davidaulloa/AmericanStories huggingface dataset:
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
POCANTICO HILLS.

Oscar Anderson coachman for ex.Judge Noah
Davis while driving from his employers home 10
fhe Pocantico Hills station on Friday evening.
was seriously injured. His horse became fright
ened and ran away. upsetting the wagon and
throwing Anderson out His SKULL was iraetured
Injured man TO the Tarrytown Hospital His con-
dit!on IS serious.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
IRVINGTON.

James Speyer Of Speyer & Co.. at No. 427 Fifth
ave has leased for the summer months Montrose.
the Irvington house OF Mr. Squ!ers now Second Sec
retary OF Legation in Berlin.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
MARINE INTELLIGENCE.
MINIATURE ALMANAC.

MINIATURE ALMANAC
Sunrise 4:oo Sunset 2s Moon sets m l:44 Moons age
HIGH WATER TO-DAY.
Sandy Hook II 30 Gov. Island 1884 He'll Gate AZ
pW-Sandy Hook 80 Gov. Island 1901 He'll Gate loi
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
SHIPPING NEWS.

PORT OF NETWORK SATURDAY. JUNE 8. 1897
ARRIVED
Steamer Paris. Watkins. Southampton May 20. with
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06

Go 10 Cleveland by new afternoon train OF New
York Contra. Leave Grand Central Station 500
p. m: arrive Cleveland 1l5 next morning. Entire
day for buslness. Returning. leave Cleveland 600
D. M; arrive New-York 1885 next morning -
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
OUTGOING STEAMERS.

TUESDAY. JUNE S.
Vessel. For Line. Malls close. Vessel sails
IIavei Bremen. Lloyd 700 n m 1900 a m
Comanc Charleston Clyde 300 q m
Kansas City, Savannah. savannah 800 p m
WEDNESDAY. JUNE o.
Paris Southampton American. 700 a 10 n,
C;ernanc Liverpool. White STAR. 900 1870 IN
Southwark Antwerp. Red star..... 300 IN II 90 n m
seneca Havana * Cuba 100 300 y IN
FL Mar New-Orleans Morgan ........ 800
THURSDAY. JUNE
Columbia Hamburg. Hanb- Amer AGO 700 m
IA rbarossa Bremen. g ILoyd...,.. l2OOm
r,nan A. Havana spanish. ........1lO 20 IN 100 m
AiiIancn Colon Panama. ........... 1000 n 1900 m
city birmingham savannah. saw. 300
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06

Henry A. Daniels. n. D..
90 West s0th St.
imparnerts tho Nervous System Impotence stertlity
nd ike ai;menta Hours to !. 5 TO
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06
Announcements

E. & W Pocantico. Nakodas. E. & w.
BotA new effects high banded collars.
New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-06-06

JAPANESE RUGS. in both jute and cotton.
The jutes are the famous Mima-Satta brand
Japan's best jute rugs. They come in close in-
tation Of the best Turkish and Persian rugs and
In blue and white The cotton rugs are in blue
and white-delft blue figures on a white ground
or the reverse.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

From the Netp Orleans Times. Democrat.
ATLANTA, March 14.-Gov. Atkinson was called OUT
Of church last night and informed that his seventeen.
year-old son was about to elope with Miss Ada Byrd,
granddaughter OF the Southern authoress, Mrs. Mary
Z. Bryan. He at once intercepted the young man and
put him under lock and key. while the girls father
did the same thing for her, and the couple have been
kept apart thus forcibly during the day. The affair
has created q great deal OF sensation because Of
several features in 1t.
John p. Atkinson. the young man in question. is
confidential clerk OF the Governors ONCE. The girl
Is not more than IS. but well developed. Young
Atkinson secured Q marriage license yesterday after.
noon and incautously' took into his confidence q
young man who was also enamored OF the same young
lady. and who Immediately sought the Governor an6
put him in possession Of the information Both par
ties declare that as soon as they can get TO each othet
they viii marry anyhow. Early marriage is not {
new thing on the girls side Of the house. Her grand
mother. Mrs. Bryan. the authoress, married at IL
Her mother, who was Mis8 Pearl Bryan, married Ma
Charles P. Byrd Of this city at the age of 10. and le1
her husband several years ago on the plea that she
had ceased to love him.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21
THE ARTISTIC IN r Il

