Evening star. [volume] (Washington, D.C.) 1854-1972, 1891-09-05
ruH rAILon-MADE 0IRx.


"what superb igursl" exclaimed the man
IN the veranda, a. . slender woman With q
'ull Juno-like bust and magnificent hips strolled |
Town the lawn.
"what superb dressmAker she employs"
the wife at his side. who had with |
quick instinct noted the scraggy |
throat above the stylish collar, the thin, bony |
wrist beneath its weight Of bangles, and drawn |
her own differences The splendid creature
turned and passed again. The figure Was that
Of goddess fresh sprung from Jove himself
The face. thin, wrinkled and haggard, sur
by faded gray hair. The wife smiled
. malicious Il told you So" The man whistled-
Verify, tine fashionable modiste deserves q
place among the immortals, not only for ar
lists feeling in color harmonies and combina-
tons, but for the sculptor's cunning in the
arrangement of hines and the fashioning Of
shapes and forms. The human form divine is
only a clay model to the artistic modesto. She
presses IL in here, packs il out there, shapes il
cleverly to her liking. liz she doesn't by taking
thought add one cubit to the stature of her
model, she adds most convincing and dscep-
tive semblance Of il by the arrangement Of
studied lines and draperies.
1t is unfortunate that the dressmaker's ideals
do not coincide with those of undisputed artis-
tic excellence, that they are inspired by Noshs
Ark wooden women rather than by Phildean
godoesses ana Greclan nymphs and SIRENS The
Stessmakers modenng clay Is cotton oattingor
horse hair. or even the wooden shavings known
as ehceisior. WIN ~ she WORKS her miraeies;
are square snouioers the fancy OF the momenH
Al her women nave snouiuers IKE CADETS. are
nour-giass nS ures she 'niiig! now uniformly
she produces them! Are English waists 'inl'
Her women out-English the English in slender
ness. Or are low busts desirable? No woman
comes from her hand without the beautiful
length of line from the point of the shoulder to
1Io gus, curve tne ontt tlin6 ina. reAi.
pisesey 'L1 al .e' VI VAC l, Gnu
nopeIessi. s.ous Moina % sfi n'si,.
ohu eonip"uNe, P,esseu al heie ~ VIA puiee
sotne"here eiSe "iln ulsas.tous enec' 70 SYM f
lneu.. Du, sue uoesn qui1e iose neal' go
- tnis' ou' i~Nes ~ Az, pu,'ou' H' snse,
IA SGahpless VI soeei ana sn9 n INSIs
ooesn oie ou' nv , '-I 49,, S'Ii
.u6 Su PouHn 80 20 =, 10. in. . as :.
suau sue Va "ni'A l" 'No s'ou' "eN"N'
oeTsnG ,, -.
81 III y. ..tns '.1 r ~
Si'n net ttotlni - 'ne eorset Vi nel par
iaHe ms eoise' 40 moAuoi iui anu Al,i 49,
arrangement, which gives the long, sloping
70 " an anu pun ne
out ue ma ~ ny au' uiuus iu WIG .1
oiy ~ ies reteItess iLps y. a.iu
t.ois nit - Va i N
,h sen ';..S " ~ wiz. sinins o..
va VI sans 'iias sno..u oe me- :.
wherever there happens TO DC most ROOM Jus,
sne pacAs 1er summer u YIN anu
su.s .ne ~ uo"n IeienliesSis upon I've IN IN
u, ~ 81 a:ons WI n'.i. -. :;
a aiioe Vi iiesn a4i ENC enoDiu N"'e' anu AZ
A"Pp!. .,., .,...,,
| no Va 'ne onSo poPuat ous' mn IS
Va VIZ, haIl COIL an eusliols y. VI - ma.
are .oietaIeu now ine woiilih WIN no pust y
an Is tle nlodis.e aelishl, lot sue Is
'as not even .ne olea'o, uiiiisen can ISIS =
sucn ra'isniis curves anu sraeious siopes %
| sue Can Piouueo WIN uei "AruNb au S "na nv
|
llios' ue en- anu ser! niue uus ~ useu
save W M .ue noio"e aoou. 'ue al N, ~.
