The Camden chronicle. (Camden, Tenn.) 1890-current, 1891-03-27
a pRAMArlo RELIc.
Representation of London Theater IN
shaIseapeare's Timo.

Representation of London Theater IN
Shalsespearc's Timo.
An interesting dramatic relic has just
been sent TO the British Museum on loan
by the University OF Utrecht, says the Lon
don Times. IL Is a representation and
description OF the Swan Theater in South
wark, in 1896. The picture was discovered
in n manuscript work in the Utrecht library.
The author was one Van Buchell, who filed
this commonplace book with notes on vari-
GUS subjects. Among others is the picture
of the Swan, with letter-press on the OPP
posito page. The former is described as
drawn ex Observable nibus Londonensibus
Johannes De Witt, and point Of doubt in
connection with it is whether the picture
was actually copied from one drawn by De
Witt, or whether it was drawn by Van
Buchell from oral descriptions by De Witt.
The latter was Dutch scholar and preb-
endary Of the sixteenth century, who
travelled widely in foreign countries (proba-
bly, because he was Roman Catholic, for
whom Holland would not be comfortable
Just then) and noted what he saw. The
theater is represented as containing three
galleries, one above the other, with q tiled
roof above the top one but open to the sky
IN the center. The stage is supported on
wooden posts, painted like marble, $50
that" remarks De Witt, ait might deceive
the most sagacious." 1t is believed to have
been removable, so that the amphitheater
might be free whenever it was wanted
for bull or bear batting. The green
room Is represented as an erection in
the space behind the stage and apparent
ly open TO the public view De Witt de-
scribed it to Van Buchell as built solidly Of
Aints and possessing accommodation for
5000 persons. II is possible that q large
number could stand in the smphltheater on
level with the stage, in no other way can
we account for this surprising statement
He says there were four theaters in Lon
don which derived their names from vari-
Gus signs and each had performances every
day. The two principal ones were on the
south side of the river and were called the
Rose and the Swan--Shakespeare' Globe
/ did not then exist-and there were two in
the north in BIshopsgate street. A fifth
was used for bull and bear batting, and ac-
cording to De Witt "pres ents a most de-
lightful spectacle" The best, he says, was
the Swan, of which he gives picture, be-
cause Of its accommodation and its archl-
lecture, which seemed to him to be sur
vival Of the Roman amphitheater, and it is
because of this latter circumstance that
Van Buchell preserved the picture. In the
play in progress on the stage two ladies are
in conversation, and some one enters to
them, probably messenger; but it is prob
able that this is fancy scene and comes
I from no Elizabethan drama. The drawing
and letter-press were brought to light by
DR.. Carl Gaedertz, who has published with
Mueller, of Bremen, a fac-simile of both,
/ with discussion on the subject in pam
| phlet entitled, "Zur Kentniss der Alien
| glischen Buhne," which is intended as O
contribution to Shakespearean literature.
1t has been generously lent by the Utrecht
University authorities to the British Museum
for the inspection of students of the Eliza.
! hathan ThoatAr