oueerly Named Coiors and the Necessity or
Harmony in tho Costume and Its Wonror.
People wear vesuvius red now, and elephants
breath. London smoke, tabao, crushed raspberry
and strawberry, and robins egg blue and other
shades, but fashionable folks Of old wore colors
with names more odd-sounding still. Innocent
infant was once q ~favorite color, and captains
glory; also q sad drab color known as penitent
hermit. A gown Of caterpillar brown might DO
adorned with trimmings Of canary tail. strong
gray, blended with purple, was dubbed lively
flea, and whereas there ia now break-of-day
pinks, milliners of q century ago trimmed poke
bonnets with ruchings Of thought-of-the-be-
loved-one and q~uillings Of does belly.
A court beauty in the time Henry ~. Of
France affected q color known as mortal sin. and
1t came to be tho rage forthwith; and common
harm was another popular fancy for stomachers
and pettiooats.
One subtle, barely-hinted-at shade was chris
tened stifed sigh. Dead alive was another
anomeloue. color greatly, in favor in Marie An:
rather undecided shades being chosen by women
whose dainty coloring needed only an unobtru-
siye background to bring 1t into relief.
Color has always been O study with French
women. They are not timid in regard to the use
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

and adornment and a gown of q certain outline
sral times when, as ! thought, / had chosen
ind that the tout ensemble was not becoming.
either in velvet or braided cloth. calls
the gown with a straightcut bodice or surplice
draped waist. Often II is not the matter of
shade or color that makes a woman appear not
at her best. but q matter of texture and shape
and cut. The style of Embarrassing for an even
Ing or dinner toilet should bo tried with refer
ence to, the style Of the gown that is to BIO worn
as much as with regard TO the shape OF the face.
There 10 a great deal to be Thought about in
the choosing OF colors and no set rules may be
given. A shade of red in dull silk or lustreless
cloth that Kills a woman OF a certain type, that
dulls her eyes and makes her look sallow, can be
worn successfully by the same individual II
developed In rich velvet or glossy broadcloth,
Certain women maintain that green ruins them
and arc In despair because they can't wear It
when 1t is in the fashion. 1 can dress any
woman becomingly In green II i can have
my pick, of textures and shades. A woman
who could not wear any of the screaming cOlors
now in vogue lin vogue because the pale PART
sian bellies of the moment look we'll In them)
could always trust TO green II she chose the right
shade. She could not choose IL In a minute;
she would have to take some pains about Il. The
woman who aspires to be well dressed should
think out conclusions for herself. To be well
dressed does not mean buying and wearing the
finest things In the best stores, but Selecting
sHeh c9lors and styles and materials a. Will set
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

Of venturesome hues. as arc many American
women. They take into consideration the tint
and hair. and their general type OF feature, and
then they select such colors as will best set them
OIL TO advantage. A French woman Is a master
hand in the matter of evolving effects. She gives
the choosing Of colors deliberate and careful
attention, and moreover is quick to notice that
a shade becoming to her one day under certain
conditions may not suit her the next, and 30
varies her combinations accordingly.
Il have frequently noticed that a hat becom-
Ing to the wearer when worn with a gown of a
certain make-of course referring to tho bodice
loses half its charm when worn with another"
says a modiste, who devotes hours Of time to do
vising harmonious costumes. II have not yet
thought out the why's and wherefores of this,
but l know that 1t is a fact, and is q mat
as Of color. Even If the hat or as bonnet %Geat
in question, suits the wearers. individu-
ality. perfectly. it must be considered will
relation to her gown as well. ] don't mean
the wearing of a green hat with q green gown.
or a gray hat with 9. gray gown; as long as
II not handsome; but o hat of a certain outline
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

