St. Paul daily globe. [volume] (Saint Paul, Minn.) 1884-1896, 1890-04-13

were SO arranged as to look like long,
loose sleeves. The green satin showed
behind and below the arms. and reap
peared in
A Cascade at Each Side.
Sleeves are very important adiuncts
to the house robe. and most deliberately
fashioned. And let me remark here
that however much tea gowns or robes
may vary in other respects, they all
have trains.
And now about sleeves. To wear a
perfectly plain coat sleeve. except on
tail0r-made gown, is to be tout of the
world" for that is the same as being
odt of the fashion, you know.
To begin with, the newest Worth
sleeve is made nearly two yards long
and of close fit in the width. When
drawn up. it naturally creases over the
arm like long glove, this being
achieved by pushing .lp the sleeve on
the arm and then buttoning it at the
wrist to keep it in place. These sleeves
are appropriate for soft material, cash
mere or silk.
The Medici is full sleeve made over
an ordinary coat sleeve lining. Two
materials are used, the darker being
gathered along each seam and caught
here and there Oh the lining to keep the
fullness in place. The upper part is
gathered on the top and on the lower
edge, ana then is caught toward the
back. A band of galloon, velvet or rib
bon may be
Used for the Wrist.
A sleeve which is cut full enough at
the top to gather over the shoulder.
while it fits like close coat sleeve be-
lou, I1i oil q w
pretty. A flat band at the wrist, velvet
or galloon, makes pretty finish.
Leg-o'mutt0n sleeves fit very closely
about the wrist and are prettily finished
with turned-over cuff of finely plated
muslin or lace.
Very becoming to a thin arm is the
sleeve made with.a succession of slant
ing puffs, on which bands of RIBBON are
laid 50 as to form point on the upper
arm. This sleeve ends in a frill.
Young married women and young
ladies wear tea or afternoon jackets in
stead of tea gowns, although there is
no law against their wearing the latter,
but. for change, the tea jacket is just
the thing.
There can hardly be more charming
the Sta tea jacket. The body of the.
garment may be of similar material to
the skirt. or it can be made of any
pretty foulard or China silk. The back
is quite plain, like dress skirt; the
front cut in jacket fashion, opening
over waistcoat of lace with crossed
straps of ribbon, ending In bow at the
waist. There is lace collar, with
talbot on each side of the waIstcoat, of
the same lace, ending in plain revers.
The sleeves are slightly flowing, cut up
on the under seam and
Trimmed With Lace.
AS to quantity of material. it requires
three yards of silk and four of lace.
Another pretty style of indoor jacket
very becoming to brunette is made of
red satin, with fichu drapery of black
figured net drawn from the shoulders
to a point in front of the waist, and
draped again from the shoulders at the
back and knotted or tied In loops at the
waist. The satin under-sleeve is COW
cred by an accOrdion-plaited over
sleeve of black net. short in front but
increasing in length toward the back.
Blouse bOdiceS of black lace on lin
ing of red, brown, bright copper or lilac
silk will be worn during the autumn
and early winter, as the lining makes
them warm enough for house wear.
They are worn with different skirts,
but look best, perhaps. with a plain
black lace skirt. Another charming
style of bodice for
Young Ladies,
Suitable for almost any material, is full
and cut rather low in the neck, where
it is gagged in several rows. This
gauging is repeated at the waist, the
corsage being short-waisted at the back,
but forming slight point in front; a
wide lace forms basque, and is sewed
telleS of ribbon pass over the shoulders
gagged point, aud end at the back in
short sash loops and ends. The full
sleeves form a large puff, drawn in
about the elbow with ribbon tied in a
bow at the back of the arm.
When sash is worn with the blouse
bodice it is finished off in long loops
only, in preference to the more COM
monplace arrangement of loops and
ends.
Sashes, by the way, though exhibited
in every fabric, are usually of the tuft-
ed silks. With the bouffant style of
dress, MORE, Turc satin and brocade
sasheS were in favor, but with the pres
ent almost straight lines softer sasheS
look better.
What has been dubbed the Louis
Quinze sash is very long, very wide,
very elegant and very expensive. 1t
must reach quite to the foot of the skirt.
Therefore, if the Wearer is tall the sash
must be fully i've yards long.