The record-union., 1896-09-12
LADIES' TOURNAMENT YESTERDAY.

grand concerts to be given on Sunday
afternoon and evening in the Pavilion
by Cassasa's Band, and for which very
elaborate programmes are oelng pre-
pared. These concerts are to be given
under the auspices of and for the State
Society, as special feature OF the fair
for a. day when the exposition will not
be in progress.
Exhibitors will not be in charge of
their displays on these occasions. and In
fact the fair itself will be closed. Prom
enading about the hail will not be per-
mitted. The purpose is to give the peo-
lie an opportunity to listen to the choic-
est selections rendered by expert and
trained musicians, for which the trif1ing
admission fee of twenty-five cents will
be charged.
Each programme will embrace more
than twice as many numbers as are
given nightly at the Pavilion, and there
will be no tedious intervals.
Following is the programme for to-
night at the Pavilion:
]. March, LA Procession. ...........: Batiste
2. Grand Overture, "Tannhauser". Wagner
8. Oriental Scene.-.....-............. Desormes
4. Selections from "Faust' Godfrey
5. Cavatina for Trombone Toegue, S2o4aeiea o.
' '''''ii.'';'; +. X. Tobin.
6. March, Gel Captain. :Sousa
z. Overture, ''Semiramide" .-..:.....--- Rossini
8. Duo, Trombones, bye Lo, Baby,
Bye Lo"........... Lee Johnson
By request
9. Selections, Lies Cloches de Corneville"
TO- Waltz, blonde ct Brunette" Waldteufel
II. Musical Scenes. Selienlc
u. Galop, 'Ia Grande Duchesse". -Ofienbach
IN THE ART GALLERY.
Henry Picou's four very handsome
decorative pastoral pieces are num-
bered 3 to 6. One Of them was painted
as early as 1910 Two of Mencardi' s
fruit pices are shown Of the date 1924
Piexotto's Dutch Windmill (2S) is a
quaint good picture. Strauss Pixies
Peak (52) is an excellent example OF
the work of a favorite California artist
His "a, A Heavily Laden Trellis, is q
strong work and commands a great
deal of deserved attention. 1t is a fore
most picture. Henry Raschen's Man
dolin Player (S3) is a notable piece as
figure work and as portraiture. II
stands boldly forward as a superior
canvas vital with life.
| In 81 and 9S Mr.. Stanton gives us
further examples of his skill In por-
traiture. Heath's Q26) Rocks at Glou-
cester, Mass, is a strong thing, as Is
also his Massachusetts, Coast CAB
The water effect In this last is espe-
| cially fine, and may well serve as q
suggestion to some other art workers ir
the gallery in their attempts to produce
water effects, since q number of then
are signal failures. The portrait OF
Hiram Clock Q5S) by Mary Hinksor
every one will recognize, as Hiram is
one of the most familiar figures in Sac
ramento, and is widely known through
out the State He has been in employ
ment of every Constitutional Conven-
ton and every Legislature that this
State has had. His features are faith
fully reproduced in this oil by Miss
Hinkson. Indeed, she has not done any
better work in that line. 1t is fidelity
! itself.
Won Perbandt in 172 and 173 has a
good marine and a handsome land
scape, but he has better work In the
| gallery. Two good examples Of the fat
style Of painting are to be found IL
Mollie G. Hutchinson's Marshland il
Brittany (205) and In the Orchard (206)
We do not admire the style, but those
who are pleased with it will likely find
much merit in these examples Of the
| art.
The Rising Moon (226) by c. Chape
| Judson Is an exceedingly meritorious
work, superior to Foothills at Fruit
vale (22O from his brush, though tn,
latter is a charming landscape, an ex
ample Of drawing Of the most satisfy
ing character. Mary Hinkson's 200 anC
| 249 are both La France Roses, ant
/ good examples of flower painting. Mis-!
Hinkson appears to do equally well il
portraiture, figure work and howe
painting, and in fruit painting also. He
grapes are Of such high merit that the.
sell in San Francisco in the face of tn.
work of artists of higher reputation fo