The sun. [volume] (New York [N.Y.]) 1833-1916, 1890-06-01

lace intsEwSy0n designs ,bn IN 'PSS sIS
P Psis 81 Il he N MacEen4e and M%cdu tartan
have found their way into TashinitnIio na.eriah.
Hundress may not dim, however vandsl-like
her inclination. The skirts Of these dresser
plain finished a. the foSt TisR AJAX n
round. Where they are full no fonndS alton
skirt is needed. few arc made with n. k HlIS
| ice at the back, but . fayortc style is to leave
! inc front AMI back plain. with large square
p9S uTi En ot Witt are we'll suited to wash
| gowns gathered on euch shoulder and CROSSING
on the chest the ends concealed by the Waist wal
filed in with coorod shirt or plastr3n, anu az.
! the full sleeves arc puTed to the elbow OF
| iulled to the wrist IN Bishop style.
The daintie,t OF tailor gowns are made Of the
finest lightcst homospun manufactures IN
color o. the Wool arc cool and soft The skirts
are heavy, of course, perfectly plain 10 front
ranged t. MAKE the weight as Eht as , pOSsidi
bic. There is smart little lacket Dgttonea
The bust 2ns s4Owng b eoGEG U SRa SsS
Of white buckskin trimmed with fancy o So,a
aud silver gimp PHim trp rNend gbags 1Wd
jacket b0dices, as neat as the proyerbinl pm;
ard made up on taor's linen, which IS llght ~
weight and cool with something oil the sou
Cross.cut materials are used for skirts, and
STRIPED materials are arranged In one long long
Iiie ee lines in lont. Which at the back be-
come straight. Buttons. that have 50 long been
@eiI az ornament. and bodices for day wear
fasten with them ut tho back. French dresses
have neither PADS 1teels' nor efe hncE Nath
cred to the bodice. Is allowed to iall careieiSsy
without being caught to the foundation. MN
collar bands are replacing The Medici rolls, and
skirts and bodices arc manipulated with un,
seen and indescribable union, which Is one OF
the important features in the season siashi0hs
Tho "NIerhsto' is tho most daring thing In
bonnets. and T. made of plack tul!e WITH let
bandoau. increasing in heighttoward the front
and caught together ut the back with two up
right wings of let or feathers. lew PINK roses
or some other brilliant lower rest gGyiy an0Eee
to be- A huge brown basket Of brown rustic
straw is heaped with lilacs or l9onrn NJ, tleu
some inunty way. to do service as shade nat
and tho rrianon hat, another Oddly Is OF trans
parent hlack fancy erln2iihe' wth3InSa e sSifh
roses tied on with black velvet strin gs. and has
an aigretto OF Roman berries and leaves
Worth has evolved another tea gown that Is
nothing Ii 1t isn't delicious 1t is yellow but
such yellow-soften purified sanctlied. The
gown begins IL. indeed. II may be said to have
q beginning. with deep pleating like ilonno-
ing falling from the shoulders Of blond. in
sleeve beneath this. almost fitting the arm, is
fastened at the wrist but every movement
sends the fluttering outer sleeve into some
low revelation OF beautiful outline. The gown
$ OF yellow cashmere. crossed in front surplice
ashton, and crocheted on all its edges with
mes the gr iSe i sWoep Of the stuff which falls
hence in indescrbable lines Of beauty: scin.
ilating with the briapcy Of its draP PR of
luatly described Worth would, be Worth no |
onger. Tho masters handwork may not be
pictured by his lourneymen.
Velvet, brocade. and lampns dresses are
nade in long severe redtngotes with under
ihlte. black. or colored nets. embroidered.
lightly gathered or draped, or white. black. or |
ream lace. arranged In the same way; Large
leeves, forming boss on the shoulder, are
citing common and are no longer considered
legant They should be made only very full
leafs thrown forward, and are usually COM
osed OF two or three different materials: for
l1Stance' the upper part velvet. the lover part
IMPOSING are their dimensions that one could
OF carry them out in one material.
In tnts, old-faShioned suOdued subtleties
till prevail. which are indeed intrinsicaly and
nd artistically beautiful, In silk, but in wool
oem dinRy and faded. Reseda. feW de hlie'd.
'cQue are, among the shades most frequently
elected by women of taste. In trimmi nRs
oarse cream guipure. and wonderful cleaning
mbroderies in raised gold and shaded silks.
Transparent materials are tho rage. and
igns is one Of the most effective selections
mong them. particularly when made up in
eyival OF the old ;time three-founced, skirt
Panels are coming In again and promise to
o prevalent during the present season very
eautiful ones being brought out In grenadine
/ a design following closely the pattern Of
oh point lace carried out in black. cut and
ncut velvet on coored silk ground: There
re several ways OF using them. but they are
overlapping the draperies. Lace and embroid-
~ are also employed for those panels. which
i'll refreShingly relieve the monotony OF the
UNIVERSAL plain pettcoat.
The budget OF fashion hints would scarcely
> complete without mention Of the newest
ling in tennis hats. which follow the prevail
" mode in being considerably broadened as
brlm in front. apparently Mt the expense OF
10 brlm In the back. which is very narrow
he crown Is higher at the back and orna-
onted wi tn n large bow. and the hats are de-
Ened to BIO worn vol back on the head.