New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1892-02-28
THE CHRONICLE OF ARTS.
EXHIBITIONS AND OTHER TolICs.
CLOSE OF THE w,rERcoLoR sHow-A sUGGEs,
TON FOR THE UNION LEAGUE CLUB
uopFRyIrY--NoTE OF HOME

| NODFRSITY "-NOIE> or HUME
AND FOREIGN NEWS.
| The exhibition OF the Water Color Society NJ ne
Academy Of Design was brought - close last night
! II had been visited by about i3ooo persons danns
the month Up to 10 O'Clock yesterday morning GA
n,c,urcs mad been sold for total OF t2i 800. The
Etching Climbs sales amounted then to si.oas Is,
The schaus exhibition. which Is reviewed on anrhsr
mage OF The Tribune oday, wa accessible Yesterday
90 memhers OF the press and invited guests only Tbs
general public Will be admitted to-morp". Inc
collection formed by tic late Robert l Cn'uns VIII
follow Mr. schauss pictures a the f1nh Avenue
A., Galleries. the exhibition beginning on March II
and laAing until March %. Now That the wacrconr
show IS ended there will he no exhibition oil American
,,cturcs arranged IN rae same extensive plan untA
Tho s,,inr Academy Is opened on April
The Society Of American ATists aoes
NOT come forward at the Fifth Avenue Ari "'''enes
until May . But in all probability there VIII DC more
than one limited exhibition Of native arr IN 'nc near
n,tnre The opening OF the New-lork Athienc 'inbs
sixth annual display OF works by Amer''a" p"'"''
set down for Saturday. March ~
Anronos OF club exhibitions. the enthusiasm win
which Mr. ruer's eighteenth century Enrl'h PICTURES
were greeted nj the Union Leagle fortnight sinos
ought IN cncournge the committee 10 enter oter heos
! that have not been especially Ilastr'un te
! fo,r There Is one. for example, me neiu " h"'
| ern spanish art, that Is known 10 hle PUN. ;"
! fracmentary way owing 70 the exainprs "n''" na'o
from time 10 time appeared In the galleries. ou' ""on
! las never been Drawn upon for al exclusive 'p'
! approxima.cly comprehensive exhibition' We hnoN
ro,,unv slightly and have about much ACQUAINTANCE
! NTH yIer,s Zamacos, Tnlmarol Ca1hnova ana MA
drazo hut n the best works BY these heh y" NC" Ut"
wore rnthered together. they would make mn W. p>'n
that would be surprising In several ways iheh 'ne ~"
other n,.n who are less familiar " lh'''' '''
oro known M ll-Gaegos. scnet, Reyna seff'A NV"
/ Not ali
.,,od ia New. York collections but enough OF 'hem
| are wa believe 10 furnish material Tor moS' 'ns''
/ esting exhibition. Moreover. IL ~onn DC P'Aoe'
IN fnrt desirable 10 show with The spanish P'0"''
n number by some OF the modern imh"ns N"o "''
animated bv the -ame ideas. painters like koss' h'o'
/ s,,,o,o,u Dalteno Bodin and Michetii. gamer
,,c NJ t,,s sor, would really have uncommon nhii''
,or all the Italians We have named are IN sympathy
with the school founded by fornny'
A. Mr. r. b. Clark's art house, on Fast Thirty
,our,l,.t wherein there l. a devoted To pictures
by Mr. George Inncss. there ere two Landscapes "h0a
bring into Interesting relation two different porous %
that artists life. one u the paintings dates RON
visit to Italy, undertaken as far back as i7""' "'
other is Florda landscape done In the present year
The first Is beautiful In it, way has Atmosphere suOo
ught and shade great refinement in the sky ana very
| fine feeling The second. with all these qualities.
