davidaulloa/AmericanStories huggingface dataset:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
II ASTONISHED THE sHELLB1 CKs
The Way Can. Fem Beebs's NswfAnxieA
Sag Net stopped th- Fishes.

The Way C.p'. Tom Beebs's NswfAagisA
Bag Net stopped th- Fishes.
BLOCK ISLAND. May Sod Block Islanders.
who are now busy to a man harvesting the
spring crops OF goldfish aud haddock which
are swarming about these sea-pounded shores
In unusually large numbers. were treated TO
something decidedly novel to them In the way
OF fishing apparatus this week.
1t was big bag made OF seine Irvine. which
is designed to be hauled over the bottom Of
the ocean by means OF steam or other power.
The bag is large enough to take in q canal
boat. and it's open mouth. as 1t is drawn along
the bottom OF the sea, 10 as big as the aide Of
an l. road car.
The bag is the property OF Capt. Thomas
Beebe. skilful New London mariner, who has
adapted i the sole e. sss s A.:
other side" ny going among the ,nshermen
there, and he believes that he has spmsthing
that will reyolutionlze certain kinda OF nshlnR
Cant Eeshe brought the bag here on tho
s st IAN .h deep e ws. :TxsIs sH
ment and brought 1t here TO try for haddoeE:
The maddox In u mud bottom hsh, that Is n
abounds over sea hottom that is muddy and
usually devoid 81 rocks and oGstructions, such
SSs are as Il Is HeinS drsSn along That Is the
reason the haddock was selected Tor the hrSt
deep sea trial OF the maehine; Captd Tom,
the cod haunts ragged. rocky bottoms. and
hencs is in no danger IRON the ilsh bag
Tho bag which was eyed with some con-
tempt byihs guided old fishermen here wac
thrown over he haddocki grounds In TWEEN;
to fHIhons OF water. about i've miles SOU
sou'east ~ southeast pint. AMI the little
steamer tugged away at IL Tor three hours.
Then Il was hauled to the surface.
IL was found 10 be pethOrir with all sorts OF
fish save those which were valuable, including
skates. conger eeIs, chris Conhers sea
clans, sponges. torneOds, sea robins. and the
ike but there was not single haddock In IL
IladlOek were not running that day. but even
the most skepticll Of the Block Island h$her-
men admitted that this lar would nave caught
hAdduck had there been any haddoek to ca oh.
! Capt. TOm" steamed back TO New LOndUn
we'll pleased with the working Of his tishinR
machine He will try IL again here ms the fish
irk InShOIe. and he expects to haul IN auAn:
Titles Of founders with II on the Clay Head
foundcr ,hoals here next summer
The bags mouth Is weighted on the lower
Jaw aud light spar along the upper l9w
raises that uD when tho machine - on the
bottom. The FISH strike against a funnel
stretched Just bacE Of the mouth and are thus
guided into thP belly Of the bag. The Tag WIn
eaten sysrythHE 1t comes across.
4 his dredging apparatus has Leen very sue
cessiul in inElish waters, and no reason u
seen why II should not be so here
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
M,-,r... Dimp,. On vounG.

I,-trs.- Dimpl. On votinR.
IL won't vote. tshant vote.
And nobody shall make me vote"
Said Mistress Dmple Dolly. as she nuttered down the
stalra
think IL 10 perfect sin.
It's horribly unfeminins
And ne one can persuade me but 'tvouid add TO my
cares
-rve lot, to do. a. viii be seen;
Ibave TO keep the booksheives clean;
I have 10 make my own Eowus-a tne-eonsuminE
task
Ipractise on my violin.
sweet compiishmsnt to win
where shalt ever get the time to vote. may askt
-lhavs to mend his clothes for Ned.
And every morning make my bed;
have to 70 with mamma visit friends and fosa
Ibavs to write (snd 'tisn't FUN
To our relations. every one.
And when I'll ever get the time to vote. goodness
knows
~ Won. vote. shan't vote,
And nobody shall make me vote"
said Mistress Dimpie Dolly a. she stepped down the
street
"And 10 I had the time. how coud
lever know which good
And Oh suppose the worst man was one whom
thoug tswset ~ L u sfLL
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
WuERE HUXaARIANs HossHIp.
The Catholic Ciurss OF ~. + !Erbsth Oa the
Far East Side.

