The sun. [volume] (New York [N.Y.]) 1833-1916, 1892-01-10

promised for this week: "Otello" on Monday.
"Fidelio" on Wednesday. and "L'Africaine"
on Friday. Assuredly those who have SUBJ
scribed for the entire season will not have
reason to complain because Of too frequent
repetitions OF any one work. Much interest
will attach tomorrow night to NJ Jean do
ResSke's impersonation Of Otello. q role which
only few months ago he made his own.
As In "Lohsnerin." his embodiment chal-
lenged comparisons with tho German tenors
who have been heard during the past years. so
In yerdrs latest work. tho finest music"
drama which Italy can boast - will inev!ta-
bly, be judged BY Tamagno. whose creation
could claim the convincing stamp OF authority.
NJ Jean de Reszk6 may not present to us the
Moor OF the italian stage. tho Otello OF Salvini
and OF TamaRno-for that his art is founded
too much on the traditions OF the French
stage. although IL has been perfected in the
best school OF cosmopolitanism. But, Judging
BY the work he has done in various other roles,
performance Of positive originality may DO
expected.
Tho promise OF Fideio" for Wednesday is
coupled with the announcement that Nine.
Lilli Lehman will assume the title role. New
Workers need not be told what her embodiment
OF Beethoven's heroine Is: its memory is too
present to all the devotecs Of tho German
opera to call for any extended comment Herr
Kalisch will be heard as Florestan, likewise q
familiar impersonstion. For the spoken dia-
iogue will be substituted recitations. accord.
what this custom is with regard to "Fidelio !"
Ssn tho to he
firm held outside q Germany Nine Tietlenls.
London opera house In the days Of the Maple.
son regime: in brussels, thanks to the efforts
number of performances. Indeed. its success
there was such that there was project on
hos to ws six S The s s2 emns hs as
Beethoyen scholar than ~ IL de S o q the
sals were held, but finally, like many Of MN.
RIFT and Gailhsrd,s. the late managers prom.
In iSy the wors Is
hs Artist E%9Srd
sing the part Of Rocco::is reported to ' have
made, that he had never heard q performance
appear at 4rst BUSH Hs0 ASTONISHING % II "'s"'
9nestionably attract the attention it deserves.
The successor Of Faure at the Paris Opera. NJ.
n qF fa sa to BE ony s pS Ss5ns
tinuouslX, with the musical fortunes Of his own
tones during the past fifteen years have
asoaS than Lsss In london he has
q sir, AUGUSTUS Harris's italian seasons.
ns ns amons The isva4te 'sPa
q the Imperial opera house. There are but
ths Sa
@ s 50 yss Bs S,s Psg
sa d 0f Iondo Sn snd Il
The disappointment caused BY NM. Ada.
INA has
ty 10 listen again to the most famous Of ali
sonesIresses. Already the indications are
evening before one OF the largest audiences
that has ever assembled within the walls ~
gramme ANNOUNCED for last thursday wilf be be
diyiI di e, ftsei int tNo rsrts: the arst Of
also her Associates. Nine Nm Fabbri' NJ a't Gui I
9na Rt viii rS Be- ss aGs Of h0ssn' ssm
rwo,nnor4.nt oroho.t,., ,o,..r.. Mill s..
given this %eek. the first at Shickerin m Hail ali
On tuesday e evening by the Boston sympho n!
Tor Whch has alreaGv bsnn 1me npc
customary Friday afternoon rahearsaI M fha
new Music Hall by the Symnhony SocietV nm
der Mr.. Walter DamrOsch. The BOSTON and
our own permanent orchestra will both inter-
pret Goldmnrk's deliphtfii Rustic Wed
ding "symphony. which has not heen heard IN
New York Tor some time. and which has aI1vavs
been q favorits with our musical public AZ
as solo instrument, Nine. Rive King
Interpreting fantaisie dc concert by
Tschaikowsky on Tuesday. and NJ. PaderewAEi
playing kis own concerto Friday and Satur-
day. This latter work. which has only been
performed once in New York on the occasion
Of the illnstrious pianist's American debut. is
hardly any other artist would for the present
venture upon public performance Of this most
interesting addition to valuable piano litera-
ture. its merits are such that there seems every
place in our current concert repertoire. The
full programme for the third symphony con-
cert is as follows;
Semi-operatic Sunday evening concerts ap-
pear to be growing in public favor. II one is to
Judge by the programmes offered both by Mr..
Seidl and Mr.. Damrosch for this evening. The
former announces a night OF French COM
pOsers." and promises in addition to orchestral
numbers by Auber. Massenet, Pessard. Gillette,
Saint-Sasns. Gounod. GODDARD and Dellbes.
excerpts from Bizet's Carmen" with Nine
latter viii conduct Mendeissohn's music 70 "A
,,1.- n