Orleans County monitor. [volume] (Barton, Vt.) 1872-1953, 1895-04-22
TIE POETRY OF LABOR.
A Picturesque Side to the Operations of
F1odrne1, and Brioi1layers

a F,jcturesoue side to the Operations of
Fyodroen and Briclzlayers.
One realizes the dignity and especial
" the noatrv of labor and catches the
meaning of some things that Walt
Whitman has said by watching the
workers of this town on q bright, cool
March morning The word blithe seems
to convey the aspect OF the scene, it is
81 fuIl of sunshine and motion and
wholesome activity. There is Il great
structure rising on q west side number
ed street, and it is SO situated that the
morning sun. foods the whole plot soon
to be inclosed by the rising walls. That
sunlit paralleIOgram presents most de-
lightful scene to the sympathetic eye.
Only the front wall and the side party
walls have as yet risen above the foun
dations, SO that the whole interior is
visible from the rear. What one sees on
the ground is mainly the preparation
for what is going OH where the walls
rise. There are men mixing mortar
with long push and pull motions Of the
arms and back. There are bod carriers
fastening il unordered scurry for bricks
and mortar st the center of the inclos-
ure and then moving IN orderly file to-
ward the several walls. There are men
here and there plying hammers to make
ready ladders and scaffolding against
the tie when the walls shall have risen
too high for the approaches already pro
vided.
AS the bod carriers laboriously climb
the ladders one notes that they are clad
hi, Il, IF 101
or another, in the rude reddish hats that
men Of their calling often wear. Now
and then stripe of red flannel shirt
shows at the waist The figures are
heavy and slow on the upward journey,
but nimble enough Oh the way down.
You may recognize q now hand by his
care and aWkwardness. His muscles are
not yet trained to mechanical certainty,
and he moves with caution. One can al
most guess the age of those shabby fig
ures as they move up and down the lad
ders, never pausing, never Sinking, al
ways bearing upon callOused shoulders
the full tale of bricks or the full weight
of mortar. They fill their hods with al
most incredible swiftness and fairly fall
over one another to reach the brick pilO
first. But the steadying effect Of the
load is shown in the orderly march Of
the upward moving hodmen. One real
ICES that hard times have disciplined
the men into giving full and consoien-
tious days work for their pay.
Even 800 feet away one seems to nOto
the difference Of dress, movement and
manner between tho skilled workmen
laying the bricks and the unskilIed bod
carriers. The former are neatly dressed
for the most part in whole white over
aIls. They moyo about their work easily
and gracefully with quick, deft hands.
Almost no sound comes from the walls
save the metallic ring and scraPo of the
trowel and tho tap Of its handle upon
the brick just set in its bed Of dark
brown mortar. Now and then AN indis-
tinguishablo word Of direction floats
downward from the last course Of bricks.
The hodInen are equally silent. 1t is
pantomine of busy labor, almost rhyth-
mic in its movements. The whose scene
is full Of silent grace, and not without
the charm of color so often missing
from human activities III America. In
eloquent testimony to the effectiveness
Of the work rise the so far finished
walls, with clean right lines horizon
tai and vertical, smooth plano surfaces
and the serried teeth of tho brick arches,
with the charm Of curves never to be
destroyed, no matter how rough the ma
terial CT the structure. New York San.