davidaulloa/AmericanStories huggingface dataset:
St. Paul daily globe., 1886-09-01
DEPARTING TRAINS.

DEPARTING TRAINS. O. D., ,,,,
Pacific Express for Fargo
jamestown, Minnewau
kan and Portland Daily 400 IN Ass m
Fargo TX. (Daily exceptSuD s;15a m S;i5a m
Dakota EX. DAILY ........ +S:O0 III 1855 IN
Dining Cars Pullman SleeDers. elegant day ches
secondclsss coaches. and emigranb sleeping cars
between st. Paul, Minneapolis Fargo OAK, aud
all points in Montana and Washington territories.
Emigrants are carried out of st. Paul and Mime
apolis on Pacific Express leaving daily at p. m.
Arrive Arrive
ARRITING TRAINS. N'inp' nois CT port
Atlantic Express Daily -. 1l;50 m 1925 m
St. Paul & Min. fast Ex (Dy)l *T;1j NJ 1850 m
St Paul & NJ. acc. (dy eXSunlI G:l0 m Gas N
*Do not run west of Fargo on Sunday.
Through Pullman Sleepers daily between st.
Paul and wahpeton Oak, on Dakota express.
City Office, St Paul. 160 East Third street.
Citycfice, Minneapolis, No. ~ Nicolet aouss.
CETAS. s. FEE
General Passenger and Ticket Agent
St. Paul daily globe., 1886-09-01
OFFICIAL.
Proceedings Of the Common Council.
Special Meeting.
ST. PAUL, Aug. 81, 1886,
10 nfolnaE m

OT. HAUL, aug 81, lOOo' I
12 O'Clock IN.
In the absence of the presiding officers
Aid. Dowlan was called to the chair.
Present: Aid Conley, O'Connor. Cul-
len, Weber. Kenny, Kain, Starkey, Bry-
ant, Minea, Mr.. Charman-10.
COMMUNICATIONS.
From His Honor the Mayor-Call for the
Meeting
The Mayor called the meeting to consider
certain reports of the Board Of Public
Works, etc.
Accepted.
REPORT OF BOARD OF PUBLIC WORKS.
Sewer on WacOuta Street
To the Common Council of the City of st.
Paul:
The Board of Public Works have had
under consideration the resolution or order
of the Common Council, approved Angus to,
1886, relative to the construction OF sewer
on WacOuta street. from Tenth to Spruce
street, and having Investigated the proposed
improvement respectfully report that said
improvement is necessary and proper, that
the estimated expense thereof is $500;
one-half of which need not be paid into the
City Treasury before the contract is let;
that real estate to be assessed therefor
Cal be found benefited to the eX-
tent of the costs and expense, neces-
sary to be incurred thereby; that said
improvement is not asked for by
petition of a majority of the owners of
property to be assessed therefor, but we
herewith send plan or profile of said i'm
prOvement and an order for your adoption
if you desire US to make the improvement.
Yeas 4, nays 0.
WILLIAM BARRETT, President.
r. L. GoRMAN, Clerk Board Public Works.
Aug. 80, 1856.
Adopted. (See order to Board of Public
Works..
St. Paul daily globe., 1886-09-01

Neu al work in Powder Magazines
1.-The injured and Their Success
St. Paul daily globe., 1886-09-01
WISCONSIN CENTRAL LINE.

The Palace Sleeping and Parlor Car Route to
Chicago
St. Paul daily globe., 1886-09-01

City Ticket Office
234 Il Aennepin Avenue, Minneapolis.
W. A. GOWENLOCK, CT. A.
Traffic Manager.
St. Paul daily globe., 1886-09-01

TDdIIy tACtPl DuIIutly' FDdIIy tAC6pI DdIl
City Ticket Office
1875 East Third Street. ST. Paul.
j. Il. WHELAN, C. r. A.
J. A. HANLEY,
St. Paul daily globe., 1886-09-01

Chicago Night Exp
From Milwaukee. Chi
cago, Oshkosh, Nee
nah and Fond du Lac
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
@. L. Dnllin