| shows an nca.culable gain in rchsess Of 'oior' IN
freedom o, handling and In the expression OF PrIou
! ailty. Tho Improvement i cnprulba' but ~ -
cspcclaly gratifying TO how truly development
Mr. Inncsss art has been. how the rcheciveness ana
sincerity which are in the recent picture were uans-
/ tahably declared In the earlier one, and particularly
how the latter produced cut of synthetic methh
| that is common enough today, but was unknown "
any Of Mr.. Inness's colleagues Of the sixties. save
Homer Martin Even then MI. Inness was among tie
most modern Of landscapsts NOW he il not only more
thoroughly one Of them but IN beauty ana individually
he Is above all but the very best OF them
Happily to be modern does not imply the accepa'
ton Of a convention. s.se Monet and kenor Of Sh'm
there are some new examples at the DnrandRi Gal
lery would not stand Mr.. lnncss stands among tie
first We do not that Mr.. lnnoss l. conventional.
| Far from It, But while he manfests MS own spns
he IL inds posed revolt against all the oan0ns o' arr
and his pictures speak to us In dialect, 30 TO saw
! OF the language with which scores Of painters from
| Rousseau to Cain have made US familiar, each Ia
/ his own dialect. No, 10 be modern does not mean
to be signed OF circumscribed tribe II means, on
tho contrary TO be Astounding IA feAeil'
! lty in receptiyity IN passion Tor INC
speculative the experimental and the new 20 be YOU
/ SELF first and always. That Is why RenoIr and Monet
and snndry other impfc,slonlsis are among
! the leading modern pain ers Trey nave a."
vented an alt sethcr new language. and us~s
! iu with effect, may be conNennnN pV't'
by reference 10 Noret's Island IN the seine OF Re
noir', scene I'm AgicrsT the Durand Rnel Gallery
,hey arc on equal giound with the followers Of more
popuar systems Unintelnsenoc eris at new Ian
riage and dcnounces n. n the Academy oeWun'''
! ~. Bar5iTon shbboleih when 1t arose Ih''hs."'
take, pains TO learn Il before II talk BACK u
slro of the increase OF intelligence touching art matter,
sucs~sed I'M, mote have been brought here In rpons,
to So~ n ,s.r Ant Of New is Icing more and
mo.c widely understood aud their works are becoming
popular
! The impending Exposition at Chicago NAV %
expected to stimulate everywhere In hts country =,
enthusiasm for piciuies. IN en- huHasm VIC" VS.
/ I'm. many case, be compelled 10 spend Itself IN '"'
purchase ~, OF original plcuIes-tht being eA'
Iois,iye-but " reproductions. ire lor1en pnu.oss so
pliers apparently re0szc THIS, for Nithln lhe l'" ta,
| German hm> have taken sep' 4" Ih, ,,, III.
business capacity In America ~. BERN IN rsn,,
COMPANY ia, pHSg& SIg s@r a. SD f r. Pub
shag lIJue has taken In hard Tor lts'n t's ns'
at No. ~ We't igen,y third Wv WINCH rhe VII minnstSeai
! Company propose, 10 supplement- w. hr.s ma
Esp aScS s1It %'' group Of Work. BY Bodenhausa.
Van iIaesslin aud pockhorsi, three Munich p'i""''
OF religious subjects.
chicago Is having an exhibition at the Art Institute
that ought 10 DO coplel by New Norh. II r,mPns.'
phoosiaph, water cOlor> cas,s aud antiques huNtaL
ms the Sc Of color in sculpture The catalogue when
has been sent rs euulneli,s many highly instructive
hobects and furnished with long Introductory nou
by DR. All ed Emerson. cuat1r classical antqul'e'.
some practical information about pci'chrome rea'ncn.
useful exhibition collection OF plins AZ lie tino
Arts Museum describes the gie and development oi w
reproductive arts and though the explanatory catalogue
has not reached u.s. we understand that Mr.. kOehHr
has made an excellent little book on the subject ne
has also, a. announced in The Tribune recently, sNeA
sere, lectures with View q elucidl,ing The cA-
hiblt ut the Museum.
The most important news from London Is to ne
effect that the famous Olbeir lately rehung IN ING
National Gallery the picture Of The Ambassalors
has been affected by change IN me weather ana wa.
"a new crack has begun To maze Its way from the
tho top of the centre panel II has been pub
IN the hands Of the Iestorer. The National carry
hac uiredd
collection The Whistler exhibition at the Goupl s1I'
lery is 10 DO followed IN Aprl by one 0f picture, by
ella