The morning news. [volume] (Savannah, Ga.) 1887-1900, 1896-07-19

cred green mex Is Introduced and IS finish
ed OF AZ me foot with a large. fancy bow
. Ara evening dress u Eeralium pink tai
T fe-a has the b0d-ce drapery eucrus-ed
I Win pearls. silver. and coral. and IS m
ished b. Drsaees Of pale green velvet A
bal gown o. pale blue moire Fe4ours =
richly worked On silver and turquo-zes, ana
has the skirt cut in tabs over a nOun1e
4 A derni-t0ilet gown for the theater Is Of
rose pink Roman satin. The bodice Is fes-
tened invisibly al ne side and crossed a
intervals bF agonai lines or 0cltcate black
lace Insertion. as alsOsare the long sleeves
Another y clear shCy-blue fancy silk
gown. narrowly striped white. with a bro
caded line IN H0ral design. This is arrang
ed With "a satin brOche skirt, IS fancy
Irish pGUlin in a pale shade OF maize,
with faint lines Of black. The back Is
stretched across the figure in one piece
and caught into a black satin neck and
waistbaud. fastening with a chOuN. Black
lace trims the shoulders, and at each side
OF the arms is a jetted piece Of black vel
vet, shaped TO simulate the fronts Of an
Et0n Jacket broad pleat down the
front is studded with three small cut jet
buttons.
Princess Maud is an active participant
+ in sports and all outdoor amusements, so
she has a cycling costume Of fawn-cOlor-
ed Venetian cloth The skirt IS not very
wide. but is arranged IN pieats al the back
90 divide and fail each side OF the saddle.
Ii is lined throughout with silk serge, and
.
button over. which. when riding In windy
weather, VIII hold tiny bags Of shot to
! keep the skirt IN place. A little single
breasted coat is fastened with three fancy
white and brown bone buttons, and the
/ lapels and collar are cut ike those of
] habit bodice with detachable collar and
( lapels Of unbleachcd linen over them. The
basque is close fitting and Is rounded away
] from the buttons in front, and has cres-
cent-shaped pockets. A patching costume
I Of navy blue serge has a short coat bod
I ice with pearl buttons, and roll white
cloth collar and belt which IS fastened
/ with a gold buckle. A pink cambria blouse
| arranged with narrow Valenciennes lace
/ is worn with this.
There are two riding habits. One is a
| very dark, almost black rough-surfaced
! cloth. The skirt is an ordinary perfect-fit-
/ ting garment The basque is rather long,
/ coat shaped and close fitting. 1t is single
| breasted, fastened with three buttons. and
/ showing about quarter of an inch of
! snow-white drill inside the lapels and a
| couple Of pearl buttons of a white frill
| WaistcOat below the buttons of the coat.
! The second suit is Of pale tan melton cloth,
/ perfect fitting at the back with seams all
/ strapped. 1t is semi-fitting in front, and so
/ made that il can be worn either closed
| with fly front or open to show a pretty
/ Wa-steoat. The lapels are like those on a
/ mans covert coat, and the collar is faced
1 with velvet a shade or two darker in tone
/ than the cloth. The sleeves are put in fiat
| on the shoulder. The whole coat is the Eng
/ lish ideal Of what a ladys dress in the
/ saddle ought to be. There are additional
| white drill waistcOats, single breasted,
/ fastened with pearl buttons and having
I little hecks Of blue or pink upon them.
| II the weather upon the day OF the we'd
| ding should be stormy. a travelling cos
/ tune OF pale brpWD Venetian cloth will be
worn for the going-away gown The skirt
/ has the seams strapped but is otherwise
| quite plain. The cost Is double-breas ted,
| tisht-ftting at the back, with the seams
arr "a
| not very Ions. It Is fastened in front with
/ bone buttons has a brown velvet collar
/ and cloth-faced lapels, one of which has
| a button-hole worked in 1t. The sleeves
| are put in with fat pleats on the Shout
| ders and are finished at the cuffs with five
| rows of stitching Yet another tailor cos
/ tune Is pale blue and white mixture in
a summer tweed, the coat open all the way
! down to show pretty blouses
The tea gowns are soft and dainty One
| in Louis Qu.nze style, is of creamy hued
! crimpled mousseline de sole, printed with
a design of pink flowers, and made over
| cream-colored glace silk A shaped collar
of creamy chiffon over glace silk is edged
| with deep frills Of soft. creamy lace. The
| sleeves are of shirred chiffon, and the
| back is arranged in a Vatican fold OF
| matinees in silk and muslin, frilled and
| trimmed with lace and ribbons, there are
| numbers. The under linen is all of the
| finest description, trimmed with real lace
| and marked with an NJ" and a crown
in satin stitch. The handkerchaefs are
likewise marked. The stockings are of
finest silk-black for ordinary wear, but
IN delicate open work for the evening in
all colors. There are quantities of gloves
The day gloves have four buttons, as a
rule, and the greatest number of evening
gloves are twelve-button mOsquetaires OF
white kid, which are the court gloves
There are, Of course, delicate shades Il
match dresses, and heavy ones for driving
and hard wear.
The shoes and slippers are IN proper
ton to the gowns, of dainty colors, elab,
CRATE work, and good servtceable mate
rial, but of English make Great atten.
tion has been given to the walking shoes
that they may be rendered impervious tC
water and never wear out.
And then there are very elegant wraps
particularly full seal cape, lined with
black and cherry broche, and chinchills
collar. A royal purple velvet cape, LINED
throughout with the finest Russian sable
is a present from her mother. 1t is g
comfort to be able to say in conclusion
in these days when it is the English fash
ion to wear anything short of a whole
conservatory upon the head-that the hats
of the royal bride are described as ''se
verely plain"