New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1895-11-17

gif's IN 'ho servics Of a warm Imagination, one
ifst mas been touched TO unusual manifesiatlons
b. his sympathy for EHzsbethan literature. lie has
proved himself one OF the mosi shakespesrian u,,
traitors OF Snake oeere In modern art. or w any
art FOR ~, matter Nnd ne j. Sgpere ,ssm
MINI lnI EstsS Tba-e9s ~ ~ good ,ha, one re-
grets Il has 20; been painted on canvas. 10 ths
secret H. isvshs- all the wealth that he mIyht
give TO canvls on these smali-scaed drawings. con.
tsn1 r. m1 IN t y.rT S Ss' shaEeean as
We have said in their atmosphere ne an give
s ss ,S1 n' d as Nd o. sSs sSo
ami ne handle triumpnan;iy N, many ngures
81 bc. 'aFS iqor SsG% re S can 70 eoi
TO the edge OF tragedy In the dramatic group OF
hnmsrou. -' e. in sir Toby and Hs conn ,nions
This collection emphasizes anew h.s genius Tor IN
from his accustOmed standard ~ technical excel
lence The ditwings rave hecom. wen knoNn
b know them 10 their original form j. 20 know
them better ana 10 care Tor them more
sharing the vunderlich Gallery with sir Abbey's
dsawngs there - extensive collection - tho
piaiinoiypcs after iosetti Watts. Burne-Jon"s and
Albert Moore which nave made Frederick Hollyer.
o. London famous among photographers fis
work ~ not new FOr twenty-five years or more no
has taken negatives from the works Of his pre-
RaphaeNte friends. and from thos. Of Mr. Watt.
and others bur ~ r. only Of recent years hat
bf. luov.s a. thev are called have become ~.
gathered around our modern eich"rs. u n NOBLE
cult Nothing in reprOflucfF" arr a. more bfaufiful
than these dcrp-ton,d equivalents iof me tender.
searching studies ~ the most poetic o. modern Ing
lfSh palrtsre They are printed fn delirtt" gray
and browns They have texture color. modelling.
things rare IN Photography me things OF painting
itself They have done NOR" 20 familiorze ~" pub
H. with Rosset,i Burne-Jones and Watts than all
the books and articles ever written about thos"
artists They tho work ~ photographer VINO
IS also an artist and Whose plates are only iSsn"f
when they have been carried as far toward an exact
reproduction OF tho original paintings a. man.pui'-
ton OF the camera and PHOTOGRAPHIC chemicals can
assure The dealers ~ New hork haN" sold these
MA f.e for wears. ard incomplete exhibitions have
lerv but This T. the first collection which hss been
displayed 20 So large on extent am in Nhlch " ha-
been possible 90 lnd practically every important
work OF the photographer
At the Grolier club there may he seen FOR q short
time one 81 IN. great masters OF engraving. M" late
Ferdinand Gauliard Ills infinitely finished pof-
traits and reproductive plates are unrivaii'f among
the works Of Oh ANA modern masters Tor supreme
strength comtlaed wll supreme dei.cacy. We had
A lin. a. arm ~ steel and a. SOFT as silk he had
Intellectual power. and some o. hs portraits. IKE
the Leo Kill" tho sister Rosaiie' the Dom
Prosper Gueranger" ard th. "Monsignor PIE are
among thu giories 90 analytical ART When DO set
himself 10 reprodlc. master he go' into that mas
tors skin His version % Van Eycks Man Win
the pink" Is In IT. way much miracle 81 sIt a.
the original Van Ekck lfle reproductions or Bowl
COLL Antoine 20 De Me-s.nl ana MichaFl Ane"" ~
serve f1e same praise His ensr wing afi.r t1r
r. nous wax head attributed To- Eapna"i IN the
Nfrses Ncar ~ lille 10 perhaps the most po'i
print in nxisfenre lmyeccahe. unappfosf hauif ~
fhe-a masterpieces are gathered together m f'f
GrOl'er club II i a rare opportunity M n,.'-
We eulogze is not often seen "a b, u seen IN ths
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