New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1895-10-25

white satin cut like peasants bodice. and pointed
top and bottom and buttonel with cut-steel but
tons. Above this is full drapery OF malze-yellow
chiffon coming from either side OF the neck and
meeting in a point the top OF the vest. the rest
OF the opening being filed with a flat pastron Of
the velvet finished with military collar. Long
yellow suede gloves worn with this costume,
and the hat tiny affair OF yellow. rough straw.
trimmed with plum-colored ostrich tips
Some OF the winter capes are splendidiy
luxurious They are very full. the correct width
for a cape being. when 1t IS opened on the floor TO
have It descr. be a circle. y carriage wrap by Re
vllon Is OF black Persian lamb lined with royal
purple satin Il has wide collar OF purple velvet
extending over the shoulders. and pointed TO the
waist back and front, where belt underneath
holds it down in place THIS "co.et' is trimmed
with three rows OF silver fox. high Medci collar
finishes the neck
Plain sleeves win be worn With heavy Noollen
materials. Another Felix costume which Is very
the res, OF the dress OF bouclA crepon The bodice
= Tey s smr b bust an behg % s f
the waist, and the skirt harinG and lined with
silk The only trimming is .estoon OF jet passe-
mcnterie around the neck, with the same repeated
Big Empire buckles are in some OF the new
costumes and look very we'll indeed a sender
Inquire A Duzuceaux model IL Of pretty figured
silk with a passemeuterie design on the bodice
Stimulating a yoke The bodice ~ fastened under the
arm and to avoid the thick look OF the waist with
a velvet belt. the fulness is gathered into ruby vel
on the lining This has a very long buckle In front
and fastens the side with the rest Of bodice.
Velvet plaid sleeves worn with this costume.
and the skirt has passementerie figures paced AT
intervals.
The Maison Worth, which manufactures lis own
materials. has this year some superb designs In
brocades. 4 late importation OF a back costume
for an elderly lady has the skirt Of brocade satin,
with Marie Ant0inette bows, each bow being
finished with jet and connected with running pat
tern of ribbon into the material. This Is. OF
course made quite without trimming, It's rich
ness being al sufficient The bodice IL entirely
cred with antique guipure and the sleeves. which
reach jus. below the elbow are finished with deep
cum. \ black satin collar covered with lace taos,
is worn with this costume
Another regal-looking dinner-dress from the
establishment il Of pale blue velvet. embroidered In
silver and white silk with a conventional pattern
OF scroliwork with elaborate finals TO the depth ~
eight or ten inches around the bottom Of the skirt
a faint continuation OF the embroidery up 10
the waist either side OF the front breadth The
waist is cut round with belt composed OF strings
OF pears. with a Strauss diamond buckle IN front
The loW-cut bodice is fitted smoothly 70 the figure
covered with the embroidery and the neck Is
finished with fesioons OF pearls fastened with dia-
mond ornaments at intervals and full pun short
sleeves.
A charming dancing dress by Sarah Meyer is Of
pa.e pink satin with a short full skirt a balb waist
and full puff sleeves The skirt is effectively
trimmed. jabOt fashion. with a ful-Gathered founce
OF white lace The bodice has a fall OF lace across
the front. and a gathered pleatng the shoulders
the feature OF the gown being two large white satin
tabs each shoulder covered with black Bruges
lace and finished with back satin rosettes front
and back.