The Cook County herald. [volume] (Grand Marais, Minn.) 1893-1909, 1897-11-20
PHOTOGRAPHERS AND DUST.

How 1t Affects Their Plates, and What
They Do to Escape 1t. VII
Among the many evils which are at
tributed to the pll-pervading, never-to-
be-escaped city dust, there is oneswhich
constitutes a grievance peculiar to
photographers alone. It is the injury
which the flying particles, sitting into
the room through every possible aper.
ture, cause to the delicate films and
sensitive plates. All films are made
of preparations of gelatine, and large
proportion of the glass plates now used
are also coated with this substance,
which, because of it's soft, sticky ma
ture, is particularly likely to attract
every atom of dust in the surround
ing air, The particles, however small,
leaye their impress in the form of
opaque spots upon the sensitive surface
and seriously mar it's perfection. To
remove the damage a great amount of
retouchaing is necessary, which is not
only laborious and tiresome, but which
cannot always be satisfactorily accom-
plished if the dust is very thick. What
is known as the carbon process in
photography is probably more easily
injured by dust than any other, be-
cause an extremely delicate film of
gelatine is used. Chiefly on account Of
this drawback the carbon process is
seldom employed in this country, al
though photographs are made which
resemble the real carbon pictures so
closely in color that they are called
'carbontypes." In England, where the
carbon process is more common, it has
become customary for London photog-
raphers to send their developing work
out of town to be done, in order to es-
cape the dust and smoke CT the city,
but this practice has not gained much
ground here.
The photographers in this city, as a
rule, perform all their operations in
the same~.building in which their stu
dos are situated, and, for the sake OF
thus keeping the developing process at
home, they are obliged to be at great
deal of trouble in protecting it. Some
of the methods employed for this pur.
pose were mentioned to reporter the
other day by well-known Broadway
artist. ~.
In the first place." he said, 1--WE
not only keep our dark room itself
but the whole top floor in which it is
situated spotlessly clean. The floors
are all oiled until there is not crack
in their surface to harbor dust, and
they are thoroughly washed every
, morning before we begin our days
work. All the tables, trays and every
thing we use are kept equally clean
The" windows, instead of being in the
side walls, where the wind would strike
them and bear the dust in with it, arc
in the roof, and very little dust car
come in that way. All cracks in the
doors or around the window frames are
stopped up, and we keep the dark room
tightly closed as much Of the time las
possible. With these precautions we
manage to get along pretty well, but
q certain quantity Of dust seems bouno
to creep in and 1t causes us good many
hours Of extra work in retouching.'
Practically the same struggle agains1
dust is the experience Of every photog
rapher in the city, One remedy, which
has been tried occasionally with sue
cess, consists in filing the room ii
switch the plates are kept with steam
Tor q few moments each morning Thi.
usually sufices to lay the dust for til,
entire day X Tribune.