The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1888-01-01
Note

W. A. BRADY's d,amatization OF
''She" has proved & success in Los
Angeles.
No ONE seems to know as yet at what
figure 0panini will Place his figures
!og his ~ Lake concert.
4 LOCAL Wag, in speaking of Miss
Celia Atsberg's lack oi Targth and
feeling, feebly says; "Bhs Is COX. as an
Alsbafg,p
MR AuGusTrN Days company will
go TO England in April next, opening at
the 'za,ety Theatre, London, on May
Sd, IN Nancy & Co.
GEORGE G. STALET and our Miss
Adams appear with the Osborn Stock
well Company in San Francisco il the
revival OF Romany Rye.
MACKAYE's ANARCHY, or Paul Kauvsr,
produGed in New York, Christmas eve,
was received with Immense enthusiasm
by distinguished audience.
JAMES O'NEILL is playing Monte
Cristo in San Francisco. Mr.. O'Neili is
one of the few leading actors of America
who have yet to tread the boards of'Salt
Lake.
"L1rTtE MAuD1E ADAMS" now con-
siderably taller than her mother, has
created very favorable impression in
San Francisco in a number of small
parts she has enacted.
JOHN HowsoN, who died suddenly in
Troy on the 10Th, was IL years old. He
was playing the part of the miser in
Pawn Ticket 2l0 with Lolita at the time
of his death. He Was an excellent de-
lineator OF certain comic opera roles.
but made the mistake OF his life pro-
fessionally ius abandoning the comic
opera for the purely dramatic stage,
The Omaha World of December 18th
says: The second concert OF The Apollo
Club. given at the Boyd last night, was
a splendid success, artistlcally and
financially. The WORK of the Orgsmza--
tlop, under the direction OF Mr.. B. B.
Young, has reached the perfection of
Instrumentation. The ladies quartetre
was pleasant feature OF the entertain
ment, and the violin playing OF Mr..
Willard Weihe Of AaIt Lake. although
depressed by Irt,5!a-s plane accom-
paniment, secu 81 irosn III. 'sdlence a
merited enthusiasm. Dir Weihe's play,
fng of q Hungarian theme. with intri-
cate variations, by Efnst, was especially
applsuded.
Mr. RICHARD MANSFIELD is as particu
lar about the di. cipllne Of nis stage as is
Mr.. Daily. To secure perfect quiet and
have the stage han Is entirely under his
orders, he carrie " th company his
own mechanics and calcium light men.
Apropos OF the anuOyances TO which
actors are subjected through imperfect
stage manageInt III in the smaller cities,
Mr.. Mansfield Tells the folio wing story
Mr.. Edwin Booth, while playing ia
so e out OF the way place, request d
calcium light of the rural stage carpen-
ter. but that worthy with great severity
replied, Your father used the head
light of locomotive; 1t Was good
enough for him; and he was an actor!"
New York Herald
To ANY one who Is following the pro-
gress of the Booth-Barrett combina-
tlon, the following from the New York
Herald will not be unfamiliar reading:
That both Mr.. Booth and Mr. Bar
rett were warmly appiauded upon first
entrance is understood without saying.
At,the end OF the fourth act they were
called AID recalled repeatedly, and so
at the end of the fiftk act-the quarrel
scene when the galleries shouted the
names Booth, Booth, Barrett"
"Booth." At this time the G rmsu
actor Ernst Possart, who occupied
box. flung two laurel wreaths with
satin ribbons upon the stage This in
tenstfied the enthusiasm. At the end !
when the curtain fell, the house cried !
ont the actors names, and. not being
satisfied with the. many bows, de- I
mande. speeches. With great reluct- |
ance, much nervousness and signs Of /
unfeigned emotion, Mr.. Barrett made !
a graceful and simple return OF thanks. |
Then the mandatory voiced audience
Piled, saying that Mr.. Barrett had !
spoken for both, returned thanks for
both. -.
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