The Memphis appeal. [volume] (Memphis, Tenn.) 1886-1890, 1888-05-29
PIANO RECITAL.
Music Pupils at Miss Conway's School
Distinguish Themselves.

Distinguish Themselves.
The piano recital at the Clara Conway
school last evening, drew together Large
and appreciative audience, which not only
testified It's esteem for the worthy princi-
pal. but for the conscientious young
teachers Of music, Misses Carrie Richard
son, lone Estes and Nellie Warwick. With
such instructors the young people could
hardly have fallen below the wonderful
line OF merit they displayed.
Most Of the scholars have had but one
years tuition, yet they easily grasped the
theme and displayed the most difficult
technique.
From the program II may DO seen that
some OF the most difficult classics were Sc
lected, and the audience fully appreciated
their rendition at the hands OF such capa-
BILE scholars.
The opening double quartette was bril-
liant, and was correctly rendered by the
young ladies named. D.,
Little Katie Brown, wee child, played
"Ie Petit Carnival" with skill.
Hermance Levy, another small student,
showed talent in the charming "Etudes. u"
The "Erl King" by Addie Myers,
showed remarkable expression and thor
ough power in reading notes.
Mamie Brown gave "Salut Pesth'
with force, and that charming composition
was warmly applauded.
Alice Collier and Kate Elicit, in their
duet, proved that they had been apt and
diligent scholars, for the difficulties OF the
composition were easily and brilliantly
overcome.
Moskowski's music always appeals 10 a
musical nature, and his Spanish DAM"
IN rendered by Maud Patterson and Donna
Blair, was brought out in all its richness.
Emma Warren captivated the audience
In Durand's "Valse," and was compelled
TO respond 10 an encore.
Rita Milburn and Carrie Fogleman next
rendered sonata by Mozart, arranged for
two pianos by Grieg. The continued APP
plause showed how well II was executed.
Brassin's "Nocturne." In the hands oil
Miss Lizzie billiard, was genuine musical
treat. The young lady Is an artist. A
"Romanze," Tor two pianos. was played by
Misses Rosa Harpham and Florence Dill
lard, in way which did themselves and
their teacher infinite credit The gem Of
the evening was, without doubt, LISTS
"Rhapsodie Hongroise No. =" a mos'
difficult piece, yet Miss Amelia BuddiC
executed II m II she were inspired. The
young lady has remarkable talent and
promises 10 be an artist In the near future.
The closing number OF Gottschalk's
"Raduse," brilliant composition which,
in the hands Of the eight young ladies, was
rendered without fault or error.
Tie delighted audience left the building
with words OF praise for scholars and
teachers, and the warmest thanks 10 Mis-
Conway for an evenings pleasure.
Below is the program in full:
Double Quartcte-"Concor Aschci
LIST Pinno-Midcd q. Maihcs, Irene Brown,
Addie Mycrs, Helen Alcorn.
"a PianO-Maud Black. Annie Chlsm, Rose
withcrington, Annie Montgomery.
10 G''' 81, ,,,,,,,
sh
Ilcrmance Levy.
Addie Myers
Virginia Paoll, Maud Miller, Isabel Rice,
Lizzie Bacon, Nellie Morton, Lottie
,Moorc, Bette Wendell, Cora Greer
'o'"' Mamie irown N0""''A'
nuc, Der Kukuk md der wandermann
INT sss ss ioiIIc; Ksis f ;iIi,iN 'o'Am@nn
May Has
Nellie Morton.
Spanish Dam No,
Donna blair. Maud Patterson.
bufhnn
fmmn Warren.
Sonata two pianoel. tMosarp Grieg
Rita Milbun. Carrie POLICEMAN
NOctufnc ftfasain
Lizzie Dilland.
Romano two pianosl Them
Rosa narpham. FLORENCE billiard.
RhapsOdle llongru, No.
Amelia Boddie
ltAdic use 'otlh'hhlh
Lizzie billiard. Annie stmtton, Rosa Harpham,
Lizzie Robinson. Mamie " nrown. May
Thornton Florence billiard, Berthe
NrOtt.