The Monitor. [volume] (Woodstown, N.J.) 1884-1892, 1890-11-14

material Things winch CRATE harshly upon
his poetic nature, and he has learned tc
ignore rather than to love the busting,
busy life of city and town. Not many
years ago he declared that again
would he cross the continent, and that
the country to the east of Mount Shasta,
whose rugged peaks he loves so well,
would see him no more.
High up on the foothills, three miles
back of East Oakland. Miller purchased
a fifty acre tract Of land two years ago,
and here he has built his home. From
the doorway of his cottage he views the
Golden Gate and the cities Of San Fran
cisco and Oakland. They are neal
enough to him, he says, from that dis
lance. and he has so far followed his life
as a hermit that he scarcely ever comes
to the city. During the past year his
visits have been growing more infre-
quent, and he even refuses to see the city
people who climb the mountain side te
pay their respects to him.
\ long, winding, narrow path. just
wide enough for q sharp she'd horse TO
climb. leads to the home OF the poet
recIuse. Once upon the summit joaquin
Miller's placeis pointed out to the visitor
by q rancher's child. There IS scarcely
a foot of level land on the poets tract of
fifty acres. Shade and fruit trees, young
but sturdy; plants, flowers and a stray
Cling stone wall cling to the mountain
side as if fastened there and held in
place by invisible strings. The "home'
consists Of three cottages, fifty feet
apart, strange, odd and fanciful build
ings. designed after some weird genius
of an architect. Miller lives in one, his
mother in another and the other me1m-
bers Of the household il the third.
When Il reporter climbed the dizzy
height he found the door of the poets
cottage open. IN the center of the room
was a cot, luxurious in rugs and furs,
and on the cot reclined the poet, busy
with pen and paper, pausing in his work
only long enough to glance through the
open doorway a5 the city below and the
blue expanse of ocean far beyond. This,
as the poet claims, IS his only inspiration
the view Of what man has made and
the work of God as the background of
the picture.
JOAQUIN remains in bed until high
noon. Awaking at an early hour, he
takes a light repast and smokes a cigar,
and then he writes and works necessarily
until noon. When his days task is done
he gets up like other men, roams about
his acres, trains his vines or nurses the
young trees growing on the hillside. His
trees are a passion with him. Even
while composing verses, and while en-
,joying his morning labor in night cap
and dressing gown. he thinks of his trees.
He has gathered them from the utter
most parts of the earth, has imported
sprig, spray and sprout from every
known part Of the civilized world.
Mrs. Miller and her daughter, from
New York city, when the guests Of Joa-
quin at ''The Heights obey the poets
dictate and live apart, as does the mother
Of this cratic man. Each has her own
dwelling place, which IS sacred to the
occupant.
81 believe in personal seclusion," says
the poet. "a man should not be famil-
lar even with members of his own fam
lily. There are times in the life Of every
one when solitude is an absolute neces-
sity. Men enjoy their own society the
best, and, doubtless, women = the
same. Every day men and women in
trude too much upon each other. When
I walk over to mothers cottage 1 stand
without her door, hat in haad, and
knock for permission to enter. The
same is true when she calls at my door.
We meet III common only at table. My
house is my castle, and wen my mother
would not break in on my solitude with
out first asking permission. San Fran
cisco Chronicle.