The copper country evening news. [volume] (Calumet, Mich.) 18??-1907, 1897-08-24

dulges, too, in this bang. So does Jen.
ME June and in French twist Amelie
Rives princess Troubetzhof) is fond Of
the fluffy ornament and the graceful
coil low in the neck. Miss Sarah Orne
Jssett wears in place of the bang a lit
sic parted wave. Marquise Clara LAMA
is fond of the bang. 1t is. too, more be-
coming to fair hair than dark. The sad
face of Mrs. jeanette II. Walworth is
surmounted by curly bang. Constance
Fenimore Woolson wore it with hair
coiled low in her neck. So did Miss
Anne Reeve Aldrich, the promising
young poet. who died in 1892. Ella
Wheeler Wilcox wears il and also the
Grecian, or what is better known as the
psyche knot. 1t becomes her as most
girlish styles do. Mrs. Rose Hawthorne
Eathrop makes concession to the bang,
and so does Mrs. Louise Chandler Moul-
ton. Even Maria EGgeworth had TO
wear a dark fIisette when the gray
peeped from under her cap behind.
There is a certain dignity about the
style known as the English bun intro
duced into New York by the English
gaiety girls. 1t is especially striking
when worn on top, but it is not every
| face that will stand ii. Mrs Mary
Mapes Dodge adopts it with grace and
effect; also Marion Harland, Mrs.
Christine Terhune Herrick and Mrs.
Amelia Z. Barr. Mrs. Florence Earle
Coates dresses her hair on top and in
dulges in little pin curls about her fore
head. Rose Terry Cooke parted her
hair and drew it smoothly back over a
crescent shaped roll that fitted ends
down ON the crown of her head.
/ hardly know how to describe Edna
Lyall's style of headdress. / hope l
may be forgiven for being reminded OF
Topsy. but sort Of frizzy pompadour
forms faraway mount to her express
i've forehead.
There is great impressiveness in the
affectation of simple and therefore good
taste. Such l would call the style of
hair adopted by Mrs. Helen Maria
Fiske Jackson, parted, wavy and falling
slightly over the ears. 1t is French and
the style of 1886. Maxwell Gray adopts
this style in even palmer simplicity.
Her hair is drawn over the ears, to be
sure, but not quite III the exaggerated
fashion of Alice and Phoebe Cary,
whose hair hung pouch fashion all
round the sides and back of the neck.
The author of "John Halifax, Gentle
man, - favored the same simple style
but drew it behind her ears in trimmer
? fashion. Charlotte Bronte's soft brown
, hair, after that of her own Jane Eyre's
) waved slightly and was worn i'll thu
style under discussion. Above Joanni
Baillie's large, statuesque features tn
| hair grew low naturally, She wore /
simply divided and braided across he
1 forehead. 1t gave her dark gauntnes
2 of appearance The beautiful Lad.
T Blessington was famed for wearing he
. hair very plain and close to the head
: simply parted on the forehead with
e rich feroniere of turquoise. The rich
Z abundant hair of Harriet Martineau
o which was of an unusually fine texture
: was always folded away from he
@ thoughtful forehead in shining waves
=, Mary Russell Mitford's gray hair wa
o usually neatly arranged in front OF he
r cap when she was not capering owe
Q some triumphant piece of dramatic III
II erature, and then she had the habit
d impersonating her characters hair an
Q all. Mrs. Gertrude Atherton had yer
neat Indian fashion for her peculla
q gold colored hair. 1t was divided, tn
o two halves crossed smoothly at the bac
q and brought neatly to the front agar
h where the ends were skillfully bidder
e But after all there is nothing more col
If venient for the busy ', oman, literary
% otherwise than the fashion of the shol
J. black hair round George Sands ope
J. brow. LILLIAN A. NORTH