davidaulloa/AmericanStories huggingface dataset:
Wiarus. (Winona, Minn.) 1886-1893, 1892-11-24

Ci, kt6rzy W ostat-
mich dniach odebrali
cd mas rachunki, ME
chaj sic ME ociaga-
ja Z zap}ata abona-
mentu, bo mogtaby
ich (mianowicle sta
rych d}uznik6w)s )spot-
kac iaka niemi4a
nlespodzianka. Kto
nam przysle diva do
larry abonamentu,
dostanle W preze1cie::
duzy halendarz Ma
rYanskl albo tez
katolicki Il przeszlo
100 Obrazkami w
tekscie / obrazem
kolorOWym, oraz dWie
kSiazcczki:
} s'towlczek czyli zbi6r plesai
po>s1lch ludowych,
y Ksiqieczke dla dusz na-
boznych.
Wiarus. (Winona, Minn.) 1886-1893, 1892-11-24

tuczl 6, lecz na to, alb, na
nlch rz-telnlr p,'acovac dIa
ludu zasiuzvc nd lego
szacunek.
Reprezentan, ludu W Sci.
mach Stanowych powinn sic
sta:ac obalenle w>1ys,klch
praw, KtoTe repubIkan'e
ustanowili IA korly::c boga
tych wyzysklwaczy Mdu
Ecwluni urhwalic nowe prawa
przeciw szwyndlerom a la
F'redericksou> S1upecki i
P'etrowicz, oszukuIacym bied-
nych farmerow j przez to
odstrecza)acych robotrlkow
lelsklch Cd osledlanla sic ma
farmacth.
W gospodarce domowej po-
wlnno ustaG nieludzkle roste
powauie Indyanami. Sprawle,
wiedllwosG tn powinna bye
naiwyzszem prawem. Now a
admlnistracya demokracka po
Wilma zawsze mlec IA oku, ze
ludyanle to tak3e ludzie 2
dusza nlesnliertelna, na obraz i
podobenstwo Boga stworze
NJ.
Lecz ME tylizo W admlnl-
stracyi spraw zwiazNowych
demokracl wlele maya DO ua
prawlenla. Professionalism
musza znlesc W Stanle Illinois
prawo Edwarda 0 przymus,e
sz!Soiuyin. Me MONA znlewolG
rodzlcow Katollck!ch, aby losy-
tali dzleci swo)e do publlcznej
szkoiy bezwYznanlowel gdzle
mic o Bogu ME ustysza.
Demokracya pow'nna tak2e
znienc dotycnczasowY system
szkoi publiczpych, wykluczlacy
z nlch lezykl nieangielskie
religla. W ka&dej takiei szkoEe
powiuua t"kze bye nauka je
zyka o)czystego dzlecl. Szcze.
golnle dzleci polsklch fArmerow
powlnny takze mice sposobnosc
uczenla sic l W szkoia"h p1bl-
cznych po polsku, powinna
wslakae do takich szko} bye
wprowadzona nauka rellgii
katolickIe], ably dzlecI ME
zoboletnlaty dla wlary nie
posziy W ladjakl. W TAXI 5posob
W wlelu mlejscach mo2naby
sic obyc bez Sgkol paratialnych
polaczonych n;n.i kcsztow.
Postqpujac M tej 1rodze,
zlednataby soble partya
demokracka ws1ystHie narDdo.
woscl W tym kraiu slai&hy
a,e nova partY4 woInoscl
Wiarus. (Winona, Minn.) 1886-1893, 1892-11-24
Ma dzien
% LiStOpada.

