Deseret evening news. [volume] (Great Salt Lake City [Utah]) 1867-1920, 1896-03-14
MUSIC AND DRAMA
Mrs. selena Royos Fas-Pays the Coming Week.
General Notes

Mr. selcna Fet,er Royle, leading
iady q the Mexico oompsny, attributes
her success 10 series Of "ihlls." She
pleasantly remifhs that "the more I
iall tho higher riso." This rtquirss
an explanation. She was firat cast In
the leading role NJ n melodfbma, The
FAIR suangler,and In this plsy She had
70 learn TO fall In the true melodrama.
tic faih'on. Her next fail YVES In IA
English play, In the Rants, aud In
this one Other chief dulles waa 10 iali
on her bscs. In Henrietta, Mrs.
X yle sayt she made the foil OF her
life. She studied her part 90 eagerly
that her friends grew alarmed. Bat her
experience In this line OF dramatic
study is bel, told 10 her own wofdsi
"My friends olieved me 10 DO subject
10 = falling disorder, ~ I was dropping
into heap In all manner OF places,
until became perfectly satisfied with
the dramatic value OF my fail. Tue
result, when u became public, wus
quite amuaing. LAdies used 10 scream
w AhF huhNhNif NlNAAlAAN#NNFig WIN
my 'dull thud, anu inquiiios " al be
kindly cent 10 the dressing room con-
crNing my physical condition. Otntf
people, more scoptical, wrots 10 In.
quite " fall really took iiace.
jon't know n their eyes had peuuidsd
them into believing inst the filof hsu
Tl,eu up O. me. Apparently the con.
sequent lpfrirg Of my system did me-
no rarni, i1r b,siie uatufe's gener. atty
ia putting ~ bones considerably baek
IRON the surface, my mother made n
cushion TOT me, anu the Wi1e gowns Of
that time concealed the pfucautiDn."
Speaking OF tho desire OF many
young ladies' for the stage, Mft. Royic
Baysi
am not "pftgfettive wOmhu.n
do not believe that woman viii ever
be 20 "emancipated" that she viii mt
long % be- loved hud cared tor. Hefein
lies the mnnacn 10 womHn's ambition,
snd when \ womAn's ambition D.
greater than her need OF iOvs, then
tuefu IL something wrong with that
woman. Lot 1T the most nthuslastic
imagine the rewards OF even thu
gteapstt achievement eau over oul.
weigh this.
Its tho daily conisci, the natural
dependence VI one on the oihsf, little
kinjnessoe, oouftesles, lliltlo troubles,
~ mpalhy, the natural desire tor oJm.
partnership that imporcepubly ufAwt
people together.
Tnis may end tlnply In mutual re-.
gard aud friendship; II may DO tue
means OF bflnging two hearts together
Ia the noliest aud sweetest uuiou. Tht
force IL therefore all alike, aud IL IL too
ffsquoutly the cause OF wfecklng more
than One lite.
THIS IL tue one,t only reason can
teo WY one cannot automatically |
recommend the eiAge 10 all young
women who have ability.
have never regretted my choice OF !
profession, anu even IN the light VI my
sxpetirnos,i ~ had II TO do over sRaiu,
1 would make the same choice. | am
Rivsys most guarded, however, In adj.
Nising othsfn 10 adopt tue siege ~ a
profession. A. my old nanny out IN
Kentucky once said OF mRtfimsuy,
"lps very particular LhiDg, honey.b
There y great macy first class atlfac-
lions expected " DO presented at thu
Th,atsr before the season IL ended.
These are some Of them!
Richard Mansfield In repertoire.
II bort Mantell In repertoire, Gnfilth's
Faust company In Faust aud The
Bells, Chas. Frohman's cotnpAny Ia
The Fatal Carr, Chas. n. Yaie's com.
pany In Twelve Temptations, Angus
ius Pitou's company In Mime. ssns
Gene, Juha Mafl0we.rabsr aud Rih,. |
Tabsr la repertoire, Prisoner Of zsnds,
Alexander BAlvini In repertoire, Im-
peral Opera company 0i 200 people,
Robert Downing IN repertoire, kiii
Ellslor Ia Repertoire, Fanny Davenport, !
Mime. Modjoska anu John Dew.