Bismarck weekly tribune. [volume] (Bismarck, Dakota [N.D.]) 1884-1943, 1894-08-17

buckle. There was q cutaway jacket,
basque shaped in the back, and having q
full vest front Of cream white china silk,
with a jabot and pierrot frill Of the same
under q close rundown collar. There
were two velvet straps across the front to
hold the jacket In place. The large gigot !
sleeves had quite deep, full ruf1es Of the
silk at the wrists, and there were two
rufles out on the straight fulled around
the shoulders. The hat was of back ne
opolitan, with green velvet bows and
Sdrapery and three black tips. The gloves
were light tan, almost cream, and stitched
with black. These two gowns make taste
full foils to each other. 8St
Two more lovely costumes are to 60 to
Saratoga soon. One Of them Is of quaker
made to lookvery elaborate by the arrange
ment Of the trimming. There Is band Of
emerald green velvet ribbon going down
the rightside and reaching across the foot
and then up on the left side in a similar
way, leaving the front breadth plain. Over
this and extending out on to the skirt is a
rich lacelike passementerie In mat white
silk. There are three rows Of this same
combination of trimming all around the
back of the skirt at equal distances. The
waist Is plain and round, having q belt of
drab MORE ribbon. The sleeves are me-
dunn gigots, and there Is deep pelerine
bertha OF the dress material trimmed like
the skirt, but with the passementerie hang
ing from the lower edge. A more elegant
and effective gown for dress occasions
could hardly be desired.
The other gown was intended more par.
ticularly for dancing. It was Of pale
shrimp pink silk muslin and was trim
med with three gathered founces Of fine
white oriental lace, headed by Spanish
ruf1ed tops. Between the three lace
founces was laid flat bands of white in
sertion. The founces were graduated in
width, the bottom one being the deepest.
Around the half low neck to the dress was
9 gathered pinked out trimming of pink
tafeta Of the same shade as the muslin,
and from that fell deep bretelles of the same
lace, reaching the waist line, where the
ends were hidden under a crushed belt Of
taffeta. The sleeves reached only to the
elbows, but were deeply draped and were
finished by a narrow quilting of taffeta.
The gloves were pink silk mousquetaires.
This same model would be quite as dainty
in any other color, and also in pure white.
I did see one in maize, with white lace,
and white satin ribbon belt and shoulder
knots. Yellow grapes of different shades
make lovely gowns for young ladies and
may be trimmed in any way they may de-
sire. Generally speaking, there is little
trimming upon skirts, even Of dancing
dresses, but a pretty fancy Is to have ruch-
ings made of pinked taffeta or silk mus
lin. These are made narrow. Some dress
makers fringe out the pinked edges, and
this gives a very light and pleasing effect.
Two rows Of this garniture are quite sufd-
Gent to produce a good effect.
Black and white bid fair to have a great
run this coming fall for street as we'll as
evening gowns. The black and white
check silks are largely in evidence, and
these being of elegant texture and finish
will be employed with heavy MORE an
tique as combination or with black velvet.
The checked silks will be for the lower
skirts and the accessories to the waists.
The waists to all gowns are as much
trimmed as ever, and often there will BIZ
as many as four different materials or col.