The times. [volume] (Richmond, Va.) 1890-1903, 1894-09-16
THE WOMAN OF FASHION.
AUTUMN STYLES IN MATERIALS
AND COSTUMES.
The Cut OF she Fall Gown-satine Effects
I'm Dsess Goods and Flat Ihects In
Trimmings Some Sew Models

(Convrirht for The Times lSf)
Time Was when We jumped from one
fashion 10 another. y" S't' sd,',n,,
fu merging, II YOU please; pul nyI''s
lean fhat scarcely bcnttcd high danes
of fashion. From an uhgaanN, Uo't .
SION termed 10y courtesy; puSuc 80.
SINK INTO rlatbacks and directory ltViitS
rrhen We AS suddenly swept long l'in"
through the dust and uehtcntu IT'S
and boiiccs From that We JuitTu 10
nm alarming creation on cach shoulHtT
and Ian equally high one about the neck;
From Cinging skirts the most MAJ nj ne,
departure was q widely naunG one; ana
d. hold that came next After while
...s failed MS and We began 10 modify
In by hit degree 10y degree. ShoGiNtr
,r0e fen 4 Nillc. So I'D collars. SkIlS
,-..tncr.1 themselves togcthcr SorncWh NAT
,.rficularly about the hiIs. Revers
new Joss aggressive and w0manh"od
i.rfr o. take IN sometime of tie seih-
laucc q woman ,
%o,f every thing moves slowly.
Worth lis undecided. So is al Paris
~ one ventures on a radical departure
~, ono is very sure what viii come next
Som. ono whispers. skirts VIII Hare y
f,tfI. more Another. sleeve puiS VIII
g. biercr. and so on. But no one steps
18th Win new fashion. or lhe revival
of an odd one Perhaps IL Is because
S., many futile attempts have been made
te. mast f.W ssaeOns Both the hoop
ef.rt and the drapei skirts were received
r..-ri.h.~l and cherished by society. or
f. may he that the creators Of Fashion
r..ari their victims with some com
r.lc,ucy. ass they have appeared these
..,rfnnr dIvs. and dislike to destroy the
rather harmonious effect tine present
walking costumes produces.
At.rt from the why and wherefore
90 a. ..r.tt BLESSING that an moves
eiov.i. $40 woman would rebel against
Gradual. almost Lnpcrc-ptipie ciAnE'7
I'm fashion. and scarcely any AGAINST "a
freedom which WOULD hermit any SUI
flat suited tne lives OF the ,UIr, ~
f..f D.. q
wnrs FAR we have learned nothing
definite Instead of 1--WE. you may ny
s.veu ror ir your 7Nlrl. 10" lirif Sour
.--.n MEATS III the back Of the skift
FIJI place Jog means of rubber hahda' t""
may trim your rhTt vain I1i.3" ~
r.nal bands. you may draw n niue more
closely about the cups ono ~. 80" e,
more 800 the feet. lou may aHa lcT
more inches 60 the alrrady ample lnl,-
ness or your sleeve. Some of the m'7ir'7
from Paris suggest TRIMMINGS hrih above
and below the waist line a sort ol sur
lliee effect on some. made Wllh "a s's ID
or doui.et ~ 4e'tc' n..I 49,. ,,.,iet
body. STANDING in nieats. above lI' %''S'
uu to the bust Thor bclo" the ncil'
nat palmer rUtTts in long narrow lHiH.f.
This is % step further IL may Dee. ~ ,..e
direction OF WidcrCd waist, ana ihe
natural waist may De the "flhhie Doe
Fiat ,0ects are els..rvatlo IN w2la.y
trimmed with morrow diagonal bands.
hlt TIE seven r0rcd skirt has each of
is seams strapped and stitched. ana ~
narrow jets. gl"ons and lats eHen,
ferries aro used. hlt ai lre quiet ana
uUohtrDsivo. Large buttons arc the only
marked feature OF t.e trimming. They
,.rcl rcttr-. or fastcu fhe double nr"act-
cl c0.t. orr trim the flat bands ON the
Nrror.s ~ fat effects. ID is o. De no.
tool that Worth has launched forth
Ir.U-.rt n.rm Or tNF
Vtr r-. fiat back presents % marked