The sun. [volume] (New York [N.Y.]) 1833-1916, 1892-12-25

oirer the privilege Of drinking and smoking.
hui, are not in all other respects compm able
with the music halls ~ London.
The great fHric OF Carmencita drew great
many men ana women Of 4 class that H. not
E srs n'G onh Ssss i" Fosre la.
attracted such persons to tie lmpcrial lut it
cannot be said that these establishments
or that those iratrons who have been there TO
see the women about whom their nus bNniS
have spoken 10 them are In til. habit Of going
there wi,h Their, Women friends aiterward or
with their daughters.
The, other n:ght whom leading vocalist
cant incident ocrurrrd. The woman was pie
tur.sduey dressed in n short dress aud silk
she came to dance she lifted her skirts almost to
her waist. At that moment u man and woman
nross from h seats in Rs body Of the house ana
was sight to 500. II was scarlet with shame;
and every line IN i, eNrtcssGd humiliation and
for extraordinary attractions and the differ.
nnce between the london music halls and
thsir iml,H,ors. These places are supported
largo clnss Of men that are in the habit Of
entertaining out OF town friends in thn city. a.
gay and lively place after an evening ut the
,,heatre and hetore suing to bed The germ Of
,iens beside the Champs Elys@es Is in these
places. but thsgcrm ct the London music hall
is not in New York ; res.ourros as yet.
one nerformanc" that takes place III ihe In.
rerihl Music Hall every night. \ man named
spons iS y "r this What he d"'" s and looks
and say, all srnnrks OF nature and The pave
nrnts 50 intensely as to l." exceedingly vdlu-
able to the student OF present life. aud man
ncrs. He makes W. ns u hi"k"n-l"wn actor
cal. lie pauses al III. !notlishts and says to
the au tlienr-. which il vor'sruusy arpirui!ing
him, ;" Ladies and :"n,l"mer. what ! do Tor
fire Ip a matt n ~ "a Si n ~
,."Give US ,,Anor, .narI;,, lin" ",Giy. US The
"@VWH eiI ism? Sing on in the Moon. hut
r m" liz WIKI ia" cEHrn. ~ '"'' W. '' SN'
THEN he sings to "A rollrkins tune merry
ballad. whose chorus * rendered like this:
Now remember. You vii! al! come III with
the chorus:
My sweetheart. thc man in the maoon.
Ian nag t. .'."ri h'n on.
rehud u dark cir,,' where II, ones allowed
lImaAc .o'r :" "a" n..a IN tA- moon
Now, then, Nil o. you loin in tho chorus.
ooh. my sweetheart : tn" man III the mona.'"
Ats: Thornton WI ,a'iai %nt mary imcss,
vanr..d TO the ..igr Of the stage aaI gave thu
rcupl" H. confidence. II" is hnii fellow with
i"e!i"ss cHt the b"'tt- g: nia and he gave tho
crowd sIimpse %! his ,Hst.
Say: .adiss. an. nHd s""'i!"msn. am too full
way before. and t"ei T.. ld"n't know whether
you aye kiLlu: me VITA yrur applause. but.
IL YOU are kidding ne. Tor heavens SAKE.
don't let me down hard. keer it w.
friends, anl IS long a. 'lon't know it rll 10
ing on III. outskirts ofthls l!t". ihn manager,
have krp; saving 4" re. 'iouHln't ready for
the STAGE yet. jiE.' iA,.5'v. turned ma away
all thos.A wears. hu'. ~ lat. am IN It, ana in
II up 20 the noes. anA 'AP inu.. wait Is over.
chums back thrr. Wa, hiva'ni any seats:
vrvcr mii,,'. boys. vh"u ;hn rurtaiu .nes Gown
have Il hottie with jim. I'll never GO back OF my
friends"
That half hour. when thornton touches the
synla:hy Of his auditors I. more nearly like i
hit Of saroni. class English muei nal. life gban
anyth.u. olsu IN town. JULIAN UAlPu.