We include Mr.. DaIlin in the list Of
Utah artists although since he began
the study Of srt he has passed but little
time in Utah. His career as 8 student
ST the Boston Academy was a very
marked one, few students making as
good q record. He turned his attention
principally TO modelling, showing
much force and originality in his de-
Signs. 4 number Of these models we're
shown BY him during his recent visit
home. He also executed several other
pieces while in his temporary studio.
The best OF these was that OF the late
Brigham Young, a piece OF workman
ship IN Our judgment showing the
greatest talents, If not genius. The
strong character Of the man was caught
and Infused into the clay. The work
viii be a guide 10 future artists. Several
5Cs-s and medalliOns showed no less
his slllful touch. A pair Of medalliOns
OF N-. aud Mrs. Charles Pepper were as
true and artistic as could be desired. 1t
Is. however, his competitive model for
the statue OF Paul Revere, soon to De
erected IN Boston, that has earned him
most praise. There Is q dash and vim
il the work, coupled with knowledge,
remarkable In the production OF so
young q man. Revere has reined up
his horse, and with one arm extended,
IS supposed 10 announce the approach
OF the British. The action Is intensely
dramatic, and nowhere does the work
lack intensity IN keeping with the mo-
tive. Should Mr.. Dailin transform his
model into a statue, as the present indI-.
cations point he VIII. il would be q
triumph not achieved BY many of his
sSe. against the competition ne was
forced 10 encounter.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
L 4 HarMood.

IF our young artists gives
N'-S-,r,ises for q successful future
s-ia'5,,, n. lanes T. Harwood, Of Lehi.
i5'l modest, painstaking and de-
Es = -.,5snt; some of his earliest
r-.l- -.;ors nave the stamp Of genuine
F-.. He returned about a couple OF
-s...' 40 from San Francisco Wnere
Ess-s 5sen diligently applying him
e = me study of art, and II what
- - Is true, made himself a general
e - =Ith his teachers for his untr-
5'-.---''5rstr-. His last work al the ART
y vas a drawing from the An,
ST., venus of Milo. which received
rl-5 --7ise. The early works we refer
---- - mostly studies OF trult,
il, ~ or two bright little
F--- hits. Cows in a Pas
----7- - Lehi' was an exceptionally
Z ~. - sketch from nature, Moon
-f5I near Lehi," was another
ICY --s in q different style. Two
80 studies from nature. White
IA IA Pal Currauts, were Tor simple
/. -. - Il, nature. equal 70 any that We
: f-I me Measure Of seeing IN the
.. ..aaA AsAaAA -------
vs.. qrnIes. on exhibition at Savage S
80 tx qaite awhile, found many
- -. s5-airers. The very best piece
- rgintug cone D. Mr.; harWooa
- -. '.1--- rssen by him to California. 1t
" bunch OF grapes and leaves
,rs :, Is rhey hung upon the vine.
--..5 4 very pretty play OF sunlight
s--1-r Them. There vas much minute
- conscientious work in the piece with
- - ra-nrsl and unaffected coloring.
- INST nave been a source OF much
TO the student that the
80 was considered by the professors
s,+Ts san Francisco Art School, as the
80 = nest piece Of painting ever pre-
ssr;zf or an applicant for admission 70
80 srbool. With such 6 good begin
-irr. il augurs fair for future success IN
v-bsteverl.ne Mr.. HARDWOOD may devote
Fis talents. We wish him 3 realization
ri ~ greatest hopes, and without
come Unforeseen detriment, believe he
VIII attain Il. -.
since the above was written, we learn
tbsr M. Il. has been awarded the gold
medal for his drawing from the an
tone. The success of those who have
zen from Utah 10 study art, has been
phenomenal. vide Mr.. Dallin, whose
work forms our next notice.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
Geo. NJ. ottinger

