The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1893-03-12

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full essay in grand opera, is hailed with
delight by the Yiennese public
1.-The deIuslon dance, las performed by
the sisters Leigh, now in the eastern
states. is said to be a wonderful novelty
The sisters are English and twins, and as
alike as two peas, else their marvellous
dance would be an impossIblllty- One
dances before a supposed mirror, the
other doing the exact dance, only the OPP
posite, to represent the reflection. The
effect is electrical on the auolence when
| they are undeceived-
| The very first of the crinoline dancers
has come. Her name is Maud Madison
and her hoop skirt is five yards around
Miss Madison was going to put on tne
sstilter, }; which became fashionable IN
the late sixties and the early seVenJles,
but she couldn't dance in the N'tilte-r'
and she had to give it up, even If it WAS
funny. Tt is hard enough, she told q
New York World man, to dance IN the
hoop skirt. But her dancing is pro-
bounced very, very funny.
Julia Marlowe' s parents emigrated from
England, settling first in Kansas and
afterward Pittsburg. and Cincinnati,
where she passed her school days. When
the Juvenile opera fad came into vogue
under the management OF Miss Ada Dow,
she came out from the public schools OF
Cincinnati and made her first appearance
as Sir Joseph in "Pinafore, ~ and Su-
Same in the fsChimes of Normandy"
she started in the profession in the same
way as did the late Flora Walsh in this
city.
These plays and players were seen at
the Philadelphia theatres last week /;
Broad Street, e. ii. Sothern IN Captain
! Lettarblair''; Chestnut Street Opera
house, Minna Gale Haynes in repertory
Walnut Street, Alexander SalVinl in re-
pertory; Chestnut Street theatre, Marie
Tempest in EsThe Fencing Master" !:
Park, ;sThe Dazzler' Academy of Music,
Babes in the Wood; National, 1.-The
haps''; Carncross Opera house. min
strelsy; Bijou. 'Said Pasha.'
Stuart Robson played in Boston last
week, Rose and Charles Cognlan IN
) Washington, Sol Smith Russell in Pitts
burg, Clara Morris in Ohio towns, Annie
Ward Tiffany in Milwaukee, John Drew
in Chicago, Nat G. Goodwin in Baltimore,
Minna Gala Haynes. i. II. SotheTn, and
Marie Tempest in Philadelphia, Richard
Mansfield in Brooklyn, Nine, Modiesza
In Denver, Julia Marlowe in Boston,
James O'Neill in Nashville, Tenn; Mile.
Rhea in Baltimore, Denman Thompson
IN Buffalo, Rosina Vokes in Toronto,
Marie wainwright IN Harrisburg, Penn. (;
Frederick Warde aud Louis James in San
Francisco, q. s. Willard in Indianapolis,
Fanny Davenport IN Milwaukee, Robert
Downing in Pennsylvania towns, Efie
Ellsler in Indiana towns, the Manola-
Mason company in Montreal, Robert
Mantel in Ohio towns.
The Bostonians have another new opera,
of which they will give presentation in
San Francisco. 1t has been produced but
once, and then on trialin Chicago. Henry
Waller. the composer of the new play,
which is named 1.-THE Ogallallas, - is
showered with praise by musical critics.
The music is said to be wonderfully orig
inal and full OF vivid American atmos-
phere. He has gone to the Indians for
The characteristic rhythms which distin-
guish his work, though he has only utll-
ICED that rhythm to impart characteristic
color to themes of his own inventing.
The American Indian is for the first time
neither ridiculed nor idealiZed. He IS
presented in all his savage ferocity with
ont any of the claptrap blood-and thunder
devices that usually make the noble red
man derision on the stage.