, 1890-08-30
ART WORK IN BUILDING.
CONVENTIONAL IDEAS DlsREGARoso
BY THE ARCHITECTS.

The Peddie Memorial Baptist church
in Newark is the most recent and most
notable example of ecclesiastical archi-
lecture in the metropolis of New Jersey.
1t is situated on Broad street, in the
very heart of the city, and the pleasing
and impressive mass would attract at
tention anywhere. though it is doubtful
whether an uniformed passer-by would
guess that it was a building erected for
religious worship. The architect, Mr..
William Halsey Wood, has not been re-
strained by the conventional rules of
ecclesiastical architecture. and the only
suggestion in the exterior Of the build
ing of the purpose Of the structure is in
the pointed towers, one taller than the
other, and with clustered spires.
The predominating idea Of the whole
Is Romanesque, though the dome is BY
zantine, and the short, thick columns of
the loggia and the loggia itself are early
Italian. The arches are RomRnesque, as
is also the belt Of sculpture which en-
riches the upper story of the two prin-
cipal fronts. On the apex of the dome
is n figure representing an angel with a
trumpet This figure has excited a deal
OF local criticism. The loggia. through
which are the main entrances to the
church, opens upon a vestibule sheltered
by swing doors Of oak: the inner doors
Of the vestibule and the partition seps-
rating it from the auditorium are Of
heavy plate glass, through which those
arriving have a complete view Of the
interior before entering.
THE INTERIOR.
The general effect Of the interior OF the
building is as novel in a church AS the
exterior, and it is equally agreeable. Low
galleries sweep around the greater part
Of n circle. and there is no chancel. The
predominating tone OF color is that of old
gold, with deeper shades of reddish
brown and amber. The woodwork. with
the exception of the pews. which are Of
sycamore, is OF North Carolina pine,
somewhat darkened by oil. The wood
of the inner dome is unplaned, with the
intention of assisting the acoustic quail
ties OF the auditorium.
The few wall spaces are Of marble and
stone in warm colors. The pulpit, which
y rather low on the floor, Is almost di-
rectly beneath the great skylight in the
eye of the dome. Behind the pulpit
is the baptistery, a somewhat narrow
structure, the door Of which is higher
than the platform Of the pulpit. In the
rear Of this is a decorated screen OF
cherry wood and hard pine, which rises
perpendicularly and cuts of the rear
portion Of the dome. Behind this screen
are the Sunday school rooms, three
stories in height and with an entrance
from the street.
There are six stained glass windows in
the front Of the church, four Of them be-
ing memorials Of deceased members Of
the congregation. Four windows on tho
north front are occupied with one con-
tinuous composition representing the
baptism Of Christ. A landscape and
river scene stretches through the four
windows, and the figures Of the compost
ton occupy the two central windows.
NOVELTIES / DECORATIONS.
In the semi-circular recess in the north
west angle Of the church on the second
floor are three memorial windows and
two tablets fixed into the walls. These
are commemorative Of the life and serv-
ices of the late Henry Clay Fish, for
many years pastor of tho church. This
recess opens into the auditorium through
a noble arch, and affords n retiring room
or place for social greeting for the con-
gregation. An impressive and beautiful
effect Of the interior is n vast arch that
spans the perpendicular screen in the
rear Of the pulpit platform, springing
from either side Of the building and
reaching into the dome above. This arch
is enriched with tracery of n Moresque
quality, and bears on its face in iIlumin-
ated letters the words, These stones
shRii be his memorial"
Opposite this and spanning the recessed
bay of the second or gallery floor, in
which are the windows on the front, is
another fine arch; this is supported on
either side by large, delicately carved
stones, the work on which is of remark
able beauty. To the left of this arch, as
one faces the pulpit, is n small balcony
in the wall, tho entrance to which Is
from the pastors study in the north
tower. From here is obtained the best
view of the interior of the ediice, the
details Of the elaborate architecture be
ing fused into harmony, while the mel
low luster from the great yellow sky
light above falls down in a flood OF
softened color. On either side Of the
church, at the bases of the memorial
arch, rise the clustered pipes of the two
organs.
This church was the gift of the late
Mr.. Peddie to the First Baptist congre-
CATION, of which he was long time n
member. Mr.. Peddie came from Scot
land TO Newark when a young man. He
began his career in Newark as a jour
neyman trunkmaker. Beginning the
manufacture of trunks and bags in a
small way, his business grew with the
years, and he became a very rich man.
This church is the memorial he chose
for himself.-Harper's Weekly.