The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1891-11-01

nation, and tn,
master spirit of that event was P. S. Gil
more. Before that this name had become
almost national from his and his band:
participation in scores of important ma
tional celebrations, but the Boston peac.
jubilee established his reputation frme,
than ever. That peace jubilee gave an i'm
petus to music in the United States thai
was Immediately felt in the organizations
OF chorus societies almost everywhere and
rendered it possible to hold festivals which
but for the comparison with the Jubilee
would be called great.
One such festival is to be held in Salt
Lake the latter part of this week at which
the same Gilmore will preside and where
much of the grand music that was seen at
the Boston jubilee will be rendered by
Stephens "Six Hundred accompanied bv
Gilmore and his band of solo musicians.
These voices have been for a long time
training under Prof. Stephens and have
reached perfection That VIII fully sustain
our end of the concerts.
1t Is nothing to the Getriment of any
other organization to say that Gilmore's
band is unequaled. Most of Its members
have played together for nearly q score of
years, and they are besides the cream of
the profession.
Beside the choruses and the band. four
distinguished soloists will be heard in Salt
Lake for the first time Monsieur i CIo-
dio is great artist who was first brought
to America by Mspleson as primo
tenore Of his famous Italian Opera
company in 1882 and 1883. and
he also saw In opera with Patti on her last
operatic tour of the eastern states, He
has sympathetic voice and is accounted
one Of the beat tenors heard in America in
romantic roles. The Misses Schneeloch
made their debut in Cbickeringh all the
past season and captured the audience COM
pletely. The younger Miss Emile was com
pared by the press to Csrlotta Patti, both
In style and brilliance. Miss Emma is a
rich voiced contralto, and their duet sing
ing is called marvellous in its perfection. ),
They will have prominent places on the pro
gramme. Mr.. Edv ard j. O'Mahoney, the
basso profundo, has been for several sea-
sons with Mr.. Gilmore, and is exceedingly
popular with his audience.
THE FESTIVAL PRO eRAMMEs.
FIRST CONCERT.
Thursday evening, November 5. 1891, commend.
ing at O'Clock.
-overture-"Rionzi". Wagner
sSaxophone Solo-"Image OF the Rose"
Mr. L. A Lefebre,
Aceompanied by French Horn Quartette,
S-Chorqs from THE Redempticn"-"Un-
fold Ye Portals" .. Gounod
Sung By the United Chorus under the sG di.
rection Of Mr.. Evan Stephens
<Intermezzo Sinfonico-From ''Csvalleria
The opera from which this Moroccan is I Sc
lected has been the rage throughout mu-
steal Europe during the past year.
b-Aria for Basso Cantante-'Le All Obey
MI. Edward j. o'Mahony. L0a'n
6-RapsocieS "Hongroise," No. ., Originally !
lor piano SOLO ------ Recommendation
Duet for Soprano and oOntralto-".Vene,
Misses Emiline and Emma scnneeioeh.
s-Symphonie Dramatiqe, known as THE
diminished Symphony Schubert |
by the United Chorus and Grand nd 3 orPas
under the direction OF the composer
lV-Morceau Caracteristique-''In the Mill"
1l-Aria for Tenor--''Ceieste Aida" Verdi Verdi
20 ue,o. Mons Clodio.
r. Shermans March Through Georgia. as
Funeral March
Marching Through Georgia was one NJ tbA
most popular melodies produced during the war
Since that time ii has been played on almost
all public occasions by every band in America
but II remained for Giinore's band to make - |
the greatest sensation OF the dav, when thew
played 1t down Fifth avenue, New York trans
formed into d solemn dirge on the occasion Of
the great hero s funeral Its performance ora
atsd a most profound impression All alonp the |
line, and drew tears from many a strong heart
ihat never quaiieo before the cannon mouth
l3-National anthem-'Colupbia, Gilnore
Introductions, variations for carionets Herr
S;ochight principaD; piccolo (Signor De
Carlo; euphonlums in duet (Messrs. FafYsv
oo ano anu Whlttier); saxophone OR. E. A.
Lefebre): comets in duet (Messrs. Rode ma
Wilder; petit clarlonet (Matus Url: bass
clarlonet, oassoons. saxophones saruso
phones and contra foguvia in unison: flute
(Mr. F. Waeswerth), ending with a variation
OF trombones, helicon and basso tubas. with
chorus in the last verse am