Telegram-herald., 1887-12-25
ARTISTS AID MODELS
hard Wsrs aaa sssaetlDes Prssss Gsoa
f4g-Erslaz - tias lhusrias-Rhs Frs-
6assssa IA. Fszis-fas stazts1s 81
<e@ k4rk ClEy.

snd aa1g Irl.f.7atet -aFe ~ = fsw eiesar
skesehes ans ..e pa.ltin, ef more taa0 aver
aes merit te1r tie window ~aa q r1b.a
holtag a board - x4teh piess q Eaits
paeer sast4e<et Al iss ta1le Ras a goaaz
nan ~he1a k1ir eses aad skn shoWed a
Latin orixin 1Iesrnf saosfgh feilos vixen
laie. sut - hs.iy energetic snd practical
fran a. m- asfil 4 ?. fa. la IRE afternoon As
aruzxlsts cieFk Ia sae eornsr vas = hide
s1s iaF agars. ia tn@ eeazrs - tue room
sfaading GA . trunk, VITA lszs spart, ehin IA
tlle cir AMI oue Rad osif,tretchea- ea-rigid aud
sfasa7s4us writer
l. posiag hard r bal sskea gnwaTiiy
ssuppoa yoa szy g. szia tiie zrtist. and I
81 sas Epposest - b. grasting TIE hand
Of a tai fFien8 The artist n4a qas ns On
tha Irlak. ia order. he ss-a. % get the hang
81 ms txosaess ~Sow. kssp stlil, said he
Il sss'nei sasY enoash At nEst - stand up
thers and ~ nefhi1e
How much 90 aeaea ges for this"
asE1f
-s1 depends upoa shs no-isl Some get p
q dSY. solas a. a.l1ea 1s hat an hour
''Preslv god tasiaess.' / remarked
could 80 rs fac8 n the niirrer, and at this
he smiled qat.sly. Ever now and then Re
voaii aha. hls eyes AID hok at ma ap-
EtI -tl-tF -AaA.ttI tAtt ~ ~. a. tta1
s9ginfnz az nae lAat sag l9FN
trocea ~ si'tairs. sa. - said, ''clt-
ting ~ everything hu. year aglrsH Then
h. took W hls psne 4nd t'ok sEts a. ne
''Gsttng yonr nruoofsons,' b. explained
''Naven yaa si9ee.lf b. adaled abruptly.
Ny elf .oos H.es soiag Co siaep and had
siaftei ay 81 sh. 10 Uie other. You see.
wells oG the artat aitsr I hal. shifted bae.z,
b. changing yolr positlouL'
SEQ ahead ! s.ii. .Eit.ins my teeth
'Wsil, don't mo aad Ia give you q rest
prcssat.yr coaa-sd the figures on the
wall racer a. far IS could see thefn without
tarning my head couaie,i |. 90 backward,
e. imaginary dock q sheen l tried the
rnlad cure, ou1 I grew faint. Sometking
moist began 20 trickie down nay spIaai
column siV arm was paralgzed.
Yea ueesinf hold that arra cut now, !" re-
Married the artist a. length II forgot %
tsil yen. Forgot % tel 1.e. Good Heayensi
Hs nal sett.e,i - ,S0rk now Ia earnest. Hs
was gs..-ns enthusiastic. bis face grew
starn and bs1siness Ike. and Ls forgot that
was posing for lleas1rA
~Chin ~, be czllesl out sharply. "V hats
toe matter wlth tacss knecsi Look pleasant !
sack out thas Arin syain Don't move Tor
yosr LIE Every time he squinted be looked
Ike a ficrd
Steady. nox.7 steadicd myself with one
racre effert. but Il Wa no use. bad the hip
digcase. seinai Beuinsi1.s and diphthersa.
ard ,cueral paralysis had set ia. / couldn't
stand Il logger, and down l collapsed on tho
trunk The artist hoIrlshed bis pencil Ii
triumph sJuss IN tisne,n DO cried I've
rot ycu Tlan BE- lai.<hsd.
Is posing hard - asked, Pleasantly.
"Yoavs been ~ thirts three minutes in n
bad po,iliou--prstty good Tor = Grs. trial.
sseue node.s can pose icr on hour in a dill-
cult posifiOa wltk0Ji- moving muscle, bus
il sakes tszsininx. and rs hard vvoEz-
'It II hard Tor pcor e % understand = he
contiauesi. pres ently, '-rtet posing Il 50 purely
a matter OF business with artist and model
thai ali other suz.cstieEs are entireiy absent.
In Paris posing - moro o. = profession than
it i here. naturally, because the demand
tacrs for rsossels IS greassr aud has existed
longer. Every 6oa,iay morning az the art
s-hoOls the mcssls present themselves for
-r,rloymeut. A rsoiel must not only have n
good frurc. but sae ought % DO young and
unsnarriea-
ssYsS. there s-s lots II handsome studios
hero in Ssw York, = be said, between tho
pnTs oe aclrarette. The kopc OF the young
artlrt,s lie IS a studio re TANKS he can do
notAiax rntii be has curtains. rugs, daggers
an a thos-and kriclzknacias which be fancies
irrlisoensablc Now, ali that Is an Illusion
Th, men az the stron.res. ialaCinativs temper
arnrrts prefer the plaiaest Surroundings pos
sihie. IL ones mind IS concentrated IN his
work he ought % - conscious Of nothing
e,ze. as Old St Bernard could travel all
s-v bv a lake and uever 80 it. Goethe
worked n a lttle narFCw room with two
tiny wirdoxs ons pisin table, one plain,
hard chair. n long shelf fer books, closet
attached for bedroom. which held one
rAair. Ettie washing table and a
sDoo~a. You would fancy that Dors
~oaldnt have TO mach gorgeousuess about
hi.n. and v~t his sradio contained only a
:, sis. covered Nth tsibes of oil color, and
Two rh~so chairs. Turner could work IN any
room thas has a locked door and key on
ne inside Dickens wrote IN q cheerful.
co-afortsbls rom. ard hs always had funny
litsia bronze nnAg-~ on The table. Scots
-.rafs anywhere. even ia the family sitting
room. ui.h hubbah = conversation about
BIN.
..Ts isn't theory aione,- be conciaded %
~ossl~. that ksers r3s IN these q'fsrterx Is
4. not hecar1ss tank t1ess surroundings are
fh. h,.st All - nv in4aEiuation. Stili. its a
comfort to xn0w that otasr greas men have
-roi.,,tsr5,v selected pass such an el.viron-
ro-nt A tins ~ W. n. in Naw forS
Z snne7cial Advertiser
rse rrsrpp snd the Hot Ber-
Like = ncw rlaa ~ wen. to work First