New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1886-09-19
BITS OF CRITICISM.

uv,vr-Tbat Goethe scared among the
liza heights OF intellect far above all other Gsrmans
:apuy asds Of poetry nts from flower 10 flower
Ike the spirit OF poesy incanAI ooetho VOC 10 %
voice o. sS cut and polished myriad in
chaet gold but Heioe the living voice OF I'M
of the lark or the perfume OF the nrst violet woas
:sem as and intelsetus giant, who should aonh
tie world by the power and daring OF MS genius IN
Ante ana varied profnson OF her resources AZ :ne
had therefore, bestowed on him double sharo OF tns
she had time knesd and interwesve them iuto one
coherent ani,y.s9 ina. Sscn Evil sprt had sna,csed
her unfinished work from her hand ana cast ne
into the world ana 10 ne ssaos Of Wild virtues and
wider vces whom We speak OF as Heinrich heine'-
Tho Gentlemsns Magazine
SwINBuRNE AS A DRAMATIsr.-As Drama
t swinburne has failed from two Saa y. rapSlns
Angle recognizable portrait of man or WON D.
Lord rsy great p%s n this brsSOh Of
both have done infinitely better than MT. a, OF
inr causes which we have mentioned. Carlyle used 10
hod thai the faculty OF telling story clearly n. Wa,
self a strong proof OF intellectual power, anu NO %
right As in society the numgsted bockheaa aw n.y.
in advertising mis- true charsGer be life ont
OF tale IN the telling OF IT, so In literature cnson,s
has tae to relate in wenysI stan
zss and arrives at the nfteenth pelo.e . ton
S ,e mart the reader to what he 10 driving at
Wow we s.h for the sdact0 smlnc'ns VI IT, or
tious poets We wade ihrougn ms In Eo,tempo.
fruitfpl-too NEUTRALITY-SUSPICIOUS. -lino 'o"'e"p'
rary Review.
Tup OrnIFICATIONs OF BlBLIoGRAPIiER
To suecs.d az a photographer man must posuos Oh
,ur.I lever OF d,s!ing ishing have an eye wnion
comes TO the work correct ear comes 70 ~.
mise: Int he must also have wi educauon nu 10
nnw all the Dc adj aud OF the living LANGUAGES ne
~, hs enough Of An artist TO recognize an Must
,oncn. he must have extensive knoweuHe VI an
tnIs Of booAs IN different libr aries AMI aD0Vo ALL s
rsnory must be iinerrng with these qtilnchiiohs nc
lear ate
"a mage and all the mysteries OF early prlhtlne, P"P..
,nskng and binding THESE are but the preIninAh
~ blbpgranhy and must be acquired apart
rom any literary critical study OF DOCKS II my
r,n .frrvard he combined, well and good; nut al nc
beginning they independent The man VINO. nne
I'M Burton can write pleasantly about OLD DOCKS - not
with his gnorancs OF things IN general ana MS ~receu
eryle is often after all safer guide ne SATURDAY NJ
HENRY JAMEs's LATER WORK.-The victim
of ir new school whOm America heGrudCesi III most IL
Henry James Trne he has not Set reached the utterly
ipsue perloi, but he q rapidly nearing u. he mas
brought refinement OF motives ana euiotons ~ q
nolnt when SURPRISES oft-quOted enGtheins OUT
of gold wire. ia too bad. IL Is much as II huAle'
were 20 withdraw himself from tho broad range OF SCI
suiyng two or three bugs When one recalls the earlier
James did, his present waite o. cHuTt -
very exs-peratne That man VINO wrote houeI,Vh
Hudson The Passionate Pilgrim ana " me AMER
car shond also write "Tne BOsionans IL one OF the
OF which will probably always 20
u1soved seems to be too much In love ~ltn ms
new methods give any basis r hope that ne WEI,
reform II has become "school" but schoo I'D wblch
man OF brilliant talent and originality is taught 10 hI-
learn all there is good IN him.-llEo "asuins'on
Hstchet. ,
For Review of Mrs. Madison's Letters " and
. other Literary Matter see 10th Page.