The Progress., 1893-04-29

stooc ~ l..r,., 1lu1ub,t.. md r.r a. Wv
,,urnoso of d!s,,racoful ,- ..,l;t,or. S'F
bodios has been CARRIE. II, .. no;a. u,'f
,nust soon demand n, o,'i,r nm .sa'
enc, ,i fr, moral force. d, ,,,, -
tion Tr, dances mad. .prrulor -
recent v,ar, are dsgrar,iu hovo,d -
power II G,,,rirtiou. Tho, are s,,o,I
mastorlGo,,, Of scusuaiItt s,' In mns
and action Tine dar,. today has n.
field IN tue thcatcr. II is Introduce
i'm season and out of season. An ,or,'
of dauc,-. I'D cvcrv position u which -.
human BODY can bc placed. every co,
tortior e lu,h. every attitude av.,..
movement that eau hv amy poss.h,Etv .
means suggest the sensual. rs rcs,rtcd .,
without hesitation.
Tho .,r,.optuC dance. invented h,-
woman WIN, Ias become famnus f,,
Lai.or vitt tho DISGUSTING hhcrtino yl'
isnov. m >,u,. SIM, soryinf a e,,,t,,-.
has s,t tn, fashion of the dauccof tod.
She j. cvc, ,~iyiu,- lessons to tho r,,,os.,
Paris i'm I'M, ar. The pnuuIar stoco..,
of to-day ra,,drr to tLo Iovost j., b,,,..
naturc Y,fcc-ouartors of tbo th.o,o.,
in o1r c-rcat city Of New York ,t 81,
time deI.rd almost entirely for tba;rsra
cess urou IN, cxbibtion of so,rinr1
women
Nrrr.p,IITAN op,R, uorsr
W, il. .,,,, owl ,b.crt fr,,, tt,..L..,
ost cI,,. - ,D,. ontortaiprc,,. ~
No,ro,.,.l,.,,. ,,,,.,.., HI, l,s, ,.......'
,.',,.,,;f;,.o,,t ,,r,l,,...,.'.
,,ro,d ,,,., Tbo e;pci,,,, ,,.,. -,
Il ,,.,. ,,.,.,.,,, ,,,, ,,;,,, , ,,,.,,
:, ,,,,. f..,. .,.t Irt o,.,,.,. ,,,...,,.s''l..
norfnrr,.rcc ,,,,st bc ,,,rrcd ~, .I,o :.
,r,d,,,..,,,, ,f .bo ,b..r,,., =, Ill. "
on.i.,t loll.. ,boir cvbil,;,in,, ,.,,,,,.
an -, ,,1I -. .,r an .,.... -
,,ranJr,o, s,r. dow, ton.iI,p. ,r 49,
IG inocon,Iitio,, of indecent r,,l,t,. ,..,
i,,,.or;,tl,.,,..,,d,,c.d 4 ,,.rit,,r ".
vi. .,.,,,;,,,, ,,o,,,,. - CO... a..
said o., - 1n,. oIt;rato thcro ,,.;u
noarl,. o. ooo ,vo,oo,, j., ti,,hts -. tl,a,..'
o,,s CIi,.a,., ,,c.to,, tI,;s s,,,,,,,o, n.
r Al-I,,.., ,,,,r.o,Io' ~ ,I,a 49,
iii ,.,,,,.,. -oo u.ool, NI,ol...,.,,
-oo. u,ni.,.o,,,s ov,rava,,a,.,, ,oo'
..plocI- ,ro,l. > too. M p -
.C,;,Ia, ,,.1 I,1,, - eo. III p.,,.'I,..
,,,,,,,,,.,,. ~. .,..i,,.i-... ,.'.....'.. =.
90 ,,,,.,,,,,, .,c a., :, Co., - '
a,J :. ,I,,.n,,'- .of ,,,,,,;,, Laiin
I'll, -. 80, ,,,,,,,,,d 90, ,,.I,;oh -.
con-, d,s,.,-ss tt,i.l.inI = thoa+a. IT, IT,
of fine Ie,il 4 ,,ae horn in b.u H.
disgrace to any civilization. There is
not one single. solitary reason for ilse,
istencc. save that men are willing to ruin
their fellow men for money. In one cf
these theaters in the CITY of Cleveland.
on Euclid avenue. Isaw an audience gatb.
cred in which there WAS not n woman
present. except two or three servant girls
who had straved in apparently. and Of
the audience one-third were bows between
the ages of and Is. The performance
appealed to the vilest instincts of the
brute from the opening to tha close.
Does any man believe that this can con.
tinue without its harvest?
A man who has studied the subject
declaroe that there are thous.maS of
boys in TIE city of Brooklyn ever, night
witnessing these performances. There
are thousands more in New York and in
every city IL America. Thafts and
crimes in the street urchns are the nat
ural results of this sort of life. and the
early debauchcry Of manhood. physical
and moral. foregone conclusion.
HAYpN's CREATION.
The thoater belevo to mo c,nghls Of
b;gb tb;no, Dramat;c c,.f,-,,,,.,,,.os. .,,
not in themselves harmful Mon a.
penius have snol,er IN tho
uSed the methods i'm yoDue to-day. In
Haydn's Creation" there is a unique