Savannah morning news. [volume] (Savannah) 1868-1887, 1885-10-25


Rose is to be the leading color for even
ing wear.
Byzantine canvas sultings IN two tones
have plain material to match.
Bracelets are not bought in match pairs,
but in odd designs and forms.
ChIldren's newmarkets are made of as
trakhan, plush and homespun.
Walking jackets made Of brown boucle
are trimmed with wooden frise.
Hats with high crowns are as often
trimmed on one side as all in front.
Dress fronts of marabout, in all the
mode colOrs, are the latest novelty.
Jerseys have guipure plastrons con-
fined by wheels Of gold braid on either
side.
Lusterless black boucles, trises and
bourettes are used for mourning cos
tunes.
Velveteen skirts will be worn with wool
overdresses and basques, and velvet skirts
with silk dresses.
A favorlte fancy is a small knot Of rib
bon the color of the dress set on the side
OF the high, close collar.
Pearl white china Grape, combined with
silk or satin and lace Is the favorite IA
brio for Paris evening dresses.
The favorite colors Of plush for bodices
and children's dress are all shades OF
green and brown, navy blue and red.
The bracelet with a spring is no longer
worn; those OF flexible gold links and fast
ened with Old-fashioned clasps are the cor
rect.
Waistcoa is Of velvet are feature on
jersey jackets, and when seen are inyari-
ably accompanied by velvet collars and
cuffs.
Coats and newmarkets for girls under
16 are trimmed around the high collar and
sleeves and down the front with natural
beaver.
Waterproof clOaks are made Of silk and
fine cashmere III every variety OF plaids
and in all the fashionable solid cross, in
Guiding gold.
Wooden lace with boucle figures is worn
with velveteen dresses, the lace and vel
veteen corresponding in color, though diff
ferlng in shade.
Striped or checked materials are fire.
quently combined with plain cashmere or
merino for walking costumes, but plaids
are quite gone out Of fashion.
A handkerchief of bright-colored silk
preferably in clan plaid, will be worn
in the trout Of the dress if OF black, and
with col0rs, some shade TO harmonic or
contrast.
A black jetted velvet bonnet, with horse.
shoe crown and the brim outlined with
Jet cones, has n mass Of white tips posed
nigh in front and has strings q white
satin with Pilot edge.
There is a noticeable absence Of but
tons on allof the newer Paris dresses, and
many of the fronts have told of
silk or lace down the middle, or a
shared jabot confined by ribbons.
Plush and velvet, both cut and free, Will
be specially popular, and the plain and
brocaded gooda in which these effects APP
pear will be among the most preferred Of
materials for autumn wraps and cloaks.
Lace skirts maintain their place, sub
Ject only to slight changes in the oombi-
nations employed. Some are made Of a
single piece Of fine wool lace placed on d
velvet skirt, the corsage and overskirt &C
companying it being OF silk. The left side
OF the skirt is completely exposed, the
drapery extending only on the right.
The house half shoe OF red morocco
with gilt heels. the latter effect being OBJ
tained by a thin sheet of metal over the
heel in place Of gliding, 10 considered
very chic. The front is ornamented with
red velvet bow bound with gold braid,
and Is cut low 20 show the instep and the
red, black, or pale blue silk stocking.