The Sedalia weekly bazoo. [volume] (Sedalia, Mo.) 187?-1904, 1891-10-20
MURDER OF LINCOLN.
Tales Told of the Night of His Assassin.
alton by Ono Who Knows.

Tales Told of the Night of His Assassin.
alton by One Who Knows.
Forty-two years ago / was call-boy
to the elder Booth. says John Z Buck
ingham in Kate Fields Washington;
so you see my theatrical experience
extends over a good long time. For
most of these years l have seen the
theatre from the doorway, and for
nearly thirty of them have taken the
tickets of the Washington theater-
going public. know the faces, l
think, of most of the people in town
who are fond of the play, and have
had the pleasure of admitting many
celebrities to an evening of recreation
from the cares of state. At this sea-
son, however the celebrities are very
sparse indeed.
Among the prominent men in the
last congress who came often to the
theater were Mr.. Breckenridge of Ken
lucky, Mr.. Carlisle and Mr.. Eustis.
President Harrison likes an evening
here, and is a greater theater-goer
than any president since Arthur.
Harrison, Arthur and Lincoln make up
the recent presidential patrons of the
drama. Between Lincoln's time and
Arthur's no president showed very
much fondness for the theater.
l was tending the door at Ford's
theater the night that Lincoln was
shot The impression it made upon
my mind is still SO vivid that don't
like to talk about it. but for all that
there was nothing of the horrible
scene often described. The soldiers
who We're almost Immediately upon
the spot did not charge upon the
crowd with fXed bayonets. as is some
times erroneously stated. There was
very great difficulty In making the
people leave the house. Hardly two
minutes after the shot was fired the
audience seemed to flow over into the
orchestra and upon the stage. This
state of things lasted for some time
until, at the request of Mr.. Harry
Ford. went out to the sidewalk and
spoke to Mr.. Wallach. for many years
mayor of the city. He came in, and,
going as far as he could down the
aisles, addressed the crowd and asked
them to leave. He was well known
and the people cbeyed with tolerable
promptness. and that is the way tho
throng was really dispersed. When
they were finally gone I locked the
doors and quilted the building.
All this, Of course, is more or less
widely known to the public. What is
less familiar is the subsequent history
of the old house. A provost guard was
put in charge. and the soldiers made
sad havoc with the appearance of the
theater. We had. for instance, a
pretty little waiting parlor for ladies';
here the guard cooked and ate their
rations, until floor and furniture were
covered with grease. They damaged
the boxes, too a great deal. and Alto
gether left the place In a sorry con-
ditiOn. Mr.. Ford obtained permission
to open again on the 10th of July
The play was THE Octoroon, and
was billed all over the city. The
provost guard was not ordered out
until the last moment, and after that
We attempted to put things in order as
best we could. The theater was
cleaned. and bought a roll of Grape
and draped the box which President
Lincoln had occupied. We were busy
ali day on the 10th. and l hurried
home late to dress for the evenings
business. A little before time for the
performance came back and found q
row Of soldiers on the steps. Mr.. Ford
came up and told me that he had been
summoned to appear at the war de-
partment and that there could be no
performance that evening. He went
to see Secretary Stanton. The building
was bought by the government for
800. 900. and has not been used for
theatrical purposes since.
l keep as mementoes good-sized
scraps of the wall paper and box cur
tains of the old theatre, but these
pieces have grown smaller and smaller
and smaller, until all l have left are a
few little bits which l have had pho
tographed. have cut off little for
first one friend and then another. until
i have had to put the remaining pieces
under a glass and frame them to pro-
tect them from my own hand.
think Washington theaters are diff
ferent from even the best houses in
many other cities in the quiet and de-
corum of the audience. and the alb
sence Of any large door crowd made up
of people who come to see the audience
and not the play. Ladies come to the
theater with each other and with
out the need of other escort; and moth
ing would be considered more unfor-
tunate by the managers than to have
this custom fall into disfavor. Our
audiences are very varied. for what
calls out one set of people will not at
tract another. and. of course, the win
ter audiences and the summer ones are
made up in the main of different
classes. Still, you would be astonished