The Memphis appeal. [volume] (Memphis, Tenn.) 1886-1890, 1886-12-19
THE MONTEFIORE FAIR
MADE A MARI d SUCCESS BY
THE JEWENS
or the Great MetropOli,-A Golden
Haired Goddess The Quality OF
fact Washing the Face.

I
lau for charity has centefed the
Reslt 4, rel fin IN mt aud bssuty of New
| Y rk Israeiltss uodsr one enormoUs
roof. Toe most lovely exhibit ia no.
| to be sought in the sr ealleTy ~
among The booths, where six sttire
AMI jewels aud b'ic-s brac are dis
| played. l. is ia he ce ter of The ball
and sits in a great satin shoe 10 the
mifsi OF colony of dllle. The little
old woman who lives in the shoe and
h go many wax add porcelain clil
dren that DOESN'T Emo whist o 20
Is Jewish alden. A crowd is al
ways srould her watching admir-.
| z. Men, women aid childreu stop
! 20 gaz' upol her beautiful face, and
winsome is her iovrlilees that no
suadoR Of envy, no hOukht Of alous
| disparag me mes ac 0ss the ~ nd
| of guy woman who lLobs AJ her. Her
! perr.essness is Rcknow dyed and al
do her homage. she sits the e all uG-
| conscious of the murmuls at gdmifa.
non, htT 10 golden Aair fl1a ing in
wavy IA 8 es ogeI her III deis, and
her large blus eyes, rc ia color
as pencils, meeting The Rsz
] Vi iEl WIS ! pCID WIN kidNtt II hhh
innoce nee. + her b alty is uot that
OF he Semitic ace. TIE y plea Jewesa
| dark, aquiiue aDd has rich olive
complexion, with full led lips aud
/ fash ng aCk eyes. Many sncn may he
seel at tue laic, but no ~ OF tuem il
| COMPARABLE to the goide hal ed
daughter # RebecC q, wao sits among
he 90 lie, sometimes smiling and CHI,
tug with Wis ofs, and sgalu gBziug
seriously faraNay aud taking to her
self, all upconc ned and Car-ltss of
tue throng. There is uoi 81 much as
a ugl esti n of ,oquslTy in her smile,
or word or az on; NOT trace OF -elt'
CONSCIOUSNESS ABOUT hel. She is here
because OF her rare beauty, but she
dOts not seem to know that ste has
the mo wlntoh fac, p feet features
and swe test 10. ebud mouth in he
word. Her name is Mabel Hertz aud
she will be four ysars old NIX June.
1t is a most an uoive sal hallnci a.
tion That tact is sOmethlug peculiarly
em,n.ne, and that all women pc, sess
&c. rsct aud intuition ae suppos, d
to work out, for tue gentle Sex, vi h
out co0s cious mental effort, the re
III Is that uufo tuoste man must
reacn through he laborious wear and
tear If gray crrebr mater Tlct
smoo, hs away the rough pla es and
mases soci Al iBterGourfe easy and
pleas mt, puts The awkward at ease
aud dlspel5 be painful self tonsCi us
ness of the emb 4rrassed vice. Tao
il great thing At the Hebrew fair
one day was little scene liz which the
average amount of feminine tact was
displayed Three or ur girls met in
the middle Of lhe nall, greeted each
other tffusively and ki.ssd all around
One If them, after the osculatioo,
| oksd or iclIy at rather pretty
Jewess AID said: "Emms, what
m .ses you wesr that bangP 1 declare
it MAKES you look like your Oldest
sister"
When little Johnny said: "Gi,ls
is i ,et the same as boys, only ng
hair AID no sense" he must have
oeen Iecent witness to striking dis
play Of femiaine tact.
"Haw young sue loo eel" How
does ehs manage 60 Conce4l th6 m arss
ntfg p w has not heard these
remarks Fl / ing ab ut the auditorium
| of thea er When s me p pNlsT act ess
is or the DO rdsP n quest ners
are not always la ies, but a a rule he
ladies are mot Viialy interested in
the prob em sdpgesteG. HoG Caa one
prevent aye from sho viue itse fSn ghs
face, and what is the secret Of the
aotress's long egdIring youth As
| Los 80 a p \ 10.
t. gay much tel ton TO it. | thiI k
T., the art of making up Tor the stage
is quite d. tie ent mat or from that o.
MAXIM < up for ihs d aViDg room. La
tn ON case the srdst can make Use
of br ad, sugses i've uchssi in the
other eve tn NJ must bear an ella >r-
rae fl lish. S there arc two atty es of
. iuting IN vogue IN facial embelhs!-
ment as we'll a. IN pict raj art. But
l know something uch he,tsr III n
psi tin for prtse'viDg you hful APP.
peirance in tho face. l. is very sim
pie, aud wa sugges ed by the mass ge
I ca ment for removing supe tiu ,us
fl asa. In this case the object is in a
measure to re tore wasted fl -sh, or
rather to prevent wsste. WTln-
|
| advancing age, aud the hardest to
eradicate or conceal, are due to the
gradual wearing away Of flesh under
meath the cnticle. Whv does it wear
a9ay2 B cause the facial muscles
have either too little or the wrong
kind of exercise. II will be obs rived
that wrinkles usually take q down.
ward course THIS is due to The
: wr,ng kind of * rcise. W hat exer-
, cise2 Why, thu washing and wiping
, of the face, to be- sure. Not tat
am going 10 advocate the dpC7n inu.
gnce of tbia sAutary and wholesome
exercise; | simply sug 2eet a change
ia he m thoi. lustead Of rub niug
= the lace own la washing or wpi &
always rub upwards. This will have
. the effect OF clunteTaclin the infiu
G. al CO of the flesh TO d part tTom undel
/ the cut Gle aud will keep the face free
from wriu kles. II Is rather an awk
l wa,d habit to acquire at first, but per
=. severance will make il second nature
. and the result is worth many pains
7 This IKE cise is desi med particularly
i for the benz fit OF the eyes and uppe
Q portions of the cheeks.
! For the lower and middle portion
. where hollowness ia ofte noted rathe
y than wrinkles, out sometimes both
there is another plan. The facia
. muscles are subjected to very sliGb
9 activity in the ordinary exeItions o
> eating aud talking. To fill the cheek
out plump and round it is necessary t,
develop the muscles there. Toes
muscles are very slisht at the beg
A and any special effott well directet
y will increase them in capacity an,
4 size. An excellent exercise for thi
;. purpose is this: Take e piece of sol
4 leather-kid or obamois skin vii
- do-and put the end of it between thu
! teeth; then chew gently upon 1t TO
% several minutes, taking care not Z
4 raise the teeth from the leather.
/ the teeth are raised it will briog int
y play only the ordinary muscl o
mastication, whereas the purpose 10 t
n develop those that are seld m used
; One who tIies this method will tn'
nHa.E onfvu 4hFn1rgh a Oraa