The Palatka daily news. (Palatka, Fla.) 1884-1888, 1886-08-22
JAY GOuLD'S WALL.
= PHILOSOPHER WHO TELLS MEMS
CHARACTER FROM THEIR FENCES

sosiai value Of fences a. the f,.-,s~, ., -
VINO searches this column @: fea.e L,r,.
u''1e 'isi' (. an artist frleni who makes h
nome on tile crest of tho hill ,ha, reach
GOWN 70 th. Hudson, back Of Ir,.nrton. liz
ois'i"i M eyes. The hundreds of millions
uo'iafS that live alnng tas hal hay,. ,,a.
even 'ih' fences significant The w,.,d,n /,
uoh VI >'"ih tarfr'rS that border tL,. m.
aIi tu 90 the characters II the owners
piii!iil ~ II the ii h men hal com. nm, a.,
~,"t'" ''.0'n III the dust At least. that
"h'' ii'y artist philosopher frient sail a, N
ufo'" ''i TIN beautiful ,ilLl,. ail he an. Il,
o. k.Iuw 7''
=, i"h' 'tr Jay Goulls fence, for m.,ane,
nh''"lu- thr man n YOU .to, what wnlll x,i
sAi'H1 10 nat a il.n~y strurtur. that vnnL
r' L.t'I Tn COWS ut the ncl.htafhnal s,ru
''''' va '.'"''ta> or give wandering tram,
an Vit"tt1n'ty 10 drop in AMI ,all On th
Ii''l' t.t'1l mani Well, hardly. You know
'ii''' 81 al the fences that shut in tho,. acre
VI siI''Ihs Es"h and shaded unailanI tLal
s.ic'' "a r"untry holmes Tor mIk., ami n,L.
aloh- 1h' iiu'i>on, there Is nn stronger r.u,,
ina. hlN There II nu need 10 t.ll ,uu tls,,
lou Ah"" 1t already, even Though ,uu nav,
n'''f '''i' III. country place
Io hHtf IN MILLIONS
iis hnre Il bullt H. ii Ia shut in million,
i's h'"ni stone Sstluns, closely ,.m.nt,,i
sh"" itd tin smallest cr,,he Through wLi,l
any ot thr ous>ltr wnrli can I.n,trnt. I'M,
soi" coping tiHd crowns thu whpkr shai, tI,.
ram Ju't ~ IT. "airr shakes uti th,ru>, nf
th,>r ab"ut him. AMI the TIM / nu,,.,,rv
STRONG ~ IL prison wall, >,rnl, h. keen ,,,
everything ~ SYMPATHY ani of affection, l,
l. i''' httd climbing tpr th,->, pentlrr ,rtl.,
I" ~ over tlr i"n, And then n, If IA,
CROWN III" Mhuh', IA thick hrl.r fi,,, h.binl
the "ah AMI Nli,hly shut, out from tr,4,
We" tn" beautiful ground, AMI the river
hrh'". But not an >,l.i>hly. In unr pL,,,. n
great 'nr' ht' grown Just in the ln,r nf th,
Wall, AMI - that TIN tree ma, not 4. harmed
Tue >'li renee takes IA sudden ,ilp arAlnl il
making a charitable y, with the tree in th,.
mttli. AMI then rultInun. in the ,lIu,
,tlai- -ht line
Massive square gate p~t> quart the two
eiitralio~. ard the gate- are IT >.,vet.l, ulaiu
tlht"i', heavy enough To- lu ,iu, a, intt, r
M r',n' ihcrc arr two lal.., tua. ,u,, n
each st" last one 1T thes, th, IihIt. i,
u,lt'lit allowed H. drive, To- 80. Tia. .paiuI.
lhe other Is the private entrance. and i,
always taInu,ly rlosl The pul lia can .,
liNt - La ana No further That /, what Mr.
