St. Paul daily globe. [volume] (Saint Paul, Minn.) 1884-1896, 1889-06-21

ner's ''Rienzi'' is founded on Bulwer's
novel. And, the people OF the North
west must not forget to feel proud OF
DanZ's orchestra.
Dem Genus Der Toene-Signorina
De We're seems. in this piece, to repre-
sent her sex in the struggle called into
existence. The massive cressendos
show Mr.. Srempf's force in bringing out
the related ensemble.
Loreley is the opera that Mendelssohn
was composing at the time of his death.
He completed the finale where Loreley
stands on the cliff invoking the spirits
of the Rhine. Max Bruck added the
lacking portions and first produced it at
Cologne in 1864. Geibel wrote the
libretto. The parts moved much better
toward the latter part. The coda was
too slow.
Concert waltz "Flying Dutchman,"
by DanZ orchestra. Minneapolis peO-
pie need fear nothing i'm comparing this
Orchestra's work with that of any other
feature of the occasion.
Soprano solo. Miss Fannie Wacks:
was accompanied on Miller piano and
was recalled and received flowers.
Prayer. with chorus from 'LOhen-
grin," Madame Stone-BartOn, Miss
Campbell, Messrs. Danckwardt, Campa-
mini. Whitney and Porter, with mixed
chorus. The ensemble was very good.
Gilmore's band. This masters over
lures are especially fitted to the re-
ouirements of Instrumentation which
Gilmore's band, with its massive con-
trasts, its hugeneSS, is embraced and
held in peculiar manner. which aids
its growth a la Wagner. To be near 1t
is not to be drowned, as some critics
choose to think. Loud tones do not
carry any further than soft ones. This
Gilmore thoroughly understands. Any
who notice his gentle transitions will
recognize that subtitle, magnetism
warmth which is born of chance but of
tests of severe penetration. No, Gil
more is not cold, He thinks in ardor.
Without his acute perception. he would
never have reached his present plane
in our country's artistic evolution: be-
cause he had nothing but his own indi-
viduality with which he wormed
through every obstacle. Thomas was
German, and some persons are so light
that they cannot grasp the universally
of art. Gilmore'S Pat will exclude him
from that class of persons who thrive
On reflected rays of virtue. He earned
his position with his companions and
friendships band. First encore was
comic extravaganza, and his second was
pleasing Irish air: and aria from
Mozart's ''Magic Flute" was greeted
with hearty applause. Signorina re-
sponded with pretty bit of Italian.
II Am Roamer''(bass aria) Mendels-
sohn. Mr.. Whitney. Mediocre singers
should learn lesson from this artists
selections. 1t is not necessary to stoop
so much to conquer the people. Our
people are not quite as uncritical as
singers too often suppose. They are by
no means dishonest. 1t is the unedu-
Gated pretender that hinders art in
every country. When an artist does his
duty towards his muse the people will
hear and support him if the knaves
of mediocrity are kept at bay.
Mr.. Whitney has been rover
in the highest spheres of art.
May he bless our cropping nation
with his presence, which means per-
sistent effort for manr yeas to come.
"Three Fishers was his response. He
talks English.
Caprice Heroique. De Routski. In
this number Gilmores band aroused con-
siderable enthusiasm.
Tattoo of the German army "Wacht
Am Rhein." Gilmore's band.