Evening star. [volume] (Washington, D.C.) 1854-1972, 1893-03-04

nose TO be the least bit the lie !icate Roman tvpe
Pc. haps il il the distinctly modern line of thai;
feature that recouciles the face to its sur
rounGings- such woman is specu
lative, interpretive and cruel. too. if
it occurs to her to be. Not
cruel ''to hurt" but to see how the victim will
act. A ccll. bitter cruelty to encounter. vet
one that means less harm than it NAV accom-
plish. Such woman is round-limbed and
1.-THE. except for the short neck that somehow
goes with her bulldog chin and lower lip and
adds to that part Of the strange fascination of
her face. She dresses conventionallv always.
The modern dress does not rouse her inlsgina-
ton. She could never realize her possibilities
of beauty in 1t, 20 II is as well. She needs the
Vivid govring of old times and barbarous bril-
liancy of jewels and rich dra, cry. 1t Is won
der she does not realize this. But maybe tina.
is accounted for by her pale hair. She is a
woman now at twenty-five far more than either
Of the others or. for that matter. ever will
be. The wears NAV bring her greater beauty;
they viii surely add interest TO her face. She,
of them all. has future. and seems also
to have had past. Her chances for
happiness are few. She is likely to make mis-
takes in her choice of companion. Intellect
and inclination, too, must be satisfied; mere af
lection will not suffice. She will demand much
and give little, unlike the blonde just looked
at who will give all and ark only that she may
give, unlike the first girl, who will want little
but practical companionship and who will give
just wholesome affection and good-natured
comrade- nip. IL one might go into palms.
try the hands of these three would afford strange
contrast This last hand is long and firm and
like a mans for strength. The palm is bright
with color and the first finger long. The hair
dressing is curiously at variance with the type
of face. That is because this woman gives no
thought to her dress and wear.
MODIFIED PoMPApoUR.
No use talking, every style of girl does not
suit the parting of hair at the brows, and those
who do not should not permit themselves to be
bullied into adopting it. The girl with the low
forehead and strong chin will usually be wiser
If she keeps to her own notifications Of the
pompadour. When the pOmpadour is used u
hard shiny roll OF hair sort of skinned back
from the forehead and itlining the temples in
an incorporating way it Is seldom u becom-
ing style unless the features are severely regu-
lar. But the pompadoUr that is merely a
drawing back very loosely and softly Of the
front HAIR into soft puffy continuation Of the
half coil at the crown of the head as shown in
the third picture, is almost surely pretty. 1t
softers and yet harmonizes with the outlines Of
strong face, and it gives due value
TO the contour OF well-shaped head
Great care must be taken not to exaggerate
the putting of the hair above the forehead, that
the general contour Of the head In profile may
not be thrown out Of harmonious proportion
Also the lines the bodice makes about the neck
must be studied in reference to their effect
upon the forehead and profile line. The
woman who wears her hair high over her fore
head must carry her head well or the effect
will be awkward and topheavy. Likewise, she
should have certain dignity Of expression.
Granted all these requirements and the effect
Il bound to be good, and the woman who can
III the requirements would be foolish at the
caprice OF fashion, to risk n change In her
hair that nigh: mar her good points. Such o
type will seem to gain in dignity by the gen
eral adoption around her Of parted tresses and
the accompanying droopiness OF effect. And
she will be wise, therefore, to stick to her own
style.
For the blonde blessed with that wonderful
sheii-llke quality of coloring sometimes be-
slowed on pale yeow-hai folk no gown
could be more lovely than one to emphasize the
impression such women give you Of pink.
pearl purity. Bee our last portrait. word oil