New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1895-10-03

pure. cut without sleeves and with pointed tab
the shoulders This is a plain but
perfectly crepon costume. with stiff tafeta silk
| lining gathered into the waist by simple velvet
ribbon. tied with long loops and ends at the back.
The sleeves consist OF three founces ending al the
elbow with ight-htting forearm of velvet and a
ve,vet collar finished with rosettes.
Some Of the newest costumes have the skirt made
with graduated box pleats held down In front from
the wrist by lace tabs depth Of several inches
this gives the desired fulness below, and the tight
fitting effect over the hips which fashionable women
still cling TO
Montaille makes a green crepon skirt In this way
and Grapes the bodice In three box pleas over the
same lace used insertion. The large green satin
sleeves have eight lace vandykes radiating from
! the shoulder, and only running up the inside
at the t.ght-htting forearm.
! Sara Meyers frocks distinctly Marie An
tonette In their character. She affects large draped
Hchus, ribbon bows on the shoulder. combination
OF plain and striped materials One Of her latest
is a striped pekine with black green and pink.
white ground. This has . full. plain naring skirt
hanging in fold over front OF pale green. The
bodice Is almost entirely covered with large
draped fchu trimmed with yellow renaissance lace.
The sleeves are BALBOA shaped with the stripes
running dlagonav toward the walls on either side.
and large mouline: bows the shoulders Of green
81 tin ribbon.
| All the newest gowns have the shoulders covered
| with bows lace Jockeys"
| Narrow velvet panels, wide at the bottom ana Gu,
! TO point at the waist. with SILK cores between
and then the velvet and the same SILK farinS
out In narrower stripes TO form the bodice, make Il
very novel and striking looking combination on
recently imported French robe de vsite. made en-
prncessa without any belt charming effect Is
produced by having the velvet bands laid over
lace garment % sort of shortsleeved basque. which
covers the silk OF the waist A curl us experiment
with the lego mutton sleeves. whica Is not ur-
| nj 10 ha
the silk and hal. OF the velve. The colla' worn
with this dress IS bow stock OF the we've with
two ostrich tips on either side of the black we've;
bow at the back the former showing on either side
in front Ike a ruff.
Some Of the corsage garnituies are very Ell
fectiye and will quite cover up an old waist.
very pretty and girsh arrangement Is OF whi'e SIM
muslin altered very full, and held down by '
of colored ribbon from the shoulder to the waist
across which are three bands from side to side hold
ing down the redundance OF the muslin. deep
frl OF embroidered muslin covers the shoulders anu
Is graduated to a point at the waist.
Another OF these pretty little CONNECTIONS SHOWN al
Nine DIS is a yoke OF purple sunburst MORE cur
IN points over the shoulders and others front ana
back Under this is sewn an ecru muslin kerchiel
with two rows OF insertion above the hem. the point
Of the kerchief reaching the waist in front where IL
js held in place with velvet rosete. On either side
of this point jabot fold Of the kerchlef which
neck is finished with purple velvet collar and ve-
vet rospttes These little plastrons, with bonner
TO match are very useful for the theatre. 10 be
plain frock