Is not only the real pioneer OF art in
Utah, but is also one Of the most
talented, versatile and hard-gOrking.
Each branch of art has received a share
Of his attention, but distinctively he is
first thought of as a painter Of subjects
from Mexican history. The eyentful
reign of Montezuma, with its leading
episode. the invasion of CorteZ, has
furnished many themes for his pencil
and brush. Scenes, domestic, religi-
Gus, from art, from science, connected
with that people have been depicted by
his skillful hand. To the production Of
these pictures he has brought all the
knowledge which years Of study and
research have enabled him 10 command,
so that they are not only pictures, but
are also chapters Of history. Besides
these works he has painted many per
tanning 70 early western life. Incidents
in the emigrant's tolls, the Pony tx.
press. the stage coach, the advent Of
the telegraph and the iron horse, and
the finding of precious metals among
the hills. Add TO these the landscape
and marine pictures, figure pieces
from "reminiscences of an early eventful
life, and il will plainly be seen that
his hand and brain have found
but little time to be idle. Mr.. .Ottin-
gers ideas of art are based upon broad
comprehensive views and he endeav-
ors 10 paint his pictures upon the same
principles. He is not q romancer, yet
there is always an undercurrent of
poetry in his productions. This shows
most plainly IN such figure pictures as
"A Sigh for Home whene q sailor lad
is looking wistfully across far stretch
of ocean, from the lookout Of ships
mast; in landscape in such works as
1.-The Canyons Gloom" and The
Canyons Glory" whilst in marine, 1t is
represented by a pathetic little study
called, Never Heard From where
vessel is lying wrecked on 8 lonely
sea reef. Out of the multitude of his
pictures we select the following as most
suitable examples of his several styles.
LANDSCAPES AND MARINE.
American Fork Canyon is one of his
favorite localities for inspiration. The
Lone Peak, towering above rocks and
pines; the canyon stream fretting
among fallen rocks and boulders. is
combination he has painted in
many ways and under many effects.
NOsA0-4WOO1
loved haunt. "Young's Peak" in the
collection Of Mr.. W. H. Rowe. shows
the dramatic side Of nature. There Is
dash and motion in the hurrying Clouds
and rushing water, which IS well TO
cussed in q solitary horseman dsshlng
across a bridge over the swollen torrent.
alta from the Divide" was somewhat
akin in spirit, though very different in
features. IL showed 8 storm clearing,
great curtains Of clouds hanging over
the narrow canyon, the setting sun
tinging them crimson hue. city Of
Rocks, Idaho, is an early work. but al
ways impressed Us as very novel and
excellent. This is, Of course, only q
glimpse of what be has done IN land-
scape, out our space is limited. Latterly
Mr.. Oitinger has turned his attention TO
some OF his sketches Of river bits, old
castles and by-lanes, made during his
trip to England. Magellan Entering
the Straits" Was an original idea 70 the
artist for @ picture, His realization OF
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
RECENT WORKS.

The HERALD a short time ago gave
an account Of Mr.. Lsmbourne's latest
works, We viii terminate our notice
of the artist BY simply recounting the
titles ofthe most noteworthy. There are
four scenes of the Yosemite from late
sketches made in that FL Dorado of
artists. The Sentinel Rock" Gath
edral Domes," Mirror Lake" and
Evening on the MERGED" Willard
Canyon Falls" Lake Without 3
Name" "UIntah Mountains" and two
superb scenes taken from the Wasatch,
Lake Blanche and storm Clearing
at Sunset" take them for all in all. the
finest conceived and executed pair Of
landscapes yet produced by the artist.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
lid from Tenth page.

--.t a somber sky. The treat,
- sgsi,;ii.s 4 aklh 20 the accepted
-, Is coz. CO The great masters. Ii IS
llssit0Ds o. stermine how much OF
co-r=igiasil.y nav have a purely original
a. srlisi -Is and vet that same thought
CONCEPTION hem depicted by others be-
1sT hs7s Tske the picture in any
f5-s BID must admit it is an artistic
ss-ss Es showing much skill IN the
P'2. .4aiiiciOus treatment
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25
Alfred Lambourne

