Sacramento daily record-union. [volume] (Sacramento [Calif.]) 1875-1891, 1887-01-29

Pone, prepared by the hands or the recipe
Souther cook, and if she wears bandana
and calls you +" honey" the Corn Pone
tastes even better.-N. Y. Graphic.
FASHION NOTES.
listers for ladies are made of Scotch
tweed, with collars and one or three short
capes. The hat corresponds to the ulster.
Silver braid, passementeries, spangles
and silver thread embroideries are seen on
handsome gowns of tuile, crepe gauze and
velvet for evening wear.
Vast quantities of wraps appearing to be
sealskin are worn this season that are moth
ing of the sort, the cloth in many instances
almost defying detection.-Godeys Lady's
Book.
Rather large. headed pins in the shape OF
an OWLS head in gold, with ruby or bright
yellow eyes, are used in Paris to fasten the
draperies on bonnets and to pin up the
loops of the strings.
A long cloak of striped wooden material
has sling sleeves. 1t has a high velvet col
lar and bands of velvet border the sleeves
in front and extend down the seams at the
back below the waist line, where they are
fastened by an ornament. The skirt of the
cloak is laid in full plaits.
A rich dress of blue velvet has the plain
skirt bordered with broad band of bea-
yer. The polonaise is of dark blue faille
with long drapery caught up at the side
with a large ornament OF deep blue beads
The bodice, which Stimulates an open Jacket
is bordered with large cut-glass beads. The
coat sleeves are edged with fur, and have
epaulets of velvet and failie, and the high
collar is of velvet.
New and beautiful French tea gowns
made of black or deep violet velvet are I'M
ported, with brocaded borders of fine gold
leaves. One handsome gown of black velvet
is lined throughout with cansry-yellow
satin, and trimmed with beads of black
marabout, sprinkled with flecks of gold
A tea robe of violet velvet is lined with
pale lilac plush leaves and flowers, heav-
lily overlaid with opal and heliotrope bead
ing
The popular Russian tulle, with its coarse
basket net, which has been so much worn
for small wells, is now shown in light col
ors for evening dresses 1t is very becom-
ing as a veil, aud the effect excellent when
worn over silk in evening gowns 1t does
not crush easily, though it looks extremely
light, and wears even better than Brussels
net, DtSlitS DtlliS HULL HtWtI II 10 VI
French manufacture, though christened
Russian tulle.
The most popular style of bonnets for
wear at afternoon receptions and III the
toilets for the opera, in which a bonnet is
seen, are of the scallOp-shell and Gothic
poke shapes, says the Millinery Trade Re
uiep This comes doubtless from the fact
that the bonnets of these shapes, or with
the rocking or crescent brims, are gener-
ally finished without strings, these append
ages not being in favor with young ladies
and hardly with fashionable matrons, in
consideration of hiding or crushing the
dainty neck-dress OF the reception or even
ing robe.
One of the prettiest of the new fabrics is
the beaded tulles in all the delicate evening
shades. The beads are sown widely apart
and hung as pendants to the light fabrics
in this way avoiding the appearance of in
congruous heaviness always associated with
the weighty headings that used to be worn
A charming costume worn by hostess al
an afternoon tea lately was long white
silk, covered with Fedora lace, that was
wrinkled across the front and held in place
by panel OF gilt-beaded psssementerie
The waist was cut V shaped back and front
and some of this same beaded tulle with
the gilt pendants was drawn fichu-wise over
the shoulders.