Of white MORE. Three tiny button
holes were worked down the middle of the
tie: and novel studs of stars and let were
inserted, giving quite an air OF dash.
With this tie there was a high band
mounted by narrow flariny collar Of the
MORE. II wns detachable SO that the era
vat alone could be worn.
a Four-in-Hand.
Another four-in-hand that was charm
ing. worn with an Eton jacket, was a
combination OF mauve satin and Chantiliy
lace The band that went around the
neck. the knot and one end OF the tie
were of the satin. The other end. and
the frili that mounted the band, were OF
Chantiily lace.
A broad sash ribbon, doub,e-faced In
two shades of violet. was employed for
another smart four-iB- hand II was
mounted by a pointed Medicis collar ard
the ends of the tie were cut bias fashion
and allowed TO hang loose to within thre.
inches OF the waisi-band. When worn
with a cutaway Jacket the effect Of these
ribbon ties Is particularly charming. es-
pecially II a bit of crisp tafseta blouse
Is visible too,
The same tailor built gown. worn with
front of accordion plated moussel.ne
becomes dressy afternoon toilette.
Such chic shopper / noticed ON fhe
Rue de Ia Paix. in n gown Of elephant
gray cloth trimmed with black braid. The
gown was made with a jacket that was
cut away to show q vest of paler gray
mousseline de sole. A long fun boa made
of coarse gray net with the edges ali
outlined with narrow black velvet. gave
such a dressy touch TO the gown Il was
Of lighter shade than tho gown and
reached below the kness-
A Sort Of Boo.
A pretty little confection that vas :
compromise between a tour de cou and
boa was made Of ribbon and feather. AZ
the back there was . large nat bow Of
wide black satin ribbon. held by an oval
strass buckle. 1t was mounted By nine
black tips arranged to give the effect Of
a high Medicis collar. The bow and tins
we're attached to q long black ostrich
feather boa that reached nearly 10 the
knees.
tour de con. made Of an intense saads
Of violet velvet. was novel II consisted
OF series Of seyen windmill bows of
narrow velvet ribbon. attached to an IN
Visible bard Of the same. At the center
OF each bow there was 4 small oval strass
buckle.
Around the tops Of The bows there was