Anyone giving serious attention 10 the
labor Of M. Alfred Lambourne. the
landscape artist, will realize the degree
Of progress he is making in the art 10
which he has always devoted his entire
energies. II is particularly during the
past I'VE years that he has advanced
the period before that being consumed
70 experiment, in which there was
necessarily much lost labor and disan-
po-ntLent, but an examination OF the
Eo-zs which DOW leave his easel will
Prove that he has formed his stvIe.
mat u IS broad, strong and original and
that every one Of the pictures he NOW
paints is . legitimate work OF art. His
s,!-e Is essentially his own in all its
--s- important bearings. and has basn
>1--5-fsd among our magnificent
scenery and which this artist delights To
t--.- There Is Q loneliness and solemn
-5.- OF feeling about the mountain
- ana canyons OF Utah. unaffected
r. -sg materially are with matters OF
go -. interest, that has had much 10
D. - torming this artists style
s-z-l -.-lts.n ranges offer an
80 s-ole store OF subjects. and
- I; ol- lOcsl artists have aysiled
T.-L15-'es so largely OF them as Mr..
- ----Ile, who has now accumulated
~ ----slse number of western sketches
Vl-s2 interest, and extending from
s;.-.-la4 70 New Mexico. His sketches
rs,--- -i-le scenes among the lakes and
~ ~ ne SierrAs. the sea coast OF
-.---.1cr the Colorado and ella
Csis--s, ne Old Spanish Missions %
So -,'1 re snd Arizona. the Yellow
s-z-s--- '5,lonal Park. and the grand
s5Ts5' y. " Snake River. To these he has
5ftFsc.---e past year the Island scenery
is- ~ 55s a salt Lake, theYosemiie Val
- - 50 g Tree Groves. Beside these
5ss--.T-{ -o31eered into some new and
Wsss..L- localities, both in the
s- - and Uintah mountains. A
.-r-.S- .leSe latter sketches he has
az , -. TO canvas, but the greater
~ remain to receive attention
AS industrious hand.
MARINE VIEWS.
: The collection of NJ. H. Walker. Is
S-le pair Of CaliiOrnis coast scenes =
CO SPeE Hour and Entrance to the
n,.- -sa Gate. The first namedis q view
= oA'ereY, showing an old Spanish
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25

Mission, a magnificent cypress grove,
and an arm of the Pacific Ocean near
bv. The picture is taken at evening,
the sun having sunk in the west,
though he still illumes the heavens,
and paints those bright red clouds, so
familiar on the coast. The scene IS one
of perfect quiet, everything being IN
that delightful repose which rests one
merely TO look upon. The other
picture is the exact opposite 70 TINS,
showing the marked versatility OF the
artist. The grand old ocean Is IN
m majestic motion, lashing the giant
cliffs at the right, CLOUDS are uritng
along matches of bright blue sky
showing through the riffs. \ tug is
tossing a shin with reefed sails into the
hsv and in fact. all about the picture
seems active. animated life. Both are
bigbIv creditable works of art.
Sunset on the Pacific, sketched at the
entrance TO Monterey is another notice
sbIe marine. The sun sinking in the
sea pours a food of crimson light as a
GOOD night benediction, upon the heav-
inc bosom OF the waters. A dark reef
Of rocks stretches out from the shore.
taking an added sombreness from the
coming night, only in part relieved by
the rejecting brilliance from the
FURNISHED waves. This picture is
general favurite. and is one of the best
OF the artists in this line. II Is the prop
erty OF NJ. J. Cheeseman.
Entrance 10 the Bay of Monterey, is
companion to the preceding. Thesky Is
filled with cold grey heavy fog, the waves
are running against q low reef of rocks
with wild, merciless force and purpose.
reminding one of the description given
bv Hugh Miller of the ocean, which he
compares TO a huge dragon eager TO
deyour the land. The sharp fantastic
rocks which remain appear as the
skeleton of what has been once the fer
tile land, proud in the luXuriance OF
former vegetation. This work expresses
the sentiment of savage power, cold
and unrelenting.
i number of views on the Grea: Salt
Lake must be included with the marines
White Rock Bay was painted from q
sketch made during the Cruise of the
Cambria" 1t shows with pleasing
effect a stretch Of the northwest coast
of Antelope Island, with the Elephants
Head Cliff away in the distance. The
White Rock is in the near water, from
which are flying large number OF the
familiar sea gulls.
Moonlight on the Lake was taken
LEA4OuA LsAaAAAf anu - a hcA
beautiful combination. AWAY in the
distance is the Wasatch range, with
the hay atmosphere peculiar to it.
Antelope Island forms the middle dis
lance and picturesque rocks and foi-
age make up the foreground, and over
these is seen one of the loveliest little
bays on the entire lake. On the beau
tiful sandy beach which is nearly the
shape of a crescent. are the cabins Of
Mr.. Wenner. On the water near by
the white sails of the Cambria loom
no. The artist has been very happy
in his selection of a view which must
find favor with all who have the
pleasure of gazing upon it.
We will mention q few other OF Mr..
Lambourne's most excellent marines.
They are: The Restless Sea, in the cot
lection Of D. F. Walker; The Incoming
Tide, J. r. Walker, and Sunset, Gar
field from Black Rock, is owned by G.
F. Culmer.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25

