The morning news. [volume] (Savannah, Ga.) 1887-1900, 1889-07-26
. c1psE OF BERNHARDT.

y 7 went fsee SARAH DO'
l1 ! ~Ts' y ring 81 40 for balcony seat,
80 So ~, arietes. on the further ooule-
aaro. Montmartre. Women kept
y Inland did everything ana re,
Or. 10 saylat in this Gaze woman ; h l
6.'nant Immediately OF p9y-
VII .i.I-.I wss asked by the feInaie 10!
iDot0 1.,rovernment stamp 40 n.y.
- ab..re the government exact lllIs
Alol II does upon railroad tlckeUs,
% era not legal without the Ulnore Vi
WY Sio -lov add that 5 cents is the post
s.a'' larte : i'm France, aud the ilnlt -
IIsf { o,nca Every letter mail 10 tne
I Ieli.I c|otes c,sts me % cents TO ~ Genus
,sUsnqDer letters upon the lisn1-
CitiIzstlon and glory ana oe,
.syati,n. bat art AID license ano
- r,arc,urss brI g the stranger H.
~ - IA the Prodigal Son go out 10
5.r;s hare the husks he ate, l dare say
Ia taoder and served q Ia Tour
F4rgt notbar fa-
-. 1;-tv blue-checked muslin, who
l io-G p e. i need around the cart to the
milotA. for money to provide me WIN
he sea I had bong t, ana thlS oelhs ue-
lined br money" TO take care OF my cane
Ind tFbdy's umbrella. Then the theater
5jlei Nh screening voices. shouting pro-
rrammdfor / cents apiece. up ana u,,"n
Esnr vri1us people from $50 10 o;42
Cc'-ck CRYING: Tout les ATtiStS.ao bt!
toyti Hfr ringt confines Seuthent!"
The later curtain conceallng tue great
arr,t France has produced since rachel
b 1ditty medley of advertise tents
- nh and down and III and out like
biii-stiker's dream. The form of the
In tlaster was pretentious, circle
We smbhllished with the names OF all
tx 0rrnmphs.n VINO played here, but
tinfnite PARTITION into loges, etc, 50 as
ket many kinds of seats and big prices,
ahe little house up, like lady's sewing
4 into ulnsh holes everywhere. The
INV or dress-circle was only two rows
al Bshi d it we're boxes, and, and liter
alweat.boxes. for the June weather here
isl orr July weather this year, AID the
alias the smell OF oxygen apparently.
Al 300 little holes pierce the Inning OF
thieater. like pony opera house.
lrchestral space was allowed and no
ndwas vouchsafed for Sarah: the grab
gatspelled the N ses. think | never
saAy stage before which music hal
tott bandUned.
Ftv the seats were about half filled at
S:4jEock. aud a ma with big cane
rapbn tie stage floor three times loudly,
b the hch signal to the audience and call
to ad The curtain rolled UP on cheap,
faded ene. and the s,ar's support was seen
to lhe slave order-cheap people who
wOuldt take read from the poor Queen
Of thEama. 1t was soon apparent that
Sarah husband would not appear. The
Francmerican lady at my side ex-
plal.ed
"helusband uses morphine; he is a
GTeek, h beautiful man; she never was
marfedo ANYBODY before. All her chill
dTen Iai illegltlmate; vet Maurice Bern
hard 4 son, has married some kind of a
pTn$s witt a fortune. Poor Sarah is Il
klndF peudthrift genius, trying nov to
be 1 her debts and save something.
henfs his theater so bare and she work
mg 4heheat OF French tneater's dress
mTt il midsummer.
TArmand Duval was an angular fell
lo|tth stiff hair and no tact. Bern
ia!1ieared, large, now gaunt woman,
boS0E, but with good, long, atfectio ate
arms f1er forehead low, her eyes not very
e2p1ye, her skin pale, she owes her influ-
encel voice which rolls out the French
IKE Flc, giving to this pretty, SUPER
hclaf guage the authority of u sacred
ana ping tongue. She also Is IN arts
OF mt nent, without gesture, except when
Ns1slte,a and then the gesture is like on
uut Il mind taking up pair Of longs
1 - j a. Of n..f,
sqlafUy and arlstOcratlc training, she
las ahole fireplace inside of her Semitic
laluIl and occasionally she rakes the
slaehd you see in her barred face OF
a'ueSe live Goals flash. She knows that
slage yell you dare not imagine that she
eyer 1t before; the lirt!est things she
u-eS thu gs Of study, but the processes
aIe efgulshed. Her movin to and fro
SoenS tcetul impulse, but it is calculated
az lyeJ calculated ike the chemists
Saial'cdo the ounce Of action. You must
" ptlc and your ear open to tell tales
" gel9 that when Bernhardt walks be-
I.u Vl sofa, which is midway of the
Siiase' d acts from it with only her
IIuouueft head, she is not chased there
y ael Of beautiful d fawn-like fear.
"lS uoshany stiking things sitting,
dr. A9nere looking up as she sits pro
CuCes hse OF interest. AS the world
e any," Va "9 hler 1t likes grace, and here is
W. Ne pTal depths OF Afe, 50 TO speak,
Tho It ue IEncios walking about; here is
/ NO. u1au7'ie, but Mary still, who could
i10a ao Uesq Eel the precious wealth of her
M '' e.. al1pNt7rnal ace, ana, lifting he
IA fo WY " gentle was her rising, as if to
'' logIye WAS her art.
ina 4,G I. fonderful there was in this act
Tba' - ~, va ooUhlng, musical and touching.
| md in 't t;' simulated but by genius,
II ~ ui4 your tears would flow.
traS,o oo'er " t9at, like many notable ac-
VGoo' 81 rad strong column of neck
smniau ntlon, EXPRESSIVE action, half
| MI t'y y'o re We're he charms. She was
49, r : NJ Tyou drive and wonder what She
Tia ~ ite II sns sh' I'D run away.
can anV pee itself, now above a third of a
| is the i" and its author living.
kasDt of rruh rsrS!a1 and the most perma-
In a,, npelh Compositions. | was barely
anoToi ~ "a .ce Wen 1t was being read as
eCan;g19tiu seen as play and opera. for
T olt and "TraviaJa" are t. q same.
at tbo ,stray ! saw young Dumas picture
|srest opposition gallery, by Bonuat a
|gray.batacdr alt painter here; it showed a
|Pre1ch tea, strained, aging man, more
|taap mn al, ian n African, though he is a yellow
|He uoa ms grandmother was a mIIatto
{he bsd 'Camllls" at 20, when probable
BIZ tan iflen In love with his mistress and
.kacrisoio her character to be that of q
bid IN one The tale of love is never
Eot wno Hlh, and the act of sacrifice of a
ERth as q noble one. yraota,, 1oyo
paled upo r i've I'VE Tor her FREUD. The tale has
lrt has poL e1e current belief as fact but
(hs Don cue II INTO another reality. like
etroies,SSga5p h n Of Mozart, hideous fellow low
ood pc tS5S absurd ij to see Armand, SON of
no had msd Llt thg idly with this female,
ealousy" 81 supply the selfish passion " and and
e sacri6c 81 u this one man. He had not not
sakor side o een1oeney in art to support the
cung Hoolhty is excusahle bo-1 suller-