davidaulloa/AmericanStories huggingface dataset:
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1893-11-11

CHEr As7-g. N5v n - THe asH4ts=- ot
DEATHS as sae r-sEsi of Wes3nsscAy sights
,slssssoa ~ tae e;tT hs= rsae1asd ssvsz-
". osEers are expected % dse
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1893-11-11

Mr.. Perry C. Tgtsle u Belfast Maine.
= = reliable zEs1 ,aags,tlar yes.as aaaa,
and worthF the eonsislerss. # sl.s. t,slfsgl,.
NJ Fzitie has sofEs la.aI fasa.. zs a nsu-
ssss4s- His Settlements can be regarrlas.
n LFEse.
Gssss- For seals. tim. I have snsya-ssi
Nth severe Headache, I11ss of ApE.xgfe
and General Le5iiity aasI fsyr the s.aIEe or
relief II Tie same ! hz4ss tried difYerega,
rrrnesiies, bsl- got no permanent reglef-
TWO fszonEhs ago ! begAa the uss. oE
BlLI9sg sA2slPL2ILLL i EE2FE TgyIC
In a short time rsoEicesl a change tGr The
istisr- Tao b9&flcs cDsag{efr1y emrr& ~
q ssrers AeaatseAes. Gsasyrt5 LzsksEitg gasg
Loss II -ipp@tass- ass I AsrS gElasgi Ten
roxas3s - sgsA s4acs EsGag ~ Eenasstg. J
e0s<itsr DALTCS'S sae BsS. psssl.csss
xzusrs y p4za.
S.sx.s b salTas sisssSsaialk q. s.s,.,s,
Daily Kennebec journal. [microfilm reel] (Augusta, Me.) 1870-1975, 1893-11-11

saraasszag szsstaases - he.s s-aiz AID
S.s@F,
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

Speaking OF the results of his attempts to
CAPTURE deer for the Cutskiil Park iiame War.
den Fox said to an Albany Argus reporter:
Mcemployed little different m ethod from
any OF those hit hertu known to get the denr.
Alter they we're driven in tho lake a boat would
Eut 3ut. and, after firing two shots as signal
Tor help from tho other furestcrs the men
would row UP and slp sort OF moose made
~ twisting together two i-like branches at
the end OF long pole over the head OF tho
swimming doe; In this way 1t could be held
w help arrived. Then the men in the second
boat turned 1t on its back and tied all four feet
together lifted 1t out on boat. and there it
was secure and unhurmod
do not know Just how many will be sent
DOWN altogether but | think there will lie a
nero OF al least siKty-ilye in the Catsk II reserve
aside from the three dozen or s. now loose in
We woods; This is the breeding season. and
although II If not fact Ms many suppose,
that does always bear twin fawn. though they
generally do. expect to find about ninety or a
hundred deer IN that park next spring At this
rate 1t Will not be long before there will be
plenty Of deer in the Catskils again
>, a Ihose twelye does were shipped through Al
VIZ 10 placed in the park at once
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15


READING. Oct "a new danger menace { =
peace Of mind OF tho hcaux in this city Agir!
morse mel has made her appearance. AMI her
custom Is 10 seize the team thar the lover Lls
lltch.d in front of his best girl house aai
p, Last evening Newton Keen called upo.
mar IS Denger, proprietor OF thu Nevar-llE
dotGL the young man hHa q good horsgrnnl
stopned at friends house. and while bain.
csrei there girl stole tue ha,sG AMI
then until ) o'clock this m%inins over
Iollreman tn Heading was on the lookout. AZ
lawn an oncer espiod maiden ~ - Ntrru
years driving along the street with Mr. Keen 20
horse. The carriage was Allied with potato -
anu ca6hage-. Tho fair driver Mnry Ncutle',
was arrested and shI said she he'd thpEsht
she would hanl some vegetables to mari.
WINE VIM she had tho chance. Her home is In AZ
SAGE township and she had taken the produce
from her fathers cellar She meant 10 pur.
chase n now dress she said
hereafter young men will likely hitch their
norses 10 post with chain and paddock when
calling on the fair ones
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
AMONG ENGLISH ATHLETES.
A. ii. George to Becom. A erIcnn Citizen
champion Pearce beaten.