Swiadek mordercze. rozprawy =
Bede CT splewat koIego,
Dzleh swiety dla nuszej sprawy,
Dvudzlcsty pnqty Lu;ego,
w tym to dnlu wojny los,
Zadaf wrogom krwawy clos.
7rzestrzen opodal Grochowa,
Gdzle 50 polegiych nogl}y,
Wieczna PANIED nam dochowa
YES mas wspierat Boze nily.
Tw6j to cud, wlel<l cud.
ZeS mas wspleraf wolny lud.
Tam waleczne polskle synY,
Groml2c nalezdnlcze tfumy,
Tam na l"wo wsr6d olszyny,
IA wz-arIr zh6iorlicJ dummy,
Naprlod Nlr,A Iolak zuch.
Wolno>c - wspierat duch.
Jest tam cmentarz bcz Pow4zck.
Opodal lase< chot maiy,
- tam lrzcwa bcz gai4zek,
,>,irty ir kartacz6w strzaIy.
Kazdy u mas, kazdy tn
Miat pred SODA wrogdw stu
WoIuc ol zatrudnlcu chwllc,
Spgdz ko!cgo w>rod olshyny,
! ia bracl twych mogrle,
Wiarus. (Winona, Minn.) 1886-1893, 1892-11-24
zAPlSUJCIF SOBlE WIARUSA,
Il A. Pk ACILI
x "A w II "A HR VI S a.

Manstee, Wojclech Jechores 2.3C
Dnbois, J6zcf Kama 200
Jersey City Mlchaf Lux 200
Chicago, Antoni Schermann 200
Wanatah, FIR. Klabisz 200
E. Buffalo, Andrzei Gfownys 2.2O
Texas, A. ". C,cmnaczotowski3.O 90
Wllkcsbarre. Jozef Cikowsu 2.SO
Passale Fr Malkiewlcz 200
Arcadia Jacob Paul 200
Winona Jan Lica 200
Wilson, Plotr Sobek 400
Dunk1rL, J6zef Graczykowski 200
Wiarus. (Winona, Minn.) 1886-1893, 1892-11-24
UBIOROW POD FIRMA

niajac lego dazncsci, sadie,
ze ME bedzie Panu obojetnem,
lak Polacy W Nebrasce przy
cstatnie] eleScyi sic popisali.
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
MOVING OBELISKS.
How the Ancients, With Crude Inn
plements, Quarried the Rock.
st. Louis Post Dispatch.

st. Louis Post Dispatch.
The obelisks OF the Pharaohs are made of
red granite called syenite. In the quarrles
at Syene may yet be seen an unfinished ODE
lisk, still adhering to the native rock, with
traces Of workmen's tools so clearly seen on
its surface that one might suppose they had
been suddenly called away and intended
soon to return and finish their work.
This unfinished obelisk. says the Rev. j.
King. in his "Cleopatra's Needle" shows
the mode In which the ancients separated
these immense monoliths from the native
rock. In sharply cut groove marking the
boundary of the stone are holes evidently
designed for wooden wedges. After these
had been firmly driven into the holes, the
groove was filed with water. The wedges
gradually absorbing the water, swelled and
cracked the granite throughout the length
Of the groove. The block, once detached
from the rack. was pushed forward upon
rollers made of the stem Of palm trees, from
the Quarries to the edge of the Nile. whence
1t was surrounded by large timber raft.
1t lay by the river side until the next in
uDdati0n of the Nile, when the rising waters
floated the raft aud conveyed shs 0belsk
down the stream to the city where 1t was to
be set up. Thousands Of willing hands
pushed it on rollers up an inclined plane TO
the front of the temple where it was de-
signed to stand. The pedestal had previ-
ously been placed in position. and firm
causeway of sand covered with planks led
TO the top Of il. Then by means Of rollers,
levers and ropes made of the date palm, the
obelisk was gradually h0isted into an up
right position
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
w Zsw

