The evening world., 1894-08-25
THE LONDON STAGE.
MARQUIS Of Lorne Has Written
the Libretto Of an Opera.
Wilson Barretts Success In His
New Play, 1.-The Manxman."
lillian Russell Bids Fair to Win
Fresh Laurels.

Copyrighted, 1894, by the Associated Press)
LONDON Aug. 25.-There has been no
novelty at the theatres this week, but
the air is full of busy preparations for
the September openings.
The Marquis of Lorne has entered the
| list of "librettists" and has prepared
Hamish McCunn has written the music
The subject matter has not yet trans
pired, but the subject doubtless Is
Scotch, and the author is rather an
adept at "rhymerei," having turned the
Psalms into verse; or rather rhymes,
come years ago.
Mr.. Hamish McCunn is not known as
yet as composer Of anything more am
bilious than usually falls to the song
writer. The Marquis Is ambitious to
have his work performed at West End
theatre: but Her Majesty. who is ex-
ceedingly sensitive to ridicule, has re-
fused permission, coupling the refusal
with a partial promise to have It pro-
duced at Windsor or Balmoral.
MIR. Wilson Barrett produced at his
Leeds Theatre last Wednesday THE
Manxman," an adaptation of his friend
Hall Gaines new book of the same
name. 1t Is an exceedingly powerful
play. drawn from an exceedingly power
full book-a book the critics have not
hesitated to describe as lone of the very
finest novels of the century"
In The Manxman," the tragedy has
lot inns fuy1
The David, in the hands of Mr.. Caine,
is Phillip Christian" the man born
to success, the man of ideals and ambi-
ton, the man whose ideals are never
far beyond his grasp and whose am
billions fulfill themselves as easily as
the leaves unfold in Spring. The Uriah
of the plot is Phillip Christians lille
climate cousin, Pete" who looks up
to, loves and worships him; the Bath
sheba Is Kitty Creegan, soft. beautiful
and hayward, with heart enough to
make tragedy of life and not quite
head enough to rule the stars of destiny,
her own, Pete's or Phillips
What follows is the threadbare theme
Of opera, litmotifs of THE Scorlet Let
ter" of "A Dolls House." of 1.-THE ST.
lence of Dean Maitland" Pete goes away
to make his forums at the diamond
fields; Phillip undertakes the task OF
the ManxDooiney Gala. lover by
proxy, with duties OF moral guardianship
over the girl, while the man himself is
al the herrings," or away at the
mackerel," or abroad on wider voyages.
Philip fights hard against his love;
Kate fights hard against hers. So long
as loyalty fights only against love, loyal
~ conquers. Word comes that Pete
has been killed; passion takes possession
of Phillip; Kate falls. Pete returns and
.arries Kate, who, like Nora Helmer
'.opes Phillip will somehow work a mira
Ile and save her from Pete. But Philip
stands best man to Pete at the we'd
ding, and from this hour the tragedy
hastens to the inevitable.
A child is born to Kitty-it is Phillips
she leaves the child with Pete and flies
to Phillips care. Pete tries to shield
her by making out that he has sent her
to England for her health. And then he
comes slowly to read in the face OF the
Child the dread secret. the features OF
Phillip.
In scene of immense pathos, Pete
gives the child up to its father. Then II
Is that Philip has to reckon with his
soul, and in the hour of his worldly Fri.
umph, is called on to take the highest
Office in the little kingdom, and, as
Deemster, to try Kate, who, in her de-
spair, has attempted suicide. In the
presence of the island notables he rises
from his chair and makes the PREPARATION
Of a public confession, degrades himself
before his people, and steps down from
the Judges seat to take from the cell
the woman he has ruined and whose de-
votion has blasted his career.
Mr.. Barrett played Pete and Miss
!effries was the Kate.
In Mr.. Barrett's hands Pete was a
Robsonian part. suggestive Of Ham Peg
goty,; T. w. Percival played Phillip
Christian.
There uara fu, acta and 6ya ccap ~