"A. Ii. George to Becoms an Am sricRn Citizen
champion Pearce Beaten.
The latest English mail brings an interest
ing sheaf OF sporting items. sensational
upset of form took place at the games OF the
Bolton Harrers. Sept. %. The special four.
mile scratch race attracted such celebrities as
c. Pearce, the champion ut tho distance; F. L.
Bacon. the one-mile champion. and G. Cross.
land of Stalybrihge. n comparative novice
The outsider made rings around the cham
pions and finished thirty yards In front OF
Bacon, while Pearce went to pieces In the
heavy going. and could only finish poor third.
Bacon's great ambition Is to measure strides
with the best Of Americas amateurs.
Handcapper Harry Elliss benefit brought
the cream OF the northern athletes together at
Liverpool. Sept. 10. The big item on the card
was a one-mile match run between A. b.
George. ex-champion OF America. and f. Wat.
terson. Liverpool runner OF much promise.
George traied until the last lap. when he
hauled by Watterson. Tho pair then raced
like team along the ba ckstretch, but Georges
ffpeed ys s9a IN the ran and be won
messed at s"r4 ss@es were sest W. Is
outing. He won the l2ij-yurd handicap from
1 wsb Yard mark n II seconds and then.
in - 81 seconds A. b. Georgia foiioweas
received another lacer In tho half. mile handi-
cap, ne ex-Alanhattan Aver had a start OF IS
signnlly fhilei catch A. +. Pops OF Stoke. who
got home from the 5O-yard mark in l minute
~ seconds At Ilackpool, Sept. 10 George
confined hts efforts to the quarter mile run
and with ~ Yards start ran in the smart time
New York and become an American citizen "
AZ the brighton Sw i'm ming Club's hamilton
snip festival Sept is. the Hart Shield was won
IN remarkable line. The distance was thrae
quarters OF mile In the onen sen T. Taylor
Jr., the local champion. 10 credited with cover,
Ing the istance In 20 minutes 80 seconds
Inc American record Is 23 minutes l second.
MrCusker. the American swimmer. has offered
" make match with Greasey and Evans for
United States ''"NN ga ''o
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
I I.

Reserved seats for the Paris Grand Opera
should be purchased several days beforehand
otherwise there is regularly no choice and fire.
chestra chairs cost $500 apiece. and other
ing Of the piece, tho box office will not sell you
sion ticket to the particular quarter OF tho
house in which you wish to sit. The box
openers will seat you rs best they can or will
You may or may not no pleased. Taken this
way. each scat costs about forty cents less
than 1t would IL reserved.
Even on the morning Of the piece it Is often
impossible to find areserved seat at the box
office. This is due in part to tho existence OF
regular subscribers. in part to the ron sta mt
flow of tourists. in part to the immense popu-
lation OF Paris and the fact that there is but
ono Grand Opera. and lastly to tho specu-
latora. These latter are OF two kinds %
Those OF the regular theatrical ticket Offices
spread oil over the central part OF Paris.
price OF tho seat commanded, but
neither give you a ticket nor guarantee to
get you. one. II they fail. you get your money
back. Minor theatres play into their hands:
but with respect to the Opera II ia tmpos-
sible to see how they can legittmntelv be
of service to their clients. who are regularly
strangers in the city. attracted by their flaming
signs. W Peripatetic spectators. whose beat
is day and n ght around the square of the
Opera. accosting any stranger who looks
likely: They have the tickets, and are often
forced to take less for them than they paid
Having your ticket and being on the thresh-
old, you encounter these stock characters:
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

