The morning news. [volume] (Savannah, Ga.) 1887-1900, 1894-03-11
Copyright. New York Musical Echo Co., 1885,

bengaliue, and a graceful Pobespierre
bow was tied over. The revers were
faced with white bensaline and had a
tiny edge of gold passementerle all around
The sleeves had moderately large pu.fs to
the elbow, ana gathered cuffs of benra
line. Two rows of large pearl buttons
fastened the figaro together. 1t was
striking costume, and particularly simple
Another brunette friend of mine had
picked a lovely green from ont OF the
shining spring sta lis. She had caught
the gOdets of the skirt up into big bunch
at the LETT hip, and held them there with
a buckle. She had started a broad band
of white MORE at the bottom of her skirt
right in the center OF the front, and
drawn il, diagoually, around this self
same garment. She had set a graceful
bow of white, in narrower ribbon on
the left shoulder where it fell in long
ends. Thence, across the front of the
bodice, was a draping of the broader
MORE, caught up under the right arm
and a crushed white belt, innarrow folds,
encircled the waist. White gloves will be
worn with the costume.
Bat / saw another one; and immedi-
atelY succumbcd to its charms. The ma
terial was a delicate OLD blue, dashed
with white silk so that a silvery sheen
was the result The silver was further
brought out by the skirts trimming,
viii, h was, first, tiny plait of blue silk.
then rows of fine passemeuter IN mingled
steel and Jet At the hips was repro
ductiOn OF the lower trimming. The cor
sage was peculiar and difficult to describe.
A yoke was made OF rows OF the fine pas
sementerlc, and a slender, pointed effect
was given 10 the short basque by black
MORE band that started from one Shout
der, was carried down to the waist, and
then allowed to fall from the opposite
hip, where it was gathered closely, in two
| spreading ends that tell to the bottom Of
the skirt. l. rom the shoulder fell cas-
Cade of the thin blue silk that edged the
skirt Rows Of the passementcrie laid
over the short dropping sleeve puhs,
| broadeued the shouloer eject wonder
| fully. The sleeve pufs were of the blue
| silk, lightly dotted with ct.
Black will not be eliminated from the
/ Easter gown; indeed a rich black here
and there viii make the throng seem all
/ the gaycr. Cne black costume. suitable
! for more than one occasion, shows neat.
/ heavy serge skirt made Of two equal
/ leugth hounCes, each edged with heavy
pointed braid. A cape COnceals the bodice
/ and falls in such fun gOdcts that Gu am
/ pie view of the scarlet lining is aforded
/ Between each godeJ is stripe of heavy
! let paSsemCnterie. A small shoulder
/ cape is q reproduction of the larger cape
/ and around tho neck is q ruched collar.
]
/ two long Jet pans, that fall far over the
/ skirt.
/ Another black shows a satin skirt that
! is scanuer than usual, and that does not
show the customary fare at the foot.
/ Twelve inches from the bottom is a
crushed satin band prorudiug every ten
/ or twelve inches in double headings Tho
cape which falls over is also OF black
| satin, but turns back In reters
/ that are faced with bright
gold. A yoke Of heavy cream guipure is
Inserted from which falls fine close silk
fringe The cape's edge is a plain velvet
/ band. caught down with "a silk braid
( IL is the curve OF the rover and the
sweep of the acket that make most of
our novel effects. One pretty gown will
show @ waistcoat that is cut sharply
away az the waist-line and reappears over
/ the side OF the hip. inside the long coat.
/ The coat points outward from the Shout
der until it reaches the bust, then curves
inward and away to fall over the hips,
back of the waistco2t.
A novel oyerskirt effect is made by two