AZ suPPeu ~. ., 'uo 20 N aI 49,
noiow CHESTS are iaaae 70 iooh iuii anu pea @
iui mian iayeiS VI Tauns eie.e.y pu, 49, !,
| az 'ue euSe9 " iea'o ~ ~
terminates. IroninenI sho9Iuer o.aues ANY any
eonaI oones aie SCI a, oolt Deus Va eo'.1' soP
ing snouiuefs are puii' up, anu Snen Va. III
unaiis nliisneu' 81 su'e 40 NC IL, 20 |;
OF ,Ie correctness OF aus Gu. 'nas a :
"rihAies OF pune sne s'uns VIC oue ..
Wrhkles Win cot.on 70 IhaSe VIC nS t, "a
ra,her lnan uis'uio 'ne' W nef' oe"u'Au' ''iie
Vi ,ue ooInoeI .s, =;
men ua.A iearheuIy oi 'ne Monueliu. ~. IN
PIoseent m 'ne thssHiiue ol mol,.n, "a ~
uehehts Vi pr. sieai cu.'e,e- :. iae'io GU ou'
aoUr eAeIeises: anu sne =; nan 80.
wen Us sue oaii ior 'us pms ~. NJ ~,
more COTTON anu "auuiiis anu "nA'eooie "n'
Ti,i .o,,.,x, ,,.oso,,,,a ;,so,
A.Ls "si yea, ea. ne" pLo.oH ra s,ass,asI .
- ;. ,i :. O.. -,
~, .i a.. - i;'s "a 80 a.
- ma 10 MS i'a';, -. Wi 80
has hoar3 ~ .ha IN ,.;,h ,h. ha,n,if,;
S;res Aa 49, ST. s.r,naIiv ., ;ah from
nipo, W., - ,ha - - hsr r,,y~h,v sna Vim
Ia. pm I., -, L.I ~ u. rs ell or
aa 80 49,. 80, siIaf ;tb or br, a.
-. - ,,,;,.o.sdII,, -, - ,ha nsra,ran
60 az, a',rS - ~: hal;aro NJ, hecansa .
aenu ,,,1o. $50. ,bom howeya,
~. g. a,.o.har -, IT, r. IN sl;r, doe
~. ~. %, .,;.t -, ra,.o,a,ions ~. mon;fast
no. Sup u.t Iii "a ali ,ba CIR
;.f,TI,, oo',lo; M 80 a ,,r.st dsal bes,da
az P" ~, - 49, ~ So nna Inoye
.n.. ~ sne WI .Sa, g.. aso-d 4, "a tiSb,
INA. .ne sn IL. 'an -, .a,,i - h.nea,
uenea:u 1:r,la atr; anu oi 80, ha,;ar 80
t.e min siAeu "soois AZ ~ -.
Oh merlmo of co1'uh. INN su is a -. s,':
cooL ihes wear .ne n s, mo-, -, 90
STOUT giris, VINO never ieei VIC noeu Va ~
3 clothihg, ana s9nle,inies uelea.e, I'M 81.
nave warm wooi pauuiiig woven Lnlo 'ae insiu
, OF the heaNs uen's, especiait au 'y .no a.
around Tue hhe9 Join' anu tae h1.a =; NJ =.
. .high ana mp iuele as enop nei1 AZ w ~.
L iork where THESE .nilso are maui. ~ SCI
~ your jos. q, .ia. =, ,h NJ,
coat anu 'Ie ;tl s,, NC ,ns ~ w
JUST where ne LILIES, .ipni Wy LIS ,,:s;o
VIII Do most iaoLe W .aAe Goiu' ASH. ~
u originateu win .ne Suoi uS Su.s' WIZ NO
9 can these warm .hihes t ~, OF
o oon even pre'eho. ne! YEA. ' toL wal IN