Wheeling Sunday register. [volume] (Wheeling, W. Va.) 1882-1934, 1892-07-17

The sleeves should be puffsof the red,
ending below the elbow with band OF
the embroidery. Thence down the close
sleeves should be like the guimpe, the
stripes running round. The belt is Of
the embroidery.
The skirt may be bordered with the
embroidery. or be plain. The edge OF
the blouse must be without trimming.
The black touches are-at the belt,
where the black satin ribbon Is twisted,
and ends in rosette: at the neck, where
il is twisten round and ends'in two ro-
sets, as seen In the picture, and on the
sleeves, where ii accom- anies the en-
broidery and ends in roSettes. The
guimpe is OF red cotton, dot OF embroid-
cry.
An exceedingly popular way OF incor-
mating black TO the costome Is by the
belt and shoulder straps.
Let us take for our model cottager
out FOR 9 mornings drive. She is wear
ing braces made of black satin, about
two and q half inches wide, edged with
a thread Of jet galoon.
A strap holds them together in front
las seen in the picture), and In the back
they are crossed. The belt is the same
and OF equal width, and the whole eff
feet is completed by four-in-hand tie
Of black satin, long enough to pass I'M
der the belt.
This is being worn over gray wash
silk shirt, and the skirt is this morning
a dark blue serge with band around
the bottom OF black satin edged on the
upper side with jet galoon.
These braces are an especially good
accessory for stout women who need
vertical lines.
Still another black adjunct much worn
and easy TO make, accentuates the fash
iOnabe outline.
1t is 4 belt with loops Of ribbon pend
ant all the way round. The loops are
usually Of the same length, but may be
longer in front If demanded by the
figure. To the slender person these
loops add an agreeable fullnesS to the
hips, are quite suggestive Of the old
Venetian slashings. Together with the
full-puffed sleeves, which themselves
now are often slashed, they give very
stylish outline.
Many Figaro Jackets are on afternoon
and dinner costumes. They are round
ed or squares in front, are short enough
to show the belt clear round, and are
usually Of velvet or cloth, though many
silk ones are made TO match the cos
tunes; lace is put on also to stimulate
the jackets.
Often they are cut open up the back,
making Of the garments two separate
pieces, but this split Is in the worst pos
sible taste.
This rage has brought the Turkish
embroidered jacket again to the fore,
one OF the most beautiful dress adjuncts
ever devised.
These are Of cloth or velvet heavily
embroidered with gold. The first cost
Of one is considerable, being from $40 10
$50, but they are good investment, as
they never go entirely out OF fashion
and by their variety and beauty make a
very scsnt wardrobe look elaborate.
The CAV Russian bands described
above are much in use on wool crepons,
which make very many OF the afternoon
gowns. Designs for making up this
fabric havO to be carefully chosen, as
crepon will stretch.
1t is hardly suitable for tailor-made
gowns, but lends itself delightfully."- to
folds, and these galOons add TO it def
milton.
A characteristic wool crepon gown Of
the season here is Of greeniSh-gray. The
waist has surplce front and is cut
down pointed in the back. 1t is seam
less and gathered into the belt. A bor-
der os galoOn edges II round, and it is
worn over a guimpe of white faille,
The sleeve is a double puff Of crepon
over close sleeve with galoon at the
waist, the skirt is edged with galoon,
and the effect OF the whole is completed
with belt or bow OF black satin rib
bon.
And so we have reviewed the present
fashionable place Of black in costume.
ADA Cone.