St. Paul daily globe. [volume] (Saint Paul, Minn.) 1884-1896, 1890-03-27
ANOTHER TRIUMPH.
The Wonderful Singing of Batch
ford Kayanagh. the Boy So

The Wonderful Singing of Batch
ford Kayanagh. the Boy So
pranO.
The second kaVanagh concert, as on
Monday evening, crowded the First
Baptist church with an audience repre-
sentative of the best people of Mime
apulis. The programme Of ten num-
bers was carried out more expeditiously,
and despite the fact that each number,
save the last. was eneored, was con-
cluded in good season. By change
Master KaVanagh, at the conclusion
the eemIy haste with which the
audience dispersed on Monday evening
was avoided. Owing possibly to the
constant strain upon his voice, slight
cold. or too. the expected change in his
voice, a slight rOughnesS was noticeable
in the touches of delicate shading, but
aside from this the performance of the
youthful phenomenon was quite re-
markable, and even more charming if
possible than at the preceding concert.
He sang like an angel and looked like
prince. would perhaps describe his
wonderful achievements as terSely as it
could be put.
The first number was the aria, ''In
Verdure Clad" from Haydn's Creation,
which he rendered with great sweet
ness and power. For an encore he sang
1.-The Last Rose of Summer with rare
expression. Meyerbeer's cavatina,
Robert, tot que j'aime," was his next,
which was followed by "Within Mile
of Edinboro,' which was perhaps the
gem of the evening, although angels
Ever Bright and Fair'' at the end was
perhaps the most impressive, III which
the delicious purity of the boys voice
and his superb expression were more
than ever apparent. The enth usiastic
audience recalled him three times be-
fore there was an apparent movement
of the people to leave their seats, and
had not propriety forbid, the youthful
vocalist would have been cheered to the
echo.
The balance of the concert was even
more satisfactory than upon Monday
evening, Henry 3. Roney's organ
overture, Rossini's "Seiniramide."
ty with the instrument having
evidently improved his execution some
what. A. d. Laird. the cornetist,
played two solos most aceeptably, the
second. 1.-The Lost Chord" being
warmly eneored. The Cecilian quar-
tette, composed of w. B. Heath. first
tenor; A. II. Stuart, second tenor; E.
B. Love, first bass; w. Heiepman, Sec
Ond bass. acquitted itself with its usual
excellence. and was each time encored.
Thomas Taylor Drill. the basso, won
fresh laurels by his mastery singing,
and altogether the concert was a rare
treat. one long to be remembered by
all present.
The seats for the matinee concert to-
day at $50 o'clock have nearly all been
sold, large portion to children. for
whose especial benefit reduction in the
price of admission was made. The fol-
lowing is the programme:
R. W. Middleton.
Song-"rhine My Tho'ts are, Mar
garcia" .......... Meyer Helmud.
Master Blatchford n Kaeanagh.
PianO-''Polha de la Refine. ,,......... Raft.
(By request.)
Miss Gertrude Cady.
Song-"The Whale Story" ............ Molloy.
Thomas Taylor Drill
Solo and Chorus-"In fiammatus,h
(Stabat Mater ......... .Rossini.
Master Blatehford II. kGyanah
and
Vested Choir Club.
directed by Mr.. Drill.
"Whistllng Solo, n......". .........Selected.
H. 8. Woodruff.
Grand Aria-"Angels ever Bright
Master Blatchford n Kavanagh.
Henry B. Rooney.
Accom- panists-M Miss Mabel Gage Edinger,
II. ". Middleton.