Lexington weekly intelligencer. (Lexington, Mo.) 1871-1887, 1886-06-12
PROGRAMME:
PART FIRST.

were both packed with anxious listeners. The
following was the
PROGRAMME:
PART FIRST.
"Away, Away from MassanieIlo.
Vocal Glass.
Piano quartet: Overture, civilian Tell"
Misses Smith, McGee, Clemmens and
Recitation: Mrs. Beams Courtship."
Miss Florence Clemmens.
Vocal Trio: memory" Leslie.
Misses E. Saufley. o. Gould and X. Fleming.
Piano Duet: Invitation a la Danse'. Weber.
Misses Carrie Ryland and Lura Ward.
Vocal solo: 1.-The Mexican Nightingale."
Miss Marie Howard.
Piano solo: Fantasia "Freischutz'. Smith.
Miss Rosa G9hner.
Vocal solo: ~"Margherita' (Faust) .GOunod,
Miss Katie Fleming.
Piano duo: From "Elisire d'Amore'. Vilbac.
Misses N. and NJ. Young.
Dramatic selectiens-Arranged by Miss Scott:
"Meeting of the Passlons-Who shall Reign"
Thirty voices.
PART SECOND.
Vocal solo: ola Refine du Ciel" ...... TOrrie. |
Miss Olive Gould.
p;... Sd-"Wiegenlied''... So. Henselt.
fiano SOLO: b-'Scherzo".. ..Scharwenka.
Miss Ada Smith.
Vocal solo: "La Mia Piecerella''. Gomez.
Miss Edna Sauf1eY.
Piano solo: "Valse in A fiat. 'NOp. AZ.
Miss Ella Lloyd,
Vocal solo: Selection from Faust" .Gounod.
Miss Julia F. Gould.
Grand chorus: Italia" lLucrezIa Borgla).
Vocal Glass, Messrs. Chiles, Conner
and Smith.
Piano quartet: "Wedding March,"
Misses E.. Lloyd. Hawkins, l.. Lloyd
and Littlefield.
Calisthenics.
BenedictiOn.
The opening chorus was brilliant and
spirited and revealed a good body of tone,
which showed to the best advantage in
the great chorus from ''Lucrezia BOrgia' in
the second part, which was magnificiently
sung and produced an effect never before ac-
compiished with a Lexington audience.
These choruses were thoroughly drilled and
were suns with the most perfect unanimity
of expression.
The William Tell overture was splendidIy
| played by Misses Smith, MCGEE, Clemmens
and jackson, and showed that the good work
inaugurated by Miss Kramer had fallen into
thoroughly competent hands, and that under
Miss kriehn the best musical results would
be attained.
u tCat I'LL
with her recitation. She entered thoroughly
into the spirit of the piece and provoked the
h%eartiest laughter with her Inimitable humor.
The lovely trio "Memory," Leslie, was vel
sung by Misses Saufley, Gould and Fleming
and they were rewarded with enthusiastic
applause.
Miss Searcy's pupils, Misses Ryland and
Ward, by their fine playing in Weber's Inv
tation to the Danse, reflected great credit or
their accomplished teacher, and thoroughly
pleased their auditors.
Miss Marie Howard has progressed won.
derfully in the past year. She sang her diff.
fcult solo artfstically and i%ntelligently. HeI
chromatic runs were very fine, and her voice
exhibited great fexibility and evenness,
showing careful work on the part of hel
teacher. Miss Gould and patient study on hel
own part.
1t intervals we have a prodigy; this veal
1t is Rosa GGhner as Il pianiste. For q chic
so small her skill is remarkable, and as WI
sat and listened we remember how wears age
we wondered at her teacher, then like her
self, hardly able to span an octave or reach
the pedals, executing the most difficult music
NAhSo 10 ldDlC " IeDIOuut,
herself in this most promising pupil.
In natural resources of voice Miss Kate
Fleming has great cause of congratulation. /
Is full, round and rich, and capable of grea'
development. In only one years study hel
tones and execution are exceedingly good.
Misses N. and NJ. Young played their du,
in splendid style and with the utmost pre-.
cision. They were heartily encored and re.
ceived some beautiful floral tributes.
Miss Scott has a genius for arrangement
az well as for teaching, and she has alway!
some happy surprise for the audience. The
arrangement of the various dramatic will
some musical selections, making one com.
! pleted whole. representing the many passion.
to which flesh is heir, was very ingeniousl,
and ~cleyerly done. The young ladies wer,
appropriately cOstumed, and went through
their respective parts without a mistake, an,
the novelty and beauty of the entire perfor.
nance charmed the audience.
Miss Olive Gould's voice shows the care.
full training of her accomplished sister, AN,
her difficult solo was rendered with ease ant
grace. She received II warm encore and some
lovely flowers.
hhotuei lHt pidnl>tt Is Miss Ala smith
She played her two selections very brilliant
ly. Miss Smiths execution is u pleasure tc
watch, so gracefully and skillfully do hel
fingers fly over the keys.
Miss Edna Saufley won her first laurels a.
u vocalist last year. In the execution of her
solo by Gomez, she showed a marked i'm
provement in breadth and accuracy of tone
as well rs sympathy, very creditable To her
self and teacher. She won AN enthusiastic
encore, to which she responded with IA how
Miss Ella Lloyd played her selection with
great care and finish, and in IA thoroughly
artistic manner which charmed her auditors.
The great treat of the evening was the
singing of Siebel's Flower Song, From Faust.
by Miss Gould. Miss Gould always does
well, but on this occasion she was in the best
of voice, and she sang the selection in a man
ner never to be forgotten. Her perfect
phrasing, impassiOned tones, and dramatic
style would have earned the ..bravos" of any
opera audience in the world. She was Obliged
by u storm of applause TO repeat her song.
which she did in part, and no less successful
ly than IN her first attempt.
MsndelssOhn's great wedding March, -
never grows old. 1t is associated with the
most loving memories of the greater part OF
any audience before which 1t may be PLAYED