The Catholic Ciurss Of ~. E '1rbsth Oa the
Far EasI SId-.
On East Fourth street. north side. between
Avenues G and D. Is the Hungarian Catholic
Church Of st. Elizabeth. established In 1892.
It Is in a thickly populated part OF town. ad-
Joining on the east Presbyterian Hope ChApSk
and dlagonally opposite from the Jewish synsT
gogue B'Nai Peyser. On Sunday. May 10. the
beginning OF the second year Of st. Eliza
beth's Hungarian Church will be observed
with becoming ceremonies by the chief ecclss-
iastics OF this diocese. and 1t will be formally
There is very little about the edlice. which
Il a three-sIOIy brick building o, very novel
pattern, 10 indicate that IL IL place OF worship
90 either side Of the entrance 81. Ellzabeth's
IL the tIEt Of the Hungarian churches, and
the wonder IL that one has not been establish
ed many years ago. Tor the Hungarian Cath;
have been numerous for many years. But
until 1852 they had no church OF their own,
the majority OF them attending the Third
street church. which is In the heart OF a neigh
hoThoOd where HungATiAns. many OF them
Hebrews, are most numerous.
There has been for many years a Polish
Catholic Church. there Was some years ago
bohemian Catholic hureh NOW removed TO
French Catholic Church, Syrian Catholic
Church and several churches devoted to the res
aulTsmsnts Of the German and Italian CathO-
lies. There Is even coloLed Iatholie church.
without one. and we're distributed throughout
the various parishes.
The new Fourth street church has ample
accom- modAtiOns for what, IL 10 expected. will
tiOn Of the east aide IL becoming rapidly Jew
kah nsighbOrh0Od.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
Zee. s,,a. on a cr,5 "a. Lamp

The unusual sight OF a swarm OF honey bees
on a city gas Lamp Was presented Saturday AZ
ternoon at the northwest corner ~ Mulberry
aud loppletOn streets. The little honey max
$40 West Mulberry street. Following their
leader they left their hive and started out tOr
new quarters Their flight was continued for
about halt hloek. when they aighted on the
lamp. forming buzzin2 mass about the size
OF an ordinary market basket A crowd coll
not needed to keep the people from getting too
near the insects EverybodY kent al respect,
full distance without being told. Alter ENJOY
ing their outiu = the bees were inGuced by the
Arts Of a bssksepeT. which Included the beat
IA Of tin pAnA % eater hive
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

THE WAY THOMAS" LOOKS TO LEAGUE sTuDENTs
ranged matters 10 the general satisfaction, by
hustlng the Italian model back into the nrees-
Ing room and conilding TO him the fact that he
had transcribed rule 81 the league. On
many another occasion Thomas has come
when the prAnkish students have got the skele-
ton out OF the painting room into the sketch
room. there to SGT It's Joints all awry and then
to dance T ,sd sroup Il as stood " Tie tie
rioting, Thomas has hastened TO Its source
and cast what the boys call IA frost upon tho
proceedings. But he IL mild much more often
than he Is severe: in fact, y is his habit 70
ercentricities OF the embryo cranka OF the very
eccentric army Of studen r. 1t often happens
thai hoy. tull OF nmbi tion. goes TO the league
to paint from the life in, a week. 10 Lec2m. a
world In i've weeks such n hoy will tire OF
being set to draw box forms or squares Tor
q fortniRht-thouRh there are students OF both
sexes who have wrestled with these first
art and went back TO the farm or the counter
to begin lie whore they are more likely to
succeed, Some OF these tyros will tell Thomas
See here. they say. II Amt going to
draw feet and hands inside OF square boxes
any more. game here to paint and 70 be an
illustrator. I'm going to take. studio OF to
and I'm GONG 70 SaSt Dstafss and
Yea" says Thomas. you're right. 1ouH
do well. Il wouldn't bother here any more.
The first week after leaving the league the
progress. The Il third p SeeF he se will come back
and tell Thomas the scheme was failure.
It's Just as WE'LL" Thomas will say. Tor
really. nobody's huying any pictures these
a%%s sy here s thp n ws.s
street or in West Fifty-seventh street soon gets
to know the girl students Of art BIZ the manner
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

