davidaulloa/AmericanStories huggingface dataset:
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01
BAVER-MEYDESBAUER.
4 Happy New Year 10 the Happy Young
Couple

4 Happy New Year 10 the Happy Young
Couple
The nuptials of Mr.. Herman A. Bauer
and Miss sophie Meydenbauer were eels-
hrAted at the residence of the brides pa
rents. Mr.. and Mrs- William MeydenbaueT.
corner of Columbia and Third streets, st
o'clock last evening. ali present being
members Of the family circle The cere-
mony was performed By Rev. John #.
Damon, and after congratulations and an
elaborate wedding feast, the newly-married
couple took the evening trsin south 10
enjoy their honeymoon. The beautiful
bride has spent her life from infancy IN
Seattle. respected and beloved by an ever
increasing circle Of acquaintance. The
bridegroom is well-known and highly
esteemed, and is very -geherally eongratu-
lated upon the happined which the new
year promises.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01
a SPLENDID PICTURE
Gearws W. TsAser's FIae Llshogxaph 81
TA@aTxsa-

TIE posg-gxrn2tAs Kscss has received a
splendid BIRD seye vtsw uiAograph ct the
caty es Tac0m4 Is Is ths ansss view II
sAe city ever published. hesng 9sxsss Anehes
AL the prominent eGk&snE<. o1ssnsss
ks3G@cs AuI ssssassnSes vita 08er I've miles
81 wAser frsnG Is IS executed IN ossars
glviaE = vsxv Astsacfsve appearance The
pzbliShev i 0earxe w. IFAver. the sci.
knswa cstsnNa and real-sss4ts dealer. OF
Taeaasa. who has eogyrSrAte TIE llsAo-
Efara and al psscs thea On SAFE.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01
nor A LOCAL ISSUE.

OLYMPIA, Dec. -.
To THK EptroR: H. n. No. 90, ensitld an
act TO create commissioner OF technical
instruction and 20 establish state school
of science, which was printed in your issue
Of the 18th INST. and is there represented
as having been introduced in the interest
Of DAYTON, Columbia county, is inaccurate.
The hil is perfectly general in is scope,
ana has no object 20 serve hut the interest
of the state st large. R0nNNr CaaNEs.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

The Interests 81 Purchasers are often Looked
after ~ ne wGa q as xRarStsss aE Strangers
" e recosHnaen& tsst garaons seeking real bsg.
aas IA pgnpers - FsSl "a sc - uake rssssss. ~
issYeStsea * "a 0sss' : = : 4 eixlu9 watee - o.
Grrea Mks Um the hosziewArg& ga s1e Hew
Eagsar lsns. Information 81 head.gAAEseFs Room
& EszTn Ats.ek
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

Green Lake q the uatarai risce tge Seststes
gasie Sst &GsnFS What sfgy kaS saeh lovely
body II watsr accessible 20 is business quarter
Toe aake aRs q shaFe line of over fear miles.
Snd boulevard ~ 'eet vide = SesaE balls
sTsSnd 81 Coed nsnfas. safe boating and low
fairs wli 8ttrxcs the passp8a. For property On the
Ake AnnEr A rassEa . EtIEEa hiflk
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

table ccmFoHns IS. that Il dos not Lose
its e9eet, bur seems 70 accomplish the
ZANE results eoatinnaiiy. Asa LIVER sad
bowel regulator and corrective Il Is pe.-
fecfien. We wuzla nor hs without 81 In
fact have Just bought dozen bottles 70
ges the reduced price" A. n Rcwe. a
80 Jones street, F.. also writes that
si1ce the arss hostle he has lad 10 return
OF his sick hesdaenes.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

Rav % rellkese line OF transportation Bar
o. SssslAes only tsssgseFaza. Buy 90 sAe &Anse
81 aEeeH Lake y Aere car yeu maze saea =
earning h0cae IS - WosSGs = : Usvfssoe
Eoa e&n sut ae pssase4 wlEas E1e properly az sns
aGsrea prices and terns& ABnsy a. hsadQaAz
sezx, Fnofa Ki1ren k.zsak
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01
- Soc r,.nlnr -.

