The sun., 1891-05-03

:SSs s.Is sp, 3. ysM e n. ;phSs ,:
% We 'sE: SpS rssS: scSs%. ss s.I q; s%
on & sf p: .e%s %ss i5sss: ss
SothS day. II f.nes Bas q NO, Ss.l an Sy
:sSsG .sssS. the sc Rs, %p
asschss ers really trifortnm arches the base q
beoM abea Sswssn s.s tho
spring from one, Of the bsnds which encireIs
these these piers ea This e indsed p.ysly Tor u
INCLUDED IN the maip arcade 4 10 vsry diiier.
Gs fas e se:sSe S, RssSP ~
ssan sse ii fFSS s::s; psP
ons %od tSt 81 ana Any
scat scale but II sapressss p a. lsast logical con.
seem thrown together a! random. There isrss Il us
es%s vSsr. Sss e. doe: Ss:o .ssar q the should
nsiesG Of an S fntssrs rSYt pars ts q
logical conoeption.
.Iess.s as nsrrsa:as e Tsesy s A. ssa =: ::
one must say In turning to the exterior OF this
ssatsS shSrsn aSss oCs Oos M
L Is eonnosed Seem to have bssn s mUI.ps2 81 .M1is2
lss 81 sHDssSn tower. II
turrets Of different sizes may be counted and
sa0ss q sss ysS 81 s s: s Il
ing them. No one can divine why they ali sI.
1t it, And their general % e&St eugsssts an !mtl.
Ing for relative. proportions shows Il one CON.
elders single feature: for INSTANCE. the. cen.
ss. srs -hcs hs 81 MnaST sss
&: n:. n:1 N. s '.a s:S are
0 ,0r ". '1ss%R' :ssR -
sHs diSsHse Ss r. :Is az
e re aneie tuIreIs or shafts Of pne Of thsss
bX : much. hssvisr turrsi above. Il 10 impcS.
Saas e. bSs s1 & e. "a: ay.s b .s
~ 8 issiiDs for aslsy q dssiep seoxn bs 8:
e: sns I II saiE .Y
Hash Rs:nass ne ss dss.: Ss HsS
{ Es:Dss ..s e shs Indissssd .o.Iss ]. my .:e s
ed hiass Il sSs on,s moe:
than osasss behind 4: Il. ,cSsl. e.s.
90 not stand opposite the ends of the aislea
s 81. sSsSPs S sSS. *.
thie church. TO divine the plan Of fts interort
And to misrepreSent . plan 10 an even more
Messrs. Helms and Ia Fargo have done. The
poor ARRANGEMENT Of the apstdal chapes: the
masking OF their IoWar Dor.
lions By O. shod-ltke encircling oloi6tert
The over loading Of decoration on every part
of the church: the uRlv fashion Of the dome
and tts crownin9 feature: the inhsrmoniouS
lorms. drawn from many divergent styles,
which are heterogeneously employed In the
windows and arcades: the ungrsceful outline
of the western towers and sptres..thess are Q
lew points 20 which we may hastily direct at.
Eention. With regard to the employment Of
esson In the art Of what not to do. Look. for
Instance. at the arcadinR on the turrets above
he windows In the second stage Of the tower.
Ind at that on the contiguous lower faces ID
;his design or is Il the mere application OF pat.
erps chosen bit By BIT without thought
II intsr-relatfonship. and harmony. much
ess OF expressing. through ornament. the
acts OF construction A volume as large as
Mr. Wood has published to explain the sym.
,olfsm nf hts work might be written to show
hat. IN thinking OF symbolism. he has forgot
en- art: But. after all was said. those who like
lis CO hedral would probably like It still: for
70 can hardly fancy any one IN this case who !.
ould be converted By the citation Of archi.
ectural truths who could understand the dif-
erenco between novelty which means new
Underlying idea and one which means the
nere new association OF heterogeneous ole
nents. between true beauty and the pseudo.
2 aagnificsnce Of excessive size and excessive