New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1896-02-09

,,.., 20 ", 90 Iruguerots" Faust" Carmen and
.r o,,ncrr" There will be ample time TO review
tho work Of Tho season when the end Is reached
7, hos hoo, enu NJ GOOD things and disappointing In
49,. ,. or1 tho eunnjenentarv season in April
n"' .t.o, Gov u.,th oaperncss At the regular
W. ,,, o,,,or ..r . Dor,ro,io, de Faust" will
-, ,n a,r Win the solo parts in the hands OF
Nro Torlica and Messrs Hubert. Customary and
Plancon on Monday Die Mest,rsnger" will be
sung in ITALIAN with the following distribution of
parts:
Nv. cooh. NJ Edonard do Rcszkc
Pogner ...................M. Plancon
sGnor Dafnoms
FRITZ hothnef.. e,,|r V,rri
RsIhazar snor Iinadini
Augustin Moser. ,,r paris
GIICh f;,sSttlf,d ''''''''''''''' Sgnor Horin
Herronn NEUTRALITY-SUSPICIOUS. de- Vascheu
TIanz FoltZ SgnQr tEhlscn
Night Wachman w. Vi,iant
49, 49,, Mr. Ilovd D'Aub.gne
jean ce Feslke
Malla'ona. .....'.'.''''N ,h
f-F', (r Anton SeGl
Provincial ignorance end prejudice on the srnJ''!
Of Wagner's dramas has recently had 4 p'"u'''".
Illustration n the corhh'htS ma - NJ,
Connecticut newspapers ca.'' Io''h ~ i"' ~
unes attitude toward the society performance
Of Yvette Guilbert. firS' came Ahe h'.nHvi
Farmer" with fling to the effect that me lIlpu"e
while praising Wagner's operas. which. The
Farme,'. said are much yiler than anything tho
,,.,. -, .,,.,, ..,r1 g., ,rb,ch ,-,os, Is an
French woman sings. ana IN ""',n No. - 90.
ordinary occurrence ana having o'Sco''''u '.''
.''e aao,s io, ,r,i,ote1 that the re-
10 " u'.S .n,o 1 rao No. rorro IN wag
nerianisIn' Whatever 'ha' ma! D7 NJ w.
terance was rePToidce' WIN e''''"' "iP'''"' ~
The Waterbury American" Whereupon The
,,-i,,o.s.. c.,n5or,, oo,,o - ,ba front with the
sisted IN ifs having given away" the real character
- 49,. ~oso ,,o,1s ,horohv NV ,mn.,cation a.
OF 'he Noise NNe"',' - ta
least, giving approval to the hrs' newspaper '""'
acterization Of Wagner's operas. The simplest
answer "ouid nave pee" ~ De", 1.a' '"e ~ 10 -,
vile. and 10 ask now many instances III al .n,
current operas OF ua""ihs % "H Es-... a., 49,.
10 make incest an oruihaiy '-.'-',
j.. Inc '''e .', ,o,.o ,ha, iooSs
OF the most exalted k.nd OF IoVe-'o'e 'ha' '"'9
woman to sacrifice her life in order that man
lahor,ng under a curee shall achieve surcease of
suffering That Is not vile neither 3 1t incestHonS'
In Lohergrln" the Hottest order OF cOnjugal ndeiiy
l. ar.o-cod That &c M, vile nor is II lnccstuous
In Die Meisiersnger" there isn't hint OF passion
OF any kind except the purest ana most romantic
love between gallant young cavalier and sweet
though somewha; canr.cious. maiden Ina' "
neither vile nor inc's'noIs' Where is inc el'intnt
Of incest found in "Das Rhe.ngoli' s'eBiI'ed'
and Die G3tterdammerung' Il it Is OF "oFd'naFy
occu-re,ce'' IN Wegner's dramas we must find IN
soon, 'Plrs.fal s. FAR from beinq VIE ana IN
ces'uous IS gloriacatlon Of ceba's chasi li'
Venus The s,rnerle when pS.sessos his soul when
he iSarqs 70 ov. paIe woman ne coaae,anp 3 lon
1,racle ~ his fo,rycnS,. ,hroash The mciai'on Of
g. eaE Vono no d, les, for sgs e. 9 n
ar Vie nm. and ncest in Hcnzi' Wagner must
have i9'n3 tacm N bHi%'rs h,s,oTicn moVcl, an.
boz Cniv one drama remars 'Wakiire." ana
thu, o. course, furnsfe the ground ior INC charte
iha' incest j. ol o'..iiiy D.''t ~, 'TlI,,,,
leo,rl need not bee cxtcnuato9. hui before ono in
stance can he called "orl.nirF o'clrTence ana al
bis ran chafal tri]eI s Nl.ei nan ,. S e -,
the English language and revolution In morals
.,,o ,----1ct 80 49,. chor,,i,s ., tho
Ethical Culture Society VIII take place tomorrow
evening at Carnegie Muec Hall An orchestra OF
sixty has been engaged, which VIII be under tie
direction Of Frank Van der Stuckon, who VII CON
iFom ',ii"t t o n sIi' arc lillian Haoyolt' Mr.
J@cohy an N's'' ''le = I'Il - a. =, liz,
VIII play MAJ Hruchs CONCERT" H. . minor MINOR nun
Pnl'i' 'H ~, LIZ ii,,,i ~ o'1.s Koamanich p,fh
. "a, VIZ, we &c 49,, sn,nrbnnl
,.,....
OnIer 'he auspices OF '"e hroof'F" HS,''u'e o.
Ar'8 ana sciences MI w. D. io'."''S'" VIII "i+'"
course o. ''" REQUIRES %" ''' "'H'oH ~ '""a.', VII
successive ThursIay afternoons, beginning on feOru-
ary % and ending on Aprl %. Following is the
scheme Of dates and subjects
February 20. |. The Beginnings OF Modern Music
feDrHary - Dr., ,rcHI Netnsriiis Mrch 20
IL ";rhe Evolution OF Form Growth and Deve.op-
ment Of the sonata; March H. V The Evolution
OF Stye. Development Of Technic and Phrase
0,osx % -I1r :.pr,1 ~ EVA rrIc
April @ vii The Great operate schools; April
l6 X, Wagner and His Music Drama; April %,
y, The spirit or MUSIC me PHILOSOPHY OF Musi-
cal '''''''''
Inc seco'u co'ce'' oi me a'i'" MIMI ,,o''''
ooc'e'| WIZ ''Ae pa0o J." '''e N"''"' OP''t '.0'''
Music Hall next TUESDAY evening pTeceded hs
noon Tho nroeraune Will consist Of Mozart's
G minor SYMPHONY prelude to Act III and bridal
march from 'lohengrn' novelty. the ballet music
from MoszKowShs .iLauIlh an ar nom, hfuho
oscar Hrih Opeta ihecDoTB ahi Il set oi SONGS
MIC Marie Niulh DeIhS the SINGER.
Al the third public meeting Of the Manuscript So