MtA rNn aaa8y. eoramszctn@ Aagass - sTer tas
CgN@0a kAssN4v $ N&alrNgEaa Eaza f@1y. GSTessa
sEoFg G4us and L1ssss PkcsSc rz4kHsys aeswtsa
feFEA11 A. TIE gsssH8rs rsver It's Cz3slae
&LG service are amcxee.se1
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

I'D :" ca pzes l.
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

ssxzs3s eAFeerssgp ans nasb Somsa. esynes
, esl0F HVeE8p aa3 kTozS STREE = 3. $ FL. 4zsaz.
Teas.zietar. aaesazSag skAaa ara kszEsEy casss
- eSE.Eeeskon
GA @asars - neE1 h2a9se
Gssssl2x 9s2s*setR s@sns Scr Kaax aa-x
Ga Fsp~r1 = eenss a sG2Iss
ERA pHaSSLSaes esEea skTxaG4lAe Ast&2sS0& ~ ~
1&f1E-e. 2eFTeas sna sfeesA1 e<NeA aaes16szg
EykRwFs-4s LyEs cszpSE4A1 &eSEtzSnx Ns SO
ka@1<gks 1sarz AID sop<ss Az1 - A4Ss2 Go
eassA We have sE&atA2 sae4zxt94 ake 1Ex4S4as
ENz@&s-1x-2aTy @1Se&esS. EEC4A@ GssS4teS kz11 a.
tsrus u fs@kze &s4e&Scx UE1e. Ensz =
GSa0z4zE SScrk. co<zex Secun1 AK Columbia
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

family have seTa taking.
J0T's v'eza e saTsspArsIiA
How t.zr zsn rs vita spsen-
did resllsx our experience
has hern thai sster sasIag
X rsggziis-ly for a sssoss tine
aaa getting ths system
starsnSI rirhE. an occasional
dsse taercsfter keeps Ire
systsTa e periect eons on-
A V.sszsiariEy Of yuur veve-
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

a. "f7fA tsFF-"" FNsr =
! ..AsAEs t'&sssaa. SBesls, EEL ea a. Aey
-. a.ss4uge q sssaat tao feet, While
- as : eaFgs@ en the Faisrosa az Mock
3. al sasaFisy s&geraoaa. ana eseke
- nssF fbe thtsh. Bs vas t&ksa
@Enss e Aasseafa. distant tweaty
- assA tfpa there aeeasAt ~ Prove
- - avs fasai a0aaay useAt Dg. WaaArl
fN..Fsasy reAanesi fhn fraesa.sa
The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1890-01-01

~. :. tssss'es tAFi@s ~ Champagne
=. sss4sa ssAses aagfax - Ii sea sesss
-. see.7s NAsus. eazlTgssaag y es*srxas
- wssea sssr eae igafsa wSx sss ~
60 hASFA Dry @Anse ssssSess s1zuosie4
- 9asf eg2@d ag ekex ae.2a eas<N
The sun., 1890-11-23

eoarss; could not expect S 70 gaia. shsn: They y
models are the basis q my work: 1 60 out on
women who hn, 9 certain characteristics which
~ xssn SorE put them in whore they
Of his paintinGa Of women. One Of tho most
e woman; G ShSss hssd ssclinsd On her bo,om.
%sa M saTeH 3 no bssa bssS
tinl. Judged from M her features she Is what
color. There is restfuness.. Now, it wouldn't
DO to use a pretty woman to indicate these
Again taking up the distinction between tho
snd bis profess
Ike Tx, the Venus Dc Milo while his oW. social
f. to pn. on canvas ths IDEAS Ia Their minds
are no lonser prodaeed That Is ID doubtess
due 10 the fact that there is not 90 much ro-
used 70 Be- Even in h|s % isr9ss @
%Su %Suesiion OF wha. vii s.idWhst Il pronabls
oeldsn days who spent much time in dreaming.
sh % sSnt .s5guS b bn used Of the
holy tyne OF face. OF course. they painted
!hsy ids.IIzsd 10 no direction @ oi shs tyHs II
face which they wanted to produce belleve
that It may be possible that an artist in love
would have an ideal which he would prefer to
paint above all others. He would possibly
prefer to paint the woman who has control OF
his affections. but with me 1t would be quite
the opposite. ! would never care to paint the
women like to meet socially"
There are two painters who paint figures
very much alike. but still with con siderable In
dividualty Of expresso ion and character. They
are the Moran brothers. Percy and Leon. They
are rarely found In town because they find they
can work bettsr whom not interrupted by call
ers. At present thsy are at their studio at
Eaathampton. They devote themselves to
painting the Amsrcan women OF the Revolu-
women. distinguished By simple. yet strong
chars ,ter: a typical face by each ia shown hers
through the courtesy OF Mr.. e. Klackner. They
can palntcrs outside OF New York city. Az
soon as q painter develops into prominence b,
establishes studio In town. even II he does NJ OF
come to 1t very oiton Among those. however,
who are not much known here ia George Il.
Barse JE. from Kansas City. He has exhibited
In the New York Academy. He has two special-
ties-wld Westorn scenes and society.
With the illustrations Of the types OF faces
referred to in the opinions Of the quoted artists
are illustrations q faces that nre ,amiiar to
the observers Of the work Of ]. Wells Champ
ney. Walter Batterlee. William Morgan Fred
erick Dielman. and Irving Il. Wiles.
The sun., 1890-11-23
HANDSOME CHARLEY DID 1T
The Man Who Precipitated the Attack OF
Fort Sunter.