vino Of applique lace. and the front, which
fastens on the shoulder and under the
arm, hangs loose like a bolero above o
wide belt Of green and black striped
ribbon. Green silk covered with the lace ap-
pliQu6 Ia set on to form an o~dd-shaped collar
and Is edged around with narrow black velvet
ribbon and fne gold cord. Another gown, of
brown cashmere, has o bodice formed of deep
tucks which continue In the shape of frills over
tho shoulders. The front 10 turned back in rev.
ers Of mauve silk edged with black silk cord
from o vest of ivory lace striped across with
black velvet baby ribbon finished at the end
with q double loop, and Of white brocaded silk
with mauve, brown, and pink in the Towering.
The belt and collar arc of black satin.
Embroidered grass lawn and mauve velvet
form a pretty combination for trimming a brown
dress, with the inevitable touch Of black to ac-
c~entuate the other colors. Black silk net over o
skirt Is accordion plated. with q ruche of finer
net at the bottom and around tho hips. Tho
sleeves arc shirred and trimmed with rows Of
narrow black lace insertion; loops of net lined
with red and finished with a lace edge give tho
only fulness at the top, and the bodice 10
OF net and lace insertion, with bands of
black satin ribbon. a vest of lace-edged
white chiffon frills and a black satin belt.
A novel bodice model is carried out in
cerise and gold-shot silk striped with lines Of
fine black passementerie. Tucked silk forms the
yoke and collar, and killed frills with q tiny
black chiffon ruche at the head complete the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

IL q white satin blouse with vandyke collar and
cuffs, knee brooches with rhinestone buttons,
and q cape of green velvet lined with white
satin hanging from one shoulder. Tho three
little maids who accompanied the pages had
white satin gowns covered with white chiffon,
frilled chiffon fchus. and mob caps OF green
times used with this sort OF dress, and the fichu
Ia made to tie with long ends in the back and 10
fastened with q white satin ribbon bow In front.
dress Of white satin with bishop sleeves and a
deep killed frill of white chiffon around the
neck, edged with three rows of narrow lace.
Tho hat Of shirred white chiffon is trimmed with
r~osettos Of white satin baby ribbons, white
feathers, and long ends of satin ribbon fall oyer
Charles I. period Ia also used with the long
white patin dresa.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

tucked diagonally, straight around, or up and
down In groups, and row of lace insertion,
bands Of narrow beaded galen and black velvet
ribbon arc set In in various forms. A novel
finish Just below the two little frills at the
shoulder ID o sort of ruche of accordion-plaited
silk to match the gown in color. This is about
two and q half inches wide and narrowly
hemmed, and one row is set on over another to
give 1t more fulness. Almost any mode of trim
ming the sleeve which may be fancicd is sure to
illustrate some variation of this fashion. pro-
Viding there is no very bouffant effect at the top.
The variety In skirts and skirt trimmings 10
psrplexing, indeed. after the long period OF the
fashion Of plain skirts, which. with many other
merits. have boon a relief to the mind by never
giving cause for any indecision In regard to
style. The revolution in skirts Is well under
way now, however, and to decide which mode
will lead and meet with approval later on is q
difficult problem even for those who arc oracles
In tho profession. The point in the general plan
of aldrts Ii that they are all mado separate
from tho lining at the bottom. except
possibly the cloth All tho thin
wool materials, silks. and cotton fabrics
are mAds mp in this way. Tho circular
skirt In various forms seems to be q favorite
cut with some designers. and In foulard silks.
barogeS. and thin canvas materials 1t sometimes
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

in place II the use of wire In something Of tho
Same manner in which it is applied to loops Of
ribbon and lace in millinery. A narrow comb.
shaped to the back of tho head and put In d.
roctly underneath the knot in the SAM way that
side combs are used. helps to complete the effect
of hufflness so much desired.
The woman with thick, curly, and not very
long hair has o priceless treasure with which
sho can achieve great success In the fashion of
hair dressing. since the Pampadour effect oil
around tho head is tho frrt requisite of q correct
couture. Tho average woman has q long
struggle with tho curling irons to accomplish
this. The Pompadour style certainly prevails
Just at the moment, but for the woman. with
Madonna face, there Is another style which
shows the parting. The hair Ii brushed down O
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

little way on each side Of the parting, and
caught up with the knot on top Of the head.
Little corkscrew curls are used In various ways
to add to the friZZy effect, and for evening dress
the ornamental decorations are quite as impor-
tant as the manner of doing the hair. English
women, who. by the way, have the reputation Of
rarely dressing their hair with becoming effect,
wear various large Structures Of feathers.
flowers, lace, and ribbons, winch resemble o
toque more than a headdress. Tulle pompons,
%rosettes. and marabout feathers spangled with
silver, steel, gold, and brilliants; bows Of ribbon
with large ~aigrettes or flowers, are favorite fan.
cies for the headdress. and two or thre0 different
things are often combined in one.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

