The sun. [volume] (New York [N.Y.]) 1833-1916, 1897-04-02
ACTORS CRITICISED.
MISS EETHERsOLE, mn. oLEarBET,
AND ONE WITHOUT a NAME,

Initiative Representation n "The New Do
~,,s . I S.,, a n ss,,s'e sss, F'' ".rr,sss.
-
When Olga Nothorsolo played oamtli. IN New
nrom,o" $500. - ..S.
promise In nesriy every respect, and in some OF
was in the Indication Of future resuIts that the
49,. a"oa.mn'I"s"a ~. To. .na n. ;, w. .hs
power, tho strongly dramatic Temperament and
the evident artistic intelligence tho portrayal
showed, the crudities and eKaggeration were
forgiven. There was reason to believe that
they would disappear In the aoou,sltion of A
- 49, ~ '.ooppsN- :"
naturoi gIts "oulu prooapiy nave placed her
"%ohe INC 10" sroat ones OF ner prolessioh'
sor tnet reason twas not agreeable 70 her
suniie,s oooserVo tne oourso tnst ner taients
noNo UeNoh' i'""s noa''s tnpossioio "a ocNoVo
tha1 an eApor'enco OF Two yeers shouiu nave 40
vo"piSnou 20 n't,o ior nor anu, more tnuh mat
nANo oAseserA.oa every queity tnet was ior.
mell' W 20 uop''rou IN het aotns. last nikn'
Niiss Nethersoie snoweu tnnt ahytnlns hke
sver tro M 1 hsr neIicSuon was InrIp 81 Lnnn
become alternately nasal and cultural. THE
spontaneityo Of her acting has been superseded
i ny n ttriyisfitIss sn mS ends 10 nosbinn
The power Of her acting remains; but its effect
Is also Impaired by this lo~nE.drawn;ou treat;
at sso ~ instance shn s0ent nnns I'M rahie pnr
tion Of the Time cleaning her finger
scissors, The Instrument may have been all
right, although, others arc recommended, but
Recognition must also be- made Of the delicate
imagination which suggested the close Of the
tssi act; a p pastis Bedroom an t e G Sar,sis F EfD t sn9w AZ,
to hsr maid to undross her. Tho maid
curtain calls. il there had been greater onthu-
siasm it 10 not possible to say what the spoote-
s spfs might II The hs nSsto s9sa; ah slsSou was S SSt %nSh
Hartwig was an impassioned and graceful Ar
ness and Intelligence.
-
In his new play at the American. Clay Glenn
ent makes the belief inevitable that no has
taken Richard Mansfield In 'Prince Karl' AZ
ms moaei' Mr. oiemeht u p.oau. square
shouldered. and smooth faced. Hts long black
hair is combed back TO his coat COLLAR, ana two
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a H. 5000 49,, - ,or.,rn sh.n. ,.nd
.uaas.". ~ 80 " 49,. na,n,. ~.
lA'N -. 49,.
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- - H.s..S
~ ..ss.n.s .tsn.
~ $50" @ IT,. ~. -
- 80 II. 80. iasss.n.,,IhI. =, Oh.
~ $500 - r~.au.S =, "a
noAs - -
az thev are placed upon The nose. the bro W.
are drawn up with nervous emphasis. To
point q growing anger az the lnsnite OF 9
beer fpst trembles 90 tSat a little Of the LIQUID
spills. then BY a greater tremor the GLASS 10
oestures dash the beer fully two feet above the
tebie This ia sa divereenee from "Prince
tnrn IN the other likeness IL nrcmpt. and ia
fsyored by the German dialect. In il the
Ciement and Nansdeld burrs arc identical,
.,- IL l- .ir,tI,r
mann.risns. IA marking a man who would
be impressive despite hi; %unfsmiliarity Nth
the i Il for nrunes and prisms. but these tricks
o %,sl R De 6ei Sns ss sen'e @p ri eee' karI o"!'' RescosnI.
ton viii he equally proriSt. TOO. FOR . gesture
= =, whan he /. AZ n iosa for n word. which brinSs
the .peater's land to his head. the fingers
temnisas "a the b%esitatcr probes his memory.
The variety actors self.es.sem take. him
through many scenes in which a moments re-
taxation from his e.AEEorasei appreciation
of himself would bring him to ridicule with
conclusive thud. and very seldom 10 a special
it seen 10 sn"er from u iaeAo OF ease. nut
there is q man atke'th's who Is disturbed IN
this way at The beginning o: his slight contri'
DSHa,.,.s ~ - 80. go hiu I..k,n. IN
sHnn.. n. 49, an ..s,.,.nt IN
- II.mI. "a T.. ohs,,r.d no a.. AZ
L.s.,s,tna o,oua ~ avon vmor.n.,. Oh. "a
49,, n'r..Iam. .ooa,i., ond 4. ,.vor.d in
h.r .aco,d ..lsc,ion NV ex,inouisbed footliohts-
Mhiie she AZ lbs and twitters In the glorIousEe ss
OF q limeiight all TO herself. For her conclud-
Ing song sue appears IN = " "nd 2 y baad \. s cnx1
cred by a tight white cap. This attire suGrests
q night robe at hrst.. but by the time che has
esGnsa inc centre Oh .ne s .Sem ssIv ssset,.nonnss . uIsn
against a dismtiiy mature baby song. As soon
as she has crossed the stage she sauats npon 4.
ana her race Tt taxes On an enprcs y nc /" IN sn,are
pushing q baby carriage. his absorption in the
last weeks paper that be IL reading not heing
reaIistically beautiful picture Of Brooklyn life
IL abort. The ave foot baby sats up q piercing
souail. and the OBSERVATION-DISCLOSURES wheals
he carriage TO her side and tries 70 s0othe her.
Thessweet.child's angry screams are rsdoubled.
and when she throws away the apple she has
bottle. For q moment the cries are stilled as
the remarkabloInfant drinks from tho bottle.
hut they are renewed, and teen she 10 lifted
Into the carriage. AZ she ~recliles and Lowls.
closes his doubu. Wheeiing his cha rge about
inyoIyeo lifting her at the turns. and that does
moi convince him that he 10 r%ivallinR Booth.