Fort Worth gazette. [volume] (Fort Worth, Tex.) 1891-1898, 1894-11-18
)luInlnnlulllnlilv-E -. Observation-Disclosures
DR.. GARN0TEAU'S
THREE METHODS.

- alnIl q mime -

stood with a . lend Of mine. a painter
Of the modern school, before one Of NJ. de-
Garnoteaus palntlrg- In the Art Gallery.
The picture represented Diana and her
Nymphg." gambolug gracefully in an eye
pleasing landscape
There ara -on- few brunettez. several
BLONDES and Que aub rn-hairnd among them.
They ware iull face. back. thrsa-quarIers.
full profile and hat profile. Some were
lying down. others kneellng. sim others
aIapding but all inclined toward Diana. who
stood straight az an arrow
Ths composition was good, the grouping
excellent. the ooloring perfect, and through
OUT the whole painting could be seen u mas
terra hand.
But In this innocent rsyelry. this beauu-
ful group Of nudltleI. certain PECULIARLY
struck me torciby
at Is very strange" ! said to my COM
panlon, 81 am NOT much OF a Judge, but
and all those women very pleasing to the
waist line. rhe lash is white and yet rosy.
The figure iithesomg and full. and should be
very attractive to American purchasers
But the res. Of the bOay-,hs hips the
iimbs. do you remarR now thin. poor. slSn-
der and asclilc they are? All those pretty
Jodle9 seemed IN be posed Gu the lower
trunk Of soms Cal, inIsde maiden, What
strange idea Il Is! IL it a now form OF
'dattoulsme? Dots darnoteau see thlnga
In that iorm7 or else, In order not to
expose our virtue to too rude temptations.
has he tried to oysrbalanca by the au4terlly
Of the hips and limbs the unhealthy attrae.
don OF the busts?'
That snange contradiction" my friend
said to ne. you wall ind in all Garnoteau's
paintings fer the past thirty years. But il
has The simplest explanation IN the world.
Listen and VIII conhde great Eecre, to
you. All tnese hlps and limbs are the hips
and Limos c; Nine. Garnotesu. and in NJ.
de Gafno,eau's paintings there were noysr
any hips ana i,nDa but those OF his wifel
But let US si down, for the explanation
entails quite A sioYi"
Anu the following Is what my friend. tina
/ painter OF ths modern school, lo!d me. a. vys
| louns-d on the circular diyAn In tho cepter
| OF tue large square room. Nllch, by the bv
Is me ue-t way beslo'e me. 10 study the
pictures hanging around you
You are doubtless acquainted with M
GaTnoteaus beginnings. Taking the prIzs
| for drawing az he College OF the Chrisran
brothera. 10 hls native city. Linioees, thsi
| elty sent him . Paris with a pension Of
| 1900 francs. He worked like a horse ana
al the end Of i've years carried away mo
| 'PrlS dc Rome Ter 'CoF.olau Chez Irs
| Volaques.' or /, might have been a 'Them,s-
toele Chez les PerIesl
Finally. ons day. thls heavy. tinld ana
eha1te fellow, discovered his yseatin,
nudes. studies Of nymphs. Since thsn. H.
fellow las never painted anything else. AZ
lis nudea were clean and noi given % esnlte
! say unworthy feailngs, they eyenualIy led
hlm 70 the Academy, Now. here WAS
man, VINO mad panied nude women enough
10 people a respectable number OF haren1s
aud whoa daily lie was as grave and III,
euinapeei as TIA, OF notary. His only rsv
cries w9fe Engaged In on canvas Porhans
that iaet GAINED him; Was his safety yalysI
MOI very Ions after h!s return fratn
Rome be met very we'll brought up youor
| FiA IN hia pat!va town. she was nesfhHss
h9mey nor pretty, bu; very tall and Mn
| Myaieriel OF ihs haartl Ny painter on chnh
] BY nymphs tel In love With ths aag psis,
: true her father was a very rieh mater
and person OF conSidsrahle importance -
DE GArao,sAu asked The y6uns Id 4.
marriage. The mother raised cbjsctions.
An Athti and Z man who only naln,sI
nude Nemenp But Carnoteau contendsj
that Ar purihed eyerythingr and be5ldss
taat, ms paintings sold well. One thing IN
his iavor, his style was not displeasIns =,
rue natter. And ceiostlne lovsd Garnnss,,,
and wGs h1iterea at The iaea Of n,arrvin.,
an aTt.st, 50 tho marriage was finally d..
'one day csles,lns tooh her n,,e, 80.
and aaksd HIN, her face nushinr nao5ss,iy 1--we
"a Il true. when they tell me, mn W,
| --unirfsssdT' ''s'sy
Why, yea; my darllngr
trVm memoryP' Hls1el
"Sarno,eAu explained 70 her .ha, /, VA.
an uuer imp1@'hlllty n 40 otherv,s. ~
hut persisted csisttln. $3.50.
pain, dresssd people. sceues al w. 80. ysu
touching .nolsets IN ,ht styls Of .;rnn.s;
y "a IssYfse- or jhs "Raleur du soldatS,