Remains Of Peace and War are very
fascinating. They show IN one scene q
glance of quiet nature through the
doorway Of q ruined mission church,
and the other a solitary old coast
guard in the form of an antiqus;ed
cannon, standing Ike an emblem OF
former greatness.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25

have trudged that weary way.
Morning on Lake Tahoe" is q very
pleasing scene. The lake in a calm and
mellow light of a pleasant morning just
dispensing itself over the surrounding
mountains, gives an air of composure
such as nature undisturbed interprets
so delightfully."-. Cradle of Mountain
Stream" a beautiful study Of nature
taken in the Wasatch range. u is
pool on the mountain side, where q
deep hollow has caught the melting
snow. Above is a high peak draped in
clouds, and in the middl- distance q
bank OF snow projects into the water
from behind hill of massive bOulders.
The conception of the artist is grand
one, as the moisture from the clouds
and the melting snow are the source of
the stream, over which they keep an
everlasting watch, D.. the water flowing
from there to enrich the plains and
valleys below.
sHosHoNE FALLS.
OF these magnificent falls the artist
has painted several different views.
Shoshone from the north, in the col
lection of D. F. Walker, Shoshone from
che southern brink, U. P. Office.
Omaha, Shoshone from the natural
bridge, owned by Thomas l. Kimball
and the two splendid views now on ex-
bibitiOn at his studio. One OF them
shows the falls as seen from below. the
other a sunset view looking over the top
Of the falls from near the Eagle Rock (;
in the picture the lights and shadows
are more gracefully bestowed than We
remember TO have noticed IN any of Mr..
Lamboufne's previous works. Inc SKY
is the warm blue Of an italian cline,
just what everyone says the ShoshOHe
skies resemble. save near the setting sun
where it is gOldensin tint; against this
the Eagle Rock looms dark, with the
whirling river, rushing past its base,
TO plunge headlong over the fall.
The scene from above shows the down
ward pour of the great mass of water,
with the mist and spray rising again
upward. The translucent tints of the
emerald water on the picture are beau
tiful IN the extreme.
AMONG THE GErsERs
In the Yellowstone Park. This is the
title of picture showing the banks Of
the Fire Hole River, with its wonderful
blue cauldrons, and fountains of water.
Among the Geysers in their Youth" is
somewhat similar, showing the Blue
Crested Spring, Castle Geyser, and Old
Faithful in the distance of the
wild scene. Among the Geysers in
their Old Age" forms companion to the
above. The sketch for il was made
near Midway in Provo Valley, Utah; a
region covered over with old geysers,
whose activity has long since died out,
weeds and grasses beginning to grow
over their crumbling cones. The idea
OF coupling these two sketches was a
most poetic one.
RECENT WORKS.
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25