then IL O'Clock In the evening No longer
Tearing discovery, Franz resumed his work.
The bricks OF the wall were detached very
easily, but they were so thick that half an
hour elapsed before the opening was wide
enough to allow his passage.
AS soon as Franz set foot in this chapel,
open to all the winds of heaven be felt
Through the rulings of the nave and the
embrasure OF the windows he could see
light clouds blowing across the sky. here
and there appeared some stars which
almost made the splendor of the rising
moon tail in the horizon. The question
was TO find the door which opened In the
end OF the chapel and by which Baron de
Gortz and DRANK had gone out, so having
crossed the nave ObliQuely Franz advanced
toward the foot of the chapel. In this very
dark part. where the rays of the m Don did
not penetrate, he stumbled against broken
pieces of tombs and detached fragments of
the wall. Finally. at the end of the chapel,
behind the altar piece, near a dark cor
ner, Franz felt worm-eaten door give be-
meath his pressure.
The door opened on the gallery. which
must lead out OF the Enclosure. /: was by
this door that Baron de Gortz ana Orfanik
had entered the chapel, and had just left it.
AS soon as Franz found himself outside in
| the gallery he was again enveloped in CON-
| plete obscurity. After number OF turn
| ings, in which he had neither to mount nor
| to descend, he was certain that he had kept
| on a level with the inside courts A quarter
OF an hour later the darkness seemed to be
| less profound; faint light gllmmered
through some lateral openings in the
| gallery. Franz was able to walk
much more rapidly until he emerged
| into wide easement constructed
under the level OF the bastlon which flaDked
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
THREE FLOWERS.

Bnttercup, poppy. forcetme-not-
These three blOOmed In a garden spot,
And once, all merry with song and play,
A little one heard three voices say:
''Shine or shadow. summer or spring
o thou child with the tangled hair
And laughing eyes-we three shall bring
Each Offering passing fair"
The little one did not understand.
But they bent and kissed the mpied hand.
Buttereup gamboled all day long,
Sharing the little ones mirth ana song;
Then. stealing along on misty CLEANS
Poppy came, bringing the sweetest dreams
Playing and dreaming that was all.
Till once the sleeper would not awake.
Kissing the little face under the pail.
We thought OF the words the third flower spake
And We found. betimeS In a hallowed spot
The soace aud peace OF forget-me-not
Buttercup shareth the Joy OF day,
Glinting with gold the hours OF play:
Bringeth the poppy sweet repose
When the hands would fold and the eyes would
close.
And after IL all-the play and the sleep
or \ little ife-what cometh then?
To the hearts that ache and the eyes that weep
wee flower bringeth q DDS pc ace again
Each one Seryet its tender lot
Buttercup. poppy. forget-me-not
EUnENcE
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04

Baron de Gortz before he had taken flight
through the tunnel. Franz made the tour of
this terrace, and arrived before another
door where the spiral staircase continued to
ascend upward. He set his foot on the low
est step, placed both hands against the
walls and commenced to ascend.
There was always the same silence The
apartments on the first story were not In
hablted. So Franz FASTENED TO reach the
steps that gave access 10 the upper stories
When be had reached the third landing his
foot found no more steps, so il was evil
IDENTITY the termination OF the ladder which
led to the most elevated apartment OF the
dungeon-that which was crowned by the
embattled platform where the standard Of
the Barons of Gortz formerly hoated
The wall on the left-hand side OF the
landing was Unanswered by door which
at that moment was closed. Through the
keyhole. the key of which was outside, a
bright ray of light penetrated. Franz lis
tened and did not observe any noise inside
the room. On applying his eye TO the key
hole he could only distinguish the left side
OF the room brilliantly lighted up, the right
side OF which was plunged in shadow.
Having gently turned the key, Franz pushed
the door. which opened A spacious hall
occupied the whole OF this upper story of
tue dungeon. On the circular walls was n
large vault with sunk panels or eaissons
the clasps OF which. joining in the middle.
made heavy pendentive. The walls were
covered by heavy draperies. old tapestries
representing people. Some old furniture.
dressers. armchairs and stools formed a
somewhat artistic furniture. At the win
dows hung heavy curtains. which excluded
every ray OF interior light from penetrating
to the out ;sde. Ga the floor was O very
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04

