New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1895-09-18

fastened at the waist the back s held In at the
waist with a large bow OF satin ribbon. but there is
no belt the cloth being finished at the top and bot
tom with a narrow band OF god embroidery. an
inch from the edge. The sleeves have a large
upper pun OF the crepeline and tight fitting fore
arms OF the cloth; Jockey with three. points OF
the guipure covers the upper part Of the puns and
a large bow OF the tin ribbon joins the front and
back of the low-cut cloth bodice on the shoulder.
Women who are inclined TO embonpoint should
wear their corsages below the wast-llne. so as
to give as long WASTED effect possible. The edges
should be covered with wrinkled silk or satin. with
the back and on the left side
There are Indications here "A yet OF any de-
cided change in skirts sleeves and the feminine
world must perforce wait in patience for the late
autumn before the seasons novelties declare them
selves That there surprises" In store for us
may doubt. and II IL even rumored that par
ticularly tight sleeves and particularly tighthttng
skirts will be worn. Paqun leading the van In these
innovations az usual Meanwhile a couple Of newly
imported gowns from Doucet and Felix at Madame
DIS establishment show no special changes. The
former Is a pretty striped six in green and white
with tiny pink flowers between the stripes. The
skirt Is open on the right side. show a glimpse
Of guipure Insertion the upper part of the slit being
held together with two Strauss buttons. The bodice
OF the frock Is particularly graceful. A boxpleat
of the silk extends from the neck TO the waist
where II hangs full. Under this boxpieat, either
side is a band Of renaissance insertion. over which,
half way down. rest OF the blouse is held TO the
boxpleat In front by two Strauss buttons. 1t then
separates again over the insertion to hang full at
the waist, slightly covering waistband Of green
satin ribbon which has two loops on either side oil
the pouch-front finished with ends the right side
Narrow revers OF renaissance edglng cover the join
ing OF the puff sleeves 10 the shoulders wide
collar OF renaissance insertion over green satin has
the collar on the upper edge. giving the effect Of
ruff.
The Felix gown is charming and consists of a
black crepon skirt perfectly cut. and lined with
pink silk. The blouse is Of pink silk gathered OF
TO black satin collar. Running down to deep
point back and 'front.' like very small yoke ovef
the shoulders, touching the collar. and extending
over the upper part OF the pUffed elbow sleeves Of
pink silk are pieces Of black jetted satin, rounded
front and back; and two large round disks OF the
same are placed under the and cut out for the
sleeves. giving the effect OF a bolero Jacket. The
combination OF the pink and black satin IL partlcu-
larry pretty.
severe but very handsome gown by Demarsy is
Of light gray mohair. The otherwise plain skirt Is
open on the left side from top to bottom. showing
a panel OF back velvet like under-pettcoat the
gray mohair being held together with white satin
moulinet bow just below the hip The bodice Is Of
back velvet with broad white satin ribbon seamed
in" tus under the arms and brought up to a bow
In front Gray mohalr puffs and black velvet fore
arms form the sleeves. and black veivet military
collar finishes the neck.