The Daily bulletin. [volume] (Honolulu [Hawaii]) 1882-1895, 1891-11-07

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Miss Louise Dale. the uu... la.Ua
OF oahu College, gay, q da.4U,u
entertainmeut 40 the .uu.t raum
of the college Ihur.daJ evening. L
was the talented yoQu aJy. b.ul
day, therefore tttii Time b m
augurate The first sefigs of musicale
at fuuahuu since her accession q.
the chair of music lhe rooms wer
exquisItely hedecked With vines
ferns and flowers, Including a soregI
of ferns and tiowefs in Jhe midale %
the room near the piano The lla
waiian tlag was hung on the rea
wall. Besides the students pre,en
IN tull number, there was Il Iarg,
gathering Of the friends OF me col
lege.
After a short while of genera
conversation Miss Dale came 10 On,
front, charming picture Of whole
some New England beauty Nor neatI,
dressed and graceful 6oIre aIorne'l
with large bunch OF roses Sb,
abruptly plunged into am informal
recital of The life Of the great cum-
poser. Each phase an Sehubert, .
character the lecturer illustrated nm
singing and PLAYING one Of his com.
positions. Her proaram consisted M
the following selccllon4,
From "The Pretty AliIle,ss Dopobte,r
l. Longing to Wander
2 Jealousy aud Pride,
prnr, a' 'n,Pa,lTute, \. lg. ,t,,
'rbe IN Inrdv " 'v|I Gp"dy |I,Iaoy pla,or
5. Good Night '''
From "Swau's Song s'-
A Water song
= me f'>Ief Maiden
Miss Dale has rare, brd-llke
voice, and II Is hardly eNtrapagant
TO say mat her piauoplayng is a
reYeIaIIon-ln It's clear and positive
Interpretation Of the spirit Of the
music being played The vlyaoious
ana at The same time lucid and terse
manner IN which the fair lecturer
described the character Of the oom-
poser and his works was almost as
elJoyaDle as the Illustration Of her
theme by vocal and Instrumental
rendition OF Schuberl's w' .c Be
low are gwen bnei notes OF the
lecturc,
'cn"nel1 was o""lPoseF AZ ~
Fe"'e u ~ 80 wore spec'aclea
WHeh " onll1 aio lllousll me, even
'ie'P'ng WIN tpcn ~ 20 U'n, Wlen p
'i'en'o s'luuN s'luuN nm AZ Fny hour' he
'Do'lu pG leoly 'o Plt 'n9 llo'es 10
PaPpr' ~ Nlote over wv songs
anu llo co'nPo'ou ~ 'olls ol music
ooyellpg tle ontre ca,egoly IRON
'ppiop ~ HN1G'ouS, ~ ll9a peeh
'p'a o nun tllat pc oo0la lhf9W
Ppe'l{ 'nlo pFeil az uu'pIUspment'
lle ,l'u eyerytnlne lol oceQmPanl-
~ep'-ln ,p.' iopl, iouhae' . scno9lln
'p'. ',"H'n' p'aNInB "lo "coqIPal''
menI ~ l'alI - 9Ypfy song unllAe lhe
ltallaN 1ppo2' lnoletololo PieYalIpg'
HHlGp 'lueep I1e neo9WPaNllpeht ~
w., w. 3"oN B'pn4p" Ml'7 I''lp tAlI'p aI'
Eept'op g, W W lnlS IpalacIepI'J'o ~ per
,ts. 81, sp,up,'gp, n''''t V!e W2YepouI
~ ~ upP1"s " @",pl - leai,7lloWiy suB-
s'a,'' y U'p 'ppop''p'ppp'
me composers l1satable desire
TO SET something TO mpsle made bin
grasp at any song good, bad, Or ip-
dlllerepI- for Wblell TO construct q
score ~ lbls ne dllIerod iron
BeellQYep, VINO made long oQd eIp-
pQrale PteParallQps l3r Every lWpQrl-
am WQIk, WVl'p' Nlfp cQWpQsedt
Ve WpQlq Wler ana qqfIeal Wllp 4feol
Palp7' ofpVptpl feally SeeMeq 70
Vaye pto0 ~ Wes " ? lalf y
uVWyUVGel 4ltfV IqleellVA lGlDR7
l9gt Ve Gaq Wlllep, .llls f7prpde-
sVlP Wll4 SP4ll pgq y44el was Fe-
lerIr1 haI ~, LDe .l.,l9 9pylpR,@ QQe NM
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