he goes to his study, opens the windows, no
matter what the weather may be. seats
himself at his desk, and there he stays all
day. Every day before 5 o'clock, he must
write two or three articles for the Journal
called LIE Temps. he prepares a dramatic
criticism for the Parti National, a criticism
Of books, and for the XIXme steele, at least
one criticism n week. He writes a weekly
review in the Annales Politiques ct
Litteraires, and occasional articles for the
Revue des Deux Mondes, the Revue Illus
tree and Courier du Soir. Every time
FranciSque Sarcey writes an article he re-
ceveS many letters. and these must all be
answered. Although he keeps two Sec
his library In order. rather than
answer letters and write articles at
the critics dictation. FTancisQue Sarcey
is very near-sighted. but be writes with
wonderful raDldlty, and seldom does he
correct his manuscript. In spite of the fact
O'Clock in the morning until IL he receives
visitors. These visitors ara not considered
an interruption, because, as he never makes
Visit, from them he hears the news of the
outside world. Each one is received in a
most delightful manner. The critic puts on
spectacles OF exaggerated dimensions and
seats himself near his visitor, as ii he were
determined not to lose word. The visitor
may be- an artist. author or actor in distress !;
may be timid young debutante: may be a
ceiye the information or assistance desired
At II o'clock NJ. Sarcey takes his second
breakfast, and as he keeps "open house"
his friends have their plans made ready for
certain DAYS. For instance, Tuesday is re-
served fer the theatrical profession. Friday
Is reserved for men and Saturday for most
in innate friends. A guest at the Tuesday
breakfasts gave me q description of Sarcey
aud his table: mo invitation is necessary !.
III you have the habit of breakfasling with
him it is not necessary to be announced. If
you are a newcomer the servant must call
your name through the speaking-tube and
then you can go TO the study. 1t is there
that the ladies remove their hats, and then
all 60 10 the dining room, where rybody
waits until II o'clock for those who might
come late. Sometimes there are as manv as
twenty guests, but the host allows each one
to take care OF himself or herself. From
time to time he saws, We'll, my children, are
the appetites good9' The breakfast is album
daDt, but simple in menu. There is
hors d'Guyre. one meat one vegetable,
dessert and coffee. However, ii is feast
of reason. and the conversation most in
teresting. After coffee the guests do what
they think best, but Sarcey goes to his study
and until o'clock no one dare disturb him.
say no one. but there is a privileged cat.
who invariably sleeps on his masters
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04


shoulder, and, rather than disturb his
tavOrite, Sareey writes without changing his
position. From o'clock until the hour for
the tbea.er Sarcey reads, for although be
breakfasts with appetite, he never Dimes"
Sarcey himself says that he never misses
the theater. "fquletly laugh when / hear
that good dinner makes ME sleep at the
theater. for often dcze, especially if the
play be dull. sometimes. but very seldom,
friend inveigles me into dining at his
house. 1 taste the soup and watch eagerly
for the clock to mark the theater hour so
that may escape. Once year perhaps |
pass the evening with Jules Claretie, who is
my neighbor. but am too busy TO care for
what is called society,""
Sarcey never asks a free entrance to
theater. and every evening is spent listen
ing TO new plays or to the second or third
repetition OF old ones. For Sarcey likes
only sensations. and when there is no
premiere. no debut, no reprse. no amateur
representation. he is puzzled TO know how
TO arrange his evening. A certain place in
each theater is reserved for Sarcey, aud
there would be much disappointment il he
were not seen in his accustomed seat
Sareey's home Is at 50 Rue de Donai. a
small, Unrestricted house, arranged by
Charles GARNER, the architect OF the Opera.
The house is in reality a library. for there
are books everywhere. The kitchen is in
the basement, the dining-room and a
L
remarkable for its ancient engravings. On
the second floor is the critics sleeping-room,
and here the furniture is of ebony, inlaid with
ivory and pearl. The third story contains
the study and another library, with thou
sands of books. Sareey freely lends his
books, but never gives second until the
hrst one has been returned. To remember
his borrowers, he keeps an aceount-book,
and never fails TO make an entry when q
book Is borrowed or returned.
In the study Is an enormous writing-tabie,
and this is covered with papers and manu-
scripts OF every kind; in the study, also.
there are bureaus filed with books, armoires
filled with books and closets filed with
books. Two works OF art are noticeable. a
bust of Sarcey and an antique bronze, the
statue of Silenus.
Every summer Sareey goes to Nanterre,
where he has a little country house, for two
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04