'ouli> fence Is like tuulint yuu hN,
guessed ~
ph.t a lew doors from Mr. ttuult, place
VII Joi'@N the dry good, man has hll, nm
len, I" sttint htwc,n hiri> II AMI the uut
ii' "o,bl II j. Just such a good sub
tahlid l"'iyt'llan sort uf iphce ~ ,uu
'"ihi tNl"'t nom self reliant hu>lIirs,
nan y" show there no prrt,H,e, nothin. |
1 the kInI. how, smoothly finished stone |
vail, Ja,t to ht i"nple know where tin lawn !
nj, and the road begins. There isn't much |
Dllagt IN the way, and from the road ON,
an ''' tar back, after the manner Of places
hat have nothing to hide On the side he
a lcit an Old fashioned wooden paling
Ianii's, a iitty year old fence, such a, We
II u~d To- climb ami swing On years AMI
tal, aeu Wirn she was with n, still she
nth her young eyes that somehow have
ever sine" l""li matched But that was
M ago AMI really hasn't very much tu do
18th Mr Jailrav> character H. shown in Ia,
'nce, Onlv very successful man couE,
ifurl 10 ht >I,'h an old fence stand "A, tn,
nt at the ,idc of the house, but with his In
.utndrnt principles he Doesn't mind
InE MDor ARTISTIC FENCE
Tiffany, who runs hls fingers through heaps
iinnoni, II, carclc,>y as another DIPS water
his hand, and Whose eyes have learned t.
oh "nlr on the pretty things of NE, tells all
is to the ,cri,st ll,-rby Who car,.s to hook
hl, fence Next door tu the stone churrh,
nj only n short distance from Jaiirays {
Jnc, anybody ran tell that Those broad
Ito> lead up 10 the home II nnr who is at
'uri an artist There Is no ,tri,in, after
Feet. no straning tD make aii impression
III yrt the entrance Is perhaps the most
tistir uf any that tempt one along the road
julln gates II real rustic work not the |
rtors lna,lc ,tui' nlitr you IN, alid over
al IA kind of CANOPY reaches from lH~t tl
II nnd forms "A graceful arh \ lanrlrd
sti, f,lrc, with rah panel different from
|
vntlui. and IA suggested ctr"lrssnees about
/, place makes It louk homcke, ~ If he
All, lived there ann ild not keep it for show
me
Driving slowly honcwari whIh tLc ,hah
: were rurplng On the hills a,f's, the
81, TIM. substantial wall that shuts III the
lrlar I,lr, seemed all IN stmlath. with
~. La. 4.
un to th, edge ot the hanh # nisnnGy
4 h,ft AMI there rr,,ps UN-i II ii, IT thrE :.
r. the h>t ~ friends btI.~ are not
.ul t. IuH thcrc, AMI istw'tn the rr,.s -
.tlN peep out boldly d, II thrt knew they
a,ld lHt br disturbed Conservative ana r
- II-h a, the ,arc'ul head 1T the great put
tuu. hui~ the wall with thr banked up
til ra,hn- W 1t. very top soli a. TIE
mart u u font, has Yet ~,rnethH5 VI
.nIlpp,, about II and really h,'hesr il /,
.a,h .ul,., Tor fifteen ml, about nharru 1.
u,,, ,.ull dare nt,r and ask tr tpui u
,uI ,9N having learned So murh fence
:. ii n, .ist Just one more picture an
, shall .ur-s at th character yurSf y
ne. t,tiIf Of ilg. IJjnd hOwiIT,, ~ largc MI
/ tao ot them rrd abJtr iOuf waist u
IA a ina, u gIr,nrry growing OVER all
kinr,t la,L m,I,. rl-tI.. than Il really J..
att.ar.Im.t, .atr mad" IA tue ,hJlr,
Al, II huulI. uul tH,-tei t'yt' fitrhri Il
IA, LIu,, nnd.n.' T., ndtilt tIvtf this --
~ .a.i,li yiir. that TINS ~ hard to b.
mai .,ui la. ben .Ift,i ur'iI It III tn,
IL ,unh.At d. II It were IT ii.h ~ you