Blackfoot news. (Blackfoot, Idaho) 1891-1902, 1894-08-11
: EIvpE GUILBERT.
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Ia Hsaa walg from the storm, leaf
'f@'-hs Ia un against blase Paris for her
"A' ~ snens
s'oa' ~, #urslis2 into favor with \ gIimacc
- al al ben companions In the vast
Ton 4, Mss4.. 2he "PrIntens." as we'll
| ohm n IL It'll modern female traveller
nty 3 aI.anvre" or the bon Marche."
a. ~, maN bonn with a knowledge OF
| n ~ 4gfzN IL Effect as supreme and dis
juSIss, I'D s,k song. A sodden awk.
sEfD8R Of a woman, no grace, no
any -. sfa@s DO taste; but she can be
-. 49, sxs1h lift OF her eyebrows,
Ms1ss h shrug Of her shoulders,
~, &HEsgsaEly realistic with "A move
/ ~, IA nag hands. She twits on the
~ @48# III the greatest aTistoerats Of
- x alsa sticks her tongue into her
M8H salks boulevard slang and
At mAf4 the oldest bOuleYardier Is
1870 Co. ssAp initiates all the famous
@ g @ma Ringers with one stroke OF
e <zsAnssk talent as clean-cut and
~ = w. f 40. had made an exhaustive
ealua Q ssa Mkr art all her life. instead
p%sa@ hill Asthe Is, WORKOUT shop girl.
NAA Yh,s assiOr OF the streets in her
ll.stf 81 iii IL dyed hair. In her stock"
Asf ssgHN She throws sentiment 10
a.sa e. .<ssaf# a. mOcks at love, she snaps
z p n 5A2A4# at fate and she defas the
ys4n = s0Mers with every breath she
.aAi.s, #MH almost every note she NJ.
ing isa
oegas q @Bssa h low. and coarse aud un-
~ III ss4a lips are painted ycFInilion
ara y sS#a thick and out Of drawing.
pTsa@s liz IL sntensely human. and that is
poaaa ss.A gs# isians love. She Is as typi-
ansys 81 esss81 a this generation as the dude
NAss 9#saHsf bicyelist. an OF shoot. the
.Ac ifss 54ssN "a inrle civilization. she an
Frsfal SA sgsA universal cry for more.
ca n..s Il Fred TO the jaded pala,es
isfyss 8sSss N
slssIs 81 a4h is awkward. her com.
@ 0 her hair champagne gel.
leo y zsz Il devoid 81 chic ms North
est 4 H dian. and her toilette Is as
x A a u Paris,
sass 10 a fiimsy sulphur colored
Z shsa ssms lling IN unequal folds about
Asfs ssS NV 81 feet. her thin shoulders
stlsa &zsis sides aiding and nbettiug
y - zs# nngrarefui Top to the fioog.
20 ~ sA1M@ hair escapes Ia untidy
g # III BIZ sides of her head her
~ ii f61 td her mouth droops wcari-
lSsse eways. and the long. Eaapc.
afs fzss# Ill from llclr sockets toward
frss km8NN n a line which must be as
49, a#sseA il has hitherto. from It's
ttAfA zgssssAssfy bcrn unthuught ~.
y e sAssAe8 from the elbows 20 the ends
MN sVqX thin fingers are the black
Ms hK n hich al Paris and strang,
# s# 3Wn to recognize her On
hSss na& ~. aud which are 10 play
~. ssek part In her presentation
~ S1 Euis
lI VI 8s.A@ nee has shifted IN and nui
~ xf M'sNzy summer audience. They
80 N4's1a Presented with the inevitable
W 80 SM8 song man and tho UMPIRE.
usAsN aud dance woman. Eiry-
N lrlkes. and the almost *.
WEEeNaNA sas 10 the varied colored
- AMkAgs Into new radience. club
- aHl1 nublom loom 20 the fore.
81 4Kptir Hhutiles awkwardly 10
4SHs8f&ts the audience bursts into
Ns8 applause. which Immediately
A#HS II 20 GREATNESS silence.
49,, " sh 'aira strikes up. the strange
~ siy quickcns into life The
-. nouth opens 10 let forth the
ns arms point the moral 20
~. nd suddenly Il dnwus upon
-, AF &c is tie camera Of oday
~ < IsIs4 y q slip Of a girl who Is "a
ruyIHcs into speech. she
sssH alyncss. she shrlgs IN CON
49, 49, talks ike street urchln Or
~ AsA an" or y stump orator, or any
~ Rsl 8AsENsand and one types % Paris
s.t &s@ ~ ch are 50 incontrstably uni
AHA % black giovrd hands make
"a @l9AW and the yellow dress and
". Nght. and she hints az untold
~ N8h an ''um" aud suggests I'M
y. 8ESAAN with an 'nh." whole life
~ II Nfnsualncss. Of cunning. or 81
-. ~ NYFfythlng she says and does.
N*&fNEktifTA ahrnu ont hrr tnnupus
-, Nzg Bands outline the lit of the
49, n#H McaNure Of her song
~. - s POM fun at The government and
~. #ithf gags as the local politician.
- FQfNs human nature inside out
49, 4 fNfst II her tongue. n lift II her
- NHslxs hrows. droop OF her un.
=. Hlsf Fsddcned lips.
49, NHT iexall her again and again. and
....s kfskNs 10 snap her fingers nj their
!. "a NsNzsNNs and their constitutions. nj
- 6@x* of themselves and their love
-. Nhe Is abundantiy antagonistic,
Saealizcs effect. and she ~ some
NHW When they are tired Of her
#H her head NJ them. the limp
s''~ R4 gAal NJ her sides, the fimsy char
vsq Down droops into its usual UNI
~ Folds, the eyes duh. the body
II g Pc orchestra stops. and the |
'HRfl lis She is her own version |
ks,s wn life. ~ Yvettc Guilbert. the |
~ #'#a Nhld Of the French public. 40
=. a@ " while II lasts. so unhnppily |
Naa pnother fills her place
Nth - said she the other day
~ WI talked her elbows rested on |
~ #8AfN In their customary spiritless
RsAH pnd the long. thin hands shot |
~ At7 pNt 10 acccntuate the high lights |
lng A# VNnt-"you see was born ugly |
huss aksAtmic. but I had n prodlgious |
RNnF* | used 20 carry home work to |
vlsI n as'les from my mother who was |
rs distress: but my mind even
#M full OF street songs, which / |
!. - wv W PUN to myself In my tos and |
"a time was when that big fat |
'f#g who runs the Eldorndo would |
~ Fay me GOO francs n month: that |
lE W fnN first, and OF course / failed |