Telegram-herald., 1889-07-30

Tx ~AAEa go glss fuapsfrs.
Eas1 cage ~ suzn.s azeure. experlsse-
q llfs - a. i. keasfat saa 80 ssas. i.
sartleaEar.
EalLas98as1 tnsIs at. Iasca4xies1 su
sll.1s. s.e1.< fsaes sessitlss sy11ea.l tss
: s.sle-Als fers-r - vvla tu-
- .AtluE tkoroex4arss - -gSxati,sa
lzaussrs Il s.k1ersEon. co1se.sAes ia
revision. courage ia exc sloa 49,
aslntaatiaz 81 t1ls- tsas brea1th - Iais )
s-le4 arxels humility sud tEas aeptn 81
he4rt ssaos- aaesrstalaiux loys goes -.
il es.rir. =, !. u,...stss
Hs. rarely Ne ever ..s = PLAY
Il i x-n~rsli. .anss.sa that tss stsxs -
sssatss so tae 30. ....ctsys. u rlals
Hos lanfhs6.et
Another .sLerzl s1pposAlsz gee
sstray
AEe stage presents about CDs haRcrel
pisces Co sas play
piece IS ~ l-ors lIke play thzz = usu
lAll l. lke 4lal
pay = creation resultiuz from taat
succession of processes D wllcb mature
converts e1n. eptioa into Organization. and
througa SIC p4lEs u lzb.F ol-omp ilshes
a birth.
piece I. a cofafrttunce coneocfSd o.
Ghe more o. lsss clever conjunction of
amusing. bat generally Irrelevant parts.
Pays. like lives, are evolved. Pieces
Ike toys arc naanufactured-
A piece Is tic artificial putting
together OF iudlvidu uSls and incidents
without reference 20 reason or pro liability
fne ain of piece l. 10 titiiate aud
assOnlSh tho general ignoraacs or the
mass.
Inc purpose OF pay Is 20 Illustrate
u"u' :" his "a sue" H.~i'ns' As 10 e"@fh'
so'e1' suA<I'7n anu eA.AiAo AuhAA
A'@''s-
''07S aiiNse 'u'7 Oi~-n9' Pl9Ss "e4'k"'
So oh7s.
o'e'' '"o pue'"e "'nu' plays
enl.O" ne ni'niS ul'nu.
40 play can possess the fundamental
requisites Oi UNITY conerehoe ahu consist
eaey u"'Sss IL has some one uis'lNc' ana
Joc~' Put pose MS local purpose ABOUT
"hien al me other elements OF the play
mus a" hsl themselves Win uue regard
Tor their respective Importance, may be
elmer 1"o presentation Oi Sumo event
go, '"Aen rom ne OF literature OF ,ne
A,1'9'i~''on u some y p'0"i person~i''s'
- e''' q. 81 - az % ne
rff t.e. "A
- -. -. -
-
".'eh ''"' ''e"'' 'ne "p'A oi 'ne
uiai'i"'is' - NO" - Seie0' s"0n types OF
character az. Sucn s"poruinA.e incident
a. iI", niose II u.'y no.u 'le o'
tho auoience. ana mos. n"'uraiiy iead up
10 the cro"nihS situation presenting the
event thas WAS lAs primal Cause OF nls
cuOtuNDr
When personality becomes the prompt
Ing impulse of play, the authors chief
concern Is then TO invent story that will
supply Incidents consistent with his char
acters, aud affording the best opportunity
OF developing and displaying the typical
traits OF abe individuality that gives focal
interest 10 his work.
A play whose conception is due TO an
idea, demands of its author succession
Of incidents which are the natural conse-
quences of the relations OF his characters,
and which. by their unfolding emphasize
with cumulative force the nationality aud
eth ca value OF the theme which is the
terminating motive OF his cres tion
The PlGu Of Incident makes its chief
demand upon the mind of the Mechanic
The Ploty Of Character calls forth ths
faculty of the PHILOSOPHER.
The Ploy of Ideas implies in more or
less degree the sublimating Imagination of
the Poet. and the Illuminating intuition
of a Seer
The NoSfsr Plolpryioht combines the
constructive faculty. OF the Necbanic-and
the ANALYTICAL mind of a Pbilosopher-
with the esthetic instinct of Poet and
the ethical ardor of an APOSTLE.
THIS marvellous combination is most
potentlv revealed in the immortal nIaxs of
William Shakespesre the Poe. PhiIoso-
pher. who won from learned but crustv
Ben Johnson. the title Of Gentle VIII y
How thoroughly such a title won from
such a cynic suggests the urconscious
grace and unpretentious humility of a
noble mind.
Imagine this great one. whose few
remaining MSS. reveal so many reyisions
and rewritipgs. prating about the danger
of study TO genius. With all his grand
natural endowment be sougbt the socie,v
of the ablest and most enlightened of MS
dav. and drank in the wondrous culturs
of his time with that Unsuitable tbirst
which the eager ewes OF real genius alwavs
nossess for liobt-
nc ,e''ss 'eSse' Sil.ee ones eau 10 Is