saw its rise, its greatness. and its fall.
The history Of "famara" is ILLUSTRATIVE Of the
workings OF the Paris Grand Opera. with tia
government institution: secondly. In heing
q French Government institution, and thirdly
In the possession OF public at once knoyinp
and careless. who will tolerate old things with
the utmost complai sance because they really
do not care much being occupied in staring at
10 OF the utmost severity simply because thev
are FTenchmen and cannot help III.
With this public and with IN te m pta tons Of
lie directors to lie back and take an easy time.
the Paris Opera appears to have done one
1t has fostersd what purely French AT has
come to II. On the other hand, by reason OF
Us prestige 1t has frustrated all private at
Massenets Roi de Lahore" ran 81 nights.
his Gid, had ~ performances. and lie
Mage" 81 performances. Gounod's Poly
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

For all these the curtain rises on maximum
OF grand opera and minimum OF ballet.
Grand opera has been defined by philistine
~ music which is really better than it
sounds" The great and expensive ballet of
the Paris opera Is also. doubtless. better than
It appears. Week in. week out you will have
little more than vague hutterings in pink
and white between tho acts Where is the
ballet2 Psrhaps 1t is in the foyer receiving
compliments and bouquets and diamonds
One must i've to dance and not dance to
AsA" 10 an article Of faith An.org those per-
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

sight brilliant. beautiful the height OF arti-
fciality and richness. The little man feels out
OF place In such a splendid gathering. You
may stumble across the creates; names OF Eu-
ropo in It How much more out OF place does
he feel in that other promenade when he is
al nitted by great favor. the sacred foyer Of
the dance. behind the scenes, whose high
priest was the one and only Reinach. whose
divinities are Mauri and Subrs with their
train Of nymphs the resort Of princes. OF Gov
eminent functionaries of stout decreplt mil
lionaires. and barons with long beards
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

case. Really It is the m st perfect staircase In
all Europe There are groom and red granite
from Scotland and Finland. yellow and white
marbles from Italy red porphyry from Fin
land. brocatello from Spain. The single stair
case is thrty-two feet In width until It divides.
curving In circles. Twenty-four colored mar
BILE columns. grouped in pairs. rise to the
height OF the third floor. The ceiling frescoes
OF harmony. the instructivenoss OF the opera
and Apollo In h 8 chariot. The bronze groups
supporting the lamps should also be noticed.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

ia" PA times: LAtrcaine,"" ,252 times;
BILE" Hl2 times. and William Tell" 243 times
In truth. the institution has been monu
ment rather than theatre in more ways than
ono. full half Of its regular subscribers
care o moro for music than for geometry: a
full half Of it's floating patrons visit it only Tor
the SPECTACLE Of the brilliant auditorium. tho
dressing. the diamonds tho lights. and the
ensem ole. As to the residue. they arc French
over the "Iavalleria Rnsticana because it
WAS new and NOT French. who we're able to ap-
plaud Sgurd' because they found in its
French composer some one 10 SGT against tho
German genius OF Richard Wagner.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

remem bering any astonishingly great uIn her
Of new pieces. ON the other hanl no can re-
member having heard talS Of certain i,npor-
the boosted City Of Light-the "OtellO" Of
Verdi the "Mefstoiele" OF Bono. the
" Life for the Tsur" OF Glnka, the
demon" Of kuhinstein and Goldmark's
Queen OF Sheta.' fof examples. twenty
years ago. when he was oGly so Years OF age.
the music. Icing more active and naturally
spending more o! his time In the couisseS
Les Huguenots' suffice a. legs to hang his
"reminiscences upon. For the rest he Is sur
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
I "

Viewed simply as n monumen the Parsia 9
are proud Of their Grand Opera and are con
stantly interested in it. They never tire of
hearing about its history and its nnnivorsa-
ing, the gossip Of the coulsses the goings
and comings Of its director. the acquisitions
OF It's library and museum and all the rest.
The opera house is extremely large. occupy
Ing diamond shaped block quito by itself
bounded by the Grand boulevard and the
boulevard HausSmann and four streets bear
ing the musical names Of scribe, Auhcr. CLICK,
and HalGyy.. The auditorium. seating 2.l5U
persons. looks astonishInglv small upon the
ground plan. 1t Occur les loss than fifth OF
the building s length and less than a third OF
It's extreme breadth. The stage is actually
larger than the auditorium, and the SQUARE of
the great staircase is almost as large.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

