Fort Worth gazette. [volume] (Fort Worth, Tex.) 1891-1898, 1891-04-12


! and has hal the experience 10 know TIA.
ART in tirnts X AZ t,.ll., rs ar in lon skirt;
and seaIsEin sacks.
! OF late have been asked about the .e1
| dency OF stage dress IN the future ! 90 uot
| think tights vii. ever become Obsolete. TO-
| SO long as women are beautiful thC5r i0Im~
! vii Dc admired in their silken tights.
! Now and IEal a protest is heard against
! scaut attire upon the stage. but it seems 20
have TO special effect. II one wishes. stH
can dress in a way to excite adverse con-
| uCnt, but that Is not necessary, even .l
| hesh-colored tights. See what - protes-
! Vas entered against the uIdrapeu L-ure Of
| la, in the ''Clemeucedu Case l. was the
sudden undripllg OF the model hat 81. !
! attention 10 ner nudity. Perhaps 4 l.. l--l
! played throughout the scene wiki her -i-.-s
! on the criticism miUur Hl- '.-- rC-a so
/ harsh. There are certain limits la. llu-
! not be trauSgresseG. ! d. ~ belize. t--
/ instance, II there should Be e. grat.- -r'T.'l.
/ o. the blend. bU-..=pgs, tL-.- .-e - ".--
would tolerate tights without trunks. i-.u
actress who attempts - NcA~ gas w.-h-
out trunks IS going to3 far.
Il any enc has ard Tic GL"s.ln1 OF
tights discussed. hive - .er=-a- N-1a
had my blonde conI11E IL 'ae ga. - --u
more or less 10 Say aoou, =, San l-'-!e
/ '-oYu by the members. Wei, J Cannot 7Ay
! nat il did Us ,.nr harm financially. u,t--se
many persons We're ANXIOUS ~ 80 ~ N-d-
esIy hid been outraged ana. OF course. '-ey
saw s.rt-Stes II proper a:--rc ~ II ~
leSQur
Why. even now, while an p-.t ~ II
farce-colUeUy. / dress III i-,T 'ltJ3.a5--. t.t'--
soc tights Then | change ny costume
several times. lncldcnt;.--E IN Tue I.Irl'
make remark aauC. n" Ha..-h-a i--
men. To show that s1y.'jy II EtLe.'-- .
not so lnto.er2lt O. Women '''' --T-i'- ''-
the stage - tiEh'S. E.vr c:..t - H.. III.
n.. . lob l. = F. .s-. b
tights iot cA.-I-;S not on - -- %r"
\ ok city. No Heu, Il IS trL. "E SO;
m.tjrj 10 sec ;A' SACRED ur..H;t-,. .-.... '--
the ;pTra"a,ie" ''H~ ma 'r upon - 7-..-. IL
tights, Just he SAM. i" p, III Us
ar .S'.c.i..t, rn's" -.ilH7 i!,.- ~ Con t'--.-
AM It Is proof enough Inst professional
women often have - 20 the sIn!e lh--z-
Blr!">QI'- H. order 10 e. r-.1 -..'..! as
che, must no. Ot L4EC appel W. t-t-|-
cry. / found t!at o., SOON = -.Hr q. -.
NY professions. career Na.E' pear q. .e-
Eo- hesitate 10 put women n t-EEt' when
the occasion requires. l-'rH tI' !it. --.-.-
opera IN New YORK. ths' Is p'.t oul.td =
the -Four Hundred. Is ru.'Nct"a .'-U i--.---
of coEtem pCraAeouS human -A,V9H@- -t 81.
ballet. Lei The lf.I@'r dress t1co'-.'.
and any attempt To grow s;.rya~lic o e..
else her VIII IN. 'sr'Elo4slS. A'to'N-.=
10 the poet, 4 MAIDEN ~ Ca"seS- -AiF.'d So
ceeded by knowing 10" 20 er2S'-
The Gu-Ey bile u T;:2olcirJ.
With pancake NOSE al-4 eEr- 60. blu.
hat oe--1 % every age and -
-f''.loos - ~ ~, VIZ
High kicking. rs q form or eEtert r.,urr..
seems 10 b. OF The ware. ti.zh AlrN.ng Is
not necessarily corponeH. PET o. .eEi.-
mate bu-lcs4ue II Ei AIvL:n- "etr =
fad, OF cOCls" -c2ltIlLie O,i-c'que "ol.d
take L lrlg ru.sIt'Id ION ami h-l."e4- r =
There Is a.yat = nue. uppot,-4!'J 10 D-i-
l'squ" 10 traEcStY the iatS and successes
before the pubic
l an often asked b. young ladies' S5--=1l
plating gong ~ the stag "ha- 5rJ;..a u
the dirLrS Is IL" most desirable 70 s-cy-''G
ia Ih..t Is question The answer tn ",.-i.
depends entirely upon he talent I'D ~
pear.nce OF the &sp!rHnt II ,he 0sIrr'.ut Is
q Sarah SelnhMdi, then horse p.4J ilro-
would naEilest.y not be the proper Venice
by which 10 achieve fame and money Il
the aspraut can H1ck very nigh, and iAs
talent FOR dancing high tragedy would not
be il Der line. The "ay L, do Is 10 70 o.
the stage when younE, and no par,icCiAG
line the young woman is gifted i'll will 500.