The Princeton union. [volume] (Princeton, Minn.) 1876-1976, 1897-12-30
THE PLAY BEHIND THE scENEs

THE PLAY BEHIND THE SCENES
That Is Spent.
We all date our brief examination Of
the history of play from the moment
the manager of the theater, or, per-
maps, the actor-manager, accepts the
work and decides to '.put it on;
though, indeed, most plays, even at
that early stage, have already a long.
and checkered past, says Leslie,s
Weekly. The stage manager takes the
typewriter, oilcloth covered lnanu-
script, in which form the play at this
time has it's material existence, and
proceeds to cut, slash, and generally
remodel it, by means of robust blue
pencil If the author is man Cor
woman, we ought to say nowadays) of
experience, he automatically assists 1T
THIS operation, which means his prae-
tlcal acqulescence in all of the stage
managers somewhat dogmatic views
II ne does not acquiesce, the stage
manager goes on cutting and slashing
just the same, while the author
crashes his teeth in impotent rage
Then the play is cast-that is to say,
its parts are distributed to- the mem
bers OF the stock company of the thea
ter, or the company supporting the
star" If such organization is not
already in existence, the people have
to be found and specially engaged, UNI
der contracts as easily breakable (by
the manager) as pie crust Their pay
does not begin until the actual public
presentation of the piece, though their
hardest work is done during the weeks,
perhaps months, of rehearsal. Mean
while, the stage manager has prepared
a "scene plot" wherewith to start the
scene painters, stage carpenters, cleo
tricians and gasmen at their respective
jobs. A list of properties is drawn
up, including all furniture and Access
series used in each act, and every sep
arate article called for, from an imi-
tation elephant to forged will. If
the play be costume piece (requiring
foreign or fancy dress, or clothes of
another period than today, these have
to be designed, fitted and made to or
der for the principals of the cast. The
Wlgmaker receives extensive and di-
vers orders. The leader of the orches-
ira has troubles of his own with the
Incidental music. Finally a call is
posted and the company assemblies for
| the first rehearsal. This may be in
the theater where the play is to be
presented, or in any other house. that
happens to be unoccupied at the mo-
ment. It is not MATERIAL stages are
alike, behind the curtain They are
all bleak, dark, draughty and dusty,
and always smell of gas. Time, 10 a.
m.-The stage manager, sitting en-
throned at little table at the front
and center of the stage, with the man
uscript before him and a movable
bunch-light at his side, dominates the
scene. The cavernous gloom of the
empty theater stretches beyond On
the stage the actors and actresses are
huddled in little whispering groups.
The stage manager calls time, and the
first words of the play are spoken for
the first time officially. It is a read
Ing rehearsal, the actors having their
parts--little typewriter brochures,
with the cues red-lined-in their
hands. After few days they are re-
quired to be "dead-letter-pe with
their lines, so that attention can be
concentrated upon the entrances, ex-
it's, groupings, and general business"
I 9ofinn Il
out on large sheets of paper resembling
meteorological charts. The stage man
! ayers annOtations on the .'prompt
copy" of the play almost equal in vol.
ume the words written by the author.
It has been said, and very truly, that
plays are not written, but rewritten.
Weeks pass; fehearsals go on strenu-.
ously and the thousand and one sug-
gestions and inspirations arising from
the daily contact of many minds crys-j
tallize into a consistent whole, which
is 'the play as the public will see it
on the first night Of it's performance.
The preparation of it, as here outlined,
has cost the manager or producer in
round figures $4,000. The production
of comic opera, in first class STYLE
with large company and chorus, cost
ly costumes and elaborate scenery,
may, and frequently does, involve an
actual outlay of $4,000 before the cur
tain is raised.
Chinese Obedience to Parents.
| If Chinese children do not nhev fht,ira