This public is composed OF four classes: l.
Tho orchestra and parIuet chairs. reserved
practically to men who In invariable evening
dress. stand up between the acts with their
backs to tho stage. with their hats on their
heads. with their opera glasses over their
noses. and sweep the boxes In prolonged and
comprehensive stares. Perhaps half OF this
noble army OF jumelles are regular subscrib-
srs. The subscriber has to give utterance half
aloud to his Impressions. SO that a confused
noise OF m onosyllablcs and EXPLANATIONS may
prevent the non-subscribers in his neighbour
hood from hearing the singers distinctly. This
10 rule as old as the Opera year 1850.
ITEMS MadameX."
"Ouelle poitriner
"she has new diamonds"
It's her cousin who sent them to her"
All, Nine Il. Quelle planchel"
For regular subscriber to be really occu-
pie with the music is proof that he lacks
the perfe,t ton, He is not in the movement
While the piece Is on he whispers In the entr'
acte he talks aloud. t2l The second division of
this great public comprises the grand monde
OF the boxes, who are also subscribers. but of
an even higher sum and more exclusive ele-
gance 10000 to $4,000 francs year. What
In most American theatres is the parquet cir
Gle Is here circle Of these boxes. And. as it
Is below. so on above. boxes. boxes, 10 that
even '3l the little world Of tranSients, tourists
experimenters In luxury. buyers OF single
seats for single nights may sit beside these
great ones. with only thin partitions up be-
tween them. a. The last section Of the public
consists OF people OF no consequence. in single
seats high up and packed away in corners.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
wHIrE-sIx PIECES
white to play and mate in two moves

White to play and mate in moves
SOLUTIONS To PROBLEMS NOS. 1877 AND lGS.
Dr. y Z Russell Of Brooklyn forwards the following
'I KY :. f K: z bB-kt2 s.B,o. cn
,i,kt-Q5. QxKt; 2, B-Kt =. Q xIKt; 3 RKs. dbl
!. Kl.Q r, OR b; =, R-K CHI. oxR; B. Kt-B7.
T. Mo 0, Kt-Bo; . R-K Sch oxR; K,-n7
'Ia%p H,9 TsSfSs rrsnke
ssI.i FRIEND NV. %n S1r. ffS' ssn
81. ah j Charles freHnaiien New York Bssinner
faop $eSs HSns2 York. S"G
ws Ss%S @ 'f@a5 S% Siw S"s
ERA w. d hs.ss S NSwSSE u Levy Ns* York
k:@S New IS,t eugene %aS,sr hs.'oS %".s
sS New Tort otto eh m"S New Ssw FSs
sTfImsnn E Mn.,H AdopE S,sssi Tb al
;sr.op q s I,nI9r Sew York: !. nAGcoeH brook:
S"IssE Conn Charles smith, nss West rR PONY
The au,hors solution to Problem lGs is;
.G'Gn: rsss.sd from
s $s;:%s 4 $Sss' n 'iS:s
E ESh Fsp"s a & $sqy II
ss sM fG %sw 4o sT"'F a st: IGE'f S
j. n, NoPissse o6g" New YSrk: Max krtsn;
ter Boston, Mass; 4 New Hand, New York; A. x
Other New York junior New York Right You
Arc. New York; Otto Lehman, New York; Adolnh
S'egeL , lloh2sen, \ j.; FREQ BAKER, New Yort1;
south Norwalk. Conn: ChaIles smith. West Point
\: y; Prot. n l. Perry Brooklyn; j. Lev New York:
W. l. Knight. Boston. Mass; L. &. BabcOck Brooivn
Admirer. New York 800 '''
CORRESPONDENCE.
L. X s.. New York-THR SuS cannot answer your
fS sT Rs%. 10 9I
marks and pIoblems Arnold a. Nerrinler Harrlngton
\. ,, Edwin H. BALDWIN Jersey city, j.. Dr. A. IT.
bAldwIn Nnrwak, Conn Your solutions TO Noh nj,
and 1875, respectively. were correct T. C. H. BROOKLYN
-lio ahead. the more. the merrieT.
, DR. J: Russell. brooklyn forwarded the following
Item OF news: "s
The ~ Aarys Chess Club held its an nuAI m citing IN
Tuesday evening at Its new home, the new pariSh
building An Interesting meeting was held. The elec.
ton q officers for the ensuing year resulted follows
President T.. Russell. NJ. D.. We President me Rev
Overs " ." "
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