the bup. and tr.mIs ,TheL IKE g make pic;
Nonld like TO work in the .suriare cars, but
these they avoid because the cars Jolt too
much. One great lark they all have is when
they catch ChinamAn in an elevated car. II
they make study Of him II must be very clev-
erly done so as not to awaken the China
mena suspicion, for Cinnamon are either
eirsh TO b. sketched or they dislike i
ghlpaman discovers what the student is dolnR
he twists his body around. turns his face to-
ward the street. and crooks up one elbow so
as TO hide every patt 81 his head and face. The
students sometimes force Chinaman TO ride
In that uncomfortable fashion for mile or
two before he reaches his destination and gets
ont OF the car. II never seems 70 occur 70 a
Cinnamon 10 change his aeat or TO leave the
train under such circumstances
Ordinary folks eeem not to mind being
eketched, and adventures with them are very
uncom mon but the other day a couple OF
students made sketches ot very pretty young
woman and then were surrrised to see her get
OF the train when they did and follow them
rppidly down TO the street
Excuse me. vounR gentlemen" she said to
them you were making n picture OF me.
Weren't your Well that's Just what want.
VIII you plense give II to me
She got one ot the drawings; In all proha-
billy ahe thought IL was n tri1c to the man
who gaze her his sketch. Lut 1t was not for the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
The Eisetrisiaa'. Amletio..

ffon eoridv
They roussd him with farAds. they reused him with
Ihsy reused hun eth an..srSs, e.. .sS m.S. .,.
And they asked MIN which unit no chose
when at length he sat up and vas Abls to chat
Tn. sissrenss t%ixt eSemte and true au.x. v.,,
And relation Of kApp lines 30 ohm.
But the 'trelan said 49," he was done with the mho
And aassers. ana iIiosIsa iins. toe. might Cos
or sllbert., called Eib.; q, we're taught %.
Af To spssR 81 as "as ~aaa We ought to,
There. the hen lss,l hen, mIl.hsn: and hsn-nsisr
The Board Of Trade unit and ElosrAm' meter.
And mlerobolss, handy ~ USE.
There's the rorc.dschsva French for H. p. you know
But quite d,rsLsnt N value you'll say
Though unlike are in full use to-day.
There. the ohm international and ohm misssilsd
And the ohm ehrist.nsd B. A: O Lord
And .hs i:s.i SI French ohm q .aieA 'hors .r.s~
Thea there's nvs volts in batch. aua Nv. watts to
susP S.;I %
The msehAnieAl equivalent OF heat
In tOOt.Pounds We formerly measured the IAttsr
But ssxia toasd sssr should Be MAD. greats.
And nfty.nVs hundrsdghs would do.
The standard, OF light ar. psrPLsHing to hands,
T~lII hsfnsr and caresl and decimal candle
Aud other new unIIs beside
Numsries and wards and the french DOuEis-mstsr.
And OF candle foot units we've read;
Lines OF force square foot nss OF force
meter.
Ampsrs turns TIL you wiSh yourself dead
But the trieAn oppressed at the length OF this tAiS
In pain threw his hands m the air;
Then his ere became dim. and hiI TAss deadly pAlA
And he fell In . nt Of despair.
They reused him With sscohms they reused aim With
dynes
with met r gram sec onds ana suohi
And win bsE0hms begeba and o,cro hoOt-shtns1
Bat theSe COMPOUNDS. alas proved too much
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
My Passover.

