The sun. [volume] (New York [N.Y.]) 1833-1916, 1892-12-04
have considered themselves in particularly

| lean dramntists free for l believe that by 80
fully determlned. after this season. to elysto
| at least three American authors opportunities
at hs he sHf w'S ss9k sse
Ii9I peri9,rrmaneSs but lnyitnE ms1 ,s
| long ago. lie had excluded actors from free
seats. y have been wrongly quoted as not
| he said. They arc always welcome when ]
have room for thsm II was n,staH" 10 MAKE make
ence: Whom q manager makes US many pro;
ductions as do in New York in the course Of
tiers. I have received that number from, PRO
fessionnl reorle who wanted seats at q single
1s sens out hs Whole house ns st night
II NV York ind | must ha tS the SsnG,,, OF
Sse r. tRs made ."S one
mont. which. mrnpt should cover the point
agrrcahly am wilinc TO- afford sdMe@ I'll
enLGnrpriso hat was srotessedly fos art but
Daniel Frrhman said; II am heartily with
,he new mnMSrIakins md am confident thai
ss'H II @ With on good si
successfully and hee permanent thing, There
are :, numrcr OF hcatres abroad which nro
E1vs not n i been sTSpe Ee 'S S
managers. they have lone much for ,hc litcra-
motors have my permission to usY my actors
whenever X Is possible
Dan Bryant once made fun outside his
minstrel hail. in West Twenty-third street
by having livcried negroes yell out tho num-
bcrs OF the street cars AS they passed in ndIoln-
in. sixth avenue while tho audience was dis
persing. This was considered a clever bur
lesuue of custom, Mt Walnck's. which was
thcn the one and only fashionable theatre in
town. ana where enough people came in car
riages to nccessitate The calling OF tho drivers
But times have changed since Mr.. Wallack en-,
loyed ne exclusive SUPPORT OF wealth. aud
| TO he heard at three theatres within hearing
| OF the theatre which he once managed. Our
modisl reorlc are going to that same house.
bronson HSwsrd's Aristosrasy." the mat.
ter and rerformance of which Gre such as
Tm '"F TSe ii ,hr ws
sh9yn in this play are r 50 iins In ershi,esture
that tho fancy Of the Four HMndred has been
sa'riases cltendin n into Thrteh Street.
Across Broadway DAYS row Of such vehicles
Of Wins Iiun"hback' has not rerellod ia shion
entirely. and 1t affords the promise that the
winter OF 9ld Comedies at TINS house YIN Gap
company is at u disadvantage in this change
OF EN- ployment. because it's training has been
Which las Been imnarted a delightful air Of
Ease end eIeganee; but in snndnrd ptsSSs
cast is subjected to comparison with some
former and eminent player Of the character.
| Ada Rehan. recol LECTION need 80 no further
| back than to Helena MoLleska and Adcia ide
Nelson to find models for estimating her
Days are sure to be ACCOMPLISHED with good
sast. IA fair ayerIGf %, merit 4c,ing
bvgons times. The audiences that dlspcrss
frnt, pn lima q and In r.
iese-ralI"rs voice at the standard for whin-
steal fashion has concluded to turn in with
Masked Ball" Here we have refutation of
the old belief among managers that success
err. for 4 is.certain that prospe1rity went over
with The Masked Bali . from lMmer's to the
iessensd IMMUNITY because the ons theatre
is smaller than the other. The performance
nicet in John aetns ,o bu H
quite equal extent IN that OF Maud Adams.
while the company as body earns artistic
In ronn%ctiSn With the subject N Of tashiHn
"ssn no and Tho GARDEN are s IN ths Snlsynsnt
Q: much modish visitation, The Fencing
ana sssn
by the Bostonians. are, alike admirable in the
place the. visual beauties Of scenery and cos
TUNES afford pleasnrabls sights Ih to 90, ace9mpany
| lence. New York will have three musical pieces
satisfy tho most e Critical demands for that
| Kind Of entertainment
Familiarity Is not likely to breed anything
save an increase of popularity at the weekly
| change theatres tomorrow night. Tho
amusement to be offered is nowhere new.
| but most o! 1t is llrst rate in ono way or an
other. For example. nothing better could he
desired in the form OF a Sardou .nastrrpiece in
sT,nt
Tose Coshan and her company It i the Harlem
Opera House. in exactly tn. same manner
CoGhlan emancipated from farce and once
Por a fHfassd IN F' s IN tno wa
shift; an exgeedinsy poru!ar actor and play.
IcrsonatDr of q comic Yankee and u tranat-
cation, Of laughah!e things in New EnSiand
him e1ssedinciy amusing Bown at The lower
end Of th9 BoTsry !aTshte 'I. WI. no iHetsd at
wa4ifT , dyubt tnnt ess she
| will find this piece as provocative as 1t has
been to mbta.es nearer Broadway The
from the Froh man forces, and It contuins actors
quite ab!o to render tho abundant hunor
an fa H1 Hts the To H hs
Opera House, with the same stage outfit that
aud FaSny st en-" and Ia%srd Nav
s in ths By de- pah rS
"
| Peoples 1t associates love story with
thrilling incidents OF raj ltoadinG. and is an IN
| genious combination OF sentiment aud real
Ism. A LOGON olive IL pron.!lni by steam
snow plough is shown. aud Il q, .;i-9strous COLI
sion is made imminent. J. ". summers. an
at Jacobs's in .erry.' drama aifordinG i'm
Il character ~ which he is n comedian and
tragedian, His talents are of IL ind to recou-
| mend him TO audiences at Jacobs's. and there
IS real riari, IN the sensationhiism OF his play.
At tho east end OF Harlem the Columbus has
that well, regarded mcOdraGlH. THE Shad-
owc ot treat CITY," with its remarkable OK
hii'ion %! what stnsncrltt can accomplish in
imitation o! cXcltlL. realities.
The theatres offer two special performances
TINS evening. aside from the usual Sunday
concerts noted elsewhere Anna Eva Fay. who
WAS Known many years ago in this country as
aspiritualisiic medium. but who Inns been in
i.urppe ol lut". VIII appear again mt Procturs
ia an exhibition ~ rpiriual phenomena.
, ErnuIne or irnuiIenl lie" doings have
lnlereste! LelinNor. mn shnntins nnnM md