Woodville Republican. (Woodville, Miss.) 185?-current, 1888-12-15

Come forward, holding In yeur hand
about yard Of strong twine, and ins
Iroduce yourself and your trick with
sofile such remarks as; ''Many per-
formers Use d rope for this trick, but
that is not in my k,ss. think piece
Of ts6tne more in accord with the
Of . drawing-room."
If your audience survive this and
spare your life, ask one 5f them to act
as committee. First call his attsI=
ton to the box, and beg him to ex-
anime It and see that it is what it APP
pears to be. Then place your hands
behind your back, and request that he
will tie your wrists together in any way
he sees fit, aud then seal the knots
with wax, leaving the ends Of the cords
dangling, This done, seat yourself id
the box and ask the committeeman TO
reach one hand around you, first on
one side, then on the other, and pass
the ends Of the cords through the
gimlet holes to the outside Of the box,
where they are to be tied tightly, and
again sealed. A hand-bell, tambourine
and tin-horn are laid on the floor, and
screen placed between you and the
audience, and at distance Of two or
three feet from the front OF the box.
Almost Immediately the bell is rung,
the tambourine ratified, and the horn
blown, and yet the next moment, when
you call Light, and the screen is re-
moved, you are found calmly seated in
the box with the cords still sealed on
the outside. The manifestations can
be repeated over and over with such
variations as your fancy may suggest,
and finally the cords are cut on the
outside, and you step out of the box.
Your wrists are still tied, and the seal
on the knots is unbroken. All this
seems very mysterious to the uniniti-
ated. Yet how simple it all is.
The tying is all real, and the knots
are never tampared with. But when
the committeeman reaches behind your
back to get hold Of the ends Of the
twine, you put into his hand The ends
of a second cord, which you take from
back pocket or from under the back
Of your vest, and these are the ends
that are put through the gimlet holes
and sealed outside. OF course this
leaves you free to go in and out of the
box. and pick up the bell and other
musical (P) instruments. Finally,
when the outer cord is cut, you gather
it in and pocket it, having in the mean
while cut off the ends of the twine
with which you are bound, otherwise
some sharp eyed spectator might no
tice that they are as long as at the be-
ginning of the trick.
In what is known as "The Hold
Fast" most ingenious device, neither
ropes nor cords are used, but one OF
the company, whom, for the sake Of
clearness and brevity, shall designate
as the Investigator, actually holds the
performer during the entire perform
ance.
This investigator, who is carefully
blindfolded, sits with his right side to
the audience and facing the performer,
whose knees tightly clasp on either
side those of the other. To the right
OF the performer is a table holding a
bell. tambourine and guitar.
Before going further, let me say a
word about blindfolding Much as
dislike to disturb the confidence which
is one OF the charms Of youth, / must
warn you, my reader, against trusting
any one. There is only one way to do
the blindfolding so that there can be
no "peeking," and that is with two
handkerchiefs. The first should be
folded shawl fashion; that is, in trian-
gular shape, and fastened round the
Investigators head in such a way that
one point falls down over his nose.
The second handkerchief is folded in
band form, and placed outside
the first one over the eyes.
Blindfolded in this way, there
is little danger of the investi-
gator seeing, and that is what we want.
1t may not be pleasant to have ones
head bound up as l have described,
aud the Investigator will always prom
ise to ''keep his eyes shut, and moi
look" but don't believe him. He is
sure to look If he can; he can't help it,
for he will be surprised, often startled,
and then naturally will open his eyes,
Being seated as described, the inves-
tigator is requested to place his hands
on the performers head, the left hand
overlapping and resting on the right
Then the performer passes his left arm
around the others arms so as to en-
circle them, and rests his two hands or
the Investigators left arm, thus com
pleting the circle.
In this position 1t is evident that the
performer can not remove his hands
without the other knowing it imme-
diately. A slate and pencil are now
placed on the Investigators knees, and
a screen is placed around the two tC
shield them from the sight Of the audi
ence, aud no sooner is it in position
than "the trouble begins" The slate
is written on, the bell rung, and the
table upset. but on removing the
screen the two behind it are
found in the same position as wher
last seen. Not only this, but tht
Investigator, If honest, will declare
that tho performer did not remove
his hands or change his position fol
an instant. Under these conditions the
manifestation" will seem more un'
accountable to most people than those
that take place when the performer il
tied up.
Sand yet, as a mathematical frient