The morning news. [volume] (Savannah, Ga.) 1887-1900, 1890-04-17
THE rREAsURER's BENEFIT.
The Musin Concert q Delightful Per
Torrance OF High Order Music.

The bEusin Concert q Delightful Per
Torrance Of High Order Music.
The Musin Concert Company gave a
high-class musicale at the theater last
night, before a good-sized and thoroughly
interested audience. for the treasursr's
benefit. The programme and performance
of the different numbers were of genuine
merit. The first number was ''Kermesse,"
by Gounod saint Lains, played in good
style by E1uard Scharf.
The next was "An den Abennstern, +"
from Tanhauser, sung by Sig. Clemente
Bologna. He is always favorite in Savan-
nah, and his singing was much enjoyed. In
response to an encore be sang "Ihe
Bedouin," by Pinsuti.
Little Charlotte Nicolai has remarkably
full contralto voice, and the selection
''BolerO.n by DeSauer, suited both her
voice and style
Miss Annie Louise Tanner came next with
Variations" by Proch. Miss Tanners voice
is one OF phenomenal range. It is slightly
metallic in the middle notes, but it is excep-
tionally clea- and bird like in the upper
register. Certainly no one sings with less
apparent effort, and she has her voice so
thoroughly trained as to cause the listener
to forget all defects.
The opening number for violin, Caprice
w. - ~ -hhSAii, a. iudSDcIl1
ton, and fully justifies the reputation III.
Musin brought with him from Europa. 1t
was so well rendered that he was recalled,
and responded with "Berceuse,n by Renard.
This was SC charmingly performed
that he was compelled by the
applause to reappear and play again.
This time he gave ''Minuett Bocherin. u
Later in the evening he played "Meister-
singer" from Wagner His rendering Of
this a efarufaoa oil
of his merited rank among the most distin-
gulshed violiniSts. In breadth of tone
and incisiveness in color and &c
centuation the performance was simply
remarkable. As one musician remarked,
the brilliant music of this selection is strung
like row of pearls on a golden chain. The
pearls were the meIodious strains, and the
chain, the violin playing of Divide Musin.
His style in playing the next selection,
"Mazurka, composition of his own, was
particularly brilliant and finished, remind
ing one Of Sarcastic. At its conclusion the
applause was long and loud, and Musin
responded with the Carnival of Venice. u
1t is almost needless to add that he dealt out
the true Italian flavor in this piece de re-
sistance.
Mile. Nicolai and Sig. Bologna sang a
duet-''Faborita,n by Donizettf-very ac-
ceptably.
III ochdrt pidno paying was genuine
treat. more especially his encore piece, "The
Spinning Song" from Wagner's Flying
Dutchman."
Sig. Bologna made a decided impress
sion by his artistic singing of "Toreador"
from Carmen. He was in good voice aud
sang this selection in his best style.
Between the first and second parts of the
programme Albert Heubler, the midget
comedian, entertained the audience with
his dude" song, sung in character, which
was encored, and he responded with the
"Y ar's" song, also in character. His physical
endurance and agility was remarkable.
The concert closed with concerted
piece, Souvenir de Strauss" in which the
entire company took part.