Daily Yellowstone journal., 1888-08-30
soNceRNINa suSoeN DEATH.
so Growing Frequency Attributed to the
Excitement Of Modern Life.

Excitement Of Modern Life.
Perhaps sudden death may be one OF
the penalties which we have 70 pay for
a highly advanced civilization. The
feverisb excitement the incessant effort
necessary to support existence, which Is
20 many men a sea that has no haven, a
struggle that knows no hull, must newt
ably tell. one may reasonably suppose, on
the hearts action. II a man escapes the
ordinary forms Of nervous arrangement.
Sudden death. whether the result Of
morbid agencies so subtle that they evade
diagnosis. or so insidious that they an
ucipate prognosis by suddenly and unex-
pectedly terminating life, is becoming SO
common that IL forms n of the distinct
i've features Of modern pathology. The
form in which 1t commonly appears now
may be said to be the result of obscure
cardiac affections. and IL was compare
lively more rare. both in ancient times
and among u forefathers, compared
with its present frequency.
During the earlier and even the me-
dieval centuries of the Christian era, sud
den death was regarded with especial
horror. and in the litany of the Anglican
church is represented as heading the list
OF the los terrible calamities incident to
humanity. In pagan antiquity, on the
other hand, a sudden death was held
TO be the crown Of the blessings that
heaven could bestow on mar. The
Greeks represented Death as a pleasing,
gentle being, while their conceptions Of
an after life were gloomy,
Socrates regarded death as ian indiffer-
ent accident" Much depends ON the
circumstance under which death presents
itself. as well as the state OF mans con-
science and the condition of his worldly
affairs. As years roll on death becomes
less and less dreaded. Aged people gen.
orally leave life without regret. Julius
Cesar is said TO have wished for sudden
death, but he said so just before he was
slain, and when the mission of his life
had been accomplished. Charles ii could
apologize TO his courtiers for being such
an 'unconscionable time in dying" Vol
taire. and Hume, and Rousseau weighed
pros and cons for sudden death, and
affected to sum up in its favor, but such
a subject Is sorry matter either for cpl
gram or rhetoric
In nire cases out OF ten death is a
great calamity. II finds men unIrepared;
il depriees them of the alterations which
rob the summons of many Of its terrors;
u often entails embarrassment and mis-.
cry by cutting of all opportunity OF
making testatory arrangements, thereby
bequeathing a direful legacy Of feud and
arrangement to families who might have
lived in harmony.
The moral, and a very practical one II
Is, is that the increasing frequency OF
sudden deaths is to be regarded with
alarm. softened by a hope that med
ical science may be able to arrest its
progress, and that a proper regard for
their domestic responsibilities will induce
sensible men not TO continue TO defer the
proper arrangement Of their affairs which
Ten seconds may make too late.
The three men whose lives, temperar
ments and habits were peculiarly typical
of the times in which we live were un-
doubleday Lord Macaulay, William Make
peace Thackeray and Charles Dickens
These three men, renowned writers, and
each a master of his art, all died COM
paratively young. and all died suddenly.
and the first two of heart disease. Death
came upon them, not with slow and
measured steps. but without note OF
warning Apparently there was a pain.
less passing from time into eternity.
Look at the work these men did. Ma
caulay had already won high reputation
for prose and poetry at the age Of %, and
the famous article on Milton, which at
once won him a reputation as a essayist,
that his subsequent performances in that
line merely confirmed, was published be
fore be was % years old.
Mscaulay for over thirty years had
three lives, as it were. He was a poliu
clan, he was a man Of letters, he was a
man of society; a great debater and q
good working official; a distinguished
and voluminous author: a diner out
whose company was sought for his con.
y~ersation by all who could obtain it.
Hard brain work In parliament and in q
mans library is scarcely compatible with
grand dinners and breakfasts which,
with delicacies Of food and wine, were al
most as had as the dinners.
Thackeray and Dickens suffered greatly
from the same cause. They were free
lvers; they loved society. These two
did an immense quantity Of literary
work. Thackeray scarcely fell of in
point Of execution. hardly In construc.
ton, TO the last. 'Denis Duval, a
story which he left incomplete, promised
10 be as good as any Of its predecessors
except VANITY Fair" which is its au.
thor's best work. Dickens was far more
successful in his latter work. ''Our MI
iua Friend is a performance more am
bitious than able, with a heavy. involved
plot; and the half Of Edwin brood"
that has been published is not good
enough TO make any reader wish for
more OF it. Dickens overworked himself
until paralysis gave him warning. un.
happily not needed, and the end came
suddenly.
A very elegant writer, in a beautifully
written essay entitled Erroneous No
tons OF Death Reproved, observes. in
particular il Is thought that this final
event passes with some dreadful isita-
ton of unknown agony over the depart
ing sufferer. IL Is imagined that there il
some strange and mysterious reluctance
A, tba spirit ~ leave the BODY: that Il