St. Paul daily globe. [volume] (Saint Paul, Minn.) 1884-1896, 1885-06-14
FASHIONS FOR ANGELS.
Summer Styles in the Hats and Bonnets
Which Will Decorate Our Earthly
Creatures.
Some Very Pretty Costumes For the
Seaside and Country DeHcately
Described.
Old Styles Revived Newest Fancics
in Bijouterie--Daintie For
Dear Girls.

Dedr GlrlSs
Pretty hats for ordinary wear are the
rough straws These are produced in all
cOlOrs and shapes, and are urged by mil
liners upon the attention of the purchasers
as possessing much style. A leading shop
shows pretty conceit in smothering deli
cate roses under tulle scarfs. One brown
rough straw, with high crown and small
rolling brim, was trimmed with dark brown
velvet. In front was velvet bow, pitched
little to the left, and balanced ON the other
| side by large cluster OF tea roses caught
under soft, fluffy folds of snutf-colored tulle
A rough black straw, English shape, had a
large bunch of red roses placed directly in
front, with yelling of black tulle. The
| brim was bound with black velvet. Among
the newest, most stylish and ugliest shapes
is the long, fiat English turban, whose
crown is completely covered with oblong
| folds of puffings of any material the pur-
chaser may chOOse-from cotton goods to
satin. The rims are bound with velvet.
| No loops or bows are permitted to break the
perfectly fiat effect these hats are intended
to have on the head. In shade hats the
rough and ready straws are shown with
These are trimmed with loose, full punches
of roses, and soft scarfs of boating serge,
white or black, or a mixture of both colors.
Soft cream-colored leghorns are still used,
and white Panamas. These have low
crowns built into high effects by voluminOus
muslin scarfs.
| BONNETS AND TRIMMINGS.
The little capoti bonnet, as the season
advances, still holds its own by force of its
beauty and convenience of form. High
effects are produced by stiff aigrettes and
| bows of both broad and narrow ribbons,
placed not so much at the side as ON the
bonnets worn last winter, but directly in
front. Black beaded bonnetS are made of
open gauZe. to show the hair. These Skele-
ton bonnets come in different materials and
are almost always pretty. Ribbon strings
have succeeded the velvet ones SO long worn
and are tied little to one side. In sum-
mer yelling, black illusion is preferred, so
thin as to almost defy detection. These
| light short wells are always placed over the
bonnet long enough to meet and to pin. A
| French style of wearing illusion wells is
struggling for acceptance here. It is to
have the veil of sufficient length to pass
around the bonnet or hat and be brought
side of the chin.
GALL OVER EMBROIDERY"
| A French modiste shows two or three
pretty ways of making up what is known as
the ''all over embroidery in the shops. A
| dress OF the two colorS, dark blue and In
dian red, had broad panel of embroidery,
| falling quite to the lower edge of the skirt
in front. The groundwork of the embroi-
derry was dark blue, with red wheels worked
in it. On either side of the panel were
placed fan plaitings of the plain dress ma
terial, the two shades alternating, beginning
with the dark blue at the lower edge, a
quarter of yard in width, above this a trifle
narrower width of the red, and continuing
in alternating colors and graduating widths
| to the round waist line. A short blue apron
front comprised, the overdress. In the back
the lower skirt showed long reversed Y of
embroidery, the OyerSkirt falling on either
side in long scarfs and loops. The waist
was cut to be worn with belt with V of
the embroidery, introduced in front as a
| vest Another style is to have the width of
| the embroidery placed around the lower
| skirt in band covering the front widths.
| Below this is pink plating of the plain
material of the dress. Another band of the
trimming, half as wide, is placed at dis
| lance of quarter of a yard above the lower
band. This, like the latter, has finish of
knife plated material The back widths
are full and have no Overdress. The waist
is round, with yoke of embroidery. The
belt is made of a marrow band of embroidery
and has a large bow and ends of the dress
goods in the back.
PIQUE DRESSES.
girls wear velvet bodices and girdles with
them. 1t is not unusual to see these cotton
goods made to have silk vests worn with
their waists. Elton jackets are favorite
mode of cutting them, and the English tai
lors show some tailor cut coats and skirts of
piuue. Delicate ladies who cannot wear
thin wash dresses will find great comfort
and convenience in the revival of this old
fashioned pique goods, which can be washed,
and looks cool. For a pretty, stylish little
wrap get lace beaded grenadine, with a
straight officers collar beaded by narrow
frill OF black lace. Plated lace is the pref
test edge for such wraps.
VARIOUS STYLES.
Elderly ladies can have their Llama lace
three-cornered shawls looped up and fitted
in short wrap effect without cutting them.
The corners in front descend below the
waist, the back corner is doubled under,
folded behind the thin silk lining, and the
lower edge of the wrap in the back is fin
ished by narrow lace plaitings.
Ginghams are made for the most part
with single skirts tucked to the waist. A
pretty style has long, broad tucks running
horizontally in front, with plain, full widths
in the back.
Amber is the latest stone used in the sum-
mer fancies in biiouterie. There are amber
headed hair-pins in horseshoe-shaped tops,
or dagger-shaped ones, and long, narrow
pins for the throat, composed of eight or ten
amber stones set in gold.
Boating serge is a favorite material for
tennis dresses, and can be had in blue and
cream white. 1t is trimmed with large,
soft cord to match in color.
ADude i'm "a Street Car.
From the San Francisco Alta California.