Bismarck weekly tribune. [volume] (Bismarck, Dakota [N.D.]) 1884-1943, 1894-01-19

style OF garniture requiring that both sides
should be exactly alike. All. that is as one
elects. One very dainty bonnet shown fol
church or theater had a spreading wing on
n side standing upward and outward
and on the other two closed pinions upright
and a smaller wing placed fiat along the
side. The bonnet was of black velvet, with
black velvet strings. It was cut up in front,
and there were three large black hearted
red peoples made of velvet. 1t was a really
beautiful bonnet.
There was recently shown a very taking
little hat of double faced felt in two shades
of purple, though these double faced hats
are not seen o as often as they were a
month ago. The brim was turned back tc
make a continental shape, and in the front
there was a close rosette of black velvet.
Back of these there was a double bow of
lace, stiffened by wire, and three bronze
green turkey quilts. Certainly these are
not all the new styles, but they are the
leading ones. The fiat little sailor plateau,
trimmed with cherry velvet band and a
couple of pert little quilts, are great favor
ties, and they go naturally with the coat
basques, white vests and mannish neckties
that seem to suit some types better than
anything else.
OuSo SuCu d COSUuLuc dGtrdCCeu me the
other day, and it is worth talking about.
The skirt was of pale gray blue cloth, beau
tlfully tailor finished and quite plain, with
not even a row of stitching around it. The
basque is of the gray blue cloth, pointed in
front and with the skirt plated on. The
front is open to the bottom over a white
linen shirt and has revers and collar of
white cloth. The sleeves are made of the
oQnoa and fhor horo ~, IF ~ool@ - ...l.L-
cloth, with fine stitching done in black silk.
There is a long black satin tie, held in by a
silver ring. With this was worn one of those
little sailors mentioned before. It was a
striking and. l think, extremely stylish
gown. 49,.
Equally stylish, though in quite a differ
ent line, was a new tea gown just finished
for Lillian Russell. The form was princess
in the back. The front hung from the
square neck loosely to the feet. The ma
terial was ivory white armure rich and
heavy. The front was of three lace inser-
tions, with two lines of folds of the armure
silk set between. There were short puffed
sleeves Of orange velvet slashed with white
velvet and a fishtail end of velvet ribbon
down each side in front. The neck was cut
down square in the front, just enough to
be dressy and not too much for good taste.
A very dainty and attractive reception
gown made in the same establishment was
OF heavy peau de sole, notified with pur-
plish brown in a struggling pattern. The
color was what is now called oyster, and
that means a sort of dull white, with sandy
shadows. This gown had a circular skirt,
very full in the back and slightly opened
on the right side over a panel of emerald
velvet. Three fancy pearl buttons were set
al the top of the opening. The corsage was
quite a complicated affair, being of emer-
aid velvet, with outlines of rich point lace
insertions to how the neck and waist lines.
On the front was a large satin bow fastened
with a fancy pearl horseshoe pin, and drawn
around the entire waist was a drapery of
roseleaf pink crepe de chine fastening in
the back under five OF the same pearl but