Idaho semi-weekly world. [volume] (Idaho City, Idaho Territory) 1875-1908, 1888-06-05
ART IN the HOME.
Why None Rut Pictures OF Real Meri
Should lie Given House, Room.

m fVS"E-
Why None Rut Fictnres OF Real Merit
should he Given House Room.
Most men get their chief education
in the school of life and not in academic
halls, aud even those to whom fortune
opens the doors of the university sell
dom take home with them the knowl-
edge Of any other art than the art
poetic The arts OF drawing and
music, it Is true, have at last bcgun to
receive some attention in our public
schools, and this is well. Instruction
In the art design Is also easily obtain
able in most Of our large cities. The
fact. nevertheless, remains essentially
as sfated-that what most people know
about art they have learned without
instruction. simply by using their own
eyes. Skill in art they have none;
knowledge OF the principles Of art. lit
tie or none; appreciation of art, more
or less. according to the degree in
which they have been favored by cir
cumstances.
II follows that the home must neces-
sarily be the chief nursery of art for all
but a favored few. But how aud 10
what extent is home education in art
possiblep Certainly very little can be
done In the way Of technical training
apart from competent instruction; but
that which is of much more importance
than any formal schooling can be ac
quircd by most namely, some appre-
f.ia of Il all IL,
whatever appeals to the cultivated
esthetie sense. In point of fact, even
now. in our own country, that home il
the rare exception in which no picture
hangs upon the walls, to bear witness
to at least the blind cropping after that
which shall satisfy natures longing tic
see either her real or her ideal self
painted upon the netted curtain Of the
human eye.
The influence Of dwelling habitually
In the presence Of striking work OF
art can hardly be overestimated.
whether the work be of such char.
acter as to debase or to ennoble. The
pencil Of the artist is bribed to make
the den OF vice doubly alluring to the
intoxicated senses of the reveler, while
the glowing ardor of the religious de-
votee rises almost to ecstasy MS he
gazes long upon some vivid representa-
ton OF the tragedy of Calvary As are
the pictures upon the walls Of the home.
so are the pictures hung invisible to all
but ourselves in the chambers of the
imagination, where, night and day,
they make much of the real world in
which we live. Whether we dwell day
by day with picture or with human
being. the influence of the companions
ship is hardly greater in the latter case
than in the former Who has not. at
some time in his life, been forcibly inn
pressed by the circumstance, utterly
meaningless in itself. of his eyes seem
ing omeet the gaze of portrait hang
ing upon the wallp Beneath the sub
tie influence thus streaming from a
lifeless canvas, many Il beholder no
doubt. has been swayed as by super
nal power, and felt himself urged on
or held back in some debated course.
II is not every work of art which has
an ethical value; but the picture or the
statue which simply charms the eye and
goes no further may yet fulfill worthy
mission-tor the simple enjoyment OF
beauty is as legitimate an affection of
the mind as any other. So that the SEN
timent Of the work be pure, we need not
demand Of it a moral lesson.
One good work of art does more to
beautify the home than crowd OF in
ferior productions. 1t is better TO save
our pennies for years. until with the ac-
emulation something really good can
be purchased, than TO fritter away our
resources upon what will give no last.
ing pleasure. Let us, il possible, have
pictures which. from their excellence,
there is no chance OF our ontgrowing
This is far from impossible. even to
those whose circumstances necessitate
strict economy. now that the sun has
taken to being an artist aud furnishes
70 ali corners excellent fac-similes of
the best that the skill of man has ever
been able to produce. The camera. the
graver's tool and the printing press
have brought to every mans door a,
most every treasure of art. - ChautaH-
guam.