New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1889-04-14
ART NEWS AND COMMENTS
THE WEEK IN ART cIRcLEs.
NOTES ON THE ExHlpITIoNs-E PAINTINGS
r,,r, nrArrps'-Anr NEWS ABROAD.

pioOsOS o,,oo,ron Tbprn will be fully $50 bronzes |
and fifty water cOlors Mr. WATERS mo No, -
Gallery Mr. Lawrence. Mr. Hayemeyer anu -"
American Art Association, which oWHI nuin'' :.
Barve bronzes will be among inc eAhioiVte -
VIC decided early I'm tho arrangements tnae on
illustrated catalogue should be- published ana inc
American Art Association engaged Mr. Charies Oehay
IN furnish the text 1T is expected that TINS 'oiue
will be fully equal to the sumptupus hius~
catalogues published by this firm In tho pas.
Barye Association has been formed IS afeanS a
nounced and the exhibition VIII eeHalniS 10 A'
under suspicious conditions
The sales at the Academy exhibition amount 70
s17 600 The pictures sold since the last une
of writing arc Shadows on the Hls' J; y: nrSso,'
$3.50; "Winter Evening"" W. s. Macy, SIoo, ~
sunny Corner A. B. shepley, S4oi a scrap oI
papers l. g. Hart, $500; sketch and Haystacks,"
J. G. Nicoll, sa5 each; "Iilside," C Bodine, gao
In the Late OCTOBER ". 8. Horton, SlioI mVo'.
rise in September c. c. Griswold Sloo' i"hsn.'
j. Hanson $50; {" At the shipyard,' +. seeV, 90
"sea-Coasts L. woodward, 800; " Afternoon on tne
Nile5 T.. dc Forest, s1To: "watirg' r. Moran,
s4OO; Spring Tlnts," W. C. Filter 49, WILLOWS
c. c. Grswold, S75 Ferry Landine' u Il Uhap-
man, 800, and "Along tho Canal,1 W. D. macy
500.
Two paintings Of especial distinction nave poch
placed I'm tho gallery of Messrs. Cottier d 70 0nU
Is COuTbets After the Hunt the eoihpAni'n -
tho large painting in the Boston Ar Musoun' Gnu
the other IS Daz's Autumn Boh arc iSfso
pictures the canvases measuring probably seven OF
eight feet in height and the Diaz is the largest
of the artist at present in this country. me C"uoo
Is painting Of remarkably beautfu quai'S iho
scone is q wood interior with deep rieh sreshs 'Su
by brown tones in the background AhS ID 't''0
setting for the figures Of huntsman and HOUNDS ana
trophy of game. The bareheaaed huntsman' light
haired rosy-cheeled and smiling, leans against
tree holding out tho fox above an eager ho'hu' Ao
strongest color ia furnished by the bright GEAR ru
Of the huntsman's coat. The drsb knee-oree'chsS al"
yellow-topped boots carry the eye 10 'he Heap "
fur and feathers in the middle Of tho foreground
deer. hare and bird or two. The dead foS' ncn
redbish-brown In color, ID suspended neariy
I'm the middle Of the composition. and Its utter imp
ness is set of by the excited action OF the nouu
beneath. Tho head Of another hound S seen vi
tho right, dashng into tho eompos uon WIN mus
regard for tho convenuonalltles The figure OF the
huntsmau ia an admirable realization Of not ungraceiul
relaxation and the spirit OF the dog Is uhuehiaoc'
The picture Is remarkable for the ltrength, PUTTY PUTTY
and the harmony Of the cooring, a., nsvsr becomes
brutal, and nothing has been slurie1' mus -
different picture from the bn Mus lS Mu Isl pTs
sents A more elevated theme, and ne ulheTenSo ~
class would rraeE SSas The coubc
! I'm the Boston Museum, which Is idnIuar W mauJ
dcor across a waterfall 1t Is much 20 be desired
Thai this admirable piece Of painting ihoud be slaced
| public exhibition
Like inc OouD'' -, tn. - tba q snrlnes
was ONO III .ni, ~ ~ ,,,o AR Arnold the head
! u, the firm of Arnold & Constable It a time when
| Dlaz was unknown TO Americans But the picture
was regarded as too large, or the owner became
Indifferent anu hnAu' ~ =. - n ,hIs paiptino
| the opIlne noN' ''00' - - I, oon
! the hgure ypnSihs Su'u'iiN - Aaood
Ve1tuWanLed p"usS~pe' 1a" :, - ,,,h
| ouvgh
| nynph, with hair OF yelIo"sh V'heS' wv ~ 1t
| gracefully curvng body, nghuy leaning up0h ~.
which bears trophy OF iruiI Ane Suone1S. no'
| Is the clear blue OF the diapery IoOSeS P@s0e $500
| the limbs. The right taLd holds Duh0u Vi iuuU1
| grapes. Just behind on tne len u "~''t 1o"oe
the blue OF tho sky, and on either SIDE ana "a Gao
background are tho warm browns OF trees S'u M
eo~P -, a.. .c,,t,o, DOR 'r,iay remarkably com
hliea and tae eAeS ,S ,-, ,s, r,rrers,o
| plete. Tho Color sohemo uns"' saeesl 80 =.
10 ore, GapsbOrough 10 enothOf, ana porneps Hhs -
sufficient evidence that Da1 succeeded In assimlatng
n p9 iwT "a NO, fSaoss grraer draughtsman
n9 have modified the rise OF tho neck from the
wouh nav s .ntIng % the head aud certain lines
OS"S' W mb Smt there ar, no really serious draw
VI so Fh aesb cooiinr is thinner and colder than
usual but the purely Its interest as an un-
co,n mOs a@bous piece Of work evident II
| posSlo!e ms P n., a tnr y" !, TINE NV
DC i0h' 70 INC uu>'u'n -oi ,,,,.No, ,v,o
ns recently in This city has announced his tention
', -. -. yy u,ui. IN uaka some etohings
OF bringing over W. H. "yhlo " hSA0 SUM S".s
Of Ncw-York Harbor, which seems an unnecessary
| ..u..A .,r wyitis ,vho ,vas eIeeted An Associate
cn0rp'lso' var "S'"0' ~ - 80 b.,an n
Royal Academcian ew mouths s,u.' 80 -
exhibit work In oil in 1868 Most Of his black ano
80 ,.t IA, bean Aone for The London Graphic, =
"i,'V 49," &c - ",,t.o,na ,civ hooks Ono OF his
ana nc mas 'iso nlus"'.u -" - As,,oo,,or
a. Iss3 Mr. willie is A marine painter, and much
!" 100 - 80 - a. 81, Saveral ~ hi.
OF his time Is spent W." u' '"Nn 90, ..S :. h. .,
etchlngs have been shown here and found 10 De u
ucb merit Int there is certainly no reason for pre-
my" "iC''' - ~. =. =, ...,.t, ,,,,o,..p e,cherS
forring the work 10 taat Oh certain american 0
Our own artists have not neglected the waterscape
! hor, Ne, York although they have done less thar
aoou' NO" 90. M. e., ...hod the raS
the malerial lhVileu HI' r'S'U hS' oo' 80 -
River and Bridge, ana Messrs taner ana Nlcoh naV'