The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1896-07-05

l2yorably with tbs best that could be OBJ
SON Hiilsry Bell IT. avs mai tn his only fear
II that It may get him ana his associates
into . hbel case.
Manager Charles Frchman's return from
Europe ls anxiously looked forward 10 BY
gagenents for next season prior TO MS de-
parture FOR Europe. and his return 10 the
Kialto VIII undoubtedly give much de-
the theatrical world. Thus far he season
Is the most backward known In the history
OF the American stage
The proprietor Of a prominent New York
theatrical exchange has opened q divorce
Book Divorces and remarriaEes nave
become quite as common n the tneatricai
world rs among the smart set OF the w.
and similar embarrassing meetings occur
society circles. II Ia 10 avoid these pecu-
liar and entangliag situations that the
Divorce Book has been opened
But. come to think Of It. there was an
which Beiasco assumed to have rendered.
II he impaired SIS. 900 worth OF instruction
to Mrs. Carter. Whit has she done with
the information. That Is what the Jury
Of public opinion 10 Interested In finding
out. A woman with no much knowledge
concealed about her person might be ht-
tie more free with It. There wouid De 40
harm IN acting bit now and then oy way
OF proof.
Manager John p Slocum has secured
brill.ant list OF attractions for the Audi
torium. Kansas City. for the coming sea-
that viii visit visit he he's South Among hem
are: Richard Mansfield. n. c. Goodwin,
w. II. Crane. Otis skinner. Fanny Daven-
port. Lillian Russell Opera Company.
Francis Wilson Opera Company. whitney
Rob Roy Opera Company. Bancroft tns
Magician. Della Fox Opera Company, b
NJ. and Joseph Holland. and Jefferson De
Angels Opera Company
~-xx~4~n II ~t n
music kills was expressed by a bright lit
tie woman at the Olympia a Few nights
ago. sDecadence OF the drama has MOTH
ing to do with It,. she said 1T Is because
the women favor them. not because they
prefer the entertainment to plays. out De-
cause the men. their escorts. nave no ex-
cuse for going out between the ACTS ana
the woman can, for once. share IN tnelr
pleasure OF drinking II they want 70. Al
least they can say. Here's looking al
you
Manager Charles Frohman has proven
successes in England His production OF
The Girl I Left Behind Me- in London
ran six months and paid moro royalCes
than any other American pay eve. pr
duced In that country. 1t Is now In 10
second year IN tho provinces. The Gay
Parissans." produced under the ute
Nisat Out" is another transpransea v Ame !.
Interested In the English production. mas
offered Frohman $4,000 for his English
rights In the play.
Ida Fuller's success throughout the west
ha. been OF such an emphatic character
that all Of her engagements have oeen
extended beyond their original time.
There is every indication that THIS cieSer
littIe woman will have all her time con-
tracled for up to the date Of the opening
Of her regular season. when she VIII sp-
pear at the head OF her own vaudevllie
romnany. She has quite duplicated the
success Of her talented sister. La Ioie.
from whom she has obtained all the Amer
lean rights to the various sensational el-
ressts which brought her so much renown
in Europe.