New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1897-10-02

throat with ruchings of black chiffon A diytdn.
in t temporary m bondage long scarfs Of lace With
this costume is worn a hat OF white chip. swathet
e En s saSK hna Mn osoa Of
: satin antique. Another Of the girls is gowned N
Dg tine ey OS sod aTFamsed set at
Beneath black MORE waistband these tucks are
| continued In little on the skirt, curvng upward
on the hips and then merging into the wide peats
OF the back.
band formed OF tiny tucks of red taffeta, divided
by insertions of lace, giving double breasted
career down the LETT side Of the skirt. band OF
red taffeta is tied in a loose bow at the waist Inc
under the brim and a white dove raised in front;
In effective contrast is black , gown Of satin Tin
grapes embroidered in closely massed Jet pailettes
touch o. color is into the w ssSnd
| with pink coral a background OF white satin.
A jet toque is worn with one coral pink ostrich tip
a lovely gown is OF turquoise blue Olga" the
new material which IS neither SILK nor crep .
OF the clingng variety, with trio OF ilttle tucks
at the hem. while the pouch bodice Is OF irsn 81,
chiffon and four lovely turquoise buttons. and FUR
auose.bne glact and wastband OF silver gallon.
cmbr oidere with steel and turquoses A sort
yellow cashmere has bolero bodice OF peau-de-
sole thickly embroidered with white chenille. the
revers being OF white satin. and the vest OF yell
low chiffon. with a cravat Of old lace. This Is a
decided novelty
WONDERFUL COLOR COMBINATIONS.
The most wonderful color combination Of all is In
a gown OF apricot cloth. with a great cluster OF
flowers at each side OF the skirt. caught In by a
true lovers knot worked in wonderfully shaded
wool-of all things in the woodland then trailing
the hem. The effect is really exquisite. and this
wool work - kelly to great extent to super
sede the slken embroideries.
AS to the bodice of the gown. Il Is worthy Of
the skirt. and again introduces the embroidery
Valenciennes lace and describing series Of gradu.
ated scalops. while between comes full front Of
velvet and equally dlmnutve paste buckles; The
toqne is nothing but leaves in the most literal
auumnal colorings being copied TO perfection by
And last. but not least. there Is another Olga"
dress this time in cornnower-bue colorings. with
graduated tucks embroidered with cornnowers in
hat that is bordered with cornfowers
IN "a SOUTHERN ROMANCE" AT THE FIFTH
AVENUE THEATRE.
Katherine Grey. in the first act wears a white
and pink striped organdie. made over pink silk
The sleeves are narrow and shirred the length OF
the ARM a little black velvet band dividing the
shirrings the yoke Is treated In the same way. The
belt is black and white ribbon tied at the bark
long ends falling to the hem Of the skirt. which
is edged with three tiny organdie rufies. finished
with black velvet ribbon.
In the second act Miss Grey wears gown Of
dotted swiss over pink. The narrow ru6ies on the
skirt are edged with lace and the sleeves COM
posed OF many little frs. Yellow satin ribbons
ire worn at the waist and throat. With this cos
tune large pink apron = worn; and a quaint
sunbonne, OF white null and lace that flares away
from yet frames in the face In becoming manner.
Miss Maud Haslam appears in Act l IN cos
tune OF white grena1ine. The skirt is trimmed to
simulate an apron with three rows OF lace inser-
ton green ribbon. the lower band OF insertion
being finished with small ruffie OF white lace.
The bodice Is extremely pretty the yoke OF lace
green and green ribbons girdle the waist
diagonally. terminating with large bow the
left side The shoes with this gown are
white and white hat with brim rolled up the
left Is ornamented with white plumes and ribbons.
In the second act Miss Haslams toilet Is an
same favorite narrow ruffies, edged with black
velvet ribbon. but set rather far apart The bodice
with velvet ribbon. the sleeves being trimmed In
the same way. The sash and throat finishing are
also Of black velvet.