Los Angeles herald., 1891-04-10
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THE CARNIVAL.
THE ENTERTAINMENT PROVES TO
BE "A CONTINUED SUCCESS.
The Features of the Performance Yester-
day-An Elaborate Programme for This
Evening.

WhNe not uncomfortably crowded last
evening, the pavilian held an audience
that must have been entirely satisfac-
tory to the managers as far as numbers
were concerned.
/ The orchestra began the programme
with an overture, and the curtain rose
for the grand procession across the
stage for the entire body of participants
II the carnival. The effect OF this pro-
cession OF gorgeously costumed charac-
ters was Kaleidoscope and dazzling.
Then came the tableaux, and for over
an hour the audience would become
hushed and turn toward the stage when
the bell sounded, to look at the pictures
formed by the carefully grouped charac-
ters thereon. The tableaux last night
were under the direction OF the Tenny-
son booth.
ToNIGHT's PROGRAMME.
The entertainment this evening will
consist of Shakespearean tableaux as
follows:
Tableaux from the Merchant of
Venice-Shylock, G.. A. Dobinson An
tonic, ]. F. Blake; Bassanio, D. H.
Burks; Gratiano, J. B. Dennis; Lor-
EMO, v. Wankowski; Salarino, H.
eastman; Duke of Venice, H. Heffner;
Portia, Miss Edith Lemmert; Nerissa,
Miss Breakey; Jessica, Miss Letha
Lewis. i
Tableau l. The Bond How like
fawning publican he looks.
Tableaux II and III. Jessica's Elope-
ment-o Jessica, there are my keys.
b Lorenzo, certain, and my love indeed.
Tableau Nv. The Choosing OF the Cas-
kets-a What find I here? Fair Por-
tia's counterfeit; b You see me, Lord
Bassanio, where I stand; Away to
Venice to your friend.
Tableau V. The trial-a The quality
Of mercy is not strained; b Shylock,
there's thrice thy money offered thee
c "Nearest his heart" those are the
very words; d Is that the law7 e You
take my life when you do take the
means whereby / live.
Tableaux from Othello-Othello, H.
Ludlam; Iago, w. Pile; Cassie, HI.
eastman; Roderigo, D. H. Burks; Bra
bantio, j. X. Urmston; Doge of Venice,
H. Heffner; Desdemona, Miss Gertrude
Foster; Emilia, Miss Moore.
Tableau l. Othello reciting his adven-
lures to Desdemona and her father.
Tableau II. a Othello before the SEN
ate; b Desdemona's Choice. But Here's
My Husband.
Tableau III. Meeting of Othello and
Desdemona at the island OF Cyprus. o.!
My Fair Warrior.
Tableau Nv. Duel between Cassie and
Roderigo. Holdl For Your Lives.
Tableau v. Emilia's Denunciation.
You Told Lie. Othello's Remorse.
OF Desdamona! Desdemona! Dead! o!
olol
Tableaux from Hamlet-Hamlet, G.
A. Vogelsang; Horatio, d. H. Burks;
Claudius, J. F. Blake; Laertes, w. N.
Bucklin; Polonius, ]. K. Urmston;
Marcellus, H. eastman; Bernardo, H.
Clifford; Ghost, B. Sure; Osric, v.
Wankowski; gravediggers, M. Lehman,
I. Barnes; Ophelia, Miss Grace Cochran
Queen, Miss Sada Stewart.
Tableau 1. On the Ramparts at Elsi-
nore-"Angels and ministers Of grace
defend u.s."
Tableau II. In the Castle-"Get thee
to nunnery."
Tableau i'll. The Play scene-"Ill
have these players play something like
the murder of my father, before mine
uncle"
Tableau w. The Queens Closet
My father in his habit as he lived.
Tableau v. Ophelia's Insanity
There's rue for you.
Tableau vi. In the Graveyard
Alasl poor Yorick.
Tableau VII. The Fencing Bout-A
hit, very palpable hit.
Tablesu from As You Like It-Rosa-