The Memphis appeal. [volume] (Memphis, Tenn.) 1886-1890, 1889-05-11
Tue THIRD WAGNER CONCERT

PROGRAM.
FcstspIcl and nrautlcd from Lohengrln Wagner
Wagner Quartet Club.
Symphonic No. o, u Major.
Andnntc Allegro Andanic....... ....... Haydn
New York Philharmonic club
''''''' W Wv Ms iicciy Levy.
yioiluccllo solo . Adagio
''''i"NN'' '''' b, Turaniclln. Topper
Mr. Emil schcnck.
=, Evening SONG hohninnnn
- N'''''" New YORK philharmonic club.
NJ Vol u rHmo, irum iucfcEa noiria.... Donikclu
Miss Marie X Grcrnwood
Violin solo-f,iTy Dance .laSrini
Quintet -Adagio schcr1n ............s ladnssohn
Plano. two vlolins Viola aud Vininccllo.
Mis- Carrie n. keatlns and New YORK fhilhar
monte club .
Tanantella ........ NV X naxlfond
Mis- becky levy.
r,u,o soio H. Celebrated lArgo...........:lI Handel
Nc EnEone wcincr.
Rakocry Manch lby fc'lucsll ... Lisa,
WAGNER Quartet Club.
Grand Nnlso De tnnrcft. uigi Ncnfano
Miss Marie :. Greenwood.
4 iolu an nal -.............'...'...-...E' Gilieu
Now York philharmonic cub.
The third In the series Of tho concerts Of
the Wagner club was given last night at the
thcatcr 20 crowded house, comprising
the elite Of the conccrt-going public, who
evidenced their cultivation by spontaneous
appreciation In loud aud continued
applause Of tho first number by the
New York Philharmonic Club. soN-
tct by Jadassohn, composed expressly
for the club, and which was substl
tutcd Tor the symphonic number three In q
major Of Haydn. This club, the first among
ensemble organizations In the United States,
hal not been heard In this city since they
/ appeared here at Miss Carrie Kcaiings debut
concerts, but they easily renewed their nc.
quainiancc with tho Memphis public
by a pcrccptihlc improvement In unison. In
promptncss of attack, In breadth, sympathy
feeling and expression. Il was impossible
10 resist a comparison between them aud the
/ Boston Quintet Club which hal W recently
appeared on the same stage aud 20 the
least tutorcd or experienced Il was made
plain that the New Workers without
trouble borc Oh the palm And they did
this individually as we'll as collectively.
For their second number they give No 8 on
the program. aud afforded line contrast
In their performance Of the Evening Song Of
schumann, and the Cuban Dance Of lIon.
mann, the latter appealing 10 the popular
taste, while preserving the consistency OF
the club for high class programs.
There Is nothing morc plaintiye, exquisite
or soul reaching than the Evening Song
~ interpreted by this club, and In their In.
tcrprctailono f Hoffman, they quite prcscry.
cl the quaint pccullahiIc' Of couccit which
nro characteristics ot all Spanish music. II
has a rythm Of IT, own that Is pcryadcd
by mere thread of monotone like a
throh Of sadness, n pulse beat Of sorrow a,
" death Wa near the dance. a. Il sometimes
u at the fandanrus In Mexico.
% the Quintet - Adagio sChcrEo
Of Jadassohn. In which Miss Carrie Heating
took the piano part, too much cannot be
said In praise. Tho audience had realized
how happily and with what nne effect Mr.
wcincr had blended his d ute with the string
instruments aud they wcc now 10
! r'aliEc with what consummalc art
Miss Heating modulatcd tho piano
and suboriinaied II TO tho purposes
OF the highest art Even Ia tho forte and
passionate passages she held herself In check,
and was IN every note and passage thor.
oughly In unison and accord with the strings
from which thcrc poured wealth OF
tenderness that won tho sympathy Of
the audience In the most Intent, We
J had almost said intense silence aud hearty