yfoz he Eiainl Daily AiOsytissr.
A pilgrim. with my stan in hAad
eat ms passover to night
With Kirdsd l0ins full shOd stand
10 wait the coming nlEaL
And from the gloom hsaI the cries
Of mournsr1 mourning for their dead;
The past within she shadows lea.
The future glove ahead
o lana OF my captivity.
Where sweat and tears toEsthsr tsu
With hAzts shake thy duSt from me.
And BID thee glad FAREWELL
know nOt-And ais not my care
II shall spend the coming years
Where Elim'g palm trees cool the Az
or AarAh poaFs her tssrA
Bat thls IkuoE the spHnklsd bleed
Hath act my sOul ~ hbersy
kad sea Tolls lts cleansing no0a
Between my sins aud me-
And lie. Who knoWsth all nv SlJ
Creates the darkness aud The ughL
Ills CLOUDY pillar shades my day.
llla zlOry cheers my niEhL
Full s0on my pnErimaEe viii cease
Its Transient iOyA tts blindinI tears
And snail nnd stgrnal peace
ksyoad she rolling IeArG"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

Trou t.s Eelsi,lol Eu-aiI,s JIpTna

Portland woman boasts Of eat with q
propensity Tor PLAYING in the water and tells
how Il BOthars her when she 10 washing dishes.
by tTyiH G Ia get int the pun. Tue other day.
after repeatedly driving the animal from tbs
sink II climbed up aud balaHcsd itself on the
two faucets. close together. aud amused Itself
IS batting with its paw the rapidly issuing
stream. Ii frequently drinks direct from the
faucet. pluuglng is nose iRtO the eurTent re-
Rarfiless Of lts force. and has .Sften Jumped
into the bAthtub when II was half full OF
water. So far from fearing the contact OF
water. a. cats uhlEsrEklLy do. thl1 uRAQRs
Portland puSsy fairly rsVslS " u
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
Along the Beach.


Jrom he Tovths cowpantn-L
Last night . storm was on the SEA-
The wreckage drifts ashore;
Come walk along the be acb with me-
And hear the breakers roar.
what soul their sorrow understandsf
what eye can trace their pathf
They ding the mselvrs upon the sAnda
And foam with lear or wrath
The shore receives them. patient. dumb,
Nor trem bies at their shocks,
But lifts to meet them as they come,
Its great. insensate ROCKS.
They calm me with their awful strength,
SO small my life appsara
30 less than nothing IN their length
Are all my days and years.
I look across the restless SEQ
And seem an atom. tost
To wandering winds. and what 70 me
IL Joy. II kept or lostG
And what II wearted on the war.
fail and faint and die.
would any miss. till judgment day.
DO small q thing as IL
ELLEN \. Il. Darn
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

The most am bilious boy students are known
By their zeal for sketching In the streets and
By the broad. thin drawing boards that they
carry with thom. everywheye- som etinies
even to dancing school. At home they Rre
family terrors. They sketch everybody and
necessarily. The man who has a student for a
son becomes the slave Of tho boy. As he sits
calmly reading at night. Obvious OF his SUR
roundings he will not be able to cross his legs
without evokinR an excamA lon from the boy.
who says: Don't cross your legs don't move
please: I'm sketching you" IL the moor man
tires OF holding his book in one position and
seeks rest in a new mode OF holding IL, he is
com InAnded to ct lust as he was" only about
half an hour m0fe please" The boys mother
may chance to reach an upper shelf OF cup
board to put away bit oi glassware Her son
sees her. That's really greatl he exelaims;
pose" Poor victim She knows what that
with every muscle cramped. with fever con-
Stunning her flesh. with an unbroksn half hour
view OF a cupboard top shelf for dissipation
but all for art 10 tie sure. The waitress in such
house Is found In the dining room
cap. with her sleeves rolled W, lean;
ing one elbow on the mAntelpieee till
the scene ends with her declaration that she
will faint II she cannot cit down for five min
utes. ON the next night she Is seen sinking
10 her room In a white dress. in midwintsr.
with pea-gTeen wax wreath In her hand. She
has been posing ms Queen OF the May or
girl on her way to con firm Ation-bTibedt TO lose
an hour or two of sleep for arts sake by the
student He is apt to appear at the same time
with request that he be allowed TO turn up
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