Fort Suntcr.
II It had not been for Handsome Charley
there might not have been any war bt ween
the North and the South. How 30? Alany
and many q year ago In city by the sea
Handsome Charley went to what Hamlet called
that undiscovered country from whose bourne
no traveller returns. although q traveller had
returned and had talked to Hamlet in very ex-
celeut blank verse only few nights before.
Who then. was Handsome Charley? He WAS
for great many yearS. In the good old times.
and in some respects perhaps the bad old
times. generally spoken OF as " befo tho wah." "
. resident OF Charleston, South Carolina.
Charley used to say OF himself: l am an Irish
man BY birth. an American By adoption, toll
ented by chance. and no coward. by Jasus."
30 far from being n coward Charley was rs
brave as Q bulldog. and was very groat fighter
when 1t was his cue to fight: but he always
helped the weaker party. and In Charleston.
where the people are noted for Warmhearted-
more charitable man than handsome Charley
But why was he called handsome? Was he
:, 10 3. as Aru bsss sS
IN trial for murder in Charleston. about
and hchsrd Ysaaon Wyer % hrh
standing and also editor Of the ChG,leston y
man. was remarkably handsome while Yea
don not CITED Y or satS .hns
Cherley-C;harIes Far.eN better known as
oYeedon-Why ire you called Handsome
Ssallsy.I1l sn;Tsr ,h.. i b, you will tell me
Yesdon-Cs Myname Is Richard and
!hsy ss ss m. me- mnun RSH sn5 6st e am little lame
Charley-That's fair and square. Now tho
Esyson I'm called Handsome charley is this:
: any man WAS a tS ask me who think is tho
Would bs that Mr. Hsyns IS the fandsomest s%'
South CarSlina o paissscdd scd the ordnance % of Sc.
So en sH
Morris Island. and Is surrounded BY water;
Mouitrie. on sullivan Island, II was custom:
ary In those 5ays to allow visitors TO enter and
F0r soab and as had Po Ssa been
oedsd. Anderson was placed In an awk ward po-
sition as there was always d9nce,r that the Fort
S osp Gs
(Macbeth. / think. and also. II remomber
ssrisht, to Gov. hcksns to- attempt lis captnrs;
As e 4sSsea @oad
bad no doubt heard Of Charley's SC oiier, iiS"gd and.
on to ns VA: "a:
iinians unwissly determined 10 attempt to
capture Sumter.
The attempt succeeded; Tor on Anril H. 1851.
IRE BY hot shot thrown by Ripley at Fort
MoultIie. and as the powder mRgaz ne was In
xp Ths s u1sed e.:
North caused Lineoln.: call tos troops and ths
Tss: :sd %ses VI nisS a:i
The sun., 1890-11-23

