Daily independent. [volume] (Elko, Nev.) 188?-1915, 1896-03-16
eERoME.s GREAT PICTURES.
They Cover . Wide Range Of Subjects and
Arc WoEld-RenoWned.

-
Arc World-RenoWned.
Gerome has painted so many i'm
portant pictures having a worldwide
reputation that it is impossible to go
into many particulars about them in the
present article. The illustration of "Na-
poleon before the Sphinx" will, how
ever, give some idea of his remal kable
powers of invention and his fertility
of ideas. The incident was suggested
by the Egyptian campaign of the great
mysterious stone figure, the origin or
the meaning of which no man has yet
been able to explain. In the distance
VIC see the legions of the French army,
while on the horse, calmly, and with
speculative eye, sits the marvel of his
age. The little man, humble of birth,
without influence or money, rising by
the force of circumstances and his owl
strong will and character to the migI IL
est position among the rulers of the
earth, gaZes stcadfastly at the storm
beaten, time-worn monument of past
ages. The contrast is full of sugges-
tivcness.
Or let us take his "Thirst." What
wonderful strength is here! On the
hot, shimmering, sun-dried sands
crouchcs the mighty King of Beasts,
very baby in his weakness, overcome by
the desire to wet his parched tongue,
and painting for drop of water. What
awful loneliness! What fearful soil
tude, and what n dreary waste!
1t were more pleasant to turn to the
glimpse he gives us of the great oriental
city whose housctops, minarcts and
spires glcam under tho brilliant eastern
sky, where>the pious MuSSulman calls
the faithful to prayers. Here may be
noted the artists wonderful POWERS of
observation, and the extraordinary
finish, nothing, apparently, escaping
his attention. So, too, in the "Pacha's
Eunncrs," where the reproduction does
not, of course, give an idea of the color,
though Gerome's coloring is not al
ways fine. His best skill appears in
drawing and in the arrangement Of his
compositions. In the "Iiull-Eirhtcr"
we find that the artist is quite as much
at home in Spanish scenes as in class
zeal, oriental, OF modern French life.
He enters into the brutality Of the bull
ring, and, showing lis the coarse pic
adors and the excited audience, brings
the incident before us very wildly. In
short, no matter what he undertakes,
he prepares himself for the tasl, with
much earnestness and great dc!ibera-
ton. lie makes careful studies, he
looks we'll into his subjects, and he
takes no end of pains. Pictures do not
come of themselves, nor are they exc
clited without almost endless trouble.
Artists are generally supposed by
thoughtlcss people to be more or less
inspired, and to dash off masterpieces
at will; but the truth is, IL picture that
has any claim TO live and to deserve
high appreciation is undertaken with
! as much forethought as the building OF
ship. First the painter makes Y
sketch, searching out, in a general way.
the best method of putting his idea on
canvas; then, after many changes and
alterations, studies are made of the
principal figures, of the draperies, and
of the accessories. Now the scheme of
color must be arranged, and finally
comes the painting, and the painstal1-
ing completion of all the parts.-Arthur
Hoeber, in st. Nicholas.