the left angle OF the courtyard. This case
mate was intersected by narrow loophoes,
through which the rays of the moon pene-
trated.
On the other side was the open door.
FranZS first movement was to place him.
self in front of one of the loophoes in
order 10 breathe the fresh night breeze for
few seconds. But at the moment when
he was about to retire, he thought he per-
eeiyed two or three shadows moving at the
lower end Of the plateau Of Orgall, which
was liz hted as far as the massive shadows
OF the fir plantations.
Franz gazed attentively. Some men were
crossing and recrossing this plain just In
front OF the trees-doubtless the agents of
Harrisburg, brought back by Roizko. Had
they then decided to work during the night
time, in the hope of surprising the inhab-
itapts OF the castle, or were they waiting
for the first rays of dawn?
What an effort Franz had to make 10 re-
strain the cry which nearly escaped him
and TO refrain from calling Rolzko, who
would certainly have recognized his voice
at once. But this cry might also be heard
by any one in tie dungeon, and, before the
rescuers could scale the In closure Rodolphe
de GortZ might have had time 10 put his
apparatus In motion and to escape by the
tunnel. Franz succeeded in mastering his
emotion. and withdrew from the battle
ment. Then. having crossed the casemate.
be continued to follow the course of the
Sdllcfy
Five hundred feet further on he arrived
at the foot of a ladder which was half hid
den by the thickness of The wall. Had he
at least reached the dungeon which was
situated in the midst OF the armory? He
had every reason to believe so. However.
these stairs could not be the principal stair
case which led to the principal stories. 1t
was only composed OF series of circular
rungs arranged like the network ia the
midst of narrow. dark cage. Franz as
cended noiselessly, listening, but hearing
nothing, and. after mounting about twenty
steps, he stopped on a narrow landing.
There door opened onto the terrace by
which the first stage OF the dungeon was
surrounded.
Franz carefully crept along this terrace,
taking care 10 shelter himself behind the
parapet, and glanced in the direction of the
plain of Orgall. Several men were still Wis.,
ibIe on the border of the fir-tree plantation,
and nothing indicated that they wished to
approach the castle. Deciding to join the
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
A FRENCH CRITIC.
Francisque Sarcey and His
PeCuliaritieS.
HOW HE LIVES AND WORKS,
He Tight Have Been Admitted Among
the immortals, but He Refused
to Be Candidate.


/ have just readin lie Temps the thea
trical review of the week by Francisque
Sarcey. How small aud insignificant the
dramatic authors of whom he speaks must
seem to themselves. OF Jules Doorway,
whose cadets de la Reine' was given at
the AmbigH Theater, Sarcey says: HE Is
neither Dumas, Maquet nor Feval, but he
is the three at once, for from their works
he has chosen their most curious tableasx,
their finest situations and appropriated
them for himself by arranging them to his
own liking" One dramatist after the other
is treated the same way, and authors and
composers accept his decision, although
often it is difficult to digest.
NJ. Franclsque Sarcey is one Of the most
interchangeable. one Of the most con scientious
journalists OF the present time, but no one
For the attacks made upon him he has the
most supreme disdaiD, and his sixty years
have made him profound philosopher. As
dramatic critic he has the first place, and
many an unknown actor or actress has be-
come famous by a line from Francisque
Sarcey. lie is sincere and independent, but
II he finds an author, poet or actor with
talent, unrecognlZed talent. he becomes a
protector and ultimately leads his protege
to success. Francisque Sarcey's life is
work-from 6 O'clock in the morning
in summer. from in the winter
and he is never Ill. After eating
frugal breakfast consisting OF two eggs,
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
thick wooden carpet which rendered his

