Telegram-herald., 1889-06-11

the exhibition. We have here a series OF
small houses, made Of cement for the most
part, the whole series forming graphic his
tory Of mans habitsti0aS You are shown
the primitive homes Of primitive races, the
solid houses Of tho Greeks. Romans and Egyp-
tians the picturesque residences of the mod
ern Turks; you can study the home life of
distant Asiatic peoples In several cases ma
tives of the different countries are present,
and you arc thus enabled 20 hear them ex-
plain their styles Of architecture and also TO
feast your eyes on the inhabitants themselves,
with their queer faces and odd attire
We arc now almost under the famous Elf
Eel tower But what new thing can be scid
ef this remarkable structurcl People thought
that it might obstruct the view on the Champ
de Mars But not at oil. The supporting
arches from tho ground to tho first platform
arc 50 lofty aud large that you look under it
Is Il you did not have these hundreds VI feet
o. iuterlaced iron above you piercing the
sSy Viewed while you are on the grounds.
CT a distaacs, these arches form a grand
frame around the vast building Of the exhi-
bition proper at the south end Of the Champ
do Mars while, II you look IN the other Glrec-
tion, they form A similar framework for the
Trocadero palace On It's hiu across the river
In a word, tho Eiifel tower Is, as the French
SAY, tho cl0u u tae exhibition
leaving The tower behind you and walking
away from tie SEINE Tuu enter the beautiful
narrow strlp x gardens, dotted with trees,
shrubs. f0Ter beds. fountains. and pieces of
superb sta nary which have Ooen the talk of
more than one Sa.on. while to tho right and
cit are tho Palace - Liberal Arts aad the
Palace ol Fine Arts. with the main building
aBd mac achiueTy ball iu front of you.
Turn 60 tbe left aud enter the Palace &
Fino Arts What a magnificent coiiecti0u =
thersi France shines forth more sgIerbly
Esrs than elsewhere ia tbs exhibition. Nos
sonisr. Bounat. Constant. Flezry. Heuaer.
Falgiere. Mercie aud al tho other great Iiv-
Ia sud many 4 the dead painters and sCulp-
tors Il France. whose names are known
throughout she art world have here brought
together maHT - the finest specimens 4
their brush aud chisel Never before has
tiers baon such g wonderful collection Z
modern art under one root
The numerous canvazcs sent By foreign art-
ists also deserve attention. Each country IA
room or tNo ds~otei sxclusivolv % is SEP
arste exhibit is x saio that when the Amer
ican rooms aTe throwr opon they wiE ~ a
revelation % EurCpe. wtt-b stiB inagines
flaE Te can froa1te nntF pork sul Z 81 llt-
lars Great dizsa tistac-}oo il fel- hera tost this
American srt collection a not yet ready. AID
ca sorts = reasons are gwen as the csuse
But oue ressru covers a.. the manacelens
cf the arr exhibit has frou the start bee1
bsaaied or both sides < the Atlantic. and
hers III Psris tte dizatisfsction bss been 4
ti,e most pronounced aasura I do nof care
e. puf the aiane where 10 belongs. although
is woald pot De difscu.- - le 81 &c IS grsas
comfort 10 kaov thas what rll finally he
exhibited v il b. graf creiis o. he co-zurr7,
raa-ever u's7 - saii II t0e sa arr1oor'in2 "a Z
thoRa wt' brcuEaf rh@ cod iecticn toEafaer
Opposite h FaIsce q Fine Arts y one 4
tie nloS- Instructive portions II the exhsii-
ton I refer - tae Fsi,ce of Id1eral Arrs.
whsse you wtii Gsl.l the h.sf1rv ard 3@velou-
uaenr - tha Nerf6s euE1reer-1g uheFrszra-
pbv. peS.a-7E7. ship haildlnE. sr1dxs bu,i-
ng. src Unfwrs1aueiy. s~srytsir,x = - -
bins Ia this sepsrfznenf taat ( sn1 1natfs -
e lnfo 'etsiiS
Between thess -vvo palaces fsss ses-riaed
su5 &actas-7 hsii ,ies a. iasrsersa srs.-s ss-
rofei - er.ilcss gss}sr1e~ ~se~a sra f.fin5 sts
usaai exaila1s q 4 great wuril's f8ir. To- Va-
r.ed preiGcts Z 5Ezsan sk11 All l1zs1El---