The Daily times. [volume] (Richmond, Va.) 1886-1889, 1889-03-10

dinncr.iahle he boosted hat the English
captured the guns AZ Bunker Hill "Well.
mashe ihoy did get the gums hut we kept
the hill Mrs Rlgclow's lips were firm
snd trln. g,im sometimes, but they
we're never afraid Of the truth.
Mrs Pierre Lonllard has very express
siye ips They sre straight and finely
cut. and when IN rcpOsc aTe not uoiike
he llD~ of statue. 50 perfect Is their
outline
Mls John Sherwood has very mobile
ins You cen always tell what her mi Oh
from thc expression Of her mouth. She
is a enc cOnYcrsati00a III and knows how
% tax gracefully, which Is more OF an
accomplishment than many people guess.
One might 90 on indefinitely as the
language Of lips a. inrxhaustibie but
tlefe IS danger OF being tire even Of the
ntctilest lips Ore thing ! must say b..
F 0fe olos.ug Never venture TO hiss a wo-
nan unil YOU have laken good look ri
lef lqs The eyes sfe very we'll as far az
.hcY 20, but Tic lips tell the tale after
all
NOTED METROPOLITAN MU'IcIANs.
Among al the musicians OF New York
fsrIc is no figure more interesting than
.h4tof tlo ketill.lrum player IN the Me.
/ -r.psl.tan OpCrl-uOuse orchestra. Eve.
\ Hsb0dy who BIS attended operas or con.
+ cet r. Of the higher oidtr curing TIE past
/ twenty years iu sew York has 70, him.
T sad many, doubtless, have been slruCk
with Che unusual arlor which lie put,
.uiO BIS wo-k The apparently insignin
+ can't part which he plays in The orchestfa,
/ however. usually prescnfs any further
# interest tn him Than curious N0udcr a.
.o Whya man who apparently oppie-
ci.its music so highly should perform
F upon tAe drum rather than upon some
Instrument move @tfAe.icHly endowed.
+ standing as De docs. away 40 The back Oi
fle musicians iu symphony concerts,
sul a. 81 more obscure pInce al the right
band oi 'he leut ai tie opera, De docs no,
suelc.t iho really important place he 0c-
.u.es in local musical cirllos AL thai
no public sees oi h'm IS his almost bald
bead aud smooth face e. Doc hOas up nal
iowa over bis liIms, beating OUT sul-
IHDI rolls al 4.ttliuy thunder or re /
tuning me Instruments and testing them
..fIyas waits iDr DIS next cue
l.acms u.t lis position il the mu-
.ieu community IS ~ vastly greater con-
sequence Than would lo i1 giiei from /
li- hnmo.e place boo the bauG tha' Zoe is /
g0t OILY ons OF Tie busiest musicians,
1nt probably also iho wcailri,s in ihis .
c.'y. 4i.uuut IS Siuu0d Bernstein, .
Otherwise known Hs "-am.'
J. hr bernstein we've not 'mineHtii +
business mao h- NuN.h i1ie "a IAN hl&u +
rams as hn artist, iOf DIS is composer Oh F
DID mean ability. lone Oi his works have +
Ieen publ shed aui some are Telaiacd in p
unoscrlHI. ihp rresfcr pant o. them
l..ug Wholly unidentified win bis name,
irf .ssil tlaf he usually writes over %
1s.uisH.m. and seldom uses lhe same
2seuion}m twice.
Among the bands tlat ho has organ
I'll .li furnished t0 various concerns
81 the Casino Oicncs DOB, Fandsnluckcn's
orchestra. snd prOo3b.r also ile greater F
pant of tHe Metropolitan OperrIouss
0icaestra
ln iAo c'ufse OF L's caIeef Dice las per-
'ofmfi M.ih almost tfr'3 difett.i &" any
pl'Mlntn in Il3 WuDis "oiii. WIN
GILMORE ie utte long tour tnrpnEh
Europe where he played Incidentally 10
some OF tls famous orchestra. there.
Those Who remember SeiJif eXiraOf-
ainsiy season o., Brighton Beach last
car w.ll re.al that hc Wagner selec-
lions were tle most roprla ~ iuas
lul Doe i2d.-d hY the amount oi np'
p.ause received. NeA to .Lcm came
~ pieces ly q icw french composer
uf l.rl in orief of popularity oi al
,le great amount 81 music played tlcte
vta mIuuet i'r fhc stlng orchestra ny
ale bo z1nI ltis de.igtiicl compost
zion, ana invariably brought ont lhe
IDeri tpplAu. B. was pl"f (" as fiu
a'N 's7l,' aH' Do h's Dtsu P'ol'su''',
'~ ma "''1 '"'' ""'-' mann Pa "
','H '-e prog -i'l'No 1913" Nl'oN ''' ,''"0'
W 'nU, is hoA7 ol'ei ,u'u ,aH DsI"
NJ 'n HtIy "l1, "ei pi'.e Oh PoP"'i
-I.'e "L'ou tHe 7ol.I OicHes p" p''ycu
a.. ~, . ,'a.'4 Eva ,, 49, .,d
... .,...,r trs,r ,,lo'w.s tho entsor
.a-ts .e,t,i,f, . r.r.,lsals man H..
s.' f., ...'.. ,,,,,.s. sf,le and
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-, AID TO- M,
...., 49,. b.. .,,,-4i,, de,eud.d
uo.r bv fss' d.rer,or 10 como to nj The
,,on.r cre ln.s- Two performers DO
. "a. bo'1 .ncir d..-inrnishod no.iiiors so
,..,,..f som tl.. r,..s.,. t,st nav NAV h-t.
f.,fbsr an eta 'o.be.s for fh1 ke,,l..
't,..,~ a. '..,,,.e,ati,,,, "a .,sn-ia io..rn-
man, ci.,r +, ,i.or.,,',b s,,,reriofiooofi
100 Nv, -. 7s, IT, tana Win
-. - ',.i,,;Ss s',toi, ,oaed
i.srn 80 ,ior in e'r.,.ssiI, bni IN,
-. - -',, ST. f.fl.s,l..nrl. me-
- -. n.nr ,t,t
w. ,.o' az ,'f-'.P 'P'- T~t
~. 'o'...ioN' W. ,N' D'Cu'o ~ ~ ,rr'
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i'g, '0'" "''''01' o '1'1-' ~ ~ ""' wy
,,-r-,wsrr,,e ,,ov,,,rx,
nv '.' mac ''''
One oil ihe mosi Interesting mo'emsn'
prol in long unr is lusl WAich
1me q TIE younger college women ere
discussing. Ihey pr0p0s 10 attacS some
or our sociological problems on very
practical Side lneir scheme Is nothing
more or isss than - hire house III