tue subject was one OF his best produc-
tons. 1t was a surprise to him. after
Its completion to see in the London Nous
an engraving OF the same subject, after
the noted English marine painter, O.W.
brierly. The two artists must have been
working simultaneously on their pic
lures. AFTER the Battle was much
admired during the exhibition az Cal
ders building. Two war vessels OF the
days OF wooden walls have been en-
gagged IN conflict: one lies shattered and
broken. the other rides the waves TIL
umphant. The artist did not attach
much importance to the work. but in il
be "labored better than he knew"
Trying Out Oil, =" freight and NOON
light effect; Casting the Harpoon." a
very spirited picture, with two or three
others, painted from actual experience
OF the scenes they depict. show how
well Mr.. Ottinger learned the lessons
Of the sea.
FIGURE SUBJECTS.
Several pictures connected with Incl
dents illustrating early Puritan life in
New England claim attention. We will
specify two: Sailing OF the Nqyrsrsr,"
where we see John Alden and Priscilla
standing on the seashore, watching the
lessening sail of the home bound vessel;
and "Retreating TO the Block House."
We prefer the latter as the better picture
Of the two. a cold. wintry twilight is
settling over a New England forest. On q
little clearing among the trees stands
a square building OF rOugh-hewn logs,
a premature fortress, hastily built and
thitherward n Puritan family are re-
treating. Tidings of Indian cruelues
have reached their ears; ere 10 be too
late they hasten 10 the refuge OF the
block house, taking with them the
household goods. Disturbed by their
approach, rabbit jumps from q clump
of brush, and leaps across the snow. 4
youth is about 10 fire (for food is
scarce), when the father restraints, for q
shot might betrav them to the foe. The
priTations Of the early settlers e
POLITICALLY told.
OF other figures Mr.. o. has painted
many of more than passing interest.
Consta &C &c Beverly illustrates 2 scene
fl, m SCOTS Marmion." The heroine IS
being led down the winding steps 10 the
monastery vault. where she will
undergo the frighful penalty OF
immolation. Constance arrayed in
pages garb, looks her last
upon the light Of day, as it comes
streaming through a narrow grated
window on the stairway. Alexander
Selkirk abandoned on the Island of
Juan Fernandez" This was the his
torical incident from which De Foe
took his notorious story Of Robinson
Crusoe. Selkifk seated on the
lonely shore watches the gradually
lessening sail of the pirate ship,
sinking away in the sunset Thou Art
so Near and Yet so Far" as the title
suggests, shows a love episode The
humble retainer has dared to fall in
love with my lords daughter; but as
ga cat may look upon q king" he casts
wistful glances upon her as she passes
through the castle gate:
The Salt Lake herald. [volume] (Salt Lake City [Utah]) 1870-1909, 1886-12-25

The Best RAIsINs in the World with CURRANTs
CLEANED Ready for Use, at Low Prices at TEAsDELs.
The Bottineau pioneer. (Bottineau, N.D.) 1885-1895, 1886-12-09
Bottineau Temperance Society

Bottineeu Temperance Society.
The friends Of the temperance cause
turned o4t in goodly numbers on Tuesday
night last, and it is becoming apparent that
the school house is getting too small to
accommodate all who come to the lively
meetings Of this society. A permanent
organization was effected, and the following
named ladies and gentlemen were unani-
mously chosen for the various Offices:
President, Mr.. Alex. MoBaiu; vice presi-
dent, Mrs. g. J. Coulthard; secretary, Mr..
J. W. Bennett treasurer, Mr.. Alex. Maclay;
executive committee, Mr., Dugald Nc
Arthur and tho Misses Marian Beaton and
Margaretta McVicar. Rev. Messrs. Burr
and Turner addressed the society, conpli-
menting it on the progress it had made,
and extolling it for the power exerted by
it and encouraging it to 60 on in the'good
work. Several songs were sung by the
choir, and the president in his rich barri-
tone voice sang the favorite temperance
solo, Sparkling and Bright" The next
meeting Of the society win be held Jan'y 4,
1887, and It Is understood that under the
direction Of the efficient executive commit
tee, discussions and declamatory exercises,
readings and music will be served to en-
|liven the future meetings Of the Bottineau
temperance Society. Everybody is cor.
daily invited to.come and join the band.