]. The cab opener. This intolerable volun-
teer. found at the entrance of every amusn-
ment place In Paris appears amusing to the
newcomer but dislike for him increases with
usage: He is loafer dirty, ragged and smell
throws himself uron tho door Of your carriage
draRs It omen. and tenders yellow hand to the
lady OF your dreams.
Take care. beautiful lady" he exclaima.
Look ont for the curb! Put down your little
foot cautiously"
You must get past him. You drop two COP
pers into his hat. and the only comfort you can
take is to hear him repeating the same impu-
dences TO other carriages as they roll up behind.
Spectators in reserved seats. who stand
at the foot Of the portico. They can be got rid
OF by simply showing them your tick cts.
8. sellers OF programmes. who stand on the
first steps, OF the portco. The programmes
are unofficial. They are printed on dirty
with various names. Two o c h pho "t
which r,an he. changed according to the even
ing and the theatre. are pasted on their front
to recommend them Portrait OF Van Dyck:
portrait OF Nine. Rose CaronW
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

4. Two policemen. standing under the por-
tico. They are matched by two of the munich
pal guard directly inside
>. Monsieur le Contr6leur He Is to Paris
what the hotel clerk is to America. lie rises
land. He Is in evening dress and his three as
sistants are In evening dress. They sit like
Judges or senators, behind a handsome bar
They take your ticket and give you a new
check. The ticket which you have bought at
the box office in the morning is simply an
order on the controleur. His manners are in
timidating or gracious, according as he feels
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

TIE 'E''"'rE'' ~ II ''EFI UKESS.
In the library always open to the pubIic)
there are generally from twenty five IA fiftv
men and women. young. old. we'll dressed and
shabby. reading. copying scores composine
about music. looking IN costumes and ths
Ike. Every one Is treated with the greatest
RESPECT: they DO not, ask your credentials or
ink ana pens and books and blank ruled music
paper In the museum attached to the library
the most Interesting feature ia n long series
OF miniature SGT scenes from famous operas
exact reproductions of their orig nails a nd evan
lighted up by gas to show their full effect
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
e, bott s Palmer "a. also Q;

Potter Palmer. also Of the Worlds Fair. toll whom
the boz had been given by President Carbot.
rooms for the sale OF librettos and cts
reception rooms. promenades. and a caf6
Rlacie., There 10 the cook room and lubord-
TORE OF this same cafe, tho salons OF the box
opennrs- the foyers OF the dancers and OF the
chorus; the offices of the chorus master and
the hallet master and OF the official physician
The official physicians are always amiablo
mon. with more OF the dilettanto than tho doc
tor about them; Jt all SPECTATORS they are tho
most privileged: but they find ali the differ
snce in The no., world between relieving shop,
helping nice little dancer ont OF one OF her
interesting fainta.
Employees exist In grent mum ber N Il variety,
IN way thnt no private enterprise would toll
crate, because Of the mero axnensn Every
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

