The sun. [volume] (New York [N.Y.]) 1833-1916, 1885-04-05

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LOOK II Tsnnyson's repeated failures despite
tho rss When hi. w"rs was done
Mscrs.dy. What dire failure his jnnius'
has lust been in London. Wilson Bnrre,, VIII.
You would probably fancy that some OF our
| American novsiists would be able to give us
OF ss". soG s tut it
deriock to, dramatizs hi. Daisy Miller,
the he wa. square hat
i was not produced. Even Mrs. Burnett
as 20 n.T e put hs Charts,
Rsads was never very successful Tor the theatre.
ls.s. 10 show you how muc, Literature has
t. SSs s; ef.s e s'" %. n ss sss
true literary value. and are sItensively read 10
perfection Of cleyerns.s IN construction. and
Hs Feiora' viii MAKE a fortune for its Swn.r
l
Hiboysr' would probably not draw for a week.
Yet no Judge Of the merit OF the best kind 81
ia any respect The ea nHl OF the latter.
ITO know how to bring psopls on and OIL the
| stsSs naturally and effectively how to move
thsm about from nairs 10 groups and vice
versa. how 70 dovstsll .ait 4. and bring
atrs. not. perhaps, necessarily on ths stage.
| hut from frequent study Of performances
Thsn' too. ths value Of d!alogus is rar.iy un.
dsrstood BY those who have not spoken. It.
| There H. or should b. all the d fer
ence In the world bstwsen writing what is
10 DO read and that to DO spoken. The lat
| ter must b. ciaar concise, couched in
very snort sentences. and SO arranged that
| tn. EN- phasis must suit the brsathinv powers.
| Then. too. the position Of the climax ot =
| speech must be carefully considcrsd. In
| novel the strongest point may be made any
| WHARF on the stage 1t must 10 in the last
words, or else both the point and all that comes
after 1t will be lost Then. too. the use and
and the use Of prorertiss) 10 not Understood BY
| the ordinary writer He will make peopIe sit
down or stand up and hold a long conversation
| without ever chanRi nv their positions. The