New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1893-06-26

Before TIE pictures of Rosalcs, who died twenty
years ago put Is represented here good but not
remembered -FcItuny. Gonzales. Casanova. Bar
budo, all are missing, and the list might he con-
slderably extended. One of the better men who
was not d covered on the first examination when
the roonN We're in disorder, has since been found
to have picture in the section This i Rcyna.
n painter of Venetian scenes. and "a though to
round out the mOurnful record il is not iirstrate
specimen of his work
1t is no undue emphasis which is laid upon the
dissatisfaction Spain must provoke. Her painter,
are appreciated and very popular In Europe. ana
are Rico Domingo and Madrazo TO consll cra-
lie extent: Fortuny in lesser degree: pradlIla.
vilegas and Galsg9s not at all except To- lew
America, also in the widest sense; has yet TO De
made acquainted No such golden opportunity
as the Fair offered Is Likely to occur s asn" H..
beer content to let the occasion be marked en-
braces number of her commonplace artists, ana
or two who may be spared that cplthrt. ~; ~.
Alvarez is the painter Of large sonbre interior
with many figures, picture representing tuner al
gathering, which stands for the broader methol
in tile school 1t is illcl with good. expressive
but is. within its limited scale, very harmonious
and pleasing few men who are more suggest
i've of Paris than Of Madrid belong to the TIM,
group OF rcspectablcs: Jiminez in large hospl'al
interior: II. Casas in full length of man IN
black. ont Of doors: and 5. Rusinol, whose
sketches of urban views. with fences ana roofs roc,
Daylny important parts Ill tii'Il, ia iu'''
managed color and an air OF reality. me portrait
of man seated before wall plastercd with posters
by F Trado, and railway carriage subject by
j. Sorolla, a picture of woman on her way TO
iail with two gcndarme>. have the same goou
quality. that of a persuasive realism. 1hcre are
two paintings by NJ. Dominique. one OF 2 pan III
the roval palace in Madrid and the other oil a
group on a Venetian terrace which are thc sore
Examples of the ,ividncss and brio IN modern
Spanish art Among seven or eight colossal can
vases some of them historical and others not.
there are effectively grouped compositions by Gallo
fre Moreno CarboncrO and the Ia sales wh1 mas
been mentioned and who is the only one OF tNc
three who is also something of Il stylist. kosalcs
himself fails to arouse more than a tepld cnthnsl,
asm and he rouscs that not by his large hlstorcal
picture. but by much smaller and slishtcr study
Of peasant. =, c:, o.;,
should contain nothing moro to elicit even Inc
II is So Notwithstanding. by stretching point
and dwelling upon the men whom 1t Is pos'lol
10 find everywhere the men do Their work cart
fully with an effort 10 amnsc and without
shadow of artistic feeling or talent; by dwelling
upon artists Whose pictures would Just pass !.
good natured Jury with conventional standards; ],
would no doubt be possible T. give an ldca Ihat
moro interest resides in the Spanish section IMAM
is rally 10 be found there. II i only the work
Of serious value that is worth discussion az any
time, and most of all at such time as TINS