Mr.. Eastman johnson Is known both as .
portrait painter and q, figure painter. His
typical faces have In them certain cast Of
character WHICH recall. In distant sort OF way.
es r. and G
raj human character. The syN is able to re-.
produce one OF those faces. OF course 1t 10 not
sslble In q newspaper sketch TO bring out all
the delicate TOUCHES that give character and
exDression TO- face. But the , ,susgest!Hn and and
Of the model from whom Mr.. johnson obtained
his ideas. the reader will be able to picture In
his own mind the face that Mr.. johnson had In
his whom he painted this picture.
don't know hss hsSs sny so
SassSa ty"es n and 10 the S oi The
Greeks stuck to this regularity of feature and
produced faees without OK pression. When you
come to regularity OF features there can;
AnssIo's pIodastions Th.y sre lndisidSsi
own iorcs into them. Look ct tho Msdonnss.
They are nearly all alike. without character or
% Bs.a:s e
hS,b: sS.1 ,ha Aoedss a. tSa hfDSts
TRANSIT ration" TSsre is. not = single
figure 10 1t that 10 at all lifelike. You
Ss a. hs s.d's sRs
Of REPRESENTING the different types OF human
ity. instead Of showing tho cnbbler, and the
scholar. the faces are all alike. all 10 long
robes. and all unreal At tho sane lime that
these paintings were made ,t men and and women men
20 through the Vatican you viii see there por.
traits made In Raphasls time which are Just
a, natural as can be. You, realize At once,
when you look 1t them. that humanity has not
The sun., 1890-11-23


consider that certain characteristics go with
certain faces. A painter must be in sympathy
,,t,h M. vorS to rrn,.s. ,,aoS ...,,t. h,,t &
WV ", "o .,ou o"uce soou Iesu''s o. Vu, w,, rs
century don't believe In them"
Mr. Cbarlos Y Turncr left mia mode, In
consider the problems suggested By tho re-
porter. Tho Atter hal arrived at certain
conclnejona ma ,b, rasu,t n. Mr Hunting.
,oa,. usrons., al n' -. . NV. y. o.s M 90. ~ !.
tons remarks' anu was not prepared lor the
different views held by Mr. Turner, but 1t
may just rs we'll be said hero, In his trip
through the studios he found in each indi,id.
least in some respects from every other.
lth!nk. Mr. r.Turner said,thouShiully. that
every artist has some ideal. know thathe cor
.l.,, n,'s ~, u' ms rus pie'
Ter the DARK typs OF beauty. dislike intense.
80 weak and characterless about her A reai.
ly handsome. stately blonde may possess and
express = great doal OF character, And is
eertainlv beautiful. Ncverthcie.s I nrersr
.o'",u.y peau.u'. ., No'efno,e''' l pre,el
The sun., 1890-11-23
ARTISTS FAVORiTE FACES.
FEATURES AND CHARACTsRfsz1Cs
THEY LIKE 70 PORTRAY.

A Besi.nsr May Have ssui.n'iine Type
or Bsauty. but Experienced Artisss Have
Many Idesis-Certaia Typss That Ap.
near In Several susIeets-.rhs wo.Asrfui
Face or . stupia ssd Disrsputasis Girl
ANYBODY who has paid much attention to
the figure painters OF tho world realizes that
nearly every one OF them has certain charac.
toristics by which all his works can be detected
easily. Thore exists frequently similarity in
Ali the faces OF an individual artist which gives
rise to tho Impression that they are only difter.
ant editions OF the same type. From this ap-
rsrent, or actual samenoss. has nrissn the
n p,puar belief that each artist favors . cer-
tain typo OF face abovo al others. This
attaches especially to tho PAINTERS OF women.
Tho idea that the artists heayen-born talent
sets him apart from the run OF mankind is In
berent in the average man and woman. Like
the poet or the musician he Is not classed
with the practical man OF tho world-the
business man. tho lawyer. the broker or tho
manual laborsr. He makes picturesque .
hard. practical world and idealizes existence.
The sun., 1890-11-23

