Grand Rapids herald. [volume] (Grand Rapids, Mich.) 1892-1959, 1893-06-25

LONG AT THE FAIR
Ne Bsho!ds the MstchIsss Beau
ties N Wonder.
NOW TO SEE EVERYTHING
1sasy s<<sns a. ~ Wsa1 nspsssnmenl
\ bars Irsp--ksssa.r~a ~
ssssA's Head Asssc.
NOW TO see EVERYTHING

OW81tr<t " give &tUf*&AtuB - = o<uo0So
Cor ~.slns the worlds fair.
AZ ths administration building -
gwen n Office purposra ADD . d1ncrip
tina IL rs 1rchstectsrul b~ast,es vool6
b purely iatersse,ng ~ thai intes<sessi
W building. shsu nsrsly say that u
seAn<-s - the head u chat u known -
The coort u honor.
The n4nufzcturcss' and liberal ssts
busisiInx IL the hey b ths whole exhibit.
foF here the exhibitors eoncensrAts their
choicest aud most general display. b.
iAx represented By sr>ciAIsi~s in the
other buiidiogz
To give some idea q the naxnitusis II
the building. and especially Toe yoar
younger Fea.lers. I viii locaiixe = com
paxisol.
STAR or shr Bsssiing
Take the Soldiers hone aud place 10
la the cad across the building. 1T each
cod place the hospital and dosinitosy.
then take the city hall and court houssr.
throw IN the Widdicomb bulldog and
wonderly back and II would not nsaziy
I'll ons hall u tho building II 10 1851
hy Isl feet and at it's hlxhest point over
the central mare 10 ~ y feet high. In
this building are exhibited the nhnufac
tares u the World in building. large
enough "a make good sized store On
Monroe street
As usual. Italy excels In stasuary
and Franc. In textiles In the Italian
exhibit ther. are two especially notice-
able pieces Romeo and Juliet and Mar
sssrIte. The balcony scene 10
.f~s..r 49,
Rons~o standing On the rope
I..islsr. The details are wonderful I8s
sides the happy expression on tho face
which the body n mainly resting stand
out IN relief. while the other foot aud
limb r~esn In reposr Marguerite 10
trsated ia several pieces. both a. = bust
and fuif figure. The same cd sxpres-
sson. the sweet. innoccn hooking face,
the braid ~ hair. the flower In tbs hand
Poor Narvuerit&s Az long - sympathy
exists 10 human hearts. Just - loug win
sigh~ escape when hooking q the coun-
terfeit presrntment 81 the unhappy hat
lovely creation a Goethe Victor Hugo
dsass an apt compsrisou IN IN apotheus-
tic sliusion 10 Fsntine: 'Some cay love
- fault. BE IL ~. Then Famine YES
innocencc itself floating upon the sur
face of this fault Another favoritc
subject 10 The Angel % Deash." In
which the angel with out5erssched
wings 10 cIasping . maiden ththis en-
brace.
The ItaltAn sccston.
Now. NJ have begun on Italy. ! vill
illustrate lou have just begun seeing
lfaiy ia manufactussra' building. You
y - -
hall. the art building. the forestry
building. the horticultural building.
The transportation building. on the
Pi4isanee and. in fact. everywhere
50 keep Italy 10 your mind, - ~ 10
know @omething r'ous her. Hare IN an
invaluable series u object leseons In
Italy. la the first place the influence Of
the latitude iseyident in not only Italian
art bat in all Italian work Then In her
paintings AMI statuary she shows how
perfectly and almost universally she has
preserved not only mythoiogical tsadi-
tons but Biblical episodes AZ taught by
the church at Rome. AZ Nature nbhors
a vacunum. - Italian tandiwork will
oct tolerate unemployed space. In
architecture even. an arb 20 opening ~
never allowed "a 90 without some de-
corsti0n. In soue iitfle anglo the face
a a Saytr will appear in q circle. the
face q ch-rub. IN all things symbols
suggestive "a something that tho cul-
tiyatet imagination can easily perfect
liz shows ia what a severe and wonder
Gal school IL detail they have bccn
trained
France and Italy
Lead Ia the fine arta Their painters
add -enlptor- are not only perfect In
these arts. but also cio~e student an
anatomy. An expression of pain ~ asso-
ciated with muscular confrscticn. an
expression a anger With muscular de
vrlopnaent and expansion; rcpose begins
az the face and ends at the toea Their
mastery - detail ~ xond~rfui. Al they
portray the beautiful. - are they sur
rounded with the same Influences - can
Re s.en ~ their plants. trees aad How
ers ia the horticultural building. Their
Essld being fertile. 40 seen IN the agri-
cultural exhiiit. they can devote more
the te ART in the forestry building 10
can te .sen that they hav. lovely soods
o. sork on la the mining building the
Hne textures ~ the Currara marble 10
-seu Ia the shoe and leather building
their dainty tastes ia footwear 10 ex-
m aaecnis~ted IRE sminsncs.
yspss's Exhthss
49, claims especial sttentson. not
especially fDr elegance. hut Toe
detail. nestDe~s and plan ri c,ucep-
tiou ard execution, all their own. When
sves you cofae across : tpans.~~ srhsbit
you need ns slgn stsFss u To ssetsrmtne
IT. ofiEin. Nov I gill dTop the didactic
ard i-gsn The role a guide.
Hegsn 80 the administration building.
wslk past shs electrical sni fasnufae
fur-fs tnsl step into the music ball a.
enc end q parizfyie. II Gao be seen in
. fes miaates with IT, hanti~,spe dome.
Ihsn sslk thorough the RVS ~ us-~sse
c1lHmn-. with Lake Michigan ~ the
east sad ne grand hs~sn q fh>s we-t.
AMI "a the p,uih rsa you reach tbs
rtssrs. = hansi@,De butlsiinx di.ssslte.t ~
rsstaarsas purposes. aud stands fs ssii
inx <sas@nsr~. cigar. oranges. sas
water. ete IL the center - tfs~ busiss-
ina = an open eoort with ratings. sp.
xrr.aehesi ~ hansf.-osu~ ssaifcs@~s the
.-4fs IA The ssssansi sni thirsl stnrie~
Here r yen Ssh meal yaN faDs PRO
sitFa ~ bet The prsce-. rhile nrt sspfhi
taat. are hish. The service being en The
felnanfco piaa. but "a - peasant
plaer - fsa1 ap ypar fe~i AID fsks The
kinks ent
sssuv~rt of f.s stshs1&
Ffem h>r- staeaedssisiy eseta - The
s,arsnt = Ia fahtis AZ ossriy a. 4
Gao ress,li.ff Il the . shsrs tsslaszisas
eaeie .fiss,sisss ,slf-si AZ he fsslars D. ID