The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1896-11-15

IN NOAAN|S REALM.
sEs98esoc 90 oeooe q . q

1t is said that the hair is to be do2e
up in nets again. The fasion is a rather
trying one, but if the style demands it.
why of course j. WI be adopted
The newest six petdcoats mus. be very
wide, and so made as TO be full and nuI1s,
for the top Skirt must flare away as mucn
10 bring about this fashionable result
the undersk.rt must be made very fun
and wide Sometimes a silk fiounce IS
put on the skirt, With number OF little
must be used. if the material IS soft, 10
make the skirts stand out"
~
Real jeweiled pms will be worn in the
hair this season, and viii also be seen
on evening bonnets and dress hats. The
ooder the pin, the more 1t is priced ana
admired
+ ~
Net since the days CT our great grand
mothers has so much hard work been
seen on the best gowns of the season. It
is the chief reason of the costiiness OF
the newest frocks.
Six embroidery IS one of the favorite
trimmings this year. and the elaborate
designs are all worked by hand.
Bodices and even gowns made entirely
of secuins are one Of the fashions of
the hour, and every separate Secuin IS
sewed to the foundation by hand
Jewelled Lace is much used, and II the
lace is worthy its price the jewelling is
all hand work Many of the coliarettes
which glisten with spapgles have taken
days of hard work TO fashion, for each
spangle has been sewed by hand. There
are more tucks used this year than for
many seasons past. They are fine, dainty
tucks. and are the work Of DELICATE
are entirely of tucks: Tucked sleeves. are
also much worn. Not only are there
fabrics tucked but many of the heavier
ma terialS.
Hemstitching by hand is also much the
vogue.
For many seasons past if a gown was
made with revers. the number used was
always two. Invariably these revers were
an exact counterpart of each other. Not
only in coloring and design were they
alike, but they were the same size and
placed on the gown directly opposite one
another. Now the best dreSsm2kerS are
no longer partial 10 two revers. Either
one or three are used on the most fash
ionable gowns.
One large rever is regarded as very
chic. Il is usually of the same material
as the bodice, and is richly braided or
covered with lace. When three revers
size. The first rever is the smallest the
other two acting as its background. They
look best in three tints Of one color, but
all sorts of very pretty color effects are
possible with them.
The evening gowns which are being de-
signed for winter dances look as If they
were tie work of an artist. If il were
not for the frou frou of the silken skirts
and the airy futter of the chiffon frills
one would think them genuine paintings
art as TO their coloring and design. One
of the newest ideas of the season is the
evening costume. hand embroidered. Most
beautiful effects are obtained in this
way, for not only are silk threads used,
but glistening hair-like strands of silver
and gold. Then there are chiffon flowers
exquisiteliy made which appear to grow
upon hand embroidered stems and other
beautiful flowers with lace petals, which
are appiiqued to the material.
~
A dainty dancing gown for a young So
mousseline is embroidered around the
| bottom with narrow cordinss OF pink
velvet The foundation of the lowcut
bodice is white MORE. over this the
mousseline is loosely drawn. Where it
outlines the neck it is arranged in a full
ruching. There is a wide crush belt of
pink velvet which fastens inv,sibly al
the back.
The sleeves are most fetching. They
are very short. and are made OF ac-
Gordon plated frills of the mousseline,
| a small puff of white MORE. The puff
| is entirely hidden by the frill. Ore
| sleeve is trimmed with a cluster of pink
! silk peoples. The other with a dashing
The most popular material for opera
! capes is brocade This season the rev
! brocade with the raised velvet flowers
IS being much used for opera cloalss.
/ Velvet is another material in favor. It is
! used largely combined with satin or bro
cade. Feathers and fur are the trim
mings of the seazon, though an abund-
ance of hand embroidery is seen. There
are many inexpensive little opera Nra IS
/ this season made Of broadcloth and trim
med with moufflon One OF French iTigin
/ which is specially pretty is a circular
/ cape Of yellow broadcioth, with a col
larette OF sofs gray mouffion. cut III
/ tabs and very high collar of the fluffy
fur. The cape is lined with a changabe
! peau dc Sole In palescent c6lors. Another
( inexpensive little cape is made OF white
broadcloth. 1t is perfectly plain, but
! lined throughout with white thihet the
! fur appearing at the neck in an enormous
I ~ high collar.
A decided novelty is the brocaded sill,
! pouch, with a little fur animals heed
at the bottom, as an accessory 10 the
| fashionable woman'S evening toilet. The
. oS"ch closes at the top with = ribbon
/ drawn string, and the weirer carries il
! on her arm or fastens it with q iewelied
pin at her belt
There are long narrow pouches made
: 9urpJsely to hold the fan and variety
/ of others IN various shapes for the safe
Keeping OF the handkerchief, bonbon box
or powder puff. The pouches are a
rather curious addition to the evenir-
] gown. They look hest when carried with
q costume trimmed with fur, in which
case the little animals head is made OF
| the same fur as that which trims the
gown.
4 4
Nine out of every ten CT the f@sh:on-
ans gowns of the season is made with
a holero Jacket.
A stunning gov n with a bolera seen re
cently was of sky blue with raised -1in1-
velvet roses and leaves. About its edges
/ We're pink, blue and green silken fringe
krotted in frequently into the rossttes
! TIE fronts were extra long, and Gays OF
the smaterial surmounted the w--n!-leo
! sleeves of black brussels net. The h9ck
was slit in a point. under which showed
| TIE full black brussels net bodice, which
/ was pulled out as a blouse all around
and confined by a ceinture of black satin
/ The skirt was of black moire with dpuilie
knife plaitings OF brussels net about the
hem.
Another handsome gown had bolerc
/ of thickest black satin embroidered ex-
1 quis-tely with old blues and pinks, with
I q suggestion Of rose From underneath
was pulled out a finely plated blue
mousseline bodice. with a cream =atir
( here and there in the Dla:t.Hgs C.rs
I caught a flash of Old lace insertion. TtlJ
ceinture was of black satin. The LONE
/ Tudor sleeves Of moussellne were SHIRE.
! and pulled to the very knuckleS The
col!ar was a mass of real lace, blue
mousseline ana high plaitings of black
satin.
Fashionable waists are to be large
| ard. according to the Greek measure
| ment for correct physical proportions
twice the SIZE of the neck is the right