Of applique lace sewn on all over the bodice and
bands Of narrow black satin or velvet ribbon
crossing white satin revers and ruching in small
loops are very effective. Fancy braids Of all
kinds are employed, and laoes and insertions In
all their varying widths have first place among
tho trimmings for thin gowns. Knife-plaited
frills and ruches of silk are also a feature Of
trimming, and fancy buttons, especially in small
sizes, are another. Shades of violet, green, red,
and pink are very much in evidence In tho Hnish
Of gowns Of neutral tint, and such combinations
as light green on q dull blue and white foularS
and green with dark heliotrope are not unusual.
Soft, clinging materials. such an nuns yelling,
barege grenadines, satin delsines, foulards, and
double cashmores, are first choice for street and
half-dress gowns. Tho French model in heliotrope
barege illustrated has a most peculiar skirt,
which hangs full in front and plain on the sides
and Is cut in some peculiar manner. 30 that some
Of tho tucks, which arc narrow and many, OK.
tend dow the middle of the straight back, and
trim tho skirt across tho hips. Tho waist 10
plain in the back and Is covered with . 1no
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21
n PRETTY WEDDING CUsrOM.

or Little bridesmaids and Pnges
who Attend the Bride.
One Of the pretty features of the modern
English wedding is the tiny maid and minieture
man who attend the bride as bridesmaid and
page. There may be ono little pair or three or
four; but they mako q very pretty picture in
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21
HONORS At YASSIR.
List or tho Leaders In Scholarship In tho q
OF 1907.

u I6ON.
PoUGHKEEPsIE, March 1.-THE class OF 1897
at Vassar will go into history with a high rank
In scholarship. as 1t has sixteen honors. as.
signed by the faculty for the highest standing
during the four years work. The following are
the fortunate ones; Frances Agnes Beckwith.
Utica; Flora Belle Bcrnkopf, marlborough,
Pa, Lorraine Elizabeth Bishop, Detroit, Mich;
Adelaide Claim, Cleyolahd, O.; Martha
Miller Clark, Brooklyn; Eloisc Ellery,
Rochester; Grace Hannah Landfcld, Bling
hamton, NJ, VI. Nancy Vincent Mcciei-
land, Poqghkeepsie; N. vi Anna Gertrude
Yer. JsscEsOHyyhis: Fla; Rachel G Sptaan seSau sS%,
Cleveland. Oh Marion kehibsbYI Omaha, NOb.i
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21
DRESSING TIE a

FaslIlOn's Present Aim u 20 increase tho Ap-
parent Size or the Head.
The principal aim in the present mode of hair
dressing seems TO be 10 increase the apparent
size OF the head. and while the hair is still curlod
all around to make 1t fluffy, 1t is not waved so
regularly in deep fluctuations as 1t has been
for some time. Tho influence of the carly Vio-
toEiAn mode u very evident in the fashion oE
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

rest. The rovers are covered with Oriental en-
broidery. and tho kiltod frill finishes tho edge
and trims the sleeves.
Red canvas with cords of black silk laced
over plated grass lawn makes o novel COS
tune. The collar Is Of embroidered grass law
spotted over with tiny gray pearls and coral
beads, and a fold Of pink and black satin
forms tho belt and neck band. A pretty
front for a black canvas gown Is a surplice
vest Of black Liberty satin. filed In at the
neck with cream lace over cream satin.
The wide belt is of black satin and
the bolero of gray blue silk with steel and fne
Jet embroidery and a large steel button at the
end of tho revers. A simple costume in striped
grass lawn has a plain bodice Of green silk and o
bolero arrangement of the lawn edged with
black velvet ribbon. A novel decoration for q
cloth or fine tweed gown Is a series Of tiny tucks,
half the width of an ordinary seam, stitched In
by machine at intervals of an Inch and a half
from waist to hem on the circular skirt, and all
over the bolcro and sleeves. The model shown
Is in gray cloth, lined through with bright red
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

