The Atlanta constitution. [volume] (Atlanta, Ga.) 1885-19??, 1893-09-05
WITH THE JAPANESE.
THEY HAVE THE ONLI REAL VA
TIONAL EXHIBIT AT THE FAAA'
Their Pottery Is the Mort unique """ '
Lacquer WOlk Fine-But Ih1s 1s N"'
a Starter-Interesting Notes'

l.
names and puzzling, awkward symbols
used for letters by the Japanese, he couil
not fail to be surprised by the showing taeA
make at the worlds fair. We have long
considered the people of Japan as uHeiiihs
in darkness and standardization; the aver
age man accepts this as the natural s'a'e
of these people. 1t is true, that this nation |
n1ts its best foot forward i'll the cNhlpit !
Of their products and industries, but ac-
knowledins that as true, it is still wonder
fui. 49,
In agriculture they show that they cultl-
yatc we'll and obtain good results III ra'sIhe
tea. silk, coffee. oats. hay, corn, toD'cco'
rice and many other staple articles: Iouitfy
raising is success With them NO shiah
part Of their fields is used 10 cultivate pep
permint. One enterprSNg, ana douD'ieSS
wealthy, man VINO uses regular tfadc
mark and seems TO have method Ill All
his work surprises you by presenting CIR
cular winch. as an lilustrauon is gwen
here III full. 1t is printed III PLAIN hnslish
and is no mean specimen OF Soou Jop "oth'
just below it is German trahSlation III
similar style.
Japan Oil of Peppermint and Menthoi Crys-
tals--I beg to cali the attention OF the tra'e
to my manufactures of peppermint. nave
been engaged during the past twenty years III
the manufacture both of peppermint on ana
crystal with the result that | now produce an
article that compares favorably Win the
| production of other makes My mentho! CRY >.
| tails are large and of fine color and VIII hol
| become liquid at temperature or 1Oo degrees
! fahrenheit. ,
| free from sediment and absolutely pure.
I take the opportunity of exhibiting salflphPs
| of my mcnthOl crystals and peppermint on aI
! the Columbus word exhibition. at chicago
| Thus consumers Will be able to judge OF INC
| superior excellence Of my manufacturers. :,
| Kindly note my trademark and adde's an
| oruers to tlEiSl IKE KOEAYASHl.
| No. 10 Otamachi ithome. Yokohama, Japan
In the woman's plildin@ i'll many branch
rs Il high degree OF culture is shown. Inc
| Toxic committee presents il Japanese lady
! library and boudor. 1t seems resttui,
quiet place and suggests sort OF home-hke
| refined influence even though the almond
eyed, quocrly rugged beauties preside with
| apparently awkward grace. oman
work in flower vases. woven figured SILKS
| tlamaSk fabrics. chair covers. spun sim.
cotton cloths, plain and crnEied, emoroio-
cred table covers. artificial flowers. lace
handkcrchicfs. flower baskets aud many:
indeed nearly all. Of the various pieces OF
curious Japanese brio brac show Wei
I'D on a level with what the women OF other
countries can 90. What upsets the mhd
when the conclusion IS nearly reached
that surely these people think, feel ana
| do nearly rs we do is to refer to the names
snch as Miss Kastu Ninomaya Mrs. Suye
Takayama. Mrs. Mastu FuJ!noto, MIS-
iyono YoShizawa, Mrs. Tetsu TaGabayaski
which are selected, in all Difference 30
the excellent persons Who pear thGnl, u
,he most pronounceable III thc Whoe ISs.
III fine arr and after TIE peculiar styi'
and models consldcr2! tie best Japan j.
well 10 the front. In bTon2oS the hniSh ana
workmanship compare with Italy to tn,
great disadvantage Of Italian artists. SeSSeI
Okazaki presents 4 bronze eagle and quiIf
y l,r~p niece, \ pair of dragons in clouds
over Wai.r, which certainly required most
,boroucn knowledge OF manipulating the
,nnt,I ne Vol as = high degree of artistic
Ir,.nn-inn md design The wood cary
;,a ,'ofniI, tho wrestler hy Kisai Iamadf
nni ,n oII funnlrv hy koun Vamainra
90" " ,l ~ W.. .r's hn,d i, fhi,
eFalccS clca'iI I'M Sp'tr 81 'Ie rcffo''~~~
warning not TO touch haHdS or, etc, Eo'
| tnvotuntarilE touch the work just to SCI
if it has been we'll finished. it is perfectly
wrought and bears the highest Dojjsh !,
80 '''''' H,'"J''I i'' ''IT a. VI '"'H He l.
inc sacred hl"EitdiH, riJlNaH, or as SOME
put 1t. f'ulyaina. These pictures. ant
rhnr hattir scenes and flrir clrySan the
NUNS. Ir,,,o,,s ti..1,,. ,,L f,v-t. rn - I
In I ~ , ;'I h. q 1;tii
ven ""ic' i0,i n.y. VIA 'n' H"ih' '.i''
Guilty OF rrc0uccIop ana PRONUNCIATION
when YOU stumble upon the artists names,
rs jS0uaya Fomatlr0 FlkrmOto N0liZa-