Freeland tribune. (Freeland, Pa.) 1888-1921, 1893-05-11
THE STAGE AS A PROFESSION.
mrs. Kendall Talks About Advantages and
Some of Its Disadvantages

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mrs Kendall Talks About Advantages and
Some of Its Disadvantages.
When recently some one questioned
Mrs. Kendall what she thought of the
stage as career for women. she said:
This is Of all questions the most diff
ficult to answer and especially difficult
to an actress who is supposed by the
public to have been exceptionally sue
cessful. love my work with all my
heart, and it would seem ungracious in
me to speak disparagingly of the plank
which has buoyed me up. Still there is.
not an actor or actress in the world who
will not bear me out when l say that
only members Of the profession can
form any estimate of the difficulties.
tangible and intangible, which surround
those who wish to make their career on
the stage. To some people the dramatic
faculty is natural, and do what they will
they cannot keep it down. Still take an
ordinary young woman who has her liv-
ing to earn and compare what her life
will be if she takes to tuition as an alter
native to the boards.
ga good governess is treated as an
equal, for surely no woman would put
her children with a governess she could
not respect and trust If she is i'll, she is
taken care of, and if need be may take a
holiday. Contrast her lot with that of
an unknown actress, who is constantly
thrown out of employment for months
at time and must appear at the theater
at the appointed time no matter how ill
she is. OF course the temporary salary
is higher, and the little gowns she wears
as soubrettes are furnished by the man
agement. But if the girl falls i'll she
often loses her place altogether, or her
understudy, If of smarter appearance,
may supplant her in favor.
"Then in England there is little oppor-
tunity for training, for there is no con-
servatoire for study. The would be ac-
tress has no alternative but to get into
as good a theater us she can and be CON
tent If she can get nothing better to do
than just to walk on and off as super.
If had my life to begin over again,
would study in Paris. The conserva-
toire has practically educated the French |
people where theatrical matters are con-
cerned. After all, acting is art, and peo-
pie should not try to act before they have |
been taught to do so, any more than they |
would think of singing in grand opera
before they had studied with a good |
master
''As for the qualifications essential to .
success on the stage, u certain amount of
dramatic instinct is necessary, good
looks are important, and good health is
everything. People seem to think that
an actress is necessarily an individual
with shaky nerves and uncertain health,
when the truth of it is that all of us who
have made our mark in the world have
been remarkably well balanced, healthy
no one who is not strong can bear
the terrible strain which is put upon an
actress. That time in which the public
sees us act represents but small portion
Of our fatigue. With the rehearsals,
new parts, the costumers, ETC.,
we literally have no peace, and even
when we are successful holidays come
few and far between"
In speaking of marriage, Mrs. Kendall
says: "All my experience in life teaches
me that two of a trade always agree in
the married state. Iwould have tailor
marry dressmaker, painter marry
sculptress, and SO on. People are never
80 happy as when talking shop, and l
think 1t is disastrous thing when an
actress marries man who takes no in
-erest in her success, or when an actor :
mas to go home to woman who prefers
not to hear the theater mentioned. On
jhe whole, the most united married cou-
Dles l have known belong to my own
profession. | am sure that an actress n
,an be quite as good a wife and house
mother as any other woman, rather bet ,
5er perhaps, than her more domestic sis
jers, for she always has to have her wits !
lbout her, and that helps her in daily
ife."