The Mason County journal. [volume] (Shelton, W.T.) 1886-1927, 1890-02-07
MODERN ART CRITICISM.
What q Newspaper Man Heard and Saw
q Gotham Gallery.


What Newspaper Man Heard and Saw In
Gotham Gallery.
Miss Daisy Chane-My! but isn't thai
dog natural? And 80 like my dear
ovely Tatters, too!
Mr.. Softe Toane Qanguidly, and with
covert sneer)-I believe those blacks
and whites of Won Skoon's are considerd
natural. Nowadays a man must fairly
satnrate himself with realism before he
can get any one to look at his pictures.
This fellow Won Skoon has been i'm.
billing Millais for the last two years
and with bitter irony now, I suppose,
he will become quite popular.
Miss Chane Ito whom modern art jar
gon is an unknown ue)-Mercy me-
I've always heard that artists and poets
and people like that drank terribly, but
l never knew it was as bad as that
But what's that picture over there?
can't quite make it out, but it looks like
thunder storm.
MIR. TOane-Ah, Miss Chane; in the
presence of that man we artists stand
reverently, hat in hand. He has alb
sorbed nature, and now he absolutely
exudes it upon every canvas he touches.
Islands in attitude suggestive of rapt
attention and silently describes an arc
in the air with his right thumb after a
fashion common among artists and con-
noisseurs.) How tender and subtle! See
how the shadows on the hills are
handled, and how strong that figure OF
woman is in the background. How
splendidly she is drawn! You can almost
see her move. To me the whole effect
is as mystic and wonderful as-as--
Miss Chane-But the catalogue says
that this picture is Thunder Storm in a
Hay Field" and that's haystack and
not woman in the middle of it, l knew
it was a haystack the minute 1 set eyes
on it.
Mr.. Softe Toane with superior,
compassionate smile)-Really, Miss
Chane, you must be careful not to let
your taste for realism. or as you would
call it in your Philistine way, what is
natural, blind you to the ideal side OF
art. Now here is something which ]
fear will please you.
Miss Chane delightedly)-Why, it's
newsbOy, and he's had his face all
nicely washed, too. He looks as if his
mother had fixed him up on purpose to
have his photograph taken. l wish
the little boys in my Sunday-school
class could all see that picture.
Mr.. Toane with a sigh of despair)--
All, my poor little Philistine? 1 fear
your case is hopeless. You represent
the misguided spirit of the age, always
seeking the real and the practical, and
missing the subtlety and suggestiveness
of high art.
Miss Chane Cbluntly)-I don't under
stand all that, but l like that picture so
well because the boys so clean, / think
it's good example.
MIR. Toane (abruptly)-Really, I am
afraid we have not much more time to
spend here, but before we go 1 would
like to show you little thing that has
pleased me very much, although there
is nothing in it perhaps that you would
call natural. 1t is by new man, and I
believe l may safely claim to have dis
covered him, although, to tell the truth,
[ have never even seen him.
Miss Chane gazing intently at the
picture)-I can't quite make it out, but
it's real bright, and that big splotch of
tGmson down in the corner is a per-
fectly lovely shade. That girl we met
as we were coming in has bonnet
trimmed with exactly that color, and
Mamie Clingfast-
Mr.. Toane--How tender and subtle
and exquisite! Ah that sky! All, that
lake with the wonderful sunset! What
superb treatment! That man must have
a soul.
Jack Daubley "a practical, modern
artist, soto coce to his friend il told you
shat racket would work. You remem-
Der that piece of bur1ap 1 had in the
studio to wipe my brushes on? Well,
cut it up and framed it, You saw this
thing standing on my mantel just before
5he exhibition opened. That one had a
crimson sky? I tell you it's the same
picture, only decided to hang it in the
other way. and now the sky's lake.
Miss Chane-Do lets hurry, or we'll
be too late for the matinee Exeunt. |
-Munsey's Weekly.