The Dickinson press., 1888-10-20
PHYSICAL BEAUTY.
A PROFESSOR" WHO MAKES PLAIN
FACES QUITE ATTRACTIVE.


but Still IIc Is Not without tho Ia
tronagc of the Fair Sex Fixing Up
Faces.
Making people beautiful. Queer profcs.
slon. unused his audience of one The dark
haired Eiau rcclincd gracefully in his easy
chair, passed his white and manicrred hand
III II contcmp!atirc manner over his massive
irow, and repeated: YES, sir, devote my.
self to making people beautiful"
'Doubtlcss," continued tho "professor,'
you think me a charlatan. 1t is somewhat
difficult To make people believe that tm
n"; a fraud. have no school and am not
recognized as II regular physician"
wi nat. then, is your profession!'
Briefly. devote my life and mind to
prartcing the arts that are beautiful Every.
thing concerning beauty is to me of absorb
ing Importance. The development of the
figure, the art of pleasing and the mysteries
OF thetoilci are things am constantly study
ing How to make the face beautiful, the
figure symmetrical, the manners engaging,
and to improve the contour of the body and
the personal make up, and to turn out per-
tectly harmonious being, is worth knowing;
don't You think sol"
"While it is not possible to make every
wo nan beautiful, it is possible to improve
almost cverybody's personal appearance.
Corporal beauty is Il development of face,
figure, feature, disposition. taste, voice, man
nor. See: There is an art in dressing tho
face. just US there is in clothing the figure
Everybody knows the arts that dressmakers
bring to their MD in making dumpy figure
look tall, and Il tall figure look dumpy-I
mean symmetrical. In improving the face l
bring well known principles of art to bear
upon my work. For instance, it is u we'll
established fact that red widens. Thus a
Ratchet faced woman comes to SEQ me with
her hair parted i'll tho middle and drawn
back on either side from her forehead. Her
face is too long, too thin and too sharp
There is Il straight line that rurs directly
through the part i'll her hair down between
her eyes and over her nose and to her chin
In glancing at her the first impression one
receives is that of great length and narrow
ness.
TO make this woman beautiful first take
down her hair and part it OH one side. Then
| dress 1t down over her temples and puff it
out above tho ears, bringing it down Il bit
toward her checks. Then take some red
and work it in heavily on her cheek bones
-Attcr this the eyebrows are darkencd little
at the ends farthcst from the nose This al
ways increases the impression of width The
same Is done to the cyeashes, making the
eyes appear broader than they are. This
simple work changes the entire appearance
of the woman. You cannot Imagine what Il
difference it makes Instead of the eyes
catching, n straight line that runs down over
her head into the chin, it is caught by the
hair which Is parted Oh the SIDE, and follows
an imaginary line running in sympathy with
this part diagonally across tho face
Suppose n woman with broad and fat
face asks To he made beautifully
1t is much more difficult to handle broad
face than a narrow one make theory for
every woman scc, and carry it out in her
individual case. But in general may say,
il She is Il blonde, the eyebrows should be
darkened near the nose and allowed to re-
main light and indistinct at the ends Then
some red should be put in front instead of at
tho side. SO rs to increase the depth of the
face; and the hair. which is now always
banged, should be arranged i'll ringlets, Sc
that the forehead may he seen through it.
This further heightens the face. A woman
with a fat face should always part her hair
in the middle"
But, added the professor" stretching
himself and again passing his hand over his
raven locks Il perhaps made my most signal
success when | produced my celebrated skin
blcacher. 1t set the women wild Women
como to mo with dark faces or with wrinkles
They use this blcacher and, prestol tho blem
ishes and tho wrinkles are gone"
"Do you mean to say that it permanently
removes wrinkles.'
mo, not permancntly,' said the ';profes
sor,' thoughtfully; temporarily. Still il
removes them, and that is ono thing"
What sort of people ceme to you?'
"All sorts Many women who are evi
IDENTIFY i'll fine society, but are not as beauti
full as they wish to be, come here Also
many who would bo pretty but for one OF
two defects. Some of them have dark spot.
on their arms or shoulders. bleach them
Others have moth spots, freckles, sallowness
simply make them beautiful. Others have
| what they call expression wrinkles-that is
when they smae too much little wrinkles
will como i'll the corners of the mouth ol
up about the eyes. These are ladies usual.
who have advanced to middle age, and it af
fordS me great satisfaction to mitigate thei
Affections. Besides this l often color til,
eyebrows and eyelashes of light hairct
"SiAASH. 1ilSll 10 u SOOu QOllt II
penciling the eyebrows. The rarest effect
arc obtained by mingling black with brown
Nivacity of expression can be given to th
dullest face by skillful pcnciling in colors.
81 do not pretend however, to have orig
NAL creations i'll everything. For instance
have photographs of l.angtry, Mrs
Potter, Betty Rigl Maud Granger Fam,
Davenport, and other beauties, and | oftel
make women UP after one or tho o her o
them, according to expressed preferences
These photographs are taken i'll dilfcren
poses, 50 that fair, all around idea of tn
style of beauty Of each woman can be oil
tanned 10y my patients Maud Granger hi,
the most perfect pair of arms Oh the cont
nent, and only the other day | made up
pair of arms OIL society belle vino left fo
Saratoga the next day after this gloriou
model 1t was All almost perfect success, an
Miss Susie-h'm-is reported by the telegrap
! to have captured wealthy young fellow til
day after her arrival with those same arm
Of hcrs."-Chicago Herald.