Wichita eagle. [volume] (Wichita, Kan.) 1886-1890, 1888-08-14
PHYSICAL BEAUTY.
A PROFESSOR" WHO MAKES PLAIN
FACES QUITE ATTRACTIVE.

but Stin He L. Not Without the Pa
tronasc Of the Fair Sex Fixing u
Faces.
Making people besutiful, Quecr profes
sioni' unused his audience Of one The dark
haired man reclined gracefully in his easy
chair, passed his white and rnanicured hand
IN a contemplative manner over bis MASSIVE
brow, and repeated: '.Yes. sir, devote mv
self to making people beautiful
''DoubtiesS,n continued the professor
''you think ne a charlatar l. is somewhat
difficult to make people believe that | an
not fraud | have 40 school and am no.
recognized as regular physician
What, then, is your prosesSioar
Briefly, l devote my life and mind e
pracsicing the arts that are beautiful Every,
thing concerning beauty is to me If absorb
ing Importance The Developments of tho
figure, the art OF pleasing and the rnysteries
o. the toilet are things am constantly study,
ing. How TO make the face beautiful. thf
figure symmetrical, the manners engaging,
and to improve the contour Of the body and
the personal make up. and to turn out a per.
fectly harmonious being, Is worth knowing,
don't you think sos'
Yes, it is said the reporter.
''While it is not possible - mako every
woman beautiful. il is possible - improve
almost every bciy's personal appearance.
Corporal beauty is development Of face,
figure, feature, disposition. taste. voice. man.
ner. Seei There Is an art in dressing the
face, just as there IS in clothing the lSura
Everybody knows the arts that dreSSmakerS
bring - their aid in making a dumpy h-urs
look tall, and tall figure look dumpy-I
mean symmetrical In improving the face
bring well known principles of art to bear
upon my work. For instance. il il a we'll
established fact that red wideas Thus a
Ratchet faced woman comes 70 see Inswith
her hair parted IN the middle and drawn
back on either side from her forehead Her
face is too long, too thin and too shas-n.
There is a straight line that runs directly
through the part in her hair down between
her eyes and over her nose and 10 her chin.
In glancing at her The first impression one
receives Is that OF great ieagth and narrow
ness.
ITO make this woman beautiful first taks
down her hair and part it on ono side. Taen
l dress 1t down over her temples and pafT IL
out above the ears, bringing it down "A bit
toward her cheeks. Then take some red
and work it in heavily on her cheek bones.
After this the eyebrows are darkened a litt!o
at the ends fartheSt from tho nose. THIS al
ways increases the impression Of width The
same is done TO tho eyelashes, making tho
eyes appear broader than they ara. This
simple work changes the entire appearance
of the woman. You cannot imagine what a
difference it makes. Instead OF the eyes
catching q straight line that runs down over
her head into the chin il is caught by tho
hair, which Is parted on the side, and follows
TN imaginary iino running in sympathy with
this part diagona.iy across she face"
Suppose woman with broad and fat
face asks co be made beautifulf'
1T is much more difficult to handle broad
face than IA narrow one. | make a theory for
every woman ! see, and carry If out IN her
individual case. But IN general may saw.
il she is a blonde, the eyebrows should BIS
darkeued near the nose and allowed 10 re
main light and indistinct az the ends Then
some red should be put in front instead Of nc
the side, SO as To increase the depth OF tho
face; and the hair, which is now always
banged, should b. arranged in ringlets. 81
that the forehead may DO seen through it.
This further heightcns the face. 4 woman
with fat face should always part her hair
in the middle"
''But," added the professor stretching
himself and again passing ms hand over his
raven locks, II perhaps made my most signal
success when | proi1ced my celebrated skin
bleacher. It set the women Wild. Womon
come TO me with dark faces or with wrinkles.
They use this bleacher and, prestol the blem-
isaes and tins wrinkles are gone"
DO you mean to say that IT pcTu.lneutly
removes wrinklesf
mo, not permanently said the profess
sor,' thoughtfully; temporarily Still il
removes them. and that IS one thing"
What sort Of people ccme 10 your
''Ai sorts Many women vino are evil
IDENTITY in fine society, but arc hot as bcauti-
ful rs they wish 10 be, come here. Also
many who world be pretty but for QUO or
two defects Some OF them have dark spots
on their arms or shoulders / bleach tboIl-
Others have moth spots, freckles, salloHaesz.
! simply make them beautiful Others hayo
what they call expression wrinkles-that L,
when they sIase too much little wrinkles
Will come in the corners Of the mouth Or
up about the eyes. These are ladies usually
who have advanced to middle age, and 70 al
foTds me great satisfaction - mitigate their
Affections Besides this 1 often color this
eyebrows and syeLashes Of Ugh: balreI
women Then there is a good deal done in
penciling the eyebrows The rarsst effects
are obtained by mingliDg black with brown.
Vivacity OF expression can be given u tho
duIlest face By skiilful psuciiipg in colors.
II do no. pretend, however. % have orig
inal creations in everything. For instance.
/ have photographs If Langtry. MrA
Potter, Betty Rgl, Maud Granger. Fanny
Davenport, and other beauties, and / often
make women W after one OF the other ot
them, according 70 express-d preferences
These Photographs are taken Ia different
poses. 10 that fair, ell around idea Of TIE
style Of beauty u each wosnAG car ~ Oh
talned by my patients.' Maud Granger h'ss
the rnoss perfoc1 par u ar7as CT the emit
neut, aud only the other day maize uy a
rair Of aTIas ca q society belle who ieft for
Saratoga the next day after this glorious
model II was az almost perfect suocssa, aIsf
Hiss Susie-hra-is reported by tba telegraph
to have captured . wealthy young fes1or ths
day after her arrival with those sazss srfus
Of berz- n-Csicaso Herald
How to Eat = Watermelon.
A watermelon, even tbDagh !: De sixty