Wichita eagle., 1888-06-17
ADJUSTMENTS m PARIS.
The "Ham" and Gingerbread" Fairs.
General Noise, Bustie and Din.

The "HaE1" and Gingerbread" Fairs.
General Noise, Bustie and Din.
French people have very strange manias.
and one of the most peculiar is to offer
themselves at stated periods aInusements
IN which there is nothing really amusing.
We are now treated TO the Ham fair,
and in day or two this must give place
TO the Gingerbread fair" not less dear
to good Parisians. The booths on the
Boulevard Richard Lenoir. to the number
Of $50. are filed with ssusages. hams and
lard But since the opening of the fsir
the rain has poured in torrents and the
vendors cross their arms and disconso-
lately wait for customers. Every year,
just before Easter. all Paris feels the ne
cessity OF eating pork in some form, 9TH
eTwise there would be no Ham fair
The Gingerbread fair" that begins i'm
mediateiy after Lent and continues six
weeks. is the most important of Parisian
fairs; it Is held In the Avenue de Vim
cennes. at the Barriere du Trone, half a
mile beyond the site of the Bastile- The
roGd is not On agreeable one, and TO many
it is known only because OF Pere la Chaise-
There are days reserved for the fashion
able world, and then in the Boulevard
Voltaire may be seen private carriages
threading their way among carts and cabs
until the fair is reached Gingerbread is
very cheap; we can buy NJ Carnot for two
sous. and Gen. Boulanger in full uniform.
with fine beard made of anise seed. is sold
for the same price. The dust always
gives quite relish TO these delicacies,
and as we whisk it off it flies away only
TO return with re-enforcements. But the
people regale themselves. notwithstand.
ing, and the urchins. besmearing their
faces and smaclzing their lips. constantly
repeat: CONNIE c'est bonP
In the center of the fair are numerous
stalls of charlatans. swings, merry go
rounds, circuses. riding schools with
wooden horses, balls. TO which dancers ara
admitted for five sous-in short. thou
sand tents that cover noise. hustle and
general din The theatres have most
attractive form-an Oriental palace and
portico with Doric columns. The subjects
OF the plays are usually taken from fairy
tales. We admire the device of the wrest-
lers, Academic d'Armes. on peut lutter
avec eux, mails les TOUGHER impossibleP'-
a striking union of wordsl In front of the
wrestlers tent there is always great
crowd. The master Of ceremonies has an
immense speaking trumped and continu-
ally shouts: ''Will you wrestle! There is
a glove" The professionals beclon the
amateurs into the ring. and together they
roll in the sand The triumphant profes-
sional exclaiIns: There you arel Rise If
you wish" But the crowd often insists
that all has not been fair, and the struggle
recommences. If the amateur be victori
GUS the professional is angry. and SO it
goes.
AS night approaches the dancing halls
are brilliant with electric lights, the
group of visitors become more laxative.
gayer, in fact. forgetful that If they have
not come in carriages there is scarcely a
possibility of return to Paris unless on
foot. There are no cab stands. omni-
buses; the horse cars accommodate com
paratively few, and the Seine boats are
always full But the crowd brushes.
iostles and hurries one down the Boule-
ward Voltaire, Place de In Republique the
Grand Boulevards and Champs Elysees
until home is reached. Baroness Althea
Salvador in New York World.