New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1896-04-15

.p, the Lake" with the vigorous and yet
n'uIadsMM Mr. OF f MF Kos one
Bacs ~ such a Of impressionistc painting IN
~ that ss Is Il the pc a even
snee n painters have kept WITHIN BOUNDS on
an, sqss e asking the pSbe %
rtaEzs;a things which may be interesting to artist
but only neures here may be said that they
impsi to be appreciated even by those people %n9
have as" the painters have in some instances OBJ
BesssJ control Of their impressionism ana mace II
ss5Vo az q FAD an riding he truth
ssSs is abundant truth in pictures ike those when
M Mc has sent ar 70 n the s to give him
, Is Mr. Metcaf painted that work and all
o,husjasm but he took pains to see clearly ana 10
ss So n:o Ses. Ms. s Msrs ns vRs RHs
sun nsr four Maine studies and there are some Pic.
M Charles pat,n not myst hs
most artistic and most original iandsEapes oId be
beer sh %sr p IN LONG 'S speak, as
r Chi.de Hassam. and II he had sent onIy one pc'
called sSSn n % pg%se
sent three other paintings In which ne mas cat tn,a
theories l. to not sfeesi h. an credit ii
W. W. Wier is represented by picture OF which 1t
u to speak without ut r hs h ss' n ne
harm. Mr. Twachtman nearly grasps ana lniea
rs a iRas 50 sood that they give the
sSn day using his mpressionis to poetic purpose
" T ssei Do less than five pictures to this exhibit
sn They are all excellent In neir aaaptatOn OF
Spch had foundation in the older schools But i
!. perhaps wiser to speak of Mr. Robinson at length
discussing later his picture at the Mscb BE
~ The same category with all these impressionstic
for may sCd Pc In this Spite Of its
counting for bad,is In 1t having Put breath OF
vapk There Is too much impressionsm here. There
are 100 many paintings in which the principles of
are 3 pay Se ee Of asy
't Th s il one large figure piece here in which an
erase has carried out scheme of open air. sun!it
n 70 TaGs . Is s sseg hs IS the
;umn' OF Mr.. Robert Reid. He shows in the same
tsat phase Of his work; which has proven unac-
S in the and Inv which IS e ss S not
Elements over which ne has always labored with
Srs a sace With genuine elasticity in her carriage
and spontaneously so naturally wIapt IN the flame
Sss ssleries II Mr. Reid viii go on painting in this
d T pas the the heT air ws
Red exsr,s in mis- autumn is repeated in The
IS TOO ambitious for the powers Of the artist; and
sd shoad haNs S Psay
work The few remaining paintings. to which 1t is
desired TO refer have not the open air In them but
My are not for that reason uninteresting. Mr..
Ptlwitz and Mr.. Baree are represented by delight
nj figure studies. and there excellent pictures
EMn McMonnes. Mr.. f. A. Bell. Mr.: p W Ham Ham;
nton Mr. August Franzen, Mrs. Edith Mitchill
Pfellwitz and Mr.. Irving r. Wiles. Perhaps a cor
rscton should be made and Nj. Wiles and Mr. Fran
The best piece OF sculpture In this exhibition Is
the Shakespeare statuette. sent by Mr.. MacMon-
MES. This bronze Is so fun OF character and Is
an example Of such mastery kmanship that It
makes an admirer OF the sculptor greve TO see 1t
associated with so awkward and even inartistic
a group as the Venus and Adonis. which is on a
neighborng PEDESTAL No figure In this group
has character unless it be the hound. and the
three together are ungraceful. quite without dis
few enough in number. include some piquant fs,
urines by Mss Potter. some carefully polished
work by Mr. Lopez a little statuette by Miss john
son which f. promising. v.vacious fountain de-
signed by Mr. Carl Bitter and several works by
Mr.. French, Mr.. Adams and Mr. Pratt. These
things round out an exhibition OF uncommonly
even character and value. The galleries remain
Sundays from until o'clock in the afternoon.