St. Paul daily globe. [volume] (Saint Paul, Minn.) 1884-1896, 1889-06-06

and had he confined himself to it, he
would not have called forth much crit
icism. Many times has that Figaro song
been heard in st. Paul. but never was
it heard to better advantage than from
Signor Campanari's lips. Many people
thought Clement cambridge could sing
it, but they received great surprise
yesterday afternoon. This song needs
an Italian who can enter fully
into the spirit and humor of
thing, and Campanari evidently enjoys
singing it. 1t was magnificent, and
drew forth thunderous and long-cOn-
tinued applause, which the sensitive
baritone did not deign to recognize,
which caused much disappointment and
some criticism. Mr.. Ricketson sang
two songs very acceptably, and bore
out the remark made yesterday, that he
sang very well, but his voice
marring the effect. He is young
yet, and with careful training should
achieve good success in the future.
Mr.. BendiX in Handel'S Largo for yiO-
Inns scored a brilliant success. His
lingering is perfect, and he throws so
much soul into his playing that he al
most makes the instrument speak. Mr..
Herbert played brilliant cello solo,
entitled Souvenir de Spa" by Seryais.
He is a master of his instrument and a
'cellist of very great ability. The way
his fingers manipulate the strings is
is wonderful to watch and the music he
produces is divine. The orchestral
pieces consisted OF Goldmark's overture
to 'Sakuntala." majestic composition;
the ''Adagio" from Beethoven's Fifth
symphony, too well-known to need de-
Scription; part Of Goldmark's Rustic
Wedding" symphony. a pretty but over
rated piece, and two of Brahms eX-
Quisite Hungarian dances. All were
played in an excellent way and ELECTED
hearty applause. Miss Aus der Ohe
played Memberships Concerto for pi-
ano and orchestra in G minor, with
that delicacy of sentiment found only
in LIFTS pupils. BY special request
Tommerlatt's Angels Whisper" was
ly music had the same enhancing effect
on the audience that it produced the
previous day. The evening perform
ance drew a crowded house, proba-
bly, the largest of the season, land most
appreciative audience it was, applause
being most generously bestowed. Bee
thoven'S Fifth symphony. or three parts
of it, was the initial number: the Allie
gro con Brio. Andante con Motto, and
Presto Finale were the parts selected,
and the noble music was beautifully
played. SCR. Bologna sang Mozart's
"Who Treads the Path of Duty in
frst-rate style. His deep bass notes are
rich and pure, and taken easily without
apparent effort. They are far the best
of good register, and his voice may be
said to bea really pure typical bass OF
fine quality. In his trio with Perotti
and Campanari it showed up well,
though trifle more strength would add
to its value. Signor Perotti received
another ovation. His first song was a
romanZa from lies Huguenots," to
which the accompaniment consisted al
most solely of violin obligato by Max
BendiX. This song called forth
loud applause, but not nearly SO raptur
Gus as after he had sung ''Di Quella
Pira" from I'll Troyatore." His voice
was perfect, and his rendition of the
glorious aria took the house by storm.
FIVE TIMES WAS HE RECALLED,
and it was only after a repetition OF the
song that the audience was satisfied. A
girl in the chorus threw him flower.
VIII, Which he CALAMITY yo,, raised to Ibis his
and deep obeisance. Miss Juch sang
Her passionate rendition was grand.
Her trilling is that of the nightingale.
and the delight of her hearers will last
for many day. A beautiful bouquet
of red roses was handed to her, and
after six recalls, she consented to sing
again. Gouod's lave Maria" was
what she selected. 1t must be
for i She e'''s sang ''H It divinely and nd
it was not one whit less lovely than her
first song. She threw such religious
feeling into the sublime music, that,
with eyes closed. it almost seemed as.
if the perfumed incense floated before
the sparkling altar lights. Then fol-
lowed one of Wagner'S magnificent bits
of descriptive music, "Waldweben,"
from s'Siegfried." AS the soft strains
of the viOlins whispered the
delicate intricacies of the music
the simulated sound of the soughing
winds in the pine trees came murm Ut
ing through the air. Every sound that
is heard in the forest was expressed in
this music, and the effect was abso-
luteiy perfect. Victor Herbert again
showed the perfection of his lingering
and the grand power of the cello in
the hands of thorough master
by playing Golteman's concerto
for violioncello and orchestra. He
could not be induced to repeat it, though
its reception deserved it. Signori Pc
rotti, Campanari and Bologna then sang
the fine terZetto from civilian Tell"
Perotti's voice rang through the audi
forum like great silver bell, but all
three Of them sang well. Then followed
the closing number. Killers eele-
brated Song of Victory" The best
choral work of the festival was
heard in parts of this, and
the volume of sound in the opening
chorus was all that could be gotten out
of a chorus of that size. MacLachlan
welded the baton in just as good style
as Zerrahn could have done. He knew
his singers and they knew him. Miss
Juch's solos were perfect, and the
mournful tenderness she threw into the
''He in Tears That Soweth''
showed exquisite delicacy of feeling.
The chorus sang we'll together
with one Slight exception in
the last chorus. and the cantata taken
as whole was fitting climax to a
series of five most enjoyable concerts.
The festival must have been financial
success, but whether it was or not, it
was most brilliant success from all
artistic point OF view. While some of
the singers are little or no better than
many right here in st. Paul. it is treat
rarely experienced west of New York
to hear Juch and Perotti; yes, and Cam
panari as he sang yesterday afternoon.
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