The Forrest City times., 1891-03-27
HE. SHE. AND THE PHOTO.
pinersns Manners of the sexss e c
 CNmera Secs Them.

Dinersns Manners of the sexes e SAe
 Csmsrs Secs Them.
 A young man in a rough business suit, who had evidently run in to get . likeness of himself for the sake of gratifying a craving of the girl that was fond of him. had hustled into the photographic studio just in advance of lady of considerable beauty, who was heavily enveloped in furs and wrapped in wells.
 I'm in great rush, exclaimed the young man to the artist whipping out his watch. Gan I sit at oncep"
 'At once" responded the artist, bustling about in an encouraging way
 With one or two quick movements the young man had laid aside his gloves, hat and coat, after which hs hurried into m inner room. whither the artist had led him. In moment he was propped in front of the iron head rest, the artist gave the lapels of his coat a twist and pull, brushed a vagrant lock of hair back from his forehead, told him where to fix his eyes, and then worked his instantane- ous machine. That was all there was to it, and, with a rush, the young man jumped into his coat and was off about his business.
 The lady. in the mean time, had divested herself of her furs and veils, and was surveying herself in the pier glass of the outer room. She had powdered her nose six times and comb cd her bangs almost continually since her entrance. Her costume was start lingly rich in quality and rare in color ing and her arms and neck were un- clothed When she was bidden by the artist to enter the room where she was to pose she began to explain just how she wished to be taken.
 You will readily notice" said she, that the right side of my face is rounder than the left, so you will turn the right side toward the camera. I will sit in what I consider q graceful position. and then you may place my chin at the proper anglo of elevation Have the full right arm show. and be very careful to bring out this bead or namentation on my waist. My husband wants a full faco, but prefer the three quarters, so l gusss you may make a proof of both positions. Have my hands show also. will hold book ii you have one. l;e very careful when you arrange the head rest not to muss my hair, for had it done by hair dresser on purpose for this picture. And do try to have me look easy and natural. I'm 8, afraid this thing be- hind me is going to mako me so ram roddy and awkward l want the proofs sent to my husbands office, also the bill. One moment, please. I'm not comfortable. That position will make me look ugly. Hero, this is much bet ter now, isn't It? But don't want my neck twisted in that way. It won't look smooth bit. Do get me hassock for my feet Oh, please don't disarrange that trimming. 1 want it to hang straight aI d not every which way Oh. dear, Irry. I'm getting SO nerv. ous, ard my neck seems breaking in two. No; I'm going to lower my eyes, not raise them. The lashes show bet ter when look down. There; this ex- pression will do. I wish you would just----xhat! Oh. you didn't! We'll. now. 1 didn't know you were going to take me just then. wasn't reaay. 1 really--"
 And 80 she rattles on. taking up still more time when the artist poses her again. and finally almost weeping when sho is told that she must keep quiet and allow herself to be photographed accord ing to artistic methods. After the sit ting is finished and innumerable ques- tions concerning proofs and other mat ters aro asked, the lady gradually gets into heY furs, and. when she Is gone. tho fatigued artist finds, by consulting his watch. that She has been In tho studio just one hour or iifty-six minutes longer than the young man that pre- ceded her,