The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1891-01-25
Te1( AND DRAMA.
,.hide Moore Coming Here as
Juliet.
,u.n DRAMA AT coRDRAY's.
= fhe Elsa Amulet Of Emma
-. the Fair Diva Musical and
Theatrical Notes.

3 hinges OF Seattle opera-house viii lose the
~ hss accumulated there during the past
s-esx next Wednesday evening, when Ade-
xsrre viii open her two nights engage
n rust ever gathers at Manager Cord
4 Sxss.e The doors are open every night,
- rel The audiences were larger than
- ssThe Ticket-of-Ieaye Man was the
- arecess vet. and the auditorium had
-.stvsrfions than ever before. The Stan
.ss~ed "a IT'S usual crowds, aud had good
!. xks& week fheater. eocrs have Adelaide
4. i sgomeo sud Juliet" Wednesday night.
(. !. spyrmalion and Galatea'' Thursday
y, 4 ne seattle opera. house; .'Thc spy of
80 At Cordray's, and bill of more than
- attractions at the Standard
> ~ xeek we have the Emma Juch Grand
ID Opera Company.
e adelaide Moore, who, judging from vol
ssors press notices. is one of EngIand's most
.,el actresses, win be seen here in the Seat
Il m1rs- house on Wednesday and Thursday
.;svs next Miss Moore is a highly talented
rass beautiful woman, and, although the
-pHes solely on her art to bring her fame, Ii
EreIi.known fact that no woman who ever trod
nsrss professionally WAS or is more highly
aetted than Miss Moore.
~ uecre made her professional debut in
ssbsx.er. England, in 1854, and has since that
,s,sonsted Juliet, in the Shakespearean
.sds az sRomeo and Juliet, oitener than it
.,xer played By any other woman, and she is
srea With having played this favorite char
~ tie Globe tseater in London during last
IN hffy consecutive nights, which is the
-. run with one exception that .Romeo
ftafs Efsft To, har had
1lscshsr OF Miss Moore,s favorite characters is
k-Hre in ssThe Lady OF Lyons" aud her most
Esasisst.c admirers are at a loss to decide in
FIR they like her best, while others again
EIn that her personafion OF Galatea is her
k1fsnryg Miss Moore was the last pupil OF
sslpbrated master OF dramatic art. John Ry-
4 Who also instructed the famous Adelaide
Xrl<au In the technique OF the stage When
World was robbed by death of the lovely aud
kgatsd Nelson, the old master centere6 all his
IVA In his second Adelaide Miss Aoore), but,
ktze be saw the fruits of his labor ripen and
8 r5esf promise. the hand of time sealed the
ran ewes before his adored pupil spread
= he fullness of her present magnifcence,
IN 81 woman and an artist.
T~ Moore is accompanied in her travels by
y mother, Mr.. W. Brewster Moore, who bears
reputation of being one of the most affable
r. ii the profession, being accounted no less
hrewd and honorable business man than
~ delightful acquaintance. Miss Moore, as
kaM Mr. Moore, have been in almost every
Esner Of the world. aud Mr.. Moore has the dis
setioa Of having made twentyone trips across
kAtsntie ocean.
/ lin Noore's supporting company is COM
ND Of English and American artists of
ksnouledged ability and at the head of which
= 6nd the well-kn0wn name of the favorite
tnsfcan leading man. Mr.. Joseph Wheeiock.
ms pleasant task to render q critique on a
MI presented drama, and on the present
kEzzion the effort is made still easier from the
tn that the Cordray company is fast becoming
popular iayorite among seattle citizens, aud
Nj iii who have witnessed 1.-THE Ticket-of-
DHse Nan have only q favorable verdict for
hRgformance.
~ Stage throughout the various acts re-
|n11cd happy Illustrations OF the scenes amid
,hIth the original characters were supposed to
t1& moved, and the special fitness OF every
Ilssntt employed showed that no perfunctory
syiee had been rendered by those who did the
krk
he opening scene in the first act gave very
Of the Bellevue tea gardens
eM London, and the closing scenes In the
kltna were exceedingly realistic.
H. &. L. French assumed the title role and
Anaght out the telling points in a creditable
banner
Mss Margaret Marshall, without any doubt,
~ the finest character in the drama. That il.