trimmings. A very novel effect is made on
a gown Of ecru wool net with q very open mesh.
1t is tucked from the waist to the EN- in inch
wide tucks twice their own width apart, and tho
thread which holds them together is black vel
vet baby ribbon faced in and out. Tho bodice
and sleeves are also tucked, and the lining
throughout is pink silk. Accordion plated
skirts In net crepe de Chine, and any light ma
terial, arc evidently well to the front in the ranks
Of fashion. One pretty model in pale gray crepe
do Chino has tiny ruches of gray chiffon set on
in waved lines several inches apart half way up
the skirt.
Any detailed description of the bodice decora-
tions Is impossible, as it is moro elaborat,
and varied than ever. Wide collars, surplice
waists. and bolero jackets, with back and front
alike, or with q wide collar in the back and q
Jacket front, are still In evidence. and the bodice,
with q shghtly pouched front, has como to the
fore again as If 1t were really q novelty. Then
there Ii tho full bodice, which opens on the side,
from the belt to the shoulder, where 1t Is finished
with a fril Of lace or chiffon. or left open for two
inches over q strip Of lace, gathered in like q
vest. The opening is finished on the edges with
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

this season can DO the one which Is most becom-
ing to tho figure, since there are so many modes
from which to choose.
In heavy materials there is less illness, while
In the thin ones there seems to be abundant
width; but the difference in cut and manner of
making gives more Of the clinging effect. One
skirt Of changeable blue and white taffeta has q
three-inch hem at the bottom with three tiny
tucks above. This finish extends up the left side,
whore the skirt opens over q panel Of gathered
white mousselino dc sole, with insertions Of black
lace set in crosswiso. This Is attached to the
white taffeta foundation skirt.
Tho Spanish hounce In varying widths has q
place among the silk gowns, and In one model II
begins at tho seams Of the front breadth, whore
IL IN not moro than six inches wide, and widens
to q half o yard at tho back. Two rows of
cream lace insertion with O space between out
limo tho front seams, make a sharp turn, and
head the uf11e all around. Other skirt models
have Q deep yoke around the hips, quito plain
and fastening In some mysterious way, from
which the full skirt hangs. If tho yoke Is like
the skirt It may have two or three rows of lace
insertion set in around the lower edge; but It 10
sometimes made Of q contrasting material,
and tho top of the skirt Is finished
by gathering 1t in three fine cords.
TuckS, rufies, insertions. rows of ribbon, and
bias folds are equally in favor among the skirt
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

straight revers two inches wide, lined with
white satin and left to fall over the opening or
turn back at will.
The width and style OF the belt are points for
consideration this season. Although bodices are
full and deliberately trimmed, fashion favors the
slim effect around the waist and furnishes a va
rioty In form and modes of finishing the bottom
Of tho bodice which can be adapted to every
figure. A draped bolt of soft silk pointing up at
the back with a slight point on the lower edge
like Q gtrdle, and narrowing to two inches In the
front. whore 1t fastens with a soft bow, Is per
haps tho most generally becoming shape. If the
gown Is foulard, the belt may be- of
tho same silk, or OF satin, silk or vel
vet, In some contrasting color. There are
other belts Of a uniform width of three or
four inches made Of white satin ribbon, well
covered with an embroidery of fine beads and
colored silks, and corselet belts of Venetian
guipure lace over satin. Striped, plain, and
plaid ribbon and ribbons of every color arc used
for contrasting effect at the waist and neck, and
Louis XVI ribbons form sashes on some of the
thin gowns. Pretty belts are made of black
satin ribbon an inch wide, put on in rows, lap
ping one q little over the other. giving tho effect
of folds with the edges turning up. II wide
belt IL desired, this is a good method OF producing
1t. as the narrow ribbon is easily fitted to the
form.
Chiffon and silk. embroidered with motifs of
real lace and silver, jet or gold beads. are a spe-
OtAl fsAtuES OF bodice trimmingi and . nne vine
The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-03-21

their quaint costumes following the bride to tho
altar. The small boys are usually dressed in
court costume of white satin or cloth embroid-
ered with silver or gold and decorated with paste
buttons. Sapphire blue velvet, trimmed with
lace ,%ruffies,. Is another ~fayorite dress, and with
effective.
The little page illustrated was one Of three at
q recent fashionable wedding. The costume