New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1896-02-09

The music which made up the greater part % the
programme OF the fourth cOncer. Of the Fh.I"AF-
monte Society given in Carnegie Hall last Al-A-
was the kind in which Mr. seill displays his ine';
powers as a leader and Interpreter. The numbers
were the eliminating scenes OF Wagncrs Nioeun;
te;ra.ogy. tho funeral mar = Of Scsirled ami the
se,f-mn.olatlon OF Brunnhilde from Die G'tter-
dammerung" How the noble band plays this
music when inspired by Selil the people " New
York have known for long time. Il - not nec"S-
sary 20 repeat the old words they are all o, praise
and er-frowlnS admiration. II Is a wonfeFiu4
paean that the instruments sing. and great deal
Of its pu!ssance comes from the superb skill "htn
Mr.. Seid possesses IN the building up Of climax Il
is plain from tho moment tha; he Tits his pht'n
that the music which he loves with an altogether
unique affection 10 surging through HIM hnt the
del.beration which he exercises in developing the
climax IS never disturbed FOR moment Iie pro-
c-,ds to the crashing clmaxes % march and finale
In obedience to Goethe's motto. "Ohnc Hast, @ber
ohne Rast''-without haste but without rest
Nine Brema Gang the music o, "Hrdnnhiii".
and prefacc1 4 w!th three OF Wagner songs t"'
German. "Schmerzcn" and tribune" ana One
French "At.,utc" She was accompanied ~ ir
orchestra and sang the songs wiki lovely fer'o' .nl
irt.utcencc In IN climax ot the nnal' hor voice
was not equal e!taer % Ter ambition " tn mus
which is TOO HIN ior ner IN 'i'se VIZ ..
hero in death HG. she sang tnn tender parts. f--
ne-i,y n. ,p..sh t. the Rhine daughters concern.
'uE the RINK. With an e7qg.n-e tOr when = "l4.l
b.. difficult 10 fad parallel.
The concert began With hitherto unkn"HH
symphony lv TsclalkDWsky his first IN q min p.
Tn music u The lamrnted Russian composer Won
entrance IN our concert rooms twenty years ago
Tho first - HE symphonies wa!ch had hear *
here was the laird which, ne Fhiiharmon.c -, :
played In the season l1S-ls7s Two %, his fanias.l
oycrturcs. a. he calls hem. had been given e'fer
and since then all his larger works for nrrtftiit
have been hoard The frsi symphony g'fnioso ! ~
1855 alone ny neglected. and II was purely -cnf.-
mental consideration which gave II ptse on ih9'
nights programme Thc comp y hIi AZ ir-- a
w-h to NJ Francis HYDE prcs.i.n,.
o., the Philharmonic Society, hat - msai
he played an ma, SPOKEN an c'.on,aie'y -,
that had been published. Tie plJus Iniy ta'
been performed ard T. ~ aafe % say mat ne ~ n-
ttouv vii no; often be taken down from the sne..
4 fret effort in tie symphonic nci y ia sirik-
inr work but u cannot bear comparison with any
OF H. i've SUCCESSORS or fre overture. II is We'll
and ingerlous.y knit together. and discloses the
youthful composers pride In his contrapunia ski.
INT I: Is uneven I'm quality ana rierrsrrg IN
ideas The sl0w m vemcnt. An Aiaslo designed
10 depict "a lark ana foxy lunfscap..' Is iull of
i.aut 'il part writing. fr! ls asp hacy "xVrcs c
The arst movement wiki principal subject of tho
quas.-pastoral kind which appoas 80 20 th' soul u
Dvorak. IS also promising. aEl discloses an carly
penchart for those chrcmafic sca."s whirA play
50 large ro.c In Ts-ha.t)nsky's later works. But
TIE last movement Is commonplace anl noisy. AID
the 'rlo OF TIE scherE0 "a waltz IS trivial with the
trivillty o. a muslc-hdA ballad