in which they look at men. They meet his
glance firmly and are not to be outstared or
driven to drop their eyes. This L. not because
they are n t Just as womanly or girlish as any
others OF their sex. 1t 10 because they have
been trained to observe very closely and skill
fully. Their study is the human face. and when
they look at u man as II they fancied him
to be n Iong-lost brother they are really noting
some peculiarly OF his face-the bow OF his
eyebrows or the curve Of his nose or the little
auirk at each end OF his mouth. Al women
are notably observaut OF dress, but male
artist excels the average woman. while wo-
man artist becomes almost supernatural after
q little training. With sweep OF the eye she
can describe every detail OF your dress. from
the ground up. and can almost say where you
bought your trousers.
The enthusiastic girl student is altogether
wonderful. She is the kind that studies at the
League all winter and Goes to the Shinnecock
sand dunes in the summer to sit In the roads
In y paint-dauted blouse on camp stool and
paint anything that heaves In sight, from
COW to a thunder storm. Persons who have
called on the enthusiastic girl student ut home
say that one II apt to sit on n saucer OF green
and yellow paint that she has inadvertently
left on the parlor sofa. Indeed. she greets her
callers with a maulstick and palette in one
hand and with fresh paint all over the hand
that sho extends to her visitors. II she Is COM
miserated upon working in such pery ns y.
though paint rs hard to get out OF ones hair"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
=" KEEP IN THAT POSITION TILL. GET roun ROSE"

KEEP IN THAT POSITION TILL GET YOUR rose"
students treasure up their sketches. They
show them to each other and tn full-hedRed
artists for the purpose. rs they say. Of getting
criticisms on them" The whole career OF AN
art student is summed up Ivy the phrase
getting criticisms" and pretty neatly all his
tuittIn comes in that way. There Is no such
thing as teaching boy or a girl to draw or to
paint. The beginner must have IL in him to
start with or hi must leave ii alone There
are no rules,ehout 1t that have to be learned;
even the lew academical rules OF the
school OF Fine Arts In Paris don't go here.
The art OF drawing or painting cannot he de-
scrile ed or laid down In words or taught to any
ones brain ~ the medium OF his ear. The art
must be fn-ttnctive. and perfection In II must
be sought only by practice and the study OF
the work OF others. 20 these atudent boys
and girls have to draw and draw and draw
contin ually and miscellaneously. with the OBJ
lect OF submitting their work. day hy day. to
Instructors or working artists. for tho pur-
pose OF having 1t commented on. Each day
some critic drops valuable hint. You
don't put anything under the clothes you
draw" says one. You must observe the
anatomical outlines OF mon and women. and
show the effect OF their curves and hollows
under their clothing" Another one says
You must study perspective and mas
ter it" Another says: You do heads
well enough. but you can't draw feet and
hands. You should draw feet and hands till
you get EN- right" Another says: You
must never chic drapery. You must always
copy actual drapery when you draw II" Chic
1.-THE same word that means stylish" In
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

