The sun. [volume] (New York [N.Y.]) 1833-1916, 1891-08-09
On a. in sss The ,nishins touch 1. tho draw.

L xonuthS. bh0 Luhuo-up auulTlOn BnuIl.
brown pencil Comicsity is impartod 70 IN
sss :, a, the
the mouth ! with lin rouge. leaving tho other
These meta, Dis OF trcatine ut spplied to the
SSS b.w WI produce . some strange dissulses TOO
under eye!id with gray grease paint Tie
sssSS a,, tue tint the more aged Or slskiy the
oyoid win fses rsy B dnss. ' .n sin aSns
San, wonderia idsi'S by pastlns thin silt
SnHer rim and GU the cheek bone near s t no
t nTride" Of the nose; ~. gauge e siiixei 50
action Of the eyslids,. A. piece o. court plaster
ssE:f ~ a sna each s': sys vii max. M ss,
4; K look large snd lu.trops b. hlagEeninr both
by extending the outer lines beyond the
s hs n. a c19 ns g, ,sm again fHptns
'0r Ehs. are tn ss"s se ea iSy
q nae tooth brush, as tooth nowdor is applied
70 the teeth; The eve Is closed aud tho brush
H. .!'awn over tn" two sets OF lashrs iino
Tho eieIl oTs also have 70 b. doc'or in an
sso Coz &c, e by partly or wholly cchnugins them
W Nv ai'litVu VI IotbB bEOWS. lus lhlS6 DTOW
Gan ~ put on US easily as u postage stamp can
be stuck on y letter by daubiug u little spirit
es s saG"ns nH s ss Troy IN
changed b, ccmOin tho hair OF the eyebrows
e'!h %h Srw "a or aSWnwar IN nr,, 49,,
eyebrow Ia pra tically wirOd out OF existence
s am,nr b. tn same method BY which N
is@porsrIiy. Tue process Is called soSrins
down, ltsonsis,s :ot simply pastpg ne hair
sShy te ss. " sae noSs
S Sns ff%a,,ne Of grease pSin. Hnon 4. rae.
stated me, Rois Ar. followed in all eyebrow
PROV 10 give /. = slightly stohsd sp ta
i nose; shs rsmslnyisT q Tie ;rIsinai brow hay;
smnnas on rna 'ss w
such as is required In q Menhistopheles. The
aSsn1 may MAKE himself beetle. Sy sp;
base In the same way .ns in tho Mephl-tophe!es
lace, Sternn n, nay DO SECURED Instantly BY
heavy. and bushy 81 q false h hair under Il:
sn and saP:a Il: sTs ST
stage s, villains are familiar WITH.
By ne. ere o. Pr
with xresse palnt fhis method permits the
his ears according as his role requires. Tho '
hands and neck IRE ma! 10 up In certain char
taem with shadiue pencils pam pn neck n enS
readily Do made 10 look thin and scrnwny By
The drawing OF wrinkles" Editor Helmer as:
,s Indicates more than any other detail q
Ts ss s ct bs u ass &c
exactly a natural wrintle. and the lines must
be eo q, rnwn. II rawn out Of place or
Hlar!nely mari I'd. The wrinkle Ia drawn fnint.
x at r ..s dssps9ing In tint AZ it apnroaehes
ia Inc RNis
parallel lines on the front Of the fnre-
Rssf OF arosS IL. ea ssD
,lG 81 the mouth and the n,es
msde ansuarly Or vertically at tho sides or or
corner, o; the mouth give, sullen expression.
ihe iin:; WI impart to a naturally stern o iacs
Be- dsspsnod iDsssnsS By drawing a' Inc "s q
white ai% ~, the 0rislua line ~ brown or
invsrlsbly. drawn wilma stump but in " shsd.
H. nsn Is lei Ti,h the nssr H.
ing q applied Is around the eyes. on the tenn.
ssd1 no Soss d q
mouth and On he chin Win prones ' shsdn ms
the most liieiike character masks may, be. Or |
Tie ssvsra ,ln! ms q ii psnt 70 'k'a In
This lat. Charles Fschter set an example in
Snsft ns1 a n %hsS oh Rm .s ny
tors have rroflted BY and Improved upon. ~"
Tsh nns q: 81 .M s
made 9p 10 pads and pasted upon the face and
painted with grease paints. Faces may Be
or riking TRANSFORM atoms Accomplished.
In:ty is also used whore these marked facial
eflee. in eirectinR facial usguises, and is gem
who are not required to mike use Of the oa6.
crate MAKEUP OF comedians, These general
mSns Il sav, or esrI
en- s.. sss on dt the 2, Gs head
sas. q. IL plss IA bsslHd sSe oars VII III
'6lp GomeHws th s'vS S.s aesss
lf 1ss o a. "s suR @f Ssr ss sG
astuSEally lone. Parting ~ hs,r q TIC middle
.sdate repression. and crlmping /. close. az the
parting VII gSe modest and I'd, you,hini as
= eurs worn ov N the iorsh.ad iapsrt cIfi-
~ 90 to conceal reeeding Youth
np tho actor awsys eon 81 s
suited to the stage OF the Metropolitan Opera
House would appeAc 4 friGhtful daub on the
s !. Of the Gazing; Wheneyer ths light e
.nIience are grouped closely about the foot
tights the makeup hss to DO applied IN very
much lighter tlnts than In larger theatre.
The a.! actor also has to calculate upon certain
ilenee IL concerned. and no APPLIES his make.
Dp always 40 that the occupants OF the ssntS
toout the middle a tho orchestra got readily
Z. nest a sIect The . seats are neIther too
This cIre:t Is secured by light his dressing
'S"m 80 a. :" reproduce The lIiht cite Is OF
,lished 6y haynE gas or electric ants 1T
,.ihcr SIDE OF the large makeup pier .Rlas. be-
ore which the actor lit or stands Rfoot and u
aslt Ten the floor. and six i.t from DC oor:
he aetor ian study how MS face. viii look to
NJ cGccHpARR It IN various nars Of the theatre
~ pi This e1pedient Of seeing him, I'll ~ Ills
f"M n s ar ','s I4 hGn aoim.r
aid snthpsinsttcally. and ma reacheI y ONT
ln.fte Greek Of Old, who acted By holding
hoir lIr08 through The mouths OF the |