New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1893-12-10

the old device Of using the fingers Of the left hand
self for the instruction OF young children. whose
memory will certainly be aided py the enerG rS
lcatons Of Novello Ever u Co is "A TIE Deum
in by George Henschel II is for soil chorus ana
choir 1t looks exceedingly effective The com,
poser has inscribed it his friends OF the Second
Church. Boston.
From Edward Schuberth & Co. New York, we
have the pianoforte score OF leoncavalo IaS-
liacc" which Is to be performed at the Metropon-
tan opera House tomorrow evening II Is, per
haps admissible. since It Is the only way open Tor
the presentation OF such critical notion, to say
admiraton in the mind Of the reviewer every time
that he has heard IT, The music now seems more
'Cavalleria Rustcana" though II may be That II Is
less spontaneous unconstrained The pianoforte
cavallos Italian Mascagni and Leoncayailo have
been followed 10y number of their youthful con,
temporaries In the cultivation or sententousiless OF
utterance and compactness of action; An EFFORT IN
which haye special E h5erf pzz for
three or four years past resident OF TINS city;
ssnor Pizz who was al, scs sc0r St No
vclio. Ever x Coz for Madame Patti who per,
book is by Alfred Byrne and Fulvis Fulgonio and is
much more conventional and Commonplace thaf the
is also a proof OF the great change that has come
over the vocal ambition OF Madame ia's; As
Ever & Co have THE Basket Makers" a cantata.
with music taken from Balfe ana aTTahse h, nor &
part chorus. OF women voices-a little '"'ns SUIT
able for boarding schools.
Mr. 9 F. Tre,har has published an nys5 dS
stringed Instruments in a handsome and serviceablc
something more the author. Norris Steinert hav-
Ing supplemented the descriptions OF the instru-
with sketch Of the history OF the planoforte, a
synopsis Of the attachments of the great pianolor,e
builders. an essay on l}ach method Oh Iiaylns we
clavichord. and reprints OF several laudatory new
paper articles on The collection Mr stenert Is one
Of the most delightful collectors hasnio!e, ne a., -
In love with his old instruments, ana Is not iar
from believing that they are better than their sue
ccssors. There is no question that STUDY Oh tnS
mechanism OF the clavichord in connection win
Bachs clnvchord music IS vastly helpful TO me Inc
development Of true Bach technique ana ior ' t,
reason should be glad TO see some OF Mr.
Scinert's restored specimens OF the Old instrument
in music schools we'll public museums.
Mr. Julius Klauser who has elaborated theory
of music and laid 1t down in book called The
to January in New-York. lccturing on his system,
and TEACHING it at the Metrcp3;itaIn Solsse OF
Pennington. for many years teacher Of music at
Miss Porter's school
The Knsisel quartet Of Boston will gIy Yen, con,
cert at CHAMBER W sc b HAL Of Mr. Zach
and Mr. and Schulz Sa a S for tWo 9ee W WE
be played for the first time The Erosramm me also .s
includes the ,r quartet In minor schber ana ne
Emil Psur viii be the pianist
Anton schott. the well-known tenor, who was for
Metropolitan Opera House. has arrived In this
country. and will make his first appearance with
Mr.. Damrosch at his Saturday matinee and sunday
evening concert OF this week. when ne VIII sing IN
the first act OF Wagners "Wa!kire. Miss Olga
Pevny VIII sing the part OF Sieglinde
The first public concert of the Manuscript So
cety for this season will take place at Chlckerng
Han on tuesday evening OF this week The or
chestra works will be performed by the symphony
c Orch,Stpr' New-York Walter Damrosen;
works performed from manuscript for the
citation" by Charles Crozat Converse. OF Erie. Pa:
prelude Sunrise" by Eduard Mario. OF New
YORK; Moorish Serenade." Cor barytone and or
chestra, by Reginald De Koven. OF New-York. TO
Pc, sung ny George Ferguson orchestral suite
serenade for tenor, violin. cello and piano by
C: whitney COMBS, Of w-York; orchestral
Of Boston: song. "Rappeile-Toi." with accompani
ment OK strings, four horns and harp by Ethel