THESE DRAW AS A FASHIONABLE FANCY.
school. whose classes are arranged So that the
students can attend at different hours during
tho DAY. The fees for tuition are very small.
Beginners In the antique class pay only 50
month. and for a dollar or two more per month
may Join the sketch classes. II they can turn
In a good enough frse-hsnd sketch to win
approval from the Instructors.
1t Ia tho unusual features Of this most
PECULIAR ono OF tho schools Of the city that
this article Ia to treat. One OF these peculiar
features Is the style of dress OF the pupils. In
the life class the men who are working with
oils and water colors are apt to wear some
thing like Mother Hubbard wrapper. belted
IN around the waist and reaching to the
knees. A siS-foot athlete looks very ludicrous
In one OF these overalls. but II saves his
slothes. and that 10 all he cares for. The men
10 the other classes. handling crayons. pencils.
charcoal. and ink, are apt merely to put on an
old coat while at work. but some OF the women
In all the cAnssss envelope themselves In long
thin garments like linen busters.
Well-known artists. already securely placed
In their profession. often join the life or sketch
classes so as to get the benefit OF the models
posed before the students or to practise
lines OF work that they do not follow In
getting their livelihoods. Well-known men
Who are able to make caricatures and comics"
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

into the woman's life class IN : condition
the like OF which that class had never
known. He had forgotten 70 put on anything.
The girls were petrlned At first, and, next, they
got behind one another and behind their
last some who were neareat the door made
Ereak for II and ran into the hall, screaming
"Thomasi Thomasw lie came and arr
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06

Tor the weekles. but are by no means ex-
pert enough to rank as artists. also attend the
league. In fact. It is 70 get money to do so and
ellVe that they work as they DO In the lower
walks OF tho profession. Several OF the men
snd women who make the pictures in the daily
newspapers are also members Of tina league
classes. Thor draw for living. and yet con-
ugae 20 study so as TO draw for reputation and
s tSsi sB ls.ss on P.m oHS mai in this great
only as Thomas" For fifteen years he has
oseh In practical charge OF the elasses. the
MODELS. the Initiation Of new eomers. the fur
hlshinE OF supplies. and all the details OF the
toullns OF the great school He Is said to
Siulled theIs-ths humble ones and the fall
S Sles as well as he ,nnes who have made
h9lse IN the world. More than that Thomas
hoNs what each one liked to do when at the
nm.kNe' whom each one married, what each
Sn9 uolng now and all the rest OF the fact
sa hl me gossip OF a multitude numbering
,nnous1nds lie has no title a. iAnitOr or eura-
Aoiy known as Thomas. The girl students call
~, lpI him 50 ineessRntly that the name
rihpin q. IhomasW amounts 20 . per-
W'ual chorus In the halls aud on the stairs
~ nim they buy their bits OF charcoal. their
kos,lIHlos and rulers. and the peculiar little
s mo cards that are the trade mark Of the
stl lent everywhere In ChTisteDdom-
-Ahout that chorus OF "ThomAA"
- nonAS noveE-d5 Ing story IL told at the
,SaEu. In the Woman's life class the male
IHOis.s AZ aiTays partially clothed. but one
80 80 ~ ITALIAN. accustomed 10 pose In private
1u''9' e@sfgSd from the dressing room
The sun. [volume] (New York [N.Y.]) 1833-1916, 1894-05-06
THEY SKETCH EVERYBODY.
Hundreds OF BOKs AND eIRLs VINO
ARE TRYING TO NE kRTIsTa

IT,, rnsteh Evsrywberr, Csrryt-s Thsir
D-syine Bosrds-Everybody Encourages
TR,- AID They Have Expertsnes-.
The Art students League up town isss busy
hive as there is In the city On the noors set
.nsrt for the painters and illustrators Of the
,uture the pupils sit close together in row after
row and room after room. bent over their pc
.ullsr boards silent and earnest busy as bees.
and dressed like the inhabitants Of some for
ssn country. though which country Il would
:. hard to say. There are between 500 and
eo,) Of these students. girls aud women as well
a. men and boys. and they hail from every
s,.te in the Union. The girls come because
nav are told that nowhere else In the wide
vorld have women as fair and full . chance to
develop vhstever genius they possess as In
N. studios Of this league. where students Of