The Seattle post-intelligencer. [volume] (Seattle, Wash. Terr. [Wash.]) 1888-1914, 1889-05-09

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racstristzo Of her Art. set. xstissi. IL ssss
81 noue&7 fupfraoa4zfon kklxf khe
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SH ire part yssepA r. Griarnsr ably
kk1ytta h1s felczted wife IN their sss-
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no Squire Hersfera In .The Cal.
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nxxe numfsef Of yaaaryexl seats hes
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d ffn1edfeuuez. win npnea- Il, .ssfeg, Me-
:1lleas : md LADY MneEefh speaxinr az
20 {rnAgsehek'z impenonafson Of
Hex iNaynItxs. Boston paper says:
~ - mF<fux ~ dtscssss Madnmc Jeua1-
eGtsk 3f1ofHnsexfx4tkou OF tho cid xfbrt--
y e % biraxelf. po<<iisIy With the In1en.
- g emehaxfxiuz the fact that abe IL -
- isa1xsd fron the Vulgar forfane Tell
!zoN ne bFpora -s1sek creatures of trxdi-
ga4 Mose Than once calls hsr~it H. forfsz.
~ necessary to oezin absDIuteiy
3 NO Ne spoke 81 IL . year ago Is in
1e1l!np.e and impressive. exqatslfeIy hu-
mn ~ IN 1nleter moments and almost
supGfhuMen In it, crises Of emotion. and
20 xeuntkxd fhen that nothing else npon
~ xeefe WHs '1nort deeply irhuef with
ne xeutinc tragic grandeur which our
4eg Aua ngk always true artistic methods
saye well nigh polished out Of existence.
e Tar IRON nEsafBx 20 modify this opinion
: however impeffertiy II naay Be expressed
we desire rather, here 70 assert with re-
leNfd force. II possible, ita essential truth.
livery ore knows that Meg Merrisses, /"
Grief Ia point ef time a. are
lFf appearances bpou the stage. com
'lsfely Dominates the drama Her char
rEer II capable af selection into tolerabse
1npsc eiemiinfs; bns this sery kimplirstr,
szahiued III Il IL with q grandeur Also
ufsiy awful IN Its highest phases. makes
he presentation Of kseh a character q
'fobiem Of faauv Inherent difficulties. Ii
oar arfn conviction IL came 20 as
ast evening With sedoablnd foree-that
kadame Jsnaasrtek Is the only living
rtsst WAC eeuid cope with these alfilcni-
les successfully. No oue else, at least
Ipan the Enxlish stays, represents tho
areiy tragic IN arr 50 pre-eminensly as
be s1oes.