The Abilene reflector. [volume] (Abilene, Kan.) 1883-1888, 1888-01-19
FIRES IN THEATERS.
Safeguards With Which Every Place of
Amusement Should BE Provided.

Amusement Should BE Provided.
Perhaps the most generally discussed
and it might be fairly assumed the
most generally accepted-safeguard
is the iron curtain. Taken for granted
that the fire in most cases originates
on the stage, the very natural idea sug-
gests itself that the first thing to be
done is to sever the connection be-
tween the stage and auditorium. In
fortunately, the iron curtain is not al
ways an infallible safeguard, for al
though it probably prevented panic
at Munich i'll 1879. yet the Berlin Ma
tional Theater was totally destroyed in
1883. despite the iron curtain and use
of incombustible scenery. Iron cur
tains, too, have an unfortunate knack
of getting out of order just when they
are most wantod. so that until they be-
come more easily accessible in cases Of
sudden necessity. their utility is ques-
tionable. That they could be more
easily accessible goes without saying.
Were they, to quote the happy idea OK
the practical editor or the Stage.
painted and used as act-drops." there
is no good reason why they might not
be utilized in any emergency. The
more general use of electric light in
stead of gas might be another means
of lessening the number of fatalities in
theaters; while the prohibition of open
fire-places. lime-light tanks, and car
penter's and property-maker's shops
within the main walls of the building.
would undoubtedly tend to make
theaters much safer than they are at
present. Then, again, the removal
from the stage of all scenery not in
actual use, and capitalization not
needed-such scenery rs "borders"
angling from the flies" ought to be
insisted on; while the hydrants,
buckets, ETC.. at the wings" and
lilies" should be inspected regularly
by some competent person. 1t is this
want of inspection which often renders
the most perfect appliances useless in
time of need. On an Atlantic pas>en-
ger steamer, the carpenter is obliged
to visit and test twice each day every
bulkhead in the ship. while the seamcn
are regularly drilled in every probable
circumstance of fire or wreck at sea.
Why not apply the same discipline to
theater employees?
In spite of the most elaborate pre-
cautions, however, fires will OCCASION
ally occur, and rs the safety of the
audience, is. after all. the first thing to
be considered, the real remedy consists
in the construction of proper and I'M
impeded exits, instead of the tortuous
corkscrew passages which are too often
en- evidence in the older places of
amusement. l lay stress on unim-
peded exits, for. though wide and
roomy passages may be built ad intfni-
tum. they will be of little service if
impeded by a barrier which, however
useful for the orderly admission of the
audience, is decidedly Instantaneous
to their chances of getting out alive
should a panic of any kind occur.
Will it be believed that in we'll
appointed theater 1 happened to visit
week or two after after the Exeter dis
aster-a theater, too, which possessed
admirable exits, and in which the
spaces between the rows of seats in all
parts of the house were every thing
that could be desired-that even here
barrier, firmly fastened by an iron bar,
extended more than half way across
one of the passages, and was not un-
hinged until the performance had al
most concluded!-Chambe Journal.
1t is one thing to indulge in play
full rest and another to be devoted to
Al. Il II R..<l-:.,