Telegram-herald., 1889-08-24

Physical 411 a~s1sl fseullsfit.es
dead EAslit a. opsa ksaAs-
Ckiro-rsych0.zetrF 3 tls technical ualae
o. D4-l1ssery ~ tie Fe,-.l1.k ~ g1ss inh-
s.l-aL 1l4l-.c1ss ls1-ls troA a. ex1L1lazlsa
--d az lltsrpfsLzE-ol q tie l411s k--lls-
~ Is cider tLAa - Es1re. painting ~ u-eli-
c-ls. IL = o-1eT --41 1s9ars il.e1, ia Il
t--s 11nslzseE Era1ls-0l< u .1s rell.tesl psAss
LL-srs 4rs -ls-tlex s-4s-o1s ~ tls orsFs<-
~-rElors aa1 re Sr4l.-sst sl-zs c-ls--liag
t-e gr-1sLly ps.lLAstsT. - a. CE-els sA->s
alyst3c messages ~-fs ~ tie uzoe- s1cre1
c--zact-r-za1. tslcs, of tas greatest la
p1r-a1es. t-lirls-ry 5 AZ zrt slIl I1ilo-
-p1ie1l ce-ss. 4 se So -lcc Justification aLa
pTac-lc--ly sef-l application II l. - pale
s9pnlc ID "a prlLei r-es - = any theory 4
-ls I1l-n sE1 relationship Il tLs tl1lAL 49,
1Dd Doty IL Is - s-icltine il is souu14-
Iigus, m-lhos1s al1 res4i-s painting, I1lzlc
sr medicine, lor tie tec1nlQ1s IL tbsss de-
par-lI11Ls = scleasllle, sk-ls tke pfzcticai
application : always an ait La eOmL4ol
~lln medicine. palu-lstry uas human 4natOL2y
for a seisugiIc basis. aud ~ c0nInon VIII
palnlinZ ooi0rs zld shades are az important
,scfols. while form Is a. much essential
Z Is in scal p-ure. Paln.lstry. therefore. 10
be aE al successful must, llAe sculpture.
painting. medicine or music have al artistic
Application Of ils philosophical theories An1
s1-enti'lc foundations and methods.
WHAT PAIM.sIaT IA
Any oae of ordinary mental capacity can
learn tho science ana understand he phlos-
ophy II p...mistry. In It's practical Use.
however, tie artistic ability OF the palmlsJsr
is THAI which giges charm, en teItainussnt
and usefulness. The pLllosopAieal basis II
p.4lniztry Is the doctrine that tie soul create
the body for itsa1, and That tho body Is
naturally good, exact, easy and well fitting
suit Of material clothing FOR the spiritual
soul The body Is. therefore IN the Likeness
u the soul within IL, because the only pecu-
uarlries Of the body are those impartsi - Il
or Impressed upon IL Oy the ind"ehing soul,
which has developed the body Ter It's hAbita-
ton, eonven!encs and Use.
Then II Is an old and sacred occult maxim
that al the powers Of tho man are osatered
ia the hano-or represented by the hand.
The conclusion Ii, therefore, that the hand
IS 20 hin who can translate It's divine hero
glyphics, the likeness and the representative
OF the soul The scientific foundations Of
pahu.stry like ali other scientific bases, con
ful examinations and the more or less exact
veriiications OF tho theories above stated
waen put TO the test Of practical application
PainIisrry then, practically, Is the transla-
ton OF mammal pecuhar!ties into mental
characteristics, and 80 far as the palmist Is
accomplished in his art, can read from tie
hand, Of his client MS tor herr physical
pecuEar!ties, temperament, appetites, pas
Il
meuts, character and tendencies
The palnister does not suppose or teach
that the character i dependent upon the pc
cuAarities OF ths hand, any more than that
the time Of day depends upon tho position OF
the hands OF the clock, but that just as the
hands OF "A good clock Indicate the time OF
day, so does the peculiarly Of the hands IN
dicate the character OF the individual A
man Is not a mechanic or a musician on ac-
count Of any peculiar shape OF sizo OF his
hands, but being OF any definite character
mentally a man IS provided with hands which
are the best adapted to fully and promptly
give expression to his special abilities
The term palmistry is somewhat mislead-
ing, for it gives rise 10 tho common mistake
that the art is confined TO an examination Of
the palm and the lines therein found, where
a. the fact IS that every peculimity Of the
entire hand is considered by the intelligent
| hand reader
GYPSY FORTUNE TRLIERS.
Palmistry. as practiced principally by the
! gypsies and even less perfectly by a tow un-
prinGpled or misguided preteuders, US
means OF fortune telling has never been rec
/ ossnized hy intelligent artists other than
/ pastime or a harmless delusion, and at the
/ present day the art is used almost entirely in
/ delineatiOn Of character, while the fortune
telling feature Is left 70 the ignorant, the
curious and the superstiticus. 1t must not
/ DC inferred from this thst the fortune telling
/ palrnists, and especially .hs gypsies, read the
hand at hazard This would be very far from
tie truth for nearly every one who pays any
attention TO this line OF the art works in ac-
eordance with more or less definite rules. 50
that any fairly experienced palmist-even
though mistaken-would read substantially
the same fortune from the same pair Of hands
at different times from memory Of tho
hands, but from the application of whatever
rules lie might be in the habit Of using. Moro
than this, any number Of well instructed
gypsies would read substantially the same
fortune from any pair Of hauds within @ few
/ dags Of each other, without any consultation
CT colus.0n with each other
No one has two hands alike. The left hand
that Is, the less active band-alows more
nearly than the right hand ones natural or
Inherited pecuiiariues, was,s the right heni,
or the one more active, always exhibits more
/ fully the acquired characteristics. This dif-
ference il hands, which Is universal. informs
the palrnist as 70 which way TIC man or
woman Is growing, and Is therefore one II
TIE KEYS by which 70 unlock many of the less
easily solved mysteries q the soul Hand,
I differ indefinitely n Sc, ranging from the
extremes Of large and small! and this differ
+ euce extends to tbe three dimensions, - TINT
bands may De anywhere from long t. short,
from broad 70 narrow anu from thicE 10
thin. and usually each pair - Aands differ
one from the other Ia these three ,.ei eiticuiars.
Chicago Times
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