The Pascagoula democrat-star. (Pascagoula, Miss.) 1878-1920, 1889-09-13

LEARN THE ART OF LFlvu,
visitors Who Garnet Eeal4ze IT,,
are Making BoreS Of Tbsuas'

VINO Sahnot keaE1ze IA
are Making BOres Of Them,.''.
when Madame lie St,.I
NeinAr win The ayowa5 vi
tIoh OF intellectually c", ~
The llterary lions Of the ,l, Y'i tu1
and Schiller, she made 10y w. uo5
mistake, She staId too Iona ne d
wrote TO Schiller: ~MaJann "e
Slael is a bright, en'erlai"i in,le
SON bnl she ought to knmnS 4
II IS lime Ia 60" '" wy
il is evident from inr,, "neh lo|
ed OF her journey Thai shes re- Igs"|
Know how to 90. She Iingr,e"'IIu N
she had Started. Ii is r' AZ
ller MAJ at one place after Sh''
ordered her carriage and ""r d
Ell her intention of enan'notl
me morning she started ac r"s
.lol' she vigorously kepl nm max
was SO near noon that her ho. " Y
n"Si'Sa could but press her ~ a.
Tor luncheon. This over wa
NerSallon Was again reSnn,ed 20
allowed TO flag until it Was :" U
evening that The strained co"1 "V|
of her entertainers conld In" ',e1
geSt HAT The horses be taken r su'
me carriage, which had vai'al "|
the gate all iav, ana thai x H,eeu ~
another night which ,he dld ''a
1t is DiNraeli who. in ,.La,b,;.
puts III The mouth Of Thee dora T n
sediment hat no one SbomlJ a., 4
lay good by. but in pairing she e'f
Jade away like a summer cTo ,ll""i 4
Is probable that the grea, S'", \
man and Lovelist Woe this artev]
p9F'lrg interview vi h some on1
who hal bored him with laJ;O On3
IareM ellS-who I'm lersIooJ moi, M
lfl OF leaving. For in The narroD
Isl anu choicest circle of l%rienI]
'h'i acquaintance there are usual
y some persons The pleasure N
! no VI 1t; or calls, whether Al
business or OF Pleasure, is marrei
" the fact hal they do moi seem|
0 KNOW now TO go. For when 4
flehl or a caller departs we ara
l'her glad. sorry or in iaerq my
! we are glad we desire to be brief,
we are sorry The quicker The
alniIl scene is ended The better.
we are Indifferent we grrldge the
raj; on our lime, if We are busy
5 me most OF us are. with The
ressing affairs of life.
The art oil leaving is less under.
ood by women than bv men, The
ablts of busingss, The recognized
Ct thai 10 a business man lime
money, The Ihrong and press
1T eXac ingness 5f business HE
| tend to make fen who live in
hes the best possible EXEMPT rs
the line art of leaving quickly
neatly. a business mans So.
call is usually "A molel OF cool
lnners in this respect. When he
$ sid Whit he has to say an
teneI to what there is TO hear
takes his hat, SAY Cool even.
:; and is ont Of Your presence
gi' ing any time or chance
the too Often tedious and EN-.
raising commonplaces of mn
i invitations an promises 10
! again which seems to be a KIM
social formula with women. In
KING contrast with this neat
| sklll!ul me'hod o cutting short
passing words OF an interview
coll is the 100 common social
OF visitors who. common
: TO leave, seem Temporarily 10
II Ion their purpose AMI then
,er rs though il were a kind of
p'lment to The Visited parIylo
ear loalh TO part company,
o does not dread The visitor
star S. then thinks of some.
E else to say rises, and thinks
another subject OF converse
ne lrly reaches the door aud
has another revel REACHES
AMI then has another re.
lion. reaches The door. and,
probably holding it open. is
sed 10 a degree OF mental bril-.
" hat threatens his health
In It Of his host, IS by long de.
ng of both in a cold draft
= he disconr>tSE What ajax
re patience ana p"lltpness of
listener, who vaiulv strives by
instantly to every pro.
ION TO end The interview and
The restraining bond of pc.
ltenliun.
e equally annoying counter.
Ut The tedious caller who ,loes
Understand The art of leaving
nj In The person who seems
MS 10 detdin the caller a..
Ing 10 leave, and who makes
>ts or introduces new subjects
nversalinn Mt The critical mo-
The art of leaving on the
the visitor needs 10 be sup.
bv he ART of letting 90
parl of The hos. "Welcome
oming. speed The parting
) is a classic maxim of good
y. july and August days are
'tive of the prnpriely Of OBJ
2 and praclIcine both Of
arts. bnI especially The fine
leaving.