You are now inside tho Opera house and
have only to encounter (6l the hox openers Ac-
cording to an experienced Partisan theatrical
critic. there are hundred types OF box open
ers all insupnortable. There Ia the box
opener who steals, ths one who refuses to pay
attention. the one who has an opera glass to
ladies In the audience the one who chats and
SO on, Asa species they take the place OF our
ushers and cloak room servants: and they are
with caps and aprons in the style OF child
nurses. For the purposes OF the transient
class"s Those who sit outside In the corri-
dor Slln examine your ticket, pass you on TO
others who exaniin ne your ticket again and
ia't' who takeb Your wraps. gives you
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15


opera house. with its
Government subven-
ton. Its high prices.
and constant patronage
from many sources.
The oldest subscriber.
now past eighty years
OF age the ought to
know the airs of Ro-
bert lie lpiable." " Les
II uguen OTIS. and
" Faust" by this time.
can look hack through
hisafter-hinG
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

On the first floor OF the Opera House there
ssiys Of the auditorium and stage. There is
the stairway OF the President OF tho republic,
bic private bog. It Is this latter In which Mr..
hohlsaat q the Chicago Inter Ocean sat In the
jor Fred Drackett OF the Worlds Falr by Mrs.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

Elusive Figures.


YArsisy-Wasn't that girl In tho third row OF the
chorus with the Tin Trumpet" company last seHsoni
NUDGE don't know. haven't good memory for
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

eucte" ran % nights. and his "Tribut de. IN.
mora so nights. Tho Franeoise de Rlmlni"
Saint.ssens's Henry Viii #hadS7. his 'Asse-
MIC" had 30, and his .,"Samson Ct Balila" is
success with loo nights, aud his "Salamm-
DO" is still running These. with the Pa
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

its employees and artistes. All arc we'll paid.
all are sure 81 their places. leading an exist
ence of leisure and dignity. For a mother to
have couple of daughters in the ballet Is a
sure road to n glorious nd untroubled old age.
adorned with truilles and game and enlivencd
with champagne At least one OF the
girls will be able to drive in her car
riaEe. Her work Of dancing will not DO 30
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

arduous az to prevent pious attentions to her
mother The mother respects her daug liter
because she has succeeded: the daughter re-
spccts her mother. who placed her on so
promising road: the rich man respects his
mistress because she respects her mother
and he respects her mother because she has
not ceased To respect her daughter, and tho
daughter respects her lover because he con-
Iinues to respect her mother. In which re-
spert the Paris Grand Opera is Of private ma
well as public utility.
STERLING HELLO.
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

>
possible department
has its chief and his
assistants. There are
separate men to sprin-
kle the stage. to sweep
the stage. to roll and
unroll carpets. to shift
scenery. to transport
scenery bnck and forth
between the opera
house and lite store
house across the city.
There are more than a
dozen regulation mu-
nicipnl ilremcn behind
the scenes and around
the corridors. There
are huissiers In uni
forms and gold chains.
machinists. gasmen.
clectric-light men. mr.
enters. chemists.
wardrobe women, keep.
ers Of false Jewels and
PAPER mach6 armor,
sewing women. interi-
or concierges. engine
men. organists. organ
hlowers-all practically
government employ
ees and with the conf
dence and the graces
oftheir class.
SO the lite Of the Paris
Grand Opera goes on
TRANQUILITY. to the com:
~. ILL.,. "a Ill
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15
ron SMALL Bors
styles arc Interesting and Diversinsd-Somo
ofthe Latest Sutts.

Little boys fashions grow moro and moro
interesting all tho timc. for while tho styles In
the main remain the same. the manner OF car
rying them out shows great diversity. Tho
kilted suit has this year squarc-cornered
coat OF the zouavo order. which may be Of vel
vet or cloth. and Is usually accompanied by q
skirt OF plaid. II the dominant color In the
skirt is green the coat. which is plain green or
blue matches 1t. These coats arc decorated
with braid put on in pattern, or they have
straps OF silk braid an inch long set on from the
The sun. [volume] (New York [N.Y.]) 1833-1916, 1893-10-15

Even aailor suits are made dressy with Dor
ders OF whito or bright wool set on with rows
OF braid In n deeper tint. The reafer overcoat
with the Tam O,Shantcr of leather and tho
cape ovcrcoat. with the felt cooked hat. are the
favorite outdoor garments.