The times and democrat. [volume] (Orangeburg, S.C.) 1881-current, 1886-11-18
CHAT WITH EVANGELIST sANkEY.

The Sweet Singer Tells About His Many
Sacred songs-Their Magic Power.
Ira D. Sankey, the evangelist, was seen
by reporter just before he sailed FOR
Europe. He conversed freely about the
hymns he has sung so often and we'll
"There are two classes Of songs" ne
said, "two fields, as 1t were, that need not
necessarily conflict, viz, the high classical
music and the simple gospel hymns One
is music for those educated i'll muslc-lI
appeals to their science and knowledge OF
harmony; the other is tie pure and SIM
pie music, that interests millions OF peo-
pie who have no knowlede Of music, but
enjoy what they feel. The higher grade
of music serves its purpose, has lts Vota-
ries, and I do not know but what 1would
be more interested in it myself, If my
audience were all good musicians. The
outlying masses of poor humanity are not
educated up to difficult classical music
it takes some sweet and pure melody tc
20 straight to their hearts. They gather
their impulses from what they feel, anc
to move the impulse in the right direction,
to touch it with loving and appealing
music, is the sure way to guide and con.
troll Music that can not do this would
be Of little service to the evangelist
ut Is the simple, unpretenttous reading
of the sacred songs that Is acceptable,
reaches the feeling and prepares the way
for the sermon that comes afterward and
does the work Why music has magic
that no soul can fathom; 1t elevates the
untutored; it enraptures the dull; it
thrills with ecstatic joy the weary and
longing; it opens the heart of the stony
and sweeps in triumphant waves of mel
ody through the bosom Of the cold and
cheerless. Fifty thousand sermons will
not move some minds. The eloquence or
st. Paul, the enthusiasm OF John Knox,
the logic of Spurgeon, and the magnetic
earnestness Of Mr. Moody would fail to ac-
complish with some people what simple
and tender strain Of music would under
proper conditions. The charm and power
of music can not be overestiRlateI, and it
is potent influence in connection With
preaching the word of God.
"Were you always musician, Mr..
Sankeyf'
ayes, WAS borne with music in me.
sang from the time can remember. It
came natural to me; l felt it and it came
forth. But I had no idea that | ever
would be preacher and sing with Mr..
Moody. / was q business man at New
castle, Pa. My father was an internal
revenue collector appointed under Presi-
dent Lincoln. l was his deputy. In lsGs
met Mr.. Moody ct indianapolis and
after he had heard mo sing he said that
was the man he wanted. The music |
began to sing with him is mostly Amer
lean, the outgrowth chiefly Of Our social
and political conditions. Very few hymns
that sing are foreign"
""How do You manage to gather the best
songs?"
"When I read or hear Of q poem that
has beauty and the spirit Of Jehovah
either in the lines or between, immedi-
ately buy it, even at high price. have
paid rs high rs $50 for few verses that
seemed tu have the true ring. We ure
composing new hymns ali the time"
"Have you anything to say about the
music of the future:"
Gas have said before there are two
classes of music-tho higher or classical,
the simple Or touching The latter will
be more popular, because easily under
stood and felt It will be many years, il
ever, when classical music will BE under
stood by the masses. The experiment
thus far, proved inductively by Mr. Moody
and myself during long number o:
years, shows that simple, pure music
finds greater response in the average
human breast than any other kind Reas
oning from this basis l conclude that the
music Of the future must appeal to the
feeling, must be pure, simple aud un2rc-
tentious. New York Mail and Express.
A Chastity Plaster Cast.