The morning news. [volume] (Savannah, Ga.) 1887-1900, 1889-09-24

the milliner for a toque in the same
colors, the business woman, the tired wOm-
an or the woran without tas
is gOwned, and at leisure to
work, idle, or follow her fad. The mod
lste will probably drape these cloth robes
over velvet with velvet accessories, and al
so Increase their cost. A gray cloth with
black applique border over copper velvet
skirt was very handsome.
+ For reception toilets, the most pro-
nounced effect in color is seen in the grand
designs of black velvet and plush on red,
green or gray grounds. For evening wear
the same velvet effect Is produced on silk
and satin but in delicate colors. A pale
green satin with trailing vine in delicate
green's on pink ground for garniture Is
very lovely.
Then there are the marvellous brocades
heavy with silver and gold roses. All these
require the grand style with sweeping train.
l sometimes think if one could grow grand
and beautiful like ones gown it would be
worth while to strain every nerve to pro-
cure the cOstlIest.
Passemen' cries are the ruling passion of
the hour. They are superb, swell, costly.
They form the tablier. epaulets. cap, corse-
lets, girdles and sashes, and when they
reach the hight of $50 yard they are like
our neighbours roseS-to be looked at over
the garden fence.
serves for demi-toilette and dress by simply
change OF material. The low crow is
sometimes fiat for evening wear. 1t is the
most easily adjusted of all styles to the con-
tour of head and face, and admits of the
trimming at front, sides or back according
to the effect desired Its crownitg virtue is
its youthfulneSs. There is one in black vel
vet with jet ornaments at the sides and tiny
black birds in front. Another Tor costume
is of gray CT til with an applique of brown
leaves outlined with gold, aud a yellow vel
vet bow. A theater toque has black lace
flat crown, a roll of tinseled gauze with a
lace rosette and pink rose in front.
The hat with the fiat brim tapering to
the back has also low fat crown. The
French make a high trimming of huge
lace butterfly, scatter purple aSters on the
velvet brim and call it chic. A softer eff
feet is given by loops of ribbon and plumes
or crowds of flowers over the crown. But
these uncompromising brims demand the
observance of the whole of the ten conf
mandments. A little white lie would be
stuffed On the lips of the wearer aud the
flutter Of love die out in the heart. Shop in
it, walk in it, 60 to church in it, dear girl,
bnt don't put it on when you go out with
your hearts hero.
But the felt is the hat every girl loves. 1t
has O wide brim of silky beaver, aud p'umes
and roset es. It is picturesque, daring, al
Turing, deceptive. One is saint out OF it,
but a sinner under it. IL is one of Those
| things no fellow can withs and, and the
pretty diplomat in the mountain nook.
under the shadow of its brim, can land
Eer fish as ever.
The prettiest conceit III bonnets is like a
baSY's cap Like everything l have been
ia king bout it is French, and seems fi5test
tor baby face or saint. The colors are
rose, canary, and pale blue; the trimmings
arc rosettes and flat bows of narrow vevea
ribbon on the top, and Grecian bands. One
is a brown lace straw with a trimming OF
qnail's tails, white lace and bow of green
and yellow velvet ribbon. Another is of
TO- buds with bow and strings of red velvet.
For evening wear is a lovely rose velvet
with jet bands and black tips; and be-
witching Tam O'Shanter in canary velver
and point lace with brown velvet bow and
jewel perc ed on top, and je s. eled cDro-
net beneath. Blondes can't touch these
colorS.