New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1894-08-26

Wagner night On wed ne ats n snS i.sr:
n,gnt on h Mr. seidl and his orchess.sovea
take part IN tne Media concerts to be evan \, will
YORK, under me management Of Abbey anH a New.
the first OF which is set down for October ana 0rau
Messrs Abbey and Grau by the UNIV ,.
upon an Undertaking In which every low" entered
opera VIII WISH them we'll This Is to rid tHs,so the
many decades have figured in our i I, that for
rePresenta,,Tns as chorus They are trying opera
they find that they have begun too late thar ana unless
be ape 10 40 TINS to the great advantage Of tSss 70
singers in the city who have fresh yo ae plenty q
not reached me age OF senilty and II thew nave
manager who is willing 10 make his cbo ana stags
least much intelligence and grace ~ snow At
the dawn OF new era in this department az IKE
activity. VI musical
The task OF selecting the chorus IA 1,
hands. Nobody has done better work with eaaeeIeat
choruses land principals and orchestra, tos S
probably found that conducting comic operss,. has
more profitable in every way than the wort u us
he used to do with Italian companies Ano,nsea
veteran In the business has turned his ola ..otnef
ence apd skill to account in New-York rraoe1L
Mr.. de R!alp who was many years with the W Nh, y
trainer of artists As sucn he has had notsh.1
down as depiorab,e. He has succum6ed !, % ,s
temptation which nowadays seems TO bess, ne
singing teachers and has wfItien book He ~
IL THE Legitimate School o, Singing" ana ~
II Is full Of Mr.. de Rialp's Original IDEAS II ,fcs
that all other schools are Legitimate ira, olovs
ton to subject the book to critical ..mpu-
not strong. Mr.. de Rialp is unquesionshsst is
clearer and less fantastic In teaching he much
mouth than he is by word OF pen H ss"d Of
probably. less dogmatc. He says manv ~ aho
that would doubtless sound better with 1 anaSs
PLANTATION His use OF the term pitch for n ina, sx.
Is something the meaning OF which mo feiiowsa aeal
find out" long he depends smniy NV vii
English language. Even more surprIsIng me
find familiar Mr.. de Raip with LII - " 70
music laying down. hard and fast a ruis Lpe.SE
Whenever there found In a bar four six ~e ny
or matter how many notes and two ., .knt
syllables. the first syllable is 10 be placsd /" not
first note and the last syllable always on ~ IN me
note OF the bar" To enforce such raj. "s las
not only play hob with poetical accent bur- YOU'D
circular commotion In the collins OF ali Nv ase
composers of Italy. VIC uead
Nine Eugene Lneff. whose concerts OF pr...-
fOlk-songs pleasantly remembered b'sAu
ranged entertainment for next season w,s.
ought TO be even more popular. In Connection MA ,a
her concerts. she purposes presenting s,ass r ,a
tures-"living pictures she calls them-of Ru!E,s:
domestic life. copied from the mas,erpieess ~
Russian painting
Cesar Thomson. the Belgian vol!nst v0, mai.
his American debut October 30 In the Nnsic W W1s
He will play the Bruch Concerto No a.
PaCaninrs Grand Fantasia. arranged FOR orch.ssna
by the artist himself. Later ne will be hsasssn
the New-York Philharmonic and New-York 81
phony concerts and also with the Boston SymnS,..s
Orchestra.