New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1893-10-10

,.ore +, no, for the fact which three centuries
of onera have impressed upon public attention t.
music is a marvellous emollent, IL might ~ H"''
of the perform lnce at the Garden l"e""e 70
night that the audience were permitted 10 sup v"
horrors for q dollar and half and less Mr..
IIinrchs in his excess Of enthusiasm In pehal vi
rermanent OPERA opened his season with What III
theatrical Variance Is called double bill; ne gave
Nascagnrs "Cavalleria Rusticana ana l'eohcN" al,
los IL Paglia ,ci." If there Is the great "eiHi"'
for new works. OF which we hear 50 ot''h, '''s
oo,ortainment ought TO have been exceedingly at
trac,iye i'm fact, either one or the operas ""7'' -
have sufiiced 10 draw AN audience handsome !"
rur,bers To offer both on one evening W. d"
exhibition of generosity quite as unusual AS " wa,
deserving of reward. The ineNoraDie "''l''''' "
truth compel the statement, however '"", ,
arIe Of New-Ycrk seemd to be unappIecauFr
.n, .,ood fortune The audience, though
excellent in character, and keenly awe 10 III
,oau,ies of the works was not so large as IL WIS
roasorahle to have been expected. Ihere - ~
need to waste time over an eNpIdI'a''p" VI
cause the reasons plentiful as blacKpei'l'S' "'''
not affect the case, though spread out over d new
manor column II IL enough TO say that Mt nm
richs deserved better at the hands OF inc CITY
c,,s,c lovers and that the loss was not so inuCh
b,s az # was theirs. 1t is an extraordinary PRIV
leee to hear these two operas 50 iuH VI NV :,
blood of young Italy in such close s'q"'"'
be,ns one 10 an understanding OF the present ''"'
of musical thought in the nome Oh OPERA az"
oh,es ono 10 institute comparison between the
,uo vounr composers who have succccden J" SUI
,,, nm moro interest in their department thah 'nc
,ord has known since the death Of wagner Inv
two OPERAS have been discussed III o'7 J
with all the care that their uncohNe"''o''"'' w.
dramatic forcefulness exact. They are VOTES u u"
dh,,ah,o merit and no one who hears them II
,,po,v to leave the theatre without having nee"
,Dost profoundly moved by them. MI hihfich'
al ana there ~ 10 "a
,rayacspce in the external decoration OF ms rep
resentations but 1t was made pam iaS' "s"' ~
il one wishes to get at the heart OF '"eH' or.''
car do go by going to the Garden lhcau'' w may
coo them tricked out more gaudily may near i'"' '
aonorous performance of their orchestral part Dat
!, % No, likely that we shall hear the music sung
more expressively. or see the parts p'aFen WIN '''
cerer devotion greater Skill
OF the two works. Il Pagacci han 'h' pe',''
performance obviously because "i 'he '"'''''''''
Of the singers with each other IL "aS ''"''
,,,or With most convincing carnestneas. ana raisc
Miss Kronold Signor Guile. Signor 'ampaih'' '"'
Mr. Averil greatly in the opinion % ,'' ~
d,cous Mascagnis opera. while hampeich SOM
what by the fact that STRANGE wa hv
the cast benefited ,d in .t tns same 1t Was MISS
Rita Elandi. who had The honor oil c'Is,t nrd If
is called the part or , ~ her innersonaton
a wise desire to keep the characlcIr, M,,isf and
m nnoser Miss Elandi has still something 10
learn in the matter OF acting but she kIo"n 30, fo
,hn dstraught peasant lass Of Sicily ough, 10. ~
,n. ,"uersde in the dress and manners Of RtaI,n
IndsI.. ara Fundamental note Of her conception u
trne and refreshing in the face Of what mas Pc, s
.ln n End heard here and She fully deserved me
se,h nlaudits with which she was recalci
after the duet with A'fo at the close %i ' natT
Gene Of the opera. She has voice OF me quai,S
she knows how 10 IT. and there were man!
evidences that more active temperament , VIA
she disclosed last night will vitallze her perform
mca ns soon az the nervousness naturally ht'emu-
ant on a New-York appearance has worn OH on1
ans an o American woman. native of Cleveland and
houah she went to Italy and England TO peglh ne,
career her counrymen Will rejoice IN her
npH tomorrow "Cavalleria Rusticana and i rag
| he repeated