Bismarck weekly tribune. [volume] (Bismarck, Dakota [N.D.]) 1884-1943, 1893-11-10

CAROLINE M1SkEI.
along the right side over the pocket place.
There was an Elton jacket. with pointed
fronts and modest revers, opening over a
vest OF pale blue surah. There were a
wrinkled belt of corduroy and moderate
gigot sleeves. This was a quiet gown, but
one remarkable for its neatness and ele-
gance. Her splendid jet black hair was
gathered up in knot OF the top of her head.
A few Sundays & the newly discovered
beauty, Miss Caroline Miskel, wore at a
quiet dinner at home a velutina gown of
pale lilac shotted with gold, which showed
only In faint CLEANS. The waist was draped
richly in Marie Antoinette style. The
sleeves were double puffs of velvet. Across
the bust was a piece of lace outlined with
gold thread. The skirt was plain, except
for a double ruffie of the velvet, which sur.
rounded the skirt and reached up to the
knees on the right side, where it was fas-
tened under a bow. Another was set on
the bottom.
Her rich, red gold hair was gathered
loosely in front and back and all brought
up to the top of her head in a quaint high
knot. This is a style that is fast coming
into favor and is very becoming to some
and a very ugly one indeed to others. OF
an afternoon Miss Miskel wears a delicate
and dainty apple green crepon, lavishly
trimmed with white lace and green rib
bons, a shade or SO paler than the crepon.
This is also swathed around the waist like
the pretty gray gown she wears on the
stage as Ruth, the minister's daughter.
Lillian Russell generally dresses very
plainly on the street, but there are times
when she goes along with a gown fit for an
empress. l saw her walking along Fifth
avenue only the other day in a superb green
velutina gown. The green was just that
soft shade of olive that harmonizes so we'll
with a fair complexion, and it was under
shot with salmon pink. The pile of the
velutina was so heavy that it was but rare
~ that the pink showed up through its
folds, but when it did the effect was ex-
quisitely pleasing. The skirt had three
rufhes of the velvet, one, a little wider than
the other two, at the bottom: the other
Two set higher up on the skirt. There was
long military cape of the same, lined with
salmon pink satin. There were one deep
sprung" cape and one gathered stole cape
both bordered with real sable. A small
hat of green felt with two quilts of deep
red completed this very elegant costume.
In her home Lillian Russell wears loose,
graceful gowns with quantities of lace and
ribbons, and they are always in the most
delicate and artistic tints rather than col
ors. Artistic everything is around her,
And she is no mean artist herself. There
are no slippers down at the heels, no un-
tidy gowns nor carelessness of any kind
among any of the actresses that / know.
Pretty flower faced Annie Russell is an
other model in the way of home attire. She
has been long an invalid, but now the pub.
lie can lay in a new stock Of handkerchiefs
as she is soon to begin to play again. The
other day she presented her lovely self,
without an instant's waiting, in a light
heliotrope cloth gown with a straight
skirt trimmed with three narrow rows of
FUR, each headed by two soutache braids in
bronze silk. The waist was round and had
a belt formed of three lines of gold braid.
There was a figaro bound with fur and
deliberately braided with bronze gold metal
Boutache. There was a ripple collar Tn th;s