The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1897-07-11

= aure 20 attain. f. 70 write ntav. ne
q 4siEs-E com petitions which san n4s.~ ..~
1850 subject q WORKERS. rfxnts -T9ss. am
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at 'ta-es sas shat tla rsar xfsf h.. critic
el<q - ;fsai sarae spirit 81 fairness ia
'.'ef- conan Arrays considers her osn
f af4 therefore tiny rray IT, s4sre ~
4@a1i@ie Justice.
1isne LoeFy who viii direct us fsr-
eisn .1esa-1Tueut ~ the neu shea--Y h
t"fF "%fsti~f tn heT statements ~ =, me
.-ff'h a44 probable result ~ tg.s 4rts.y
prise t'rretofgre she Says m fart IN,
73av @s'n ~af1eu oy o woman f.as b...-
s2''IA'enc 5r soost Instances T. ensure ffs
sititafe TIM only Instances eshcfe ms
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fhe {1fe'i ga .as Nov. shsa sort ~
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eere aHv rlaee az az
Agents - fh5f mater az. so D.. aDro3at.
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"oaofrlen :hr idea II MS beln, q ssss.v-
fll@ %ogn@H ~ ea nations ,taf s1ef~ r~e
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gN~nt 81 tlr f~lsehie- which ggua pos
siaiT 81 secured .5ae l-afsy talked
i&celS - re .ae other 1ss wher j quo~-
'aonea Flar regarding the ,yftc r1r3-c. ..-8
c4a saC ss say taot here for ths- nrst
tsu3e. iS 'ae -aal purp0s, % Toe uugpr-
#1t1E 9isde pubis - am faHy aw4re''
ea4a Iu- i-gevy "tnat II aavteat4rz-
aarh au anferD.4se as TINS taeater anl
lty3pE r4saaf 3per - the accusation -
fiaT SHAT believe sou Americans term
crank Vel. - oe II. 81 s.z has
h#cl ~ .ieferminediy sat upon unless ;hs
rno@t brilliant genius was manifest thA+
i is hl.yn time We did something 10 right
to.e vrons
''t Do nos wish "a convey the idea that
~ waaf women 81 vote iu political nlat-
tera ana - DO things ~ that sort No
.Boecd what 81. want is 10 share in the
gipg3as Of THE drama ard literature in
different fashion thar has previously been
o4T lot The presence II woman on the
stage h8e AS often brought her cafumny
as anything else Nhy can W. not have
tie sans advantage as pIagWrtehts as
men" who can tTufbfuiiy say that . sex
that has produced some OF the greatest
and most glorious minds ia literature may
not % IA well 81 least Ia the writing Of
plays? So w are going 10 see ~hat Sc
cen d.. Perhaps II VIII surprise 20 sag
tb4t ~" have aircady under consideration
twenty dramas written hy women and
am free 10 sag that 81" find evidence ~
sfeat merit in all n them
~ u1st not be understood that IT is 20 me
drama alone that the programme Of this
woman'@ thcater wiU be- confined II is
toe intention to produce comic opera as
well Marked changes viii boz made in
III" manner If production aud II is The
present Intention 10 eiimiuste aH th, ub-
3ectfomahle features which have often
made the comedy opera stage stencil
IN tie noatgis 80 decent NUNS nitS. Skirts
vii noi be necessarily below the ankles
nor wiil tights De- barred But there viii
hc none II tn Barrisoni4n atmosphere
about the place. very strong effort
Will be made 20 force those who wish
populsr favor To win At ON the basis %
netit rather th..n by lavish display Of
tho gifts ~ nature.
There viii be no difference IN the
charavs of admit aslou 10 this fhtHter than
rule at auy other of its size and class.
Il viii not ba a large playhouse. bat
rather ou tse hiiuu order. It b the i'm
tvuti1n of the MANAGEMENT that Is shall
he ihuroushlS comfortable aud no acc.e-
sorry wiu he wanting 10 MAKE this pian
il f3ct one or rather tWo rules " ili b.
strictly enforced Tile FIRST ia that an
women IN attendance must remove their
hat eu taking their seats The second
s. inst there ahsu be no going out be-
tween the acts.
Wtsu the play Is haif over there will
~ fep minutes intermissiou. II any Of