The morning news. [volume] (Savannah, Ga.) 1887-1900, 1895-12-22
THE WOMAN OF FASHION.

New York, Dec. H.-As a means of con.
cealing an ugly face, it is almost an even
chance between a woman's hair and a
mans whiskers. A man may acquire a
single or double-pointed chin, may cover
up his mouth, if ii happens to be obiec-
tionable, by the power of contrast can
even alter the hook of his nose, by diff
ferent styles in the cut of his beard or
the twist of his moustache. If his face is
too short he let's his beard grow and
trims it to a point-fashion says two
points nowadays, but that depends upon
the mans face
Other defects in the makeup of his
face are remedied on concealed bv vari-
Gus DEVICES knownN,to the barber. II
taxes man with the courage of his
countenance to wear a smooth face.
once settled upon the style of his whis-
Kerr however, the average man seldom
changes it.
This is where the woman has the adj
vantage of him. because she can change
the arrangement of her hair every time
she does" it. There is her morning knot
at the back of her neck, the chic after
noon tWlsti and the elaborate evening
couture, subject to as many Variations
as her gowns. This alters the shane of
her mead and only affects her face bv
the force of contrast. 1t is the arranse-
ment OF the hair about the forehead ana
temples and around the ears that changes
the shape Of the. face This does not
mean the mere clipping or curling Of a
bang. To really affect the shane o9 49,, a
face, the hair must be built out aroma ~
IN places, and smoothed down i'm Others
Inc Japanese women recognize this fact.
ana because they admire small faces in
women they roll the hair in large nuffa
an around the forehead and temples to
makes the race appear smaller. In revo-
lutlonary times, when it was fashion q bGo
70 powder the hair or to wear a puffy Wbite
WIZ, tnose rolls around the face were very
This fashion is coming in again r,a.s
rolls and puffs are the key note of ali 80,
styles IN hair dressing. 1t Therefore he.
moves the woman who does not under-
sbero me mysteries OF the puff to fathom
Is not always at hand, and even if she IL
t Sile average woman cannot afford to sncnd
net =. InI Idy mat way. 1t is very simple
10 arrange it artistically requires the st,Ii,y
of ones points" 'i'e s'uuy
1t is inexcusable in a woman to neglect
her mar. Mrs. Elizabeth Cady Sta5ton
who is in her eighty-first wear arra, ,So1,,
her hair in the little soft white ntffs 49,
are SO familiar to all who know her %
her first ball. ing -or
one can acquire great facility in hair
uIesslns py little practice. 1t is easier
20 20 pun ~, mar that Is comparatively short
than the long tresses that hang below ~ =
waist but II the hair is properly prepa red
II VIII roll into a pun no matter what its
length may be- what IT'S
10 begin with, no couture can be we'll
arranged unless the hair is first securaiI
tied IN place. Sometimes it is tied HIP
sometimes low, according to the stvia ISL -,
Is wanted After that the hair NAV he a. a.
Vlaed INTO as many parts as necessarv VI
A very pretty arrangement for thick boi
1.o,.t IA tlls way lie the hair securalv
ABOUT half way from the neck to ny
crown OF the head Then take a strand az
the top about equal to one-fourfh 81 ~ a.
mar, tie knot at the end, and ron il ' iIp
mlahlins a horizontal puff Then twist the
remainder OF the hair into an equine i5note
and the couture is arranged Add a ieweIe3
comb and the effect is very pretty %e1Su
elaborate style can be obtained bv addSnse.
more puffs ~ auulhs
Some women have great dla,cult,, T.
rollng the hair into the glossy cviinS I'll. III
Those who find II impossible. get over ~ :.
allnenlty by rolling the HAIR on Kid cnri
ers This makes good secure puffs ~,
tney LOOK very stun, and are not neari,s
50 pretty as the soft rolls that are 49,
by looping the hair over the two fore REM