The morning news. [volume] (Savannah, Ga.) 1887-1900, 1894-01-28
A WEEK OF GOOD PLAYS
Clara Morris in "Renlee de Moray"
and Mansfield as Beau BTummGll"

Prof. Loisette to Explain His System
Of Assimilative Memory-The ''New
South" to Make its Bow to Savannah
Theater Goers Friday NiEht-Gossip
About the Players.
The theater will be open every night
this week except Thursday.
Monday night, Clara Morris in "Ren-
nee de Moray" .....
Tuesday night, Prof. Loisette's lecture.
Wednesday night, Richard Mansfield in
Beau Brummell a"
Friday and Saturday nights and Satur-
Gay matinee, The New South.'
Clara Morris has not been seen in Sa-
Vannah IN several years, and her reap
pedrdnce tomorrow night will be warmly
welcomed. She will present 'Rennee de
Moray There is no question of the
supremacy of Clara Morris in the enact
uien' OF those dramas that call for a dis
play OF intense feeling. The term emo
uolal mlsnomer, by the way has been
SSppned cher peculiar style of acting, and
uas come TO be accepted to mean the more
ggowerIQI and stronger OF modern plays.
1ellsslnly II IS that Clara Morris can COM
. maua Ine tribute of tears to a greater ex-
.etv lnan any actress in America. She
~ YnyeIS so completely into the character
, ,,ie., lor Ine Tune, she becomes, not an
e1FeHs nut the being she represents. 1t
was tne phenomenal ability to be so deadly
=. ~ edtnesy that exacted from Berphardt
H T10 tloute when she first saw her: Mon
~ So ms woman Is not acting, she is suf-
. .oi5ug. Bernhardt was quick TO see
900 -lu acknowledge that Miss Morris pos
s sSoseu power that fell outside the
osIli9o sanitation Of feeling and promptly
~ W II Ghe tribute of phenomenalism.
cinai -nortiS Is making tour of the prin-
tr pot southern cities this month. She
bas IS III IL nef own special car, which she
tbs. I.yeu and furnished exclusively. so
are /. resembles home much more than
ci taLt"ay car. The entire company &C.
i1P'es sue car with her. There is a read
ana looA' library, smoking apartment
f6s s stgSleEal Longing room in the car, so
aftsr .Ie uIScomforts and fatigue generally
14oau0 On travelling is minimized.
fs I9e appearance here of Richard Mans
SAND. "li be an event. MIR. Mansfield
te1Iaos,.l Iu1 conspicuously among the in
abiJ;t, rI Ia actors of the day In creative
sida1 In 49A!S SGdudS 0rSC. HIS many
terio aoLilly, his versatile talent, his ar
then perception, his announcement of
lgi Taad'!ve .dramatists, his skill as an or
gs ,tpl writer and thinker and his prodi-
c ogni+; as producer, have found quick re-
tb2 -'I ,S3ll. among the people who sustain
trats 'u .t Nothing could better illus
"Beor t 9 art of MIR. Mansfield than
his arr brunmell,n the play selected for
acoTi ppS5arance here Mr.. Mansfield has
WIZ 5S'i r. triumph as the fastidious fop.
his f, NJ us time, reflected more glory on
E9gi -,1eu1s than the then future Xii g OF
fal9 br: lie sunshine which Mr.. Mans.
The b SilugS on the stage as the Beau in
ates UtsuVh Of his grandeur, even perme-
lirinr, ne H character in the scene of de-
the u Az Vle garrett, when the brain of
der b Gut =, leader of fashion gives way I'M
in fs ,9 .IlIodlatlons, and once moreGbut
old a.. only-he lives over the life of
night, H entertainer of the high and
is wbsS,.., A remarkable scene in this PLAY
rercbsge.' ne Beau refuses the hand of the
the baiiiss princes daughter, even when
is gr Inns are living in wait for him. Ii
Brgn--I,t11i, ing, this performance of Beau
but nrai-l and has awakened nothing
praise and admiration.
we" south, which has had such