e !ske = dsilsht in her nies garments: she
seemed unable % somprehesd that att her ' 1e I'M:
Do % nsr ss far sso a. posns wsHs
was concerr cd, but didn't seem to compro-
bend why or Tnsrefore That girl for whose
tune da and stupid .s The
ohtIsprlnE q ne gutter. tried e learn where
nS shs hon ser
apa s eIsa ' dsesa.S sT ss TR Rs 81
MHSs t%shSS, ard never found face 50 thor,
70 NsntusEet found her in isil. she hrd sue;
bad Become m d disrenutsbIs. too have ha nanya s1
to q hos
Ssd eVid Entity bssn 3rsns@ittsl tS some "es an.
cestor. Of an entirely different mind and char
ful painting Of her was IN, the character Of
Ss aScS but s.Ss sf:ah Il
S:: ;Sds fy: Az =:
The brunette: prefer BLACK hair and robust
dsieass and exOspsionsiy yse have
pe6utuul DIOnu6 ls MS Doautuul 8b any women
+. Il Church. to whom Mr. Turner referred as
painter OF pure American faces. is very mat
ter OFF fact man. He is tall and muscular, aud
when no looks at an ordinary mortal and talks
~ deep bass voice, the effect is startling and
have no ideal" he said. II paint one
style to-d'y and another to-morrow. ! Ike
beauty OF any kind II 1t Is pure: The similarity
in my faces Is due to maunArisms. probably
that is all don't see how the artist can have
one ideal. He certainly should have no favor
ties. sit down to piece OF work Just 40 any
other workman does. devote my whole en-.
srglss TO IT, FOR 2 momsnt tho face that
with II 1t no longer has any influence upon me.
Sometimes It takes Inc, whole year to get Q
face Just as want IT, Every time touch that
iHGs iq,n, (. occupies my whole attention for the
J, Walter Shirlaw. who Is . painter OF the 10.
male nude. believes that WON manly beauty de-
ponds largely on surroundings. A woman's
beauty. In his opinion. may easily be made or
msrrsd. Some who sre lovely, under certain
preston, be thought. is one OF the ohisi essen-
rop2ddtnT fipcnmstancesi Ss ,tim: an9 place.
right to speak upop this subject, for they don't
give me credit for painting beautiful women:
have no special ideal ] should say that
would combine Mr. huntington's ides In re-
gard to that a. You repeat II 20 me. and Mr.
Johpson's idea Of character. Nv favorifS, So
cially. 10 di3srsut nom my ideal artistlcsily.
The sun., 1890-11-23

GEORGE r. BARsE's PRETTY MAIDEN.
didn't euprose that could be guilty Of such
dRmnabie rot"
down and wrote the following: You ask me
to give you description and drawing Of my
ideal woman. l have no ideal woman In my
mind. may have ideas, and there are many
beautiful women In nature who could help me
In developing these ideas into form. Should
bs my ideal o. that subject To have II mind IpIaa
to express Juno. = Diana q Venus. or an
Amazon seems tn me absurd. There are many
types OF beauty. 1t Is true, however that q
certain family resemblance might run through
o series OF such types made by the same artist
more or less as the 1r.st y open 70 mP1e:-
Our e'ur' idea. S'' o. bsau.y. OF course. cSsnss
fancy Is not often the beauty satisfactory
to our maturity. Constant use OF ono model or
tyne OF beauty by IN artist must argue limited
power, or too much constancy to an ideal.
most accidents! manner. Il Is an open dues.
ton whether We have naturally an ideal beauty.
Tradition or special influence. establishes In
us q predilection for q certain face or figure.
Some illustration In our youthful books may
have helped Or hampered us for half q lifetime.
Thus we are ,m2ded and changed, and this
fact has established principle in Art IT. edpcs, i
upon the minds OF young students. 1t is also
perhaps a question whether other races accept
at once our standard OF female beauty. and I
believe y 10 generally understood that each
nationality lays proper claim to q special type
Of has 1e Ss thai de
therefore cannot give you In hasty sketch Q
representation OF II.
The sun., 1890-11-23
LEON MoRAx's DAINTY WOMAN

ss; ss; Tsss e
Wien hs starts out to paint be has in his mind
;5ss ~Sss sssS s;,:
sae ss,ss Gs love- may "1SG Ing 's sd,ilsa. S
pislmsn's, pictures that the bsauty. always
Ss: Ss:rh hi. 1s ssu fnos s w sa:
often make certain faces, ,Inconsciously. The
artist may have before him certain model
artist paints has q considerable inaaence on
as af. in ss very hs,s ss ans ss
certain models who are praised to the very
theS 1y Of NINE n1a car find 1o,h
isr.. She W was III: tsyoriis of many srt isi. and
Il Az dS0 fa her
esrtainly ahsaatlIul sirl when her ire was II
% eseSie sypsthy SYM % and - pessure s M " iSe VOTE
MO mouth There then hen rasssd sercss her face ace
ouYhiy disgusted. I spite. OF rsso!ute efforts I
could never a1ish the work. She was certain
Dan!eIC. French the sculptor. has his studio
s.$ sa Il sf
a delicate subject to talk about. Could Q
married man coniess s' to having any ny other idea!
inclined to view the questions from humor-
ous standpoint.
Il have no ideal" he said, and no fayorite
typo. The beat answer that can give to your
questions would no Co quote the little poem
entitled Tho Dilemma You remember the
"'Deepsst black or melting blue.
Icannot chooss betwssn the twe''
1T makes no difference TO ma whether q
spsli. ststeiy or oISsrwiss; Il shs has Certain
charactertstics which make her q besuty ol
tho tyne she represents. then she is beautiful
to my eyes. should say that RsphaePs faces
apprpps;shsd d as pear my Idea q tssuty Ss any
into the habit Of using certain strokes which
make his faces similar. This 10 due to a csr-
that make one p mans handwriting dis,inctfrom
don't know that there was very much to II
except that thought that golden curls were a
necessary aceomDani iment to feminine beauty
I iremenbsr islt quite strongly, On this sub;
unless she had them. have NO doubt that
whsn the young artist Is in love his mind Is
Droisrs to all othsrA We can't yet away from
The sun., 1890-11-23

