The Austin weekly statesman. (Austin, Tex.) 1883-1898, 1890-02-06
THE STORY OF A SUNG.
SIMPLE ORIGIN OF SOME OF THE
POPULAR DlTTlES.

Other Well Known Songs-One Written
with Finger Nails on Window Sill.
The man who perpetrated that musi-
cal atrocity, Where Did You Get That
Hat9" has been discovered. His name is
Joe Sullivan. He is an actor. This is
the only thing he ever wrote.
Frank Harding, the New York music
publisher. tells the story of how and where
the author obtained his inspiration.
Tom O'Driscoll, the harum scarum
grandson of old Murtagh O'Driscoll, of
Cobbynaul, in the county of Roscom-
mon, Ireland, was famous for his per-
sonal peculiarities. One of these was an
aversion to wearing a "caubeen." 1t
was Toms delight to wander through
the country bareheaded and barefooted.
The fact that he wore no shoes excited
no comment, but his refusal to wear a
hat was distress to his family. The
fact is that Tom did not really need a
hat, for he had been provided by nature
with shock of luXuriant red hair. He
was known for miles around as the red
headed man, and his adornment brought
down upon Tom the anger of his grand
father, Murtagh.
just before his death old Murtagh con-
ceived an idea which he was almost GER
tain would bring his erring grandson to
his ''sivin shmall sinses," and a few days
afterward he died.
Tom refused to wear a hat. even at the
funeral. On the return of the family
from the churchyard, the will was open
ed and read by Father O'Hoolahan, and,
to the surprise of all, it was found that
Tom inherited everything, including the
big stocking of "goold," that could be
found "bechune the tick and the boul-
ster in the ould four posther," on condi-
ton that for the remainder of his nat
ural life he should wear his grandfather's
hat on all occasions in the open air.
This was regarded as very hard con.
dition by Tom, but, possessing his share
of good common sense, he accepted the
inevitable and presented himself on the
following Sunday at church wearing old
Murtagh's hat. His appearance was
ludicrous in the extreme. Having neg
lected to get his hair cut, the hat was
perched on the top of his remarkable
crop of bushy and fiery hair, and the
the roars of laughter with which he was
saluted made Tom almost wish he had
not accepted the onerous condition of his
grandfather's will. From all sides came
jibes and cries of derision, the principal
salutation being, Mother O. Moses!
Where did you get that HAITI"
During q recent trip in Ireland Mr..
Sullivan heard the story as related above,
and, after good deal of hard thinking,
he produced the song, the title of which
has since become household word
throughout the country. An excellent
yet simple piano arrangement was made
for it by William Lorraine, mere led of
16, which materially aided its impetus to
popularity. BY the way, Lorraine is
recognized among musicians generally
as one of the most efficient arrangers of
comic and sentimental music in this
country. This song is an illustration of
what single phrase will do in popular
izing ditty. There is, of course, nothing
of decided literary merit to commend
it. 1t does not even possess the distinc-
ton of good rhyme. But it has an origi-
nal jingle of melody and an easy arrange
ment that go far in making it ego"
with the public. A number of songs
have suddenly sprung into celebrity
which had grown dusty in the obscurity
of the publishers shelves.
Among these might be mentioned
Mullaly's pretty song, "Mottoes on the
WALL" Klenk's "Only Picture" Mitch
ellis "Where Can the Wanderer Bel"
and G. A. Whites tender romanza,
Marguerite. White seems to be the
most prolific of American composers in
the sentimental vein. With the excep-
ton, perhaps, of Will S Hays, he is
also the oldest native song writer. Mr..
White is resident of Boston, and they
say he has amassed nearly half a million
of dollars through the sale of his songs.
His latest and most successful inspra-
ton was the now celebrated "Mar-
guerite," which is being sung By all the
romantic maidens in the country.
1t is fact not generally known that
"Marguerite" was written while the
author was suffering from cerebral
troubles superinduced by overwork. The
original text and melody he conceived
while confined to his home and lying at
deaths door. Forbidden by his family
physician the use Of paper and pencil,
the veteran composer scratched with his
finger nails upon the paint of the win
dow sill the rough outlines of the mel
ody of his famous song, and on his re-
covery he had it transcribed and ar
ranged. For long time "Marguerite'
lay upon the shelves and failed to strike
a popular chord, but within the past six
months the song has commended itself
so universally that it is difficult to sup
ply the demand.
1t seems that the name Marguerite"
is prolific theme with poets and musi-
cal composers. There are no fewer than
six different "Marguerite" songs upon
the market to-day. In the more classic
vein, Helmud's German love ditty,
"Margaritha," is eminently a favorite,
while Farewell, Marguerite, by Board
man, is an exceedingly popular song Of
today, and Whites MY Marguerite Of
Long Ago" bids fair to rival his better |