thick WOODEN carpet which rendered his
footsteps inaudible.
The arrangement of the hall was to say
the least OF 1t. very peculiar, and. on enter
Ing. Franz was extremely struck by the
contrast that it offered according to the
amount of light or shadow in which 1t was
lathed. At the right of the door the back
ground seemed 10 disappear in the midst of
profound obscurity. On the left-hand side,
on the contrary, platform, the surface of
which was draped with black material. re-
ceived powerful light, due to some con-
centratng apparatus placed apparently in
front, but In such manner that it
could not be perceived. About ten steps
from this platform, from which it was
separated by screen just high enough for
a man to lean against, was an antique
armchair with very long, high back,
which the screen surrounded as If it were a
small sanctuary. Near the armchair q
small table covered with cloth supported
rectangular box. This box, from twelve
10 fifteen inches long and five tc six inches
broad. the cover of which, encrusted with
precious stones, was open, contained a
metallic cylinder.
From the moment Of his entering the
hall Franz discovered that the armchair
was occupied. In fact, the person was sit
ting in it perfectly immOvable, his head
leaning against the back of the chair, his
eyelids closed, his right arm extended on
the table and bis hand encircling the back
VI iDC UuA- ~ hdS hOuOlpUo uo trOIlL
Was it to indulge in the pleasure of sleep
that the Baron had wished to pass this last
night In the last story of the old dungeon
No. that was impossible after what Franz
had heard him say 90 Orfahik. The Baron
de GoriZ was alone In this room, and. ac-
cording TO the orders which he had received.
he did not doubt that his companion had al
ready taken fight through the tunnel.
And Stilla? Had not Rodnlphe de Goriz
said that he would hear her for the last time
in this castle of the Carpathians before il
was destroyed by the explosion? Aud for
what other reason could he have occupied
this hall where she came every evening to
IntoXicate him with the charm Of her sing
ing? Then where was Stilla? Franz neither
heard nor saw her. After all, what did il
matter. now that Rudolphe de Gortz
was at the mercy of the young
| Count Franz would know how to con-
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
PAGES 13 to is.


months. This house is also filed with
books, for here Sarcey sends those that have
certain value.
Although Franeisque Sarcey Is seldom
seen, except at the theater or on solemn
occasions at the universities, among men of
distinction in Paris his is one of the best
known faces
Ihe cut Of his whiskers, his spectaeles
and his taste for criticism make him more
OF professor than journalist His worst
enemies say that he is honest and that he
taxes the trouble to study subject OF
which he writes or talks. His word is law,
put although he is very autOritaire. he
always listens to appeals.
Fraacisque Sarcey might have been can
uloate Tor seat among the forty I'M
mortais, but he had scruples and refused.
ms refusal ought TO have Taught lesson
10 Emile lola. whose perseverance, and anu
uitien VIII probably open for him the doors
OF the French Academy, but al the same
tiihe VIII decrease the respect and admira-
ZION always expressed by the French People.
BARONESS ALTHEA SALVADOR.
Paris, Nov g.
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
Curious Conduct of Smith and Jones
New York Press.

New York Press.
''Men are curious beings, after al"
whats the matter now?'
smith and Jones met this morning
Smith asked Jones question, and Jones,
instead OF answering, asked Smith the same
question. Smith didn't answer it either and
they passed on"
What was the question:"
"'How do you do p"
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04

property of ono Mrs. Pattison, and In all
respects a superior animal. 1t was the
proud possessor Of a long-haired white coat
beautifully marked with red. which called
forth enough admiration from fair visitors
at tho Crystal Palace to have turned the
head OF less sagacious feline. But cat
that Is able TO walk away with the FIRST
prize. gold medal, silver medal and two
specials" without turning hair ought to
be able to withstand few feminine ex.
Carnations.
The morning call. [volume] (San Francisco [Calif.]) 1878-1895, 1892-12-04
CHAPTER XVI

The disaster was imminent. Franz could
only prevent it by putting The Baron de
Gortz In state that would make it impos-
slble for him to execute his project 1t was