More Certain to Cure Than Any
Other Remedy.

For eight years have been constantly under the
care Of dectors nve years under eminent alopAthio
and three with homeopathic physcianA but found no
relief nor, from what the doctors told me, did sx
poet TO est any better. ! was convinced they did
not understand my case so thought would try D-.
0reeno's Nervurs. and the result has been truly
wonderful now feel in better health than for the
last twenty years During all this time have been
suffering with malaria, heart dissase. kidney and
liver complaints nervous prostraton, and seepless-
For the three months before taking Dr. Gresne's
Eervura had bssn confined 10 my room. and most
Of tho tias to the bed. I feel with the blessing
Of God Or. Grsens's Nervura has given mo now
lease OF life and health. and that am cured Of
all my troubsA have great desire that othera may
Be benefited have been and take every opportunity
70 recommend Dr.. Gresns's Nsrvura to tho sick.
Mra z. 8. BO0ART
Baptist Homa 6sth ~, New York City
The sun., 1890-11-23

through the quaint lanes and streets Of the it, It.
esaue. One day xe we're in one Of Of the he poofest
quarters q the village. While walking through
d5y aa
0oss sPH ass % ana
she bore traces OF former beauty. There was
an air OF dissipation about her, which indl-
oofy oes
form were wonderfully beautiful Even
In wrtnglnR out clothes. there was such an
extra2rdinary beauty Of e!pression on her
he she wss Of Ana medium s02 Reshs ana
slender and %hsS graceful Even from where
ance had its Influence on us We went into
the yard for the purpose Of seeing her nearer,
questions in order to excuse the Intrusion.
AZ the time both my friend and watched the
examination: We were moro deeply impressed
than ever with her wonderful beauty. That
girls face EXPRESSED marvellous character:
her features We're e e1aus1ely esiseied Her hpq
nose was z trtae large. and had Iust a slight
sead ON ns bridge hh dded
s,,t she hsd ed gone , through many trl1ls: Sp.a
Eriof softened by the lapse o; timo. There
was sleo . dreamy tenderness and a certain
something that indicated experieuce-a certain
be attributed to long-standing grief. I stud
led her as long as l could without making my
self offensive, and went awny to discuss her
with my friend. called there again after
ward. and found no difficulty in inducing the
her made number OF paintings from her.
all OF which were satisfactory: but it did not
take me long to learn that the character indi-
was as stupid as could be. She had no mind at
oil. and so little force OF character that she
used to dress .her in her own robes,
so that she might present the proper ap-
pearance for the different characters In which
soon dresses or Jewels Of this Kind. but she
seemed to be utterly indifferent to them. She
The sun., 1890-11-23
OH, DkAR!
Yoa Can't Fool the Post O@ce with This
Joke OF Our Forefathsrs.
A postal card was mailed at Station + In this
city last Tuesday addressed:

On tho back was this note by tho sender. q
member OF firm Of ivory carvers and pipe
make
reach the party addressed the city named
10 3l6 East Thrty'third street
Postmaster Van Cott smiled . long and rom
iniscsnt smile whom he saw the postal and
said: !" Let her 60, The postal was sent at
once to Andoyer; Mass and two days later
Postmaster 4, Maland Of Andover. returning
the postal The postmaster said:
There is no such person in Andorer a. John Under
hill. whose nsmo sindinated BY your postal This In
old ona Leters have been frequently received this
oi,ce Tor many year. stdrrsssd - your oards Prob
ever The address hut h.ye seen - often that know
certain knovlsdGs You're respectfully
a. hAIrLAsp, Postmaster.
"lt,s About time to sprIsg . new one; don't