The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1896-08-14

hloited picture. was az the academy In
IS4s. followed by 'Dunstan's EmIssarfes
Selling Queen Elgiva.' and a colossal
cartoon a. the Westminster hall competi-
ton. The WIDOWS MITE IN lsiT. and the
picture OF The Tribe OF Benjamin Seiz-
Ing the Daughters OF Shiloh" 81 the Brit
ish Institution In lsfs. Keats Isabella"
was the subject OF his pencil In isis.
While a student tn the acadsmy's
schools. his tastes had tacitly rebelled
against the routine conventions OF acad-
eTnic teaching. and, strengthened In that
feeling by such specimens of early italian
art as fell in their way. he and his
friends. William Holman Hunt and Dante
Gabriel Rosetti, resolved 10 study nature
as IL appeared 10 them, not as Ii appeared
In the antique" These views were after
ward adopted by Charles Collins and 9TH
er younger painters. who were termed.
half in jest and half in earnest, THE
Pre-RaphaeiIte school"
Far a short time the artists tried to
enforce their views by the pen as well "a
by the brush. In a shert-lived periodical
The Germ: or, Art and Poetry" which
appeared In 1850 The principal works ex-
ecuted by Mllials under the influence of
his new convictions are a mystical pict-
ure of Our Savior" and Ferdinand
Lared by Ariel" In 1850: Mariana In the
Moated Grange" and The Woodlands
Daughter" IN 1851. and the "Huguenot'
and .-Ophela'' in 1852. Mr.. Ruskin came
In 1851 10 the support OF the new school
with enthusiastic approval, freely ex-
pressed In letters to the Times IN 1852.
as well as In a pamphlet on "Pre-Raph-
aeiitism" and In his Lectures on Archi-
lecture and Painting In 1855
Mnlias was elected an associate OF the
Royal Academy in 1853. and became r. A.
in December. 1858. He exhibited THE Or
der OF Release and THE Prescribed Roy
alist" In 1885, The Rescue In 1855. Peace
Concluded" Autumn Leaves and
'IfEnfant du Regiment In 1856: "A
Dream Of the Past-Sir Isumbrus at the
Ford" in 1867. "The Hereto in 1858. VALE
OF Rest and Spring Flowers" in 1885,
THE Black Brunswicker'' In 1851. My
First Sermon in 1ss5. My Second Ser
non and"CharIey is My Darling" In 1854
Joan Of Arc and THE Romans Leaving
Britain" In issS. and Sleeping" Walk
Ing and "Jephthah" in 1857. Sisters Ro-
pailnd and Celia" Stella" Pilgrims. to
st. Paurs" and Souvenir OF veiasquez
Chis diploma work. Up 1858. THE Gam
bIers WIFE ''yanessa.' - THE End of the
Chapter" and "A Dream at Dawn TN 1859:
"a Flood" 'eThe Knight Errant,'' THE
Boyhood Of Raleigh" and "a Widows
Mite" in 1870: Chill October Joshua
Fighting With Amelek." a Somnambu-
list" and yes. or No." Ia ISL Flowing
TO the River and Flowing TO the Sea-
IN fS-2: Early Day ''New-Lal1 Eggs
''Lailah Rookh" IN 1879: Scotch Firs."
Winter Fuel" The Picture OF Health"
''Tha Northwest Passage ''Stin for
Moment" and "A Day Dream IN 1874;
The Fringe % the Moor" ''The Crown
~ Love and MOT IN 1915: Forbidden
Fruit" sover the Hills and Far Away"
and Getting Better" in 1875. a Woman
~ the Guard THE Sound Of Many Wa
feYs'' and yes in 1877. THE Princes IN
The Tower" a Jersey Lily tNrs. Lang
try, and st Martins Summer" in 1879.
In 1873 Nillfas also exhibited "A Good Re-
solve IN the GroSvenor gallery. and The
Bride 81 Lammermcor" in King street, s..
James
lie exhibited ~ the Royal Academy The
Tower Of Strength" ard a portrait OF
Gladstone. in 1873. a portrait Of himself
fpainted by invstationl for the collection
~ portraits OF artists painted by them
selves in the Jfnsi gallery. Florence.
Cuckoo and q portrait q Mr. Bright.
In fsSa. portraits % Principal Card. d d;
cinderella and portraits o. the Earl OF
Peaconsasld and OF Or. Fraser. Bishop OF
Manchester. n 1851 = portrait OF Cardi-
nsl Newman IN 80. "Cne Gran3e Dame"
THE Grey Lady" a portrait o. the Mar
outs 90 Salisbury. and Forget Me- Not"
Ia IsSs. A large number ~ these. as well
as some later pictures. were brought to-
xether n the exhibition uf the artists
work held at the CsvosvenoF gallery IN the
early months 81 iss6
s.Aier~y,'' Lilac and a portrait OF Lord
pssshery we're his chief pictures In 1857.
IN $50 he exhibited in he ROYAL Academy
.~The Noon is TT. and Yet II Is Not
%lxhs. +" ard portraits - .~rhs Right Hon.
". r Gladstone ard his Grandson In
lsas ~ exhibited portrait 20 John Hare
and 'sTae 0BrThood ~ 3. Theresa" bur
showed nothing n 1s@&. He was decorated
wt,h the ribbon % the Legion OF Honor in
sS-s In ISL hs was appointed trustee OF
the Natsonal Portrait Gallery. IN the rfa-a
q tNa late Dean Stanley, and in fsss ne
vas e}eefa3 8 forniwn associate % tAn
A. seFnBa aes Heaux-Arts. ~ place ~ "a.
7tssaa senEpsor. punrs. n 1855 Ns Vas
.aa II a hNreset on TIE recomzneusatloa. a.
Mr. Gladstone. 80 portrait os whom is
considered enc o. Nsiia3s' aaest s~erfs
So joan r. MilgAts married Y.ueh4rnaa
CHALMERS, daughter q George GRAY. esq
20 HaxerS@eil. Perth. she was YsrTuerls-
tAe wifs - Joha gusksn. Al anrao-5sa
afwsavs- a hermit among hSs BOOKS thfe -.
rssssaasocaer was - - use ftses - :
married a5fe. ans least o. alt q na sxs<ssas
ID me sYrup "a taeste, @fT@cslonaer Es-z9@ ~
gsssh wsTan wno foun4 "a h.ra omfv =
Eaoo-T. neco4y savant. iggesgomslge "a
her ea~ssses. Posing ~ arse f9r Efi1aAss
Is 3sversssn. sae faas4 uaruberisss A.
tra1slS1s "a ire clever yognE fsfscw q the
world ass ( 8askln had nes suR8sn8v
awakened IS 1se faet thas IS wife haa
begun . lave elsewhere. tAere nsauss N.y-a
esssa 8 hra&e1 heart and 4 snastea Wes.
sf13sass - Ats yc1tA vas a NanssosrA raan.
sas&issa3 As AZ angel nesssttf said.
50, rese we1 dressed wsEI.