Wheeling Sunday register. [volume] (Wheeling, W. Va.) 1882-1934, 1897-08-15

epaulettes are formed with three folds
CT the taffeta that extend far over the
sleeve of the gown. tThe collar is a
high, straight collar Of Wiolette velvet
mounted by a frill of white mousseline
de sole.
A jacket to be worn with a white
pique gown that had figures printed in
dark blue was made of dark blue piQue.
1t was pierced in great open-work pat
terms and faced round with white silk
so that the white taffeta lining OF the
jacket shone through conspicuousily.
A bolero to be worn over a white
wool grenadine gown is OF hunters
green taffeta. 1t reaches TO the waist
band at the back and fits we'll into the
curves of the figure. The front of the
jacket is draped at both under-arm
seams and the fulness is caught up to
the bust line. There is broad collar
of white moire that is slashed to form
broad>pointed revers White mousse
line de sole frills, headed with a gold
cord, outline the collar and revers.
The sleeves are coat sleeves OF the
green taffeta, finished with a narrow
cuff of the white MORE.
Another smart silk jacket is Of navy
blue MORE. It is a long straight
round jacket reaching just to the top
of the waistband. The collar and re-
vers are broad and slashed into unus-
ual shapes. White wooden braid trims
the revers and bottom OF the jacket
deliberately. The shoulders are cut
long enough TO form epaulettes, that
are cut square and trimmed with the
white braid. This Jacket is lined with
white satin.
COOL SILK FOR TRAVELLING.
A simple little jacket TO a dark
! brown travelling suit is long enough to
reach to the waist and is cut straight
around. At the front OF the jacket
there are narrow revers of the cloth
| trimmed across with narrow black
soutache, forming loops at the outer
edges of the revers. Under the cloth
revers are inverted revers of deep
sage-green taffeta, with the broadcast
| part of the rever placed just at the bot
tom Of the jacket. These revers, too.
are covered with strips of the soutache
running lengthwise. The sleeves of
this jacket are close-fitting coat sleeves
of the brown cloth, mounted by circu-
lar ruflles of the cloth, that showed in
flaring a facing Of green taffeta. These
epaulettes were covered with radiating
lines of the soutache that end in little
loops at the edges.
A bright little silk Jacket, suitable
for an afternoon toilette. was made Of
froggreen taffeta shot with gold. It
fitted snug into the lines Of the figure
and was drawn into a girdle of pale
gold taffeta that was trimmed around
with bands of deep greeA velvet. The
front Of the jacket was cut with too
long, straight ends that fell over the
girdle to quite a distance below the
waist line The shoulders were cut
long enough to form square epaulettes
that were finished with a strip of
green velvet ribbon over a bias fold OF
the pale gold taffeta. The front edge
of the jacket was finished in the same
way, and narrow tabs of the silk and
velvet formed frogs at the front. The
jacket was lined throughout with pale
gold taffeta.
A dressy little jacket worn by a mid
dle-aged matron was of velvet satin
that looked exceedingly rich with her
gown of black grenadine. Ii was cut
short and straight around and was
lined with white satin. The revers
were of white satin. They came from
the edge of the jacket at the back, ex-
tended over the shoulders and reached
to the bottom of the jacket at the
front. The left revere crossed over the
Hinb 'sTcgCco' y, tar-sua.5r S~1.S 49, -
the satin that were fulled trlfle at the
tops.
TRIMMED WAISTS.
Women Of figure, however, dislike TO
hide themselves. beneath any coat, no
matter how thin or loose 1t may be;
and therefore the trimmed waist will
be more in evidence than ever.
With the sweeping Gainsboroughs
there will be checks and figured silks.
all made most deliberately and trimmed
with the brightest ornaments.
NINA GOODWIN.