The Norfolk Virginian. [volume] (Norfolk, Va.) 186?-189?, 1896-02-19
7. M. c. A. STAR COURSE.
~ belichtfuiiS Entertaining pro.
Sr"nimc the Hall Inst Night.

~ large ana very apprcciatiye auJi
cnce was attracted by the Albrrtine
l1ihde-Dc Macchi Concert Compunyf In
me association hall The first numbers
were ciianSed and instead of I,rctho-
ven NfeutZcr Sonata. Sen. Albertinc
rendered two movements Of the Mem
"tissohh violin concerto In a muStcrlv
hummer Ills tone, especially in the
nnSh notes, Is clear. fun and of Il sIu.
'nS 1uaIlty and came out to the best
erect In the And.tntc of the concerto
IN which he artist displayed some good
lilS' iccIihE ana expression. In the last
nnoVcmeht a fine technique was notice;,-
BILE. beautiful spiccato bowling ana con
Sluera Die dash, which brought forth
nnollnhrouS applause during the solo
me iliale was SO inspiring that tho ar
tist was induced to play the Scrcundc
'auine by Gabriel Marie. I'm q very
DAINTY ana taking manner. The shod
ing anu tempo rubato were exquisite
Nine. Rosa G.indc sang an air of Snn
Sohet. by saint SaenS. instead of the
Sapph1c ode. ana pleased her hearers
| so much with her beautiful rich tones
expression and fine phrasing that she
received Il very hearty applause Hey
| hieh notes are ms pleasant as the low
ones. She went In one phrase from tho
twice marked b fiat i'm n rand RIM
down to the small b fiat. and produced
also beautiful rich low a fiat As
encore she sang: ''In Old Madrid
transposing one passage an octave low
er IMAM 1t Is written. Those low tones
sounded very mellow and full, no, harsh
ana coarse. as ono would exprct rho
audience was so wei! pleased that Nine,
i.lnde was called out twice Another
cIlhilEe OF the programme made the, no.
bic VioliniSt, rendering airs from NIurib,
WIN variations instead of SAINTS.
itondo Cnprtccioso. which would have
| /, ~
i've. However h" had ample chance
| 10 DISPLAY fine technique in Tho. many
SklpS ana jumps. harnonics and runs
IL was Il pity that such Il sclrction
was chosen by such an artist AS tho
llrst piano solo Sign. De Macchi gave
i.iSZt wcil-known Ithapsodir Hongrois
No. : His tone is broad. phrasinw nm
ished. technique very even. csrncinlIv in
rapid cVtavcs and trills: the second
movement ana the last octave massage
were taken NJ n very rapid trmno ana
earned II hearty applause and an en-
core. Nine. l.indr sang song Re
membrancc," which WAS written for hc,
by Mr.. Luckstonc The cnunci,tion Of
words was very clear. shading heauti-
III and the low T. clear ana sonorous
rs encore she rendered ''lIahan.rs =
from Carmen. Sen. Albcriini displayrd
again Il beautiful, clear and fun tone i'm
the lower tones of Chopin's nncturun.
llk" that of that great master, Sarasate
In the second number vienna wski's
rarnniellc. he did some fine bowling and
rapid execution DE Macchi changed
me number on the programme this time
ana was Very happy in his selection. for
chopin's polonaisc is certainly !: very
fine and inspiring composition. and wos
ably performed by the young Italian
pianist. whose rythm and accents nrc
marked. the rapid octavcs in the left
hand very smooth. and the crpecn;lo
very good and gradual. In the difficult
long skips and chords he took the tenn
20 Very briSkly: rs an encore lie PLAYED
nocturnc of Chopin in ID Hal with
much finish and feeling: the runs were,
beautiful and clear: the whole compo-
siti0n such a marked contrast to the
Polonaise. Nine. Lndes success reach
ed the climax. when she had 10 give two
cncorcs after the Spanish love song Of
Chaminadc. which was SO charming
bells of Love" by Murio-Ccln. and
"Florian's Love Song" by GODDARD were
the two cncores The last violin solo of
Sen. Albertni. Airs Russes." also earn
ed two encores. which ended a very.
enjoyable and entertaining conceri,
which will certainly he remembered NV
the musc-loving people.