New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1894-09-09

used with these woolleDs Such cloths In a light
quality not much heavier than ccssmere cost 5, ..
and In a finer quality as heavy As mans cassi-
mere. such tallors would use. they are s. -.
Scotch cheviots range from 81 81 20 81 - These are
thick warm wOOens. almost as heavy as similar
cloths used by men. and they are made into rather
Lighter sk, WIN srpi s, or ne ara
being positively prohibited by tn" heavy weight OF
In inexpensive goods and in fashionabls color.
there are nne worsteds seeded with Xxx oyershoi
running with the selyase lengh%ise lke Bedforf
In novelty" French wooens the most noteworthy
feature is the attempt TO secure crnk.ri surface
IN crtpon effect but the soft siik"n .ariace OF crap
is no longer given 90 these woods. They are rough
.aa 1e az 4 sg sr nj 'fs in nan a Fix
IN black on dark red. purple. navy blue or Van
SHADES These heavy crep6ns cost s. 70 a yarI An
other novelty is taneti six. crinklci on nne wool
are shown in and green plaid checks. ana other
checked tane.as. such a. have been popular this
by being crinklci ani caught down To- "ooi back
ground. They ar probably intended for coToina-
crlnkle1 across The breadth Instead Of lengihwisc
This gives them somewhat the effect OF wool MORE
An1nng DANNY cIntbs FOR cnm5in,f,ons are six
end wool mixtures IN various coors like hawthorn
ih~r cnlort MAJ are almost covered by zigzag lines
Of black fr-Zc velvet forming crOssOver stripes 30
liar raised effects In six ana wool are shown in fine
but gay paiis. intended to appear in slashngs and
In various other ways In combination with the new
cloths. Russian vciOurs by means Laid on
the shelf though they are reduced In price.
Combinations OF coors offer great opportunities 20
a woman who j. truly artistic and those who de-
sire striking yet harmonious contrasts would DO well
10 follow he example Of Worth himself. who go's
directly nature for his Inspiration. and who has
frequently said that he VIII often produce his best
effects by copying nearly possible the juNta-
position Of colors IN b. Of ichen covered bark,
in mOss-ero~n stone IN the beautifully blended
tns from a moths wing. the seemingly
incOnfruOus colOrs sometimes found In certain n0w
All these seem to come out AL right under the
hand OF master An example Of such cDlOring
which might have been taken from winter oak IS
seen a recent impOrtation-a French tailor made
gown for late autumn wear The skirt Of dead-leaf
brown. Is cut perfectly plain. with band Of hchen-
looking embroidery In greenish-gray braid running
down either side. with two spirals at the top curling
eighty toward the front. the narrow bands end
ing also In sprals at the bottom. Otherwise the
skirt has trimming whatever. The bodice.
which opers under the and nts To perfection
front and back. is cui out al the shoulders to show
glimpse OF moss green poult De sole. With this
exception the only relief 10 the extreme painness
OF the the lichen-like trimming. which is
again repeated around IN, shoulders and just below
the collar This collar Is of deep. vivid purple vel
vet the sleeves having full. ar,stically arranged
fo'ds over the tight-htiing under part. which has
also the braidng the seams ending In splrals.